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اليات الارتجال ووظائفه في اداء الممثل المسرحي == The Events of Improvisation And Its Functions In The Performance of Theatrical Actor
Author name:
فراس محمد رضا الموسوي
Supervisor name:
وليد شامل حسين
General topic:
Fine Arts
Specific topic:
Theatrical Arts - Directing and Acting
Degree:
Master
University:
University of Baghdad
Language:
Arabic
University location:
Baghdad
First pages:
18T766 - p.pdf
Abstract:
شكل الارتجال في فن التمثيل احد المحاور الاساسية المهمة في الاداء بوصفه لا يستند الى نص درامي معين، بل انه يعتمد على القدرات الذاتية للممثل كونه يمتلك موهبة العطاء الفني مما يجعله في موضع التركيز الدائم، اذ اصبح من الضروري ان يستند المسرح المعاصر على ال | The Improvisation in the art of acting is a main points task performance as not based on the text of a particular drama , but it depends on the capabilities of the representative of the talent he possesses technical bid , making it permanent in focus , as it has become necessary to place that is based on contemporary theater Activity improvise when more filmmakers starting from ( Arto and Peter Schumann ) and others , and perhaps this achievement creative improvisation has public functions , especially in the style of a theatrical performance , prompting a lot of directors to open studios , or workshops for representative in order to make a theatrical presentation of contemporary authorized to work crews on the one hand , and improvisation on the other hand so that the contemporary theater depends on the dramatic text and evaluates the improvised theatrical shows derived from the cooperation and participation of the Technical Group.The researcher dealt with the concept of improvisation, and his activities in the theoretical framework, which explained its importance in the uses of the fact that spontaneous or artificial, but this title was maintained for it to go on the level of exercise and width, has been shown to improvise supports standard design, and the idea of automatic rationality also depends on the power of observation, and speed intuitive, and immediate response, and the speed of communication with the unit topic, event, and dialogue, and the target. the first chapter of the research problem, and need for, and importance of, and purpose, affection extent, the definition of terms.The second chapter of the theoretical framework researcher divided in three sections , the first section : the concept of improvisation , the second topic : improvisation trends in contemporary theater , while the third topic : the improvisation activities and functions.The third chapter allotted researcher for two things discussed a specific community, and specimens and analyzed , namely : A - A play written further notification to Abdul Karim Sudanese, directed by Sami Abdul Hamid.2 - Burda written and directed by Ghassan Ismail.3 - apologized to my teacher did not mean that authored the emotions of bliss , output Dr. Haitham Abdul Razak.The fourth chapter guarantee results and conclusions of the researcher to decompose over the eyes of this chapter also included proposals researcher and a list of sources " and references.
