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التوظيف الجمالي لمنحوتات النافورات في اوربا == Employment Aesthetic of Fountain S Sculptures In Europe

Author name: حيدر صبيح عبد الله
Supervisor name: هادي مشهدي عجيل
General topic: Fine Arts
Specific topic: Sculpture
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: When sculpting overpasses the temples I the beginning, a kind of interactive paring has happened with its advance that acquired it development and diverse effect. The most important pairing is the combining of sculpting monuments with the aesethic and the effect of fountains, water has acquired water a structural transformation from mere monuments into self - existing as a center of inspiration into the group of activities : ? The aesthetic : employing the water towards an merger with the sculpting to be complimentary.? Psychological : for what water present of the psychological data the basis of life and prosperity.Because the thing accepts merits from the sculpting form when it is combination with water, history of sculpture has passed about forty centuries starting from Mesopotamian, Romans reaching not modernism and postmodern.Since water is regarded one of the pillars of life and the mark of existence and a peculiarly of prosperity, richness and happiness, with all that connotations unrestricted additions to literature and art , specially sculpturing. These are the periods which reveal the points and setting and the results of the aesetithic for the waterfountains as a result of a combination that is not free of interaction on the level.The research needs investigation and digging the interaction in addition to a systematic interpretation with all the calls for investment in that employment with aesetithic developed dynamitic data.The researcher in the cognitive field presents the performance combination between the sculpturing as art that depends on the block with its three dimensions and the interactive movement of water with the text to be a stylistic structural part which is combined with a mechanism that is producing the final form with an interpretation implementation which adds a lively interactive.Besides these ideas, the research depends the ideological implementation which achieve success.Chapter One represent the theoretical of the study, by finding the problem, the aim, the limits and the need for the study as well as defining the terminology.Chapter Two is the theoretical and cognitive framework so that the researcher could achieve the intellectual bases of the aim and the indicator equation analysis depend on the first inquiry : thepsychological dimension of water in the human self and the aesetithic employment.The researcher shed light on what could be achieved by water as a vital element in effect of building the psychology of man. The artist can invest in these information with scientific validity, the second inquiry is the theoretical framework is about the sculpting of fountains and its stylistic development. It is an investigatory inquiry which evaluate the most important findings.The researcher ends the theoretical framework with the third inquiry that shows the aesthetic employment of water in these fountains and that form the sculpting art. These indicators which are produced by the theoretical framework which can proved its analysis of the aesetithic employment. The samples of the research form the site of revealing the results which is achieved the aim of the study which lead to the achievement of the conclusion and recommendations. This researcher in that achievement realizes that the area of her research is regarded new in the Iraqi and the Arabic level. This reveals the importance and the movement of the fountain sculpting in Europe as an important source in the Arab East. This can characterize the thesis of originality in that field

المعالجات الاخراجية وانفتاح النص في الفيلم الملحمي

Author name: حياة حيدر محمد علي
Supervisor name: علي حسين صفوك الركابي
General topic: Fine Arts
Specific topic: Cinematic Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: تناولت الباحثة في هذا البحث(المعالجات الاخراجية وانفتاح النص في الفيلم الملحمي) في محاولة للتعرف على سبل وتنوع المعالجات الاخراجية السينمائية للفلم الملحمي عبر وسائل واساليب استعمال عناصر اللغة السينمائية استنادا الى رؤى وافكار المخرج السينمائي بما يحمله

التوليف التقني في النحت العراقي المعاصر == Technical Matching In Contemporary Iraqi Sculpture

Author name: حسين علي محسن
Supervisor name: علي حسين علوان جمعة الاسدي
General topic: Fine Arts
Specific topic: Sculpture
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: تواصلا مع الفن العالمي كان الفن العراقي ومنذ خمسينات القرن العشرين ينحو باتجاه الفكر التجريبي باستخدام المادة والتقنية والخروج بتوليفات مادية وتقنية تؤكد الجانب الابداعي في الفن العراقي المعاصر، ولذلك فقد جاءت هذه الدراسة لتسلط الضوء على التوليف التقني ف | Since the late years of 19th century, development has turned to be but an integral part of man's life. All fields of life have been developing and this progress has affected the view of life on the part of the human being in general and the artist in particular. As a result of this machine revolution and the rapid industrial progress, the artists could not help making their art cope with the new era. In response to the twentieth century technology, certain changes took pace in the new world of art especially in the artist's performance. On the whole, art turned to be a world of experimentation including both the raw material and technicality through matching to the extent that new concepts came into being : the artist departed the restrictions of specialization and moved into the free multiple and comprehensive plastic art. Since the early 1950's, the Iraqi artists have been creatively. aware of the world - wide tendency of experimentation. This study is an attempt to shed some light on the technical matching in contemporary Iraqi sculpture. It is concerned with the expressive and aesthetic values that stem from the technical matching. It also attempts at showing the stylistic features of contemporary Iraqi sculpture works under investigation. This thesis falls into five chapters as follows : Chapter One is entitled as 'preliminaries'. It divides into the following sections. 1.1 The Problem of the study. 1.2 Significance of the study 1.3 Aims of the study 1.4 imits of the study and 1.5 Definition of terms. Chapter Two is on the theoretical background and review of literature. It falls into three sections : 2.1 The artistic application of technical matching 2.2 Styles of technical matching in contemporary sculpture and. 2.3 Aesthetic philosophy (approach) of technical matching. Chapter Three is on the procedures. It can be outlined as follows : 3.1 The population of the study ( 250 sculpture works by 36 artists along the years 1980 - 2008) 3.2 The sample.3.3 The method ( a descriptive approach to content analysis) and. 3.4 Tools of data collection (observation, interview, and survey). Chapter Four includes the analysis of the samples and display of results. The following are of the results : 1. Matching has been proved through of the application of more than one technique in each piece of work. 2. Matching has enabled the artist to go beyond the limit of the material. 3. Matching has paved the way for the artist to make all possible use of the sense and structure plastic and expressive potentials to achieve a variety of relative values such as the plastic, expressive, and aesthetic ones. 4. Matching has taken place among a number of resources : a. Works of contemporary world. b. Works of (the heritage of) Mesopotamia. c. Popular culture and d. Realities of contemporary Iraq. Chapter Five is concerned with the Conclusions, Recommendations and Suggestions. The following are five conclusions. a. A large number of contemporary Iraqi artists have applied technical matching to their sculpture masterpieces. b. Sculpture has developed a lot through using newly factory products and rubbish. c. Sculpture has turned to be given new dimensions and concepts by contemporary Iraqi artists within the realm of postmodern plastic arts. d. It has been found out that there are new aesthetic dimensions of sculpture work arrived at by the plastic artist through matching. These novel dimensions are in connection with attracting the receiver and stimulating his thinking and. e. The motives of going beyond the limits of the raw material through matching are inherited and deeply rooted in ancient ages. Still these motives are going on nowadays.

تقويم التكوينات الخطية في جدران العتبة الحسينية المقدسة == Evaluating The Calligraphic Formations On The Walls of The Holy Husseini Shrine

Author name: جواد كاظم حداوي
Supervisor name: جواد عبد الكاظم فرحان الزيدي
General topic: Fine Arts
Specific topic: Calligraphy and Decoration
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: The Arabic calligraphy art is considered one of the great and distinct products in the Islamic art history, which cover wide areas in the Islamic architecture, including the walls of the holy Husseini shrine, until they gained Islam's indication and became resembling its symbol according to its function in the font of the holy Quranic texts, where this characteristic formed a strong incentive to seek its development. The emergence of the calligraphic formations is one of the products of this continual endeavor, and an advanced stage at the level of technical and expressive development as well as one of the natural products generated by the font development and the increase of their functioning methods through what they registered at the level of formal characteristics and the systems of their formational levels. Yet, the absence of the analytical critical aspect of these works led to the weakness of aesthetic visions to them, in that these products were not confined to only calligraphic accommodations, but they reflected a constructiveness of calligraphic and decorative varieties according to various showing techniques. Because this topic was not studied in a form that clarifies the aspects of weakness and defect or strength and quality in calligraphic formations, and this can be achieved by the extent of their convergence and divergence from their artistic and rule properties as well as their executive techniques which focus totally within the topic (Evaluating the Calligraphic Formations on the Holy Husseini Shrine); therefore, the researcher sought in the first chapter of his study to pose the problem in the following questions : • What is the artistic evaluation criterion of the calligraphic formations on the walls of the holy Husseini shrine? • What is the artistic evaluation of the calligraphic formations on the walls of the holy Husseini shrine which is built on the base of this criterion? In order to arrive at the desired results, the research aims at identifying the calligraphic formations on the walls of the holy Husseini shrine through the study of artistic and rule properties of the calligraphic formations on the walls of the holy Husseini shrine and the systems of their formation levels and executive techniques. The researcher defined its research population for its current position (1433AG/2012AD). The axes of the theoretical framework in the second chapter based on topics like (the origin of wall calligraphic formations, the artistic and rule properties of the calligraphic formations on the walls of the holy Husseini shrine and the executive techniques of the calligraphic formations on the walls of the holy Husseini shrine). As to the third chapter, it was dedicated to display the research procedures which population included the calligraphic formations mounted (40) examples from which the researcher selected his purposeful samples mounted (10) examples, which formed a percentage of (25%) out of the total population. He followed the descriptive method making use of the instrument represented by an analysis form constructed on several axes on which validation was supervised by a group of experts in this domain, as well as it included the sample analysis. While the fourth chapter comprised of a display of (results, conclusions, recommendations and proposals). Through analyzing the selected samples, a group of results emerged as the following : Through analyzing the selected samples, a collection of results were shown as follows : 1 - Some letters in all samples were written in a way that contradicts the structure of the real letters and some of which were effaced in addition to the clear abuse of their positions and bases in a way irrelevant to the Arabic calligraphy whatsoever. 2 - The reduplicating line decreases the clarity and readability at the vision level in terms of the place of calligraphic formations on the wall, which manifest its specialty where its letters' size is more accurate that the letters' size of the evident or normal Thuluth font when written with the same pen, as in example (1). 3 - Among the aesthetic characteristics of Naskh and Thuluth fonts, the location of the construing and decorative movements add a sobriety and beauty on the calligraphic line and fulfill a functional and aesthetic harmony with the letters and words which is obvious in example (2). 4 - The calligrapher did not consider the interval ratios among the lines and sentence paragraphs in the sample examples, and the non - proportion in size among them, for they form the most important fundamental pivots in the constructional map of the calligraphic formation, which was not previously laid as well as the absence of the technical experience required for achievement which formed a constructive malfunction for these examples. As to the most important conclusions, they were represented by the following : 1 - The location of the construing and decorative movements adds to the calligraphic line a sobriety and beauty and fulfils a functional and aesthetic harmony with the letters and words, yet the nonuse of construing and decorative movements in fulfilling their goals which were found for them made the interaction with the calligraphic achievement weak and unable to motivate the receiver's aesthetic taste. 2 - The non - writing of the calligrapher's signature and the date of achievement in all samples form a phenomenon of plundering the artistic rights and effacing the artistic phenomenon which should be supported and documented because it accounts for the presence of calligraphic art and its future. 3 - The construing and decorative movements were written in a way uncommitted to the standard norms and rules put for them; therefore, their forms came cadaverous and they were unsuitable to be used in the formations of the clear Thuluth font. In continuance with the results and conclusions, the recommendations and proposals came followed by a list of references, figures and appendices, and then the researcher ended the research with its English abstract.

جماليات التنوع الاسلوبي في الملصق البولندي : دراسة تحليلية == Aesthetic The Styles Variety Polish Posters (Analytical Study)

Author name: جميل عبد رماح الحسناوي
Supervisor name: نصيف جاسم محمد عباس
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: يعد تحقيق الجمال في تصميم الملصق هدفا ضمن اهداف عدة لا يمكن الاستغناء عنها كونها تحقق الجذب والاثارة ومن ثم تحقيق الاتصال الذي يمثل هدف الخطاب الاعلاني. ولا يخفى على المختصين في مجال التصميم اهمية التنوع الاسلوبي في احداث تكوينات شكلية ترفد الملصق بف | Realizing the beauty factor in designing the poster is considered as a significant goal including numerous indispensable goals because it realizes attraction and excitement then reaching to the connection that realizes the public speech. It is obvious to the specialists in the designing field the stylistic diversity in shaping forms that support the poster with activities contributing in its aesthetic diversity and aesthetic values helping to form the main objective of the study through the positive effect that this diversity make. According to this, the research is been organized in several chapters, the first contains the needs that the researcher touched in the poster designing system in Iraq. Such as : - 1 - The interested establishment in designing fields in Iraq is lacking to know designing styles that other countries adopt and considered number one in poster designing field like the Polish poster.2 - Using the objective stylistic diversity is showing weakness and needs to enrich the poster with aesthetic dimension in designed posters in Iraq.According to that the problem was identified on two questions : - - What is the role that the designing stylistic diversity does aesthetically in poster? - Is it possible that the aesthetic dimension in the poster would be affected by the diversity of the idea and technique? The importance of the research is identified through two points : 1 - The possibility of contribution in supporting the Iraqi artistic library with a methodical academic material.2 - Developing the performance and executive awareness for the specialists in designing field in Iraq through providing information about the aesthetic stylistic diversity in polish posters one of the most important in the world.And the goal of the research set including : the following disclosure of stylistic diversity wich contained in the polish poster and its linking with their aesthetic broadcast. And it based on three levels : 1 - The objective level : studying the stylistic diversity and its aesthetic impact on the polish posters.2 - The temporal level : (polish posters between the year 1990 - 2008) the researcher choose this period because it’s including all the styles that the polish poster follows since its start, besides this is the nearest period to research accomplishing time. 3 - The spatial level : the posters designed in Poland.Then define the terms that the research used which are : Beauty, diversity or variety, style, pre - modernism, contemporary art.The second chapter identified containing the abstract and the previous studies where it is organized in four research work, as the following : 1 - Stylistic diversity of the aesthetic mind through the history. 2 - The Poster and the history movement.3 - The technical part of the research (using).4 - Polish poster and the stylistic transformation pre - modernism.The researcher specifies a group of indications that represents a summary of the abstract : 1 - concerning the multiplicity of the schools and the artistic movements (realism, expressionism, new classism, touchisim, cubism, abstractionism, surrealism etc. …), Artistic styles of the artists numerate through mental reflections affected by the nature of changes that happens to the artists like the social environment and intellectual and cultural background, theses styles add many characteristics on the stylistic of international posters in general. 2 - Polish Poster design was in Four stages on the integration of image through effective aesthetic expressive symbols and metaphor techniques For past and Contemporary civilizations through the adoption of principles of complexity simplicity.Sense of belonging. Strange classic pluralism and symbolic form in the formulation for the purpose of organizing the relation ship between form and meaning are indicative and highlight the symbolic meaning and privacy and achieve the humanitarian need of wildlife. After that, the research procedures that the third chapter contains following the descriptive method (method of analyzing the content) in order to arrive to the results, the tool of the research will be presented as an application form to identify the issues that the researcher build with the help of experts then the chapter contains the process of selecting intentional samples for reasons explained before by the researcher which is estimated by (15) samples of different posters also the research take into consideration the truth and constancy of the research tool. Chapter four includes a description and analyzing the (15) samples of the research according to the issues studied.Chapter five presents and discusses the results such as : 1 - The personal effect of the designer appears in all the samples through adding personal touches on the posters in spite of using a group of styles in his design. 2 - Using different techniques of procedures external edges of the forms that make it fit to the main space and give the poster connection to the visual whole and the headlines which leads to give aesthetic significant touches to all the samples numbers (2, 3, 4, 5, 6, 8, 9, 10, 11, 12, 13, 14).3 - Chromatically using comes on two sections : section one is related to the style used in the poster and according to its executive and intellective establisher. The second section is related to implementation pressures controlled by the typical idea that is considered as the personal style of the designer and this using affected the poster with aesthetic values and this result appears in all the research samples (100%).Researcher concluded that a number of conclusion after the show results and the discussion that took place by including the factors.Factors have the times and traditions schools arts and global limitation on Poland from the years of war in the maturing and development of ideas put forward and made functional and aesthetic dimensions of stylistic diversity. The researcher recommended using stylistic diversity as a main source in designing Iraqi posters, because it has the power in realizing aesthetic values and activates the attraction and the excitement factor in the poster idea. At last, the researcher presents suggestions of titles that could be discussed in the future like (variety in the technical demonstration and its aesthetic values on the contemporary poster structure in Poland).

بناء منهج تعليمي لمادة المشروع في قسم التربية الفنية على وفق الاسس النقدية والتقنية للفن الشعبي == Building of An Instructional Curriculum For The Project Subject In The Department of Art Education According To The Critical And Technical Basis of Pop Art

Author name: ميادة عبد الرحمن فليح العيساوي
Supervisor name: ماجد نافع عبود الكناني | سلام جبار جياد
General topic: Fine Arts
Specific topic: Art Education
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: يهدف قسم التربية الفنية الذي يمثل احد الاقسام العلمية في كلية الفنون الجميلة، الى اعداد الطلبة وتاهيلهم لمهنة تدريس مادة التربية الفنية المقررة في مدارس المرحلة الثانوية، لذلك فان برنامج الاعداد ينبغي ان يتضمن مجموعة من المقررات الدراسية التي تشمل الجوانب | Since Department of Art Education is one of the scientific department s in the College of Fine Art, then this Department aims at rehabilitate students and adopt them for the career of teaching the subject of art education for the secondary schools. Therefore, the programs includes a set of curricula textbooks that include educational and psychological aspects as well as some artistic. On that basis, the researcher preferred to co duct an experimentation to one of the concepts of postmodern art called (pop art) through building a method depend on one of the concepts which would help students of the subject to carry out their art projects according to scientific steps included in the present study (planning - evaluation). Training of the use of art skills conducted by pop art artistic and promote it for students who carry out their projects represents an artistic cultural process that requires much experience and high level skills according to their mental abilities and intellectual readiness as well as their previous expertise and how they are affected by it. The researcher prepared a theoretical frame that include subjects about pop art and the factors which founded that art as well as the sources of its emergence and the most important arts is who have supplied that art with their worlds hat depended on the daily life (familiar - unfamiliar) with previous references of that art and cultural mass media that have propagate it. The procedures of the study depended on the descriptive method (content analysis) as it is the most suitable procedure to realize the objectives of the present study. She tackle in the chapter the community of study that included 100 works for 10 artists who were chosen randomly. then she derived (carryout) the consisty of tools.The researcher analysis the works by anaujsis the onception of (100) of wark arts. then analsis of building for those ten Artist to support the curriculum so, the researrchn gets the critical and techuical bases of bob art schod by discovering thenm , the researchan depends on them to built the curriculm which is considered one of the aims of research.After that the researcher built the suggested method of the art project subject in the department of art education. The project included the instructional objectives about the theme of the project and its steps represented in determining the problem and in planning the project and then carrying it out.The most important conclusions were : 1. Working on finding new mechanism in organization the structural organization of the art project through directing the students to insert the available raw materials in his environment (ready and not ready) and employ them as material outputs in relation to the reality of Iraqi society.2. Taking to the technological developments in carrying out the idea of project work and use what is available of photographs for some of the art and political persona as well as packages of food and drug products.The most important findings are : 1. Using the suggested method for the project subject in the departments of art education in college of Art Education as it included the instructional contents for w whole academic year. 2. Inducing the educational institutions and researcher alike to translate resources and literatures that have treated pop art as it includes as it includes rich information and the familiarity of uses in many artistic institutions or by artists. The researcher suggestion is , haw to buitt instructional program according to building treatment structural to derelop the plastic Arts student skills.And joput the pop ant and tecniqne bases in acheavement of recommendation of handkerchief subject.

توظيف التقنيات الرقمية الحديثة في تصميم الاعلان التجاري : دراسة تحليلية == Employing Modern Digital Techniques In The Design of Commercial Advertising (Analytical Study)

Author name: وفاء جاسم محمد
Supervisor name: انتصار رسمي موسى
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: In recent decades the technological revolution produced a sophisticated modern digital in various fields, and the most prominent of the artistic field in general and advertising design in particular which has evolved into an advertising digital art industry. Keeping up all the techniques at modern digital advertising of modern techniques design from outside shape of the traditional style to interact with each influence technical, electronically and influence effectively on the evolution of advertising trade design, display distinctive deviation, exciting, attractive, and development of methods and types. of course the design changed the advertising business and transformed it to the communication means of interactive in order to achieve integration design in the field of advertising and target service - profit catalog business. The objective of this thesis is focus to find out the most important modern digital technologies used in the commercial digital design and knowledge of the methods used in advertising mail as well as all its elements graphically and typography. The importance of this research through its contribution to shed light on modern digital technologies used in the design of the advertising published on the internet, and the benefit and development of researchers and scholars in this specialty. The thesis divided in to four chapters, the first chapter is the problem statement which gives the answers to the following main two questions : 1. What are the most modern digital technologies which engage in advertising published on the international network for information?2. What are the methods for the design of digital advertising published on the international network for information? The objective is to detect modes employment of digital technology in modern design of digital commercial advertising, publish on international network for information and stand on the electronic design advertising methods according to modern digital techniques, and terms contained therein has also developed. The researcher limits the temporal boundaries and spatial of the digital commercials published on the international network for information which represented from a number of websites offered via the internet and confined to the duration of the year 2012 through 2013.The second chapter which contains previous studies and theoretical framework, which is concerned with three sections, the first section related to the traditional digital commercials, the second section related to the hiring digital technologies in modern commercial advertising, and the third section related to the features of digital communicative and technical announcement and methods of digital advertising design according to modern digital techniques.It should be noted that the subject of the research topics trendy and modern applications. Therefore, searching for former researcher makes the researcher in difficulty and hardship in the sourcing. The researcher precisianism commitment scientific criteria in order to reach results can be built upon in the field of digital advertising design, investment technically, and lay the foundations of scientific used in the process procedural. Chapter third analysis and description of (10) samples, based into paragraphs form analysis prepared by the researcher, distilled from the theoretical framework of indicators and concluded them after presentation to the experts for the purpose of evaluating and verify the sincerity and consistency of the results serve to address important research. Chapter four includes a presentation of the findings a result of the conclusions of the analysis and recommendations and proposals.Results with respect to the first and second goal : 1. Most commercial sites and advertisements characterized by employment of the hyperlinks technology which connected to one of the design elements graphically or topographically to form network information. Consequently, the customer will transfer outside boundaries of web page which appear in the sample number (1,3,4,6,7,8,10) through tables (7,13,19,31,37,55) that gives additional information and provides data about the products and services offered. Therefore, to help consumer in his research and enrich the site performances can be a scale of a popular web site and to raise advertising value of appearance at the forefront of the search engines.2. Different photo format styles used such as (jpeg) in all samples except the sample (1) as illustrated through tables (7,13,19,25,31,37,43, and 49) which fits with photos installation complex gradients and non - animated or transparent, which appeared some of them relatively small to reduce the length of the page loads. But the large size of files leads to slow page loads and could lead to problems and the reluctance of consumers to pursue search advertising. Another format style used named (gif) to save the animation with transparent backgrounds in all samples as illustrate through tables (1, 7, 13, 19, 31, 37, 43, 49, and 55) except the sample number (5). In the same time, (png) format style used only in the samples number 5 and 3 as shown in table 25 and table 13. Which showed the extent of non - designer benefit from the use of its high lossless compression density and unsuitable for printing on - screen display because of the small size of files. While, the using style images (bmp) in the sample (5) as illustrated in table 25 which is one of the formulas that are not dealt with in the online search engines due to the great size of this file that causes a big problem in uploaded on the internet.3. Hypertext technology expands advertising spaces of the titles and highlights the active role in promoting the hegemonic formalities. For these titles that highlight changes color and light or formal functions on the existence of hyperlinks contribute to follow ideas and topics within the site pages of the advertising or outside, as appears in the samples (2,3,4,5,6,7,10) illustrated in tables (10,16,22,28,34,40,58), while employing of this technique would highlights negative sign of many displayed titles in all samples functionality and aesthetic.4. Hypermedia techniques have not been activating a lot of banner ads displayed in all samples. While, hired some of them to act as a hyperlinks and navigate through pages and sites inside and outside the site appeared in the samples(3,4,5,7,10) illustrated in the tables (16, 22, 28, 40, 58) developed the capabilities of functional images and their uses and consumer data and additional information specific to the product and highlight the importance of marketing, in addition to its importance and aesthetic role.5. Dominated display buttons type in the samples(5,6,10) in tables (60,36,30) which contained private static images to the product advertising. Characterized announcements from large buttons that appeared in the sample(2,6,9) in the table(12,36,54) adding flash movement and gleams on all design elements that appeared in pictures or text or trademarks contribute actively to attract the attention and interest of the consumer and its follow - up, despite their small size and linked directly with the advertiser.6. Digital technology contributed innovator in the style of our new design supports to view the products advertising in a way ads flash that appear in the form of strips advertising or display footage. Animations product advertising in flashes alternating using the programs of java or format programs flash swf offered in all samples except the sample number (3 ) that appeared in one ad contributed employ this technology to support aspects graphically and topography in this announcement and the events attract optical and indistinguishable to the rest of the ads, while not appear employ this technology in the sample number(5,10) in the table(29,59) lost these samples importance of electronic and interactive qualities, especially that the presence of these new technologies is no longer an obstacle in the display advertising components and downloading speed on the network.

الخصائص الشكلية في تصميم الفضاءات الداخلية وعلاقتها بالبيئة المحيطة : دراسة تحليلية للبيوت التراثية البغدادية

Author name: زينب فهد عبد السادة
Supervisor name: عباس علي جعفر العبيدي
General topic: Fine Arts
Specific topic: Interior Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: ان ما يكسب العراق وتراثه اهمية متزايدة، كونه واحدا من اقدم المراكز الحضارية في تاريخ الانسان، فقد شهدت ارضه اقدم التجارب والمحاولات الانسانية في شتى صنوف المعارف والعلوم والافكار والاداب، وحقق العراقيون منجزات رائعة في حقل البناء والعمارة والفنون والص | As Iraq is one of the oldest civilized centres of the human history, this gives it an important among other countries. Its land witnessed the oldest human experienas and attempts in different fields of science and art. Iraqis recorded a significant achievement in the fields of building arts, industry and architecture, among these, building was distinguished in Iraq over the ages. Although these building vary in its forms and a functions, houses revealed to be distinguished in its antiquity and variety, also the basis of its planning and architecture and material was the basics of construction other building like temples towers needed for endowment.One of the most essential and formal aspects in Iraqi old or traditional houses is revealed by the high capability of the Iraqi architecture to understand the lard and the environment which represented together by weather and social life, in addition to the functional needs of the house according to the available building materials to achieve a best useful houses for one or group families in cities.The following study is an attempt to reveal the relationship between the formal aspects in design the internal spaces of Baghdad traditional houses and the surrounded environment according to the aesthetical performance to a contemporary internal design in its originality and cultural contents.The research depends on theoretical and analytical studies for the spaces of some Baghdad traditional houses. The study includes four chapters.The first chapter studied the problem important, aims and elefintion of basic term used in this study.The second chapter studied the previous studies and the theoretical background which falls in four sections : The first section studied the notion of from in internal design and the factors which affected it. The second section studies the internal spaces and its formal elements. The third section studied the effect of the environment on the internal design of the Baghdad traditional hoses.In section four there is an explanation of the formal aspects of the internal design in Baghdad : traditional houses.Chapter three is specified to the descriptive method was used to a analysis the sample of the study and represented by two samples of Baghdadi traditional houses in addition to an observational list and analyses core list according to the inductions of the theoretical background because trust of which are used as a variable in anglicizing chapter four includes the results of samples analysis according to which, the conclusions where stated which explain the relationship of the formal traditional aspects with the surrounded environments. Finally the researcher stated a number of suggestions and recommendation for further studies

حداثة الشكل الفلميى وانفتاح النص == Modernity Figure Film And Openness of The Text

Author name: نور علي كريم
Supervisor name: ماهر مجيد ابراهيم
General topic: Fine Arts
Specific topic: Cinematic Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:

تحولات الشكل النحتي الانكليزي بعد الحرب العالمية الثانية == The Transformations of The English Sculpture Form In The Post - War II

Author name: جعفر صادق عايد الربيعي
Supervisor name: مرتضى عبود شهاب حداد
General topic: Fine Arts
Specific topic: Sculpture
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: The theme of the study "Transformations of the English Sculpture Form in the Post - War" is conducted through tackling the most important variables and changes in the sculpture form during the last fifty years of the twentieth century and the renewal of ideas and concepts for the new generation of British sculptors. That was reflected in their works. The esis includes four chapters : Chapter One includes the problem of study which can be summed up in the following question : what is the secret of the great transformation which effected the English Sculpture Form in the Post - War?. In addition to the importance and the need for the study. The research is limited to the study of the work of the English Sculpture in all form and the various raw and techniques during the period extending from 1950 to 2000. It also includes the specification of the main terms used.Chapter Two includes the main inquiries; first inquiry is a historical brief to the English Sculpture from sixteenth to the nineteenth century. It tackles the roots of the English Sculpture through the period with the influences and tendencies. The second inquiry was subdivided into two axis the first is about the Modern English Sculpture in the 20th century until the World War II, while the second is about the methods and techniques and forms that have prevailed for almost fifty years from 1900 up to 1950. The second inquiry is based on the contemporary English Sculpture from the WWII until the end of the century. It includes a study of the most important postwar sculptors. The third inquiry includes the effective influences in the transformation of the contemporary English Sculpture form. It is subsided into four axes : the first is about the liberation of the artists and art from the domination of the authority which focuses on the artists' freedom of expressionaway from the domination of authority of the society like the royal and church. The second focuses on the effect of WWII on the conception and ideas for the sculptors, while the third is concerned with the influences of the modern contemporary European and American sculpture on the form of English sculpture. The inquiry concentrates on the most important European and American sculptors investors of the new artistic schools on the British sculpture. The last inquiry has concentrated on the effect of economy and technological progress and the consumption culture in the British society on the form of English sculpture.The third chapter includes the procedure of study which is the research community and sample and what are the reasons for choosing the sample that attained 21 sculpture models as well as the justification for selecting the research community in addition to the procedure of the study which is the descriptive analytical followed in the analysis of the works. Chapter four includes a the results and the conclusions of the study the most important are : 1 - the British sculpture of the postwar period did not abide to a certain criteria, a style or trend or artistic school, but it varied in form from one sculptor to another as the sample show.2 - Most of the works of sculptors were from modern raw materials which appeared in the postwar period. The War was a reason for the appearance for such raw materials and shaped them and then refined them in sculpture, taking them as a source of expression.3 - The cases which interacted with the artist's self and manifested in their sculpture works for the new generation of British sculpture of the postwar period creating atmosphere of (conception, absurdism, spontaneity, freedom, probability, questioning, fear and anxiety and horror of a Third World War). All that was reflected in strange forms and was adopted according to the concept and the mechanism of expression for each sculptor

توافقات الانساق الصوتية والحركية لاداء الممثل في عروض مسرح الطفل العراقية == The Consensuses of Acoustic And Kinetic Formats To Perform Actor In Iraqi Child Theater Offers

Author name: محمد كاظم محمد الساعدي
Supervisor name: مصطفى تركي السالم
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: عبر تجربة عالمية ثرية امتدت لاكثر من قرن قدمت فيها العديد من الاعمال المسرحية الخاصة بالطفل، ادرك المتخصصون في شؤون الطفولة الاهمية التربوية الكبيرة التي ينطوي عليها هذا المسرح الجديد في مجال التربية وتنمية قدرات الاطفال، لم يعد الاهتمام بمسرح الطفل يت | Through its universal rich experience spanning more than a century in which provided many of the theatrical works for children , and as specialists realize the great childhood educational importance involved in this new stage in the field of education and development of children's capacities Affairs, attention is no longer the scene of the child is determined by being room entertainment bring entertainment and fun, but also one of the most influential and important areas of education, the theater contributes an active and influential in the development and preparation of the child through the development of abilities and behavioral and mental health, and the role of education is no less important and influential for other educational institutions (school) or for the family through educational and cultural influential, which is characterized by the theater (as offers them the values and ideas in the mold of the thrill and excitement), and which takes into account their abilities (mental, psychological, and linguistic). Children's theater has a Privacy of unique, where addressing their minds through the its experience simple and imagination runaway in the magic of globalization, if taken into account the technical requirements that make the theater a way designed to supplement the child try new experiences (both theatrical presentation is a new life of various humanitarian and experience) as The theatrical presentation directed to the child structure, must be based on the most important requirements to communicate with the child and two elemental thrill and excitement, they are not linked properly, but also the manner in which drafted the shape to be enhanced and supportive intellectual content which tightens the theater, to submit it to the receiver (the child) as orally the final, as is done by activating his thinking and also stir the imagination in globalization magic including offers to him from different levels (movement, sound, performance in general), by an actor who is considered the most effective in children's theater power, whether through his body (body language ), or voice / dialogue (words spoken), as it is based performance of the actor in the theater on the acoustic and kinetic performance system, using them to transmit messages of verbal and non - verbal in the theater, as one influential artistic elements in the child, which makes theatrical event theater possible, audio and visual impacts, for the two most influential tighten their attention process to visual theatrical narrative children's theater, it is that the two systems of technical elements influencing, controlling the theatrical form, whether in strengthening the theatrical text sounds impressive, or smooth performance with the combined elements other theater, which engages in the provision of creative achievements, which is designed to supplement the emotional and intellectual experience simple acts of a play dealing with the court and professional manner, the issues that are the focus of their attention, and that will provide them with entertainment, entertainment and knowledge.To the attention of the researcher in children's theater and performances made in Iraq, and the follow - up to her, it was noted that there is a great disparity in the performances of actors in that showcase the characters, and that there is a special diligent in the provisions of the relationship between the acoustic and kinetic patterns, which the child may lose its ability to realize the implications of the dramatic situations and thus the whole show, and found that this phenomenon requires then stop, and search.And where he found no previous researchers to address this set, it was found the need to adopt a theme and the formulation of his research in : (The Consensuses of Acoustic And Kinetic Formats To Perform Actor In Iraqi Child Theater Offers) to identify the Consensuses of those patterns in the performance of the actor, the first rack and the base in semantics Display Drama directed to the child.To achieve this goal the Department of Research into chapters : The Researcher dealt with in the first chapter (methodological framework), the research problem and the need for it, the importance of research, research objectives, the limits of the search, specify terms (consensus, pattern, children's theater) and procedurally defined.Chapter II took three research has formed (theoretical framework), which are as follows : - 1. Search I : acoustic performance of a representative system, and the characteristics of the child actors in the theater presentations.2. Search II : kinetic performance of the representative system components, and their importance in children's theater presentations.3. Search III : the relationship between the audio system and the motor system of the child actor in theater presentations.• Previous studies have approached the subject of research.The researcher concluded that the core indicators through a tour of the theoretical framework as it is divided into three levels, as follows : - 1. Voice level in the performance of the actor.2. Kinetic level In the performance of the actor.3. The relationship between voice and kinetic level in the performance of the actor.Chapter III dealt with the procedures of scientific research and of, research methodology, and research methods and tools, his research community, the method of selecting the sample, where the researcher was adopted (how simple random) in the selection of research samples, as a representative of his research community and across the scientific method systematically, has been represented by choosing the main character in the following presentations : - 1. the play (Access 2005).2. the play (Asia go to school), 2007.3. the play (for the lost pearl 2008).The researcher has the following units of analysis relied on according to what is stated in the theoretical framework : - indicators1. voice actor in the performance level, across the sound elements (definition, Botfly, toning, stop, audio layer, the intensity of the sound)2. locomotor performance level in Representative (the gesture, positional movement, transitional movement).3. The relationship between the voice and representative of the performance of the motor.At the end of the third quarter, was presented a summary of the research results reached by the researcher through the analysis of samples.The fourth chapter, has included a presentation to discuss the research findings (researcher), through the research goals, which came out of her conclusions that represent complementary answers to the research objectives.1. contribute to the audio system, the integration of the internal components, significantly in the formation of meanings and diversity, which produces own voice through the development of performance capacity, to achieve the delivery of meaning clearly to the recipient (the child).2. Kinetic system an effective contribution to draw a picture of the event or idea at hand, in the theater, across the locomotor performance personal adopted in theatrical presentation directed to children.3. coalition system kinetic and acoustic according synchronous format, gives high semantic energy, produces aesthetic and graphical elements, check the thrill and influence at the receiver (the child).4. connotations that building process requires some situations (nominally difference) between the spoken language and motor performance, as the signifier consensus, may be achieved through the differences and not uniformity, and so in some situations.Also identified (researcher) the most important recommendations, in addition to the proposals, a complement to the subject of his research, as chapter contains a list of sources and references Arabic, in addition to periodicals and magazines, letters, thesis, interviews and supplements and abstract in English

التداخل النغمي بين اداء الممثل والمؤثر الموسيقي في عروض المسرح الاحتفالي العراقي == Overlap Tonal Between The Performance of Actor And Musical Influence In Iraqi Festive Theater Performances

Author name: عمر ضياء الدين محمد حسن القيسي
Supervisor name: زهير كاظم علوان الشمري
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: Music primitive imitated in rituals and rites of the first man, which grafted in tunes that were performed by the end of symmetry, sound effects emitted by nature, there is a voice ravaged spear and storms and thunder and the sounds of wild animals, as imitated Neanderthal rhythms of those voices with musical instruments primitive to reach industry to imitate the sound of the wind whistling blowing plants or drums to appease those phenomena that can not interpret and prevention of evils magical rituals accompanied by playing music. The environmental which found the Neanderthal was the cradle first kicks from the music to the ranges can not be the one to give up the end of her or draw her limits virtual end then its capabilities, in a journey through history has provided music are numerous examples revealed features a clear picture of the human journey Creative Throughout history, representing unchanged if the historical evidence other transformations experienced by mankind through the stages of civilization and different cultures, ranging from the simulation of primitive man to the sounds of nature to the music that plays when establishing rituals, whether in the celebrations of the pagan or holidays, which was held in the ancient civilizations..... Until the present day, is still music, perpetual motion and the search for new causes and adversity, this effect creative crannies to the theater, which will enter the areas of the creative experience inspired by music in its realization, that the pace of change in the present proceeding at a rapid pace, there are many variables, whether in test subjects or processors artistic form of theater, as devoted subjects of everyday life that affect ordinary people more than one interest in mythology, the legendary that prevailed in the Greek theater epic, which paved the way for the emergence of a more daring to ask and address the technical and music was one of the technical elements affecting the aesthetics of theater, whether accompanied by an influence Sonic traditional theatrical performances or other theatrical experiences that aim to provide a new concept of life and the existence of humanity and the problems of the contemporary theater foliate man who took the ceremonial space of this research, The change creative is the image transformation, which seeks to perfection, the musical influences in the theater will be, the signs can be interpreted, as signals to transmit to the meanings and dimension aesthetically tightens the cohesion and strength of the effects of theatrical performances that hired a professional manner realize its mission creative, so came this research titled (Overlap Tonal Between The Performance of Actor And Musical Influence In Iraqi Festive Theatrical Performances).The researcher has divided the subject into four chapters : Chapter I (systematic framework) which includes a research problem and the need for him, the importance of research, the goals of the research, the limits of the search, specify terms, and defined procedural. Chapter II (theoretical framework), which included three Research are : - Research I : (Overlap Tonal Between The Performance of Actor And Musical Influence in Iraqi Festive Theatrical Performances), Research II : (The relationship between acting performance and musician influential in musical performance) and Research III : (Methods of Performance In The Festive Theater), and created by the theoretical framework of indicators adopted by the researcher in analysis of the research sample. Chapter III : ensure procedures and analysis of research from the elected (Iraqi ceremonial performances). Chapter IV : Summary guarantee results and conclusions discussed and reached through the analysis, which has been linked to the objectives of the research. And the mother of results with respect to the effects of tonal overlap in theatrical performances, so the impact of psychological (emotional) practiced by the great musical influences that accompany the appropriate theatrical performances and add aesthetic and artistic dimension which allows Offers theater, to be creative act. It also included a chapter on the proposals and recommendations of the researcher and a list of references and sources, and a summary of research in the English language.

المعالجة الاخراجية للموضوعة التاريخية في الدراما التلفزيونية == Treatment of Directorial Placed In Historical TV Drama

Author name: صادق كاظم عبد علي جابر المياحي
Supervisor name: عصام عيسى علوان السامرائي
General topic: Fine Arts
Specific topic: TV Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: اهتمت الدراما التلفزيونية بانتاج المسلسلات التليفزيونية التي تعالج الجوانب التاريخية، اذ تقدم للمشاهد احداث التاريخ في مسلسل درامي، بكل ما في العمل الدرامي من تشويق واثارة وحركة وحيوية، والعمل الدرامي التاريخي هو عمل فني يقدم قيمة فنية وقيمة انسانية تتجاو | Focused on the television drama produced dramas that deal with historical aspects, as it offers the viewer the events of history in a drama series, with all the drama of suspense and excitement, movement and vitality, and the drama historical is a work of art offers artistic value and the value of humanity beyond the specificity of time and place, as it kicks off director the stage of certain historical, have certain privacy in time and place through treatment directorial sight to humanitarian to address the rights for the time being, and that he wants from which to send a humanitarian message concerning the reality of modern man, and the care with drama historical being reflect the historic moment ago re - formulation of a new and according to the processors directorial based on the nature of this historic moment and transformations of social, political, cultural, economic, and historical works, ranging from the work of dealing with periods and historical events full of ancient history, while fighting others in the facts and events still resonate with us today, and the other dealing with biographies of a number of figures that have had an active role one way or another in guiding the march of history or converted in this way or the other in the dates of ancient and modern, and I found these concepts resonate through the contents of the current research came the title search (treatment directorial the placed historical TV drama ), the Department researcher Find the four seasons, were as follows : The first chapter (systematic framework) : It included research problem that has adopted the following question : What are the qualities that have been achieved processors purine placed in historical TV drama? On the importance of research and the need for him to have touched researcher imperatives and the need that led him to embrace the subject, and then select the aim of the research from the title and the problem, as follows : Detection modalities that have been achieved treatment purine placed in historical TV drama. And select Find a researcher limits the boundaries of the three, Chapter II (theoretical framework) : the oath researcher on the three sections, as follows : Section I : (historical drama film and television) and the researcher (film historical) and (historical drama television) and how taken film and television from the date on the subject of the two, as meet in this work of art with dramatic historical reality to produce artistic work, and the specificity of each type them in dealing with the history and the historic walk. The second topic : was (the structure of TV drama), and researcher in this section components of TV drama, especially the serial drama television and dramatic structure, which is part of the foundation to connect the components of the artwork through the interaction of all elements of drama with each other to create an integrated unit to draw the events inside the artwork, and its constituent elements, namely, (personal, and plot elements, language, conflict. The third topic : the theme of (purine processing elements Aalgh Moot placed in the historical drama Allgzioneh), in which they discussed the creative output for the recruitment of language elements sham in order to find treatments for historical placed. After that previous studies have been identified for the search, and upon completion of the theoretical framework, the researcher suggested a set of indicators adopted as tools for the analysis of the research sample after taking the opinion of a panel of experts and esteemed arbitrators. But in the third quarter (action research) : research methodology to ensure separation, the search tool, and the unit of analysis, sincerity tool, sample research, where the researcher identified the reasons for his choice of the sample. In the fourth chapter, which included analysis of the research sample, a television series (Roof of the World), directed by Syrian Necdet Ismail Anzor. After analyzing the research sample, the researcher found a set of (results), including : - Has been relying on the figures that are contemporary function listed events which are of unique specifications and dimensions, either historical figures came module sometimes unique and at other times has been confirmed in some of them on the psychological dimension. Based on the theoretical framework and the findings of the researcher, was developed conclusions, including : - Dealt with historical events and historical figures are genuine historical facts and maintain installed in the historical sources and not be manipulated and dispose of them in which makes the negative repercussions on the receiver, especially historical figures that carry positive features in the mind of the spectator. And finally been developing recommendations and proposals. Find and seal a list of sources, supplements and finally foreign - language summary.

برنامج تدريبي لاكساب طلبة قسم التربية الفنية مهارات صناعة واستحدام الاقنعة المسرحية == A Training Program For Students of Artistic Education Department To Acquire Skills Industry And Using of Play Masks

Author name: سروه مالك رسول سلمان الزركوشي
Supervisor name: حسين علي هارف
General topic: Fine Arts
Specific topic: Art Education
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: Scientific developments and new technologies in the fields of life of all in general, and the field of education in particular came to the emergence of changes in construction education and teaching methods to the new formulas fit in its entirety with a renewed era, as the university is one of the educational institutions that play a major role in the life of society , achieve required educational goals, being dealt with and develop appropriate solutions to the student, and rehabilitation after graduation.Moreover that the objectives of the instructional design process is focused on the learner, which is the hub of the educational process and the creation of new methods and ideal for training and helping the learner to learn the easiest results, according to the modalities and methods of modern. Perhaps the most prominent were the training program at the College of Fine Arts, so is the Department of Art Education, one of the scientific departments, which aims to rehabilitate the student in accordance with the standards required and to be in a capacity and efficiency in the teaching of this article after their move to the other phase.The Department of Artistic Education curriculum - represented by the (school theater, child theater , play techniques and handicrafts ) which often rely on visual methods and be meaningful, whether directly or indirectly to the recipient. Accordingly and from here there was a real need to give the students of the department of art education, skills and cognitive performance and expertise needed in masks theater and uses industry through designed training program for this purpose that makes the students able to produce a theatricalmask commensurate with the nature of the personal and the requirements posed on stage as well as how to use it.Since the mask theater is a stable and visible way does not mean anything without the actor owns (the student) skill properly handled in educational situations or scenes offer, so the objectives of the current research are to achieve the following points : - ? Construction of a training program to give students of department of artistic education skills and the methods and way to use play - making masks.? Measure the effectiveness of the program in both dimensions ; knowledge and skills. The society of the current research is the students of department of artistic education / College of Fine Arts / University of Wasit / with a total number of (114) students, who have been selected randomly from the third stage students who were (23) students, whom the represented the amount of (20%) of the original research society. The training program which that applied was prepared according to the sample or a form of task analysis for (Charles Regelyot) on one experimental group, as used with a minimum of settings experimental design to measure the effectiveness of the training program in masks theater industry and how it is used, and to achieve this , two instruments have been designed : ? Achievement of collecting ( cognitive ) test to measure the acquisition of the targeted group of the foundations of knowledge in the industry and the use of theatrical masks.? Achievement collecting test (skills) to measure the extent of which the targeted group acquired artistic skills in the industry and the use of masks during the four evaluation tools (Note) have been designed by the researcher for thispurpose. Both instruments of the research along with the related evaluated instrument have been subjected to the terms of honesty , alignment and stability for the purpose of making them codified tools have appropriate psychometric characteristics and that can be adopted later in similar or complementary experimental research for the current search later. The researcher used a number of statistical methods to show the search results which represented by the most important equation of (Wilcoxon ) to investigate the results of the two collecting tests grades knowledge ( cognitive ) and skills, the equations of difficulty coefficient , discrimination paragraphs achievement test of collecting knowledge, objectivity, and the coefficient of correlation (Point Baiserial) to calculate the correlation between the degree of paragraph and the total degree of testing to verify the veracity of the substantive paragraphs in cognitive collecting test and the coefficient of correlation (Pearson) to calculate the correlation between the degree of paragraph and total score for the test to check the veracity of the paragraphs relating to the first question in the achievement test of knowledge, and to calculate the achievement test cognitive constancy as the researcher used equation of (alpha - Cronbach).The equation (Pearson correlation coefficient) is used to find the stability of skill performance evaluation in industry and the use of masks theatrical tools. The most important results reached by the current research are : 1. Efficiency of the experimental group in the post - test on their answers to the paragraphs of the achievement test of knowledge in the industry and the use of play masks, their grades in the pre - test, which confirms the effectiveness of the training program, among other things of cognitive foundations related to the skills of industry and the use of masks play an organizational contexts, as well as the nature of the educational activities and events designed to accommodate the content of the prepared training program.As well as sequenced relay procedural according to the model of education adopted in the (task analysis), which helped to sequence and coherence of the cognitive aspects with teaching aids, therefore ;understanding and improvement in the better collection of knowledge.2. The efficiency of the experimental group (which is trained according to the stages of the prepared training program in accordance with the sample analyzing the tasks about their responses to paragraphs achievement test the collecting skill in the industry and the use of play masks with respect to the four artistic skills) in the post - test, Based on the results ,the researcher recommended the following : 1. Benefit from the training program and the adoption of pre - development centers in the Ministry of Higher Education& Scientific research through the establishment of training and qualifying courses for the students of Department of Artistic Education. 2. Work on the preparing of supplies and materials for teaching artistic skills to rule the school theater in particular, and theatrical techniques in general, and in particular industry and the use of theatrical masks, being involved in the process of preparing students in the Department of Art Education for the teachingprofession for the next stage. 3. Holding a special annual festival art of mask theater with the participation of students, which is to provide models of theatrical masks, which deals with materials , raw materials and the different topics and formats that go into the theater. 4. Preparing specialized technical staff in the field of industry and the use of play masks takes into consideration to implement what suits their designs for masks according to modern methods, so as to ensure the development of artistic skills and its continuity, and finally lead to manufacture masks compatible with the outfit with physical actor configurations and without creating trouble or damage for the actor who used these masks.The researcher suggested conducting the following tworesearches : - 1. Training program to let the national team of actors to get skillfulness in the art of stage mask industry and use it in the shows of child theatre.2. - Artistic and dramatic employment of theatrical mask in school - theatre shows.At the end of the research , the researcher presented a list of Arabic and English references

جماليات اداء الممثل في عروض مسرح السيرة العراقي == The Aesthetics of Actor Performance In The Iraqi Method Theatre Presentations

Author name: حازم عودة صيوان الحميداوي
Supervisor name: مصطفى تركي السالم
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: ارتبطت البدايات الاولى لفن المسرح، بموضوعات السيرة، وانبنت تلك العروض منذ الاغريق على البنى العميقة لما تحمله شخصيات العرض من منطلقات فلسفية ورؤى تستمد قواعدها من فلسفة كل عصر وتفسيراته بين الذات الانسانية، والموضوع العام الذي يعيش فيه، فكانت شخصيات ا | The first beginnings of the art theater had relating to topics biography, and grew these offers, since the Greeks on the deep structures to afford the display characters from the philosophical insights perspectives derive rules from the philosophy of every age and interpretations of the human self, the public and the subject in which he lives, was the offer and walked figures expressed intellectually aesthetically recline upon the art of theater in a campaign to his statements in every time. And where the actor is the main crossing from those figures, and transferred to the recipient of intellectual and philosophical packages that carried the show, therefore, among the most prominent duties back to authorities relied upon by the formulation of personal, whatever, whether real or fictional legendary, and then employ the capabilities of actor (Voice and motor) in order to achieve reasonable performance, expressing those personal aesthetic formulas and contribute to building a semantics supply and objectives.If pervaded the world stage shows, with these models, the Iraqi theater is the other, many offers that depend of saw (Biography) approach her, and put forward models (mythical and historical, religious, cultural and literary), have had to resonate at the audience, and figured many names directors who have adopted such offers, it is among the most directors prominent is the director (Akil Mahdi), who adopted this experiment, put many of their models, and contemporary vision and dubbed (default Biography) interested in the ideas and principles and directions of these characters, and proceed from which to build a dialectical with contemporary reality in which we live. This artist himself (author - Director), among his peers, in theory to try and establish clear parameters for the experience, and continued this experience and still. Even critics dubbed (leading Biography Theatre).As the actor is the most important element in presentations of this kind, and through the survey a number of offers (Theatre Biography) was found researcher, that there is variation in the performance of the main characters in, and the predominance of diligence Profile in the actors' performance, especially after the spread presentations biography, and what did not finds from previous scholars in addressing the performance of actor and the nature of the formats (audio and kinetic) actors in it according Bending aesthetic function, this research project built in the study, put the artist author's experience - the director (Akil Mahdi), an approach to the analysis of the performance of actors in performances and as a deepening in a theater (the default Biography), Vsag discussed under the heading : (The aesthetics of performance actor in the Iraqi theater Biography Offers) And set the goal of the study to identify the aesthetics of performance actor (voice and kinetic), and the relationship between them to produce a display signs in the Iraqi theater biography.In order to reach the goals of the research, the researcher has studied section into four chapters : Ensure that the first chapter - the methodological framework, where the inclusion of the research problem and its importance and need, objectives and limits, and concluding chapter defines the following terms (Beauty - Biography Theatre).The second chapter - the theoretical framework has been contained to discuss cross - cutting theme of the aesthetics of performance of the actor in the theater curriculum offerings, and previous studies, including three sections : Section I. The aesthetics of performance actor in theater reviewing it : (1) audio system (2) motor system.The second topic - Authorities performance actorWhere he addressed the main references that contribute to the formulation of personal information, and to review the global stage deals and addressed to those references.Section III - actor performance at the World Theater Biography presentations properties, and ensure those elements in these offers, down to the Iraqi theater presentations.This chapter concludes with previous studies and was limited to one study, addressed the researcher, found that the direction was different to the current search path, and the different goals of each other. And finally gave a summary of the most prominent indicators of each to the theoretical framework, which can be counted in the search criteria.The third chapter : the annexation of research procedures, which are from the research community, which was limited to the experience (Akil Mahdi) in the biography theater presentations.The samples of the research, the researcher choose specimens way (simple random).The research methodology researcher on the historical approach has been adopted in the presentation of the theoretical framework, while the descriptive approach adopted in the presentation of the specimens brought by his research community, as for the search tool was based on the researcher to indicators that resulted from the theoretical framework, the research samples are(I) play Jeweler Republic (II) play on the pink and rivals (III) in a play - Hussein Alienation.The fourth chapter, the research results and conclusions.The main conclusions reached by the following : 1. integrated audio system performance techniques derived from the representative of the various personal references with each self, for the production of semantics many dramatic situations and various transformations.2. The motor performance proven techniques congruent with personal references produces dramatic connotations different attitudes and actions in many dramatic situations and their transformations system.3. The consensus performance (audio and kinetic) produces semantics theatrical presentation, according to return to personal references (anthropological, mythological, cultural, historical), using the skills and experience actor self to reach a personal innermost performed.4. dominated (cultural and intellectual references) of the characters in the Offers (Theatre Biography) or (default Biography) at (Akil Mahdi), through put historical models perspective contemporary, inspired by the ideas and culture, in fact, mortgage processing, while not ignoring the rest of the terms of reference (historical, and religious and personal) and thus performance figures model synthesizer that combines references afternoon.5. Turn author - director (Akil Mahdi) to take into account the values, customs and traditions of the community, which to generate a collective awareness among (the sender), (receiver), regulates the display decoder blades and inspired values.6. actor based on performance in default Biography presentations for (Akil Mahdi) to take advantage of (internal references to view) including vision author - director in introducing the character and theme, and (external references) that are related to personality.7. every age recline philosophy of his time to carry around the main characters and be expressive about, is that in Akil Mahdi, the theater has changed the equation, where personal show, including in respect of historical attributes and characteristics to create a dialectic between the concepts of, and contemporary vision.8. The outcome of the performance the most prominent is the three - simultaneous installation : (external references to figures + internal references for the characters within the structure of the text + actor technical capabilities in voice and motor performance, which represents the final product).Then the list of sources and supplements and finally Abstract in English.

مهارات الرسم وتاثيرها في تحسين كتابة تلامذة المرحلة الابتدائية == Drawing Skills And Effect To Improve The Hand Writing of Primary School Pupils

Author name: هند عبد الله عبد
Supervisor name: محمد سعدي لفتة
General topic: Fine Arts
Specific topic: Art Education
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: على الرغم من الجهود التربوية المبذولة سعيا من اجل النهوض بشخصية المتعلم بجوانبها المختلفة وبالمستوى المطلوب، الا ان المشكلات التعليمية وتباين قدرات التلامذة تحول دون الوصول الى ذلك، مما يدعو احيانا للجوء الى حلول بديلة ومساندة تسهم في محوها او التقليل من | Despite the educational Efforts exerted for raising the learner's personality with its different aspects at the required level, the learning problems and the variance of pupils' capacities prevents arriving that level, which calls sometimes for resorting to alternative and supportive solutions contribute to annihilate or decrease their impact. Considering the drawing as one of the activities that share the same general characteristics with writing which was referred to by some specialization references which conducted the researcher's attention to how to benefit from the practical end in teaching drawing and noticing its impact on treating the problems of learning writing among some learners, accordingly the present research aimed at achieving the following : - Improving the writing of the primary stage pupils through training on drawing skills. To verify the research aim, the researcher derived the following nil hypothesis : There was no statistically significant differences at the level (0.05) among the scores of the experimental group in the pre and post test. The research population was composed of all fifth primary class pupils at the general directorates of Baghdad education for the academic year (2011 - 2012), as to the research sample, it was (19) male and female pupils distributed on two schools for males and females chosen within the lowest (10) scores arranged in descending after the pupils in concern were exposed to a diagnostic test and the papers were corrected according to the adopted correction form. The experimental group was submitted to a training program in the drawing skills which was confined to both planning and shadowing skills. Their training lasted according to period defined to application and finishing. Then, the researcher made the posttest and treated the data statistically using Wilcocxon test for associated pairs. The research results showed the following : - - There was statistically significant differences among the scores of both pre and post tests in favor of the posttest. As to the most important conclusions the researcher arrived at was the transmission of the training effect and its conditions had helped in using the drawing skills well in improving the writing. With respect to the conclusions the researcher arrived at, she recommends adding an appendix to the book "The Arabic Reading" at the primary stage, including the models prepared as training activities in view of the positive results they achieved in improving the pupils' writing. She also suggested conducting studies completing the current research, including the drawing skills and their effect on improving the writing of intermediate stage students.

الاتجاهات الفنية في الدراما التلفزيونية == Artistic Trends In TV Drama

Author name: علي زيد منهل
Supervisor name: صباح مهدي الموسوي
General topic: Fine Arts
Specific topic: TV Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: ان الرؤية الفنية التي يستند اليها مخرج العمل الفني خلال معالجته للنص الدرامي ووضع الحلول الاخراجية للمشاهد المرئية بغية تكوين واقع جديد مفترض. ومقدرة ذلك الواقع الفني الذهني المفترض والمجسد من قبل مخرج العمل الفني وبما يمتلكه من وسائل تقنية وفنية في توظيف | The artistic prospect upon which the director of artistic work bases his work through the treatment of dramatic text and putting direction solutions for the spectator in order to have a new virtual reality. The director of artistic work, with the technical and artistic means he employs in the dramatic elements, express artistic trends in TV drama and the mechanism of employment. These artistic trends reflect the development in the field of entering the analysis and construction of artistic works in a way that reflect reality with all the contradictions make the TV drama search for artistic procedures and attitudes to express that reality according to the idea, the objective and the method of carrying out that distinguished some from other in the mechanism of working of this or that procedure or attitude expressing the nature of artistic work and breaking the freeze and entering into imaginary and strange worlds that through them establish the ability and design which are formed according to the essence of the text and the manner by which the director of artistic work forms his work. According to the procedures that he finds suitable for posing the idea and criticizing the society and keeping pace with civilization development through the understanding and interpretation of TV artistic works which are based in their mechanism of putting forward on the suitable artistic trends. These trends are usually seen by the director of the artistic work as suitable for the nature of his theme and treating the dramatic components. Therefore, the study falls into many chapters that studied the artistic trends and the mechanism of involvement of the visual works as follows : The first chapter tackles the procedural framework of the study suchlike : The problem… which were formed in the following questions : What are the manners in which artistic trends are employed? What are the visual means and techniques that manifest the artistic trends in TV drama?The objectives of the study were as follows : 1. the manner in which artistic trends are employed in TV drama, and 2. The visual and technical means that manifest the trends in TV drama. The first chapter also tackles the importance of the study and the need for it, the limits represented in studying the dramatic trend in TV drama for the period 1998 - 2000. we have also determined in this the most important terms used in the dissertations (trends, drama, etc.)The second chapter : Included the theoretical framework and the pervious studies including the following inquiries : 1. The first inquiry includes the procedures and dramatic trends. It also includes the most important procedures and dramatic trends starting from the realistic trend and impressive trend. Within these two procedures lies most of the other subsidiary trends which effected the cinematic and TV drama alike. It includes the following trends {Neo - realism, Neo - wave, free - realism, social - realism, direct realism, poetic - realism, symbolic - realism, epical - realism, expressionism - surrealism, Dadaism and avant - garde} 2. the second inquiry : the image according to artistic procedures including {image in philosophy, the concept of artistic image, the senses of image, imaginary image, referential of artistic image, realistic image, impressionist image, symbolic image, expressionist image and surreal image}The inquiry also includes the understanding, analysis, and construction of artistic image and the mechanism of work according to the prospect of the artistic works’ director to manifest the artistic trend. 3. The third inquiry deals with the visual means according to the artistic procedure. This inquiry includes the style of artistic work’s directors in using the technical means through the direction prospect of this artistic work by employing the following {camera and lenses, décor, makeup, fashion, montage, lighting, setting, color, etc.} for the manifestation of artistic trends in TV drama. 4. The fourth inquiry dealt with the dramatic according to the artistic procedures. The inquiry included the employment of the dramatic elements according to the prospect of director. This includes drama and dramatic construction {plot, dramatic personae, language, idea, and image narration. At the end of the second chapter, the researcher tackled the pervious studies that are relevant to the theme of this thesis. There were two main studies that he found close in some chapters to the study herein : The M.A. thesis, 1988 {The Effect of Techniques and Visuals of Global Cinema on the Prospect of Iraqi Cinematic Directors} by Rasad Abdul Jabbar Thamir. The second thesis, 2003 {The Question of Aesthetic in the Trend of Modern Cinema} by Aladdin Abdul - Majeed Jassim. In the end of this chapter, the researcher comes up with the most important indicators that were driven form the theoretical framework making the analysis instruments of the research sample such as items of the questionnaire forms.The third chapter includes the procedures of the study : 1. The research procedures in which the researcher employed the descriptive approach. 2. The instrument of the study : the research employs the content of theoretical framework as theoretical framework after obtaining the approvals of the Board of Experts and Arbitrators on the indicators. 3. the unit of analysis, the researcher depended on the scene and snapshot as the main unit for analysis in his study of artistic work. 4. the sample for the study represented the series which were chosen as a nonrandom sample in compliance with the nature of the thesis. The series are : Bab - ul - Hara {Port of the Lane} - Part I Poetical - realism - series ‘Noor’Symbolic - realism - series ‘Carnival’ Epical - realism - series ‘Rome’ Impressionism - ‘Taken’ Expressionism - ‘Supernatural’ Surreal - ‘Sad Dream’5. The validity of the instrument : the esteemed experts showed a total agreement on the items in percentage (%97.28) The chapter also included analysis for the series that were chosen in as sample of the study. The fourth chapter included the The most important results : 1. the manner in which these visual elements were employed within the relations of adjoining , interrelation , adherence were in the outcome a final image that affirmed the nature of mental image which the director of work draw through the relation of these elements and images with each other justifying the state of employing the curricula and artistic trends, and expressing the dramatic events within the virtual reality of each artistic trend. 2. the director of artistic work produces artistic images that are compound and unrealistic, and cannot be similar to an image or compound in reality to give structure to the content of artistic work. For deepening the strangeness state and the innovation within the procedures and the artistic trend which he sees as appropriate for forming the visual image of the artistic work in TV drama.The most important conclusions are : 1. The impressive method is a living one and has the ability to activate the dramatic event through the self - view that the director produces, in addition to the employment of modern technology in convenience with the TV dramatic work. 2. It turns out that the Dadaism impressive trends have been confined to TV drama as a result of the unreasonable image composition and the hard symbols that cannot be analyzed. Therefore, we see the lack of tackling of these TV dramas. In addition, it included the conclusion that the researcher comes up with in the light of the outcomes. Then, the recommendations such as : Studying the branches of TV art as academic specialty {production, direction, montage, camera, scenario, the visual effects}.Finally, the suggestions that serve the course of scientific researches in the field. The fifth chapter includes the following : The references in Arabic and translatedThe references of films and TV series The references in English

تاريخ الة العود في العصر العباسي == The History of Oud In The Abbasid Period

Author name: حيدر زامل حسين هاشم
Supervisor name: احمد جهاد خلف البدر
General topic: Fine Arts
Specific topic: Musical Arts
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: تتكون هذه الرسالة من خمسة فصول. وابرز ما اشتمل عليه الفصل الاول (الاطار المنهجي) هو مشكلة البحث والهدف منه والذي يلخصهما السؤال الاتي (ما هو تاريخ الة العود في العصر العباسي بجوانبها الفنية المتنوعة). ثم اظهر الباحث اهمية وحدود بحثه. اما الفصل الثاني (ال | This thesis consists of five chapters. The first chapter is the methodological framework of the study, which includes the research problem and the purpose of the study, which summarized by by the following question : What is the history of the Oud and its multiple artistic aspects in the Abbasid period. In addition, this chapter explains the significance and the boundaries of the study.The second chapter (theoretical framework) has dealt with the political history and social affairs of the Abbasid period. Additionally, the Artistic activism and the prominent role of music and singing were discussed.In the third chapter, the procedures of this research have been identified, and the historical descriptive approach was adopted.In the fourth chapter, the achievements of nine of the most prominent Abbasid scientists, who have studied the Oud, were discussed. In addition, ten musical relics were reviewed, which reflected another aspect of the history of the Oud. This chapter also, reviewed the most prominent figures who dealt with the Oud particularly in the Abbasid period.The fifth and final chapter was devoted to discuss the results of the study. Among the most prominent results was that Al - Kindi was the first to describe the making of the Oud in the Abbasid period. The numbers of frets strings were four, and later another string was added during the time of Al - Armawi. The tuning was set according to the perfect fourth distance between the strings. The names of the four strings are (Al - Bum, Al - Methleth, Al - Methna, and Al - Zeer). These names have a contemporary versions, (Al - Aushayran a, Al - Dogah d1, Al - Newa g1, and Al - Kirdan c2).The instrumentalists in the Abbasid period have used the position technique in the Oud. In addition, there are many musical terms used in the Abbasid period, which are still used nowadays. Then, several conclusions were discussed, set of recommendations and proposals were presented, and were followed by a list of sources and references.

خصائص التعبير الفني لدى اطفال التوحد == Properties of Artistic Expression Children With Autism

Author name: شيماء احمد عبد الغني شربة
Supervisor name: رعد عزيز عبد الله
General topic: Fine Arts
Specific topic: Art Education
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: تعد فنون الاطفال احد الموضوعات المهمة وتحديدراسومهم التي حظيت باهتمام كبير من الباحثين لما لها من دور في تحقيق الانسجام الداخلي للطفل والتوازن في علاقته مع الاخرين.ويعد الرسم لغة الطفل في التعبير عن نفسه ومكنوناته، اذ احتل الطفل مكانا مهما في العديد من ا | Children's art is one of important issues, specially sketches that received much attention from researchers because of their role in achieving internal harmony of the child and the balance in its relations with others.The drawing is the language of the child to express himself, as the child occupied an important place in many studies and research in detection characteristics of this stage and their relationship to different variables. The attention towards the children drawing in particular has increased, which make the researchers classify children's drawings of different ages and concluded that certain features appear at different ages, which were called by the stages of artistic expression.Given the importance of drawing, it was recommended by some psychologists to use the drawing with children who curriculum and those who suffer from poor social harmony and emotional and those who have behavioral problems, to identify these problems and their resolution and those who more in need of expression drawing without the use of the word, children with special needs, specifically for autism, which find it difficult to create a link between him and the others, here emerged based on this study highlight the drawings autistic children and knowledge of the properties of these drawings was founded as the research problem as follows : 1. Do the autistic children have properties of artistic expression of their own.2. Does the characteristics of artistic expression of children with autism differs from the characteristics of artistic expression of normal children.These researching questions called to prepare this research, which aims to : 1. Definition the artistic expression characteristics for the artistic children aged between (7 - 9 years) and (9 - 11) years.2. The definition of the artistic expression (if any) between the characteristics of artistic expression for the autistic children and the artistic expression for the normal children aged between (7 - 9 years) and (9 - 11) years.The researcher derived from the second goal two hypotheses : A - does not have a statistically significant difference at the level (0,05) between autistic children and the Normal children and aged (7 - 9) in the properties of artistic expression. B - does not have a statistically significant difference at the level (0,05) between autistic children and the Normal children and aged (9 - 11) in the properties of artistic expressionTo achieve the objectives of the research, the research's community was identified which consisted of all autistic children attending Institutes (Rami and Rahman majors), their total number (68) boys and girls by (26) children and (14) baby girl at the Institute of Rami, and (18) children and ( 10) a child at the Institute of Rahman.The research sample consisted of all autistic children who are confined between the ages of (7 - 9), (9 - 11) years was (40) by a boy and girl (24) children and (16) child.The sample of normal children consisted the same numbers of children from autism.The members of the sample were distributed into four groups of autism and normal children, two in the stage of life (7 - 9) years and two in the stage of life (9 - 11 years) and to determine the subjects of graphic and raw materials the researcher held survey included (150) students from autism and normal children, showing that favorite subject is (the landscape) and (home) as the colors of wood got the highest frequencies, and thus adopted by a researcher at the baseline study.The researcher adapted in this research approach (descriptive analysis). The form analysis has been built from children drawings consisted of (29) major area, and (72) minor area. Verified was done from the tool by group of experts in the field of art education, psychology, arts. The stability of the tool, the researcher have been analyzed drawings by agreement with itself over time, and had engaged with two analysts. In order to reach to the search results the researcher used the following statistical methods : The researcher used the SPSS statistical pouch of Social Sciences, as follow : Equation Cooper as used in calculating the true analysis tool drawings, and the equation (Scoot) to calculate the reliability of the graphical analysis, and a square (x 2) to calculate the significant differences between the properties, and the equation of (Fisher) to calculate the weighted average and weight of areas.After the unloading of data the researcher has reached the following conclusions.1 - by observing the results of research show us that most of the characteristics of artistic expression that emerged in the students drawings sample of normal children it appeared in the drawings of autistic children, even if to varying degrees, this means that autistic children are close to the normal children.2 - Properties of artistic expression in children with autism, including the following : It is noted from the results of research show that some characteristics that appear in the age (7 - 9 years) or less disappear in the subsequent phase and this shows the evolution of artistic expression in general, autism and normal children.The recommendations were : 1 - Through the search results produced by the approach of artistic expression for autistic children of their fellow children ,normal , so the researcher recommends the application of the applicable technical education curriculum in primary schools with a little modification commensurate with the possibility of these children and their special status.2 - Researcher recommends that officials of the Ministry of Labour and Social Affairs pay attention to studying art education and the appointment of qualified teachers in technical institutes unite to study the functional significance of the creation of psychological equilibrium of these children.3 - Researcher recommends that officials of the institutes unite to organize art exhibitions for these children to help in the integration of these children with community groups to feel that they are useful members and able to serve their communities and their homeland, and this increases their confidence. The proposals were : 1 - Carry out a study similar to the current discussion and stages other than the stages covered in their search in order to provide integrated information of artistic expression for autistic children. 2 - Carry out a study of the relationship of children drawings and personal characteristics. 3 - Carry out a study of the properties about children's drawings much slower in learning or other classes for children with special needs.

الابعاد الوظيفية والجمالية في الرقع الخطية لخطي الثلث والنسخ == Functional & Aesthetic Dimensions In Calligraphy Patches of Thuluth& Nusukh Fonts

Author name: احمد مزهر داخل
Supervisor name: عبد الرضا بهية داود
General topic: Fine Arts
Specific topic: Calligraphy and Decoration
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: تعد الرقع الخطية من الانجازات الفنية المهمة في تاريخ فن الخط العربي , اذ اكتسبت اهتمام الخطاط المسلم خاصة , وذلك كونها اعتمدت في تدوين الايات القرانية والاحاديث الشريفة , زيادة على انها تمثل مدى التوصلات التجويدية للخطاط في فن الخط من خلال احتواء هذه الرق | The calligraphy patches consider from the important artistical achievements in history of Arabic calligraphy , because it gained interest the Moslem artist specially , because it depended in writing the holy Quraan & holy converses , add to this it represent what the extent of access bettering of calligrapher in art of calligraphy thru containing these patches upon both of Thuluth & Nusukh fonts which consider hard & beautiful Arabic kinds of fonts therefore capasitating from both of these fonts consider adnouns of good calligrapher, therefore calligraphers tried in all ages to defining their bettering skills thru these patches. some of beavering beginning from calligraphers in cantoning area and situation directional for the Nusukh font lines.some patches contain the decorations treatments to defining aesthetic side and this add different functional dimension , also patches different each others in attachment in texts , where some texts depended attachment meaning in some patches , others patches depended in partial attachment, while some patches depended texts whit no attachments in meaning totally. This study contains four chapters. chapter one include the problem of the study and it important , aims , limits , terms define. Chapter two include four sections , first section talking about the bettering stages for Thuluth font , and show the most important bettering & modern calligraphers to this font thru different ages accessible to the present.while the second section talking about the bettering stages for Nusukh font and talking about this font calligraphers everybody in accordance with his way belong it , and add to this talking about important features to this font , third section include the fundaments & aesthetics Arabic calligraphy and it founders. while in section four show appearance stages to calligraphy patches and development. From these sections pointers theoretic frame appearance and then article last studies coming which chapter finished. Chapter three include procedures study , search society which contains it limits upon Turkey & Iraq and selected some samples from all which came ( 25 ) samples , after analyze found some results : 1. Often affiance on read & bettering side as a functional dimension to the calligraphy patches more from it been learning or calligraphy permit or volute , this rate was 64% , volute rate was 16% , learning rate was 12% , calligraphy permit rate was 8%. 2. Calligraphers keeping fit cantoning & proportionate between texts areas so they give every font write area to compassing text in accordance with kinds , in analyze appearance rate of proportioning is 88% from patches which have proportionate area cantoning. 3. Calligraphers consult the proportioning between size of Thuluth pen & Nusukh pen thru keeping the favorite rate which it appreciative ( 1 : 3 ) , the rate of samples which keeping this rate 88% from all samples. 4. Clear thru analyze to study samples affiance of black ink with colors in tune in most of patches , where found use rate this ink with these colors is 52% , beside affiance this ink in writing on alturma almussafer papers in rate 48%. 5. Found thru analyze most of calligraphy patches have duet arrangement , patch cantoning to two area , one for Thuluth font and one for Nusukh font , the rate of patches with duet arrangement was 36% from all , while the rate of patches which have trio arrangement was 16% , the rate of patches which have multi arrangement was 32% , patches which affiance the lines principle was 12% , found the affiance of calligraphy hierarchy rate was 4% from all. In view of the obtained results , the following conclusion have been reached at : 1. Affiance on read & bettering side as a functional dimension to the calligraphy patches thru affiance Nusukh font and affiance sequence line for Thuluth font was because these patches was used to write the holy Quraan & holy converses which made reading more easy for all peoples in Islamic society. 2. The getting of resultant proportionate from calligraphy area arrangement caused by give Thuluth & Nusukh fonts enough area to assimilate text for both fonts. 3. Appearance calligrapher to his skills in production to these calligraphy patches because Thuluth & Nusukh fonts considers hard and beautiful Arabic kinds of fonts , also perfecting these fonts consider adnouns of good calligrapher , and thru bettering these fonts clear his skill in this art. The thesis end up with appendices , and resources, and the summary in English.

الانتقائية في تصاميم الفضاءات الداخلية لفنادق الدرجة الممتازة == Selectivity In Designs Interiol Spaces For Super Deluxe Hotels

Author name: احمد علي هاشم
Supervisor name: بدريا محمد حسن فرج
General topic: Fine Arts
Specific topic: Interior Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: من المؤكد ان التصميم الداخلي كفن وظيفي يبدا بالتلقي وينتهي بالاستخدام، ان عناصر الشكل ونظام العلاقات المكونة له تاتي من خلال عملية انتقائية قصدية يعتمد فيها المصمم اسس عامة تنطلق من المستخدم والوظيفة، بانطباعات الاول (الواقعية والخيالية) واعتبارات الثاني | Sure, Interior shroud career starts Baltgay and end use, that the elements of shape and system constituent relations come through a selective process deliberate the designer depends general grounds runs from the user and function, first impressions (realism and fantasy) and the second considerations (aesthetic expressive and usability), and embodied in place to return to the user in a process of dial ogue and reactions to this vocabulary purified, the researcher finds that lack a manner agreed between the service requirements in the receive and use spaces in the country Hotels excellent degree. Therefore felt researcher choose the title purely marked : ((selectivity in the designs of the interior spaces of first class hotels)) which is an analytical and directical study on the formal manifestation of the principles and elements of interior spaces in the premium - class hotels for each of Baghdad, Erbil and Basra systems. It sheds light on the selection of the foundations of relations and elements of the appropriate form in the designs of these spaces to serve the function and beauty requirements. Circumscribed Bmchklth in detecting deposits selection designer purified vocabulary that effectively design adequate to the requirements of public service in the provision of physical and moral comfort. And it came Search including four chapters, the first chapter consisted of the research problem and its significance, objectives and limits, and then determine the terms.Upon that, the study includes four chapters. The first included the problem of the study, and its importance which lies in the following : 1. Making use of the knowledge and the information for the specialists in the field or the close fields like the parallel colleges like the college of engineering in the Iraqi universities and the scholars and those specialized and familiar to acquire information in that field for the service of our beloved country (Iraq).2. Making use by the official governmental and non - governmental directorates like the ministries of Habitations and Construction, Planning, Foreign Affairs, Archaeology, Culture , Higher Education and Scientific Research and the related offices. 3. The process of selection of the designing items for the main spaces which concern the visiting users and contribute to fulfill the comfort.4. The importance is manifested in studying the special and private spaces, bedroom entrances, passages and the resting spaces, food wards for clients, in their directors in these hotels in and aesthetic pleasure, in addition to other spaces like the theatres and meeting halls.The current study aims at revealing the items selected from the formative elements in their relationship with the nature of the performance of the function and the aesthetic and the nature of its users, and putting designing suggestions. - The Thematic Limit of the Study : The study of the theme of selectivity in the design of internal spaces. - The Spatial Limits : The Super Deluxe hotels in the middle and northern Iraq, represented in the two hotels of Al - Rasheed and Ishtar in Baghdad and the two hotels of Irbil International Hotel and Royall Hotel in the city Irbil and Al - Basrah International Hotel in city. - The Time Limits : the time limit is from 2003 - 2014 for the tourist openness which Iraqi has witnessed after the event 2003, and then the term definition. The second chapter dealt with the theoretical framework and previous studies, as the researcher did not find the study are directly related to the current study. And ensure that the theoretical framework three sections, the first section dealt with (the selection and Alantqa?ah - fundamentals and vocabulary), the concept of this convention as a field theoretical level and as a verb in the choice of vocabulary design and the forces acting upon launch. While the second section titled (Interior and priority considerations in functional spaces excellent hotels) dealt with the concept of interior design as a field applied in these hotels and the foundations of the backs formal public functions and role between the receive and use. The third section dealt with the (structural system design and relations), structural system between the design, construction, material and techniques backs finished exceptional space frames in public office put it. Then extracted from this chapter indicators set based upon the analysis of selected samples. The third chapter consisted of field research procedures, as defined methodology descriptive approach (case study), and the research community and the samples selected, represented by (5) Samples And 45% of the research community's (11) Hotel, search tool and an observation form and form to determine axes analysis was then ratified by the tool, and finally describe and analyze samples. The fourth chapter has put search field, conclusions and recommendations, and the results of the proposals, and the beneficiaries from this research , and the scientific resources. The most important results can be summarized as follows : 1. Most of the spaces marked by the selection of hotels formal elements and color contracts represented only a semi - circular curved and pointed decades in one of them a sample and a black and gold colors of the cultural heritage in the absence of raw materials that mimic these Selections, and a renewed vision of the future. The other came in the spirit of contemporary confirm these forms.2. Pick formal elements of square and rectangular and semi - circular spaces in the hotel in a relationship with the same simulation elements employed in interfaces. It also invested gene forms mimic the heritage society for foreign visitors.3. overcome the idea of the selection of the design system in the distribution of the internal spaces form a contiguous linear relations and led to the opposite ITSAM movement and distribution system Furniture sin also.4. Constructed Structural closed systems do not change for the most part adopted a change in Siding supplements of its components and furniture, which traditionally appeared frequently in mostly.5. Make sure need operational functions in the remote spaces for vision Assembly Thdadave dream spaces and corridors decks while confirmed the aesthetic and functional considerations in the ground floors and Vdhaeadtha of entrances and corridors and restaurants, and in the absence of these considerations in the spaces of the theater hall meetings.Findings and conclusion, and then the suggestions and the beneficiaries of the study which are the official governmental and non - governmental directorates like the ministries of Habitations and Construction, Planning, Foreign Affairs, Archaeology, Culture , Higher Education and Scientific Research, and the specialists in the field or the close fields like the parallel colleges like the college of engineering in the Iraqi universities and the scholars and those specialized and familiar to acquire information in that field, in addition to the sicnetific sources inn the study.

بناء انموذج لتقويم نتاجات الاشغال اليدوية لطلبة الصف الثالث قسم التربية الفنية == Building A Model To Evaluate Works of Handicrafts For Third Grade Students In Department of Art Education

Author name: احمد مطشر لطيف السبتي
Supervisor name: منير فخري صالح الحديثي
General topic: Fine Arts
Specific topic: Art Education
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: يشهد العالم تطورا مستمرا ونهضة علمية شاملة في مختلف ميادين الحياة فهو عصر التغيرات والتطورات السريعة، لذا تقع مسؤولية كبيرة على المؤسسات التربوية والتعليمية في مواكبة خصائص هذا العصر وتحدياته المستقبلية، ولكي يعطي التعليم ثماره النوعية في تكوين جيل مسل | The world is witnessing a continuous development and a comprehensive scientific renaissance in the different aspects of life; it is the age of change and rapid development. Therefore, educational and pedagogical institutions should have their great responsibility to cope with the age and its challenges. To have a very strong useful education that can be equal to modern developments, we should find an educational system based on strong scientific bases using the new as applications for educational technology applications in the educational process. As evaluation in the educational process, including building of evaluation models and its role in arranging and organizing the elements of the education in a higher level of greatness according to the students' level and their background. In addition to the importance of skills after education as an individual special characteristics and a criterion of their educational level and development.This research aims to : - 1 - constructing a model to evaluate handicrafts outcomes based on the items and technical foundations to accomplishment 2 - Evaluating outcomes of handicrafts for students in Department of Art Education by using the prepared model in this search To achieve objectives of research, the research community are formed of two axes, the first representing students in the Department of Art Education / College of Fine Arts and chose (38) students and the second related to handicrafts outcomes (380) works in accordance (10) works of each student (the research sample). To evaluate outcomes of students were constructing a model for the evaluation included (113) paragraph divided to (10) forms according to the curriculum that prepared in the Department of Art Education for handicrafts material after sure of honesty and reliability coefficient of forms. To showing search results were used variation coefficient equation to comparing among outcomes of students according to sex variable. The most important results the following 1 - Male distinguished in some productions and weaknesses of the others due to fact that male distinguished in the works which require strength and physical 2 - Female distinguished in some productions and weaknesses of the others due to fact that Female distinguished in the works which require coordination ,composition, arranging and organization The main recommendations are The models Adoption that have been tried in the handicrafts material and relating to evaluation handicrafts outcomes to proving its effectiveness and success in evaluating handicrafts outcomes for third grade students / Department of Art EducationThe researcher suggests the following 1 - A similar study of the current research in the other study stage and different material

تحولات تقنيات الاظهار في النحت العراقي المعاصر == The Technical Transferring In Showing Off The Contemporary Iraqi Sculpture

Author name: اياد حامد ماجد
Supervisor name: جبار محمود حسين العبيدي
General topic: Fine Arts
Specific topic: Sculpture
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: يتناول بحثنا هذا موضوع التحولات التقنية التي تحدث في اظهار واخراج المنجز النحتي العراقي، اذ يرصد هذا البحث التحولات التقنية من نحات الى اخر كما يرصد التحول التقني في تقنيات النحات نفسه وعلى صعيد استعمال المواد الخام المختلفة وبوسائل عدة وما تشكله هذه التق | Our research talks about the technical transferring that occurs on the Iraqi sculpture piece of work. It observes the technical transferring happens from sculptor to another as it also follows the technical transferring in the sculpturing techniques of the sculptor himself, like different types of raw materials and the verity of methods in technique and its elements to show off the alternative pressures of the sculpture piece of work and fix its influence on each other. In the first chapter, research plot is revealed which is represented in the definition of the technical transferring used in showing off the Iraqi sculpture works and the role of the technical pressures on the final shape of the project according to the used materials as they act as an inter - medium to show its physical characteristics in the aesthetic form. Also the first chapter included the importance of the research and the definition of the research through discussing how far is the influence of the transferring techniques on the sculpture art. This research is one of the primary researches about the Iraqi sculpture between the period 1940 - 2007 and exposes the contemporary Iraqi sculpture generation and their changeable and verity of techniques to accomplish their sculpture works. In the second chapter - first section, the researcher discussed the definition of the transferring in the general definition and how it is defined in different philosophical schools such as : perfection, existence, physics, Pragmatics; also its definition in the contemporary critics programs like structure and expression. Additionally, it talked about changes of techniques of the sculpture piece of work that the researcher called "Transferring in the Contemporary Plastic Art" starting from the Romantic and impressionist school to he most recent Art Schools and how this technical transferring happen to reach the final shape of the painting and sculpture piece of work accompanied with artistic examples. In the second section, the researcher discusses the definition of the technique and how the philosophies and thinkers express their ideas about the subject. Moreover, in the very section ,the researcher mentions the definition of the showing off in the Contemporary Plastic Art and the relation between the shape and material ,and the consistency of this relation of alternative technical pressures in choosing each other also accompanied with opinions of some philosophies about shape and material and their importance to the showing off techniques, and how they form the important basics in the continuous transferring in these techniques along with some examples of painting and sculpture which emphasize this definition. In the third section, the researcher talked about the distinguished technical transferring that occurred in the contemporary sculpture and how they happened and their techniques in showing off the sculpture piece of work. Also the researcher discussed the noticeable sculpture accomplishments which considered as important transformational points in the contemporary technical sculptures and whatever of materials used like raw materials and techniques and this mentioned also in the signs of the methodical section in the end of this chapter, where the researcher talked about the importance of the verity of the raw materials to make the technical transferring on the sculpture work and so on. Moreover, in the second chapter, the researcher goes through the previous studies concerning this subject and he reveals the distinguished points in these studies and the results and conclusions they have reached. In the third chapter, the researcher fixed the measures of the research which are : the title of the research population, fixing the samples, the research tools and the limitation of the research tools then he moved to the applications of eleven Iraqi sculptor works from different generations. Such verity of techniques had an obvious crucial influence on showing off many different sculpture accomplishments that formed a technique transferring could be fixed and studied in those sculptures works and considering them as important cause in choosing the number of examples of each sculpture then leading to the aimed results and conclusions and recommendations in the forth chapter, and they are : 1. The technical transferrings of the showing off in the contemporary Iraqi Sculpture came through reshaping of the formation and foundation systems of sculpture accomplished.2. The technical transferrings of the showing off in the contemporary Iraqi Sculpture achieved through the simplification and abbreviation processes in the piece of sculpture accomplished.3. The Contemporary Iraqi Sculpture Art emphasized the technical transferrings of the showing off through considering and supremacy of some plastic work elements of other elements.4. The raw material had a principal influence in achieving the technical transferrings of the showing off in the contemporary Iraqi Sculpture Art.

الخصائص الفنية الزخرفية في المدرسة المغربية == Decorative Artistry Characteristics In Moroccan School

Author name: لؤي نزيه مطلك
Supervisor name: كريم حواس علي الساعدي
General topic: Fine Arts
Specific topic: Calligraphy and Decoration
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: ان الفنان المسلم استلهم مفرداته من الطبيعة ومن الاشكال البسيطة كالمستقيمات والمربعات والمثلثات والدوائر، وقد كان هناك اوجه تشابه واختلاف في الوقت نفسه بين المدارس الزخرفية، مما جعل الامر يلتبس على كثير من المزخرفين لا سيما الدارسين في حقل الاختصاص، وقد ات | Muslim artist inspired his vocabularies from the nature and from simple forms such as straights , squares , triangular and circles. At the same time there was similarity and contrast in decorative school which led to confusion for many of those practice decoration (decorators ) specially the specialists. Due to exploratory studying and continuation upon research society represented in Moroccan Islamic Architecture through photographs and images in books and references concerning Moroccan decorations of Islamic architecture , it was obvious to the researcher that artistry and scientific necessities required identify those artistry characteristics of Moroccan school and the most prominent characteristics and features of Moroccan school.Accordingly the researcher formulated the problem of the research through the following question : " what are the artistry characteristics in the Moroccan decoration " ? The importance of the research has embodied in identifying the artistry characteristics of the decoration and all its kinds ( plants , geometrical and linear ). The researchers exposed the contributions of Moroccan school in designing and execution o decoration upon Islamic architecture. The objective of the research is to answer the mentioned question within the problem of the research. The research was defined with decorative artistry characteristics in Moroccan school with its kinds ( plants , geometrical and linear ) in mosques , schools , shrines and those executed on ( stone , gypsum , wood , vitrified tiles ) from the period of ( 745H - 1345A.D )to ( 1390H - 1971 A.D ). The second chapter included the following subjects : The stages of development of Moroccan decoration , architectural decorative components , Islamic architecture elements, areal divisions of the decorations , besides the design foundations of architecture decoration , construction relation , raw materials and execution techniques. followed by theoretical framework and previous studies.The researcher followed in conducting the research descriptive method ( analyzing the content ) in order to reach the objectives of the research. The samples were chosen intentionally. The researcher chose ( 6 ) six samples for his research and the total number of the sample were ( 60 ) sixty samples represented the society of the samples. The analyze form was in accordance theoretical framework and exposing it to several experts to confirm its validity. According to the analyzing form, the selected analyzing sample, where showed a collection of results as follows : - 1 - Single work of one decoration type( engineering), which is based on steroid shapes, which originated non - steroid shapes resulted from the crossed lines and their reflections represented by the straight and vertical ,horizontal and diagonal, which shaped multiple shapes amongst semi - steroid elements and rhombus shapes and irregular shapes.2 - Dual two types decoration work ( plan and engineering), the plant decorations have involved cupped indentations of single, double and triple pods as for the geometrical shapes inspired from bees hives and the Muslim artist has inspired these shapes to express the accuracy and regularity via repeated of geometrical shapes regularly.3 - Three decoration work( plant, geometry, writing)the basic unit included texts with Al - Thulith and Al - Nasakh Moroccan calligraphy due to sequenced line distribution system interspersed by plant decorations whose construction leaves and single double and triple cup items in addition to geometrical decorations represented by steroid and non - steroid shapes, as for the steroid shapes which included eight steroid and non - steroid shapes represented by irregular geometrical shapesBased on the results , the researcher have reached to a collection of conclusions represented by the following : - 1 - The development and the maturity that the Moroccan decoration art has reached along the development stage, does not come emptiness but connected series extended to be integral period for the previous one and it is an evidence to the innovation mental development extent, and the skill decoration expertise of the Moroccans at the same time.2 - The plant, geometrical and writing decorations of the arts widely used in the Moroccans Islamic architecture and has come the most distinguished elements and gains the Moroccan decoration attention via various the historical eras of the ancients fundamentals, also has dominance in a lot of architecture land marks.3 - The diversity in the decoration items( plant, geometrical and writing) of general appearance and the interior stuff and with colored diversified outcomes whether for single , double and triple types have contributed in add the diversified and multiplicity of the decoration items in one connected design unit.According to what the researcher has reached of results and conclusions and to complete the benefit and knowledge, the researcher has viewed to specify to a collection of recommendations most important of which are : 1 - To get benefit from the current research results to enhance curricula for the concerned Dept. amongst calligraphy and Islamic decoration Dept. in the institutes and colleges of fine arts.2 - Paying attention with the Moroccans school in the field of decoration of its various types of their aesthetic distinguished richness, on the executed works of Islamic architecture. And to complete the requirement of the research and to realize the scientific benefit, the researcher has presented a collection of suggestions ,benefited to be successive studies as follows : - 1 - The artistic characteristics of the Moroccans decorations on the pottery.2 - Aesthetic of the Moroccans decoration on the plate form

دور الة الكونترباص في الموسيقى والغناء العراقي == The Role of The Contrabass Instrymint Iraqi Music And Singing

Author name: وسام محمود عبد الزهرة عطية
Supervisor name: فراس ياسين جاسم
General topic: Fine Arts
Specific topic: Musical Arts
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: تعـــــ(الــــــــ الكونترباص),احــــــــدى الات العائلــــة الوتـــــرية القوسيــــــة, المؤلفة مــــــــن ( الكمان, والفيولا, والفيولنسيل ), فقد لعبت (الة الكونترباص) دورا مهما في تكوين الفرق الموسيقية العالمية, من خلال مجالها الصوتي الواسع, وطبقتها | The double bass is a member of the string family, beside the violin, viola, and cello. It has played an important role in the formation of orchestra ensembles, and this is because of its wide musical range and its low pitch. These tow features support the performance of the harmony and counterpoint by other musical instruments. The importance of this instrument encourages composers to create a specific music for the double bass such as Sonatas and Concertos.Despite the great importance of this instrument, it has not received sufficient attention in the Arabic and Iraqi academic research field. This prompted the researcher to adopt his experience as a performer on this instrument in this research to explore the role of the Doublebass in the Iraqi music and singing.This study consists of five chapters, list of references and annexes. The first chapter is the methodological framework of the study, which includes the research problem and the purpose of the study. The position of the Double Bass was explained, as it is an essential instrument in the Iraqi musical ensembles. In addition, it has participated in the recorded songs in the 1970s. The role of the Double Bass was recognised because of its tone colour and its rhythmic style, which fits the requirements of the Iraqi songs. For this role, it is important to study the function of the Double Bass in the Iraqi music and singing. In this chapter, the importance of the study was explained and the aim was identified, which is the role of the Double Bass in the musical ensemble that accompany the Iraqi music and singing.The second Chapter consists of the literature review and the previous studies. The literature review includes three sub - chapters; the first one discusses the history of the Double Bass. The second one deals with the parts, performance and the techniques of the Double Bass. The third explains the participationof the Double Bass in the Iraqi music and singing. The results of the literature review were discussed and there was no previous academic study regarding the role of the Double Bass in the Iraqi music. However, there is only one study that might be close to this study as both studies have the same singing form of the 1970s.The third chapter explores the field of thisstudy, which is the songs of the 1970s. In addition, experts were identified,samples were chosen, equipment was mentioned, musical standards were explained and the methodology of the study was discussed.The fourth chapter includes the analysis of the chosen samples. The fifth chapter discusses the results and the conclusions of the study. Additionally, a set of recommendations and proposals were presented, and were followed by a list of sources and references.

دلالات المكان في الرسومات المنفذة على الخزف الاسلامي == Connotations of Place In Graphics Executing On Islamic Ceramics

Author name: ثائر حاتم هاتف احمد الجباوي
Supervisor name: جبار حنون مهاوي
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
Language: Arabic
University location: Babylon
First pages:
Abstract: يعنى هذا البحث بدراسة (دلالات المكان في الرسومات المنفذة على الخزف الاسلامي), والذي يقع في اربعة فصول : تضمن الفصل الاول عرضا لمشكلة البحث والمحدد بالتساؤل الاتي : ما هي الدلالات الفكرية والبنائية المرتبطة ببنية المكان في الرسومات المنفذة على الخزف الاسلام | This research deals with the study of (connotations of place in graphics executing on Islamic porcelain), which fall in four chapters : the first chapter include presentation to the research’s problem and specified with following questioning : intellectual and structural connotations associated with the structure of the place in graphics executing on Islamic porcelain? came the importance of the research and the need for it, in terms of it represents theoretical and practical reading to the products of Islamic porcelain in Fatimid era through analytical level to connotations of place and bear of artistic necessaries connect in intellectual content to the image of the artwork and the impact done in porcelain ,to sheds the current research light cognitively and scientifically on connotation of place in graphics executing on Islamic porcelain though out the Muslim artist on the nature of place as a space and turn it into symbols and signs of spatial. the need for this research it’s being represents attempt by the researcher to fill the vacuum in this important space of artistic forming fact that the subject needs to be enriched in this field of research , down to the desired results, The objective of the study lies in : ( know connotations of place in graphics executing on Islamic porcelain ). And identifies research in study outcomes the Fatimid porcelain executing materials and different oxides on the surfaces of these porcelain productions in Egypt, within the specified of time period between (969 AD - 358 AH), (1171 AD - 567 AH). The second chapter : has included theoretical framework and previous studies , and which contained three sections : the first section deals and which included two axes ,the first axis significance between the concept and terminology , the second is understood place and the data in the arts , the second section deals with study of the structure of place in the art of ancient civilization ( Iraqi and Egyptian ), the third section included two axes the first axis deals with the study of the place in Islamic art while the second axis deals with approaches of place in products of Islamic porcelain. And seal the theoretical framework with set of indications and previous studies. the third chapter deals with procedures of research which include identifying research community and selection of the research sample the amount of (15) porcelain work, then the search tool and description and analysis of sample. While the fourth chapter included the research results and conclusions, as well as the recommendations and suggestions, Among the findings of the researcher is : 1. The aesthetic connotation for place plays prominent role in the Islamic porcelain products and through osmosis properties the shape and meaning where mobile. 2. Islamic porcelain products showed clear interest in the nature of visual of the realistic place as in the models ( 11, 12, 13 ) and the imagined as in models (2, 9) and symbolic as in models (1, 3)3. Affected by the nature of the place in graphics executing on the products of Islamic porcelain, what is essential to the formal inclusion of the structural units (linear and colorimetric and volumetric and touch and space) as in models of search sample. And the conclusions reached by the researcher is : 1. Influenced the nature of the technical characteristics for systems formation the Islamic art and specifically (photography) on methods produce porcelain Islamic in terms of unity and diversity , lack of interest manddour, and stay away from materializing animate beings , abstraction , repetition and vacuum processing. 2. Manifested structure of place technically, on level of materials and raw materials and oxides, to expression of the characteristics demonstrated of image, as well as the fact pattern of connotation aesthetic that are associated with type of place and nature reveled. 3. Not limited to the place indication in Islamic porcelain within the two dimensions aesthetic and functional, but only becomes touching the regulatory nature of the graphics or graphic scene executing on the porcelain surfaces , link to substantial data of the place, nature and philosophy

الاتجاهات الحديثة في تصميم المنظر المسرحي العراقي == A New Directions In Design The Theatrical View

Author name: دريد هاشم شكور البياتي
Supervisor name: عباس علي جعفر العبيدي
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: ان التطور السريع الذي احاط العالم في هذين القرنين كان لابد اليه ان يؤثر في الفن المسرحي وعلى معطيات الثورة التكنولوجية والتقنية في المسرح ليولد اتجاهات مسرحية حديثة اتسعت في فضاءاتها وتنوعت في اساليبها في اعطاء الرؤية لانجاز جماعي والتي وفرت البيئة للمصمم | The fast development which care or happened in the world in the last years was to vhange or effects in the theater views and its born a new theater directions which effects the all hostery of theater.The imagination that should be composed with The nature of the reading the experience in the modern transfering the idea and the role practiced by the designing operation.This thesis eutitues four chapters.first chapter : In includes the methodical searching, the problem of the thesis and the most important of tee research by eulightening on employing the calio in the theatric view and the visual shape. second chapter : This chapter concluded the cadre visual and the pervious studies and the section of the fram visual to the four topics : the first topic (the stages of developing designing of atheatrical view), where is the function show.The seconfd topic contained two section : first the newlist and what after the new list in designer in the theater view. Seond the change of the designer in the theater view.The third topic (the new technological in the theater.Third chapter : In containcel the section of research as well as from the all search.presenting to the views which presents from the Ass.profs.Drs. in the Arts theatre section in the vollege pf Fine Arts university of Baghdad and I choose the some of these from 1980 - 2003 and the watching of a views, pectures and the personly metting which comtaind five view (the last sendebad dewiery, magbith, herostart and the night of barry im actor). Then comes the forth chapter which containd the result of reserch and the inclusion and the abstract of the thesis in english language

الرؤية الاخراجية للفنان جعفر السعدي : دراسة نقدية == The Directorial Vision For The Artist Jaafer Alsaady : Critical Study

Author name: علي محمد علي العطار
Supervisor name: اسعد عبد الرزاق
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: جعفر السعدي احد الفنانين العراقيين المسرحيين الذين كان لهم دور بارز في العمليه الاخراجية، وكان متاثرا ومؤثرا في الوقت نفسه، اسهم في تطوير التجارب الاخراجية باسلوب واقعي، واعتمد الحياة الاجتماعية الواقعية في مجتمعه بما فيه من تناقضات ليقدمها باسلوب واضح | The study is include four chapter : The first chapter : the symmetrical frame : The chapter is deal with the problem of the research and the necessity for it.Al saady experience of direction has not documented , and that induce the researcher to made a critical and analyze study about al saady Theatrical shows. and that to stand on Al saady directorial vision. the main reason to use the study is to fixed that privation and provide to researcher and critic the experience of one of the Iraqi theatrical movement leaders.Second : - the importance of research : the importance of research is to put the light on one of the Iraqi theatrical leader ,who participated in activate the theatrical movement , and that who was Jaafer Al Saady third : the research target : Deal with directorate vision of the director Jaafer Al Saady Through a critical and analyses study about his theatrical works during his artist life fourth : time and place objective limitations the researcher seeing that it is the period from his super vision (Bait al dummia) team till dead on 2005 , and renewing his acts on Iraq theaters as well as an analyze and critical study about that shows.Fifth : limitations of idioms which compose the directorial vision : - The researchers identify the vision, and put an identification.Second chapter : - theoretical frame. It includes the following : The first research : 1 - the reality concept.2 - the reality in art.3 - the researcher deals with the reality as a concept and trying to find its growth , and its historical , and society march.The second research : 1 - social reality.2 - direction in real style.3 - directorial vision of gustinteen stanslavski the researcher trying to deals with the social reality, and the reason of its appearance , as well as the reality of theatrical directory vision of Stanislavski. showing its effect and effect in the directory process of many directors.The third research : - 1 - The past studies : The research did not find and study that deal , with the directorial vision of the director Jaafer Al Saady as a critical study and that which gives.2 - then the researcher summarize , in the end of the chapter , the significant points which results the theoretical frame.Third chapter : the research procedures include two researcher : The first one is the researcher identify the society , the sample , the methodology and the means , of the research and the researcher made the second chapter to analyze the samples as the following : - 1 - (Bait al dummia) play2 - (shahrazad) play3 - (Ayam zaman) play4 - ( Raqsat Al - Aaqnana )playFourth chapter : the results The researcher made a show of the main results as well as the supplement and sources and the summary in English language.

دراسة في توظيف التقنيات الصوتية الرقمية في الدراما التلفزيونية == Deploying Digital Sound Techniques In Television Drama

Author name: محمد ثائر عدنان ناجي البياتي
Supervisor name: عصام عيسى علوان السامرائي
General topic: Fine Arts
Specific topic: TV Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: لقد تناول الباحث في هذا البحث (توظيف التقنيات الرقمية الصوتية في الدراما التلفزيونية) كيفيات توظيف التقنيات الصوتية الرقمية في الدراما التلفزيونية لتعزيز القيمة الدرامية للمجرى الصوتي بكل محتوياته بالعمل مع الصورة لدعم القيم الدرامية التي تنقلها الصورة من | This study is about the Deploying of Modernized Digital Techniques in the Line of Modern TV Production in Order To Increase & Support the Dramatic Parameters in TV Dramatic Searle’s & Series, Which Evolve the Components of the Sound Track (Dialog - Music - Sound Effects). This study consists of five chapters; the first chapter comprises the methodic frame, which handles the themes of the research like; how did the Digital Sound Techniques Employed in the Area of The Sound Track to Enhance the Dramatic Parameters of the Television Image? This chapter also comprises the Fallowing : - 1 - aims of the research, like getting acquainted with the Latest Digital Sound Techniques & the Deploying Methods for it deploying in modern TV Series’. 2 - Significance of the Research.3 - Research Boarders. 4 - Defining Terms. The second chapter tackled theoretical frame which includes Three topics : - 1 - Historical Introduction to the use of digital techniques in TV production. 2 - Deploying Digital techniques To Enhance the Sound Track.3 - The Dramatic Employing of Audio with Video in TV Drama. The 3rd chapter consists of the research procedures including the 1 - research course. 2 - Research s' sample. 3 - The analysis tool. 4 - The research sample included Three (3) TV Series, as follows : - a - Lost - 2003 - 2008. b - Battlestar Galictica - 2003 - 2008. c - Terminator : Sarah Connor Chronicles - 2008. 5 - The analysis tool Validity.6 - The analysis Unit. The 4TH chapter consists of the analysis of the samples using the analysis tool.The 5TH chapter consists of the : - 1 - Results. 2 - Conclusions. 3 - Recommendations.4 - Suggestions.5 - Resources, the appendixes and the abstract.

الابعاد المفاهيمية لما بـعد الكـولـونيالـيـة فـي الرسم العراقي المعاصــــر == Dimensional Conceptual of Post - Colonialism In Contemporary Iraqi Drawing

Author name: ناصر سماري جعفر
Supervisor name: شوقي مصطفى علي الموسوي
General topic: Fine Arts
Specific topic: Drawing
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:
Abstract: تناول البحث الحالي الابعاد المفاهيمية لما بعد الكولونيالية في الرسم العراقي المعاصر , والذي يسلط الضوء على اهمية الابعاد المفاهيمية في تكوين بنية الخطاب الثقافي العراقي بشكل عام وفي الحقل التشكيلي بشكل خاص. وقد احتوى البحث اربعة فصول,عني الفصل الاول بال | Current research deals with the " Dimensional Conceptual of post - colonialism in contemporary Iraqi drawing", which highlights the importance of conceptual dimensions in the formation of the Iraqi cultural discourse structure - in general, and in particular in the" PLASTIC ARTS" field. This research consist of four chapters, the first quarter transacts with the methodical framework of the current research represented by the content of the research , its importance and the necessity of such research which have been evolved due to the post - colonial discourse along with the urgent of disengaging from the colonial center through concentrating attention to the monetary theory of the post - colonialism literature both in criticism and literature itself , then to retort to the effects of imperialism and European intellectually, cognitively and artistically. out of this cultural narrative, some kind of a problematic obstetric had overshadowed - generally - an ideological results and - particularly - upon the contemporary Iraqi plastic art discourse which proposes an opposed outputs that rejects the colonial other by the means of contemporary cognitive ,artistic and technical techniques.The research aims to detect((conceptual dimensions of post - colonialism in contemporary Iraqi painting )) by revealing the mechanics by which the post - colonial act in painting. the study limited to the products of the Iraqi paintings to the period (2003 - 2015) to identify cognitive structure and cultural impact to the Iraqi plastic art. The second chapter includes an explanation of the theoretical framework and post studies, which included four topics within the vision of intellectual, philosophical and aesthetic implications ,the first topic addresses colonial discourse( references& characteristics), which contains three sections : First colonialism and the absent identity issue while the second contains the fundamental elements of the colonial discourse overcoming factors which have been recognized by colonial distortion of history and the language of the colonizer , his models, and up to the third section : of cultural and community awareness between opening and isolation to the other.the second topic deals with (conceptual dimensions of post - colonial practice and leadership), which includes two sections , first deals with the conceptual dimensions of : hegemony , mastery culture, racism , language, marginal ,the idea of recalling ideologies and the major narrations while the second sections deals with post - colonial discourse in contemporary ,modern and feminist criticized impacts , while the third one deals with the foundation process and displacing the other traces ( references and the prospects ) by the limits of foundation idea , peculiarity of the tradition and identity in the post - colonial discourse. The fourth topic addresses applications of the post - colonial ideology in the contemporary art within the European and Iraqi contemporary plastic art , it ends with several theoretical frameworks which helped the researcher with the research samples analyzing procedures. the third chapter deals with the research procedures based on applications of the conceptual dimensions of the post - colonial theory in contemporary Iraqi painting through searching procedures which contained 200 community with 20 samples.The fourth chapter includes the research results where some of the most important are : 1) varied methods of expression of contemporary Iraqi artists in the period that followed the occupation of Iraq in 2003, according to stylistic vision up to the performance levels of heated experimenting encoding and flatness and abstract concepts that depend on post - colonial.2) Art has become the issue of Iraqi contemporary painter emphasizes selective speech of the tragic events and social suffering that produced by Iraq invading war in 2003 and the sequent tragic events then after like series of terrorist (attacks ,bombing, killing and captivity and slaughter..) which was fertile material for the Iraqi artist. research also rises several conclusions includes : Contemporary Iraqi plastic art ( painting for instance) results shows patterns of a cognitive accumulations which directly effected by post - colonial impact within some levels of epistemic patterns that framing conducts of connections and disconnections channels among oriental and western given criterion of engaging between art and knowledge Research has came up with a significant recommendations like implementing researches that deals with criticizing post - colonial culturally and cognitively within the courses of artistic criticism in colonized countries since it will enhance the cognition of knowledge within their culture towards the post - colonial and support the foundation of post - colonial awareness in all countries suffered of colonialism Also research induces several suggestions one of the most important ones : Representations of the post - colonial discourse in the Arab plastic art.

تحولات الرسم في فنون ما بعد الحداثة واثرها في تنمية التفكير الناقد لدى المتعلمين : منهجي التلقي والتاويل انموذجا

Author name: فاطمة محمد عبد الله العنبكي
Supervisor name: جواد عبد الكاظم فرحان الزيدي
General topic: Fine Arts
Specific topic: Art Education
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: ارتبطت تحولات الرسم في فنون ما بعد الحداثة بالتبدلات الفكرية التي اتسمت بها فترة ظهورها، مما جعل الباطني واللامرئي اساسا في تحول العياني (البصري) على صعيد التقنيات والمعالجات اللونية والوسائل البصرية الاخرى. وبفعل التحولات الفكرية التي رافقتها مسارات جديد

المقاربات الوظيفية بين انظمة تمثيل الخبرة وكفايات طلبة التربية الفنية المطبقين في المرحلة الثانوية == Functional Approaches Among Representation Systems Expertise And Efficiencies of Art Education Students In The Internship Period For The Second Grade

Author name: ندى عبد الهادي مهدي
Supervisor name: رعد عزيز عبد الله
General topic: Fine Arts
Specific topic: Art Education
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: Today technology and the informational revolution that swept the modern world had raised many challenges imposed itself on the various areas of life. When the education was the cornerstone of the society development and modification, so it became due to have researches to discuss the traditional teaching methods that dealt with students as empty vessels need to be filled. At the same time, technology has become the most influential in a student's life; therefore it became necessary to find a countervailing force to the effects of technology that attract the attention of the learner.In this point the research issue has been launched according to questioner study had conducted by the researcher. The object of the study was to determine the art education students for their represent systems of experience as preferable learning styles, as well as the efficiencies of the diversification of motivation as capabilities should possess by the new teachers (Art education students) for teaching art during their preparing in the internship period.The result of the study was disapproved that. Accordingly, the researcher found the necessity to search in the teaching methods in art education take into account of the internal efficiencies of learners by develop a plan in the search in “Functional approaches among the expertise representation systems and the efficiencies of art education students in secondary level internship.” The sample was chosen among the student of the fourth grade - the department of educational art - Baghdad University, the size of the sample was(107) both males and females. the researcher had justified the variableswhich is the age, gender, and previous experience for the participants - the researcher had used many statistical methods in here procedures and the study result, they are - x2 One Sample test, Ttest For Two independent samples, Weighted mean, and Pearson’s correlation coefficient. The most important findings of the current research is the patterns of the special students acquired experience was formed by the influence of their raising environment which is the foundation of their learning abilities to become a secondary school art teacher in their internship period. The conclusion of the research was about the concept of intelligence for Gardner. The researcher found that concept have lacks scientific basis. Gardner dealt with this concept as skills, outputs and mental processing without thorough scientific explanation. And his procedural concept for the abilities was limited in four abilities represented by visual capability, audio capability, kinetic ability, intuitive ability. It is not 8 ability. Therefore, the researcher believes that the concept of contemporary intelligence that has been raised in the current search is the alternative for the multiple intelligence concept for Gardner.The functional approaches among representation experience systems and efficiencies of the diversification of motivation is a Form consist of four areas for student evaluation while the internship time for the secondary level students. The researcher has recommended a number of recommendations on the basis of what has been inferred, as well as offering some suggestions based on to the new concept of intelligent

المتغير التقني في اساليب التشكيل المعاصر : العراق، مصر، المغرب انموذجا

Author name: ميسر علي احمد القاضلي
Supervisor name: هادي نفل مهدي
General topic: Fine Arts
Specific topic: Drawing
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: يسلط البحث الضوء على مفهوم يؤكد ان العمل الانساني الاولي يتضمن فكرا يتجذر بمعطى تقني ويصبح الانسان فيلسوفا في عمله ومن هذا المنطلق تكون الثنائية بين العقل والممارسة مكافيء موضوعي لعملية النمو والتعبير، سواء في الفن ام في غيره.وانطلاقا من واقع الحركة الت | The research sheds light on a concept asserts that the primary human action in clouding thinking that deep rooted with technical fact and man becomes philosophical in his work and from this starting point the wedding between mind and the practice is as objective coefficient for growth and expression process. whether in art or in others.Stating from the realty of the plastic movement in said countries and with in the limitation of science and objectively and through transforming from the stationary to changeable and what was abase has become contrast, and these changes has risen a number of inquires most important of which : 1 - Does the modern art depending the median as a message.2 - Dose the modern civilization of artificial dimension in a physical world pushed the artist to take the path of empirical science.3 - Dose technology intervened in specifying the physical concept for the optical surface. In light of these facts the objective of the research specified by the following : - 1 - Detecting the manifestation technology and the formulation components for the optical surface structure of the modern plastic.2 - Detecting the technical variable in modern plastic styles in Iraq, Egypt and morocco.And the research has eliminated with the limitation of objectivity represented by technical variable and time limitation after the second world war (from 1945 to 2008)And then the second chapter ( the knowledge from work) The first category displayed the recognition concept of the style where it deals with some philosophical concepts which confirmed that the creativity progress doesn’t at some extent, but they are continuous trams formation imposed numerous pressures on the artist. Influenced in creative process and examining it and expressional means of thoughts in away suitable with esthetic and knowledge values.Also the research also displayed the technical concept where it links the philosophical concept of the technology with the scientific research in light with the intellectual products and the society and life systems and the consideration values.As for the second category, which discussed the optical product, represented by thought which proceeds physical nature of the application action, and this leads that each artistic work its distinguished nature of its impact, from the reality of optional will and specifying, the for the whole art to be in the logic circle out the artistic work and just entering the optical circle , becomes a will and sensitive, and the raw material has formed a value and underlying bases of the optical surface as an essential base in foundation of the esthetic values and it may exceed this, that the raw material to be the work itself.And the plastic schools are considered of important for the plastic products, where the artist asset, through the construction systems upon the integrity of the product, and its influential, expressional and esthetic, thus and due to this concept, their figures are established , constructive relation figures ,the relation of the whole to the part is judged or vice versa with mode differs with the plastic components.Also the third category of the second chapter included the technology and the performance in art, where the technology is found in the middle of modernization, and the category has displayed the means and the historical changing of technology, we could find the interventions between the industry impacts upon the art technologies, over ages, also the category illustrated the technical transformation from the made to the ready made, the Dadaea'a movement has adopted the art transformations from the made to the ready made and that was a reflection to intellectual and technical uprising seeking for arouse the chaos among various cultural activities and to reduce the interval borders between the art and the other cultural activities, and recourse to construct to the adherence and assembling through using a strange material from art including the valueless ,common and the consumed and food waste to enter new technology in the context of the artistically work or made it afterward isolating it from it's special reality to an artistically works stand upon by itself. Also the research illustrated the assembling art and the unusual technology, the art is striving to deviation of its traditional methods, and the artist seeking the strangeness in away that provoke the recipient regardless from the esthetic values and the academic mimics. As for the third chapter which illustrated the historical root of the plastic art in Iraq. Egypt and Morocco and it deals with the foundation stage, forerunners and the artistic groups which are established due to intellectual concepts leads to technical and stylistic changes, also the chapter has illustrated the most important references through the proceed of the plastic artistic movement of social, cultural and historical references and the effect of the western arts and modern technologies.As for the fourth chapter which illustrated the procedures of the research and choosing the research society and its sample, in which the researcher has depended on the intentional option based on the artistic experiences and the technical changes and the stylistic one each artist depended.The researcher has depended the descriptive analysis procedure to analyze the samples and depending the indications extracted from the knowledge framework that comes within the axes of the optical research of the plastic products and the constructive systems on which the artist depended, and the demonstration technologies and the pressure references, the style and the trend, as for the fifth chapter which included the research results ,and the conclusion, recommendations and the suggestions, and the research has concluded to the following out comes : - 1 - The artists depending a strange technologies in constructing the optical surface and with local implications. 2 - Some humble technologies have appeared, that we could related to the conceptual arts, but I could not find in artists experiences in the three countries that refers to practicing artistic technologies trends after modernization such as the body art, the earth art or the graphic art and the performance….. etc.3 - Some artists trans pass their experiments technology to traditional technology in the concepts of type to non - type through the interrelation of types.4 - Some of artists have mobilized environmental artistic works, act upon the recipient participation, also others act upon to mobilize using of the artistic work ,and water , earth surfaces and environmental spaces were used as a display media.The research was ended to diagnosis some recommendation and suggestions that support the research and expanding the knowledge base.

التحولات التقنية لمناظر المسرح العراقي خارج مسرح العلبة == Technical Moves of The Iraqi Theater Views Outside The Box Theater

Author name: منى سلمان محمد
Supervisor name: يوسف رشيد جبر
General topic: Fine Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: ساعد النموذج المغلق بوصفه تجربة سابقة على تاسيس تجارب لاحقة وخلق حيز مسرحي يتكشف عن تشكلات جديدة لخطاب عرض يعتمد مشهدية منظرية لا تمت الى مرحلة زمنية بصلة، وان تعدد القراءات يستدعي تحولات ومتغيرات مستمرة للامكنة المتخيلة ضمن صياغات لامكنة مستقبلية، اذ ظه | The closed model helped as a previous experience in setting subsequent experiences and in creating a dramatic apace that discovers new selections for dialogue depending on a panorama that is not related to any era. The many readings require continuous changes for the imaginary place within formulas for future places as there have been diversities to activate the place because it is related with the philosophical idiogy for each era.The Greek texts were characterized by the stability of the panorama without a change and the harmony within the unit as it was related with the political idiology of the era. While the panorama in the Roman stage depended on the shape and style of the Greek panorama until the appearance of the panorama taken in 100BC. The philosophical view of the medival panorama was influenced by the church view of place consisting of three parts : Sky, earth and hell.The foundations of panoramas in the vision and philosophy of the renaissance era came as a result of having a different view of the new world that made it lose its faith in the past through duality in the areas of sciences, philosophy and political doctrine. The panorama changes influenced the spectacle view of each era. The many places expressed the depth of place, their, out, tangeable, imaginative and objective. In addition, the light director helped in inventing big spectacles. Illumination tends to distribute the shadows and to multiply the places and to have changes in vision to turn the equation in the traditional theatre in that it adds a new existence within an extended frame or flexible space. From here transfer is done from "the Achledes place to an undulated extension". The Achledes place has its own characteristics in which it becomes limited away from the subject of research or exploration. But the technical changes through out the theatre eras made the feature of getting away from the tradition of place, its principles and rules among the most important aspirations towards new horizons for a theatre expressing a future vision. Therefore, the theatre worked with optical corners in finding new formulations that changed the vision cites through selectional and portrayal understanding to make the panorama open to modern currents in viewing the era that helped in choosing places for showing in the circus sequares, streets, churches and relics. Accordingly, the research is divided into four chapters. The first includes the systematic frame - the problem, the significance, the importance which sheds light on the dramatic view and its changes. As for the aims, they are set to find out the technical moves of the Iraqi dramatic shows outside the theatre of box. The scope of the research has come through standing the panorama and its technical moves that come according to the special boundaries of Baghdad from 1987 - 1999. This chapter ends with a list of definitions.The second chapter, the theoretical frame and the previous studies, is divided into three sections, the first deals with the technical moves of the international theatre, the second with the technical moves of the modern age and the third with the types of shows of the theatre of outside the box. The third chapter deals with the procedure including, the community, sample, method, tool with an account about the technical moves the Iraqi theatre had and an analysis of the samples. The fourth chapter is about the results and discussion. The research ends with a list of sources and references in Arabic and English.

مقاربات الملحمي والغنائي في مسرحيات جليل القيسي == Approaches Epic And Lyric In Plays Jalil Al - Qaisi

Author name: علي حلو داشر
Supervisor name: عقيل مهدي يوسف
General topic: Fine Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: تمثل عملية تحديد انماط مقاربات الملحمي والغنائي ومرجعياتهما في نصوص ( جليل القيسي ) المسرحية، ضمن بناء منظومة العلاقات الداخلية للنص وتشكلها وتفاعلاتها وتصادمها، عملية تعرف وازالة غموض عن تلك الانماط التفاعلية لمكونين رئيسيين في البنية الدرامية للنص ا | Represent the process of identifying patterns approaches epic and lyric and Marjayatema in texts ( Jalil al - Qaisi ) play, within the building system internal relations of the text and posed and their interactions and collisions, a process known and remove ambiguity from those patterns interactive two main components in the structure of the dramatic text theatrical local contemporary Iraqi by shedding light on the mechanism enrichment or interaction in order to understand, since this Altsahir leads to the production of the act drama within the structure of the dramatic text, all this and that is recognized through the adoption of local experience is important, replete with accomplishment artistic and literary (texts plays Jalil al - Qaisi), as a model subjected to analysis and study for marking the movement of the epic and lyric, since this analysis is reflected in turn deepen the awareness of the aesthetic techniques of theatrical and dramatic text pointing problematic border artistic and aesthetic in the installation of the dramatic action. The research consisted of four chapters, as was the research problem, approach the epic and lyric drama, in how to build a theatrical text local, and marking the problematic border artistic, aesthetic, installing act drama, the need for research, raising awareness of the aesthetic techniques text dramatic theater, and see the local experience distinctive in the Iraqi theater of contemporary writer (Jalil al - Qaisi), and the importance of research, the need to deepen the search experience local theater " at the level of authoring dramatic, and elevate it, as stating Find playwright, critic, and researcher in this field and all those concerned to study the theatrical text in academic institutions for theater Arts and workers in the fields of media, and the aim of the research, shed light on how the production of the act drama by the interaction between modes literary, epic and lyric, in texts ( Jalil al - Qaisi ) play, the research methodology, and descriptive, and the research community, texts plays ( Jalil al - Qaisi ), and the selection of the research sample, poem, the most important findings, the emergence of patterns of interactive between the epic and lyric, worked to enrich the structure of drama within the events of the play - Qaisi mounting toward the teleological particular, the most important proposals, the adoption of such patterns interactive between the epic and lyric as cases must create them in the production of the dramatic action within the structure of the text theatrical dramas

مؤثرات الجذب البصري في تنظيم التصاميم الاعلانية الحديثة == Visual Effects Attraction In Modern Designs Advertising Organization

Author name: شذى كريم فرحان محمد
Supervisor name: نعيم عباس حسن
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: Advertising designer exposed to the pressures of modern opposite, between the producer and the receiver, and marketing, among other factors, between the needs and desires of individuals.That the potential in the design process are subject to attract and influence that can be adopted to overcome the obstacles and those obstacles the basics of building announcement depending on the effects of visual attraction in modern advertising.Here stands the designer to achieve ideas influential in the process of receiving the consumer in the modern effect of advertising, and as a result of technical diversity and differentiation, scientific and technical work in the contexts of intellectual development in the art of modernity, so was the research problem by asking the following : - Are the push and pull processing and influence by relying on relationships (influences visual attraction in modern designs advertising planning).The tools of modern factor directly to the achievement of design idea through regeneration in means, and here lies the importance to the designers and consumers of their relationship, and the key factor for the success of the design at the time underwent a declaration to the effects of globalization and modernity and that affected all the advantages of life.In this research objectives were identified as follows : First : The disclosure about the reality of large designs advertisements and diversity.Second : to develop design proposals for visual effects attractions in the organization of advertising designs Modern.The study included four chapters, the first chapter discusses the cognitive framework, Chapter II has included theoretical framework and previous studies, as the theoretical framework section into three sections are : - The first topic : - the effects of nature and its relationship to receiver.The second topic : - the system and organizing processes in the design.Section III : - modern design of advertising (text, logo, image).Then came the theoretical framework set indicators was several points concerning this framework. Then addressed the research procedures in the third quarter and the analysis of samples. Either the fourth quarter, the results included and discussed design and build proposals and recommendations, proposals and sources (Arab and foreign) and supplements and a summary in English.The search had reached a set of results from the following : - First : - the adoption of domination moot as an element of visual impact and pull the receiver to delve into the contents of the declaration.Second : - The distribution of elements in the optical center of the Declaration as one of the pillars that support the building and distribution of elements in one advertisement.Third : - rely on high - definition through the dark color without interest in the transparent color value.Fourth : - The adoption of the style of the panoramic view of the formal image advertising (advertising entirely).Fifth : - duplication between the picture and the trademark symbol (Asia cell) and the explanatory texts.

توظيف تكوييات فنون الايهام البصري في التصميم الطباعي == Configurations Employ Optical Illusion Arts In Graphic Design

Author name: نجاة قادر محمد علي الكواز
Supervisor name: مها اسماعيل علي الشيخلي
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: This study seeks to search in the recruitment of configurations illusion Optical in Graphic Design, which aims to spread the idea of a certain system to express the desired goal, considering the fact that the illusion Optical is important within the configuration design of posters, film, what is caused by differences influential and active in the process of cognition that lead to differences in the semantics of design to look like the shapes on the non - reality, and focus current research Gel attention on knowledge of the concepts and ideas that play illusion Optical inside posters film that holds within it the many implications of intellectual and aesthetic and functional, and progress of the overtones variety in the poster Film Festival, and enrolled Search the arrival of several, came first quarter of identifying the problem of search and reflected Baltsaalin the following : 1. Maalah of configurations employ optical illusion?2. What is the role of recruitment optical illusion to demonstrate the functional and aesthetic value in printing designs?The importance of searching through MAP to those related to the design layout and relevant design and art direction, and the possibility of hiring illusion optical designs printing in order to increase thought design with designers, by deceiving the system for visual Ansan ranging from fraud on the eye down to brain by manipulating the size and the shape and length and the use of light and shadow and colors on the constituent elements of the work of art, and the contribution of research in the education of artistic taste among workers in the field of Graphic Design, through Alaihamat optical occurring in the truth when used by the designer to show the functional and aesthetic connotations.Set the goal of search in the recruitment mechanism optical illusion Arts in Graphic Design.The study included limits on film posters designs winner of the Prize for the years (2011 - 2012 AD.)Interested in the theoretical framework of three Detectives, The first topic touched on (date optical illusion, perception, physiology of vision, theories of optical illusion), while interested in the second part (the mechanics employ optical illusion Arts in Graphic Design (movie poster), and which included Toziq the componentsVisual layout design to create the phenomenon of optical illusion, optical illusion and visual components of the layout design, recruitment in the configuration space design to create the optical illusion phenomenon,Employment bases structural formations design to create the phenomenon of illusion Optical, employment relations,constructivism in the show simulated visual space inside design, employing technological Digital Graphic Design to create the phenomenon of illusion optical, and touched third section to the (theory Aljstalt and illusion Optical in Graphic Design (posters), date posters and development of optical components for the design of the label (Items Altibogravekah.)The third chapter included a description and analysis (22) sample research, has singled out this chapter of the procedures, which came descriptive analytical method as a method followed in the search, and the purpose of the analysis of samples, it was a promising form of analysis and approved by experts and came on the basis of paragraphs of analysis, depending on theoretical framework indicators.The fourth chapter, has included a presentation of the results reached by the researcher, namely : 1. characterized most of the film poster designs mainly for color and directly to achieve the optical illusion phenomenon depending on the depth and direction of movement, through the variations and colorimetric Altdadat, and the resulting sense of the progress of warm colors to the Imam and delayed cold colors back.2. Create employ digital technology influential and active role in bringing about the illusion of movement through the formal intensity, and convert images into color values and different light, as well as the use of computer technology to show the aesthetic and functional values through the use of modern technology processors.3. hired contrast Almc to achieve the optical illusion phenomenon through difference the depth of space in order to deliver idea Altsamama to the recipient.4. and hired a design in the relations within the design configuration of the events of psychotropic Aihamah movement and direction through the juxtaposition and overlap seam and penetration and transparency.The fourth quarter also included a set of conclusions of the study, which was the most important are the following : 1. results of the analysis showed employ multiple optical illusion pictures in Graphic Design verification through functional and aesthetic purpose film who designed the poster for him.2. characterized most of the designs for the film posters by adopting optical illusion to convey the idea directly involved in some of the posters, and indirectly in other designs for film posters.3. to color a vital and important role in the design process layout in general and film posters in particular, in terms of the valueof visual and attract attention and show a sense of visual Balaiham.4. designers tried to achieve the optical illusion through structural elements relationship with each other and relate to the content of the design idea that designed the poster for it.5. technical processing of photographs printed using modern techniques (computer technology) to achieve a state of thrill and excitement of the recipient in particular and it is the main components of the film poster.6. to achieve unity within the design configuration of the film poster through the relationship of the part or the part to the whole, to achieve the purpose of functional and aesthetic who designed the poster for it, and create element to attract attention of the recipient.7. made use of photographs and fees within the composition of the poster Film functional and aesthetic purpose for which it was designed poster Film Festival.Then the researcher recommended a number of recommendations, including : 1. to benefit from the employment of optical illusion in the overall design and design of film posters in particular to achieve the purpose of functional and aesthetic, commensurate with the cultural and technical progress of the current era.2. focus on the use of color variations and different values to achieve the optical illusion inside the optical configuration design for film posters.3. to take advantage of digital technology in order to create a sense of visual Balaiham effectively and efficiently within the configuration design of posters to attract film optical tightening of the recipient.4. rely on relations design Kaltrakp and penetration, transparency and juxtaposition to create the optical illusion phenomenon different depths within the space configuration design for film posters.5. stay away as much as possible about the use of symmetrical balance, as a result of raising the monotony and boredom within the design space for posters, which reduces the visual illusion feature film posters.The researcher made possible proposals that are searched in the future, including : 1. conduct a study on the visual aesthetic illusion done with digital technology.2. a comparative study between the visual aesthetic illusion done in the old traditional ways and done with modern techniques of posters.3. Recruitment optical illusion configurations Almc done with digital technology.And then seal Find a list of sources and supplements and summary in English.

السمات الجمالية لفن الفسيفساء وتطبيقاتها في تصاميم اقمشة الازياء المحاكة == Attributes Beauty of The Osaic Art And Applications On Fashion Knitted Fabrics

Author name: ندى محمد ابراهيم النعيمي
Supervisor name: هند محمد سحاب العاني
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: The knitted fabrics and designs fashion resulting silent language you speak eloquently about the style and human thinking and highlights the depths of his character and reflect the image and culture of the community in which they live, They are two sides of the same coin, the first face is an art that reflects the individual's sense and the sense of when you receive the form of design and the second side is rules, relationships and systems used in this design which made him Achieved coherent within the limits and the removal of associative realized at the level of reaction phenotypic final cloth woven linked on the evolution of design and science and all new fabric hardly.So are designs fabrics knitted among the arts that share its human functionally and aesthetically, the search in the aspects of design is an important goal, especially after he took the technical developments cover a lot of fields and search for aspects of aesthetic require from the designer a sense of art and taste the aesthetic and the ability of the imagination to adapt the material and units diverse constituents to form general in the coordination and balance and coherence of the resulting image integrated check utilitarian need and aesthetic at the same time.Through it introduc ed a lot of concepts and new ideas that I let the field of multi - directional design fabrics for fashion knitted format memorize away functional and expressive and aesthetic as healthy relationships and innovative approach to pronounce the character designer that appear in the components of the design and are derived from sources technical center, which belongs to.Based on the foregoing, it is necessary to put the designer in mind the importance of sources of design what could be an important source of creativity being the outcome of many energies and mental performance that arise is beaten to achieve responses can be realized through the means of expression artistic effects related to her appearance in a physical and concretely.One of these sources may be mosaic art and its sources, trends, and characteristics of strength factors and originality and creativity associated with it and the tag and its aesthetic effect in stimulating those interested in the field of knitted fabrics fashion designs as contribute to the enrichment of the field of cognitive and aesthetic to this specialty.Hence directed to study the subject (Attributes beauty of the mosaic art and applications on Fashion knitted fabrics) who first chapter deals with the problem of existing research on the imposition of the following questions : 1 - what are the attributes of beauty that can be achieved by mosaic art.2 - Is the design verification can process requirements highlight the attributes of eauty through mosaic art elements, rules and design relations?3 - Is it possible to knitted fabrics weaving techniques show that attributes the beauty of mosaic art?The objectives of the research included the following : - 1 - Detection attributes the beauty of mosaic art.2 - Detection techniques and methods of Display design knitted fabrics.3 - Develop proposals include design show attributes the beauty of mosaic art and applications in women's fashion fabrics knitted for the age group (18 - 22 years).The limits of the research has been limited to the adoption of women's fashion knitted completed within the time period (2011 - 2012), which is available in the markets of different origin and according to the selection considerations and research within the limits and procedures.The second chapter of the theoretical framework, including three sections anddistributed as follows : .1 - The first topic : the beauty of the design attributes, which included thefollowing points : • attributes beauty - what it is and cognitive structure.• attributes beauty and effectiveness in the design.• savor the customer to the beauty of the design.2 - The second topic : the beauty of mosaic art, which included the followingpoints : • historical stages of the evolution of the art of mosaic.• Technical diversity of mosaic art.• Effectiveness of mosaic art in design.3 - The third topic : the technical and design characteristics of knitted fabrics andfashion, which included the following points : • reconstructive techniques Knitted Fabrics• configuration designs for knitted fabrics.• the characteristics and advantages of knitted fabrics The researcher has reached to the most important indicators that resulted from the theoretical framework which strengthened from the third chapter. And identified research procedures within the third chapter to take a descriptive approach to analyze models sample of the research community 's number is (64) model especially fashion women's woven ) , as choosing the research community and according to the levels of design objective and executive timeand according to the limits research, has been selected models are deliberate by 25% of ( 16 ) model and selected depending came to serve the objectives of the research. The search tool has been prepared based on field visits and reconnaissance , honesty and select format for analysis. Then analyze the samples , which amounted to 16 based on the analysis of the sample form which is designed to achieve the purpose of research le Chapter Four included the results of research and most notably : . Adopted the raw material in terms of advantages and characteristics to show the1 - design and content adapted to the performance of a Functional use.2 - Most of the designs relied on clear forms such as geometric shapes.3 - Appeared techniques of mosaic art in some models.4 - Multiple and different techniques designs knitted fabrics.5 - Activation of the foundations of design, especially with regard to balance, repetition, movement and direction, a pro - rata.6 - diversity in the use of design relations by ideas.7 - study and discuss Verifier module design Fashion8 - All pro forma effects and technology for exciting and attractions.9 - Activating the design wizards to show aesthetic design.10 - Control of formal relations construction and color to show the aesthetic features of the mosaic.The researcher has reached important conclusions regarding done overall as follows : 1 - - The predominant character came to enhance the qualities of the wool to match qualities of knitted fabrics.2 - Designs relied on the clarity of geometric shapes while other forms came drab and ill - considered manner do not match with what has reached technical design and operational in processing shapes and launch various technical capacity.3 - appeared style formal shredder which is the most important method in the mosaic art technology at high rates commensurate with the advent of geometric shapes in the samples.4 - The knitting pattern (flat) is an actor to achieve the pattern of processors to clarify the technical qualities of knitted fabrics.5 - Most of the samples depended on the weaving method (weft knitting) in the construction of knitted fabric.6 - Most of the models used in the Painting technique show designs knitted fabrics.7 - Relations were used to comply with the chromaticity of raw materials in designs knitted fabrics.8 - Achieved texture of variables method of knitting multiple patterns.9 - Adoption of the designs on the basis of aesthetic design work on the unity and correlation of its various parts.10 - The Design relations such as to seek and its contiguity have extensive manufacturing capacity multiple to design configurations.11 - Organic unity achieved in fashion designs with different ways achieved.12 - achieved the effectiveness of the forces of attraction and excitement in designs by achieving tensile forces and attention.13 - Must deal with modern technologies in order to achieve the form and vocabulary knitted fabrics and designs preserve the beauty attributes which appear.14 - Designs showed variation in the perception of the beauty of mosaic.The fourth chapter deals with the recommendations of the research. The researcher recommended the following : 1 - Attention to sources of design and private fine arts and related trends and schools.2 - . Designs are prepared in accordance with the functional qualities associated with the aesthetic and expressive characteristics.3 - Most attention to modern techniques of knitting, Painting and printing.4 - Most attention to the design elements and of usability in knitted fabrics designs5 - Focus on the importance of the aesthetic foundations design and relationships in the distribution and arrangement of elements.6 - Attention to the unity of the overall shape to suit the vocabulary sizes with the dimensions of the unit design.7 - Amphasis on the role of the Iraqi designer by taking advantage of professors and specialists in the designs of knitted fabrics.The researcher proposed the following : - 1 - Preparation of a study( the effects of technology and methods to show designs knitted fabrics).2 - Preparation of a study( the pillars of design for the design of knitted fabrics ( Crochet Knitting).3 - conduct a study looking at the employment of mosaic art in designs upholstery fabrics and printed furnishings. Also in Chapter Four, the researcher presented proposals designed to Fashion knitted fabrics belong to the third objective of the research, and ultimately researcher presented a list of sources and supplements that contained in thesearch procedures.

خصوصية المشاهد البصرية في تصميم الفضاءات الداخلية للمؤسسات السياحية == Theparticularityofvisualsightsin Designingthetouristfoundations Internal Spaces

Author name: نادرة عبد الرزاق غزال
Supervisor name: رجاء سعدي لفتة
General topic: Fine Arts
Specific topic: Interior Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: نظرا لما للمؤسات السياحية من اثر كبير في حياة المجتمعات وما لقاعة الاستقبال في تلك المؤسسة من اثر اكبر في تجسيد خصوصية المبنى الوظيفية والزمكانية في توظيف موروث مجتمعها بمنظور حضاري معاصر له سبغة المرونه التصميمية، وذي النظرة الاستشرافية المستقبلية لتحقي | Considering the significant effect of the tourist foundations on the societies lives, and the high effect that reception halls of these foundation have in embodying the building functional and space - time particularity to employ their society inheritance with a modern civilized perspective has designing flexibility, and forward - future sight to achieve the interaction between the visual sight to the internal space design and the their occupants through a designing communication, and nowadays the reception halls in the tourist administrative foundations are suffering a weaknesses in achieving that, thus, in order to upgrade this communication, the research problem brought up the questioning : Do the particularity of visual sights in designing the tourist foundations internal spaces have sensory, perceptual value that contributes with achieving positive receiving process involves meanings related to thought, civilization and values of the nations generally, included in formative effects designs of the internal spaces?The importance of the research lies in its dealing with a subject that was called by the necessity of upgrading the internal designs of visual sights for the local tourist foundations reception hall, and give them the functional particularity with a style that reflects space - time world of their society, and achieve their belonging to it and acquire them a designing identity that makes its mark in scientific artistic world fields.The purposes of the current research aims to make knowledge basis that forms the starting point of revealing the fact of deploying the meaning in the visual sights for the internal spaces designs, and establishes basic designing points that simulates the general idea for the particularity issue in internal design.Chapter Two included the previous studies and the theoretical framework that included three parts : The first part focused on the particularity in the internal space, its aspect and its types with a historical brief about civilizations particularities, while the second part dealt with the formal realization for the meaning and receiving organization, and the third part identified the formal formations structures, and it resulted in some indicators that were depended in forming the analysis form. The third chapter gave the procedures of the research and its methodology, where it depended on the descriptive approach in the process of analyzing three models that were chosen intentionally from the research community, where the tool of research depended on the analysis axis form and indicating the degree of axis fulfilling, in addition to describing the research models and analyzing them, and the analysis process resulted group of conclusions and results that were included in chapter four, some of the most important conclusions are : Combining between the authenticity and contemporary relatively achieved space - time particularity in models (Baghdad, Babylon) and it didn’t achieved in model AL( Najaf) and the performance particularity was achieved in models (Baghdad, Babylon) and relatively achieved in model AL( Najaf).And the formal realization was achieved in both models (Baghdad, Babylon), while it was achieved relatively in model AL( Najaf).And some of the most important conclusions are : Realizing the visual sight particularity perspective, where it is the superior designing idea that the external space included it for a reception hall in a tourist foundation,.There is a role for the designing thought particularity that depends on interweaving the objective particularity and subjective particularity while designing a reception hall in tourist foundations, that role is representing the design of visual sight that has a functional particularity in forming formal structures that meets the desires of the environment occupants and time - space particularity with deploying the inheritance into the technological and technical evolution.Then chapter four the theorizing centers, recommendations, and the general suggestions and the designing suggestion, in addition to the tables, demonstration tools and a list of references and appendix.

خصائص الفضاءات الداخلية لاستوديوهات الانتاج التلفزيوني == Characteristics of Interior Space of TV Production Studios

Author name: نوار عبد الامير حميد
Supervisor name: عباس علي جعفر العبيدي
General topic: Fine Arts
Specific topic: Interior Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: The interior space has its characteristics in terms of effectiveness involving a design that can be achieved functionally to a specific space but not other space. So that its system controlled by a mechanism which differs due to the space components. And this can be determined at any internal space characterized by factors and limitations by tools identifying the space. This identification comes according to the use of that space. The space of internal TV production studio has characteristics, components and elements which are distributed within the space because of its connection with functional and technical factors aesthetically and psychologically to its occupants.Through reviewing a lot of literature about international design studios, and comparing with what is available of TV drama production, the researcher has identified the following question : Is there any characteristics (Characterized by the local studio) at the interior space of TV production studios that matching its functional aspects?The aim of the research is to identify the characteristics of the internal space of TV production studios, depending on the functional and aesthetical aspects.The scope of the research is the period from 2009 to 2014 as it is characterized by new technologies, globalization and knowledge exchanging. Spatiality scope is Iraqi Satellite TV channels in Baghdad, which have production studios (i.e. Iraqiah, Sumerian and Educational channel).Chapter 2 consists of 4 sections; the concept of the characteristics in the interior design, the artistic interior spaces, specifications of interior spaces of TV production studio, and modern interior design techniques. An observation checklist has been designed by the researcher then viewed on experts in interior design for amendments.The researcher followed a descriptive analytical method, some of the results are : 1. It has been relied on functional components achievements through the performing aspect, and ignoring the functional and aesthetic aspects. This characterized in the samples unevenly.2. All samples lacked of systematic treatment to the aesthetic effects through psychological considerations at a value below the expected level.3. Samples 1 (a - b) and 2, have characteristics of internal space of area, measurement, lighting, and luminescence at an international characteristicslevel, but that internal space is not exploited in a good way resulting a failure in distribution and arrangement processes, while other samples lacked of that characteristic.Some of research conclusions are : 1. The principles of studio internal space characteristics rely on lighting diversity and multiplicity characteristic within the space, depending on its position, direction, automatic movement and temperature.2. The space capacity gives a greater freedom to construct shapes and expand those shapes toward the decoration design, and it provides easiness to the movement of cameras, people and optimum performance for training and performing.The most important recommendations of this research is : We have to get help from interior designer to distribute stable elements to add an aesthetic and expressive aspects, to provide a physical and engineering characteristics for achieving spatial arrangement, taking into consideration changing and redesigning

الحدث السياسي واثره في بنية النص المسرحي العراقي == Political Event And Its Impact In The Dramatic Text Iraqi Structure

Author name: خالد وليد جاسم محمد
Supervisor name: جبار خماط حسن
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: ان الحياة مليئة بالاحداث السياسية والتي تمر على الانسان وتعبر من خلاله ولكنها تترك في وجدانه عظيم الاثر اذا من خلال الاحداث السياسية تتشكل خبرات الانسان وافكاره فالحدث السياسي ربما يكون صانعا للاشخاص ومبررا لهم بعد ان كانوا مهمشين او متواريين لذا يعد الحد | Life is full of political events which pass on the rights and cross through it, but leave it in great conscience impact if through political events of human experiences and ideas of political The event may be the maker of the people and the justification for them after they were marginalized or Mtwarien So is the political event of the texts of intellectual behavior that are formed determined on the images State Administration concepts and identify external and internal relations of the dominated political event on all aspects of life, including the arts of expression KUNA taken from reality arena for Achtgaladtha intellectual and aesthetic, including the performing arts, and because the Arab lining replete with political events that reflect the concepts of internal and external relations, which are reflected in the outcome of the human in the format of these events, including the modern Iraqi lining characterized by political events that expressed the moral, religious and social concepts. The piece researcher found important study the effect of political event on this card including the play card, especially the dramatic text and in order to reveal the search for these aesthetic changes in the theatrical text may Department Finder his research on the four first chapter may include research problem and the need for it.The importance of research in political induction as a springboard to the doctrines and concepts of literary and intellectual new, objective research has focused on the most important political events and their interaction constitute creative achievements in theatrical text.The limits Find Vaguetsrt on the Iraqi theater texts, which lasted for a period of 1985 - 1995 and seal chapter defines key terms. As second chapter contains the theoretical framework and previous studies have this chapter three Investigation included eating the first section of political inhuman phenomenon, social, while the second section has cared for study of political events and their impact on the drama department as important stages of the political events that produced accomplishing morally, and then came the third section in order to Reviews the dramatic structure of the text playwright has devoted the third chapter of the research procedures, which included identifying the research community on according to three layers that include an extension of the political events in Iraq and was the first class, which was the duration of the Iran - Iraq war and the second is peace for Iraq third term is the duration of the economic blockade, has was selected class method intentionality in the selection of sample forms and samples were composed of three plays are distributed on the basis of the expanse of time and the first Valaana is (play back) of the author (Joseph Sayegh) started in 1987, the second sample is play (Speak, stone) of the author (Mohiuddin Zangana) by the year 1989 third sample is (play the descent of Ishtar to a shelter Ameria) writer (Khaz'al Majidi) The samples were presented to a group of experts, either fourth chapter contains the conclusions drawn from the research and then seal this search a list of sources and references, and the title and summary Search in English and supplements.

خاصية الاختزال والاشتقاق في تكوينات الخط العربي == The Property of Stenography And Derivation In The Arabic Calligraphy Formations

Author name: محمد كاظم حمزة
Supervisor name: جواد عبد الكاظم فرحان الزيدي
General topic: Fine Arts
Specific topic: Calligraphy and Decoration
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: Represent the property of stenography and Derivation an artistically act reflect Calligrapher skill in dealing with characters, and gives to calligraphic achieved a structure In terms of aesthetic or design or indicative to provide a favorable environment for characters in terms of its deliberation in the space available to it, Which interpret to subdue characters structure through its relate with what it made approach formality and analogous its sketching , to show alternative calligraphic comparisons and exceptional options for design necessities of a aesthetic output processing resulted in a result of a very ingenuity and skillfulness , and for each of stenography and derivation property an operational technique according to available metaphorical forms participate in establishing this property and allow through it for characters joints and corners to take alternative situation from other characters within artistic justification fit its forms, create in turn productive field of creations and inventions qualified a various of formalism extractions made it available the character ability in response to the formation and compliance and flexibility in recruitment and adaptation according to formative space in written textile which organized as calligraphic achieved , and for the importance which embodied it these two properties which striking apart of interest for what fall below various recruitments in calligraphic formation, so it was worth highlighted in a detailed and focused study to highlight its importance and role, and through that the researcher felt takes upon himself going into this field to study stenography and derivation in calligraphic formation within a study included several chapters represented the main pivots in study of these two properties , the first chapter included the study problem and its significance , objectives , limits and terms.The researcher amplified at the focus on determining the term and to highlight the definition of derivation and stability on the concept meets the purpose of this artistic act and stand on an accurate diagnosis him, after that there were many concepts addressed this term and circulations , causing confusion with the concept of stenography, and dismantling of confusion between them according to their recruitment and operational in the calligraphic achieved.the second chapter included three sections every one include several pivots the first section revealed the historical depth of the concept of stenography property and metaphorical technique for parts of characters structures and what the outcome of the diversity of the functions and operational both in the structure of the character or the entire map directorial calligraphic formation, while the second section has Search in the general concept of derivation through a historical review of early this property and Basic Principles that are based on them, also included the determinants of construction for structural characters and processing of building that fall under it functional inthe calligraphic formation, the third section contained artistry aspects operations for both two properties and their applications in calligraphic formations through their recruitment in a variety of fields and construed to him metaphorical building to both in terms of semantic or aesthetic design.The third chapter, represent study procedures , which included his community on calligraphic sketches embody the stenography and derivation of various calligraphic formations included most of the lines, numbered (110) portrait, the researcher select of them (11) model of the samples were intentional, which represented 10% of the total the research community, as followed by the researcher in his analysis of the descriptive approach (content analysis) based analysis tool of form for analysis, which included vertebrae Prime subset represented the pillars of art that adopted in the analysis of specimens designed according to the outcome of informatics and what came out of the indicators represented trends research was presented to the group of experts to amend paragraphs and suitability statement.The fourth chapter guarantees the results are a summary of what the outgrowth of analysis including : The property stenography among the mechanisms supported in calligraphic formation both in the structure of characters or at the level Systems distribution lines and types, invoked stenography and derivation to the rules of standard and standard officer, indifference side spell and Title ( Reading) as far as the importance it attaches to the side of aesthetic relied upon in the calligraphic formation, represents the stenography and derivation tradeoffs alternative and exceptional in the calligraphic formation both in the Artistic Direction or the need to design or achieve appropriate semantic, the stenography wider than in the derivation which includes the first structure of the characters and distribution systems lines and types The second is limited to the structure and anatomy letters only, represented voluntarily characters and their flexibility and diversity of forms major fountain draws him calligrapher variety in stenography and derivation, the researcher then need attention to the Title (sequence reading) and dispose of the spell, and not excessive in the recruitment of these two property in configuration linearity, focus on the skills of hand workmanship and proper performance and compliance with the rules of art in the structure of the letters or organized and installed in the calligraphic formation, and taking into account their employment in the sacred texts and not hyperbole to act that affects the prestige of the text, the researcher then some of the proposals put forward in the form of studies to supplement benefit envisaged Search : 1. variety to reduce the technical infrastructure design in calligraphic paintings.2. Treatment directorial stenography property and derivation in decorative formations.

المعالجات الدرامية لشخصية الحسين في النص المسرحي العربي == Drama Treatment of Al - Hussien Personality In The Reading Arab Theat

Author name: حميد لطيف مريوش الشريفي
Supervisor name: عبد المرسل فليح الزيدي
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: ان شخصية تاريخية مثل شخصية (الحسين بن علي) (ع) برفعة منزلتها ونهايتها الماساوية لابد ان ينعكس تاثيرها النفسي والاجتماعي والديني على الانسان والمسرح حيث مثلت الهاما للمؤمنين والاحرار في جميع ميادين الحياة وعلى مختلف مستوياتها وكان تاثير هذه الشخصية واضحا ج | The historical character like (Al - Hussein Bin Ali) with high dignity and tragic end, hispsychologic, social religious impact reflected on human and theater. He is a symbol of inspiration for faithful and independents people inall aspects of life. He is affected on literature specially theatrical literature.The Arab dramatis deal with this character in a dramatic ways from Karbala events taking from Islamic History.The chapter of Ali - Hussein share in the built of human though. The dramatist dranscript events and chapter in a technical form.This is show us the important of this chapter in the past and its impact in contect poraray human that makes us seek for this chapter and treated in the theater in a technical form.So we look for this character to acknowledge the dramatic feature of this character and the tenses that the Arab dramatist follow it.Therefore the research is divided in to foure parts : 1 - first part : methodical setting included problem and the important of research and the need of the research , the aims of the research, the borders of research.2 - The second part : theoretical setting included three researches : A - First research : the built of tragic character refers to the character in its general shape and its development and the tragic of researcher and different methods.B - second part : historical character : the researcher dealing with the understanding of the historical character in general way and the forms of these character and its important impact on our contemporary human and the utilizing from this character to creat moral worthy and social.c - Third research : dramatic treatment for historical character, the dramatist deals with the treatment of historical character in different tenses, it refers to the treatment of historical character by words and Arabs dramatists.The research tries to collect the different opinions for dramatists and researchers who deal with this subject to stand of the most important opinions about this research.3 - Third part : this part include the steps of research. The researcher counted the dramatic tenses that writing from the character of AL - HUSSAIN since 19131 - 2009 he chooses some sample from research and its three theatrical tenses : 1 - Abdul Rahman Al - Shaeqawi(AL - HUSSIAN MARTYR).2 - Mohammed Ali Al - khafaji(Al - Hussian return again).3 - Abdul Razaq Abid Al - Razaq(Al - Huee AL - Reyahi).4 - Fourth part : this includes the result of the research and discussion, conculion, recommendation and collateral in English language.

المرجعية العقائدية للنحت العراق القديم : دراسة تحليلية == The Religious Reference of The Ancient Iraqi Sculpture : Analysis Study

Author name: حمد سلطان ضرغام السعدون
Supervisor name: مرتضى عبود شهاب حداد
General topic: Fine Arts
Specific topic: Sculpture
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: Old Iraqi Sculpture related since first existence with solid relations with religious thought, sculpture and religious belief are correlated phenomena since their first existence ,got them clear developments impact on each other.This study entitled (The Religious Reference of The ancient IraqiSculpture) are looking for Religious reference to old Iraqi sculpture , is an attempt to answer the questions posed by researcher in the problem included in the first chapter , this study included four chapters the first chapter devoted of a methodological framework for the research which include the definition of the search problem that summarize with the following questions ;Is there are a relationship between sculpture and religious belief ?And if there is really some kind of relationship, what kind of relationship ?And how the religious factor impact in the shape of the sculpture ?How religion executed in sculpture ?The chapter also contains the definition about research goals, which included two objectives ;Identify the ideological reference in old Iraqi sculpture - Identify the impact of sculpture on religious beliefs in ancient Iraq - The research identified with the study the works of sculpture of the religious and ideological content formats in relief sculptureand in the stereotactic and researcher excluded cylinder and flat seals from his research because it is of special technical nature and the objectives of production differ from the objectives of the stereoscopic and prominent sculptures that produced in purelyreligious goals as study identified with sculptures dating back to the time period from 3500 BC to the end of the Assyrian State in 600 BC and chapter including the definition for some terms needed.Chapter II devoted to the theoretical framework which contained three topics were allocated to ;Study the assembly thought and religious belief with the old man. - - Religious thought in ancient Iraq and the Gods that enshrined and worshipped in all periods of history of ancient Iraq. - Study of myths and rituals being a theoretical and practical framework for religion in ancient Iraq. - it is also included previous studies and a summary of the theoretical framework.The third chapter devoted to study of the dialectical relationship between the sculpture and the old Iraqi beliefs and the effects of each other and serves as the research process where the researcher analyzes the works in accordance with the relationship between the content of religion, signs and symbols and properties of the Gods mentioned in myths as evidence from which to infer a relationship between sculpture and religious beliefs and the effects of each upon the other, the models studied based on time periods that belonged to these models ; - ( Sculptures dating back to 3500 BC (4th millennium BC - Sculptures dating back to 3rd millennium BCSculptures dating back to the second millennium BC - - Sculptures dating back to the first millennium BCResearcher made these historical divisions because of religious content in works of sculpture and similar with each other along thecivilized period and researcher selected his sample models intentionally according to the chronology of civilized specific roles within search.The sample included 22 model and studied as descriptive analytic study to research religious relationship by offering clues in mythology and belief, rituals, the researcher selected his sample according to the following principles ; - A comprehensive sample for specified period of time and represented the original community, original representation. - So 4 models were selected from the first half of the 4th millennium BC and 6 models of the third millennium BC and 9 models of the second millennium BC and 3 models of a first millennium BC because the faiths in ancient Iraq are an extension of each other and the objectives of this study do not endeavor to know the religious method or sculptural method but endeavoring to execute its objectives in identifying religious authority in Iraq's ancient sculpture and the impact of sculpture on the faith.So researcher don’t confined in selecting his sample with parity with the number of representing models for each period but sought to choose models that lead to achievement of research objectives.The researcher adopted a note based on extrapolation and inference as two approaches can be used in the analysis of selected models, benefited of intellectual and religious indicators within the context of theoretical framework.The research found a set of findings and conclusions contained in chapter IV and one of the most important results are ; - 6 old Iraqi sculpture fully related to religion as the most important tools of expression since the fourth millennium BC and became identified to the temple. - 5 Statues of ancient Iraqi Gods exceeded the range of thought is partial to what is total and contributed to the transformation of the individual and diagnosed case to a full spiritual representation. - 4 The old Iraqi sculptor photos Gods with human body and outfit the human mind interprets things as accepted by thesenses and Gods image became reflected image on the cult of the ancestors in the middle stone age and the Neolithic. - 3 Iraqi prominent sculptures embodied the religious legendary narrative thought is a mental image built with stone, backed clay, and metal. - 2 the old Iraqi Sculpture expressed in the first reference of religious belief which is based on the libido, the perception of religious thought imagined that the universe has become through a relationship with Goddess marriage.The most important conclusions ; - Old Iraqi sculpture organized under of the religious establishment and reflects the mystical spirit as one of religious ritual. - Old Iraqi mind create religious rituals as a unifying social phenomena. - The old Iraq mind characterized with the ability to justify everything related to religion and explained and there are always ideas justify accidents and disasters inflicted on human

البنية التصميمية في الاجازات الخطية == Structure Designing In The Calligraphic Authorization

Author name: حسـين علي يونـس السعداوي
Supervisor name: محمد سعدي لفتة
General topic: Fine Arts
Specific topic: Calligraphy and Decoration
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: للخط العربي اهمية كبيرة في الحضارة العربية الاسلامية بدات مع النهوض الحضاري في صدر الاسلام، وقد تجلت فضيلة الكتابة والخط ان جعلها الله عز وجل في اول اية نزلت (( اقرا وربك الاكرم الذي علم بالقلم علم الانسان مالم يعلم))( )، فاضاف تعليم الخط الى نفسه وامت | Calligraphy of great importance in the Arab Islamic civilization began with the advancement of civilization in early Islam, has manifested the virtue of writing and calligraphy that make them God Almighty in the first verse revealed, adding the line to the same education and stronger by the slaves, was a witness to the greatest extent writing. The concept began to leave written evolve based on an essential element in the completion, a proficiency in writing and duly written rules, and regulating mechanism of vocabulary and structural elements in order to add value expressionistic, and the goal is linked to the functional and the aesthetic dimension. So it became back and one of the artistic achievements that have been made in the history of calligraphy and helped it spread and keep the rules in place, which is a prerequisite indispensable, has excelled where calligrapher and patterned through the expertise and skill of the design in the output of the artwork beautiful image to fit and the importance of vacation in calligraphy , and shed light on aspects that gave him the permanence and impact of fertility and, because of their structural properties is the originality and uniqueness, which requires a detailed study concerned with showing the structure design in calligraphic leaves. The problem and the search by asking the following : What structure in the design of calligraphic authorization? In order to reach results that aims her current research, which detect the structure design in calligraphic authorization through the known types of authorization, and to identify the pillars of the structure's design leaves calligraphic, defined by the researcher Macs that have emerged in Iraq and Turkey, within the period determined by the year (1219 AH - 1804 AD) and up (1430 - 2010 AD). Dealt with the theoretical framework the following topics; origination degree in calligraphy, in the design of structural foundations leave written, formal structure in the design of calligraphers license, building permits in the text calligraphers, and variations in the structure of the calligraphic authorization. The third chapter devoted to display the search procedures, which included his population on the boards authorization written all kinds, which are (100) sample, researcher selected ones appointed by selective style (10) sample, accounted for (10%) of the community overall, and follow descriptive method of analysis in a way, using the instrument whose form for analysis, which was built on several axes, were presented to the experts to ensure their validity, to achieve the goals. The fourth chapter evolved to include the results of which : 1 - varied Arabic fonts used in the calligraphic authorization by the student, a metaphor (thulth, nusukh, Alle - ns - taliq, Diwani,jele Diwani, and kufi), except ( al - ijaza) calligraphy validity of Licenser only. 2 - changed the structure design of the calligraphic authorization, appeared to them (the board of sin, and patchworks of sin, and the ornament of the Prophet, and the painting Quartet, and painting the all, and painting Almusahfeh), giving high flexibility and complete freedom for the calligraphy to highlight his talent and being able to master the calligraphics in the use of the type of painting that wants access to leave denominated. 3 - Formed calligraphy decoration calligraphic authorization a noticeable improvement in the diversity of design styles, from the use of motifs realism in painting and calligraphic fragment Ornament prophetic and Almusahfeh, to decorative designs in a variety of unites and repetition and symmetry and colors. 4 - The adoption of a particular division to design a symmetrical or asymmetrical design space given various options through a variety of motifs occupancy within the space in a uniform manner. The researcher recommended that invoked to determine the structure design in authorization to Based critical in assessing the achievements of sin, as well as relying on the methods of calligraphic and decorative followed in designs authorization because of its specificity characteristic for the heritage of the calligraphy and decorative, in the relevant departments within colleges and arts institutes. The researcher conducting studies suggested the following : 1. Diversity in decorative formations calligraphic authorization written in the Islamic countries. 2. Relations in the design of calligraphic authorization in other Arab countries. 3. Content approaches in calligraphic authorization for Science and the Arts in Islamic Heritage (comparative study)

اكساب مهارات التشكيل في فن الخزف على وفق النظرية التوسعية == Providing The Plastic Skills In The Art of Ceramics According To The Elaboration Theory

Author name: حسين صكبان علي
Supervisor name: محمد سعدي لفتة
General topic: Fine Arts
Specific topic: Art Education
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: ادت التطورات العلمية والتكنولوجيا في عالمنا المعاصر الى ظهور تغييرات سريعة في ميادين الحياة كافة حتى اصبح الانسان في حركة دؤبة للبحث عن افكار واساليب جديدة لتحل محل الانظمة التقليدية السائدة وبخاصة بصيغة حديثة تنسجم بروح العصر والسعي لتطوير العملية التعلي | Resulted in scientific developments and technology in the contemporary world to the emergence of rapid changes in the fields of all life to become human in the movement of a vision for the search for new ideas and approaches to replace traditional systems prevailing in particular form a modern fit the spirit of the times and strive for the development of the educational process in order to achieve maximum efficiencies in the field cognitive skills. Therefore, the development of modern technologies in the educational process have an impact in achieving the comprehensive development of the learner and increase the expertise of the educational aspect of knowledge and hand skills has led to the development of the instructional design process which is based on the foundations of philosophical, psychological, intellectual and social Achieving stability depends on primarily the suitability of the nature of scientific article and how to achieve the educational objectives and to meet the specific needs of learners. Among the designs of modern education, the design of an instruction manual on according to the theoretical expansion for (Charles Reigeluth 1983), which imparts education expanded may differ from the rest of the teaching methods, the traditional master, and therefore chose the researcher of this theory in the design of evidence for education based on what he referred to studies and research educational resources and literature that dealt with this theory. Is the material porcelain in a group many of the vocabulary of different starting from the processing tools for the work to prepare for clays to reflect the action steps to build a model ceramic that require mental processes are interdependent and performances skill of formula neat and accurate, so it became necessary to follow the technique technician is subject to the rules and principles of scientific research can be through which the learner access to high performance and accurate in the process of forming the skills of ceramic art. Accordingly, to achieve the goal of current research following : 1 - Design an instruction manual to give the skills in the art of porcelain composition according to the theoretical expansion for (Charles Reigeluth 1983). 2 - Measuring the effectiveness of the educational designer directory with its two dimensions of knowledge and skills through application to the second stage students in the Department of Art Education - College of Fine Arts - University of Baghdad. For the purpose of verification of the objectives, the researcher added eight hypotheses zero to show results and verified. Was necessary to identify the research community who are students from the second stage - Department of Art Education - Faculty of Fine Arts - University of Baghdad, the study for the year (2009 / 2010), numbering (82) students, where the researcher all the research community as a sample for examination as it was divide the sample into four groups to examine each of the skill one has been subject to experience through their teaching according to the educational requirements of the manual which was prepared according to the theory of expansion. To verify that the objectives of current research and access to the results has been building two types of tests, where he was the first collection of knowledge and the second to measure the performance skills which measured performance skills in accordance with the form promised for this purpose was to verify the authenticity and reliability tests. To show the results of the research was the researcher a set of statistical tools, including the equation (Wilcoxon) to verify the validity of null hypotheses and the equation coefficient of difficulty and discrimination of the paragraphs of the achievement test of knowledge, and equation (Cawdor Richardson / 20) for the stability of the test and equation (Holisti) for the stability of the test skill and find a coefficient of agreement between observers. The results to two conclusions : 1 - The adequacy of the sample in the cognitive achievement test which relates to the dimensional aspect of the cognitive content of the contents of the directory of education. 2 - The adequacy of the sample in the test skills which were taught according to the instruction manual skills in the art of forming pottery on the theory of expansion. The recommendations were as follows : 1 - Adoption of the educational guide designed according to the theoretical expansion for (Charles Reigeluth 1983) in teaching ceramics and planned approach in the Department of Technical Education to prove its effectiveness in giving students the skills profile in the art of ceramics. 2 - Working to create the potential supplies of material and human resources to follow the strategy of expansion such as to provide theoretical time and place and to create equipment and provide advanced training means technically and artistically as well as the processing of raw material (clay), which is the basic material for ceramics. And development of the current research studies the researcher suggests the following : 1 - Designing and testing the instruction manual is designed according to the theoretical expansion for (Charles Reigeluth 1983) on the other subjects of the nature of the skill. 2 - A comparative study between the use of the skill composition of learners in the art of ceramics and other technical skills.

التحريض في الخطاب المسرحي العراقي == Instigation In The Iraqi Theatrical Discourse

Author name: حسين رضا حسين
Supervisor name: يوسف رشيد جبر
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: لقد كان التحريض وما يزال احد الوظائف الاصيلة في التجربة البشرية كما هي في الدراما باعتبارها اداة للتغيير بكشفها عن الزوايا المظلمة في هذه التجربة على مختلف انواعها ومسمياتها واضاءتها، وذلك بالتحريض عليها ورفضها والدعوة لتبني موقفا انسانيا جديدا. وينطوي ال | Instigation has been one of the genuine functions in human experience as well as in drama. this is because it is a tool to discover the dark spot in this experience on its various types names and lighting. By instigation we mean alert and continuous stimulus and by active wishes that intentionally in deep structure of theatrical experience to show a meaning respond to human values. for this reason we find that it's important to explore instigation, in theatrical discourse. this research contain four chapters. The first chapter included the frame approach on research in which we discuss instigation in Iraqi drama as it as an active sign to enrich the structure of the speech so the researcher limits the problem of his research which is to follow the important of instigation in the Iraqi theatrical discourse. this chapter also contains the important of the research and its aim and limits. And reflected the importance of research in approaching the concept of instigation, and effectiveness within the paths of the Iraqi theatrical discourse. The 2nd chapter has three aims. the 1st studied the concept of instigation as it is an active corner in human experience and so in the movement of existence , in addition to its activity in universal theatrical discourse. the 3rd studied instigation in the Arab and Iraqi theatrical discourse. then it comes to the end to show the indicators which were generated by the theatrical frame work and previous studies. The 3rd chapter studies the research procedures, which included the research community and appointed by the researcher selected randomly to comply with the object and purpose of the search. The researcher adopted the descriptive method as an approach to analyise the research. The 4th chapter included the following result; 1. Incitement is embodied in the form of discourse as in (countdown to Macbeth), while aimed Doctor (Mikdv) crown on the head (Macbeth). At the scene of writing the petition (rehearsal in hell). 2.The instigation can be seen clearly and directly in the play" Rehearsal in the hell" and it is codded for the 2nd time in countdown for Macbeth. Then the researcher present the results conclusions recommendation add bibliography.

البنيوية التركيبية كاستراتيجية في التصميم الداخلي == Structural Construction As A Strategy In Interior Design

Author name: حسين جمعة نجم الزبيدي
Supervisor name: نجم عبد حيدر الجنديل
General topic: Fine Arts
Specific topic: Interior Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: يعد فن التصميم الداخلي من الفنون الوظيفية الخدمية التي تهتم بالفضاءات الداخلية لماوى الانسان واستخداماته المتنوعة، والتي تتطلبها الظروف البيئية والمعيشية، بعدها المؤثر الفاعل لدوافع تصميم البيئات الداخلية ومنها بيئات الفضاءات السكنية، التي تشغل اك | The interior design considers of the service functional arts concern to Interior spaces to man shelter and his uses differently, the required by the living and environmental conditions then the effective factor to motives of design like housing spaces environments, that contain more concerns between other environments. interior design means produce man or society as all, it is my specialization depends on study of different science kinds by man directly like general, psychological, social and economical etc. besides opinions role and thought interpretations that treat these subjects and found to their results as sorts designs tuning with man nature or his subjective reality. Because man limit or change with other, tune with developing in all life as now study or activity and relation as its number private receive or group so found different fields especially spaces of group, should be thought systems treat to interfere to perform to mend achieved design. According it is necessary to depend thought to study man use as social creature limited or effected by objective real or his relation to level as fields to these social levels like compounding structure, The structural compound of related structure between Markis intellectual structure in general established by (George Lugash) and (Jan Biajeht) leading by (Lwsian Ghuldman) in the second trend and the importance in this trend or the structural procedure swept Europe in the beginning and mid of the 20th century, moreover of what it presents of intellectual products with their effectiveness in studying and analyzing and orientation of aesthetic applicable systems as in literature and configuration arts, design art being an art depending on configuration structure with intellectual, professional and aesthetic institutions, an important part of from this analytic description, and could be part of work strategic presented by the structure compound to college of Fine Arts which depending analytic and compounding. The researcher study in a deliberate way of (Goldman) that are developed by (Lukash) analyses and (biajeh) of structural mixing by compounding knowledge theory, It has been Found find that this trend of thinking and analyzing could become procedure or strategic Planning for productive actions in the internal design, moreover could be critical tool, by which this production is evaluated. Thus, it has also Found that the outcomes produced by the structuralism, regarded critical and analytic tool, modernization time and what followed considered the optimum stage of artistic production in representing the strategic relation between theory and application or among intellectual interpretation and their reflection in their appearance material, moreover, we find the artistic movement swept and dominated the common aesthetic sense from the early of 20th century, like we find more of future, surrealism, expression and realism. Depending this equation and regarded it as constituent to it as in relation with idealism and the realism with materialism and Surrealism with existence. Towards this, we find the necessity to research it as an intellectual institution affected to a great extent in productive artistic movement among the design arts , the researcher opined to choose the title of the research named (the structural compound) as strategic in the interior design, whereas it cared studying the intellectual of the structural compound procedure And demonstrate their bases in the interior design, specified by residence horizons of the instructor za'farania (the new), Baghdad, the capital / Rusafa, affiliated to technical educational faculty in the Ministry of Higher Education and Scientific Research, and the research aiming at to refer theses givings to the Structure of interior spaces strategic to them and towards that, The research contained four chapters. the first on deals with the research problem and its importance and goals, limitations and assigning the used terms in the research and their definitions. as for the second chapter, displayed the previous studies, so we could not find a study cope with our study and the theoretical frame which is consisted of four categories. the first one, contained the structural thinking trends and its development in general to explain the fundamental and references of the structural compound procedure reliable in this study and the most convergences and divergences between the two structuralism (formal and structure) to know the most important of similarities and differences between the two under the title between the (structure and formal) and the second category theses of intellectual thinking in details, and under title (the structural compounds, the bases and institutions), the intellectual trend deals with, which procedure pursuant, and its role to specify its basics, and then these bases role in specifying the ground adopted to analysis the artistic structure and the third category, under title the interior design, the bases and institution , whereas it displayed sufficient explanation of the interior design and residence spaces in them , at last, the fourth category, which contained the dialectic relation between theory and application, and their role in structure of art design, and under title, between the theoretical strategy and the applicable strategy by referring the bases and intuitions of structure compound procedures to interior structure design of the residence spaces, embodying the truth of intellectual relation between the strategic field of the first and the second applicable field and this chapter has concluded numerous notes that are depending in analytic process to the field procedures of the research. The third chapter contained, the research procedures of programmatic and the research community and the research sample, the research instrument used, which is form of analysis subjects and describing samples and analyzing them. In the end the fourth chapter, included the results that the research reached through analytic process and conclusions with suggestions and recommendations The most important results : 1. Repeat of designing thought in housing society all details as interfere between mind users through similarity of total structure so to hide social differences besides spread social relations by all treatment with one design language.2. The housing unit appeared as closed structure in system firstly determining distribution spaces or elements optical result to loss of develop or change possible.3. The designer concern to total subject without certain to partial structure specialty of activities, depend of spaces distribution to back operational functional relations without concern to environmental regulations to house use, as closure of middle space or open of special rooms or kitchen. This certain on coherence to lay compound structure.4. The bases were not do to like strategic compound course to society or surrounding real, though their presence in achieved redesign as partial or total appeared weak in coherence of mental use randomly relation as space or window opens or depend polish walls or ceilings or functioning units of made one quantity to repeat boring to silence stability, not prefer structure though repeat thought.5. Did not concern or pay attention to characteristics of spaces in general or special, through doors opens near, to distribute suitable locations as indication but determine by relation that come axis opposite with short distance between mentality to used level or structure to that specialty in spaces General and special.6. That come as determine to surround spaces walls did not contain in the front side to interior middle space through central distribution to thither spaces of thought to relations or activities.7. They were not complete of structure relations connecting between parts, or inclusion led to weakness of coherence these designing for users starting from matching thought with applicable field or weakness of link relation with construction elements of design as appeared in the interior space to receiving hall as absence of specifying to three activities that contained by sleeping space or appear moist spaces.

التدليل العلامي في افلام لارس فون تراير == Semiotic Semantics In Lars Von'S Movies

Author name: حسن قاسم مطشر الساعدي
Supervisor name: طه حسن عيسى الهاشمي
General topic: Fine Arts
Specific topic: Audio and Visual Arts
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: ينطلق البحث في محاولة لتاشير اهتمام سيميائي بالتجارب السينمائية المتميزة في السينما العالمية عبر تاريخها الطويل، ابتداء من عفويتها التي سحرت المشاهدين بتصوير وصول القطار الى المحطة، وانتهاء بالدهشة البصرية من افلامها الحديثة التي غلبت عليها تقنيات الغرا | The research stems as an attempt to indicate the natural magic interest in distinct cinematic experiments in the world cinema through its long history, beginning from its spontaneity which fascinated the audiences by shooting the train arrival to the station, and ending with the visual surprise at its modern films dominated by the technical graphics, within two main axes : the trial to associate among those experiments which their indicative features and the indicative structure they represent on one hand, on the other hand observing the new experiment to find different formats of semiotic semantics in new, distinct and good works for analysis and theoretical framing processes which the researcher endeavors to apply them and the trial to find a real example for them through cinematic text which the researcher thinks it represents a suitable sample for search and operation. The movies had been classified on analogical bases (realistic and impressionist) which were two main attitudes within them the cinema began to develop until the structuralism and the sign science appearance at early 1970s. The natural magic borrowed from eloquences its search methods to reveal the semiotic and semantic structure owned by the cinematographic images; therefore, this study represents an attempt to read the semiotic semantics in intended film texts using the natural magic analogical effort. The study entitled (The Semiotic Semantics in Lars Von's Movies) included four chapters as the following : The first chapter (The Methodological Frame) addressed the research problem displaying the avoidance of many studies from studying the cinema unless through deliberative starting points, so they were implicative studies related to what said in the movie and not to how it was saying. Consequently, the way to that was knowing the structure of the semiotic semantics in the cinematic film in which it saw the modern criticism of the natural magic method with semiotic value that could be count. The research addressed the research significance and its analogical location among the natural magic studies in the field of cinema. The chapter contained the aims put by the researcher and the limitations within which the research worked. The second chapter (The Theoretical Frame) came including the rules previously established, which the overall operating on them would be the application of some of them, or with some changes besides preserving the general lines of the critical achievement. The search first would be through the first section (The Natural Magic of the Cinematic Image) on the signalization of the cinematic image which due to its iconism resembling the reality it depicted, referred to or symbolized, formed the secret of its excellence, after an inevitable analysis of the sign in general as being an icon, indicator or a symbol. After distinguishing the weak iconism resembled by the planning, and between the direct iconism and the metaphoric iconism established by the successive and compound images in shots, scenes and chapters inside the movie, through this resemblance embodied by the similarity between the cinematic image and the realistic subject it shot, we could read that image in natural magic. Then the research dealt with (The Indication of the Cinematic Sign) the title of the second section in the cinematic address which arranged its images as its language, the open and closed text, deliberative, perceptive, psychological, social and cultural contexts, and the codes through the association of the cinema functions with its meanings closely due to their being video signs, and the transformation of the perceptive example represented by the signs into an indicative example related to the cinema via its video and audio languages which distinguished it from the remaining arts. The research presented in the third section (The Semantic Elements in the Cinematic Film) the filmic narration, the filmic shape, the operating mechanisms of indications in the elements of the cinematic language through adopting (linguistic - cinematic) inducing techniques contribute in exploding the closed structures at the level of the shape, evacuating the filmic text from the dramatism at the narration level rich of playing with times and multiplicity of viewpoints, and using the repetition and overlapping which restore, paste the text segments with an internal and external vision hanging in time and place, and liberate it from mixing with other text. Then, the researcher discussed a group of previous studies covering the natural magic in the cinematic art and some of their sections mingled with the study sections, afterwards the researcher came out with six indicators, i.e. types of indications constituted from the theoretical frame, the researcher wanted to indicate through them what the research tried to confront by exposing them on a committee of experts and specialists who modified them in a way fitting the research. These indicators were summarized in six types of semiotic semantics : intensified and compound indication, transformed indication, additive indication, individualized indication and the accompanying indication, all of which were applied to the sample. The third chapter (The Research Procedures) consisted of two axes : First : the research method where it was relied on the descriptive analytical method, the analysis unit, elected filmic sample, the reasons behind selecting this sample in a way fitting the research nature, and the reasons laid by the researcher for defining the sample. Second : the sample discussion submitted to the analysis according to the indicators extracted from the theoretical frame. The selected filmic samples consisted of three movies for the Danish director (Lars Von Trier) : 1 - Antichrist movie. 2 - Dancer in the Dark movie. 3 - Dogville movie. These three movies were selected because they were distinguished works, since the second movie was awarded the golden palm prize in Cannes cinematic festival, while the movie song (everything I saw) performed by the movie heroine the singer (Burk) written by the director (Lars Von) was awarded the Oscar prize as a best song. The other two movies were praised among the cinematic and critical circles. For information, the director (Lars Von) gained prizes from Munich cinematic festival and won the golden palm prize twice. The fourth chapter came with the research results, the most important of which were that the image had a tremendous number of signs forming the analogy and contrast processes among them to produce the predominant meaning which the maker wanted to uncover. It was relied on the receiver's awareness in reading the coded structures inside the space of the shot or scene which altogether led to reveal the levels of the semiotic structures producing the meaning. Then, the research arrived at conclusions and suggestions. Finally, the researcher's recommendation came asserting the importance of the natural magic method in the cinematic criticism and the necessity to expand working with it within the department methods for the undergraduate and higher studies. Afterwards came a list of the research references, a group of appendices and an English abstract

سمات الاداء التمثيلي في تجربة قاسم محمد المسرحية

Author name: حسن قاسم محمد
Supervisor name: حسين علي كاظم التكمه جي
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: ينقسم البحث الموسوم (سمات الاداء التمثيلي في تجربة قاسم محمد المسرحية) الى اربعة فصول تضمن الفصل الاول الاطار المنهجي للبحث عن طريق مشكلة البحث والحاجة اليه، واهميته، وهدفه، وحدوده وختم بتحديد المصطلحات ثم تلا ذلك الاطار النظري للبحث وتضمن ثلاثة مباحث الا

جمالية توظيف الصورة الفوتوغرافية في فنون ما بعد الحداثة == Aesthetic Employment of Photograph In The Art of Post Modernism

Author name: حسن عطوان كاظم
Supervisor name: كامل عبد الحسين الشيخ خضير
General topic: Fine Arts
Specific topic: Drawing
Degree: Master
Language: Arabic
University location: Babylon
First pages:
Abstract: تناول البحث الحالي ( جمالية توظيف الصورة الفوتوغرافية في فنون ما بعد الحداثة ) وقد حاول الباحث التعرف على جمالية توظيف الصورة الفوتوغرافية في فنون ما بعد الحداثة، من خلال الاجابة على هدف البحث الحالي، وقد اشتمل في بعض جزئياته، بيان طبيعة والية توظيف الصو

انساق العلاقة بين جسد الممثل والسينوغرافيا في العرض المسرحي : ماكبث انموذجا

Author name: جواد كاظم حسن الحسب
Supervisor name: فاضل خليل رشيد
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: يرتكز العرض المسرحي الى عدة عناصر تشكل هذه العناصر اساس لغته البصرية، فالممثل وهو العنصر الاساس، وهو صورة العرض الحية الى جانب العناصرالاخرى المتمثلة بالسينوغرافيا، كالاضاءة والديكور والملابس والمكياج والموسيقى والمؤثرات الصوتية والاكسسوارات التي تتحرك في

جمالية الايهام البصري في رسوم سلفادور دالي == Aesthetic Visual Illusion In Paintings of Salvador Dali

Author name: شاكر عبد النبي جباره وطبان
Supervisor name: محمد عودة سبتي
General topic: Fine Arts
Specific topic: Art Education
Degree: Master
Language: Arabic
University location: Babylon
First pages:
Abstract: Fill Find beauty of human thought since ancient times, being an important part of his feelings and his sense of the world, which showed the his attempts at making beautiful as he sees fit consistent with the feelings and human identity and social affiliation, and characterized without other creatures of being beautiful pictures and creator maker, this led to allocate some of the search the values of these images and their interpretation, Venco so aesthetics, has produced a lot of art images from the caves to the present day, and the great artists who excelled in this area a significant impact in the technical experience considering that their greatest impact on the thoughts and emotions of the people, and who left a legacy artistically valuable a significant impact later is the Spanish artist (Salvador Dali), which occupied a prominent position and an excellent location in the history of European art.The current research has dealt with (Aesthetic visual illusion in Paintings of Salvador Dali) and containing these fees from the beauty of art through the methods of structural treatments, techniques and technologies.Salvador Dali acquires great importance as an artist, he is an artist Urby singularly in his career, and has a level of privacy on the aesthetic tools and on the level of human and social position.As artist Silvader Dali belongs to the school Surrealism, which emerged and was famous in the early twentieth century and affiliation that did not make it affected the fundamentals of technical classic, but search for himself space to override contrary in outside those limits, making it the most famous surrealist artist from among a number of his peers Europeans.As long as his work is that talk, Salvador Dali has left a number of important works, carrying privacy orientations Surrealism.This research is an attempt to reveal the editorial systems in his art, and the qualities that could be achieved in the aesthetic elements of the plastic painting very magnificence and excitement is not technically part, but in metaphor and embedding elements configuration.The search is over to combine analysis who cares fragmented, examination and induction and formulate conclusions,.Thus adopted research the following question : (What aesthetic the illusion in the Salvador Dali fees?)The research is divided in four chapters, the first chapter included, the problem of the definition of research and its importance and need for, and the aim of the research that has been summed up as : (learn visual aesthetic giving the impression in painting of Salvador Dali). The first chapter also includes a definition of the limits of the search, and determine the terms contained therein.The second chapter, which is the theoretical framework of the research, it has been divided in four sections : 1. The first section Me (perceptive formal in painting between reality and create the illusion).2. The second section Me ( illusion in modern painting)3. The third topic Me (Surrealism, origination, vision and method).Also included a theoretical framework and previous studies indicators.While the third quarter included research procedures, from the research community, and a sample search, search tool, the research methodology and analysis of the research sample.• The fourth quarter included the search results, Among the findings of the researcher : 1. The arguments of Surrealism seemed clear in the works of Salvador Dali imagined and underlying vocabulary that seemed a substitute for logic and reason authority since defected to the fundamentals of building formal relations that would achieve a balance between the painting and the unity and harmony dimensions allowing the artist to form a pattern of Fine relations and Avatar on the surface Photogrammetry which met the elements of alienation, imagination and subconscious.2. How important photo in the works of Salvador Dali appeared by employing them in collage techniques as it appears in the painting (3), or in making it as an essential element for the establishment of his work with elements of playing is reflected in the paintings (9.11, 14, 15) of the sample research.The most important conclusions : 1. Depending on the different themes of the diversity of the latest so that the grapes can be classified into the task of the artist's life stages where it was confirmed on a specific theme which completed a large collection of his works2. create the illusion that the key element in most of the works of Salvador Dali Surrealism within the period in his artistic life form.• recommendations, including : the need to establish cultural and intellectual relations between the global arts colleges and technical institutions) with arts colleges in Iraq to take advantage of the technical expertise and experience and acculturation between them, and interest in the study Surrealist art depending on Salvador Dali techniques in the implementation of his paintings.• proposals, including : the impact of Salvador Dali fees in contemporary art.Then comes after chapter four : sources, supplements index, and abstract in English.

جماليات تحولات المنظر في عروض المونودراما العراقية == The Aesthetics of Scene Transformations At Iraqi'S Monodrama Plays

Author name: فرزدق قاسم كاظم عبد الله
Supervisor name: محمد عبد الرحمن الجبوري
General topic: Fine Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: شكلت عناصر بنية التشكيل الجمالي لتصميم المنظر المسرحي في عروض المونودراما نقطة ارتكاز مهمه في بيان صياغة تحولاته التي تفرض سيطرتها على المتلقي، مما يدفع به الى ان يتفاعل معها ليستقرا دلالاتها وفق دائرة الاحداث والتي تاخذه بعيدا في عوالم الروح الامتناهيه ح | The sequences of elements of scene structure transformations at the monodrama plays play an important role to demonstrate its aesthetics that impose its control upon the audience, which push them to react with these transformations to recall their signs in accordance to the events and take them so far to infinite soul worlds, where sensitive and ideological enjoyment are generated; thus, this thesis titles (The Aesthetics of Scene Changes at Iraqi Melodrama Shows) came into being. The researcher determined its scientific paths at four chapters. They are : The First Chapter : it included the syllabus framework and contained the problem of the research and its need. The problem is determined by the following question : How did the designer deal with the Play Structure Elements changes of the scene till showing them to the aesthetic reading at the melodrama play? The activating the aesthetic of play scene form structure elements via their changes during the melodrama play leads to enrich the mental and sensitive realization of the audience; as there is no similar study specialized in this theme, the need for this study raised. It also contained the importance, aims, limits and terminology (Aesthetic - transformations - Play Scene - Monodrama). The Second Chapter : its included the theoretical framework that contained four parts. They are : a - Part One : The Aesthetic Concept at The Western Philosophy.b - Part Second : The Scene at the Modern Play Trends c - Part Third : The Scene transformations and their signs at the Play. d - Part Four : Elements Visual Occupation at the Monodrama Play. This chapter contained as well a list of previous studies that dealt with monodrama as main theme, such as : 1 - Hussein Ali Haref’s Study (The Technical Features of Monodrama). It as a literary study related to the melodramatic text. 2 - Nuha Abbas Jawad Sheweleiah’s study (Alienation at Iraqi Monodramatic text). She interested with Alienation concept at the monodramatic text. Then she reached the indications that resulted from theoretical framework. These indications are : a) The elements of aesthetic form structure of the play and its features of the audience sensitive reactions and motivate them to react to recall its expressive signs that grant them metal and sensitive enjoyment. b) The mechanism of aesthetic scene transformations move into two directions; the first : Iconic Aesthetic transformations and The second : Symbolic Aesthetic transformations. The Third Chapter : it represented the Methodology Framework. It contained the community, syllabus, tools and methods of selection and analyzing the samples of the research. The sample contained the following plays : 1. (The Hunchback) monodrama, the scene is designed by Falah Ibrahim 2. (Achilles Return) monodrama, the scene is designed by Emad Mohammed 3. (I at the dark research) monodrama, the scene is designed by Awatif Naem4. (The Gone Days) monodrama, the scene is designed by Sami Al Hesnawi5. (Alienation) monodrama, the scene is designed by Suhail Al Bayati. The Fourth Chapter : it included the results, discussions, conclusions and suggestions. The most important results are : 1 - The designer achieved the ideological aesthetic reading of the monodramatic scene in accordance to structure form elements transformations within the limits of the symbolic level at the monodrama plays (the samples analysis).2 - The designer sought to use slight raw materials to build the scene order to enable the actor to change its aesthetic particulars in harmony with the events during the play as is the case with (The Gone Days) and (the Hunchback). Finally, the researcher fixed a list of references, supplements and this English Abstract.

جماليات بنية الخطاب التلفزيوني الموجه للطفل == The Aesthetics of Constructing T.V Discourse For Child

Author name: هناء خضر يوسف
Supervisor name: متي عبو بولص
General topic: Fine Arts
Specific topic: Audio and Visual Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: يشكل الطفل بنية حيوية يصعب الكشف عن جانب من مكوناته الانسانية دون الرجوع الى البنية الكلية، انه شان الخطاب التلفزيوني، فهو يشكل بنية متكاملة يصعب النظر الى مكون من مكوناته في معزل عن تلك البنية العضوية التي تؤسس وحدته الكلية، وهناك عناصر لا يمكن تجاوزها ع | Child is considered as a vital construction which is difficult to discover any thing about his human components unless go back to his total construction. It is a concern of T.V discourse because it represents a total construction which is difficult to watch any component is aloted from the organism construction which establish his unity. In addition, there are other elements which can not be avoided when searching about the reasons of constructing any discourse especially T.V discourse for child. These elements fall among the audio visual construction and become very important in its communicative - technical role or in its aesthetic - expresional role to add more meaning and contribute to improve the aesthetic teste in child and develop his character.However , the following study is going to study this case and falls in five chapters. The first one is ascribed for the theoritical background, and the problem of the study which Represented by the following question : What are the characteristics of constructing T.V discourse for child, and how to employ the elements of audio - visual construction in this discourse to represent the aesthetic qualities which attract the child interest.The aims of the study concentrate on : - The automation of receiving in child. - The aesthetic - expresion employment of the audio - visual elements in T.V discourse for child.The limitation of the study is confined to T.V films for child within the age 9 - 12 year, regardless with a limited time because the study is studying the artistic aspect of all films away from the date.of its fits productiong or showing.Chapter two comprise the previons studies and the thearitical background, the researcher found two close studies for hers while the thearitical background includes these three sections : - - The psychological receiving in child in which, the researcher shed light on the concept of communication and its effects on the sensational and psychological perception in addition, she studied the age division of child and the factors which effected the efficiency in child. - The elements of discourse construction : This section studied the most important element. of montage and audio - visual. This is to now the impact of expressional and notional emplaymention on discourse for 9 - 12 year child to achieve the cognitive and aesthetic aim of discourse. - The aesthetics of discourse between testing and conception : This section includes the concept of aesthetic, conception and aesthetical testing in child, and how he feel in art. The researcher, then, draw up the theoretical background and the instrument of the study atter they were exposed to ajury of experts.Chapter three includes the procedures of the study which had been adopted by the researcher to analys the selective sanples of the study which were 1 - the film (Garfield) 2 - the film (Bridge to terabithia) 3 - The film (Edde’s cook) and the justification of selecting these samples in addition to the research instrument and the unit of analysis.Chapter four includes the analysis of selected samples and concluding the final results which where included in chapter five, then the results of the study.Which are as follow : - 1 The variaty of discourse ideas for child straint from his essencial needs and the system of educational , social and cognetive values.2 Using the simple plot in which a strugle between mind and intellegent will appear instade of body violent.3 Lighting had an effective role to attract the attention of child and delighted him.4 Concentrating on natural colures as an indication vitality and loving the life.5 Fashion had an effective role to discover the psychological aspect of the character.6 Simplicity were adopted in the language of discourse for child.7 Songs , effects and music play an important role for entertaining and amusing the child.8 Montage is depending on longitudinal style to sequencing the events and employing the process of clipping , cutting and mixing. Finally , the researche state the conclusion according to the results of study , and some necessary recommondation and suggestions for further study to cover all the gaps. this study because it needs a specific researcher. Then the researcher end the study by the lislt of references and appen dences and the abstract in English.

جماليات النظام التصميمي لهيئة جهاز الحاسوب المحمول وعلاقته بالمستخدم == Aestheticisms of Designing System For Shape of Laptop And Its Relationship With User

Author name: مهند جورج الياس فتح الله
Supervisor name: شيماء عبد الجبار حميد العبيدي
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: يعد? جهاز الحاسوب المحمول , من التقنيات الحديثة المهمة والاكثر فعالية وتاثيرا في حياة الانسان. وبما ان الهدف الرئيس لاي عمل في مجال التصميم هو النظام التصميمي المناسب , فقد تناول البحث الحالي دراسة امكانات وضع مرتكزات تصميمية تطويرية لهيئة جهاز الحاسوب | The lap top is consider one of most modern techniques and most influential and activity in life of human , the main aim for any work in field of designing , is fit designing system where present research deals with studying of potentialities set rests of developing designing for shape of lap top in order to contribution of present research with its artistically and scientific materials in finding knowledge base to studying aestheticisms of designing system for shape of lap top in order to achieve designing aspects with concerning with aestheticism formative system and functional aspect which achieve qualification in work with provide security and safety , both from contains of 1st while 2nd consist of three topics , the first was concerning with in designing system ( formative ) , while 2nd topic was deals with what's lap top and relation of its function with designing variables and its components and ways of used connection beside its relation with surrounding circumstances , 3rd topic have introduced explanation in humanbeing engineering ( Anthropometry ) and designing of designing of designing systems , 3rd have concluded measures of research where I depend studying of case in descriptive methodology in order to form base of scientific analysis of for sample of research which represent 50% from community of research through analysis and current descriptive for phenomenon. The researcher have depended on indicators was outcome sources and references were depended by researcher and field visits for shops of lap tops , and also interviews with owners of experiment , beside reconnaissance of researcher through use application of interview to specify how dealing of user with designing system for shape of lap top. 4th chapter have described sample of research and analysis it according to application of specification of axis of analysis. 5th chapter and last to introduce results and conclusions and designing rests and recommendations besides suggestions.Most results were been discovered by research as following : - 1 - Confirming on designing system which concludes well - organized relations which connect parts each other and with public shape which reforming as whole for structure against its functions within one connected idea.2 - key boards become on shape of bowed in outward and with tendency angle fit with direction of hands in order to functional values and getting rid of stress to wrist joint as result its twist towards inward ( where direction of hand of user in direction same or extension wrist joint and in same extension of hand ) , aesthetics value through movement and variety to its designing variables to cope with desired function. 3 - designing shape of lap top with well - organized structural system from ordered relations? between system of structural techniques designing system and operational smaller size , lighter weight and more competence and between forming designing variables to provide desired function and aestheticism value in order to carry out requirements of user. 4 - employing of shape lap top connect with abilities of loading , moving , and facility of treatment and usages in different environments of work with less range from surrounding space.5 - achieve elements of quality , and designing formatval structure through use material of plastic ( type ASB ) in shape of lap top through physical features and requirements of manufacturing and economic consideration. 6 - relying on movement and variety in structural shape in order to achieve renew structural configurations , original and development with aestheticism influences and by dynamic spaces and not similar and nderstanding for certain aims of designing work.

جماليات الماكياج في عروض المسرح العراقي == The Aesthetics of Make - Up For The Iraqi Play

Author name: ذكرى عبد الصاحب عبادي
Supervisor name: سامي عبد الحميد نوري
General topic: Fine Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: اعتمد بناء وتشكيل الصورة المسرحية من انبثاق المسرح حتى يومنا هذا على صور شعرية وفن معمار الفضاء المتسع المعاني والدلالات التي تتسم بها الشخصية المسرحية وما يحيط بها والتي من خلالها يتلاحم المتفرج بالممثل في اجواء تطهيرية صادقة المشاعر والاحاسيس اتضحت ملام | This research deals with the mechanism and the aesthetics of make - up for the Iraqi play performance. The problem of the research concerns with the imitation of natureand the principle of illusion of reality and to what extent the artists of make - up tried to achieve. In chapter two : the researcher discusses the aesthectic frame of make - up according to the ideas of the philosophers.The chapter discusses The scintefic frame of make - up such as Anthropology , Biology , Sociology , Psychology and Anatomy.This chapter also deals with the artistic frame of make - up Concerning Design and Compotion so the effect , of the elements of the other aspects of theatre Visual such as costumes , scenery , lighting on make - up concerning line , shape mass , Color , and texture. chapter three of this research deals with analyzing the mechanism and aesthetic aspects of make - up in five Iraqi play productions. The researcher reaches the following conclusion : 1. The straight make - up were used for most of thos plays and character make - up for som of them.2. There was no need too achieve the principle of illusion of reality for the make - up of the samples.3. In one of the samples the artist of make - up used the Clay for covering the faces and bodyes of the actors instead of vsing the materials of make - up. 4. some of the aesthetic touches were used for few characters.5. No effects of the other elements of the visual Theatre on make - up appear specially the effects of the stage lighting.

جماليات السينـوغرافـيا فــي العرض المسـرحي : نماذج من المسرح العراقي == The Aesthetics of Scenography For The Theatrical Performances

Author name: جبار جودي جبار العبودي
Supervisor name: محمد عبد الرحمن الجبوري
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: في ظل انفتاح العالم على مختلف انواع العلوم والتكنلوجيا والمنجزات التقنية التي شكلت العصب الاساسي في الحياة المعاصرة بدات التجارب المسرحية بوصفها فنا يعكس انماطا شديدة الخصوصية، وعلى تماس مباشر باحاسيس ومشاعر المتفرجين، بدات هذه التجارب محاولات اللحاق | This research deals with the problem concerning the authority of the aesthetic elements in the scenogrphy for any play production and the ability to cause their effects in the final form of the stage pictures. The goal of the thesis is to define the aesthetics of scenography considering the dominating authority for the Iraqi theatrical productions and the role of the main factors in showing the images of the directors and the designers. In chapter two , the researcher reviews the resources dealing with the subjects. Section one of this chapter reveals and discusses the opinions of some scholars about the conception of scenography and the development of its implications through out the history of the theater. The researcher chooses the opinions of the three well - known play directors and designers - Adolf Apia , Robert Wilson , and Taduez Cantor. In section two of the chapter , the researcher discusses the aesthetics of scenography elements - the actor, the make - up, the costumes, the scenery , the accessories , and the theater building architecture. In chapter three , the researcher anal sizes the aesthetics of scenography of, three Iraqi play productions : The first is ( picnic ) adapted and directed by (Ahmed Hassan Mussa) , and ( Jabbar Juddi ) is the scenogerahper. The second is ( Cerfew ) written , directed , and scenogerahpy by ( Muhannad Hadi ). The third is ( The Blood Horse ) adapted ,directed and scenogerahpy by ( Jabbar Juddi ) , The text of this play was adapted from ( Macbeth ) of Shakespeare. In the fourth chapter the researcher discusses the results of his analysis and reaches the following conclusions : 1/ The theatrical performance depends a lot on the visual theater nowadays more than the others.2/ It is important to achieve the harmony between the visual , the auditory, the kinetic element and the dramatic element according to the vision of the director.3/ The aesthetics of scenography could be achieved only in well equipted stage.4/ The authority of scenography dominates the contemporary theatrical performances.5/ In order to achieve the aesthetics of scenography successfully it is necessary to manipulate the plastic elements.

جماليات التعبـير في التصوير الاسلامي == Aesthetics of Expression In Islamic Imaging

Author name: محمد عبيد ناصر العـناوي
Supervisor name: جعفر عليوي الخفاجي | فاخر محمد الربيعي
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:
Abstract: يعنى هذا البحث بدراسة (جماليات التعبير في التصوير الاسلامي )، وهو يقع في اربعة فصول، خصص الفصل الاول لبيان مشكلة البحث، واهميته والحاجة اليه، وهدف البحث وحدوده، وتحديد اهم المصطلحات الواردة فيه.فتناولت مشكلة البحث موضوع (جماليات التعبير في التصوير | This dissertation studies (the aesthetics of expression in the Islamic imaging), which consists of in four chapters, the first chapter is devoted to a statement of the research problem, and the importance and its value, and the aims of the research and its limits, and to identify the most important basic terms in the study. The research subject (the aesthetics of expression in the Islamic imaging), describes arts as an important a means of expression and the needs and concerns of human religion, as a result of spiritual and psychological human to need beauty, he began groping for meaning and forms in outer reality, self - sense and then take reflected in beautifully artistic product, Islamic civilization was not far from such innovations in the field of the arts, a variety of artistic schools which differed in their methods and varied in its conclusions that were influenced by religion that espouses, these schools contributed significantly and directly in the nature of the themes and ideas, beliefs and accidents expressed in various areas of the arts, and here emerged the role of Muslim artist expressing the philosophy of the age in which the belonged to more than creative concepts prevailing, which surrounded the artists within the boundaries of the Islamic nation or its neighboring civilizations, but he had dialogue and taken from the past or contemporary achievements and several pictures. Throughout the Islamic thought and religious belief, which had a wide resonance in the community movement, and his habits and his perseverance , and culture, so it has to reflect the patterns and common forms of matter and during the event, expression, idea and content. Hence the problem of the current research has arisen through answering the following question.How did a Muslim artist express his constructive and aesthetic production?And raised the importance of the research by highlighting the focus on the Islamic imaging expression and clarify the concept in a constructive process. That the first chapter, contains the aim of the research which is : Detecting and identifying the aesthetics of expression in the Islamic imagingThe limits of the research are identified by studying the aesthetics of expression in the Islamic imaging for the period (635 e - 1090h) (1237 m - 1680 m) and within schools (Iraqi, Iranian, Turkish, Indian), as well as a review of the basic terms such as : (beauty, aesthetic, expression, photography)The theoretical framework consists of three section : The first section, is devoted to the concept of beauty in philosophical Islamic thought, starting from Greek philosophy as paving the Islamic philosophy down to the thought of the aesthetic of (AL - Kindy) , (Farabi) , (AL - Tawhidy) , (Ibn Sina) , (AL - Ghazali) and (Ibn Arabi(.The second section contain the expression between form and content, and in it (the concept of expression, expression in primitive art, concept of form, the concept of substance, bilateral form and content, in the form of expression relationship, a relationship of expression with content, the relationship of expression with( the substance. The Third contains axes : The first axis included the aesthetics of expression in the Islamic art through the entrance of Islamic art, and references of Islamic Art, and the characteristics of Islamic art represented monotheism, unity, movement, and abstraction, as well as the attributes of expression in the products of Islamic art through the Islamic decoration, and calligraphy, and architecture, and porcelain. The second axis included the expression applications in the products of the Islamic imaging through the emergence of the Islamic imaging, the impact of prohibition in the Muslim imaging, as well as the aesthetics of expression in the Islamic photography schools (the Iraqi school , Iran , Turkish and Indian Schools). Then the researcher displayed the previous studies. The third chapter contains the procedures the study : including the study and selection of a sample of appointed adult (22) stylized Islamic imaging divided into six miniatures graphical Iraqi school and the Iranian school, and of five miniatures of Turkish schools and Hindi, then the of tool Analysis of the sample. The fourth chapter included results, conclusions, recommendations, and suggestions/ Among the most important findings of the researcher : 1. The expression feature of the Iraqi Islamic her miniatures have a renewable energy, because it combines the tangible and intangible images of , the natural shape and religious symbol.2. aesthetic expression in the Iraqi school emerged through the form in flatness and distracting leisure and work on the principle of the solenoid and linear perspective in art forms relationship with each other and in the spatial relationship with the space.3. It appears that solenoid perspective evident in the Islamic Persian imaging through visual movement in focusing when look at the people in the middle of miniatures and then move to neighboring hubs in a mechanism to create artistic works refers to the aesthetic side of artistic expression.4. the aesthetic expression appeared in Turkish school in an expressive narrative way through realistic transport which is not far from the realistic reproduction of forms inspired by nature5. repetitive conte xts in Indian School characterized by esthetic harmony by simulating the shape imparted to the aesthetic expression of Indian photography. The researcher concluded the following : 1. Muslim artist based in the Muslim imaging schools to evoke the determinants of structural elements and organizational foundations, which represents the need to do the aesthetic expression and an attempt to understand the link - state equalized between reality and ways of expression.2. Islamic environment features reflected a clear impact on the structure of Islamic art in general and photography in particular, the structure was considered as an indicator of citizen reveals the nature of the link between the environment and aesthetics works expression in Islamic miniatures.In addition a number of recommendations, suggestions, Arab and foreign references and appendices, the abstracts in English have been displayed.

جماليات البناء الكنائي في الفلم الروائي == Aesthetic of Metonymy In The Feature Film Dessertation Submited

Author name: اسيا جبار خلف
Supervisor name: طه حسن عيسى الهاشمي
General topic: Fine Arts
Specific topic: Cinematic Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: ان البحث الموسوم "جماليات البناء الكنائي في الفيلم الروائي" ويستهدف دراسة موقع الفلم الروائي من البلاغة بوصفه علما استقر في اللغة الطبيعية ووجدت له مقاربات في الفنون المجاورة، وكانت الكناية احد الاساليب البلاغية المتضمنة في علم البيان احد مباحث البلاغة | The research entitled "Aesthetics of metaphorical construction in Feature Film" aims to study the position of feature film in figurative language as a science settled in natural language that found approaches in neighboring arts, further, metaphor is one of the implemented methods in rhetoric as rhetorical device.Film, as craft language, obtains from metaphor as a main source to the film structure and its metaphoricals', and, if metaphor means, in language, the indication of a meaning by using a subsequent and synonym for it, intents to cover and shade therefor we switch from using the specific word that represent meaning to a synonym, so, meaning according to Jarjaani : speech system; while aesthetically it has a special regulation. For direct and repeated speech losses its aesthetically because of habit. Then meaning in metaphor doesn't use current meaning, instead it deals with "meaning of meaning". We can see linguists who attached symbol, indication, allusion and periphrasis to metaphor kinds. So texts are renewing with the renew of meanings. Metaphor refers to something by other that equals it in reality known to people but with new meanings, because if a meaning is settled and widespread would not catch attention or raise the aesthetic sense for it became so common, and this is what we see in film as it extrapolates the meaning through the realistic references, and the difference between standard and common film is that the first chases the invented meaning regarding arts aesthetics while common film is captive to current meanings that doesn't draw attention.This research consists of a summary and four chapter, the first includes methodological framework and the question of this research and the need to it. The question is formed as follows : "what is the aesthetic of metaphorical construction of feature film?".The need to such researches is to be at hand of researchers in Cinematic science to find out rhetorical prospects of cinema arts to be an aesthetic addition in film theorizing and application.While the importance of the research is due to be the first of its kind representing the metaphorical applications as they are the base of feature film leading film art to achieve a privilege in metaphor field in which cinema is operating in, on the grounds that the first task of the film is aesthetic of film image, and paying attention to the widening scopes that the metaphor repletes by neighboring reality in a creative way, not only a humble conveying that set and settled.The limits on this research are spatial limits are cinema worldwide anywhere can be found, temporal limits are (2001 - 2011), and finally mental limits are novelist metaphor.The second chapter includes three sections. The first concerning : metaphor from word eloquence to image space : in which the term (metaphor) is followed with Arab linguists depending on Arabic rhetoric as guide, so Simile purposes and eloquence will lead us to the question of this research, which leads to the necessity of studying semantics and metaphor as linguistic concept and rhetorical device the thing found with well - known Arabic heritage scientists : Al arabi, Al - jahihd, Al - mubred, Aba ubaida, Ibn almu'taz, Qudama Bin Ja'far, Abo Hilal Alaskari, Ibn Rasheeq Al qirawani,Ibn Sinan Al kafadgi , Al Jurjani and others.The chapter stopped at the concept of art image and film grand theories such as simulation, emotional and formalism theory.The scorned section concerns metaphor application in novelist film. Where image metaphor is treated which Derives its representation from photographical origin through the notion of : Arnhem, Andre Bazin, Eisenstein, Christian Metzm and others.The section concludes that what cinema has added to world understanding is the usage of reality in an eloquent way so the metaphorical construction take into account natural language eloquent while it draws its metaphor of cinema - tography through its special expressive medium.The third section entitled, the aesthetic employment of metaphorical construction in feature film, in which natural language doesn't present full metaphorical texts through its linguistic contexture, while film is a metaphorical contexture in each shoot and scenes.So, such kind of researches should comes out with the theoretical framework indicators, one of them is : 1 - The film aesthetic and metaphor happen through dialectic cinema narrative and the film form to build metaphor system through gathering partial metaphors.The research, as researches goes, contains conclusions such as : 1. The film aesthetic metaphor comes from the fact that the film art is an art on the term in which the film form differs from the exact picturing of reality.2. Also, the research comes to many derivations like : Metaphor in cinema is a basic and genuine element in film creativity which cinema is based on in its construction.

جماليات الاشكال الزخرفية في الخزف العراقي المعاصر == The Aesthetics of Decorative Figures In Contemporary Iraqi Ceramics

Author name: مهدي نوري عبيد السبهان
Supervisor name: صباح احمد حسين الشايع
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: تتاثر الانجازات الفنية عادة بحسب نوعية البنية الثقافية للعصر والخطاب الذي تبثه هذه الثقافة ذلك ان الحضارات القديمة ارسلت بلاغها عبر منجزاتها , ولما للفخار من اهمية قصوى ورغم ارتباطه بدا بالنفعية الا ان سطحه اصبح فيما بعد نصا مقروءا متناميا فيه ال | The Artistic achievements are usually stirred according to the cultural structure of the generation age and the message conveyed by the culture , the ancient civilizations ceramic is thus crucially important and beneficial , However it has had readable surface with growing aesthetic a wariness, Methods of ceramic figures building have developed and varied , bringing out figure system , thus decorations by all kinds covered ceramic surfaces with symbolic indications , These creations reflected the spirit of the ages and through stages a solid base of original civilization was founded which have enable contemporary arabistic to develop their free intellectual views. The aesthetic sense has crockery during the Balioarteological ages inspite of the beneficial purposes of crockery , the ceramic artists could decorate their ceramic objects with particular engraves. which have inspired the contemporary artists. Some works of contemporary artistes are distinguished by making ceramic figures on ceramic surface.The monographic of this study aims at explaining the conception of the aesthetic system producing the ceramic body. Doing so enable us to enrich the knowledge medium with the research thesis ( The Aesthetics of Decoration Figures In Contemporary Iraqi Ceramics ). This research paper includes for basic chapters.The first chapter is concerned with the research main issue , importance , and need. It aims to identify the decorative figures in the contemporary ceramics and fined related terms and definitions.The second chapter is related to the theoretical frame it's result and results of previous studies. This chapter is further concerned with four topics. The first topic is intended to study the aesthetic philosophy ; the second one is about history entrance on ceramics art , the third topic is about shape and the fourth one id about history of decoration.Chapter three is concerned with procedures of the research using descriptive and analytic style. The research selection includes works of some ceramic artists during a limited time.The research sample includes ( 25 ) ceramic works chosen from the original selection in an intentional way. Chapter four is concerned with the statement of important results as follows : 1. Shapes balance in terms of contents and units on ceramic surface which showed aesthetic appearance. This created stability state result from the balanced ceramic works in addition to color harmony and mass balance.2. Among the aesthetic characteristics of ceramic components are the symmetrical decorative shapes which symmetrically depend on both ' X ' and ' Y ' axes.3. Ceramic figures beauty is made prominent by repetition characteristic in which units and items are related closely by drawing ceramic items repeatedly with out change.4. The Arabic letter appeared to be elegant with an arranged position with other letters , especially when it is used as a decorative figure in the contemporary ceramic. Therefore the ceramic artist manipulated the letter in two ways : Firstly , calligraphy was done with recognized script rules but in an occasionally repeated letter shapes and drawings. The letter was also drawn in a way so that repletion and symmetry were clearly apparent.In the second way , the letter was drawn and made with free - script rules.5. The geometrical elements decorative shapes with arrangements , symmetry , repletion , balanced and counter linear relations among them contributed to clear manifestation of the aesthetic aspect of the contemporary ceramics. The decorative construction of items was represented by triangles , rectangles , squares and circles

جدلية العلاقة بين الانتاج والتقنية الرقمية لتفعيل البعد الجمالي والدرامي للخطاب السينماتوغرافي == The Controversy of Relation Between Production & Digital Technology To Activate The Dramatic & Atheistic Dimension For The Cinematographic Letter

Author name: براق انس المدرس
Supervisor name: ماهر مجيد ابراهيم
General topic: Fine Arts
Specific topic: TV Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: من غير الممكن عد الفيلم السينمائي او المسلسل التلفزيوني الا بكونه انتاجا ينبثق الى الوجود بعد عدة عمليات انتاجية خلاقة تحققها مستويات ثلاثية متعالقة تاخذ على عتقها عمليات التخليق وعلى حد سواء المستوى الانتاجي : الذي يعتنى بالجوانب الادارية، والاقتصادية، وال | The Movie or TV dramatic series represents the print that dissolves to the level of production Operation, & here the Controversy of Relation has come true between what is on the screen & what is absent in building the pattern & type of image Construction with all its joints, saw you can't see a Film or TV series only as the production Cinematographic Letter, & what the searcher indicated of this interference between Image & of one Side & Production on the other side, which is the seclusion of Critical & Technical Studies that is Specialized in studying the Medium Elements Language.Although studying the meaning production digitally, that is the software of Computers & digital effects which is the pioneer of many specialized academic studies for this medium, & the Predicament is, there is no previous studies Specialized in the effect of Exchange of Production Science & Digital technical Evolution, & the methods of handling this progress by stepping ahead what was Familiar traditionally & that was the main booster to the searcher to select his research Subject in the following address (The Controversy of Relation between Production & Digital Technology to Activate the Dramatic & Atheistic Dimension For The Cinematographic Letter ). For that the searcher has divided his research into five Chapters, the 1ST one Came in the (Methodical Panel) which presents the research Predicament (What is the Basic Form Lines for the Controversy of Relation between Production & Digital Technology to Activate the Dramatic & Atheistic Dimension For The Cinematographic Letter?),than Mentioning the importance of research , Aims of research , its limits & finally the Terms Definition in the Research Title. 2ND Chapter (Theoretical Panel & Previous Studies) which the searcher divided it into 3 Sections : - 1ST Section : - Which Discuses the Production Philosophy & the nature of cinematographic Letter.2ND Section : - That Defines the Technical & Productive Variable in Image Construction. 3RD Section : - That studies the Action Dramazation & the Atheistic Signified of the Cinematographic Letter nature.To conclude these sections by emitting the indicators that was relied on by the searcher that was certified by a panel of experts & Judges, to end this panel with the Previous Studies. 3RD Chapter : - ( Research Procedures) which Contained Research Method, Research Instruments, Research Society, Analyses Units, Research Specimens, Instruments Authentication, Analysis Steps.4TH Chapter : - Which was the Analysis of Research Specimens as Follows : - 1 - Prometheus (Movie).2 - Man of steel (Movie).3 - Falling Skies (TV Serial). 5TH Chapter : - (Results & Conclusions) : - this research has come out with several results after Specimens Analysis, & as follows : - 1 - The digital techniques interfered with all the joins of cinematographic Medium which leads to use a precise Variability to have an Image to the technique that reacts with Production to revel the Atheistic Quarteria, also Dramatic Activation, as we previewed it in Research Specimens. 2 - The techniques have the ability to Create Space in High Precession & Less Expenses, for having an Image with clear Atheistic & Dramatic Clearance, as it in Research Specimens. Than The Searcher has Added Conclusions, Recommendations, Suggestions, Reference List, Appendix & Finally the English Language Abstract.

ثنائية الادارة والانتاج في تسويق العرض المسرحي العراقي == Duality of Management And Production In Marketing of Iraqi Theatrical Show

Author name: احرار صيهود حسين
Supervisor name: محمد عبد الرحمن الجبوري
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: The world has known the importance of management and production in achieving successful businesses that people could actually benefit from. The world has known too how important that these administrative and productive operations should be accompanied by others that deals with business marketing. Just like there are commodity products achieve profitability direct material, if successful, there are also service products achieve profitability moral and material direct and indirect.The artistic activity, in general, and the theatrical one, in particular, is one of the these activities or businesses that achieve profitability moral and material, as well as help spreading awareness and increasing the level of culture in the countries. To pay attention to the administrative, productive and marketing aspects will emphasize that the community is being developing and progressing. Therefore, this study has came to emphasize the importance of both management and production in marketing the theatrical show and help achieving its goals and reach for the artistic, aesthetic, and cultural aspects in the country. All this because the three operations of management, production and marketing have been taken and discussed in order to having the theatrical show successful.Chapter one of the study which shows the methodological framework, addresses its problem, its need, its importance, its objectives and its limits as well as identifying its terms. While chapter two of the study which shows the theoretical framework that comes in three sections : the first addresses the concepts of managing production and marketing, the second addresses the management and production in a theatrical show, and the third addresses the duality of management and production in marketing a theatricalshow. Then, the researcher comes up with indications of the theoretical framework as follows : 1. That management is considered like a factory of making resolutions and a field for arranging resources in order to use them to achieve specific goals - like results.2. That management is one of the operations of achieving results through the effect of a manner in a framework of a specific environment.Chapter three of the study, which shows the procedural framework, addresses its society, the sample and tools and study methodology, in addition to analyzing the samples according to the indications of the theoretical framework.Chapter four includes the results, conclusions, and recommendations of the study. It ends with list of resources, appendixes and an abstract in English.

توظيف الملحمة في الدراما التلفزيونية == Employment In The Epic Television Drama

Author name: حسن هادي زاير المحمداوي
Supervisor name: ياسر عيسى حسن الياسري
General topic: Fine Arts
Specific topic: TV Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: بالرغم من تعدد وسائل التعبير للمنجز الفني الا ان لكل واحدة من هذه الوسائل نكهتها الخاصة التي يحاول من خلالها صانع العمل الوصول الى المتلقي. لكن يبقى الفن السينماتوغرافي الثمرة الناضجة والوسيلة الواعية للنتاج الانساني، اذ انه يشكل مجموعة من الخبرات والاف | Despite the multiplicity of means of expression of artistic accomplishment, but for each one of these means special flavor that which tries to work maker access to the recipient. But art remains Alcinmatugrave ripe fruit and conscious of the way the product of the human, as it constitutes a set of experiences and ideas humanity to get to a distinct form of art is an extension of the creative product of civilization. There is no doubt that art Alcinmatugrave tool and a means of intellectual working to transfer the beliefs and ideas of the people towards each other, an employee at the various kinds of topics, including tales of epic and mythical, historical and other. If you look at the old epics that have reached us, we find that it includes many anecdotal theme, and often we find that These themes independent of each other, in spite of its independence, but it where the unit subject is available, and this is what we find, for example, in the Epic of Gilgamesh or even in the epics of the ancient Greeks and ancient Romans, and this thing made filmmakers working on each of these themes separately in an attempt to find a technical ports to connect between them and to build up a convincing dramatic and leads to the ends of the aesthetic and creative. The cinema and for long periods they have monopolized the provision of those movies epic that dealt with the drama interesting carrying humanitarian meanings widely in form and content, but the television followed the example of cinema in the provision of those humanitarian epics on according to high - builders level and it was necessary to search in the recruitment of the epic and construction epic television series, Valmhamh of narrative story - based systems are listed in the delivery to the recipient of the expression of tournaments and events that mixes myth with reality. Those heroic stories we find is the champion matter given society defend them achieve their desires and is characterized by high strength and configuration of physical and psychological unique. The researcher divided the research on the four seasons, were as follows : The first chapter (methodological framework), which included the problem of research, summarized as follows by asking : How employs saga in TV drama? Then the importance of research and the need for him, as well as the objectives of the research and its borders.Chapter II, who came under the title (theoretical framework) was on the three sections, are as follows : First topic : the saga term and concept. Their definitions and their relationship to philosophy and what it is when Aristotle and comparing myth and at the end the researcher said a summary of the most important characteristic of the epic concentrated in eight points.The second topic : Building and construction dramatic epic elements : in this section were searched drama and dramatic elements of the general construction and construction epic researcher concluded at the end of his research also points to eight.The third topic : the employment of construction in the epic television series : in this section have been addressed to the foundations of the traditional dramatic structure and the president and his staff dealt with in the order as well as transition and connection between the viewer and the units of time in the series Almhumai.ol_khas Find researcher in the end to six points.In light of this, the researcher suggested a set of indicators that represent the theoretical framework summary. And seal Chapter previous studies.Chapter III (research procedures) to ensure the research methodology, and the research community and the research sample search tool and sincerity and integrity analysis steps and then the sample analysis tool that has been selected Qsidia analysis of a series Spartacus Part I : Then, the researcher analyzed the sample from the theoretical framework indicators after taking the opinion of the Committee of Experts and arbitrators.Chapter IV (findings and conclusions) : has included the results that came out of the researcher after the sample analysis, and the most important results : - 1. The construction in epic movies and serials that rely events Epic or epic mythical figures not only to seek clarity of interpretation but seeks to clarity of expression because the business epic intellectual progress summary of the beliefs and feelings of non - specific.2. Non - Molovih events and actions in Business epic coated myth make such acts implausible because it is located in the virtual worlds in a way just the viewer and lend the work a thing of beauty and surprise by tricks cinematic special effects, which was surrounded and carried out as in the sample series Spartacus.And he went after the researcher a number of conclusions and recommendations and proposals.Find and seal a list of sources and supplements and a summary in English.

تنوع التراكيب الخطية في لوحات الخطاط حامد الامدي == Diversity of Calligraphy Formations In The Paintings of Calligrapher Hamid Alaamdi

Author name: ميثم عبد ابراهيم
Supervisor name: جواد عبد الكاظم فرحان الزيدي
General topic: Fine Arts
Specific topic: Calligraphy and Decoration
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: This research aims to study the diversity of compositions written in the paintings of calligrapher (Hamid Aamidi), being an area rich achievements written for this type of art, and showed its different kind, where they have been used Kufi, Diwani and Thulth Jelly calligraphy for its ability to form potential in the formation of beautiful structure depends on these scripts that enable perform their skills in order to achieve different results in these compositions for other calligraphers, research has included four chapters, the first chapter of which comprised the research problem and its significance, objectives and limits of the search, as well as search terms. The second chapter includes three sections. First section dealt with diversity concept and meaning in general, and second section addressed identifying the types of structures of sin, and the technical underpinnings of the structures of scripts, and the third section focused on script composition features by (Hamid Aamidi), as well as his biography, and indicators of the theoretical framework, and previous studies that seal out the second quarter. The third chapter dealt with the research procedures and rely on the analytical descriptive method and the research tackled (150) model of calligrapher's paintings (Hamid Aamidi) distributed on three types of scripts : are (Thulth Jelly, Diwani Jelly and Kufi), were selected each sample of (10) models, and after analysis of the sample according to the search form appeared number of results that were addressed in the fourth chapter as follow : 1 - assure the diversity of outcomes (Aamidi) through adoption different forms some of which is inline with its three types (one level, two levels, three levels and above), also the geometric forms of the following (circular, oval, oval, triangle, square, rectangle), as well as all achieved through the adoption of forms (corresponding, iconography and Tgra?ah).2 - was found through analysis of the sample adoption of a variety of geometric forms and to varying degrees as follows : A - Adoption of mounting ring Satari and radiographic by 10% each. B - appeared adoption rate of installation Albbi 20% of the total samples. 3 - iconic compositions is characterized by matching the text with the content in the products of (Aamidi), which appeared during the analysis of 20% of the total sample. The researcher set out conclusions, including : 1 - The calligrapher in most of the scripts achievements depended on Satari structure that has three levels (heavy), so as to demonstrate the Altjoadah skill, the fact that this structure is a measure of the calligrapher Previews, through which the great calligraphers are compete, as well as reveal beautiful decorative dimension and create diversity for by organizing forms of letters and words within the levels of structure. 2 - characterized most of the structures with technical fine art compositions, being one of the key pillars that must be met in the design script achievements, to give some kind of integration of the technical achievements. Number of recommendations and suggestions been addressed which will be another focus in the script search and leading to appendices and resources concluding of the current research.

تنوع اساليب عرض المنتجات في تصاميم الاعلانات التجارية المطبوعة == Diversity of The Methods of Presenting Products At Printed Commercials Designs

Author name: بشرى محمود مصطفى
Supervisor name: نصيف جاسم محمد عباس
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: يعد التنوع في الفن عامة، والتصميم على الاخص وجها من اوجه التطور والنماء والاستمرار، فضلا عن وجهه الابداعي، ولولا التنوع لما وصل التصميم الى ما وصل اليه من رقي قل نظيره، واخذ تنوع الاساليب منحى مهما في التعزيز الوظيفي والجمالي في مجالات ع | The diversity in the art is general ,but particularly the design is considered as a one aspect of development, growth and continuation, without diversity the design would not reach the prosperity and development. The diversity took an important role in the aesthetic and functional reinforcement at different scopes of design process. In the field of ad design, the diversity is considered as a condition to activate the environmental marketing, to stimulate the consumer to purchase, and to be in touch with products, therefore the corporations and production companies sought searching for new methods to present products and fulfill the demands of the consumers which are increasing day by day according to the human needs, these companies and corporations found a good way to achieve marketing aims through the experience that designers have in representation of clear ad discourse, the current research is shedding light on these issues, after it shows its demands in the first Chapter which includes the problem statement which comes with the following question : • What advertising methods that designers can approach to present printed commercial products?The significance of this research is : 1. To develop artistic skills of ad designers. 2. Supporting the corporations and public companies in the field of commercial ad, newspapers, magazines, and market advertisements.The aims of the research are : 1. To explore the diversity of the methods adopted by advertisement designers to present printed commercial products.2. presenting practical suggestions according to the results that show the diversity in the ways of presenting the products in the designs of the commercial ads To suggest practical methods according to the results of current research.The scope of this research is divided into three types : 1. Objectivism scope : studying (diversity of methods of presenting the products at commercial ads). 2. Spatiality scope : the commercial ads at Dar - Alhayat magazine, Lebanon. The scientific justification is that the magazine is considered an important Arabic magazine specialized in the women affairs, and the products of cosmetics, accessories, and the nutrition.3. Period scope : printed ads issued in 2013, for that 2013 is being the year which had many editions of the commercial advertisements which showed the diversity in the methods of presenting the products, moreover its relation (2013) to the year of doing this current research.The technical terms, Diversity, Method, and the product have already been defined. The second Chapter (the literature review and past studies) has included many topics : 1. An introduction to advertisement.2. Design of advertisement and the commercial concept.3. Diversity of methods in presenting products.4. Methods of presenting products. 5. The advertisement and the communication process.Then the research continues with data of the theoretical framework, represents a scientific summary for the literatures of theoretical article, then the third chapter which cares for the procedures of the research, Methodologically, the research community, picking samples for analyzing, research tool, and etc. The forth Chapter which dedicated to the results and its discussion, some of them are : 1. Use the style of product presentation or a part of it, this method included all advertising models, and this pattern stylistic meets the recipient who wants to watch the product or parts of it to be sure of its kind and potential requirements and specifications which is important to always look for buyers.2. Using method of presenting product by making the product appears in multi - colors. This method has many benefits through moving the intentions of the customers towards the product, and also its effects on their economical and psychological purchase desires. The research conclusions are : 1. The diversity in the ways of presenting is based on the affectivities of the enterprises ,and the factories locally and internationally , in addition to the technical development which effects on the ways of presenting ads which has been shown clearly in technical , and directorial.2. The diversity of presenting products comes in response to the consumption needs such as matching human interest related to daily activities; these requirements makes an important channel for transmitting the ads ideas.Then the research appended with the following recommendations : 1. The importance of diversity in using the printing methods which are increasing in the world of journalistic and advertising design, that is an important thing for the designers and marketers who communicate with the society in general, and especially with the consumer.2. Opening developing courses for the employers in the field of ads design in order to identify the some problems like structural , ideal ,or technical which appear through direct contact with the working market ,and the consumers. Then the researcher suggested to do the following study : - Reflecting the style of ads design on the way of presenting the Iraqi products.Afterwards the researcher presented practical suggestions according to the aim of the research these suggestions relate to the topic of the study, then a list of sources, appendices, and the summery of the research in English.

تمثلات المتخيل في الخطاب السينماتوغرافي في طروحات ما بعد الحداثة == Imaginary Representations In Alcinmatugrave Speech In The Proposals of Postmodernism

Author name: لؤي عبد علي مهدي الشكرجي
Supervisor name: علي حسين صفوك الركابي
General topic: Fine Arts
Specific topic: TV Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: Is a discourse Alcinmatugrave today a humanitarian imperative task of art and the phenomenon of communities with different cultures, languages, customs and traditions, because it is a form of sophistication and Highness and the development of civilization in the field of art, which is today civilized societies feature in the current era, which can promise the age of technology, techniques and science and electronics.Although the art and art productions in all its forms and formats, not distance away from this technical development taking place at the level of machinery, tools, machinery, equipment and techniques that dominated the human production of all types and forms, but the expression, style and form prescribed by the human, and the topics identified by the artist , raw material and technical Ntegath, is to be the core of art and the artistic process feature.The overall innovations of postmodernism ((postmodern in the field of photography and visual display since the beginning of the nineteenth century and Trafaqa with the overall discoveries of the twentieth century scientific and intellectual until now, the changing obtuse movement that turned the evaluation and judgment and consider the concepts to the concept and the importance of image, and to productions imagination which is new unparalleled, has accompanied the post - modern evolution of digital technology techniques and computer media, media, communication and the arts all, and has become the visual image accordingly semiotic mark attest to the developments and reinventions postmodernism, and it is no longer the language is the sole regulator of human life, of peoples and communities of different cultures and Muruthatha and features, but the picture is becoming the base engine for the collection of knowledge, and the effectiveness of human recognize the truth through all those discoveries subsequent to the photographic image and then converts it quickly to the moving image (cinema) and then the TV down to the Internet revolution that made the universe (a small screen in the palm of Rights), which have the capacity and the ability to breach the stringent actually effects and the dominance of mental discourse affected by the facts and the facts, and became symbols of these discoveries and productions continue influential with human imaginary process more than they may engage in dialogue or Taatlaqah with his mind, which adopts the reasoning of the basis for the projections that reality.Was launched with all these developments embodiment and achieve and activate the imagination and imagination on the level of artistic productions Alcinmatugraveh operations, so imagined that evoked to him the contents and details of the image in the speech Alcinmatugrave, and moved in different forms and expressions and fields, confusion and doubt anddarkness and shadow on the sidelines of understanding of the area, to the explanation and interpretation of the understanding of the area through the perception and the sense, and it has become visible material received by sight at all times and everywhere roam the human eye, and became the reality of man and his environment Urban modern source does not dry and inexhaustible of symbols and connotations that occupies the image position and the extraordinary significance, that this image that surround humans wherever found, and Baattabarھa result inevitable of productions imagination and creative sense, has become an effective tool of communication and interaction tools, whether this adopted a communication on the mind or the other queens that Ihozھa rights, and has become the imaginary symbols accordingly, a source of Alotsalaty on the cultural, social and humanitarian level exchanges, especially in the era of postmodernism, where the big coup at the level of concepts and propositions of intellectual and philosophical discourse of the buildings on the level of language, image and other means of expression. Most notably in the field of speech Alcinmatugrave, as Acefhma Regis Dupre in his life image and her death by saying : that television and cinema in the era of postmodernism Assanotai of the imaginary 1.From here the researcher in determining the problem with this research, and sought an effort to learn about the philosophy and the limits of the imaginary and its implications in the speech Alcinmatugrave, according to each of those visions and propositions, perceptions and ideas provided by the movement postmodernism, after its hegemony and control of the reality of thought and art since the seventies of the last century until our time, especially in the field of speech Suri.The speech ((Alcinmatugrave)) of the most important means of the display of the form and meaning of any dramatic work of art visible, and that leaning upon the viewer conscious who can we consider : actor moving the most dangerous and the most important in the tri - creative process ((Author director - speech Suri - receiver)) in the process taste sensory and aesthetic Mknunadtha and their implications and their symbols, where the picture becomes a speech visible and read visual multiple meanings, embodied them as the field free to the process of monetary controversy effective between the receiver and visual text the picture, which is in front of him, especially since more Mafi images controversy and signed and attractive and aesthetic, in the recipient, those that contrary to the familiar object impact of perception where, above and beyond in their implications and their meanings rolling all the arguments, and different in nature from the mainstream and repeated in its forms and manifestations, and away in their meanings for movable and of refined and reproduced in Qualbh classic permanent, characterized in iconsand images innovation and diversity and innovation, and be in the subjects rolling The curious and innovative,This Mayaml to achieve and embodied in the imagined speech Alcinmatugrave, Valmtejel in his being is to re - create a new innovation within the visions and ideas commensurate with the spirit of the age and time, according to the philosophies and spiritual narratives imposed by this age are required by the technical Actual makers.And it has launched a researcher in determining the external lines of the search parameters and boundaries.. The researcher felt his research included five chapters are : _The first chapter.. / methodological framework for research and includes a research problem, namely the reasons that sparked the attention of the researcher and invited him to his choice placed his research, and after that Atharahtmamh included imagined and achieved in all artistic productions trendy Alcinmatugraveh modern, according to the visions and ideas put forward by postmodernism, especially since the process of understanding and grasp the modalities for achieving this process in movies and dramas Bank, impose study and research, has coined the researcher problem according to his research and the question as follows : What imaginary philosophy, and what modes in which they are employed and imagined eating in the speech Alcinmatugrave proposals in postmodernism..And also the importance of research : Which guarantees the importance of fighting the researcher and his study of the placed.. Find added knowledge and scientific and cultural benefit, as they are not positioned to go into such a search previously, has not been addressed in this privacy and detail than before, and this is what is important in the research and study.(1) See : Regis Dupre, life and death picture, see : Fred bubblegum, Africa, the Middle House versions, Casablanca - Beirut 0.2002, p. 247Find and goals : Identified by the researcher as follows : in the detection modes in which they are representing the imagined and achieved in the speech Alcinmatugrave within the proposals of postmodernism.Search limits : Where the researcher identified in the study of the concept of imaginary Vslvia, and a figurehead as well as study the proposals of postmodernism and its impact on art, especially in the speech Alcinmatugrave The goal of the research sample the first footage of US (harmful MALEFICENT), in production (in 2014), and the second sample American series (marginal FRINGE) production year (2013 2014), followed by geographic extent where I am is the point of producing a sample of the United States of America.As well as identify the most important terms in the title of the paper : Where the researcher determine the most important terms in the title of the paper, namely : (imaginary, Sinmatograve, postmodernism).Chapter II / theoretical framework and previous studies..And in which the researcher deliberately go into three sections check the theoretical framework of the research, which resulted in the collection of theoretical indicators adopted by a researcher at the research samples analysis, these detectives are : First.. The first topic : a (philosophy and the limits of the imagined), which looks at the Maheat imagined intellectually and philosophically in literature, art, definitions, understandable and Tmthelath and levels of the language, literature and the arts general level.Second.. The second topic : .. (Figure, image and narrative in the proposals of postmodernism) and who is running in concept form in the concept of the image within the proposals of postmodernism.Third.. The third topic : (recruit imaginary discourse in Alcinmatugrave).. which will address the modalities in which they are imagined and employment outcomes achieved in dramatic Alcinmatugraveh.Delve into research theory and study in those three detectives from the set of indicators adopted by the researcher tool for the analysis of a specimen sample.. after the viewing on a group of experts process has resulted in, and seal the second quarter review of some previous studies that approached from a distance or close with placed Find Anfa.Chapter III / research procedures..This chapter included a series the procedures followed by the researcher during delve into chapters and sections Search, and these actions are : a review of the research methodology, and the research community and the research sample, and search tool, and the sincerity of the tool, and the unit of analysis, and analysis steps.Chapter IV / analysis of samples..In this chapter the American sample footage analysis : (harmful MALEFICENT), as well as the second sample American series (marginal FRINGE), and so on according to the analysis tool (indicators) and then discussed and draw the final results contained in Chapter V.Chapter V / which includes the findings, conclusions and proposals, recommendations and appendices, images and research summary in English..This chapter contains, the findings of the researcher on as set of objectives, as this chapter shall also ensure that the conclusions that emerged from the results, as well as some suggestions for further studies verify the enrichment and diversification of information in the jurisdiction, and the recommendations by the researcher believes it is necessary and important.Has been attached to the message list of sources and messages hired by the researcher, as well as a set of appendices included.. (model) experts form ((indicators)) contents Search form model.. and the list of movie scenes and a group photo on indicators.. as well as abstract in English.

تقنيات المسرح التجريبي وتطوير اداء الممثل نماذج من المسرح العراقي == The Techniques of The Experimental Theatre And Developing The Actor’s Performance (Samples From The Iraqi Theatre)

Author name: مظفر كاظم محمد
Supervisor name: سامي عبد الحميد نوري
General topic: Fine Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: The problem of this research is in answering the following question. How did the experimental’. Theatre techniques contribute in developing the performance of the Iraqi actors? The Goal of the research is to have knowledge about the actor’s training according to the techniques of the experimental theatre. Chapter two deals with the review of literature and includes three sections. The first section reviews the history of acting techniques throughout the ages. The second section discusses the theories of acting and the actor’s truing. The third section discusses the technique of the experimental theatre that concerns the actor’s performances, such as improvisation, the theory of ploy, the ensemble work. The researcher reviews those technical practices at same of the experimental companies like the living theatre, the group of Arianne Mnochkine , the open theatre of chicken, and the Odin theatre. In chapter three, the researcher chooses intentionally five Iraq theatre productions as samples for his research. The chapter contains adscription for the performance of each play and analysis for the actors of the main role in each production according to the techniques of the experimental theatre. The five productions are; (1) The Ritual of Sleep and Blood. Which is an adaptation for (Macbeth), directed by Sami Abdu ـ Hameed.(2) I apologize my master, the lessen ended, written Awatff Naeem , directed by Haythem Abdul. Razzaq.(3) Women at War, written by Jawad Al ـ Assadi, directed by Kadum Al ـ Nassar.(4) Curfew, written and directed by Muhaned Hadi.(5) Under Zero, written by Thabit Al ـ laythy, directed by Imad Mohamed.In chapter Four the researcher reaches the following conclusions;1) The techniques of the experimental theatre have been practiced by the Iraqi theatre groups to sonic extent.2) Using those techniques result in spontaneous acting and without artificial expression.3) At is impossible to use those techniques unless the play text is not traditional in it is structure.4) The experimental theatre has it is own characteristics such as simplicity and clarity. It also depends a lot on using semiotics in it is performance.

تقنيات الفضاءات المتعددة في عروض المسرح الاكاديمي : عروض كلية الفنون الجميلة - بغداد - انموذجا == The Multiple Technical Spaces Performance, College of Fine Arts Baghdad As Sample

Author name: بلال وليد شامل حسين
Supervisor name: رياض شهيد علي الباهلي
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: نشات الدراما في فضاءات متنوعة وواسعة وتبعا للمحيط المكاني والزماني والتجمعات البشرية, ولكل حدث او عمل فضاءه الخاص, حتى بدا نشوء الدراما بالوحدات الثلاث التي نظر لها الفيلسوف والمعلم الاول ارسطو واصبح للممثلين فضاءهم الخاص في السفوح العالية على شكل نصف د | Drama Originated in a variety of spaces , spacious and depending on the perimeter of the spatial and temporal and human populations,the concept of private space philosophers since the Greeks and for each event or work space where his own. As the Dionysus rituals were in wide open spaces as in open air in honor of the god, until the emergence of the three units Aristotelian drama and became representatives of their space where audience is seated outdoors to watch the performanceAnd with the development of societies across the stages of history came out ideas and put art and development in various areas of life, including the Architectural Engineering, which contributed a great contribution to the invention, innovation and development in the theaterThe space of the actors changed a great deal depending on the ages that passed by, and the most prominent style of the Greek and Roman Open through eras canon and squares even began to stage Renaissance and built theaters, including traditional and became viewable dramatic special character in terms of the relationship and communication between the representatives and the audience.Since the late nineteenth century and early twentieth century, what happened in the world of innovations in modern technology reflected the theatrical art in terms of lighting and its effects and music, and many other techniques.Many ideas and visions of directors and designers emerged out of the idea of choice for space for treatment of the text and the choice of the appropriate place allows and highlight theater and offer different flavors especially after the emergence of the modern filmmaker in the nineteenth century.The directors and designers try to present their performances outside the traditional box theater, they have chosen several places such as yards, streets, coffee shops, houses, and even historical and Archeological places and garages. Some denied the space of closed and box theater and call for theater to go back to its origin and to the beginning of it.The peoples of different and diverse cultures has their own footprint and that are commensurate with the nature of the space in which they reside performances, whether rituals l or ceremonial or traditional techniques using scenery, lighting, music, customs , properties and make - up play important role with special cultural touches in the basis of the success of the theater..The researcher selected the title of his research ( The multiple technical spaces performance ,college of fine arts Baghdad as sample ).The research is divided into four chaptersChapter One : systematic framework consists of the research problem and the need for it, the importance of research, the goals of the research, the limits of the search, and determines the terms.The second chapter contains a theoretical framework and contains a concept of space and multiple spaces for performances includes the aesthetics of space in the theater and the various technologies in the space of theaterThe third chapter of the research is the proceeding which includes : The researcher studied twenty theatrical performances presented In a variety of places by the College of Fine Arts at the University of Baghdad, The researcher have chosen three samples deliberately.Macbeth was presented in the courtyard of the Department of Performing Arts. the second play( The republic of AlGawahiri ) was presented at a big wedding hale in Erbil the third play was ( of refraction) , was presented in the gardens of the college of fine Arts. Chapter IV : consists of the search results, and conclusions, recommendations ,proposals ,a list of sources , references and a summary in English.

تفكيك الزمن في الخطاب المسرحي

Author name: جبار حسين صبري
Supervisor name: رياض موسى سكران
General topic: Fine Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: ارتبطت الزمانية باشتراطات التمرحلات الفكرية المتعالية فجاء الزمن موثوقا بتشفيرات كل مرحلة، ومن ثم متغلغلا في افهومات او اليات الخطابات الفرعية مثل : الفن، السياسة، الادب، المجتمع، الاقتصاد..وصولا الى تمفصله في جزئيات تلك المفاهيم ومعايشته او تاطيره لتلك ال

التحولات الدلالية اللونية في السينوغرافيا المعاصرة == The Colorful Significant Changes In The Contemporary Scinography

Author name: فلاح كاظم حسين
Supervisor name: محمد عبد الرحمن الجبوري
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: ان كل المتغيرات والتحولات في انتاج مستجدات السينوغرافيا القائمة من الواقع المعيش على المسرح، الذي لم تكن يوما ولن يكون بعيدا عن هذه التحولات والتطورات الحديثة. اذ يسهم في بنية العرض المسرحي وسائط تقنية متعددة يتم توظيفها من قبل اختصاصيون في مختلف الانشط | All the variables and changes in the product of the new things that base on the actual condition that is depended on the theatre, which was not be and will not be for from these changes and new development. It contributes in the building of the theoretical show and there are many technical means that are employed by specialists in different scientific activities like : musicians, engineers of lights and sound effects and optical tricks as well as the formation, architecture and fashion designers, however, the theatre depends today on different expressive techniques that are represented in using sound and body language and its elegance to produce the meaningful expression through formation and shaping the gesture movements and music and dancing to make the receiver interact with them. Also, in all these techniques, the theatre needs to make a practical study for the technical changes especially the colorful ones, and it is the subject of research. So, the changes, in the theatre, are not the outcome of today; but they do have an origin in the present days until they reach to the new cinematic language that fabricated its forms in technical currents and directions; which had appeared and spread especially after the Second World War in all Europe and United States and the Arab world. These currents have used the technical tools and their significance and functions in different creative operations to find out their capacious in different creative operations to find out their capacities, dimensions and aestheticism and thoughtful applications. And that is named "The Colorful Significant Changes in the Contemporary Scinography" which deals with the study of understanding the alternations and how to produce the colorful significance inside the temporary scinography? Also, the study includes four chapters in addition to the abstract, results, and conclusions. The first chapter includes the methodological framework, the research problem and its need. Then, the researcher illustrates the researcher's importance throughout the changeable operation to produce the singnificance inside themodren Scinography, and thereafter he explains the research aim that is represented in ( illustrating the colorful Significant changes in the temporary Scinography); in which tine research illustrates the terms limitations like change , Significance, and Scinography. Besides, cheapter two mentions (the theoretical framework) and it includes three topics, they are as fallow : 1 - The first topic is the significant changes in the theoretical show.2 - The second topic is the color and its concept, psychological characteristics in theoretical show. 3 - The third topic is the deviation color and the Scinography elements.And the chapter has ended in pointing at the previous group studies by concentrating at the indicators from which the theoretical framework is produced, and chapter three deals with the found procedures which include the intentional samples that are represented in the following theoreticalshowws; 1 - ) The play of Atael in the Kitchen, that is authorized by; SamiAbd al - Hameed in 1996.2 - ) Macbeth play that is authorized by : Salah al - Kasab in 1998. 3 - ) Saedrah play that is authorized by Fadel Khaleel in 20014 - ) Ghosts play that is authorized by : Adel Kareem in 2004 - 2005..5 - ) Ali al - Wardi play and his opponent that is authorized by : Akeel Mahdi in 2008.Besides, the syllabus and tools of the research with its analysis that is represented in : 1 - ) The theoretical framework.2 - ) The compact discs.3 - ) The photographs.Therefore, making analysis for the samples and indicating the colorful significant changes that are used is another step.Finally, the fourth chapter includes the results that are found or got by the researcher and then the conclusions with the suggestions and recommendations. Also, the sources are mentioned with the annexes. Ultimately, we have mentioned the abstract in the English language.

تطوير انظمة تصميم الفضاءات الداخلية لمعاهد المعاقين الاطفال == Devlopment of Internal Spaces Design Principles For The Handicapped Children Institues

Author name: رواء مصطفى خلف محمد
Supervisor name: فاتن عباس لفتة الاسدي
General topic: Fine Arts
Specific topic: Interior Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: يتناول البحث الحالي دراسة الانظمة في الفضاءات الداخلية لمعاهد المعاقين الاطفال وكيفية تطويرها، فكانت مشكلة البحث تجسدت بالسؤال التالي (هل ان تلك الانظمة التصميمية المعتمدة تتلاءم مع وظيفة الفضاءات الداخلية من الناحية الادائية والجمالية حيث تحقق الراحة ال | The current research is taking the study of the principles in the internal spaces of the handicapped children institutes and how to develop them. There was the research problem that raised a question about (Are these taken designing principles suit with internal spaces functions from the practical and beauty sides, that achieve body rest for the handicapped children in away that suits them handicaps) for this the aim of the research with its four chapters : (finding designing bases that depend on the development of the current internal principles spaces for the handicapped children institutes. It was concentrated in first chapter to point to the problem of the research and the need to it ,and pointing to its literary and scientific terms. The second chapter it contained a detail for the optical frame that the researcher depended it.it consisted three researches, the first topic is talking about the principles and the internal design and how to connect these principles with the design and the ways of developing them. As well the kinds of the environmental principles which are used to success these internal spaces and make them more suitable. The second topic ,is about the meaning of the children handicap in the history and the classification of the handicaps. With pointing to the types of the body handicaps (movement) that the children perform it, for this purpose details understand to them to reach to an internal spaces design which suit the nature of the body handicaps (movement). The third topic which is the last one, that contained the limited items for the internal spaces of the handicapped children institutes , which contained many items through knowing of the meaning of the internal design , and to success these spaces through group of factors. As well as knowing the limits of these spaces and their designs that is concerning the materials and the range of being suitable , and the touchier of them ,and the areas are specialized for the movement ,as well as is to know the visual items with their formal and measure description through these three topics , we reached a point of the theoretical from that flows into the subject of the research, to a form tool that help for reaching to a curium method of the research that depending on the third chapter which contained the procedures of the research depending on its curriculum that the researcher depended the curriculum description (the general survan method) to the whole research society on justifications that the researcher cleared them for analysis , using some tools that helped in achieving this research within its two parts the first tool is a document to notice the description of the nature of the internal spaces for the research society.the second is a document of the analysis items to analyze the society that is taken deliberately that the exit of dialogue through it ,was reached by the research in the theoretical form in the previous chapter.to reach to the study results ,also it contained the knowing of the previous studies in subjects that take care in the study of the handicapped. The last is the fourth chapter that contains the deigning of the gain of the results that the researcher had reached them through the study of the whole society in analysis of the second stage is to reach to the conclusions that the theoretical material was summarized from it in the second chapter. To reach to the last third stage in introducing recommend dictions and an example designed by the computer for the internal spaces for the handicapped children institutes to get benefit from it.

تطوير الاداء الوظيفي في تصميم اجهزة اللياقة البدنية == Development of Functional Fulfilling In The Design of Fitness Corporal Apparatuses

Author name: هشام زامل حمدان اللامي
Supervisor name: لبنى اسعد عبد الرزاق
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: البحث الموسوم (تطوير الاداء الوظيفي في تصميم اجهزة اللياقة البدنية ) سلط الضوء على كثير من المفاهيم والافكار المعروضة في مضمار التصميم , التي فسحت المجال لتعدد الاساليب والاتجاهات التصميمية التي يمكن اعتمادها كتقنيات تنفيذية, اظهرت تحقيقا واضحا لتطوير | Research is marked by (Development of functional fulfilling in the design of fitness corporal apparatuses) highlighted many of the concepts and ideas presented in the field of design, which provided for the multiplicity of techniques and design trends, which could be adopted in operational techniques, an investigation showed a clear development of the industrial productThe study, which included five technical chapters of condensation approach applied to the development of functionality in the design of fitness equipment. It was the first chapter, including the research problem and its importance, objectives and boundaries as well as to determine the terms and illustrated the problem of the following research question : How to contribute to the development of functionality through the intensification of the devices increase the effectiveness of physical fitness?And it was the aim is to reach through the intensification of technical design appropriate to the platform for the development of effective functioning of the organs of physical fitness.It originated during the study as the importance of this work to build a foundation of knowledge and a theory of the concept of intensification and the development of functionality to address the design of physical fitness. And the limits of the study included the design of mechanical fitness, and traded in local markets of the city of Baghdad and manufactured during the period between the years 2007 - 2008.The second chapter, such as the conceptual framework of the topic and included a three - Investigation came under the title of the first (development and design), while the second was on my b (fitness equipment), while the third topic dealt with the subject (Anthropometry and industrial design).And in accordance with the above indicators were adopted by the outcome of reference sources and Arab and foreign briefed by the researcher as well as on field visits to the fitness rooms and shops selling sports equipment and interviews with the owners with the expertise and jurisdiction.The third chapter has included the actions of research and methodology, as the approach adopted in the process of historical description and analysis of samples, which represented the percentage (33.3%) of the research community. While Chapter IV describes the analysis of samples taken.While Chapter V contains the results, the most important : 1. Technological development has the possibility of adding different regimes within the same organ in the light ofwhat's effective and functional as well as to stimulate thedesire of the user. 2. Technical developments have had a significant impact in promoting the intensification of the career possibilities in the composition of the raw materials available and the different methods of linking.This chapter included the conclusions reached by the study is perhaps the most important are : 1. Industrial designer was able to express their potential in creativity and development through investment and technological development work on the technical and exploitation in all levels of design and production, which form a crucial element in the success of any design. 2. 2. Systems such as different types within the organ, which results in a difference in the performance an actor in the design patterns to add excitement to achieve the vision and motivation through the design resulting from the performance difference and diversity in some designs.A researcher and then a set of design was the most important pillars : 1. That the adoption of a technical career condensation on the basis of scientific theories and results in performance and functional diversity through the effective capacity and potential performance, which recorded the highest level of interest and benefit to the user. 2. Intensification of the use of technology to achieve the goal of functional industrial design to reduce the high cost byhighlighting the potential of each part of the device to perform two or more, resulting in shortening of the space,which can be filled and then storage and ease of use. 3. Antherubomtrip Arcnomkip and the adoption of the human body in the design of fitness equipment gives a betterperformance as well as the safety and security to the user. 4. Should be designed to keep pace with technological developments and technology in the production of new materials and composition, and the possibility of deploying them in the design to achieve the performance and the best aesthetic and functional. Researcher has spared no effort in the recruitment of these cornerstones design of the study body of a design proposal for the physical fitness.

تطور البنى الشكلية في تصميم العلامات التجارية == Evolution Frmslism Structures In Branding Design

Author name: زيد حيدر خالد فرمان
Supervisor name: نصيف جاسم محمد عباس
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: There is no doubt that the history of art movement in the general framework has produced many of the related art of general design indicators, graphic in particular, including the Contact thought, some of which reach the technology, including the Contact be working design, and without a history of design many of the innovations that serious by designers through their history intellectual and practical, posters history, and the announcement date and covers the history, and the signs of history has spilled since the human deal with the human as an individual or group, marks which promised an important part in The evolution of human life and community and economic and trade activities, and was a commercial activity among the most important thing I've worked upon the human mind to it, any brand represented a tool for defining and communicating, where knighted by their goods and products, and this was the documentary position the first thing that happened in the field of design Alameda Abut structure that has evolved over the years of work and production until we got into the modern era since grown and developed companies and institutions that have their own signs to compete in domestic and global market, current research focuses on the stages of the formal structures of trademarks evolution, in the first chapter identified the following research problem by asking : "What mechanisms that have evolved through the structures in designs formalism brands?"While identified the importance of research in : 1. In his contribution to the benefit of interested scholars and researchers in the field of general design, and design brands in particular.2. contribution in providing the scientific library research and studies in the field of specialization, which will be reflected on providing new insights in the field of design, the study is unique discussing the evolution of morphological structures in designs brands, and through researcher Note that he does not exist specialized study in this area.While the goal of the research was to : "Reveal the evolution of morphological structures in designs Trademarks" It also identifies Find the following limits : 1. substantive limit : includes global brands that achieved by the effectiveness of the evolution of morphological structures in designs brands. t globally.2. Spatial limit : includes designs corporate branding and international institutions active in the market.3. Moreover identified the following terms : (evolution, structure, format, tag)The second chapter of the theoretical framework, which over the following axes : (The evolution of designs brands), (structure formalism of marks), (mark), (Global Dimension), (significance expressive of the mark), (functional dimension of the mark), as well as the last axis, which represents (b Bade communication and economic mark), then interpreted Researcher most important indicators that came out of the theoretical framework. As well as his presentation of the previous studies.The third chapter the researcher the actions carried out by then,, Study of the analysis, as the researcher analyzed (15) model according to the axes created of indicators that spawned the theoretical framework, which consisted of the following axes : 1. stages of the development of label design.2. formal structure in the design of the mark.3. recipe and type of tag.4. Dimension Global in the design of the mark.5. functional and expressive significance of the mark.6. communication dimension of the mark.Then singled out the fourth quarter results and discussion, as came from : 1. teamed stages of the evolution of signs according to functional reason, Economic primarily resulted from new insights for owners of companies, or mergers between two or more companies, or for some reason intended to update and renewal, as in the models (1,2, 3, 4,5,6, 7, 8,9, 10, 11,12, 13, 14,15).2. The development did not come all at once, but came according multi including the stages of multiple intervals, as in models (1, 2, 4.6, 7, 8.9, 10, 11.12, 13, 14.15), and this is normally located in him the gradual evolution of the design being linked to the owners of private companies and aspirations of philosophy, and deliberate, and competition.The researcher concluded a set of conclusions, came from : 1. All structural patterns and stages of development of what was happening to not Refuge circumstances that accompanied the establishment of major industrial companies and institutions that have a direct impact on the global economy.2. harmonic and differences in the evolution of designs built marking identify the limits of correlation between the performance of companies and the formal vocabulary constituents and both like the ultimate embodiment of the structure Alabama and put deliberative communication.The conditions and requirements resulting from the strategic changes to institutions and society alike a big role in the evolution of structures and signs consistent with what is going through companies and institutions concerned.Then the researcher recommended that some of the relevant current study recommendations, including : 1. the need to dismantle and analyze the evolution of the stages of design labels to take advantage of the circumstances that passed by, which is mainly related to the organizational and visual structures This is important for workers in the field of design brands.2. Study the structural conditions of each sign of the unity of intellectual and economic fact their references, which led it to a big stages of economic and commercial competition at all levels, an important episode of communication and continue the design catalog.Then the researcher doing the study suggested the following : • evolution working symbolic designs in employment brands.His current research concludes the list of sources and supplements and a summary in English

تطبيقات التاريخانية في رسوم مابعد الحداثة == The Application of Historicism To Post - Modern Painting

Author name: ازهر داخل محسـن
Supervisor name: عاصم عبد الامير الاعسم
General topic: Fine Arts
Specific topic: Drawing
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: التاريخانية مفهوم معرفي اطر الثقافة النقدية الفلسفية والجمالية والايديولوجية والعلمية، على ضوء منظومة معرفية تاسست برؤية الماضي كمعطى ابداعي لتستثمره في الحاضر بفعل ازاحة الفواصل والابعاد الزمنية ( الماضي، الحاضر، المستقبل ) فاقرت ان الابداع نسق عابر ل | Historicism is an umbrella term that can be used to include several aspects of culture; namely, the critical, philosophical, aesthetic, ideological, and scientific ones. It refers to the schemata that considers the past as a creative source by applying the process of transition - and - dimension displacement in relation to what is so called past, present, and future. According to historicism, creativity is a track that penetrates both place and time and draws types of existence and situations beyond all that was found earlier. Hence, historicism is the other face of the philosophy of history as it is after discovering the laws of social change and progress drawing attention to the great transformational processes underlying human civilization. It interferes philosophically with history and its broad field of interest. As a scientific concept, historicism through revisiting earlier products and trying to free them from the limitation of registering and recording aspects of documentation. By doing so, historicism deals with each earlier product as a source of critical thinking that could pave the way for a new interpretation. In this case, historicism acts as the awareness underlying the future work of art. That is why, the research work, in question, has treated historicism as a critical term and a scientific process of identifying and analyzing a set of recent readings and their effects on the creative post - modern painting. In other words, this study, which falls into four chapters, is an attempt at applying historicism technically to post - modern performance. Chapter One presents the problem of the study in the form of the following two questions : - How is historicism generally realized across plastic arts? - What are the evaluative and mental criteria followed by the post - modern painters to provide the work of art with aesthetic, ideological, and dialectical effects.This chapter also refers to matters such as the significance, limits, and aims of the study. It ends with procedural definitions of some terms. Chapter Two is a theoretical framework of the study. It divides into three sections. The first section deals with the nature of the philosophy of history and historicism. This section has got the following four headings : ( I ) About history, and Philosophy of History( 2 ) The Concept of Historicism ( 3 ) The Concept of New Historicism( 4 ) Historicism and Modern CriticismThe second section is on historicism and interpretation in modern painting. This section has two introductory notes : historicism as an interpretive product and the representation of historicism in modern painting. The third section is on historicism and experimentation. It falls into two aesthetic and scientific subdivisions : First, historicism and the mechanism of experimentation in modern and post - modern painting and secondly, historicism as a reading in the post - modern painting. Based on the theoretical framework, a number of parameters were pointed out to be the bases on which the analysis of the sample are conducted in Chapter three. Chapter Three is on the procedures in relation to the population, sample, which consists of 20 subjects. It also tackles the descriptive approach, the tool of data collection, and the techniques or mechanism of analysis. Chapter Four is entitled ‘results and conclusions’. Among the conclusions the following are worth mentioning here : 1.Historeism is not a succession of similar eras, neither is it a set of successive similar closed periods. Actually, it is a combination of new complex creative attempts, visions, and strategies. All of these matters penetrate stages and samples and reconstruct them according to novel standards or bases. To history, Historicism means progress and development that match with what the society is witnessing and at all levels.2. Historicism is an attempt at repeating the work of art but in accordance with a contemporary vision and a progressive act to make it more technical and more aesthetic. The earlier work is made use of in two ways : first, a contemporary artist reconstructs the work of art carried out earlier by another artist; and secondly, or the same artist repeats his earlier attempt but with some modern mentality and better awareness.3. Progressive historicism tends to turn, in its post - modern works, to earlier or modern paintings within a newer starting point. There are technical differences between post - modern paintings and their modern counterparts regardless of the similarity of style.4. Analyzing and deconstructing the European modern and post - modern paintings in terms of historicism readings of borrowing have been conducted with reference to form, content, symbols, and reference as these are semantic aspects bearing in mind the relationship between reference and referee. 5. The openness of the visual text of the post - modern painting is considered to be a return to earlier masterpieces on the part of the post - modern artist who cannot help employing new technicalities, new forms, and new mechanisms that are different from those of the earlier work.
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