البيئة وتحولاتها في تشكيل الرؤية الاخراجية == Environment And Its Transformations In The Formation of Directorial Vision
Author name:
حسين جوير علي
Supervisor name:
سعد عبد الكريم خيون
General topic:
Fine Arts
Specific topic:
Theatrical Arts - Directing and Acting
Degree:
Master
University:
University of Baghdad
Language:
Arabic
University location:
Baghdad
First pages:
18T785 - p.pdf
Abstract:
شكلت عروض البيئة وتحولاتها في تشكيل الرؤية الاخراجية خروجا على الثوابت الارسطية في بناء العرض المسرحي فقد عمد مخرجو المسرح البيئي الى تدوير البنية الدرامية للعرض المسرحي وجعلها متحركة لا تعرف الثبات اذ ازاحوا النهايات التقليدية.ان هذا الامتياز في بناء ا | The Performances environment and its transformations in the formation of directorial vision are formed departure from the Aristotelianism constants in the theater building was deliberately environmental theater directors to rotate the dramatic structure of the text and make it theatrical Animations do not know where steadiness ousted traditional endings.This concession to build a theater. Who created play spaces based on reductionism and abstraction and condensation. Thus, this method is to create a space theater has established for environmental performance today and directorial spaces and transformations in the environment through the formation of directorial vision to create a surprising aesthetic Offers in environmental theater. Eliminated the constants in the construction of the recipient and intellectual provocation formed an ongoing awareness of the recipient and the recipient revealed post and effectiveness in the theater, a goal sought by the environmental theater performances. Environment was the play space are proposed in the conversion and the formation of directorial vision and containing effective weather aesthetic display of theatrical and so did the participation of the recipient to unite the receiver with the effectiveness of the theatrical presentation. Researcher sheds light on in his four seasons in the first chapter (methodological framework) presents the research problem and the need to focus on the following question : Is the environment and the effectiveness of the its transformations in the formation of directorial vision?The research aims to identify the effectiveness of the environment and its transformations in the formation of directorial vision. Researcher has identified a theoretical framework (Chapter II) in three sections : 1. Conceptual environment. 2. The environment and aesthetics of theatrical space. 3. Employ architectural space and environmental Performances.Have been identified through this chapter on the environment and its transformations play intellectually and aesthetically, as well as elements of the establishment of the environment in the directorial styles of both (Richard Chnr, Petrbruk, Arto) and enables the researcher then stand on the theoretical framework of indicators, including : Environment and its transformations (Trans for made space) are that the filmmaker creates a structure width through reconfiguration and replacement of its space carefully selected to create a theatrical Creator. Hired directors rituals in their environments Created play two proposals have a distinctive form and adapted methods and techniques so festive, religious and non - religious, but subject to the understanding of contemporary theatrical techniques and adopted by the researcher as tools for the analysis of research samples.The third chapter contains the search procedures, which included : the research community and specimens, tools and methodology descriptive analysis of three directors : 1. Awni Karome 2. Adel Karim, Salah Kasab. The fourth chapter contains the results and discussion, conclusions, recommendations and suggestions, and then the list of sources, references and appendices and a abstract of research in the English language
