البنية التصميمية في الاجازات الخطية == Structure Designing In The Calligraphic Authorization
Author name:
حسـين علي يونـس السعداوي
Supervisor name:
محمد سعدي لفتة
General topic:
Fine Arts
Specific topic:
Calligraphy and Decoration
Degree:
Master
University:
University of Baghdad - College Of Fine Arts - Arabic Calligraphy And Decoration Section
Language:
Arabic
University location:
Baghdad
First pages:
18T1125 - p.pdf
Abstract:
للخط العربي اهمية كبيرة في الحضارة العربية الاسلامية بدات مع النهوض الحضاري في صدر الاسلام، وقد تجلت فضيلة الكتابة والخط ان جعلها الله عز وجل في اول اية نزلت (( اقرا وربك الاكرم الذي علم بالقلم علم الانسان مالم يعلم))( )، فاضاف تعليم الخط الى نفسه وامت | Calligraphy of great importance in the Arab Islamic civilization began with the advancement of civilization in early Islam, has manifested the virtue of writing and calligraphy that make them God Almighty in the first verse revealed, adding the line to the same education and stronger by the slaves, was a witness to the greatest extent writing. The concept began to leave written evolve based on an essential element in the completion, a proficiency in writing and duly written rules, and regulating mechanism of vocabulary and structural elements in order to add value expressionistic, and the goal is linked to the functional and the aesthetic dimension. So it became back and one of the artistic achievements that have been made in the history of calligraphy and helped it spread and keep the rules in place, which is a prerequisite indispensable, has excelled where calligrapher and patterned through the expertise and skill of the design in the output of the artwork beautiful image to fit and the importance of vacation in calligraphy , and shed light on aspects that gave him the permanence and impact of fertility and, because of their structural properties is the originality and uniqueness, which requires a detailed study concerned with showing the structure design in calligraphic leaves. The problem and the search by asking the following : What structure in the design of calligraphic authorization? In order to reach results that aims her current research, which detect the structure design in calligraphic authorization through the known types of authorization, and to identify the pillars of the structure's design leaves calligraphic, defined by the researcher Macs that have emerged in Iraq and Turkey, within the period determined by the year (1219 AH - 1804 AD) and up (1430 - 2010 AD). Dealt with the theoretical framework the following topics; origination degree in calligraphy, in the design of structural foundations leave written, formal structure in the design of calligraphers license, building permits in the text calligraphers, and variations in the structure of the calligraphic authorization. The third chapter devoted to display the search procedures, which included his population on the boards authorization written all kinds, which are (100) sample, researcher selected ones appointed by selective style (10) sample, accounted for (10%) of the community overall, and follow descriptive method of analysis in a way, using the instrument whose form for analysis, which was built on several axes, were presented to the experts to ensure their validity, to achieve the goals. The fourth chapter evolved to include the results of which : 1 - varied Arabic fonts used in the calligraphic authorization by the student, a metaphor (thulth, nusukh, Alle - ns - taliq, Diwani,jele Diwani, and kufi), except ( al - ijaza) calligraphy validity of Licenser only. 2 - changed the structure design of the calligraphic authorization, appeared to them (the board of sin, and patchworks of sin, and the ornament of the Prophet, and the painting Quartet, and painting the all, and painting Almusahfeh), giving high flexibility and complete freedom for the calligraphy to highlight his talent and being able to master the calligraphics in the use of the type of painting that wants access to leave denominated. 3 - Formed calligraphy decoration calligraphic authorization a noticeable improvement in the diversity of design styles, from the use of motifs realism in painting and calligraphic fragment Ornament prophetic and Almusahfeh, to decorative designs in a variety of unites and repetition and symmetry and colors. 4 - The adoption of a particular division to design a symmetrical or asymmetrical design space given various options through a variety of motifs occupancy within the space in a uniform manner. The researcher recommended that invoked to determine the structure design in authorization to Based critical in assessing the achievements of sin, as well as relying on the methods of calligraphic and decorative followed in designs authorization because of its specificity characteristic for the heritage of the calligraphy and decorative, in the relevant departments within colleges and arts institutes. The researcher conducting studies suggested the following : 1. Diversity in decorative formations calligraphic authorization written in the Islamic countries. 2. Relations in the design of calligraphic authorization in other Arab countries. 3. Content approaches in calligraphic authorization for Science and the Arts in Islamic Heritage (comparative study)
