التنوع الاسلوبي في زخرفة النفائس المعدنية في مقتنيات متحف العتبة الحسينية المقدسة == Stylistic Variety In The Decoration of Metal Valuables In The Collections of The Museum of The Holy Shrine of The Imam Hussein
Author name:
علاء احمد عبود ضياء الدين
Supervisor name:
شوقي مصطفى علي الموسوي
General topic:
Fine Arts
Specific topic:
Sculpture
Degree:
Master
University:
University of Babylon - College Of Fine Arts - Fine Arts Department
Language:
Arabic
University location:
Babylon
First pages:
18T1185 - p.pdf
Abstract:
يتناول البحث الحالي الموسوم ((التنوع الاسلوبي في زخرفة النفائس المعدنية في مقتنيات متحف العتبة الحسينية المقدسة)) الموجه دراسته على التحف المعدنية ذات التكوينات الزخرفية المتنوعة في الاداء والاسلوب على المستوى التقني والمهاري, وهي تعكس لنراوائع الفنون في | The current research entitled (The Stylistic Diversity in the Decoration of the Metallic valuables of Imam Hussein Holy shrine Collectibles) deals with metallic antiques having varied and decorated formations in terms of performance and style at both the technical and artistic levels, which reflect the treasures of our Islamic Civilization. The research is divided into four chapters. The first one deals with the research problem, which is mainly concerned with the stylistic diversity of the metallic antique as being a symbol of decorative Islamic pattern, let alone the importance of the research and its aim, which is determined by knowing the stylistic diversity in decorating metallic antiques in order to explain the limits and terms of the research. As for the second chapter, it includes the theoretical side along with the previous studies, and it falls into four sections ; the first one deals with the decorative diversity in the Islamic art (concepts and members), while the second section includes the stylistic aspects in the techniques of the decorative accomplishment (techniques and styles). It includes a preface and a demonstration of styles and techniques particularly used in performing on the metals, not to mention the methods of preserving and maintaining the metallic antiques. The third section deals with the decoration of the metallic antiques in the Islamic ages (references and applications). As for the fourth section , it is about the Imam Hussein Holy shrined museum (origin, foundation, and achievement), reaching at the indications highlighted by theoretical frame, the previous studies and their discussion. The third chapter includes the core of the study, which contains (53) samples of metallic antiques in Imam Hussein Holy shrine museum, besides the research samples which is of (17) pieces verified according to the descriptive and analytic approach. The fourth chapter includes of findings paper. of these findings, we have the following : The decorative formation used in decorating the metallic antiques following two basic rules; the first one separating the symmetry which embraces hidden repetition, whereas the second is about separating the rhythm available in the decorative unite in order to give the decorative formation a diversity of as seen in the samples (1,2,3,4,15,19).The Islamic artist confirmed the principle of stripping of his decorative forms off their materialistic (natural) extras according of the process of shortening, simplifying, stripping, and synthesizing in order to give the decorative scene aesthetic and symbolid meanings as in the samples (9,10).The artist is grappling to the principle of diversity in style, and methods of technical performance in one single antique to enrich the scene with civilized and ideal ideological implications pertaining to the symbols and symbolization as in diagram (12). The study provides the following conclusions : The artistic diversity in the techniques of works and decoration is present in the metallic antiques found in the museum of Imam Hussein Holy shrine through the blending of world cultures and their artistic skills because this holy place is the collection of all civilizations, and the Islamic one in particular due to the love and adoration Muslims have for the prophet's household ( P.B.U.T ). The study has come up with a number of recommendations : The current study recommends enhancing the artistic cooperation with other museum through exchanging delegates. Artistic references, and academic studies; in addition to having joint centers for artistic studies mainly concerned with studying the metallic antiques and treasures all over the world.Emphasizing the importance of conducting more specialized research in Islamic ant, and in particular the metallic antiques in the European museums by higher education students interested in the Islamic art. One of the most important suggestions provided by this study is conducting the following study" the artistic and technical bases of the decorative formation performed on the metallic antiques in the European museums. The last part of the study is a list of bibliography, and an abstract in English.
