الواقعية السحرية في الرسم العراقي المعاصر == Magical Realism In The Iraqi Contemporary Drawing
Author name:
سيروان رفعت احمد الزنكنة
Supervisor name:
هادي نفل مهدي
General topic:
Fine Arts
Specific topic:
Drawing
Degree:
Master
University:
University of Baghdad - College Of Fine Arts - Fine Arts Department
Language:
Arabic
University location:
Baghdad
First pages:
18T1192 - p.pdf
Abstract:
تعد تنوع تحولات الواقعية كتيار فني في الرسم العراقي المعاصر من الامور التي الهمت الفنان العراقي لسنوات طويلة، وكان يبحث عن الاسمى والارقى في عالمه الموضوعي والذاتي معا كي يخلص الى نتاجات ابداعية من حيث تركيب الاشكال واكتراثه بالتضمينات الداخلية التي تكشف | Is the diversity of mutations realism Kttiar art in painting contemporary Iraqi of the things that inspired the Iraqi artist for many years, and was looking for the ultimate and finest in his world objective and self together in order to be saved to the products of creativity in terms of structure shapes and bothered Baltdminac internal reveal areas of obscure and neglected from the presence of other , turned towards the formulation of this new reality in which magic and aesthetic vision for the structural elements of the artwork, which emerged from the modifications and abbreviated formal vocabulary and went out for the primary texts in fact, disguised in the invisible worlds.And it is this transformation varied problematic real, which crystallized by the trend technically added to the map of the formation of contemporary Iraqi, but the need to study the solid within the scientific research so as to naturalization of this movement and stand on the circle to diagnose what turned him artist of contemporary Iraqi and can not be reached except through the search may title of the message was put tagged (magical realism in painting contemporary Iraqi).This study consists of four basic classes singled out the first chapter the methodology of research, research problem and its importance and its goals and limits as well as definition of terms, while the second chapter singled Batarh theoretical and indicators, which included a detective following : - First : - First research : - perceived and Allamehsus in the drawing - modernism and postmodernism.Second : - The second section : - mythology and fantasy in the drawing - modernism and postmodernism.1) mythology in the drawing - modernism and postmodernism.2) Fantasia in the drawing - modernism and postmodernism.Third : - The third topic : - The concept of reality and realism.1 - reality.2 - realism.3 - trends of the new realism.1 - 3 - critical Realism.2 - 3 - socialism Realism.3 - 3 - excessive realism.Fourth : - Section IV : - magical realism.Fifth : - Section V : - drawing contemporary Iraqi represent between reality and not reality. Singled out in Chapter Three measures of research and analysis of the sample, which included the shapes of the five artists Iraqis as the number of samples (20) sample.The fourth chapter has singled out the results of research and the conclusions and recommendations, proposals and most important of which was as follows : - 1 - adopted a contemporary drawing in Iraq a lot of environmental factors, including references, the social dimension, political and cultural... In addition to the cultural heritage... Anchor in his thinking, to express their environmental surroundings and show the product in Tmtheladtha artistic dialectic of creative links with this ocean, which occupies his mind.2 - show that the scenes in the business depart magical realism of traditional varieties and in violation of the horizon of reality and the manipulation of shapes, items, and erosion events and the detection Albwatun and view details status and confirm the contradictions between the forms and ideas and topics.3 - resulted in the overall art of magical realism in the creation of themes penetrate fashionable to show Allamolov and create order out of chaos, although the monitor actually perceived and goes by the Iraqi artist to worlds beyond that through this reality perceived in environments exotic has a lot of uncertainty.And conclusions : 1 - Iraqi contemporary artist seeks to achieve beauty can not achieve reality, because the beauty is really depends on showing, and employs the idea in the configuration Bnzaath abstract aesthetic, and some of them goes to show the worlds of dreams and strange world and who does not belong to reality with the Surrealists artistsEnvironment on different was and still is an incubator for gas conflict and the secrets of the artist in the creative achievements, but it inspired the artist in the past and present.2 - is derived from legends and myth and imagination of folk tales, which represent only a primitive imagination of man and rolling through the ages and times, from the intellectual foundations adopted by the artist Alhaddathwai.3 - the nature of the communities in the overall Tmvsaladtha been a key Zagueta Alhaddathwai So the artist was able to change his view about the reality and the internal and external dimensions.Recommendations : 1 - Created a documentation center for Iraqi art exhibition entitled (Archive Fine contemporary Iraq).2 - Created a center for scientific research entitled (mythological studies).Proposals : 1 - magical realism in the paintings of artist Faisal Allaibi.2 - magical realism in the work of artist Hadi NFL.In addition to the list of sources, references and appendices and the summary in English
