التوظيف الجمالي لمنحوتات النافورات في اوربا == Employment Aesthetic of Fountain S Sculptures In Europe
Author name:
حيدر صبيح عبد الله
Supervisor name:
هادي مشهدي عجيل
General topic:
Fine Arts
Specific topic:
Sculpture
Degree:
Master
University:
University of Baghdad - College Of Fine Arts - Fine Arts Department
Language:
Arabic
University location:
Baghdad
First pages:
18T1170 - p.pdf
Abstract:
When sculpting overpasses the temples I the beginning, a kind of interactive paring has happened with its advance that acquired it development and diverse effect. The most important pairing is the combining of sculpting monuments with the aesethic and the effect of fountains, water has acquired water a structural transformation from mere monuments into self - existing as a center of inspiration into the group of activities : ? The aesthetic : employing the water towards an merger with the sculpting to be complimentary.? Psychological : for what water present of the psychological data the basis of life and prosperity.Because the thing accepts merits from the sculpting form when it is combination with water, history of sculpture has passed about forty centuries starting from Mesopotamian, Romans reaching not modernism and postmodern.Since water is regarded one of the pillars of life and the mark of existence and a peculiarly of prosperity, richness and happiness, with all that connotations unrestricted additions to literature and art , specially sculpturing. These are the periods which reveal the points and setting and the results of the aesetithic for the waterfountains as a result of a combination that is not free of interaction on the level.The research needs investigation and digging the interaction in addition to a systematic interpretation with all the calls for investment in that employment with aesetithic developed dynamitic data.The researcher in the cognitive field presents the performance combination between the sculpturing as art that depends on the block with its three dimensions and the interactive movement of water with the text to be a stylistic structural part which is combined with a mechanism that is producing the final form with an interpretation implementation which adds a lively interactive.Besides these ideas, the research depends the ideological implementation which achieve success.Chapter One represent the theoretical of the study, by finding the problem, the aim, the limits and the need for the study as well as defining the terminology.Chapter Two is the theoretical and cognitive framework so that the researcher could achieve the intellectual bases of the aim and the indicator equation analysis depend on the first inquiry : thepsychological dimension of water in the human self and the aesetithic employment.The researcher shed light on what could be achieved by water as a vital element in effect of building the psychology of man. The artist can invest in these information with scientific validity, the second inquiry is the theoretical framework is about the sculpting of fountains and its stylistic development. It is an investigatory inquiry which evaluate the most important findings.The researcher ends the theoretical framework with the third inquiry that shows the aesthetic employment of water in these fountains and that form the sculpting art. These indicators which are produced by the theoretical framework which can proved its analysis of the aesetithic employment. The samples of the research form the site of revealing the results which is achieved the aim of the study which lead to the achievement of the conclusion and recommendations. This researcher in that achievement realizes that the area of her research is regarded new in the Iraqi and the Arabic level. This reveals the importance and the movement of the fountain sculpting in Europe as an important source in the Arab East. This can characterize the thesis of originality in that field
