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التراكيب الدرامية والدلالية في البرامج التفاعلية التلفزيونية == The Dramatically And Semantically Structures In The Television Interactivity Programs
Author name:
عمار ابراهيم محمد الياسري
Supervisor name:
عبد القادر خلف الدليمي
General topic:
Fine Arts
Specific topic:
TV Arts
Degree:
Master
University:
University of Baghdad
Language:
Arabic
University location:
Baghdad
First pages:
18T1179 - p.pdf
Abstract:
مما لاشك فيه ان الانفتاح الفضائي الهائل للفن التلفزيوني على كل ارجاء المعمورة وبساعاته المستمرة بدون انقطاع دفع القائمين على هذه المحطات الى البحث عن اشكال سينماتوغرافية او تلفزيونية غير مالوفة تستطيع فرض ابهارها على المتلقي، وهي اشكال اصبحت في بعض الاحيا | There is no doubt that the great opening to the television art all over the world in his continuous hours without breaking pushes the workers in these channels to look for unfamiliar cinematographic figures. Some times, these figures became one of the new weapons of the informational war which drops all the government , but the people who calls about development ,they looked to revolt against what is spread and holy in the literary achievements and they declare in many occasions on the necessity to attract the audiences to the structure of the event These suggestions which mentioned early and more push many people in the channels and producers to look for new figures which can go side by side with the sounds that demanded by the necessity of changing and looking for new and unfamiliar figures, as a result of what was carried by the cinema from theories which made from the reality its subject , and what is presented by the game programs of nations which is shown by television in addition to the live shows of sport matches and political events help to appear an idea to the television programs producers sine the end of the seventieths in the previous century and this a real life of TV programs which started to make its place in the middle of the ninetieths in the same century then there was a widely opening to the internet through voting and participating to make the interactivity programs which opened to the audiences and declared their revolution in the holy text which is closed on the wrier himself , many of the academic studies in the college art and information when they deal with classifications or TV shapes and they don’t talk a bout the structure of these programs or their names or their classifications , and they don’t talk a bout what is the kind of drama ? Is it arastos dram ? or something else ? and it only do the division of TV shapes into TV drama and the different TV programs. Therefore it left the interactivity works of TV which started to take widely space in the structure of the daily show, From here the researcher in spires his problem which he put it under the following question : what are the dramatical and semantical in the interactivity of TV programs ? and the researcher put his research under the title , the dramatical and semantical structures in the televisional interactivity programs , the importance of the research is to focus on drawing the attention to the new subject which isn’t studied earlier and it became centre of academic and informational problem. The importance of research focus on finding out what are they ? and the classification of these televisional interactivity programs ? which work in it , the bounds of the research focus on the shown programs in 2011 year in the different international channels and it focus on intended samples which suit the requirements of the research. The theoretical frame included five inquiries ,the first inquiry called the televisional interactivity between the appearance and classification ,it deals with the first beginning of the appearance of the televisional interactivity through clarifying the figures to televisional programs of realty , the second inquiry called the appearance of televisional interactivity figure from among the cienamtographic , the researcher say in this inquiry that the televisional interactivity of realty is a result of all the theories of realty ,the third inquiry include the shape structure in interactivity programs, the researcher discussed in it the televisional interactivity shaps through its visual elements , the fourth inquiry called the dramaticl structures which work in the interactivity programs structures ,as mentioned earlier , the researcher clarifies the elements of the drdmdtical structures for televisinal programs of reality and in what is unique in the televisional interactivity programs of reality , in same characteristic figures which differ from other dramatical works , the fifth inquiry called the semantical structures in the interactivity programs. the third and fourth section included the analysis of the three sample which is the Saudi program, bet al attar , and the germane programs ,XY , and children's programs,Aesh safri , in the end section , there are the result , conclusion , recommendations , suggestions , and then re souses and appendix then the summary in the English language
