تحولات القراءة الجمالية للخطاب البصري في عروض عقيل مهدي المسرحية == The Trans Formations of Aesthetic Reading For Visual Speech In Aqeel Mahdi'S Plays
Author name:
وسام مهدي كاظم
Supervisor name:
محمد عبد الرحمن الجبوري
General topic:
Fine Arts
Specific topic:
Theatrical Arts - Techniques
Degree:
Doctorate
University:
University of Baghdad
Language:
Arabic
University location:
Baghdad
First pages:
18T778 - p.pdf
Abstract:
يعد المسرح واحدا من الاكتشافات الخاضعة والممتلئة بالاحالات، كما انه يتمتع بخاصية معرفية جمالية تنتج له القدرة على تقديم مفاهيم جمالية بقراءات معاصرة ذات خطابات بصرية تنقل من خلالها الخطابات الادبية، الى منطقة الرؤية والتحليل. ان مفهوم القراءة والقراءة | Theatre is regarded as one of the discoveries that Subjected to referrals and filled with them. It enjoys with an aesthetic and cognitive property that enables it to present aesthetic concepts with modern reading having visual speeches through which trans forms literary speeches to area of vision and analysis. The concept reading and contemporary reading has ability to deconstruct any speech whether it is literary or pictorial. It is the Medium through which transformation passes with its semantic and significant Concepts. Today, theatre moves side by side with modern discovery in this world indeed, it has ability to benefit from some discoveries to introduce them in the fabric of its theatrical performance in a form harmonized with the requirements of the age. The Visual speech is a cognitive, artistic and technical concern to establish a cultural system which is a communicative channel between sender and receiver. It is not a new phenomenon , but its roots dated back to Greek civilization , developed by discoveries that occurred in all fields of knowledge in general, and theatre in particular. That process exposed to a lot of transformations that helped in discovering multiple readings Strengthened by a visual speech that gave to the system of theatrical performance new forms and implications. These readings and trans formations had Various concerts, some of their sides exposed to dilemmas, So there was a need to solve them. Based on that, the researcher determined the problem of his research entitled " The Trans formations of Aesthetic Reading for visual speech in Aqeel Mahdi's Plays". The research consists of four chapters : The first chapter includes the problem of the research and the need to moke it (Study and analysis of the transformations of Aesthetic Reading for visual speech in Aqeel Mahdi's Plays). The researcher also determined the goal of his research by revealing the aesthetics of visual speech and its reading trans formation in Aqeel Mahdi's Plays. The importance of the research lies in highlighting unknown sides in the Visuality of the plays. The researcher determined the determinants of his research as follows : Time determinants : All Aqeel Mahdi's Plays presented since the first play till the moment of writing this research - Objective determinants : These are Aqeel Mahdi's Plays that Characterized with the transformations of aesthetic reading for the visual speech. The researcher determined his research terms and defined them, selecting to them procedural definition : "Transformation, Reading visual speech". The Second chapter divided in to four parts : the first one contaned the concept of Visual Speech. It began with a cognitive sequence and mental, artistic and technical analysis, then the researcher dealt with the dilemma of visual speech according to numerous concepts, finally, he dealt with the general concept of finally, he dealt with the general concept of visual speech in the system of theatrical performance. The Second part of the Second chapter was entitled "The Aesthetic of visual lmage" , Firstly the part explained the aesthetic of visual image according to the concept of image culture, then it presented the aesthetics of visual image in theatrical performance according to Some modern theatrical experiments. The third part was about the visual speech with a preface, then it dealt with intellectual and aesthetic complex for visual speech. It also dealt with the elements of visual formation in the play. The final or the fourth part dealt with aesthetic reading in Ageel Mahdi's Plays and with his theatrical experiment on the level of writing, theorizing, direction and what associated with it as aesthetic, philosophical and technical aspects. This part also included the previous studies and indications which produced theortical frame , the most import ant of them are : 1 - Visual Speech has components, the most important of them is image in its meanings and significance associated with searching for keys to decode the symbols of that speech.2 - Place and space regarded as two important elements of formation of visual speech in performance.3 - The most important domain of the philosophical, artistical, intellectual and aesthetic domains that affect the creative system for Aqeel Mahdi's dependend on the pvinciple of Civilizatons dialogue. The third chapter included the procedures of the research containing the research Popucation Methodology and tools of research in addition to research samples in addition to research Samples including the followings : 1 - Performance of "Gorilla" Play.2 - Performance of "Jeanne d'ASrc" Play.3 - Performance of "Bedouin and orientalist Play".4 - Performance of "Ali Al - wardi and his rival Play".5 - Performance of "Cobbler" Play. Some tools used to analyse these samples are as follows : 1 - The theoretical frame and its implications.2 - Photographs.3 - Compact discs "C. D"4 - Papers "What was written a bout the plays.5 - Observation. Then, these samples were analysed by the researcher to indicate the transformation of aesthetic reading for visual speech in Aqeel Mahdi's Plays. The fourth chapter contained the findings and their discussion , for example : 1 - Using Space and place as essential elements for transformation of visual speech as in the plays "Cobbler" , "Ali Al - Wardi and his rival" and " Bedouin and orientalist"2 - Regarding the visual formation as one of the tools of transformation in aesthetic image and rebuilding it by the imagination of director associated with his formation senses. That was observed in all Aqeel's plays.3 - The two elements of light and color were regarded as two essential elements for visual speech as in the plays "Cobbler" , "Ali Al - Wardi and his rival", "Jeanne d'Arc" "Gorilla" and " Bedouin and Orientalist. The fourth chapter also included concluded conclusions, recommendations and suggestion, in addition to sources and references, finally an abstract in English.
