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التوظيف المجازي للصوت في الدراما التلفزيونية

اسم المؤلف: احمد عبود العسال
اسم المشرف: عبد الباسط محمد علي
الموضوع العام: الفنون الجميلة
السنة: 2010
الموضوع الدقيق: الفنون السمعية والمرئية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يحتل الصوت في الاعمال الدرامية التلفزيونية، مساحة واسعة على مستوى التوظيف والتعبير، فالى الجانب الوظيفي لعناصر الصوت من حوار وموسيقى ومؤثرات وصمت في تشكيل ودعم البنية السردية للصورة في العمل الدرامي اصبح اليوم وفي ظل التطورات التقنية للصوت قيمة جمالية في

اليات بناء الصورة المسرحية في عروض مهرجان منتدى المسرح التجريبي السادس عشر (لسنة 2011) The Mechanisms of Forming The Image Dramatic In The Shows of The 16Th Festival of Experimental Theater Forum For (2011)

اسم المؤلف: احلام علي عيدان الغزاوي
اسم المشرف: عادل كريم سالم
الموضوع العام: الفنون الجميلة
السنة: 2014
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان المسرح من اهم الفنون الذي يعتمد على عدد من العناصر ليكتمل خطابة من نص واداء واخراج وصورة وهي التي تحاول الباحثة ان تعرف بها فهي تحمل معنى المسرحية ومكملة لفكرتها ومعبرة عن احداثها ورؤيتها فالصورة المسرحية تحتل دور متميز في العمق التفسيري للافعال, اذ ان | In order submit presentation on stage has to be the availability of a set of basic elements, including text and actor, location, etc, which integrates supply fimnha many pictures innovative bearing the meaning of the play and expressive about events Moreover, they reveal perceptions director has within its vision directorial. The theater does not integrates her address the language only, but there must be interation with the elements of image formation and play between the receiver which reacts with the show visually and acoustically.That`s the play is not the only visual shape, but the relationships are visual, auditory, visual relatiions that are among tha elements of theater itself. Since it does not form a picture of the real substance of which its constituent elements and these elements interfere with each other to be the aesthetic image with signs and symbols of working to attract the attention of the recipient and stimulate his imagination dislodged This study included four chapters : First chapter : contained the theoretical frame which included the problem of the research, the need behind it, the importance of it, the aims of it, its limitation and specified the terms. The problem of the research raised in presenting a question that researcher tries to answer it (what are the mechanism of building the image and its transitions to establish the show, and whether it is stable or changeable). The importance of the research lies in discovering the mechanism of building the image and working on it to form a show. While the aim of the research include discovering the mechanism of building the image and seeing the aesthetic and philosophy of the image that had been formed in the show. Second chapter : titled (theoretical frame and previous studies), which included three sections.First sections : the concept of image which deals with the way of the image's emergence, its nature, its effect on the recipient since the primitive man till this day the way of entering the artistic field.Second section : mechanisms of building the image, this section deals with the elements which produce the theatrical image and fortify the show, including ( actor, theatrical view, lighting, costumes, make up, music and sound effects) which works together to create a special atmosphere to the show and dazzle the audience in addition to conveying them the theme.Third section : changes of image in the directing trends, this section includes : First : the realistic trend in theatrical direction : it presents a realistic trend which the recipient ignores the matter that would amaze him/her. In this trend, the reliance was on the actor in conveying the feelings and emotions to the recipient to be affected and interested in the show.Second : the natural trend in theatrical direction, this trend is considered as a radical extension for the realistic trend that it conveys reality as it is to the recipient without deletion or ornamentation as the show's aim was meant to be presented in a complete honesty.Third : the trend of anti realistic trend in theatrical direction : it aims to strengthen the form and aesthetic values over the content of the work.Forth : the trend of expressionism in theatrical direction this trend deals with presenting an image personifies the essence of things without paying attention to the external form that it is interested in imaging one's mind more than life facts since the fact of man lies beneath him not in its sensual appearances.Fifth : the,trend of symbolis, director Gordon Craig urged to this trend which depends on two elements : The actor's bodyForming the theatrical voidSixth : The epic trend in the theatrical directing : This trend sought to transfer the emotions from the stage to the recipient as the introduced image in this trend transfer events that have direct connection with people's problems, urging them to coup, rebel on the reality and change it.Then the researcher referred to the previous studies that dealt with the subject of the image and then obtain the result of the visual frame of the research to analyze the samples and testing them.While the third chapter (the measures of the research) came with two axes : First : research methodology, as the descriptive analytical method has been adopted.Second : discussing the samples that that have been selected deliberately and analyzing them in accordance with the indicators resulted from the visual frame as the sample consisted of three shows for number of directors.• jaleed play( ice)• ranet hawen play (the sound of pestle)• jalsah sreah play( secret session)he fourth chapter includes the results of the research : After the researcher reached to the conclusion and the suggestions, she submitted her recommendations which confirmed the importance of the theatrical image and the mechanisms that it works on forming them within the directional guidance and the necessity to expand the research and applying them, attaching in a list the sources of the research and an English summary.The mechanisms of forming the image in the shows of the 16th festival of theater forum for 2011Then came the conclusions of the researcher and then came the recommendations of the researcher stressed the importance of play and mechanisms that operate on its composition within the directorial trends and the need for the expansion of research and work out accompanied by a list of sources of research and a English summary.

الاشتغال الدرامي والجمالي للاكسسوار في سردية المسلسل التلفزيوني The Dramatic And Aesthetic Occupancy For Accessories In Narration of TV Series

اسم المؤلف: احسان دعدوش حسن
اسم المشرف: علي صباح سلمان
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ينطلق البحث في محاولة لتاشير الاشتغال الدرامي والجمالي للاكسسوارات في الاعمال الدرامية، اذ ان كثيرا من المصادر السينمائية والتلفزيونية قد اغفلت ذلك الاشتغال - بشكل تفصيلي - واكتفت باشارات هنا وهناك لا تكفي الباحثين والمتخصصين في الدراما التلفزيونية، اذ | Kicks off search in an attempt to mark engage in dramatic and aesthetic accessories in dramas , and where many of the sources of film and television have overlooked that engage in - in detail - and merely signals here and there are not enough researchers and professionals in the television drama , it came this search to separates much in use conscious accessory in a dramatic scene. It was a most sources of books and letters Master 's theses Ph.D. inflict Art Accessory art of decoration , and the uniqueness of the accessory chapters separately , which is the same outlook among directors and makers of dramas television , which relied on the dialogue in the narrative stories , and did not activate an Accessory to the is the task of the narrative , but in little business, but after that gained a TV drama tools and potential mediator Film Festival in imaging equipment , lighting, editing and visual tricks , and that gave the image of television and greater clarity in the quality and quality in the area of the screen , and no longer naming the small screen apply to the system of the TV show because of the big change in regulations Display( AJ Dee, and wealthy de ) , as well as the change in screen sizes TV show , which begins a smaller size in the plasma screens of 32 inches , while the screens ( LCD ) is up to 13 inches and less, while the larger size is not an end, and every year show larger sizes for both types. Have contributed to these changes in the evolution of the use of all parts Accessory shots variety of sizes and angles , becoming an active part in the accessory operations to engage in dramatic and aesthetic narrative television series. The research includes four chapters were as follows : Chapter I ( methodological framework ) , researcher in which the research problem , which revealed that the accessories and collectibles lead duty Tagged In addition to its duty aesthetic inside view television , and boils down to that duty Semantic fact that those tools mode to distinguish between places , people and times and cultures , and without them it becomes theorist poor and non - D thing , and therefore there modes operate accessories such as elements of dramatic and aesthetic. The importance of research in the reading of the recruitment events aesthetic and dramatic narrative of the accessory in the television series across clarify the implications.And ensure that the second chapter ( theoretical framework three sections , came the first of the title ( Accessory in the arts , film and television ) Turning to the forms and nature of the accessories employed in works of art and how to employ these accessories to represent part of the narrative or Mudallolah scene , Valxssuarat lead functional aesthetic expressive help build dramatic events , and has become an engine for those events , in addition to the function expressive and functional aspect of the operation of accessories in the structure of the drama. After fighting a Search ( Dimensions drama and aesthetic accessories in the TV series ), which is the title of the second section to confirm that the aesthetic is not a goal itself, and not to be accessory impressive without cause becomes a presence innovative and delightfully and isolation from the work of art , offering cutting accessory whole signs readable and communicate ideas and feelings , can generate meanings and disclose the contents hidden inside the structure moot.The study provides in Section III ( the relationship between the accessories and narrative TV series ) my way narrative central ( subjective and objective ) to know the events occurred in the past ( outside time events ) , as well as the disclosure of what will be located in the future , and the fact that an Accessory able to combo both ways both , whether the purpose of the narrative to know what happened in the past or present alternately (past figures or future ) , and because the TV drama of Arts synthetics can not be any element that serves as the narrator unless there are other elements that are working with accessory to formulate sentence moot , including personal and dialogue The time, place and the lighting and color photography and editing.After discussing the researcher 's previous studies came out after six indicators seized the rhythm of the study and after the presentation to a committee of experts and specialists have modified to suit the requirements of the search.The third chapter with double two : research methodology , and discuss the sample that has been subjected to analysis on according to indicators that came out of the theoretical framework , and formed the sample selected from the second part of the Turkish series ( Harem Sultan ) , which was chosen because of the outstanding works which have earned a great deal of viewing, and being contains the greatest possible use of the aesthetic and dramatic accessories in the context of the narrative of the events.And ensure that the fourth quarter results , which was the most important accessories that has as an element of expression in the ability to narrative drama when placed in different contexts , and are relying maker 's ability to work in different ways to find a narrative beyond the traditional methods that rely dialogue.The researcher went out the conclusions and proposals and recommendations , including the need for the script writers to highlight the role that could be played by the accessory as a key actor in the television drama , not as objects belonging to the decor or complement it , and eventually came Find a list of sources and a summary in English.

اثر المعرفة العلمية في رسوم عصر النهضة الايطالية The Effect of Scientific Knowledge In The Paintings of Italian Renaissance

اسم المؤلف: حيدر جواد كاظم محياوي السويدي
اسم المشرف: كاظم نوير كاظم الزبيدي
الموضوع العام: الفنون الجميلة
السنة: 2010
الموضوع الدقيق: الرسم
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: ضم البحث في طياته اوراقا تناولت ( اثر المعرفة العلمية في رسوم عصر النهضة الايطالية ) فدرس المعرفة العلمية في الفكر الفلسفي والجمالي واثره في رسوم عصر النهضة الايطالية، ويتكون البحث من اربعة فصول هي : الفصل الاول وقد اهتم بالاطار المنهجي، ومنه مشكلة الب | This research concerns (the effect of scientific knowledge in the paintings of Italian Renaissance ) thus it studies the scientific knowledge in the aesthetic and philosophical intellect and its effect on paintings of Italian Renaissance, research contains four chapters as follows : First chapter concerns with methodic frame from which the problem of research stems to determine the answers for the following questions : - Have the paintings of Italian Renaissance a relationship with science and scientific knowledge? And how the scientific knowledge reflected on paintings of Italian Renaissance. Plus, first chapter includes importance of research and its need. The goal of the research was( knowing the effect of scientific knowledge in the paintings of Italian Renaissance). But limits of research briefed to knowing the effect of scientific knowledge on oil paintings, fresco, tempera produced in paintings of Italian Renaissance in (1300 - 1600) which includes all its art periods. Chapter one ended with determining terms.Second chapter which includes theoretical frame consists of five sections : First section contains knowing from ideality to experimenting philosophy, second section deals with studying beauty between ideal and sensual. Third section deals with sciences of Italian Renaissance. Forth section deals with mutuality between science and art between painters and scientist of Renaissance. Finally fifth section concerns art of Italian Renaissance.Theoretical frame and antecedents studies ended with group of indicators that support the researcher in research procedures. Third chapter includes procedures of research which includes community of research and its sample, tool and mathematical and statistical means, then analyzing the sample statistically ,community of research (which was not included entirely due to its large size).Researcher has benefitted from resources done to sample (196) an art work, was limited with time and place parameters for research. Researcher ended with using a content analyzing tool, coefficient of tool constant and its truth, then using statistical methods, such (Cooper equation) for truth of tool and (Scoot equation) for accounting tool constant and mathematical mean to account percentage for each item from analysis application.Forth chapter contains display of results of research, conclusions, plus recommendations, suggestions, researchers has concluded the following : 1 - The researcher has achieved the results according to what theoretical frame comes with indicators appeared within analysis operation after treating research results statistically and draw out its percentage and account each items in application ,then accounts mathematic mean for these degrees. 2 - Results of research has showed that paintings of Italian Renaissance has a feature of affecting the sciences of that era tremendously and with a convergent rates for his sample as a proof to scientific and technical development which resulted in showing it in a aesthetic and art shape matching the nature.Also he concluded the following : 1 - Painting of Italian Renaissance has showed the ability of their artists of using the modern technology and sciences and use it in an uniform art frame.2 - Painting of Italian Renaissance has featured with employing new experimental shapes with more surprising and freedom in art composing. Ending the research with details of references , appendixes and an English abstract.

الاسس التربوية والفنية في تصاميم سينوغرافيا عروض المسرح المدرسي Foundations of Educational And Artistic Designs In School Theater Stenography Offers

اسم المؤلف: طيف جبار رؤوف السامرائي
اسم المشرف: شذى طه سالم العبيدي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يعد المسرح المدرسي من اهم وسائل الاتصال الحديثة التي احدثت نقلة نوعية في مسرح الطفل، اذ اسهمت في دعم العملية التعليمية داخل المؤسسات التربوية وذلك من خلال عروضها التي اتسمت بامكانيات كبيرة وشخصيات عديدة التنوع والتباين ساعدت جميعها في نمو شخصيته فكريا وب

المقاربات الشكلية بين الخزف المعاصر والعمارة : دراسة تحليلية مقارنة Formal Approaches Between Contemporary Ceramics And Architecture (Comparative Analytical Study)

اسم المؤلف: زينب صالح عباس البيرماني
اسم المشرف: صباح فخر الدين عبد القادر زينب كاظم صالح البياتي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الخزف
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: To understand what the role of the arts in general, and particularly Fine Arts of purposes, one must know the methods of implementation of social relations, historical and cultural of this era, And that they are different from each other, but they remain interconnected we see through the mutual influences between ceramics and architecture, Thus, we find that certain artistic traditions new. In art, including give the value of knowledge and formality with human consciousness, But was a reflection of the cultures of the peoples through secreted Through its productions pillar and porcelain which clearly through its productions pillar, which clearly indicates porcelain asymptote of architecture in terms of its external form which requires research and follow - up to identify the nature of the public to what is in the achievement of this study. Indicating what it takes research to find out the nature of America's cultural. He explained that through the extrapolation of its artistic product as a put forward image prevailing business now.Deals with research in this area of formal approaches to ceramics and architecture, the study determined works ceramic artist who lives in America since the seventies of the twentieth century. Necessary research to know the historical roots of both the statement of one to the other affiliation.The study included in this four chapters, are meant to cover specific objectives of this study. Which included the first chapter, which contained a research problem in determining the formal approaches to ceramics and architecture to know the effects of styles and the overlap between them, Could help in the development of indicators illustrate the features of American art during that period, and determine the specificity of the ceramic artwork. And this chapter is also included on the importance of research and it's needed, As stated in the problem of the vertebrae directly on the nature of thesubject, was also presented research to identify targets on formal approaches and identify the formal specification implementation approach to the work of ceramic and architectural picked, Which is within the limits of the search, and determine the terms contained in the search task, and also included similar previous studies and our search nearby to study this.Chapter Two included the theoretical framework. Where conceptual framework is divided into three sections : the first intake form. And discuss the general concept of the shape, then known in the art form has been to clarify the specific form content, and translated the language of expression through formal organization, defined the trends and shifts the art form over the ages.The second topic included a brief definition of the architecture through a brief history. Architecture modernity included at the end of the nineteenth century and architecture between the wars, as well as the experiences of some style architecture Globally Harmonized System, and Building late modernity and post - modernity. Has addressed the characteristics and advantages in the form of trends and currents and architectural schools, which is important to us in our research.The third section has dealt with a brief definition of the American Ceramic through a brief History, also addressed a comprehensive study to identify the morphological transformations of the American Ceramics.Included Chapter III action research, which was how to gather the research community and the selection of the sample under study it and methods and tools for gathering information, and the statement of the style of presentation of a study and analysis of samples of the research and a table showing the aspects of convergence and divergence between ceramics and architecture in a clear and explicit. The researcher chose «25» contemporary ceramic sample of American potters from the consideration of the community ceramic model for its approach with «100» Building a global intended choiceIn the fourth Chapter, the researcher concluded several results, including : ? show formal approaches between ceramics and architecture and clearly by the engineering construction output through the employment of straight and curved lines, or dashed lines cross, divide the surface of the internal or external shape determines the overall shape of the unfinished ceramic and architectural.? Almost ceramic forms by architectural configurations employ colorimetric surfaces and touch on the outer surface, between the ceramic body and architecture by employing color.? Converged ceramic formations and architectural style in terms of inspiration and artistic trends including intentional and serves the goal of the search.? Sort samples for analysis approaches in the recruitment of internal space and the ocean in the form.? Selected samples showed precedence on ceramic architectural achievement in terms of the time period.As well as search included conclusions that were built according to the results, including : ? Technical trends in the completed form of reference and ceramic pro forma basis approached them and some of them contemporary architecture configurations.? Ceramic figure appeared aesthetic goals by employing the same technical elements that it contains elements of the body of architectural done. In spite of the different sizes of between Achievers ceramic and are excreted architectural aesthetic self - goal in the formal composition of the three - dimensional models.As the researcher has developed some of the recommendations and proposals. And the search ended with a list of sources and references, and appendices and summary in English

تقنيات النحت العراقي فـي المهجر Iraqi Sculpting Techniques In The Diaspora

اسم المؤلف: بسام عباس كشاش الحسيني
اسم المشرف: عامر خليل ناصر الشجيري
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: النحت
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: الفن ظاهره او شكل من اشكال النشاط الاجتماعي رافق الانسان منذ بداياته الاولى في صراعه الوجودي, فالفن ضرورة انسانيه , اذ لا يوجد مجتمع واحد او حتى فرد واحد استطاع ان يستغني عن الفن بكل شكل من اشكاله , فقد كان الفن بديلا للحياة ووسيله لايجاد التوازن بين ال | Art phenomenon or a form of social activity of human accompanied since its early beginnings in his struggle existential, Art is the need for humanitarian, as there is no one community or even a single individual was able to dispense with art in all of its forms, the art was a substitute for life and a way to find a balance between human and the world in which they live, have a prominent impact on the advancement and progress of humanity through history.Therefore, the Diaspora them impact and attendance in the arena of Fine Arab and European art and in the establishment of an Iraqi document to the ancient artistic heritage and the language of contemporary able to communicate with the West and the world of modern art. It boils down to current research in the study of (Iraqi sculpture techniques in the Diaspora).Search of four chapters consisted eating a researcher at the side of the first chapter was presented the problem of systematic research, which summarized the following question : 1. Is there an impact of migration on the Iraqi sculpture in the Diaspora?The first quarter also included its importance and the need for him and the goal of the research and the limits of research and identify and define the terms and represents the aim of the research : Ptaraf.... Iraqi sculpture techniques in the Diaspora.Its boundaries marked by temporally years also included the period between (1980 - 2010) m and spatially Vaguetsrt on the Iraqi sculptural works, which was completed by sculptors expatriate Iraqis outside Iraq's borders, while the second chapter dealt with the theoretical framework, which contains three sections : First topic : the researcher eating Alazaarah and technical aspects and their relationship to the art of sculpture, divided into several areas : • technical aspects and their relationship to the elements of sculpture.• sculpture and art.The second section dealt with immigration causes and motives, divided into several areas : • Immigration• Diaspora• political factor• economic factor• social workerWhile the third section of technical development in the art of eating postmodern divided into two axes : • pave the idea of evolution.• The most important technical proposals in the arts of postmodernism.The third chapter majored in research procedures, a research community and the research sample and methodology of the research and analysis of the sample, which included sixteen analysis in accordance with sculpture by two works Nhtin each sculptor's eight sculptors.Chapter IV has included the search results. And a number of findings of the researcher : 1. Use Nhato Diaspora traditional raw materials in the implementation of most of their carvings.2. Odv some Nhato Diaspora assembly and installation technology through the use of different materials (iron, wood, Bras, Plex Klaas, cloth, leaves, silver) as one of the contemporary techniques through which they could sculptor to produce works of art with aesthetic and expressive value.3. Deliberately sculptor Ali Al Jabri to the use of modern technologies and make them as light penalty complement the work of art.4. Baptized some Nhato Diaspora to use light reflections technique as a result of the surface of the artwork refine refined model.5. Deliberately sculptor Iyad Qaraghouli technique (laser) in the completion of works of art from being a recent sculpture techniques to teaching them high precision and vitality.Find also included a set of conclusions as well as the list of sources and supplements..... and summary in English.

جماليات الشكل البصري في المسرح التفاعلي نماذج مختارة Visual Form Aesthetics In Interactive Theatre Selected Samples

اسم المؤلف: بردى عطية ثابت
اسم المشرف: قاسم مؤنس عزيز
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الفنون المسرحية - تقنيات
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: This research deals with the visual form aesthetics in the interactive theatre, which is shaping from a number of elements that triggers recipient aesthetics excitement through organizing these elements in order to take their proper place and then achieve form, aesthetic and beneficial function, and by the same time achieving the required meanings and indications for inspiring the recipient to be an effective element in the showing. This research includes four chapters. The first chapter shows the problem under the question : how can the operations of the visual form weave the aesthetics in the interactive theatre? The importance of the research is clarified by it attempt to identify the visual form operation that leads us to the aesthetic aim of the artistic work, for the last is being one of the most important factors in a theatrical show. This research can be very beneficial to workers in all technical aspects. The research aims to identifying the visual form operation and its aesthetics in the interactive theatre.The limits of this research has been identified from the year 2010 to 2015. They are limited to some presentations in Hollywood - Jordan - Kuwait and they all show the visual form aesthetics in the interactive theatre. The chapter is concluded by terms identification and procedural definitions for each of the following (aesthetic, visual form, interactive theatre), the researcher has taken them as the research path and curriculum.The second chapter includes the theoretical framework and has three sections.Section one deals with the tributaries of the interactive theatre. the researcher talked about it in two detailed points; the first is the modernists experiments and the change in the theatre after their experiences, while the second is technology and the modern techniques that refined theatre and opened new ways with other cultures.Section two consists of the elements of the visual form aesthetics : the actor, the lighting, the décor, the costume and props, and make up. They all work together to create the unity of the theme and become of great value than its being just elements. The artistic work is not just a random operation, it is rather an organized operation work according to certain thoughts and meanings that are conveyed to the recipient through these elements.Section three shows how to operate the visual form in the interactive theatre throughout its components (line, mass, formation and color) and through its meanings and indications that are resulting from, and how to convey the meaning of these components to the recipient.Chapter two concludes with the indications of the theoretical framework. They are : 1. Knowledge and its technical mechanisms are considered among the most important tributaries of the interactive theatre. knowledge is sensually and intellectually connected to each element of the showing, that work on lifting it up to a technology degree reflects the progress of the elements in changeable digital math formulas, and then to give one thought that has either a lighting or musical or gestural motion to attract the recipients attention and have them as an important element in the show through incorporation.2. The use of big screens of different kinds provides special areas of greater aesthetic and intellectual importance because they fill up the visual vision area for the spectator.The third chapter includes the research procedures which discuss the research curriculum, research community, research sample, research tool and sample analysis.The fourth chapter includes results and conclusions. The following points are among the research results : 1. The transition speed between what is realistic and what is virtual by the lighting, has added new aesthetics to the showing.2. The visually lines overlap has added aesthetic touches which sends the recipient to interact with them.And the following points are among the conclusions : The contemporary theatre makes use of all the modern techniques abilities in visual and sound effects, by making virtual backgrounds of positive impact on recipient, incorporating imagination with reality and technology with real world.

تاثيرات مدارس التصوير الاسلامي على الخزف الفاطمي Effects of The Islamic Photography Schools Fatimid Ceramics

اسم المؤلف: باسم جعفر جاسم الاسدي
اسم المشرف: عباس جاسم حمود الربيعي
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الخزف
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: عني هذا البحث بدراسة (تاثيرات مدارس التصوير الاسلامي على الخزف الفاطمي) وتضمن اربعة فصول, احتوى الفصل الاول منها للاطار المنهجي للبحث، وتم من خلاله تحديد مشكلة البحث بالتساؤل الاتي : ما تاثيرات مدارس التصوير الاسلامي على فن الخزف الفاطمي, الذي تحدده هدف ال | Me this research study (Effects of the Islamic imaging Fatimid ceramic art schools) included four chapters, the first chapter of the framework of systematic research contained has been through identifying the research problem by asking the following : What is the Islamic imaging Fatimid ceramic art schools effects, which sets the objective of The study in the light of this question, the disclosure of these impacts for the schools of Islamic imaging Fatimid ceramic art, as well as the importance of research and the need for it and then identify some of the terms that have to do the title search.The second chapter (theoretical framework) and previous studies have contained three sections, the first section of which meant the study of the intellectual, aesthetic and expressive and semantic effects of imaging Islamic schools that preceded the Fatimid period, which corresponded with them temporally. While the second section contains the features and technical characteristics of Islamic art in.The most important imaging the schools, either third section has included the study of Islamic ceramic art in general and focus on ceramic art in the Fatimid era, then seal the theoretical framework defining a set of influences that contributed to the design analysis form has the second chapter also contains the previous studies that have to do study Researcher.The third chapter (research procedures) which defined the research methodology, which adopted a researcher in the sample models so I chose the descriptive method, content analysis, and Chapter III contains the study population who identify with the analysis (136) model to choose the researcher through them and consulted experts with specialization and near (20) model according to the way intentionality (selective) problem percentage of 15% and in the light of a rationale and after sample models and complement its analysis appeared in the fourth quarter set of results shown by the analysis of the models in the forefront of these results : 1. The products of the Fatimid ceramics demonstrated the impact data of Islamic art in terms of reference considered intellectually, aesthetically pleasing and expressive actor.2. influenced Baghdad school methods and in particular the Abbasid period clearly on schools that came after temporally and which ones Fatimid period.3. Iranian imaging techniques contributed schools (Persian) on the plant porcelain Fatimid adoption with Adamic and animal shapes and forms of the vehicle.Then select the researcher set of conclusions that are related to his studies, which include : 1. Fatimid potter showed a pattern of air definition Bmnetje which included the signing on behalf of the first product in the history of Islamic art.Then followed by some of the recommendations that require the researcher identified.It is then proposed a set of studies comes in the forefront : 1. The effects of imaging Islamic schools in Ottoman ceramics (Turkish).2. Effects of the Islamic photography on contemporary European porcelain schools.The researcher seal the study singled out lists of the Arab and Islamic sources.

المعالجات الاخراجية لموضوعة الغياب في المسلسل الدرامي التلفزيوني

اسم المؤلف: عبد الصاحب بزون
اسم المشرف: طارق عبد الرحمن الجبوري
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: الفنون السمعية والمرئية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: لا تكاد تخلو اي موضوعة او قصة درامية في اي مسلسل تلفزيوني من موضوعة الغياب، وعلاقة هذا الغياب بما هو حاضر ومجسد في الصورة، وانطلاقا من تجربتي المتواضعة في الاخراج التلفزيوني، لاسيما المسلسلات الدرامية التلفزيونية، وجدت ان هناك اهمية قصوى في التعامل مع الغ

الانعكاسات السياسية في عروض المسرح العراقي المعاصر Political Reflections On Modern Lraqi Theater Peeformance

اسم المؤلف: سعدي مهدي غربي
اسم المشرف: رياض موسى سكران
الموضوع العام: الفنون الجميلة
السنة: 2010
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: استمدت الفنون الدرامية جوهر وجودها من واقع الحياة، عبر موضوعات تهتم بجوهر الانسان فالمسرح هو الشاهد والشريك لمعانات الانسان الذي يناجي اخاه الانسان حول مشكلاته الوجودية المعاصرة. ان العلاقة بين السياسي (stateman) والمسرحي ( dramatic) قديمة قدم البشرية،

المعالجات التقنية في التصاميم الكرافيكية الرقمية : دراسة تحليلية Processor Technology In Digital Graphic Design (Analytical Study)

اسم المؤلف: منير جباري علي
اسم المشرف: نصيف جاسم محمد عباس
الموضوع العام: الفنون الجميلة
السنة: 2012
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Based on the idea of building design work, Thought and implementation, with its current phase and the next, the nature of the tools to achieve Product supports the foundations and elements.Showing the methods which comprises a set of software, Tools and processing of digital technology, which has become a significant impact. To know and to clarify the dimensions and optical outputs achieved for the job and beauty of design, as is obvious to the specialists and workers. In the field of digital design, the importance of employment additions, that enhances and enriches the digital work. Built in the events of a formal design gives IT efficiency. Contribute to the diversity data, and digital technology has proven its substantial role in communication, and interaction between nations and peoples. Through diversity, which came clearly into the overall process of building in the newspapers, magazines and various publications, and has emerged as a field design magazine covers important for recruitment and programs, techniques and digital boosted this trend.In additions to the daily products invented by companies. Relevant and which were taken to expand and spread. A very big way, and took it upon himself to research the current job search and the investigation of what aspects of it, through the organized according to four classes, which included the first chapter of the research problem. He touched on the researcher and the field of processing technology in digital designs, according to a specific question it as follows : - - Contributed to the programs and additions. To the relevant design, Contributed to the Role in the promotion of digital processors.Identified the importance of research through : - • The possibility of its contribution to the development of conceptual awareness among workers, in the field of digital graphic design.• The possibility of its contribution, in the promotion of technical skills among workers in state institutions, Relevant, including the press and satellite channels, Find and select the goal of the following : - 1 - Knowing the technical wizards, Officer - in digital graphic design.2 - Make applications proposed for digital designs the covers of magazines based on what the outcome of the research findings and conclusions.Search also identifies the following : - Objective limits : - designs the covers of magazines related to digital affairs because of their role and specificity, to give an idea of the nature andcontent of the magazine, as well as the promise of a magnet and attract and optical techniques applied to digitalSpatial boundaries : - covers digital magazines issued by institutions working in the field of digital design and by (5) types.Temporal boundaries : digital magazines of the years (2010 - 2011) they represent for completion of the research.Then the researcher identifies the terminology contained in the research, as follow : - Processing, Technical, Design, Digital.And select the second, involving separation (previous studies) and (theoretical framework), as enrolled in three sections : - • Technical concept and its history.• Graphic design history.• Digital art.Researcher point represented a group of indicators for salvation resulted in the theoretical framework, including : - - Resulted in outcomes humanity at the level of innovation technology in the interaction between the old tools and modern digital technologies and work on the transmission of technical modern recipe originality and benefit from the experience design prior to obtain complementary to employ all the tools to reach results similar to the poses from the experience of art. - Interest in designer digital technique is employed to simplify things in the way the current building design taking advantage of the semantics, such as the flag signal function that helps the recipient to understand the design and absorb the meanings of vocabulary work in a clear and easy. - Was of the computer mail a clear role in the field of visual arts because of its ability to produce data visual ranging from data and technical data visual minutes to analyze the data and the design shapes technical versatile in the field of graphic design in activating and stimulate the process of recruitment communication and visual communication. - Reaching the Digital Design advanced levels made him a speech about what is different from other kinds of arts, as well as technical development that has occurred on the capabilities of digital designer in the shadow and light, bringing the design in our world as important as the written word, if not more important ones. - Such as graphic design and visual arts which has preserved its history of mankind and carried the banner of the development which was the result of developments in the human scene, of what occurred in the artistic process of reinventions in a sequential manner, this type of art a major role in human life and design.Then followed by the research procedures contained in Chapter III, represented by adoption of the approach the descriptive (the way content analysis) in order to reach results, also represented a tool discussed form for determining axes of analysis based on what emerged from the themes and indicators of theoretical framework as well as the opinions of a group of experts, then included a chapter on the process of sample selection intentional non - probabilistic, for reasons clarified by the researcher, as determined by (21) sample designs the covers of magazines digital variety amounted to (5) types, also took into account the research validity and reliability of the tool, then the researcher to describe the samples Find the (21) sample and analyzed according to themes that are included in the analysis tool.Then followed by the separation of the results and discussion presented in the fourth quarter and that was including the following : - 1 - Was the technical wizard’s patterns according to the following : • Light character, as in the samples (2.3, 4, 6.7, 9, 10.14, 15, 16.18, 20) and by (57%).• A regular character, as in the samples (1.2, 5.7, 8, 9.10, 11, 12.14, 15, 16.17, 18.19, 20) and by (76%). That the processors that have taken place is part of a comprehensive process diversity within the door of the aesthetic and functional, especially since the field is the field of packaging design requires dealing with the categories of discourse dysfunctional to the distortion and digital magazine but in addition the quality of the designer employed consistent with the structural system.2 - Was treated on the digital images according to the following : - • Spare parts of pictures to show them as an important part in the samples (3, 6.7, 8, 10.11, 12, 13.14, 15, 16.17, 20.19, 21) and by (71%).• Employment of filters as in the samples (9.11, 13, 17, 18) and by (24%).• Combine two images to give the appearance of three - dimensional, as in the samples (3.4, 7, 8.9, 10, 13, 14, 16.18, 20.19, 21) and by (62%).• cut or paste parts of an image to another, as in the samples (4, 5.7, 8, 9, 10, 12, 13, 14.17, 18.19, 21) and by (62%), and Gat, technical wizards that are consistent with current trends prevailing in the digital design, which depends Foundation to build the formal is that the reason to create a critical mass of software, digital design accompanied by a large number of additions and processors of this open area and wide for the designer to work according to the options enhance the dimensional functional and aesthetic and took the designer about developmental horizons further than he had imagined.Researcher then concluded a number of conclusions, including : - 1 - The diversity of employment patterns as the back but indicates the importance attached by the designers of multi - specific; because the structure of the cover is in essence a typography component comprehensive and collectivelyconstitute a real translation of the ideas put forward a clear indication of the universality of technology promoted by digital art.2 - At a time when Western patterns designed for multi - character, but retain the structural architecture of some of them indicates the reality of formal consistency, stability and susceptibility of those underlying the patterns and their compatibility with the printing and design techniques.The researcher recommended a number of recommendations including : - Benefit from the digital processing techniques, which are the basis of design work in the development of new formative structures in the design of newspapers and magazines and to make them appreciate the receipt and communication with the receiver, with the printed confirmation and functional - oriented society to him.The proposal could have a subsequent study complementary to the current search : - Visual data in the structure of digital designs the covers of magazines.Find and then seal with a list of sources and supplements.

البناء الفني لاغاني الاطفال المقدمة في القنوات الفضائية المتخصصة وانعكاسه على سلوك تلامذة المرحلة الابتدائية Artistic Construction Ofchildren'S Songs Presented In The Specialized Satellite Channels And Its Reflection Over The Behavior of Primary School Pupils

اسم المؤلف: عماد هاشم مجيد عباس ابو التمن
اسم المشرف: صالح احمد مهيدي الفهداوي
الموضوع العام: الفنون الجميلة
السنة: 2012
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان تعميق لغة الخطاب التربوي الموجه لتلميذ المرحلة الابتدائية يعتمد اساسا على اهمية الاسلوب التوجيهي في لغة الخطاب، وطريقة تقديمه عبر وسائل الاعلام والوسائل التعبيرية الاخرى في الاجناس الادبية والفنية - سواء كانت مجتمعة ام منفردة - وتكمن قدرة هذا | It clear through certain indicators emerging in the personality world and the most prominent is - behavior it is like a mirror reflect the inner interactions - positively or negatively with the foreign intended directed knowledge represented by special satellite channels for childrensongs which aimed through its difficult task organizing receiving and submitting operation across sensational and emotional probes in order to reach the behavior of developing the mental , intellectual and movement activities of the primary school pupil in order to achieve intended aim in organizing the abilities and develop the personality of the pupil that affect the pupil's environment at school and his skills and readiness to accept the knowledge and receivingsubmissions from effects of spontaneous environment to be with deep knowledge and advanced awareness by reflecting the bright picture and positive results from intellectual and educational brightness aiming at his behavior and his conducts. While the children's songs are expressing the necessary demand from children's needs - pupil of primary school - which is the main purpose is intended to meet the mental and emotional wishes ,the song have great effects over their lives and great effects in developing their imagination and feeling in beauty and interesting in which develop in them faculty of taste of music and art to prepare them to accept musical and singing educational bases which are submitted by all kinds the media.Musical education for the children is an important lesson in advanced world which is also in great importance like other fields from their personality. By establishing of the children songs channels with their directions and objectives and what they got of effects on activation establishments including their active role in bringing up the children during his early life. The researcher is obliged to search in this subject regarding artistic building in children's songs to know its elements and artistic bases which are representing the artistic work components with their moral values , artistic, educational and aesthetics that reflecting positively or negatively over the behaviors of primary schools pupils because they are receivers of these songs ; therefore the researcher dealt with his research under the title (Artistic construction in children's songs presented in the specialized satellite channels and its reflection over the behavior of primary school pupils). It is one of the subjects that at reveal the behaviors of the age stage between ( 6 - 9 ) years in Baghdad primary school through the size of presentation of songs by those age classification across Arab satellite channels directed to the children. The research contains four chapters ;first chapter is dealing with introduction and methodological frame of the research by showing the problem of the research which is represented by the following question : - (what is the artistic construction importance in children's songs presented in the specialized satellite channels and its reflection over the behavior of primary stage pupils ?). Also the first chapter contains the objective of the research and its importance and the social and media requirements. Also it includes the limitations of the research and the main idioms. Second chapter includes theoretical frame of the research which contains four categories ; first category is dealing with children's songs and their characteristics, features, functions and their effects in educational speech. It divided into two pivots ; first concentrate on educational entrance , and the second deals with native or natural bases of children's songs. Second category deals with the main bases and elements of music and songs that match with the children mentality - artistic and psychological. Third categoryincludes : - first : Satellite communication concept.second : uses and advantages of satellites.third : Specialized Arab satellites - positives and negatives factors.Also the third category deals with the presentation of the most important specialized Araband international satellites channels in children's programs and songs. The fourth category is dealing in behavior - its definition , types, characteristics , approaches of modification and the role of media and its effects over children's behaviors through the role of media in psychological and social ascending of the child ; and also social role of both the family and the primary school and the effects of both over child's life. Fourth category shows the most known indicators that emerged from theoretical frame following previous studies and what results where there which are discussed later by the researcher.Third chapter : In this chapter the researcher defines the method of the research , procedures and defines the research society which includes ; - 1. Varieties of children's songs which are presented by specialized satellites channels.2. Pupils of Baghdad primary schools in both parts - karkh and Rasafa in which the researcher has chosen a sample of his first research from songs collections randomly and in a simple way , which were about ( ten songs for children) out of ( 55 songs) presented and directed to the children crowd. second sample of the research is chosen randomly and on purpose because the researcher looked for the help of the teachers ( men& women ) who are specialists of artistic and musical education , psychologist and other specialists related to the same subject in order to get accurate and right answers to reach the objective of the second research which is artistic construction reflection over the behaviors of the primary stage pupils.Two instruments have been prepared for this reason. After proving the confirmation and honesty of these both instruments we implemented them in order to reach the results of the research the supporting of statistic means. While chapter fourincludes presentation of the results of the research and their interpretations , then discuss them. According to what mentioned above , the researcher reached many conclusions including the : - That for the artistic construction in the children's songs representing by ( lyrics ) , melodizing which is represented by tuning sample ,rhythm represented by rhythmical sample ; all of these are positive reflections more than negative over children's behaviors modes for primary stage child as in statistic results. Then the researcher presents some recommendations which include ; appealing the teachers ( men & women ) who teach artistic education to let the pupils gain behavior modes that focus on the construction of musical and artistic taste , acquisition of necessary artistic skills enable them to have objective checkup view about art love and music through chant lesson. The most important proposals are : Setting similar studies about art and music to know the importance of artistic construction in children's songs regarding handicapped children , and how this reflected t in the modes of behavior and their study in which setting for them suitable solutions by music and songs.At the conclusion of the research , the researcher presented a list of Arab and foreign references that were very useful , in addition to personal interviews , and getting through internet , and then he present an abstract in English. Finally , the study depends on objectivity , and I appeal your if I had mistaken or neglectful because both of them are human being's characteristics ,only Almighty Allah is Absolute. We cannot say that this thesis is complete , which is ambition can't be reach easily , but still we did our best to present such thesis. If I succeeded , that is my objective and thus I got the share of diligent and his reward ; but.I wish I were successful in carrying out this task because it is modest attempt in academic research way , but still it is serious attempt to reach the scientific reality.

الفاعلية التداولية في التصميم الاعلاني المطبوع Effectiveness Pragmatics In Advertisement Printed Design

اسم المؤلف: بشرى محسن ياسر
اسم المشرف: نعيم عباس حسن
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: This research is considered as an important step in dealing with the pragmatic for its interruption in all the scientific, humanity and social fields. This subject has an importance in the foundations? works and the directorates that has a direct connection with the society individuals especially the advertisement foundations because of the need to get the specific and sufficient information about the expression of pragmatic through its properties , directions and the potential meaning in pragmatic the advertisements and their symbolic components between the receiver of the advertisement message in a specific communication sequence. This is what we show in the problem of this research through asking two questions which represents the research problems, they are : - 1 - what are the pragmatic characteristics in printed advertisement design. How they are connected in conveyance the advertisement idea to the audience?2 - How to diagnosis the symbolic pragmatic comprehension of the signs from different audience identifications and different thinking levels , the time and place dimensions and the circumstances of its spreading through the used communications ways to show the printed advertisement design ?This research aims to identify the pragmatic and how its effectiveness and impact on the printed advertisement design. The research deals with the study of the printed design in three pragmatic famous magazines in the world for the period from August 2012 to July 2013. The study consists of four chapters. The first chapter deals with the problem of the research , its importance, its targets, its limitations and specify its expressions. The second chapter which consists of the theoretical frame is divided into three fields. The first field is about the effectiveness and the design theme , the effectiveness and the design theme, the effectiveness and the factors of its achieving and theeffectiveness of using the individuals in design. The second field is about the pragmatic effectiveness systems , the rhetorical meaning in the individuals of characteristics of pragmatic in design. Where as the third field deals with the effective power in the visual impact and gravity and receiving operation, the elements of free and non free - will of attention, the visual impacts and the resulted connections in the advertisement components and the design building ,the basis of advertisement design and its role, the elements of the advertisement design building, the basis of advertisement design and its role and influence on the specter and then showing the signs which resulted from the theoretical frame , that the researcher depended on in making the analysis application form. In the third chapter, the researcher deals with the research procedures of the methodology research, the research society which consists of printed advertisement designs in three world pragmatic magazines.The sample of the research is chosen on purpose which is suitable to the nature of the research. The tool of the research is represented by the analysis application form which consists of many axis. These axis are authorized by the experimentals. They are considered the basis of analyzing the sample and then getting its fixing. The fourth chapter deals with the most important results that this study has reached. This chapter deals also with the conclusions , the recommendations and many suggestions and finally the abstract in English language.The most important results of the research are : - 1 - The advertisement design has many meanings that are identical with the idea of the design. This idea is reached to , by explanation the individuals symbols of the advertisement correctly through transforming into the specific cultural knowledge of the audience , the sequence of the advertisement idea and the way of directing the symbols figures in the advertisement for the audience into the place that understands theadvertisement for the audience into the place that understands the advertisement?s parts sequencely and correctly to understand the advertisement message and achieving its pragmatic effectiveness.2 - The picture symbol in the advertisement design to the sample represents an importance in the way that makes the audience of the advertisement a kind of attention to the meaning it shows and in a way that makes them activate with the meaning and be influenced by it.3 - Making the symbolic work in the advertisement design to inspire what they carry of symbols and their connections to available things in the outside world of the audience and to the mutual thoughts and passions of the audience.The most important conclusions in the light of the research results are : 1 - The pragmatic meaning is in the center of the design operation. The advertisement design operation has an axis represents the reality and expressing it. The effectiveness works by it side to transform this reality into space organization that pay attention to the harmony and perfectness among the different symbols figures.2 - The pragmatic advertisement design has the characteristic of communicates and being effective to achieve the effectiveness which makes and keeps social relations among the society individuals.The researcher recommends the following : - - Emphasis on the visual symbolic that carry the inspiration and meanings that help achieving the effective visual communication and expanding the realization and multi explanations of the audience. Increasing the communication to transform the expressions and information which is about the subject of the pragmatic advertisement.At the end, of the researcher suggests the color employing in the commercial advertisement design and its influence in achieving it pragmatic.

الانعكاسات المرئية للتزيينات في تصاميم الاقمشة والازياء Viewed Reflections For Adornment On The Fabric And Fashion Design

اسم المؤلف: محمد حاكم ضايع
اسم المشرف: هند محمد سحاب العاني
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يعد فن صناعة الاقمشة من الفنون الانسانية التي ارتبطت به منذ النشاة الاولى ومرت بحقب ازدهرت فيها وانتكست في اخرى, لذا فهي تدل على مدى رقي الامم الثقافي والاجتماعي والاقتصادي والفني, واصبح فن صناعة الاقمشة من الصناعات التي يعتمد عليها الكثير من الدول كالصي | The art of making fabrics of Arts humanity associated with its since starch first and went through periods flourished and relapsed in the other, so is the show over the paper Nations cultural, social, economic, technical, and became the art of making textile industries upon which a lot of countries that seek to achieve growth economic so they are associated with development of scientific and technical happening in all aspects of humanity, in which case began receiving choice designs for textiles and fashion decorations a certain way and not spontaneously, but rely on subjective factors and objective achieving compatibility with aspects of psychological, physiological and differs from the choice of the genus to another, and is embodied in the designs fabrics and women's fashion and decorations the selected not on the basis of carry forms of design, but design is the interplay of relationships with the structure of the receiver that reflect the integrated check personal attraction and excitement of the recipient.So the designer study aspects of psychological and physiological women are different from men in the way of its choosing designs decorations in textiles and fashion women also each stage age vocabulary design their own as that each community of values, customs and traditions of its own influence in the way of dealing with those designs, in which case the designer can predicate to accept those designs and decorative or rejected as it was built on the foundations of true scientific and technical find out regenerate of visible reflections serve as a means of communication is verbal.The research is consistent with this interest to find out what sends designs decorative for Textiles and women's fashion of the reflections visible check the aesthetic dimension of those designs and down to achieve taste of the receiver's.According to the research problem identified the following question : (What are the implications for decoration in visual design and fashion fabrics)It aims to identify the reflections visible in the textile and fashion designs based techniques to achieve them, the detection of the most important decoration achieved for infrastructure requirementsintegrated design and fashion fabrics.And highlights the importance of the current research to increase awareness of intellectual design with designer fabricsAnd fashion knowledge foundations and development trends that contribute to the perception of visual implications of the decorations in the textile and fashion designs as well as to know the physical propertiesIndustrial and decorations employed in the textile and fashion manufacturers have.The study identified the limits of the printed designs and added in women's fashion fabrics for the group stage of (25_40) years, and specified for use in period Evening imported and available in local markets and within the time period (2011_2012). The researcher then select the terminology and the development of each term procedural definition of its own, and the second chapter discusses the theoretical framework and previous studies and included three Detectives were distributed as follows : ...The first topic : the decorative designs in textiles and fashion.The second topic : the concept of visual implications in the design.The third topic : the perception decorations in fabrics and designs women's fashion.The researcher to the most important indicators resulting from the theoretical framework through which the researcher were able to communicate with the third quarter in a harmonious and also achieved a theoretical framework for the presence of previous studies.The third chapter dealt with the research procedures, as follow researcher descriptive analytical method, representing the research community b (48) model is set up for the evening was chosen as the research sample wildly including copes with stage age - specific research and end - use and thus amounted to sample B (12) sample rate25% of the total research community, either search tool represents the form for analysis built on the main axes of which dealt mostly a researcher at the theoretical framework included axes contribute to achieving the goals of the research, and then presented to the experts in the field of design and design fabrics for gaining sincerity virtual then adopted inanalysis models and discussed.Fourth chapter discusses the results reached by the researcher through research and samples that we will discuss mention the most important : 1 - Adopted on the printed designs designer visible in the composition of the implications of an aesthetic nature (decorative), which showed tangible variables and space suggestions depth result of Recurring act or the difference in the optical values.2 - The decorative designs (synthetic) and place the design holds as it is one of the most important design requirements to achieve an integrated design structure depending upon the discharge of excess cloth and show the true dimension of the recipient in the design of cloth and uniforms.3 - Melanocytes technology has emerged as a supportive space for printing techniques that promised one of the most important techniques adopted to achieve visible reflections ornamental would forma effects and events showing investigator for excitement and attraction to those reflections.4 - Showed the effectiveness of the design elements design decorations gave the recipient delusion the tangible variables resulting from some forms of the design space, which was adopted by the design in the formation of relationships.5 - A reversal is the sense of the existence of things, whether real or fake, and then it turns sensation to cognition, as it begins receiving classified so perceptive according idea of design and their sources.6 - Made the formal qualities of the decorative design and technical design followed by the idea the primary purpose of the visual impact some of which appeared for the purpose of aesthetic, but tailor differed dress the percentage with a cloth design aesthetic as it achieved the purpose and career together.The fourth quarter also included the conclusions reached by the researcher is the most important : 1 - Depend on industrial raw materials in the first place due to its flexibility and softness and the ability of high reflectivity and a high acceptance of melanocytes and printing techniques which helped to show aesthetics that are compatible with the target design and age.2 - Industrial sources and made its presence allowing the designer ample opportunity in diversity in the decoration and operational techniques and show in the design cloth and uniforms and achieves visible reflections with aesthetic connotations.3 - Linked style design type design sources relied upon in the formation of decorative designs which gave greater freedom of the designer in influencing receiver depending on the identity of belonging to that reality for both the designer and the receiver.4 - achieved a technical clear role in highlighting the aesthetic qualities of the design decorative through the sending of reflections visible based on the values optical achieve those values memorial in the proportion of impressions and how to influence the nature knows the receiver making technology an active role in determining the nature of reflection and visual way to influence the recipient.5 - Formed decorative designs for the uniform structure of an integrated design unrealized thrills and attractions in the receiver depending on the harmonization of decorative designs for fabrics and unique, which helped in achieving integration in the design structure. The fourth chapter contains recommendations and proposals and the Arabic and English sources and supplements and summary in English

الاساليب الاخراجية وعلاقتها بالمساحات الافتراضية للصحف الالكترونية على شبكة الويب The Directorial Styles And Their Relation Shape With Assumption Space On Electronic Newspaper In Web

اسم المؤلف: محمد عباس مظهر محمود الزيدي
اسم المشرف: خليل ابراهيم حسن الواسطي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Means current research study (The directorial styles and their relation shape with assumption space on electronic newspaper in web ) and component of the principles and concepts through the ideas concerning the practical application , where it flows into the side of the cognitive study modern and development for the design of electronic newspapers , using a space default in the design , and the lack of study dealing with the subject of space virtualization including deserve their importance in the process of designand construction of art that meets the requirements of the letter of design to influence the receipt , comes this study through the four seasons , which included the first chapter the research methodology ( the problem and the need for it and which focused on the following question ( what is the relationship between the methods purine and virtual space Electronic newspapers ) and then the importance of research in : - Enrich the knowledge and skills of specialists flour designers and related institutions. - To shed light on the role of the graphic designer in the form of an electronic newspaper highlighting.The objective of the research : - Learn about virtual spaces for electronic newspapers on the Web. - Identify the type of relationship between purine and tactics spaces default to electronic newspapers on the Web.The limits of search Fathhdt (b spaces and virtual methods purine Newspapers Electronic either spatial boundaries Iraqi newspapers were published on the information network ( Internet ) and defined border temporal Bvaltrh time for 4102In addition to determining the terms listed in the title search to know it technically and idiomatically and Tsamimiauajjae second chapter includes a theoretical framework that included three research are as follows : - First research - electronic press upbringing and development - The second topic - the structure of e - newspapers - The third topic - the basis of the output of the electronic newspaper sites.It also included the second quarter indicators theoretical framework and previous studies , while the third chapter devoted action research where the researcher followed the descriptive approach to analyze the content of the samples the (01 samples ) , were selected in a manner Qsidiahibnsph third one - third of the original community of (10) model and published on the web and registered in the Iraqi Journalists Syndicate , either the fourth quarter has been allocated for the findings, conclusions andrecommendations and proposals Alndharah and applied researcher has come to phrase the results and conclusions of the process which has achieved the goals set and these results : - Trends emerged in innovative artistic expression , which led to the presence of new styles and updated in the design needs of sophisticated design required to use the images and overlapping geometric shapes and influences the retina - The main entrance to the effective design is to provide clarity and build information in a visual image is suitable , as regards the page design and implementation of tactics and technical basis used in this area. - Addresses the design and aesthetic message directing the visual and performance art within the framework of her career , and the diversity of his tools and his message , according to the regulations for the design and diversity of these messages.The conclusions are : 0. Provided digital technology new working environment hypothetical where the input process design all ( default input ) deals with the designer with the utmost flexibility and accuracy , putting him bounties immense design these inputs ( elements ) in order to reach the final shape optimization without Mahhaddat cost , time and effort. 4. Confined space Alrmih on the web page within the limits Alveza?ah of the display , and while extending web page outside those boundaries scroll bars appear , so The area of the page appears on the Web Lakez display screen receiver that offered by the programs of the browser , there is no specific limits on the size of the page The recommendations , which were recommended by the researcher are : 0. The adoption of more than directed in the style of electronic newspapers , in addition to the new technique used in newspapers and modern style which is called breaking the rules.4. Adoption of technological elements in the total output of electronic newspapers being brought attention and check the response of the recipient. The researcher suggested some studies including : 0. Digital technology and its role at the technical level of theelectronic newspaper sites. Through the proceedings conducted by the researcher , which reached to the scientific results that have achieved the goals set for the current research provides the researcher has applied developmental proposals representa virtual space to be added to the scientific research , as codified sources of Arab and foreign.

تقنيات السيناريو للفلم السينمائي والمسلسل الدرامي التلفزيوني Scenario Techniques of Movie Film And Television Drama Series

اسم المؤلف: عبد علي كعيد فرحان العتابي
اسم المشرف: صباح مهدي الموسوي
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ليس من السهل انجاز فيلم على شيء من الجودة من دون جهود واضحة وامكانات ابداعية متميزة، واولها : كتابة السيناريو. ان انجاز سيناريو جيد يعد البذرة الاولى والنواة لشجرة الفيلم الباسقة. اذ ان الكلمات تتحول الى صور واصوات وحتى صمت. ان ادارة الالات والعمل على | It is not easy to accomplish something on film quality without apparent effort and creative potential of distinct, and first is writing the script. The achievement of a good script is the first seed and nucleus of a tree Albasagh film. As the words turn into pictures and sounds and even silence. That machines and work management techniques and software is no doubt that they need from the old knowledge and experience as well as accumulated renewable and highly developed expertise, which occupy a lot of space in the tools and working methods of the Device Manager as well as creativity. However, writing the script you need the first place to the great creative energy and imagination, as well as the need to identify the techniques in the style of writing and delivering the intellectual and aesthetic implications of the film. Vkateb scenario can be likened to a lawyer his case defended, so it required him to find arguments to win this case, using all means and evidence and using them legally main employers (technically for screenwriter) convincing and influential, it is not inconceivable that this lawyer can win a case without identification of legal materials and paragraphs quoted them, and invested in convincing the judges, the prosecution.. Hence.. the process of writing the script you need in the first place (the screenwriter) for a complete understanding of the use of elements of all areas Astgaladtha and how the flow of creative in order to achieve the best results for his film It is the case. There are common views that may prove to be a bad scenario, when produced well. Also can be a bad film mesmerized for a good script, this depends on the possibility of creative director, but the important thing is to be axioms scenario includes the elements of success for himself.Although the material temptations offered by production companies film in the world but they have received only a few of the scenarios that produce films on the very quality, and it's stuck in the mind so the film and TV scenario deserves attention and study and research, in order to create a generation, but generations are able to craft this art, which is the mainstay of the first after the (money) in film production.. the dramas film and television production is one of the best means of lucrative production and materially more than others Save the jobs of tens of thousands of artists, technicians and craftsmen, workers, drivers and Alkmbars and even restaurant workers Anne cinema (art machine) industry and creativity.The Alsinarioekshv himself when reading the receiver (producer or director or art schools) from the first pages, that was good or bad. Or it can be produced a film or a serial dramatic remains stuck in the mind, or infects watch weary and tired, and perhaps leave his seat before the end of currently No. enough proficiency craft and learn about scriptwriting techniques, but is important to the talent and creativity, Creativity with mastery of the elements and components of the craft creates films The series can not be erased from memory : citizen Kane, Shakespeare gone with the wind, rope, various processors directorial debut, America America, mirror, armored Botomkan, city lights, seven samurai, Rachamon, Titanic, a space Odyssey... and many other movies. As well as soap operas.Find boils down to : a summary of the four seasons was the first chapter a methodological framework for the search includes Totoh to understand the nature of his problem, followed by research and monitoring of the importance of research and its objectives and its borders as well as to determine Aalatah terms : (techniques, scenario). The second chapter fitted with three sections was the first of which is : narrative termsand concepts dealt with this topic of literary narrative and Filma, also sought to clarify Ostgalat narrative in the novel and the story and the film, then the definition of drama based on the book The Art of Poetry of Aristotle and the views of many writers and critics to study everything about them , explain Annaasraldramah (character, plot, conflict, node, events and crisis peaks, the solution and finally happy or unhappy or open ( The second topic dealt with the scenario Film / TV including the importance of the script and the qualifications of the screenwriter and the types of scenarios and sources screenwriter and treatment, originality and the difference between the film and the screenplay series. The third section Vhuallaqh shaped scenario, where the researcher constituent elements of the scenario starting from the idea and abstract literary treatment of the screenplay and then eating explanation writing the script of the scene numbering and the importance of space and time.the third chapter included action Adopted by the researcher for the analysis of selected samples and to reach the goal of his research and included a curriculum based on the search and the reasons for the sample selection and search tool and integrity analysis.The fourth chapter has included selected samples identified Iran's film and Series Arabic and analysis are as follows : T. movie / series director author's name, year of production company producing1 Series men Ezz Talal Mardini Aladdin Kokash 2011 Ghazal artistic production2 no separation Asghar Farhadi Asghar Farhadi Asghar Farhadi 2011The fifth chapter select to derive the final results derived from the analysis was highlighted by the multiplicity of technical wizards for movies and soap operas, especially Alhasalhaly movies Jawaizaaalmih, as well as offer some of the conclusions derived from the search results also included recommendations as it deems necessary researcher, as well as proposals concerning how to develop scriptwriters capabilities, especially students Bunting Film and Television The search included a list of sources and references upon which the researcher and a summary of the study in English

الخصوصية في تصميم فضاءات مدارس التوحد The Privacy In The Design Spaces Schools of Autism

اسم المؤلف: عامر داود عطا
اسم المشرف: باسم قاسم الغبان
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الداخلي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Abstract Research found into the privacy of the design for schools appropriate autism and that will be the first of its kind at the level of design schools autism in Iraq to occupy the role of science to keep pace development and a guide for designing the Special schools of autism in Iraq and use the vocabulary of Iraq and to provide a suitable environment for autistic children carrying Iraqi identity, and fit to be a mentor for beginners in the creation of interior design and the advancement of Iraqi children to provide them with an environment check psychotherapy and performative and aesthetic, current research has included the design of the spaces _khasosh autism schools in Iraq analytical study, to quote some summary as follows : The first chapter discusses the research problem and the need for him : - 1. importance of Search : The importance of that is reflected in the lack of privacy of note in the design of spaces schools with autism achieve the body by means of global measures consistent with local and shed light on the most prominent vocabulary in which they can exclusivity privacy. 2. research problem : through the scoping study found a lack of analytical studies for the design of spaces autism schools, especially in Iraq, because of the short supply in those spaces _khasosh in design.3 Research Goals : The research aims to know the reality of the internal spaces of educational classes for schools and autism and privacy laws approved design have created and to reach a design proposal for educational classes for schools autism.4. Borders Search : Search is limited to the internal spaces of autism schools in Iraq for the years 2013 - 2014, which ensures privacy in design at the level of specific elements of the vertical and horizontal spaces and secondary inner core, has been the focus of research efforts on privacy in the design. The second chapter, has included the theoretical framework of the research shed light on the theoretical aspects of direct relevance to the search topic within the Investigation of three, Valambges first dealt with autism and theories, and the second section dealing with privacy and design, and the third section dealt processors design for the schools of autism, and the fourth section dealt with models of Schools Autism global, followed by a set out indicators.The third chapter, handled the research methodology and procedures required descriptive analytical method and the research community schools had autism. The research sample was for two schools in Baghdad and Najaf Ashraf School and another school in Karbala holy, tools and techniques identified poll mediated form of analysis to build a standard design to reach the goals of research dearly went out the researcher several results including : - 1. Schools Autism is now approved in terms of designs, supplies, and goals and stadiums do not help the autistic child's development of different aspects of the physically and cognitively.2. characterized most of the furniture and supplies (chairs, desks and blackboards) as unsuitable for children, and uses non - polished surfaces and the number does not match the number of children with autism.3. poor coordination in the visual elements, diversify and exploit weakness in assigning jobs privacy within the classroom for Autism.4. non - observance of the designer in achieving the link between the bishop Ctoasl for the continuation of the visual in most schools to unite across the internal space.

توظيف الكولاج في عروض المسرح العراقي

اسم المؤلف: ظفار احمد فياض
اسم المشرف: عادل كريم سالم
الموضوع العام: الفنون الجميلة
السنة: 2015
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: العمل الحقيقي في المسرح هو العمل الاجرائي الذي يفسر الحوار الى اشكال وتكوينات واداء واجراءات تستبدل بواسطة القص واللصق الاشكال باخرى غير مالوفة تثير الدهشة وتحول العرض المسرحي الى عرض مسرحي لا يمكن تكراره. ان هذا البحث الذي يدرس توظيف الكولاج في الم | The real work in the theater is a procedural action that explains the dialogue forms and configurations and performance measures and replaced by shear and paste forms another unfamiliar surprising and turned the play into a theatrical performance that cannot be replicated. This research examines the employment of collage in the theater taught Yeti shear and pasting and their role in the Add formations and shapes within the supply and thereby a technical style of art theatrical presentation provides a unique way. In light of this research department into four chapters.Annexation of the first chapter of the methodological framework, the research problem and the need to launch and centered in the following question : Are the employment of collage in the theater contributes to the development of theater and the visual picture together?Hence the importance of research in shedding light on one of the practical techniques and major repair offers and edited in by providing non unusual offer.And making a disclosure about how they handled the directors Iraqis collage in their presentations play goal.. and stop at the borders of research objectivity in dealing with offers selected on a random basis within a specified is the 2010 - 2015 time limits and concluding chapter defines terminology.Chapter II included the theoretical framework and previous studies, and the Department of the two sections, the first section of one axis is the concept of collage.1. The first topic : your concept and the integrated presentation of forms of collage in the arts and applications to gain access to a comprehensive conception of the modus operandi of collage in general.2. The second topic : collage in the theater : - And came in three areas : - 1. theatrical collage in the text : - and has reviewed cases and Rhode causes collage and how the impact of technical measures of the text and its appearance in the show.2. collage in the theater - and has reviewed the cases and Rhode collage in width and the impact of technical measures on the show.3. Models of the most prominent directors of theatrical collage globally - and the brief presentation of selected models of directors have been exposed to the collage technique and they have made in different ways from each other, each according to its own style, which proved the possibility of employing technology in various theatrical circumstances.Chapter III research procedures, through the research community and models represented by the following deals : 1. darkness.2. Arbanh.3 Abdullah Al - Saeb.And is designed search tool adoption of the following components : - 1. indicators resulting from the theoretical framework2. relevant sources films offers the (cd)And the researcher has chosen observation instrument approach in the sample analysisAnd then the analysis of samplesThe fourth chapter includedResults and discussion, conclusions and sourcesThe research found to supplement the summary in English.

دلالات المفردات التراثية والطبيعية في الخزف العراقي المعاصر Semantics Vocabulary And Natural Heritage In Modern Iraqi Ceramic

اسم المؤلف: مثنى رياض علي القريشي
اسم المشرف: صفا لطفي عبد الامير
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الخزف
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: يعد التراث من القيم الحضارية، وهو مؤشر لحجم اصالة الامة ويعد عنصرا فاعلا في اصل وتاريخ اي امة من الامم، وان السعي لربط الموروث الحضاري القديم لامتنا بالتقنيات الجديدة المعاصرة، فانه ينتج عنها فن معاصر ذو قيمة جمالية ومعرفية متميزة وتشكل جسرا رابطا | Heritage is one of the values of civilization, which is an indicator of the size of the authenticity of the nation and is an effective element in the asset and the history of any nation, and seek to link the ancient cultural heritage of our nation's contemporary new technologies, it produces about contemporary art is aesthetic and cognitive value distinct and form a bridge link between the past and in the future. Within this framework, looking message on how to achieve this by including the vocabulary of this heritage on the ceramic business, which can be a mirror for this port heritage to contemporary ceramic surface. For this purpose, it has adopted a search on this analytical study of this vocabulary where research is divided into four chapters : the first included on identifying the research problem, which crystallized in the following question : Are there implications for vocabulary heritage and natural in contemporary Iraqi porcelain, then the importance of research, which may contribute to the documentation Cultural Heritage of Iraqi artists and works to complete the march of other research that preceded it, especially in the field of ceramics and folklore Iraqi heritage. The objectives of the research were identified as : detecting signs of vocabulary and natural heritage in contemporary Iraqi porcelain through research sample analysis. The second chapter of previous studies has included theoretical framework, which included three sections Head : The first section contains the concept of significance in art where he addressed the concept of semantic and determine its characteristics, while the second section has included the first two axes was Vocabulary heritage in contemporary Iraqi porcelain, while the second axis has was a natural vocabulary in contemporary Iraqi porcelain. The third section dealt with the emergence of pottery and contemporary Iraqi history since its inception and up to prosperity. To end the most important theoretical framework indicators. The third chapter is devoted to research procedures included the research community consisting of (80) decorative model, where they were relying on descriptive analytical method for the analysis of the sample, which included (18) pursuant Khozvin Iraqi artists. The fourth chapter contains the findings and conclusions reached by the researcherResults : 1. Heritage was founded in contemporary Iraqi porcelain signs new relationships unfamiliar between tradition on the one hand and between the intellectual and social dimensions of human life on the other hand, Mrtkie level accomplished ceramic and adding to it a technical dimension aesthetically pleasing, regardless of the temporal and spatial forms of relationships, and the escalation in return, which is an internal and Ojaddana through deepening expressive and symbolic values presented within formality done.2. came vocabulary heritage Iraqi contemporary ceramics carries within semantics design through the adoption of the mark or symbol that carry expressive feature takes a modernist character, which gave the potter Taoulih structure and wide inside carrying signs and pictures of NES.3. resulted in sample analysis for the presence of cultural and civilizational speech broadcast on contemporary ceramic work, and is determined by which side of the established semantic structure in porcelain inspired by the experience of the bases of religious heritage, cultural heritage, folk heritage is deeply technical content in the history of Iraq.As the researcher's conclusions, inter alia : 1. Iraqis artists sought to expand the semantic openness in ceramic art and achieving diversity in Astelhamanm vocabulary of semantics heritage in contemporary Iraqi porcelain through the diversity of shapes and structures and techniques of contemporary art.2. The nation heritage industry and the product of the people of civilization, which is a product of culture, values and affiliations of those of the nation and the people and can be a detection tool the past and embrace the present.3. The Iraqi contemporary ceramist focused consciousness to read and live with inherited according to the results obtained from international experiences Fine read Mesopotamian cultural heritage and trace the evolutionary stages of the art techniques. The study concluded with a series of recommendations and proposals related to the development process in other areas of study and update of interest, followed by a list of sources and references, appendices and summary in English.

المعالجة الدرامية لشخصية المراة في مسرحيات هنريك ابسن - واوجست سترنبرغ الواقعية : دراسة مقارنة The Dramatic Treatment For The Women Personlality In The Plays of Henrick Ebson And Ugost Strendbergh

اسم المؤلف: شيماء علي لعيبي
اسم المشرف: عبد المرسل فليح الزيدي
الموضوع العام: الفنون الجميلة
السنة: 2011
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تحاكي الدراما منذو نشؤها العلاقات الانسانية التي تالف المجتمعات وتنطلق من مكونات المجتمع - المراة والرجل - وفق معطيات الطبيعة ومؤثراتها الدينية والاجتماعية والسياسية والعادات والتقاليد ولكل هذه المفردات مؤثراتها على الفعل الاساس للانسان ذكر كان ام انثى ول

المعالجة الاخراجية للمفارقة الكوميدية في عروض المسرح العراقي The Directorial Processors To Comedy Irony In Show Iraqi Theater

اسم المؤلف: صاحب جياد اسماعيل
اسم المشرف: حسين علي كاظم التكمه جي
الموضوع العام: الفنون الجميلة
السنة: 2012
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تعد المفارقة من ابرز الوسائل الفنية التي يستخدمها كتاب المسرح ان لم تكن ابرزها جميعا في الواقع، بل ان بعض النقاد والمتخصصين بتسمية عناصر الدراما يرون ان الاثر الكلي للعمل المسرحي باكمله هو المحصلة الناتجة عن تجميع عدد كبير من المفارقات الكوميدية.ان الك | Is the Irony of the leading technical means used by the playwrights were not the most important of all, in fact, even some critics and specialists nominated elements of the drama they see that the overall impact of the work of the entire theater is the net resulting from the compilation of a large number of dramatic irony.The comedy Greek crowded patterns of characters that meet the irony was called on these characters (Irony) and mean hypocrite deception demonstrators which is contrary to the hide, and soon that popularized the concept of paradox in the ancient philosophies and then the modern and was tapped in the various fields of literature and the arts as a form of forms to say is it inappropriate for the necessary degree, it covers a small area in the installation and construction of the events in the text we call the paradox of building or in the door of metaphor used by the speaker call it ironic verbal and other, wider dimensions dramatic covers an area of the play as parts of other types of paradox we call paradoxes of the events, attitudes or personalities.The development has been caused to the structure of concept for a logical Irony that was not in time, as has happened is the inevitable result of the interaction of philosophical and aesthetic reflections are also seen Kirkiqor way of dialogue and the management and style of modern life, to prove existenceI've tried researcher during his research that tracks the time of the emergence of the paradox and the movement of its evolution through the philosophies and artistic movements, as well as identified in the contest drama (Comedy) for the purpose of access to Art's technical framework of the world stage, Arab, and then identify them in the place of inspection, which assumes the limits Find a theater Iraqi To achieve these goals department researcher his research into four chapters are as follows : Chapter I : A methodological framework within which to search, as a researcher discussed the problem and the need to and importance of research need to secure research and then the limits of research and scientific terminology.Chapter II : a theoretical framework within which to discuss research as head of the Detectives of three as follows : First topic : the concept of irony Section II : Comedy origin and evolution Third topic : drama and directorial processors in the comedy and four topic The directorial processors To comedy Irony.Chapter III : a procedural framework in the search as within the researcher identify the community of his research in a table placed in the supplements research also pointed to the samples that have been selected and also explained the reasons choose it as well as between us Researcher tools and approach considered, and then proceeded to the analysis of specimens bearing the following headings : First, play this evening our friend Second, play the string and the bird Third : Play King of his time Chapter IV : The results of the researcher within the research and its findings also revealed the sources of his research, as well as within this chapter supplements the research and summary in English.Is the paradox of the leading technical Means Used by the Playwrights Were Not The Most important of all, In Fact, Even Critics and Specialists Some elements of the drama Nominated They See That the Overall Impact of the work of the theater is the net Entire RESULTING from the compilation of a large number of dramatic irony. The Greek comedy crowded patterns of characters meet the irony That WAS CALLED ON These characters (Irony) and mean hypocrite deception Which is Contrary to Demonstrators the hide, and soon popularized the concept of That paradox in the ancient Philosophies and Then the modern and tapped WAS Various fields in the literature and the arts of as a form of forms to say is it NECESSARY Inappropriate for the degree, it covers a small area in the installation and construction of the events in the text we call the paradox of building or in the door Used by the metaphor of speaker call it ironic verbal and other, WIDER covers an area dramatic dimensions of the play as parts of other types of paradox we call paradoxes of the events, or Personalities Attitudes. The Development Has Been Caused to the structure of concept for a logical paradox That Was not in time, as is the unavoidable Has Happened result of the interaction of Philosophical and aesthetic reflections are seen Kirkiqor Also dialogue and the way of management and style of modern life , To Prove existence. I've tried researcher DURING That tracks the historical research of the Emergence time of the paradox and the movement of ITS evolution artistic Through the Philosophies and Movements, as well as Identified in the consist drama (Comedy) for the purpose of access to technical arts framework of the world stage, Arab, and Then Identify Them in the place of inspection, Which limits assumes the Iraqi theater Find a goals To Achieve These historical research department researcher Into four chapters are as FOLLOWS : Chapter I : A Methodological Framework Within Which to search, as a researcher Discussed the problem and the need - to Importance of research and need - to secure research and Then the limits of scientific research and Terminology. Chapter II : Theoretical framework to discuss research Within Which as head of the Detectives of three as FOLLOWS : First topic : the concept of irony Section II : origin and evolution Comedy Third topic : drama and comedy directorial processors in the Chapter III : a procedural framework in the search as the researcher Identify Within the community of historical research in a table Place in the research supplements to the samples Also Pointed That Have Been Selected And Also The Reasons Explained as well as Okhiarha Between Us and Research Tools Considered approach, and Then proceeded to the analysis of specimens bearing the Following headings : First, play this evening our friendSecond, play the string and the bird Third : Play King of His Time Chapter IV : The results of the researcher Within the research and Its Findings Revealed Also the sources of historical research, as well as supplements Within this chapter the research and Abstract

معالجات الاعمال الخطية باستخدام برامج التصميم الرقمية Treatments of Calligraphic Acts By Digital Design Programs

اسم المؤلف: صادق جعفر جابر طرخان الشكاكي
اسم المشرف: نصيف جاسم محمد عباس
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الخط والزخرفة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تعتمد فكرة الاعمال الخطية الرقمية ومعالجاتها وظيفيا وجماليا بجميع مراحل انجازها, على مبادئ فنية تعالج وفقها، وهي مجموعة من ادوات تتصل بطبيعة البرنامج، والتي تؤثر بشكل او باخر على الناتج النهائي للمنتج، وما سيكون عليه، او ما سيحمله من تعزيز واثراء بصري | The idea of Calligraphic digital works based and processed functionally and aesthetically pleasing at all stages of completion, based on the technical principles addressed accordingly, a set of tools related to the nature of the program, which affect more or less the final output of the product, and what it would be like, or what will carry enhance the visual aesthetic and enrich, We have taken the concept of digital processing a wide area of research, in particular, is related to a two - pronged actors, arabic calligraphy, which is reflected formations creative spaces that have spread widely Graphic texture and design that is consistent in oprations with Calligraphy works, which represents, in essence, an integrated design structure processing mechanism, and from this sense ,calligrapher found a new space for the dissemination of creative experiences are the result of my contact between Calligraphy and modern a digital technology in all its technical additions. - The current research takes the mission of research and investigation of what relates to processors of Calligraphic works Through organizing it according into four chapters. - The first chapter included the research problem, which touched by the researcher, and related to field of Calligraphic works processed in digital designs, proposing the following assumption as a problem for his research : Digital processors written work contributed to the development of linear : done and identified the importance of research in the ability to benefit in developing the practical skills of the workers in this field. - The research delimited by the following limits : - Substantive limit : Business processing calligraphic works by digital programs - spatial limit : contemporary calligraphic samples digitally treated, according to the following : Program : (PHOTOSHOP), (Art Rage 2.5). The most popular in this type of achievements in calligraphy (Iran, Iraq) being witness a great operations in this kind of modern art. - Temporal limit : calligraphic works processed digitally to a group of calligraphers of the year (2013 - 2014). Period witnesses diverse and versatile in providing digitally treated works according to new methods. The researcher defined the following terms : which are : (processors), (Design), (digital calligrapher), because they relate to operations of the current research, and the second chapter specialized to the theoretical framework, and previous studies ,at which his three chapters carried headlines including : - Digital art. beginnings and evolution. - Digital Art and Design. - The concept of digital processing. - Digital Design programs. - Digital art & calligraphy art. - Methods of processing calligraphic works - color. The third chapter is devoted to research procedures, by stating methodology of the research which depended on the descriptive method (content analysis) to samples that were available to him. Then, the researcher analyzed (15) samples according to themes identified formerly. The research community : the community research reached 150 samples for digital prominent calligraphers in Iran and Iraq. The researcher organized a table for it. (review page - 172. "(Appendix 4) Research samples : reached samples reached (15) sample has been chosen according to the selective method infliction of the total community. review "(Appendix 4). researcher established conditions identified through them intentional choice of samples, including : A. Selection of samples within the temporal limits of the search. B. The appropriateness of the samples to the general research purpose and it's representation to the whole community research. Research tool : appeared what researcher focused on it in the research's literature and indicators. Sources and methods of collecting information : pointed from which the researcher to the approved methods of gathering information. Then he stopped on : honesty of analysis tool by adopting the way superficial honesty was done through distribution hubs analysis form on a number of experts and specialists and display to them Stability of analysis : and through researcher hired a group of outside analyzers and work according to the principle of pluralism of analysis within a table featuring analyzers degrees and the average stability coefficient (review page 170 ).Then, the researcher broached to statistical methods which carried out by the researcher through consistency over time, between his analysis and the analysis of a group of experts and determined the fourth chapter to mention the results and discuss them, including : A. workers processed calligraphic works focused on activate the digital design principles, whether they were at the level of structural elements or foundations.. or relations system and outputs.. This included most of the analysis samples. B. The adoption of digital design principles comes from understanding and expertise by calligraphers evidence of prior awareness of the basics of the structural process that considered important in the treatment of calligraphic painting. Then the researcher concluded some conclusions, included : awareness and understanding resulting from the calligrapher experience, greatly contributed to the strengthening of the visions and goals envisaged in the calligraphic works processing. It is the awareness among traditional direction in the industry of digital painting the Digital technology represented a wide field in front of the calligrapher to the quality of extras added on calligraphic painting new properties were unavailable in traditional styles : Then the researcher recommended some relative recommendations, including : 1. modernization of developments in digital technology, and updates provided by The world's largest producer of programs companies related to the treatment of the calligraphic work.2. Searching stylistic methods enrich works by the calligrapher and what adds the quality and beauty to his work.He then proposed to study the following : - Digital programs and their reflections on the formation of the structure of the Arabic letter.Then the researcher sited a list of sources and related indexes.

ذات المستخدم وانعكاساته التفاعلية في تصميم المنتج الصناعي المعاصر Self User Interactive Reflections In Product Design And Contemporary Industrial

اسم المؤلف: ظبية محمد عبد الاخوة الفحام
اسم المشرف: صلاح نوري محمود
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Suspended research study (with user interactive and its implications in the contemporary industrial design of the product) a lot of new concepts and ideas that gave way to know the human self, which is for the user, as the self in humans involves an ongoing series of interactions between him and the producer and the aim of this interaction is to reach compatibility between his personal, social and nature of the product qualities affect it, according aware her circumstances are here. This has raised the question : what are self - relationship and interactive implications with the user contemporary industrial product, and hence the problem Find an answer to this question, and the aim of this research to identify the self - concept and the impact of interactive her reflections with the industrial product in contemporary design..The main importance of this study looks at an important aspect of personal, a self - concept and try to detect the interactive relationship with the industrial product, study of self - concept and its relationship to the industrial product is one of the psychological needs of the job and needed to be provided to the user, and included the limits of the study objectively industrial products smart and interactive relationship with the same user spatially in the local markets of the city of Baghdad to 2015, the study consisted of four chapters included first chapter of the research problem and its importance, objectives and limits and define the terminology, The second chapter, which was the theoretical framework and previous studies and included three sections first one came under the title (the relationship between self user and design industrial) while the second section was dealing with (functional and aesthetic considerations in the industrial product and its relationship to the same user), while the third section dealt placed (interactive user in the industrial design of the product)The third chapter included research procedures and methodology, as descriptive approach adopted in the process of describing and analyzing the samples, which accounted for 25% of the research community which has been classified by the researcher into two categories, determine the first products company (Samsung ) and the number (5) models The second products of(LG) company in numbers (15) a model of the available commercial sales centers main in the city of Baghdad, has been a researcher of indicators adopted was the outcome of sources and Arab and foreign references that seen by the researcher as well as field visits to shops selling smart electrical appliances, The survey carried out by theresearcher to specialists, this chapter was including describe and analyze the five samples with proportions similar guarantees axes according to the analysis developed by the researcher form..The search results and conclusions have it contained the fourth chapter runs the one of the main outcomes of the study as she was phenotypic traits that dealt with the sample analysis axes unrealized positive and format match with principled possibilities that her person search through the theoretical framework through (shape, color, and raw) and in in relation to the aesthetic level models number (1,2,3,4,5) and to reflect the aesthetic values of the body as the product that suits the conditions of the functional use, while the other side was marked by models (2,4,5) being part of the quality check and durability to the content of the ability to achieve the side of the efficiency of the operating hand and carry the functional use conditions, at a time when not include (1,3) on adequate specifications that can be considered in which unrealized side quality and durability same efficiency that characterized the remaining models, It has strengthened the results of the questionnaire this result where the participants agree on the questionnaire that forms number (2,4,5) unrealized side quality and durability efficiently within the general framework that care about research priorities, and the most important conclusions have proved the performing values and role of the marketing of the product through its durability and quality of performing as user to performing value inferred in this aspect when you confirm that the model is based on performing the idea have come to expect the user and results in a feeling of satisfaction and persuasion, which in turn are psychological factors user gives all types of functional performance optimization, and product concept interactive self - reflection is achieved within the Layout Social and resulting in a consumer coordinated through the correlation between the product and the self user according to psychological controls check the individual conditional qualities and features of formality and performance today and distillation of the product identity, and the Final research was the recommendations and proposals and then supplements and references in arabic and english language.

التناسبات الشكلية للوحدات التصميمية وفضاءات اقمشة المفروشات Physical Proportions of The Design Units And The Spaces of Upholstery Fabrics

اسم المؤلف: عباس حسين عليوي
اسم المشرف: هند محمد سحاب العاني
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: لقد اهتمت الكثير من شعوب العالم ومنذ القدم بصناعة الاقمشة وتطويرها كونها تجسد هويتها واصالتها، ووجها حضاريا مشرقا وشكلا مميزا من اشكال التعبير عن الكيان والشخصية لاسيما بعد التطور الكبير الذي شهده الجانبين التقني والتصميمي في مجال صناعة الاقمشة وخصوصا اق | Many peoples of the world realised the importance of textile industry and its development since the dawn of time, owing to the fact that it embodies their identity and antiquity and it also reflects a distinguished form of expressing their entity and character, especially after the significant evolution the industry had witnessed in terms of technique and design, particularly in the area of upholstery fabrics industry. These fabrics are no longer a mere special raw material used for a specific function, yet it is the product of an artistic apparatus derived from a variety of design elements and foundations and in a way it gives an aesthetic and functional action equally. And due to the importance of the theme of proportion which is to be held as the pivot of the current research and due to the scarcity of researchers on the theme of proportion as well as its being an inspiring and essential work for the maturity of the aesthetical and functional scopes in the design operations. And in terms of application, for it contributes to the visual comfort. In the light of what has been mentioned earlier, the researcher has reacted to put this theme under his studious magnifier through this thesis whose title is ‘Physical proportions of the Design Units and the Spaces of Upholstery Fabrics ‘ via four chapters. The researcher has endeavoured in the first chapter to explain the problem of the thesis which is focused on the importance of the aspect proportion in the spaces of upholstery fabrics since it’s considered one of the most important foundations for the artistic and design fulfilment. It includes in a later stage, the thesis’ targets represented in the identification of the aspect of proportion. The second chapter consists of the theoretical framework of the thesis which contains two sections : the first of which is focused on the aspect of proportion; a phenomenon already exists in nature and man was born to see, live with and get affected by as well. The second section comes to take into study, various themes, including types of the design units and the styles of their artistic application as well as the artistic techniques including the raw material, its various types and features and its printing techniques using manual, mechanical and modern ( digital printing).The theoretical framework has come up with several indications : - The shape is considered a theme seen by the designer as the principal aspect for the interpretation of the required sense; for the shape and the sense are inseparable. - The construction of patterns in the designs of upholstery fabrics aims at identifying the methods through which the design units are to be distributed. The third chapter included research procedures adopted the descriptive approach to clear reality design of upholstery fabrics in the collection of information and data for the part of the theoretical and then interpreted and analyzed with a view to the results achieved to the goals of the research, was able researcher to get a range of models for upholstery fabrics in a deliberate and travel (200) model were excluded (152) of the like - and third - party models and clear that do not meet the goals of research was the remaining (48) model represented the net the research community has been research sample selection wildly (25%), and consisted search tool Bastmarat analysis. Balaatmadaly theoretical framework and indicators, as counted researcher with the help of the supervisor and approved by a number of experts have been on the basis of which the sample analysis models and then get their persistence, as the research sample analysis models in the same chapter, based on the form axes. The fourth quarter has included the results of the study and conclusions, most notably : - That fabric design depends primarily on the quality of raw materials used because of their functional and aesthetic role in highlighting the character Alachtgala units design was mostly carried out using a mixed cotton fabric with polyester being characterized by lightweight, durability and resistance to wrinkle and comfort when to use and cheapen relative to the use of natural materials such as Cotton, either the raw material made of industrial polyester has less use for non - Mulla Imtha climate Iraq in general. C - Designs and effectively printing techniques were adopted to achieve technical wizards vocabulary design of upholstery fabrics mother - majority of the sample forms printing technology screens and the rest of the models implemented digital technology printing, which gave high definition sham forms and quality easily recognized by the receiver being reflect a true picture of the picture perfect nature. - Emerged aesthetic design value through the adoption of phenotypic characteristics of the elements of constructivism in achieving proportional relationships to create a variety of configurations away from raising boredom the recipient, taking into account not conflict with the unity of form and substance, and this is what the universe rhythm accepted through fit the shape and space, shape, direction and fit the colors and values optical with texture and appeared less gradient descent, although it was investigating several tasks in the design process, including the division of space and the representation of multiple levels within the configuration. Same chapter also includes recommendations and proposals as well as Arab and foreign sources and supplements and summary and the interface in English.

تمثلات الاشكال الواقعية في الخزف العراقي المعاصر

اسم المؤلف: عباس حمدي بكتاش
اسم المشرف: فاروق نواف سرحان العيساوي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الخزف
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: من خلال تتبع التجارب المتنوعة في مجال الفن التشكيلي العراقي المعاصر بين المحاكات التقليدية والموضوعية والتجريب في عوالم لا المرئية من خلال الاستعارة والتوظيف التعبيري عن مضامين الكامنة وراء الاشكال للخروج بعمل فني فرادي الرؤية تحقق متطلبات التجربة الذاتية | By tracking different experiences in the field of contemporary Iraqi art between simulations and traditional objectivity and experimentation in invisible worlds through metaphor and expressive employment for the overlaid of the underlying shapes to deliver an art with an individual vision that meets the requirements of a subjective experience,from which emerged forms and methods based on significantly open suspicions with realistic resultes which are surrounded by a lot of mystery assignored those shapes to a mythological paths , which launched the research problem. in this study , the first chapter dialed with the problem and its significance by adding introductory approach about realism and its new directions in the contemporary Iraqi porcelin art and highlight the trends that have emerged and had taken wider area in the framework of realism to the goal to be achieved by the research.The second chapter of the research,in the first part dealt with the sensible and un sensibl in art and establish the link between the human and the presence with concepts of material by the spiritual from the other side , and between them and the aesthetic expression and artistic for that link , through philosophical compititions and the vagaries of social reflected on this dialectical Booze founding spirit concepts reality in general, and addressed in the second part, and at length , addressing the concept of reality and realism. giving difinition of material reality and objective reality and knowledge , a departure for a clear vision of reality after the presentation of views and debates in which , creeping to the foundations of realism then to the cultural phenomenon and art through the depiction of the realities of existence and melodious received from those facts it portrays life in all of its differences and balances.After that the third section started by the presentation of realism and trends in the art of contemporary exhibitors to approach realism in art that has taken place and the range of between curriculum afterlife through association with life and the capacity of the artist from the jaws of blades actually rebuilt and installation and turn it to ideas according to the processes of analysis an synthesis , and new ideas which resulted in actually studeing the reality deeper and more contemporary that gave the trends varying in their concepts of realism of the most important neo - realism and socialist realism and magical realism , otherwise expressionistic and surreal and excessive abstraction and other trends that are generated Retracted this concept spaces wide range of concepts , from here , we find that the Iraqi artist in dealing with realism which we can see in his works, that was dealt with in the fourth section ,The contemporary Iraqi porcelen , in terms of realistic or not, and the use of icons and realistic shapes. The measures included in the Chapter III of the research for the descriptive analysis of the work and that has been selected (11)sample of from whitch results and the conclusions reached by the researcher. lastly there were the recommendations and proposal summary.

استحداث معالجات ربط جديدة لتصميم وحدات الاثاث المكتبي الجاهز Modernizing New Connection Treatments For Designing A Ready Made Office Furniture Units

اسم المؤلف: عبد الخالق سمين فتاح
اسم المشرف: نوال محسن علي
الموضوع العام: الفنون الجميلة
السنة: 2010
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تناولت الدراسة الموسومة بـ(استحداث معالجات ربط جديدة لتصميم وحدات الاثاث المكتبي الجاهز) موضوع ربط اجزاء الاثاث الجاهز وعلاقته بمتانة وحدات الاثاث المكتبي.احتوى الفصل الاول مشكلة البحث المتمثلة بمدى امكانية ايجاد معالجات لربط اجزاء الاثاث الجاهز في تصميم | The study entitled (Modernizing New Connection Treatments For Designing a Ready Made Office Furniture Units) addressed connecting the ready made furniture parts and its relation with consistency of office furniture units. The first chapter contained the research problem represented by the capability range of finding treatments to connect the ready made furniture parts in designing office furniture. As to research significance, it lies in the trial of applying new connection treatments in designing ready made office furniture. The basic research aims are represented as the following : creating new connection methods to connect ready made office furniture as well as providing a proposed design for an office furniture unit basing on new treatments. Research limits included the study of various models of ready made office furniture of industrial wood available in local markets for the period (2005 - 2009). The second chapter consisted of three sections. The first section addressed the topic of ready made furniture, through which we identified most ready made office furniture units. It also included studying the topic of woods with their two types : natural and industrial, identifying the types and specifications of each, illustrating the role of modern technology in manufacturing woods which was represented by two attitudes; the first was concerned with modernizing the methods of manufacturing and the most important methods of modern manufacturing, whereas the second was concerned with producing modern products using modern methods of manufacturing. The second section dealt with the topic of connecting the woods which contained studying different types and specifications of connection techniques. While the third section covered the study of design, the appearance of ready made furniture, the formal unit of furniture design with its multiple elements and phenomena as well as the role of appearance in designing furniture and studying its functional and usage dimensions and manifesting its relation with aesthetic values. Chapter three addressed research procedures where the descriptive method was followed in analyzing the research sample so as to arrive at achieving the research goals, and relying on the research population represented by everything related to ready made office furniture units and the techniques of connecting its parts. The research sample comprised different models of ready made office furniture units chosen purposely to meet research requirements and aims. Chapter four dealt with analyzing the research sample according to analysis axes defined by the researcher through the indications revealed in the theoretical frame. Chapter five embraced the results arrived at by analyzing the research sample, the most important of which were : 1 - Employing the arc lines (streamlines) to break a part of vertical and horizontal lines entering in the formation of formal formations and their directions of the product configuration. 2 - Using one color degree for coating the shapes of some examples which made them lose their color and touch contrast and weakened their elements of attracting and exciting the receptor. 3 - The adhering cortex (paper, plastic) covering the industrial wood ore carried color, appearance and expression characteristics to the natural wood ore, but it came with weak resistant to environmental factors. 4 - The accurate treatments and superficial finishing of all examples configurations with technical styles through employing modern manufacturing techniques which contributed in achieving the appropriate appearance output to them as well as promoting the safety and security aspects. 5 - Lacking some connection methods (employed for connecting the parts of product design units) for their effectiveness as a result of consistency weakness of used connecting tools (because they were designed basically for usage with natural wood ore), causing over time distortions in the appearance of the forms of ready made office furniture units. As to the most important conclusions arrived at by the researcher, they were : 1 - Color and touch contrast achieved a kind of excitement and attraction as well as the kinetic dimension for the appearance of office furniture unit. 2 - Lacking the configurations designs of some products of sensual, aesthetic and expressive effects due to weak employment of their colors and touch of ors or their connection styles and methods. 3 - Good employment of the methods of connecting the parts of office furniture unit contributed in adding an effective appearance to them as well as promoting the aesthetic aspect allover their configuration. 4 - The weakness of functional effectiveness of the methods of connecting designing parts and the spoilage of connection tools distorted the appearance of the forms of ready made office furniture units. 5 - The necessity of fulfilling both aims the aesthetic and functional in designing office furniture unit without the dominance of one of them on the account of the other through good employing of the proper ore and the color and touch contract…. etc. to achieve the excitement and bring attention to them. Chapter five also included the presentation of design treatments enhanced with practical experiments according to the initial results sorted by the researcher to achieve the research aim in suggesting the design of office furniture unit by regarding it an applied example to study and by using some treatments the researcher arrived at in his research results. The recommendations and suggestions were presented to the directions and sides related to the research topic.

التوظيف الميثولوجي في الخزف العراقي المعاصر The Employment Mythology of Ceramic In Contemporary Iraq

اسم المؤلف: عبير مجيد عبد النبي صالح
اسم المشرف: فاروق نواف سرحان العيساوي
الموضوع العام: الفنون الجميلة
السنة: 2012
الموضوع الدقيق: الفنون التشكيلية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تعد الميثولوجيا مؤسسة الذاكرة تتشكل منها شخصية كل امة اومجتمع وتمثل بنيتها المركبة، وتتميز باستمرارية فعلها وتاثيرها على النتاجات الحضارية وتشكل بالنتيجة ملامح الحضارة المعاصرة، التي تفتخر بها امة او شعب، والنتاجات الحضارية الميثولوجية تختلف من امة ال | Mythology consider as memorize association were energize every nation personality or society that represented in their a compound construction , it's distinguish with their active action and continuity and influence on civilized production and consider in their resultant the specification of modern civilization , that nation and people will be proud of it and the mythological civilized products in people more that other people , upon their ruling of civilized history governor , that specialize of peoples enjoyed with. Iraqi people possess extended civilization in deep of history about eight thousands years represented with groups of countries and empires that held on their land. and what offered to humanity huge quantity of Variables mythological production that we could discloser on their Varity s by the mean of the wide historical production civilized mythology.From natural the forming Iraqi's artist inspired and ceramist specifically s for such huge of mythological production for creativity level that showed clearly in the staid scientific research level for construction so the precise employment of Iraqi mythology in Iraqi contemporary ceramic.So the chapter that researcher working with start : First chapter : Represented the research method frame the emerged from research problem s and the importance identification and the need of it s then the goals , their boundaries , it 's problem , finally limit of terminationsSecond chapter : researcher got of theoretical conceptual frame and previous studies that represented in first subject : Unction and the employment in different mythology and their theories and divisions and legends functions. second subject : Legend as expression for universal mythological construction.Third subject : Iraqi mythology and their environmental transmission means.Fourth subject : Products of Middle mythology for Islamic and Arabic interval. Fifth subject : Nearest mythology ((the first fifth decades from century))After the finished of second chapter , researcher work to accomplished his research lab that represented in theoretical conceptual research and limited the research means that he use in his research procedures.Upon the Second chapter represented in research procedures as fallow : Research society and their sample s then the research curriculum and research method and their justifications and tools s to test the sample s and finished with third chapter in applications that represented the selective samples analysis that in meant.And after the analysis of samples the researcher accomplishment the fourth chapter that represented the results and conclusions and recommendations and suggestions.And then list of Arabic and foreign references and summary in Arabic and English language

تقويم النتاجات النحتية لطلبة قسم التربية الفنية على وفق الاتجاه البنائي Evaluating The Sculpture Produces of The Artistic Education Department Students According To The Constructivism Attitude

اسم المؤلف: عدي علي حماد الجغيفي
اسم المشرف: صلاح لازم حسن
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تعد التربية الفنية بمفهومها الواسع احدى الادوات الفاعلة في بناء شخصية الطالب وتاهيله لاكتساب الخبرات التي تساعده في اداء وظائفه في المجتمع اذ ان ممارسة الفن وتذوقه تنميان مختلف جوانب شخصيته. والتربية الفنية لن تتمكن من تحقيق اهدافها دون ادوات ووسائل تقوي | The concept of the Artistical Education, is one of the active tools to construct the personality of the student & qualify him to get the experiences, which help him to do his job in the society, because exercising Art & appreciating it, develop all sides of his personality. Artisticsl Education can not reach to its Aims without Evaluating devices, making the teachers able to notice the weak & strong points in their student's produces, therefore this research has started. The problem of the research is : 1 - Guessing the weak & strong points in sculpture produces of students according to artistical theories of post - modernity (constructivism attitude). 2 - Employing the constructivism attitude as one of the post - modernity curriculums arts, to construct a criterion to evaluate the sculpture produces of Artistical Education students.The Aims of the research is : 1 - Construct a criterion to evaluate the sculpture produces of Artistical Education students according to constructivism attitude.2 - Discovering the range of Employing the composition esthetics' of post - modernity (constructivism attitude) arts in Artistical Education students' sculpture produces by analyzing their produces. The research reached to the 1st aim by constructing an evaluating form for the research sample which contain 24 items, & show it to a group of experts in plastic arts & Artistical Education to get the Face validity of the form, & reached to the 2nd aim by applying the form items & analyzing the sample. According to data The results was : resolution (2.75 - 2,38) , & the Weight percentage was (0.92 - 0.79), that means that the form have got high results & it was successful to measure what it constructed for. After showing the results of the research & discussing it the researcher reach to the following conclusions : 1 - The evaluation form can be appreciated as one of the effective evaluation forms in evaluating Artistical Education students produces according constructivism attitude.2 - There is a chance to employ constructivism attitude to develop the Art appreciating of the students.3 - Constructivism attitude near from the students idea about post - modernity because it involves read the produces from interiorly.

تنوع الرؤية الفنية في تجربة الفنان عبد المرسل الزيدي المسرحية The Variety Artistic Perception of Abd Almursal Al Zaidi Dramatics Experience

اسم المؤلف: علاء عبد الله راضي
اسم المشرف: سافرة ناجي جاسم
الموضوع العام: الفنون الجميلة
السنة: 2010
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان دراسة تجارب الفنانيين، والادباء، والمفكرين، والعلماء تسهم بشكل فعال في تطور المجتمع، والاهم تطبيقها علميا وعمليا.فضلا عن التلاقح بالمعرفة والانفتاح على ثقافة الاخر، تساعد على النهوض بالواقع المعرفي بالتخصصات الدقيقة والثقافة العامة، وكان للبعثات | The study of the artist, Literates, thinkers and the scientists experiences contribute in a active way to develop the society and the most important applying them a academically and practically.The interference of different knowledge and to open to other culture help to raise up the real knowledge by specialization and common culture.The scholar - delegations have great role in Providing Arab Societies by curriculum and the Specialist methods in dramatics by the legates who work as teachers in the academy of beauty arts, We mention as instance the lading group like (Haqi AL - shib;I ,Jaapher Al - saadi,Asad Abd Alrazaq,Jasim Al - Abudi,and sami AbdAl hameed).Moreover they work as directors and actors they have presented their works in educational institutions in the bands of show applying in such works varying directing schools based on their own styles and senses.Abd Al mursel Alzaidi one of the Iraqi artists has different artistry scopes by the variety of their experiences and talents, He studies theater in academy of beauty arts In Iraq and completed his higher education (masters and doctorate degree) specialization of literature and dramatic criticism in Romania (Bokharist university ).He used to teach the students after his reoccurrence from the study in dramatics department , in addition to his practical experience by his variant participation in many dramatics work either as director or actor or styler ,in increase to his participation of variant artistry in radio ,Television and in the field of plastic art. According to that the scholar gets the title of his research : - (The variety Artistic vision in dramatics experience of the artist Abd Almursal Al Zaidi ) and for reaching to the aims of this study is described by for chapters taking this from : - This consist of (The problem of the research and the need for it, the research confines ,and the definition of the terms ) , The problem of the research included this question : - (Is there any role to the variety of the technicality scope for Alzaidi in the field of radio ,T.V, and plastic art on his dramatics experince).The importace of the research is considered as one of the studies that are about the demonstration and the development of Iraqi theater by its : - Observation to the enlightenment and crystallization of the artistry scopy in the mind and the senses of one of its pioneers who is the artist Abd Almursal Alzaidi and so it is the study that focuses on the aids that use the universal script feasibilities in handling Arabic or native cases.And to put in to use the plastical scopy that Alzaidi has in designing the items of the dramatics show space and this is by the way is considered as a knowledge that serve the workers who work and study in the theatre and the establishments that are in relation with it.The aims of the research consist of three points that are : - 1 - To know the originator of the ideological, and the artistic of the artist Abd Almursal Alzaidi and how this originator influence his own artistry experience.2 - To know the origins of the artistry that are about Alzaidi by following the demonstration of his history his artistry , educational, and social life.3 - To know the nature of the moment that was lived by Alzaidi and knowing its contradiction on the conflict level that the origin artistry methods have witnessed or by the ones that coming by his traveling around the world or by his study in Romania.The limits of the research are restricted according to such ones : - The temporal margin - the locative - The topical , the temporal margin was limited for about (2010 - 1940) concerning his own technical experience focusing on his dramatistic experience, The locative margin (Iraq) but the topical margin is concerning the study of the cultural and creative originators of Al - mursal Al zaidi chapter two Academic field.In this chapter the scholar tries to constitute theoretical domain for the Variety of the technical surveying about the dramatics experience of the artist Abd - Almursal Alzaidi in three main subjects : - The first subject : - The meaning of the technical scopy, the scholar sees in this chapter that the artistry scopy is formed by two important formatives they are in origin from the parts that are connected to the voluptuousness physiological parts of human being and to his social and psychological cultural that are sight and conception.The second subject : - the materials that malte the dramatics artistry scopy come true, the scholar considered such mediums as akind of sciential coherence between the thought and the art for the coordination of the voluptuousness , and the audio - visnal for the theatre show the scholar has distinguished between two kinds of the material that achieved the dramatics Artistry scopy the script and synography.The third subject - The resources of the technical scopy variety about Al - zaidi experience in spite of that these resources are long, imbricate and intricate in different arts however, the point of initiating it was in his dramatics experience (acting and mechanisms , and dramatics there the plastic, T.V,and his radio experience).And the scholar make ratiocination in the end of chapter two that contain the most important of the signs the academic field.In chapter three : - the scholar did his research procedures by limiting (so ciety , sample, the method ,the research mediums) and then he did explication the sample of the research that include the drama shows that was directed by him,1 - (Macbeth)by William shakespear.2 - (lovers not Failed) by farhan Bulbul.3 - (Abu Hamdans dream) by Jamal Abu Hamdan.4 - (Good Human) by Auny caromy.The scholar take the persuasive way in choosing the research sample depending on the analytic descriptive method in analysing the research sample.Chapter Four : - consist of the following : - (the research findings and its arguments, and the ratiocination) the scholar make many recommendation , suggestion the list of index and appendix moreover the digest of the paper in English Language.

تكييف القص القراني للدراما التلفزيونية : مسلسل يوسف الصديق انموذجا

اسم المؤلف: علاء فاضل حمود
اسم المشرف: محمود اكباشي خلف الزبيدي
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان الامكانات الهائلة التي يقدمها التلفزيون في ميدان صناعة الراي من الناحية الاعلامية، وبما يمتلكه من قدرة كبيرة على التاثير في المتلقي، بحيث اصبح من الميادين المهمة التي تستقطب اهتمام الدول والمؤسسات والمنظمات وحتى الافراد، وقد تعددت اساليب استثمار هذه ال | Within huge capacities introduce by television in the field of manufacturing the opinion from information direction and its large ability to effect on the listener, then it became from the important fields which take the attentions of states, institutions and organizations even the individuals.The means of investment for this active communication device multiplied in order to preserve the cultures of nations ,and many establishments engaged in the work for the sake putting the values and cultures connect peoples with its values and its cultural, faith heritage in order to a achieve kind of sovereignty and at the end it for identification shape ,then kind of influences multiplied with multiplying of these shapes introduced by this mean.From many of practices face tangible development in the act of production ,the dram works come to describe the Quranic stories and it looks as a new kind and localized itself as a kind among television drama kind, and that needed acts of adaptation in order to implementing convenience with television mediator.The described research ( the adaptation for Quranic stories for television drama, true Yousif series) come as an examples as an efforts aim to reveal the machineries where act of adaptation done through it ,and it divided as follows;Chapter one ;methodical frame than contain research problem which it crystallized with the following question ;what the description of adaptation machineries of Quranic stories for television drama.The first chapter contain the research aim which concentrated on the act of revelation for machinery which process of adaptation done related with prophet Yousif story for television drama.Basing on research aim, the importance of research came and that as additions for scientific movement in cinema television arts department and college of fine arts generally.This chapter identify the idioms mentioned in the title of research.This chapter ended with research boundaries which include the selected sample which is selected to arrive to research aim.Chapter two; theoretical frame ,research divided in this chapter into three topics contribute to arrive to research aims as follow;The first topic ,came as a title of narrative structure for Quranic stories ,and research deal with narrative from linguistic and idiom aspect then narrative in Quranic stories.Then dual of ego and objectivity has been discussed and teqnique of narrative then expose for point of view and size of teller and narrative sites then dealing with speaking text in Quranic stories ,personality, time and place of Quranic story besides to investigate for these elements in television drama.The second topic; it came with the title of, adaptation machineries of Quranic stories for television drama ,in this topic it is identified and study adaptation machineries of Quranic stories for television drama and identified with explanation ,quotation and supporting by historic references ,and these machineries identified in the light of response the television mediator for it and with exactness and trust needed by work relate with holy text for its importance and sensitivities.The third topic; it came with the title of ,the elements of pictorial construction for Quranic stories and this topic dealing with elements of pictorial construction that concentrated around the pictorial narrative and imaging ,optical influences ,decoration ,fashions ,accessories and voice duct.Chapter three; research procedures, and that include the followed methodology in the research where there are analytical descriptive manner because of it is more convenient manner for research subject ,and mean of research which it was as an indications for theoretical frame , Chapter three include analysis unit and this unit fitted with sample nature ,and sample has been analyzed on the base of shot ,scene and series ,chapter included the selected sample with aim, then analyzing the selected research sample intentionally is true Yousif series according to the indication adopted by researcher after consulting the opinions of committee of experts and injuries.Chapter four ,the results, in this chapter we write down the results of analyzing process and researcher arrived to;The adaptation works to produce television drama text erected on the holy text through means of different expressive of mediator, and explanation, quotation and dealing with historic references and that machineries and that it is possible to adapt the Quranic stories for television drama.For the technical elements of language has ability to employ more than one level to send information and the meanings of Quranic text.This chapter include the results of researcher as generally mentioned in the research ,and recommendation of researcher and the important suggestions that pour in the service of scientific movement in cinema, television arts departments especially in dealing with such kind of scientific researches.The chapter include the list of scientific references where researcher depending upon it and annex relating with research ا subject and research concluded with abstract in English language.

المغايرة الاخراجية في تجارب مسرح الشباب

اسم المؤلف: علاء قحطان زغير
اسم المشرف: وليد شامل حسين
الموضوع العام: الفنون الجميلة
السنة: 2015
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان كل المتغيرات والتحولات في انتاج مستجدات المغايرة الاخراجية في مضمون العرض المسرحي القائمة من الواقع المعيش على المسرح الذي لم تكن يوما ولن يكون بعيدا عن هذه التحولات والتطورات الحديثة لذا يتجسد مفهوم المغايره الاخراجية في مضامين العرض المسرحي في زمان و| All the changes and transition in the production of directorial contrary development in The content of the play based on the reality of the Living Theater and all these changes and the recent development wasn’t far away and it will not be that’s why the concept of the contrary directorial is embodied in the content of the play and the time and place of it and the text structure and the functioned mechanism in the concept of the directorial contrary. The contrary transitions in the theater is not the result of today, but accompanied him since the days of the Greeks to the present day , the development of the act and the theatrical event through contrary starting with Stanislavski and Duke Sachs Mngen and Brecht and Arto and Brooke and ending with the current of modernity and its concepts of modernity and post - modernist that established the concept of contrary in the theatre so …….this entitled research ( the contrary directorial experiences in the youth theatre consist four chapters , The researcher divided it in to chapters and sub chapters , the first chapter includes the methodological framework and the research problem and the need for it ,then the researcher shows the importance and the objectivity and the temporal and spatial limits of the search and identify the terms and find the procedural term that educed through the reading of the sources and the modern references and opinions that he reached for. as for the second chapter (the theoretical framework and the previous studies ) the researcher has divided the chapter it on to seven sub chapters that titles under the following diagram : The first chapter : the contrary directorial in the experience of the global theater The second chapter : the contrary directorial in the Scinography configuration structureThe third chapter : the contrary directorial in the experience of the Iraqi directors In the third chapter the researcher deals with the research community, research tools - samples Seat - method of selecting samples chosen by the researcher then - Analysis of samples - according to the mechanics of the operation of the play aesthetically and intellectually according to the premises directorial concepts contrary to the theatrical presentation. In the fourth chapter the researcher has reached to the results and select the conclusion that he reached to by taking the suggestions that it deems necessary for the development of the Iraqi theatre movement in general and the youth theater in particular and then he puts the recommendations that he reached to through his research and theoretical and field study and installed the sources and references with the abstract in English and appendices at the end search

مرجعيات التشكيل النحتي للعمارة المعاصرة References of Sculptural Forming For The Contemporary Architectural

اسم المؤلف: علي جبر حسين
اسم المشرف: جبار محمود حسين العبيدي
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: النحت
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تبنى البحث فكرة التشكيل النحتي لمنجزات العمارة المعاصرة في العالم اذ ان التحول الجذري في البنى التصميمية المعمارية وواجهاتها واقترابها او استثمارها لهيئات عضوية بشرية او حيوانية او اجزائها وهي بذلك تحقق تشكيلات نحتية في واجهاتها او عموم كتلها المعمارية اذ | The present study dealt with the idea of, sculptural forming achievements of contemporary architectural in the modern world, which is basically holding transforming in the architectural designs and the fronts to be nearest to human or animal forms with its features, to achieve artistic shapes as architectural works. The study consist of many chapters, one of them is the importance of the study , the main issue and the goals, the second chapter consist the following subjects : 1 - The reference , the vision and the concept.2 - Sculptural movements in the contemporary arts.3 - Sculpture and architectural.4 - The modernism concepts and post - modernism in the contemporary arts.While the third chapter contains, the research procedures and the analysis of the samples, the fourth chapter contains the results of the study, which is : First - The sculptural forming and architectural designs and the fronts seems to be out of the authority of the known tradition.Second - to a sure the necessity of sculptural forming in the architectural works and to give better results.Third - the wide presence of the most weird shapes sculptural forming.Fourth - some of those achievements imitate the shapes of human being and the animal shapes like the heads of some animals. Fifth - using new techniques and new materials in the sculptural forming.

تطبيقات منهج بريخت في عروض المسرح المدرسي Brecht Approach Applications In The School Theater Performances

اسم المؤلف: علي حسين حمدان
اسم المشرف: حسين علي هارف
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يلعب النشاط المسرحي , بخصوصيته المتفردة دورا متميزا عن بقية الفعاليات الفنية الاخرى , في مخاطبة عقول وحواس الناشئين , مما يجعله اشد تاثيرا في هذا المضمار , فهو بحكم كونه فنا جماعيا يستدعي المشاركة الفعالة لاكثر من عنصر واختصاص. اذ ليس بوسع امرئ واحد , مه | Theatrical activity plays particularity unique role distinct from the rest of the other art events , in addressing the senses and minds of young people , making it the most influential in this regard , it is by virtue of being an art collective calls for the active participation of more than one item and jurisdiction. As a man who can not present a theatrical performance alone , regardless of its efficiency and capability.The school theater is one cultural and educational institutions that seek to achieve the desired educational goal educating students and ,to enlighten and equip them with high moral values through the employment of theatrical art an intermediary educational insipid and influential and successful.The approach Brecht theatrical is considered as one of the crucial essential approaches directed in the theater to change stereotypes and raise the question and discuss the speech modern thinking open - minded, down to the mind of the receiver through the system a play based on the text, and directing techniques and representation, keen makers theater school in Iraq were working hard to carry their work educational and artistic concepts of a positive nature variety influential and interesting and convincing.Here, the following question arises : Did the school theater performances makers aware applications Brecht 's approach to theater ? In order to answer this question came research (applications Brecht 's approach to theater school) which was devoted to the study of the school theater deals in Iraq, The search included the four chapters.First chapter addresses the research problem and its significance , its goals and limits.The research identified the problem the following question ( to what extent the said school theater in Iraq proposals and curriculum Brecht's mechanisms (education) ? What are the applications on the level of supply?The importance of the research lies in that benefit workers in the theater school of writers , directors and technicians and representatives The research aims to reveal the practical applications of rules and proposals of Brecht 's approach to theater school deals in Iraq. The first chapter includes limits search identified school theater performances sections of shool activity in the education directorates in the governorates of Iraq, 2003 - 2013. It also has included the identification of the basic terminology that revolved around the search (applications , Brecht curriculum , the school theater ).The second chapter Has been allocated the framework of theoretical research and previous studies , as it included six Investigation Section : the first talks about the approach Brecht theater , while the second section has been devoted to the applications approach Brecht in the theater , the third section is about applications of the approach Brecht in theater performances Arab , while the fourth section is taking about Community Approach Brecht in the Iraqi theater performances , while the fifth section has dealt with Brecht and educational theater , and the sixth Section talks about the school theater and the second chapter ended with the most important indicators resulting from the theoretical framework , and the width of the previous studies and discussed.In the third chapter , the researcher required research methodology and procedures and to identify the research community,which included (50) casually school theatrically ,researcher chose his sample (stratified sample deliberate) has reached seven Offers belong to the five geographic regions of Iraq.To achieve the objective of this research , the researcher building tool consideration of (form content analysis offers theater school on according to curriculum Brecht )this form was presented on a group of experts to identify the validity and measurement of the target set for him ,as well as measuring their persistence and used equation (Holsta ) to find a coefficient of agreement between the arbitrators( analysts ).Chapter four includes a presentation of the results, the researcher discussing interpretation and that which reached is the most important conclusions : 1 - includes the scripts of the contract is the central node and contribute to the secondary contract make the recipient vigilant and aware.2 - won all the characters that appeared in the plays , an analyst at the research sample much attention, did not show the existence of a personal hero (absolute sole).3 - There is a tendency for some to play a role plays and exchanges between representatives for the purpose of attracting attention and thrill at the viewer.4 - book texts analyst did not surround the whole basic rules for Brecht approach and Basic applications that adopted specific rules and limited in their treatment of those texts dramas.5 - Theaters and its play gound did not help in the application of directors to some of Brecht rules because of the narrow the play - ground of the theatre, and the limited space lounge.6 - The weakness of theatrical techniques for theaters did not help film makers.Based on the conclusions reached by the research was the inclusion of some of the recommendations : 1 - emphasize the need for pairing and alignment between the educational and entertainment sides of the theater school offers pursuant to the arguments of Bertolt Brecht approach.2 - the establishment of a school theater festival (Local) for shows Brecht approach.3 - set up a contest for school theater texts that employ the ideas and proposals of Brecht as a way of dramatic and artistic and intellectual.4 - the establishment of a scientific conference to discuss the technical effects theorist and director Bertolt Brecht on the Arab scene.The search included some of the proposals as an end of the search and in the last segment included a list of sources and references Arab and foreign concluded with an Abstract in English.

الرسم العراقي في المهجر : دراسة في المرجعيات Drawing Iraqi Diaspora Study In The Environmental Authorities

اسم المؤلف: علي خضير شمخي
اسم المشرف: محمد جلوب جبر الكناني
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الرسم
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تنوعت الاساليب والاتجاهات في الفن العراقي المعاصر لاسيما في الحقبة التي نشط فيها الفنانون العراقيون الرواد - الجيل الثاني، الذين هاجروا الى معظم البلدان الاوربية التي تفعلت فيها الثورة على الاتجاهات المحاكاتية باسلوب المطابقة مع المفردات المستمكنة عبر ال | Varied styles and trends in contemporary Iraqi art, especially in the era in which Iraqi pioneers artist activiated - the second generation, who immigrated to most European countries where the revolution started on The trends of resemldance Imitation manner conforming with the managed items through the window of the optical einronment. For the purposes of linked with the attemps of the advancement of the movement under the pretext of Fine contemporary intellectual and cultural cross - fertilization between East and West.Different reasons obligcet the Iraqi artists to immigrant - a generation after the pioneers “ as attempts to political ideologies in contemporary Iraq is keen to use the art and the artist to serve political purposes , which led to the search for climates outside of Iraq, allows the Iraqi immigrant artist freedom in artistic creativity, especially in visual field.Numerous environmental references affecting the outputs of aesthetic Iraqi contemporary creative drawing ;since it included the formal applicant of the real environment, and simulating him in a manner of conforming times, and growing in the act of perception formal down to abstraction, it also included the intuitive applicant to simulating ideas and passions and emotions... which are often active in the environment.The study Included ( four chapters), the first chapter ( methodological framework ), which represents the ( research problem ), which raised a number of questions as follow : 1. Is it correct to call the man who is acclimatized,and Interactive possitivly with the the new environmental climate (colony) recipe expatriate man ?2. Do you achieved in the environment variable , outputs in creative drawing ?3. Does the diversity in the environment affected on the plastic style?4. Is the variable in the environment Impact on of the identity of the Iraqi contemporary painting ?5. Does The Iraqi painter (immigrant)acclimate with the environment (immigrant), and come to terms with it in away which kept him out of local artistic identity and belonging to the original environment ? Is the outcomes Impact on the technical achievements ?6. Does the Iraqi painter (immigrant) carry the characteristics and attributes of the original and the identity of his environment with him to the colony? Is it left its impact on the creative process ?7. Do the body transfer from the original environment (Iraq) to the environment colony (Europe - America)activiared the idea of cultural exchange , and intellectual , and technical ; creativity in the field of plastic ?The first chapter includes olso the importance of research and obiectivec of research seeking to : 1. Detect representations reference in environmental colony on Iraqi artists.2. Detection mechanisms shift stylistic variation in the process of environmental reference.This chapter includes also the limits of the research according to the aspectds and speci fication of Iraqi artists in the immlgranet (Europe - America)and time limits between(2012 - 1971).In addition the definirion of the terms.The second chapter (theoretical framework), which included five sections follows : 1. Introduction to the Theory of Reference2. References institution for visual field3. The third topic : the environmental variable in the drawing of Iraq.4. Contemporary Iraqi drawing rooting and rooting experience.5. Artists of the colony - a study in styles and references. Has included all of those sections on a number of approaches.Chapter three includes the procedurs of the research which includes the analysis (22) model for the research sample , completed (11), a painter Iraqi immigrants , the purpose of the questionnaire growing shift characteristics and attributes painter contemporary Iraqi between his artistic experience in Iraq (before the diaspora) and experience (after the Diaspora) researcher has found the need to discuss one model represents the experience of the painter (in Iraq), and the model represents one experience with a painter (in the Diaspora).Colony of Chapter four includes : results, conclusions and proposals, suggestion and reco in wordations, and the list of references and the abstract in English

التكوين ثنائي الشكل في النحت العراقي المعاصر : دراسة تحليلية Formation of Duet Shape In The Contemporary Iraqi Sculpture : Analytical Study

اسم المؤلف: علي عاشور سلمان
اسم المشرف: ازهر داخل محسن
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: النحت
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: فن النحت من الفنون الاكثر تماسا بالحضارات الانسانية لانه فن يمكن ان يطلق عليه الباحث انه فن بيئي المادة والموضوع، بمعنى ان الخامة المستخدمة في النحت متوافرة لاتحتاج الى عناء لاحضارها كالطين والخشب والحجر، فضلا عن استقصائه في متابعة مضامين اجتماعية، ه | Sculpture is of the most fine arts ad hoc with the human civilization as it is the art may the researcher called environmental arty in regards to the subject and material; i.e., the raw material used in sculpture is available getting easily such as clay, wood and stone, in addition to his search for social implications from a side and that fine arts in general and plastic arts in particular are constructive arts depending upon beautification constructive elements ( artistic formation) and one of such that elements is the presence of the man or animal shape so that the sculptor may form singular, duet or more shapes in one artistic work for beautification and ideological aims. The researchers studied one of such this types ( Duet Shape formation) in the contemporary Iraqi Sculpture detecting the building relation within the constructive subject as its importance is merged by attributing it with technical and ideological implications embodied by the ancient man in his artistic work making a substantiation for his persuasion and ceremonies through many raw materials and situations they lived with. Modern sculpture attempts to memorize his ideas , ego and vision through sculpture formations including that of duet forms as outlined as well as that some of which represented dramatically the activity of the scene filled with movement, embodied by divergent modes and ideas having traits and semantics of formative relations reflecting the concepts and ideas of the sculptor towards his environment while it is varied in its formative treatment in spite of the presence of common relations among its elements and then realizing new forms for these relations by which duet shape is formed. It is necessitated to identify this relation analyzing it scientifically within study empiric focusing on the constructive relations realized from shape distribution for the elements, thus the researcher studied and analyzed these elements through its relations of developed formative within the reaction of formative elements. The researchers divided his study into four chapters. The first chapter ( mainframe of the research) concerned with explanation the problem of the research , its importance and the need for which , aiming to outline by analytical study the duet formation of the shape in the contemporary Iraqi sculpture and argued the limits of the research determining the ideological terms through which the researcher derivate a procedural in compliance with the seclusion of the matter and to realize the objective. Second chapter ( Theoretical Study) consisted of three section the first one argued the duet formation in the ancient sculpture ( Iraq, Egypt, Greece and Rome) while the second section argued the due formation of the sculpture shape in the reviviscence era while third one is dedicated to study duet formations of the shape for the international contemporary sculpture. Third chapter ( Methods and Materials) includes the mechanisms of research community , electing its pattern in addition to diagnose the methodology of the analysis , tools of the researches making analytical study for this pattern. Fourth chapter is dedicated for results , discussion, conclusions and recommendations. The most important results are : 1) The Iraqi Contemporary Sculptor insists on the ideological aspect of duet relations never insisted on the shape appearance so that most duet formations appeared with shapes needs for diagnostic traits due to the exorbitance in simplification and reduction.2) It is shown the difficulty of distinguishing between the shape of woman and the shape of man as a constructive relations for duet shape but in some formations through which the femininity traits are appeared for example the conglomerate of the chest by outgoing outshoot resulted from the conglomeration in abstraction and reduction in the formation structure. 3) Creating gaps inside bodies of the formations of the similar relations for both shapes within the formation embodied by the Iraqi contemporary sculptor by areas may take half of formation evidencing the effects of European art in general and Henri Moor ;the English Sculptor in particular. 4) Number of Iraqi Contemporary sculptors used to abstracted man body from arms in addition elongation of the shapes and its meager reduction the skull making it just outgoing merge free from formation traits of the man face so that these formations are referred to the works of Swiss sculptor Alberto Chiakomitti. 5) Stylistic divergence of the Iraqi contemporary sculptor through tracing international works considering the contemporary international empiric and to benefit from in using his elements within self Singularity of real; effects detecting the continuous and developed looking at new styles of formative relations enrichment the artistic movement and the rendezvous culture.6) Sign through its derivatives in the symbol and icon appeared intensively in all samples ( pattern of the research) especially iconic sign representing the real situation but symbolic signs appeared lesser than it relatively while the denotation sign is disappeared slightly. Which confirms that samples of the research are expressive and reductive artistic achievements approaching to the abstraction.7) As the art is deemed the supreme community value in conveying the behaviors of the community trustfully in addition to that the surrounding and the community are the source effecting on the artistic achieved work , thus, their ad hoc with the behavioral values of the community is the truth imagination for these behaviors and the achieved work and the circumstance are related deeply in embodying the folklore surrounding the artistic achieved work especially the sculpture.

المعالجات التصميمية للزخارف المنفذة بالمرايا في العتبات المقدسة The Designed Treatments of Excuted Illuminatins By Mirrors In Holy Places

اسم المؤلف: علي عبد الصاحب عبد الحسن
اسم المشرف: جواد عبد الكاظم فرحان الزيدي
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الخط والزخرفة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: اشتمل البحث الحالي على اربعة فصول، تمثل الاول منها بالاطار المنهجي (مشكلة البحث واهميته واهدافه وحدوده وتعريف بعض المصطلحات)، وقد سعت المشكلة الى ايجاد اجابة على التساؤل الاتي : ما المعالجات التصميمية للزخارف المنفذة بالمرايا في العتبات المقدسة؟ويهدف البح | The research includes four chapters, the first one represents methodological frame and the research problem, importance and of some terms. The problem aims to find some answers for following question : What are designed treatment of excuted illumination in mirrors in the Holy places?Moreover, the research deals with excuted illumination in mirrors on ceilings and corridors of Aalwai holy shrine, Husseina holy shrine, Abbasi holy shrine, Kadhimaia holy shrine and Al - Aaskria holy shrine,in Iraq as in their current images (1435AH - 2014AD). The second chapter relates with theoretical frame. It has researches including the rise and development of the art of the mirrors on the walls of Islamic Architecture, beside the king of excuted illumination in mirrors and decorative composition and the ways of nominal arrangement through (fuctional, a sethie, expressive and technical treatment), through which one can get a number of indications for the theoretical frame and previous studies similar to this current research.The third chapter discusses the procedures of researcher follows in his work descriptive approach in order to get results achieving his aim and specifying the purpose of research. The researcher selected samples deliberately, where the number of samples reached to (10samples) from the total of (60samples). The researcher also designs the tool of research (from) and submit to the expert so as to insure the objectives, Also the researcher analysis a sample of the research on basis of suggestive tool.The fourth chapter includes the outcomes and conclusion of the Research, the most important result are as follows : 1 - It appears that geometric illuminations are more excuted in mirrors because they are more suitable for covering walls and ceilings and the possibility of its embodiment.2 - The excuted illumination in mirrors achieved a set of functions which are suited with the architecture arabesque and Islamic arts because they used material has distinctive specifications and features.Also the researcher gets some conclusions and as follows : 1 - The use of Arabic illumination in the excutive works in mirrors are easy to be excuted, and the process of embodiment on them, because of it stretched lines for other than illumination.2 - Use of mixed composition in the excuted illumination works in mirrors, because the illumination composition composed of several set of illumination, types for the purpose of the embodied variety of richness.3 - The reflecting image has been disappeared or scattered on the pieces which the illumination formed, to hide the reflected real image to suit with holiness of the place, and not to confuse the receiver and vistors of the place.(Attached with suggestion and recommendations and link them with the shapes, indexes and the source of the research)

فاعلية الاتجاه في الفخار العراقي القديم The Effectiveness of The Direction In The Old Iraqi Pottery

اسم المؤلف: فاضل مطشر عبد الحسين الحجامي
اسم المشرف: كامل عبد الحسين خضير النداوي
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الفنون التشكيلية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: استطاع الفنان العراقي القديم ان يترجم علاقته بالطبيعة والارض الى فن جميل ينبع من التربة وينغرس فيها ويعيد تشكيلها بما يحقق حاجاته ويلائم رغباته ويسهل امور حياته وحياة مجتمعه الانساني , وقد جاء اختراع فن الفخار بمثابة ثورة صناعية كبيرة حصدت الاجناس والاجيا | Old Iraqi artist translates his relationship with nature and the Earth to the beautiful stems art of soil and lined them and re - formed in order to achieve their needs and fits their desires and easy things of his life and the lives of his humanitarian, community was the invention of the art of pottery came as a great industrial revolution won races and human successive generations fruit across Ages and still had Iraqi pottery credited with feeding and uphold the role of the aesthetic aspect in the art of pottery, but not limited to the value of use and functionality, so the aesthetic ideas and shapes decorative began crawling on the surface of the pottery and the intervention in the depths of built design are translated into distinctive art is based on the understanding and accommodating foundations and elements of composition and direction of them, who leads the movement and the technical elements included in the fundamentals of the shape the potter and methods of construction and design element.The current research devided to four chapters include first chapter on the problem of research summarized in answering the following question : What is the effectiveness of the trend component of the products of the art of the old Iraqi pottery?The importance of research and the need for him, followed by the goal of research in : (you know the effectiveness of the trend in the art of the old Iraqi pottery). Find and limits of spatial and temporal and objectivity, and determine the terms.The second chapter consists of (theoretical framework and previous studies) and includes three sections, the first part, the concept of trend in myth, art and religion, then the second topic of intellectual and structural dimensions in the art of the old Iraqi pottery, and ends with a third chapter : the concept of direction in art. Then indicators resulting from the theoretical framework and previous studies.The third chapter of research procedures, including the research community containing (130) in accordance, the research methodology and analysis of the research sample the (15) a model of artistic products of the art of the old Iraqi pottery.The fourth chapter has included the results of the research : 1. artist creates a kind of bio - kinetic pattern revolving around pottery non - stop since the dawn of history, it employs the visual and psychological impact and direction associated with movement and rhythm, it worked to create the kind of dynamic kinetic related to the eternal infinite, and that generated from the exploitation of the plastic component as a value and direction of mind impressive.2. highlights the dominance of engineering mentality affected the world of the agricultural community linked to the land and its accounts and formats plowing and modified and configured for agriculture and methods of organization of trees and plants on the ground, as well as engineering outlook associated with irrigation and irrigation from streams and streams and methods of drainage from the fields to the Ends, land systems, and all these processes and systems strongly associated with the concept of the direction that leads all engineering or agricultural work on the ground, and it is reflected clearly the products of ancient art.Then conclusions, including : 1. formats functional pottery designs follow the current quasi - stationary rarely depart from it only by the few who are able to innovate artists, these specifications serve as basic guidelines of mind control artist, comes with ornamental aspects subsequent stage adds aesthetic dimensions sees the artist the need to add them to send cheerful and psychological comfort done out of the limits of the initial image of the raw material and frameworks utilitarian shape.2. The shape of the pottery and trends involved in the formation of the virtual structure works as catalysts aesthetic to activate the artist's imagination to choose the methods of decoration and ornamental, that figure specifications potter of size and space and trends of building parts suggest the artist the manner best suited to the distribution of decorative shapes on parts disparate.Then recommendations and proposals.And ends and supplements and abstract in English.

توظيف السينوغرافيا في مسرح الدمى نماذج مختارة Alcinogravea Employment In Puppet Theater (Selected Models)

اسم المؤلف: غسان هاشم احمد عباس
اسم المشرف: محمد عبد الرحمن الجبوري
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الفنون المسرحية - تقنيات
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يعد مسرح الدمى بانواعه المختلفة احد المسارح المهمة المقدمة للاطفال والكبار على حد سواء، وهو بمساحته المحدودة وبشكله المميز يمنح المتلقي فرصة كبيرة لاستخدام خياله في عملية التلقي، واكتشاف طبيعة الاماكن التي تدور فيها احداث المسرحيات المقدمة.وبالرغم من | The dolls different forms Theatre one of the theaters important for children and adults alike, and is geographically limited and distinguished form gives the receiver a great opportunity to use his imagination in the receiving process, and the discovery of the nature of the places where the events spin plays the foreground.Despite the fact that this art did not take its natural place in the Iraqi theater, but it took evolve in the western theater and in the Arab theater as well, prompting the researcher to address this issue and highlight the concept and characteristics and the nature of Achtgalath chose the title of his research (employment Alcinogravea in puppet theater (models selection)..)..lki Be input for consideration..Research is divided into four chapters task : - Chapter I : - (methodological framework), addressing the problem of research and the need for him as researcher found that the problem lies in not full attention to such necessary theaters for adults and Alassaar / proposed to solve the problem to answer the following question (Is there a hiring of scenography in the puppet theater?), And this question and answer is an urgent need to study that subject, then he stopped after that to the object of this research, as research aims to detect ranges employ elements of scenography in the puppet theater, then the importance of research as it found that the importance of research lies in the educational significance as well as monitoring of the placed aesthetic very important.According to research all Alcinogravea designers and those interested in the theater of the child, and all colleges and institutes of Fine Arts students, has developed a researcher limits to his research objective (elements Alcinogravea in puppet theater), and spatially, theaters puppets in Iraq and in the Arab world, and in the world, and temporally from (2006 to 2015) He then moved to determine the terms, namely, (Employment / Alcinogravea / puppet theater).The second chapter includes the theoretical framework and previous studies, which included three sections and are as follows : - First topic : - the aesthetics of cinematography in the puppet theater. Specifying the types of spaces and landscapes and fashion lighting and accessory, makeup and music, highlighting the role of the actor in a simulation engine that Alcinogravea as the basis for dolls amid those Alcinogravea.The second topic : - concept and techniques of puppet theater.. highlighting the origins and characteristics and how the puppets in the theater.The second topic : - Achtgalat Alcinogravea in puppet theater.. He explained three levels to those Alachtgalat a formal level, and substantive level, and aesthetic level, explaining the most important aesthetic characteristics in puppet theater.This chapter also included on the previous studies and the most important indicators resulting from the theoretical framework. It is the most important indicators : • that the industry stands out as Alcinograveh appear in the first design Bodvha moving entity independent from vision dimensional looking for a dazzling effect.• The cinematography is my perception fantastically in the field of movement activity and perception of the space listed spoken dramatic, objective of extending the area and place a major humanitarian emotions which art space coordinate and control its shape in order to achieve the objectives of the offer.Chapter III : - ensure research procedures.. dealt researcher community Find It includes (40 / fortieth sample) four samples is my intention and chose them to provide Alcinoraveh elements, recorded and illustrated them, copy, and it covers the limits of search spatial and temporal and these samples are : .1 / Speck Beck... Iraq2 / Sahsah sloths... Egypt.3 / Grandfather and grandson... Egypt...4 / The Nutcracker... Austrian theater. The researcher descriptive analytical method chosen in the research sample analysis.Chapter IV : - it has contained and discussion of results and conclusions, as the researcher to some results of the analysis, including : - ? open Alcinogravea the symbolic references extend to refer it to the exotic magic ritual.? reflected realistic Alcinogravea through the realistic nature of the characters and events.? granted directorial contemporary trends to hire a dominant presence in the building Alcinogravea display units across Ckladtha stylistic.This chapter also contains the recommendations and proposals, as the researcher recommended that a systematic lesson in colleges and institutes of arts is determined puppet theater, and is building a private theaters with toys for the development of this art, either proposed has proposed a researcher studying the technical side in the toy industry.. then eat the fourth quarter a list of sources and references, and appendices and finally summary Search in English

المعالجة الاخراجية لشخصية الطفل في الدراما التلفزيونية Directorial Treatment For The Child'S Personality In TV Drama

اسم المؤلف: فراس علي حسين الركابي
اسم المشرف: علي صباح سلمان
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تؤدي مفردة المعالجة الاخراجية في (الدراما التلفزيونية) دورا مهما في العملية الابداعية (التلفزيونية)، من خلال عملية تحويل النص المكتوب والساكن على الورق الى صور (تلفزيونية) متحركة ومرئية بفعل تعاون جميع المهن والحرف المشاركة في العمل (الدرامي التلفزيوني) | The visual arts are considered of the finest fruits of the creative product of the human creative mind which God granted to man by unveiling the beauty of this art and its secrets. His need for art was not emergent but a necessity that makes his thinking and action coordinated balanced between those desires and needs that do not end.We would like to point out here that the subject of our research deals with the subject of directorial treatment of the child's personality in the TV drama, which the researcher thinks it was not dealt with before, and that is why this study is an attempt to study the directorial treatment of the child's personality in Television drama.There is no doubt that the study of the subject of directorial treatment of the child's personality in TV drama, is important to know the ways according to which the child's personality is treated and presented within the creative Technical achievement by a different set of global TV drama makers and presenting it in a way that this kind of television programs win the attention, appreciation and follow - up of the audience, grabbing attention and ensure follow - up and raises his curiosity, especially after the spread of many dramas inVarious satellite channels that provide the child's personality within its programs joints, in the forms and different roles and different, some major, some minor, as with any other character. Single directorial treatment in TV dramas plays an important role in the creative process of television, through the conversion of written and static text on paper to television Animations visible due to the cooperation of all professions and trades participating in dramatic television work as direction and Acting and the rest of other professions.The structure of dramatic television consists of a set of dramatic structure systems, constitute personal key hub of art that is indispensable, as a stream, which is transmitted from the way the event and conflict dramatic, and I took personal center stage in the psychological, social studies and studies of literature and drama, as well as on the personal is one of dramatic values upon which the artwork maker in employing process within the framework of technical performed visible with the rest of the dramatic structure elements to serve as a focal point in building event, we find that the drama maker Television attaches great interest in the interpretation of personal dramas in TV operation in accordance with the treatment of character building and their interaction with the rest of the elements and according to the vision of renewal are to build personal dramas within the visible done, but it has developed several Explanations to understand the personal and components. As for the subject of the importance of requiring the child's personality study, understand and study their properties, and the study of the form that provides the child's personality dramatically, it has felt the researcher to highlight according to rigorous scientific analysis on how to address these kind of figures are the within action drama television creative system.In order to reach the objective of this research, the researcher by divided the current study into five chapters, which are as follows : - The first chapter is entitled ((methodological framework for research)) : I have included a presentation to the subject of the research problem, marked by the following question : What is the directorial of the personality of the child in the TV drama? and clarified the importance of the subject and the aim sought to be achieved with border capacity that moves and then the researcher determined terminology.The second chapter is entitled ((theoretical framework and previous studies)) : in which the researcher dealt with : - First, the theoretical framework : which included three sections, namely : - First topic : personality (the term and concept) : It deals with the nature of in general and the child personality in particular and with most of its important features and characteristics and properties.The second topic : the dramatic structure of personality : which deals with the dramatic structure of the character in the TV drama?Section III : directorial treatment for the child's personality : which touched on the modalities in which the makers of television dramas treat the child's personality from the directorial debut?Second, previous studies : the researcher and the previous studies.The third chapter is entitled ((The research procedures)) : the researcher addressed the following elements : - the research methodology, the research community, the research sample, search tool, sincerity, and sample analysis unit, and then the sample analysis steps.The fourth chapter is entitled ((samples analysis and discussion)) : The researcher analysis the selected samples and discussed them according to the analysis tool.The fifth chapter is entitled ((view of findings, conclusions, recommendations and proposals)) : the researcher reviewed the major findings, conclusions and recommendations and proposals. In conclusion, In this humble effort I do not exonerate myself from imperfection, I do not claim perfection and infallibility, perfection pertains to God and infallibility pertains to prophets and imams is divine and all errors are committed to me and the right points are the Almighty God's.

فلسفة التنوع الشكلي في تصاميم الزخارف الهندسية العمارية The Foral Variaty of The Designs of The Geometry Decoration

اسم المؤلف: عمار هاشم مطلك الشمري
اسم المشرف: خليل ابراهيم حسن الواسطي
الموضوع العام: الفنون الجميلة
السنة: 2007
الموضوع الدقيق: الخط والزخرفة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تضمن الفصل الاول مشكلة البحث التي تمثلت بالتساؤل الاتي : ( ما التنوع الشكلي في تصاميم الزخارف الهندسية ؟ ) واهمية البحث والحاجة اليه والفائدة التي تقدمها هذه الدراسة للباحثين والدارسين في مجال الزخرفة لاسيما الزخارف الهندسية , فضلا عن حدود البحث وعرض الم

قيم التكوين الدرامية في العرض المسرحي العراقي The Dramatic Values of The Composition In The Iraqi Play Productions

اسم المؤلف: نمير رشيد بيري
اسم المشرف: سامي عبد الحميد نوري
الموضوع العام: الفنون الجميلة
السنة: 2008
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يختص هذا البحث بمسالة تصميم القيم الدرامية _ العقلية والعاطفية والجمالية _ للتكوينات البصرية في العرض المسرحي العراقي، ويهدف الى الكشف عن تلك القيم على وفق عناصر التشكيل وعوامل التكوين البصري.وفي الفصل الثاني يستعرض الباحث ويناقش الادبيات ذات | The problem of this research is depended on designing the visual compositions of the play productions in Iraqi Theatre. It aims to reveal the intellectual , the emotional , and the aesthetic values of the compositions through the plastic elements and the factors of emphasis , stability , coherence , sequence , and balance. In the second chapter the researcher reviews the literature concerning the subject which include the plastic elements and their values and the factors of composition and their values. The chapter also discusses the dramatic values inthe play productions. In chapter three , the researcher analysizes three samples according to the method of ( concept analysis) with the tool of several photographs for the different scenes of the three Iraqi plays and their visual compositions. The researcher reaches to the following conclusions : 1.The first production was presented in the openspace - Cafeteria which has not allowed to design significant visual composition while the other two productions were presented in box stages which allowed for good amounts of Visual compositions. 2. The dramatic values in the compositions emerge from the actors bodies , their costumes , and their positions on the stage other than from the scenery and lighting. 3. The power and authority were the dominant intellectual Values , whereas the fear and coldness were the dominant emotional Values. the esthetic Values emerge from the colors of costumes , décor , and Lighting. The researcher observers that the play directors have not so careful in designing the visual compositions. The researcher suggests to adapt further studies concerning kinetic compositions and audiory compositions for their dramatic Values in play productions.

الفيلم الوثائقي واشكال تناول الواقع فنيا Documentation Film And The Forms In Which Deal With Art Fact

اسم المؤلف: كاظم مرشد سلوم
اسم المشرف: صباح مهدي الموسوي
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الفنون السمعية والمرئية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يجمع الفيلم الوثائقي بين انهيار برج التجارة العالمي وبين طريق الحرير، بين تلوث البيئة وتاريخ الاسكندر المقدوني، بين الحرب العالمية الثانية وبين عالم الطيور، بين دب القطب الشمالي وبين عادات وطقوس الهنود الحمر، فمنذ بداية اكتشاف السينما، وهي بداية وثائقية | The documentary film collects between International trade tower and the Al - Hareer road , between the pollution of environment and the history of second world war , the science of birds. Between the north arctic bear and habits red Indians. It’s the documentation film.Since the beginning of cinema discovery , it’s the beginning of documentation , it's simple but excite in same time. because the population seen in the first the fact and all includes forms in front of movable picture. When the two brothers Lomer record daily the motion of worker in the factories while the rail reach to the station to develop the after that the documentation cinema in spite of the competition between them and the novelist cinema , so it's unequivalent competition for different causes. Where , it used while documented the wars and struggles in various fields. Especially in the first & second world war, there were many films produced to notify the role of military propaganda, up to reach the films of nature and geographic regions , show how does the organs life style, when entering the world of cultural and thought sides for societies. All of that done by deal with real facts , with art and creative form , as a result the reporter were documented most of the world events while the moment of occurrence. This research entitled the documentation film and the forms of dealing with fact fall in four chapters. The first one is methodological frame , conclude the introduction and thesis problem in which answer the following question (what is the features of documentation films for the fact art. The importance of the research. The Second chapter include the theoretical frame and the previous studies , in which divide in to three topics : First one for the truth philosophy and the documentation films , in which deal with the real and limits of subjective and bibliographic. While the third one discuss the beauty features of documentation films , where acquire from the beauty from the fact , or from the place in which the film.So, the applications engaged by the researcher to analysis the samples in which selected , as well the aim of the research. Also include the methodological depicted in the research , the reasons to select this style in addition to the research tool. The fourth chapter dedicated to extract the final results in which concluded also expose the most important results , further to recommendations so as for the literature reviews. The research no longer forget to list the used references in which adopted by the researcher , English language abstract also include.

بـــنية الاشــكال المنــفذة على الخـزف الاسلامي (الصيني والعثماني) : دراسة مقارنة Shapes Structure Executing On Porcelain The Islamic Chinese And Ottoman : A Comparative Study

اسم المؤلف: كريم شاكر كريم عباس الحمزاوي
اسم المشرف: صفا لطفي عبد الامير
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الخزف
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: تمتلك الاعمال الفنية الخزفية الاسلامية تنوعا كبيرا في بنيتها الشكلية , وهو ما قد يرجع لاتساع رقعة العالم الاسلامي وتعدد الاقاليم والمجتمعات وما تملكه من مورث حضاري فكري او ثقافي , امتزج وتجانس مع فكر العقيدة الاسلامية ليصبح فنا جديدا يسمى بالفن الاس | Islamic decorative artwork has a great diversity in its formalism, which may be due to the expansion of the Islamic world and the multiplicity of regions and communities and owned by Gene civilized intellectual or cultural, mixed and homogeneity with the thought of the Islamic faith to become a new art called Islamic art, and here the case of diversity and differences arise in artistic patterns and styles between those regions and communities, but that has not spared in the formulation of the unity of Islamic thought, and most important of these are Chinese - style Islamic and Ottoman.Muslim artist sought and attained creative in dealing with the vocabulary of nature and technically processed through modification and innovation, to be able to highlight the structure of the new show formal aesthetic and functional role to her, and to suit the spirit of the Islamic faith. Hence this research to study (the shapes executed on Chinese porcelain and Islamic Ottoman architecture), which included four chapters : The first chapter discusses a presentation of the research problem, which summarized by asking the following : (What is the structure of the forms executed on the Chinese Islamic ceramics and Ottoman? What are the Elite Astgalhma in both technocracy?), As this chapter included a presentation of the importance of research and the need for him while outlining the purpose of search (b detect executing shapes on Islamic ceramic structure), and confined limits Fin temporal the period (from the Horn of M / E to the period M / E) The spatial were (China - Turkey).The second chapter of the section has three sections, namely : First topic : the Chinese and the Islamic Ottoman porcelain (historical impact) brought together several themes : Islamic art - what it is - its properties.Islamic pottery in the Umayyad and Abbasid era.Chinese porcelain included : Introduction historical - Islam and China - the Muslim Chinese porcelain.Porcelain Ottoman included : Introduction historical - Islamic Ottoman ceramics.While came second topic : constructivism art form in Islamic art. He incorporated several themes : The concept of structure - characteristics - traits.Concept form - perception - the structural elements of the form.The third topic : the Islamic Decoration (Chinese and Ottoman) brought together a number of themes : The concept of decoration - relations and methods of structural form - Types of Islamic motifs.Islamic ceramic types.Style Islamic Chinese decorative.Style Islamic Ottoman decorative Then followed by a theoretical framework indicators. The previous studies did not find the limits of science researcher previous studies converge with the current study. So this study to be a virgin. The third chapter procedures Find where annexation to the research community and of number is (98) of different types and measurements Khozvia act (dishes - dishes - tractor - vases), has identified a researcher sample purposely and number (16) sample, (8) made of porcelain and ( 8) of the Ottoman ceramics. This chapter also included a search tool, and the methodology of research and researcher adopted the method of structural analysis in line with the nature of the research and its requirements.The fourth chapter set of results, most notably : 1. Chinese porcelain and Islamic Ottoman numerous transfers in terms of form and content, it varied forms (between vegetation shape, engineering, and animal and written) and his travel at different points in time.2. Both the Chinese potters and Ottoman forms Implementing treated on the surface of the ceramic form realistic approach through simple modification in order to Zaarha in decorative art adorns its products.3 - owning Chinese motifs formats characterized by authenticity and whether the quote from the ancient Chinese heritage or the environment surrounding the artist, as these colors or shapes appeared in the Ottoman motifs as forms borrowed or imitated is what I mean by Ottoman artist.4. Adoption of the Chinese and Ottoman artist on two girls two colors to highlight different shapes and Show aesthetic and functional role of color, namely : A. tonal structure composed of blue and white colors of between figure and ground.B. Structure color adopted the diversity chromatography shapes on a white ground.The conclusions was among them : 1 - potter recognized not only eat a certain form but varied forms executed in the ceramic surface.2 - possibility and the ability of the Muslim artist on the perception of space available and consistently exploited in the distribution of decorative vocabulary and included within the divisions adopted on subdivision surfaces.3 - Islamic art of having the spirit of coexistence and harmony with other arts and the possibility of including the quote and organized according to the vision of Islamic and drafting.This is followed by a set of recommendations and proposals that the researcher finds that it may be complementary to the current study.This was followed by a list of sources and Arab and foreign references, and then followed by appendices and abstract and English title.

عينات المجتمع الاصلي للبحث الموسوم بـ الشكل ودلالاته في الفخاريات والخزفيات البابلية والاغريقية : دراسة مقارنة The Form And Its Significance In The Babylonian And Greek The Pottery And Ceramic

اسم المؤلف: كريمة هاشم محمد البيضاني
اسم المشرف: زينب كاظم صالح البياتي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الخزف
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: في البدء لابد لنا، ونحن نخوض في مضمار بحثنا الحالي من تحديد موضوع الشكل والدلالة وتعيين موضوعها المقصود في الفنون بصوره عامة والفنون التشكيلية والفخار والخزف منها على نحو خاص، ولابد من تحديد مفهوم الدلالة ومعرفتها لارتباطها بالاشكال ومضامينها من خلال التا | In the beginning, we should delve in the determination of the form, and the significance of our research and determining what is meant by arts in general and plastic arts, including ceramic, in particular. We should also determine the concept of significance and its correlation with form and content through the exchanging effect between the signifier and the signifies. This connection can be explained through the visual discourse, especially what is implicit in the metaphorical pressures and what they pressures produce like religious dictorine, mythological, social and political which the natural and civilized environment has produced for Babylon and Greek. The study tackles in this field the form and its significances in the Babylonian and Greek ceramic and pottery works. The study was limited to the Babylonian and Greek ceramic and pottery works of art, specifically the Babylonian ceramic and pottery of the two old periods (1595 - 2004 BC) and the Hittite period (627 - 601 BC) and the Greek ceramic and pottery in the century (1800 - 500 BC). The study includes four chapters which cover the determined objectives. It includes : Chapter One : the methodology frame of the study which is based on the problem of study that is represented in the achievement of the Babylonian and Greek ceramic and pottery artistes how the internal and external pressures has affected the understanding of the significance of meaning of the form system in the Babylonian and Greek civilization and the external pressures like the culture and regions and politics which contributed to the foundation of indicators that satisfy the form and its significances in the Babylonian and Greek ceramic and pottery works through the period of the study. In addition to that, the chapter includes the importance of the study and the need for it according to the direct items in nature. It is important to point out that the study includes previous studies because there is none. Chapter two includes the exposition of the theoretical frame in three inquiries : The first inquiry tackles the concept and meaning of the general concept of significance and then defining the significance philosophically and then describe then according to the formal concept (iconic, symbolic, referential). Then, the significance and its reading were applied. The second includes the referential and intellectual pressures in the plastic arts of Babylonia. It includes the historical root and the intellectual pressures represented in the environmental mythological, political and social pressures. The forms of Babylonian pressures are also illustrated. The third inquiry tackles the referential and intellectual pressures in Plastic arts in Greece. It includes the historical root and the intellectual pressures represented in the environmental mythological, political and social pressures. The forms of Greek pressures are also illustrated.In Chapter Three which illustrated the procedures of the study represented in how to detect the society and choose the sample, and the methods and tools for data collecting and analysis. In addition to that, the researcher prepared diagrams in which some of the significancs have been form and matching them. Finally, the community of the study through the sample of the study which includes 12 samples varied between the Babylonian and Greek ceramic and pottery works out of 180 Babylonian and Greek earthworks. They were purposefully chosen using the assistant specialized professors in the field of ancient pottery like Prof. Dr. Zuhair Sahib in addition to the assistance of Prof. Dr. Majid Na’fa Al - Kinani. In chapter four the study comes up the following findings of the study which can be summarized as following : * The significance of the forms in Babylonian and Greek ceramic and pottery works are clearly reflected through the realistic forms and the organizations which represented in iconic and symbolic forms. Also, we found some unrealistic forms like the compound and abstract forms to represent some forms with significance the ceramic and pottery works. * Some significance has come with purposes of completing the level of the colorful functions on the level of Babylonian and Greek forms. * Ceramic and pottery works revealed the inspiration of natural themes and effects on pressures through which can artistic tendencies. The analysis sample analysis of ceramic and pottery works resulted in approaches in the significances.Finally, the most important conclusions of the study are tackled and based on that the researcher put some of the recommendations and suggestions. Then, the study ended with a list of references and resources.

جماليات الرسوم المستوحاة من قصص الكتاب المقدس Aesthetics Paintings Suggested From The Stories of The Holy Book

اسم المؤلف: لميع نجيب موسى ال سقط
اسم المشرف: عاصم عبد الامير الاعسم
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الرسم
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The stories of the holy book and the way education image, shape, color, and does not seek the artist in his work to take out the features of the aesthetic, but also uses the aesthetics and plays a chord genius to arouse the passions of spiritual and stir the emotions underlying which, inventors faith in the heart of the viewer through religious text, which forwards it to the image Completed and optical, and thus something that causes feelings in the soul of the movement of faith in the heart of her scenes, and this is what it is keen artist or storyteller color that comes out of his portrait in the midst of weather technician transcends it to a state of spiritual insight.I have included this study, four chapters, the first chapter , a statement of the research problem and its importance and the need for it, and the aim of the research and its borders, and to identify the most important terms contained therein, has dealt with the aim of research known as the aesthetics of painting inspired by the stories of the holy book.The Chapter II included theoretical framework and previous studies, which included theoretical framework three sections the first section : the concept of beauty and image when Fathers of the Church, which he reviewed the researcher views of parents who strike depth of spirituality and had their philosophical vision and written for beauty and image. And ensure the second topic : the concept of the picture in the art Aldeames, and the war of images or icons. And ensure that the third section three axes, which included the first axis story from the Middle Ages to the Baroque, and the second axis assets shear in the holy book , and the third axis features aesthetic art Christian, has contained the third chapter on research procedures, the research community, the research sample, searchtool, the research methodology , and the analysis of the sample amounting to ( ) model. The fourth chapter evolved to include search results, conclusions, and recommendations, and proposals, and the most important findings of the researcher as follows : . Christ spoke parables which each story uttered to give comparisons based on simplicity, and a lot of analogies and images and to clarify very specific, so that helps the plot narrative or summary of the end of the parable in the understanding of spiritual truths, and use bywords from the ocean, some of nature directly and others social habits, for the delivery of spiritual reality, every such application gives spiritually for something familiar, as in the model ( , , , , ).. hire artist Christian symbols that carry a theme featured in the religious thought of the Christian, which contributed effectively to enrich the religious discourse connotations ideological such symbolic pregnancy, as in the model ( ), and the symbolism of the fish as in the model ( ), and symbolic aura circular as in the model ( and ), and the aura surrounding the body and head, as in the model ( ), and the aura in the form of the cross, as in the model ( ). The symbolism of the ball - and - stick model, as in ( ). And symbolic dirham and as in the model ( ).. showed the achievements visual inspired by the stories of the holy book that the viewing eye more uncertain and inflicted impact on belief, and that of comic possibility to rationalize events much more than reading and hearing that transmits events to it in the form of votes interpreted by the brain, turning it into an image changing and ephemeral, unlike the eye which turns images directly to the contents of certainty and clear and accurate, and that's what it seemed clear in most models.The researcher arrived conclusions, including : . relied artists throughout the centuries to giving Topics the holy book stories Testaments old and new, especially proverbs in most of their artwork, while the general topics less addressed, because the stories of the holy book - text literature that carry speech and significance, they represent system ideological aims publication of the Christian religion and the search for absolute truth and character of Jesus Christ , also served as a source of inspiration for artists who in turn follow up by the text of the plastic on the body of the painting.. painter Christian deal over the centuries through his artistic vision to the stories of the holy book in two directions : first eastern abstract art, because it rejects the diagnosis and fights the physical embodiment seeking to represent the Eastern Christian spirituality, icon , as in Syria, Iraq, Egypt and Byzantium. The second Western art depicts and embodies the objects and nature, as it seeks to represent the physical realism, such as statues and paintings of various technologies.. make the parents of the icon part of the ritual church (liturgy), it represents the expression of formal physical perspective on the one hand, on the other hand sense on the fact un known , has now become embodied in the picture, and see the picture makes the believer that looking at all the abilities saved to be understood and recognized, all of which are things want him back for a recall of colors during the announcement of Jesus Christ in the heavenly ilk. It is a non - listed historical events superficially, were written or church, but is basically a symbolic code which performs across the emphasis on aesthetic finality carries connotations of forms has become a distinctive character in the Christian religion.The search is over Arab

تنوع دلالات الاشكال المرئية في تصاميم الاعلان التجاري The Diversity of Semantics Shapes Visual Designs In Commercial Advertising

اسم المؤلف: ليلى علي رجب العبيدي
اسم المشرف: هند محمد سحاب العاني
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يتميز الاعلان بانه قوة اقتصادية واجتماعية لايستهان بها ويعتمد نجاحه على قدرات المصمم الابداعية في توظيف عناصر التصميم بشكل ملفت للنظر يجذب المتلقي الى منتج قد لايكون بحاجة الى استهلاكه، ان اهم الاسباب التي دعت الى اختيار موضوع (تنوع دلالات الاشكال المرئية | Featuring announcement that economic power and social supports his success on the capabilities of designer creativity in the recruitment of design elements strikingly attracts the receiver to the product might not need to consumption, the most important reasons for choosing the subject (the diversity of semantics shapes visual designs in commercial advertising) is the ability of advertising to accommodate commercial designs with various connotations in visual formats, To give commercial advertising regeneration and dazzling ability to continue to acquire the attention of the receiver, who is under dozens of ads a day packed with ideas and images and connotations, but hotshot designer is able to implant the idea in the mind of the receiver to deliver a desired response from the entire advertising process. The search included a summary and four chapters, where the fact that the first chapter, the methodological framework of the research, which included the research problem represented by the following questions : 1 - The Semantic shows diversity in the visual forms only or whether the in the ad business?2 - How Semantic diversity arises through advertising formats across its design and progress of the sensory response and aesthetic towards fees or words in aboard commercial advertising, including advertising ensures speech affect the customer?The importance of research in being important addresses placed a semantic diversity of forms of visual designs in commercial advertising, as it is a point proceed in the field of advertising design and Learners in the Department of Graphic Design. In addition to the limits of temporal and spatial search, objectivity and research community goal of commercial advertisements in magazines and appointed Iraqi who represented the Iraqi network magazine advertising, then the researcher has identified search terms. The second chapter, which included three Investigation handled first section origins and evolution of commercial advertising any announcement date and stopovers on the most important stages undergone by the announcement from oral to written and evolution witnessed after the invention of printing, and new technologies and the impact of the spread of newspapers and magazines on a variety of designs The second part, the idea of design implications and dimensions in the Declaration traders have had placed significance in some detail cross - check ideas advertising, which represent the basic building block in the design, advertising through the shapes visible through (consistency, installation, mystery, clarity.) To form the meaning inherent behind the figure inIn this sense, design disclose the same result demonstrated icon and marks (iconography, symbolism, and indicative) reflects the appearance of the other meaning of her beauty functional verification, The third topic was the visual way and methods of design in commercial advertising, and was the first section talks about the formats of video and how organized according to the specific configuration and employ symbols written and image forms and types and logos in addition to employment chromatography and the rest of the elements (point, line, shape, space) according to the principles of design (unity and Diversity, General balance, repetition and rhythm, contrast, and sovereignty), which operate within a system architecture (focal length, radial, linear, synthesis, reticular, circular, random Speaking section to the methods directorial design mismatch image or cartoons or writing or combines more than style and all that in order to achieve the purposes of design to announce commercial next career and expressive and aesthetic, then the indicators that emerged from the researcher of the theoretical framework and previous studies that touched in one way or another study researcher then comes the third chapter which deals with procedures for research and analysis of the sample intentionality a group of ads in the Journal of the Iraqi network and discuss the results, which was the most important : system architecture (focal length, radial, linear, synthesis, reticular, circular, random Speaking section to the methods directorial design mismatch image or cartoons or writing or combines more than style and all that in order to achieve the purposes of design to announce commercial next career and expressive and aesthetic, then the indicators that emerged from the researcher of the theoretical framework and previous studies that touched in one way or another study researcher then comes the third chapter which deals with procedures for research and analysis of the sample intentionality a group of ads in the Journal of the Iraqi network and discuss the results, which was the most important : 1 - domination formalism based on the total area of occupancy Advertising exit conclusions, including that the semantic diversity does not respect the idea, method, or purpose, whether aesthetically or functionally, but that diversity holds in all the design process.2 - The perceived importance of the logo in advertising for each product being a commercial adds meaning and value of Advertising in the expression of his identity and a sign of trust between the consumer and the product.There were also recommendations for the researcher including : 3 - The designer uses label (symbol, icon, signal) in advertising design elements to demonstrate the commercial product because it tightens the receiver and it connects the idea of substance that particular day became tired recipients simplified format is clear.4 - The designer uses the mark (symbol, icon, signal) in advertising design elements to demonstrate the commercial product because it tightens the receiver and it connects the idea of substance that particular day became tired recipients simplified format is clear.Proposals5 - The designer uses the sign (symbol, icon, signal) in advertising design elements to demonstrate the commercial product because it tightens the receiver and it connects the idea of substance that particular day became tired recipients simplified format is clear.

الاساليب الجمالية والفكرية للاعلان التلفزيوني العراقي المعاصر

اسم المؤلف: ماجدة سلمان محمد
اسم المشرف: عبد القادر خلف الدليمي
الموضوع العام: الفنون الجميلة
السنة: 2010
الموضوع الدقيق: الفنون السمعية والمرئية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يتميز الاعلان بانه قوة اقتصادية واجتماعية، ويعتمد نجاحه على ما يتضمنه من قيم فكرية وجمالية، وليس مجال بحثنا العمليات التي يحيل اليها النشاط الاقتصادي للاعلان، فقد حاولت انماط من الاعلان ذات سمات جمالية وفكرية ان تخرج عن النموذج الاستهلاكي الى افاق اكثر ان

استخدام تقنية العجينة المصرية (Egyptian Paste) في انتاج اجسام خزفية مزججة The Using of Egyptian Paste Technique To Product Glazing Bodies

اسم المؤلف: نبيل مصطفى محمد الركابي
اسم المشرف: احمد هاشم عبد الكريم الهنداوي
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الخزف
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يتناول البحث استعمال تقنية العجينة المصرية ( Egyptian Paste ) وخلطاتها ذات اللدونة المنخفضة في تشكيل بنى باحجام وابعاد واساليب مختلفة باستعمال خامات محلية وانتاج رائب زجاجي يطبق على الجسم الفخاري ضمن مدى حراري تتراوح بين ( 850 - 950مه).تم استعمال سبعة | This research deal with the technique of Egyptian Past and it's mixtures which have low viscosity in forming built in a different sizes ,dimension and styles by using local raws and produce slip glaze stack on the pottery body through temperatures between ( 950 - 850c ). We use seven local material included sand (Arzama) ,Cawolen (Dwelka),Calcium carbonate(AL - Jabha)Bentonite and unlocal material included Sodium carbonate ,Sodium bicarbonate, feldspar soda added in different ratio after sieving and grating and chemical analysis to determined the properties and the continent of materials added to five mixture managed from references and internet adjusted according to researches s' aims.We evaluated the results and select the sample of researches from the whole models depend on researches s' aims and we made several tests on the sample s' models such as plasticity test, efflorescence salt test, porosity,absorption , density , linear shrinkage ,hardness, scratch hardness of surface,the analysis chromatic , glaze surface topography , formula units.From tests we know that the rise of clay ratio to (30% - 45% ) increasing Plasticity and produce body in a different dimension and the rise of water percentage to a specific level produce slip glaze stuck on pottery body beside using of alternative feldspar made suitable results and the rise of Fusing material ratio led to reduce porosity , absorption , density increasing and forming bound body.and the mixtures s' glaze appear so opaque in spite of ratio of (R2O3 - RO2 ) produce transparency glaze. The reason of darkness is the adding of colored oxides (RO ) group to earthenware glaze beside silica percentage (Higher than the equilibrating ) and gasses resulting from reaction. The slip stationary on pottery body depended on paste texture and body pores ability to absorb liquid and salts which work after firing to fix slip on the body , and the appearance of glaze on surface depended on self glazing of mixtures s' contents and ratio of efflorescence salt weight which reach to surface , beside the heat s' effect on surface

ماهية النظام الكامن في فعل التصميم للاعلانات التجارية

اسم المؤلف: دنيا محمد عناد
اسم المشرف: خليل ابراهيم حسن الواسطي
الموضوع العام: الفنون الجميلة
السنة: 2010
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تعنى هذه الدراسة اهمية لايجاد صلة مبدئية نظرية في بناء النظام الكامن وما يتضمنه من مبادئ ومفاهيم فكرية وفلسفية من خلال الافكار والاساليب الاخراجية التي تتعلق بالتطبيق العملي لتحقيق النظام الكامن في فعل التصميم ادراكيا الذي يؤدي الى وحدة الفعل التصميمي م | To deal with the significance of this study ,is theoretical ignition ,to the construction of the concealed System, and what consists of principles and philosophical and intellectual concepts, through ideas and directional methods ,which related to the practical application ,in order to achieve the concealed System, in the act of design ,that perceived cognitively, This leads to the unity of the act of design objectively and functionally. To increase the leverage of influence on the audience side, in that it supply the cultural side with a recent and development study, for the design of commercial advertisement. To the lack of a study, dealing with a subject of the concealed system in the act of design, including an act worthy of its importance ,in the process of design ,and its technical construction ,which meets, the requirements of the designing process ,influence and delivery, So this study is tagged under the title " The Essence of concealed System, in the design act, of the commercial advertisement" through four chapters. The first chapters included, the focused on research and the need for it. This focused on the question ,of what is the concealed System in design? And what is ,their impact in the act of design?Hence ,the importance of research comes with in some specific justifications : - 1 - It contributes to highlight the directorial methods, with the concealed systems in the act of design.2 - IT contributes to the development of visions and the skilled capabilities of workers, in the design commercial advertisement.The objects of study are represented by. revealing the concealed systems ,in the structure of designing the commercial advertisement, and laying down the essential foundations to the act of the concealed systems, according to the following : - 1 - The confirming on the fulfillment of the concealed system in the act design , through achieving an expressive unity, to establish the unity of the designing act , through consistency of the apparent formal elements , with the content of the concealed idea , at the heart of the direct sensory perception , this leads to the achievement of a high communicative value , used as an instrument , producing the concealed meaning , through excitement , and attracting attention , towards the product by the act of the concealed expressive forces.2 - The confirming on the expressive forces , to the concealed system , in the act of design , through modulation , and changing in the design elements , by adopting the mechanism of deletion and addition.3 - Achieving the presence of the concealed designing systems , by the act of the formal distinction , through the apparent designing systems , in a way that relies on the objective expression about designing idea. In addition to present an applicable proposal to the concealed influenced systems , in the act of design. The research limitations were represented by the printed commercial advertisement , in the foreign and Arab magazines , that released by the following states : Syria - Lebanon - Saudi Arabia - The United Arab Emirates the united states of Ameriea , for the periods from the year 2004 - 2009. As well as determining the terms , which contained in the study title. The second part came to cover the theoretical framework , and the previous studies , which found by the "female" researcher. They are adjacent studies to the current study , in the field of graphic design , approaching the subject of research , without being involved in it. The previous studies had been agreed with the current study , in terms of addressing the subject of system , and the formal systems , which differed in terms of meaning , the content and the target. In regard to the theoretical framework , that included four fields of investigation. The first part focuses on what is the concealed system , in the act of graphic design. And according to the second part , which has been focused on the "Concealed forces in the design" and the third part included "The structure of the commercial advertisement design " The fourth part contains "The methods of the commercial advertisement design " along came the theoretical framework in several indicators. Then the third part has been allocated for research procedures , in that the "female " researcher followed the desecriptive approach , as a method of analyzing the content , for the purpose of monitoring phenomena - Since the unity of analysis has been specified , for it's being carry out the integrated communicative ideas , that can be drawn from it ideas by analysis. And thus it formed "20 " units , as samples , and in proportion to 20 % of the research community. These were selected in a non - intentional potential way to be close to the average of the phenomenon , which are being searched , and for the following reasons : 1 - The availability of the objective reasons for each advertisement.2 - The quality of the print , and the particularity of its intellectual arguments."The female" researcher has come through a number of results and scientific conclusions , that has achieved the plotted targets of the study , and some of the results are : 1 - the concealed systems contained several techniques in the act of design , like the formal lending techniques , the formal referral , and the integration between the positive and the negative picture , the element of surprise and amazement in the expression , and the style of technical processing , which could be used to help in achieving the concealed systems.2 - The impact of the concealed systems on the designing act , is associative , that comes through the connection of the main idea with the advertisement content , as a result to the correlation of the implicit expression forces with the semantic suggestive , which broadcasting the form , to achieve the unity of the designing act , to stimulate the drawing of attention.3 - To achieve the concealing system it produced as a result that each designingly space , has it's special system , through a combination of an unusual , innovative forces , to be as incentives for working on directed eye movement, with in the limits of the designing surrounding.4 - The system has multi - forms in the advertisingly design - there is nothing prevent it ,from containing more than one optical system , in order to achieve it's communicative function.5 - There are two types of designing systems , in terms of interaction with the surrounding environment , that is the closed system and the open system.6 - It is expresses on the characteristics of the concealed system , through the idea as an average relation between the two systems "This notion should reflect the characteristics of the concealed systems". This should reflect the characteristics of the concealed system in shape , and the ability to evolve , the self - control or flexibility - this system affect in the design through the expression of implicit and it's developmental abilities. It is a sensible , intangible thing , that cannot deny the existence or determine it's presence. It finds out in a set of relations , that are governed by fixed laws. It is the essence , that cannot be change , is governed by the rules that are subject to change , in order to achieve different appearance methods for the concealed system , which cannot be absorbed by stereotypes.7 - The ingredients of the concealed system are (intellectual and physical) , and through which the integration is being achieved the creative element in the act of design. 8 - To understand the concealed system needs to be aware of the fact, that the biggest innovation system is the highest rank.9 - The act of design includes many concurrent transitions, which are the use of different integrated plans, interacting and overlapping with each other.10 - The expressive system are considered in the case of constant change, we respond only to a limited group of shapes and meanings, and thus to particular relations with each other (and to adopt the forms systems, and the meanings to some extent each other) as the structural analysis leads us from the surface level of research to a deeper level, meaning, that live on the borders of this level.11 - The forces can be seen as expressive powers, and include its manifestation, different areas of life, some of it, including the apparent and the other is the concealed, which reflects the self - aware human being, and is a strong trend everywhere. It is a process governed by cognitive mind, and the sense at the same time. And then the search introduced recommendations, proposals, and practical application, in the attic light of the finding results, and the conclusions

الرسوم الصحفية في العراق : دراسة تحليلية The Journal Drawings In Iraq An Analytical Study

اسم المؤلف: محمود موسى وادي
اسم المشرف: سلام جبار جياد السوداني
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الفنون التشكيلية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يتناول بحثي هذا الموسوم بـ (الرسوم الصحفية في العراق - دراسة تحليلية) جوانب عديدة لها صلة جوهرية بالموضوع الذي بدا منسيا من قبل الباحثين والدارسين فمن المعروف ان الصحافة تواجه تحديا كبيرا امامها الا وهو حركة الصورة وانتشار الميديا البصرية وتطور تقنياته | This study is entitled (The Journal drawings in Iraq - An analytical Study). It deals with many aspects that are related essentially with the topic which have been forgotten by the scholars. It is known that journalism faces a great challenge, that is, the movement of photographs, the spread of visual media and the development of its techniques. The journal cartoonsare regarded as one of the means that competed the typical journal image. The art of journal sketching acquires features and characteristics from the rest of the arts for the receipt and the public via a display means and an easy way for spreading.Since the journal drawings and the documentations, especially the colored sketched and magazine cover, formed a challenge to the motion of pictures in black and white which were prevalent in television before it evolves to colors. In addition the other challenge posited by cartoons of the journal photographs which were known by their traditional static framework.The research tackled in Chapter One the problem of this study, its spatial and temporal limits, and the objective of the study, and knowing the definition of the terms of the study linguistically and lexically. The second chapter studies the lexical framework in which the researcher studies in First Inquiry to the journal cartoons; the foundation and the historical origin. The second inquiry includes the techniques of the journal cartoons and the most important like ink in its types, pencils, water colors, Pastille, and also the most important techniques of the journal cartoons like AutoCAD, marking and graphic.In the third inquiry the researcher studies the aesthetic references of the Iraqi journalistic cartoonsindicating the effects of the Arab magazine, and the international and the traditions.The four inquiry includes the structural relations between the written text and the journal cartoons referring to a number of theories and opinions concerning the problem of the relation between the written text and the visualcartoons.The researcher comes up to number of indicators that have resulted in these inquiries dealt in Chapter Two. These indicators have formed to the researcher an important tool in the analysis of the samples which were chosen in the Third chapter. They are 12 samples chosen according to the justification to which the researcher has referred in. After the analysis of samples, the researcher comes up with the findings which are mentioned in Chapter Four. The most important one are : 1 - The journal cartoons were characterized by violence in the motion of the characters and the figures which is a reflection of the prevailed phenomena in Iraq with the use of the torn human body.2 - The use of the theme of the cut head and its repetition. The result was of many references like the cut head, the bronze head of kings of Mesopotamia which formed an aesthetic addition. Also, the image of the sacred head carried on spears for tis relation to the sacredness of Imam Hussein martyrdom.3 - The journal cartoons were influenced by the ideologies of the authorizes and the ideologies of the journal as in the (Tareeq Al - sha’ab) of the leftistpolices. 4 - The avoidance of the difficult techniques like graphic or the inscription technique on the Britishscraper board. 5 - The journal cartoons were not an attraction in Iraq for the Iraqi female cartoonists except for some of the few names like (Afifa Laebi, Hana Mal - Allah, Antlaq Mohammed Ali). This is a negative phenomenon that required analysis and reflection. 6 - The attraction to the expressionist school in most of the journal cartoons for the purpose of maneuvering the monitor and censorship. The researcher comes up with the most important findings which he displayed in the study.

فاعلية الافراط في النظام التصميمي للمنتج الصناعي Excessiveness Efficiency of Designing System For Industrial Product

اسم المؤلف: مرتضى حيدر عبود العبيدي
اسم المشرف: نوال محسن علي
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: بحثت الدراسة الموسومة بـ ( فاعلية الافراط في النظام التصميمي للمنتج الصناعي) في مشكلة عدم توفر اطار شامل يوضح مفهوم الافراط والجوانب المرتبطة به وامكانيات هذا المفهوم فيما يمكن ان يحدثه في بنية التصميم الصناعي اذا ما احسن استخدامه من قبل المصمم.ومن هذا | Tagged his research study (Excessiveness Efficiency of Designing System for Industrial Product) in the problem of the lack of a comprehensive framework illustrates the concept of excessive aspects associated with it and the possibilities of this concept can be wrought in industrial design structure if properly used by the designer.From this point the researcher found logical justification for the selection of the problem consideration and determined to answer the question the following : - 'What is excessive and its effectiveness in the system design of industrial products?The research aims to : - Identify excessive and effectiveness of the system in the industrial design of the product methodsThe importance of research to provide a clear picture of the concept of over - design the system and be a theory base can utilize them in practice to achieve the benefit of the individual and society.Find and Stmmelt limits studying industrial products characterized by excessive formalism, functional and technical aspects of furniture, equipment and tools for companies for the years (2014 to 2015)A search of four chapters included the first chapter of the research problem and its significance and purpose and its borders and determine the terms. The second chapter shall be from previous studies and theoretical framework and theoretical framework included three sections on the first section came under the concept of excessive at the same time ensure the second topic system and system design title while the third section displays mechanisms for achieving excessive industrial product. The third chapter included research procedures and methodology adopted researcher on the descriptive approach in the process of describing and analyzing the sample. Chapter IV has included the research and conclusions, recommendations and proposals results.The most important results : - 1. Check excessive formality in all the sample models and 100% through the use of the designer simple and obvious elements in the construction of the unit design in order to get to the simplicity of form design.2. Verify career excessive models (1.3, 4, 5.6) and by 83% due to the use of the designer of the concepts of (multi - enrichment and condensation career)3. shares that employ modern technology in achieving the over - technical models (3.4, 5) and by 50% the fact that these techniques have an active role in the performance and function design.One of the main conclusions are : - 1. Within the industrial designer in his designs over - design system format (formal, functional, and technical) to produce an industrial product is characterized by the beauty of the shape and the efficiency of job performance.2. Excessive career happened within the systems design in various formats including multifunctionality and job enrichment and job condensation, which as a whole has diversified performance and increased Mdyate focused than the number of jobs within the same segment without Atkhalkhal weakness in job performance.3. The technical innovations employed by the designer of industrial products increased within the ranges of functional performance thus achieving a high degree of satisfaction to the consumer through the technical possibilities and performance provided by the product.

القيم التربوية والفنية في عروض مهرجان مسرح الطفل في العراق

اسم المؤلف: مروة شاكر رضا الشيباني
اسم المشرف: حسين علي هارف
الموضوع العام: الفنون الجميلة
السنة: 2010
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: كرس البحث لدراسة العروض المسرحية المقدمة في مهرجان مسرح الطفل في العراق على الصعيدين التربوي والفني. وضم البحث اربعة فصول، تناول الفصل الاول مشكلة البحث التي تحددت بالسؤال الاتي : (ما القيم التربوية والفنية في عروض مهرجان مسرح الطفل في العراق ؟).تتلخص ا | This study devoted its interesting about the theater provided in the Children's Theatre Festival in Iraq for two levels of education and art. The research is composed of four chapters ,the first chapter dealt with the problem of research and identified the following query about : (What are the educational values and artistic offerings in Children's Theatre Festival in Iraq? ).Summed up the importance of the current search set of points ,namely : - - According to playwrights interested in the theater of the child and contribute to the success of their mission and their experience of drama and art in the writing of the text of a theatrical education educational.According to technical education teachers working in primary and middle schools in the artistic activity of the Directorate of Education. - According to the directors in the field of children's theater and theater of the child concerned circle cinema, theater and children's culture department of the Ministry of Culture. Accordingly, the current research aims to : - - Detection of the values of educational offerings in children's theater festival in Iraq. - Detection of artistic values in the festival offers children's theater in Iraq.The chapter also include within the research objective identified in the theatrical performances presented in the Children's Theatre Festival in Iraq, its sessions and the five spatially in Iraq Baghdad and the timetable for the period from 2003 2008 and contains that chapter on also determine the terms and defined.The second chapter devoted to the theoretical framework of research and previous studies in which, as it included four sections. the fourth examines the first educational values, and address the second topic artistic , values ,.while the third section dealt with children's theater, spoke of the fourth section on historical perspective in the experience of children's theater in Iraq , and concluded the chapter with the most important indicators that resulted in our conceptual framework and presentation of the previous studies and discussed. In the third chapter, the researcher identified the research methodology and procedures and identify the research community, which includes (35) a theatrical performance, the researcher chose a sample examined. Random manner to write the names of offers on scraps of paper each session separately, it reached the sample (5) performances in the form of discs (CD), and these presentations are : - 1 - a play (the bird and the fox) : Author Natiq Khulusi,directed by Abbas al - Khafaji.2 - play ( the world of the vitamins ) : Written and directed by Hussein Ali Harff. 3 - play (the reward of the Sultan) : Written and directed by Faleh Al - Abdullah.4 - play (Asia go to school) : Edited by Asad - Hilali and directed by Baker Nayef.5 - play (Sheikh and table) : Written and directed by Faleh A1 - Abdullah.To achieve the goals adopted by the researcher Search tools , namely : 1 - Tool educational values : that relied on classification ( White - Hiti ) the developer , which was introduced to a group of experts to identify the validity and measurement of the first goal, which.called for it, as well as measurement reliability was the use of equation (Holsti) to find a coefficient of agreement between the arbitrators (analysts)2 - Tool artistic values : the researcher has discussed building a tool that was b (i form content analysis of theatrical performances to the values of art) was introduced to a group of experts on the validity of exposure and a measure of the second objective, which called for him.In chapter IV of the results reached through the presentation of the researcher and the most important conclusions from them.1 - varied theatrical performances in the book focus on the educational values some of them focused on a particular group of them did not focus on the rest of the values.2 - characterized by the values of six years as the most important and focus of the theater, namely, (a fun ,aggression, food, generosity, intelligence' diligence and attention, and the unit group, employment, health and safety of the body, love of family, beauty, happiness, conduct' control. honesty, knowledge).3 - showed some of the theater twice in both sides of the lighting. sc as to not having the director in collaboration with lighting designer enough time for the processing of the exhibition ha1l to suit the theatrical work of them receive the hall a few hours of time to display in the festival, forcing the director depending on the illumination of concentrated and flood only in the theater. 4 - showed most of the theater twice in the make - up except the play (the world of vitamins), characterized by makeup personalities and the reason for this is due to the paucity of material and the absence of specialists in this area of the art technical especially in the plays of artistic activity for the Directorate of Education to participate in this festival According to concluded results done by the researcher o she isrecommend the following : 1 - Increase the awareness and governmental assistance for the child theatre and increase the financial customizations for the child produce in the directorate of cinema and theatre.2 - Prolonging by the art level for the children play introduced about the level of direction and writing as well theatre techniques 3 - Necessity for responsible to take care by the directorate of cinema and theatre by making the perfect archived for play show concern the child theatre carnival in Iraq via the Video or photograph development in color if found.4 - Checking the theatre show submitted to children before exhibitto check if it's valuable contents.5 - delegate specialist in the field of makeup outside Iraq to notify the latest techniques and developments in the makeup art and what modern product.6 - abandon the makeup materials in the art institutions to facilitate the makeup working and aid it in addition to take care by and on the library concern the makeup accessories.7 - arrange the exhibit show table for carnival by the form allowto each exhibit the adequate time to prepare the accessoriesand techniques like decoration, lighting, and effects ,... etc.For that the researcher suggest : 1. perform complete art. and educational study in the academictheatre shows.2. perform the educational and art study for the theatre dummyshow.3 - perform the analytical study for attractive elements in the theatre statement directed to children.4 - perform study about the relation between dialogue and personality in the theatre work directed to children.5 - perform the analytical study for the personality of hero in thechild theatre.This chapter include a list of references in Arabic and English ,finally the research finished by the abstract in English language

توظيف الايهام البصري كمعالجة تصميمية للمنتجات الصناعية الكبيرة الحجم Investment of The Visual Deception As A Designing Treatment For The Large Size Industrial Products

اسم المؤلف: مصطفى عدنان علي الشمري
اسم المشرف: هدى محمود عمر
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: عنوان هذه الدراسة ( توظيف الايهام البصري كمعالجة تصميميه للمنتجات الصناعية الكبيرة الحجم ) اذ تجسدت المشكلة بالسؤال الاتي ماهية الاساليب التصميمية التي يعتمد عليها في تصميم المنتجات الصناعية لتحقيق الايهام البصري التي تعمل بوصفها معالجات تصميمية للمنتجات | Address of this study ( investment of the visual deception as a designing treatment for the large size industrial products) at which the problem shapes by the following questions : - what is the designing methods that we depend on in designing the industrial products to get the visual deception that works as designing treatment for the large size industrial products ?It's important came from here ( by condensing the light on methods and design directions that have a role in creating visual deception and increasing senses and consumer and designer )But the purpose is that ( quiddity of designing methods that have been depended on in designing industrial products to creating the visual deception ) We found that all the search have been determined by products made from LG company that present in Iraqi local markets at Baghdad city for ( 2014 ).The study formed from four lessons , came as bellow : - Lesson one contain the problem of the search and it's importance , purposes , borders and definition of it's terms.Either lesson two probably contain previous studies then the visual casement for the search and it's signs , and then the visual casement contain three subjects : - the first subject is the visual deception and it's relation with designing industrial products , the second subject is the designing methods and it's role in creating the visual deception, working as designing treatment for the large size products , the third subject is the designing mechanics and it's role in making the visual deception as designing treatment.As for the lesson three it's contain the adjectives of the search and it's systematicness ( the attributive method ) in addition to analysis of the research specimen.As for the lesson four it's contain the research results and it's conclusions , the most important results are the following : - 1 - achieve everyone who (elements and bases and relations ) designing different visual deceptions in designing the samples in very high relations.2 - achieve designing technique ( movement , translucency , delusive space, shorthand and condensation and distributing systems ) and the capacity of creating visual deceptions working as designing treatments for the large size industrial products.Truly the most important conclusions that have been get from the study is : - 1 - the elements and bases and designing relations have the capacity to create several various designing forms that work in it's role to create deception motive manners work as large size industrial products.2 - the samples distended by the designing technique multiplicity and appearance to achieve designing creative by means of newly creative adjustment result from different and solitary variety through the mix and structure and change in formal relations for having these differences and multiplicities of deception movements working on receptor deception by increasing and decreasing the industrial product

تقنيات تذهيــب الزخارف النباتية في المدرسة التركية

اسم المؤلف: مصطفى عبد القادر مشحن الفرحان
اسم المشرف: عبد المنعم خيري حسين العاني
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الخط والزخرفة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: انفردت الزخارف النباتية بخصائص جمالية امتازت عن سواها من المفردات الاخرى (الهندسية والحيوانية) , لانها حظيت باهتمام كبير من قبل الفنان المسلم اذ تم توظيفها في المجالات الفنية المختلف لا سيما في مجال الخامات الورقية (اللوحة الخطية) وتعد الزخارف النباتية ال

المعالجات التصميمية للعزل الحراري والمائي في تصميم المنتجات الصناعية The Processors Designing For Thermal Insulation And Water In The Design of Industrial Products

اسم المؤلف: مصعب حسن عبد
اسم المشرف: شيماء عبد الجبار حميد العبيدي
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان هذا البحث الموسوم ( المعالجات التصميمية للعزل الحراري والمائي في تصميم المنتجات الصناعية)،يستند الى العديد من الدراسات التي تناولت موضوع العزل الحراري بشكل خاص والعزل المائي بشكل عام, بتقديم طروحات حول مفهوم يشمل المستوى الحضري والمعماري وصولا الى تصم | Focused many studies to topic thermal insulation a private and waterproofing generally provide Propositions around the concept includes urban level, and architectural reaching to the design of inner space, as well as the Propositions of insulation system in cooling and preheating, but he did not obtain adequate level of the importance, particularly system design isolate Designated industrial products and of computer devices. The counting concept of thermal insulation and water of the concepts and basic task in the current study. However, the contemporary studies have shown significant interest concepts and applied theory and in particular technological more than others, and therefore tries to current research that offers a new contribution to take advantage of those propositions, the adoption of the reciprocal influence of the bilateral relationship between regular thermal insulation and water through the levels of performance cooling systems suitable for parts heat - producing electronic computer as well as enhanced protection system provides electronic components, the risk of water, with the aim of producing a comprehensive concept for insulation in the design of computer and access to these totalitarian pillars of design Check the best of performance of the computer, and the was the highlight implicit in his first chapter.To achieve this objective and tackle the problem of research has been crystallizing theoretical framework included three topics, 1st has included multiple levels of concepts and techniques for thermal insulation and water, and a detailed review of the parts of electronic producing heat, as well as the most important cooling systems in place through the basics of scientific transmission of heat conduction pregnancy and radiation, as well as the relationship system waterproofing lanes multiple computers and of ports output and input electronic outlets and drag - and - subtraction antenna ports for keyboard, mouse and screen, while 2nd topic, the research in what role influential ecological through the concept of home and environmental Center for the user and the computer and the levels of thermal insulation and watering the inner space and its relation systems thermal insulation, water and ranges of the mutual influence of the components physical and code performance computer as well as outputs manufacturers & their impact on ecosystem of the product industrial, while , 3rd topic was a statement processors design of the system of formal and its relationship to composition of procedure of the system isolation through novelties technical as well as posts principles and Job design elements in the structure of industrial insulation producer.Then came the third quarter search procedures, which included the research community, consisting of computers produced by the Company (HP) U.S. in the years 2012 - 2013. The total number of units produced in this period (25) model, and the Department of researcher these models depending on the type of design into three sections (laptop, desktop computer, computer tablet), which represented 25% of the research community. Through analysis and description quo of the research sample, was adopted researcher indicators The outcome of sources and references relied upon, as well as field visits to agents computers, interviewing poll carried out by the researcher using the form interview with the owners of the expertise of engineers in the maintenance workshops computers to identify the main obstacles and failures electronic infect the computer due to the effect of heat and water., came fourth and final chapter presents the results and conclusions and design foundations, recommendations, proposals, and that the most important findings of the research are : 1.The adoption law basic or importance to the Rxan through the style (All - in - One) All - in - one, him Effects career for regimes thermal insulation and water in the design of the computer through the assembling ingredients annexed in the unit run Chairperson of B (the Fund).2.. The rise in computer restraints by (3 mm) is not agreed with the thermal insulation system and the represented obsolete air drag on the fan and the not to achieve the appropriate antenna Swaps of electronic parts for emitting heat.3. the low of performance associated the specification electronic parts self - cooling technology of the processor (Intel Atom) to achieve the slim design pattern in the computer and this is not consistent with cooling the processor (Intel Core i5).4. have lacked computers to the cooling system for the video card, which parallels the rate of heat emission in which at rates greenhouse gas emissions per unit processor central as well as non employ technology cooling unit RAM and hard drive and only mechanisms of cooling convection natural thus is reflected in the performance and life of the computer.5. satisfying technical alternatives the magnetic connectivity of the screen with a waterproofing system. Traditional techniques for connect mediated axial screws.6. The distribution of electronic ports visibly Exposed to anterior and side elevations are an easy paths for the passage of water in the computer.7. Lack of integration of the functionality of the waterproofing diaphragm add the silicon rubber under the keyboard, without Add a custom corridors to Log out the water and its survival at home,8. The touch technology with occasion of waterproofing system through hide keyboard ports.

مظاهر الاغتراب في رسوم فان كوخ Appearances of Alienation In Art Work’s of Van Gogh

اسم المؤلف: اسراء قحطان جاسم
اسم المشرف: كاظم نوير كاظم الزبيدي
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: الفنون التشكيلية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: تناول هذا البحث : (مظاهر الاغتراب في رسوم فان كوخ)، فاحتوى البحث اربعة فصول، عني الفصل الاول بالاطار المنهجي للبحث ممثلا بمشكلة البحث التي تحددت بالسؤال الاتي : (ما مظاهر الاغتراب في رسوم فان كوخ ؟)،وكذلك احتوى الفصل هدف البحث الذي كان (كشف مظاهر الاغتراب ف | This study deals with the Appearances of Alienation in Art work’s of Van GoghThe study falls in four chapters. Chapter one deals with the theoretical frame which is represented by the problem of the study that is limited to the answer of the question; what are the appearances of alienation in Van Gogh’s paintings. The chapter also contains the aim of the study which is to reveal the appearances of alienation in Van Gogh’s paintings.The study is limited to investigate the appearances of alienation in Van Gogh’s paintings between (1881 - 1890). This period represents his works from his artistic beginning until his death. The researcher uses the analytical approach according to an ideological and aesthetic vision in both of its aspects the theoretical and the practical.Chapter Two deals with the theoretical framework which consists of four topics : the first topic deals with the conception of alienation, while the second topic sheds light on the concept of alienation in the movements of modern painting. The third one gives an idea about Gogh’s life. The fourth topic studies the ideological and aesthetic features in the paintings of Van Gogh. The chapter is concluded with the mentioning of indications of the theoretical framework in order to make use of them in the building of the research tool and the analysis of its sample.Chapter Three deals with the procedures of the study, it explores the society of the research which consists of 200 works of art of Cogh’s. They are distributed chronologically. These works of art are executed with different materials; 55 drawings, 26 works with water color, 119 paintings with oil, and the sample of the study which is the society of the study at the same time for the quantitative analysis. From the study society which consists of 20 works, a sample was chosen randomly to be analyzed critically in order to compensate the gaps that appear through the use of the quantitative analysis for the aesthetic and artistic phenomenon in the visual texts. This is done according to the research tool which is built in consistence with the theoretical framework. The researcher notices the meeting between the appearances of alienation and the mechanisms of the painting production. The tool consists of the cores of alienation which are : isolation, non - normative, nonsense, disobedience, impotence, despoliation, rejection, escape, and withdrawal. These are put in the horizontal core in the analysis form. The main items which include the elements of formation, and the secondary items which include the relations of formation, and the subsidiary items are put. The tool then is showed to a number of specialists and experts in artistic education and visual arts and psychology, in order to make use of their opinion in its validity. Accordingly, the form is amended by the omission and addition of some items. After the tool acquires validity, it becomes ready for use. The researcher makes sure of the tool validity through the agreement comparison of outside analyzers by making them analyze the same content separately. She depends also on the agreement through time which means that the researcher acquires the same results as she analyzes the same content after a period of time using the same tools.After the application of the statistic tools which consist of Cooper Equation to measure the validity of the tool, which appears to be 88%, and Scott Equation to measure the consistency of the tool which appears to be 87.25. She uses the mathematic average to measure the frequency of the research society. She uses Kai square to analyze the sample quantitatively. After that she analyzes the sample critically.Chapter Four includes the results and the conclusions of the study. It also includes the recommendations that the researcher sees important for future studies. Among the main results that the researcher arrives at are the followings : 1 - Isolation appears to be an appearance of alienation in the works of Van Gogh. This reflects his dissociation from the others and society in the aspects of interaction, communication, cooperation, and emotional and social incorporation. Isolation appears very clear through the elements of the critical analysis : line, color, touch, and the relations of formation. Van Gogh expresses his isolation in his paintings. Isolation appears clear in the society of the study and the statistical analysis of the research sample. The cut form is 64.06%, horizontal line is 39.16%, hot transparent color 27.73%, soft touch 19.36%, non - asymmetric balance 41.01%, color dominance 22.31%, distortion of figure through elongate 21.82%, and technical expression 20.45%.2 - Non - normative appears in the works of Van Gogh through his trial to get rid of society as he tries to focus on his being and the rejection of social relations. Non - normative is represented semantically through the constructional critical analysis of the figure and its elements; line, color, touch, formation relations. He reflects them in his paintings and the incarnation of figures and things using indicatives that reject society, life, and social connections. According to statistical analysis, non - normative appears : hot transparent color 95.3%, varied line 47.18%, normal cut figure 24.75%, tough touch 20.04%. Through the formation relations; normal representative movement 40.04%, rhythm and repetition 23.7%. Through artistic treatments : distortion of figure through stretch 26.25%.3 - Disobedience appears in the works of Van Gogh in his separation from the moralist, civilization, historical, social norms in the form a destructive trend that goes out of his person and takes the form of an aggressive behavior against society and its civilization indications. Through the critical constructive analysis, disobedience appears semantically in the form and its elements : color, touch, formation relations. Gogh expresses his disobedience through his paintings. The statistical analysis of the sample of research society reveals the following : thick hot color 56.33%, varied touch 26.8%, and geometrical cut figure 22.15%. The formation relations through the unbalanced balancing 25.25%, the rhythm and the repetition 21.81%. Artistic treatment, the distortion of color 20.59%, the expression through technicality 20.66%.4 - Rejection appears in the works of Gogh as another appearance of alienation. He expresses this through the rejection of some types of behavior and culture that are dominated in the society he lives in. Aspects of rejection appear semantically and through the critical constructive analysis of the form and its elements : color, line, formation relations. Gogh expresses his rejection through the drawing of forms and contents that goes far from society. According to statistical analysis : thick hot color 63.78%, vertical line 43.56%, and varied geometrical shape 20.37%. According to the formation relations : color consistence 31.85%, rhythm and contradicted repletion 23.64%, the relation of the part to the all 20.45%, color dominance 23.64%.The most important conclusions are : 1 - Van Gogh does not use the appearances of alienation willingly but as a result of a psychological mood that affected him in an indirect way. This is reflected in the unconsciousness of the artist affecting his production. Different moods and circumstances help in the appearance of such representations. The most important of these circumstances are his culture and way of living.2 - The psychological aspect has a strong connection with the work of art as a value that achieves a kind of spiritual connection between man and his subject. The psychological dimension of Van Gogh appears to be a centre of the human subject to introduce its suggestions about the work of art.3 - The elements of formation and its relations have semantic indications for alienation. Van Gogh expresses an emotional feature, not as decoration, but according to a subject system and as a deep philosophical and spiritual concept. The search also includes : Proven sources, supplements, abstract in English.

مظاهر السرعة المعرفية في رسوم اطفال الروضة

اسم المؤلف: براق هلال جاسم
اسم المشرف: عباس نوري خضير الفتلاوي
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: لا يزال العلم يبحث في الاطر المعرفية ونموها عند الطفل ووضع الحلول المناسبة ازاء المعوقات التي من شانها ازاحة ذلك النماء المعرفي نحو التدهور ولعل رصد الاساليب المعرفية المرتبطة بالعمليات العقلية وتطبيقاتها في الرسم عند الاطفال قد يسهم في توفير ظروف تعليمة

مظاهر العنف في الفن التشكيلي المعاصر Aspects of Violence In The Contemporary Plastic Art

اسم المؤلف: نشوان علي مهدي
اسم المشرف: علي شناوة وادي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون التشكيلية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The current research (Aspects of violence in the contemporary plastic art) described as events and behaviors dominate the whole joints of life in the western society, notably the afflictions of politics, wars , dangers of mass destruction weapon, dominance of the capitalism economy and market monopoly, the matter that reflects on the cultural and social life and stigmatized it with violence, so the plastic art was a major and vital joint reified the whole burdens and haunches of the contemporary western world including the violence, through stylish and technical treatments that resulted in a unique modification ever been familiar in the previous experiments.Therefore the problem of the research came with the query of reasons behind violence and its aspects through artistic treatments and how much did the violence aspects deal with the system of psychological, social and morale relations.We found through first chapter the target of the research that aimed to knowing the aspects of violence in the contemporary plastic art within the boundaries of contemporary art in Europe and USA in the period (1972 - 2012). Also terms were defined in this chapter.While the second chapter included the theoretical frame and previous studies , the theoretical frame included three sections, first one dealt with the violence and its approaches in the contemporary intellect , while in the second section showing the psychological and social appearances of violence. The third section showed the appearances of violence in the art. The frame was ended with indications , then showing two of previous studies related with the current study and discuss it.The third chapter dealt with the procedures of research represented by the society of the research whose population was (19)sample and the nature of constructing the tool in its primary and finally form and how to use the appropriate statistical means to show up the truth and stability of that tool and then analyzing the research's population.The fourth chapter included results of the research, conclusions, recommendations and suggestions.Results of the research : 1 - The human being is the most expressional space for appearance of violence and abuse of human in the contemporary art, one of the works who express violence by using real bodies. Or through the evidential expression by drawing or sculpture and by variant formal treatments.2 - Appearances of violence were unique in the contemporary plastic art, by depending technical treatments and materials included human and animal bloods , bodies of human and animals and real materials and stuff implemented in combination method, that opened new spaces for expression for violence that exceed capability of the classic portrait.3 - The pictures of violence and its appearances in the contemporary art were described with tendency to the formal treatments has instinct, primary and brutal opposite to the civilized cultural false life, and the afflictions of all that by tendency toward the defacing and breach the system and harmony.The conclusions : 1 - Beside the belief that violence is old and exist in every era , but appearances of the violence in the contemporary art is different in its applications and references with an extraordinary style that it was considered as a breach for the previous contexts and traditions with all kinds on the level of concepts , styles and techniques.2 - Directions of the contemporary arts reflected in its dealing with the subject of violence the social and economic side, by expression of conflicting the wars and the psychological and social effects so the acts were as a reaction against the evil in the world , invalidity of the wisdom of the civilization and express that with sadism motives.Finally the research ended with references, appendixes and an English

مفهوم الذاتي في اعمال النحات الفطري منعم فرات : دراسة تحليلية Features Experimentation In Theater Iraqi Academic

اسم المؤلف: حسنين صادق عايد علي
اسم المشرف: مرتضى عبود شهاب حداد
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: النحت
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: اصبح ( التجريب) اليوم مقياسا للنضج العقلي والتحررالفكري من كل اشكال التقيد، كما وسعى الى ترك الباب مفتوحا للابتكاروالاضافة، حتى اصبح مدخلا مهما في تطويروبناء العمل الفني.وجاء هذا البحث لدراسة ملامح (التجريب)، واهم الاضافات التجريبية التي تتضح عن ط | Experimentation became a milestone from tradition work into creative art, conceptual work, based on breaking Perceptions and familiar artist formula into new version, now a day, its consider as indicator to maturity and Intellectual freedom from all restriction & deadlock; it also sought to leave the door open to innovation and addition till its became important iterance to develop and sustain the artwork.This research is to study the sign of "Experimentation", The most important experimental add - ons that emerges through the completed creative artwork (Iraqiacademic'sdirector), and trying marking the most important additions to the pilot on which it runs, has been marking this research under the title (The Features of Experimentation in academic theater in Iraq), where taken researcher took the additions Experimental subject with the director of academic material to be examined, which came from the four chapters : 1. Chapter I (systematic framework) which includes : the research problem and the importance of the research, the need for it, the goals of the research, the temporal &spatial boundaries, determine the terms and defined procedurally.2. Chapter II - the theoretical framework : It consists of three sections are : • The first topic : - the concept of references and experimentation in the theater. this section divided into three paragraphs where the researcher presented the concept of experimentation and the most important definitions, then the emergence of factors experimentation in the theater and then on the characteristics of experimentation. • The second topic : - the movement of experimentation in contemporary" modern" world stage. This included the topic, followed by an introduction and first two paragraphs concerned the most important schools and currents of contemporary experimental and the second where the researcher talked about experimental filmmakers in contemporary theater.• The third topic : - the director of academic and experimentation in Iraq. Two paragraphs in this section came after the introduction, in first paragraph to talk about the Iraqi theater academic and experimentation, and in the second paragraph the researcher spoke about the academic director of the Iraqi and experimentation. Then the researcher put the most important indicators that came out of the theoretical framework, dividing into as follows : indicators of theatrical text, directing specific indicators, performance indicators, technologies indicators. The researcher also connected (previous studies) which arranged by date as shown : ? Dhiyaa Kareem Riziyakh, Experimentation and its impact on the Iraqi theater, 1989.? BahaaZuhairKadihom, Features performance analog in experimental theater in the College of Fine Arts Offers, 2012.? MudaferKadihomMuhamed, Techniques experimental theater and the development of performances, 2012.3. Chapter III - Actions - the research community : - the method of selecting samples : Adoption of the way (intentional) in the selection of specimens. Research Methodology : - The researcher adopt historical method in tracking the movement of relay experimentation in the theater through the three topics, descriptive approach adopted in the study and analysis of samples. Search Tools : - has included : (what resulted in the theoretical framework of indicators, including documents, books, magazines, periodicals, documents CDs, photographs, observation that adopted by the researcher as an important tool in tracking the features of experimentation and additions campaign theatrical approved samples to search ). Find samples : - Play : "Ali Al Wardi& his Opponent" directed by Akil MahdiPlay : "Shadows" directed by Haitham Abdul RazakPlay : "Romeo and Juliet in Baghdad," directed by MunathilDawood4. Chapter IV - Results and conclusions : - (results, conclusions, proposals, recommendations, list of sources and references, appendices, abstract in English).

اشتغال الخدعة البصرية ودلالاتها التربوية في مسرح الطفل Operation of The Optical Trick And Educational Implications In Children'S Theater

اسم المؤلف: منار محمد جميل الربيعي
اسم المشرف: قاسم مؤنس عزيز
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The current research was devoted to the study of visual tricks and educational significance in the play made presentations to children's theater. Find comprised of four chapters, the first chapter dealt with the problem of search identified the following question - : - What connotations educational visual trick to children's theater?The second chapter devoted to the theoretical framework and previous studies it.Eat first section visual form components, the picture received by the eye and are affected by built on a visual form and its components in general, either in the theater are associated with this visual plug - in theater, which was divided in this section elements to (representative, decor, fashion, lighting, makeup) or meets and solidarity in order to create a unit subject, and become the greatest value from a mere presence as a valuable elements.In the second section dealt with the (educational privacy of children's theater) For those privacy that is unique to all others in the way of the delivery instructions and the information it contains what regales the child and feeds abilities and insatiable needs of knowledge as well as those values that build character in the long run, the children's theater being The most important breeding methods that utilize audio and visual means to address the minds of these age groups in which science and art methods enjoyable as well as religious and national principles and follow the example of good role model receives. This does not negate the audience indirectly composed of key stakeholders to take this theater messages and methods of handling and processing performance in a theatrical home and school.In the third section dealt with the functioning of the trick and the production of significance, as it was allocated when talk about the visual trick and types in general the production of significance has talked about the human element, which produces meanings as a means continue linguistic and visual through innovation signals and interpret the beneficiary of the most famous thinkers of this comprehensive science not They Fernand de Saussure and the American philosopher Charles Pierce logician who invented the three types of signals, a brand and brand iconography indicative and symbol.Then current research in the relevant section dealing with semantics in the theater that had a special character in the theater because it is derived from the fact it adds greater depth and a broader interpretation in order to convey the human values format aesthetic in theater.Also addressed the topic of educational implications and visual tricks and study the relationship between them through visual deception and receiving processes and the role of the imagination in expanding the ability to think.And the importance of visual trick in children's theater presentations reflected in the aesthetic offer in a fun and interesting addition to the educational implications embedded in the context of the design of those tricks that were in director Samir Dawood in his plays Offers. This is the aspirations of the researcher in the light of the descriptive analysis of the samples in the third quarter of the search and out of the results and conclusions in the fourth quarter.

اليات التعبير للتابع البصري في تصميم الفضاءات المتضمنة Manifestation Mechanics And Visual Succession In Inclusive Space Design

اسم المؤلف: ميس نصير عبد الرحمن
اسم المشرف: شيماء عبد الجبار حميد العبيدي
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الداخلي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان هذا البحث الموسوم : " اليات التعبير والتتابع البصري في تصميم فضاء متضمن " يهدف الى تحديد التوجهات التصميمية لاليات التعبير والتتابع البصري في تصميم الفضاءات المتضمنة التي تحقق النظم الجمالية والجوانب الادائية الوظيفية، تكمن اهمية البحث في محورين : ال | This thesis; titled “manifestation mechanics and visual succession in inclusive space design”, is aimed toward defining design trends for manifestation mechanics and visual succession used in inclusive space design; which insures implication of beauty systems and functional aspects of the space.This research importance revolves around two axes : 1 - Theoretical axis : emphasizes on the importance of interaction between man and interior space, through observation of main functional standards of the space deploying visual hints.2 - Practical axis : developing a knowledge base which will assist interior decorator in the process of understanding space comprehensive and sensual capabilities and deployments of visual hints to enhance the design process of inclusive space.In pursue of research targets achievement; the researcher has developed an analysis form; which covers the following : 1 - Functional and beauty manifestation mechanics, which in turn covers the following secondary aspects : (functional performance - beauty manifestation - space dimensioning blocks “floors, walls, ceilings, openings).2 - Inclusive space relations to surrounding space; which includes secondary aspects of (space design succession with neighboring space(s)), space internal successive design).3 - Visual succession suspense and stimulation, which includes : (basis and principles of “ strangeness, mystery, sophistication, variety, contradiction”, space definition plastic elements” lights, motion, colors, space supplements”). The researcher applied descriptive analysis approach, in analyzing three research samples of airports duty free markets; which were chosen carefully, to represent a wide sample range on international level; samples are duty free market for “Baghdad airport, Dubai airport, Ataturk airport”.To emphasize main of many products of the analysis process : 1 - Activation of space suspense, time illusion, motion and succession illusion, figurative attention of space interior, are all requirements to achieve beauty and functional design values; which are the tools to of visual succession activation.2 - Man tends to change his/her linear motional track often to zigzag, or curvature tracks depending on visible attractive points; this indicates the necessity in reconsidering space linearity, in a way which makes space design focus on applying attraction points proportionally to favorite motional tracks of shoppers; to direct man natural motional tracks toward designed attractive points.

الدلالة الزمانية وابعادها التصميمية في المنتج الصناعي Significance And Temporal Dimensions of Industrial Design In The Product

اسم المؤلف: مصطفى ابراهيم دحام السهيل
اسم المشرف: شيماء عبد الجبار حميد العبيدي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: هذا البحث الموسوم ) الدلالة الزمانية وابعادها التصميمية في المنتج الصناعي ( يتناول تاثير الزمان في تحديد اهم الابعاد في تصميم المنتجات الصناعية وانعكاس تلك الابعاد في تحديد شكل ووظيفة المنتج واهم المتغيرات والتطورات التي يحدثها الزمان والتي تقوم باحداث | This marked research (significant temporal and designing dimensions of the industrial product) deals with the impact of the time factor in determining the most important dimensions in designing of industrial products Its reflection on those dimensions in determining the shape and function of the product and the most important variables and developments caused by the factor of time which make a designing changes to the industrial products including the technical and technological aspects and what these changes may occur the consequent transformations in finding shape changes to the designing form of the functional prefromance ,the quality of the raw used in the industrial product.The research aims at determining the desining dimensions and the impact of time factor in Its composition which relates derectly in the process of industrial design that might lead to clarifying designing tracks taken by the designer in desingning process as the designing comes through a continueous and changed developing form due to chronological progress and what might this factor affects on linking and classifying things according to (past, present, future).The research sonsisted of four chapters, the first one dealt with the research problems,its importance and purposes,and idioms mentioned in, the second chapter focused on the the previous studies ,theoritical frame which included three introductions , the first one dealt with the temporal meaning and its intellectul dimensions , while the second introduction focused on the designing variables of the industrial product ,through time factor,as for the third introduction ,it dealt with the designing variables and its forming dimensions according to time factor and indications of the theoritical frame which formed the research mean by designing an analysis application which resulted definition of the aspects of an analysis form presented to a group of specialized experts.The third chapter included the research procedures of a society that have expanded capacity relying on (intentional) choice for samples of society of the study and the descriptive style in analyzing the sample by analyzing aspects form after presenting ot a group of experts ,which cosidered the most appropriate method to achieve the purposes of the study, the chapter addressed to descibe and analyze the specimens according to analysis form designed by researcher,while the seventh chapter has included the following results : 1 - Significance has achieved formal variable in the specimens of the body (6,3,2) with an average(50%) and turned in the specimen(2) that it was in than it was in the past which preceded in the specimen(1), the designing shape of the speciemen changed and has been enhanced, while in model (3), the design was directed towards the sculpured mass form, hence ,the design was deffered from its predecessors in the chrononlogical past eras,model (6) has achieved the formal variable as the design derected towards the formal shorthand and became more slim than before.2 - The variables effect of the functional performance was achieved significantly with average (33%) in the specimens (6,3), while achieved with (16%) in the specimen (2),and was achieved to some extent in specimen (5), not achieved in specimen (4,1).The most important conclusions in the research as follows : 1 - The transformation and change in the characteristics of design system adopted functional addition according to the technical development besides maintaining the essential system in some specimens a matter which led to waekness of the expressive power and the apparent conductivity of the system from the innersome design, in addition to the recommendations and proposals then references

البعد التعبيري لبورتريه الخزف الاوربي المعاصر Dimension Expressionist Portrait of Contemporary European Ceramic

اسم المؤلف: مياده حسن مرهج الكعبي
اسم المشرف: نبراس احمد جاسم الربيعي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الخزف
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: دراسه قائمه على التنقيب عن المفاهيم والاصول في قيام العوامل التكوينيه والعليا والوظائفيه بهدف تاطير الانظمه التعبيريه للخزف الاوربي المعاصر. فالتعبيرية الى جانب بواعثها الفطرية لدى الفنانين بما تحمل من دلالات الابداع الشخصي, تنقلنا ايضا الى الحاضن الخارج | Based study exploration concepts and assets in the textural factors and upper and functionality in order to framing regulations expressive of European contemporary ceramicsExpressive motivation along with artists including fungal afford connotations of personal creativity, also Artist and heir to those influences, including in respect to the values of psychological and intellectual relations behavioral concerning its product material, has contributed to ceramic art through the ages the social function of culture was the source induce in its forms and manifestations in artistic expression and is complementary to the ideas in his creations based on various subjects as the theme of portraitureake uArtist and heir to those influences, including in respect to the values of psychological and intellectual relations behavioral concerning its product material, has contributed to ceramic art through the ages the social function of culture was the source induce in its forms and manifestations in artistic expression and is complementary to the ideas in his creations based on various subjects as the theme of portraitures outside the custodial culturally, and culturally.Artist and heir to those influences, including in respect to the values of psychological and intellectual relations behavioral concerning its product material, has contributed to ceramic art through the ages the social function of culture was the source induce in its forms and manifestations in artistic expression and is complementary to the ideas in his creations based on various subjects as the theme of portraitureNow that seen in the art of portraiture European porcelain contemporary offsets Azha and implications in the context of technical and stylistic and aesthetic implications revealed thought Alheiomana which still governs taste new milestones keep pace with progress.from here it seemed the emergence of diversity Graphic showing expressive portrait rights of the reality of cross - fertilization between the past and the goal thought Alheiomana and between the paths of renewal in the framework of modernity and onwards to praise the subject of portraiture new formulas dimension expressionist despite control of quantitative models of the products of different kinds, but the employers doctrine clastic had reached a dimension expressionist the legitimacy of the chaos emerged a clear relationsformalism the most profitable products in portraiture to find this topic rationale for the present study to decode meaning boarder behind diversity in crafting dimension expressionist for portrait porcelain European contemporary in light of the sensitivity of the artist and the expression and contain the aesthetic as well as read the shifts shapes depending on the subject matter of his face and the services of hand in a time of as the body of contemporary portraiture relationship dimensions syntheticAllow to be exploited for artistic expression through various technical treatments in addition to the presence of attributes and Graphic sculptural portraiture of contemporary ceramics from functional integration and aesthetic and associate with everyday life.ln light of the foregoing researcher assumed possession of European porcelain portrait of contemporary characteristics and dimensions of new creative expressive phenomenon influenced the art of modernity and its aftermath a lot of artistic and aesthetic concepts.and offers a researcher fragile study in four chapter included the first chapter the importance of research problem in dimension expressionist porcelain portraiture European comtemporary, have been identified in this chapter bending search time period 2014 - 2000this addition to identifying procedural came in this chapter for the most important termsbasic searchthe chapter has two within the theoretical framework, which included three sections pertalning to contemporary European ceramic portraiture.first research : expressive elements in the art of portraiture and supplements the body. section twante : first concept art of potraiture in formation section third topic of prtraiture contemporary ceramics. the fourth topic : methods of forming ceramic portraiture and techniques. As the third quarter came from search procedures for the busy professionalcontrolled by research community and appointed the fourth chapter select to discuss the results derived from the analysis of samples of research and including checks of this research and included from this study, which ended in a pri acy statement ceramic portraiture European contemporary in terms of its distinguished presance as the value of art and aesthetic affecting the various arts era and in accordance with the regulations , which relied on businessman and big goals in the history of art and ask him pictures of the body.

مرجعيات البناء التشكيلي للقطة في الفيلم السينمائي References For The Formation Structure of The Shots In Cinema

اسم المؤلف: نصير حيدر لازم
اسم المشرف: رعد عبد الجبار ثامر الشاطي
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الفنون السينمائية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The Formation represents one of the concepts that came from the Plastic Art, which has been effectively Involved in the cinematic shot structure, adapting with the cinematic form that produces motion, although The Formation in the drawing art generally an important reference for film director in the study of the nature of the composition or to suggest movement or flexibility in the usage of colors, and this led to reproduce films for global paintings, from here the researcher put the title of the subject for his research (References for the Formation Structure of the Shots in Cinema).The first Chapter includes (Methodological framework), beginning the problem of research, which is formulated on this question (what qualities which were represented by the References for the Formation Structure of the Shots in Cinema?), And the importance of this research was in addressing important issue of linking the Film Art and Plastic Art, in addition to the benefit of students and scholars in this field of study. The aim of the research has focused on the revelation of representation of References for the Formation Structure of the Shots in Cinema.The research has three limits, the substantive limit addressed feature films that dealt with global Fine paintings as a reference in the construction of the film shots, temporal limit represented by the period between (2004 - 2014), and the spatial limit represented by Films that was produced globally.The second chapter (The theoretical framework and previous studies) in three sections : The First section : Cinema relativity with plastic art.(References for the Formation Structure of the Shots in Cinema) This section has dealt with the chronology of plastic art techniques that helped to develop the Film Art over the years, such as the dark room and Magic Lantern, in addition to the will of cinema to introduce motion to be unique and different from the plastic art, and the Performing relationship between film Art and plastic art and the most important approaches and differences between these two arts.The second section : Formation Structure elements of the Shots in Cinema.Turning topic to Formation Structure elements shared between the art of painting and film art, from the point, line, color, balance and rhythm... etc., have been clarified that the basis for the Formation Structure is not a formative element, but relationships do from this element and make it an interactive capabilities with the rest of the elements for the production of meaning and information, and how the director Employs his tools in ways that leads to a Formation Structure supporting the middle of formative elements and cinematic language elements.The third section : Formation references according to the diversity of performance theories.The Operation types Selected in this section engage in the relationship between cinema and drawing, and joint productions between these two arts, and also addressed to the references of formation art that have had a significant impact in film history, such as classical, surrealism and abstract… etc., in addition to reproduce paintings cinematically, especially those paintings that belong to the global well - known painters, and how they match Formative with the final cinematic image.Finally... the researcher at the end of the second chapter came with indicators that formed the theoretical framework recap, including : that the(References for the Formation Structure of the Shots in Cinema) configuration in the cinematic shots inspires its Formation Structure from the joint proposals between plastic art and film art, and also the motion represents the diversity structure between the painting formation and cinematic shot formation, in addition to Dealing consciously with the optical script as a basic structure between the film shot and formational painting. As for The previous studies the Researcher did not find any study that specializes in his subject (References for the Formation Structure of the Shots in Cinema), except for a few references here and there in a number of books, references and researches related to his subject (The Shots Formation) which the Researcher relied on in his research.Then, in the third chapter, the researcher developed (Research Operations), he used the descriptive method for the analysis of samples in this research and then chose the intentional samples for the purpose of conducting the analysis process through the fourth chapter (Samples of the Research) : 1. Film (The Passion of the Christ).2. Film (Goya's Ghosts).3. Film (The Mill and the Cross).Then the results and conclusions in Chapter five, which the researcher reached what he purports through this research, and the most important results of the researcher is revealed that the film art has the ability to achieve symmetry between the shot and its formational references with pinpoint accuracy, which leads to the production of intellectual and aesthetic level in film structure. Plastic Art theories represent a basic reference that completes Film Art theories in dealing with the raw material (facts).(References for the Formation Structure of the Shots in Cinema) The motion represents the diversity structure between the painting formation and cinematic shot formation. As well as the painting affects the cinematic shots by making them an indication unit with specific features without linking it in the image intellectual context that insures it's formational and dramatic interaction.The recommendations and proposals by the researcher, followed by a list of sources and references which the researcher adopted at his research process, and then the supplements and the Abstract in the English language.

الاضداد في النظم الشكلية للمنتج الصناعي وامكانيتها في استجابة المتلقي Opposites Formal Systems For Industrial Product And Their Ability In The Response of The Receiver

اسم المؤلف: نور عباس حسين السعدي
اسم المشرف: شيماء عبد الجبار حميد العبيدي
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تشكل الاضداد بالنظم الشكلية في تصاميم المنتجات الصناعية التي تؤدي دورا اساسيا في شكلها ودورها في استجابة المتلقي. ولعدم قيام اي من الدارسين بدراسة موضوع الاضداد في النظم الشكلية ودوره في عملية الجذب والابهار للمتلقي قامت الباحث بطرح الدراسة الموسومة ب ( | Opposites constitute formal systems in industrial designs products that play a key role in its form and its role in the recipient's response. And the failure of any of the students studying the subject of opposites in the formal system and its role in the process of attraction and fascination for the recipient the researcher asking study tagged (opposites in the formal systems for industrial product and their ability in the recipient's response) through the four seasons, the first chapter dealt with the problem of the search centered What is the role of opposites in formal systems and their ability in the recipient's response, then the importance of research in a statement opposites systems formalism for industrial product came as one of the means in the recipient attract, and can benefit from them and put it as a way of moving Bsykologgio receiver to achieve the benefit of the individual and the community, has been the first quarter included the goal of research is to determine the effectiveness of opposites relations and their ability in response Almtgay.vdila eating it identify the terms that Tzmnha search.Chapter II has included previous studies and theoretical framework, the theoretical framework it contains three sections, dealing with the first part, the subject of the idea of spatial contrast broad faithful to the concept of antagonism and Mbdoaltdhad and philosophy of antagonism and theories contrast, while the second topic antagonistic relations and organizational bases (formal systems) for industrial product and explained the foundations of organizational relationships and their types and their relationship contradistinction, while the third section psychology of visual perception and responsive recipient and explaining the cognitive and understandable, and some theories of cognition and the excitement and response and aesthetic judgment.The third chapter included research procedures and methodology that has been through the selection of the research community and choose the descriptive approach in the case study.Chapter IV has included the search results, and most important of these The results : 1. aesthetic values achieved regulatory connotations and at different rates, where the sudden rhythmic patterns in the formal system and color models (1,2,4), while the rhythmic patterns came clades formalism of the model (2.3), either model (5) rhythmic patterns have been achieved in design through raw material (Mca).2. Tmzart formal systems for industrial body product through objective and subjective job performance achieved functional mechanism in the human body models (1,2,3,5), which have the effect of a clearly defined response in the recipient and to realize the function of the product through Almnzawmth formalism.The most important conclusions of the researcher are : 1. The recruitment of antagonism through sudden rhythmic patterns in the formal and tonal system in the industrial product design aesthetic values occur regulatory connotations which they can check the recipient's response.2. antagonism is a goal to create a sense of where the transfer of translational appointed receiver from one area to another investigator continuity, so that the contrast makes winning product design art is visually obvious and makes high - alone form different but interconnected.And the researcher then to set the foundations of the design was the most important : 1. You must sudden rhythmic systems for industrial product adoption in its system of formal and color that affect directly affect the response of the receiver.2. The use of contrast in the system size, shape and direction to enhance highlight the formal systems for industrial product and must be employed is not limited to color spaces equal and flat

فاعلية طريقة الاستكشاف في تنمية المهارات الفنية لدى تلامذة المرحلة الابتدائية في مادة الاشغال اليدوية Effective Exploration Method In Substantive Skills Development To The Pupils of Primary School In The Subject of Handmade Works

اسم المؤلف: هالة محجن نعمان
اسم المشرف: احلام مجيد سلمان
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: نظرا لما تمتلكة طرائق التدريس من دور مهم في العملية التعليمية يرتكز عليه مختلف الاسس والاساليب والانشطة المختلفه التربوية منها والتعليمية، ولكون طرائق التدريس الحديثة لها اهمية بارزة في العملية التعليمية فان طريقة الاستكشافية وفاعليتها في تنمية المهارات ا | Because of their methods of teaching an important role in the learning process. Based upon various grounds and different styles of educational activities , including learning. The fact that modern teaching method of Prominent importance in the learning process the way of exploration and of activeness in manual skills development, of various material especially material handicraft, and activation of different method to its full Potential and the power of the elements to get to high level of education between students and teachers. This is what the current organized (Effective exploration method in the development of skills for students in primary school ). The research consists of four chapters : - The first chapter : Find deals with problem of cross - crystalline question follow : - Q : How effective exploration method in the development of skills among primary school students?The objective search by : - 1 - Disclosure of the effectiveness of exploration development skills to pupils of primary school.2 - Measure the effective of exploration development skills to pupils of primary school for Hand work. The importance of higher research need to upgrade to high level using modern teaching method to active the educational process - and represented by the objective limits and then spatial and temporal boundaries border as well as identifying terms in the title and exit procedural definition.The second chapter : - It is including the cortical frame work which consisted of three research : - 1 - First section : - The skill and the importance 2 - second section : - included the hand work3 - third section : - included about the importance to teaching method relationship with skill sideThe third chapter : - Included research procedures and methodology adopted the experimental method has been selected sample of pupils of Al - Ashbal primary school fifth grade primary and extent of the use of meta , search teat and tribal tool.The fourth chapter : - Includes findings and conclusions that have been reached and was the most prominent1 - All hand work develop performance skills to students 2 - Conscience and artistic expression and associated operations creation and innovation development3 - Through it is to achieve social cohesion among themselves And then the recommendation and proposal, and list of sources and supplements came.

الاستجابة الجمالية ومتغيراتها في العملية الاتصالية للتصاميم الطباعية Aesthetic Response And Variables In The Process of Communication

اسم المؤلف: هبة مزهر محجوب
اسم المشرف: ادوار الاشقر
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تشكل اهمية هذا البحث مؤشرا لمواكبة التطور للاستجابة الجمالية ومتغيراتها في العملية الاتصالية للتصمايم الطباعية، فالاستجابة الجمالية تعد ردود الفعل الايجابية التي يثيرها المثير عند المشاهد اثناء الحكم الجمالي او التجربة الجمالية والنفعية اما عند المتغيرات | The importance of this report considers an index to convoy the development of Aesthetic responsive and its changes in the communicative procees for theprinting design.on scientific foundation of effective with using the facilities available for new technologies wich is available in commercial advertising through the computer which through it the effective responsive achieved Conserning with the problem and through the researcher observationjob and her study for the Aesthetic responsive.ahe found that three was aproblem in dealing eith that subject from the searcher specially for the specil reality of the Aesthefic responsive and is changes and effeeing of the communicative rocess in printing design field and that to achieve receiving the actting letter with designs filld with beautiful vaiues to do the job and to get the responses from the listener and his interaction in this letterSearcch target Discovering the changes of the Aesthetic responsive in the communicative process for printing designs ,graphic designs.The search restricted in studing the Aesthetic responsive and is change in the communicative process for the modern commercial advertisement dealing with the beautiful and creer way and that what concerned withchabter one , but chapter tow covered the oretical frame work and it divided to three investigations ,the first study content concept of Aesthetic responsive and Aesthetic concept and the second study content communicative process and the factors which depends on the success of the communicative process, also the third study is commercial advertising and the target of it functions and types artistic side of the most important things in the announcement since it concern with graphic designers?s abilities in artistic and technical skills.Recommendation and propo sals ;1. That are ative and practical application in the commercial side of the announcement.2. confirmation that the work in the design of ommercial advertising deals with receiving advertising me ssage from the designer to the recriver.Suggestions ;1.Undertake astudy similar aesthetic response for the shope and color characteristics in commercial advertising. 2.Practical study to contrast vole of the image in advertisement and its effect on the recever.

برنامج تدريبي لبناء التكوين في رسوم طلبة المرحلة المتوسطة لمدينة بغداد A Training Program of Composition Structure In Secondary Stage Students Drawing In Baghdad City

اسم المؤلف: هند عماد حميد البياتي
اسم المشرف: هاني محي الدين محمد النعيمي رعد عزيز عبد الله
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تعد التربية الفنية من الدروس المهمة في حياة الطالب وخاصة في مرحلة المراهقة, المهمة في حياته , حيث تسعى الى صقل وتنمية قدراته فكريا واجتماعيا وفنيا, اذ تتيح له التعبير عن افكاره ومشاعره وانفعالاته حيث يصور العالم الخارجي بنظرته الذاتية او الذاتية الواقع | The art education regarded as one of the important lessons in learners life particularly in adolescence period. Because it a tempts to refine and enrich his abilities mentally , socially and artistically.In this way gives him the opportunity to express his thoughts , feeling and emotions through shaping the outside world with his own or realistic vision. The art of drawing considered one of the most important arts that have been used in the artistically expression which is the visual borrowing from environment. This is done by organizing the lines shapes and colors in specific palter of expression in order to be perfect by the Composition structure of the paint.From the observation, we notice that the learner flounders in his subjects and failure to produce his paint with it perfect shape and context. the reason lies, according to the researcher point of view , through her experience in the artistically supervision , the learners lacking the knowledge of the minor elements and founds of the artistically structure which is considered the basic pillar in any artistically perfect work.Depending on what is said above , the researcher has put the following aims : - 1 - Designing truing programmed for Composition the artistic structure in students drawings according to Gagne& Briggs (1988) theory. 2 - Measuring the effectiveness of the training programmed for the artistically structure elements and founds within the (cognitive - skill) dimensions. By applying it on a sample of secondary stage students. to achieve the second aim , four null hypothesis have determined to measure the cognitive and skill performance achievement level. The stay population is limited to second year boys student of the general sector of education in Baghdad city for the academic year (2011 - 2012), the total number is (27824) male student distributed on (50) school. The study sample is (40) male students which have been chosen randomly. Actually (2) classes from total (7) classes in AL - Garbia secondary school. The experimental group have been exposed to the requirements of training program designed according to Gagne& Briggs (1988) Theory which included (3) educational units.While the control group have taught by using the traditional methods. To option data , two tools are designed : - 1 - Cognitive - achievement test : to measure what in formation the students elements before and after applying the training programmed. 2 - Skill - achievement test : - To measure what drawings skill students have before and after applying the training programmed. Anevalution of skill performance list have been used. The presenter have used the suitable statistical tools such as : (mann_whitney) test to equalize the students in age, the cognitive achievement test (pre _ post)and skill performance (pre _ post). the discrimination power and difficulty of items. (Alpha_Cranach) formula to obtain reliability of the test , (Pearson _correlation) and (spearman brown).The most important results that the research have reached at is that the experimental group. exceeds in their performance of the cognitive - achievement test for article structure Composition and skill performance on the control group which shows the effectiveness of using the training programmed according to Gagne& Briggs (1988) Theory. The important recommendations are : - 1 - Adopting the designed training programmed in teaching elements and founds of artistically structure in secondary school because it is one of the important lessons.2 - Enabling teachers of art who are not specialized in art department to be supported by the content of the training programmed in teaching this lesson.The researcher has suggested the following : - 1 - Conducting a fellow up study for this study sample which have been exposed to this programmed anther studying stages to determine the effectiveness of this programmed in future.2 - Conducting a study for training programmed of Composition artistically structure in talented students drawings at Baghdad university.3 - Conducting a similar study on female students in the same stage and make a comparison between male and female students according to the results of the present study.

واقع اداء الة التشيللو عند المؤلفين الموسيقيين العراقيين وامكانية تطويره : دراسة وصفية تحليلية The Performance Status of Cello Instrument At Iraqi Composers And The Possibility of Development Descriptive And Analytic Study

اسم المؤلف: وليد غازي فرمان
اسم المشرف: حسام يعقوب اسحق
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الفنون الموسيقية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: This Research consisted of five chapters with a list of sources andsupplements : First chapter addressed methodological framework of the research, exhibited research justification, whereas the researcher referred to the status and development of music in ancient communities in both theoretical and practical levels, and its transferring between east and west, whereas many musical issues transferred to Arab world like western musical composition rules and musical instruments, especially orchestral ones, that encouraged many Arab musician, specially Iraqis, to take concern about these instruments and learn how to use them in orchestral compositions, and how that’s led to emergence of some Arabic and Iraqi orchestral compositions. Then the researcher talked about orchestral instruments, which cello instrument considered one ofthem in violin family, and he clarified that orchestral composer must have full knowledge about the characteristic of this instrument, like acoustic range and its performing techniques, whereas the composer writes special symbols on the score refer to these techniques like dynamic, ornaments and articulations…etc. Then the researcher addressed Iraqi orchestral compositions, whereas he observed a weak utilization of Cello capabilities through little usage of performing symbols in the scores. He realized the importance of academic research, and for lack of previous researches dealt with the subject, after he showed his justifications, he issued his research as : (The performance status of Cello instrument at Iraqi composers and the possibility of development).Then the researcher exhibited the importance of his research as follow : 1 - Studying the amount and types of performance techniques used in Cello line in Iraqi orchestral compositions.2 - Showing the role of Cello instrument in Iraqi orchestral compositions.3 - Useful for students and to those who involved in music field, especially the composers.4 - Considered as an academic source in music field, especially about Cello instrument.5 - Considered the first methodological study about cell instrument in Iraq.The performance status of Cello instrument at Iraqi composers and the possibility of development Descriptive and Analytic study A Thesis submitted to the University of Baghdad council of the College of Fine arts In partial of fulfillment of requirements for the Master Degree in Musicology Then the researcher defined the aim of his research as follow : 1 - Exposing amount and types of performance techniques used in Cello line in Iraqi orchestral compositions. 2 - Exposing performing status of musical usage at Iraqi composers.3 - Setting suggestions for developing composing for Cello instrument.After that, the researcher explained the limits of his research and he defined the terms. Chapter tow consisted of the theoretical framework and previous studies. Theoretical framework consisted of an introduction and four subjects; the introduction addressed music importance in community and its relation with human life. First subject addressed string instruments and orchestral composition, where he defined the term, history of the orchestra, orchestral music instruments and grouping, and then he addressed the development of bowing string instruments and violin family over the time. Third subject was about cello instrument, addressing its importance, especially in orchestral composition, its making history and development, some acoustic characteristics, and the most prominent composers and performers in the west, and then he talked about cello transferring to Arab world and Iraq.Third subject addressed for performance notation techniques symbols and their history. Forth subject addressed definition of some performance techniques and specialty on Cello. Third chapter addressed research procedures, where the researcher identified the research approach he taken. Then he chose his research community, which consisted of all orchestral musical compositions, composed within the time limits, (above 2008),involving a cello line, which consisted of 24 orchestral compositions. Then he exhibited the community to experts to choose the suitable compositions, they chose seven compositions as sample according to special conditions. Then the researcher named his research tools and the analytical standard, and his researcher requirements.Fourth chapter addressed musical analysis of the selected samples. Chapter 5 set the results of the musical analysis, then the

برنامج تدريبي لتطوير مهارات الاخراج في المسرح المدرسي لدى مدرسي التربية الفنية A Training Program To Develop The Skills of Directing In The Theater School'S Technical Education Teachers

اسم المؤلف: ياسمين عدنان بهجت
اسم المشرف: صباح عطية سويبج
الموضوع العام: الفنون الجميلة
السنة: 2012
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: لقد اكدت الدراسات والبحوث التربوية التي تناولت في اجرءاتها موضوع المسرح المدرسي واهميته في العملية التعليمية ضرورة تخصيص مساحة كبيرة له في برامج المؤسسة التعليمية، كونه يخلق حلقه وصل مهمة بينها وبين المجتمع، كما ان المراحل الدراسية الاولى هي التي تخلق جم | We have confirmed the studies and research addressed in procedures Multi school theater and its importance in the educational process should be allocated a large area has programs in the educational institution, he creates an important link between them and the community, and the grades first is to create public school theater and building artist theatrical authentic.So is theater school of media task that can be used in the development and activation capabilities scientific, educational and technical learners through the stages of pre - stage university, as is through the provision of knowledge in the form of art, helps refine educated and make them accept eagerly to accept scientific data that usually be dry sometimes if presented to them traditional methods in the educational process.We started (the researcher) in the process of incorporation to the problem discussed according to the survey conducted by the scientific studies and research that dealt with the subject of school theater. Moreover the study exploratory in the number of secondary schools of the Directorate of Rusafa second to determine the extent of knowledge of teachers of art education the basic principles of the output and its components, rules and mechanisms applied, I survey teachers of art education and administrative cadres and found their need for more practical experience in this area and courses training and development to drive and develop their skills in the field of directing in the theater school.Based on the foregoing and the researcher found an urgent need to study that will develop the skills of directing in the theater school's art education teachers and raise the technical proficiency.Aim of the current research is to achieve : - Develop directing skills in school theater's art education teachers, and to achieve this goal researcher identified the following two sub - goals : - 1. Building a training program to develop the skills of directing theatrical according to model kofmin / 1970.2. Measure the effectiveness of the training program through its application on a sample of teachers and teachers of art education at the secondary level for the academic year 2010 - 2011.To verify the targets laid researcher hypotheses zero.Ensure the research community of teachers and art education teachers who taught soil art at the secondary level for the academic year 2010 - 2011.To achieve the goals of current research, the researcher designed a training program be (5) modules according to a model kofmin /1970. and includes training content in the material directing theater for theater school, and to measure the effectiveness of the training program has been prepared two types of tests (cognitive - skiller) and measured mediated form calendar performance skills.To show search results based researcher Cookson test for one sample and Kjordichardson equation / 20 and the equation of discrimination and difficulty equation Holsta.The main results are : - 1. Outweigh the experimental group who trained on the content of the training program is designed according to the principles and foundations of instructional design itself in the achievement test cognitive dimensional, reason and clarity phases of the program, and you know teachers and teachers of art education targets training knowledge and skills for each stage of education, making it easier for them follow - up process steps, in chronological order.2. Outweigh the experimental group who trained on the content of the training program is designed according to the principles and foundations of instructional design itself in test performance skills dimensional skills directing for the theater school, and why it clear steps training through the presentation skills directing and models play was prepared in the training program in order to recognize them members Group the treated After creating or preparing complete ’s Necessary , and the use of tools, and implementation of performance correctly and building phases of training in a logical sequence, and not move from skill to skill other only in mastering the skill previous full and dividing the skills to its simplest form by behavioral objectives performing.The main recommendations are : - 1. Adoption of the training program, which try to train teachers and art education teachers on the skills of directing the school theater, to prove its worth and effectiveness in the Acquisition of information and perfecting their skills during the training session.2. Take advantage of training centers and development of the Ministry of Higher Education and Scientific Research and the Ministry of Education of the training program based on principles and the foundations of instructional design for training of personnel teaching in the disciplines of the arts for the theories and models design training and analysis skills and use them in other subjects varied.

السمات النحتية في العمارة التفكيكية Sculptural Features In Deconstructionist Architecture

اسم المؤلف: عقيل حسين جاسم حمزة
اسم المشرف: محمد علي علوان عباس القره غولي
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: النحت
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Affected by the nature of the fine arts in general, structures its neighboring affected seem like the product of logical, through contact with these arts influences thought compressor socially and religiously and scientifically and psychologically, and this is what makes sure functionally according to the relationship art evolution year which occurs in the human communities throughout history. I have contacted art, including sculpture composition data of the intellectual and aesthetic transformation that has occurred in the structure of the art in a different historical era from arts of ancient civilizations in Iraq, Egypt and Greece, through the art of the Middle Ages and the Renaissance, and ending, including the outcome of the modern arts and beyond.It was the emergence of currents modernist impact evident in the development of coordinated Achtgala a clear distinction between art painting, sculpture, and took the products of contemporary architecture, influenced by and influence, with the result of the achievements of artistic creativity, and it was for the development of the great in the field of technology have a positive impact of the relationship of sculpture, architecture, in terms of employment and similar and metaphor and embedding, and but relativism rise and fall, the vision of the architect or sculptor alike.Hence, the evolution of architecture in the period of modernism connects the idea of switching from level realistic to the level of abstract or symbolic, and it was for this, a role in showing the properties of architectural most relevant features art talk, specifically sculpture, and this similarity or overlap strengthened through the system aesthetics of modern art all related references poignant and mutant methods.The researcher found important to know the most important of these characteristics. So Me Find studying (sculptural attributes in deconstructionist architecture).This research included four chapters : Chapter One : ensure that the research problem and its importance and the need for objective research and its boundaries, and define the

خطاب ميشيل فوكو وتمثلاته في العرض المسرحي العراقي Michel Foucault Discourse And Its Representation In The Iraqi Dramatic Show

اسم المؤلف: عمر محمد جنداري
اسم المشرف: عبود حسن عبود المهنا
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: الفنون المسرحية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: تمحورت الرسالة حول خطاب ميشيل فوكو وطروحاته الفكرية واهم المراحل التي مر بها هذا الفيلسوف في حياته, وابرز الشخصيات التي اثرت في فكره ومن ثم على نتاجاته التي تضمنت مفهوم الخطاب في مختلف المجالات, وما يتخلله ذلك الخطاب من طروحات ذات حقائق معرفية وسلطوية ماد | The current study dealt with Michel Foucault's discourse, his materialistic psychological propounds, the most important periods of his life and the most prominent characters which affected his thought and consequently affected his products including the concept of discourse and all its fields, and what that discourse contains as propounds characterized with epistemological authoritarian fact whether they were materialistic or psychological, then Finding approaches of Foucault's discourse in some works of a group of international directors reaching to the impact of this thought on a group of Iraqi dramatic shows and experiments. Therefore; the researcher divided the study into four chapters The first dealt with the methodological frame and the problem of the study embodied by the following question : How is the discourse of Michel Foucault represented in the Iraqi dramatic show ?The importance of the research is embedded in studying Foucault's philosophical discourse, as one of 20th century philosophers, and identify his thought and his product concerning discourse, the extent of the benefits that the Iraqi dramatic shows got from those theorizations. As for the need for the study; it is implied in providing advantages to students of Fine Arts colleges and Fine Arts institutions in devising the philosophical thoughts that are embedded in the dramatic show. The purpose of the study is represented in Identifying Michel Foucault discourse and its representations in the Iraqi dramatic shows.The Second chapter (the theoretical frame) included three sections; the first is concerned with the cultural philosophical conformation of Foucault's and his main writings, stages and transferences which he experienced during the period of his discourses theorizations, the most important philosophers, men of thoughts, men of literature, artists and the poets who affected his thought then his philosophical product and his own concept of discourse, then perusing the most important terms he worked on in his writings such as epistemology, Genealogy , archeology, panoptisme in addition to Marxism , structuralism reaching to College De France. In the Second section; the researcher shed light on Foucault's materialistic and psychological thoughts which are represented in various types of discourses to which he relates his propounds such as (the discourse of power, self - discourse, body - discourse, history discourse, epistemology discourse and madness discourse. These discourses took a critical way to show the relation between the total discourses on the one hand and power and epistemology on the other in order to find out the facts whether the matter is concerned with the materialistic visible image or with the invisible mental images. As for the third section; the researcher dealt with Foucault's discourse approaches in the dramatic show referring to some directors, such as(Arto , Erwin Pescator , Cantor , Jozef szajna , Peter Brook , Ariane Mnouchkine , Grotowski , Ojino Barba and Robert Wilson) as models whose products resulted in approaches on the theoretical and applying levels within the Foucault's discourse. Then the researcher talked about the indicators that are resulted from the theoretical frame to conform the tool by which the samples of the research were analyzed. Then the researcher ended the section with reviewing the previous studies. The Third chapter (the procedures of the study) which included the community of the study, that consists of sixty three plays. The researcher relied on the academic dramatic shows which were presented in the colleges of fine arts in Baghdad University, Babylon University and Mosul University from 2005 to 2010, from which the samples of the study were chosen. The samples of the study were analyzed by means of the tool of analysis, its validity, its stability and the approach of the research, choosing the intentional sample; then analyzing the sample that are represented in the following dramatic shows : 1. The Play "Mice and Presses"2. The Play "Either…Or"3. The Play "Ice"The Fourth chapter dealt with the findings which the researcher reached at : 1. The authoritarian discourse dominated the three shows; represented as a moral and materialistic authority as in "Ice", or the authority of power as in "Either…Or" and "Mice and Presses" in which the authorities varied between materialistic and psychological in the characters. 2. The three shows shed a light on the role of the marginalized person in the society and the loss of values which he suffered because of coercion and social injustice considering him, the neglected, as a (non - thought of) category.3. The shows of the two plays "Ice" and "Either… Or" presented the mechanisms of power sexuality and madness through disassembling their themes and relate them to epistemology. While "Mice and Presses" is built on the authoritarian conquer and presenting paste and senseless words to the minds of characters which misguided them in finding the truth.The chapter also included the conclusions and a group of recommendations and suggestions, followed by references and photos. The researcher ended the study with the English abstract.

اتجاهات النقد المسرحي الصحفي في العراق (1990 - 2008) The Tendencies of Journalist Dramatic Criticism In Iraq - For The Period 1990 - 2008

اسم المؤلف: علي حلو داشر
اسم المشرف: يوسف رشيد جبر
الموضوع العام: الفنون الجميلة
السنة: 2008
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان النقد المسرحي الصحفي العراقي يمثل احد الانماط النقدية المسرحية العراقية ذات الحضور الواسع والفاعل ضمن حراك النقد المسرحي العراقي، وان هذا الحضور جاء نتيجة لتفاعله النشط مع العرض المسرحي العراقي على مستوى المهرجانات والعروض الفردية داخل المؤسسة الاكادي | The dramatic criticism in Iraq represents one of the dramatic criticism patterns that have crucial impact within the movement of criticism in Iraq. The importance of this thesis is entitled (The Tendencies of journalist Dramatic Criticism in Iraq - for the Period 1990 - 2008). The title bears questions and inquiries. The question is what are the tendencies of journalist dramatic criticism in Iraq for the period 1990 - 2000. The inquiry, on the other hand, is why we are investigating these trends, for this very periods which represent the last period in which journalist dramatic criticism was practiced in Iraq. To answer the question, the researcher shed his analytical efforts on the dramatic shows (plays) by Iraqi directors, and international and local plays attempting to know the trends of criticism and their aesthetic tendencies through analyzing these critical texts, employing the simple and compound cases in the known trends and their uses such as the method of content - analysis after determine the standards critical trends. The units were employed to analyze the sample to get closer to the scientific fact by numbers and statistics in an attempt to get away off the disguised relativity that is not accurate. To answer the inquiry, on the other hand, the researcher analyzes the results employing the descriptive procedure and the method of case study in order to know the scopes of this type of criticism, i.e. journal criticism. Thus, we detect point of strength and weakness through the evaluation of journal dramatic criticism. Thus, we will be able to rise up the aesthesis of society. The research is made of four chapters. The first chapter included the problem of the study, the need for it, objectives and the limits of the study. The second chapter is made of the theoretical framework that consist, in turn, of two inquiries; the first is about the concept of criticism and the second deals with the tendencies of dramatic criticism and aestheticism. The second chapter also contains the indicators and standards that the researcher has come up with such as sample analysis, and the analysis of the conclusions of the study and the discussion. The fourth chapter includes the conclusions, recommendations and suggestions. Then, the references and appendices. The researcher shed light of his analytical effort on what has been published in the Iraqi journals by Iraqi critics about the Iraqi critic shows for world and local texts trying at knowing the reading texts and employing them in the simple and composite critical trends made of the critical method of the content analysis and the use of percentage to derive every critical aspect alone within one critical article after specifying the criterion and indicators as an instrument which the researcher has come up with within the theoretical framework, which the research employed as his method of analytical instrument vis - à - vis the idea taken from the approach of content analysis as the unit of analysis to achieve the highest degree of closeness to the scientific reality by numbers and statistics in an attempt to get away from the illusionary percentage that sprout here and there and mostly, inaccurate.

سمات الحداثة في فن الكرافيك الاوربي The Features of Modernity In European Art Graphic

اسم المؤلف: بشير احمد جعفر
اسم المشرف: كامل عبد الحسين خضير النداوي
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: الرسم
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: The art is considered one of episodes that produce fresh perspective , Opening a new fields to wards.renew in all life scopes so The modernity does not be the result of a certain moment , but it refers to the many historical stages that are contributed and formed it.The modernity is a new intellectual movement in art in general and in European graphic art in particular. It mainly depends on trying to replace the intellectual reference that govern the human behaviour in life.And according to this fact , the modernity is an active partnership in the intellectual transformation grand witnessed by the humanity.The modernity does not call only for the evaluation of thought and renewal the literature but also to develop the art and out of old to the new style , language and thought without losing its cultural roots, and also its original features which are stemming from human civilization. As ( Audinos ) mentioned that every modern does not mention about a new view of life , man and science through art aesthetic and not be valuable.It is worth mention that Europe has been witnessed modernity in its large meaning which rapidly spread and impact on arts all over the world, among an important things that European modernism confirmed on especially in art : is great tendency toward abstraction or alienation depending on the currents brought by modernity , which made the shape rejects any static image through diversity in technology and style , so this figure appeared clearly in the art , particularly in the graphic artThese changes have led to revision the nature of the vision to art in general and graphic in particular. On art level , these changes represent by new European movements , the researcher has found the importance of knowing the modernism features in European graphic art. The research has focused on ( The features of modernity in European graphic art ). The research has contained four chapters , the first chapter is to show the researches problem which summarized in (What are the features of modernity in European graphic are) and its importance its needs and its aim which sets in (Definition of modernity attributes in the European graphic Art) during (1895 - 1978)and spatial in (Europe) , As objectivity identified by graphic works according to its techniques , and determine the terms contained therein. Chapter two has contained three studies ; the first one concentrated on the concept of modernity in art , the second one contained the grew up of the graphic art and its development through ages while the last one is about paths and directions of European modern graphic. Chapter three has devoted for the research procedures which contained identify the research community and choose the sample which is nearly (18) aprinted work , then the search tool and to analysis the sample.The Chapter four has contained the results , conclusions , proposals andrecommendations. Among the most important results finding by the researcherare : 1. Modernity led the movement changes in the nature of visibility to art ingeneral and graphic art in particular.2. modernity has combined between passion and scientific analysis in shape , colour and movement , and this method has formed the basis for many movements (Graphic art) in Europe.3. Modernity for the impressionists considers as a renewed movement which contributed in great change which accompanied the artist , of this school by their using the technology of ( wood engraving in colour , Lithograph in colour) as in examples (1 , 2 ,4).4. The modernity feature has confirmed for the impressionists by using symbols taken from lived environment which implemented in a style with simple lines as in example (1).5. For the expressionist artists , the modernity has confirmed that they have two levels within two ways : the first , is to determine the shapes by his strict limits of linear up to the point summary which makes the real foundation of forms away from realize , while the second is to look for about the details of the shape within geographical (modeling) strict for colour by using mechanism experimentation chromatography as in examples (3 , 18).6. Modernity for the expressionist artists , shown in colour by using the main colours ( black , red , green , yellow , and violet) with some changes in , with modern technologies (drypoint with aquatint in colour , woodcut in colour) as in examples (3, 18).7. Modernity for the brutality school , affirmed on unusual colour and vision as in examples (11).8. The brutal artist collected a total of technologies in their modern works , and within it ,modernist form has been activated and in modern view unlike the previous forms. And among these important technologies are (sugar lift Aquatint) as in example (11).9. Modernity to the Cubism school is characterized by analysis and forming shape. by returning shapes to the mind concept and meditation for cubists as in examples (9 , 14).10. Modernity to the cubists characterized by using of new technology ( linocut printed in five colours , etching) by these techniques , the features experimentation showed to the cubists as in examples (9 , 14).11. Modernity to the futurists arts is considered as renewed movement which contributed in great change which accompanied the artist of this school by introducing the concept of dynamic cosmic and used it in graphic art fieldas in example (5 ,10).12. Technologies for the futurists arts formed a modern touches through the expression and formal method of treatment manipulates light and shadow within the printed work. It was obvious in techniques of ( Etching ), (Linocut in colour) as in example (5,10).13. Modernity has appeared at abstractionists artists within the geometric abstraction which is the most reductionist level structure of formal and modern colour as in example (8 , 12).14. Abstractionists artists has taken a new formulation of the printed form by using modern technologies different from the previous techniques groups ,which enhanced the shape with modernism , and among the most important of these techniques are ( lithograph in colour , woodcut , Lithograph ) as in examples (6, 8,12).15. Modernity found at aldadanyeen and the surrealists , which comes from the illogic (neglect logic) and we can see through that they set out the visibility in their thoughts and emancipation outside the limits of laws to create forms (abstract forms which have mysterious nature) which consists of the absurd within abstraction as in examples (13 ,17).16. The Modernity has embodiment for alddadanyeen and the surrealists by defining the concepts of dream and realism in a new frame from the reality within dream which means expression of activities over realism in disordered forms or incoherence , one of the most important technologies that have emerged features of modernity they have are : (etching , lithograph , etching with Aquatint ,Aquatint with etching in colour ) as in examples (13, 15 , 16,17).The conclusions reached by the researcher Among the most prominent. : 1. Human dimension appeared in most of the fields of European art especially in graphic art.2. The new printed work considers as text which shows aesthetic relationships through the ordering of structural elements of the graphic art.3. The European artist graphic enabled to find spaces to show the expressive dimension in their works.4. The European artists graphic interested in experimentation which led to show a new technologies in his works.5. The printed work appeared diverse in forms features through diversity in arts fields for the European graphics.The search is over by recommendations and proposals with a list of references and sources and with abstract with English language.

برنامج تعليمي لتنشيط الذاكرة البصرية لطالبات قسم التربية الفنية / معهد اعداد المعلمات في مادة عناصر واسس التصميم Educational Program For Activation Sighting Memory For Girl Students / Fine Arts Department - Institution of Preparing of Girl Teachers In Subject Elements And Basis of Design

اسم المؤلف: نورا عبد الله علي
اسم المشرف: ماجد نافع عبود الكناني
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: اصبح الوقوف على اليات تنشيط الذاكرة ضرورة من ضرورات هذا العصر الذي تتفجر فيه المعلومات يوما بعد يوم وتزداد اتساعا وتنوعا، اذ ترتبط الذاكرة بالتعلم ارتباطا وثيقا فالانسان يتذكر ما سبق ان تعلمه، اذ ان مشكلة صعوبة الاسترجاع وعدم الاحتفاظ بالمعلومات في الذاكر | The reliance on techniques of memory activation , it becomes necessary from necessaries of this age within it information flowing day after day and increasing of expansion and variety where as the memory connected by learning relevant connection. the human rembered what have learnt it in former. Problem of recovery difficult and not keep by information in memory which have become importance of researches in scientific fields. From here psychologists and education are think in styles and strategies' which used ( teacher or learner ) in classroom to activation of memory and encourage learner on employment it in order to help him on use of strategies of coding and storing of information in memory and recovery it.starting point from that the researcher find importance of foundation for problem of researcher which aims to achieve as following build educational program for activation visual memory for artistically education department in subject of elements and basis of design , measure activity of educational program by two dimensions cognitive and skillfulness through application it on sample students of fourth class artistically education department institution of program teachers and in order to confirmation from two aims of research have specified (( 4 )) zero hypothesis for measure level of obtainment and also to know on ability of program in activation of memory at students.country of research have specified by students for classes of fourth and fifth in departments artistically education institution of preparing teachers belonging to general directorates of Al - Russafa / Baghdad education ( 1 , 2 ) and Al - Karkh ( 1 , 2 ) where their total reach ( 191 ) students have selected sample from students of fourth class / institution of preparing teacherfs - Palstain street reach ( 20 ) students. the researcher depend on experimental design by two independence groups as being more fit for aims of present research , where as experiment group have submitted for experiment through their teaching according to requirements of educational program which have designed a cording theory of dual coding for rembereing which include ( 3 ) educational units , while controlling group have studied itself through use ways of normal teaching. in order to achieve from aims of research and reaching to results which have designed educational program for refresh of sighing memory according to vocabularies of material elements and basis of design restricted within methods of preparing teachers by specialization artisically education and for measure activity of educational program. the research carry out two kinds of tests , the first obtainment cognitive for activation sighting memory , the second skillfulness obtainment for measure skillfulness performance levels of students in carry out requirements of skillfulness test which performance within it level of their performance according to list of appreciate of skillfulness performance which have prepared for this purpose , educational program , tests , list of skillfulness performance appreciate on group of experts owner of specialists in fields of artistically education and artistically design and measuring and work in order to recognition on modulus truth then actualization from modulus of stability. the research depend on group of statically devices to show results of research such as test ( Mann - Whitney ) in order to actualization from results of two tests cognitive obtainment and skillfulness pre - and post and also formula of diffecult modulus and distinctive for items of cognitive test and formula ( Kyoder Richardson / 20 ) for fix obtainment test and formula of Holisity for fix skillfulness test and find modulus of agreements between observers. from most results which present research find out which may sum up it in superiority of experiment group performance in cognitive test for refreshing of sight memory and skillfulness performance on controlling group of what appear activity and utility of use of prepared educational program according to dual coding theory in teaching elements and basis of specified designed in fourth class - artistically education department in institute of preparing teachers comparison with by normal way.the researcher have advised by group of advises as following : - 1 - reliance educational program in present research in teaching subject of elements and basis of design and generalization on departments of artistically education in institution of preparing teachers and girl teachers because is being positive influence and activity , show it results of present research. 2 - importance of interesting of teachers subjects elements and design basis by cognitive aspect to teach design relations by connected , successive and series way in formation which concerning that basis by constructional form to it which ensure connect relation every teaching units by unit which follow or precede it.The researcher suggested that as following : - 1 - carry out match study from through preparing of educational program in other study subjects and measure its influence in obtainment.2 - preparing of educational program in subject of design through use educational computer and measure its influence in obtainment.

التقنيات الحديثة في سينوغرافيا العرض المسرحي The Modern Technique In Scenography of Drama Show

اسم المؤلف: انعام معن ابراهيم
اسم المشرف: صلاح مهدي القصب
الموضوع العام: الفنون الجميلة
السنة: 2008
الموضوع الدقيق: الفنون المسرحية - تقنيات
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان المسرح كائن حي يتفاعل مع كل المتغيرات والمستجدات القائمة، فلم يكن يوما ولن يكون بعيدا عن هذه المبتكرات والتطورات الحديثة في عالم التكنولوجيا. فالعرض المسرحي تساهم في بنيته وسائط تقنية عديدة يتم توظيفها من قبل اختصاصيون في مختلف الانشطة العلمية ,كالم | The second chapter (theoretical frame) is divided it into five section , in the first, the researcher has explained the importance of technology and its reflections on dramatic culture through the concept of cultures dialogue which was elaborated by the French thinker ( Rojeh Garody) who embraced Islam. In the second section ,the researcher explain the work of that technology through composing dramatic speech. The third section is divided in to two directions; in the first she refers to the most important technical techniques that contributed to development of drama show structure ;identifying it by computer firs and then by internet, while in the second she talks about the most important computer techniques and how to employ it in designing the element of drama show. The fourth section touches the most important direction techniques of directors whom the researcher has divided into tow current, each has a different way when building the Scenography of drama show in the light of using those techniques. She closed the section with the most important techniques used by modern theatre which are body performance through gesture language, sound expression and dancing. She concludes this chapter with former studies and set of indexes resulted from theoretical frame; the most important of them is that the modern theatre is mixture of many cultures that is affected by those cultures, furthermore the director has dealt with the actor as a body having mythological and expressing abilities capable of producing a new language with the receiver. However, modern techniques don't neglect the human being role and his creation, but it increases the opportunities of innovation and renewal in modern theatre.The third chapter includes the research procedures throug the research society and samples represented by the following designs and drama shows : 1 - The play of "The Bedouin and the Orientalist" directed by Akeel Mehdi. Theatre is considered as a living thing that interacts with all standing and revived variables, it was ever and will never be far from these modern innovations and developments in the world of technology. Several technical means contribute to drama show, these means come from specialists in various scientific activies such as musicians, lighting designers, sound effects, optical tricks, as well as designers of fashion, building and shaping. Today theatre also depend on various expressing techniques represented by using the language and grace of the body to put through the meaning by shaping gesture movement, singing and dancing so that the receiver can interact with. So, technology in theatre is not a newborn, but it accompanied it since the Greek times till the present. Consequently, it appeared with a new language whose features have been employ in the artistic currents that emerged and spread definitely after the Second World War in Europe,USA and the Arab World. These current used technology as a technical means employed in various innovation processes to discover its abilities and its intellectual and aesthetic dimensions. Upon this basis ,the researcher has identified the research problem in the first chapter of her thesis designated " Modern techniques in Scenography of drama" , in the following question : How to employ modern techniques to build the Scenography of drama show?Then, the researcher has explained the importance of her research which is regarded as one of the scientific efforts looking for the importance of technical development and its inflection on drama show techniques in Scenography building, and she considered it as an important reference for students at Fine Arts Academy. Then ,she explain the objective of the research , its limits and finally defining the most important term that is the concept of technology and Scenography.

تقنيات الايهام البصري في تصاميم الاقمشة النسائية Techniques of Visual Illusion In Design of Women'S Textiles

اسم المؤلف: ابتسام محسـن حسـون الخفاجــي
اسم المشرف: سامي ابراهيم حقي
الموضوع العام: الفنون الجميلة
السنة: 2010
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: انجزت دراسة (تقنيات الايهام البصري في تصاميم الاقمشة النسائية) الكثيرمن المفاهيم والافكار الجديدة فسحت المجال للتعدد في الاتجاهات التصميمية للاقمشة، كونها من التقنيات التصميمية المهمة بما يتميز به من قدرة على الايحاءات العديدة وهو ناتجا مستلما من عملية | The study of (Techniques of Visual Illusion in Design of Women's Textiles) demonstrated many novel concepts and ideas within the field of diversity in textiles design orientations, being a significant design technique characterized by an ability for suggestiveness as a final product of process of architecture of constructive relations. It reveals the techniques of Visual illusion in the design of women's textiles and establishes design leverages in women's textiles that depend on techniques of Visual illusion. The significance of the study stems from increased intellectual enlightenment by textiles designers and scholars as well as developing the knowledge of styles and orientations which contributed towards Visual illusion. The study was limited to design of women's textiles for dresses available in Baghdad's local market for the period 2006 - 2008. The study is in four chapters; Chapter One elaborates on the study problem, its significance, aims, limits and definition of terms. Chapter Two deals with the theoretical framework and former studies. It consists of three parts : The first part : Comprehension and Visual illusion in textiles design. The second part : The techniques of Visual illusion in the design process of women's textiles. The third part : The technique and its methods for design of women's textiles. This is followed by the former studies and their discussion thereof. The researcher achieved the most important pointers out of theoretical framework. These pointers were enhanced in Chapter Three. Chapter Three encompasses the study procedures, its methodology by adopting the descriptive approach for analysis of specimens out of the total (96) specimens of the study. A deliberate choice of the study was taken according to design objective levels consistent with the study aim. The study sample was randomly chosen at (25%) of (24) samples. A form was compiled for analysis axes by reliance on pointers out of Arab and foreign sources which were submitted to a panel of experts. The study specimen was analyzed through it. Chapter Four consisted of results of specimens of the study. The most important results obtained by the study were as follows : 1 - Most designs under research depended on the apparent in - form characteristics to achieve Visual illusion to generate diversified formative effects. These effects reflected on the motion, distribution and directions of the items. 2 - Color remedies were adapted to impart vitality aesthetic effect on textiles design by focus on color contrast as an actionable vision accomplishment to demonstrate the illusory space depth due to forward lead of fair colors and rear lag of dark colors. Besides, Chapter Four encompassed the following most important conclusions attained by the study : 1 - Basically, the techniques of Visual illusion were associated with the content of the design idea which was built upon many methodical technical data to be a modern tool whose idea was crystallized by virtue of many intellectual and materialistic concepts which rendered it into evident applicable fact. 2 - In spite of formative diversities in most designs, the design items relied on abstract form as a priority to present the true dimension of the design idea. This made other units of secondary importance overlap with it by limited non - determined motion in the design construction. Chapter Four included also the design leverages concluded by the study. The following are the most important : 1 - Need to widely invest and implement the techniques of Visual illusions in the design of women's textiles as modern design methods to achieve design formations via non - conventional, innovative new and organizational vision which is a product of variance and diversity of the formative items through mixture, placement and change in the formative relationships. 2 - Concern for choice of natural and synthetic fabric raw materials fit for the local environment. These materials have flexible, fine, endurable and moisture - absorbent specifications. On its basis are chosen the types of yarns, fabric construction and appropriate design.3 - Making use of the developments in the technical styles observed in the design of textiles to create non - conventional design assortments through overlapping between styles in order to achieve association between forms and embody them non - conventionally in a manner capable at enhancing Visual illusion. The purpose is aesthetic achievement to serve the functional aim. Chapter Four also included recommendations and suggestions.

الاطر الفكرية وانعكاساتها في تصميم المطبوعات الدينية

اسم المؤلف: صادق هاشم حسن الموسوي
اسم المشرف: نصيف جاسم محمد عباس
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Prevail in the world of intellectual and scientific variables... And overlap the treatises of this party, come research addresses the deliberative ideas as an important and necessary in the cultural communication and information update.. Hence it was dialogue of civilizations.. And individuals in the dialogue between them and the means of activating the intellectual and conceptual frameworks after he entered the concepts of globalization in all their in requirements attempt to impose a particular ideological line style.. But the cultures and traditions of theses communities attend to confirm the role that should not deviate or marginalizes its spiritual and physical level... Where is the means of communication, including print and one of the dozens of ways in which nations and peoples trying its institutions all through the dissemination of cultures, traditions and ideas and concepts..Being at hand and easy circulation and can be employed for the purposes of tourism, religious, economic and otherwise, generally, those nations and institutions are trying in various ways, the announcement of the frameworks related intellectual inheritance of civilization have, including religious shrines that frequented many parts of the world, which requires dissemination and promotion in support of after spiritual and material both whether, in Iraq this ancient country that stretches at home shrines are many varied and different religions and sects, the presence of printed religious for that shrines is an act communicative however, and worked the institutions of the thresholds of the holy given printed religious significance, as it is one of the media and promotion, , Because it appeals to the general public who attend religious shrines of different cultures and referents, and from this perspective the current research to examine and explore the link between spammersintellectual which is designed on the basis of publications issued by those shrines and between the artistic process and its implications, where his grandfather researcher subject should go into it, and distributed find classes as follows : The first chapter methodological framework of the research in terms of the research problem represented by asking the following : Are intellectual frameworks reflected on religious publications design? As the importance of research came in : ? The possibility of benefit from working in the field of Graphic Design in general and employed in the design of religious publications in particular.? The possibility of a briefing media organizations and advertising of the sacred thresholds, set a target Search in : ? The intellectual reflection spammers statement in the design of religious publications.? Provide practical proposals based on the outcome of the theoretical framework and indicators, and the search results, and then refer to the limits of research and determine the terms, as the second quarter included a theoretical framework, where it came from his interlocutor as follows : Also included the first section two addresses (such as conceptual frameworks, philosophy and thought, frame aesthetic, in the framework of art and design, intellectual framework - aesthetic when some civilizations, data intellectual thought and Islamic philosophy, frame artistic and intellectual philosophical Islamic "private"), as discussed topic the second to the (structure design, structure elements, elements Typography, foundations and structural systems), and interested third section in a statement (digital technologies and electronic publishing,producing and designing programs elements Typography, the communicative properties of print), , While the fourth section referred to the (design patterns prints, design publication, Graphic Design and Printing, the most important digital programs used in the design Jerafah), then followed by the indicators theoretical framework, and included the third quarter research methodology and procedures supported the descriptive method (method of content analysis)in order to reach results, and the research community, and the method of selection of models, and search tool which was to design a form identifying axes analysis based on what emerged from the axes and indicators theoretical framework, and opinions of a group of experts respondents who expressed an opinion scientifically built in, to other procedures reported in detail in separate proceedings, then the search in the analysis of the models chosen, came fourth chapter involving the results, discussed and that came from : Conceptual frameworks : 1. based methods of construction design which conceptual frameworks variety of dimensions, philosophical, and intellectual with theses global Islamic, and local variable rates and indicates this fact to the vulnerability results conceptual presented by the scientists and thinkers of the Islamic nation, and non - Islamic, and that proved the most of the ideas presented in the religious publications, namely the ideas of human dimensions related events experienced by the characters in question, as well as being connected to the religious and social situation associated with the ideological environment.2. Adoption of the style of presentation symbolic of the events promise to approach the representation formal, as in models (1, 2, 3, 4, 5, 6, 7, 8, 10, 11, 12, 13, 14, 15, 16, 17,18, 19, 20). And (95%). Thereligious symbols is one of the most important means showing historical events through the employ of being known and unknown when a lot of the audience, and generally the employment of religious symbols or environment - related religious forms is important in the embodiment of the structure of the idea, as well as the fact that the symbols represent a tool easy to bring ideas unhindered and difficulties.Elements Typography : 1. Recruitment effects digital available in computer software in order to achieve dimensions of aesthetic certain, as in the models (1, 2, 3, 4, 5, 6, 7, 8, 10, 11, 12, 13, 14, 15, 16, 17 , 18, 19, 20). And (95%). Commonly used these effects after he added an important set of filters and digital effects, and should be used by designer without distorting what makes writings without clarity and readability2. the emergence of clarity and readability in biblical patterns that have adopted away from digital processors that can come to the contrary where she appeared in all models. It is well known the importance of clarity and readability in hiring patterns written being talkie reader, and that the lack of interest by means cause problems in reading the text, which is not something he wishes designer and he has to pay attention to him.Structural foundations : 1. The adoption of symmetrical balance in the design of the versions with the absence of other balances, and appeared in all samples models. The adoption of symmetrical balance in this type of publications designer was caused by the use of a limited number of pictures of the shrines and domes and minarets of the design spacemakes space for syndication unbearable condensation or search for other balances.Regulations, and the relationship : 1. Recruitment open spaces will be the basis of which a picture has organized other formal elements as in the models (1, 2, 4, 5, 6, 7, 8, 10, 11, 13, 14, 15, 16). And (65%). A systems designer works on the printed employed in religious, and open spaces come to express fallow visual and openness structural system which is often linked to spiritual orientations for visitors.Communication characteristics : 2. Adoption of Direct to provide ideas. Appeared in all models. The use of the direct method in the presentation of the idea, makes it a high gloss deal with all recipients, and equally, and it needs this kind of stylistic designs of this direct relationship with a wide range and variety of people. Then ensued and the conclusions that came from : 3. The intellectual frameworks between the path in front of religious publications and designer working directory based on him in many of the propositions.4. Worked spammers and the arguments of religious thinkers and practitioners in religious affairs by direct reflex on the design structure of the print.5. The weakness that was apparent in the formal organization of the religious publication comes from the few know the designers of modern systems in Graphic Design, including the study of form and space relationships and employ photographs to the other.And continue with the outcome of the results and conclusions of the research researcher recommends including the following : 1. given conceptual frameworks that relate to Islamic history more attention and break the cycle of restriction, and to serve the - oriented ideological intermediary.2. the adoption of new methods in design and art direction and in accordance with up - to - date modern techniques.3. revolving develop specialized media and printing experts and designers led them informed and widely thought any ideological work will organize Publications printing and publications.4. Work on biological directorial sizes of prints and stay away from sizes that may occupy the continental and familiar.The researcher also suggested do following two studies : 1. employ images architectural design Islamic religious publications.2. dimensional aesthetic in the design of religious publications.He then read some of the works carried out by the Applied Researcher in which he singled out the second goal and a list of names of experts who showed Raya scientifically and technically, and he finished researcher finally conclude with a list of sources and supplements, Abstract and Title in English.

برنامج تعليمي لاكساب طلبة قسم التربية الفنية مهارات استخدام الالوان الزيتية Teaching Program To Acquire The Students of Department of Artistic Education The Skills of Using Oil Colours

اسم المؤلف: محمد عبد الله غيدان
اسم المشرف: سلام جبار جياد السوداني
الموضوع العام: الفنون الجميلة
السنة: 2008
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تعد الاتجاهات الحديثة التي افرزتها الثورة العلمية والتكنولوجية والتي من مبادئها واسسها الاهتمام بهندسة البيئة التعليمية المخصصة لتعليم المتعلم الذي يعد محورا للعملية التعليمية وباساليب تخضع للتحليل والتركيب والتطبيق والتقويم,وما توظفه من معلومات ومفاهيم | The modern trends developed by the scientific and technological revolution which its principles and bases are concerned with teaching environment teaching technology devoted to teach the learner who is the pivot of the teaching process,by methods subjected to analysis, structuring, applying and rectification along with what they employ of scientific data, concepts and activities made according to programmed courses arranged in regulations and law invented by science of teaching design introduced in all fields of specialization.This prompted the teaching institutions with all stages to accompany the developments of this science through directing postgraduate students to search for modern scientific means contributing in developing the teaching process.This include using teaching programs, systems and models and trying to applying and experimenting them in different fields of art, specially in acquiring them the skills of using oil colours which are a basic subject in Department of Artistic Education in College of Fine Arts, specially in practical plastic arts, then employing them in their artistic oil painting.According to the abovementioned, this study aims to : 1.Designing a teaching program to acquire the students of Department of Artistic Education the skills of using oil colours.2.Measuring the efficacy of the teaching program through applying it on empirical sample of 3rd grade student of Department of Artistic Education for the academic year 2007/2008. In order to achieve the objective of the study, a zero hypothesis will be invented according to study procedures.To ascertain those objectives, the researcher invented tow zero hypotheses. The group of the study consists of 3rd grade student of Department of Artistic Education of College of Fine Arts. Their number is (40) male and female students. A random sample of (13) male and female students was chosen whom the researcher adopted to apply the experiment.Since the present study adopted the empirical methodology, a teaching program was designed through analysis the subject of oil colours re - froming it according to the model of (Ganne & Briggs,1988).To measure this program, two types of tests was designed : the first one was cognitive achieving to measure the data that the student acquire and the second is skillful which measured through rectification form of skillful performance prepared for this purpose, those tools were subjected to truth and consistency procedures.To manifest the results of the study concluded by the researcher, he used the following statistical means : (Willcoxn Test) to show the prior - posterior differences between the students of the empirical group, (Difficulty and Discrimination Coefficient) equation to analyze the paragraphs of the cognitive achieving test and (Holsti) equation to find the agreement between the two criteria also those noted in consistency on performance rectification form.In addition to using (Kauder Richardson / 20) equation for consistency of cognitive achieving test.Most significant result concluded by the researcher : 1. The adequacy of the designed teaching program for how to use oil colours through its capability to acquire the students the artistic skills and to assist them to prompt them to think and making mind imaginations to comply with oil colours requirements and acquiring their artistic skills. This, in turn, contributed to achieve the desired objectives which was obvious in experiment results when applying the prior - posteriorcognitive achieving test for the posterior test.2. The adequacy of the teaching program in acquiring the students the artistic which was obvious in experiment results when applying the prior posterior cognitive achieving test for the posterior test.The most significant recommendations by the researcher are : 1. Adopting the teaching program in teaching colour generally and oil colours specifically in the Department of Artistic Education and the scientific departments in the compatible colleges or in departments of plastic arts in institutes of fine arts. This proved an efficacy in training the students on acquiring cognitive and performance skills.2.The agreement between the results of the present study and the results of former scientific studies and researches which adopted designing and inventing teaching programs in their procedures necessitated to add an academic curriculum specialized in teaching design for undergraduate study, especially in Deparment of Artistic Education in order to introduce most recent scientific and technological developments and their role in developing the teaching process.

المعالجات الدرامية للشخصية التاريخية في النص المسرحي العراقي

اسم المؤلف: محمد مطشر عبد الكريم الغراوي الكحلاوي
اسم المشرف: عقيل مهدي يوسف
الموضوع العام: الفنون الجميلة
السنة: 2008
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تعد الشخصية التاريخية في معالجاتها الفنية المسرحية ركيزة من ركائز الدراما المسرحية، فهي العنصر ذو الاهمية، وهي الفعالة في النص المسرحي، لكونها صلة الوصل بين المؤلف والمتلقي، والمعبرة عن فكر الكاتب وما حصل عليه من معلومة موثوقة بعد تقصيه عنها، واستدراكا | The historical character, during its theatrical artistic treatment, is a main pillar of the theatrical drama pillars, it is the most important effective element, of the article, due to it is the connection between the author & the observer, expressed by ideology of the author, by what he has got of a certified &documented information trying to know, the importance of that historical character & the private characteristics of the historical period in which it lived in ,the approach to the historical character, from which the author chose as properties &characteristics discovering the properties ,characteristics of the given historical period & the depressive or liberal circumstances, formed that character, as a result besides its properties in the humanitarian dimensions, perhaps there is an self & influential effects of the historical character, upon the author. There are many historical events in the international history, composed the humanity, is a mean as groups or individuals, coming from the surrounding environmental circumstances, or the resulting individual & collective self agonies suffered, the author is almost obliged by the transfer of the historical events, through historical character, as if this character represents one component of the main resources, composed either the civic development or developed the civilization it self. The theatrical artist (the author) takes the transfer task of these events, even though hypothetically or actually, sometimes, only for the artistic theatrical enrichment, by the inspiration of the passing actual humanitarian history, during different passing eras, containing subjects, ideas and objects lead to the development of peoples vital experiments. It may be seen, from the passing essay, the importance composed from both the history & the characters contained in the past, still have its resonance inside the modern observer, this is the major motive, to look after the reality of the historical character, to be dealt with, theatrically in an artistic style , the research also shows, the author imaginative power, his ideas enrichment of the writing professionalism.Accordingly the research was divided into four chapters : 1) Chapter One : The Text Domain Contains the description of the research problem, importance, targets, limits & the definitions of the terms.2) Chapter two : Covers the theoretical frame, where it contains four research parts, as follows : A) Part one : The concept of public character The public character is treated by its general concept & the limitation of its dimensions (natural, social & psychological dimension) through the ideas &the different theories of the researchers. B)Part two : The concept of the historical character The historical character is treated through its common concept about, as if it is real, not mythic, or imaginary imagined by the author himself, characterized by real humanitarian characteristics lived in real historical period in the past. C) Part three : The concept of the dramatic character The drama is investigated because its importance to the theater, where originally the historical character is contained for the artistic treatment, as considering the character is an important element in the dramatic theatre. D) Part four : the dramatic treatment of the historical character characteristics in the an elective essays, the dramatic treatments of the characteristics was studied by theatrical author, according to the treatments mentioned in the theatrical text. To clarify the complicated image, it was tried to collected different opinions of different writers. The research was stopped, up to this point, on which it was treated as proof supporting the exisistng research, as a specific indicator of the Thesis.3) Chapter three Contains the procedures of the research. The research analyzed the historical plays documented in (1980 - 2005) ,then some specific specimens purposely chosen supporting the research, they are five theatrical essays. 4) Chapter four The results, conclusions, appendences, list of references & English summary.

استعارة الاشكال التاريخية في الرسم العراقي المعاصر : دراسة تحليلية Borrowing Historical Forms of Contemporary Iraqi Painting (Analytic Study)

اسم المؤلف: مؤيد محسن محمد
اسم المشرف: بلاسم محمد جسام
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الرسم
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: هذا البحث.. ينحو الى اقامة بعض الحفريات في الاستعارات الشكلية لمخرجات الفن العراقي القديم التي قام الفنانون العراقيون على استدعائها في اعمالهم الفنية المعاصرة.. وكان هذا الاتجاه قد تمدد في السنوات الاخيرة لدوافع واسباب مختلفة وكانت مخرجاته تؤسس الى طريق | This research.. Tends to establish some formal excavations in the metaphors that the artists are being called on Iraqis in their art.. This trend has been extended in recent years to the motives and reasons were different outputs to establish a way of communication under the title, which says bilateral heritage and contemporary. This call to the metaphor has created a method to look at the historical roots, as well as in metaphors and types, in addition to the motivation that worked on the foundation.It was based search on the first chapter and the research problem and its importance and its objectives and limitations and then determine the terminology and out of the procedural definition.Chapter II : ( conceptual framework ) and is based on the three sections The first topic : the historical root of privacy Mesopotamia all days through the era of Civilization agricultural villages to the new era of Babylonian civilization. Section II : Concepts in metaphor and identity in art. It was based on : 1. Types of metaphors and concepts. 2. Identit.The concept and meaning and form. Section III : Metapor's root contemporary Iraqi art of painting. Has been developed indicators for the Study of the end of each chapter and amounted to seven and twenty nine of them, an indication of the historical root of privacy Mesopotamia and thirteen of the concepts of metaphor and identity in art and four metapor's root Iraqi art of painting.The researcher output indicators of the joints of Investigation said.Chapter III : ( applications ) and verified the procedures of the research community through the samples the amount of sixty works were selected of which 16 to 16 artists Intentional one work per artist may provide a section on the most important conclusions : Conclusions of the research : 1. Most of the painters Iraqi contained descriptive metaphors and rhetorical expression based on the similarities and the similarity between symbols and transformations. Samples (1 - 4 - 5 - 6 - 7 - 9 - 14 - 15 ) 2. Most of the painters Iraqi contained stylistic metaphors shifted to adopt the contemporary contrast between fonts and colors. Or mimic the old style with contemporary's Materials. Or shifted from diagnosed and to be to different. Or mimic the old style on the rise and fall through the severity of the contemporary's materials. Samples (1 - 5 - 6 - 8 - 9 - 11 - 14 ).3. Some of the works of painters Iraqis built on inherited's metaphors you either restore Gaii blogger form or spiritual meaning, inspired by the blogger. And in particular that writing symbols and seals of all kinds is one of the codes. Samples ( 8 - 9 ).4. Most of the work of Iraqi artists has developed forms of abstract and formal micro and unit construction to units and formal units and construction vehicles are included in a system with units and other formalities. Samples (1 - 2 - 4 - 5 - 6 - 8 - 9 - 10 - 11 - 12 - 14 - 15 ).5. Some of the work is built on the interpretive metaphors based on the premise match the samples ( 2 - 12 - 14 ) 6. Iraqi painters are metaphors in contemporary works as follows : A. often feminine forms of mankind and the note or its Parts. Samples ( 1 - 3 - 7 - 8 - 10 - 15 ). B. and animal and vegetable. Samples ( 1 - 8 - 10 - 12 - 15 ). C. geometric shapes often superior to the triangle. Samples ( 4 - 5 - 6 - 9 - 11 - 13 - 14 ). D. and on human and animal forms and geometric designs. Sample ( 8 ). E. and composite figures. Sample ( 2 ). 7. Metaphors were often pointing to the identity and Privacy : A. Is often consistent with the identity of the fifth indicator, which states that it is not subject Of the laws of the samples ( 6 - 9 - 11 - 12 ). B. Sometimes agree with the first indicator of identity, which provides for correlation with radical history Representatives as determined by the content of disclosure about the method And raw material and technology. Samples ( 4 - 8 - 11 ). C. Sometimes consistent with the third indicator of the identity of their types, which provides for individual And collective. Samples (1 - 2 - 10 ). D. Sometimes consistent with the fourth indicator of identity, which provides for individual change And mass displacement due to belief. Samples ( 3 - 7 - 13 ). E. Sometimes inconsistent with the second indicator of identity, which provides for the construction Idealism and style. Samples ( 5 - 14 ). F. Rarely consistent indicator of the identity of the sixth, which establishes it as root repetitive The sample ( 15 ).

القيم الجمالية للتنوعات التصميمية في تكوينات خط الثلث الجلي The Aesthetic Values of The Design Varieties In The Formations of Al - Jali Al - Thulth

اسم المؤلف: حسين علي جرمط
اسم المشرف: عبد الرضا بهية داود
الموضوع العام: الفنون الجميلة
السنة: 2010
الموضوع الدقيق: الخط والزخرفة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يعنى هذا البحث بدراسة القيم الجمالية للتنوعات التصميمية في تكوينات خط الثلث الجلي، بوصفه واحدا من اصعب الخطوط العربية واجملها، وما يتميز به من مواصفات فنية شكلت حافزا قويا للخطاطين في السعي باتجاه اجادة واتقان قواعد حروفه وبناء تكويناته باساليب وا | The research is intended to study the aesthetic values of the design varieties in the Formations of Al - Jali Al - thulth script Being one of the most difficult and beautiful Arabic scripts and characterized by some artistic specifications , it strongly motivated the calligraphers to be good at the rules of its letters and the build up of its formations in various artistic trends and styles. That helps enrich and develop the design and aesthetic values of these structures , since they are graphic chievements representing a turning point resulting from the semantic , aesthetic and objective vision in producing the texts according to a particular form - amatter which has clear influence on the expressionistic, aesthetic and technieal development to produce free structures with design constitutions untied to geometric figures. The emergence of these free structures is only a natural product of the Arabic script development and its way of handling the designs in the light of the principles and rules of the Arabic script. The researcher, through the samples which he had access to, has managed to present the problem in the first chapter via the following question : 1 - What are the aesthetic values of the design varieties in theFormations of Al - Jali Al - thulth script ? The significance of this research lies in the fact that the formations of Al - jali Al - thulth script are a wide field of innovation, renewal and change at the level of the formal build up of formation. The study is of sig nificance to the researchers in the field ofArabic script. The study aims at revealing the design varieties in the formations of Al - Jali Al - thulth script, and identifying the aesthetic values of these varieties represented in the free structure appearing in Iraq, Syria, Egypt and Turkey from the period (1970 - 1390) to (2010 - 1431) Chapter Two includes three sections. The First section deals with the genesis and development of Al - thulth script and the transformations it witnesses throughout developmental course until the concept of graphic portrait appears. Section Two touches upon the development of the structure system in the Al - Jali Al - thulth script. Section Three goes into the aesthetics of the Arabic script, followed by the previous studies and the indicators of the theoretical framework. Chapter Three comprises the procedures of the reseaech. The approach adopted is analytic descript. Tive. The population is restricted to the graphic portraits that have free structures written in Al - Jali Al - thulth script. The portraits are one hundred (100) in number, 20 samples of which the researcher has chosen on purpose which accountfor 20% of the total population. These portraits have been analyized to the analysis form which includes four points, the authenticity of which is supervised by a group of specialists in this field. Chapter four contains the analysis of the samples and presentation of the results : 1 - Employing the flexibility of the letters of Al - Jali Al - thulth script in building up free formations. 2 - Diversity in the artistic direction of the free structures whether it is in the organized letters or in the built formation. 3 - The possibility of changing the positions and directions of the letters as well as measurements, facititates the invention of special free formation. 4 - Some free structures are characterized by simplicity in terms of the build up or the formal build up of the formation.5 - The multiple forms of a letter helps the calligraphist prefer one form to another of the same letter and choose the suitable form to build up the design skeleton of the free structures. 6 - The phenomenon of the free structures in the Arabic script is a tendency to liberate from the domination of thegeometric figures. 7 - The engagement between the letters and words forms different design relationships, and helps in effective form and space. 8 - The free graphic formations show that the calligraphist adopts the rule of lengthening of the letters. 9 - The adoption of the rule of letter modification and the specific change of its build up (formal,standard) shows that there are various forms exceeding the rule form of the letters.10 - The artistic direction of the graphic structures is characterized by innovation and diversification whether in terms of the formal organization of formation or in letter organization or merging to complete another letter. 11 - The letter are at the calligrapher`s proposal to satisfy his artistic sensation in the lengthening and sending with the view of showing its beauty. The researcher has come to the following conclusions : 1 - The graphic structures are an important phenomenon generated by the developmental mocement of the Arabic script. of the reasons of this phenomenon is that the calligraphers try hard to give it beauty, cohesion and strength. 2 - Al - Jali Al - thulth is the most capable script of producing the graphic formations in different forms and designs,particularly the formations characterized by the free structures due to its construction properties and itsmultiple and diverse forms of letters. 3 - The weak artistic distribution of the formation design particularly abiding by the reading serial which results from design necessities to produce the formation, negatively reflects upon the realization of the communicative goal and smooth reception. The researcher has made the following recommendations : 1 - Teaching ( the aesthetic values of the design varieties in the structures of Al - Jali Al - thulth script ) as curriculum in the college of fine arts and the educational institutions. 2 - The results of the research should be made use of and be adopted as a basis when preferring one calligrapher to another in the artistic activities such as contests, shows and festivals.

المنطلقات النفسية لتحليل الشخصية الدرامية في النص المسرحي العراقي : نماذج مختارة The Psychological Beginnings In Analyzing Iraqi Dramatic Character

اسم المؤلف: عقيل قاسم ولي الموالي
اسم المشرف: حسن عبد المنعم الخاقاني
الموضوع العام: الفنون الجميلة
السنة: 2009
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: اهتمت الدراسات الادبية والنقدية في تناول النص المسرحي من الوجهة النفسية عالميا وعربيا ؛ غير ان النص الدرامي العراقي لم يحظ بالكثير من الدراسات النفسية خصوصا التي تناولت المنطلقات النفسية للشخصية الدرامية.. من خلال تقصي الدوافع النفسية الكامنة في هذه المن | The critic and literary studies concern in dealing the theatrical text in psychological in International and Arabic point of view, while the Iraqi dramatic text did not acclaim in many psychological studies specially those studies which dealt with psychological beginnings of dramatic character due to the lack of potential incentives of these beginnings , therefore, the researcher challenge this point in his thesis titled ( The Psychological Beginnings in Analyzing Iraqi Dramatic Character - Selected Samples) , which will includes Two Chapters : The first chapter (Methodic Framework), and second chapter (Theoretical Framework) which were divided into two sub - researches and they are : First sub - research : The Psychological beginnings of analyzing the character, while the second sub - research : The Psychological beginnings in analyzing the dramatic character The researcher and throughout the theoretical framework indications has come up with nine psychological beginnings, and they are as follows : First : Instinctive Psychological beginnings Second : Social Psychological beginnings Third : Self - psychological beginnings Fourth : Sub - conscious beginnings Fifth : Sicken Psychological beginnings Sixth : Bio - physiological Psychological beginnings Seventh : Reaction Psychological beginnings Eighth : Emotional Psychological beginnings Ninth : Philosophical Psychological beginnings As for the third chapter (Procedures of the Research), the researcher deals with those nine Psychological beginnings based on the indications resulted from analyzing the following samples : First : Text of play titled (the Door) by the writer Yousif AL - SaeghSecond : Text of (The Thorns) by the writer Muhyee AL - Deen Zankana Third : Text of (Welcome Oh, Peacefulness) BY the writer Jalil AL - Qaisi While the (Forth chapter) deals with displaying : First : Research Results. Second : Conclusions.

خبرات الطفولة وانعكاسها في التعبير الفني لدى طلبة المرحلة المتوسطة Childhood Experience And Reflection of Expression For Students of Intermediate Level

اسم المؤلف: احسان طالب جعفر
اسم المشرف: محمد سعدي لفتة
الموضوع العام: الفنون الجميلة
السنة: 2012
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: استندت مشكلة البحث الحالي الى التساؤل الاتي : هل هناك علاقة بين خبرات الطفولة والتعبير الفني لدى طلبة المرحلة المتوسطة ؟ هدف البحث الى ( تعرف العلاقة بين خبرات الطفولة والتعبير الفني لدى طلبة المرحلة المتوسطة ) , وتحقيقا لهدف البحث اشتق الباحث عدة فرضيا | The problem of the current research is depending on the following question : Is there any relation between childhood experiences and artistic expression at intermediate stage student ?The objective of the research is ( identify the relation between childhood experiences and artistic expression at intermediate stage student ) and in order to achieve this objective the researcher derived several zero assumptions. The society of the research included the student of intermediate 2nd class student from the intermediate schools in Baghdad city who are still continue studying for the academic year 2011 - 2012. The researcher chose ( 100 )student ( both boys and girls),and the sample of the research were ( 4 ) four school chosen randomly.Adopted the descriptive methodology in the current research and construct the both instruments of the research as follow : - First : Construction measurement of childhood experiences according to the concepts of psychological analysis theory ,consisted of ( 20 ) paragraphs of delightful experiencesand ( 20 )paragraphs of painful experiences. Then achieved honestandsteadiness which are suitable to the measurement. Second : Drawing analysis form : An instrument is constructed composed of ( 6 ) six fields ,( 20 )main characteristic and ( 60 ) secondary characteristic. Then confirmed the honesty of the performance through display it to a group of specialists experts , while regarding steadiness , the researcher resorted to outside analysts Concerning drawing , it has been agreed on three drawings which are ( family , school and general environment )out of (300) drawings.To reach the results of the research ,the researcher used suitable statistical equations ;therefore after discharging the data , the research reached the following results : - 1. There is no positive correlation implies statistically at the sign (0,05 ) between : - • Delightful childhood experiences of males and the drawing of (family , school and general environment).• Delightful childhood experiences of females and the (general environment).• Painful childhood experiences for both gender and the drawing of ( family , school and general environment ).2 - there is positive a correlation of statistic significance at the level of gaudiness (0,05) between the childhood pleasant experiences for the female and the drawing of the family and the school.And after displaying the results and discussing them the researcher has concluded number of recommendations : - 1 - Giving more opportunity for the students to free artistic expression, and excreting efforts to learn the drawing skills and subsequently making the production of artistic expression more available of thoughts sense and emotions obsessed them and feelings towards things surrounding them.2 - Sponsoring the student’s talents especially the artistic expression( drawing) of its importance in developing their personalities and achieving adaptability and psychological health for them, the art in all its kinds emotional discharge mean for what the adolescence bears of painful and emotional experiences.The researcher has suggested performing the following studies : - 1 - The relation of the childhood and the drawing of Dept. of Artistic education.2 - Relation of childhood experiences and the artistic expression for age categories or other studying grades.3 - Relation of the artistic expression with other variables in the field of education and psychological science.

الحركة في تصميم الصحف الرقمية ودورها في التعزيز الوظيفي والجذب البصري Movement In The Design of Digital Newspapers And Their Role In Strengthening The Functional And Attraction Visual

اسم المؤلف: زينه ساوا افرايم
اسم المشرف: انتصار رسمي موسى
الموضوع العام: الفنون الجميلة
السنة: 2012
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

التناص في النحت العراقي المعاصر : دراسة تحليلية

اسم المؤلف: حيدر علي عاتي
اسم المشرف: مامون سلمان فارس
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: النحت
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

توظيف الاغاني العراقية في تعلم مبادئ العزف على الة البيانو Using Iraqi Songs In Learning Fundamentals of Playing Piano Instrument

اسم المؤلف: وليد قحطان سلمان الجنابي
اسم المشرف: مهيمن ابراهيم الجزراوي
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الفنون الموسيقية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: This Research consisted of five chapters with a list of sources and supplements as follow : First chapter addressed methodological framework of research, viewing research justification, which spotlighted on orientation of musical education institutions in Iraq to use European methods for learning playing piano, and reasons for that, although the music in most of these methods are strange to local student's ears, because these methods are using European music legacy that clearly differs from Iraqi. For that, and for lacking any method using Iraqi songs for learning playing piano, or any academic research dealt with this subject, the researcher convicted to use Iraqi prevailing songs in a musical method for learning playing piano for beginners in an academic and methodological study.Then the researcher showed the importance of his research, as follow : - It considered as first academic research using Iraqi songs in learning playing piano, to the knowledge of the researcher. - It considered as a source for learning playing piano for beginners, and for higher education students, and for specialists in musical studies. - Considered as first step for building methods using Iraqi songs for learning other western musical instruments.Researcher aimed in his research to using Iraqi songs in learning the fundamentals of playing piano.Second chapter included the theoretical framework and previous studies. Where Theoretical framework consisted of three subjects, as follow : First chapter highlighted the role of Iraqi songs in Iraqi society, and how they are relating with its daily life, and how it expresses economic, political, and social aspects, with someexamples about that. Second subject showed early usage of piano in Iraq, and its role in Iraqi songs as a complementary instrument. Third subject issued the summary of most important musical methods used in musical education institutions in Iraq, and some other methods that used the musical world musical legacy used nowadays.Third chapter issued research procedures, where researcher identified research approach he taken, then he chose his research community, which formed Iraqi prevailing songs, then he chose the samples intentionally, which consisted of samples. Then he issued research analytical standard, which he build, for applying the samples in teaching method, then he named his research requirements.Fourth chapter studied applying the samples as a learning method. Finally, fifth chapter set the results of the research according to the samples selected, and then the conclusions, recommendations, suggestions, and then the list of sources, supplements, and finally a research abstract in English.

التكوينات الفنية وتحولاتها في تصاميم اقمشة الازياء الحديثة The Artistic Formations And Their Transformations In The Textile of Modern Fashion

اسم المؤلف: زينـب احمـد هاشـم
اسم المشرف: هند محمد سحاب العاني
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يعد فن تصميم اقمشة الازياء نتاجا حضاريا يدل على رقي الامم وتطورها وازدهارها ونتيجة للتطور العلمي الذي فرض حتمية المزاوجة بين العلم والمعرفة والفن والتي نتج عنها تحولات لتطبيقات اتاحت للفرد مزيدا من التوجه الفني والمعرفي مع سرعة التحول والتغيير المستمر | The art of textile design is a civilized byproduct which indicate the development and advancement of nations as a result of the scientific progress which imposes the inevitability of pairing theory and application and science and work which resulted in new or recent developments that allowed the individual for more artistic and epistemological trend with the fast conditioning and continues change.The artistic formations in the women textile design are subjected to the designer’s taste who bases his deigning ideas in modern style through transformations that go along with the appearance of textile in women fashion arriving at satisfying the taste of the recipient of these designs. In the light of that, the researcher determined her problems of the study with the question : Have the artistic formations and their transformations achieved an effect in the design of modern women textile? The research also contributed in the following through its importance : 1 - The importance of the study from being one of the studies that care for the study and adding an epistemological base for the specialized and workers in the field of the design of fashion textile in general and women in particular.2 - The results of the current study can be used to provide technical base for students of textile design in the institutes and the colleges of fine arts and how to made use them in the plastic art works and employ them in the design to achieve transformations that can enrich the aesthetic taste. 3 - The suggestions imposed by the researcher in her study can lead to the facilitation of the researchers in the women textile design, as well as scholars related to that vital field of art.The researcher also aims at the following objectives : 1. To reveal the reality of transformation of modern women textile (Islamic aba - Al - saya - the dress). 2. Putting suggested designs for the women textile based on the manner of employing the artistic transformations of Iraqi artsitis (Faraj Abou - Jameel Hamoudi - Widad Aourfaly - Bahija Hakeem) as a modernist transformation in the process of outer appearance design. The limitations of the study are manifested in the artistic formations and transformations in modern women textile design (picnicking and evening) for the (25 - 35 years) with originated from (Iraq - UAE - China) available in local markets in Baghdad within the period (2013 - 2014). Chapter Two includes the theoretical frame which includes three inquiries; the first inquiry tackles the artistic formations, while the second includes the concepts of the artistic and technical transformation in fashion textile design; the third inquiry tackles the transformations in fashion in women design. Then the theoretical framework and previous studies follow. Chapter Three includes the procedures of the study which was taking the analytic descriptive approach. The total number of the sample was (150) sample of design. The sample was chosen purposely in (%81) of (12) models. The researcher prepared the questionnaire form to analyze the women textile design that include many axis verified by the experts and then the constancy was derived. The samples were also analyzed.Chapter Four includes the result and findings of the study, and the researcher comes up to the most important findings : 1 - Repletion was used in the formation design as it forms the expressive energy for the distribution of deign items, specially the botanical and geometric forms. 2 - The sizes of items of the design formations have come in attract the attention 3 - The designers depended on the stenography of the written forms and abstract drawings through omission and addition which is more flexible. 4 - The variation in choosing the digital image through depending on the collective style for the adjacent items. It is an attempt to add a kind of change in the realization based on the style of transformations through the distribution of items which showed the effectiveness of the relationship between the form and the space that achieved vitality and dynamicity for the designing formation. Chapter Four also includes the recommendations and suggestions in addition to the suggested computer implemented designs prepared by the researcher. The study ends with the list of references and the abstract.

اقترانات منظومة تصميم الفضاء الداخلي وانعكاساتها على التذوق الفني للطفل System Conjunctions of Interior Space Design And Its Reflection On The Child’s Artistic Taste

اسم المؤلف: شيماء زكي عبد الحميد
اسم المشرف: لبنى اسعد عبد الرزاق
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الداخلي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The interior design of kindergarten classes is considered as a system which has its psychological conjunctions and reflections on the growth of the child's artistic taste. To fully cover the topic of this study, it is essential to deal with interior design both as a science which has its considerations and conditions that fulfill the basic functional needs of a child and as an art which has its conjunctions that fulfill the child's sensual and psychological needs. Since the user of this interior design is the child himself at this important age of his/her life, it is necessary that the study includes the psychological aspect of the child and his/her artistic tasting. Thus, this study researches the conjunctions between the scientific, artistic, and psychological aspects.This study topic arises through questioning what the interior design conjunctions of kindergarten classes are and how they are reflected on the children's artistic taste. The goal of the study is to find mechanisms that activate these conjunctions in a way which increases their reflection on the growth of the child's artistic taste. This goal is achieved through knowing these conjunctions in the interior design of kindergarten classes and proving their reflection on the child's artistic taste. The study is divided to three sections; section one is titled "Explanatory Theories of Conjunctions and Artistic Taste", the title of section two is "Interior Design System in Kindergarten Classes", and section three is about the child's perceptions and his/her artistic tasting.Two research methods are used in this study. The descriptive method is used in analyzing the sample of the interior design of kindergarten classes. The second method is that of testing the artistic taste of the sample children; (Mann Whitney) table is used to analyze the test data. The test results, of the two dissimilar samples of children, show a clear statistical evidence of different percentages about conjunctions and their effect on meeting human needs. So, on the basis of the results, conclusions, and

اسلوب تاليف قالب السماعي عند الموسيقيين العراقيين Style of Composing Sam?'I Form At Iraqi Musicians

اسم المؤلف: ثائر خليل اسماعيل
اسم المشرف: فراس ياسين جاسم
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الفنون الموسيقية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: This Research consisted of five chapters with a list of sources and supplements, as follows : Chapter one addressed the methodological framework of the research, viewing research justification, spotlighting on the musical style as one of the intellectual concepts for understanding the artistry characteristics, which vary according to mentalities and philosophies they descended from. The musical style in Iraq, especially in instrumental music, began to appear starting from 30's of 20th century, which considered the most important time of Iraqi music history, after establishing Institute of Music (Institute of Fine Arts), as it became a musical renaissance time after some Iraqi artists' graduation whose used many musical forms in their compositions, especially Sam?'I form, which was varied in melodic and rhythmic structures because of its importance in musical structure. For lack of previous researches dealt with Iraqi musicians' styles in Sam?'I form, emerged the justification of a scientific and analytic study about composing Sam?'I form style at Iraqi musicians. Then, the researcher showed the importance of his research, and research objective, revealing of the style of Sam?'I form at Iraqi musicians, using. After that, the researcher explained the limits of his research and he defined the terms. Second chapter included the theoretical framework and previous studies, theoretical framework consisted of three subjects; first subject highlighted on style concept, Second subject was about musical composition, Arabian music characteristics, reality of instrumental music in 20th century, Institute of Music (Institute of Fine Arts), ?erif Muhiddin Haider and his school characteristics. Third subject presented popular vocal and instrumental musical forms in Arabic music, reviewing the musical instrumental forms up to Sam?'I form, which it's the main subject of this research, and its parts, melodic and artistic formation, rhythms, composition, and its history. Then the conclusion of the theoretical framework and the previous studies. In third chapter, researcher presented the research procedures, where he identified the research approach taken, and set the research community, whereas it contained tow communities, first one consisted of 13 Iraqi musical composers composed Sam?'I form within (1936 - 2003). Second community consisted of 65 Iraqi musical compositions in Sam?'I form. Then he identified the sample size intentionally within these communities according to objective justifications serve the research procedures and fit in with the goal of research. Then the researcher named his research tools and the analytical standard that he was prepared, and finally his researcher requirements. Fourth chapter studied the musical analysis of 10 selected samples. Finally, Chapter 5 set the results of the musical analysis of samples selected, depending upon these results the researcher presented his conclusions, recommendations, suggestions, and then the list of sources, and finally the research abstract in English.

تمثلات التابو والطوطم في بنائية الفيلم السينمائي Taboo And Totem Representations In Film Structure

اسم المؤلف: محمد سلام عبد
اسم المشرف: محمد عبد الجبار كاظم
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الفنون السينمائية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The Taboo and Totem are considered to be attracted by the cinema attention due to their nature. They represent a performance challenge to the film director. In addition to that, we may say that the cinema capabilities, which go beyond all red lines, tried to reveal what is unidentified or indistinct. This has led the researcher to give his thesis the following title (Taboo and Totem Representations in the Film’s Structure).The thesis was divided into five chapters as follows : The first chapter (The methodological framework) which includes : - the problem of the research and has been put in the following question : How the representations of Taboo and Totem could be achieved in film’s structure ? Then we have written the importance, the need, the aim and the limit of such research. The researcher has made a list of the related terms.The second chapter ( theoretical framework and previous studies ) : The researcher has divided it into three sections as follows : The first Section : The taboo and totem ….. aspect and action : we have discussed the aspect of these terms, taboo and totem, and their historical origin. Also we have discussed the approaches related to psychology and sociology and ended with some film cases on these terms.The second section : Film structure and producing meaning : The researcher has discussed the nature of the film structure and the way of expressing meaning through the activation of the film intermediary language elements. In addition to that , the researcher has discussed the most important rhetorical images.The third section : Taboo and Totem in the film image : The researcher has discussed the film processing for these terms in the worldwide movie and the ways in dealing with these primitive thoughts and their effects on the film manufacture in general.Upon such discussions the researcher has had a group of indications that resemble the theoretical outlines summary to be demonstrated to the experts committee as would be illustrated in the third chapter. The researcher has ended the second chapter with the previous studies.At the end of the second chapter the researcher has mentioned the previous studies which did not include any similar one that are related to the research under discussion.The Third Chapter : ( Research Procedures ) A sample of two films has been analyzed : 1 - The Da Vinci Code (2006)2 - Avatar (2009)The fourth chapter : Analyzing the sample : The researcher has analyzed the sample depending on the indications of the theoretical framework after consulting the experts and judges committeeThe fifth chapter : Results and Conclusions : This chapter included the results that has been achieved by the researcher after analyzing the research sample.Among conclusions which has been achieved is that the film art has the capability to express many different subjects of thoughts , believes and physicals. The taboo, divine and totem represent especial subjects that impose the search for rhetorical ways on film. This is to enriched the image with signs , codes and symbols. The film’s position could be included with specialty of subject being processed so that it becomes an active character involves with other characters to communicate the information and the thoughts produced.The researcher has achieved some conclusions and ended the research with recommendations and suggestions.Finally , the researcher has included Arab and Foreign references that have been adopted in the research as well as annexes.

التنوع التصميمي في لوحات المشق الخطية Diversity In Design Mashaq Handwriting Paintings

اسم المؤلف: اشرف كامل عبد الامير
اسم المشرف: عبد الرضا بهية داود
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الخط والزخرفة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: استهدف البحث الى دراسة التنوع التصميمي في لوحات المشق الخطية، من خلال الدراسات الاستطلاعية التي قام بها الباحث، وجد وعلى حد علمه ان تلك الدراسة لم يتطرق اليها الباحثون من قبل، لهذا وجد الباحث مبررا منطقيا في دراسة لوحات المشق والتعرف على تنوعها تصميمي | Targeted to study the diversity of design in the Mashaq handwriting paintings , and through surveys carried out by the researcher, found and , to his knowledge that the study did not address the researchers before This researcher found in a study rationale plates rima and identify the diversity of design parameter. The study included four chapters, the first chapter includedthe research problem, in the following question : What diversity in design Mashaq handwriting paintings In order to reach solutions to this problem and to achieve the desired results, so research aims to identify the elements of artistic construction plates rima, andidentified by the researcher Balentajat completed in all of Iraq, Turkey, Egypt, and Saudi Arabia.The second chapter includes several axes, including a brief history of plates rima, and building them with technical, design and foundations, while the third chapterincluded the research community boards rima linear and which numbered (97)Chosen from the research (10) samples were deliberate, may follow the researcherdescriptive approach, using this instrument, which were represented form for analysis which is based on dialogue with several oversaw the validity of a group of professors who specialize in this area either Chapter IV represents to reach important results, as it appeared diversity in design plates AlamishqalkhtiahibflAdoption of plates rima processor design variety is based on the methods based on the lack of contention clips, text, or fragmentation of the word into two parts due t othe similarity of characters, or by symmetry and symmetry words of text, contributed treatment sections written word per category of color united in promoting the efficiency of literacy that draw paths lead appointed receiver to track the movement of the characters despite the variation trends, especially within the formations character motor, and the researcher recommended included plates Alamishq the curriculum for the students of the Faculty of Fine Arts, and educational institutions corresponding to them, because of their importance in the diversity of outcomes sin being kept pace with the movement of technical development, sealing the fourth quarter proposal fit to be a subsequentstudy includes oundations Alamchaq pairing between handwriting and paintings of letters nature.

اساليب النحت المعاصر وتاثيرها في نتاجات طلبة قسم التربية الفنية Contemporary Sculpture Methods And Its Effects On Products of Artistic Education Department'S Students

اسم المؤلف: طه عبد الهادي عباس
اسم المشرف: صلاح لازم حسن
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: شهد فن النحت تعدد في الاساليب لاظهار المنجز الفني والذي جاء نتيجة التطور التكنولوجي والايديولوجي الذي افرز بدوره مجموعة من الخامات والمخلفات التي كان لها الدور البارز في اعطاء الحرية في التعبير وسهولة في الاداء, وفقا لحاجات الفن في التجريب بهدف ترجمة افك | The art of sculpture has been witnessed diverse in methods as to bring out the artistic accomplishment that come as a result of ideological and technological development that in return ensues a set of ores and remnants. The latter has a grand role to give freedom of expression and easiness in performance. For translating thoughts of the artist ,successes of the art have been achieved by many artists. The history of art is characterized with a large number of artistic methods types, some of them taken as a general aspect for being distinguished with a specific type in the form, or some types taken as individual impression in works of some artists that are characterized with the form aspects to be distinguished from others. These works express selfness of the artist and being considered as a process of organization. The more progress is achieved in the artistic methods , the more get away from the old artistic methods. The radical turning points on the artistic method late of nineteenth century and twentieth century resulted into occurring changes in the feelings and intellectuality that being regarded as a base for principles , theories and artistic bases.Thus, the researcher has found the necessity to study the contemporary artistic methods for being important to enrich the artistic works in field of Sculpture - Students of Artistic Education Department - college of Fine Art since it is considered as a main gate to know modernism outcomes in plastics. The researcher realizes the problem of the research by making a study on students of artistic education department - second stage in the subject of sculpture. The researcher has suggested a basis for the problem of the research through varying methods of contemporary sculpture along with its effects on products of students of Artistic education department. In the light of that , the researcher has constructed hereunder goals : - Uncovering the effect of contemporary sculpture methods on products of artistic education department students. - Discovering the role played by these methods , techniques and modern sculpture ores on works of students of artistic education department. - Unfolding diverse contemporary sculpture methods. In order to achieve the goals , the researcher has placed a form as to analyze products of the students , the research includes 50 products for the second - stage students - department of artistic education - subject of sculpture. It has been randomly chosen sample consisting of ( 10) products accomplished according to methods of contemporary sculpture. In order to bring out results of the research, the research has depended on a set of statistic means as to process data and information that he obtained from the sample of the research and to set the results he has reached to via form of analyzing works of the research sample. The researcher has used equation of acuteness degree and equation of percentage weighs. For indicating reliability of the form ,it has been entailed two of analysts (after being trained) as to analyze sample of the research for knowing the means of operating compounds of analysis form. The results of analysis appeared according to equation of (Holsti) for the two analysts consent. It has been appeared the general average amounted to (0,86). This ratio gives a good indication to ensure reliability based on compounds of analysis form. Most significant conclusions the researcher has reached to are : 1 - The ability of student to express about his opinions and his thoughts freely by using methods of contemporary sculpture for easily getting parts and remnants from places where being easily gathered and compounded. Besides the diverse in parts that contribute into sculpture accomplishment that spare time , money and effort for the students.2 - Having the students acquire artistic skills in the contemporary sculpture ( post modernism) and modulating the nature of skillfulness and artistic properties as to reach to the best process of sculpture. This transparently appeared through the effect of contemporary sculpture methods on accomplished samples of the students ( sample of the research). The recommendations : 1 - Placing a special method paralleling to the contemporary arts and teaching the history of art. Confirming on the cognitive side as to be equal to application side for helping the student to assimilate arts and most modern artistic experiment. 2 - Motivating the students and those studying in the institutes and colleges on means , ores, techniques, and technology to be entailed in the artistic work. This step for innovating new arts ensued from the environment of the student. This comes from having the student depend on practical and application lessons according to different experimental means within methods of contemporary sculpture. 3 - Increasing lectures and hours of teaching the subject of sculpture and confirming on the classical side that in return helps the students produce works and samples with contemporary methods.This comes through the study of anatomy and kinship that enable the students to be conscious and aware of his sculpture accomplished. The connection between the old and the new helps the student formulate his special bases regarding the artistic work. 4 - Observing the modern technology to carry out the artistic work. The techniques have a role to bring out means to activate the meanings and the indication. The contemporary arts contribute into technology and scientific progress and getting benefit of modern innovations either to be used directly into producing artistic works or searching from inside the technology environment about new techniques and forms

الرؤية الفنية في تجربة جعفر علي The Artstic Insight In The Experiment of Jaafer Ali

اسم المؤلف: سلام يوسف دبي
اسم المشرف: صباح مهدي الموسوي
الموضوع العام: الفنون الجميلة
السنة: 2009
الموضوع الدقيق: الفنون السمعية والمرئية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان التصدي لتوثيق ودراسة حياة وتجربة مبدع ليس بالعملية اليسيرة مثلما يبدو وخاصة في بلد مثل العراق الذي شهد صراعا وحربا جعلت منه بلدا يكاد ان يفقد الذاكرة بنتيجة حالة اللااستقرار الذي جعل الكثير من المبدعين ان لا يجد ظرفا مناسبا لتوثيق حياته ومن المبدع | The Intercepting for The Documentation & study of the life & Experiment of a Creative Individual is not an Easy Process as it appears Especially in a country like Iraq that Witnessed war & Struggles that made him as a country that almost losses his Memory in Result of Non Stability Condition That Made A lot of Creative Individuals not Finding a Prorates Circumstances To Document Their Life's , & Those Creative Individuals who Documented to Their Artistic Biographies have been Vanished here & there or Have Terminated By The fires of Wars.So The researcher have Suffered Greatly In his Studying the Artist Jaafer Ali & to Get His Productive Achievements for this Variety artist in The Field of Movies , Radio , Television & Theater For The researcher had found that most of these information in the memory of those who lived with Jaafer Ali & those related to him , & The researcher had Acquired a Paper cuts or Notes Had been Writhen here & there or some articles or Artifacts have been Acquired & it been Convinced That is in Total Does not Form The True Image for Artist Jaafer Ali , & in the In lighting of What Was Available to the researcher From Resources This Research Has Been done about the Artistic Vision in the Experiment of Jaafer Ali Which Contained Three Chapters : - First chapter : - comprises the methodic frame, which handles the themes of the research like : - How Did Jaafer Ali Insights Reveled In his Creative achievements , & what is The Resources That Made him A Multiple Visionaries Individual?.As For The Aims of research : - 1 - The Documentation of An Iraqi Creative Individual In the Field of Culture & Arts.2 - Studying The Achievements of that Creative Individual In the Area of Theater , Movies & Television.3 - In lighting His Experiments In Movies Through His Feature & Documentary Films. The second chapter tackled theoretical frame & Previews Study's which includes Three topics : - 1st topic : - Grown up & Forming in the Effect of Cultural & Artistic Realty : - Which is A Phase Jaafer Ali Was Formed in The Shadow of Social & Cultural Realty That Was Various , & his Affection of With The Greatest Iraqi Culturists , & His Grew in Time Period that was Rich with mind liberty , So He Makes his way according To The Ambitions of sophisticated Individual That Claims the Pronouncing of His Visions , He Managed To Study English Literature In The Literatures College , Than He Headed To Study Cinema In the United States , After His Return He Started To Lecture In Fine Arts Institute & Fine Arts Academy in Deferent Cinematic Art Fields , & The Topic Also Included His Practical Life A Teacher , Musician , Interpreter , Cinematographer , Actor , Critic , & Writer In Addition To Some psychological Crisis That Happened To Him. 2nd topic : - It Includes Technical Expertise 7 Artistic Visions in The Field of Theater & Television , & The Interest That Jaafer Ali Was Reflected On The Composition Between Theory & Applying That Makes Him Capable of His Instruments & Implying it to Manifesting The Contents & Thoughts for the Scripts in Television & Theater , were Theater was The First Lunch in His Technical & Artistic Experiment Through What Been Achieved in Theatrical Plays Were Most Signified One Was Vetrock & Many Other Television Plays Like (Satra Vosan).3RD topic : - The Artistic Vision in His Cinema Experiment : - This Topic Includes A Briefed Historical Reading for The Facts of the Iraqi Movies Production Movement & the Economical & Political Circumstances , Its Divided To Three Periods ; - 1st - From The Year 1946 till the year 1959.2nd - From The Year 1959 till the year 1975.3rd - From The Year 1975till the year 2003. And Remembering some of Jaafer Ali Four Documentary Films Which are : - 1 - The Collector ( Al - Jabi).2 - The Turn ( Al - Munaataph).3 - Years of Life ( Sanwat Al Omer).4 - Narcissi The Bride of Kurdistan ( Narjes Arws Kurdstan).And Two Feature Films are : - 1 - Women & Work ( Al - Maraa Wal Ameel ).2 - Askerrian Shrimp ( Al Rawdaa Al - Askerrian ). This Topic Also Shows The Foundational Role of Jaafer Ali To Establish The Department of Cinema In The College of Fine Arts.The 4TH chapter consists of the research procedures including the Research s' sample that the Researcher analysis of the samples.And The Most Important Results That The Researcher Have Included : - 1 - In Spite of the Specialty of the Research s' sample By Its Narrative Construct & the Shortening of the Dramatic Act but was Able to show the daily life of the Iraqi people & its Suffering through a Bus Journey in The Film The Collector ( Al - Jabi) , & The Political & Social & Economic Reality For The Country & The Agony of The Iraqi Culturist In the Shadow of These Circumstances in the Film The Turn ( Al - Munaataph).2 - It Was Clearly Obvious the Effect of the Poverty & the Lack of Techniques that used in these Film Samples Which Reflected on the General Artistic Shape To The film , For This Lack Had Sustained The Camera Freedom In Movement & Taking More Expressional Angles , & This Lack Also Reflected In The Lightening Composing In A Amount of Scenes Especially The Night Vision Scenes For the Most Was Humble & Modest.

الاتجاهات المعاصرة لفن الخزف العراقي وامكانية توظيفها في مشاريع طلبة الفخار - معهد الفنون الجميلة Contemporary Orientation of Iraqi Ceramic And Ability To Employment In Project of Student of Ceramic\Institute of Fine Arts

اسم المؤلف: هند عبد الجبار عبد الكريم
اسم المشرف: نبراس احمد جاسم الربيعي
الموضوع العام: الفنون الجميلة
السنة: 2012
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: التعليم مشروع انساني يرمي الى هدف مساعدة الافراد على التعلم، والى احداث تغيير مرغوب فيه في سلوكهم، ويرمي ايضا الى اثارة دافعيتهم للتعلم من طريق مجموعة من النشاطات والقرارات التي يتخذها المعلم، او الطالب في الموقف التعليمي في اثناء التركيز والاهتمام بطرائ | Humane education project aims to help individuals learn, and change undesirable behaviour, and also aims to raise davaithm for learning through a variety of activities and decisions taken by a teacher or student in the educational position through focus and interest in teaching methods and techniques in order to achieve objectives which seek to develop capabilities and creativity learner able to discover new horizons in reality promotes all aspects (physical, mental, cognitive, and emotional skills, and professional). Educational institutions, including the fine arts institutes that have a significant role in the community being interested in preparing almlakatalalmet and functional in various disciplines, these institutions a distinct role in the construction of teacher's educational, socially and technically and contribute to the creation of specialized technical elements of education and work in the fields of art, and was responsible for leading the Renaissance and broaden scientific knowledge, through the introduction of ways and means and methods in software setup and keep pace with the technological knowledge and waladatrad occurs in the world, including instructional design.Based on the foregoing, the present research aims to : 1. detect trends of contemporary ceramic art.2. design tutorial on contemporary trends of ceramic art based on the Iraqi paradigm (Kaneh webrgs 1988 (Gagne&Briggs in instructional design.3. measuring the effectiveness of tutorial its knowledge and skills through tested on a sample of students grade 5 - BR - Department of fine arts pottery for the academic year 2011 - 2012. So the researcher designed the educational paradigm (Kaneh webrgs Gagne & Briggs, 1988) contains (4) modules are (raw materials and supplies necessary to prepare dirt, methods of forming Tina pottery, modern art trends, trends and contemporary styles of ceramic art) include (4) learning objectives have been analysed to behaviorally target (70) and reality (13) target behaviorally for first and education unit (17) behavioral goals for second and education unit (8) behavioral goals for third and education unit (32) targeted behaviour of education unit, fourth and knowledge skills represent a dynamic and compassionate. Current research community were selected from students grade 5 Br. pottery - Arts - College of fine arts - study of morning (10) students, the entire community was chosen as a sample of application experience accredited by the researcher. As the current search experimental method was adopted, and it has been chosen as experimental design with a minimum of one sample exactly tests being compatible with tribal walbadi current search procedures which aims to know the effectiveness of tutorial material porcelain. For the purpose of measuring the effectiveness of this program is designed for two types of first tests to measure information collecting knowledge acquired by students and second Maharey measured mediation skill performance evaluation form prepared for that purpose, as these tools have been made subject to the procedure for validity and reliability. To show search results reached by the researcher used the following statistical means (test welkoksn), to show the differences between students in the experimental group, and tribal webadia equation (coefficient of difficulty, discrimination) to analyze cognitive achievement test paragraphs and equalization (Cooper) to find agreement among the arbitrators as well as foremen in the process of performance evaluation form stability, furthermore the researcher to use equation (kiodr Richardson/20) to consistently test cognitive achievement.The most important findings of the researcher, are : 1. The superiority of the experimental group students who applied them tutorial in test marketing post, due to the educational experiences provided in the tutorial.2. the superiority of the experimental group students (the experimental group) students who applied them in skill test tutorial post, due to a sequence of technical skills within the ceramic prepared tutorial content.The researcher has recommended a series of recommendations including : 1. adoption of the tutorial the designer in current research in relevant educational institutions (institutes of fine arts) and the teacher) taught by ceramic material to prove its effectiveness and its ability to develop the skills of students.2. training of teachers and teachers of art education teaching personnel within art education schools secondary technical skills of ceramics as one of the goals of professional education for the purpose of developing the skills of their students in this area.3. use professional skills development centres of the Ministry of education and higher education and scientific research of instructional design (tutorial) prepared in current research on the paradigm webrgs Kaneh/1988, and its use in the design of other subjects to prove its effectiveness.

تقنيات الذكاء الاصطناعي وفاعليتها في تجاوز المشترط التصميمي Artificial Intelligence Techniques And Effectiveness In Overcoming Designs Requirements

اسم المؤلف: سامر عبد المجيد حميد
اسم المشرف: هدى محمود عمر
الموضوع العام: الفنون الجميلة
السنة: 2012
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: هذا البحث (تقنيات الذكاء الاصطناعي وفاعليتها في تجاوز المشترط التصميمي)، يتناول تاثير التقنيات الذكية على نظم تصاميم المنتجات وفاعليتها في تحرير المصممين والمنتجين من قيود واشتراطات العملية التصميمية. اذ تاتي اهمية هذا الموضوع نتيجة للتطور التكنولوجي في م | This research (Artificial Intelligence techniques and effectiveness in overcoming designs Requirements) deals with Smart technologies impact on product design systems and effectiveness in Unlocking designers and producers from the constraints of the design and operation requirements. The importance of this topic as a result of technological development in the field of high technologies capabilities, The research problem been identified by asking for the possibility fact of been smart technologies are the basis for built upon design (formally and functionally) in the future? The research aims to provide specialized knowledge of these techniques, and to specify trends of industrial products and designs according to the employment of these systems design techniques in the realms of form and functionality. The limits of this study include (Smart) electronic, electrical devices for the Korean company Samsung for the year 2012 , those are available in local markets in Baghdad. and the study contained four chapters, the first one included of the importance of research and the need for it as well as the research problem and the objectives and the limits and the specify of the terms. The second chapter has included previous studies and the theoretical frame, which contains three sections first interested in the concepts and the principles and the mechanisms of intelligence and the artificial intelligence, and the second included the smart technologies and the their use in products, and a third which interested in the design requirement definition and the types of it.The third chapter, which included measures search for community wide study based test (intentional) of the study population samples and descriptive analysis approach through analysis form after its presentation to a group of experts. And which is one of the most convenient ways to achieve the goals of the study.Chapter dealt with the description and analysis of models according to the analysis form designed by the researcher, the fourth chapter included number of results, and the most important : 1. the axis of change ranges in the product - according to the employ smart technologies and their impact on the product - was achieved well by 60% in models (1 - 2 - 3) which showed a change in the form according to the employ smart technologies in their systems, while not achieved by 40% in the two models (4 - 5) to form models remain on its traditional designs despite employ techniques in their systems.2. Change ranges Achieved on the performance of the product - according to the employment of smart technologies and their impact by100% in all models (1 - 2 - 3 - 4 - 5) ,and these technologies affect the performance and design functions primarily reflected the effect on the rest of the design aspects of the system.The most important conclusions drawn in the search : 1. A lot of elements and components of the general form of a smart device transformed from the material system (Hard ware) informational System (Soft ware) according to make them individual automated (automatic), Resulting to Reduction their sizes too much.2. Design Systems of the smart products characterized by fast performance interaction with the surrounding middle which making them time - saving products from aspects of the setup and control for achieving efficiency, and high ease of use.3. Portability and feature of changing elements & formalities which offered by display units and sensing at once (touch screens) gives great variety in the general form, and liberalization from the usual requirements for elements of form to the same device (keyboard & Normal screen), showing the desired and hide the rest.Also contain the suggestions and recommendations and then references.

جماليات الفوتوغراف في الرسم الانطباعي

اسم المؤلف: علي اسماعيل سبتي الكرعاوي
اسم المشرف: عاصم عبد الامير الاعسم
الموضوع العام: الفنون الجميلة
السنة: 2012
الموضوع الدقيق: الفنون التشكيلية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

البيئة وتحولاتها في تشكيل الرؤية الاخراجية Environment And Its Transformations In The Formation of Directorial Vision

اسم المؤلف: حسين جوير علي
اسم المشرف: سعد عبد الكريم خيون
الموضوع العام: الفنون الجميلة
السنة: 2014
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: شكلت عروض البيئة وتحولاتها في تشكيل الرؤية الاخراجية خروجا على الثوابت الارسطية في بناء العرض المسرحي فقد عمد مخرجو المسرح البيئي الى تدوير البنية الدرامية للعرض المسرحي وجعلها متحركة لا تعرف الثبات اذ ازاحوا النهايات التقليدية.ان هذا الامتياز في بناء ا | The Performances environment and its transformations in the formation of directorial vision are formed departure from the Aristotelianism constants in the theater building was deliberately environmental theater directors to rotate the dramatic structure of the text and make it theatrical Animations do not know where steadiness ousted traditional endings.This concession to build a theater. Who created play spaces based on reductionism and abstraction and condensation. Thus, this method is to create a space theater has established for environmental performance today and directorial spaces and transformations in the environment through the formation of directorial vision to create a surprising aesthetic Offers in environmental theater. Eliminated the constants in the construction of the recipient and intellectual provocation formed an ongoing awareness of the recipient and the recipient revealed post and effectiveness in the theater, a goal sought by the environmental theater performances. Environment was the play space are proposed in the conversion and the formation of directorial vision and containing effective weather aesthetic display of theatrical and so did the participation of the recipient to unite the receiver with the effectiveness of the theatrical presentation. Researcher sheds light on in his four seasons in the first chapter (methodological framework) presents the research problem and the need to focus on the following question : Is the environment and the effectiveness of the its transformations in the formation of directorial vision?The research aims to identify the effectiveness of the environment and its transformations in the formation of directorial vision. Researcher has identified a theoretical framework (Chapter II) in three sections : 1. Conceptual environment. 2. The environment and aesthetics of theatrical space. 3. Employ architectural space and environmental Performances.Have been identified through this chapter on the environment and its transformations play intellectually and aesthetically, as well as elements of the establishment of the environment in the directorial styles of both (Richard Chnr, Petrbruk, Arto) and enables the researcher then stand on the theoretical framework of indicators, including : Environment and its transformations (Trans for made space) are that the filmmaker creates a structure width through reconfiguration and replacement of its space carefully selected to create a theatrical Creator. Hired directors rituals in their environments Created play two proposals have a distinctive form and adapted methods and techniques so festive, religious and non - religious, but subject to the understanding of contemporary theatrical techniques and adopted by the researcher as tools for the analysis of research samples.The third chapter contains the search procedures, which included : the research community and specimens, tools and methodology descriptive analysis of three directors : 1. Awni Karome 2. Adel Karim, Salah Kasab. The fourth chapter contains the results and discussion, conclusions, recommendations and suggestions, and then the list of sources, references and appendices and a abstract of research in the English language

ملامح الاداء التمثيلي في المسرح التجريبي وتطبيقاته في عروض كلية الفنون الجميلة Performance Analog Features In The Experimental Stage And Its Applications Offers In The Faculty of Fine Arts

اسم المؤلف: بهاء زهير كاظم
اسم المشرف: عبد المنعم فتحي خطاوي
الموضوع العام: الفنون الجميلة
السنة: 2012
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ينقسم البحث الموسوم (( ملامح الاداء التمثيلي في المسرح التجريبي وتطبيقاته في عروض كلية الفنون الجميلة )) على اربعة فصول , يتضمن الفصل الاول الاطار المنهجي من خلال مشكلة البحث والحاجة اليه واهمية, البحث, وهدفه, وحدوده, ومن ثم تحديد المصطلحات.اما الفصل ال | Research is divided into marked ((features of the performing arts in the experimental stage and its applications offerings in the Faculty of Fine Arts)) to the four chapters, Chapter I of the methodological framework of the research problem and the need to and importance of research and its purpose and its limits, and then determine the terms.The second chapter included the theoretical framework of the research component of Mbgesan, the first title (experimentation through the ages), which dealt with the technological development at the level of presentation and method Alokhraja when each of the (Greeks and Romans in the Middle Ages and the Renaissance In the twentieth century). While addressing the second part (according to the mechanisms of representative performance of schools and recent trends). Mechanism of action of representative directors at the most important theater of the twentieth century, including (Jersey Grotovski and Maerhold and Bertolt Brecht and Peter Brook and Eugenio Barba and some of the trends and modern schools).The third chapter (action research) research community, which defined within the time period of the year (2005 to 2011) and samples of research that have been selected through the application form (questionnaire) which was distributed on (Stth century) competent professors from the Department of Performing Arts and the result was the selection (three ) performances won the most votes to be samples of research, namely, (a play set up Waasitiyyah) by Dr. Akil Mahdi Yousif and directed by Dr. Zuhair Kazem, and (a play that is what happened when we were waiting for) the number and directed by Dr. strict in, and quoted from the play (Waiting for Godot) to Samuel Beckett. And (play field) written and directed by Dr. Akil Mahdi Yusuf. The researcher adopted a descriptive approach for the analysis of his samples by relying on CDs and watch kind of plays and interviews.The fourth chapter has dealt with the results of research and discussion, conclusions and then the recommendations and proposals and then the list of sources and references and a list of supplements that included a model of form (questionnaire) and photographs of some of the scenes drama