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تمثلات الاشكال الواقعية في الخزف العراقي المعاصر
Author name:
عباس حمدي بكتاش
Supervisor name:
فاروق نواف سرحان العيساوي
General topic:
Fine Arts
Specific topic:
Porcelain
Degree:
Master
University:
University of Baghdad - College Of Fine Arts - Fine Arts Department
Language:
Arabic
University location:
Baghdad
First pages:
18T893 - p.pdf
Abstract:
من خلال تتبع التجارب المتنوعة في مجال الفن التشكيلي العراقي المعاصر بين المحاكات التقليدية والموضوعية والتجريب في عوالم لا المرئية من خلال الاستعارة والتوظيف التعبيري عن مضامين الكامنة وراء الاشكال للخروج بعمل فني فرادي الرؤية تحقق متطلبات التجربة الذاتية | By tracking different experiences in the field of contemporary Iraqi art between simulations and traditional objectivity and experimentation in invisible worlds through metaphor and expressive employment for the overlaid of the underlying shapes to deliver an art with an individual vision that meets the requirements of a subjective experience,from which emerged forms and methods based on significantly open suspicions with realistic resultes which are surrounded by a lot of mystery assignored those shapes to a mythological paths , which launched the research problem. in this study , the first chapter dialed with the problem and its significance by adding introductory approach about realism and its new directions in the contemporary Iraqi porcelin art and highlight the trends that have emerged and had taken wider area in the framework of realism to the goal to be achieved by the research.The second chapter of the research,in the first part dealt with the sensible and un sensibl in art and establish the link between the human and the presence with concepts of material by the spiritual from the other side , and between them and the aesthetic expression and artistic for that link , through philosophical compititions and the vagaries of social reflected on this dialectical Booze founding spirit concepts reality in general, and addressed in the second part, and at length , addressing the concept of reality and realism. giving difinition of material reality and objective reality and knowledge , a departure for a clear vision of reality after the presentation of views and debates in which , creeping to the foundations of realism then to the cultural phenomenon and art through the depiction of the realities of existence and melodious received from those facts it portrays life in all of its differences and balances.After that the third section started by the presentation of realism and trends in the art of contemporary exhibitors to approach realism in art that has taken place and the range of between curriculum afterlife through association with life and the capacity of the artist from the jaws of blades actually rebuilt and installation and turn it to ideas according to the processes of analysis an synthesis , and new ideas which resulted in actually studeing the reality deeper and more contemporary that gave the trends varying in their concepts of realism of the most important neo - realism and socialist realism and magical realism , otherwise expressionistic and surreal and excessive abstraction and other trends that are generated Retracted this concept spaces wide range of concepts , from here , we find that the Iraqi artist in dealing with realism which we can see in his works, that was dealt with in the fourth section ,The contemporary Iraqi porcelen , in terms of realistic or not, and the use of icons and realistic shapes. The measures included in the Chapter III of the research for the descriptive analysis of the work and that has been selected (11)sample of from whitch results and the conclusions reached by the researcher. lastly there were the recommendations and proposal summary.
