دلالات المكان في الرسومات المنفذة على الخزف الاسلامي == Connotations of Place In Graphics Executing On Islamic Ceramics
Author name:
ثائر حاتم هاتف احمد الجباوي
Supervisor name:
جبار حنون مهاوي
General topic:
Fine Arts
Specific topic:
Porcelain
Degree:
Master
University:
University of Babylon - College Of Fine Arts - Fine Arts Department
Language:
Arabic
University location:
Babylon
First pages:
18T1145 - p.pdf
Abstract:
يعنى هذا البحث بدراسة (دلالات المكان في الرسومات المنفذة على الخزف الاسلامي), والذي يقع في اربعة فصول : تضمن الفصل الاول عرضا لمشكلة البحث والمحدد بالتساؤل الاتي : ما هي الدلالات الفكرية والبنائية المرتبطة ببنية المكان في الرسومات المنفذة على الخزف الاسلام | This research deals with the study of (connotations of place in graphics executing on Islamic porcelain), which fall in four chapters : the first chapter include presentation to the research’s problem and specified with following questioning : intellectual and structural connotations associated with the structure of the place in graphics executing on Islamic porcelain? came the importance of the research and the need for it, in terms of it represents theoretical and practical reading to the products of Islamic porcelain in Fatimid era through analytical level to connotations of place and bear of artistic necessaries connect in intellectual content to the image of the artwork and the impact done in porcelain ,to sheds the current research light cognitively and scientifically on connotation of place in graphics executing on Islamic porcelain though out the Muslim artist on the nature of place as a space and turn it into symbols and signs of spatial. the need for this research it’s being represents attempt by the researcher to fill the vacuum in this important space of artistic forming fact that the subject needs to be enriched in this field of research , down to the desired results, The objective of the study lies in : ( know connotations of place in graphics executing on Islamic porcelain ). And identifies research in study outcomes the Fatimid porcelain executing materials and different oxides on the surfaces of these porcelain productions in Egypt, within the specified of time period between (969 AD - 358 AH), (1171 AD - 567 AH). The second chapter : has included theoretical framework and previous studies , and which contained three sections : the first section deals and which included two axes ,the first axis significance between the concept and terminology , the second is understood place and the data in the arts , the second section deals with study of the structure of place in the art of ancient civilization ( Iraqi and Egyptian ), the third section included two axes the first axis deals with the study of the place in Islamic art while the second axis deals with approaches of place in products of Islamic porcelain. And seal the theoretical framework with set of indications and previous studies. the third chapter deals with procedures of research which include identifying research community and selection of the research sample the amount of (15) porcelain work, then the search tool and description and analysis of sample. While the fourth chapter included the research results and conclusions, as well as the recommendations and suggestions, Among the findings of the researcher is : 1. The aesthetic connotation for place plays prominent role in the Islamic porcelain products and through osmosis properties the shape and meaning where mobile. 2. Islamic porcelain products showed clear interest in the nature of visual of the realistic place as in the models ( 11, 12, 13 ) and the imagined as in models (2, 9) and symbolic as in models (1, 3)3. Affected by the nature of the place in graphics executing on the products of Islamic porcelain, what is essential to the formal inclusion of the structural units (linear and colorimetric and volumetric and touch and space) as in models of search sample. And the conclusions reached by the researcher is : 1. Influenced the nature of the technical characteristics for systems formation the Islamic art and specifically (photography) on methods produce porcelain Islamic in terms of unity and diversity , lack of interest manddour, and stay away from materializing animate beings , abstraction , repetition and vacuum processing. 2. Manifested structure of place technically, on level of materials and raw materials and oxides, to expression of the characteristics demonstrated of image, as well as the fact pattern of connotation aesthetic that are associated with type of place and nature reveled. 3. Not limited to the place indication in Islamic porcelain within the two dimensions aesthetic and functional, but only becomes touching the regulatory nature of the graphics or graphic scene executing on the porcelain surfaces , link to substantial data of the place, nature and philosophy
