البناء اللحني والايقاعي للاغـنية البغدادية في عقد الاربعينيات == Construction And The Melody And Rhythm The of The Baghdadi Songs of The Forties
Author name:
طارق محمد علي كاظم الاوسي
Supervisor name:
طارق حسون فريد
General topic:
Fine Arts
Specific topic:
Musical Arts
Degree:
Master
University:
University of Baghdad - College Of Fine Arts - Department Of Musical Arts
Language:
Arabic
University location:
Baghdad
First pages:
18T727 - p.pdf
Abstract:
جاء البحث متكونا من اربعة فصول مع قائمة بالمصادر والملاحق 0حيث يتناول الفصل الاول الاطار المنهجي للبحث، ويبدا بعرض مشكلة البحث التي تلقي الضوء على الاغنية البغدادية، والتي ارتبطت مضامينها وموسيقاها وطرائق ادائها بحياة المجتمع البغدادي ولكونها احدى م | Search comprising of four chapters with a list of sources and supplements. First chapter discusses the methodical framework for research.The research problem begins by highlighting on the Baghdadi's song which associated its contents and music’s and methods of performance with Baghdadi community life and being one of the sources of singing and musical heritage in Iraq and requires the preservation of extinction and distortion and loss through collected and documented and studied there was a need to conduct study on the construction melodic and rhythmic in the Baghdadi’s song. Then, the researcher illustrate importance of his research, either the target determined by the disclosure of characteristics of construction melodic and rhythmic features in the Baghdadi's song for forties contract.The second chapter guarantees the theoretical framework and previous studies, and was consists of three studies, came in the first study of it a brief illustration about history of music and singing in the civilization of Mesopotamia, and then the singing in the pre - Islamic era, then that came in the Arab Islamic civilization until the Abbasid era, and In the second study the researcher partook of singing in the Abbasid period, followed that topic of the singing in the era of the Moguls and by reach to the end of the nineteenth century AD, in the third study the researcher partook of situation of Baghdadi's song since the beginning of the century and until the end of the fourth contract, also the study included topic of song at the stage of forties of the twentieth century which is the main topic in this study, a researcher did not find any scientific and Academy study partook of Baghdadi's song at the stage of the forties of the twentieth century.and the third chapter contained on procedures of research, where the experts identified the research community and then sample of search had been selected intended, and then talked about research tool, clarifying the analytical standard which was prepared by him based on stated in Part II, which is marked (the curriculum and the application rate and addenda) in : 1 - Book (analysis of contemporary music in the science of comparative) of the author of a. Dr. Tariq Hassoun unique. And : 2 - the book (theories and methods of analysis of Arabic music) for the same author, as indicated by the analytical models for the messages of different music, and the researcher depended on chapters five and six of the book II (Explanation of fields’ content the five forms and the two drawings, the diagrammatic and schematic), and this what relates directly in determining the standard analytical music so that we can analyze the selected samples.And partook of the requirements the research and then methodizing of research and veracity of standard and its immutability. This chapter had included the musical analysis for the samples to be brought under for analysis.In the fourth chapter the researcher got out with a list of results and achieved by this his goals , then reached to conclusions, and then, the researcher put some of the recommendations and proposals, and came after it a list with the sources and supplements, and the research summary in English.
