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انساق التلقي في الخطاب المسرحي : دراسة سوسيولوجية == Receipt Order In Dramatic Speech (Sociological Study)
Author name:
محمود سعودن رسن
Supervisor name:
سافرة ناجي جاسم
General topic:
Fine Arts
Specific topic:
Theatrical Arts - Literature and Criticism
Degree:
Master
University:
University of Baghdad
Language:
Arabic
University location:
Baghdad
First pages:
18T737 - p.pdf
Abstract:
The theory of aesthetic reading and receiving is looking for critic conceptions which make a change in the world of criticism concerning the reading of literature achievement this element make the - person - reciver remarkable factor to release the meaning of the achieved speech. on the ground of the controversial relation between the three elements of creation (the writer - achiever - receiver ) this theory provide us with its conceptions by several terms and principles that have great role to make big aesthetical knowledge based at (the horizon line of expectations - underlying reader - range of aesthetic - movable point of view - filling the gaps )As we said that the theatrical dialogue has formed strong and effective relation with the receiver, this we lead to the result of indispensable dual dialogue , so we ask How can the reader will interact with theatrical dialogue and How can interact with whole dialogue or some of it’s elements?For the sociological method importance in shaping human’s awareness, and what awareness consists of references which made from the effect of the fact, it hold sociological influences, that forming knowledge and aesthetic changes in order to answer all questions, we made the thesis into divisions : - ? Chapter one / systematic field (problem of thesis, importance of thesis, thesis goals, thesis limitations, terms restricted) - ? Chapter two / theoretical field consists of (first subject : theory of receiving concepts and procedures (method), second subject : sociological changes in theatrical dialogue. Third subject : method of receiving theatrical show, forth subject : previous studies, theatrical field aims)After the work of the writer he make the conclusions that thesis procedures in chapter three : ( society of study and it’s limits, study samples, study tool, study systematical tools) intentionally, we confine samples in order to apply it to thestudy, (theater / Hussain now / director and composer : Akeel Mahdi, theater/ summer rain/ composer : Ali Abdul - Nabi / director Kazem Al Nasar, theatre / brutal wedding / composer : Falah Shaker, director : Ahmed Hasan Mousa).After the writer’s finishing his sample analyzed the results appeared and discussed in chapter four based on standards shows in the clauses (9,11,12,13). In chapter two within subject four.In the study, we had discovered hypothesis conclusions that we made cognitively hoping to complete the scientific use, we are whishing God to send us his blessing in our study, and to be good luck
