Share
تاريخ الة العود في العصر العباسي == The History of Oud In The Abbasid Period
Author name:
حيدر زامل حسين هاشم
Supervisor name:
احمد جهاد خلف البدر
General topic:
Fine Arts
Specific topic:
Musical Arts
Degree:
Master
University:
University of Baghdad - College Of Fine Arts - Department Of Musical Arts
Language:
Arabic
University location:
Baghdad
First pages:
18T1153 - p.pdf
Abstract:
تتكون هذه الرسالة من خمسة فصول. وابرز ما اشتمل عليه الفصل الاول (الاطار المنهجي) هو مشكلة البحث والهدف منه والذي يلخصهما السؤال الاتي (ما هو تاريخ الة العود في العصر العباسي بجوانبها الفنية المتنوعة). ثم اظهر الباحث اهمية وحدود بحثه. اما الفصل الثاني (ال | This thesis consists of five chapters. The first chapter is the methodological framework of the study, which includes the research problem and the purpose of the study, which summarized by by the following question : What is the history of the Oud and its multiple artistic aspects in the Abbasid period. In addition, this chapter explains the significance and the boundaries of the study.The second chapter (theoretical framework) has dealt with the political history and social affairs of the Abbasid period. Additionally, the Artistic activism and the prominent role of music and singing were discussed.In the third chapter, the procedures of this research have been identified, and the historical descriptive approach was adopted.In the fourth chapter, the achievements of nine of the most prominent Abbasid scientists, who have studied the Oud, were discussed. In addition, ten musical relics were reviewed, which reflected another aspect of the history of the Oud. This chapter also, reviewed the most prominent figures who dealt with the Oud particularly in the Abbasid period.The fifth and final chapter was devoted to discuss the results of the study. Among the most prominent results was that Al - Kindi was the first to describe the making of the Oud in the Abbasid period. The numbers of frets strings were four, and later another string was added during the time of Al - Armawi. The tuning was set according to the perfect fourth distance between the strings. The names of the four strings are (Al - Bum, Al - Methleth, Al - Methna, and Al - Zeer). These names have a contemporary versions, (Al - Aushayran a, Al - Dogah d1, Al - Newa g1, and Al - Kirdan c2).The instrumentalists in the Abbasid period have used the position technique in the Oud. In addition, there are many musical terms used in the Abbasid period, which are still used nowadays. Then, several conclusions were discussed, set of recommendations and proposals were presented, and were followed by a list of sources and references.
