دلالات المفردات التراثية والطبيعية في الخزف العراقي المعاصر == Semantics Vocabulary And Natural Heritage In Modern Iraqi Ceramic
Author name:
مثنى رياض علي القريشي
Supervisor name:
صفا لطفي عبد الامير
General topic:
Fine Arts
Specific topic:
Porcelain
Degree:
Master
University:
University of Babylon - College Of Fine Arts - Fine Arts Department
Language:
Arabic
University location:
Babylon
First pages:
18T901 - p.pdf
Abstract:
يعد التراث من القيم الحضارية، وهو مؤشر لحجم اصالة الامة ويعد عنصرا فاعلا في اصل وتاريخ اي امة من الامم، وان السعي لربط الموروث الحضاري القديم لامتنا بالتقنيات الجديدة المعاصرة، فانه ينتج عنها فن معاصر ذو قيمة جمالية ومعرفية متميزة وتشكل جسرا رابطا | Heritage is one of the values of civilization, which is an indicator of the size of the authenticity of the nation and is an effective element in the asset and the history of any nation, and seek to link the ancient cultural heritage of our nation's contemporary new technologies, it produces about contemporary art is aesthetic and cognitive value distinct and form a bridge link between the past and in the future. Within this framework, looking message on how to achieve this by including the vocabulary of this heritage on the ceramic business, which can be a mirror for this port heritage to contemporary ceramic surface. For this purpose, it has adopted a search on this analytical study of this vocabulary where research is divided into four chapters : the first included on identifying the research problem, which crystallized in the following question : Are there implications for vocabulary heritage and natural in contemporary Iraqi porcelain, then the importance of research, which may contribute to the documentation Cultural Heritage of Iraqi artists and works to complete the march of other research that preceded it, especially in the field of ceramics and folklore Iraqi heritage. The objectives of the research were identified as : detecting signs of vocabulary and natural heritage in contemporary Iraqi porcelain through research sample analysis. The second chapter of previous studies has included theoretical framework, which included three sections Head : The first section contains the concept of significance in art where he addressed the concept of semantic and determine its characteristics, while the second section has included the first two axes was Vocabulary heritage in contemporary Iraqi porcelain, while the second axis has was a natural vocabulary in contemporary Iraqi porcelain. The third section dealt with the emergence of pottery and contemporary Iraqi history since its inception and up to prosperity. To end the most important theoretical framework indicators. The third chapter is devoted to research procedures included the research community consisting of (80) decorative model, where they were relying on descriptive analytical method for the analysis of the sample, which included (18) pursuant Khozvin Iraqi artists. The fourth chapter contains the findings and conclusions reached by the researcherResults : 1. Heritage was founded in contemporary Iraqi porcelain signs new relationships unfamiliar between tradition on the one hand and between the intellectual and social dimensions of human life on the other hand, Mrtkie level accomplished ceramic and adding to it a technical dimension aesthetically pleasing, regardless of the temporal and spatial forms of relationships, and the escalation in return, which is an internal and Ojaddana through deepening expressive and symbolic values presented within formality done.2. came vocabulary heritage Iraqi contemporary ceramics carries within semantics design through the adoption of the mark or symbol that carry expressive feature takes a modernist character, which gave the potter Taoulih structure and wide inside carrying signs and pictures of NES.3. resulted in sample analysis for the presence of cultural and civilizational speech broadcast on contemporary ceramic work, and is determined by which side of the established semantic structure in porcelain inspired by the experience of the bases of religious heritage, cultural heritage, folk heritage is deeply technical content in the history of Iraq.As the researcher's conclusions, inter alia : 1. Iraqis artists sought to expand the semantic openness in ceramic art and achieving diversity in Astelhamanm vocabulary of semantics heritage in contemporary Iraqi porcelain through the diversity of shapes and structures and techniques of contemporary art.2. The nation heritage industry and the product of the people of civilization, which is a product of culture, values and affiliations of those of the nation and the people and can be a detection tool the past and embrace the present.3. The Iraqi contemporary ceramist focused consciousness to read and live with inherited according to the results obtained from international experiences Fine read Mesopotamian cultural heritage and trace the evolutionary stages of the art techniques. The study concluded with a series of recommendations and proposals related to the development process in other areas of study and update of interest, followed by a list of sources and references, appendices and summary in English.
