المغايرة الاخراجية في تجارب مسرح الشباب
Author name:
علاء قحطان زغير
Supervisor name:
وليد شامل حسين
General topic:
Fine Arts
Specific topic:
Theatrical Arts - Directing and Acting
Degree:
Master
University:
University of Baghdad
Language:
Arabic
University location:
Baghdad
First pages:
18T886 - p.pdf
Abstract:
ان كل المتغيرات والتحولات في انتاج مستجدات المغايرة الاخراجية في مضمون العرض المسرحي القائمة من الواقع المعيش على المسرح الذي لم تكن يوما ولن يكون بعيدا عن هذه التحولات والتطورات الحديثة لذا يتجسد مفهوم المغايره الاخراجية في مضامين العرض المسرحي في زمان و| All the changes and transition in the production of directorial contrary development in The content of the play based on the reality of the Living Theater and all these changes and the recent development wasn’t far away and it will not be that’s why the concept of the contrary directorial is embodied in the content of the play and the time and place of it and the text structure and the functioned mechanism in the concept of the directorial contrary. The contrary transitions in the theater is not the result of today, but accompanied him since the days of the Greeks to the present day , the development of the act and the theatrical event through contrary starting with Stanislavski and Duke Sachs Mngen and Brecht and Arto and Brooke and ending with the current of modernity and its concepts of modernity and post - modernist that established the concept of contrary in the theatre so …….this entitled research ( the contrary directorial experiences in the youth theatre consist four chapters , The researcher divided it in to chapters and sub chapters , the first chapter includes the methodological framework and the research problem and the need for it ,then the researcher shows the importance and the objectivity and the temporal and spatial limits of the search and identify the terms and find the procedural term that educed through the reading of the sources and the modern references and opinions that he reached for. as for the second chapter (the theoretical framework and the previous studies ) the researcher has divided the chapter it on to seven sub chapters that titles under the following diagram : The first chapter : the contrary directorial in the experience of the global theater The second chapter : the contrary directorial in the Scinography configuration structureThe third chapter : the contrary directorial in the experience of the Iraqi directors In the third chapter the researcher deals with the research community, research tools - samples Seat - method of selecting samples chosen by the researcher then - Analysis of samples - according to the mechanics of the operation of the play aesthetically and intellectually according to the premises directorial concepts contrary to the theatrical presentation. In the fourth chapter the researcher has reached to the results and select the conclusion that he reached to by taking the suggestions that it deems necessary for the development of the Iraqi theatre movement in general and the youth theater in particular and then he puts the recommendations that he reached to through his research and theoretical and field study and installed the sources and references with the abstract in English and appendices at the end search
