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المعالجات الدرامية للشخصية التاريخية في النص المسرحي العراقي
Author name:
محمد مطشر عبد الكريم الغراوي الكحلاوي
Supervisor name:
عقيل مهدي يوسف
General topic:
Fine Arts
Specific topic:
Theatrical Arts - Literature and Criticism
Degree:
Master
University:
University of Baghdad
Language:
Arabic
University location:
Baghdad
First pages:
18T812 - p.pdf
Abstract:
تعد الشخصية التاريخية في معالجاتها الفنية المسرحية ركيزة من ركائز الدراما المسرحية، فهي العنصر ذو الاهمية، وهي الفعالة في النص المسرحي، لكونها صلة الوصل بين المؤلف والمتلقي، والمعبرة عن فكر الكاتب وما حصل عليه من معلومة موثوقة بعد تقصيه عنها، واستدراكا | The historical character, during its theatrical artistic treatment, is a main pillar of the theatrical drama pillars, it is the most important effective element, of the article, due to it is the connection between the author & the observer, expressed by ideology of the author, by what he has got of a certified &documented information trying to know, the importance of that historical character & the private characteristics of the historical period in which it lived in ,the approach to the historical character, from which the author chose as properties &characteristics discovering the properties ,characteristics of the given historical period & the depressive or liberal circumstances, formed that character, as a result besides its properties in the humanitarian dimensions, perhaps there is an self & influential effects of the historical character, upon the author. There are many historical events in the international history, composed the humanity, is a mean as groups or individuals, coming from the surrounding environmental circumstances, or the resulting individual & collective self agonies suffered, the author is almost obliged by the transfer of the historical events, through historical character, as if this character represents one component of the main resources, composed either the civic development or developed the civilization it self. The theatrical artist (the author) takes the transfer task of these events, even though hypothetically or actually, sometimes, only for the artistic theatrical enrichment, by the inspiration of the passing actual humanitarian history, during different passing eras, containing subjects, ideas and objects lead to the development of peoples vital experiments. It may be seen, from the passing essay, the importance composed from both the history & the characters contained in the past, still have its resonance inside the modern observer, this is the major motive, to look after the reality of the historical character, to be dealt with, theatrically in an artistic style , the research also shows, the author imaginative power, his ideas enrichment of the writing professionalism.Accordingly the research was divided into four chapters : 1) Chapter One : The Text Domain Contains the description of the research problem, importance, targets, limits & the definitions of the terms.2) Chapter two : Covers the theoretical frame, where it contains four research parts, as follows : A) Part one : The concept of public character The public character is treated by its general concept & the limitation of its dimensions (natural, social & psychological dimension) through the ideas &the different theories of the researchers. B)Part two : The concept of the historical character The historical character is treated through its common concept about, as if it is real, not mythic, or imaginary imagined by the author himself, characterized by real humanitarian characteristics lived in real historical period in the past. C) Part three : The concept of the dramatic character The drama is investigated because its importance to the theater, where originally the historical character is contained for the artistic treatment, as considering the character is an important element in the dramatic theatre. D) Part four : the dramatic treatment of the historical character characteristics in the an elective essays, the dramatic treatments of the characteristics was studied by theatrical author, according to the treatments mentioned in the theatrical text. To clarify the complicated image, it was tried to collected different opinions of different writers. The research was stopped, up to this point, on which it was treated as proof supporting the exisistng research, as a specific indicator of the Thesis.3) Chapter three Contains the procedures of the research. The research analyzed the historical plays documented in (1980 - 2005) ,then some specific specimens purposely chosen supporting the research, they are five theatrical essays. 4) Chapter four The results, conclusions, appendences, list of references & English summary.
