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الانعكاسات المرئية للتزيينات في تصاميم الاقمشة والازياء == Viewed Reflections For Adornment On The Fabric And Fashion Design
Author name:
محمد حاكم ضايع
Supervisor name:
هند محمد سحاب العاني
General topic:
Fine Arts
Specific topic:
Industrial Design
Degree:
Master
University:
University of Baghdad - College Of Fine Arts - Design Department
Language:
Arabic
University location:
Baghdad
First pages:
18T912 - p.pdf
Abstract:
يعد فن صناعة الاقمشة من الفنون الانسانية التي ارتبطت به منذ النشاة الاولى ومرت بحقب ازدهرت فيها وانتكست في اخرى, لذا فهي تدل على مدى رقي الامم الثقافي والاجتماعي والاقتصادي والفني, واصبح فن صناعة الاقمشة من الصناعات التي يعتمد عليها الكثير من الدول كالصي | The art of making fabrics of Arts humanity associated with its since starch first and went through periods flourished and relapsed in the other, so is the show over the paper Nations cultural, social, economic, technical, and became the art of making textile industries upon which a lot of countries that seek to achieve growth economic so they are associated with development of scientific and technical happening in all aspects of humanity, in which case began receiving choice designs for textiles and fashion decorations a certain way and not spontaneously, but rely on subjective factors and objective achieving compatibility with aspects of psychological, physiological and differs from the choice of the genus to another, and is embodied in the designs fabrics and women's fashion and decorations the selected not on the basis of carry forms of design, but design is the interplay of relationships with the structure of the receiver that reflect the integrated check personal attraction and excitement of the recipient.So the designer study aspects of psychological and physiological women are different from men in the way of its choosing designs decorations in textiles and fashion women also each stage age vocabulary design their own as that each community of values, customs and traditions of its own influence in the way of dealing with those designs, in which case the designer can predicate to accept those designs and decorative or rejected as it was built on the foundations of true scientific and technical find out regenerate of visible reflections serve as a means of communication is verbal.The research is consistent with this interest to find out what sends designs decorative for Textiles and women's fashion of the reflections visible check the aesthetic dimension of those designs and down to achieve taste of the receiver's.According to the research problem identified the following question : (What are the implications for decoration in visual design and fashion fabrics)It aims to identify the reflections visible in the textile and fashion designs based techniques to achieve them, the detection of the most important decoration achieved for infrastructure requirementsintegrated design and fashion fabrics.And highlights the importance of the current research to increase awareness of intellectual design with designer fabricsAnd fashion knowledge foundations and development trends that contribute to the perception of visual implications of the decorations in the textile and fashion designs as well as to know the physical propertiesIndustrial and decorations employed in the textile and fashion manufacturers have.The study identified the limits of the printed designs and added in women's fashion fabrics for the group stage of (25_40) years, and specified for use in period Evening imported and available in local markets and within the time period (2011_2012). The researcher then select the terminology and the development of each term procedural definition of its own, and the second chapter discusses the theoretical framework and previous studies and included three Detectives were distributed as follows : ...The first topic : the decorative designs in textiles and fashion.The second topic : the concept of visual implications in the design.The third topic : the perception decorations in fabrics and designs women's fashion.The researcher to the most important indicators resulting from the theoretical framework through which the researcher were able to communicate with the third quarter in a harmonious and also achieved a theoretical framework for the presence of previous studies.The third chapter dealt with the research procedures, as follow researcher descriptive analytical method, representing the research community b (48) model is set up for the evening was chosen as the research sample wildly including copes with stage age - specific research and end - use and thus amounted to sample B (12) sample rate25% of the total research community, either search tool represents the form for analysis built on the main axes of which dealt mostly a researcher at the theoretical framework included axes contribute to achieving the goals of the research, and then presented to the experts in the field of design and design fabrics for gaining sincerity virtual then adopted inanalysis models and discussed.Fourth chapter discusses the results reached by the researcher through research and samples that we will discuss mention the most important : 1 - Adopted on the printed designs designer visible in the composition of the implications of an aesthetic nature (decorative), which showed tangible variables and space suggestions depth result of Recurring act or the difference in the optical values.2 - The decorative designs (synthetic) and place the design holds as it is one of the most important design requirements to achieve an integrated design structure depending upon the discharge of excess cloth and show the true dimension of the recipient in the design of cloth and uniforms.3 - Melanocytes technology has emerged as a supportive space for printing techniques that promised one of the most important techniques adopted to achieve visible reflections ornamental would forma effects and events showing investigator for excitement and attraction to those reflections.4 - Showed the effectiveness of the design elements design decorations gave the recipient delusion the tangible variables resulting from some forms of the design space, which was adopted by the design in the formation of relationships.5 - A reversal is the sense of the existence of things, whether real or fake, and then it turns sensation to cognition, as it begins receiving classified so perceptive according idea of design and their sources.6 - Made the formal qualities of the decorative design and technical design followed by the idea the primary purpose of the visual impact some of which appeared for the purpose of aesthetic, but tailor differed dress the percentage with a cloth design aesthetic as it achieved the purpose and career together.The fourth quarter also included the conclusions reached by the researcher is the most important : 1 - Depend on industrial raw materials in the first place due to its flexibility and softness and the ability of high reflectivity and a high acceptance of melanocytes and printing techniques which helped to show aesthetics that are compatible with the target design and age.2 - Industrial sources and made its presence allowing the designer ample opportunity in diversity in the decoration and operational techniques and show in the design cloth and uniforms and achieves visible reflections with aesthetic connotations.3 - Linked style design type design sources relied upon in the formation of decorative designs which gave greater freedom of the designer in influencing receiver depending on the identity of belonging to that reality for both the designer and the receiver.4 - achieved a technical clear role in highlighting the aesthetic qualities of the design decorative through the sending of reflections visible based on the values optical achieve those values memorial in the proportion of impressions and how to influence the nature knows the receiver making technology an active role in determining the nature of reflection and visual way to influence the recipient.5 - Formed decorative designs for the uniform structure of an integrated design unrealized thrills and attractions in the receiver depending on the harmonization of decorative designs for fabrics and unique, which helped in achieving integration in the design structure. The fourth chapter contains recommendations and proposals and the Arabic and English sources and supplements and summary in English
