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برنامج تدريبي لتطوير مهارات الاخراج في المسرح المدرسي لدى مدرسي التربية الفنية == A Training Program To Develop The Skills of Directing In The Theater School'S Technical Education Teachers

اسم المؤلف: ياسمين عدنان بهجت
اسم المشرف: صباح عطية سويبج
الموضوع العام: الفنون الجميلة
السنة: 2012
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: لقد اكدت الدراسات والبحوث التربوية التي تناولت في اجرءاتها موضوع المسرح المدرسي واهميته في العملية التعليمية ضرورة تخصيص مساحة كبيرة له في برامج المؤسسة التعليمية، كونه يخلق حلقه وصل مهمة بينها وبين المجتمع، كما ان المراحل الدراسية الاولى هي التي تخلق جم | We have confirmed the studies and research addressed in procedures Multi school theater and its importance in the educational process should be allocated a large area has programs in the educational institution, he creates an important link between them and the community, and the grades first is to create public school theater and building artist theatrical authentic.So is theater school of media task that can be used in the development and activation capabilities scientific, educational and technical learners through the stages of pre - stage university, as is through the provision of knowledge in the form of art, helps refine educated and make them accept eagerly to accept scientific data that usually be dry sometimes if presented to them traditional methods in the educational process.We started (the researcher) in the process of incorporation to the problem discussed according to the survey conducted by the scientific studies and research that dealt with the subject of school theater. Moreover the study exploratory in the number of secondary schools of the Directorate of Rusafa second to determine the extent of knowledge of teachers of art education the basic principles of the output and its components, rules and mechanisms applied, I survey teachers of art education and administrative cadres and found their need for more practical experience in this area and courses training and development to drive and develop their skills in the field of directing in the theater school.Based on the foregoing and the researcher found an urgent need to study that will develop the skills of directing in the theater school's art education teachers and raise the technical proficiency.Aim of the current research is to achieve : - Develop directing skills in school theater's art education teachers, and to achieve this goal researcher identified the following two sub - goals : - 1. Building a training program to develop the skills of directing theatrical according to model kofmin / 1970.2. Measure the effectiveness of the training program through its application on a sample of teachers and teachers of art education at the secondary level for the academic year 2010 - 2011.To verify the targets laid researcher hypotheses zero.Ensure the research community of teachers and art education teachers who taught soil art at the secondary level for the academic year 2010 - 2011.To achieve the goals of current research, the researcher designed a training program be (5) modules according to a model kofmin /1970. and includes training content in the material directing theater for theater school, and to measure the effectiveness of the training program has been prepared two types of tests (cognitive - skiller) and measured mediated form calendar performance skills.To show search results based researcher Cookson test for one sample and Kjordichardson equation / 20 and the equation of discrimination and difficulty equation Holsta.The main results are : - 1. Outweigh the experimental group who trained on the content of the training program is designed according to the principles and foundations of instructional design itself in the achievement test cognitive dimensional, reason and clarity phases of the program, and you know teachers and teachers of art education targets training knowledge and skills for each stage of education, making it easier for them follow - up process steps, in chronological order.2. Outweigh the experimental group who trained on the content of the training program is designed according to the principles and foundations of instructional design itself in test performance skills dimensional skills directing for the theater school, and why it clear steps training through the presentation skills directing and models play was prepared in the training program in order to recognize them members Group the treated After creating or preparing complete ’s Necessary , and the use of tools, and implementation of performance correctly and building phases of training in a logical sequence, and not move from skill to skill other only in mastering the skill previous full and dividing the skills to its simplest form by behavioral objectives performing.The main recommendations are : - 1. Adoption of the training program, which try to train teachers and art education teachers on the skills of directing the school theater, to prove its worth and effectiveness in the Acquisition of information and perfecting their skills during the training session.2. Take advantage of training centers and development of the Ministry of Higher Education and Scientific Research and the Ministry of Education of the training program based on principles and the foundations of instructional design for training of personnel teaching in the disciplines of the arts for the theories and models design training and analysis skills and use them in other subjects varied.

التمثلات الجمالية والتعبيرية للسينما النقية في الفيلم المعاصر == Aesthetic And Expressive Representations of Pure Cinema In Contemporary Film

اسم المؤلف: خضير عبيس جياد القريشي
اسم المشرف: محمد عبد الجبار كاظم
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الفنون السينمائية
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان البحث الموسوم ( التمثلات الجمالية والتعبيرية للسينما النقية في الفيلم المعاصر) يتصدى لمفهوم السينما النقية كاتجاه طرح في عشرينيات القرن الماضي , وله سمات على المستوى الاشتغال الجمالي والتعبيري , وتعددت مصطلحات السينما النقية الى ( الخالصة , الصرفة, ) ف | The universe is in a constant motion, and the feature of the innovative life is the continuous change and development accompanies it. The philosophical theories has come with hypotheses based on the alteration or displacement of those before them, and giving these theories and validity in experiments on the practical application level. Cinematic art is one of these arts that derived its endurance from scientific development. The devices and equipment have enabled the artist to express and make his private worlds. Cinematic art closer to dream than reality. On the theorizing level, many theories that address the concept of the concept of film picture and the extent to which it reaches whether from the port of reality or through entering from the realistic port in the physical facts have been posed. Cinema has used this physical shortage and formed a tendency that allows the vision as the filmmaker sees. Within this theories, the trend of pure cinema which has seeded the pioneer cinema makers within the first seed. That has become a feature in many of the revolution on the traditional and classical and searching for new expressions towards aestheticism expressing the taken from the symbols, metonymy, and metaphors tools. Also, the search for ranges which the style reaches the pure style in the contemporary.This chapter includes four chapter; chapter one is the theoretical framework of the study which includes the problem. The problem includes the problem in the following questions (What are the manners which impersonate the aesthetic and expressive works of the pure cinema in the contemporary cinema?). The important of the study lies in shedding light on the concept of pure cinema and stating many of the recursions, and the effect which have given entrance to the world of the subconscious and dream to from. The need for such research should in the hands of many theories which researchers and reveal may of the theories that remained only in books. Also, the argument about pure cinema, its basis and rules and features, the limits of the study were open spatial limits because the cinematic innovation has no limits. The time limit is also not restricted as the pure cinema term was first posed in the 1920s and the work is still in pure technique. The purposed samples were chosen for more than one century for the purpose of study, therefore the choice was according to the objective of the study to investigation the features and characteristics of the pure cinema. The researcher has also tackled the concepts determinations which are mentioned in the study.Chapter Two is the theoretical framework in three inquiries : the first inquiry is the theoretical starting point of the pure cinema in the researcher traces the concept of the pure cinema since the moment of conception by the first pioneer theorists, specially the work of the cinematic director Germaine Dolac. We also find the term (the pure cinema) was the French Henri Shomit. Then, the study tackles the search for the roots of the pure cinema and the pioneer trend manifested in Dadaism, Surrealism and Expressionism. The reason leading to the emergence of the pure cinema. The pioneers of this cinema and their theories. The Inquiry was concluded with the theoretical points in the pure cinema. The second inquiry studies the manner of the how elements works in the pure cinema through looking in expressionism of the cinematography through like scenario, montage art which is characterize by special features in the pure style of cinema, Also, the elements that have given the pure style its expression function like fantasy, symbols, metaphor, metonym, dream and hinting. All of these have given a special feature for functioning characterizes the contemporary films. The researcher came up with foundations which characterize the pure style in cinema.The second inquiry tackles the aesthetic representation in the pure cinema in the contemporary films. It draws boundaries in which the pure style in the contemporary films works through marking out the aesthetic representation and its positions, and what the pure style has come up with to break patterns in the level of expression and the aesthetic representation of the foundations of the pure cinema of.the contemporary films. The researcher comes up with indicators of the theoretical framework and also tackles the previous studies. Chapter Three includes the procedures of the study in determining the descriptive - analytical methodology and the community. The researcher used analysis of scene and shot analysis unit. The tool of the study and the resulting indicators from the theoretical framework, and the subjection of these indicators to the opinions of the experts and arbitrator. After taking these opinions, the tools of the study has become : the pure cinema has taken a style between reality and dream. Dream has become life, and life is the film accomplishment. The samples of the study have chosen following films : Mirror, the film Tree of Life, the film Sesso e Fliosofia and the film The Sea Letters for reasons which the researcher mentions in detail.Chapter Four tackles an analysis of the samples of the study according to the tool of study. The study comes up with the findings as follows : the pure cinema style is the result which seeks the pure filmic expression. The motion photograph is the result of innovative of cinematography, taking from employment of the elements of the cinematography language in its fullest extent and the relations among them to achieve the pure style. The study also includes the recommendations and the suggestions and a list of the references and the abstract in English.

السمات النحتية في العمارة التفكيكية == Sculptural Features In Deconstructionist Architecture

اسم المؤلف: عقيل حسين جاسم حمزة
اسم المشرف: محمد علي علوان عباس القره غولي
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: النحت
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Affected by the nature of the fine arts in general, structures its neighboring affected seem like the product of logical, through contact with these arts influences thought compressor socially and religiously and scientifically and psychologically, and this is what makes sure functionally according to the relationship art evolution year which occurs in the human communities throughout history. I have contacted art, including sculpture composition data of the intellectual and aesthetic transformation that has occurred in the structure of the art in a different historical era from arts of ancient civilizations in Iraq, Egypt and Greece, through the art of the Middle Ages and the Renaissance, and ending, including the outcome of the modern arts and beyond.It was the emergence of currents modernist impact evident in the development of coordinated Achtgala a clear distinction between art painting, sculpture, and took the products of contemporary architecture, influenced by and influence, with the result of the achievements of artistic creativity, and it was for the development of the great in the field of technology have a positive impact of the relationship of sculpture, architecture, in terms of employment and similar and metaphor and embedding, and but relativism rise and fall, the vision of the architect or sculptor alike.Hence, the evolution of architecture in the period of modernism connects the idea of switching from level realistic to the level of abstract or symbolic, and it was for this, a role in showing the properties of architectural most relevant features art talk, specifically sculpture, and this similarity or overlap strengthened through the system aesthetics of modern art all related references poignant and mutant methods.The researcher found important to know the most important of these characteristics. So Me Find studying (sculptural attributes in deconstructionist architecture).This research included four chapters : Chapter One : ensure that the research problem and its importance and the need for objective research and its boundaries, and define the

التحولات التقنية واشتغالاتها في الانتاج الدلالي للعرض المسرحي العراقي == Technical Transformations And Its Work In Semantic Production In Theatrical Display In Iraq

اسم المؤلف: انعام معن ابراهيم
اسم المشرف: صلاح مهدي القصب
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الفنون المسرحية - تقنيات
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Technological techniques have become part of the daily living reality in all joints of social life, both of them, or those that are related to other concepts ,and is no longer a narrow area and inappropriate to make changes that fit the stage.the technological means became the active component in the structure of society and life as it cannot be dispensed with in every forum that artistic activity in the community has the greatest role in shaping and building process of the joints and other life.So it is no longer art in general and theater in particular is able to dispense with these technologies and employ them to suit the listed job to provide all that is fun and useful for its various components.Theatrical field became platform to employ those techniques, which added a lot of aesthetic, intellectual and emotional values, and that made him at the center between the arts.The theatrical art is that art speaking with language and culture of bearer and crossing all his needs and desires and on the light of it researcher felt to shed light on the important topic of those techniques illustrated through the problem posed for dealing to interpret it within the four chapter, which consisted of them the dissertation tagged (Technical Transformations and its Work inSemantic Production in Theatrical display) which dealt in First : the first chapter , which included a research problem, which were represented by a question posed by the researcher and that( are techniques of all kinds Is able across its transforming capacity and its frequencies to produce another meaning in the theatrical display), and then explained the goal of the research is to investigate the effect of moments shifts to those techniques in the production of another meaning for theatrical display.I also showed the importance of research is one of the modest efforts that serve all workers in the field of theater from technicians and technical workers.Then, the researcher determine the limits of this research, which represent between year 2010 and2014, because this period has witnessed many changes in the quality of the presentations that submitted because its area became a broad and open and was conclusion of this chapter with defining the terms contained in the title which is that of (Transformation ,Technique, - Works - Production)Secondly - the second chapter researcher divided into three sections the first with the title of - Technical production in theater, which included three topics in the first one I dealt with the use digital programs in theatrical display, highlighting on the latest technologies that can be used in these offers, such as technology ofdigital actor and the animation technique that is incorporated with the show and during the representation and technique of hyper Tkst and the text to dump into several texts all of it has its meaning and connotations then digital audio technology and finally technology moot, digital influencesThe second topic represents with using techniques of laser light in the theater because of its importance and great benefit in reducing costs and thus produce different meanings in their implications for the meaning to have produced for it.The third topic has been included on the importance of forming three - dimensional drawings or hologram.In the second topic the researcher dealt with the importance of hiring technical elements in building of theater Scenography, which was also divided into four themes dealt with in the first techniques of conventional lighting and their modern projections in the theater.In the second topic highlighted on the theater decor and space configurations.In the third topic researcher dealt with the subject of fashion and accessories, and its role in enriching the display scenography.The fourth topic and the latter has dealt with the music and sound effects and the construction of these offers in the third section researcher explained the importance or instant aesthetic shiftaccording to the relationship between the body and the technical elements that make up the display.This chapter has been terminated with previous studies that shed light on some of them, which focused on the subject of technology, but did not find it close to the subject of her research, which deals with the production of meanings and connotations to offer a statement and then some indicators reached ;Third Chapter, who called the search procedures, the researcher analyzed the five deliberate samples so as to employ techniques offer of theatre with its different images and produce to us more enriching the meanings of these offers and these samples are ;1 - ( Eight week daeis ) Directed by Rassil Kadhum2 - ( Ice ) Directed by Samim Hasseb Allah3 - ( Al - hussain now) Directed by Akeel Mahdi4 - ( Al - Maqam Allowasti ) Directed by Zuhair Kadhum5 - ( question mark) Directed by Qasim MunesEach one of these samples have advantages, especially in recruiting techniques theatrical display clearer and more enriching for the offer.The first sample, the director employed traditional lighting techniques and their modern projections in the theatrical display as making of light another element and an active, participant more than is traditional in his dealings with representative.The second sample was sought by the director to the combination between body technique and audio display technology, in a contemporary vision of despite of age temporal event.The third sample has hired technique of décor and formed by the events of the play and its events, and the fourth sample employed modern techniques with traditional ones in the formation of decorative theatrical presentation, which made clear idea of display from it.The final sample used the human body and instant transformations in the manner of handling with the techniques of Scenography from lighting, accessories and fashions etc. from audio and visual elements.The fourth and final chapter dealt with the researcher's findings with a discussion of each result and then the conclusions and recommendations and then the list of sources and references in Arabic and English, finally summary of research in English

فاعلية الخرائط الذهنية في تطوير بناء الفكرة التصميمية لتكوينات الخط العربي لدى طلبة قسم التربية الفنية == The Efficiency of Using Mental Schfmata In The Development of The Notion of Design Construction For Compone - Nts of Arabic Calligraphy of Co - Llege Students At Fine Arts Departmnt

اسم المؤلف: عطية وزه عبود الدليمي
اسم المشرف: عبد المنعم خيري حسين العاني
الموضوع العام: الفنون الجميلة
السنة: 2012
الموضوع الدقيق: التربية الفنية
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: لم تعد طرائق التدريس الاعتيادية قادرة على تادية دورها في توصيل المعارف الى الطلبة وتنمية تفكيرهم، وذلك للتطور المعرفي السريع نتيجة للتقدم التقني التكنولوجي الهائل في مناحي الحياة كافة، وان هذا التقدم والتطور استوجب الاهتمام بتطور عقلية الطلبة وتزويدهم ب | Traditional methods of teaching are no longer able to play its sufficient Role in conveying knowledge to the students and develop their thinking this is so because of the rapid development of knowledge as a suit of the huge technical and technological advancements in all walks of life - these advancements necessitate the development of students' minds by Providing them with mental skills to be capable of coping with all the Developments a round the world. Paying attention to education through using mental mapping has led to the emergence of teaching programs That suit such type of education and achieve its goals. among the most important types of mental mapping is that of schemata because building schemata is considered as a chance for exercising creativity and generating ideas that contribute to the improvement of building mental maps also considered as a chance for developing creative thinking. Therefore, the researcher, in his dissertation entitled the efficiency of mental mapping in development of the notion of design construction for the components of Arabic calligraphy of college student at fine art departments' decides to use mental schemata to contribute to the overcoming the obstacles of teaching Arabic calligraphy.The researcher, in his study , tries to use a modern technique through using mental schemata Tony Boson) to increase the achievement of students at the Department of Fine art Education , College of Basic Education , AL - Mustansiriayah University in Arabic Calligraphy. For this purpose , the research intends to prepare a guide to the teaching of AL - Kufi handwriting (teacher's guide). This guide has been exposed to a jury of experts to calculate its face validity. The study aims to : 1 - know how to use mental schemata in developing the notion of design construction for components of Arabic calligraphy and developing the creative thinking of students at the Department of Fine Art Education College of Basic Education. 2 - know the efficiency of mental schemata in teaching Arabic calligraphy On the achievement of the students at this department. To achieve the aims of the study , the researcher has posed five null - hypotheses to know the efficiency of the mental schemata on the achievement of the students in the pre and post test. The population of the study consists of 309 male and female students, Morning studies , at the Department of Fine Art Education in College of Basic Education \ AL - Mustansiriyah University studying for the academic year 2011 - 2012. Sixty - eight second - year divided into two section have been chosen to be a representative sample. Section no.1 with 34 students represents the experimental group and section no.2 with 34 students represents the control group. The researcher has used total control experimental design with two equivalent experimental and control groups because this experimental design meets the aims of the current study. The researcher has neutralized the variables of age and past experience. The experiment has been applied by using mental schemata (Tony Boson) to the experimental group. The control group has been taught according to the traditional method. To measure the achievement of the students in knowledge and skill of using Arabic calligraphy, the researcher has prepared an achievement test that consists of a written test items and another skill test. Face validity has been measured by exposing the two tests to a jury of experts. As for reliability , it has been calculated by using [Kuder - Richardson] formula. The value of the reliability has been (0.86) after the final administration of the two tests and the statistical treatment if the data using (t - test), the results have been as the following : 1 - There is a statistically significant difference at level of significance of (0.05) between the mean scores of achievement of the two groups in favor of the experimental group in the skill pretest. This shows the effect of using mental schemata on the achievement of the experimental group and develops their notion of design. 2 - There is no statistically significant difference at a level of significance [0.05] between the mean scores of the experimental male group which was taught by using mental schemata and that of the experimental female group which was taught by the same method in the skill posttest. This indicates that the use of mental schemata has effect on the development of the achievement level, help them to sharpen their memory and comprehension of Arabic calligraphy for both male and female students. 3 - There is a statistically significant difference at a level of significance(0.05) between the mean scores of experimental and control groups in favor of the experimental group in the skill post - test. This means that the use of mental schemata has led to the growth and development in the notion of creative design of the experimental group. This is so because mental schemata has made student more apt to generate ample ideas. It enhances the accuracy and speed in creating ideas and comprehend the Arabic calligraphy by exercising mental practice in the production of the components of kufi handwriting. 4 - There is no statistically significant difference at a level of significance of (0.05) between the mean scores of the experimental groups in the pre and post test of both male and female students. This means that there is a great deal of development and growth in the building of the notion of design and creative thinking in the components of kufi Arabic calligraphy. This is confirmed by the similarity of the arithmetic mean of achievement for both male and female students. 5 - There is a statistically significant difference at a level of significance of (0.05) between the mean scores of the experimental group in the pre and post tests. This means that the use of mental schemata is effective in the development and building design ideas and creative thinking in the components of kufi Arabic calligraphy of the students at the Department of Fine Art Education , College of Basic Education. This is attributed to the efficiency of schemata that enhance student to achieve the ability to imagine because human brain uses scattered pictures(schemata) and emerges them together in new unfamiliar frames to enable the imagination process to start its mental activities with experiences of past knowledge. The present study has come up with the following conclusions : *The performance of the experimental group has greatly improved as a result of using mental schemata. *There are growth and development in building the notion of design of Kufi calligraphy components. *Mental schemata make students' decisions more accurate in the production of design notions. *High efficiency and competency of mental schemata have resulted in improving the level of skill performance in the production of creative notions of design of the components of Arabic calligraphy. The researcher has recommended that teachers of calli - graphy should be encouraged to use mental schemata when teaching handwriting. He has also proposed some other recommendations at the end of this study. Suggestions for further Research has been also put forward.

اتجاهات النقد المسرحي الصحفي في العراق (1990 - 2008) == The Tendencies of Journalist Dramatic Criticism In Iraq - For The Period 1990 - 2008

اسم المؤلف: علي حلو داشر
اسم المشرف: يوسف رشيد جبر
الموضوع العام: الفنون الجميلة
السنة: 2008
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان النقد المسرحي الصحفي العراقي يمثل احد الانماط النقدية المسرحية العراقية ذات الحضور الواسع والفاعل ضمن حراك النقد المسرحي العراقي، وان هذا الحضور جاء نتيجة لتفاعله النشط مع العرض المسرحي العراقي على مستوى المهرجانات والعروض الفردية داخل المؤسسة الاكادي | The dramatic criticism in Iraq represents one of the dramatic criticism patterns that have crucial impact within the movement of criticism in Iraq. The importance of this thesis is entitled (The Tendencies of journalist Dramatic Criticism in Iraq - for the Period 1990 - 2008). The title bears questions and inquiries. The question is what are the tendencies of journalist dramatic criticism in Iraq for the period 1990 - 2000. The inquiry, on the other hand, is why we are investigating these trends, for this very periods which represent the last period in which journalist dramatic criticism was practiced in Iraq. To answer the question, the researcher shed his analytical efforts on the dramatic shows (plays) by Iraqi directors, and international and local plays attempting to know the trends of criticism and their aesthetic tendencies through analyzing these critical texts, employing the simple and compound cases in the known trends and their uses such as the method of content - analysis after determine the standards critical trends. The units were employed to analyze the sample to get closer to the scientific fact by numbers and statistics in an attempt to get away off the disguised relativity that is not accurate. To answer the inquiry, on the other hand, the researcher analyzes the results employing the descriptive procedure and the method of case study in order to know the scopes of this type of criticism, i.e. journal criticism. Thus, we detect point of strength and weakness through the evaluation of journal dramatic criticism. Thus, we will be able to rise up the aesthesis of society. The research is made of four chapters. The first chapter included the problem of the study, the need for it, objectives and the limits of the study. The second chapter is made of the theoretical framework that consist, in turn, of two inquiries; the first is about the concept of criticism and the second deals with the tendencies of dramatic criticism and aestheticism. The second chapter also contains the indicators and standards that the researcher has come up with such as sample analysis, and the analysis of the conclusions of the study and the discussion. The fourth chapter includes the conclusions, recommendations and suggestions. Then, the references and appendices. The researcher shed light of his analytical effort on what has been published in the Iraqi journals by Iraqi critics about the Iraqi critic shows for world and local texts trying at knowing the reading texts and employing them in the simple and composite critical trends made of the critical method of the content analysis and the use of percentage to derive every critical aspect alone within one critical article after specifying the criterion and indicators as an instrument which the researcher has come up with within the theoretical framework, which the research employed as his method of analytical instrument vis - à - vis the idea taken from the approach of content analysis as the unit of analysis to achieve the highest degree of closeness to the scientific reality by numbers and statistics in an attempt to get away from the illusionary percentage that sprout here and there and mostly, inaccurate.

برنامج تعليمي لتنشيط الذاكرة البصرية لطالبات قسم التربية الفنية / معهد اعداد المعلمات في مادة عناصر واسس التصميم == Educational Program For Activation Sighting Memory For Girl Students / Fine Arts Department - Institution of Preparing of Girl Teachers In Subject Elements And Basis of Design

اسم المؤلف: نورا عبد الله علي
اسم المشرف: ماجد نافع عبود الكناني
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: اصبح الوقوف على اليات تنشيط الذاكرة ضرورة من ضرورات هذا العصر الذي تتفجر فيه المعلومات يوما بعد يوم وتزداد اتساعا وتنوعا، اذ ترتبط الذاكرة بالتعلم ارتباطا وثيقا فالانسان يتذكر ما سبق ان تعلمه، اذ ان مشكلة صعوبة الاسترجاع وعدم الاحتفاظ بالمعلومات في الذاكر | The reliance on techniques of memory activation , it becomes necessary from necessaries of this age within it information flowing day after day and increasing of expansion and variety where as the memory connected by learning relevant connection. the human rembered what have learnt it in former. Problem of recovery difficult and not keep by information in memory which have become importance of researches in scientific fields. From here psychologists and education are think in styles and strategies' which used ( teacher or learner ) in classroom to activation of memory and encourage learner on employment it in order to help him on use of strategies of coding and storing of information in memory and recovery it.starting point from that the researcher find importance of foundation for problem of researcher which aims to achieve as following build educational program for activation visual memory for artistically education department in subject of elements and basis of design , measure activity of educational program by two dimensions cognitive and skillfulness through application it on sample students of fourth class artistically education department institution of program teachers and in order to confirmation from two aims of research have specified (( 4 )) zero hypothesis for measure level of obtainment and also to know on ability of program in activation of memory at students.country of research have specified by students for classes of fourth and fifth in departments artistically education institution of preparing teachers belonging to general directorates of Al - Russafa / Baghdad education ( 1 , 2 ) and Al - Karkh ( 1 , 2 ) where their total reach ( 191 ) students have selected sample from students of fourth class / institution of preparing teacherfs - Palstain street reach ( 20 ) students. the researcher depend on experimental design by two independence groups as being more fit for aims of present research , where as experiment group have submitted for experiment through their teaching according to requirements of educational program which have designed a cording theory of dual coding for rembereing which include ( 3 ) educational units , while controlling group have studied itself through use ways of normal teaching. in order to achieve from aims of research and reaching to results which have designed educational program for refresh of sighing memory according to vocabularies of material elements and basis of design restricted within methods of preparing teachers by specialization artisically education and for measure activity of educational program. the research carry out two kinds of tests , the first obtainment cognitive for activation sighting memory , the second skillfulness obtainment for measure skillfulness performance levels of students in carry out requirements of skillfulness test which performance within it level of their performance according to list of appreciate of skillfulness performance which have prepared for this purpose , educational program , tests , list of skillfulness performance appreciate on group of experts owner of specialists in fields of artistically education and artistically design and measuring and work in order to recognition on modulus truth then actualization from modulus of stability. the research depend on group of statically devices to show results of research such as test ( Mann - Whitney ) in order to actualization from results of two tests cognitive obtainment and skillfulness pre - and post and also formula of diffecult modulus and distinctive for items of cognitive test and formula ( Kyoder Richardson / 20 ) for fix obtainment test and formula of Holisity for fix skillfulness test and find modulus of agreements between observers. from most results which present research find out which may sum up it in superiority of experiment group performance in cognitive test for refreshing of sight memory and skillfulness performance on controlling group of what appear activity and utility of use of prepared educational program according to dual coding theory in teaching elements and basis of specified designed in fourth class - artistically education department in institute of preparing teachers comparison with by normal way.the researcher have advised by group of advises as following : - 1 - reliance educational program in present research in teaching subject of elements and basis of design and generalization on departments of artistically education in institution of preparing teachers and girl teachers because is being positive influence and activity , show it results of present research. 2 - importance of interesting of teachers subjects elements and design basis by cognitive aspect to teach design relations by connected , successive and series way in formation which concerning that basis by constructional form to it which ensure connect relation every teaching units by unit which follow or precede it.The researcher suggested that as following : - 1 - carry out match study from through preparing of educational program in other study subjects and measure its influence in obtainment.2 - preparing of educational program in subject of design through use educational computer and measure its influence in obtainment.

التقنيات الحديثة في سينوغرافيا العرض المسرحي == The Modern Technique In Scenography of Drama Show

اسم المؤلف: انعام معن ابراهيم
اسم المشرف: صلاح مهدي القصب
الموضوع العام: الفنون الجميلة
السنة: 2008
الموضوع الدقيق: الفنون المسرحية - تقنيات
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان المسرح كائن حي يتفاعل مع كل المتغيرات والمستجدات القائمة، فلم يكن يوما ولن يكون بعيدا عن هذه المبتكرات والتطورات الحديثة في عالم التكنولوجيا. فالعرض المسرحي تساهم في بنيته وسائط تقنية عديدة يتم توظيفها من قبل اختصاصيون في مختلف الانشطة العلمية ,كالم | The second chapter (theoretical frame) is divided it into five section , in the first, the researcher has explained the importance of technology and its reflections on dramatic culture through the concept of cultures dialogue which was elaborated by the French thinker ( Rojeh Garody) who embraced Islam. In the second section ,the researcher explain the work of that technology through composing dramatic speech. The third section is divided in to two directions; in the first she refers to the most important technical techniques that contributed to development of drama show structure ;identifying it by computer firs and then by internet, while in the second she talks about the most important computer techniques and how to employ it in designing the element of drama show. The fourth section touches the most important direction techniques of directors whom the researcher has divided into tow current, each has a different way when building the Scenography of drama show in the light of using those techniques. She closed the section with the most important techniques used by modern theatre which are body performance through gesture language, sound expression and dancing. She concludes this chapter with former studies and set of indexes resulted from theoretical frame; the most important of them is that the modern theatre is mixture of many cultures that is affected by those cultures, furthermore the director has dealt with the actor as a body having mythological and expressing abilities capable of producing a new language with the receiver. However, modern techniques don't neglect the human being role and his creation, but it increases the opportunities of innovation and renewal in modern theatre.The third chapter includes the research procedures throug the research society and samples represented by the following designs and drama shows : 1 - The play of "The Bedouin and the Orientalist" directed by Akeel Mehdi. Theatre is considered as a living thing that interacts with all standing and revived variables, it was ever and will never be far from these modern innovations and developments in the world of technology. Several technical means contribute to drama show, these means come from specialists in various scientific activies such as musicians, lighting designers, sound effects, optical tricks, as well as designers of fashion, building and shaping. Today theatre also depend on various expressing techniques represented by using the language and grace of the body to put through the meaning by shaping gesture movement, singing and dancing so that the receiver can interact with. So, technology in theatre is not a newborn, but it accompanied it since the Greek times till the present. Consequently, it appeared with a new language whose features have been employ in the artistic currents that emerged and spread definitely after the Second World War in Europe,USA and the Arab World. These current used technology as a technical means employed in various innovation processes to discover its abilities and its intellectual and aesthetic dimensions. Upon this basis ,the researcher has identified the research problem in the first chapter of her thesis designated " Modern techniques in Scenography of drama" , in the following question : How to employ modern techniques to build the Scenography of drama show?Then, the researcher has explained the importance of her research which is regarded as one of the scientific efforts looking for the importance of technical development and its inflection on drama show techniques in Scenography building, and she considered it as an important reference for students at Fine Arts Academy. Then ,she explain the objective of the research , its limits and finally defining the most important term that is the concept of technology and Scenography.

تقنيات الايهام البصري في تصاميم الاقمشة النسائية == Techniques of Visual Illusion In Design of Women'S Textiles

اسم المؤلف: ابتسام محسـن حسـون الخفاجــي
اسم المشرف: سامي ابراهيم حقي
الموضوع العام: الفنون الجميلة
السنة: 2010
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: انجزت دراسة (تقنيات الايهام البصري في تصاميم الاقمشة النسائية) الكثيرمن المفاهيم والافكار الجديدة فسحت المجال للتعدد في الاتجاهات التصميمية للاقمشة، كونها من التقنيات التصميمية المهمة بما يتميز به من قدرة على الايحاءات العديدة وهو ناتجا مستلما من عملية | The study of (Techniques of Visual Illusion in Design of Women's Textiles) demonstrated many novel concepts and ideas within the field of diversity in textiles design orientations, being a significant design technique characterized by an ability for suggestiveness as a final product of process of architecture of constructive relations. It reveals the techniques of Visual illusion in the design of women's textiles and establishes design leverages in women's textiles that depend on techniques of Visual illusion. The significance of the study stems from increased intellectual enlightenment by textiles designers and scholars as well as developing the knowledge of styles and orientations which contributed towards Visual illusion. The study was limited to design of women's textiles for dresses available in Baghdad's local market for the period 2006 - 2008. The study is in four chapters; Chapter One elaborates on the study problem, its significance, aims, limits and definition of terms. Chapter Two deals with the theoretical framework and former studies. It consists of three parts : The first part : Comprehension and Visual illusion in textiles design. The second part : The techniques of Visual illusion in the design process of women's textiles. The third part : The technique and its methods for design of women's textiles. This is followed by the former studies and their discussion thereof. The researcher achieved the most important pointers out of theoretical framework. These pointers were enhanced in Chapter Three. Chapter Three encompasses the study procedures, its methodology by adopting the descriptive approach for analysis of specimens out of the total (96) specimens of the study. A deliberate choice of the study was taken according to design objective levels consistent with the study aim. The study sample was randomly chosen at (25%) of (24) samples. A form was compiled for analysis axes by reliance on pointers out of Arab and foreign sources which were submitted to a panel of experts. The study specimen was analyzed through it. Chapter Four consisted of results of specimens of the study. The most important results obtained by the study were as follows : 1 - Most designs under research depended on the apparent in - form characteristics to achieve Visual illusion to generate diversified formative effects. These effects reflected on the motion, distribution and directions of the items. 2 - Color remedies were adapted to impart vitality aesthetic effect on textiles design by focus on color contrast as an actionable vision accomplishment to demonstrate the illusory space depth due to forward lead of fair colors and rear lag of dark colors. Besides, Chapter Four encompassed the following most important conclusions attained by the study : 1 - Basically, the techniques of Visual illusion were associated with the content of the design idea which was built upon many methodical technical data to be a modern tool whose idea was crystallized by virtue of many intellectual and materialistic concepts which rendered it into evident applicable fact. 2 - In spite of formative diversities in most designs, the design items relied on abstract form as a priority to present the true dimension of the design idea. This made other units of secondary importance overlap with it by limited non - determined motion in the design construction. Chapter Four included also the design leverages concluded by the study. The following are the most important : 1 - Need to widely invest and implement the techniques of Visual illusions in the design of women's textiles as modern design methods to achieve design formations via non - conventional, innovative new and organizational vision which is a product of variance and diversity of the formative items through mixture, placement and change in the formative relationships. 2 - Concern for choice of natural and synthetic fabric raw materials fit for the local environment. These materials have flexible, fine, endurable and moisture - absorbent specifications. On its basis are chosen the types of yarns, fabric construction and appropriate design.3 - Making use of the developments in the technical styles observed in the design of textiles to create non - conventional design assortments through overlapping between styles in order to achieve association between forms and embody them non - conventionally in a manner capable at enhancing Visual illusion. The purpose is aesthetic achievement to serve the functional aim. Chapter Four also included recommendations and suggestions.

الاطر الفكرية وانعكاساتها في تصميم المطبوعات الدينية

اسم المؤلف: صادق هاشم حسن الموسوي
اسم المشرف: نصيف جاسم محمد عباس
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Prevail in the world of intellectual and scientific variables... And overlap the treatises of this party, come research addresses the deliberative ideas as an important and necessary in the cultural communication and information update.. Hence it was dialogue of civilizations.. And individuals in the dialogue between them and the means of activating the intellectual and conceptual frameworks after he entered the concepts of globalization in all their in requirements attempt to impose a particular ideological line style.. But the cultures and traditions of theses communities attend to confirm the role that should not deviate or marginalizes its spiritual and physical level... Where is the means of communication, including print and one of the dozens of ways in which nations and peoples trying its institutions all through the dissemination of cultures, traditions and ideas and concepts..Being at hand and easy circulation and can be employed for the purposes of tourism, religious, economic and otherwise, generally, those nations and institutions are trying in various ways, the announcement of the frameworks related intellectual inheritance of civilization have, including religious shrines that frequented many parts of the world, which requires dissemination and promotion in support of after spiritual and material both whether, in Iraq this ancient country that stretches at home shrines are many varied and different religions and sects, the presence of printed religious for that shrines is an act communicative however, and worked the institutions of the thresholds of the holy given printed religious significance, as it is one of the media and promotion, , Because it appeals to the general public who attend religious shrines of different cultures and referents, and from this perspective the current research to examine and explore the link between spammersintellectual which is designed on the basis of publications issued by those shrines and between the artistic process and its implications, where his grandfather researcher subject should go into it, and distributed find classes as follows : The first chapter methodological framework of the research in terms of the research problem represented by asking the following : Are intellectual frameworks reflected on religious publications design? As the importance of research came in : ? The possibility of benefit from working in the field of Graphic Design in general and employed in the design of religious publications in particular.? The possibility of a briefing media organizations and advertising of the sacred thresholds, set a target Search in : ? The intellectual reflection spammers statement in the design of religious publications.? Provide practical proposals based on the outcome of the theoretical framework and indicators, and the search results, and then refer to the limits of research and determine the terms, as the second quarter included a theoretical framework, where it came from his interlocutor as follows : Also included the first section two addresses (such as conceptual frameworks, philosophy and thought, frame aesthetic, in the framework of art and design, intellectual framework - aesthetic when some civilizations, data intellectual thought and Islamic philosophy, frame artistic and intellectual philosophical Islamic "private"), as discussed topic the second to the (structure design, structure elements, elements Typography, foundations and structural systems), and interested third section in a statement (digital technologies and electronic publishing,producing and designing programs elements Typography, the communicative properties of print), , While the fourth section referred to the (design patterns prints, design publication, Graphic Design and Printing, the most important digital programs used in the design Jerafah), then followed by the indicators theoretical framework, and included the third quarter research methodology and procedures supported the descriptive method (method of content analysis)in order to reach results, and the research community, and the method of selection of models, and search tool which was to design a form identifying axes analysis based on what emerged from the axes and indicators theoretical framework, and opinions of a group of experts respondents who expressed an opinion scientifically built in, to other procedures reported in detail in separate proceedings, then the search in the analysis of the models chosen, came fourth chapter involving the results, discussed and that came from : Conceptual frameworks : 1. based methods of construction design which conceptual frameworks variety of dimensions, philosophical, and intellectual with theses global Islamic, and local variable rates and indicates this fact to the vulnerability results conceptual presented by the scientists and thinkers of the Islamic nation, and non - Islamic, and that proved the most of the ideas presented in the religious publications, namely the ideas of human dimensions related events experienced by the characters in question, as well as being connected to the religious and social situation associated with the ideological environment.2. Adoption of the style of presentation symbolic of the events promise to approach the representation formal, as in models (1, 2, 3, 4, 5, 6, 7, 8, 10, 11, 12, 13, 14, 15, 16, 17,18, 19, 20). And (95%). Thereligious symbols is one of the most important means showing historical events through the employ of being known and unknown when a lot of the audience, and generally the employment of religious symbols or environment - related religious forms is important in the embodiment of the structure of the idea, as well as the fact that the symbols represent a tool easy to bring ideas unhindered and difficulties.Elements Typography : 1. Recruitment effects digital available in computer software in order to achieve dimensions of aesthetic certain, as in the models (1, 2, 3, 4, 5, 6, 7, 8, 10, 11, 12, 13, 14, 15, 16, 17 , 18, 19, 20). And (95%). Commonly used these effects after he added an important set of filters and digital effects, and should be used by designer without distorting what makes writings without clarity and readability2. the emergence of clarity and readability in biblical patterns that have adopted away from digital processors that can come to the contrary where she appeared in all models. It is well known the importance of clarity and readability in hiring patterns written being talkie reader, and that the lack of interest by means cause problems in reading the text, which is not something he wishes designer and he has to pay attention to him.Structural foundations : 1. The adoption of symmetrical balance in the design of the versions with the absence of other balances, and appeared in all samples models. The adoption of symmetrical balance in this type of publications designer was caused by the use of a limited number of pictures of the shrines and domes and minarets of the design spacemakes space for syndication unbearable condensation or search for other balances.Regulations, and the relationship : 1. Recruitment open spaces will be the basis of which a picture has organized other formal elements as in the models (1, 2, 4, 5, 6, 7, 8, 10, 11, 13, 14, 15, 16). And (65%). A systems designer works on the printed employed in religious, and open spaces come to express fallow visual and openness structural system which is often linked to spiritual orientations for visitors.Communication characteristics : 2. Adoption of Direct to provide ideas. Appeared in all models. The use of the direct method in the presentation of the idea, makes it a high gloss deal with all recipients, and equally, and it needs this kind of stylistic designs of this direct relationship with a wide range and variety of people. Then ensued and the conclusions that came from : 3. The intellectual frameworks between the path in front of religious publications and designer working directory based on him in many of the propositions.4. Worked spammers and the arguments of religious thinkers and practitioners in religious affairs by direct reflex on the design structure of the print.5. The weakness that was apparent in the formal organization of the religious publication comes from the few know the designers of modern systems in Graphic Design, including the study of form and space relationships and employ photographs to the other.And continue with the outcome of the results and conclusions of the research researcher recommends including the following : 1. given conceptual frameworks that relate to Islamic history more attention and break the cycle of restriction, and to serve the - oriented ideological intermediary.2. the adoption of new methods in design and art direction and in accordance with up - to - date modern techniques.3. revolving develop specialized media and printing experts and designers led them informed and widely thought any ideological work will organize Publications printing and publications.4. Work on biological directorial sizes of prints and stay away from sizes that may occupy the continental and familiar.The researcher also suggested do following two studies : 1. employ images architectural design Islamic religious publications.2. dimensional aesthetic in the design of religious publications.He then read some of the works carried out by the Applied Researcher in which he singled out the second goal and a list of names of experts who showed Raya scientifically and technically, and he finished researcher finally conclude with a list of sources and supplements, Abstract and Title in English.

برنامج تعليمي لاكساب طلبة قسم التربية الفنية مهارات استخدام الالوان الزيتية == Teaching Program To Acquire The Students of Department of Artistic Education The Skills of Using Oil Colours

اسم المؤلف: محمد عبد الله غيدان
اسم المشرف: سلام جبار جياد السوداني
الموضوع العام: الفنون الجميلة
السنة: 2008
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تعد الاتجاهات الحديثة التي افرزتها الثورة العلمية والتكنولوجية والتي من مبادئها واسسها الاهتمام بهندسة البيئة التعليمية المخصصة لتعليم المتعلم الذي يعد محورا للعملية التعليمية وباساليب تخضع للتحليل والتركيب والتطبيق والتقويم,وما توظفه من معلومات ومفاهيم | The modern trends developed by the scientific and technological revolution which its principles and bases are concerned with teaching environment teaching technology devoted to teach the learner who is the pivot of the teaching process,by methods subjected to analysis, structuring, applying and rectification along with what they employ of scientific data, concepts and activities made according to programmed courses arranged in regulations and law invented by science of teaching design introduced in all fields of specialization.This prompted the teaching institutions with all stages to accompany the developments of this science through directing postgraduate students to search for modern scientific means contributing in developing the teaching process.This include using teaching programs, systems and models and trying to applying and experimenting them in different fields of art, specially in acquiring them the skills of using oil colours which are a basic subject in Department of Artistic Education in College of Fine Arts, specially in practical plastic arts, then employing them in their artistic oil painting.According to the abovementioned, this study aims to : 1.Designing a teaching program to acquire the students of Department of Artistic Education the skills of using oil colours.2.Measuring the efficacy of the teaching program through applying it on empirical sample of 3rd grade student of Department of Artistic Education for the academic year 2007/2008. In order to achieve the objective of the study, a zero hypothesis will be invented according to study procedures.To ascertain those objectives, the researcher invented tow zero hypotheses. The group of the study consists of 3rd grade student of Department of Artistic Education of College of Fine Arts. Their number is (40) male and female students. A random sample of (13) male and female students was chosen whom the researcher adopted to apply the experiment.Since the present study adopted the empirical methodology, a teaching program was designed through analysis the subject of oil colours re - froming it according to the model of (Ganne & Briggs,1988).To measure this program, two types of tests was designed : the first one was cognitive achieving to measure the data that the student acquire and the second is skillful which measured through rectification form of skillful performance prepared for this purpose, those tools were subjected to truth and consistency procedures.To manifest the results of the study concluded by the researcher, he used the following statistical means : (Willcoxn Test) to show the prior - posterior differences between the students of the empirical group, (Difficulty and Discrimination Coefficient) equation to analyze the paragraphs of the cognitive achieving test and (Holsti) equation to find the agreement between the two criteria also those noted in consistency on performance rectification form.In addition to using (Kauder Richardson / 20) equation for consistency of cognitive achieving test.Most significant result concluded by the researcher : 1. The adequacy of the designed teaching program for how to use oil colours through its capability to acquire the students the artistic skills and to assist them to prompt them to think and making mind imaginations to comply with oil colours requirements and acquiring their artistic skills. This, in turn, contributed to achieve the desired objectives which was obvious in experiment results when applying the prior - posteriorcognitive achieving test for the posterior test.2. The adequacy of the teaching program in acquiring the students the artistic which was obvious in experiment results when applying the prior posterior cognitive achieving test for the posterior test.The most significant recommendations by the researcher are : 1. Adopting the teaching program in teaching colour generally and oil colours specifically in the Department of Artistic Education and the scientific departments in the compatible colleges or in departments of plastic arts in institutes of fine arts. This proved an efficacy in training the students on acquiring cognitive and performance skills.2.The agreement between the results of the present study and the results of former scientific studies and researches which adopted designing and inventing teaching programs in their procedures necessitated to add an academic curriculum specialized in teaching design for undergraduate study, especially in Deparment of Artistic Education in order to introduce most recent scientific and technological developments and their role in developing the teaching process.

المعالجات الدرامية للشخصية التاريخية في النص المسرحي العراقي

اسم المؤلف: محمد مطشر عبد الكريم الغراوي الكحلاوي
اسم المشرف: عقيل مهدي يوسف
الموضوع العام: الفنون الجميلة
السنة: 2008
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تعد الشخصية التاريخية في معالجاتها الفنية المسرحية ركيزة من ركائز الدراما المسرحية، فهي العنصر ذو الاهمية، وهي الفعالة في النص المسرحي، لكونها صلة الوصل بين المؤلف والمتلقي، والمعبرة عن فكر الكاتب وما حصل عليه من معلومة موثوقة بعد تقصيه عنها، واستدراكا | The historical character, during its theatrical artistic treatment, is a main pillar of the theatrical drama pillars, it is the most important effective element, of the article, due to it is the connection between the author & the observer, expressed by ideology of the author, by what he has got of a certified &documented information trying to know, the importance of that historical character & the private characteristics of the historical period in which it lived in ,the approach to the historical character, from which the author chose as properties &characteristics discovering the properties ,characteristics of the given historical period & the depressive or liberal circumstances, formed that character, as a result besides its properties in the humanitarian dimensions, perhaps there is an self & influential effects of the historical character, upon the author. There are many historical events in the international history, composed the humanity, is a mean as groups or individuals, coming from the surrounding environmental circumstances, or the resulting individual & collective self agonies suffered, the author is almost obliged by the transfer of the historical events, through historical character, as if this character represents one component of the main resources, composed either the civic development or developed the civilization it self. The theatrical artist (the author) takes the transfer task of these events, even though hypothetically or actually, sometimes, only for the artistic theatrical enrichment, by the inspiration of the passing actual humanitarian history, during different passing eras, containing subjects, ideas and objects lead to the development of peoples vital experiments. It may be seen, from the passing essay, the importance composed from both the history & the characters contained in the past, still have its resonance inside the modern observer, this is the major motive, to look after the reality of the historical character, to be dealt with, theatrically in an artistic style , the research also shows, the author imaginative power, his ideas enrichment of the writing professionalism.Accordingly the research was divided into four chapters : 1) Chapter One : The Text Domain Contains the description of the research problem, importance, targets, limits & the definitions of the terms.2) Chapter two : Covers the theoretical frame, where it contains four research parts, as follows : A) Part one : The concept of public character The public character is treated by its general concept & the limitation of its dimensions (natural, social & psychological dimension) through the ideas &the different theories of the researchers. B)Part two : The concept of the historical character The historical character is treated through its common concept about, as if it is real, not mythic, or imaginary imagined by the author himself, characterized by real humanitarian characteristics lived in real historical period in the past. C) Part three : The concept of the dramatic character The drama is investigated because its importance to the theater, where originally the historical character is contained for the artistic treatment, as considering the character is an important element in the dramatic theatre. D) Part four : the dramatic treatment of the historical character characteristics in the an elective essays, the dramatic treatments of the characteristics was studied by theatrical author, according to the treatments mentioned in the theatrical text. To clarify the complicated image, it was tried to collected different opinions of different writers. The research was stopped, up to this point, on which it was treated as proof supporting the exisistng research, as a specific indicator of the Thesis.3) Chapter three Contains the procedures of the research. The research analyzed the historical plays documented in (1980 - 2005) ,then some specific specimens purposely chosen supporting the research, they are five theatrical essays. 4) Chapter four The results, conclusions, appendences, list of references & English summary.

التحولات الدراماتيكية في فن التشكيل من الرومانسية الى ما بعد الحداثة == Dramatic Transformations In Plastic Art From Romanticism To Postmodernity

اسم المؤلف: اياد ذياب حميد السامرائي
اسم المشرف: نجم عبد حيدر الجنديل
الموضوع العام: الفنون الجميلة
السنة: 2010
الموضوع الدقيق: الرسم
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يقوم موضوع هذه الدراسة على البحث عن التحولات الدراماتيكية في فن التشكيل من الرومانسية الى ما بعد الحداثة، وينجز ذلك بالكشف عن مختلف المرتكزات الاساسية الموصوفة بالاثارة والذهول والابهار والمفاجاة التي ادت اليها، والتي استوطنت اماكن عدة، فتارة نجدها في | The subject of this study on the search for dramatic changes in the art of the formation from romanticism to post - modernism, and performed by disclosing various basic pillars described with excitement, amazement, disbelief, dazzling and surprise that led to it, that settled in several places, Sometimes we find in nature, and at other times, in art, and sometimes in social life and circumstances, as the transition starts from innovation, which is based in turn of the overall environment, and its various components. After a few of change and transformation in art and long periods of time, there has been a period of research - the last two centuries - accelerated momentum of dramatic transformations, diverse coverage of the currently located concept, idea, form, and content fields and use the techniques and mechanisms to show innovative ways, guided by philosophical conceptual and psychological and biological foundations, and selfless and exclusivity, and overlaping between the arts, and East, Africa arts, and the impact of science and wars, etc.... Inquirer plastic works of art are described with dramatic transformations in the "romanticism" , "modernity" and "postmodern" all.This was a ground of knowledge for the start of the research problem as an urgent priority to respond to the misconception in the counting of dramatic art limited to the romantic and earlier, as well as the shut understanding of in that dramatic, are only done by the excitement, dazzling, disbelief and surprise in based meanings or story confirm the diagnosis of individual and collective. And the lack of bold scientific research, to assertion of the continuing dramatic in the formation art from the romantic to the post - modernism arts, despite the differences in the showing tools or the adoption of a dramatic form that are running either removal of partial or full of meaning, or confirm that unstable and the instability of the meaning adoption of the recipient interpreted.The research was completed according to the procedures of its stated objectives, namely : 1 - A shift in the fine dramatic structures and concepts of the Romantic period in the configuration variable to the dramatic arts post - modernism. 2 - detect the movement and dazzling excitement, disbelief and surprise, in form and color and configuration and interpretation in the art of composition of post - modernism, in other words, it was revealed the dramatic formation and have. As well as on the detection of evolution and growth and the variables has intellectual hermeneutical.3 - Statement of the bases in the dramatic arts and post - modernity?. And the movement of the dramatic changes and growth in the shape, color and composition in?.Within the following borders : Temporal limitation - from romantic in the formation (1820 to 2010).spatial limitation - open with an emphasis on European art. As mentioned in the first chapter, as well as to determine the terms, including the title search required by imposing meanings overlap and Transfer of funds between arts ideas and techniques, undertaken in article research and institute an inquiry. Chapter II contains the bases and intellectual and philosophical and substantive shifts in the art of dramatic composition, for a period of time the search Atltha three major periods of art is "Romance" and "modernity" and "post - modernism." The first topic dealt with (the shift in knowledge and art, the art of composition). And ensure the second section (and the dramatic movement in the knowledge and know - how). The third section will assure institutions (and the mechanism of betting that dramatic).Chapter III and included measures to his society and appointed by the search and approach, and the justifications for the selection of which formed the research sample consisting of fine art products to the general romantic postmodernism, drawing them in particular, according to the time limit (1820 - 2010). And select the Finder, including sixteen representative sample of society, as my intention.The researcher adopted a descriptive analytical method in order to align research storehouse placed in the title is marked by "dramatic changes in the art of romance to the formation of post - modernism," as the basis of a tool for analyzing samples from among the indicators that resulted from the theoretical framework.The researcher in the fourth quarter to phrase the results highlighted the most important institutions of the changes dramatic in the art of composition of the romance to what post - modernism and identified citizen functioning multi - described interventions and institutional Altalqat philosophical, conceptual, intellectual, technical, social, political and Alvallosikolojip and Elzimkanip it. Finally, the researcher found some of the proposals and conclusions reached by the search.

جماليات الازياء في عروض المسرح العراقي == The Beauties of Fashions In Iraqi Theater Shows

اسم المؤلف: محمود جباري حافظ الربيعي
اسم المشرف: محمد عبد الرحمن الجبوري
الموضوع العام: الفنون الجميلة
السنة: 2010
الموضوع الدقيق: الفنون المسرحية - تقنيات
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: نبحث في تكوينات الازياء المسرحية من اجل الكشف عن الفكر التاويلي الفلسفي،وايضا عن معاني الصور البصرية المتشكلة بفعل علاقات عناصر العرض المسرحي بعضها بالبعض الاخر، فضلا عن مدى تمثيل شكل الزي المسرحي (سلطة او هيمنة) على مظهر الممثل في ساحة التمثيل، وذلك | My Research in making up of the theater Fashion about the Secret of philosophical thought and about the meaning of Optical pictures Which shaped by the relation ships of Optical Pictures which shaped by the relationships of element of the theatre show , which connects with each other. As wellas the extences of acting the shape of theater Fashion (control) on appearances of the actor in the Field of ailing Fashion covers the natural body of the actor and express the appearances and dimensions of the fashion lakes part outside emotional expression , For the actor in the play averts. The dramatic fashion accused important optical avenge with the rest of visual elements , That style of fashion design stir up beautiful feelings by using fashion forming that is suitable with the nature of designable treatments to other elements. The fashions contains the nature of relation ships of educational address and the kind of beliefs , So the visual beauty is limited for those relation which are the designer fashion tried to redesign and set them anew. so as to goes with beautifully with the last visual for dramatically scene. For this reason the research divided the beauties of fashions in the dramatically shows of Iraqi theater to five scenes : The first Term (methodical frame) includes the research problem it's about the following questions : ( WHAT IS THE BEAUTUL FORMS of THE FASHIONS AND THEIR RELATION SHIPS IN THE IRAQI SHOW PIAY ? ) The importance of the research comes to save scientific subjects for specialists in dramatic Arts in general and to fashion designers specialty. The aim of the research is to limit to reveal the forms of fashions beauty and its relation ship with play show. The place of the research is Baghdad city the time is from (1992 _ 2007) , The subject is the fashion of characters of Iraqi play show. the idiom of beauty and fashion was assigned. The visual frame has been divided in to two terms the second term consists of three researches under the title of the formal dimension for dramatic fashion. The third term includes the things that takes places to the research , the choice for the sample was by mean they are : A _ Media play produced by Adel Kareem. B _ Who splayed raving awake produced by Gamin hammed. C_ Othel in the kitchen , by semi Abdul _ Hammed. D_ Macbeth , by salad Al _ Quad. E_ The Nomad and the Orientalist , by Aqeel _ made. I have hadalat of production as a result to samphs analysis , The most important of them are : 1_ The formation of dramatic fashion is assigned beautifully by two things.The first is by analysis the parts of the formal fashion which are (colures stripes , touching , space, emptiness , mass and shape). As well as its formal parts which are (the unity balance , harmony , mastery , correspond , differences , contradictory , structure , light , shadow , progression , direction , similarity , tune , repetition ) and to got their relations. the relalconship between the fashion designer and the producer of the show and the ability of the designer and its suitable with the desire of the receiver beautifully. 2_ To the formation of fashion beauty value itself reached to its meaning by the formal structural and beautifully designing by the unity of the subject which he wanted to do in his design , whenever the designer got the freedom to choose the design and carrying out increased movement in enlarging its beautiful limits using cloth of fashion. Beautiful arrarement by the continuance to rerch the relationship the combines the special structure that belongs to the dramatic fashion. 3_The relationship of the dramatic fashion with the elements of the play show is dased on the perfection marvelous technical communication among the show designers on the nature of forming these elements and the circumstances around the play show from the show place and its time. The fifth Term is the discussion of the results of the research is done and show the important results. The following is some of them : 1 _ The use of some of formal elements ( stripes , colors , touches , space , mass , and shape ) in the designing of the characters of the play. Neglecting using the others leads not achieve the value of formation of the dramatic fashion. 2_ To the structural elements for the design unity essential role in confirming the beauty of the dramatic fashion. Unused most of those elements leads to obscurity in design and that reflects on the general forming of play show. 3_ The historical dramatic fashion is very important it gives information about the appearances of the time and it reflected subjectively on the erase of receiving and their containment that leads to make the actor do his dramatic play show. The fifth term includes also the important commandments and suggestions. The Research is ended with a list of Arabic and English references in to the English language.

استعارة الاشكال التاريخية في الرسم العراقي المعاصر : دراسة تحليلية == Borrowing Historical Forms of Contemporary Iraqi Painting (Analytic Study)

اسم المؤلف: مؤيد محسن محمد
اسم المشرف: بلاسم محمد جسام
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الرسم
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: هذا البحث.. ينحو الى اقامة بعض الحفريات في الاستعارات الشكلية لمخرجات الفن العراقي القديم التي قام الفنانون العراقيون على استدعائها في اعمالهم الفنية المعاصرة.. وكان هذا الاتجاه قد تمدد في السنوات الاخيرة لدوافع واسباب مختلفة وكانت مخرجاته تؤسس الى طريق | This research.. Tends to establish some formal excavations in the metaphors that the artists are being called on Iraqis in their art.. This trend has been extended in recent years to the motives and reasons were different outputs to establish a way of communication under the title, which says bilateral heritage and contemporary. This call to the metaphor has created a method to look at the historical roots, as well as in metaphors and types, in addition to the motivation that worked on the foundation.It was based search on the first chapter and the research problem and its importance and its objectives and limitations and then determine the terminology and out of the procedural definition.Chapter II : ( conceptual framework ) and is based on the three sections The first topic : the historical root of privacy Mesopotamia all days through the era of Civilization agricultural villages to the new era of Babylonian civilization. Section II : Concepts in metaphor and identity in art. It was based on : 1. Types of metaphors and concepts. 2. Identit.The concept and meaning and form. Section III : Metapor's root contemporary Iraqi art of painting. Has been developed indicators for the Study of the end of each chapter and amounted to seven and twenty nine of them, an indication of the historical root of privacy Mesopotamia and thirteen of the concepts of metaphor and identity in art and four metapor's root Iraqi art of painting.The researcher output indicators of the joints of Investigation said.Chapter III : ( applications ) and verified the procedures of the research community through the samples the amount of sixty works were selected of which 16 to 16 artists Intentional one work per artist may provide a section on the most important conclusions : Conclusions of the research : 1. Most of the painters Iraqi contained descriptive metaphors and rhetorical expression based on the similarities and the similarity between symbols and transformations. Samples (1 - 4 - 5 - 6 - 7 - 9 - 14 - 15 ) 2. Most of the painters Iraqi contained stylistic metaphors shifted to adopt the contemporary contrast between fonts and colors. Or mimic the old style with contemporary's Materials. Or shifted from diagnosed and to be to different. Or mimic the old style on the rise and fall through the severity of the contemporary's materials. Samples (1 - 5 - 6 - 8 - 9 - 11 - 14 ).3. Some of the works of painters Iraqis built on inherited's metaphors you either restore Gaii blogger form or spiritual meaning, inspired by the blogger. And in particular that writing symbols and seals of all kinds is one of the codes. Samples ( 8 - 9 ).4. Most of the work of Iraqi artists has developed forms of abstract and formal micro and unit construction to units and formal units and construction vehicles are included in a system with units and other formalities. Samples (1 - 2 - 4 - 5 - 6 - 8 - 9 - 10 - 11 - 12 - 14 - 15 ).5. Some of the work is built on the interpretive metaphors based on the premise match the samples ( 2 - 12 - 14 ) 6. Iraqi painters are metaphors in contemporary works as follows : A. often feminine forms of mankind and the note or its Parts. Samples ( 1 - 3 - 7 - 8 - 10 - 15 ). B. and animal and vegetable. Samples ( 1 - 8 - 10 - 12 - 15 ). C. geometric shapes often superior to the triangle. Samples ( 4 - 5 - 6 - 9 - 11 - 13 - 14 ). D. and on human and animal forms and geometric designs. Sample ( 8 ). E. and composite figures. Sample ( 2 ). 7. Metaphors were often pointing to the identity and Privacy : A. Is often consistent with the identity of the fifth indicator, which states that it is not subject Of the laws of the samples ( 6 - 9 - 11 - 12 ). B. Sometimes agree with the first indicator of identity, which provides for correlation with radical history Representatives as determined by the content of disclosure about the method And raw material and technology. Samples ( 4 - 8 - 11 ). C. Sometimes consistent with the third indicator of the identity of their types, which provides for individual And collective. Samples (1 - 2 - 10 ). D. Sometimes consistent with the fourth indicator of identity, which provides for individual change And mass displacement due to belief. Samples ( 3 - 7 - 13 ). E. Sometimes inconsistent with the second indicator of identity, which provides for the construction Idealism and style. Samples ( 5 - 14 ). F. Rarely consistent indicator of the identity of the sixth, which establishes it as root repetitive The sample ( 15 ).

القيم الجمالية للتنوعات التصميمية في تكوينات خط الثلث الجلي == The Aesthetic Values of The Design Varieties In The Formations of Al - Jali Al - Thulth

اسم المؤلف: حسين علي جرمط
اسم المشرف: عبد الرضا بهية داود
الموضوع العام: الفنون الجميلة
السنة: 2010
الموضوع الدقيق: الخط والزخرفة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يعنى هذا البحث بدراسة القيم الجمالية للتنوعات التصميمية في تكوينات خط الثلث الجلي، بوصفه واحدا من اصعب الخطوط العربية واجملها، وما يتميز به من مواصفات فنية شكلت حافزا قويا للخطاطين في السعي باتجاه اجادة واتقان قواعد حروفه وبناء تكويناته باساليب وا | The research is intended to study the aesthetic values of the design varieties in the Formations of Al - Jali Al - thulth script Being one of the most difficult and beautiful Arabic scripts and characterized by some artistic specifications , it strongly motivated the calligraphers to be good at the rules of its letters and the build up of its formations in various artistic trends and styles. That helps enrich and develop the design and aesthetic values of these structures , since they are graphic chievements representing a turning point resulting from the semantic , aesthetic and objective vision in producing the texts according to a particular form - amatter which has clear influence on the expressionistic, aesthetic and technieal development to produce free structures with design constitutions untied to geometric figures. The emergence of these free structures is only a natural product of the Arabic script development and its way of handling the designs in the light of the principles and rules of the Arabic script. The researcher, through the samples which he had access to, has managed to present the problem in the first chapter via the following question : 1 - What are the aesthetic values of the design varieties in theFormations of Al - Jali Al - thulth script ? The significance of this research lies in the fact that the formations of Al - jali Al - thulth script are a wide field of innovation, renewal and change at the level of the formal build up of formation. The study is of sig nificance to the researchers in the field ofArabic script. The study aims at revealing the design varieties in the formations of Al - Jali Al - thulth script, and identifying the aesthetic values of these varieties represented in the free structure appearing in Iraq, Syria, Egypt and Turkey from the period (1970 - 1390) to (2010 - 1431) Chapter Two includes three sections. The First section deals with the genesis and development of Al - thulth script and the transformations it witnesses throughout developmental course until the concept of graphic portrait appears. Section Two touches upon the development of the structure system in the Al - Jali Al - thulth script. Section Three goes into the aesthetics of the Arabic script, followed by the previous studies and the indicators of the theoretical framework. Chapter Three comprises the procedures of the reseaech. The approach adopted is analytic descript. Tive. The population is restricted to the graphic portraits that have free structures written in Al - Jali Al - thulth script. The portraits are one hundred (100) in number, 20 samples of which the researcher has chosen on purpose which accountfor 20% of the total population. These portraits have been analyized to the analysis form which includes four points, the authenticity of which is supervised by a group of specialists in this field. Chapter four contains the analysis of the samples and presentation of the results : 1 - Employing the flexibility of the letters of Al - Jali Al - thulth script in building up free formations. 2 - Diversity in the artistic direction of the free structures whether it is in the organized letters or in the built formation. 3 - The possibility of changing the positions and directions of the letters as well as measurements, facititates the invention of special free formation. 4 - Some free structures are characterized by simplicity in terms of the build up or the formal build up of the formation.5 - The multiple forms of a letter helps the calligraphist prefer one form to another of the same letter and choose the suitable form to build up the design skeleton of the free structures. 6 - The phenomenon of the free structures in the Arabic script is a tendency to liberate from the domination of thegeometric figures. 7 - The engagement between the letters and words forms different design relationships, and helps in effective form and space. 8 - The free graphic formations show that the calligraphist adopts the rule of lengthening of the letters. 9 - The adoption of the rule of letter modification and the specific change of its build up (formal,standard) shows that there are various forms exceeding the rule form of the letters.10 - The artistic direction of the graphic structures is characterized by innovation and diversification whether in terms of the formal organization of formation or in letter organization or merging to complete another letter. 11 - The letter are at the calligrapher`s proposal to satisfy his artistic sensation in the lengthening and sending with the view of showing its beauty. The researcher has come to the following conclusions : 1 - The graphic structures are an important phenomenon generated by the developmental mocement of the Arabic script. of the reasons of this phenomenon is that the calligraphers try hard to give it beauty, cohesion and strength. 2 - Al - Jali Al - thulth is the most capable script of producing the graphic formations in different forms and designs,particularly the formations characterized by the free structures due to its construction properties and itsmultiple and diverse forms of letters. 3 - The weak artistic distribution of the formation design particularly abiding by the reading serial which results from design necessities to produce the formation, negatively reflects upon the realization of the communicative goal and smooth reception. The researcher has made the following recommendations : 1 - Teaching ( the aesthetic values of the design varieties in the structures of Al - Jali Al - thulth script ) as curriculum in the college of fine arts and the educational institutions. 2 - The results of the research should be made use of and be adopted as a basis when preferring one calligrapher to another in the artistic activities such as contests, shows and festivals.

خبرات الطفولة وانعكاسها في التعبير الفني لدى طلبة المرحلة المتوسطة == Childhood Experience And Reflection of Expression For Students of Intermediate Level

اسم المؤلف: احسان طالب جعفر
اسم المشرف: محمد سعدي لفتة
الموضوع العام: الفنون الجميلة
السنة: 2012
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: استندت مشكلة البحث الحالي الى التساؤل الاتي : هل هناك علاقة بين خبرات الطفولة والتعبير الفني لدى طلبة المرحلة المتوسطة ؟ هدف البحث الى ( تعرف العلاقة بين خبرات الطفولة والتعبير الفني لدى طلبة المرحلة المتوسطة ) , وتحقيقا لهدف البحث اشتق الباحث عدة فرضيا | The problem of the current research is depending on the following question : Is there any relation between childhood experiences and artistic expression at intermediate stage student ?The objective of the research is ( identify the relation between childhood experiences and artistic expression at intermediate stage student ) and in order to achieve this objective the researcher derived several zero assumptions. The society of the research included the student of intermediate 2nd class student from the intermediate schools in Baghdad city who are still continue studying for the academic year 2011 - 2012. The researcher chose ( 100 )student ( both boys and girls),and the sample of the research were ( 4 ) four school chosen randomly.Adopted the descriptive methodology in the current research and construct the both instruments of the research as follow : - First : Construction measurement of childhood experiences according to the concepts of psychological analysis theory ,consisted of ( 20 ) paragraphs of delightful experiencesand ( 20 )paragraphs of painful experiences. Then achieved honestandsteadiness which are suitable to the measurement. Second : Drawing analysis form : An instrument is constructed composed of ( 6 ) six fields ,( 20 )main characteristic and ( 60 ) secondary characteristic. Then confirmed the honesty of the performance through display it to a group of specialists experts , while regarding steadiness , the researcher resorted to outside analysts Concerning drawing , it has been agreed on three drawings which are ( family , school and general environment )out of (300) drawings.To reach the results of the research ,the researcher used suitable statistical equations ;therefore after discharging the data , the research reached the following results : - 1. There is no positive correlation implies statistically at the sign (0,05 ) between : - • Delightful childhood experiences of males and the drawing of (family , school and general environment).• Delightful childhood experiences of females and the (general environment).• Painful childhood experiences for both gender and the drawing of ( family , school and general environment ).2 - there is positive a correlation of statistic significance at the level of gaudiness (0,05) between the childhood pleasant experiences for the female and the drawing of the family and the school.And after displaying the results and discussing them the researcher has concluded number of recommendations : - 1 - Giving more opportunity for the students to free artistic expression, and excreting efforts to learn the drawing skills and subsequently making the production of artistic expression more available of thoughts sense and emotions obsessed them and feelings towards things surrounding them.2 - Sponsoring the student’s talents especially the artistic expression( drawing) of its importance in developing their personalities and achieving adaptability and psychological health for them, the art in all its kinds emotional discharge mean for what the adolescence bears of painful and emotional experiences.The researcher has suggested performing the following studies : - 1 - The relation of the childhood and the drawing of Dept. of Artistic education.2 - Relation of childhood experiences and the artistic expression for age categories or other studying grades.3 - Relation of the artistic expression with other variables in the field of education and psychological science.

العمليات الادراكية وتطبيقاتها في الرسم الحديث == Cognition Processes And Its Applications In The Painting Modern

اسم المؤلف: سهاد عبد المنعم عبد المحسن شعابث
اسم المشرف: علي مهدي ماجد | عارف وحيد ابراهيم
الموضوع العام: الفنون الجميلة
السنة: 2008
الموضوع الدقيق: الفنون التشكيلية
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The current research deals with (the cognition processes and its applications in the modern art) in which limits the qualities of art picture in shape and content. The research contains to four chapters; the first chapter deals with research's problem, importance, need, aim, limits and the most important of terms.Research's two aims are : 1. Acknowledge, aesthetical and art concepts of cognition. 2. Mechanisms of cognition processes in the art modern.The second chapter deals with theoretical framework and previous studies; the theoretical framework consists of four researches : the first research discusses the cognition processes in acknowledge by showing the philosophers' opinions starting at Platon's opinions and ending with contemporary philosophers. The second research deals with the cognition processes in aesthetical in the aesthetical philosophical thinking since its first starting at Greek philosophy until contemporary and modern philosophies thesis.While the third research deals with cognition in the field of psychology and art ingenuity theories, the fourth research devotes the mechanisms of applying the cognition processes in the European modern art and its directions. The theoretical framework gets on several of basic indexes to structure the research's tool.As well as the previous studies contain to two studies; they have discussed because of near it from the current study.The third chapter deals with the research's procedures and samples at (15) forms from the works of modern painting artists, as well as the chapter include the research's tool and analysis sample.The fourth chapter discusses the research's results, conclusions, recommendations and proposals. The results have showed into two groups according to each aim; the following most important results of first aim : 12. The modernity and its art directions have imposed cognition processes have variety levels according to the thinking, art and style framework for each direction; these directions have eager desire to pass the sensitive cognition and this desire becomes grow at the abstractionism painting greatly.13. The cognition processes in the modern art connected with the art's identity and his ability to adaptation the cognition with his thinking, art, stylistic and technical ambitions. This connection supported the freedom in the searching and experimentation.While the most important results of second aim are : 1. Impressionism has immediately performance has taken the cognition process starting at sense as a main source of vision and interference the interior senses such as remembering and imagination to come out of saved pictures with mind interference contributes to organize the picture in its lowly limits; then these powers emerges as direct sense form able to gathering all powers immediately to gloss the shapes and remove it from the its visible reality lightly.2. The barbarism follows the cognition process prevalence on it the imagination and sentimental; whereas it starting at sense but it is not absolute sense cognition. The works could complete with painting without observation the scene from the nature; the picture has visible shapes. The wildish and effective by (Gogan) has achieved a cognition phrase on the sense, so that it restored to the mind to organize the picture and give it designing features and give the shapes symbolic significance. In order to limit from the mind's whole power, the imagination comes with sentimental pressure to absence the objective relationships and confirmation the cognition's subjectivity; that's give the picture abstract aesthetic and formalism enjoyment exciting the sentimental, with intuition outcome all acknowledge powers have united in direct cognition for picture in shape and content.

الحركة في تصميم الصحف الرقمية ودورها في التعزيز الوظيفي والجذب البصري == Movement In The Design of Digital Newspapers And Their Role In Strengthening The Functional And Attraction Visual

اسم المؤلف: زينه ساوا افرايم
اسم المشرف: انتصار رسمي موسى
الموضوع العام: الفنون الجميلة
السنة: 2012
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

التحولات الفنية لفن التنكر وتوظيفها في العرض المسرحي المعاصر == Arhcal Transformations In The Art of Disguise And Their Employment In The Modern Theratrical Show

اسم المؤلف: اسيل ليث احمد
اسم المشرف: عقيل مهدي يوسف
الموضوع العام: الفنون الجميلة
السنة: 2009
الموضوع الدقيق: الفنون المسرحية - تقنيات
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يعد فن التنكر من الفنون التي شكلت تطورا في الظاهرة الادائية على مدى قرون، فقد سعت الحضارات الى حفظ اشكالها المتنوعة على وفق المتغيرات الكبيرة في الظاهرة الانسانية، حيث تم استحضار اغلب المراحل الزمنية التاريخية وما تتطلبه من مهمات اساسية في عملية فهم الظو | Is the art of disguise of art that formed the advanced performance in the phenomenon over the centuries - has sought to preserve cultures and diverse forms according to the major changes in the phenomenon of humanity where most of the period evoke the historical time and the requirements of the core tasks in the process or understanding the phenomenon and facts. The art of disquise re - representation of these facts through the re - configure stuff legendary deeply ingrained in the human mind - as the astablishment of variuaies configurations of existence and gives it expressly based and symbolic - fitr is varied within the act of incarration that would restore image - building knowledge in the time ¬frame the spitil and gives a shift avariety of features exist. and apporoaching the characterization fora new and growing to alleveviate the world understand the sources and manifestations. And gives the art disguise tmzarath tathbera various psychological and realistic visual display on system whel"c the process of change and transition in the pattern of shadowy figure and the shift in the dimensions of various formations lead to, a significant shift in the system performance for display by the shifting course of the actions of the characters and the emergence of manifestions of various interernal and external, which is a shift in its conflicts and its behavior h< - ~s co buted to the art of denial to give a new personality traits thl"ough diffent Aejddalaskkal fit whit the n.llure of transition experieneed by the changing world of pt'ogressive consensus process created by the art of denial among the various configuration able to create visual effects and behavioral reactions varied. In order to monitor the historical developments art disguises Personal patterins type and components. Movement performance analog and different psychological behavior, Aidwakl affecting the personal representative and the nature of performance. Dynamic composition and physical synergy and a caustic. Concluded, then the theoretical frame work a researcher with a number of indicators which were considered an important tool for research as well as othe,' tools in the analysis of sample. The third chapter has devoted to the search procedures which have addressed the researcher community, and search tools method and reason for selecting the research sample~ then the researcher analyzed the research sample : First myth Zhou.Second Sidra. Third Othello Fourth Shose.Fifth scheherazde The forth chapter was contend on findings from research. fifth chapter contain the conclusions it ,has concluded a list of research sources and references in English language.

التناص في النحت العراقي المعاصر : دراسة تحليلية

اسم المؤلف: حيدر علي عاتي
اسم المشرف: مامون سلمان فارس
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: النحت
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

الانزياح الدلالي بين الصورة اللغوية والصورة السينمائية : دراسة مقارنة بين السيناريو والفلم == Semantic Displacement Between Linguistic And Cinematic Image

اسم المؤلف: ايهاب ياسين طه
اسم المشرف: طه حسن عيسى الهاشمي
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الفنون السينمائية
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان دراسة الانزياح الدلالي من الامور المهمة لمعرفة مقدار تقدم الفنون او الادب التي تستخدم اللغة بصفتها الركيزة الاساس لتقديم الفعل. والسينما من ضمنها، اذ لا يكاد يخلو اي فيلم سينمائي من بعض العناصر التي لا غنى له عنها، ومنها العناصر النثرية في السينما كالل | The study of semantic Displacement is important to see how much progress the arts or literature which language is used as a substrate to provide the basis for action. Including cinema, It is hardly devoid of any movie of some of the elements which were essential to him, Including prose elements in the film such as color and lighting, shooting angles and other, As well as the poetry elements in cinema Such as metaphor and analogy and metonymy, Taking these elements upon themselves to the management of meaning in the image,The displacement highlights not only through the image or shapes that perform a specific function to embody the meaning. And the growth forms with the event in the careful artistic calculation it seems automatically - Naturally But it is in fact a genius screenwriter in that film written bestows his characters independent of the presence of representatives of those roles characters, It justifies its existence objectively justified, even the sociology researchers and psychology found in these models the most prolific literary figures vitality, And truer than human characters.The researcher dividing the current study into five chapters which are as follows : 1 - Chapter One : Systematic framework for the search, It included a research problem and has been in question in regards the title of the study : What are the modes of achieving semantic Displacement between the linguistic image and the cinematic image? and the Chapter included the importance of research, which included basic dimensions according to the capitalize of others of this study and they were : First, Author cinema capitalize which provided to them from the base of the theory to produce the image with meaning. The second, Provide capitalize for the students of the Department of Film and Television to introduce them to the most important elements of poetry in cinema, A metaphor and analogy and metonymy also included the first chapter on the goals of the current study, namely : A. Detected on how to achieve semantic Displacement between the linguistic image and the cinematic image.B. Recognize the difference between the scenario deviations and the film deviations.The current study identified on both sides of the controversy are : the Displacement and image, whether linguistic or cinematic.2 - Chapter Two : Included a theoretical framework and previous studies, the theoretical framework included three major sections of the study, during which the research problem and addressed to the precise details of artistic and scientific investigation of the objectives of the research were the detective : A. Section I : Representing in addressed concept of semantic Displacement and what it is, whether the Arabs or Western. As well as access to the Displacement in the image in human heritage. As well as the forms of semantic deviation. B. Section II : The researcher studied the scenario structures. It was also addressed to the shape and his movement between the signifier and the signified. As well as the most important modes of scenario deviation. The researcher dealt also the formation methods of the linguistic image in the screenplay.C. Section III : The researcher studied in it, the language of the film and the production of Displacement meaning. And he study of meaning from the standpoint theorists filmmakers, also touched on the kinds of meanings and it's layers, and select forms of displacement in meaning.At the end of this chapter, the researcher review of previous studies that approached from the current study, and discuss them in order to clarify the difference between them and the present study. It turned out that there is no any cinematic study approaching to this study in any way. However, there have been a series of studies that implicitly contain some sub - themes in the current study. The researcher spelled out in this part of the study.3 - Chapter III : Research procedures, the researcher Selected his community discussed in the movies which applies subject of the study. The researcher used (the descriptive) analysis of his research samples, which was about a three films, are : the Trial, the hour, the artist. The researcher choose those films by intentionality way to achieve the research goals and applicate his discussed tool that got approval from the Committee of Experts and arbitrators. By (100%) and adopted indicators theoretical framework tool for consideration.4 - Chapter IV : The researcher in this chapter apply his research tool on the film samples, And follow - up determinants points within the research through subdivisions contained in the research tool and the relationship of the image displacement. 5 - Chapter V : the Researcher Extract through this chapter findings and conclusions of his research, and the most important : A. The semantic displacement on the basis that there is a difference between the written text for the cinema and the film as a final accomplishment. the image at Their arrival from the first to the second, suffer from change at the level of visual forms and at the level of the footage in full is due mainly to change the language of the mediator himself, resulting in the end in multiple layers of meanings.B. The time has a large impact in semantic displacement for linguistic image or cinematic image. Because the literary - artistic time is not realistic, it works as a screenwriter and director in order to make it fit the mediator who tells through. It has been done through the use of narrative techniques that the time displaces literary - artistic receiver gives different meanings. The main recommendations were : a. Created a lesson in the Department of film and television Arts in the name (semantics) is interested in studying the semantics of linguistic and visual image, tracking of their arrival from scenario to the film and how to convert them and displace to cinematic image. b. Encouraging branch scenario's students to submit scenarios based on displacement from reality and stories to other schools of art such as surrealism and abstractionism, and others.

توظيف الاغاني العراقية في تعلم مبادئ العزف على الة البيانو == Using Iraqi Songs In Learning Fundamentals of Playing Piano Instrument

اسم المؤلف: وليد قحطان سلمان الجنابي
اسم المشرف: مهيمن ابراهيم الجزراوي
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الفنون الموسيقية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: This Research consisted of five chapters with a list of sources and supplements as follow : First chapter addressed methodological framework of research, viewing research justification, which spotlighted on orientation of musical education institutions in Iraq to use European methods for learning playing piano, and reasons for that, although the music in most of these methods are strange to local student's ears, because these methods are using European music legacy that clearly differs from Iraqi. For that, and for lacking any method using Iraqi songs for learning playing piano, or any academic research dealt with this subject, the researcher convicted to use Iraqi prevailing songs in a musical method for learning playing piano for beginners in an academic and methodological study.Then the researcher showed the importance of his research, as follow : - It considered as first academic research using Iraqi songs in learning playing piano, to the knowledge of the researcher. - It considered as a source for learning playing piano for beginners, and for higher education students, and for specialists in musical studies. - Considered as first step for building methods using Iraqi songs for learning other western musical instruments.Researcher aimed in his research to using Iraqi songs in learning the fundamentals of playing piano.Second chapter included the theoretical framework and previous studies. Where Theoretical framework consisted of three subjects, as follow : First chapter highlighted the role of Iraqi songs in Iraqi society, and how they are relating with its daily life, and how it expresses economic, political, and social aspects, with someexamples about that. Second subject showed early usage of piano in Iraq, and its role in Iraqi songs as a complementary instrument. Third subject issued the summary of most important musical methods used in musical education institutions in Iraq, and some other methods that used the musical world musical legacy used nowadays.Third chapter issued research procedures, where researcher identified research approach he taken, then he chose his research community, which formed Iraqi prevailing songs, then he chose the samples intentionally, which consisted of samples. Then he issued research analytical standard, which he build, for applying the samples in teaching method, then he named his research requirements.Fourth chapter studied applying the samples as a learning method. Finally, fifth chapter set the results of the research according to the samples selected, and then the conclusions, recommendations, suggestions, and then the list of sources, supplements, and finally a research abstract in English.

التكوينات الفنية وتحولاتها في تصاميم اقمشة الازياء الحديثة == The Artistic Formations And Their Transformations In The Textile of Modern Fashion

اسم المؤلف: زينـب احمـد هاشـم
اسم المشرف: هند محمد سحاب العاني
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يعد فن تصميم اقمشة الازياء نتاجا حضاريا يدل على رقي الامم وتطورها وازدهارها ونتيجة للتطور العلمي الذي فرض حتمية المزاوجة بين العلم والمعرفة والفن والتي نتج عنها تحولات لتطبيقات اتاحت للفرد مزيدا من التوجه الفني والمعرفي مع سرعة التحول والتغيير المستمر | The art of textile design is a civilized byproduct which indicate the development and advancement of nations as a result of the scientific progress which imposes the inevitability of pairing theory and application and science and work which resulted in new or recent developments that allowed the individual for more artistic and epistemological trend with the fast conditioning and continues change.The artistic formations in the women textile design are subjected to the designer’s taste who bases his deigning ideas in modern style through transformations that go along with the appearance of textile in women fashion arriving at satisfying the taste of the recipient of these designs. In the light of that, the researcher determined her problems of the study with the question : Have the artistic formations and their transformations achieved an effect in the design of modern women textile? The research also contributed in the following through its importance : 1 - The importance of the study from being one of the studies that care for the study and adding an epistemological base for the specialized and workers in the field of the design of fashion textile in general and women in particular.2 - The results of the current study can be used to provide technical base for students of textile design in the institutes and the colleges of fine arts and how to made use them in the plastic art works and employ them in the design to achieve transformations that can enrich the aesthetic taste. 3 - The suggestions imposed by the researcher in her study can lead to the facilitation of the researchers in the women textile design, as well as scholars related to that vital field of art.The researcher also aims at the following objectives : 1. To reveal the reality of transformation of modern women textile (Islamic aba - Al - saya - the dress). 2. Putting suggested designs for the women textile based on the manner of employing the artistic transformations of Iraqi artsitis (Faraj Abou - Jameel Hamoudi - Widad Aourfaly - Bahija Hakeem) as a modernist transformation in the process of outer appearance design. The limitations of the study are manifested in the artistic formations and transformations in modern women textile design (picnicking and evening) for the (25 - 35 years) with originated from (Iraq - UAE - China) available in local markets in Baghdad within the period (2013 - 2014). Chapter Two includes the theoretical frame which includes three inquiries; the first inquiry tackles the artistic formations, while the second includes the concepts of the artistic and technical transformation in fashion textile design; the third inquiry tackles the transformations in fashion in women design. Then the theoretical framework and previous studies follow. Chapter Three includes the procedures of the study which was taking the analytic descriptive approach. The total number of the sample was (150) sample of design. The sample was chosen purposely in (%81) of (12) models. The researcher prepared the questionnaire form to analyze the women textile design that include many axis verified by the experts and then the constancy was derived. The samples were also analyzed.Chapter Four includes the result and findings of the study, and the researcher comes up to the most important findings : 1 - Repletion was used in the formation design as it forms the expressive energy for the distribution of deign items, specially the botanical and geometric forms. 2 - The sizes of items of the design formations have come in attract the attention 3 - The designers depended on the stenography of the written forms and abstract drawings through omission and addition which is more flexible. 4 - The variation in choosing the digital image through depending on the collective style for the adjacent items. It is an attempt to add a kind of change in the realization based on the style of transformations through the distribution of items which showed the effectiveness of the relationship between the form and the space that achieved vitality and dynamicity for the designing formation. Chapter Four also includes the recommendations and suggestions in addition to the suggested computer implemented designs prepared by the researcher. The study ends with the list of references and the abstract.

اقترانات منظومة تصميم الفضاء الداخلي وانعكاساتها على التذوق الفني للطفل == System Conjunctions of Interior Space Design And Its Reflection On The Child’s Artistic Taste

اسم المؤلف: شيماء زكي عبد الحميد
اسم المشرف: لبنى اسعد عبد الرزاق
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الداخلي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The interior design of kindergarten classes is considered as a system which has its psychological conjunctions and reflections on the growth of the child's artistic taste. To fully cover the topic of this study, it is essential to deal with interior design both as a science which has its considerations and conditions that fulfill the basic functional needs of a child and as an art which has its conjunctions that fulfill the child's sensual and psychological needs. Since the user of this interior design is the child himself at this important age of his/her life, it is necessary that the study includes the psychological aspect of the child and his/her artistic tasting. Thus, this study researches the conjunctions between the scientific, artistic, and psychological aspects.This study topic arises through questioning what the interior design conjunctions of kindergarten classes are and how they are reflected on the children's artistic taste. The goal of the study is to find mechanisms that activate these conjunctions in a way which increases their reflection on the growth of the child's artistic taste. This goal is achieved through knowing these conjunctions in the interior design of kindergarten classes and proving their reflection on the child's artistic taste. The study is divided to three sections; section one is titled "Explanatory Theories of Conjunctions and Artistic Taste", the title of section two is "Interior Design System in Kindergarten Classes", and section three is about the child's perceptions and his/her artistic tasting.Two research methods are used in this study. The descriptive method is used in analyzing the sample of the interior design of kindergarten classes. The second method is that of testing the artistic taste of the sample children; (Mann Whitney) table is used to analyze the test data. The test results, of the two dissimilar samples of children, show a clear statistical evidence of different percentages about conjunctions and their effect on meeting human needs. So, on the basis of the results, conclusions, and

اسلوب تاليف قالب السماعي عند الموسيقيين العراقيين == Style of Composing Sam?'I Form At Iraqi Musicians

اسم المؤلف: ثائر خليل اسماعيل
اسم المشرف: فراس ياسين جاسم
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الفنون الموسيقية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: This Research consisted of five chapters with a list of sources and supplements, as follows : Chapter one addressed the methodological framework of the research, viewing research justification, spotlighting on the musical style as one of the intellectual concepts for understanding the artistry characteristics, which vary according to mentalities and philosophies they descended from. The musical style in Iraq, especially in instrumental music, began to appear starting from 30's of 20th century, which considered the most important time of Iraqi music history, after establishing Institute of Music (Institute of Fine Arts), as it became a musical renaissance time after some Iraqi artists' graduation whose used many musical forms in their compositions, especially Sam?'I form, which was varied in melodic and rhythmic structures because of its importance in musical structure. For lack of previous researches dealt with Iraqi musicians' styles in Sam?'I form, emerged the justification of a scientific and analytic study about composing Sam?'I form style at Iraqi musicians. Then, the researcher showed the importance of his research, and research objective, revealing of the style of Sam?'I form at Iraqi musicians, using. After that, the researcher explained the limits of his research and he defined the terms. Second chapter included the theoretical framework and previous studies, theoretical framework consisted of three subjects; first subject highlighted on style concept, Second subject was about musical composition, Arabian music characteristics, reality of instrumental music in 20th century, Institute of Music (Institute of Fine Arts), ?erif Muhiddin Haider and his school characteristics. Third subject presented popular vocal and instrumental musical forms in Arabic music, reviewing the musical instrumental forms up to Sam?'I form, which it's the main subject of this research, and its parts, melodic and artistic formation, rhythms, composition, and its history. Then the conclusion of the theoretical framework and the previous studies. In third chapter, researcher presented the research procedures, where he identified the research approach taken, and set the research community, whereas it contained tow communities, first one consisted of 13 Iraqi musical composers composed Sam?'I form within (1936 - 2003). Second community consisted of 65 Iraqi musical compositions in Sam?'I form. Then he identified the sample size intentionally within these communities according to objective justifications serve the research procedures and fit in with the goal of research. Then the researcher named his research tools and the analytical standard that he was prepared, and finally his researcher requirements. Fourth chapter studied the musical analysis of 10 selected samples. Finally, Chapter 5 set the results of the musical analysis of samples selected, depending upon these results the researcher presented his conclusions, recommendations, suggestions, and then the list of sources, and finally the research abstract in English.

تمثلات التابو والطوطم في بنائية الفيلم السينمائي == Taboo And Totem Representations In Film Structure

اسم المؤلف: محمد سلام عبد
اسم المشرف: محمد عبد الجبار كاظم
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الفنون السينمائية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The Taboo and Totem are considered to be attracted by the cinema attention due to their nature. They represent a performance challenge to the film director. In addition to that, we may say that the cinema capabilities, which go beyond all red lines, tried to reveal what is unidentified or indistinct. This has led the researcher to give his thesis the following title (Taboo and Totem Representations in the Film’s Structure).The thesis was divided into five chapters as follows : The first chapter (The methodological framework) which includes : - the problem of the research and has been put in the following question : How the representations of Taboo and Totem could be achieved in film’s structure ? Then we have written the importance, the need, the aim and the limit of such research. The researcher has made a list of the related terms.The second chapter ( theoretical framework and previous studies ) : The researcher has divided it into three sections as follows : The first Section : The taboo and totem ….. aspect and action : we have discussed the aspect of these terms, taboo and totem, and their historical origin. Also we have discussed the approaches related to psychology and sociology and ended with some film cases on these terms.The second section : Film structure and producing meaning : The researcher has discussed the nature of the film structure and the way of expressing meaning through the activation of the film intermediary language elements. In addition to that , the researcher has discussed the most important rhetorical images.The third section : Taboo and Totem in the film image : The researcher has discussed the film processing for these terms in the worldwide movie and the ways in dealing with these primitive thoughts and their effects on the film manufacture in general.Upon such discussions the researcher has had a group of indications that resemble the theoretical outlines summary to be demonstrated to the experts committee as would be illustrated in the third chapter. The researcher has ended the second chapter with the previous studies.At the end of the second chapter the researcher has mentioned the previous studies which did not include any similar one that are related to the research under discussion.The Third Chapter : ( Research Procedures ) A sample of two films has been analyzed : 1 - The Da Vinci Code (2006)2 - Avatar (2009)The fourth chapter : Analyzing the sample : The researcher has analyzed the sample depending on the indications of the theoretical framework after consulting the experts and judges committeeThe fifth chapter : Results and Conclusions : This chapter included the results that has been achieved by the researcher after analyzing the research sample.Among conclusions which has been achieved is that the film art has the capability to express many different subjects of thoughts , believes and physicals. The taboo, divine and totem represent especial subjects that impose the search for rhetorical ways on film. This is to enriched the image with signs , codes and symbols. The film’s position could be included with specialty of subject being processed so that it becomes an active character involves with other characters to communicate the information and the thoughts produced.The researcher has achieved some conclusions and ended the research with recommendations and suggestions.Finally , the researcher has included Arab and Foreign references that have been adopted in the research as well as annexes.

التطبيقات الجمالية والتداولية للخزف المعاصر في العمارة العراقية == The Aesthetic And Communicative Applications of Contemporary Ceramics In Iraqi Architecture

اسم المؤلف: علية يونس ثجيل
اسم المشرف: بلاسم محمد جسام
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الخزف
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The research sets to study the relation between Ceramics and Architecture.It concentrates on functioning Ceramic murals in Iraqi Contemporary Architecture, and the link between these murals and the internal and external spaces of the buildhings that make use of them.Ceramics has special artistic chara - cteristics that make it a significant entity and present it as an independent artistic genre. Because of the close symmetry of Ceramics with Architecture , many artworks have been produced that transfer Ceramics from beneficial and functional fields to the horizons of creativity and beauty and enable Ceramics to make aesthetic formative relation and produce transformations in the disciplines of shape and genres through the use of metaphor and symmetry Language among arts.This is resulted from the artists endurance to create aesthetic transformations in shape ,so categorizing has appeared between Plastic Art and Architecture since the thirties of the last century with the appearance of (Bauhaus) which seeks to integrate arts with each other and with other genres. The study deals with the functioning of Ceramic murals on inner and outer Architectural entities. The study has three chapters ,which involve covering the aim of it.The first chapter deals with the problem of the study and aims at finding out ,whether Ceramics has an effective presence in Iraqi Contemporary life ,and the extent of its applications on this level, and if there is a culter of reception and communication of this art.The chapter also includes the significance of the study, and the aim of it which tries to find out the communicative and aesthetic applications of Ceramics in Iraqi Contemporary Architecture Sections.It also states the Locative and periodical limits of the study. It presents the experimental definitions of important terms. The second chapter includes three sections ,the first one deals with the references of Iraqi Contemporary Ceramics.the effects of Mesoptamia civilization , Islamic Arts and world Art on Ceramic productions.The second section deals with "Ceramics " from Modernism till Contemporariness, and the periods that pass over the total plastic Arts and the changes that Modernism and PostModernism have made in form and content and the installation of shapes and the effect of that on world Ceramics generally , and Arabic & Iraqi Ceramics , specifically. While the third section deals with "Ceramics" in Iraqi Contemporary Architecture , initially from pioneering in Ceramics and the most well - known Ceramics with their stayles and artworks and the functioning of Ceramics in Iraqi contemporary Architecture sections, then the Ceramic murals with their applications on buildings walls and Public squares Regarding Architectural interior, the section deals with the works that made by one artist ,and various cooperative works of many artists.The Ceramic murals have varied in technique ,raw material ,genre , and them & concept. They all unified in the Ceramics inspiration from folklore , Mesopotamia civilization , Islamic Art and the effects of European Art on group of Ceramic murals. The third chapter includes the results and conclusions : I - Achieving architectural environment that has the ability to inspire from Mesopotamian heritage and functions it in murals aesthetically with the addition of modernism forms in Iraq Architecture. 2 - suggestion of functioning of Arabic letter which is considered as a type of refreshing memory towards lettering formation in Islamic arts which has its effect on Iraqi artistic taste on the level of communication.3 - Mesopotamion heritage with its shapes, abstract and symbols has its presence in ceramics shapes which parallel with the materials that Iraqi Architecture has used. As a result it has a kind of symmetry on the level if row materials and reproduction of them.

التنوع التصميمي في لوحات المشق الخطية == Diversity In Design Mashaq Handwriting Paintings

اسم المؤلف: اشرف كامل عبد الامير
اسم المشرف: عبد الرضا بهية داود
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الخط والزخرفة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: استهدف البحث الى دراسة التنوع التصميمي في لوحات المشق الخطية، من خلال الدراسات الاستطلاعية التي قام بها الباحث، وجد وعلى حد علمه ان تلك الدراسة لم يتطرق اليها الباحثون من قبل، لهذا وجد الباحث مبررا منطقيا في دراسة لوحات المشق والتعرف على تنوعها تصميمي | Targeted to study the diversity of design in the Mashaq handwriting paintings , and through surveys carried out by the researcher, found and , to his knowledge that the study did not address the researchers before This researcher found in a study rationale plates rima and identify the diversity of design parameter. The study included four chapters, the first chapter includedthe research problem, in the following question : What diversity in design Mashaq handwriting paintings In order to reach solutions to this problem and to achieve the desired results, so research aims to identify the elements of artistic construction plates rima, andidentified by the researcher Balentajat completed in all of Iraq, Turkey, Egypt, and Saudi Arabia.The second chapter includes several axes, including a brief history of plates rima, and building them with technical, design and foundations, while the third chapterincluded the research community boards rima linear and which numbered (97)Chosen from the research (10) samples were deliberate, may follow the researcherdescriptive approach, using this instrument, which were represented form for analysis which is based on dialogue with several oversaw the validity of a group of professors who specialize in this area either Chapter IV represents to reach important results, as it appeared diversity in design plates AlamishqalkhtiahibflAdoption of plates rima processor design variety is based on the methods based on the lack of contention clips, text, or fragmentation of the word into two parts due t othe similarity of characters, or by symmetry and symmetry words of text, contributed treatment sections written word per category of color united in promoting the efficiency of literacy that draw paths lead appointed receiver to track the movement of the characters despite the variation trends, especially within the formations character motor, and the researcher recommended included plates Alamishq the curriculum for the students of the Faculty of Fine Arts, and educational institutions corresponding to them, because of their importance in the diversity of outcomes sin being kept pace with the movement of technical development, sealing the fourth quarter proposal fit to be a subsequentstudy includes oundations Alamchaq pairing between handwriting and paintings of letters nature.

الانسجام الصوتي في مؤلفات الاوركسترا السيمفونية العراقية == Harmony In Compositions of The Iraqi Symphony Orchestra

اسم المؤلف: ميسم هرمز توما
اسم المشرف: حسام يعقوب اسحق
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الفنون الموسيقية
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: انبثقت فكرة البحث عن مبرر وحاجة للبحث في مكونات الموسيقى المنهجية الكلاسيكية الطابع لمؤلفات الموسيقيون العراقيون, وبسبب الشمولية الواسعة لمثل هذا النوع من البحث, حدد الباحث فكرته بدراسة جانب مهم وعنصر اساسي من تلك المكونات مختارا عنصر الانسجام والذي فسره | The idea Find justification and the need to study the systematic nature of the components of classical music in the works of Iraqi musicians, And because of the wide comprehensiveness this kind of study, So select a researcher studying the idea along with important and essential element of those components chosen harmony element. This Harmony researcher explained it ,that only includes voice compatibility science in terms of vertical and horizontal harmonic, And overlap together in the construction of large musical compositions That always need to be the concept of the large orchestra or what we call the naming Symphony Orchestra for his performance in a clear and greatest level of creativity.And because the new subject of its kind within the Iraqi Academy of Music Studies, So there was a need to think about an appropriate procedures, Is interested in building a method or technique to analyze these compositions, according to what suits the composer of Iraq, and the amount of knowledge of his music, and his experience of self, On this basis, a researcher systems analysis tool serve the research topic depending on what he was able to get it from a global systems and standards, Has been very useful in the construction of his tool, Then the researcher to apply research tool, on the five samples of three Iraqis composers.Interested in the idea of research in the interpretation of the idea of using harmony in general in the musical compositions of the Symphony Orchestra, which has been associated largely with the musical Diatonic scales with observation the great diversity in the use of different chords. So appeared to build harmony in complex, because of the addition of personal taste more than the scientific bases in the building harmony.The researcher used the modern music software to identify the types of chords. Also, a researcher at the organization committed to his research, According to the system and the methodology of the study followed in the order of chapters musical thesis, the Faculty of Fine Arts - Baghdad

اساليب النحت المعاصر وتاثيرها في نتاجات طلبة قسم التربية الفنية == Contemporary Sculpture Methods And Its Effects On Products of Artistic Education Department'S Students

اسم المؤلف: طه عبد الهادي عباس
اسم المشرف: صلاح لازم حسن
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: شهد فن النحت تعدد في الاساليب لاظهار المنجز الفني والذي جاء نتيجة التطور التكنولوجي والايديولوجي الذي افرز بدوره مجموعة من الخامات والمخلفات التي كان لها الدور البارز في اعطاء الحرية في التعبير وسهولة في الاداء, وفقا لحاجات الفن في التجريب بهدف ترجمة افك | The art of sculpture has been witnessed diverse in methods as to bring out the artistic accomplishment that come as a result of ideological and technological development that in return ensues a set of ores and remnants. The latter has a grand role to give freedom of expression and easiness in performance. For translating thoughts of the artist ,successes of the art have been achieved by many artists. The history of art is characterized with a large number of artistic methods types, some of them taken as a general aspect for being distinguished with a specific type in the form, or some types taken as individual impression in works of some artists that are characterized with the form aspects to be distinguished from others. These works express selfness of the artist and being considered as a process of organization. The more progress is achieved in the artistic methods , the more get away from the old artistic methods. The radical turning points on the artistic method late of nineteenth century and twentieth century resulted into occurring changes in the feelings and intellectuality that being regarded as a base for principles , theories and artistic bases.Thus, the researcher has found the necessity to study the contemporary artistic methods for being important to enrich the artistic works in field of Sculpture - Students of Artistic Education Department - college of Fine Art since it is considered as a main gate to know modernism outcomes in plastics. The researcher realizes the problem of the research by making a study on students of artistic education department - second stage in the subject of sculpture. The researcher has suggested a basis for the problem of the research through varying methods of contemporary sculpture along with its effects on products of students of Artistic education department. In the light of that , the researcher has constructed hereunder goals : - Uncovering the effect of contemporary sculpture methods on products of artistic education department students. - Discovering the role played by these methods , techniques and modern sculpture ores on works of students of artistic education department. - Unfolding diverse contemporary sculpture methods. In order to achieve the goals , the researcher has placed a form as to analyze products of the students , the research includes 50 products for the second - stage students - department of artistic education - subject of sculpture. It has been randomly chosen sample consisting of ( 10) products accomplished according to methods of contemporary sculpture. In order to bring out results of the research, the research has depended on a set of statistic means as to process data and information that he obtained from the sample of the research and to set the results he has reached to via form of analyzing works of the research sample. The researcher has used equation of acuteness degree and equation of percentage weighs. For indicating reliability of the form ,it has been entailed two of analysts (after being trained) as to analyze sample of the research for knowing the means of operating compounds of analysis form. The results of analysis appeared according to equation of (Holsti) for the two analysts consent. It has been appeared the general average amounted to (0,86). This ratio gives a good indication to ensure reliability based on compounds of analysis form. Most significant conclusions the researcher has reached to are : 1 - The ability of student to express about his opinions and his thoughts freely by using methods of contemporary sculpture for easily getting parts and remnants from places where being easily gathered and compounded. Besides the diverse in parts that contribute into sculpture accomplishment that spare time , money and effort for the students.2 - Having the students acquire artistic skills in the contemporary sculpture ( post modernism) and modulating the nature of skillfulness and artistic properties as to reach to the best process of sculpture. This transparently appeared through the effect of contemporary sculpture methods on accomplished samples of the students ( sample of the research). The recommendations : 1 - Placing a special method paralleling to the contemporary arts and teaching the history of art. Confirming on the cognitive side as to be equal to application side for helping the student to assimilate arts and most modern artistic experiment. 2 - Motivating the students and those studying in the institutes and colleges on means , ores, techniques, and technology to be entailed in the artistic work. This step for innovating new arts ensued from the environment of the student. This comes from having the student depend on practical and application lessons according to different experimental means within methods of contemporary sculpture. 3 - Increasing lectures and hours of teaching the subject of sculpture and confirming on the classical side that in return helps the students produce works and samples with contemporary methods.This comes through the study of anatomy and kinship that enable the students to be conscious and aware of his sculpture accomplished. The connection between the old and the new helps the student formulate his special bases regarding the artistic work. 4 - Observing the modern technology to carry out the artistic work. The techniques have a role to bring out means to activate the meanings and the indication. The contemporary arts contribute into technology and scientific progress and getting benefit of modern innovations either to be used directly into producing artistic works or searching from inside the technology environment about new techniques and forms

استجابة المستخدم للتجربة الجسدية في التصميم الصناعي

اسم المؤلف: علي غازي مطر
اسم المشرف: شيماء عبد الجبار حميد العبيدي
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الصناعي
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تلخصت اهمية البحث الحالي بكونه يسلط الضوء على جانب مهم واساس في التصميم الصناعي قد نغفل عنه احيانا الا انه يؤثر بما لايقبل الشك بالاسس البنائية لفسلجة الجسد وبما يتعلق بشكل مباشر بالعلاقة مابين المستخدم وبين المنتج الصناعي وطريقة التعامل معه. فهو يبحث ف | Summarized the importance of being present research sheds light on the side of an important and essential in industrial design may overlook him sometimes, but it affects what is not possible doubt structural underpinnings of the physiology of the body, including directly related to the relationship between a user and the industrial product and how to deal with him. Thesis looking at the direct impact of the physical response of reliable and tested during laboratory dealing with the industrial product and the consequent strain resulting from the direct interaction with the product are different.its also trying to dismantle the ethical aspects and ways understood within the framework of the desired ideal design and what aspects that must be considered during the development of a comprehensive design plan for the production of industrial done. What are the real criteria for those ethics.The researcher put the problem discussed in the context of the question : (What's unique design current and future return to intensify the physical experience in the design of industrial products)Trying to achieve two main objectives1. Find the design trends that adopt the philosophy of returning to intensify the physical experience in the design of industrial products and to draw conclusions in this regard emerge from the theoretical framework of the research.2. The side effect of the physical output from the traditional physical experiment to measure within the current time frame during use of the industrial product and compare it with the effect he produces for use under the conditions depend on the physical experience more intensive.Through four classrooms, which dealt with the subject of research gradually through the theoretical framework included a diverse range of themes and detective. Turning through the first part, where the philosophy of physical response : which included within which the following themes : the user in response to experience physical, philosophical physical experience, atique ethics and design.The second section included and marked your subject matter in industrial product in the light of the physical experience : on the following themes : Appearance, compensation sensuous, then metaphysical exile and finally modern products that adopt promote physical experience in design And the third section included the hormones affecting the physical experience of such a groupAdrenaline and cortisol and prolactin, and others.The research has made the following findings : where 75% of the sample responded and 70% of respondents large system expected to experiment with lower percentage of cortisol in the blood after exercise game intensify physical experience because of the low psychological and physical stress level after playing the game using the muscular level and my body the biggest of them the situation in the tribal experience while playing the game tempo inhabitant ratio dimensional case also responded to 68% of the sample intentionality and 60% of the control sample for the test system. Where prolactin ratio in favor of Altghebrh dimensional decreased at the expense of tribal experience. But the rate of decline was very small and does not constitute a significant difference on a practical level.The conclusions of the researcher as follows revolves around that deal with interactive industrial product causes the secretion of the body of cortisol are the biggest apart from the fact that the body has come out of intensive physical experience or static Add to that the recipient who is dealing with the industrial product bodily experience intense will the consumption of cortisol and prolactin in greater than physical after his experience in dealing with the industrial product in the sleep mode. There is no doubt that the intense physical experience supposed to mimic the natural situation in which chemical reactions take place inside the ideal form.The researcher recommended by measuring the level of adrenaline in the urine through a similar experience a sample of the largest number of volunteers. Also examined are the recommended an examination on a mixed group of male and female alike can add to the experience of this kind of results that came out of this Find humble.

الرؤية الفنية في تجربة جعفر علي == The Artstic Insight In The Experiment of Jaafer Ali

اسم المؤلف: سلام يوسف دبي
اسم المشرف: صباح مهدي الموسوي
الموضوع العام: الفنون الجميلة
السنة: 2009
الموضوع الدقيق: الفنون السمعية والمرئية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان التصدي لتوثيق ودراسة حياة وتجربة مبدع ليس بالعملية اليسيرة مثلما يبدو وخاصة في بلد مثل العراق الذي شهد صراعا وحربا جعلت منه بلدا يكاد ان يفقد الذاكرة بنتيجة حالة اللااستقرار الذي جعل الكثير من المبدعين ان لا يجد ظرفا مناسبا لتوثيق حياته ومن المبدع | The Intercepting for The Documentation & study of the life & Experiment of a Creative Individual is not an Easy Process as it appears Especially in a country like Iraq that Witnessed war & Struggles that made him as a country that almost losses his Memory in Result of Non Stability Condition That Made A lot of Creative Individuals not Finding a Prorates Circumstances To Document Their Life's , & Those Creative Individuals who Documented to Their Artistic Biographies have been Vanished here & there or Have Terminated By The fires of Wars.So The researcher have Suffered Greatly In his Studying the Artist Jaafer Ali & to Get His Productive Achievements for this Variety artist in The Field of Movies , Radio , Television & Theater For The researcher had found that most of these information in the memory of those who lived with Jaafer Ali & those related to him , & The researcher had Acquired a Paper cuts or Notes Had been Writhen here & there or some articles or Artifacts have been Acquired & it been Convinced That is in Total Does not Form The True Image for Artist Jaafer Ali , & in the In lighting of What Was Available to the researcher From Resources This Research Has Been done about the Artistic Vision in the Experiment of Jaafer Ali Which Contained Three Chapters : - First chapter : - comprises the methodic frame, which handles the themes of the research like : - How Did Jaafer Ali Insights Reveled In his Creative achievements , & what is The Resources That Made him A Multiple Visionaries Individual?.As For The Aims of research : - 1 - The Documentation of An Iraqi Creative Individual In the Field of Culture & Arts.2 - Studying The Achievements of that Creative Individual In the Area of Theater , Movies & Television.3 - In lighting His Experiments In Movies Through His Feature & Documentary Films. The second chapter tackled theoretical frame & Previews Study's which includes Three topics : - 1st topic : - Grown up & Forming in the Effect of Cultural & Artistic Realty : - Which is A Phase Jaafer Ali Was Formed in The Shadow of Social & Cultural Realty That Was Various , & his Affection of With The Greatest Iraqi Culturists , & His Grew in Time Period that was Rich with mind liberty , So He Makes his way according To The Ambitions of sophisticated Individual That Claims the Pronouncing of His Visions , He Managed To Study English Literature In The Literatures College , Than He Headed To Study Cinema In the United States , After His Return He Started To Lecture In Fine Arts Institute & Fine Arts Academy in Deferent Cinematic Art Fields , & The Topic Also Included His Practical Life A Teacher , Musician , Interpreter , Cinematographer , Actor , Critic , & Writer In Addition To Some psychological Crisis That Happened To Him. 2nd topic : - It Includes Technical Expertise 7 Artistic Visions in The Field of Theater & Television , & The Interest That Jaafer Ali Was Reflected On The Composition Between Theory & Applying That Makes Him Capable of His Instruments & Implying it to Manifesting The Contents & Thoughts for the Scripts in Television & Theater , were Theater was The First Lunch in His Technical & Artistic Experiment Through What Been Achieved in Theatrical Plays Were Most Signified One Was Vetrock & Many Other Television Plays Like (Satra Vosan).3RD topic : - The Artistic Vision in His Cinema Experiment : - This Topic Includes A Briefed Historical Reading for The Facts of the Iraqi Movies Production Movement & the Economical & Political Circumstances , Its Divided To Three Periods ; - 1st - From The Year 1946 till the year 1959.2nd - From The Year 1959 till the year 1975.3rd - From The Year 1975till the year 2003. And Remembering some of Jaafer Ali Four Documentary Films Which are : - 1 - The Collector ( Al - Jabi).2 - The Turn ( Al - Munaataph).3 - Years of Life ( Sanwat Al Omer).4 - Narcissi The Bride of Kurdistan ( Narjes Arws Kurdstan).And Two Feature Films are : - 1 - Women & Work ( Al - Maraa Wal Ameel ).2 - Askerrian Shrimp ( Al Rawdaa Al - Askerrian ). This Topic Also Shows The Foundational Role of Jaafer Ali To Establish The Department of Cinema In The College of Fine Arts.The 4TH chapter consists of the research procedures including the Research s' sample that the Researcher analysis of the samples.And The Most Important Results That The Researcher Have Included : - 1 - In Spite of the Specialty of the Research s' sample By Its Narrative Construct & the Shortening of the Dramatic Act but was Able to show the daily life of the Iraqi people & its Suffering through a Bus Journey in The Film The Collector ( Al - Jabi) , & The Political & Social & Economic Reality For The Country & The Agony of The Iraqi Culturist In the Shadow of These Circumstances in the Film The Turn ( Al - Munaataph).2 - It Was Clearly Obvious the Effect of the Poverty & the Lack of Techniques that used in these Film Samples Which Reflected on the General Artistic Shape To The film , For This Lack Had Sustained The Camera Freedom In Movement & Taking More Expressional Angles , & This Lack Also Reflected In The Lightening Composing In A Amount of Scenes Especially The Night Vision Scenes For the Most Was Humble & Modest.

الاتجاهات المعاصرة لفن الخزف العراقي وامكانية توظيفها في مشاريع طلبة الفخار - معهد الفنون الجميلة == Contemporary Orientation of Iraqi Ceramic And Ability To Employment In Project of Student of Ceramic\Institute of Fine Arts

اسم المؤلف: هند عبد الجبار عبد الكريم
اسم المشرف: نبراس احمد جاسم الربيعي
الموضوع العام: الفنون الجميلة
السنة: 2012
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: التعليم مشروع انساني يرمي الى هدف مساعدة الافراد على التعلم، والى احداث تغيير مرغوب فيه في سلوكهم، ويرمي ايضا الى اثارة دافعيتهم للتعلم من طريق مجموعة من النشاطات والقرارات التي يتخذها المعلم، او الطالب في الموقف التعليمي في اثناء التركيز والاهتمام بطرائ | Humane education project aims to help individuals learn, and change undesirable behaviour, and also aims to raise davaithm for learning through a variety of activities and decisions taken by a teacher or student in the educational position through focus and interest in teaching methods and techniques in order to achieve objectives which seek to develop capabilities and creativity learner able to discover new horizons in reality promotes all aspects (physical, mental, cognitive, and emotional skills, and professional). Educational institutions, including the fine arts institutes that have a significant role in the community being interested in preparing almlakatalalmet and functional in various disciplines, these institutions a distinct role in the construction of teacher's educational, socially and technically and contribute to the creation of specialized technical elements of education and work in the fields of art, and was responsible for leading the Renaissance and broaden scientific knowledge, through the introduction of ways and means and methods in software setup and keep pace with the technological knowledge and waladatrad occurs in the world, including instructional design.Based on the foregoing, the present research aims to : 1. detect trends of contemporary ceramic art.2. design tutorial on contemporary trends of ceramic art based on the Iraqi paradigm (Kaneh webrgs 1988 (Gagne&Briggs in instructional design.3. measuring the effectiveness of tutorial its knowledge and skills through tested on a sample of students grade 5 - BR - Department of fine arts pottery for the academic year 2011 - 2012. So the researcher designed the educational paradigm (Kaneh webrgs Gagne & Briggs, 1988) contains (4) modules are (raw materials and supplies necessary to prepare dirt, methods of forming Tina pottery, modern art trends, trends and contemporary styles of ceramic art) include (4) learning objectives have been analysed to behaviorally target (70) and reality (13) target behaviorally for first and education unit (17) behavioral goals for second and education unit (8) behavioral goals for third and education unit (32) targeted behaviour of education unit, fourth and knowledge skills represent a dynamic and compassionate. Current research community were selected from students grade 5 Br. pottery - Arts - College of fine arts - study of morning (10) students, the entire community was chosen as a sample of application experience accredited by the researcher. As the current search experimental method was adopted, and it has been chosen as experimental design with a minimum of one sample exactly tests being compatible with tribal walbadi current search procedures which aims to know the effectiveness of tutorial material porcelain. For the purpose of measuring the effectiveness of this program is designed for two types of first tests to measure information collecting knowledge acquired by students and second Maharey measured mediation skill performance evaluation form prepared for that purpose, as these tools have been made subject to the procedure for validity and reliability. To show search results reached by the researcher used the following statistical means (test welkoksn), to show the differences between students in the experimental group, and tribal webadia equation (coefficient of difficulty, discrimination) to analyze cognitive achievement test paragraphs and equalization (Cooper) to find agreement among the arbitrators as well as foremen in the process of performance evaluation form stability, furthermore the researcher to use equation (kiodr Richardson/20) to consistently test cognitive achievement.The most important findings of the researcher, are : 1. The superiority of the experimental group students who applied them tutorial in test marketing post, due to the educational experiences provided in the tutorial.2. the superiority of the experimental group students (the experimental group) students who applied them in skill test tutorial post, due to a sequence of technical skills within the ceramic prepared tutorial content.The researcher has recommended a series of recommendations including : 1. adoption of the tutorial the designer in current research in relevant educational institutions (institutes of fine arts) and the teacher) taught by ceramic material to prove its effectiveness and its ability to develop the skills of students.2. training of teachers and teachers of art education teaching personnel within art education schools secondary technical skills of ceramics as one of the goals of professional education for the purpose of developing the skills of their students in this area.3. use professional skills development centres of the Ministry of education and higher education and scientific research of instructional design (tutorial) prepared in current research on the paradigm webrgs Kaneh/1988, and its use in the design of other subjects to prove its effectiveness.

اشكالية الخطاب الجمالي للجسد في النحت العالمي المعاصر : دراسة على وفق المنهج الظاهراتي == The Paradox of Aesthetic Discourse of The Body In The Contemporary World Sculpture

اسم المؤلف: احمد جمعة زبون
اسم المشرف: سعد علي يوسف البصري
الموضوع العام: الفنون الجميلة
السنة: 2012
الموضوع الدقيق: النحت
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: مع تطور الخطاب الجمالي منذ الحداثة وما قبلها وما بعدها، حدثت تحولات كبيرة في تداول الجسد كمفردة اساسية اعتمدها خطاب الصورة البلاغية بشكل عام، مما ادى الى ظهور انواع جديدة في الخطاب الجمالي المعاصر، فقد ظهرت تحولات في بنية المعرفة والفكر. وحدثت انتقالات ه | After apparent progress for physical studies in the philosophical field in general, Especially studies the phenomenology When German philosopher (Edmund Husserl : 1938 - 1859), who is the founder of thinking about the phenomenology in general and physical phenomenon in particular, When contemporary German philosopher (Martin Heidegger : 1889 - 1976) and French (Maurice Merleau ponty : 1908 - 1961).On the one hand, and on the other remarkable progress and growing in the field of plastic optical applications, Sculpture. We study subject in five chapters as follows : - Chapter One : Interested in the first quarter to the theoretical concepts of the curriculum which is located in the five points, the first point concerned the concept of discourse and physical discourse, and we said the letter was based on the body from the beginning, even before that there will be a philosophy or knowledge of the organization. As for the second point concerned the phenomenological concept of discourse, and we at this point the most important pillars upon which the (Edmund Husserl) in building a descriptive weak concept. In the third point we disclose the regarding curriculum phenomenological, then we show sayings about body philosophical when thinkers phenomenology, and it turned out that phenomenology alone is not sufficient to run this study, which led to the study of the theory of existence (ontology) as an extra item of philosophy phenomenology, and this is the fifth point.the second chapter : we discuss the phenomenal transformation of aesthetic body of the speech in the Fine Arts, in three sections : - First research the phenomenology of transformation between concept and application.The second topic special look to the concept of aesthetic discourse of the body and transformations applied.The third topic phenomenology of aesthetic discourse between the subject and body not - subject, and the fact and non - fact.The third chapter : concentrates to study the body in modern art and is located in two sections, we discussed in the first concept of modernity historically and intellectually, aesthetically, and in the second we discussed aesthetic discourse of the body in modern art trends.The fourth chapter : I discuss the aesthetic discourse of the body in the formation of what is modern and, post modernity and contemporary is located in two sections, the first devoted to the study of postmodernism as a concept and as a theory and the second devoted to performing trend analysis and activating the body's discourse and from multiple angles.The fifth chapter : devoted to the study of the physical and aesthetic phenomenology as below : - Tattoo artArt performanceArt of photographyDigital SculptureAesthetic phenomenology rhetoric of the body in contemporary sculptureAs well as other trends in contemporary artAnd we went out with the most important results : - - That the body is the actor in the entire axis of Fine Arts - Body determines an individual's identity and ethnic identity social, economic and other - Body is a cosmetic project can not be extinction.These are the joints about the body in the arts.

تقنيات الذكاء الاصطناعي وفاعليتها في تجاوز المشترط التصميمي == Artificial Intelligence Techniques And Effectiveness In Overcoming Designs Requirements

اسم المؤلف: سامر عبد المجيد حميد
اسم المشرف: هدى محمود عمر
الموضوع العام: الفنون الجميلة
السنة: 2012
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: هذا البحث (تقنيات الذكاء الاصطناعي وفاعليتها في تجاوز المشترط التصميمي)، يتناول تاثير التقنيات الذكية على نظم تصاميم المنتجات وفاعليتها في تحرير المصممين والمنتجين من قيود واشتراطات العملية التصميمية. اذ تاتي اهمية هذا الموضوع نتيجة للتطور التكنولوجي في م | This research (Artificial Intelligence techniques and effectiveness in overcoming designs Requirements) deals with Smart technologies impact on product design systems and effectiveness in Unlocking designers and producers from the constraints of the design and operation requirements. The importance of this topic as a result of technological development in the field of high technologies capabilities, The research problem been identified by asking for the possibility fact of been smart technologies are the basis for built upon design (formally and functionally) in the future? The research aims to provide specialized knowledge of these techniques, and to specify trends of industrial products and designs according to the employment of these systems design techniques in the realms of form and functionality. The limits of this study include (Smart) electronic, electrical devices for the Korean company Samsung for the year 2012 , those are available in local markets in Baghdad. and the study contained four chapters, the first one included of the importance of research and the need for it as well as the research problem and the objectives and the limits and the specify of the terms. The second chapter has included previous studies and the theoretical frame, which contains three sections first interested in the concepts and the principles and the mechanisms of intelligence and the artificial intelligence, and the second included the smart technologies and the their use in products, and a third which interested in the design requirement definition and the types of it.The third chapter, which included measures search for community wide study based test (intentional) of the study population samples and descriptive analysis approach through analysis form after its presentation to a group of experts. And which is one of the most convenient ways to achieve the goals of the study.Chapter dealt with the description and analysis of models according to the analysis form designed by the researcher, the fourth chapter included number of results, and the most important : 1. the axis of change ranges in the product - according to the employ smart technologies and their impact on the product - was achieved well by 60% in models (1 - 2 - 3) which showed a change in the form according to the employ smart technologies in their systems, while not achieved by 40% in the two models (4 - 5) to form models remain on its traditional designs despite employ techniques in their systems.2. Change ranges Achieved on the performance of the product - according to the employment of smart technologies and their impact by100% in all models (1 - 2 - 3 - 4 - 5) ,and these technologies affect the performance and design functions primarily reflected the effect on the rest of the design aspects of the system.The most important conclusions drawn in the search : 1. A lot of elements and components of the general form of a smart device transformed from the material system (Hard ware) informational System (Soft ware) according to make them individual automated (automatic), Resulting to Reduction their sizes too much.2. Design Systems of the smart products characterized by fast performance interaction with the surrounding middle which making them time - saving products from aspects of the setup and control for achieving efficiency, and high ease of use.3. Portability and feature of changing elements & formalities which offered by display units and sensing at once (touch screens) gives great variety in the general form, and liberalization from the usual requirements for elements of form to the same device (keyboard & Normal screen), showing the desired and hide the rest.Also contain the suggestions and recommendations and then references.

جماليات الفوتوغراف في الرسم الانطباعي

اسم المؤلف: علي اسماعيل سبتي الكرعاوي
اسم المشرف: عاصم عبد الامير الاعسم
الموضوع العام: الفنون الجميلة
السنة: 2012
الموضوع الدقيق: الفنون التشكيلية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

البيئة وتحولاتها في تشكيل الرؤية الاخراجية == Environment And Its Transformations In The Formation of Directorial Vision

اسم المؤلف: حسين جوير علي
اسم المشرف: سعد عبد الكريم خيون
الموضوع العام: الفنون الجميلة
السنة: 2014
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: شكلت عروض البيئة وتحولاتها في تشكيل الرؤية الاخراجية خروجا على الثوابت الارسطية في بناء العرض المسرحي فقد عمد مخرجو المسرح البيئي الى تدوير البنية الدرامية للعرض المسرحي وجعلها متحركة لا تعرف الثبات اذ ازاحوا النهايات التقليدية.ان هذا الامتياز في بناء ا | The Performances environment and its transformations in the formation of directorial vision are formed departure from the Aristotelianism constants in the theater building was deliberately environmental theater directors to rotate the dramatic structure of the text and make it theatrical Animations do not know where steadiness ousted traditional endings.This concession to build a theater. Who created play spaces based on reductionism and abstraction and condensation. Thus, this method is to create a space theater has established for environmental performance today and directorial spaces and transformations in the environment through the formation of directorial vision to create a surprising aesthetic Offers in environmental theater. Eliminated the constants in the construction of the recipient and intellectual provocation formed an ongoing awareness of the recipient and the recipient revealed post and effectiveness in the theater, a goal sought by the environmental theater performances. Environment was the play space are proposed in the conversion and the formation of directorial vision and containing effective weather aesthetic display of theatrical and so did the participation of the recipient to unite the receiver with the effectiveness of the theatrical presentation. Researcher sheds light on in his four seasons in the first chapter (methodological framework) presents the research problem and the need to focus on the following question : Is the environment and the effectiveness of the its transformations in the formation of directorial vision?The research aims to identify the effectiveness of the environment and its transformations in the formation of directorial vision. Researcher has identified a theoretical framework (Chapter II) in three sections : 1. Conceptual environment. 2. The environment and aesthetics of theatrical space. 3. Employ architectural space and environmental Performances.Have been identified through this chapter on the environment and its transformations play intellectually and aesthetically, as well as elements of the establishment of the environment in the directorial styles of both (Richard Chnr, Petrbruk, Arto) and enables the researcher then stand on the theoretical framework of indicators, including : Environment and its transformations (Trans for made space) are that the filmmaker creates a structure width through reconfiguration and replacement of its space carefully selected to create a theatrical Creator. Hired directors rituals in their environments Created play two proposals have a distinctive form and adapted methods and techniques so festive, religious and non - religious, but subject to the understanding of contemporary theatrical techniques and adopted by the researcher as tools for the analysis of research samples.The third chapter contains the search procedures, which included : the research community and specimens, tools and methodology descriptive analysis of three directors : 1. Awni Karome 2. Adel Karim, Salah Kasab. The fourth chapter contains the results and discussion, conclusions, recommendations and suggestions, and then the list of sources, references and appendices and a abstract of research in the English language

ملامح الاداء التمثيلي في المسرح التجريبي وتطبيقاته في عروض كلية الفنون الجميلة == Performance Analog Features In The Experimental Stage And Its Applications Offers In The Faculty of Fine Arts

اسم المؤلف: بهاء زهير كاظم
اسم المشرف: عبد المنعم فتحي خطاوي
الموضوع العام: الفنون الجميلة
السنة: 2012
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ينقسم البحث الموسوم (( ملامح الاداء التمثيلي في المسرح التجريبي وتطبيقاته في عروض كلية الفنون الجميلة )) على اربعة فصول , يتضمن الفصل الاول الاطار المنهجي من خلال مشكلة البحث والحاجة اليه واهمية, البحث, وهدفه, وحدوده, ومن ثم تحديد المصطلحات.اما الفصل ال | Research is divided into marked ((features of the performing arts in the experimental stage and its applications offerings in the Faculty of Fine Arts)) to the four chapters, Chapter I of the methodological framework of the research problem and the need to and importance of research and its purpose and its limits, and then determine the terms.The second chapter included the theoretical framework of the research component of Mbgesan, the first title (experimentation through the ages), which dealt with the technological development at the level of presentation and method Alokhraja when each of the (Greeks and Romans in the Middle Ages and the Renaissance In the twentieth century). While addressing the second part (according to the mechanisms of representative performance of schools and recent trends). Mechanism of action of representative directors at the most important theater of the twentieth century, including (Jersey Grotovski and Maerhold and Bertolt Brecht and Peter Brook and Eugenio Barba and some of the trends and modern schools).The third chapter (action research) research community, which defined within the time period of the year (2005 to 2011) and samples of research that have been selected through the application form (questionnaire) which was distributed on (Stth century) competent professors from the Department of Performing Arts and the result was the selection (three ) performances won the most votes to be samples of research, namely, (a play set up Waasitiyyah) by Dr. Akil Mahdi Yousif and directed by Dr. Zuhair Kazem, and (a play that is what happened when we were waiting for) the number and directed by Dr. strict in, and quoted from the play (Waiting for Godot) to Samuel Beckett. And (play field) written and directed by Dr. Akil Mahdi Yusuf. The researcher adopted a descriptive approach for the analysis of his samples by relying on CDs and watch kind of plays and interviews.The fourth chapter has dealt with the results of research and discussion, conclusions and then the recommendations and proposals and then the list of sources and references and a list of supplements that included a model of form (questionnaire) and photographs of some of the scenes drama

الاسطورة في النحت العراقي المعاصر == Myth In Contemporary Iraqi Sculpture

اسم المؤلف: طالب محسن رهيف
اسم المشرف: مرتضى عبود شهاب حداد
الموضوع العام: الفنون الجميلة
السنة: 2012
الموضوع الدقيق: النحت
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: استهدفت الدراسة الكشف عن مضامين الاساطير العراقية والدلالات الرمزية الاسطورية التي استلهمت في النحت العراقي المعاصر. وهي في اربعة فصول خصص الاول منها الى الاطار المنهجي، الذي شمل مشكلة البحث واهميته وحدوده واهدافه، ثم تحديد لاهم المصطلحات فيه. والفصل الث | This study aimed to know and learn about the contemporary Iraqi sculpture Which inspired by Iraqi legends. and to study these sculptural pieces of art.The study contains four chapters : First chapter explains the importance and need for the study and also it's objectives and scope. The researcher define some important expressions and term used in the study. Second chapter consists four sections : Section one studies the concept of the legend and it's causes of emergence and discusses the relation between and superstitions. Section two study Iraqi legend according to historical periods. The researcher here divides it into tow groups : 1 - Ancient legends.2 - Legends before and after Islam.Section three discusses the relation between legend and sculpture, some examples of sculptural pieces of art relating to some important ancient cultures were also mentioned with a brief presentation of the history of Iraqi sculpture and the effect of legend on it. Section four about the contemporary Iraqi sculpture Chapter three begins in collecting information and photographs about Iraqi sculptural pieces of art which are basically inspired by legends after this scanning of the materialistic evidence of the research was done starting with first work finished in 1950 until the end of 1992. The total number of works was 63 pieces created by 12 Iraqi contemporary sculptures. The researcher selected 20 works out of the whole as specimen for study, and the conclusion he reached resemble direct answers to the objectives of the study, and was introduced together with suggestions and recommendations in chapter four. About the first aimed , there are 63 sculpture works inspired by legends, done by 12 Iraqi sculpture. The number of sculpture works inspired by legend of the first group (ancient Iraqi legend) is 48 sculpture works. And there are 13 pieces sculpture works taken from Iraqi legends of the second group most of them taken from the tales of (thousand nights and night). The remainder is two pieces of sculpture works taken from both groups, and they are

جماليات القبح في نتاجات فن ما بعد الحداثة == Ugliness Aestheticisms In The Products of Art Beyond Modernism

اسم المؤلف: سندس محمد عبد الامير
اسم المشرف: علي شناوة وادي
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الفنون التشكيلية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The current research entitled ( ugliness aestheticisms in the products of art beyond modernism ) , It has searched the ugliness in philosophical thought and finding out the existing dialectic between beauty and ugliness and its role in direction work mechanisms in the motions of modern art and beyond the modern ( drawing and sculpturing ). The research has included four chapters. The first one was interested in methodical frame of the research represented by research problem which wasobvious through an ambiguity that arouse many questions such as : - How have the aesthetic understanding theses of ugliness been formed in the products of art beyond modernism ? Do such aestheticisms represent an attractive phenomenon in art beyond modernism ? What are the representations on the level of contents , meanings , forms , styles and techniques ? And what is the amount of connection of such works in phenomena and intellectual , social , political and economical concepts and new explicit prospects within a society beyond industry and its share beyond modernism as a modern urgent necessities ? And the amount of what have ugliness aestheticisms formed from displacement areas in aesthetic received processes.The first chapter through acknowledging the ugliness aestheticisms in the products of art beyond modernism. While the research limitations are restricted on the study of ugliness concept in the art beyond modernism ( drawing and sculpture ) represented by products of ( nonobjective expressionism , popular art , flocks , the art of body and graphite art ) which appeared in USA and Europe in the era ( 1945 - 2010 ).Chapter two has included the theoretical frame which contained three topics , the first one dealt with two pivots , the first pivot included the ugliness philosophically , through browsing the philosophers' opinions beginning of ( Heraclites') and ending to the opinions of modern philosophers. The second pivot concluded to show beauty and ugliness dialectician within analytical philosophical , knowledgeable , aesthetic and psychological vision. The second topic occurs in two pivots.The first one included the beautiful and ugly in modern European painting , the second dealt with the beautiful and ugly in modern European sculpture while the third topic is concerned with the study of ugliness features in two pivots , the first one contained the ugliness features in the art beyond modernism and the second pivot contained the ugliness features in the sculpture beyond modernism. Chapter two concluded with showing the indications to be useful in constructing the devise of the research and analyzing the samples.Chapter three has included the research procedures that contain the whole research , the sample and the nature of the device of the research , research method and used statistic means then analyzing the sample which includes ( 17 ) artistic works.Chapter four has included the research results and conclusions , moreover ; recommendations and suggestions. The most significant results that the research has reached are : - 1 - The structure of implemented artistic view that concerns with ugliness concept leads to make a fierce shock for the receiver in attempt to express the current image of reality and disclosing what are not declared in the meaning that delete the art beyond modernism any ascendant traditional aestheticism.2 - There are products with hostile dye that arise the hatred through pushing the shapes to break into the social conflicts and disclosing the destruction of ideological systems over indications that show the refusal state for cruelty of a society beyond the industry.3 - The ugliness depends in products the art beyond modernism on artistic change through activating the distorted rejected shapes which lead to more deeper disputes and universality for social conflicts within ( Oulama ) by describing it as a valuable system that could move the constant concepts round traditional beauty with all its procedural , technical existence and to fix the concept of non - aesthetic across devoting the theses structure that give changeable aesthetics for promised ones. It is not able to repeat the formation of artistic performance due to ideal features for traditional art time but it attempts through returning the formation of shapes by distorted way to put the shapes in compound components that make easy to arouse the aesthetic understandingcombined with ugly shape. 4 - The products of arts that concern ugliness aestheticisms in art beyond modernism have the ability to invest the subjects that could arouse the sensitivity of receiver towards the human image infringement that make the works empty of human andmoral values through making the implemented art structure loose from any moral and human evaluation in an attempt to present meanings taken from social immoral life to express the human crisis who is threatened by lost in social framesubmitted to weak broken construction. The most significant conclusions that the research has reached are : - 1 - The ugliness aestheticisms are making with the subjects represented by ( violence and political , economical and social cruelty ) tearing the Arab self and its declination and western society with all its distortions , dispersion and lost.2 - The ugliness aestheticisms are trying to express the torn realistic image through dissociation the reality parts and divide them then reconstruct due to view that arouse the sensitivity of receiver towards a lot of truths and human , culturaland political accidents.3 - The ugliness aestheticisms acquire their new descriptions through connection with shapes that express the disorder limitations for living reality. The researcher has referred to a group of re

امكانية استخدام الاطيان النهرية لانتاج انواع من زجاج الخزف عالي الحرارة == Possibility Usage of Clays Rivers To Produce Kinds of High Temperature Ceramic Glaze

اسم المؤلف: طه حنش سلمان الربيعي
اسم المشرف: محمد عبد الحسين العريبي
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الخزف
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يتناول البحث امكانية استخدام الاطيان النهرية المحلية في انتاج انواع من الزجاج عالي الحرارة، وقد حددت طينة خان بني سعد النهرية الحمراء، اذ اخذت كمية من الطينة وتم غسلها وتنقيتها من الشوائب والرمال الخشنة بطريقة الترسيب، وحرقت بدرجة حرارة (700) ( كلسنة ) | The research the possibility of using arable land river local produce kinds of glass, high temperature, have been identified Tine Khan Bani Saad, the river red, where it has a quantity of this clay has been washed and cleaned of impurities and coarse sand in a deposition, and burned at a temperature (700) (calcinations) to get rid plasticity of clay and organic matter after what appeared a problem secede from the body layer of glaze pottery at the application stage of drought (before Firing). Were evaluated the results of initial trials by relying on chemical analysis has been attributed Tina to (Unity Formula) to find out the percentage of vehicles and determine the type of treatment, addition, and make up the shortfall, with a number of processors through the addition of materials used in the composition of glass as material modified the sand silicosis (Erdma ) and Kaalin Duejlh and feldspar Iraqi and feldspar Mxidized which was added in different proportions to the clay, and burned models with varying temperature of the three (1230 m - 1260 m - 1290 m), where the effect of oxides of coloring in the installation of clay and a clear transparent glass, and seemed colors green olive to the honey - colored and dark brown.Was conducted several tests on laboratory models of glass, the most important examination of hardness, abrasion resistance and testing, resistance to chemicals, metal detector. Found during the tests and experiments that the most important factors to form glass cooked at high temperatures of the clay used in the research was to balance the rates of oxides falling within the composition according to the law of the unity of the formula (Unity Formula), and found by experience that there is a difference in the fusion of materials and lack of homogeneity and their interaction enough at certain temperatures there is more than a glass phase in the liquid molten glass, and increased rates of added silica and alumina caused the increase of degrees of maturity and fusion, as well as high hardness of glass and its resistance to scratching and acids. As the examination (X.R.D) crystallization of new minerals after all components of the glass melting temperature specified in the search except the temperature of 1290 AD as any metal did not materialize because of a new high - temperature melting and destroying the Shabak and the full crystal glass.

تقويم النشاط الفني للمنتديات الشبابية التابعة لوزارة الشباب والرياضة == Evaluation of Artistic Activity In Youth Forums of The Ministry of Youth And Sports

اسم المؤلف: علي وجر علاوي الساعدي
اسم المشرف: فؤاد علي حارز الصالحي
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يستمد التقويم اهميته الاساسية في مختلف الميادين من ضرورة الاعتماد عليه في قياس مدى تحقق الاهداف المنشودة من كل نشاط، والكشف عن المواهب وتمييز اصحاب الاستعدادات والميول الخاصة وذوي القدرات والمهارات الممتازة، ويعد التقويم ركنا مهما من اركان التخطيط لان | Derives evaluation of fundamental importance in various fields from the need to rely upon to measure and assess the extent to which the objectives of each activity, and disclosure of talent and distinction holders preparations and likings and abilities and skills excellent, as is the evaluation an important component of planning because it is closely related to the follow - up results and detection all aspects of the power to confirm and higher, including standing on the weaknesses of the treated or modified, and the importance of calendar we are facing a continuously changing and enormous knowledge, concepts, facts and theories, and advanced techniques, which led to change many of the concepts and trends in all the humanities and in all areas, including the technical activities which is one of the means used to guide the youth guidance intellectually and organizationally, in union with the exercise of activities that depend hobby and desire to initial them, and naturally their abilities and attitudes are associated with this process, the objectives set and identified for the movement of young people in the service of the State's goals, and building on, the current research aims to ((evaluation of Technical activity Forums youth of the Ministry of Youth and Sport)) determined by the directorates of Youth and Sports of Baghdad and the provinces except the provinces of Kurdistan, was the importance of research explaining the reasons thatprompted the researcher to choose this field of research, was also clarified the aspects that contribute to research in the promotion of the field of youth work.The theoretical framework came to covering the relevant aspects of the subject matter represented by b (theoretical concepts about the evaluation, and creativity, and the importance of artistic activity in young adulthood, and his contributions to the development and community building) as well as previous studies and the experiences of some Arab countries and the world.The third chapter measures would research was based on the research methodology, which consisted of appointed (50) supervisor and coach for the Arts Forum on the distributors to the young people of Youth and Sports Directorate provinces, the rate Was eliminated after Non - specialists, including, by (13) supervisor and coach for the Arts of Baghdad province and (12) supervisor and coach Art from the provinces of the northern region (13) the supervisor and coach Art from the provinces of the Middle Euphrates region and (12) supervisor and coach Art from the provinces of the southern region..The researcher used (personal interview) and (note) and (content analysis and documentation), and (resolution) as a tool for information gathering, was composed of (120) paragraphaddressed to the administrators and coaches of the arts, and distributed these paragraphs on four areas : 1 - The field of visual activity and ensure (30) paragraph. 2 - The field of theatrical activity and ensure (30) paragraph. 3 - The area of musical activity and ensure (30) paragraph. 4 - Film and television and included ( 30 ) paragraph. He received (the researcher) of the sincerity of the tool through the presentation to a group of experts with competence in the arts and art education and teaching methods, and applied as the final resolution on the sample.To address the statistical data, use the (researcher) Pearson's correlation coefficient to extract the stability, and the Fisher equation to find the unity of the paragraph, as well as the weight percentage to indicate the value of each paragraph of the resolution.The search results were displayed after arranging all the paragraphs according to the degree of severity of the highest degree of unity to the lowest degree of unity. Were arranged areas of the four calendar by decreasing the average degree of intensity for each of the circles, where the occupied area of activity, followed by the first plastic film and television, which occupied the second place, while the field of theatrical activity took third place and won the field of musical activity, Respectively, the fourthConclusion of the research was a series of recommendations and proposals which would in estimating the researcher to contribute in the service of scientific research, including : - 1 - strengthening the media's side, because of its impact and its contribution to educating the community in providing care for youth groups of all ages and help them scientifically, culturally, socially, and organizing their leisure time activities which develop their talents and skills.2 - Greater coordination and joint technical cooperation with other institutions, for the purpose of promoting student attendance and youth in various artistic activities.3 - Provide the tools and supplies, equipment and modern technical equipment for each activity.4 - To provide resources and technical books and magazines those contribute to diverse artistic culture in the development of young people.5 - Select a specialist academic staff for each area of artistic activity. 6 - Plan to include the central vocabulary reflect the academic and technical characteristics of young people through the definition of the cultural heritage of Iraqi art and the Arab and Islamic world and its features in reading and analyzing works of art, and artistic theories which explained the art and beauty.7 - Adoption of the evaluation tool to measure the technical skills as a scientific tool to evaluate performance objectively and disclose the extent of success in achieving the goals set for each activity. 8 - Dissemination of scientific culture and encourage young people to innovate and develop new applications in the field of technology and promote computer skills and employed in works of artProposals : - 1 - a study on the reasons for the reluctance of young people for the exercise of artistic activities in the youth forums.2 - A proposed program of art education in the youth organizations in Iraq.3 - The role of government institutions in maintaining the cultural and artistic identity of a young Arab in light of the challenges of globalization.

سينوغرافيا التشكيل النحتي لما بعد الحداثة : دراسة تحليلية == Scenography of The Sculpture Formation For Post - Modernism (Analytical Studies)

اسم المؤلف: قاسم مرشد ذرب
اسم المشرف: نجم عبد حيدر الجنديل
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: النحت
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تعد السينوغرافيا ظاهرة فنية حداثوية تالقت على نحو واسع بعد الحرب العالمية الثانية وانتسبت الى ما بعد الحداثة حتى ان الكثير من الباحثين في فنون ما بعد الحداثة يعدون هذه الفنون فنونا سينوغرافية تعتمد مركبات متفاعلة متداخلة في الية الاظهار وفي نظم التاويل ال | Scenography is a modern phenomena which has been remarkable after WWII and is attributed to post - modernism, that many post - modernism researchers regard this art as a scenographic art which depend on interrelated in the mechanism of showing and in the systems of interpretation which move opening between the artists, as the producer and the first reader and the masses of receivers as readers effecting the level of intervention. Scenography is a system of aesthetic to itself to the action of performance in manifesting in its techniques even if its interlinked with the system of its connection to the artistic work as the idea and the concept and emitting of meaning and the mechanism of connection. When the researcher was aware of the scenography in sculpting and looked for it. He found that subject is worth studying for master degree in addition to the increasing of the problem. The researcher tried hard to end that or at least to reduce. Thus, the researcher preferred with all effort to investigate and excavate the prospect in the formal structure for the shape in the post - modernism.This study did not aim at employing post - modernism scenography as a mechanism of description and analysis of the sculpting art only. It also confides it into narrow limits and applications realized and or supposed on the display and applied levels.The researcher managed to shed light through the basis and point of the scientific research and mechanism in its theoretical frame. In the second Chapter his study, the researcher shed light on searching for the concept of scenography and the origin and the hisotricla background for it and the environment as one of the milestones and elements of the scenographic structure in the first theme, and to reveal the history of scenography in the academic and critical references and the points of occupation and the points of agreement and disagreement in language and the application. And to reveal the historical root of the concept and the history of its development and mechanisms in addition to investigating the relationship between it and the other plastic arts and the art of sculpting specifically. In the second theme of studying the basic concept and the philosophical of post - modernism art and the connecting relationship the idea of post - modernism as a philosophy and post - modernism as an application that requires scenography and its reaction in that artistic performance on the level of analysis in the scenography thinking in addition to its stylistic references.The third theme is to reveal the bases and point and trends of post - modernism and its references and the relationship connecting it with the scenography as a mechanism and structure and the showing and display. Then the fourth theme the researcher reveals the institutions of analysis. He introduced a summary of what resulted in the First and second chapters which would achieve to the researcher of the samples which would achieve the result, objectives and the requirements of the scientific research.After completing the procedural, cognitive and intellectual requirements, the researcher then moves to the third chapter represented in procedure as the description and choosing a purpose sample out of the community of study according to the models.Finally, the results and conclusions which the researcher has arrived to and recommendations in the fourth chapter of the study

تحولات القراءة الجمالية للخطاب البصري في عروض عقيل مهدي المسرحية == The Trans Formations of Aesthetic Reading For Visual Speech In Aqeel Mahdi'S Plays

اسم المؤلف: وسام مهدي كاظم
اسم المشرف: محمد عبد الرحمن الجبوري
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الفنون المسرحية - تقنيات
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يعد المسرح واحدا من الاكتشافات الخاضعة والممتلئة بالاحالات، كما انه يتمتع بخاصية معرفية جمالية تنتج له القدرة على تقديم مفاهيم جمالية بقراءات معاصرة ذات خطابات بصرية تنقل من خلالها الخطابات الادبية، الى منطقة الرؤية والتحليل. ان مفهوم القراءة والقراءة | Theatre is regarded as one of the discoveries that Subjected to referrals and filled with them. It enjoys with an aesthetic and cognitive property that enables it to present aesthetic concepts with modern reading having visual speeches through which trans forms literary speeches to area of vision and analysis. The concept reading and contemporary reading has ability to deconstruct any speech whether it is literary or pictorial. It is the Medium through which transformation passes with its semantic and significant Concepts. Today, theatre moves side by side with modern discovery in this world indeed, it has ability to benefit from some discoveries to introduce them in the fabric of its theatrical performance in a form harmonized with the requirements of the age. The Visual speech is a cognitive, artistic and technical concern to establish a cultural system which is a communicative channel between sender and receiver. It is not a new phenomenon , but its roots dated back to Greek civilization , developed by discoveries that occurred in all fields of knowledge in general, and theatre in particular. That process exposed to a lot of transformations that helped in discovering multiple readings Strengthened by a visual speech that gave to the system of theatrical performance new forms and implications. These readings and trans formations had Various concerts, some of their sides exposed to dilemmas, So there was a need to solve them. Based on that, the researcher determined the problem of his research entitled " The Trans formations of Aesthetic Reading for visual speech in Aqeel Mahdi's Plays". The research consists of four chapters : The first chapter includes the problem of the research and the need to moke it (Study and analysis of the transformations of Aesthetic Reading for visual speech in Aqeel Mahdi's Plays). The researcher also determined the goal of his research by revealing the aesthetics of visual speech and its reading trans formation in Aqeel Mahdi's Plays. The importance of the research lies in highlighting unknown sides in the Visuality of the plays. The researcher determined the determinants of his research as follows : Time determinants : All Aqeel Mahdi's Plays presented since the first play till the moment of writing this research - Objective determinants : These are Aqeel Mahdi's Plays that Characterized with the transformations of aesthetic reading for the visual speech. The researcher determined his research terms and defined them, selecting to them procedural definition : "Transformation, Reading visual speech". The Second chapter divided in to four parts : the first one contaned the concept of Visual Speech. It began with a cognitive sequence and mental, artistic and technical analysis, then the researcher dealt with the dilemma of visual speech according to numerous concepts, finally, he dealt with the general concept of finally, he dealt with the general concept of visual speech in the system of theatrical performance. The Second part of the Second chapter was entitled "The Aesthetic of visual lmage" , Firstly the part explained the aesthetic of visual image according to the concept of image culture, then it presented the aesthetics of visual image in theatrical performance according to Some modern theatrical experiments. The third part was about the visual speech with a preface, then it dealt with intellectual and aesthetic complex for visual speech. It also dealt with the elements of visual formation in the play. The final or the fourth part dealt with aesthetic reading in Ageel Mahdi's Plays and with his theatrical experiment on the level of writing, theorizing, direction and what associated with it as aesthetic, philosophical and technical aspects. This part also included the previous studies and indications which produced theortical frame , the most import ant of them are : 1 - Visual Speech has components, the most important of them is image in its meanings and significance associated with searching for keys to decode the symbols of that speech.2 - Place and space regarded as two important elements of formation of visual speech in performance.3 - The most important domain of the philosophical, artistical, intellectual and aesthetic domains that affect the creative system for Aqeel Mahdi's dependend on the pvinciple of Civilizatons dialogue. The third chapter included the procedures of the research containing the research Popucation Methodology and tools of research in addition to research samples in addition to research Samples including the followings : 1 - Performance of "Gorilla" Play.2 - Performance of "Jeanne d'ASrc" Play.3 - Performance of "Bedouin and orientalist Play".4 - Performance of "Ali Al - wardi and his rival Play".5 - Performance of "Cobbler" Play. Some tools used to analyse these samples are as follows : 1 - The theoretical frame and its implications.2 - Photographs.3 - Compact discs "C. D"4 - Papers "What was written a bout the plays.5 - Observation. Then, these samples were analysed by the researcher to indicate the transformation of aesthetic reading for visual speech in Aqeel Mahdi's Plays. The fourth chapter contained the findings and their discussion , for example : 1 - Using Space and place as essential elements for transformation of visual speech as in the plays "Cobbler" , "Ali Al - Wardi and his rival" and " Bedouin and orientalist"2 - Regarding the visual formation as one of the tools of transformation in aesthetic image and rebuilding it by the imagination of director associated with his formation senses. That was observed in all Aqeel's plays.3 - The two elements of light and color were regarded as two essential elements for visual speech as in the plays "Cobbler" , "Ali Al - Wardi and his rival", "Jeanne d'Arc" "Gorilla" and " Bedouin and Orientalist. The fourth chapter also included concluded conclusions, recommendations and suggestion, in addition to sources and references, finally an abstract in English.

الاستعارة الشكلية وابعادها الوظيفية والجمالية في المنجز الطباعي == Metaphor Formal Functional And Aesthetic Dimensions And Layout Done In

اسم المؤلف: مظفر كاظم حميد
اسم المشرف: خليل ابراهيم حسن الواسطي
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يتضمن التصميم الطباعي المنجز مجموعة اجراءات تبدا من الفكرة وتنتهي بالاداء، او كما توصف من النظرية الى التطبيق. وهذه الاجراءات لا تخلو من اسس وعناصر تجسد الفكرة في منجز ملموس على ارض الواقع، منها واقعية مباشرة في استعارتها، ومنها خيالية غير مباشرة، كما تتض | Graphic Design done includes a package of measures starting from the idea and ending performance, or as described from theory to practice. These actions are not without foundations and elements embody the idea in a tangible accomplishment on the ground, including realistic directly borrowed, including the fictional indirectly, also includes other designs blends these Alastaartin and variable rates or balanced in many designs that require a sign, and the concept of the dimensions of functional orientation of Use and enhance the aesthetic values. Therefore, the researcher felt choose his research is marked Address : ((metaphor formal functional and aesthetic dimensions in the layout done)). Including four chapters, the first chapter consisted research problem identified in the statement of formal elements aliases finished layout declared Btabaah extremes (direct and indirect), which achieved a sense of desire and acceptance functionally and aesthetically. And its importance in the question of what a metaphor formal functional and aesthetic dimensions. The objectives were focusing on the identification of metaphor formal functional and aesthetic dimensions in the layout done. And finally its limits, and then determine the terms.The second chapter dealt with the theoretical framework and previous studies, as search only one study in Specialization found, a doctoral thesis in graphic design researcher philosophy (Shaima full inside) tagged : (metaphor in the default image for commercial Declaration) and three others on the subject of the metaphor, two of them in Fine Arts (drawing) and third in the specialty of interior design, the researcher did not find the approach between this study and the last three studies. And ensure that the theoretical framework Mbgesin, eat first (metaphor formalism in systems design and relations), the concept of this terminology in general and mechanisms put in the concept of the design and directorial methods in the evaluation of the structure and shape systems design and its role in the design of relations. While the second section came under the title (the metaphor between functional and aesthetic considerations) addressed the functional dimensions and dimensional aesthetic metaphors formalism in Graphic Design Ended formal shift in the design according to these two considerations. Then extracted from this chapter is based on indicators set by the selected sample analysis process to get to the search results.The third chapter has consisted action research, as determined methodology (b descriptive analytical method), then the research community and the samples selected, represented by (12) sample, the two tools of research and two Astmattin, first : determine axes analysis form, and the second : Analysis form. Then ratified tool and stability, and finally describe and analyze samples.The fourth chapter has put search field, conclusions and recommendations, and the results of the proposals.The most important results can be summarized as follows : 1. designer adopted the style excretory to borrow formalism based on the idea of the advertised subject and the nature of the slide or the recipient category, which showed a variety of ways, including direct download character peculiar subject of the idea, including indirect altered form system, some of which were collected between the two dual manner to address these levels according tastes and mental Bnahm.2. excretory focus style with the designer in the most completed designs to blend reality and imagination elements borrowed the idea, and also a mixture of different sources for the delivery speed of the plurality of meaning and interpretation and influence in psychology.3. strange shapes borrowed realism achieved by contradiction relational link between the two, beyond the pattern Alantma?a, circumscribed role shorthand meaning up to the idea, on the contrary, most of the shorthand form of fictional metaphor but a broader interpretation of the meaning.4. I took formal signifier symbolic metaphor as a metaphor for the role that represents wigs, require matching an icon directly in slang layout of what is realistic, abstract and indirect, were similar in matching original craft analogy.

خطاب السينوغرافيا في تصميم الفضاءات الداخلية : دور الازياء انموذجا == The Discourse of Scenography In The Interior Space Design (Fashion Houses As Example)

اسم المؤلف: عمار طه محمود
اسم المشرف: علاء الدين كاظم الامام
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الداخلي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: We can comprehend the addresses as a bound series of human principals and goals shaping by the sciences and connectives to build a human results revels or gives a meaning for things. So, the interior design is an entity cognitive elaborated in (our now a days world) the modern age to include in its environ sciences,arts,physics,and human directions fetching for forming an environment which adding the esthetic meaning.therefore, it will be possible to submit that through the stenography and its artistic address which is build on the idea of offering an optical picture achieving a sensitive respond reassures and enjoys with it the recipient accompanying a meaningful bearings, circulated and esthetics meanings the interior designer forming it to draw spaces identified according to imperative remarks resulted from a group of essences implied in stenography melting together within the priority of the closer essence on another of a period of time whether it was changeable or unchangeable according to the nature of the place.The research here is trying to discover the role of the stenography address in the interior spaces in the fashion houses through the show spaces; that is for the recent periods had witnessed a great development in this field ,where the optical and the audible through the stenography a creative arrangement attracting the recipient in order to activate the connection between it and there resulting design.Therefore, and according to the knowledge of the researcher ,synography didn’t witness an Arabic academic study as a conception in the interior design especially in Iraq ;so that this subject had been chosen to achieve the benefit from it by the parties of interest whether they were institutes, fashion houses or else.The thesis included in its chapters andtopics the following : - The first chapter : Dealt with the problem of the research ,its importance,goals,and limits ;then identifying the terms used in the research.The second chapter : The empirical frame which includes three topics , the previous studies and reaching to the research remarks.? The first topic : The address and its intellectual employments in the interior space.? The second topic : The stenography's address in designing the interior space.? The third topic : The stenography's address in the spaces of fashion houses' designs.The third chapter : Includes the procedures of the research, its curriculum and forming aform to identify the analyzing dimensions , so according to that it had been formed a form to describe and analyze the research's samples.The forth chapter : Implied the results the researcher reached to; of conclusions,recomands,and suggestions ;add to that the resources,the abstract in English.The researcher had reached to a group of conclusions of their most important are the following : - 1. The interior design is the ideal brooder which can bear the stenography conception in its conception and address and to relate the responsibility that the late (stenography)to it to elaborate in it to limits far to be just connected with one unilateral artistic address; where the interior design can express and include all the arts.2. Stenography is an art can be resulted in the interior design which looking for presenting consideration(functional, synthetic, and expressive) which are the whole inclusion of entity this direction and the feature essence which identify the stenography address in creation the essences and melting them with the priority on an essence on another in an exchangeable movement to reach the creation (out come) of meaning which aspirates in the show to achieve a response the recipient can understand.3. Stenography is an art can reach an extended dimensions in the ability of letting it reach the meaning of the esthetic and psychological interior space in the comprehensive design picture and these aspects represent part of forming the out looking principals of the stenography's esthetics in the interior design.

نتاج فنون بلاد الرافدين وتوظيفها في تصميم بيئة تعليمية للتربية الفنية == The Art Products of The Mesopotamia And Its Utilization In Designing A Didactic Environment To The Arts Education

اسم المؤلف: فردوس خضر الجوفي
اسم المشرف: عبد المنعم خيري حسين العاني
الموضوع العام: الفنون الجميلة
السنة: 2012
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان تاريخ العراق القديم لبلاد وادي الرافدين، اعظم حضارة عرفها تاريخ البشرية ومن المؤكد انها اول حضارة انبثقت لتنير صفحات التاريخ باهم وابرز الانجازات التي حققها ابن الرافدين لجميع مجالات الحياة السياسية والاجتماعية والثقافية والفنية، وعليه فقد تشكل عنوان ا | The ancient history of Iraq in the Mesopotamia is the greatest civilization in history of human kind and it is definitely the first civilization which was emerged to enlighten the pages of history with the most important and prominent achievements which were done by the son of the Mesopotamia in the political, social, cultural, and artistic fields of life. Thus, the title of the current research (The art products of the Mesopotamia and its utilization in designing a didactic environment to the students of artistic education dept.) came to include four chapters. The first chapter included the problem of the research and its importance, and it included many questions, the most important of which : The student's ignorance to the indications and artistic symbols of the Mesopotamia, and the lack of an educational environment to the class of the history of art. Thus the research problem has been crystallized in the following question : Is there any educational environment to the history of art class (Mesopotamia) which helps the instructor in teaching the class? The research is important to develop the educational environments to all specialties in the colleges of fine arts and the art institutes and establishing typical educational atmospheres to all specialties in the college. The research aimed at : • Designing an educational environment to the history of art class at the artistic education dept. - college of fine arts - university of Baghdad. • Establishing an educational unit to the vocabularies of the class of ancient history of art in Iraq to the students of the third grade at the dept of artistic education - college of fine arts - university of Baghdad. The research includes : • Third grade students at the dept of artistic education, college of fine arts - university of Baghdad• The products of plastic arts in the Mesopotamia and it includes all prehistoric ages : pottery - Hassona, Samarra'a, Halef, and Al Abeed. • The Sumerian age : the cyclic stamps and the art of architecture. • The Acadian age : Sargon head• The Babylonian age : Hamurabi. • The Assyrian age : the winged ox and the wall painting• The modern Babylonian age : Ishtar gate As for the second chapter, it includes the theoretical aspect and the previous studies. The theoretical frame included the following sections : The first : a brief overview to the history of the Mesopotamia and its ancient ages and the most important plastic art. The second : included designing the educational environment and the factors of its successThe third : is related to the artistic education and its relation to the educational environment of the history of art. The section ends with a group of indications. Chapter three also included the research procedures and its approach in addition to specifying the study community, sample, and tools of research. Chapter four included certain results, the most important of which are : • Teaching the history of art class needs an artificial environment to illustrates the concepts of plastic art and the features of expressive figures of the Iraqi thought and its reflections of creative artistic abilities to the artist of the Mesopotamia • The civilization of the Mesopotamia is one of the most sophisticated and ancient civilizations, and the artistic product confirms the supremacy of the Mesopotamian artist who embodied the daily life in the social, religious and heroic military fields of the kings throughout history. • The superiority and creativity of the Mesopotamian artist in his various artistic performance which included sculpture, drawing, ceramics, and architecture.• Studying the history of art is a study of the roots of civilization which is regarded as the first bricks on which the contemporary and future plastic arts were formed. The researcher concluded : • Spaces and walls which surround the student should be filled in the educational environment to overcome the closeness around the student. • The internal space for any educational environment can fulfill this purpose if it was designed in an interesting way and the furniture and the educational means were distributed in a way that stimulates the student's senses. • Establishing a complementary educational environment which tackles the Nile Valley civilization because it is part of the curriculum of the history of art for the third grade at the dept. of art education. • Establishing different educational environments for all art specialties in the colleges and institutes of arts.

جماليات التكوين في المنمنمات الاسلامية وتوظيفها في تنمية التصور الذهني لطلبة التربية الفنية == Aesthetics Configuration In Islamic Miniatures And Employed In The Development of Mental Perception of Art Education For The Students

اسم المؤلف: عمر عنيزي سلمان
اسم المشرف: عبد المنعم خيري حسين العاني
الموضوع العام: العلوم التربوية
السنة: 2014
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Aesthetics configuration in Islamic miniatures and employed in the development of mental perception of art education for the students "The aesthetic dimension of miniatures Islamic terms is not formal , but only interest in terms of expressive also show its strength and greatness through the sense of the movement of these actions or rush through the lines or the third dimension and perspective inspiring depth and color certainly forms All of this helped to show the idea and express them easily.The study of Islamic art of paramount importance in building the artistic life in our Arab heritage are as much as it will give him the tender of humanity , they will contribute to the enrichment of Arab art viable and thrive and prosper through the development of Visualization way we see the world is not Bhastna visual , but the sense of awareness and understanding. See any reason and is not an eye. Everyone sees his thought to your way of thinking that determines Tsoratna mind.And the artist Arab Muslim exceed creative concepts prevailing , which was surrounded by within the boundaries of the Arab nation or civilization neighbors, and is the Baghdad center optimized for the emergence of photography Islamic distinctive character of originality , it has become the political headquarters of the House of the Islamic caliphate and given its geographical location, the unique ability of the receipt and communication between the Middle and the West that the status of the school Baghdadi in the art of photography for miniatures secret superiority brilliant at that stage the fertile stage of Arab history motivates us today to think about the deepening of the link betweenthem and the mindsets of the students , then take advantage of them are not seeking to tradition surface aseptic , but aims to search for the essence of the hidden of its secrets , and the elucidation of those secrets in a way visualization net spiritual perspective , hoping to reach the optimal goal of modern civilization full facesWhat Rade researcher to convey that expertise to increase their perception of mental because the student art education will cost taught in secondary schools ( middle and junior high ) and probably will face the stage teenager depicting one dimension and that this study will show him how to move the students from the stage flatness - one dimension - to the stage achieve depth - the third dimension - hence the need for the current search , which aims to detect ( the aesthetics of the configuration in Islamic miniatures and employed in the development of mental visualization novelty for the students of art education ). Through the border of the following : Schools miniatures Arab and Muslim countries : Iraq , Turkey , Iran. , And fourth - graders , Department of Technical Education - Faculty of Fine Arts / Baghdad University for the academic year 2012 - 2013 m.This included the second chapter , the theoretical framework and previous studies , which included theoretical framework : of the Islamic miniaturesThe third chapter was to research procedures taken by the researcher descriptive method and experimental approach has identified threeschools where a sample of the search , namely : - the school Baghdadi. Turkish school. Iranian school.Then took two tests of knowledge and skills - pre and post tool for his research as well as a form of performance evaluation for students in the Department of Art Education. Then the researcher conducted interviews with faculty specialists in Islamic art in the field of painting and drawing in particular, miniatures and professors of art education , then the researcher validity and reliability by steps of scientific research.And the fourth chapter is devoted to the results and conclusions of the most important findings of the researcher of the results , including : - The effectiveness of the training program prepared in the knowledge and skills , according to the results. - The lack of correlation between the two tests (no significant correlation - To experience the impact of the development of mental perception through artistic expression among the students of the miniatures fourth stage in Art Education Department. - The difference between the arithmetic average of the two tests pre and post ( 23.20 ) degrees more than twice the degree of pre - test which shows the effectiveness of the program in the technically gifted side.Conclusions - 1 Note the visual impact of a large and clear on the successful responses , shows its impact through open the minds of students and their imagination. Which is the modeling of a series of technical movements to express centrally in the brain and send alerts nerve to the muscles in order to perform this series to draw miniatures as perceived by the student Zhnina. - 2 turned out through the application of experience to the classroom learning environment have an impact on students' performance , which is available in the classroom atmosphere of participation of the comments between the students themselves on the miniatures displayed through the disc prepared for the purposes of the current search. - 3 Some studies have confirmed that the use of technology and the diversity of sensory stimuli give positive results from the use of the best sexy one in training and teaching.Recommendations - 1 included on the department's programs for the teaching of miniatures and focus on school Baghdadi in order to revive the heritage because the miniatures is the best material for the training of students to the structural imaging. - 2 The use of computers in teaching construction being digital photogrammetry became modern technologies , which could be grown and the evolution of art education student mentality. - 3 Care to train students in the Department of Art Education , which outputs to be high school on how to write and prepare and directed educational programs.Then proven sources and then supplements.. God Crown success

انعكاسات السرد في التصميم الداخلي == Narratives Reflections In Interior DESIGN

اسم المؤلف: حارث اسعد عبد الرزاق السعيدي
اسم المشرف: عباس علي جعفر العبيدي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الداخلي
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: This search is based on a common truth but missed by those who work in interior designing (ID) field such as historians and theorists, which states that the interior designs of temples and palaces of old civilization of Mesopotamia and the other civilizations that followed are considered as one of the narrative literature media that belongs to this civilized society or that, the truth that is still valid through Evangelical stories narrated by murals painted on churches interiors and the inwrought of Qur'ans stories garnishing interior walls of masjids and Mosques in the present time, as we know, language started as pictures embodying expressions of visual language unveiling meanings and significance, as humanity continued to grow, so did writing by getting its own entity that cannot be explained only by certain group of people, limiting its expressional ability so that wide scope of people won't be able using it, which led it to disappear and losing many of human experiences made by these communities and vanished forever.In accordance with the growth happened in the early and middle of the twentieth century, a group of narrative literature theorists called to use more than one way to convey their literature messages and experiments away from spoken and written form of language to ensure establishing their human experiments, to be understood by more recipients and expanding the audience using these messages with their new implications form, one of their saying was that visual entities have elements qualify them to be communicative language has its own alphabet in accordance with communicative components of this interactive environments, Following this a group of interior and architecture designers, Simultaneously, appeared calling to use the narrative literature as designing style model to produce equable significance interior designs, active in creating designing forms that differs from the traditional basis, one of the most controversial movements is the Deconstruction Movement in architecture and interior designing for this movement pioneers depended on one of narrative literature theorist, in spite of the production of this movement and the ones that are related to this synthesis approach between narrative and designing was either na1ve and limited to lateral metaphors has no intellectual dimensions out of the assimilation or metaphor, or appeared to be very odd cannot be explained even by the experts in criticism of art which led recipients to dislike its interior spaces and communication interrupted between them, that's why it didn't succeed to ensure narrative to be a clearly defined designing approach, with clear elements enough to be used by all those who work in this field for most of this style is subject to inner narrative vision and this limited narrative tools which is inspired from narrative in addition to the difference from designer to another, and incompleteness of designing vision of the sensory language alphabet enabling us to activate narrative as designing approach so can all those who work in designing to adopt it in disseminate ideas and their forward - looking vision concerning subject they embody through materialistic mold, and functional and environmental considerations they work with when designing interior spaces, when analyzing the above said a problem emerged which is (the bsence of designing forms that can be used effectively to reproduce narrative speeches as approach adopted by designer to create modem interior designs), many factors enhanced the importance of the subject most notably is the theorists instructing in interior designing field to improve designing method in way that activate the narrative approaches being one of the interior designing styles followed to achieve interior designs with future aspects in educating interior design practitioners in teaching and in the practical side.This vision came out of this study is based on aiming to describe general rules for readable message in narrative showing the ability to be used in the seen message of interior design. In order to start search it was important to define its methodical terms so that the subjective term appeared through studying Intellectual and technical concepts in narration and ways to employ them as new creation strategies constructing shape formations in modem interior design. Time term in this research defined by the interior design projects done by pioneers of deconstruction movement through the period from 2005 up to 2010. While place term is defined by interior spaces done in In global projects (entertainment and cultural) within the continent of Europe exclusively. Then defining the most important idioms in this research to conclude the first chapter of the thesis (dissertation).According to that early mentioned in this research led to rely on literary studies that pointed many aspects of the concept of narrative that emerged in the form of a theoretical framework consist of two chapters, the first addresses the issue of transforming narration in language and way to read it in interior design and what the narrative structure included such as narrator, narration and addressee and its reflections in interior design. While the second chapter we pointed out the structural foundations of the system of fiction such as character, event, place, time and mechanism with their reflections on the dimensional values in interior design projects. After that we discussed the former studies which discussed same subject of this research which enabled us, supported by what earlier has discussed in theoretical chapters through concluding indicators build on the basis of test tools in procedural chapter and that it represented an achievement for the first phase of the research approach in solving the pro bl em.While second step which is applying concluded theoretical form that has been implicated in the third chapter in which we discussed procedures and steps followed in research on its present form in order to achieve the objectives of the research, starting with the description of the approach adopted in the research which is a descriptive approach as well as the phenomenological approach in the analysis, and identify theresearch community and the election of the sample according to research on several criteria that fit with the goal of research, then we dealt with aspects survey of the building tool by creating survey application tool and check its apparent credibility verifying the validation of the tool by external analysts in the company researcher, so we can measure the relationship between the variables according to the note form for analysis then to discuss the results in the fourth chapter to draw conclusions and the most notably were : • narrative stimulates our minds to clarify our vision of design in internal projects since we are encouraged to confer complexity in our thoughts to activate unexpected innovative solutions achieving the appropriate between vision and the completed design.• Efforts to form and support our designs by the narrative is the same that help the interior space recipient to understand us better and more effectively deliver the visual message to them.And search came out with some of the recommendations, most notably : - • The interior design theorist must take in consideration, when heading towards other fields of knowledge to gain from, defining the limits of concept without leaving them fuzzy and with unknown potentials.• Designers have to embrace the idea of promoting the impression of the interior space nature in harmony with time and place in a way that support the designing event and confers upon it drama in aesthetic and functional performance of interior design.Finally, to pave the way for research in the future indicating the beneficiaries of the research.

تقويم اداء مدرسي التربية الفنية في المرحلة الثانوية على وفق مؤشرات معايير جودة التعليم == The Assessment of Art Education of Teachers’ Performance Secondary Schools According To Education Quality Standards

اسم المؤلف: هدى خليل حسين عبادة
اسم المشرف: صالح احمد الفهداوي
الموضوع العام: الفنون الجميلة
السنة: 2012
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يشهد العالم المعاصر اهتماما متزايدا بمعايير الجودة في العمل، وبخاصة في ميادين العمل التربوي، وياتي ذلك من اقتناع كامل بان جودة التعليم تكون في وجود معايير محددة ودقيقة تصل في طموحها ودقتها الى درجة توضيح ما يجب تعلمه واكتسابه والمستوى المطلوب الوصول ا | The world today interested in quality standards at work, especially in the fields of education & fully convinced that the quality of education depends on the presence of specific measures and assessment criteria. That depends on the education policy & stakeholders to clarify the level of assessment of what should be learn &gain. Nevertheless, the level and assessment of quality of education & assessment of teachers is not something absolute. It require multiple criteria’s (dependent and independent variables) that should not always be connected to each others, nor to be placed opposed to what the system mean to achieve (the quality of education & teachers development). Therefore, we must look to the quality standards as a whole in terms of student’s advantage & development including the aspirations of the community. Which depend on the quality of the educational system & the services teachers provided over - time. Thus, the quality of education system as an expression of social aspirations has to be measured each year, and according to the national specific measurements. That must be designed in line with international education standards. Therefore, it’s argued that the measurement stage and the formulation of teacher’s development criteria to keep in mind the input and output of the educational system is the must.Its suggested that the criteria to measure the service of teachers and its outputs must be known to everyone, whether to the professional level in the departments of education, the local grassroots (the student’s parents), the teachers & the students. In this context Iraq is not exception it must put itself in comparison of regional and global education assessment system. Towards that end, this study suggested that the education’ managers & the teachers can modify the system according to students need & future challenges. Therefore, the importance of education’ managers, the teachers, the intellectuals, the students participation in the process of laying the standards of education is important. Including the education ministries who are responsible for setting priorities & quality of education, and what must be measured for the education system & teachers is necessary.Therefore, this study focuses on the application of quality standards to evaluate the performance of the teacher in Iraq’s secondary schools, thus, this study’ aims & objectives are : 1. To prepare a list of criteria to evaluate the performance of Iraq’s teachers of art in the light of international standards.2. To evaluate the performance of Iraq’s technical teachers & their standards of quality in education.For the purpose of achieving the objectives of the study the researcher prepared a list of criteria according to the international measurement to evaluate the performance of educational institutions practices in the Arabs, European and other countries. Moreover, 140 samples were selected from the schools community including principals and teachers of art education, who belong to the secondary schools under the directorate general for education in Diyala city.For the purpose of achieving the results the researcher used the statistical methods of Fisher, and concludes : 1. The assessment of teachers, ability and value of work is highly important.2. The ability of teachers to participate & develop education system is the most.On the line of the above result it’s recommended that : • Teachers’ training to curry technical self - assessment is important & Promote a culture of quality appropriate for the quality of the teaching needs.• Provide teacher’s program of art education base in Iraqi universities & colleges to keep pace with contemporary developments in the field of teacher worldwide & Conduct an evaluation study of the artistic education curriculum in accordance with the standards of overall quality.

اثر انموذجي الدورة التعليمية وبوسنر في التغيير المفاهيمي لمادة طرائق تدريس التربية الفنية == Effect Is Two Models Learning Cycle And Posner In Conceptual Change To Article Teaching Art Education Methods

اسم المؤلف: زهور جبار راضي العطواني
اسم المشرف: ماجد نافع عبود الكناني
الموضوع العام: الفنون الجميلة
السنة: 2012
الموضوع الدقيق: التربية الفنية
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Conceptual learning is considered one of the present time achievements. For this purpose, many models and strategies are proposed to teach concepts. The educationalists are faced with the problem forming the misunderstood concepts of the individual basic knowledge. There fore the need arises to identify and determine these concepts. Many Arab and foreign studies have identified these misunderstood concepts and it is shown that many students suffer from such concepts. On this basis, many researches are carried out to change this by using different templates and strategies.The aim of the present research stems from its focus on the misunderstood teaching concepts of the students of art education college of Basis education, relying on the cycling teaching model and posner's concept change model. In this regard, the present research attempts to develop teaching strategies.The research specifies the research problem as follows : Q1/ Are there any misunderstood concepts the learner carries out of experience and keeps them in mind regarding the methods of teaching art education?Q2/ Is there a preference for the model based on the structural theory principles which can change the learner's concepts?The present research aims at : 1 - Identifying the misunderstood concepts of art education teaching syllabus (course) of fourth year students in the department of art education.2 - Showing the effect of cycle teaching model and posner's concept change model as foe as teaching art education is concurred.The research sample consists of 51 male and female of the college of basic education.The procedures of the research are as follows : 1 - The identification phase this identifies the misunderstand concepts in teaching art education.2 - The remedial phase : The use of the models to modify and correc't these concepts.To achieve these aims the research uses a number of statistical tools, coble formulaic, T. test.The research has came up with the following result's : 1 - identifiion phase : The total of misunderstood concepts research to 32 concepts out of 60 which constitutes 53 perlent out the total number of the distributed concepts.2 - results of the remedial phase : The students average score who studied art education about the after test with using test (croscal walis) for three group and the students average score who studied art education using the cycling learing model consists of (55,5) with test (man wetny) and the students average score who studied art education using the posner model consists of (57,5) with test (man wetny) average of the control group who studied in the normal way and result of average between group one (studied by learning cycle) and group two (studied by posner) with out any average score.

تصميم تعليمي تعلمي باستخدام نظريات الاتصال الاقناعي لتنمية مهارات طلبة كلية الفنون التطبيقية في مادة ن الاعلان

اسم المؤلف: احلام محمد جرجيس
اسم المشرف: عبد الكريم لعيبي الربيعي
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: التربية الفنية
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

تصميم الحلي المعاصرة في العراق وتقنياتها == Design of The Contemporary Jewelry In Iraqi And Its Techniques

اسم المؤلف: وسن ناصر الشاوي
اسم المشرف: محمد جاسم كاظم | محمد ابراهيم محيميد
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: التصميم الصناعي
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: استحوذت الحلي على رغبات شرائح واسعة من الناس في العالم، وفي العراق كانت الحلي ولم تزل من المتطلبات الاساسية الهامة في حياة النساء فهي تعكس الجوانب الاجتماعية والاقتصادية وهي دليل على ثراء ومكانة مرتديها. لعب وزن الحلية ومقدار قيراطها دورا مهما في تصاميمه | Jewelry design in the world has occupied a considerable part of population's interest. In Iraq, jewelry was and is still a necessary and important requirement of women's life. Jewelry reflects the economic and social aspects of life and people. It is an evidence of richness as well as social prestige. Metal weight and carat plays and important role in quality of goldsmithery and jewelry design. Further, precious stones play a remarkable part in both the type of design and the value of the ornaments Moreover; metal coloration has its effect in showing the aesthetic aspect of metal, and is used as an element to enhance the impact of the jewelry design.The use of enamel in jewelry coloring has played an important role, and has its stature on both gold and silver jewelry. The study lies in five chapters and deals with both design & techniques of the contemporary jewelry in Iraqi, focusing on the precious metal and gem jewelry. It has two goals : 1 - Identifying the bases used by the designers to create the shapes used in contemporary jewelry design. 2 - Clarifying the techniques employed by contemporary jewelry designers in Iraq.The most important findings of the research are. As for the first goal, it is found that : 1 - Iraqi Contemporary Jewelries are usually made of gold and silver, platinum is not used. 2 - Iraqi designers fall under the impact of cultural and economic factors. 3 - The continuous use of (Mina) in gold and silver jewelry coloring. 4 - the large use of geometrical shapes and designs. 5 - Designers used symbols, especially those derived from religious believe.As for the second goal : 1 - The use of several techniques in the jewelry making such as different types of casting, cutting, wilding, forging, drawing, pressing, rounding, bending, punching, rolling and other modern techniques. 2 - In decorating valuable metals (gold and silver), the designers used the techniques of sanding, perforating and filigree. Examples of designs and techniques employed are shown in color plates

استلهام الاشكال الواقعية وتطبيقاتها في تصاميم الاقمشة المعاصرة == Inspiration The Natural Forms And Their Applications At Modern Fabric Design

اسم المؤلف: اسمار عبد الوهاب علي مال الله
اسم المشرف: ناصر حسين الربيعي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The nature is a basic element for designer because it's containing variable elements as spots ,lines ,areas ,tangent forms ,colors ,and spaces and these elements consider at permanent change at visual view upon in what happened at the nature of such variables so it's controlled by nature law as birds , animals , insects ,fish ,shells ,coral groups ,sea waves , followers and plants.The role of designer is coming to extract what is wished to of such visual system to achieve what does he want to express for his own vision , and by his different performance means then the creative eye could see at the nature different designs and on great degree of accuracy and the design it consider as of many expression fields that sensed by human since of his existence on the earth and his insisting of need so the human concluded to centuries of meditation for different aspects to the basic of science and what occur on it of developments to reach with us of great revolution of science to recent century so the designer become as the important role of taking the different appears of nature as testing look and got of awareness ability to discover in what own of arts values and so we should choose the designer to achieve his expressional goal and to put the suitable solutions for designs problems.The fabric designer have the ability to inspire of his many source and multi means as to get for the obvious source inspiration or influence by representing source has the motivation of inspiration so the good designer who influences with all surrounding of direct optical visions effects or effects of inspiration designs invited him of thinking and meditating and analyzing represented as inspired design so every thing he , could do is a reflection for accumulated information results of previous optical or conceptual vision of the life and environment and behaviors , from this it come the recent subject study of ( the realistic forms inspiration and their applications at mordent fabric designs ) that included fourth chapters by using digital technology and the research goals were to discover the realistic forms and employment it to inspired designers of modern fabrics women by using digital design ?and the research goal is discovering realistic forms which inspired by designers then it employed their designing works ( on fabrics women ) and secondly to know the realistic inspired applications for modern fabrics women the research identified by subject to study the realistic and inspired forms to design the modern fabrics women and the research limited at time to design the modern fabrics women for the period 2009 - 2013 and local.Second chapter limited by many researches the first got the realistic forms sources and inspiration at nature and the second chapter got of the application of realistic forms and then it were extracted the signs that took by theoretical frame and by previous studies as follow : Third chapter took the research procedures that included the research's curriculum as discretional analyzing and research society that amounted of ( 93) designing models and removed of ( 70 ) designing models because their repetition and inconvenient of the research purpose so the residue were(23) of samples and upon the sample selection were mentally selected and about the research instrument were presented by bill of fabrics women design that prepared by researcher and included many axis's , the expertise were confirmed on it on basis of samples analyzing and then confirmed it validity according to bill's axis and for the fourth chapter it included the major results that concluded by the study as follow : 1 - The versatility of the inspired designing forms resources as natural resources to represent the realistic life because their a viability and their beauty specially the plants upon contained the love of God of beauty get the benefits of designers by employing it for fabrics designs specially the women designs that depended on it by designers to move the acceptance awareness as result of belonging to there realty then the inspired forms comes of the civilized heritage because it consider as a source and basis for design that never be ended so it's assign of civilizations and their symbols and the it inspired from the manufactured environments where it comes with medium ration and their employed as continues renewing as times and upon the forms inspiration by the society environment as the less ratio of appearing.2 - The executed forms by using the inspired application for the direct transferring decoration from the Islamic period3 - The appeared of designed style applications of indirect that's mean the modified and selected were used as many and it's followed to performing the forms where it shows the inspired forms as new character by new additions and arrangements gives the forms new look and sign get out of imitation.4 - It appeared the new style of implementation the inspired designs creations from the reality depend on inspiration of the natural reality beauties and not just literally transferring of reality so it harmonic with renewing spirit and technology developments science.Adding to the chapter itself included for the recommendations and suggestions.

اليات الارتجال ووظائفه في اداء الممثل المسرحي == The Events of Improvisation And Its Functions In The Performance of Theatrical Actor

اسم المؤلف: فراس محمد رضا الموسوي
اسم المشرف: وليد شامل حسين
الموضوع العام: الفنون الجميلة
السنة: 2014
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: شكل الارتجال في فن التمثيل احد المحاور الاساسية المهمة في الاداء بوصفه لا يستند الى نص درامي معين، بل انه يعتمد على القدرات الذاتية للممثل كونه يمتلك موهبة العطاء الفني مما يجعله في موضع التركيز الدائم، اذ اصبح من الضروري ان يستند المسرح المعاصر على ال | The Improvisation in the art of acting is a main points task performance as not based on the text of a particular drama , but it depends on the capabilities of the representative of the talent he possesses technical bid , making it permanent in focus , as it has become necessary to place that is based on contemporary theater Activity improvise when more filmmakers starting from ( Arto and Peter Schumann ) and others , and perhaps this achievement creative improvisation has public functions , especially in the style of a theatrical performance , prompting a lot of directors to open studios , or workshops for representative in order to make a theatrical presentation of contemporary authorized to work crews on the one hand , and improvisation on the other hand so that the contemporary theater depends on the dramatic text and evaluates the improvised theatrical shows derived from the cooperation and participation of the Technical Group.The researcher dealt with the concept of improvisation, and his activities in the theoretical framework, which explained its importance in the uses of the fact that spontaneous or artificial, but this title was maintained for it to go on the level of exercise and width, has been shown to improvise supports standard design, and the idea of automatic rationality also depends on the power of observation, and speed intuitive, and immediate response, and the speed of communication with the unit topic, event, and dialogue, and the target. the first chapter of the research problem, and need for, and importance of, and purpose, affection extent, the definition of terms.The second chapter of the theoretical framework researcher divided in three sections , the first section : the concept of improvisation , the second topic : improvisation trends in contemporary theater , while the third topic : the improvisation activities and functions.The third chapter allotted researcher for two things discussed a specific community, and specimens and analyzed , namely : A - A play written further notification to Abdul Karim Sudanese, directed by Sami Abdul Hamid.2 - Burda written and directed by Ghassan Ismail.3 - apologized to my teacher did not mean that authored the emotions of bliss , output Dr. Haitham Abdul Razak.The fourth chapter guarantee results and conclusions of the researcher to decompose over the eyes of this chapter also included proposals researcher and a list of sources " and references.

اشتغالات التجريب في عروض المسرح العراقي == Ostgalat Experimentation In The Iragi Theater Offers

اسم المؤلف: قصي شفيق توفيق امين الدلوي
اسم المشرف: زهير كاظم علوان الشمري
الموضوع العام: الفنون الجميلة
السنة: 2014
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Experimentalism has become the most essential components according to artist of theater in presenting all the additions and innovations because it is not a luxury but technical solutions come closer with the wishes, needs and the language of the viewer, to know that experimentalism is a multiplicity of visions, various trends, and that is the secret of the richness of the artwork. The present study attributes to the characteristics of experimentalism, and the most important experimental innovations that emerges through the creative achievement by the Iraqi director of theatrical art, pointing to the most important experimental additions of theater show and what are the methods by which to achieve these experimental additions of Iraqi theater.The present study consists of four chapters : Chapter I : Methodological Background which includes : The problem, the aims, the hypotheses, the procedures, the limits of the study and the value of the study.Chapter II : Theoretical Background which includes : • The first topic : the Concept of Experimentalism : The researcher presented the concept of experimentalism and the most important definitions, and then the emergence of the factors of experimentalism in the theater, and its characteristics. • The second topic : the Characteristics of Experimentalism in the Theater : The researcher presented the characteristics of experimentalism in the Greek theater, the Roman theater, the Middle ages, and the Renaissance age, where the researcher refers to the theater directors and their experimental innovations through their creative theatrical shows• The third topic : Experimentalism in Modern Theater : The researcher presented the characteristics of the trends of Aristotelian experimentalism in the theater, the trends of non - Aristotelian experimentalism in the theater, and the experimentalism in the contemporary theater. The researcher pointed to the characteristics of the theater - directors in the world.The researcher pointed to the most important results that came out from the theoretical background and has been applied to examine its validity upon Iraqi theatrical shows presented in Baghdad by professional Iraqi directors.The researcher refers to the previous studies were two of them related to the performance and directing, which arranged by date as shown : A. Diya' Kereem Rzeig, "Experimentalism And Its Impact On The Iraqi Theater." 1989. B. Bahaa Zuhair Kadum," Characteristics of Performance Analog In Experimental Theater In The College of Fine Arts." 2012. C. Mudaffar Kadum Mohammed, "Experimental Theater Techniques And The Development of The Performance.".2012. D. Yusuf Hashim, "Characteristics of Experimentalism In Academic Iraqi Theater.".2014. Chapter III : The Procedures : Selected samples based on a questionnaire presented to the theater experts, pointing through it to the theater shows which have experimental features. The researcher adopted the descriptive methodology in analyzing these samples. The study includes tools like documents including books, magazines, CD and Photography which adopted by the researcher in tracking the attributes of experimentalism of the selected theatrical shows.The Selected Samples : A. The Play : " Diamond Party" Directed by Salah Al - Qasab.B. The Play : "Cedra" Directed by Fadel Khalil.C. The Play "One Who Stayed awake In His Hallucination" Directed by Ghanem Hamid.Chapter IV : The results and conclusions, recommendations and suggestions for further studies, list of references, appendices and abstract in English

انعكاس ثقافة المجتمع على اداء الممثل العراقي == A Reflection of The Culture of The Community On The Performance of Iraqi Acter

اسم المؤلف: سعد فاخر شبوط
اسم المشرف: راسل كاظم عودة
الموضوع العام: الفنون الجميلة
السنة: 2013
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: As the diversity of the phenomenon of cosmic manifests itself in the world of nature , and because of this diversity of manifestations of creation major , so culture is a necessity in the renaissance of peoples so that you see human life at every level , including social, economic, political , and religious and cultural heritage , it must be multiple in both life and concepts , systems and traditions , and people's habits , and actor as one of the pillars of cultural , this research answers the following question : how the reflection of the culture of the community on the performance of the Iraqi theater actor , has included research on four chapters : Chapter I : methodological framework , which consists of : ( a search problem , its importance, and its goal, and the limits of the search, and determine the terms ). The second chapter has dealt with the theoretical framework , the research has been divided into three sections are : The first section : the concept of culture : in which he addressed to the concept of researcher Culture and Taalgah with society and the environment The second section : ( the art of acting and performance references ) : in which the researcher tracking the art of acting wath references the culture Section III : ( cultural component and the actor 's performance in theatrical trends ) : In this section the researcher reflections on culture trends plays , on the performance of the actor. The third chapter : dealt with the search procedures , has been divided into five sections : ( search procedures , and society, and the research sample , method , and the search tool ). The research sample was represented by five Iraqi theater has offered since 2003 to 2013 The fourth chapter : was the search results and the conclusions and recommendations and proposals. The research concluded with a list of sources and references , and a ABSTRACT in English

التنظيم الشكلي للفضاءات الداخلية الحديثة للمجمعات الطبية الخاصة == The Modal Regulationof The Modern Interior Spaces of The Private Medical Complexes

اسم المؤلف: بان احمد ابراهيم
اسم المشرف: عباس علي جعفر العبيدي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الداخلي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The interior design, with its lavish results, in terms of construction and performance, is more than other arts closest to the people, on the basis of the art that treats the difficulties which we face in the field of movement in the interior spaces. it is an essential part of the overall architecture of the building , it is the link between the parts of the building as a integral, elegant and assorted band. It is the max goal Intended to provide an internal environment. The patch vastness is illuminative in place with moderate air , scented space , aseptic atmosphere , comfortable furniture , full supplies, bright colors, adorned walls and full significance. It does not send boring nor boredom feelings , rippling in delight and calling for optimism. The heart exults in its sweet music.it constitutes, with these specifications, an example architectural, and be a masterpiece achieving performance today it is a work of art achieving advanced functionality and aesthetic considerations bestowing, on the human, psychological and physical and intellectual comfort bringing him closer into a lot of safety and reassurance area despite suffering where damaged by disease enforced to visit the medical complexes or the fate led him to work in whatever type of work was.Therefore this research deals with the failure of medical complexes in the provision of internal spaces that meet the humanitarian needs of the physical and mental ones to its users. Accordingly this research came upon the modal regulation of the interior spaces of the modern medical complexes , the idea of this research is generated from a research problem - what is the role of the modal regulation of the internal spaces of the modern private medical complexes to meet the needs of the occupants ? The research aims to detect the modal regulation of the interior spaces of the modern private medical complexes in terms of performance and aesthetic form in order to access to modern interior design.The importance of research hidden in the fact that these complexes must be within the terms of modern therapeutic environments in the world regardful the scientific and technical progress in the methods of providing medical and therapeutic services to the general public, regardful the aesthetic side and achieved through the creation of a modal regulation leads to the performance, functional and aesthetic purpose.The research relied on theoretical study and the analytical study of the healthful spaces. The research is divided into four chapters , the first chapter of the research included the problem of the research and its significance in addition to clarifying and defining the goal and borders and the definition of the most important terms contained therein , the second chapter dealt with the theoretical framework which consists of four pivots, the first one included the studying of the shape concept and its philosophy the sources of the shape and regulation and modal comprehension. the second has dealt with the concept of form in interior design and objectives of the modal regulation in the interior design, properties in the interior design,influencing factors in the modal regulation and the modal relations. The third topic dealt with the modern techniques and their influences on the form of spaces in the stage of Postmodernism, the form in the interior design in the stage of Postmodernism, trends of the movement of postmodern, disassembly internal space according to the modern vision, the impact of new technologies in the design of the internal space, modern ores, modern techniques of raw materials. While the fourth topic was taking about the modal regulation of the elements of the knowledge of the interior spaces of the medical complexes, the concept of inner space, forms of internal space, regulation of internal space, elements of knowledge of the internal space, vertical and horizontal determinants, the optical elements of the interior spaces of the compounds medical, furniture elements of the internal space decorative elements in the design of the internal space and the environmental control systems.The chapter 3 favored with the research procedures where adopted the descriptive analytical method in the research sample which represented by the sample of the form of medical complexes with the regulation and preparing an application for the pivot analysis based on the indicators of the theoretical framework and adopted as a standard basis and in the process description and analysis.The research included the current interior design (of the internal space of the medical complexes) that was established for the period from (2003 - 2013 ) and still operating for the fact that this period specifically represents several intellectual variables on the level of the architecture and interior design the most important of them is the appearance of the enormous technological discoveries which played a major role through modern techniques and its relationship to the performance and function of interior design space for medical complex at the level of the body and the raw material ,so they were counted according to the specific considerations , specifically that fit with the theme of the search, bringing the research (7) medical complexes on Al Karkh area. Samples of research were selected from it in a deliberate manner. The results have been circulating on the society as a whole , the research relied on the sample intentionality by ( % ) consisted of three internal spaces of the medical complexes. It has been chosen for the research because it is differentiated in terms of the use of modern technology at the level of functionality of these spaces. So the three spaces below were chosen as a sample for the research because they share with each other considerations in determining community and differ from each other in terms of interior design , namely : 1. Iraqi Specialist Medical Centre. 2. Dar Es Salaam Medical Center. 3. Razi Medical Center.The fourth chapter has been included on results, the most important are : 1. The non - completion of some of the vertical determinants of top of space,which was resulted to us cacophony of modality in the case of the design which had a negative impact on the achievement of the performance career, as well as giving a clear impression in the negative aesthetic taste which reflects the foolishness of the interior designer.2. The absence of fixed supporters at the vertical limiter which imposes their conditions as a system especially if the absence of theses supporters has a negative impact on the job achievement performance for the privacy of the users of thatbuilding.3. The glass material for doors and windows is free from the self - cleaning properties in addition to the fact that it never provides solar protection and acoustic and thermal insulation, while there is an alternative material of glass where these properties are available in it, which contains the NANO technology which led to weakness in achieving functionality and aesthetic.In light of the findings and its discussions has been going out some conclusions : The absence of typical architect in the building complexes body (medical specialist ) led to the emergence of some of the functional and aesthetic problems in most of the complexes.1. The absence of the use of modern materials due to unavailability in the market or difficult to be purchased impacted negatively on the general authority for architectural and interior medical complexes.2. The absence of the role of the interior designer in terminations and specialist furniture in addition to improper distribution of lighting impacted negatively on the aesthetic and functional values of the medical complexes.3. , The absence of the specialists in the selection of materials of the finishes and furniture caused a breach in the colorimetric regulations which led to confusion in achieving the aesthetic aspect of the medical complex.The research ends for submission of proposals and recommendations pertaining to the subject of the study.

تناسق التقنية والوعي الجمالي في اظهارات الشكل الخزفي == Systematic Between Technique And Aesthetic Awareness In Ceramics Art Works Presentations

اسم المؤلف: فاروق عبد الكاظم غانم
اسم المشرف: سلام جبار جياد السوداني | احمد هاشم عبد الكريم الهنداوي
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: الخزف
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

اشكالية القبح وتمثلاته في الدراما التلفزيونية

اسم المؤلف: مصطفى عبيد دفاك التميمي
اسم المشرف: علاء الدين عبد المجيد جاسم
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: بقي مفهوم القبح في الفن غير ظاهر في مباحث الفلاسفة الجماليين بوضوح تام على الرغم من حضوره بوجهتيه الابداعية والنقدية، فالفنان يتناول القبح بوصفه مادة ابداعية مرتبطة بالتجربة الجمالية التي تثري المخيلة من خلال التواصل بين النتاج الفني الذي يعمل على تمثيله

البساطة والتعقيد في بنية تصميم العلامات التجارية == Simplicity And Complexity In Brands Design Structure

اسم المؤلف: رؤى جعفر سعيد ياسين
اسم المشرف: مها اسماعيل علي الشيخلي
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: This research addressed the subjects of simplicity and complexity in brands design structure, because these two styles of simplicity and complexity play an effective and important role in the design of brands in order to attract the largest number of recipients. The problem lies in how to use the styles of simplicity and complexity correctly and without exaggeration to deliver a clear message to the public. Thus, the messages will not be limited to the expression of the benefits of products only, but also calls for believing and trusting the brand for greater impact and effectiveness on the recipients, so the brand design structure is considered one of the problems faced by some companies trying to attract consumers to remember their brand and set it apart from competitors, and hence the researcher has put the following question : How is the simplicity and complexity in brand design structure exemplified? The aim of this research is to reveal the simplicity and complexity in brand design structure. This research focuses on the styles of simplicity and complexity in Ogilvy agency in the United State of America, in the years (2011 - 2012). Chapter two included the following topics : first topic : the concept of simplicity and complexity in art and design, second topic : simplicity and complexity in graphic design, and the third topic : the structure of brand design.The researcher then mentions one previous study (Brand Personality Creation Through Advertising Design), then the research’s procedures were mentioned, which included the research methodology and research population which was world famous brand designs. The study sample was chosen to be fifteen (15) samples consistent with the requirements and nature of the study, the researcher has shown the study’s tool represented by the analysis form which included several aspects and were presented to experts and research committee and based on that, the samples were analyzed. The results were based on the most important analyses, of the most important results : 1) the style of complexity in design is represented by an increase in elements during the suggestion process, as the design becomes crowded by many elements adding beauty and visual appeal denoting the vitality, youth and the spirit of the young because of the multiple shapes and colors and their variety. The multiple colors and vitality in design attractthe viewer’s eyes towards commercial advertisements and more importantly towards the brand.2) Globally, brands care about designing the shape of products, and having a unique identity distinguishing it from competitors in designing their products and keeping their principles of providing the same high quality and continuing in providing the best always, the outer shapes of a product helps remind people of the brand and sticks in their minds, even if a company wanted to change it in the future, it will try conserving the general and main style of the product shape, and changing simple minor things like the shape of the Fanta bottle in sample (4) and the shape of the Audi car in sample (13).And the main points of the conclusions : simplicity and complexity are important in brands design structure, and both are used by global brands, andit depends on the strength and success of the idea by the designer and the useof thoughtfully selected elements and how they are distributed in a way to attract attention. The most important recommendations : it’s necessary toselect appropriate elements in terms of colors, shapes, lines and graphics, and how to assemble them to attract attention in a way that achieves a successful thoughtful advertising message with strength in creativity. The most important suggestions : the aesthetics of the simplicity style in graphic design.

التنوع التقني الحركي في تصميم الفضاءات الداخلية == Technical The Moving Diversity In The Interior Design

اسم المؤلف: احمد طالب جساس
اسم المشرف: سداد هشام
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الداخلي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: نظرا لما يعانيه التصميم الداخلي من فقر واضح في توظيف التقنيات الحديثة للحركة الوهمية في تسيير الحركة الفيزيائية وخاصة في فضاءات الفنادق والذي يعتقد ان سببه هو قلة الدرسات في البلد التي توفر قاعدة معلوماتية للمصممين مستندة على ردود افعال الناس حول انظمة | Given the suffering of the interior design of a clear poverty in the recruitment of new technologies for the movement of the phantom in the conduct of physical movement and especially in the spaces of hotels and who is believed to be caused by is the lack of Studies in the country that provide a database for designers based on the reactions of people around the phantom movement in the internal spaces Systems to be this movement to adopt a tool in spaces of hotels in stimulating the motor inference (physical movement) in spaces which is one of the most important things to be the designer to deal with it so we found that we contribute as a service to the country in search means this aspect of publicly close the part of the knowledge gap in this area. The one who came research the problem by asking : what technical variations in motor design interior spaces. And when the review of the hotel spaces and the great diversity enjoyed by found begin Pfdhaouat can be controlled in its dimensions and diversity of the material. We found that spaces Burj Khalifa of the newest hotels used where these kinetic techniques and private spaces of the main halls of the reception and restaurants within the hotel space and corridors of the hotel and could help put the blocks information could be expanded by future studies more comprehensive spaces of hotels and technologies motor. Find and goals came disclose the modern techniques of the determinants of the movement in the design of administrative spaces. And the disclosure of the impact of technology in determining the physical movement. The axes of the theoretical framework has been included on the three sections first addressed the concept of technical diversity and the second movement dimensions The third intake movement techniques in interior design down to the theoretical framework indicators and then the third quarter, which resulted in research procedures in the internal spaces of the Burj Khalifa analysis is the most important results that determine Vocabulary formal and characteristics of morphological, among the determinants of the structural organization of the space, longer Based prototype of the effectiveness of structural relationships in the global configuration of the system motor, which is transforming the movement of just a sequence and juxtaposition to the same comprehensive indication of the independence of the locomotor system space facts, and that supplements are not the axis or center secondary but as a verb based on attraction and confirms the continuity of kinetic space, working as units overlap and blend with the overall design level. The most important conclusions was, Toss techniques that regulate some of them with some of the elements giving the variation in space, achieving an imaginary kinetic system to adopt materials in a modern way in the investigation because of its functional aspects.

الابعاد الفنية للنحت المعاصر في بلاد الشام == Technical Dimensions of Contemporary Sculpture In The Levant

اسم المؤلف: علي رضا عبيد المعموري
اسم المشرف: عامر خليل ناصر الشجيري
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: النحت
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تكون البحث الحالي والموسوم (الابعاد الفنية للنحت المعاصر في بلاد الشام) من اربعة فصول. اختص الفصل الاول بالاطار المنهجي للبحث الذي تناول مشكلة البحث وحدوده وهدفه وتحديد مصطلحاته وتلخصت مشكلة البحث، بالتساؤلات الاتية : هل هناك ابعاد فنية في النحت المعاصر ف | The current research and be marked (technical dimensions of contemporary sculpture in the Levant) of four chapters. Chapter singled out the first systematic framework for the search, which dealt with the problem of research and its borders and its target and determine the terminology and summarized the research problem, the following of questions : Is there a technical dimensions in the contemporary sculpture in the Levant? Is there any effect of these technical dimensions of public taste in the Levant?The first chapter also discussed the importance of research and the need for it, and also contained a goal of current research, (you know.... the technical dimensions of contemporary sculpture in the Levant), either limits Find the period between (1972 - 2014), as well as determine the terms contained in the Title of the study.The second chapter of the theoretical framework and indicators and previous studies, it has dealt : first topic : the technical references in the Levant which is on two axes : the first axis : About civilizations (Phoenician, Canaanite, Aramaic). The second axis : technical references.The second topic dealt with form and content, while the third section of contemporary sculpture has been addressed in the Levant, and Chapter III (research procedures), the research community and a sample search and search tool, as well as research methodology and analysis of the amount of the sample (16) model.The fourth chapter (results) include : results and discussion, conclusions, recommendations and proposals.The most important findings of the researcher : 1. sculptural diversity of subjects in the Levant from realism to abstraction than Sort artistic dimensions with a variety of aesthetic values.2. we find that the self - carving in the Levant resorted to rapid performance in the completion of work after what has been in the search for the essence of things is no longer an interest in simulations actually aspired to as much as in all his research sample models.3. affected Nhato Levant experiences postmodernism, which fell into under Rdaoualpop Art through the execution of the sculptures inspired by the popular tradition.4. invested Nhato Levant worried about the budget as a means Azaarah produced a valuable aesthetic and expressive high.But the conclusions1. the severity of the dimension aesthetically influential in the overall shape of the artwork.2. The adoption of the Levant cutters on a variety of methods contributed to the technical dimensions of diversity through the typical manner in the implementation of the outcomes of sculpture.Search and included the list of sources and supplements and summary in English

التفكير المرئي ومؤثرات الخيال الابداعي في التصميم الكرافيكي المعاصر == Visual Thinking & The Effects of Creative Imagination In Contemporary Graphic Design

اسم المؤلف: بشار شامل كاظم الخفاجي
اسم المشرف: سعدي عباس كاظم
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الطباعي
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان عملية التفكير المرئي كاستراتيجية وادوات ومهارات لا تتجاوز حدود النظام التصميمي المتكامل ونواتجه الابداعية، وبذلك فان ادوات حل المشكلة التي افترضها الباحث بتلك الادبيات المتعلقة باختصاص التصميم الكرافيكي دفعته الى وضع الفرضية والهدف لتحقيقها وفق منهجية | The process of visual thinking as a strategy, tools and skills do not exceed the integrated design system and its creative outputs, therefore; the tools that the researcher proposed to solve the problem concerning graphic design has led him to develop the premise and goal to achieve it according to the research methodology, and concluded researcher concluded the problem of the research with several questions as follows : ? To what extent do the visual thinking tools and its strategies operate in the design and cognitive process?? What is the relationship between the visual and imaginative thinking as a system lead to the graphic design and its creative capacity?? What are the influences that surround the creative imagination as a generator of ideas and their representation to the actual reality of the visual message?? What is the role of creative imagination in contemporary graphic designation and its being universal cosmic being a visual message.? The researcher put a temporary answers to these questions in the form of a hypothesis that can be achieved through the goals of his research and limit his aim to the following : ? Identify the effectiveness of visual thinking and creative imagination effects in the development of contemporary graphic designer.The researcher identify the limits of his subject of thinking and imagination and what can be employed of them in the system and process of designation with its various outputs of contemporary feature. It is known that spatially in Europe and the United States being the forefront of the cultural landscape of the visual in marketing and advertising globally, the researcher temporally limit and cover the period between 2000 to 2010 to study the research community for being the period of the start of the contemporary graphic design, and the researcher then offers the most important terms in search of a (visual and imaginative creative thinking and the graphic design) the second chapter the theoretical cognitive framework and included three sections cognitive theoretical framework, the three sections as the researcher covered titles and themes that he uses as a base for making his research.In the first section the researcher reviewed the patterns of thinking and view the visual thinking as a system of visual thought processes, inputs and outputs as strategies and tools of visual thinking as well as the thinking skills and uses of visual thinking in education and training and the development of understanding, communication and business management skills.The second section deals with single fiction and fantasy conceptual and the role of the visual insight as well as the mental picture, and also tackles the process of imagination and the types of imagination (scientific, innovative, creative and fantasy) As well as showing the mechanics of the operation of the creative imagination and the role of visual culture, design and employ the mind to think.In the third section researcher reviewed the graphic design and its use as being a visual connection , and tackled the basis of the graphic design that enhance visual thinking in graphic designers and processors as well as the importance of formal relations association in contemporary graphic design. Chapter III contains the procedures of the research and specifying its measures which follow the descriptive analytical method. The form of analysis has been designed and presented to the group of experts and specialists, and accordingly the models, that have been selected in the study, have been analyzed.The fourth chapter included a presentation of what has been reached from the results the most important of which are the following : 1. The process of visual thinking and through visual elements, carried on according to the visual dialogue between these coordinated shapes and interspersed by semantic expressive and aesthetic to create speed in the delivery of visual message and create aside from recalling the recipient is also being generated to stay and then has a long - term impact.2. Adopting strategies of visual thinking in design and integration imparted in the visual dialogue of thinking between the designer and the receiver, being based on a single scientific basis which is clear and has positive result.3. The inherent role in visual thinking to stir the creative imagination of the designer role contributes to fire the imagination of space during the full knowledge of the mechanisms available to show the design and the possibility of the recipient to understand the message and increase its effectiveness.4. Programs and strategies used in the generation of creative imagination into a process leading to the application and realize the available skills of the designer and its potential in the development of his abilities and find new mechanisms to keep pace with the new relationships that lead her creative imagination.Then search the conclusions of which output : 1. The thinking which is based on the human senses depend on the two factors of time and space, and the specific aim away from the infinity of thought in the abstract.2. The scientific studies, dealt with the mechanics of visual thinking in humans offers the possibility to employ them in visual messages between the receivers to the source and the future in training, education and guidance and public discourse operations.3. The element of imagination in the process of thinking, is the core foundation in the integration of visual thinking with the functioning of the creative imagination with the designer and the receiver together.4. The leading programs and strategies used in the generation of creative imagination to ease the process of finding a relationship and infinite imagination within the analog reality away from the fantasy and illusion limits.The recommendations of the study are the following : 1. Interest in visual culture with the community to be a process replete with visual thinking tools and current and common which elevate the technological development and social variables.2. Urging for the spatial intelligence capabilities or the development of the picture, It is the key to technological development versus reality challenges and needs of humanity.3. Depending on the programs and strategies used in the creative imagination in general teaching methods and curriculum design, teaching students, in particular, the fact that the adoption of innovative solutions to the problems and demands of reality must be inherent in human behavior. Finally, the pages of sources are supplied with an abstract in English.

التورية بين الفكر التصميمي والواقع التطبيقي في الفضاءات الداخلية == The Pun Between Design Thought And Applied Reality In Internal Spaces Thesis Advanced

اسم المؤلف: زينب عبد العالي عبد الباقي
اسم المشرف: نوال محسن علي
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الداخلي
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يتناول البحث موضوعة التورية بين الفكر التصميمي والواقع التطبيقي في الفضاءات الداخلية، لتوضيح مفهوم التورية كمصطلح لغوي استخدم في البحوث الادبية وكون هذا المصطلح يشمل على معاني يمكن تسقيطها في تصميم الفضاءات الداخلية، لذا تمثلت مشكلة البحث عبر التساؤل ال | The research dialing with the pun between thought designing and applied reality in internal spaces , to Clare the pun concept as language term that used in literature research , and cause this term includes meanings that can used in interior spaces design , so that the research problem presented by the fooling quotation : - What available prospect in pun application in interior spaces treatment?the research has four chapters of the chapter I the problem of search (What are the pun application in the internal design spaces).It will address this problem by searching the title ( the pun and it applications Between designing thought and applied reality ) was the target of research depending on the problem that has been identified it : - - the definition of the pun concept and the extent of the involvement in designing thought type - Possibilities of pun applied in interior design the importance of the research was in : - the fact that the single new term and effective in interior design has not been addressed by the researchers from before, so it is a culture of modern design adds beautiful photos recipient the user , so its important.The research limitations included1 - the limits of objective : to study the pun subject applications in General interior spaces.2. The limitations of places : interior spaces commercial shopping centers, malls in the United Arab Emirates 3. limitations of temporality 2005 - 2014was followed by terms defection paragraph that used in the search , the secnd Chapter its theoretic farm in cloud three research the first one about pun concept ( language - Art - philosophy ) Second one it about designing thogh the third one about the pun and it applications in reaallty by using modern ticnecal.the theoretic frame get same indicators based onb An analysis of the models, Chapter three is the research methodology, which included descriptive approach in the analysis of Sample form included observation and analysis models and pictures of models aplecations , and the last fourth chapter Forms annulling the results of extracted from the analysis of the models and the results and conclusions The recommendations and proposals, the most results are : - 1. For the pun location of the space is implicit within its location in template I totally verified as part of and More of a part of the space and verified as being relatively includes all space, as the theme of the second template still disguise verified for relatively part of space, and is non - verified for more than a part and each space. The template III was lacking in mhwz is implicit in sites for more than a part and is relatively verified For the part of the space2.. Indications that is implicit in the template for special meaning it earned in appearance and implicit and also is the meaning of the second, the indications disguise is partially achieved for special meaning for the meaning of it is unachieved I (AVIC I) and but it achieved for relatively displayed, either for the template III is relatively achieved. And the most important conclusions were : 1. Modern packaging technology is no longer the most important applications is implicit in space, and that Its presence in a deliberate and systematic it buried a lot of unwanted also helps to highlight the function The inspirational within the space in which we recognize and deeper 2. The application of the technology that is implicit in interior spaces is the success of the application of modern technology as a tool which Technical Help is implicit in that apply within interior spaces.3. The tool is implicit is the technical The modern packaging technical B and this is no technical Technical packaging of the most important tools of the Help technology application is implicit in space, and that there is a lot of techniques, but that it is implicit packaging is one of the most important space

فلسفة التربيـــة الجمالية في ضوء الجمالية الالمانية المعاصرة == Philosophy of Aesthetics Education According To The Contemporary German Aesthetics

اسم المؤلف: علي عبد الكريم رضا
اسم المشرف: عقيل مهدي يوسف | ماجد نافع الكناني
الموضوع العام: الفنون الجميلة
السنة: 2010
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يهدف البحث الحالي الى بناء اطر عامة لوضع فلسفة للتربية الجمالية، كان الدافع لها بحث العلاقة التي تجمع بين الجمال والتربية بتعالقاتها، وتواشجاتها المتعددة والعامة؛ وما يعنينا هنا هو ما يخص قسم التربية الفنية تحديدا بوصفه القسم الذي يعد مدرسين للتربية الفن | The research aims to build general frameworks to form a philosophy to aesthetic education , the motive beyond this , searching the relation that combines aesthetics and education with all its various characteristics. What concerns us here is definitely what relates to the aesthetic education department , since it is the department which prepares artistic education teachers who are responsible for their future role concerning the aesthetic education. For all that , the research problem appears to show the negative side of students of artistic education department and their lack to react with post contemporary production in both sides , the artistic and the philosophical ones. This forms a gap which should be faced and tackled by reinforcing the student's philosophical and aesthetic fields ,also, to introduce opinions of post contemporary in its intellectual field. That is beside reinforcing and enriching this field by showing its application in the artistic production , and the way of tasting the aesthetic appearance , and finally criticize and give decision. This happens to form a part of artistic education department performance integrative in the light of knowledge development and present time requirements to achieve a high level of specialization. Therefore the research gives additional knowledge that mix the specializations which compose it , which are also the philosophical educational and aesthetic opinions of the investigated institutions through which the research importance appears as well as what the research introduces of intellectual and aesthetic principles for each philosophy of the four investigated philosophies. Testing the four philosophies was intentional for its implication to intellectual and critical principles , that reinforce post contemporary production readings. The debate with the specialized in the scientific committee - which confirmed the research - has a significant role , that these philosophies are put of the Contemporary German aesthetics which represents the twentieth century philosophy in its speculative stream.The Four Research Aimsa - Limiting the aesthetic education philosophy intellectually ,objectively and functionally.b - Knowing the mechanics of Contemporary German aesthetic thoughtc - Investigating principles and laws that establish to the aesthetic education philosophy according to the philosophy in question , with its intellectual organization and harmony that can be reliable considering as a base for the aesthetic education.d. Suggesting a curriculum for the required aesthetic education.The current research was surrounded with a philosophical framework , limited by the Contemporary aesthetic ( the Neo - Kantianism, phenomenalism , Frankfourt School , Acquisition Theory )This framework extends and penetrates with the artistic education philosophy in a selective manner , lacking in consideration requirements of preparing artistic education teacher , in his turn , Iraqi privacy , time requirements and the academic need to achieve the aesthetic educational philosophy. That what the first chapter included in addition to specifying the important terms that the research title implied : philosophy , education , aesthetic educational philosophy ,and modern German philosophy. The second chapter included four chapters. The first three included the philosophy , education , and aesthetics according to essential nature ,structure and the general directions. the last section included the aesthetic educational philosophy according to the historical roots , meaning , teacher and learner , aims , curriculum , teaching methods and functions of the aesthetic educational philosophy.The third chapter dealt with the Modern German aesthetics. It included four sections containing : Neo - Kantianism, phenomenalism , Frankfourt School , and Acquisition Theory according to structure and aesthetic essence. The researches concluded evidences of the Contemporary German aesthetics. The fourth chapter contained the research procedures which included the research society ,sample , research design , construction of analysis tools and analysing procedures for the artistic samples of post modernity art streams that the researcher chose consisting of fourteen paintings with various styles of Iraqi and Western artists , one painting or more for each direction. The researcher depended on the analytical approach to ensure applying third chapter indicators. He depended on the measuring tools to analyze research sample after checking tool reliability through a group of specialized experts in the fields of criticism forming artistic education. The fifth chapter contained the research results that achieved the first and the second aims of the current research , then , through the achieved aims and indicators of the third chapter as well as the fourth chapter's results. The researcher presented his conclusions that express a vision for the perfect aesthetic educational philosophy in the light of the German Aesthetic for the four philosophies in question. He showed the intermingled points among the intellectual institutions, which form the similar and meeting points or even the overlapped ones. This participates actively in discovering the hidden meaning beyond symbols of post Contemporarity art. At last the researcher suggested some recommendations and suggestions to develop the current research.

سمات الاداء التمثيلي في عروض مسرح ما بعد الحداثة

اسم المؤلف: اياد رحمان بدن الذهبي
اسم المشرف: ميمون عبد الحمزة الخالدي
الموضوع العام: الفنون الجميلة
السنة: 2014
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: والصلاة والسلام على سيد الانبياء والمرسلين محمد واله الطيبين الطاهرين وصحبه المنتجبين.وبعد : تحدد هذا البحث بدراسة مختارة عن مفهوم وجماليات الاداء التمثيلي في مسرح ما بعد الحداثة، وكشف ماهية هذه الجماليات، وخصائص الاداء ومعرفة اوجه الاختلاف الحاصل بينها

دور عناصر الوسيط الفني في اخراج الافلام التعليمية == Artistic Mediator Elements Role In Teaching Films Directing

اسم المؤلف: عبد الله حسين حسن الجنابي
اسم المشرف: جاسم الصافي
الموضوع العام: الفنون الجميلة
السنة: 2008
الموضوع الدقيق: الفنون السمعية والمرئية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: اصبح من البديهي النظر الى التعليم على انه الاداة الفعالة والضرورية في الوقت ذاته لبناء المجتمع المتطور المؤمن بالعلم وبمقدرته على حل المشاكل كافة التي تعاني منها الشعوب جميعا.ولقد ادت التطورات العلمية والتكنولوجية وتطبيقاتها العملية في ميادين الحياة الم

بطارية اختبار للطلبة المتقدمين للقبول في قسم التربية الفنية - كلية الفنون الجميلة - جامعة بغداد == Battery Tests Students Advanced Acceptance To Department of Art Education College of Fine Arts Baghdad University

اسم المؤلف: زينة سليم كمال العطار
اسم المشرف: محمد سعدي لفتة
الموضوع العام: الفنون الجميلة
السنة: 2008
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: اعتمدت المجتمعات في تقدمها على ما يمتلكه الافراد من امكانيات بسيطة بالعملعلى وضع اسس وقواعد وانشطة فعالة وجهود مثمرة في نواحي الحياة بشكل علميموضوعي.ومع تطور تسارع خطوات العلم في كل عصر ومواكبتها تم اعتبار بطاريات الاختبار من الوسائل التي ساعدت على تط | All societies depended on what their people have of prosperities. in order in establish the main bases, as well as the affective facilities and the fruitful efforts Through different Horizons of life within a scientific and subjective frame. During the scientific progress in all centuries Testing Batteries had been considered as one of the major mean that helped to develop and serve humanity generally form one hand as well as studies and researcher from the other one. The problem of the research is how to make a Testing Battery for students who are to be accepted in the Department of Art Education college of Fine Arts / Baghdad University. The aim of this research is : To establish a Testing Battery for students who are supposed to be submitted in the Department of Art Education / college of Fine Arts / Baghdad University. Beside to measure its validity upon an average of student who are already accepted in the Department of Art Education for Art Education for the years 2007_2008. Upon this light the researcher prepared a Testing Battery on asperies of students under the conditions and bases to build the Testing on About (55)students who were accepted in the first class of the year 2007_2008 to check the validity of this Battery. This Battery consists of five separate cells. each of which in itself four different Testings, and they are : the knowledge Testing ,the Plastic ( practical ) Testing , the Acting Performance Testing and the Personality Testing. These four testing are considered according to the classifications form which the curriculum of the department that is known as a varictical one in its curriculums since it is responsible for the graduating students who are supposed to be scientifically and artistically qualified to be teachers in the future within the secondary education in Iraq. The data has been processed statistically by using two different coefficients , Discrimination coefficient and kuder Richardson 's coefficient / 20. So that to find out the reability and CrounBach - Alfa Equation so that calculate harmonial coefficient ( reability ) and to see the arrangement ( reability ). This operation is done by using Holesty's Equation in the plastic ( practical ).Testing as well as the agreement coefficient for Acting performance Testing. The result 's of this research comes out like that , the success of this Battery after its application, that is why the researcher recomends these who might be concerned to get use from the Testing Battery in order to limit the level of students who are to be accepted within this Battery's terms and conditions. The researcher also re commends to do studies for designing and making Testing Batteries in the colleges and institutions of Fine and Applied Arts ,as well as in the institutions of teachers in Iraq.

جماليات العرض المسرحي في الفضاء المفتوح نماذج منتخبة من المسرح العراقي

اسم المؤلف: فرحان عمران موسى
اسم المشرف: صلاح مهدي القصب
الموضوع العام: الفنون الجميلة
السنة: 2012
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: وفقا للتطور السريع في المجالات الفكرية والفلسفية وحركة التطور الصناعي والتكنولوجي تغير مفهوم الفضاء تغييرا جوهريا على مستوى العلمي والمستوى الانثربولوجي, واصبحت مجالات التاثير الصوري تقترن بفضاءات ورؤى واسعة تستند على تغيير معنى المسافة والخلفية والتاث | The concept of space has dramatically changed on both scientific and anthropological levels incompatibility with the rapid development in the intellectual and philosophical spheres and with the development of industry and technology. The imagery influence fields have become connected with wide spaces and vision based on changing the meaning of space , background and their imagery influence. Such changes have contributed in the emergence of theatrical trends that have defied the stereotype of conventional shows of the closed space (can theater). In the advent of the twentieth century, and as a reaction to the closed theatrical space and in search of new visions , the concepts of space enlignment and merging auditorium with stage and finally performing in the open space based on the different aesthetic deviation and changing them in to esthetic values contrary to what common or excepted, be it as a content or innovative theatrical performance or as a total environment affecting the recipients thoughts. The open space enjoys neutral aesthetic characteristics, semantic flexibility, and can never be restricted to features or constant traits. No sooner the aesthetic values are employed in the theatrical discourse than it changes into space whose aesthetic features and aspirations also increase so as to inject an aesthetic energy which copes with the modernity and needs of the recipients. This geographical and parameter change in the open space imposes aesthetics that are different from those of the closed space. All these issues have encouraged the researcher to investigate the aesthetics of the show when employing the open space on both form and content, its impact on performance, the intellectual and philosophical field of the theatrical accomplishment and how the theatrical elements work and finally what's the aesthetic variable that influences the recipient when the show aesthetics work in the open space. Accordingly, the researcher has chosen his study under the title (Aesthetics of Theatrical Show in the Open Space - Selected Models from the Iraqi Drama).The study falls in four chapters : • Chapter One : deals with the methodology and consists of the problem, significance, objectives, limits, and identification of terms.• Chapter Two : includes four sections : ? Section One : deals with the philosophical explanation of space.? Section Two : deals with the architectural evolution of the open space.? Section Three : deals with the aesthetic employment of open space in theatrical show.? Section Four : touches upon the network of relations between the recipient and the open space. It also studies the theoretical framework in addition to the previous studies. • Chapter Three : deals with the procedures through the identification of community, sample, instrument and the methodology of procedures. The researcher has chosen three models of three Iraqi drama directors (Salah Al - Qassab - Solitude in Crystals) , (Adel Kareem - Platoon on Death Road) , (Haithem Abdul Razak - Disease of the Democratic Orient).• Chapter Four : contains the findings, discussions, suggestions, recommendations, and list of references

التنوع الشكلي للخطوط المبكرة في المصحف الشريف == The Formal Variation of The Early Calligraphies In The Holly Quran

اسم المؤلف: كفاح جمعة حافظ
اسم المشرف: عبد الرضا بهية داود
الموضوع العام: الفنون الجميلة
السنة: 2012
الموضوع الدقيق: الخط والزخرفة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The problem of the research represented in a basic question : (What is the formal variation of the early calligraphies in the holly Quran?) The research aims to answer this question mentioned in the problem The research deals with the calligraphing models which arrived to us from the period of prophecy to the end of second century of Hijra , which represented with the holly pages of Quran.The theoretic frame dealt with the following subjects : notating the Quran in era of prophet Mohammed (peace to be upon him),and the material which were the Qurans written on at the beginning of Islam ,the research dealt also with the spreading of calligraphy in the first two centuries of Islam. The second research deals with the variation of Quranic calligraphies at the beginning of Islam.The third research deals with emotions and admiration, then the fourth one deals with spacing between suras and decorations. The last research dealt with what the researcher concluded about the variation of the early letters in the holly Quran through using tables showed that variation.The indicators of theoretical frame and the previous studiesThe researcher followed in his procedures the descriptive approach to come to results that achieve his aims and solve his problem.The sample was chosen deliberately where the number of samples was (10) samples out of (40) models. The tools (form) was designed and submitted to the experts to assure its validity and achieving the aims.The researcher came to several results which are : 1 - Some Quranic calligraphy characterize with simplicity in drawining the letter or the formal building of the page ,on the contrary of other kinds came in high accurate drawining.2 - Variation of the one letter form in the same calligraphy and its appearance in various forms, whether it was connected or disconnected, it helped the calligrapher in finding the differentiation among the forms of the letter and choosing the suitable form in building the designing frame for the Quranic page.3 - The calligrapher , who concerned with drawining the letters , characterized with perfect generally, this seem clear through the models which we got.4 - The pages which were written with the Quranic calligraphy were full of lines wher e their number reached (32) lines, where in other kinds they did not overcome (3) lines ,where their average was (11) lines through analyzing the models. The average of number of the words in the single line was (5) words according to analyzing the samples.5 - The Arabic calligraphy achieved great change in the formal pages for letters and the systems of their building, as a result of taking care of Moslim calligraphers at that time in improving and decorating the Arabic letter and taking care of the aesthetic side of the letters images and their connections to achieve the functional and aesthetic aims in the holly Quranic.6 - The multi - levels systems did not appear at the beginning ,while the simple lining system was adopted in the lines of holly Quranic page ,with appearing of a simple way to form a single letter over the other as in the sample number (6) in the word (aladthab).7 - The decoration became representing the added unity, when it entered on the Quranic calligraphy ,but the calligraphy remained with its Sovereign and dominated role in the holly Quranic.The researcher recommended to make use of his results and vocabulary in supporting and activating the study Curriculum concerned with early calligraphies generally, in the concerned departments within the artful collages and institutes.The researcher proposed studying the variation of the early calligraphies for the next periods as third and fourth centuries and the advanced periods and make a comparison study about their formal variation.

التربية الجمالية وانعكاسها في تنمية مهارات تحليل العمل الفني لدى طلبة التربية الفنية == Aesthetic Education And Its Reflections On Developing Artistic Work Analysis Skills For Artistic Education Students

اسم المؤلف: حسن جار الله جماغ فهد الجيزاني
اسم المشرف: كريم حواس علي الساعدي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التربية الفنية
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

اشتغالات المنظر في العرض المسرحي العراقي (عباس علي جعفر) انموذجا == Astgalat Scene In The Iraqi Theater (Abbas Ali Jaafar) Model

اسم المؤلف: مزاحم خضير حسين الجبوري
اسم المشرف: محمد عبد الرحمن الجبوري
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: الفنون المسرحية - تقنيات
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان اشتغالات المنظر في العرض المسرحي قد اكتسبت دلالات مختلفة مرت بها الية تصميم المنظر المسرحي على الخشبة، اذ انطلقت فيها الممارسات التصميمية للمصمم عباس علي جعفر بين مساحات الخيال والابتكار وبين مساحات الواقع لخلق توافقية تنسجم مع المضامين الفكرية والجمال | The Achtgalat scene in the play have gained different connotations passed out mechanism design theorist theatrical on stage, as it was launched by the practices of design for the designer Abbas Ali Jaafar between the spaces of imagination and innovation, between spaces reality to create a consensus consistent with the implications of intellectual and aesthetic display of theatrical, as the researcher of mechanism functioning of the scene when the designer Abbas Ali Jaafar as artistic interpretation and aesthetic and technique for the delivery of the subject in an integrated manner to the recipient, as a researcher wanted to reach through the problem discussed stand on the experience of the designer Abbas Ali Jaafar and the resulting interaction is based on mixing and homogenization techniques theater The research includes four chapters : - Chapter I : - methodological framework for the search, which includes the research problem and the need for and importance of research and research objectives and its borders and determine the terms, since emerged the importance of research and focused on one of the means of expression in the theater, a recognition Achtgalat scene in the play, but needed it to identify experience designer Abbas Ali Jaafar in the Iraqi theater, and that this study will benefit all students and workers in the fields of art in general and theater in particular, and can be generalized to the modern curriculum in the future The researcher identified the limits of his research, a temporal boundaries of the presentations since 1980 and even in 2010 theaters Baghdad The objective is the border with Iraq plays Elachtgalat scenic developed and owns Mkhil high design, and conclude chapter defines the terminology (of operation, parallax) The second chapter : - has included the theoretical framework and previous studies, which included five sections and are as follows : - The first topic : the foundations of design theorist theater, which make up the landscape theater, which is employed by the designer in order to give a theatrical work recipe beauty during harmonies and contrast in the organization of the desired shape, with me the second part, which consisted of two axes, the first axis : - parallax between the designer and the director , as it was the opening salvo in an approach to the understanding of the landscape between the vision and directorial vision that convey design ideas and connotations contained in theater The third topic : - handled the theatrical landscape and trends and how to adopt each director and designer in shaping the play according to the direction that meets the aspirations of art The fourth topic : - Astgalat scene in the play, as it ensures designers to eat this or that direction through the incarnation and the manner in theater to achieve the desired effect in the theatrical landscape Section V : - Abbas Ali Jaafar and dealing with the elements of the play, which dealt with the researcher stand on the biography of the artist Abbas Ali Jaafar by Maaktsabh of expertise in the study phase and the phases that followed and stand on artistic experience through the implementation and design of the landscape in the Iraqi theater and evolution in the theater and the subsequent general evolution of the view in a private theater and experiences gained by Iraqi artists through their studies outside Iraq It also included this chapter on the most important indicators that resulted from the theoretical framework and previous studies Chapter III : - contained research procedures, containing : 1 - the research community, which consists of theatrical performances presented on the stages of Baghdad, for the period from 1980 to 2010, and the research sample, containing the three samples have been selected in a deliberate namely : - King Lear, b - Goat Island, c - Macbeth 3 - the search tool relied on as indicators resulting from the theoretical framework, and Manscher in media 0.4 - Research Methodology : adopted as a researcher on the descriptive approach (analytical) in the review samples Chapter IV : - consisted of the results and discussion, as the researcher to some results of the analysis of samples, including : - 1 - The recruitment and Achtgalat landscape designer with Abbas Ali Jaafar shows through diversity places with theatrical presentation of an exhibition hall to the traditional circular theater to theater in the open air, and so by employing various spaces in order to conform with the requirements of theatrical text 2 - The Iraqi experiences with designers and directors Iraqis was able to form the new features of the generated forms and bodies reflect the aesthetic philosophy to produce movement visible through the scenic formations and deal with them Representative to paint a visual image to express instead of dialogue 3 - The Achtgalat scene in the play came through visions compatibility between the director and the designer, which gave room for a multiplicity of visions and multiple interpretations which indicates good experience in the capture, interpretation and analysis of successive images in the play in shaping the image of the future theater

تطور النظم التعبيرية في اعمال الفنان محمد علي شاكر == The Development of At The Expressionism Systems In The Works of Artist Mohammed Ali Shaker'S

اسم المؤلف: ماجد جاسم مولى
اسم المشرف: عياض عبد الرحمن امين محمود الدوري
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: الرسم
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The study represents tagged evolution systems Expressionism (Expressive systems development in the works of artist Mohammed Ali Shaker) scientific effort to detect systems expressive and evolution in the work of the artist, as well as how they epitomized the systems expressive in his works, which follows that the researcher collect scientific materials to serve the research topic four chapters, and include : - Chapter One : included a research problem and its importance and its objectives and its borders and determine the most important terms contained therein.Chapter II : The included five sections included the theoretical framework of the current study : - The first topic dealt with the concept of evolution in the optical surface, where the researcher highlighted to clarify the terms of evolution, and change some of the differences between them and whether the artist role in bringing about one of them, or not?As well as the relationship intellectual development and scientific and human impact on the development of the arts, especially in the field of art, and the dialectical relationship between all those influences in the formation moot technical and developments, as well as the conditions and terms of reference through which the artist and their relationship to the development of his production technical,As well as review some of the views of philosophers and critics in the development of art in general and its relationship to the evolution of society, as well as the views of philosophers in the scientific laws that govern the evolution.The second section has included the concept of the system in the surface visual, giving this concept (the system) some important and special process Fine, classified him to systems (point, line, color, shape, and texture) presenting the views of philosophers and critics art, and thinkers in the field of art , and artists as the installation of such systems must be process uniformity, it must take place right, Vlnakth presence and importance of its presence in the regulatory framework entirely, and the point in itself is not the basis, the foundation is the form in which organized through the points, and the line filled card and forces.In the third section, entitled the general features of the graphical where he began researcher defines the graphical Kttiar technician broad and roots and its extensions historical, as well as expressive as a school where launched and grew up and time that I knew him, as well as those who are pioneers, and exposure to the three most important artists of the artists expressive and their careers technical and negathm and their effects on , and also touched on topic to brutality and artists, genres and the difference between them and the brutality, also displays search tactics that characterized the expressive and brutality in general, and tactics for the individual artist expressions, in particular, and the branches of expressionism, which included two groups ((bridge "Qantara", and rider blue)) everything related to their founders and their tactics and affected, and their effects on the art, at the close of The researcher reviewed the topic and details of abstract expressionism in terms of the emergence and spread of most important Venaninha and performing their tactics, and most important work.The fourth section guarantees the expressive features in contemporary Iraqi drawing, where the researcher reviewed some important Iraqi artists who produced work or graphical expressive work carrying attribute, in terms of style and technical reference and local and global impacts on them, and topics Gesduha in their business.While Section V contains biography and art of the artist Mohammed Ali Shaker, where he was born, and growing up, and his studies, and his artistic career, he reviewed the researcher views of some critics and artists who wrote it, as well as interviews taped, and some information from some students, , Where the artist influenced by the nature of Western art while studying at the time, while he was influenced by other Bosatzth at the Institute of Fine Arts and their impact in his art.Has been singled out by the third quarter, research methodology and procedures, and reviewed the researcher here the research community and his samples, and then adopted the style, and the tool by which it has been collecting and analyzing information, and a detailed analysis of the selected sample models.The fourth chapter included the results of research and the conclusions that have been reached through researcher analysis, recommendations also included researcher and his proposals.

جماليات التشكيل الضوئي في النحت المعاصر : دراسة تحليلية == The Aesthetics of Formation of Light In The Contemporary Sculpture : Analyses Study

اسم المؤلف: جولان حسين علوان
اسم المشرف: جبار محمود حسين العبيدي
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: النحت
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The study focusing on the aesthetics of figuration by light in Contemporary Sculpture technical formations that carried the spirit of modernity and innovation, embodied different subjects beyond traditional shapes through performance and technical variety in the formulation of the artwork in order to reach a new and different spaces, the work of Art in its different styles, especially sculpture, address to our senses and our minds witnessed shifts and changes its elements and structural trends within contemporary artistic shape, which led to the Audience of non - traditional materials which melted within artistic renderings, which has given some sort of formal and aesthetic transformations. The art representing by lights, one of the most important artistic trends of postmodernism, which emerged in America and Europe, addressed the sense of sight and mind for the production's, considering that art human activity and knowledge - based catalyst on the perception and imagination and logical thinking, from the insights and experience of aesthetic included in the artwork.The problem of the research in the first chapter lies in the adoption of the art by light approved and visions of beauty within modern art trends which reflected formations sculpture to the fact that the artistic productions refers to technical progress more than it refers to the system of formal usual in contemporary composition and from the composition with the use of light.The importance of research in fact reflected that the subject matter is not addressed to study level of scientific, technical and academic and aesthetic research and can be considered an important source of aesthetic sources within this jurisdiction.The research aims to reveal : the aesthetics of the Artworks formation by light in contemporary sculpture.The current research study determined the aesthetics of the configuration of the sculptures that have been implemented between the year (1960 - 2014) in Europe and the United States.The second chapter included the theoretical framework has been contained three Detectives are as follows : First topic : Beauty and the idea of turning concepts.The second topic : Light in art : Reference and influence.The third topic : the formation of contemporary insights and techniques.While the third chapter dealt with research procedures by describing and analyzing the sample consisting of twenty - two model by relying on the analytical descriptive approach.In the fourth quarter reached the researcher to the number of results achieved the goal of the research was the most important : 1.The formations achieved its beauty through daring feature of artistic excellence and offering unique aesthetic.2.Some formations came embodied the actual realized the movement of the optical contrast between shadow and light.3.Invest some colorful light pipes artists for the implementation of the privacy of a unique aesthetic light formations.4.The configurations achieved through aesthetic connotations overlapping relationships between the elements of light and color and font.5 Configurations aesthetic forms of thought had left figure and adopted new forms.

الخامات غير التقليدية في تركيب الشكل النحتي المعاصر : دراسة تحليلية == Traditional Materials At Structure of Contemporary Sculpture : Analysis Study

اسم المؤلف: ALA'A MUHSIN KUBAYSH AL - BEKRI
اسم المشرف: مرتضى عبود شهاب حداد
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: النحت
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: In the beginning of twentieth century the sculpture have leaved the 'classic instruments that was joined with its structure and contents. The period between second war occurred notice change at' the form structure, and with technique of show and performance , and this can not keep up the usual notions. This artistic change was pave by replace of items and derivation many recent raw as a result of the technology and industrial advance that synchronized with this period , and the artist entered the test operation that leaded him to know the new non - classic items m and study its descriptions and referendum from it , and investment it at the plastic arts, and for what submitted the chance for performance methods have over to the scrutiny and the discovery by his supervision this items. The using of iron, aluminum, plastic, and another various items have leaded to contrary showing at structure of the contemporary sculpture.. Therefore this study (Traditionalism materials at structure of contemporary sculpture ) aimed to knowledge of the effects of the non - classic ore upon the structure of sculpture form, as well as to knowledge of new materials that was used for the contemporary sculpture. This study included four chapter : first chapter was specialized for methodical frame.such as problem of research.that it was abstracted by question about the reason that lead the sculptor to search from new raw to carry out his sculpture works. Are the classic sculpture materials do not respond for technical problem, and new notions? As well as the important ofresearch and its limits was that define between year 1950 up to 2000 , and its aims, then limit the idioms. The second chapter included the theoretical field and previous studies, that formed from three researches, such as the fist about the materials, as it was considered master element at the sculpture formal.the it included study about the widespread classic materials in the sculpture , such as ( clay , bronze, stones, and wood) and showing its effect and its formal and expression ability. The second research included the affects of non - classic raw at the formal system in the historical studies that included stylistic change during the twentieth century , and the third research included the study of the structural relations systems at the sculpture formation.The third chapter included the procedures of the research that its contents the research society such as European and American contemporary sculpture, and sample of research that was formed from (20) samples. It was choose according to the aim of this research. As well as performance of research based upon the analysis form, and this chapter included the following method at sample study as the analytic descriptive method in order to reach to the results, and conclusion that fixed in forth chapter, as below : 1 - The contemporary sculpture have became an achievement direct to the faraway imagination from the classic by using the non - classic item's. Sometime the sculpture structure to be same the building construction, or industrial tools, or scrap heaps.2 - Freedom that was granted by the raw to the sculptor to make him Carry out the sculpture's structure by improvisatory and Spontaneously that indentical with his disposition and his creation.3 - The using of the non - classic materials have produced big structures, specially works of art of ground, that fit with the environment, and it go out this work from gallery.4 - The using of the electronic devices as senser of movement, Transistors, an another in the sculpture ,has changed the classic Structure sculpture exactly, and created a new style of reactive relation between the artistic work with the watcher.

اثر العلولمة على تمظهر الشكل الانساني في رسوم المشرق العربي المعاصر : دراسة تحليلية

اسم المؤلف: نذير مسلم لفتة
اسم المشرف: بلاسم محمد جسام
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: الرسم
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

اسس بناء تصاميم الزخارف النباتية الجدارية في العتبة الكاظمية المقدسة == The Foundation of Building And Designing Wall Plant Ornaments In The Holy Shrine of Imam Kadhum

اسم المؤلف: سؤدد مشعان حواس
اسم المشرف: عبد المنعم خيري حسين العاني
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: الخط والزخرفة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تمثلت مشكلة البحث بتساؤل اساس ماهي : اسس بناء تصاميم الزخارف النباتية الجدارية في العتبة الكاظمية المقدسة ؟ وتجسدت اهمية البحث بالاسس البنائية للزخارف النباتية الجدارية بوصفها ممثلة لتنوع من الفنون العربية الاسلامية وعلاقتها بالمرجعيات الفكرية والفلسفية، | The problem of study is summed up in the following question : The Foundation of Building and Designing Wall Plant ornaments in the Holy Shrine of Imam Kadhum?The importance of the study lies in the bases of building and designing wall Plant ornaments as representing the variety of the Arabic Islamic arts and its relationship to ideological and philosophical references. The present study aims at answering the questions. It also was confined to the external and internal facades carried out on the glazed and marbled slabs in the Shrine for the present status 2012/1433 ah. Chapter Two included the following themes, a short historical review of the emergence of the ornaments in the holy shrine of imam, the most important elements constructing it and the contents of the wall plant ornaments. In addition to the most important vessel, flora and bough existing in the designs of the shrine. Some of these designs include vessels, heart shaped frames and pillars, animals and realistic shapes as well as natural scenes to obtain one basic needs of the shrine as well as the technical shape.The researcher followed in the procedures the descriptive approach in order to arrive at achieving the results of her research. She chose purposely her samples. The sample attained 10 samples out of 191 design. The analysis form was based on the indicators of the theoretical frame and were shown before the experts to verify their validity. According to the analysis form, the samples chosen were analyzed. The following were found : 1 - the weak interest in the organization and adjustment which was conducted on some designs by demolishing some of the slabs and using instead designs that do not suit the old slabs. In addition to the lack of a cadre specialized in calligraphy.2 - the appearance of more than one bough movement inside the one design like (spiral, wavy, circler) which were conditioned according to the requirements of the area and were divided into (dual, quadruple, radial, reticulate) in addition to the free designs. 3 - more than the shape of the form, this spatial occupation of the plant ornaments (vessels, floral) were more,. There are other plant unties like (vessel, heart shape) ornaments. 4 - the designer was inspired in carrying out his color treatment according to the closely allied relations and the chromatic graduation among the colors and the other formations, in order to show the dominance of the appearance on the other formations. 5 - the ornate designer tried to activate the structural bases through his expertise and taste in carrying out the ornament product to achieve unity and repeating them in the artistic ornament work. According to the results reached to by the researcher the following was concluded : 1 - the use of more than one type of ornament in one design (plant, linear, animal. Heart shape, vessel and architectural) in order to accomplish the appearance enrichment as well as to achieve variety. 2 - The use of the technique of carrying out the glazed and veined slab raw to reflect the richness and brilliant color. 3 - The design bases contribute to the process of founding the for structure of the plant ornaments, especially those with identical formations according to the (balance, dominance, repetition, homogeny, variance, unity and variation) to achieve the functional and embellishing objective.According to what the researcher has reached out, and in completing to the benefit and knowledge, the researcher recommends the following : 1 - making benefit of the findings of this research and inserting them in the curricula of the Artistic Ornament studied like the institutes and college of fine arts (Dept. of Archaeology) as well as the offices and institutions concerned with this holy shrines in Iraq. 2 - employing new technique suiting with the moral value of the status of the Holy Shrine of Imam Kadhum in the execution of (outstanding and cavernous ornament) technique with a consideration of the rules and principles of ornaments to vary the executive techniques.In completion to the requirements and to achieve scientific benefit, the researcher suggests making these subsequent studies : 1 - studying the artistic and technical ornaments in the Arabic Islamic art.2 - studying the balance of concepts for the aesthetic concepts to employ Islamic ornaments between the modern and postmodern arts.3 - studying the artistic characteristics of the plant ornaments and designs in the ideological and philosophical values.4 - studying the building of a program to analyze the formation of ornament by the use of computers

مفهوم اللعب في اداء الممثل المسرحي العراقي

اسم المؤلف: يحيى ابراهيم فليح
اسم المشرف: هيثم عبد الرزاق علي
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: الفنون المسرحية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

التحولات الدلالية لجيل ما بعد الواقعية الجديدة في السينما الروائية الايطالية == The Significant Transformation For What Is Beyond Realism In Italian Cinema Fiction

اسم المؤلف: فراس عبد الجليل الشاروط
اسم المشرف: علي حسين صفوك الركابي
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: الفنون السينمائية
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: في البدء بدى امر انتقال المصطلحات من الحقول المجاورة الى السينما غير مشروع قبل ان يصبح الامر مرحبا به لاحقا حيث يجير المصطلح بمحتواه الى السينما بعد تهجينه.التحول اذن، والدلالة، مصطلحان ينحدران من البلاغة، جير المفهومان الى الفنون عامة ومنه الى السينما | With early twentieth century Italy was living under realistic, natural, and position the French, even came factual , to remember the Italian north, including the hardship the people of the South, by social bitter, from the economic situation is bad and misery myself, south struggle achieved unity Italian who was born as an idea and grew and Gracenote their victory under the leadership of Garbalde, also appeared in this period of several books that talk about the local reality and nostalgia for tradition, and provided factual demands that creativity alert of reality as a condition to read self then comes the need for creativity.The years have seen also the first translation of the works of Karl Marx, also appeared theorizing of anarchism, and issued Benedetto Krochi magazine (critic) enshrined against positivism and Marxism, and return to German philosophy, to perfect Hegel, to become one of the most important men of Italian culture throughout the first quarter of the twentieth century, To be theorist first intellectual current literary based on rejection draft democracy and advocate idealism being interested requirements truth of life and distance away from entering into theories is feasible for Modernism, in this period began generation jump concern, public weary of the failure of imperialism to Italy in Libya and Ethiopia recognizes itself in the writings Pirandello and Giovanni Papin, for being more than reveal what in store for that stage of the illusions, and historical importance, and a lot of disappointments, as was seen GabrielliDanotzio of fascism, and Thomas Marineta the future and calling him the need to pay attention to what the current of vital energy, and published poets poems that sing disappointed hope of politics and history.Antonio Gramsci name most worried and fame among the names and one of the founders of the Italian Communist Party, enters the legislative elections to become a deputy in the parliament, and each occupy what is written the hearts and minds of young people, arrested and jailed to die when in (1937), there are in prison compose the most important books ( Messages prison) and then (books prison), which will be for publishing a significant impact on the intellectual life of the post - World War not only within Italy but even outside, and as he was Krochi away from fascist party Italian was Pirandello enters the party from his door wide, and perform Mussolini treaty with Vatican, for dominates dictatorship platform judgment, in light of censorship, writing, running several authors underground resistance after that they took from the south bastion of activity secret, to rise votes demanding the return of the system and theorizing against future, and claim editing literature and uphold the word and openness to European culture and the schools surrealism The Impressionist, such as writings Oginyumntala anti - fascist and a member of the resistance movement, while revolution Pirandello contemporary theater in his writings about the game (theater within theater) to establish this subject dramatic than fiction theater, such as plays (six figures search of an author, night play tonight representing, each Sheikh him way), to have this theater theater loss of identity, loss of self, is moving later in European culture.In (1945) appeared neorealist critique of ethics Italian and position intellectuals days of the fascist and characterized by refusing to scattering of art, to be crowned classics of literary works such as people and others for (ElioVittorana) and the world prisoner's (for GollymoPetrona) and Christ stopped in Epoly's (Carlo Levy), all of which converge in a single theme is resistance to fascism.Before that date three years called critic Amberto barbo term (neo - realism) with film Rosllina (Rome Open City), to be the art form most importantly in Italy, from boiling postwar years until the mid seventies of the last century, where he was subjected to currents and storms changed much in concepts espoused by and addressed and achieved a cinema audience from time to time, where invaded waves films cowboy American movies myths and movies, thrillers, to become film Italian group contradictions between form U.S. and the sense of European, while remained American cinema in spite of currents revolutionary new where to maintain their shape and forms the film industry Despite the different circumstances, commercial Italian cinema is illegal fledgling American cinema, American producers have benefited from the nature of Italy and low wages, melted the original features of the new realism that was during the fifties back to real forties Cinema, popular, authentic.All of these reasons, plus the entry of Spain as a party product for enjoyment existence desert similar to the desert and Mexican villages, cities and population, where there are film events western spaghetti, made the movie Italian audience of world cinema to open in front of him the commercial market, but this did not prevent great artists to submit works confirm authenticity and the date and thought cinema Italian, presenting their films according to their mood and private convictions and perceptions of life, so these films contributed greatly to confirm that ancient heritage of arts and literature of Italy under Mataoua despite took this heritage of forms and methods of strange.Such shifts in the life Italian was pointing to different connotations in political and economic realities and technical, these indications and transformations will be the other factor evolutionarily within the structure of neo - realism itself, and it carries the traditions and schools and many ways, although the confluence of its members was not about aesthetic common among them as desire sense of responsibility towards society, and the role of human society, the war was the factor that near the activities creative, and their commitment to ethical to tell the truth is that putting them, and no doubt that the convergence on the topics and tools of expression has helped to give a new concept of freedom, and even when it ended the war and the time for construction, she stayed presents a picture of human suffering like his spokesman as Scriptwriter Zafatyna was the unofficial spokesman for realistic despite his Marxist leanings.We have imposed a new realism itself as a new phenomenon we discover through Italy through the same, and give a role for that segment of the population that were absent throughout the life of cinema debut on the screen, came down cinema to the streets, fields and farms and factories, fell for the worker and the farmer and the scanner shoes, to be these people anonymous heroes of events , and topics that come into contact with for the first time and tragedy state of society, has been the primary obligation for these filmmakers moral obligation before be technically commitment.Was Cesare Zafatyna is the first to develop the foundations of neo - realism film, was his films with Vittorio De Sica premises first of those cinema across theory (poetic monitoring and tracking), any monitoring of personal actions, and lines functioning, without giving solutions to their problems, while longer film (Rome City open) by Roberto Rusolliny model initiated movement and style together, stating after the screening that (things are like this) and to become the phrase slogan movement, while authorizing a scene as great as Siegfried Krakaor that (neo - realism was believed the goal of cinema is celebrated diary of events).I was born neo - realism and realities other, and a large part of the strength and greatness of Italian cinema that it derives from the fact that it could not continue in the tradition of neo - realism, and certainly it will not do so even if it could, it can move from (Rome Open City) to (Gamora) or (best of youth) of direct social protest of the new realism to the film, which cut a slice of experience, leaving us the task of interpreting and decide what is going on on the screen, to summarize a large part of the history of cinema that country during more than half a century.The directors worked in new realism from the data, while working directors after neo - realism through the language of the questions, and repeated questions failed history to provide answers on the status of fact, they do so objectively assume recipients response to unusually, but realistic objective is still a founding , despite the different trends and styles beyond neo - realism, and despite the different connotations producer.Contemporary Italian cinema does not let us forget that they are going to the same old legacy that began with tales of social conscience, which submitted and will offer over time.The researcher clarity research plan has been divided into five chapters, began the Terminator display framework research and problem of the question: What is the semantic shifts and features when generation after neo - realism in Italian cinema? The importance that carries it, and the goals it seeks to achieve with the capacity limits that moves?.The second chapter included the theoretical framework and previous studies, and came in three sections first is for: the nature of significant film and components, divided section into three joints first one: the significance of language and cinema, and the second: for cinema of significance to filmology and the third one: the component semantic and how employed in the cinema.The second section is for Italy culture and cinema configuration. The third section, including the semantic shifts of the new realism and beyond.The researcher recorded at the end of the chapter, among other indicators:The post - realism generation characterized like aesthetic of reality and the moral conflict as characterized by the novelty and intellectual conflicts and retracement towards the self.The third chapter included research procedures required research methodology and identify his tool - appointed depending on the unit of analysis scene and shot, researcher has chosen (four) analytical samples, each sample represents the direction of trends in Italian cinema.The fourth chapter ensure each sample analysis of the samples according to the theoretical framework indicators. The fifth chapter includes inter results that came out of the researcher, as guaranteed by the conclusions, and the researcher in the end a campaign of guidance and suggestions to draw attention on the importance of trends beyond neo - realism in Italian cinema.

التنوع التقني في اعمال النحات صادق ربيع == Technical Diversity In The Work of Sculptor Sadik Rabe

اسم المؤلف: ساره محمد مناف
اسم المشرف: سعد علي يوسف البصري
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: الفنون التشكيلية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The value of any work of art lies in the magnitude of the thought ,and given the importance of aesthetic studies between the cognitive continues between the.Artwork and the receiver,it has become necessary to know the techiques and materials in the work of the sculptor Sadik Rabie through statement.Analysis and implications as well as documented.The importance of study of sculptural works by the artist Sadik Rabe rabe including inherited from the accumulation of cultural and matalmh in his study in different environments impact on the headrng technical coupled movementof modern sculpture in Iraq ,and produced from unfinished techninian confirming the importance of art tributary streams of human life,the goal of current research to reveal : ldentify the techniques adoption of his works and the methods and materials used.And identifies research studied sculptural works of sculptor Sadik Rabie ,perfomed during the period (1962 - 2006)And the researcher has designed a form for business analysis ,has been under analysis Business ,which contained the form on the About : business name,ago a chievement ,measurements,materidea of working ,and other information has researcher collects information on private business artist through personal in terviews in the player artist in Baghdad and his own house,and analyzed business and extract the findings and conclusions,with the benefit of indicators resulting from the theoretical framework, have reached aresearcher to a number of re sults including : 1 - the artist Sadik Rabie of the uniqueness in ntegath sculpture and especially the stylistic and method of implementation ,most of his work is characterized by the diversity of materials at work one depending on what is required of the purpose of the subject,2 - confirmed sculptor space sculptured almtmazj with raw material and their relation hipaesthetic formalism a chieved by this intention.3 - Use the sculptor texture to express aesthetic values.4 - work on thesimplification and reduction of the shapes associated with the elements of nature and sought to strip the forms and configured for investigating forms new creative.5 - Obseved divsity in the nature of the raw material and the different composition so as to contribute significantly to diversify the nature of the shapes sculptural.6 - invented artist systems formality new sculptyre of Iraq ,far awaysystems shape or configuration prevailing and traditional.7 - A variation appeared in tonal has to do with expression and the weighted value of the form.8 - artist a dopted the principle of the part that compensates for the total or carrying capacity may out weigh the overall graphical work sculptural.9 - granted its in sculpture prospects interpetion multi expressive capabitities.10 - characterized most sculptural Ntegath the Basma interials,wood etc…11 - came someof this sculptures a ccordance with vision,self for sculptor.12 - that technical Alttnoa in his works confirm specificity and uniqueness of sculptured accomplished sculptor has ratified the spring.Reached a researeher to conclusions including : 1 - that most of the products of the artist approached and interviewed the concept of shape without thread direct.2 - the role of the artist importance and the basis of the product of sculptural form through experience and technical knowledge,aesthetic and technical.3 - that freedom of sculptor and non - adherence to the application of building codesthe configuration in sculpturalform ,following the self - interest side and stylistic freedom configuration get seulptlistic freedom configuration get seulptued done.4 - the display space through work and ,in turn ,in the embodiment dimension Alalaqati among done sculptured and outer space,then the interest of space ,then the interest of space interiorto create dimension aesthetically and technically.The researcher recommends to : 1 - where the researcher recommends interesting as poct of the media and the opportunity for more articles Altkadih for sculptors lraqi.2 - attention side of the archival and documentary honest sculptor spring and sculptors Iraq.3 - recommends a researcher studying the achievements of sculptors Iraqis and get to know their march technical and ntegathm creative.4 - researcher recommends relevant departments uch as ministry of culture est a blishing galleries pevmanently to the achievements of techniccqlSuggests researcher : 1 - further res earch and studies that address the experiences of sculptors.2 - conduct a study on the technical diversity of the products of Iraqi scuhptors.3 - conduct a study on the diversity of style with Allen.

انساق التلقي في الخطاب المسرحي : دراسة سوسيولوجية == Receipt Order In Dramatic Speech (Sociological Study)

اسم المؤلف: محمود سعودن رسن
اسم المشرف: سافرة ناجي جاسم
الموضوع العام: الفنون الجميلة
السنة: 2013
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The theory of aesthetic reading and receiving is looking for critic conceptions which make a change in the world of criticism concerning the reading of literature achievement this element make the - person - reciver remarkable factor to release the meaning of the achieved speech. on the ground of the controversial relation between the three elements of creation (the writer - achiever - receiver ) this theory provide us with its conceptions by several terms and principles that have great role to make big aesthetical knowledge based at (the horizon line of expectations - underlying reader - range of aesthetic - movable point of view - filling the gaps )As we said that the theatrical dialogue has formed strong and effective relation with the receiver, this we lead to the result of indispensable dual dialogue , so we ask How can the reader will interact with theatrical dialogue and How can interact with whole dialogue or some of it’s elements?For the sociological method importance in shaping human’s awareness, and what awareness consists of references which made from the effect of the fact, it hold sociological influences, that forming knowledge and aesthetic changes in order to answer all questions, we made the thesis into divisions : - ? Chapter one / systematic field (problem of thesis, importance of thesis, thesis goals, thesis limitations, terms restricted) - ? Chapter two / theoretical field consists of (first subject : theory of receiving concepts and procedures (method), second subject : sociological changes in theatrical dialogue. Third subject : method of receiving theatrical show, forth subject : previous studies, theatrical field aims)After the work of the writer he make the conclusions that thesis procedures in chapter three : ( society of study and it’s limits, study samples, study tool, study systematical tools) intentionally, we confine samples in order to apply it to thestudy, (theater / Hussain now / director and composer : Akeel Mahdi, theater/ summer rain/ composer : Ali Abdul - Nabi / director Kazem Al Nasar, theatre / brutal wedding / composer : Falah Shaker, director : Ahmed Hasan Mousa).After the writer’s finishing his sample analyzed the results appeared and discussed in chapter four based on standards shows in the clauses (9,11,12,13). In chapter two within subject four.In the study, we had discovered hypothesis conclusions that we made cognitively hoping to complete the scientific use, we are whishing God to send us his blessing in our study, and to be good luck

الانعكاس الجمالي للتفاعل البيئي في اثراء تصاميم الفضاءات الداخلية == Aesthetic Reflection of The Interaction of Environmental Enrich Designs Interior Spaces

اسم المؤلف: صلاح الدين قادر احمد الجاف
اسم المشرف: جبار محمود حسين العبيدي | لطف الله جنين عبد اللطيف
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: التصميم الداخلي
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: If any civilization has the estethic and its environment beautiful you'll feel design next to Ihorha and translated language unique and special Amzjha people are aesthetic in a very magnificence, where is the interior design of the systems aesthetic cognitive vehicle to fit on a Masasat interactive producer and overlapping and associated knowledge contiguous may be real or phenomenon which makes this specialization added to the cognitive level specialties who needs an outstanding level of expertise and performance or outstanding level of analysis and synthesis, and that as well, it must check to see intentional provide the data for such interaction and the inevitable overlap. That the situation of intellectual trying Almmazjh between thee formations fact objective and our understanding of it as a tool or utility and a means to achieve the goals of utilitarian and functional in order to maintain the composition necessitates the existence of this interaction. And that this interaction is live that raises a conflict within the Concept itself and system design seeks to interact and continuity and renewal, That's where the form of the environment and estethic result from the interaction of three basic components through the needs and requirements and types environment which components dynamic configuration, and then fixed factors which are determinants in the composition of the interior, such as patterns and interaction of these Alaoml that determines how that form the body of the Interior. This means the integration of factors, continuity and the inability to be separated in the environment design which is always a mirror that reflected ones, which lead to enrich spaces of the Interior, through the meanings and multiple interpretations andconnotations and abundance of the elements interacting to achieve a system design simple or complex In light of this.. The study objective reflection of the aesthetic of the interaction of environmental enrichment and its importance within the internal space of houses residential, is important in interior design, where lies the study, said in a statement that the awareness of the environment has become a necessity designed by the nature of this age and that what struck the environment from imbalance and disorder of thehuman environment This has become imbalance is growing rapidly unusual, that the goal of clarify Alatarmufahimi the interaction of environmental and aesthetic reflection to be a Bmanihama texture integrated and comprehensive and their impact on interior designs, whether existing urban areas or the environment for new components of the interior design elements Where that take advantage of the philosophical concepts of the environment and its components and enriched and its aesthetically pleasing design reflected on housing designs and commensurate with the culture and habits of everyone to keep pace with the progress and evolution. As unveils what carries Avcarelvelsfah and theories that you need to identify them and highlighted and an understanding of the attempt to take advantage of them. The study also trying to shed light on the philosophical concepts of beauty and the design and estethic idea and innovative sense of aesthetic idea. It is by recognizing the aesthetic organization and keep it within the phenotypic traits. Which aims to refine and refine and enrich the development, in order to realize the rights and the aesthetic appearance in nature and the technical and business aspects of behavior It can illustrate the importance of studying the interaction of environmental andaesthetic reflection of the following points The interaction of environmental and aesthetic reflection of the environment help to personal growth because it gives new possibilities for the behavior and recognize that the interaction of environmental and aesthetic reflection at teak and place a sense of intimacy and thus love with the place and belonging and Esida the spirit of cooperation As the study of this research was to enrich the library and try to fill the void is clear in this matter and as a result of the lack of technical studies and the process by which this subject is specialized to demonstrate the concept of interaction artistic Darcyan and researchers in the fields of interior design of the interior spaces and promote relevant theoretical knowledge, including the promise of opinions and explanations - based philosophical related to the environment and estethic with expression guaranteed in the aspects of the intellectual environment of the Interior, and also contribute to enhancing the possibilities of the use of semantic systemsdesign in spaces Interior and enrich the interaction of the internal environment and the extent of their relationship in the processors aesthetic design with the organization of the elements of the inner space environment within a philosophical frameworkAnd through informed researcher on many spaces interior modern residential, it was found necessary to identify the implications of the aesthetic of the interactions of environmental, where the use of philosophical concepts of the environment and itscomponents and enriched and its design reflected aesthetically pleasing designs housing and commensurate with the culture and habits of everyone to keep up with the progress and development and consistent with the area and the size of the internaldeterminants that it was necessary to exit the position illustrates the aesthetic reflection of the interaction of environmental enrichment designs interior spaces and consistent with the privacy of research topic, consisting of four chapters.. Making it afertile field for study in theoretical research and analytical For this researcher found that includes the (first quarter) formulation of the research problem which can be summarized by asking the following : What are the elements of environmental interaction of reflection to enrich the aesthetic designs interior spaces?.. In light of this objective researcher research focused in determining the tributaries of the interaction of environmental and aesthetic level reflected in enriching designs interior spaces, and through study and exploratory.. The researcher found that the study did not address it one of the researchers.. This is found justified logically and scientifically focused on clarifying the goal of research... As for the limits of research has identified in terms of the substantive study of the reflection of the aesthetic of the interaction of environmental to enrich spaces of the Interior, as included limits the spatial and temporal study spaces, interior designs for residential global contemporary countries continents (Asia, Europe , and South America), especially for the period from 2000 m - 2012 m.. As the researcher also define many of the terms relevant to the subject search In order to reach the objective of this research was to draw the second quarter your theoretical Blotar.. To study includes three sections in this chapter It first section dealt with the concept of beauty based on clarifying the concept of aesthetic philosophical thought.. With reference also to the study of the concept of reflection and stages Ncaha and theories, have adopted all of these threads to review many of the aesthetics of environmental and spatial and the most important characteristics of vision aesthetic andbehavior, experience and preference and judgment aesthetic to illustrate the importance of beauty to be the starting point and the base of the current study While focused second part, on a study to identify the concept of interaction and theories and objectives as well as the concept of environment, history and forms and elements and the mechanism of interaction of environmental through identity, and the types of Alostnvaa also discussed topic on the concept of place philosophically and their interaction with the place and organize space and characteristics of interactive spaces interior design The third section has included review of the concept of enrichment in interior design, levels and conditions and the role of beauty in enriching thought inventive and attractions visual rechaer in design and factors affecting it, also addressed the topic enrich the meaning innovation through artistic taste with reference to the role reversal aesthetic perception and mental In interior design enrich the image of the place through interaction chromatography It must be pointed to the adoption of a researcher in this chapter on the tables, charts, illustrations for the subject of study.. As well as from the picture Alfotgraveh for some modern residential spaces as well as the adoption of the researcher to some photographs of the interior designs that have been obtained from the references and sources, and adopting as examples and basic underlying base build a theoretical framework.. The researcher also to draw the most basic indicators that resulted from the three theoretical framework Investigation The third chapter specialization in determining the subject of research procedures, since it relied on the descriptive analytical approach has included research community schedule includes (6) states.. from within (7) continents, which showed a whole diverse and varied for the constituent elements of the space residential houses... Since that study is looking for the tributaries of environmental interaction, has been relying on intentional selective method of sample of the original research community.. Which has been on the track select models sample research elected that serve the purpose of the study and the closest to achieve, and the (6) states of the total (3) continents at a rate (45%) of the research community, and because it has been designed thoughtfully for the interior design and architectural , has also been selected based on the views of experts in the field of scientific and professional competence In order to achieve the goal of the research, based on the approach, it has adopted a researcher at the collection of information relating to research on the scoping study and landing sites marked by form numbers as a tool to gather information. And then the numbers include identifying Form axes analysis, consisting of primary and secondary passages have been organized according to the scientific method to search.. This is in addition to the experience of the researcher in theadoption of illustrative photos Models Search designs. For the purpose of confirmation of the validity and comprehensiveness of the analysis tool, has been presentation form Conversation analysis on a group of competent experts to demonstrate the comprehensiveness and validity to achieve the goal of the research..For the purpose of the correct application of the tool on the research sample, then resorting to extract stability analysis The fourth chapter has included discussion of a number of results within (three) main axes achieve the goal of the research and the findings of the research study to analyze the models elected, based on the means statistical.. In the light of the results and discuss the researcher to a range of results within this chapter, which was including1 - that the possibility of enriching the aesthetic employment was achieved in all samples2 - The design environment created by and interacted within the range of symbols and they owned the meaning or set of meanings that crossed from fiction was a cause for change and interaction3 - The traditional strategy of shape and material used and the nature of the user as well as light colors was one of the fundamentals of enriching the interior spaces Finally annexation Search List of Arab and foreign sources and a summary of the study in English.. Researcher and so could that complements the research process with the help of God Almighty

اليات تحول الشكل في تصاميم الفضاءات الداخلية == The Mechanisms of Transformation Form In The Designs of Interior Spaces

اسم المؤلف: اراء عبد الكريم حسين
اسم المشرف: فاتن عباس لفتة الاسدي
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: التصميم الداخلي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: As the flower shops are a part of the model that signifies the civilized appearance of Iraq , they became an important requirement on which depended the necessity of transforming the form in its design dimensions that keep with the style of the present age and its remarkable imprint as described as a directed message including an aesthetic and cultural vision to have flowers and that doesn’t mean necessarily that they embody living or real implications in themselves, but in their aesthetic symbolism and expressions according to aims carrying a meaning in their different taste dimensions , Consequently , a behavior will be produced which conforms with this direction in taste , This arrive us to the title named research "The mechanisms of transforming the form in the design of interior spaces ".The research consists of four chapters as follows : - 1 - The first chapter deals with the research problem " Which clarified by the following questions : - Q/ What are the mechanisms of transforming the form in the designs of interior spaces? May these mechanisms impact on activating the functional meanings "performance, aesthetic and expression" for the flower shop to contribute in attracting the others in their cultural levels and aesthetic tastes towards humane evolution for this activity ?The purpose of this research is to reveal transforming the form and its mechanism in design of interior spaces of flower shops and then to lay designs pillars for form transforming according to mechanisms that suit the age, and The importance of this research lies in presenting a study required by the necessity of evoluting the level of the interior space designs for the flower shops, the importance of research Lies the mechanisms of transforming the form in the designs of interior spaces objectively. One of these mechanisms is the flowers shops in Baghdad , Al - Rusafa side in the period 1975 - 2013 spatially and temporally. in addition , the chapter explains the terms mentioned in the title of the research linguistically and terminologically to get practical definitions.2 - The second chapter contains the previous studies and theoretical frame. This chapter consists of four part as follows : ? The first part : enlightens transforming the form and searches in the concepts of transformation and form.? The second part : deals with the design dimensions for transforming the form that include " idea , material , style, function".? The third part : is searching for the source of generating the design form and the forces affecting its transformation.? The fourth part : adopts the design consideration of interior design as the objective fundamental to transform the form.3 - The third chapter : contains the research procedures and methodology. It depended on the descriptive methodology in analysis, Only six models were chosen by the purposeful selection to study the samples of the original research population, the instrument of the research adopted across several axes on which the form of analysis was built, indicating the degree of realizing those axes in addition to describing the research models and their analysis.The fourth chapter : includes findings and conclusion reached by the research as follows : - 1. The deep understanding for the concept of mechanisms of transforming the form, as described the general topic contained in the phenomenon of interior space of flower shops, and its effectiveness of its role when it is applied on the part, its influence reflect in different partial transformations and with functional values (performance and aesthetic), it may reflect on all with high proportion, to realize the full transformation on the level of interior design.2. The interior design “separated from the building“ characterized with spatial characters satisfying the considerations of design to transform the form as compared with middle and corner spaces, The interior design also presents a wide and flexible space for active possibilities through which the interior designer may create formal transformation which their mechanisms adopt aesthetic things satisfying the receiver’s taste.3. The façade is regarded as the most active space visually in transforming the form in its functional dimensions of flower shop especially the aesthetics of innovated design and the nature the exhibited things express by their significant value about the identity of professional space design.The fourth chapter also contains the theoritical design and practical pillars, recommendations general suggestions, beneficiaries and design proposal, in addition to horizontal diagrams, tables, illustrative means and a list including references and appendices.

تشاكل اجناس التشكيل المعاصر : دراسة في ضوء المنهج التداولي == The Amalgmation of Contemporary Genres of Plastic Art

اسم المؤلف: شيماء وهيب خضير
اسم المشرف: بلاسم محمد جسام
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: الفنون التشكيلية
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: نحن نعيش عصر تغلب عليه العواصف الاجتماعية والهزات والتناقضات على المستوى الثقافي عامة والفن بنحو خاص.لقد اصبح الفن المعاصر الذي تنوعت طرائقه ومواده وتعذر توفع تعبيراته يتحدى كل مبدا منطقي لما كان يعرفه الفن على المستوى التاريخي وصولا الى الثورة الكبرى عل | We live in an age dominated by social storms and earthquakes and contradictions at the cultural level in general and special about art.It has become contemporary art which varied methods and materials and could not Tof expressions defies every principle logical because he knew the art at the historic down to the great revolution on the principle of form and rules and kind, and that any analysis or reading and interpretation of the forms of creativity current will stop at the borders conflict with each rational aesthetic. So the reality turned into forms and then split shape or correlation and clashed with another is not of the same sex or kind and dominated the culture of diversity and multiplicity and heterogeneity and Altsnat loss or loss of significance meaning.This research on the administration of fossils in technical Alchakl and read these deviations historical form of art in everyday life and the project life turned into a work of art, and vice versa.. The assumptions of the system concerned deliberative Palmassatah major global border dropped while I worked on the assumption that art can be found in the place in anything and reproduction formats will be rootless..In light of this research is divided on : Chapter One : included research problem, and its importance, and his goals and boundaries and define some terms in the board.Chapter II : Conceptual Framework : The three topics : 1 - First research : Alchakl - concept and outputs - 2 - The second topic : the concept deliberative and تشاكل races technical and deliberative correspond Arts3 - The third topic : contemporary aesthetic discourseConcept and analysis toolsChapter III : ApplicationAnd community - based research, and the sample placed lesson and tools used.Chapter IV : And includes the findings and conclusions that came out of research.

خطاب التصميم الداخلي وانعكاسه السلوكي في فضاءات السلطة : قاعات البرلمانات انموذجا == Discourse of Interior Design And Its Behavioral Reflection On Spaces of Authority : Parliaments Chambers A Sampling

اسم المؤلف: علاء الدين كاظم منصور الامام
اسم المشرف: سعد علي يوسف البصري
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: التصميم الداخلي
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

المرجع المحلي واليات التغريب في العرض المسرحي العراقي == The Local Reference And The Mechanisms of Alienating In The Iraqi Theatrical Performance

اسم المؤلف: سهى طه سالم
اسم المشرف: عقيل مهدي يوسف
الموضوع العام: الفنون الجميلة
السنة: 2013
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: At the begging the subject of analysis should be determined and the intended thing should be marked when talking about the reference and its multiple discourse mechanisms. The connection between determinants and frames, though it the real elements in life and sup positive elements in the art of theatre may be caught, is a connection may be clarified by the theatrical sender that, in its allegorical root, consists of tales, stories, myths, and heritage through the most complicated theatrical senders as plot and theatricalizaing. The juxtaposition to understand theatre should be based on multiple uses “word and image", indeed one of its juxtapositions is the complication of word and image as to simulation and trace. As soon as we determine the subject of analysis from its multiple paths, we may study implications of reference in all that related multitude, then we may study the primary reserves that required by the research and the expectations appeared by it, and the context of their appearance and disappearance. So, the different functions of analysis for such a complex and interrelated system should be considered. Studding a theatrical phenomenon in certain place and time "as Iraqi theater" is not free acquainting all its details at the level of historical achievement or its joining with other world experiments by texuality adaptation and misrepresentation. Consequently, the research took multiple trends and re - reading the silent things "that means things which never dealt with " when some methodologies where confined to description and presentation. Such methodologies were external searching artistical and advertising careers for the people of theatre, but not for society of theatre. The analysis of Iraqi theatre and its reference roots may make researchers and the people concerned with theatre able to deal with the most important centers and focuses from which theatre starts, when they are chasedand their forms will be known. Any review for he history of Iraqi theatre will guide us to some probes for its creation formation. Based on this trend, the present research is determined on the preference priorities for local an inherited tales, stories and strange stories born from the momb of Iraqi life after series of wars and structural shocks that had hit its social joints and what followed after them as events and strange things. So, theatre should alienate itself from the traditional methodology that formed its image, way and trends across years. Such an action took a wide area of the research. In addition to focusing on some related topics that most specialized like textuality and intertextuality in Iraqi play - writing. It is worthwhile that studying theatre requires awareness of this phenomenon and to get rid of the crowd of reading subjective experience and to deal with methodologies that awaken by some contemporary reading. The research consists of four chapters as follow : The first chapter : included the problem of the research and its importance, aims, determinants and determine the most important terms. The second chapter : based on the theoretical frame including four parts as follow : The first part : The dilemma of reference between realty and imagined. The allegorical delusion in the theatre. The pictorial imagination in the theatre. : The reference sources for the theatre : The second part A : Myth. B : The trends of Myth. C : The Myths of natural phenomena. The source of popular theatre “folklore” The kinds of power tales. : The third part „1? Alienating 2 - Formalism and alienating The mechanisms of alienating in Iraqi theatrical performance A. The elements of alienating in the theatrical performance. B. Alienating and receiving in theatre. C. Towards juxtapositioning of dilemma in theatrical reception. D. The role of audience in theatrical alienating. E. The epic theatre : change instead of catharsis. F. Theatre of cruelty : the spectator?s body is pivot of reception. G. The poor theatre : the spectator is base of theatricalizing. : visible and invisible in the The fourth partmanifestations of Iraqi theatre; a. The local reference in Iraqi theatre. b. Tale and mythical reference. c. The path of foundation. d. The references of modern Iraqi theatre. e. The political reference in Iraqi theatre. f. Calling the popular reality and observing it. g. The experiments of modernism in Iraqi theatre. h. The theatre of eighties, the real and experimental theatre. i. The militarilisation of theatre The Iraqi theatre between the shaking of historcal structure and the factors of change. : is a procedural and applied The third chapterattempt dealing with five samples “plays” as follow : 1 - The Shadows 2 - The dew of rain3 - Face Book 4 - The rival of roses 5 - Al - Hussein now : included the findings and The fourth chapterconclusions reached by the researcher through her analysis relating to the aim of the research, in addition, the chapter included a list of references and sources, and abstract in English.

المرجعيات الاعلاماتية في الرسم المعاصر : دراسة في تحولات النسق == The Influence of Media On Contemporary Painting A Study In Transformation of The Style

اسم المؤلف: ندى عايد يوسف
اسم المشرف: بلاسم محمد جسام
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: الفنون التشكيلية
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: الحمد لله العليم الذي لا ينسى من ذكره ولا ينقص من شكره، ولا يخيب من دعاه ولا يقطع رجاء من رجاه. بعد ان تم انجاز هذا البحث يقتضي واجب الاعتراف بالجميل ان اتوجه بالشكر والتقدير الى الدكتور بلاسم محمد المشرف على هذه الاطروحة لما قدمه من عطاء ثر وتوجيهات وار | The media system as a power that controls the masses' tastes and kinds of education needed, can identify the concepts and strategies concerned with the media information. This sort of information is considered the legend that is used by the economic institutions aiming at controlling the public knowledge and the masses' opinions to promote the implied stated objectives. This research discusses the dimensions of the relation between Contemporary art and the infomedia system and the reciprocal influence between the two sides. However, the educational discourse is imposed by the institutions governing the media information. This imposed discourse has altered the art concepts and values, and as a consequence these new concepts and values define the future of the art's theory and practice. The question does not deal with the drawing as an art based on established criteria; but rather detects areas of the renewal and the sequential difference in its systems and drawing the attention to a particular phenomenon transferring it from the Local orientation towards making it global. In order to achieve this aim, the techniques of communication should be activated; otherwise, the project's existence is not recognized. It is necessary to cover the informational data and references that are related to art making. This necessity is drawn from the prominent problems in building an informational vision for the future art moderations and compositions compared to the aesthetic values, communicative abilities, range of media control, means, and the appropriate techniques. leading a search in the references of art and modeling it according to the desired goal show results after the completion of the work.This study " The Influence of media On Contemporary Painting - A Study in Transformation of The Style. This research include an introduction and five chapters. The research's introduction included procedures of research problem identified in the disclosure of the impact of Information and media presence in contemporary art, with a view to finding a holistic interpretation within the cultural context depending on a range of fields and building artistic awareness that is configured to draw informational references according to the justifications of communication. The importance of this research is focused on some global art variables in order to discover the importance of the system's configuration. As well as shed light on the communicative relationship between artwork and audience.The objectives of the research can be summarized as follows : 1. Revealing The Influence of media system On Contemporary Painting.2. Detecting the informedia references in the contemporary art. While confined to the limits of search plastic arts that extended from the year (2003) until the year (2012). The first chapter deals with the problem of format and technical monitoring shifts by two sections. The first section reveals the possibilities of developing forms that can be traded outside the spatial boundaries. This system's importance comes from producing communicative forms that link between the artwork and the public recipients. And dealing with the other search after receipt by displaying the views of some theorists who contributed to the confirmation of the role of receiving while reading the features of art work; that led to his ascendancy to the throne of power and the exclusion of the role of the artist; consequently, that led to certain effects contributed to form shifts in artistic taste.The second chapter consists of three sections. The first is about communication theory and research in multimedia that play a role in making art a communicative mean that led to a change in the system of technical patterns in offsets and retreat of the museum's role , artistic identity, information, and commerciality. As a consequence, art has been deriving its presence from the subjects displayed on television, the internet revolution, watching, the deliberative convention, and the historical shift. While second section focused on the output of contemporary art, the photographical violation and trading arts. While The third section deals with the influence of the impact of the network on art and it displays a range of art movements emanating from the effects of the computer.The third chapter includes three sections. The first section focuses on the media information and the body use, while the second section sheds light on art and globalization. The third section is entitled Art and Architecture.painting on the theoretical frame work classes with a total investment reached the appropriate levels that Chapter four includes. In this chapter, an analysis of a group of samples is made. These samples are selected to be sort of systems that accept the use of multiple techniques and technologies adopted in artistic styles.The fifth chapter deals with the research's results, recommendations and proposals. Finally, this research has led to certain points as results for what has been included throughout this paper : 1. The digital revolution and the spread of the computer's effects has made certain changes in the art of painting and opened new horizons for the artists to take advantage of this medium, as well as from the virtual world's space to make it real. It is through the interaction between technical standards and digital programs became possible to create works that achieves aesthetic purposes with the help of computer and software that requires openness and lack of commitment to previous theories of beauty.2. Despite successive systematic shifts, the change made by media information has not affected the essence of painting, but the difference in the techniques and mechanisms and means of output and modes of delivery. the substance can be expressed with oil and light, assembly, the screen, and the Internet. The difference is between the ages and cultures intellectual concepts that urged a change. And that would contribute to the creation of shifts in the vision way, taste and achieve the dazzling and surprising component.3. The media information focuses on techniques' investment and new media to ensure communication. Offering technical art at the expense of artistic experiments that reflect the individual self. It is made by the integration of modern technology with traditional techniques to create art carries aesthetic value.4. The media information is eligible to study communicative systems that can turn the illusion into reality and contribute to the consolidation of belief through forced intrusion on all levels of society through art. In order to achieve technical communication requires the formation of attendance different from the other.5. this reference produces many services and countless connotations that are implicit in the work of art that cannot be reduced and intensity and unifying media information references; Every action has its terms of reference that have nothing to do with the other works.6. Art history since its inception to today based on a range of different references. But with the media information, it is not intended to be the iconographic, symbolic reference, or indicative, or any other divisions. It is the reference that follows from the relations that generate at the moment watch the action. To detect speech disguised behind the artwork. Which may be political, or social, or existential, or utilitarian, or advertisements, or media.

خصائص التعبير الفني وعلاقتها بانماط التفكير المرتبطة بنصفي الدماغ لدى طلبة المرحلة المتوسطة في محافظة بغداد == Characteristics of Artistic Expression And Its Relationship With The Thinking Patterns Associated With The Two Sides of The Brain Among Middle Stage Students In Baghdad Province

اسم المؤلف: زهراء صائب العاني
اسم المشرف: صالح احمد الفهداوي
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يعد فن الرسم احد الطرق الفعالة التي تجعل من التفكير شيئا محسوسا، فربما ? يستطيع الطالب التعبير عن تفكيره شفويا، فيكون مـن ا?سهل ان يعبرعنه بوساطة الرسم، وان الظن بان بعض الطلبة غير اكفاء في التعبير الفني ليس بسبب نقص في قدراتهم العقلية ولكن بسبب ان انم | The painting is one of effective ways that make thinking something felt, the student may not be able to orally express his thinking, it would be easy to express it by drawing, It is believed that some students do not have the necessary Competency in artistic expression is not because of lack of mental abilities, but because of their thinking patterns do not match with the patterns of thinking of doing the assessment and evaluation process and particularly in the teaching of drawing. We need to keep in mind the students' thinking patterns of, if we want to reach them and communicate with them, so the current research problem identified the following questions : A - Are there specific characteristics of middle school students fees according to the thinking patterns associated with two sides of the brain?B - Is there a relationship between the characteristics of artistic expression and thought patterns linked with the two sides of the brain?C - Is it possible to use the function of artistic expression drawing on the thinking patterns associated with the two sides of the brain? The goal of research is to (detected the relationship between the characteristics of artistic expression and thinking patterns associated with my side of the brain among middle school students in the province of Baghdad), and to achieve the goal of the research, the researcher derivation of several hypotheses zero.Current research community included average the second grade students who are continuing to study in the middle day school of the Directorate of Education in the first Karkh and Rusafa second, In the center of the province of Baghdad for the academic year (2012 - 2013), was selected (300) students at (150) male and 150 female students by (6) Schools of which (3) Schools for Boys and (3) schools for girls were selected randomly. The researcher adopted the (descriptive method) in the current research that required tools. First : diagnostic measure of thinking patterns associated with the two side of brain and prepared by (al - Dulaimi, 2005) after the confirmation of his sincerity and firmness. The second tool : Form analysis Graphics : built tool consisted of (9) areas and (17) key feature, and (39) property secondary was checking the veracity of the tool through a presentation to a group of gentlemen experts and specialists, while consistency has been the use of analysts, the researcher has identified two topics for the first draw special in school and the second theme is free what the experts agreed.In order to achieve results has been the use of the following statistical means) Kai - square, Pearson correlation coefficient, coefficient link Point By serial, equation of Cooper, Scott equation of, coefficient of compatibility).After unloading the data research found the following results : 1 - The existence of (15) a statistically significant property in fee students, those with dominant pattern (right).2 - The presence of (11) a statistically significant property in fee students, those with dominant pattern (left).3 - The presence of (10) a statistically significant property in fee students, those with dominant pattern (integrated).After viewing the results and discussed, the researcher had got a number of recommendations, including : - 1 - Give more opportunity for students to free artistic expression, making their artistic output will be in tune with the prevailing pattern of thinking.2 - - Make the article or subject thinking patterns associated with two side of the brain according to the psychological approach within subjects for primary school students, in addition to the establishment of courses for teachers of art education and lectures that include the subject of thinking patterns associated with two side of the brain in order to be of help to them in how to deal with their students.A complement to research a researcher has proposed the following studies : 1 - Characteristics of artistic expression and its relationship with the thinking patterns associated with the two sides of the brain among the students of the Faculty of Fine Arts2 - Characteristics of artistic expression and its relationship with the thinking patterns associated with the two sides of the brain in primary school pupils.3 - Technical features of the contemporary Iraqi painter and relationship patterns of thinking linked with the two sides to the brain.

الانزياح الدلالي للصوت في الفيلم الروائي == Semantic Deviation of A Voice In The Novelist Film

اسم المؤلف: محمد اكزار معارج
اسم المشرف: صباح مهدي الموسوي
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: الفنون السينمائية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: That the transfer of the terminology and migration from neighboring fields to the field of cinema, it has been initially is Mysore not unwelcome, but it has become now a legitimate, since the phenomenon film itself Forum arts and literary forms, meaning that incoming item of literature term cash or theoretical Leger to the cinema After you have several factors in Tndejeh and Tahjanh, and therefore it will Itlaqah with other elements that make up the film, to become a tributary of the tributaries that feed the river, namely cinema, Valandziah term literary purely descended from the rhetoric and stylistics in general and poetry in particular, then Leger to the arts in general and film in particular, so was the researcher's role in investigating this individual and keep track of their source and regression with valleys and walk with plains and climbing peaks to get all the information serve this search and access to the truth that contribute to supplement the students in this field. That any element contained to the cinema has earned its existence and its significance within the new structure, and this is possible, especially with the film because it is a form expressive and technical give the right and the initial of these elements in roaming inside the structure and make it easier for theorists writing in their respective fields, and are entitled to question Can we be theories of pure cinema without resorting to neighboring fields, and whether cinema is able alone to build and describe and explain and express itself as a phenomenon without resorting to other areas, and all this has paid researcher to delve into the study of displacement as a term in the range of cinema and will stand on his ability, and the possibility of analyzing various aspects Kashtagalh within the tape in the movie Film Festival. I've divided the study into five chapters and included the first chapter the methodological framework, the research problem and the need for and importance of research and its objectives and the limits of research and then determine the terms, was the term displacement is out of the ordinary Experience film for movies Surrealism and Dada and even experimental films Cinema dogma, is go out and break the rules of language film , many of these films carry ideas are meant to reach the receiver, through the use of vocabulary contiguous to the concept of shift change is and strangers and illusions, gave maker work is free to use its capabilities available to control the rhythm of the film, as dictated by the formulation of the picture and the psychological impact resulting from them, which the receiver will be paid to the interpretation of what to see pictures of paid to the subconscious mind, which interprets them as dictated by the culture and environment of spatial, temporal and even psychological.Chapter II included the theoretical framework in several Detectives are : - 1 - The first topic : - 's eloquence, the eloquence of sound We have focused on four concepts are displacement and rhetoric, style and stylistic relationship with each other and their relationship to the image and sound later, the longer the displacement of the leading phenomena penetrate the hair of the familiar, a deviation from the rules of the law of speech and penetrate controls criterion its own, The noise gives meaning Tagged may for the original to be a voice gives additional rhetorical dimension, and the method is the concept of Old and appears more closely.2 - The second topic : - Dimension dramatic aesthetic and structural contexts of voice Take this section dimension of the aesthetic of the picture and sound and then dimension dramatic picture and sound and finally shift the aesthetic and dramatic across the elements of sound, where the subject artwork to beauty as a conscious and fruitful for the recipient, either يتذوقه and not يتذوقه, how can we talk ear about art without can see the beauty in it, even took the film makes it sound does in self actually stronger than the image that lies beneath the eye, The noise reflects the dramatic content and aesthetic.3 - The third topic : - significant voice in the space of the film Eating a researcher in this section how to achieve displacement semantic level Suri and voice over job explanatory function expressive We have strengthened this detective examples and models Vlmah and emerged index one broad and multifaceted covered by the analysis of all the corners, covering the second quarter also previous studies that dealt with the sound and that have a relationship the content of the message. The third chapter has addressed research methodology and the research community and the search tool and sample which includes three films a 1 - Bay (PI) 2 - Passion of the Christ 3 - inception and has done a researcher at the fourth chapter analyzes these samples three Finally, Chapter V, which included the results of the research and its findings and then the recommendations that came out of the researcher.

توظيف تقنيات الادارة الفنية في بنائية الخطاب السينماتوغرافي المعاصر == The Employment of Production Design Technology In Structure of Cinematography Contemporary Speech

اسم المؤلف: رهام عبد الكريم عبد الرضا
اسم المشرف: علي حسين صفوك الركابي
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يشكل الخطاب السينماتوغرافي منجزا ابداعيا يمهر بختم المخرج، الا انه في حقيقة الامر عمل جماعي تكافلي، يتماهى وسط هذا الخطاب، الكثير من التفاصيل البنائية، والتي تتمثل بعناصر اساسية ترتبط بطبيعة الوسيط السينماتوغرافي نفسه، وعناصر اخرى تمثل تقنيات علمية يتم | Associated done creative in film and television arts, a lot of scientific techniques that check the credibility of the visual image, Elements technical need in order to carry out its mission of creative for some industrial practical techniques, and of techniques and technical management of digital and classic in both, which often falls upon themselves embody a lot of the Acts hacks and dangerous by the figures, both in real places realism, or places the fictional manufactured by digital technologies, thus achieving the act occurred final thaumaturgy discourse in Cinematograph, sources have varied to obtain the production design techniques between what is classic and what is digital, since attempts (Millais) The first, and the end of the digital technologies entirely manufactured by Computer programs the three - dimensional techniques and the hologram, that these techniques visual and employ them in the cinematograph picture are summarized researcher to study, as research is divided into five chapters, the first chapter include (methodological framework), which includes the problem and the importance of research and the need for it, and determine the goals and limits of research and research, and finally, the researcher identified some terminology.In the second chapter (theoretical framework and previous studies), it was for the production design inception and its concept has been divided into three sections, the first section, as it dealt with the beginnings of the emergence of the term production design and how it moved from the stage at the hands of (Millais) to the cinema, while the second section was for the structural relationship between the production design mediator in the cinematograph elements, grabbed a researcher here every production design techniques which is classic and function within the discourse structure the cinematograph, while the third section was technology digitized technical management in the cinematograph speech, and in this section the researcher digital production design techniques three - dimensional addressed and divided into three levels, and then discuss some of the previous studies reached a researcher to a set of indicators that have been adopted by the tools for the analysis of the sample, after taking the opinion of the Committee of Experts and arbitrators, and the research sample were as follows : 1 - The English Serial (Game of Thrones)2 - The English film (The Grand Budapest Hotel)After the analysis concluded the researcher to the set of results in which the importance of hiring technical production design techniques, both classic and digital found in the cinematograph speech, in order to achieve act thaumaturgy image of cinematograph, and achieve directorial processors according to the director's vision with the help of technical director, and therefore put the researcher some of the conclusions and recommendations and finally proposals, and concluded Find a list of sources and references, and appendices, and abstract in English.

البناء اللحني والايقاعي للاغـنية البغدادية في عقد الاربعينيات == Construction And The Melody And Rhythm The of The Baghdadi Songs of The Forties

اسم المؤلف: طارق محمد علي كاظم الاوسي
اسم المشرف: طارق حسون فريد
الموضوع العام: الفنون الجميلة
السنة: 2010
الموضوع الدقيق: الفنون الموسيقية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: جاء البحث متكونا من اربعة فصول مع قائمة بالمصادر والملاحق 0حيث يتناول الفصل الاول الاطار المنهجي للبحث، ويبدا بعرض مشكلة البحث التي تلقي الضوء على الاغنية البغدادية، والتي ارتبطت مضامينها وموسيقاها وطرائق ادائها بحياة المجتمع البغدادي ولكونها احدى م | Search comprising of four chapters with a list of sources and supplements. First chapter discusses the methodical framework for research.The research problem begins by highlighting on the Baghdadi's song which associated its contents and music’s and methods of performance with Baghdadi community life and being one of the sources of singing and musical heritage in Iraq and requires the preservation of extinction and distortion and loss through collected and documented and studied there was a need to conduct study on the construction melodic and rhythmic in the Baghdadi’s song. Then, the researcher illustrate importance of his research, either the target determined by the disclosure of characteristics of construction melodic and rhythmic features in the Baghdadi's song for forties contract.The second chapter guarantees the theoretical framework and previous studies, and was consists of three studies, came in the first study of it a brief illustration about history of music and singing in the civilization of Mesopotamia, and then the singing in the pre - Islamic era, then that came in the Arab Islamic civilization until the Abbasid era, and In the second study the researcher partook of singing in the Abbasid period, followed that topic of the singing in the era of the Moguls and by reach to the end of the nineteenth century AD, in the third study the researcher partook of situation of Baghdadi's song since the beginning of the century and until the end of the fourth contract, also the study included topic of song at the stage of forties of the twentieth century which is the main topic in this study, a researcher did not find any scientific and Academy study partook of Baghdadi's song at the stage of the forties of the twentieth century.and the third chapter contained on procedures of research, where the experts identified the research community and then sample of search had been selected intended, and then talked about research tool, clarifying the analytical standard which was prepared by him based on stated in Part II, which is marked (the curriculum and the application rate and addenda) in : 1 - Book (analysis of contemporary music in the science of comparative) of the author of a. Dr. Tariq Hassoun unique. And : 2 - the book (theories and methods of analysis of Arabic music) for the same author, as indicated by the analytical models for the messages of different music, and the researcher depended on chapters five and six of the book II (Explanation of fields’ content the five forms and the two drawings, the diagrammatic and schematic), and this what relates directly in determining the standard analytical music so that we can analyze the selected samples.And partook of the requirements the research and then methodizing of research and veracity of standard and its immutability. This chapter had included the musical analysis for the samples to be brought under for analysis.In the fourth chapter the researcher got out with a list of results and achieved by this his goals , then reached to conclusions, and then, the researcher put some of the recommendations and proposals, and came after it a list with the sources and supplements, and the research summary in English.

التمثلات البنائيــة وتـحولات العلامة لانتاج الدلالة في الفيلم الامريكي المعاصر == Representations And Structural Transformations Sign To Produce Significance In The Contemporary American Film

اسم المؤلف: نجيب اصليوة حيدو
اسم المشرف: علاء الدين عبد المجيد جاسم
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون السينمائية
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يتلخص البحث الموسوم بـ ( التمثلات البنائيــة وتـحولات العلامة لانتاج الدلالــة في الفيلم الامريكي المعاصر ) , والعلاقة بين تجسيد البنى وتحولات العلامة لانتاج الدلالة وانعكاسها على المنجز النهائي في الفلم السينمائي الامريكي المعاصر. وتوزع البحث على اربع | Find boils down to is marked by ( representations and structural transformations sign to produce significance in the contemporary American film), and the relationship between the embodiment of structures and shifts the mark to produce significant impacts on the completed and final film in contemporary American cinema. Find and distributed five chapters The first chapter discusses the methodological framework for the search, which included the research problem and is as follows (what are the modalities to achieve structural representations of brand transformations to produce significance in contemporary American film?). The research goals and objectives, including : . 1 - To identify the mechanism of functioning of the representations and structural shifts in the production of brand significance in contemporary American film.2 - detection of possible mechanisms of transformations of the mark in contemporary American film.And the limits of research and definition of key terms, which came in the search. The second chapter, a theoretical framework and previous studies. The distribution of the theoretical framework of the four sections, the first section contains structural representations extrapolate the term and concept of the structure and the types of representations as well as the levels of the structural study. The second topic dealt with aspects of the structure and significance of the structure and meaning of which semantic structure, meaning and significance of the relationship, and the meaning and context, and the meaning and science. The third section shifts the mark in reading. The fourth topic addressed the structural representations and transformations brand produced in contemporary American film. Including assimilation Kpnip formality and elements of cinematic language of the camera, lighting, color and movement in the film and the time and place and the sound of the dialogue, music and effects and silence, and then clothing and decor and Monag, as well as assimilation Kpnip implied, and then structure in the film American contemporary.In the third chapter, which has been allocated to research procedures, which included research methodology, and appointed and included four films are : 1 - Name the movie : Lord of the Rings c 3 - Return of the King The Lord of The Rings : The Return of King C3. Year 2003.2 - The name of the film : Troy. Year 20043 - The name of the film : Jasmine Blue Blue Jasmine Year 3013.4 - Name the movie : 12 years of slavery, 12 YEARS A SLAVE Year in October 2013.As well as the research community and its tool and the unit of analysis and the analysis steps and then the fourth quarter analysis of the sample Filmah The fifth chapter Vahtoy results, including : 1 - contributed to the modern infrastructure in the film industry a new mechanism lies in breaking the traditional narrative Strategy in contemporary American film to open up to the mark at the end. As shown in the samples.2 - helped shapes that represent the structure of the film depends depth and detail in the image to serve as a traditional plot, works through the receiver and raising format film product.As well as the conclusions reached by the researcher, including : 1 - the form of structural assimilation to draw shapes Filmah the screen frame so irreplaceable is interconnected and overlapping and mutually influencing and influenced by the structure of the artwork for the production of semantics through signs and transformations.2 - characterized sample movies embody Aaltmthel structural Filma expressive of the place and significance of the production shifts brand through camera movements and angles of different sizes and stills.As well as the recommendations and proposals. It must research of this type that contains the sources support the process of scientific research. As well as supplements and summary of the research in the English language.

التذوق الفني وعلاقته باسلوبي الادراك (التاملي - الاندفاعي) و(الاستقلال - الاعتماد على المجال)

اسم المؤلف: نضال كاظم مطر الربيعي
اسم المشرف: محمد جابر علي الزبيدي | جبار محمود العبيدي
الموضوع العام: الفنون الجميلة
السنة: 2003
الموضوع الدقيق: التربية الفنية
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

المنحوتات العاجية المكتشفة في بلاد اشور == IVORY SCULPTURES DISCOVERED IN ASSYRIAN LAND

اسم المؤلف: نزار عبد اللطيف احمد العبيدي
اسم المشرف: طارق عبد الوهاب مظلوم | احمد قاسم الجمعة
الموضوع العام: الفنون الجميلة
السنة: 2007
الموضوع الدقيق: النحت
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

منهج التربية الفنية للمدارس الاساسية في الاردن تقويمه في ضوء اهدافه == Curriculum Of Art Education For Elementary Schools in Jordan Evaluation With Respect Of Its Goals

اسم المؤلف: محمد احمد محمود الزعبي
اسم المشرف: عبد الكريم كاظم الامام
الموضوع العام: الفنون الجميلة
السنة: 2002
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

الدور الاتصالي لمدرس التربية الفنية في العراق في ضوء انموذج هارولد لاسويل

اسم المؤلف: نوال حسين خلف
اسم المشرف: عبد الامير يوسف | ماجد نافع الكناني
الموضوع العام: الفنون الجميلة
السنة: 2002
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

البناء الفني لموضوع الصراع العربي - الصهيوني في الدراما التلفزيونية العربية

اسم المؤلف: عبد الله محمد علي الشيخ
اسم المشرف: حارث عبود
الموضوع العام: الفنون الجميلة
السنة: 2003
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

تحوير الاتجاهات التصميمية لاجهزة العلاج الطبيعي

اسم المؤلف: زيدون خلف جبار النصيري
اسم المشرف: باسم قاسم الغبان
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
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