جماليات القبح في نتاجات فن ما بعد الحداثة == Ugliness Aestheticisms In The Products of Art Beyond Modernism
Author name:
سندس محمد عبد الامير
Supervisor name:
علي شناوة وادي
General topic:
Fine Arts
Specific topic:
Plastic Arts
Degree:
Master
University:
University of Baghdad
Language:
Arabic
University location:
Baghdad
First pages:
18T782 - p.pdf
Abstract:
The current research entitled ( ugliness aestheticisms in the products of art beyond modernism ) , It has searched the ugliness in philosophical thought and finding out the existing dialectic between beauty and ugliness and its role in direction work mechanisms in the motions of modern art and beyond the modern ( drawing and sculpturing ). The research has included four chapters. The first one was interested in methodical frame of the research represented by research problem which wasobvious through an ambiguity that arouse many questions such as : - How have the aesthetic understanding theses of ugliness been formed in the products of art beyond modernism ? Do such aestheticisms represent an attractive phenomenon in art beyond modernism ? What are the representations on the level of contents , meanings , forms , styles and techniques ? And what is the amount of connection of such works in phenomena and intellectual , social , political and economical concepts and new explicit prospects within a society beyond industry and its share beyond modernism as a modern urgent necessities ? And the amount of what have ugliness aestheticisms formed from displacement areas in aesthetic received processes.The first chapter through acknowledging the ugliness aestheticisms in the products of art beyond modernism. While the research limitations are restricted on the study of ugliness concept in the art beyond modernism ( drawing and sculpture ) represented by products of ( nonobjective expressionism , popular art , flocks , the art of body and graphite art ) which appeared in USA and Europe in the era ( 1945 - 2010 ).Chapter two has included the theoretical frame which contained three topics , the first one dealt with two pivots , the first pivot included the ugliness philosophically , through browsing the philosophers' opinions beginning of ( Heraclites') and ending to the opinions of modern philosophers. The second pivot concluded to show beauty and ugliness dialectician within analytical philosophical , knowledgeable , aesthetic and psychological vision. The second topic occurs in two pivots.The first one included the beautiful and ugly in modern European painting , the second dealt with the beautiful and ugly in modern European sculpture while the third topic is concerned with the study of ugliness features in two pivots , the first one contained the ugliness features in the art beyond modernism and the second pivot contained the ugliness features in the sculpture beyond modernism. Chapter two concluded with showing the indications to be useful in constructing the devise of the research and analyzing the samples.Chapter three has included the research procedures that contain the whole research , the sample and the nature of the device of the research , research method and used statistic means then analyzing the sample which includes ( 17 ) artistic works.Chapter four has included the research results and conclusions , moreover ; recommendations and suggestions. The most significant results that the research has reached are : - 1 - The structure of implemented artistic view that concerns with ugliness concept leads to make a fierce shock for the receiver in attempt to express the current image of reality and disclosing what are not declared in the meaning that delete the art beyond modernism any ascendant traditional aestheticism.2 - There are products with hostile dye that arise the hatred through pushing the shapes to break into the social conflicts and disclosing the destruction of ideological systems over indications that show the refusal state for cruelty of a society beyond the industry.3 - The ugliness depends in products the art beyond modernism on artistic change through activating the distorted rejected shapes which lead to more deeper disputes and universality for social conflicts within ( Oulama ) by describing it as a valuable system that could move the constant concepts round traditional beauty with all its procedural , technical existence and to fix the concept of non - aesthetic across devoting the theses structure that give changeable aesthetics for promised ones. It is not able to repeat the formation of artistic performance due to ideal features for traditional art time but it attempts through returning the formation of shapes by distorted way to put the shapes in compound components that make easy to arouse the aesthetic understandingcombined with ugly shape. 4 - The products of arts that concern ugliness aestheticisms in art beyond modernism have the ability to invest the subjects that could arouse the sensitivity of receiver towards the human image infringement that make the works empty of human andmoral values through making the implemented art structure loose from any moral and human evaluation in an attempt to present meanings taken from social immoral life to express the human crisis who is threatened by lost in social framesubmitted to weak broken construction. The most significant conclusions that the research has reached are : - 1 - The ugliness aestheticisms are making with the subjects represented by ( violence and political , economical and social cruelty ) tearing the Arab self and its declination and western society with all its distortions , dispersion and lost.2 - The ugliness aestheticisms are trying to express the torn realistic image through dissociation the reality parts and divide them then reconstruct due to view that arouse the sensitivity of receiver towards a lot of truths and human , culturaland political accidents.3 - The ugliness aestheticisms acquire their new descriptions through connection with shapes that express the disorder limitations for living reality. The researcher has referred to a group of re
