اليات الاداء التمثيلي في عروض المسرح العراقي : سامي عبد الحميد انموذجا == The Mechanism of The Actor Performace In The Iraqi Production
Author name:
علي مجيد جاسم
Supervisor name:
سامي عبد الحميد نوري
General topic:
Fine Arts
Specific topic:
Theatrical Arts - Directing and Acting
Degree:
Master
University:
University of Baghdad
Language:
Arabic
University location:
Baghdad
First pages:
18T1178 - p.pdf
Abstract:
بما ان لكل فن من الفنون اليات ادائية خاصة به تطورت عبر العصور وجد الباحث ان لفن التمثيل اليات ادائية واساليب دخلت حقل التطور ايضا. لذا عمد الباحث الى دراسة هذه الاليات. وفصلها على شكل اربعة فصول.الفصل الاول : (الاطار المنهجي) اذ تضمن مشكلة البحث والحاجة ا | There are several mechanics in fulfly any piece of art. Those mechnics has been developed through out the centuries.This research deals with those mechnics of the actions performance in differents types of plays, and cencentrating on the Iraqi actor (Sami Abdul Hameed).The first chapter, of the researcher deals with the methodical frame, the problem of the research in answering the following question : what is the mechanism the Iraqi actor (Sami Abdul Hameed) used to use in his acting? The Goal of the research is to discover that kinds of mechanics used by (Sami Abdul Hameed) in playing different parts types of plays.The second chapter, the researcher discusses the requirements for the performance of the actor in the theatrical production, which involves talent and training. The training of the actor depends on how to get flexible voice and body it depends also on getting an active imagination and to get the actor used on direct observation. The actor mustye trained on improvization.In the second section of the second chapter the researcher discusses the different styles of acting through out tha ages. In the third section he discasses the functions of the actor who laking a part in a play according to the ideas of some famous pesonalitie in the field of stage acting such as Sanislaviski, Merehold, Artaul, Brecht, and Grotoreki.In the third chapter, the research analyzes the mechnics of (Sami Abdul Hameed) performance of the main and secondary roles in five Iraqi plays : Al - Mutenabi, the poet, then Al - Magazily - the story teller, Shove in the Good woman, Manders, in the Ghosts and (He) in an Iraqi play called (Ghurba).According to analyze, the research reaches to the following conclusions : 1. the actor must know very well the requirement of playing any role in a play production.2. the actor must use his vocal and bodily abilitien as possible as he can for persondting the dramatic character he is playing and tranforing those characteristic, to make the spectator believe.3. the mechanics of playing differ according to the style of play production , the concept of playwright and of vision of the director.
