تحولات تقنيات الاظهار في النحت العراقي المعاصر == The Technical Transferring In Showing Off The Contemporary Iraqi Sculpture
Author name:
اياد حامد ماجد
Supervisor name:
جبار محمود حسين العبيدي
General topic:
Fine Arts
Specific topic:
Sculpture
Degree:
Master
University:
University of Baghdad - College Of Fine Arts - Fine Arts Department
Language:
Arabic
University location:
Baghdad
First pages:
18T1148 - p.pdf
Abstract:
يتناول بحثنا هذا موضوع التحولات التقنية التي تحدث في اظهار واخراج المنجز النحتي العراقي، اذ يرصد هذا البحث التحولات التقنية من نحات الى اخر كما يرصد التحول التقني في تقنيات النحات نفسه وعلى صعيد استعمال المواد الخام المختلفة وبوسائل عدة وما تشكله هذه التق | Our research talks about the technical transferring that occurs on the Iraqi sculpture piece of work. It observes the technical transferring happens from sculptor to another as it also follows the technical transferring in the sculpturing techniques of the sculptor himself, like different types of raw materials and the verity of methods in technique and its elements to show off the alternative pressures of the sculpture piece of work and fix its influence on each other. In the first chapter, research plot is revealed which is represented in the definition of the technical transferring used in showing off the Iraqi sculpture works and the role of the technical pressures on the final shape of the project according to the used materials as they act as an inter - medium to show its physical characteristics in the aesthetic form. Also the first chapter included the importance of the research and the definition of the research through discussing how far is the influence of the transferring techniques on the sculpture art. This research is one of the primary researches about the Iraqi sculpture between the period 1940 - 2007 and exposes the contemporary Iraqi sculpture generation and their changeable and verity of techniques to accomplish their sculpture works. In the second chapter - first section, the researcher discussed the definition of the transferring in the general definition and how it is defined in different philosophical schools such as : perfection, existence, physics, Pragmatics; also its definition in the contemporary critics programs like structure and expression. Additionally, it talked about changes of techniques of the sculpture piece of work that the researcher called "Transferring in the Contemporary Plastic Art" starting from the Romantic and impressionist school to he most recent Art Schools and how this technical transferring happen to reach the final shape of the painting and sculpture piece of work accompanied with artistic examples. In the second section, the researcher discusses the definition of the technique and how the philosophies and thinkers express their ideas about the subject. Moreover, in the very section ,the researcher mentions the definition of the showing off in the Contemporary Plastic Art and the relation between the shape and material ,and the consistency of this relation of alternative technical pressures in choosing each other also accompanied with opinions of some philosophies about shape and material and their importance to the showing off techniques, and how they form the important basics in the continuous transferring in these techniques along with some examples of painting and sculpture which emphasize this definition. In the third section, the researcher talked about the distinguished technical transferring that occurred in the contemporary sculpture and how they happened and their techniques in showing off the sculpture piece of work. Also the researcher discussed the noticeable sculpture accomplishments which considered as important transformational points in the contemporary technical sculptures and whatever of materials used like raw materials and techniques and this mentioned also in the signs of the methodical section in the end of this chapter, where the researcher talked about the importance of the verity of the raw materials to make the technical transferring on the sculpture work and so on. Moreover, in the second chapter, the researcher goes through the previous studies concerning this subject and he reveals the distinguished points in these studies and the results and conclusions they have reached. In the third chapter, the researcher fixed the measures of the research which are : the title of the research population, fixing the samples, the research tools and the limitation of the research tools then he moved to the applications of eleven Iraqi sculptor works from different generations. Such verity of techniques had an obvious crucial influence on showing off many different sculpture accomplishments that formed a technique transferring could be fixed and studied in those sculptures works and considering them as important cause in choosing the number of examples of each sculpture then leading to the aimed results and conclusions and recommendations in the forth chapter, and they are : 1. The technical transferrings of the showing off in the contemporary Iraqi Sculpture came through reshaping of the formation and foundation systems of sculpture accomplished.2. The technical transferrings of the showing off in the contemporary Iraqi Sculpture achieved through the simplification and abbreviation processes in the piece of sculpture accomplished.3. The Contemporary Iraqi Sculpture Art emphasized the technical transferrings of the showing off through considering and supremacy of some plastic work elements of other elements.4. The raw material had a principal influence in achieving the technical transferrings of the showing off in the contemporary Iraqi Sculpture Art.
