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التداخل النغمي بين اداء الممثل والمؤثر الموسيقي في عروض المسرح الاحتفالي العراقي == Overlap Tonal Between The Performance of Actor And Musical Influence In Iraqi Festive Theater Performances
Author name:
عمر ضياء الدين محمد حسن القيسي
Supervisor name:
زهير كاظم علوان الشمري
General topic:
Fine Arts
Specific topic:
Theatrical Arts - Directing and Acting
Degree:
Master
University:
University of Baghdad
Language:
Arabic
University location:
Baghdad
First pages:
18T1159 - p.pdf
Abstract:
Music primitive imitated in rituals and rites of the first man, which grafted in tunes that were performed by the end of symmetry, sound effects emitted by nature, there is a voice ravaged spear and storms and thunder and the sounds of wild animals, as imitated Neanderthal rhythms of those voices with musical instruments primitive to reach industry to imitate the sound of the wind whistling blowing plants or drums to appease those phenomena that can not interpret and prevention of evils magical rituals accompanied by playing music. The environmental which found the Neanderthal was the cradle first kicks from the music to the ranges can not be the one to give up the end of her or draw her limits virtual end then its capabilities, in a journey through history has provided music are numerous examples revealed features a clear picture of the human journey Creative Throughout history, representing unchanged if the historical evidence other transformations experienced by mankind through the stages of civilization and different cultures, ranging from the simulation of primitive man to the sounds of nature to the music that plays when establishing rituals, whether in the celebrations of the pagan or holidays, which was held in the ancient civilizations..... Until the present day, is still music, perpetual motion and the search for new causes and adversity, this effect creative crannies to the theater, which will enter the areas of the creative experience inspired by music in its realization, that the pace of change in the present proceeding at a rapid pace, there are many variables, whether in test subjects or processors artistic form of theater, as devoted subjects of everyday life that affect ordinary people more than one interest in mythology, the legendary that prevailed in the Greek theater epic, which paved the way for the emergence of a more daring to ask and address the technical and music was one of the technical elements affecting the aesthetics of theater, whether accompanied by an influence Sonic traditional theatrical performances or other theatrical experiences that aim to provide a new concept of life and the existence of humanity and the problems of the contemporary theater foliate man who took the ceremonial space of this research, The change creative is the image transformation, which seeks to perfection, the musical influences in the theater will be, the signs can be interpreted, as signals to transmit to the meanings and dimension aesthetically tightens the cohesion and strength of the effects of theatrical performances that hired a professional manner realize its mission creative, so came this research titled (Overlap Tonal Between The Performance of Actor And Musical Influence In Iraqi Festive Theatrical Performances).The researcher has divided the subject into four chapters : Chapter I (systematic framework) which includes a research problem and the need for him, the importance of research, the goals of the research, the limits of the search, specify terms, and defined procedural. Chapter II (theoretical framework), which included three Research are : - Research I : (Overlap Tonal Between The Performance of Actor And Musical Influence in Iraqi Festive Theatrical Performances), Research II : (The relationship between acting performance and musician influential in musical performance) and Research III : (Methods of Performance In The Festive Theater), and created by the theoretical framework of indicators adopted by the researcher in analysis of the research sample. Chapter III : ensure procedures and analysis of research from the elected (Iraqi ceremonial performances). Chapter IV : Summary guarantee results and conclusions discussed and reached through the analysis, which has been linked to the objectives of the research. And the mother of results with respect to the effects of tonal overlap in theatrical performances, so the impact of psychological (emotional) practiced by the great musical influences that accompany the appropriate theatrical performances and add aesthetic and artistic dimension which allows Offers theater, to be creative act. It also included a chapter on the proposals and recommendations of the researcher and a list of references and sources, and a summary of research in the English language.