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العمليات الادراكية وتطبيقاتها في الرسم الحديث == Cognition Processes And Its Applications In The Painting Modern
Author name:
سهاد عبد المنعم عبد المحسن شعابث
Supervisor name:
علي مهدي ماجد | عارف وحيد ابراهيم
General topic:
Fine Arts
Specific topic:
Plastic Arts
Degree:
Doctorate
University:
University of Baghdad - College Of Fine Arts - Fine Arts Department
Language:
Arabic
University location:
Baghdad
First pages:
18T805 - p.pdf
Abstract:
The current research deals with (the cognition processes and its applications in the modern art) in which limits the qualities of art picture in shape and content. The research contains to four chapters; the first chapter deals with research's problem, importance, need, aim, limits and the most important of terms.Research's two aims are : 1. Acknowledge, aesthetical and art concepts of cognition. 2. Mechanisms of cognition processes in the art modern.The second chapter deals with theoretical framework and previous studies; the theoretical framework consists of four researches : the first research discusses the cognition processes in acknowledge by showing the philosophers' opinions starting at Platon's opinions and ending with contemporary philosophers. The second research deals with the cognition processes in aesthetical in the aesthetical philosophical thinking since its first starting at Greek philosophy until contemporary and modern philosophies thesis.While the third research deals with cognition in the field of psychology and art ingenuity theories, the fourth research devotes the mechanisms of applying the cognition processes in the European modern art and its directions. The theoretical framework gets on several of basic indexes to structure the research's tool.As well as the previous studies contain to two studies; they have discussed because of near it from the current study.The third chapter deals with the research's procedures and samples at (15) forms from the works of modern painting artists, as well as the chapter include the research's tool and analysis sample.The fourth chapter discusses the research's results, conclusions, recommendations and proposals. The results have showed into two groups according to each aim; the following most important results of first aim : 12. The modernity and its art directions have imposed cognition processes have variety levels according to the thinking, art and style framework for each direction; these directions have eager desire to pass the sensitive cognition and this desire becomes grow at the abstractionism painting greatly.13. The cognition processes in the modern art connected with the art's identity and his ability to adaptation the cognition with his thinking, art, stylistic and technical ambitions. This connection supported the freedom in the searching and experimentation.While the most important results of second aim are : 1. Impressionism has immediately performance has taken the cognition process starting at sense as a main source of vision and interference the interior senses such as remembering and imagination to come out of saved pictures with mind interference contributes to organize the picture in its lowly limits; then these powers emerges as direct sense form able to gathering all powers immediately to gloss the shapes and remove it from the its visible reality lightly.2. The barbarism follows the cognition process prevalence on it the imagination and sentimental; whereas it starting at sense but it is not absolute sense cognition. The works could complete with painting without observation the scene from the nature; the picture has visible shapes. The wildish and effective by (Gogan) has achieved a cognition phrase on the sense, so that it restored to the mind to organize the picture and give it designing features and give the shapes symbolic significance. In order to limit from the mind's whole power, the imagination comes with sentimental pressure to absence the objective relationships and confirmation the cognition's subjectivity; that's give the picture abstract aesthetic and formalism enjoyment exciting the sentimental, with intuition outcome all acknowledge powers have united in direct cognition for picture in shape and content.
