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الانزياح الدلالي للصوت في الفيلم الروائي == Semantic Deviation of A Voice In The Novelist Film
Author name:
محمد اكزار معارج
Supervisor name:
صباح مهدي الموسوي
General topic:
Fine Arts
Specific topic:
Cinematic Arts
Degree:
Master
University:
University of Baghdad
Language:
Arabic
University location:
Baghdad
First pages:
18T729 - p.pdf
Abstract:
That the transfer of the terminology and migration from neighboring fields to the field of cinema, it has been initially is Mysore not unwelcome, but it has become now a legitimate, since the phenomenon film itself Forum arts and literary forms, meaning that incoming item of literature term cash or theoretical Leger to the cinema After you have several factors in Tndejeh and Tahjanh, and therefore it will Itlaqah with other elements that make up the film, to become a tributary of the tributaries that feed the river, namely cinema, Valandziah term literary purely descended from the rhetoric and stylistics in general and poetry in particular, then Leger to the arts in general and film in particular, so was the researcher's role in investigating this individual and keep track of their source and regression with valleys and walk with plains and climbing peaks to get all the information serve this search and access to the truth that contribute to supplement the students in this field. That any element contained to the cinema has earned its existence and its significance within the new structure, and this is possible, especially with the film because it is a form expressive and technical give the right and the initial of these elements in roaming inside the structure and make it easier for theorists writing in their respective fields, and are entitled to question Can we be theories of pure cinema without resorting to neighboring fields, and whether cinema is able alone to build and describe and explain and express itself as a phenomenon without resorting to other areas, and all this has paid researcher to delve into the study of displacement as a term in the range of cinema and will stand on his ability, and the possibility of analyzing various aspects Kashtagalh within the tape in the movie Film Festival. I've divided the study into five chapters and included the first chapter the methodological framework, the research problem and the need for and importance of research and its objectives and the limits of research and then determine the terms, was the term displacement is out of the ordinary Experience film for movies Surrealism and Dada and even experimental films Cinema dogma, is go out and break the rules of language film , many of these films carry ideas are meant to reach the receiver, through the use of vocabulary contiguous to the concept of shift change is and strangers and illusions, gave maker work is free to use its capabilities available to control the rhythm of the film, as dictated by the formulation of the picture and the psychological impact resulting from them, which the receiver will be paid to the interpretation of what to see pictures of paid to the subconscious mind, which interprets them as dictated by the culture and environment of spatial, temporal and even psychological.Chapter II included the theoretical framework in several Detectives are : - 1 - The first topic : - 's eloquence, the eloquence of sound We have focused on four concepts are displacement and rhetoric, style and stylistic relationship with each other and their relationship to the image and sound later, the longer the displacement of the leading phenomena penetrate the hair of the familiar, a deviation from the rules of the law of speech and penetrate controls criterion its own, The noise gives meaning Tagged may for the original to be a voice gives additional rhetorical dimension, and the method is the concept of Old and appears more closely.2 - The second topic : - Dimension dramatic aesthetic and structural contexts of voice Take this section dimension of the aesthetic of the picture and sound and then dimension dramatic picture and sound and finally shift the aesthetic and dramatic across the elements of sound, where the subject artwork to beauty as a conscious and fruitful for the recipient, either يتذوقه and not يتذوقه, how can we talk ear about art without can see the beauty in it, even took the film makes it sound does in self actually stronger than the image that lies beneath the eye, The noise reflects the dramatic content and aesthetic.3 - The third topic : - significant voice in the space of the film Eating a researcher in this section how to achieve displacement semantic level Suri and voice over job explanatory function expressive We have strengthened this detective examples and models Vlmah and emerged index one broad and multifaceted covered by the analysis of all the corners, covering the second quarter also previous studies that dealt with the sound and that have a relationship the content of the message. The third chapter has addressed research methodology and the research community and the search tool and sample which includes three films a 1 - Bay (PI) 2 - Passion of the Christ 3 - inception and has done a researcher at the fourth chapter analyzes these samples three Finally, Chapter V, which included the results of the research and its findings and then the recommendations that came out of the researcher.
