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تجارب المسرح الاكاديمي العراقي ما بعد التغيير : نماذج مختارة University of Baghdad College of Fine Arts Post - Change Iraqi Academic Theatrical Experiences (Selected Samples)

اسم المؤلف: نبا جبار مناحي الربيعي
اسم المشرف: عقيل مهدي يوسف
الموضوع العام: الفنون الجميلة
السنة: 2015
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: التجربة المسرحية هي تقديم عرض له مرتكزات علمية تربوية رصينة يهدف من خلالها المخرج تقديم عرضا مسرحيا متكامل العناصر، قدر الامكان ومقاربة الابتكارات المسرحية الجديدة. بالاعتماد على الاكاديمي وهو المنهاج العلمي الذي يعتمده الاستاذ المسرحي التربوي، في تقديم | A theatrical experience is merely a presentation based on firm scientific and educational elements, through which a director aims at presenting, as possible as he can, an integrated theatrical performance, and at approximating new theatrical innovations. Depending on the scientific methodological approach which the theatrical academic professors usually adopt in presenting a qualified theatrical experience on applied scientific bases and theoretical principles, specified objectives and outcomes are brought about and they consequently formulate the elements of any academic theatrical performance in a way parallel to the targeted artistic model. This study mainly aims at discussing the significance of (Academic Director), as well as the main educational additions which can be identified by the innovative achievements of the Iraqi theatrical academic director, in an attempt to point out the most successful educational and scientific achievements within the academic institution, and the means and methods adopted to fulfill this aim. The researcher, in her study entitled "Post - Change Iraqi Theatrical Academic Experiences", has discussed the theme of Iraqi professional academic director. The study deals with four chapters : 1 - Chapter one : The methodological Framework. This chapter deals with the problem, its significance and necessity; aims of the study; the spatial and time limits of the study; terminology and its definition.2 - Chapter Two : The Theoretical Framework. It consists of three sections : - Section One : the global concept of Theatrical Experience. It has been divided according to the study of ancient international experiences. After the introduction, the researcher discusses the concept of experience, main definitions, and elements of experience in the international theatre and, then, the main innovative streams of the theatrical experiences. - Section Two : the influence of political and social changes over theatrical performance. This section includes an introduction, followed by two subsections. The first casts light on the main contemporary schools and trends which greatly influenced by the recent political and social changes. On the other hand, the second subsection discusses the impact of political and social changes over the contemporary European theatre, as well as the most important theatrical achievements in Europe, which , within their performances, greatly affected by politics and social life. - Section Three : the concept of academic theatre on Arab and Iraqi levels. This section is divided to five subsections that deal, after an introduction, with Arab academic theatre, Arab academic director, academic theatre in Syria, academic theatre in Iraq, and the concept of academic director on the Iraqi level, respectively. The researcher has also referred to the phenomenon of the professional academic director in the Arab and Iraqi theatre. The main indicators of the theoretical framework of the study have also been presented by the researcher. They have been applied and tested on some Iraqi theatrical performances by college of Fine Arts\ Theatrical arts Department, in Baghdad, by a number of Iraqi professional academic directors. Previous literature related to acting and directing have also presented and chronologically arranged as follows : A - Bahaa Zuhair Kadhim : Features of Theatrical Performance in the Experimental Theatre in the performances of the College of Fine Arts, 2012.B - Yusuf Hashim : Features of Experimentalism in the Iraqi Academic Theatre, 2014. 3 - Chapter Three (procedures of the study) : In this chapter, a sample has been selected depending on a comprehensive investigation for theatrical performances from 2005 to 2015. The sample has been deliberately selected due to the diversity of these performances to the Iraqi academic director. The researcher thus adopts the (descriptive) approach in studying and analyzing the sample. The study's tools consist of the indicators of the theoretical framework, documents such as books, magazines, CDs, photographs, and notes, which the researcher utilized to pursue certain academic levels, starting from writing, presentation, directing and all the additions that characterize the reliable theatrical performances. The samples selected by the researcher are as follows : a - Al - Hussein Alaan (Hussein Now) , a play directed by Aqeel Mahdi Yusuf. b - Maradh alSharq Dimoqrati (East Disease is Democratic), a play directed by Haitham Abdul Razzaq. c - Ghareeb al - Dar (a stranger), a play directed by Zuhair Kadhim Alwan. 4 - Chapter Four (results and conclusions) : In this chapter results, conclusions, suggestions, recommendations, a list of references, appendices, and an abstract in English have been pinpointed.

تاثير استخدام اوكسيدي الزنك والتيتانيوم لانتاج زجاج الخزف البلوري The Effect of Using Zinc Oxide And Titanium Dioxide To Produce A Crystal Glaze

اسم المؤلف: احمد جعـفر حسين الـشمري
اسم المشرف: محمد عبد الحسين العريبي
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الخزف
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يتناول البحث الحالي امكانية انتاج زجاج خزف متبلور ينضج بمدى حراري عال(1250 م) باستخدام اكاسيد الزنك والتيتانيوم كـمكونا رئيسيا للتبلور وباستخدام زجاج قلوي جاهز(Alkaline Frit glaze) بعد اجراء التحليل الكيمياوي للحصول على زجاج يلائم طبيعة البحث كما حددت | The research is dealing with the ability to produce crystallized Stoneware, Sensing in high range temperature by using alkaline frit glaze as the clay had been appointed, by adding simple amount of unsold material. The materials caused crystallization (ZnO) and (TiO2) in various proportions after treating (ZnO) and (TiO2) screening it to secure its melting in glazes. The results that researcher had done are valued and a selected ,sample has chosen ,after doing many modifications on the group of (ZnO) and (TiO2) upon the appearance of the clearly crystal by ( sight ). Titanium Dioxide was added to the group of zinc to know the influence of the in the crystal of zinc after that the colored oxides averse added which they were (CuO), (CoO), (MnO2), (TiO2.FeO) and (Fe2O3) in various proportions to show the beauty of the crystallized Stoneware. The researcher concluded within the experiences that there are many reasons that confine the produce of the crystallized Stoneware pottery in perfect way like the solid material and the addition of oxides which cause the crystallization in huge a mortal more than it is usual and the right application of equality and thickness and appoint the degree of crystallization and duration and cooling time upon scientific an accurate base.In the laboratory many tests had done and the result was that the examination of (X.R.D) showed that many crystals of new materials appeared after the disappear an of glazes

بنية التصميم في رسوم ضياء العزاوي The Structure of Design In Dia Al Azzawi Paintings

اسم المؤلف: ازهار كاظم كريم الشريفي
اسم المشرف: عباس جاسم حمود الربيعي
الموضوع العام: الفنون الجميلة
السنة: 2010
الموضوع الدقيق: الفنون التشكيلية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: كان الفنان ضياء العزاوي من الفنانين الذين لهم الاثر البارز لتاسيس فـن عراقي ذي خصوصية وطنية وقومية تستند الى تراث فني عريق ولغة معاصرة قادرة على التواصل مع منجزات الفـن الاوربي والعالمي الحديث. غير ان الفنان العزاوي خاض تجربته الفنية في سياق اجتماعي وثقا | Dia Azzawi, an artist of artists who have a prominent effect of the founding of the art with the privacy of Iraqi national and national heritage of art based on ancient and contemporary language that can communicate with the achievements of European art and the modern world. However, the artist - Azzawi fought experience of art in the context of various social and cultural, the contemporary - Azzawi, the conditions of war experienced by the Arab world and the struggle of the Palestinian cause against the occupation and suffering experienced by Arab intellectuals and the Iraqis during this period. Finally, the migration to the west in the direction opposite to the flight Jawad Salim, who studied in Europe and returned home, where al - Azzawi be in Iraq, then technically he journeyed to Europe. This dye experience technical features artist who is looking for innovation across the horizon of his dialogue with Western art and a new life, not the horizon of incorporation alone. Hence, al - Azzawi was launched in an attempt to confirm its presence in the present art world and his desire to maintain its root in the soil that extends the Arab world and the preservation of his artistic map of his country, Iraq. At the heart of current research in the study (in the fee structure design Dia al - Azzawi) is divided into four chapters, Chapter I contains an account of the research problem has summarized the problem of current research questions has the following : 1. How could the artist Dia al - Azzawi of the control structure design in his work that combines abstract formalist approach, despite his eagerness to sacrifice the intellectual content of the painting? 2. How does the artist Dia Azzawi visual compositions with the work that is rich with symbols of heritage, diversity on the one hand, which seeks to keep up with modernity in the drawing on the other? 3. Can the artist Dia al - Azzawi of the development of the structure design in works of art on the diversity of sources of inspiration and employment Aharovi heritage, literary and poetic to be commensurate with all of these trends? 4. Can the artist to make works of art with a list of complementary relationships between form and meaning and their conformity or disagreement with the purposes of property across my design a system based on technical grounds between the meanings of the structure design and ideas that are the basis for its engine of the year? Search has been divided into four chapters, which included the first, the definition of the problem of research and its importance and need for, and purpose of the research summarized by define structure design fees Dia al - Azzawi. Also included the first chapter defines the limits research, and determine the terms contained therein. The second chapter, a theoretical framework for research, has been divided into four topics, addressing the first part, the nature of the structure. And studied the second design processes, while the third topic dealt with the design features in the drawing contemporary Iraqi, The fourth topic was addressed in the design construction Ramps fees Dia al - Azzawi. Chapter also included a presentation of the previous studies and discussed. And ensure the process for the third quarter, the research community, and a sample search, search tool, and analysis of the sample, as well as statistical tools and sports, also included an analysis of the twenty - act of the artist Dia al - Azzawi. The fourth quarter included the results of research, and a number of findings of the researcher, including : 1. Technical design at the Dia Azzawi, subject to the disposal of the artist forms which deprived and treated to a limited extent of the reduction and simplification maintains close ties to their assets from the real world and tries to merge with each other and detract from the completion of the core parts, which establishes its basic structure. 2. Forms when an artist Dia Azzawi, a solid and coherent does not always tend to turn and disappearing in space imaging is always surrounded by the limits established institution strongly about the land and the land itself is a strong and consistent surface gives the impression of the possibility of diving in the folds or Oguarha away, and the forms themselves are always crowded in large spatial space is punctuated only in limited spots do not weaken the cohesion. 3. The structure determination of Dia Azzawi, based on a ground area containing all of his thoughts and symbols, these interiors are the focus of his genuine interest above can establish different types of configurations always remain consistent with it is based on the floor of aesthetic and technical court. Also included the separation of research findings, and some recommendations and proposals, and disclosure of sources of Arab and foreign research, and a summary in English.

برنامج تدريبي لاكساب طلبة قسم الاعلام مهارات الاداء الصوتي Training Program For Acquiring Skills of Diction To The Students of Mass Communication Department

اسم المؤلف: قيس هاشم احمد النعيمي
اسم المشرف: سامي عبد الحميد عبد المنعم خيري النعيمي
الموضوع العام: العلوم التربوية
السنة: 2011
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: الالقاء المتقن من خصائص الملقي وذوي الاختصاص الفني عامة، والاعلامي في الصحافة المسموعة والمرئية بشكل خاص، الوسيلة المثلى في الايصال والاتصال لتحقيق الافهام والانسجام والتواصل والتاثير في الاخرين. فن الالقاء، علم ذو قواعد وضوابط واسس، لابد من تعلمها، ثم ا | The accurate speech is a tool of the specialist art in general and the especially the spreader who work in (Radio /TV.), It is the optimal medium to accomplish the harmony, Communication, interfacing and the effectiveness with the others.The speech art is a science with criteria and grammar, most be learned and trained based or the skill and the knowledge ability of the learner according to his tendency interest during and after his study and then going onto the knowledge and performance skill sufficiently order to use the human sound with beautiful and accurate speech.The modern knowledge method based on the instructio - nal design steps contribute with appositive form in building the training program to agree with the performance level skill of students especially the student of mass department enabling them acquiring the diction skill and to benefit from the connection between the knowledge skill and the professional training to get sufficient performance skill (Speech and Diction).According to the abovementioned, this study aims to : 1. Designing a training program according to (Gagne & Briggs,1988) method to acquire the students of department of Mass Communication the skills of diction. 2. Measuring the efficacy of the training program through applying it on empirical sample of 4rd grade student of department of Mass Communication / Radio and TV. branch for the academic year 2010/2011. The research population are the fourth student / department of Mass Communication/ Collage of art/ Islamic university - Baghdad. The no. of students sample which taken from/ Radio and TV. branch are (45) students, choosing (10) randomly population to apply the test on them.The current research follows the methodology training, so the training program is designed for acquiring the diction skills from analyzing the contents of (Arabic phonetics) which belongs to speech and diction subject, and rebuilt it according to (Gagne & Briggs,1988) method.In order to measure the efficacy of this program, two kinds of tests were designed, the first test is cognitive to measure the student's information and the second is the expertness which measured by performance rectification form.To manifest the results of the study concluded by the researcher, he used the following statistical means : (Willcoxn Test) to show the prior - posterior differences between the students of the empirical group, (Difficulty and Discrimination Coefficient) equation to analyze the paragraphs of the cognitive achieving test and (Holsti) equation to find the agreement between the two criteria also those noted in consistency on performance rectification form.In addition using the (Kauder Richardson / 20) equation for consistency of cognitive achieving test. Most significant result concluded by the researcher : 1. The efficacy of the training program which designed according to (Gagne & Briggs,1988) method and its effect and capability in acquiring the students the knowledge skills in diction which is part of (speech and diction) subject from the forth class course/ Tv. And Radio/ Mass Communication department/ College of art/ Islamic university/ Baghdad. 2. The training program shows a good result in acquiring the skills of diction after apply it prior - posterior stage, and the posterior stage shows the best results. The most significant recommendations by the researcher are : 1. Consider the training program which tested on diction as a curriculum to teach it to the forth class in the Mass Communication department to acquire them the knowledge and performance skills.2. The modern teaching mediums in using the instructional design and the training Program require suitable learning environment and instructional material and an experience teaching stuff to grantee in general the development of teaching the knowledge and performance skills and especially in diction and speech subject.

برنامج تدريبي في التذوق الموسيقي لتطوير مهارات التجويد القراني لطلبة علوم القران الكريم Training Program In The Musical Apperception For Skills Development of Qur’An Tajweed of Students of Qur’Ans S

اسم المؤلف: فاضل عرام لازم
اسم المشرف: طارق حسون فريد
الموضوع العام: الفنون الجميلة
السنة: 2012
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: First chapter of the research deals with the problem felt by the researcher within the Qur'anic society. This problem is represented by urgent need for (Qur'anic Tone) in "Tajweed" Recitation of the Holy Quran, especially for the students of Qur'an Sciences. Therefore, a comprehensive field survey was conducted and showed that there is no any preceding specialized study for Master of PhD degree. This study was needed since adopted curricula are not available. The title is designated as follows : " Training Program for skills Development of Qur'anic Tajweed for students of Qur'an Sciences ".The research objectives : 1. Development of skills of students of Qur'an Sciences through designing a training program of musical appreciation according to Kemp's model (Kemp, 1985).2. Identifying the effectiveness of the training program of musical appreciation to develop the Qur'anic Tajweed of third grade students of Institute of Qur'an Sciences in both dimensions; cognitive and skillful.To verify these objectives the researcher put two zero assumptions.Second chapter is divided into three topics. First topic deals with the >>>>>> of the instructional design including the preparation steps of training program, presenting the steps of Kemp's model (Kemp, 1985) and the voiced skill. Second topic deals with the origin of Tajweed, its fundamentals, Qur'anic recitations, recitation ranks and Qur'anic tones. Third topic deals with musical appreciation and its levels, eight eastern maqams, human voice, raising up and training and criticism in recitation of Holy Qur'an.Third chapter deals with research proceeds and steps of design and applications of training program. The society of the research includes students of Institute of Qur'an Sciences / National Centre of Qur'an Sciences Shia Waqf, averaged to 64 students. The sample was whom they formed 23% of original society.3. Since the current research adopted the experimental methodology, a training program of musical appreciation according was designed according to Kemp's model (Kemp, 1985). It is one group pre - test post - test with minimum control. To measure the efficacy of this program, two types of tests was designed. First type is cognitive achievement to measure the data acquired by the student. Second type is skillful measured by form of skilful performance assessment with is dedicated for this purpose. The two tools were subjected to consistency and validity and reliability procedures.The experiment was conducted in 62 class periods, divided into 38 days (8 weeks), from 15/11/2011 to 10/1/2012 and for the academic year 2011/2012 at the abovementioned Institute.To show the result of the experiment, the following means was utilized : 1. Wilcoxon Test : to identify the variation between pre and post response and performance of the students of experimental group.2. Difficulty and Discrimination Coefficient : to analyze the items of the cognitive achievement test.3. Cooper Equation : to calculate the correction ratability in skillful performance test.4. Richardson Equation : to calculate the reliability of cognitive achievement test.Fourth chapter introduces study results and discussion.Significant results attained in the research are as follows : 1. Prominence of training program for students designed according to Kemp's model (Kemp, 1985), since it is arranged in accordance to serial strategic steps through Tajweed performance of Holy Qur'an Verses.2. Efficiency of cognitive part of instructional content of program, represented by cognitive post - tests in addition to the efficiency of experimental group in understanding and accepting the program.3. Efficiency of skillful part of training content of program, which represented by students marks "sample of research", to accept this study and dedicating it to Tajweed of Holy Qur'an Verses.4. Effectiveness and influence of instructional means and educational techniques - used by the by the researcher to clarify the idea in to the minds of students - in arranging the training program content. Also, introducing the program through Microsoft PowerPoint software assisted the student to develop his musical appreciation through listening at the time of training program.5. The limited consistent reinforcement contributed in each instructional duty. This was made available by instructional actions and activities per each instructional unit; this was represented when targeted sample individuals of actions and activities introduced to the result of actions and activities the made. This lead to increase in learning effectiveness and efficiency.6. Negative feedback represented by permanent view and comprehensive and consistent assessment to the program lead to review and reversion of most of program's items. This played a significant role in crystallizing and modifying the content and technique of the program.In the light of the results of the research, a set of conclusions, recommendations and suggestions was presents

توظيف برنامج الرسام في درس التربية الفنية لاكساب مهارات الرسم لتلامذة المرحلة الابتدائية Employment of Al_ Rassam Program In Art Education Lesson To Gaining Drawing Skills To Pupils of Primary Stage

اسم المؤلف: حيدر كاظم سيد
اسم المشرف: رعد عزيز عبد الله
الموضوع العام: الفنون الجميلة
السنة: 2012
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تفرض طبيعة التطور الثقافي المعاصر، وما ينطوي عليه من تقدم معرفي وتكنولوجي فريد، متطلبات جديدة، تهدف الى تمكين الفرد من استيعاب عناصر الثقافة ومهاراتها ووسائطها، ومن حسن استخدامها وتوظيفها.فقد ادى التطور في تقنية الحاسوب وبرمجياته الى تطور | Imposing nature of the contemporary cultural development , and the implications of technological progress and knowledge unique new requirements, designed to enable the individual to absorb the elements of culture, skills, and its arguments and good use and employment. Has led the development in computer technology and software to the development in the fields of all life, where he witnessed the contemporary world developments of civilization and culture was one of its causes, the adoption and employment potential of computers and software in various fields, The computer fertile ground for the growth of science and the arts in all its different forms has become a common denominator of human activities, as characterized by its advantages such as speeding, accuracy and multiple options and quality in the implementation of the tasks required, which saves time and human effort. It is by drawing in the studied art education at the primary one of the activities that can accommodate and benefit from the potential of computer and in which there is the application software, including the - Al - Rassam program as an effective and easy to use can be used by students in the production of sketches and expression of art from the screen, and as give them the ability to dealing with the software and benefit from the present and future. But to benefit from these tools (computers and application software - Al - Rassam program) depends on knowledge of the use of such software and handled by pupils. From here emerged the problem of current research, which was not familiar with pupils , cognitive and skills using this program available within the Windows operating system , which prevents them from employment and thus invest the computer in the study of art education - the visual (drawing) in primary schools equipped laboratory computer, and it proved to be the researcher need to give pupils the skills and expertise knowledge and performance necessary to enable them to invest and benefit from, and therefore the goal of the current search to the following : - gaining pupils of primary stage , computer drawing skills - Al - Rassam program (Paint). The achievement of this goal, requires the following two sub - goals : 1 - Design a module in the self - learning computer skills drawing - Al - Rassam program. 2 - measuring the effectiveness of the module dimensions of knowledge and skills, through experimental testing on a sample of the pupils of primary stage. Determine the current research community pupils primary schools equipped computer laboratory of the Directorate General for Education Baghdad Rusafa second. Total sample (20) male and female pupils of the pupils of the fifth grade were chosen the way random from two primary schools, was the application of the module intended for the drawing skills Computer - Al - Rassam program , on the sample which formed the whole experimental group one, as it adopted the experimental design per set with a minimum of settings for measuring the effectiveness of the module dimensions of knowledge and skills, and the purpose of collection and data collection was designed two tools : - cognitive test : to measure what pupils possessed of information about computer drawing skills - Al - Rassam program application module before and after. - skill test : to measure what pupils possessed the skills to draw a computer - Al - Rassam program , application module before and after, and is measured according to the form to evaluate the performance skills consisting of (21), paragraph prepared for this purpose.Subjected tools in research and application performance evaluation skills with the terms of honesty and alignment and stability, for adoption in the current search. the researcher use, a number of statistical methods in the current research were transactions of difficulty and discrimination of the paragraphs of achievement test knowledge, and the correlation coefficient (Pearson) to verify the stability of achievement test knowledge in a retail mid - term and re - test application and to verify the stability of the correction form for evaluating performance skills, and used the equation Spearman - Brown to correct the value of reliability coefficient calculated between the two halves in a retail midterm test, and use the test (T - Test) for the two samples interrelated to show search results that have been reached and that was the following : 1 - effectiveness of the module next to give the pupils knowledge in information about computer drawing - Al - Rassam program. 2 - the effectiveness of the module next to them in the skills give pupils the skills needed to draw a computer - Al - Rassam program. The most important conclusions that were drawn from the results are : 1 - the adequacy of educational content of the module next to knowledge. 2 - the adequacy of educational content of the module next to the skill. 3 - the effectiveness of self - learning formula instructional - learning to give pupils information and skills, including computer drawing skills - Al - Rassam program. In light of the findings the researcher recommended the following : 1. Benefit from the content of the module in giving pupils the primary (school - equipped computer lab) computer - drawing skills - Al - Rassam program. 2. Adoption of the content of the module by the Centers for preparation and training of the Directorates General for Education, to give teachers of art education computer drawing skills - Al - Rassam program , through the establishment of training courses to enable them to give their pupils these skills. account Al - Rassam program possess potential , and easily of composition dues and dealing with the images and edit texts, And contain tools of cut and stir and paste, and to complete interest, the researcher suggesting to adjective search the following : (gaining pupils of stage secondary, skills of collage art , using Al - Rassam program).

برامجيات التصميم الكرافيكي ودورها في التصميم والاخراج الفني للمطبوع Programs Graphic Design And Its Role In The Design And Artistical Direction For Printed

اسم المؤلف: بسام جاسم حسين بنانه
اسم المشرف: نصيف جاسم محمد عباس
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: With high technical sophistication that happened in the world of digital Program, it reflected way or another on the science of graphic design at its different types and from it the Artistical Directing for magazines that expanded and walked many fields, and was one of the most important data is the emergence of new structural frameworks, particularly with respect to graphics vocabulary and its relation to space design and regulate of color relations and diversity in employment written patterns, and so on, the great access for digital Program enhanced the innovative capability of the employees in this kind of arts, which now deals with everything new and modern, these Programs enhanced the world of print and enriched its structure design and referred it to the functional and aesthetic values and clear semantic, the art institutions is no longer far from the use of such Program and deal with it in a contemporary because of the interference potential at the heart of work design, and the graphic design must be the first to deal and deal with this Program and to serve the process of design and directorial, It must for graphics designer to be the first transact and deal with this Program and to serve the design process and directing, and all current research meant to deal with this type of cognitive engage in talk, an indication of the research problem by asking the following : What is the role of programs graphic design in design and Artistical Directing for print?The importance of research identified through : - - Enhance the practical skills of workers in the relevant journalistic institutions. - Take advantage of the technical capabilities offered by digital design programs in the field of design and Artistical Directing.The search identified by two objectives : - Demonstrate the role of graphic Programs design in the field of design and Artistical Directing for magazines. - Provide practical suggestions depend on what the results of research lead and its findings.The research determined by the following : Objective boundaries : - Study the Programs of graphic design related to the design and Artistical Directing to magazine board (internal pages) only.Spatial boundaries : - Designs the Iraqi magazines that published in Baghdad exclusively, by (5) types of magazines.Temporal boundaries : designs of magazines that published exclusively in , which represent the year of research study.Then researcher knew the terminology contained in research, namely : - Programs, Graphic design, Design, Artistical Directing, and Printed.And select the second chapter, which includes (previous studies) and (theoretical framework), as enrolled in three sections : - The first Section : - Journal origins and history.The second Section : - Elements of the structure of the magazine and the methods of design and directing.Third Section : - digital design programs and their role in directing and publishing.The researcher point set of indicators represented a summary of what resulted in the theoretical framework, including : - - Designer hit the press over time various design techniques and goal was to get out of a primitive design and directed by journalist as cutting, assembly and distribution unorganized and the difficulties of manual labor to enter more flexibility in stages with the implementation of computer programs. - Internal thread form factor gravitational continuity and form the largest part of the magazine organized Failure means the failure of the magazine from the functional and aesthetic. - Faces a designer journalist difficulties quality in terms of his move from manual labor to the computer the most complex, since the arrival of the printing press result reaction by designers and scribes at the time, and the arrival of the computer resemble the arrival of the printing press and the reaction came to realize designers how hard work design in computer programs. Followed by the research procedures contained in the third quarter marked by the adoption of the descriptive method (method of content analysis) in order to reach results, also represented a tool his form for determining axes analysis based on what emerged from the axes and indicators theoretical framework as well as the views of a group of experts, and then included chapter on the selection process models intentional non - probabilistic reasons and clarified the researcher, as the researcher to choose (5) magazines published in Baghdad exclusively is my intention, and select from each magazine two issues as availability in the domestic market and 50% contained on (6) models of research for pages The number of internal models surveyed 30 model, also took into account research validity and reliability of the tool, then the researcher models in the description of the (30) model and analyzed according to the themes that included in the analysis tool. Followed by a separation of the findings and discussed included in Chapter four, which included the following : - - digital programs supported formats (Victorian) (Vector Shape) to make it more effective and visually attractive, as in models ( - - - - - - - - - - - - - - - - - - - - - - - and %), and the researcher finds that the Victorian shapes colors and movements done by Rested through visual colorimetric leave spaces designed computerized through the program (Illustrator) and is added to the movement of large explosions when reading, browsing, and thus highlights the topics - text and images. 2 - reinforced the use of Adobe Photoshop effects in image processing method in terms of purity and activating misting command (Overlay) which appeared evident in docking bitmaps, as in models (4 - 5 - 10 - 16 - 17 - 22 - 23) and by (24 %), the researcher believes that it is important to use this option Pavement cover chromatic images more vibrant by reducing the details of areas dark light to highlight them and therefore it is important to enhance the purity and clarity of the images. - Activate the tool decreases density (Dodge Tool), and to address areas silhouettes in the pictures, as in the model and by (4%), and constitute the tool element of professional designer to It's a tool that can not be for professional designers abandoned, being easy to work and highly effective great use for image processing dark through the details of Interior Lighting.Then researcher concluded a number of conclusions, including : - - with all the possibilities offered by digital photo, but it's in all cases remained weak missed its strength has been dealing with the expressive discourse technically shallow, which means a lack of awareness of the technical skills in ways to deal with such kind of formal vocabulary that form the foundation pillar in the design of the pages. - Each program has privacy in the way in terms of design, the ease or difficulty resolution make it integrates with other programs, which may contribute to the completion of the design is of particular aesthetic dimensions.Then the researcher recommended a number of recommendations, including : - - access to programs, which provided digital design such a program (Photoshop) and (InDesign) and (Illustrator), which includes a great potential fit design and Artistical Directing. - keep pace with technical development and modernization carried out by the digital and programs companies that offer new every day has to do with design and Artistical Directing.The researcher presented ten practical proposals to redesign the interior pages of magazines and specifically page (beginning and middle).The researcher presented a proposal could be for a subsequent study complementary to the current search : - (Digital effects and their role in showing contents graphics) And then seal Find a list of sources and supplements

تصميم الازياء في مسرح الطفل بين الشكل والهدف Couturein Childrens Theater Between Form And Goal

اسم المؤلف: براء شكيب اكرم الصالحي
اسم المشرف: روعة بهنام الشعاوي
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الفنون المسرحية - تقنيات
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يتناول البحث دراسة الاشكال التصميمية الخاصة بمسرح الطفل من حيث الشكل والهدف بوصفها احدى عناصر العرض المسرحي، لانها تشغل حيزا ماديا فوق خشبة المسرح، وفي الوقت نفسه تسهم في ايصال المعنى والدلالات الى الطفل.يقع البحث على اربعة فصول، يتضمن الفصل الاول الاط | This research deals with the study of forms design for the theater of the child in terms of the shape and the goal as one of the elements of theater because they occupy materially above the stage, and at the same time contribute to the delivery of meaning and connotations to the child. Situated Find in four chapters, Chapter I contains the methodological framework / research problem that crystallized the following question (Are there problematic in fashion design in offers children's theater between form and goal?) And have X objective to identify the limits of the relationship between form and goal in fashion design as well as The importance of research and determine the terms. In the second chapter (theoretical framework) has included three sections, the first section is the following : the concept of fashion design in the shape of the child, has been divided into : - 1 - A brief history of fashion child. 2 - Figure in Fashion Design : The divided into : - A - Figure B - connotations figure in the design of the outfit. C - perception and shape The second topic is : the design goals for the child fashion : The divided into : First, the design elements and foundations : The divided into : a - b design elements - the basis of the design Secondly technical objectives : The divided into : a - b functional - aesthetic Third, psychological and educational goals. The third topic is : fashion and its relationship to the elements of the display in the children's theater, has been divided into : A - Relationship Representative theatrical fashion. B - relationship with lighting theatrical fashion. C - nothing theatrical fashion decor. D - relationship theatrical makeup fashion The outcome was the theoretical framework for a number of indicators which were represented by the search tool as well as other tools. The third chapter, which measures the search, as selected samples Qsidia which offers plays (the world of vitamins) and (jackal advanced) and (Karkh and Rusafa) based on analysis of the research tools, namely, (watch theatrical performances) and watch the CDs, interviews, and indicators that resulted in by the theoretical framework, and photographs), following the approach of descriptive and analytical results that have emerged have been discussed during the fourth quarter and has been reached conclusions and seal search a list of sources and a number of supplements that the researcher sees the need for them to enrich search. In order to submit presentation on stage has to be the availability of a set of basic elements , including text and actor , location, etc, which integrates supply Fimnha many pictures innovative bearing the meaning of the play and expressive about events Moreover, they reveal perceptions director has within its vision directorial. The theater does not integrates her address the language only , but there must be interaction with the elements of image formation and play between the receiver which reacts with the show visually and acoustically. That 's the play is not the only visual shape , but the relationships are visual, auditory, visual relations that are among the elements of theater itself. Since it does not form a picture of the real substance of which its constituent elements and these elements interfere with each other to be the aesthetic image with signs and symbols of working to attract the attention of the recipient and stimulate his imagination dislodged.The study included four chapters - : Chapter One : The methodological framework contained , which included the research problem and the need for , and the importance of research and research objectives and the limits of the search, specify the terms. The research problem has emerged to ask a question the researcher is trying to answer it ( What 's building mechanisms and transformations to create a theater Is it fixed or variable ). The importance of this research lies in the identification of image - building mechanisms , functioning to be a theatrical presentation. The goal includes research to identify the image - building mechanism and formed in the theater.Chapter II : which included three sections : The first topic : the concept of the picture , which addresses how the emergence of the image and what the image and its impact on the receiver since primitive man to the present time and how to enter in the technical field.Section II : Mechanisms for image building , where he addressed this topic elements that work on the production 's theatrical and enrich the theater , and these elements are ( actor, theorist theater , lighting , costumes, makeup, music and sound effects , where she works all combined with each other to create a space special display and impress recipients and transfer the idea to them.Section III : 's variables in directorial directions , has included this section : First : the realistic trend in the stage directions : it provides a realistic picture of unknown to the receiver including raises surprised have had to rely on in this direction Representative in the transfer of feelings and emotions to the recipient to affect it attracted for theatrical display.Second : the natural trend in directing theater : where is this trend is an extreme extension of the trend as it moves the realistic fact to the recipient as it is non - delete or decoration as it was his goal to provide actually honestly Tam.Third : direction or the opposite direction of realism in theater directing : a trend that was intended to give priority to the shape and aesthetic values on the content of the work.Fourth : Expressive trend in theater directing : eat this trend provide a picture embodies the essence of things without paying attention to the external form has interested in filming the individual 's mind more than the facts of life , because the fact of man lies in the depths of the same sensory manifestations Ave.Fifth : the artistic direction ( art for art ) has been preached in this direction director Gordon Craig depends on where the two components : a. Representative body. B. Vacuum forming theater.Sixth : the epic trend in directing theater : where this trend has sought to transfer emotions from the podium to an audience that is provided in this direction of movement of events directly related to the problems of people to get them to the coup and rebellion against reality and change it.Then touched a researcher to previous studies , which focused on the subject of the picture , and then the researcher reached a set of indicators of the theoretical framework of the research in order to analyze the samples and tested.The third chapter : (procedures ) with double two.First : research methodology , with the adoption of the descriptive and analytical approach.Second : discuss the samples that have been selected are intentional and subjected to analysis according to indicators that have been out of the theoretical framework and the samples consisted of three performances of a number of directors.1. Ice play.2. Play a secret session.3. Play reindeer mortarThe fourth quarter included result : Then came the conclusions of the researcher and then came the recommendations of the researcher stressed the importance of play and mechanisms that operate on its composition within the directorial trends and the need for the expansion of research and work out accompanied by a list of sources of research and a summary in English.

اشكالية اشتغال مضمرات الصورة في بناء سردية اللغة السينمائية Problematic of Processing of Hidden Picture In Narrative Cinema Language

اسم المؤلف: حيدر فيصل كريم
اسم المشرف: صباح مهدي الموسوي
الموضوع العام: الفنون الجميلة
السنة: 2012
الموضوع الدقيق: الفنون السينمائية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: انبثقت موضوعة البحث انطلاقا من الهم العلمي الذي كان يعتري مخيلة الباحث لفهم المعاني والمعلومات المضمرة في الخطاب السينمائي، التي تمتلك حضورها الفاعل داخل فضاء الصورة الفلمية بكونها بنية لامرئية ترتبط بقصدية صانع العمل، يتطلب تحديدها فهم العلاقات التداولي | My thesis subject Emerged from the Scientific concerns over pragmatic Cinema, which was overcome the researcher's imagination how to understand the meanings and the information implicit in the Film Festival principles, which has acting presence, starting from the basis of the relationship between the recipient and language film, and this prompted the researcher to engage in the field which almost difficult even at the level of studies literary For that , it demands us to look of methodology to determine the standards by which to unveil implicit in the narrative cinema, for reaching such a study we have to sat categories based on scientific, which we can through it characterize photographical Cinema and identified by Laws , because it sat the method in determining the implicit, Which that requires sitting a development of a comprehensive study to determine the pragmatic cinema, and then determine work according to the implicit key concepts identified by the researchers or students, on cinema application. For the purpose of adopting approach to means of methodological Cinema in study the relationship between actors and narrative image to build a narrative language film,Especially with the concept of pragmatic cinema immerse from the relationship between actors the recipient as well as language of the film (the perspective of a film), The researcher divided it into four chapters, as the following : Chapter I (methodological framework) has included the research problem, which adopted the following question : Who did it operate in the narrative language of cinema? On the importance of the research and the need for it , then we has touched the necessities and the need for that adopt this subject, and then select the objective of this research from the title and the problem, as the following : detection operation implicit in the narrative elements of film language. Selecting a researcher of the three borders, and seal Chapter status determine the terms contained in the Title, as well as the message board. In the second quarter (theoretical framework), the researcher divided into three themes, and as follows : First research has dealt with (implicit... the term and concept) which were studied implied by searching in the laws of the deliberative, which requires study traffic concepts of semiotics of the following : (installation, significance and interpretation) to access the propositions, deliberative, and then discussed the laws of the deliberative - on - scope language. The second topic was the (implicit in the narrative film), and the researcher in this section as the laws of deliberative tools detect implicit picture, and it has been discussed establishing deliberative principle in the art of film by examining the evolution of the relationship between the recipient and the film.The third section dealt with the subjectThe first chapter of thesis is about (the hidden... concept and etymology) which we studied the hidden through out searching in the pragmatic law , which its study conditioning the Known the following of the principle of cinema (the composition, evidence and theory) in order to reach to pragmatic theory, Then searching through out the pragmatic law according to its scopeThe Second chapter of thesis is about ( the Hidden in narrative film )Which deals with the pragmatic law describing it as the tools that could reveals the Hidden Picture , In that we studied the scope of pragmatic cinema in the Cinema Art through out the processing of developing the relation between Audience and Cinema Film. The Second chapter of thesis is about (the Hidden in cinema photograph ) we studied the results of creation to sit the elements of the cinema language for the hidden cinema photograph production.then focusing the previous studies for thesis , after finished the viewing scope for the thesis we reached band of signs which we depend on it as tools for analysis the thesis sample and after depending on experts and Instructors In the Third Chapter in that Thesis we have (Methodological scope)We choice sample for reasons explained in the Third Chapter ,then analyzing samples of two films as the following : )PERFUME)، (THE IRON LADY(In the fourth chapter we have ( Results and conclusions ) after analyzing the sample , we reaches to band of results • In the result of hidden as relation between audience and cinema photograph ( pragmatic film ) which starts from the analysis of the (composition and evidence ) for cinema photograph , which we achieved wide concept for the cinema as we have taken in the sample We reached from the viewing results of the thesis we have conclusion • The picture taken by hidden through out scopes of forms of methodological expression in the film which transforms to serious of action of pictures that formed the film chain.. Finally I have concluded my Thesis according to your recommendations

التصوير الفني في قصص القران الكريم وتوظيفه دراميا في المسرح المدرسي The Artistic Depiction In Al Kareem Quran Stories And Its Employment Dramatically In The School Theatre

اسم المؤلف: ايمان عبد الستار عطا الله الكبيسي
اسم المشرف: هيلا عبد الشهيد النداوي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Characterized Koran miracle and beauty in the selection of words and meanings through artistic photography in the Qur'anic stories of being a way to deliver the target beacon preaching and aesthetic who can benefit from it in the educational side by employing the elements of artistic photography in the Qur'anic stories in writing the texts of theater school, and through the scoping study which interview (the researcher) on a sample of students from the fourth stage - Department of Technical Education who passed the expertise of precedent for the diagnosis of the difficulties they faced in writing the texts of the play in the material (the art of playwriting), resulted in that most of them do not distinguish between text narrative (narrative) and the theatrical text, which form with great conviction (researcher) the necessity of subjecting this variable to scientific research and experimental attempt to explore the best methods of teaching which they can formulate educational content in terms of the fundamentals and rules of writing theatrical text based on instructional design enriches the knowledge and experience of the learners. This is what aspires to current research, which is important in that it sheds light on the current research analyzing the importance of artistic photography with the provisions of the stories of the Koran, which can be described as the best means of buildingpersonal learner educationally and aesthetically and morally and culturally. And the use of new methods of teaching and learning strategies based on the basis of instructional design on according to (model Kemp) as a technical alternatives to the methods of teaching (the art of playwriting) in developing the skills of students in the Department of Art Education in the art of playwriting and improve their abilities to in accordance with the steps educational and clear and precise teaching.This is the objective of the present study which important lies in the following : 1 - The present study sheds the light of analysis of the artistic depiction of the text of the Quranic stories which can be described as the best means to build the character of the learned educationally, aesthetically, morally and culturally.2 - The study receives its importance through providing the concerned in the theatre (authors, teachers and students) b performing the artistic depiction which could be used in analysis of the Quranic stories and employing them in of the school theatre.3 - Enabling students of fine arts to prepare texts directing to the school students in the light of the educational values.4 - It may help to use the methods in the strategies of learning\teaching based on the teaching design (Comb’s Model) as one of the technical alternatives in the art f theatrical writing and develop their abilities I accordance to clear instructional steps.5 - The research is regarded as an addition to the students and teachers on the university level which enrich the Dept. of Art Education and Theatrical Arts in the colleges and Institutes of Fine Arts.The present study aims at the following : 1 - Detection of the elements of artistic depiction in the Quranic stories including what is suitable with the school theatre.2 - Designing a training program for students for writing theatrical texts from Quranic stories according to Comb’s Model.3 - Measuring the effectiveness of the program designed in training the students on writing theatrical texts. The researcher derived from the research objectives the following null hypothesis : 1 - There are no statistically significant differences at the level f (0.5) for the experimental group (taught according t the designed training program) between the (pre - post) tests in accordance to the cognitive test.2 - There are no statistically significant differences at the level f (0.5) for the experimental group (taught according t the designed training program) between the (pre - post) tests in the performance of skill f writing school theatrical texts.Chapter Two includes four inquiries : in the first inquiry the researcher tackle the concept of artistic depiction in the Holy Quran as a means of manifesting the instructional and heuristic aim of the Holy Quran and its characteristics like (imagination, artistic consistency, psychological aspect) and its basis represented by dialogue, movement and the significance of the utterances. The second inquiry tackles the most important distinguishing characteristics of the Quranic stories (character, dialogue, event, time and place), and the types of the Quranic stories represented in the (historical stories, representative stories, instructional stories, psychological stories, symbolic stories, Judgment Day stories). The aims of these stories are to acuminate the motivations.The Third inquiry displays the elements of the dramatic structure which are (dialogue, character, idea and plot) to find the linking ring with the artistic depiction in the Quranic stories that enabled the researcher to achieve its aims according to an instructional method tackled in fourth inquiry which includes an introduction about the educational process ad a detailed explanation of the steps for building a training program according to Comb’s Model.The researcher made a survey of the related studies to mad use of what the preceding has arrived to in that concern. Some of these studies are (Al - qareghli, 1999), (Al - Hamadani, 2002), (Sulaiman, 2003), (Al - Aameri, 2006), (Al - Husseinawi, 2007), (Sulaiman, 2010) ad (Lazem, 2012) which were useful as far as the theoretical framework is concerned.The researcher choses a sample of the research community including students of the third grade \ Dept. of Art Education I the College of Fine Arts - Baghdad University continuing their morning studies for the year (2013 - 2014) randomly the students of the two sections (A - B) of number (32) male and female students. She adjusted the variables of the study (age, previous experience, gender, time and place of experiment, teacher).The researcher constructed the two instruments : the first of the instrument of artistic depiction of choosing the Quranic stories with more elements of artistic depiction; the second is instrument of theatrical texts analysis by students through the skill pre - and post - tests and obtaining from them the validity ad constancy. After designing a training program, the researcher derived the apparent validity and prepared another acquisitive test (cognitive, skill) to measure the effectiveness of the training program applied on the targeted class (sample) on Wednesday 5/2/2014 through Wednesday 26/3/2014.After analyzing the results by the use of t - test for e sample, the results showed the superiority of the average score experimental group in the cognitive acquisitive test in their average scores of posttest over their scores I the pretest which indicate the effectiveness of the applied program and leads us to reject the first null hypothesis and accept the alterative hypothesis. For the skill test, it showed the superiority of the average score experimental group the instrument for the items of instrument the second null hypothesis and accepting the alterative hypothesis.The most important statistical means used by the researcher are (T - test, difficulty coefficient for the item difficult, distinguishing coefficient in the acquisition, Pearson correlative coefficient). In the light of the results of the study the researcher recommends to make use of the program and use it in the courses of continual education ad using them in the directorates of scholastic activity by making training courses for the teachers of Art Education, and the specialized in the field of school theatre, and adopting a program designed in accordance with the following program in the colleges and the institutes of Fine Arts in connection to the theme of this study, and preparing a leaflet about the training program to be provided in the school libraries and the educational institutes.In completion to the findings of this study, the researcher suggests : 1 - Making a comparison study between the program and other programs according to the theories.2 - Studying the artistic depiction in the Holy Quran Stories in developing the artistic expression of the orphan children.3 - Study the artistic depiction in Arabic literature in the Arabic poetry in the artistic depiction.

الاعتبارات الانتاجية والتغيير الشكلي في المنتج الصناعي المعاصر The Considerations of Productivity And The Formal Change In The Modern Industrial Product

اسم المؤلف: اياس صلاح الدين حامد
اسم المشرف: هدى محمود عمر
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: This search deals with the study of (productivity considerations) as it is important to the industrial designers, and its scientific inherent importance in the development of the shapes of their products benefit that presents , The search consists of five chapters , The first chapter includes the research problem , ( what is the role of productivity considerations in determining the shape of the product ? ), the problem will be dealt by searching in the title of (productivity considerations and the change in shapes of the Modern industrial product) The importance of the research is to provide a clear picture, of the concept of productivity considerations and define its role in changing the shape of the product, The aim of this study is to Detected and limit the role of productivity considerations to change the shape of the industrial product.The outline of the this study is the productivity considerations before the design and manufacture of the product for Nikon products of digital cameras and photographs, which is available on the company's site in the international network (the Internet) raised in The second chapter, which contains the theoretical framework and previous studies which include three sections ; the first section is on the structural change by subtracting the causes and factors and the necessary requirements to change the shapeof the product, whereas in the second section represents detection and determine the productivity considerations and how to limit its role in changing the shape of the product, The third section shed light on the strategies used by industrial enterprises in changing the forms of its products in The framework of economic production , and the result of theoretical framework of indicators based on the basis of which the models analysis axes.The third chapter includes research methodology, descriptive analytical method , samples of analytical forms , Forms of information and the reasons for choosing sampling forms, while the fourth chapter consists pictures of samples which are five samples what analyzed according to themes derived from the theoretical framework, Chapter five the latest, includes the results extracted from the analysis samples , Conclusions , recommendations, proposals and beneficiaries, and the most important results are : - - The group who designed for , and competition between industrial enterprises has the role to determine the product form in all models.The main conclusions are : - - The diversification strategy includes most of the samples and , which many of them are variety in more than one level, For example, came chromatic diversity and diversity in this category at the formal level with the knowledge that the technical diversity has had a share is considerable in the diversification strategy. and The kind of group of peoplewho use the product, had a big part to limit the process of standardization , simplification type and miniaturization ,which is restricted in the samples that where determined for a class with a large number, which have ability to follow the changing forms , and the possibility of running multiple experiments with the product, while offset by the qualities of excellence and uniqueness in other samples that do not accept profiling and simplistic in their platforms

المعالجات الفنية للسيرة الذاتية في الفلم السينمائي الروائي The Artistic Treatment of The Biography In The Narrative Cinematic Films

اسم المؤلف: انتصار علي مجول حمود الجبوري
اسم المشرف: طه حسن عيسى الهاشمي
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: الفنون السينمائية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The cinematic procedure affirms that the narrative films depend basically on the employment of the aesthetic of cinema ad giving a wide freedom for the subjective imagination of the artistic in order to serve his emotions and creative imagination into a limit of not bounding with reality and logic. Instead , he sets his imagination to the amendment of reality.The director's subjectivity in the cinema of biography managed to submit a reading of the subjectivity of the biography of famous people away from copying or being limited to the traditional literary texts. Therefore, the cinematic display which tackle the narration of a real biography is only a viewpoint that is subjective and subject to the interpretation and the amendment of the director. An important condition of the cinematic narration and the form is the language and the imagination of the living reality.That made the artistic treatment of the biography in its types aiming at the reality and the imitative value of the achievement of the artistic achievement.Hence, the research entitled " The Artistic Treatment of the Biography in the Narrative cinematic Films" of the problem of the artistic treatment of biography films in the narrative cinematic films setting out from the perspective of their subjective interpretations which are innumerable.The research consisted of an abstract and four chapters, chapter One includes the theoretical procedure of the study. The chapter includes an introduction that prepared the way to the understanding of the nature of the study and its problems followed by a comprehension of the important of the research and objectives and limits. Chapter two includes three inquiries; the first is the concept andterm of biography. This inquiry tackles biography as an art, and treated the concepts derived from the literary treatment of the biography in the subjective and objective forms. The second inquiry tackles the patterns of artistic treatments in biography films with the recognition of the reality of the multiples in the treatment and the instability on a rule or law.The ideological dimension affirms the importance of the character for which the film is being made. These aesthetic dimension is affirmed through the here patterns : a pattern that depends on the original scenario of the theme in origin, and another pattern which the director puts his biography from his composition, the third pattern presents a hypothetical pattern that simulate one form of the real character but presents it in for more satisfactory conditions. Perhaps, the most important one is the director's belief that he will be free to tackle it. Chapter three includes the application which the researcher used on the chosen samples to arrive at fulfilling the objective of her study. It includes the procedure followed in the stud and the reasons for choosing the sample and the instrument and the study.Chapter Four includes a summary of the final outcome derived from the analysis. The most important of the results is the multiplicity of the artistic treatment of biography in the narrative film in an open way that does not confine the creative into a limit. Also, some of the conclusions deducted from the results were shown. The researcher poses a number of recommendations which she sees necessary, as well as suggestions for subsequent studies. The research included a list of the resources and references which she depended on her study in Arab and foreign languages and an instruct in English

اليات التكامل بين دلالات الزي في العرض المسرحي العراقي (1990 - 2000)

اسم المؤلف: سرى جاسم خيون الساعدي
اسم المشرف: مصطفى تركي السالم
الموضوع العام: الفنون الجميلة
السنة: 2009
الموضوع الدقيق: الفنون المسرحية - تقنيات
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The developments of societies throughout various periods have yielded many philosophies and ideas in dramatic arts for the historical extension. It is a language that surpasses all the local idioms to address the whole world. The development that the societies have witnessed in all stages has been reflected in the contents of drama in general to appear various trends and methods. That has been expanded with the expansion of the social, intellectual and aesthetic needs of society to be richer practices that were crystallize in the form of dramatic shows as groups and systems. Undoubtedly, the lingual and acoustic messages do not abolish the importance of visual aspects in transforming the dramatic message. All that exists on the stage are signs that have come to express an intentional delivery to form visual images such as (costume, décor, action, etc.). The ceniograph works as completely as signs that make these references whose temporary becoming on stage leaves for imaginative factors. Thus, the dramatic work becomes a net governed by the system of showing that achieves the integrated harmony between what is acoustic and what is visual, in which costume plays as one of the signal systems that communicate with other signs in different designed methods and styles within the accumulated organic sequences that communicate that completes the general effect of the show throughout the consequential doctrines. The production of costumes to connate more rich meanings, through the harmonious interrelated elements that form signal systems smaller in the general costumes (color, shape, lining, and crude) which have taken the effectiveness pf costume as one of the semantic signs along with other signs of show on the intellectual, artistic and aesthetic levels and within various courses. This mechanism has led to researcher to trace the semantic of costume throughout various periods, and how to relate them into the signs of show and determine the aesthetic function of costumes in order to achieve this integral mechanism. The study falls into five chapters : The first chapter (Methodological Framework) which included the problem, the needs for the study, objectives and its limits as, as well as determining the definition of terms adjectively. The second chapter tackled the theoretical framework of the study in five inquiries. The first inquiry dealt with the semantic information of costumes in two pivots : the first is about the composing elements of costumes as a mark of drama, while the second tackled the integration that indicates the structural relationship between costumes and dramatic show. The third inquiry was devoted to the semantic transformations of costumes in the light of the trends and visions in the dramatic shows. The fourth inquiry tackled the pervious studies the most important indications that resulted from the theorticval framework. The researcher devoted her third chapter for the procedures, methods, instrument and of the study, the analysis of three samples : the plays (Media), (Othello in Kitchen) and Macbeth. These samples are considered as distinguished oeuvres of drama. The chapter was concluded with a summary of the results that the researcher has come to. While the fourth chapter was devoted to the discussion of the results of the study according to the derivatives of the theoretical framework to deduct conclusions for the integral answers of the objectives of the study. In the light of the conclusions, the researcher formed the recommendations that enhances through the investment of the results and outcome sof the study, which is achieved in the middle of the field. Finally, the researcher presents what she finds suitable for suggestion in order to complete this study and giving its due interest. Then, it ended with a list of references and resources which she used, followed by the document and an abstract.I hope I was successful in my endeavors, God is the destination for all…

اليات اشتغال النسق والتكرار في التصميم الطباعي Mechanisms of Functioning of Pattern And Repetition In Graphic Design

اسم المؤلف: ازهر يوسف مبارك
اسم المشرف: نصيف جاسم محمد عباس
الموضوع العام: الفنون الجميلة
السنة: 2012
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Represent the relationship between pattern and repetition and Achtgalhma in Graphic Design One of the relationships that lead to control structure design and which are of a role in influencing perceptions of the receiver in the definition of the idea and will lead to the success of the letter addressed to contribute to the delivery of the idea put forward as based axis current research on the study of thosemechanism and implications left by the advertising design forms and sizes all, companions have easy in the process of receiving, including what constitutes a difficulty in the process of visual perception and through the process of cognitive clear Achtgalat patterns design and the promise Graphic Design of iterations of the elements of building, causing confusion in the process of receiving because of employmentis appropriate for design formats, where enrolled search in several classes, came the first chapter select a research problem which manifested itself by asking the following : - What are the mechanisms of operation of pattern and repetition in Graphic Design ?The importance of search through the possibility of its contribution to the benefit of printing and institutions, including newspapers and magazines through a better understanding of these mechanisms and Achtgaladtha, as well as for the development of design awareness among workers in the field of Graphic Design, which would in turn enrich their cognitive awareness.Select the aim of the research to define the mechanisms of operation of pattern and repetition in Graphic Design in general and advertising in particular.Cared theoretical framework with four sections, touched first topic to (Layout and repetition in the Koran as well as in philosophy and art), while interested in the second section (Layout and redundancy in the structure of Graphic Design, structural layout design, structural perceptions Altibograveh in design, patterns written, structure perceived Alkraveka in design), and touched the third section to (Layout and redundancy in communication process in terms of the concept and its elements as well as the format and frequency and mechanism of perception, communication and design language, perception and coordinated communication design), the fourth section, Vttriq to (semiotic pattern and repetition, semiotics in design typographic elements Alkravekah and implications of semiotics, signifier and signified PHP design elements).In the third quarter was the description and analysis (20) sample - based research into paragraphs derived from the analysis of the theoretical framework, and its outcome indicators were as follows : - The dimensions of the functioning of the format. - Repetitive structure. - The functioning of the structure. - Layout and redundancy by writing patterns. - Recurring pattern through the communication dimension. - Layout and redundancy by perception. - Semiotic pattern and repetition. - Engage in relational system of pattern and repetition.According to the contents of each individual model, the fourth chapter, has included a presentation of the findings of a researcher, and numbered (19) as a result, with regard to the aim of the research, including : 1 - hired Layout pivotal parties with confirmation relations structural Association between shape and space, that the adoption of Opto Recurring pivotal clearly indicates typical treatments carried out by designers working in design commercials that are often printed product charges, from planning trademark Anwanat and images.2 - represents balance types in the organization Opto and Recurring through recruiting Alkravekah with the larger sizes of pictures and that ran large swathes of the overall size basis for designing advertising, as though the adoption of outsize pictures and some elements Alkravekah that that which comes to confirm the importance of image in the reporting and in occupancy space and that calls shorthand in other elements as well as direct delivery of content that you upload.3 - hired format redundancy through an overlay images and who reported in reducing the sizes in cases available where large images size, as is the pattern overlay formal which depends repeat elements among the processors technical construction which resorted to the designer to show the largest number of images or shapes related advertising as envisaged and lead color, size large role in clarifying the mechanism overlay which requires clarity in the employee elements.4 - hired format repetition vertical structure design, and that by repeating elements contrast volumetric and chromatography, as a kind of regulation iterative whatever is meant to pull the attention of the seer according to the mechanism from top to bottom and make itmove according Values available in design, and is working through volumetric variation and color, as you can start vertically from top to bottom or vice versa.5 - adopted Layout radiation emanating from the center to the sides with investment Vocabulary large sizes to balance formality, as is commonly this format much in structure design with Vocabulary numerous terms easier for the designer distributed through a single prevalent and organized around Vocabulary other way diffusivity some aspects.6 - hired Layout hierarchy in highlighting the individual formal prevailing advertised, and comes this employment in order to attract the recipient and influence it and procedure requires gradual Values from top to bottom (repeat hierarchy), as if the base address and ranging beyond Anwanat another and so on.The researcher also suggest a set of assumptions that will be an important focus for future studies, including : 1 - benefit from design methods with which designers Alaalaon developed countries Kravekaa and industrially, particularly in the area of employment pattern and repetition of images and other vocabulary.2 - Find insights and new ideas in the design of the advertising formula and published and Akhraja final and must know the equipment and print - related media.3 - the pursuit of understanding of digital design and learning software, which deals with design Alkraveka it the most effective way to develop an understanding of the designer of what is happening in the field is the arena foundation and important episodes of the deal modern Alkraveka.

الوظيفة النفسية للتشكيل الدرامي للاضاءة في افلام الرعب

اسم المؤلف: بسام نوري محمد
اسم المشرف: عبد الجليل ابراهيم ادهم
الموضوع العام: الفنون الجميلة
السنة: 2009
الموضوع الدقيق: الفنون السينمائية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان جملة الرسم بالضوء هي افضل مايمكن وصفه عن طبيعة عمل الاضاءة في الفن السينمائي, اذا ما تجاوزنا عن قصد مسالة التعريض وكمية الاضاءة اللازمة لتحقيق التعريض، فالضوء هو عنصر نوعي يعمل على ايجاد مستويات تعبيرية مهمة داخل حدود اللقطة السينمائية، من خلال انتاج ا | The light working nature in movies art could be best define by painting with light if we intentionally skip exposure issue and light quantity we need to serve the purpose of exposure, light is crucial element in terms of identify new levels of expressionism that are important within the cinematic shot area., whether it’s dramatic or psychological because it is give the lighting body the ability to transport photographical particular information without need for dialogue or other direct narrative way’s. Light have the ability to produce imagist build with information contain also with obvious beauty, as we know filmic image is the unit in light structural building which serve the drama in film by light and color interest that appears in light layers which add value to their grown that are related to the complete dramatically work grown.What’ve been mentioned above , is what all cinema’s current work is about, specially those depends on light as important material in cinema expression like expressionism cinema and avant - garde cinema and others current which find in light there important missing way in transport information dramatically, psychological and by beauty and from all of these reference the researcher limit he’s object in ( psychological factor for lighting dramatic formation in horror movie ) he divided he’s study to four chapters : Chapter One : This chapter consider as the procedure form.This chapter addresses the research troubles and we can form this question as below : What is the means that can use lighting dramatic formation in horror movie to reach for psychological action?But the value of this chapter is about addressing in thorough the importantly of one of the important language elements in cinema, and that procedure and explore the work of the term (lighting) in horror movies form That kind of films depend on light job specially to view on psychological and dramatic level The aim of research is study lighting dramatically formation in horror movie and its border reach climax study horror movie produced after 2000 ac Chapter Two : This chapter considers as the theoretical form for research and it is subdivide into five subchapters : 1. horror movie2. lighting drama formation in horror movie 3. deals with dramatic and psychological impression for (light ,shadow , color ) 4. lighting drama formation 5. discuss the relation between lighting formation elements and cinema language Chapter Three : The third one study the research method particularly, scans its method and analyses it and also study search community and samples which its five movies First (shutter), second (Halloween), third (exorcism of emly rose), fourth (wrong turn), fifth (blade) The search tools depend on the theoretical frame in analyzing after its review on group of researchers to give there approval The fourth chapter deals with results and discussions, details of samples which are shown and analyzed and results are taken from this analysis but the general conclusion which is taken out for that, the researcher give us group of suggestion and advises as it comes in list of references of research, appendixes and abstract of research.

النظم البنائية في الرسم الحديث : دراسة في الانساق المعرفية The Constructional Systems In The Modern Painting, A Study In The Knowledge Patterns

اسم المؤلف: وسام حسن مزعل
اسم المشرف: محمد جلوب جبر الكناني
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الرسم
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: In order to see the difference in the levels of thinking through out the history, it would be enough to take a look on the artworks, those being produced during a different eras of the history, that, it could easily gets us aware of the amount of shifts and changes of the thoughts. Therefore, the art emplaced as a representative for the entire intellectual and ideological outcome for each age or era. Hence, the artwork absorbed all the thoughts and beliefs of that age, and assimilated them, which is led to reproduce them in a way that can be defined in a new way as a part of the world of art, so that they began to look like icons to be pointed to, as shorthanded thought of different eras and periods of time, so if we considered the surrounding conditions, we can find that the study of the ties between the constructional system of the modern painting not only justified, moreover it turned to be a necessity for the sake of understanding the artwork comparing to itself, not to the perceiving entity for that "being" and that means, we are trying to reach for that objective reality, which lies in its foundations the conditions of the human being, with absolute presence of him, and beingeffective not only being affected, by searching for the stirrer of the knowledge, like adopting the axis of knowledge which is established a point of interaction, attraction, mutiny, rooting and modernization in the history of modern painting. On account of that, this research came "The constructional systems in the modern painting, a study in the knowledge patterns" includes an introduction and four chapters. The first chapter covers the issue of the research which is related to the foundational knowledge, the efficacious and stirrer for the art producing process, besides the commutative relationship between the evolution of the knowledge and the modern art trends, and there is an attempt to make the research resolve this issue, by displaying different thoughts ofknowledge and finding its shapes and practical applications in the constructional system of the modern painting.As to the goal of the research could be represented as : 1 - Exposing the knowledge patterns, those motivating the systems of constructing the modern painting.2 - Exposing the knowledge mechanisms that controlling the aesthetical and formal construction of the modern painting. As for the limits of the research, confined in an objective limits encompassed only the modernpainting and its spatial borders around Europe, while its time borders set between 1875 and 1943.However, the second chapter consists of four topics, the first topic dealing with the concept of the system and its mechanisms at the visual side, while the second topic is about constructional concept of the visual surface, by considering the phases of the constructional process of the painting, and describing its constructional contents then consider the foundations of the construction as whole. The third topic devoted for the knowledge patterns, by depending the concept of presenting the modernity and its most important quotes, and the mode of knowledge patterns "operating" in the arts arena. Yet, the forth topic covers the trends and styles of the modern painting minutely.The third chapter contains the research strategies, those being represented in the research community with the sample and the research mediums and procedures that being pursued in the study. Then, analyzing the samples according to the researcher's index in the theoretical field as final outcome.As well as, the fourth chapter contains the results of the research, suggestions and recommendations. On the strength of what the analytical study delivered, the research reached into a group of special results in determining the ruling knowledge patterns of the constructional system of the modern painting, the most important results to mention are : - The Impressionism : it is the record of the social knowledge pattern which is takes the form of the naturalism and scientific knowledge pattern goes into the colors theory, which can be materialized in a greatest way of presence and controlling in its aesthetic and formal construction. - The New Impressionism; which is the scientific knowledge pattern represents the controlling basis of its molding process by adopting the rules of the light and color. - The Expressionism : which is illustrates the social knowledge patterns through out the concept of the individualism, and it is the most effective and controlling in its system. - The cubism and futurism : It appears in the scientific knowledge pattern and through out the concept of the place and time values, and it is the most influencing and controlling by its presence, to its constructional system. - The Dadaism : It can be supposed that the philosophical knowledge pattern with nihilist approach practiced an ultimate influencing in its constructional system. - The Surrealism : It becomes clear that the social knowledge pattern through psychologic al studies turned to be so influential in its system. - The Abstract : Which is imbued with constructional molding, in a mount of convergence with a spiritual and philosophical knowledge pattern.And according to these results, it is possible to pointing to some of the important conclusions as : - The modern artwork is an outcome of the spiritual and physical knowledge. - The change that has been made to the painting, it is a reflection of the changes of the fact of the knowledge. - The power of art attracts all the existents around and transforms them to an aesthetic construction. - The modern painting approached to all the kinds of knowledge with a significant vision. - It is not possible to understand the essence of the artwork unless having the ability for being aware of the flaws that could lies behind it. - The switches in the constructional system of the modern painting are a result of an intended changing being achieved with experience awareness and the effects of the surroundings. - Behind each artistic and creative turning point, there is a change in the knowledge patterns, as a rule starts with the response of the creator (the artist) and the recipient (the spectator) would follow

صيغ الاداء التمثيلي في المسرح العراقي المعاصر Forms of Acting Performance In The Modern Iraqi Theatre

اسم المؤلف: وسام خضر موسى
اسم المشرف: هيثم عبد الرزاق علي
الموضوع العام: الفنون الجميلة
السنة: 2013
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: عالميا شغل الاداء التمثيلي مساحة واسعة من اهتمام المنظرين المسرحيين طوال القرن العشرين في اوروبا وامريكا، ودول العالم المتقدمة. اذ ارتبط بمنظومة العصر وطروحاتها الفلسفية منذ ظهور الممثل لاول مرة. فضلا عن الافكار المنتجة له فكان ينحو نحو هذه الافكار ويسا | Universally , the acting performance was the main concern of the dramatists in Europ , America, and world advanced countries in the 20th century. It has been related to the system of the era and its philosophical theses since the appearance of the first actor. This relation was part and parcel of the cultural demands of the societies and the essence of their existence.As far as Iraq is concerned, this global influence was evident of the Iraq academicians and actors, particularly those who studied in Europ and America. Therefore, the research question is : Was the Iraqi theatre able to shape its acting performance from the system of its age or from the ready - made styles it got from outside? The thesis includes four chapters. 1. Chapter One ( Methodical framework )a - The problem of the study b - The importance of the study c - The aim of the study d - Limits of the study. Place limits which included two groups of actors from Baghdad , the capital of Iraq : Academic actors who studied global procedures and styles and conveyed them to Iraq. As far as time limits are concerned , the researcher selected actors representing different periods of time. Finally , the objective limits included forms of the acting performance in the modern Iraqi theatre.e - Key terms : the researcher specified the following terms : Forms , performance , modernity.2. Chapter Two (Theoretical framework) a - Section one (the philosophy of the age and its relation to the styles of acting performance)It tackled the Greek, Roman and the Medieval age , as well as Renaissance Delarty comedy, and the Enlightenment age. b - Section two (the actor and its relation to the style of acting performance in the world theatre). It included theorists of the theatric shows whose theories influenced the philosophy of the age such as Stanislavsky, Myerhold, Grotovesky, Brecht, and Peter Brooch. Each of these prominent figures worked separately in the relationship between the form of the performance and the philosophy of the age from different angles.c - Section three (Designing acting performance in the modern Iraqi theatre) It included the Iraqi producers who studied global methods and styles of acting and conveyed them to the Iraqi theatre according to their own experience and views like.Jasim Al aboudi, Ibrahim jalal, Badri Hasoon Farid, Qasim Mohammed, Awni Karoumi, Salah al Qasab, and Fadil Khalil.This section also included the most influential effects of the theoretical framework.3. Chapter three. It included the research procedures , samples , methodology , tools ,and analysis. The selected test - subjects actors are : 1. Khalil Shawqi, 2.Sami Abdul Hamid, 3.Yousif Al ani, 4..Sami Qaftan 4.Chapter four. It included the results of the study, discussions, and conclusions, the most important of which is that mixing performance techniques acquired from the environment with the academic training was one of the necessities of the modern age to adapt the imported form with the original local content. Finally the study states recommendations, suggestions, and lists of references, appendices and the Arabic abstract.

المكون الصوري بين التشفير والتاويل في القراءة الاخراجية : فاضل خليل انموذجا The Image Components Between Encoding And Interpretation In The Directorial Reading (Fadhil Khalel Example)

اسم المؤلف: حيدر حسن عبيد
اسم المشرف: عقيل مهدي يوسف
الموضوع العام: الفنون الجميلة
السنة: 2012
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ينطلق البحث في محاولة لرصد عمليتي التشفير والتاويل للمكون الصوري للعرض باعتبار ان العرض المسرحي عملية تواصل تعتمد على وجود خطاب مكون من مجموعة رسائل توجه بشكل قصدي من قبل باث الى مستلم ليقوم المستلم بقرائتها ولا يمكن قراءة هذه الرسائل الا بفك شفراتها، ان | The research attempts to monitor the process of encoding and interpretation of the image component of the show, that the theatrical is a communication process which depends on a speech containing a group of message which are deliberately directed by a broadcaster to a receiver whom will read the message which cannot be read unless their codes will be decoded. The first component for any mark or a message depends on the internal relation process between the gesticulation and meaning among the marks in the directed message.Theses internal relations are the roles which govern the way of encoding to generate the marks of the theatrical show as sequence image show in a period of time, theses image consist of two parts the first is the visual component and the second is the invisible component and by the unity of these two parts produce the image component which contains show message that consist of the marks, these marks contain the gesticulation and meaning that are connected by the low of the code. Throughout this code the interpretational reading of the show will be achieved and by encoding, from the text to the image and the reading from the image to the meaning, the aesthetic distances will be established of the process of the encoding and interpretation that belongs to the image component of the theatrical show.Thus this mechanism represents an attempt to recognize the means of the encoding, the interpretation and the marks guiding of the image components of the theatrical show starting from its change to image code, ending to the interpretational meaning.The study includes (the image components between encoding and interpretation in the directorial reading Fadhil Khalel example) the four chapter are as follows : The first chapter (the approach framework) we dealt with the problem of the research and how to convert the visual to invisible and vice versa, throughout the process of encoding and the interpretation which are the based on cinematic thesis in order to figure out the way that these changes arise from the text to image and the way of establishing the image components of the show, this chapter includes : 1 - the problem of the research.2 - the significance of the research.3 - the objectives of the research.4 - the limits of the research.5 - identifying the terms.The second chapter includes the (theoretical framework)in which theorizing the rules, that were established, have been dealt. throughout these rules, the aesthetic process of encoding and interpretation that belongs to the image component of the theatrical show will be accomplished.this chapter include four section : 1 - section one : the concept of the image components between the visual and the invisible : in this section we discussed the theories and the opinions about establishing the image and how the imaginations interfere with the material in order to form a component relies on the artistic creative process.2 - section two : the encoding of the image component : in this section we discussed how recognize the formation the code and its change from the text to the image with various levels as well as the types of the codes and its derivatives.3 - section three : interpretation of image component : in this section we discussed how the interpretational reading has been formed depending on the process of encoding and creating a superficial and deep meaning, in addition to the most prominent interpretational theories and what is the definite and indefinite interpretation. 4 - section four : aesthetic values of encoding process and interpretation of image component : in this chapter we discussed the aesthetic process of encoding as well as delivering examples of different codes which discovered throughout a creative process by modern playwrights and the matter that led to perceptions which are different and interpretational.Then the researcher discussed previous studies which are concerned with the encoding and the interpretation and the obtained the results of the research theoretical framework for analyzing experimenting the samples.The third chapter (the procedures of the research) discussed two topics : 1 - the approach of the research : as the analyzing descriptive approach has been adopted.2 - discussing the sample which has deliberately chosen and analyzing it according to the parameters which had been concluded from the theoretical framework, the sample had been formed from three shows of the Iraqi director Fadhil Khalel. 1 - Cedra2 - Fi Aeali al hob3 - HerostradThe fourth chapter includes the result of the research : The research came out with conclusions and suggestion, then recommendations of the research which asserted the significance of the process of encoding and interpretation in addition to the necessity of expanding the work with it. Attached with the list of the research and a summery in English.

المعالجات السينمائية للرواية الحديثة Film Adaptations of Themodern Novel

اسم المؤلف: احمد جبار عبد الكاظم العبودي
اسم المشرف: طه حسن عيسى الهاشمي
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الفنون السينمائية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان الدرس السينمائي المعاصر، يؤكد على التماهي المطلق بين السينما كوسيط تعبيري قائم بذاته، والفنون الاخرى، كمنجزات جمالية سابقة عليه، يتعالق معها بنيويا ودلاليا، وكانت الرواية من اكثر الاجناس الادبية التي استلهم منها صناع الفيلم منذ بداياتهم الاولى، ل | The modern cinematic lesson emphasizes on the absolute identification between the cinema, as an expressionist intermediary stands for itself, and the other arts, as aesthetic achievement precede it, they both are linked syntactically and semantically. Novel is the most literary genres that inspire the film makers since their beginning because of Its relatedness to Cinema narration characteristic, the completion of the expressionist intermediary of Cinematograph, and involving of the sound that expands the aesthetic and narrative ranges of the film to the maximum in the ideological indication, enables the Cinema to arm with the modernist consciousness because it became close from the experiences of Art and literature ideologically, aesthetically, and stylistically. Cinema involved in the modern novel, which is considered as ideological and aesthetic revolution throughout the film adaptation that copes with the novel context modernism through its construction to the text of the modern film. The theorists and film art critics give a special importance to dialogue relationship that based on the Influence and effect between the novel discourse and film show despite the obvious distinction between their expressionist intermediaries. Because of the quotation processes and forms of correlation between these two arts through interchangeable transformations to the semantic and expressionist statements. The theorized visions are centered through observing aesthetic contiguities and paradoxes to the indication between them. One of them utilizes the oral language and its syntactic structure that contributes in deepening the meaning. While the other one appears through the audio - visual and editing structure that deals with time according to its own way. Despite the difference among the visions and the critical and artistic situation about how Cinema takes the benefit from the novel as a source of inspiration or quotation which is based on particular level of adaptation, as a structural and conscious semantic action. Most of the critics try to undermine this creative connection, said that Cinema is an independent Art contrives its own subjects without standing on literary structures that are already made. It is proved that the spectator accepts the shown ideological structures and interacts with them negatively or positively despite the scenario of the film is adapted from novel context as a semantic reference or an invention leads nowhere but to itself. The uniqueness of this research is to observe the structural and semantic variable between the modern novel through its complicated structures, represented in the paradoxes of narration, narrative prospective, multitude in the levels of focalization, the linguistic rhetoric utilized by poetic deviation, its narrative and semantic concentration, and the film show with its modern form, narration, and Cinema language. Consequently, getting involved into the modern novel context world and its transformations into a film show requires someone who is capable of decoding the secrets of them. In order to fulfill the aim of the research, the researcher divides the research into : Abstract (in English and Arabic) and four units. The first unit (Methodical Frame) contains (problem of the research - Importance of the research - the research limitation). The problem of the research appears as a question has been made, by the researcher, as (what is the range of the semantic and structural transformations of the modern novel in contemporary cinematic discourse?). The aim of the research is to detect the levels of the semantic and structural transformations, which appear in the structure of the modern novel genre, in the contemporary cinematic adaptations. Second unit, theoretical Frame, contains three chapters. First chapter is entitled (semantic and syntactic structure of the modern novel). The researcher investigates, through historical vision, the theory of modern consciousness manifestation of the global and Arabic novel for its conjugation to the realistic variables. The researcher explains how the modern novelist deals with the reality and investigates its deep content according to his personal philosophy and his aesthetic consciousness that comes from deconstructing the ideological structures to the reality and reforming it. He also investigates the characteristics of the modern novel as semantic structures through saturating the syntactic components of the modern novel context from the prospective of the narrator and his multiple visions, time, characterization till the place. The second chapter, entitled "Film Modernism", is dedicated to the prospective of modern consciousness in the contemporary cinematic discourse identifying all the literary and artistic discourses that take the way of modernism in order to express about what is prevailing. The researcher investigates the beginnings of the modern consciousness with contemporary cinematic directions (Formality and Realism) with its various styles in employing the cinematic expression means. While the other component and the most important, was an attempt to theorize the modernism of contemporary cinematic form that appears in time structure of its narration which is done by the semantic activation of Cinematic language. Then from all that, the researcher concludes a simple lesson which is that Form, Narration, and Cinema Language interlaced in a way that cannot be detached but for the purposes of study and analysis. The third chapter, entitled " Text Transformation : Modern Novel and Film Show", discusses the levels of film adaptations to the modern novel by using film examples that are well - known for its adroitness and creativity in adapting novel contexts which are unique for their semantic and structural aesthete. The researcher starts following the concept of the text, as a semantic structure that all critical visions vary to define its concept of text, from the contextual methods till the deconstruction strategy by Dryda (post - modernism) including all the aesthetic characteristics of the novel as a text and the film show as text also. The researcher concludes from the theoretical frame that the contemporary adaptations of modern novel, which are an action to transform the novelistic work into cinematic expressionist intermediary, depending on the strategy of quotations according to literal or free level that reflect the ranges of interlacement for the texts, or to combine both of genre in addition to the interpretative creativity of the therapist by using the cinematic expression language as a remarkable interpretative art. The researcher comes up with punch of stuff and adapts them as a tool to analyze his examples. The third unit is the place where all the elements of the research, Research Method, the research reunion, and the research model, are compiled. The fourth unit contains all the results that the researcher comes up with from his analysis to the models (French Lieutenant's woman) and (Hours) and the conclusions that the researcher comes up with from all the research in general. It contains suggestions and recommendations.

المعالجات التصميمية في الفضاءات الداخلية للورش التعليمية Treatment Design In The Internal Spaces of Educational Workshops

اسم المؤلف: منتهى عبد النبي حسن نجدي السعودي
اسم المشرف: فاتن عباس لفتة الاسدي
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: التصميم الداخلي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Represents treatments design spaces educational workshops , one of most important basic functions that seek him by the designer and the resulting coverage of the nature of educational workshops and spaces employed in the formation of character career.Addressing these spaces allows us designers internal mechanisms employment possibilities ,techniques and methods of a variety of style different for what we find in most spaces,the other for starting towards the concept of the projections functional (Performative,aesthetic) that hide in it.The features detailed spaces work(wokshops) to design spaces interior is characterized by being the field of lead to study and knowledge of the factors affecting our treatments design for this type of spaces,which in ourMinds bunched treatments values overlap with traditional asset developments and new technologies for the advancement of educational spaces carpentry workshops to keep up with the functional requirements.The treatment of achieving spaces internal according to the concept of functional integration(Performative,aesthetic) should the interior designer to be of a familiar treatment design and ways to achieve them,with the assistance of vision and ideas for starting towards the concept translates façade educational for our country,which has become a requirement no matter how based on him the need to address spaces workshops to keep up with the requirements of age and educational reality,to lead us to the title search is marked"design treatments in the iternal spaces of educational workshops" the search consists of for chapters : Chapter One : Addressing the problem of search which crystallized by asking the following : What is the treatment design in the internal spaces of educational workshops?The objectives of the research guarantees the possible contributing ideas to develop designs interior spaces for learning carpentry workshops.And demonstrated the importance of current research presenting the study necessitated by the need to raise the level of the reality of the spaces,interior carpentry workshops world, as well as the contribution of researchto clarify the most important levels of treatments that work on the development of the spaces, as wel as lay the foundations of the theory for the purposes of application of the treatment design on according to mechanisms keep pace with the times, as play an important role to suit the nature of thefunctions and activities performed there in, which is represented by the border merits of the search, while determined the spatial and temporal him in spaces carpentry workshops teaching in colleges of fine arts and applied arts in the provinces of Iraq for the period from(1967 - 2013) as well as determine the terms contained in the title of out procedural tariffs.Chapter Two : The theoretical framework which resulted in two sections : The first topic : Singled out the concept of interior design and its relationship to job performance in the educational workshop spaces, while the second topic : The spaces included carpentry workshops and educational ways to address them and upgradeable career.The theoretical framework resulted in a set of indicators adopted in the analysis of form models : Chapter Three : Included research procedures and methodology, as it comprehensive survey in the selection of community samples and research(3) models only for study, and adopted the search tool on the form axes analysis , pointing degree achieve those themes on them, as well as a description of research and analysis models.Chapter Four : Ensure that the findings and conclusions that have been reached by this research, is the most prominent : 1 - Chapter's relationship to the workshop space from the rest of the educational institution spaces provided a comfortable indoor environment , to achieve the required functional requirements not only in terms of space of the institution.2 - The treatment of perception and understanding of the internal space is a staggered treatment which contribute to numerous factors and effects , including behavioral and psychological related to the user.Including structural and training related to the form and body components of the internal space(SDH, furniture and supplements), as well as relations achieved through it , and here comes the role of the interior designer and his ability to achieve this integration in directing realize user elements and components of the internal space and the relationships between these elements and components.3 - Contribute the characteristics relations in space to achieve continuity the physics and visual space workshop with spaces adjacent or between the spaces of the workshop itself , result in the outcome to the treatment of configuring the harmony and continuity visual, and to achieve the structure physics coherent visually compatible with each other and with all, anything to do with all of the space(work,storage,supervision, diction, service).As well as the fourth quarter included the foundations of design theory, and recommendations, and general suggestions, and design proposals, as well as horizontal charts, tables and explanatory forms, and a list of sources and supplements.

المعالجة الاخراجية للموروث الشعبي في الدراما التلفزيونية العراقية The Directing Treatment of Popular Heritage In Iraqi Television Drama

اسم المؤلف: فردوس مدحت رؤوف
اسم المشرف: عبد الكريم حسين السوداني
الموضوع العام: الفنون الجميلة
السنة: 2010
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يمثل الموروث الشعبي اهم اشكال الثقافة الحياتية ومرجعية لطقوس وحراك ويمكن توصيفه بالذاكرة المعرفية المتمركزة على ما تنتجه المخيلة الانسانية في صراعها المستمر عبر المراحل التاريخية المختلفة ولا يمكن لاي شعب ان ينفصل عن تاريخه وممارساته التلقائية والتي تعكس | The popular heritage represents the most important forms of life culture and a reference of rituals and motion. It can be characterized with the cognitive memory centered on what the human imagination produces in its continuous struggle across different historical stages. No people can be separated from its history and its spontaneous practices which reflect its attitudes and awareness. What manifestations and expressions the events distinguish promote the thinking level and the characteristics of each people or human group. Because the popular heritage includes deep human experiments, it holds decisively a living and existential essence motivating many artists whether in Iraq or in other world states to turn to invest the data and values he distinguishes. It is easy to transform the social facts to artistic visions, especially TV drama works, besides the marriage between the heritage and TV reflects the fact that the popular polarization size of the little screen made the reception characterized with this extensiveness in that the serials or drama works grew addressing the popular memory towards employing what is common and deep rooted in the collective social mind. Hence, the researcher submitted her topic entitled (The Directing Treatment of the Popular Heritage in Iraq Television Drama) within the light of five chapter as the following : In chapter one (the Methodological Frame), the researcher identified the research problem manifested in the following question : What are direction styles of popular heritage in Iraqi TV drama? then comes the research significance which was obvious from the significance of the topic (popular heritage), since the directing treatments of the popular heritage topics require standing long at them for it is one of the topics that documents a nation life through reformulate its history in a TV drama work. This matter makes it of an obvious importance in searching it in order to provide the chance for the one who works in the field of direction to stand at the potentialities and merits of the works treating the popular heritage as well as to provide a search reference for the followers and readers to get what is within its contents, in addition to the advantage given to the critics, authors and directors who work in TV drama and the advantage goes to the students of the College and the Institute of Fine Arts. As to the research aim, it was in exposing the directing treatment of popular heritage in Iraqi TV drama. Chapter two (The Theoretical Frame and Previous Studies) included five sections as follows : 1 - Section one : The Popular Heritage - The Origin and Concept. 2 - Section Two : The Elements of Popular Heritage and Their Employment. 3 - Section Three : Employing the Popular Heritage in Iraqi TV drama. 4 - Section Four : The Directing Treatment of Popular Heritage Topics. 5 - Section Five : Glimpses of Addressing the Popular Heritage in Some Works. The indicators of the theoretical frame distinguished some results dealing with the directing treatment nature of popular heritage in Iraqi TV drama. As to previous studies and after studying and searching, the researcher found a master study in the library of the College of Fine Arts for the student Adnan Mizhir Lafta entitled (the Cinematic Formulation of Superstitious Story in the Narrative Movie 2004). In chapter three (Research Procedures), the researcher dealt with the research method where she took the descriptive method which fits the research nature. While the instrument was concerned with the elements of the popular heritage and how to employ them as well as the expressing elements which contribute in embodying the popular heritage. The researcher took the scenes as a main unit in analyzing the sample in that she took the research samples purposively which contain the popular heritage essence represented in several samples mentioned with details. Chapter four addressed the analysis of samples. Chapter five (Results and Their Discussion) covered a detailed display of the results arrived at by the researcher where some customs and traditions were shown in most drama works addressed in the research, in that the directors asserted running after the details of traditions and heritage glimpses clearly as well as the popular songs were embodied with all it could turn us to their reality, so the instruments like the Joza and Khishba and singing the squares (Muraba'at) necessitated that there should be a privacy when directing them. Thus, they were discussed and then the conclusions came out, the most important of which are quoting some international works (as popular heritage) and reflecting them on our heritage where the features and characters are changed in a way simulates the Iraqi traditions which makes the director subject to the original text in the treatment process. Afterwards came the recommendations and suggestions matching the research aims. Finally, the researched adopted several suggestions for future topics.

المرجعيات الرافدينية في التشكيل الاوربي الحديث : دراسة تحليلية The Mesopotamia References In The Formation of Modern European

اسم المؤلف: عادل نفل مهدي
اسم المشرف: محمد جلوب جبر الكناني
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الرسم
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The study tagged (the Mesopotamia references in the formation of modern European)This study (displacement metaphor re - creation Development) in the formation of the European modern, so that the transformation of thought and a variety of techniques purified in Auahr the nineteenth century and early twentieth century, for a performance art in the formation of various multiconfessional to adopt the idea beyond the apparent shape and body to generate new properties dialogue essence, those same characteristics that distinguish them plastic formation Mesopotamia all levels of historical and cultural. The researcher classified the stages of transportation , plastic art historial classical and arrive at modernism in terms of access to (reference Mesopotamia) as follows formation : Stop (switching) characteristics and attributes forming the European through the stages (above) in terms of reference mesopotamia on (the nature of acculturation and cross - fertilization of civilization) and then extrapolate the properties mesopotania as a reference, or analysis of representative samples, while monitoring variables stylistic, or track and investigate variables stylistics in modern European in what is a pointer in the collectanea mespotamia of the properties and attributes, especially those that depend idea exceeded (appearance) to the undercover (substance), which paved the way for action in visual form and paved the way for abstraction of exchange... And mythology mesopotamia which paved the way for surreal and try the artist tributary Lenny to find the best form in addition to the idea of the artist Assyrian of leg five of the objects Guardian winged - that paved the way for the fufusim , in addition to the idea of philosophical Eastern's proposal to the infinite which has no beginning and no end, and embodied in the repetition decorative engineering and others, which the cradle of the art optical (op art) as well as the genius of the artist that created the Sumerian genius act in shorthand and geometric abstraction, in models of devotees of the Sumerians paved cubic, and Transformers artist mesopamia artist generally tributary to embody the emotions in terms of the internal appearance, which paved the way for exprisianism...Thus, for the purpose of access to the results of arguments convincing evidence on the researcher adopted the analytical approach with descriptive identification codes reflected the function of the icons, take a researcher in his analysis of works of art in the formation across three European connotations as the pillars are : 1 - indications of the iceberg of self - creative imagination and conditioning coach in the composition.2 - indications of stock knowledge and implications of cultural, environmental, and how to inflict subseguent in the previous configuration.3 - indications of formal employment and the concept of reference tributary of mesopotamia in the formation of modern European, according to research objectives.Focused on "Chapter II" framework of knowledge as follows : First, the reference - the concept and meaningTurning to the issue of borrowing and call, and Alastaihat different from the experience of the predecessor, essences and essential expressions of the place and time through the ages.Second, the historical reference : Take the conditioning in creative done for generations and peoples, in addition to the date formats, systems and techniques characterized, and the getting has become a source of artistic originality in the discovery and innovation.Third, the environmental reference : Address the mutual adaptation between the projections of subjective "emotional" and between the external environment, and also between different environmental compressors known as an active and influential elements of the activity of the creative artist, whether those compressors natural or spiritual, or thought of the collective agreement is based. Effect in determining the attributes of privacy and identity formation.Fourth, the philosophical reference In which he addressed to him thinking researcher in the Far East, which calls for simplicity and integration with the mystic (scratch) located intuition or not perceptible and the impact of him to think that the rights of the artist creating it. It also discussed the mechanism of thinking in the west of (Europe and America), which calls for the logical analysis of the provocation surrounding which helps to create a human (the world) in addition to addressing the mechanism of thinking in the Middle East, which combines the mechanics of thinking the Far East with the mechanics of thinking the West to create this center intellectual (the human world and the artist) together.Fifth : The logic reference in the structure of rational thinking European He dealt with the happening of knowledge of the mind that made the center of systems thinking based on experience and experimentation, and to make science dominant in place of reason in Europe.Sixth : the meaning of modernity Dealt with the word (modernity) between linguistic meaning and meaning conventional detection and the impact of shocks that hit the art generally affect the characteristics with recognition of the rapid changes of the activities of modernity in the formation and the separation between (character style ) of art) in the ancient civilizations and between (the openness) based on acculturation and cross - fertilization and the intermarriage of intellectual and artistic at the time of modernity.Seventh : the concept of the formation Address the concept of structural - General of the formation of the adoption of elements and the basis of the configuration from the (vacuum) and how to convert the concept into space, the introduction of the simplest forms it (point) and how it moved the point of a (line) and how to move the line with the changing trends and types to form a flat, and how to move flat to form a (mass ) or (stereo) and how to move the cluster on the surface and the optical range and harmony and to form multiple (composition )Eighth : the fourth dimension in the plastic Arts Address the mechanics of structure in the shape to achieve the illusion optical and to achieve the third dimension (prespective , and then simulate the fourth dimension (movement) and format conversion constant (stutic ) at the pictures of figure moving (dynamic) and did not address the fourth dimension as a trend technically called for (furtusime ), but considered in the out of art, auction model is a fourth dimension of the points, and the flat fourth an IV line, and mass represents the fourth dimension of the flat configuration and mass movement through time and space to Tkthel fourth dimension of the flat in addition to the classification of the fourth dimension to three cases : 1 - the fourth dimension structural : the movement is reflected in the vocabulary of visual construction of the text.2 - the fourth dimension of the narrative : This is reflected in the transition time and place within a single work of art, to give the impression Daramatic flow of conversation.3 - the fourth dimension inductive, and is reflected in the multiplicity of points of attraction within the structure of the configuration with the equality of influence in addition to the repetition.Chapter III measures included research, with analysis of samples.The fourth quarter included the results of research, findings and recommendations and proposals.The results of the research, the research found the most important results of1 - revealed some of the experiences of European artists in the update data embodied creatures plastic composite (virtual) for metaphy5icsart mesopotamia2 - showed some of the modern European business formation, syndication of the structures in its reference configuration leading tributaries, with attempts to adapt an innovative new approach resulted in the formation European.3 - revealed the artist's attempts at forcing European art between the summons and displacement of the reference Mesopotamia communication to the fourth dimension formula ((a time)) in the works of modern European composition.4 - European artist to deal revealed in the presentation of some of the meanings and conceptual by start forms that narrative in the presentation of the event with reference mesopotamia in models of seals and inscriptions.

المتخيل النحتي في الواقع الافتراضي : دراسة تطبيقية Sculptural Imaginary In Virtual Reality Experimental Study

اسم المؤلف: ماهر حسين علي الحبوبي
اسم المشرف: سعد علي يوسف البصري
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: النحت
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يتلخص البحث في محاولة اثبات امكانية الحاسوب الالكتروني كاداة تطبيقية في تجسيم وانشاء مخططات لاعمال نحتية في الواقع الافتراضي كمشروع متخيل لدى النحات لعمل نحتي ينوي تنفيذه. فقد تراءت مشكلة البحث امام عيني الباحث لدى ملاحظته وجود برامج حاسوب قريبة او متخصص | Boils down to search in an attempt to prove the possibility of the computer as a tool applied in materializing and the creation of sculptural works in virtual reality imagined as a sculptor to work with sculptural intends to implement. Perceived research problem has appointed researcher at the front of the note the existence of computer software or near specializes in sculpture and composition can benefit from the development of the traditional methods in the output of sculptural works such as dispensing planning paperwork (Sketch) or scale models (thumbnail) commonly used in recording and output sculptural works created and that cannot give the impression of a real sculptural work , especially in terms of the real size and blending with the specified space for display the goal of the work environment sculptured saving money , time and effort , add to edit the image with the sculptor imagined to broader horizons during organizing formal ties to these programs from a high potential to change and modification of shapes, which cannot be carried out only through the injunction by the user (sculptor). The researcher in the first chapter and the goals of identifying the problem and the importance and limits of the search, where the objectives were as follows : Statement of the possibility of a computer in the development of the initial steps of the finished sculpture. The research identifies ways that show the diverse sculptural works using the techniques of computer programs (3DsMax, Maya, Photoshop, Z Brush, Cinema 4D) and with modern versions only because of their potential novel lacks its older versions. In the second quarter it was the duty of the researcher to explain in detail what the term means and imagined sculptural statement types and divided it from the vocabulary of. Then been identified as exemplified by the image imagined when the artist generally and then sculptor especially during the discussion of the mental processes that contribute to the formation of a mental picture and then discussed with the sculptor in the output stages of the sculpture has been in this first section of the second chapter. As for the second part, in which the researcher has shown what it means to the term virtual reality with an attempt to identify the potential of computer and duties in addition to the work of the system as a whole, especially in the process of Manifesting. The researcher also reviewed the most important programs currently available to the user sculptor and specialized forming and modeling operations with an indication of the most important characteristics of positively and negatively, and this was in the third section. To illustrate these capabilities are available in the software selection researcher felt sculptural work is physically present in the true reality and its application to these programs in virtual reality was the selection of the ancient monument Kahramana of the late sculptor Mohammed Ghani Hikmat.The first stages of such a solution to the problem that led to the indicators determine the logical relationship between the imagined image and the computer as a tool to help implement the executive sculptural work in virtual reality, which can be summarized as follows : 1 - The need to develop analytical side with the sculptor to be able to analyze the shape to its basic components and these components to the re - engineering of its assets.2 - Develop a plan for the implementation of sequential commands for the program.3 - Study variables that can occur in the form during the installation process and modeling. On the basis of the indicators that emerged at the end of the second quarter felt researcher adoption of the experimental method and the request to determine what supplies the basic application and reached through the theoretical aspect of the study sample. He chose researcher all Aanalat formations of sculpture, which gradually in complexity formal between simple and complex as a research and adoption programs modeling two - dimensional and three - dimensional (which have been selected on the basis of its development and the possibility of their use and reliance on the production level) has been applied to these works to demonstrate the possibility of a computer in the application forms from the imagination of the sculptor with an explanation of the application process for the purpose of confirmation of the results, this has been in Chapter III. Has resulted in the actions carried out by the researcher to the emergence of a number of findings and conclusions, the results proved the possibility of the computer as a tool to record initial perceptions of the sculptor and an embodiment of these perceptions to a three - dimensional image can be saved and add amendments to it, and the comparison between the photos and choose the situation appropriately expressive and aesthetically pleasing, including. In order to confirm these findings, the researcher within the expertise to provide a draft proposal for the establishment of sculptures (Polyphonic and memorable, realistic and abstract) in three different locations (Square intersection tunnel police - Baghdad, the interface is complex catalog Mansour Mall - Baghdad, an exhibition hall artistic closed) represents the business environment of sculpture (monuments or exhibitions) and with the help of computer programs for the entire application modeling with each proposal and to develop a sham and video recordings for the purpose of comparison. The researcher in this videotapes put odds change the shape of the monument, the environment or materials with comparable on the basis of natural lighting or artificial with the change of viewing angles in all the time he registered for the purpose of giving more space to compare the shapes and set changes that can be entered on the block sculpture or presentation of the proposed space. As a result of group comparisons have concluded search as a result of the application the possibility of using the computer as a tool documentaries initial sculpture instead of the traditional methods of registration and of drawings paper (Sketch) and scale model (thumbnail) which cannot give the right impression on the bloc proposed when zooming in addition to the open ranges wider in front of the sculptor to diversify and edit pictures imagined starting from the idea and the end of the registration process of the display

القيم الجمالية ودورها في استجابة المتلقي للملصقات الجدارية Aesthetic Values And Its Role In The Response of The Receiver Wall Posters

اسم المؤلف: مها عبد الرحمن عبد الرزاق الهاشمي
اسم المشرف: حكمت رشيد فخري العزاوي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Means the current research to study the aesthetic values and its role in the response of the receiver in the posters, in order to understand the mechanism of action to realize the ideas that are meant delivery to the recipient to contribute to the development of talent aesthetic sense with him and make him Connoisseur and critic of all that lies in recognizing, as is the aesthetic values as a fun frame of mind of the recipient, being include speech visually in Graphic design in general and in particular wall posters.So it has identified the research problem by asking the following;( What are the values, what is its role in the response of the receiver )For the purpose of reaching the goal included (detection aesthetic values and its role in the response of the receiver) has addressed the researcher in the study Detectives relevant, namely : Chapter One : it addressed the methodological framework (research problem, the importance of research, the goal of the research, the research and determine the limits of the terminology)The researcher also addressed the second chapter (Theoretical framework and indicators Theoretical framework and previous studies)The theoretical framework included the concept of aesthetic values (values and sensory values and the values of the formal relational)Also included the concept of cognition and cognitive and aesthetic response to the recipient, in addition to the concept of aesthetic judgment The third chapter (procedures for research and analysis of the samples) as chose researcher descriptive analytical method as a way suitable for the analysis of the sample and identified b (15) sample, have been selected Qsidia from the research community of (60) where excluded researcher posters Latvian required purpose, since the size of the sample depends on the extent of the homogeneity of the data was also preparing a special form include axes paragraphs of analysis, which were drawn from the theoretical framework of an accurate and objective, as well as the adoption of a researcher on the opinions of experts in the field of graphic design for cemented search tool and make it more objective and coverage of truth for the purpose of achieving the objectives of the researchThe fourth chapter has included findings, conclusions and recommendations and proposals, the researcher remember the most importantFirst results : 1 - convey the idea through photo realism and colorful designer proficiency in recruiting image to serve the idea of the poster in the process of overlap and influence the time according to time, place, and that - lead - to - focus - attention - provoking receiver.2 - the process of attraction have the ability to highlight important topics and make it a tool to attract the recipient, especially if the attraction is characterized sovereignty over most of the area of the visual design of the field3 - According to the designer of the value of cognitive dynamics as a factor in job performance, which gives vital energy through movement vocabulary consisting of the poster.Second : Conclusions1 - of the positives of aesthetic values in the design of the label it affects the receiver and check a lot of intellectual and ideological desires2 - attraction provides the ability to highlight important topics and make it a tool to attract the recipient, especially if the item is characterized by attractive sovereignty over most of the label within the visual field3 - the use of aesthetic values equal powers in determining that it is designed to use tonal values received from the user or the colors of the poster opposing valuesThird : Recommendations1 - to benefit fully from the operations provided by the designers design posters, especially in the ability to deal with the constituent units of the label to achieve the response of the recipient2 - emphasis on the formal activation of sovereignty in the designs of the posters because of their importance in achieving direct contact with the receiver and all genresFourth, as suggested by some studies, the researcher as follows : 1 - design techniques and crafts show layout and its impact on the achievement of aesthetic values in design posters of the movies world2 - study of color and processors Alazaaria through aesthetic values and methods embodied in the designs posters for films global3 - Search and conclude with Arab and foreign sources and a summary of the research in the English

الفكرة وقواها الفاعلية للتصميم الكرافيكي وتاثيرها في الفضاءات المعمارية The Idea And Its Forces Powers In The Graphic Design And Its Role Effects On Architectural Spaces

اسم المؤلف: جواد كاظم عباس المعموري
اسم المشرف: سعدي عباس كاظم
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تمتاز التصاميم الكرافيكية المعاصرة في امكانيتها على تلبية متطلبات متعددة وغالبا ما تعلب الفكرة دورا اساسيا في تفعيل قدرة التصميم الكرافيكي لتحقيق مديات جمالية ووظيفية اعلى وتكمن اهمية الدراسة في مدى فاعلية وتاثير التصاميم الكرافيكية على الفضاءات المعما | Characterized contemporary Graphic designs in its potential to meet the requirements of multiple and often demand idea a key role in activating the design ability of the graphic design to achieve ranges of aesthetic and functional top lies the importance of the study on the effectiveness and impact of the designs, the spaces architecture which plays a faithful idea and industry play an important role in shaping the graphic design, as it focuses on the side of intellectual raises the value of the design and energy expressive and performing at the same time , and is in itself add knowledge on the part of the fundamental aspects of composition of the graphic design, and focuses on the importance of the role of this production in imparted by the aesthetic and functional to form spaces architecture.The study included four chapters address the first of which methodological framework for the search of the research problem and its significance and its goals, as the research aims to reveal the mechanism of making the idea and its actors in the formation of the graphic design, and the impact of design in the formation of spaces, architectural influence of actors for the manufacture of the idea, as well as the limits of search The definition of terms.And ensure that the second chapter three sections addressing the first of which industry the idea and the idea concept, then eating thought processes and brainstorming as one of these operations and processes of creative, eat second section effective power in the contemporary graphic design, influence and achieve the purpose, which included the third section dealt with functional design in space architectural and aesthetic treatments in these spaces, The researcher concluded that a set of indicators theoretical framework.The third chapter dealt with the procedural framework to look at the community survey and selection of the sample and the tool with the help of experts form prepared by the researcher for this purpose , has resulted after analyzing the models selected sample the contents of Chapter IV of the findings and conclusions , including : 1 - The ideas represented in the designs of the effectiveness of originality and their ability to deliver the message to the public as well as the impact that new in the sense of providing design idea.2 - Works in the activation of the catalyst of social forces in shaping the design idea by virtue of the need to meet the requirement of social, as it is to attract the public key factor in the success of the design.3 - Clarity and ease of visual discourse receipt of the letter by the public advertising of an important factor in activating the basis of the power of design idea.The researcher concluded from the above, the following : 1 - Interior spaces Bulky need to processors after an executive with aesthetic and functional one at that give vitality to the place and form an attraction unique to the public.2 - Based actors to exploit the idea of design as much as possible of the space and use it to deliver advertising messages to the public in an orderly manner sequential do not call for the confusion, but suggest a higher level of organization of the formal elements.The researcher recommended the development of capabilities designed and increase knowledge in the processor architecture of the spaces of both internal and external, which can provide the products of successful staffing level spaces, architectural aesthetic and use in delivering the message, display, and suggested to be interest in technical studies in collaboration with government institutions and service departments out the results of the best Indeed, at the level of the environment.

العلاقات الشكلية وجماليات التشكيل الخزفي المعاصر في المانيا : دراسة تحليلية The Formulative Relations And Aesthetics of The Contemporary Pottery Formation In Germany (Analytical Study)

اسم المؤلف: ازهار محمد علي محمد الجبوري
اسم المشرف: جبار محمود حسين العبيدي
الموضوع العام: الفنون الجميلة
السنة: 2010
الموضوع الدقيق: الخزف
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يعني هذا البحث بدراسة (العلاقات الشكلية وجماليات التشكيل الخزفي المعاصر في المانيا)، مسلطا الضوء على انظمة من العلاقات الشكلية التي تولدت داخل البنية الفنية للمنجز الفني والكشف عن هذه الاساسيات في العملية الابداعية وعن طبيعة الحركة التشكيلية الالمانية ال | The research is concerned with the Formalitive Relations and Aesthetics of the Contemporary Pottery Formation in Germany. It sheds light on the systems of formalitive relations in the creative process and also on the nature of the Contemporary Pottery Formation in Germany, specially pottery and earth ware which bears the characteristics of and senses of the formaltive relations and the aesthetics of the pottery in expressing the new raw material and methods, and that manner of treating these relations focusing on the structuralism of component units of the pottery work through the formal distribution of the artistic items.The study was divided into four chapters. The first chapter is concerned with the problem which is the aesthetic and formalitive treating of the relations and the elements common in the Contemporary Pottery in Germany and importance, objectives, limits of the study as well as determining the terminology. The second chapter is the theoretical framework, which tackles the importance of the form in terms of appearance and the method of appearance for the philosophers and critics and artists inside the structure of the art work. the chapter included four inquiries. The first inquiry included the importance of form in Contemporary pottery and the dialectic relation between form and content. It also included several pivots such as the showing the alterations of form for the movement of art like the modernized classic, Romanticism and for the critical attitudes like structural, semiotic, deconstruction, and modernism and what follows reaching up to the concept of aesthetic in the modern art.The second inquiry treats the nature of the formaltive structure of Contemporary pottery in Europe through citing some of the school of arts starting with realism and ending with brutalism. The third inquiry tackles in general the theme of pottery represented in Contemporary pottery in Europe and in stating the most important European potters who practiced pottery and whose works are studied. The fourth inquiry states the nature of contemporary German pottery through reference to some of the German potters, the pioneers in particular. The third chapter is a base for the application of that base according to systematic method that makes the studied sample of the researcher of the original community in order to reveal the objective of study and analysis the formal relation of the German potters.The results were attained through the stating and studying the pottery samples to which the fourth chapter is allocated. The researcher reached to the following results : 1. The correlative relation between the art of pottery and pottery of sculpture which comes through the elements of plastic art and the primary principle as common shared unit.2. The appearance of the formatlive relation in the Contemporary Pottery Formation in Germany as tight relations through a common mechanism which used in achieving.3. The German potter tends to the structural relations of the form in some of the potter and sculpture works and according to the artistic view of the theme.4. A movement among the items of the artistic achievement was generated through the effects of the German references which activated the artistic, which rendered the characteristic of totality and unity to the achived work of art.5. the formalitve relations Contemporary Pottery in Germany comes in the feature of the formalitve specially ion the style of the German potter and the existence of a common relationship between the potter and the sculptor in creation shapes such as geometric shapes and abstract.6. The German potter merged together pottery and sculpting with maintaining the particularity of each, but in a method that invest the technique of painting in his achieved works.7. The appearance of varied technique which has had the role in taking the used raw out and in the manner of using it in the achieved work. The chapter also tackled the concluded findings and the suggestions an d recommendation which the researcher found necessary.

السمات الفكرية والفنية للفلم السياسي Tellectual And Artistic Features of The Film'S Political

اسم المؤلف: سرى عباس علي مصطفى
اسم المشرف: محمد عبد الجبار كاظم عدنان جبار شبيب
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: الفنون السينمائية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: السينما السياسية واحدة من اخطر الانواع الفيلمية واكثرها انتشارا لتزاوجها مع انواع اخرى من الانواع الفيلمية وتاثيرها الخطير في عقل المتلقي اكثر من اي خطاب سياسي مباشر وقد اختصت الباحثة بالافلام المنتجة داخل الكيان الصهيوني (اسرائيل) والمدعومة من قبل الحكو

السمات الغرائبية للشخصية الدرامية في افلام الفنتازيا Instinctual Features of The Character In The Drama Film Fantasia

اسم المؤلف: معتز محمد علي جبر
اسم المشرف: صباح مهدي الموسوي
الموضوع العام: الفنون الجميلة
السنة: 2012
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The imagination represents the bases which the arts and especially the art film set out from it, and how treat with the imagination in description of the reality of the movie is the moderns of Cinematographic kinds, according to the self - evident of the imagination, is the real driver for the films the Realism and Impressionism, the story or the Directorial vision and the way which the cinematographic language elements are employing, it must to raise on a large estimate of the imagination, the imagination is consider the base element, so the researcher found that specialization of Fantasia subject which is known fantasy, it was the motive to make it as a subject for his research by rely on the strange characters for the other dramatic figures, these figures have common features which distinguish from the other of the figures dramatic. They are figures which couldn’t available within the physically world, but they set out from the reality to the maximum degree of imagination whether in terms of the shape or from another side the ability to do extraordinary deeds, all that give it libration from the abstracts which tie up the material worlds. the strange figure in Fantasia movies is considered an important element, Innovative and creative, it works by sharing with other figures to reach the Content associated with the Exoticism, from this point of the imagination, the researcher has limited a title of this research as following ((Exoticism features of drama figures in movies Fantasia)), the research has been divided in four chapters : The first chapter/ the Systematic framework which include : The research problem which Crystallized in these questions : what the exoticism features and how show in building the dramatic figure in Fantasia movies? Aims of the research : the revealing about the exoticism features of the dramatic figure in fantasia movies. In addition to show the important of the research and its borders and conclude the chapter by limiting the most important terms.The second chapter ((Theoretical framework)), it has been divided to three researches as following : The first research : consist of fantasia movies ((type and feature)) The second research : the research consist of the exoticism features for the dramatic figure The third research : it deals element role of the cinematographic language in embody the exoticism features for the dramatic figure.In the third chapter : (research measures) the researcher depended on the analytical Descriptive approach according to Indicators of the theoretical framework describing as analyses instrument, after it has been offered to group of the experts, finally it has been chosen the research, they are documentary movies and he put them for many reasons, finally the research has analyzed sample of the research as following : ((X men, The Fantastic four, Thief of thunderbolt, Nightmare in Elem Street))The fourth chapter, the results and Conclusions : it has consist of the most important of the results and conclusions that the researcher has reached as following1 - The Extraordinary capacity for the dramatic figure consider the Instinctual qualities which Fantasia movie bases on 2 - form Embodiment of the instinctual figure presents one of the necessities which reveal about it’s the Instinctual qualities.The most important conclusions are,1 - Fantasia movie represents a Cinematographic kind, which has specialty in presenting a specific subject also the Cinematographic treatments 2 - The dramatic figure in Fantasia movie a large space in variety operation on level of the form and function because multitude its forms, they may be human figure, but it has superpower or Mythic Creatures or monsters Finally it has been offered the recommendations and the suggestions and it has been ended the research by list of the sources.

السمات الجمالية للتركيب الشكلي في الخزف العراقي المعاصر

اسم المؤلف: ايثار فهمي عمر الخفاف
اسم المشرف: نبراس احمد جاسم الربيعي
الموضوع العام: الفنون الجميلة
السنة: 2008
الموضوع الدقيق: الخزف
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تناول هذا البحث دراسة السمات الجمالية للتركيب الشكلي للنتاجات الخزفية المعاصرة في العراق، وجاءت الدراسة من خمسة فصول، مثل الاول الاطار العام للبحث والمتضمن المشكلة التي وضعت الفرضية الاتية ( في الوقت الذي يكشف الخزف المعاصر في العراق عن المهارات التشكيلية | This search to deal with studying the Characteristics of Aesthetic for Figuration Constrictive in the modern Iraqi pottery. and where established this studying of four chapters for example. First : The general fame to search and including the problem that status theory as follows ( In this time that discover pottery in the modern of Iraqi for The Skill Plastic , assembly , The constrictive and the technique , this emphasize of probation , although. The figuration system to overlap between the function and the aesthetic , and the different protection of the experience and the art thought that productive with characteristics figures. The presents for equations if answer is that : Is there the deference among experience and other , to distinguish to be reference was be cultural or sociological or the tradition civilization , in another phrase in state of this difference , This style limit text pottery and concerning Art ?. In this time , Is constrictive operation of potteries to be based on to imitate on the reality figure , or the addition modern ?. And , Is preparing the production for operation , the constrictive achievement , pattern or creativity in light to overlap and mixture and synthesize in constrictive operation ?. Is stretch aesthetic of this treatment , to interpret disposition has possessions of symbols , codes , signs and stretch cultural … or that has satisfaction treatment of the pattern or traditional have include of tributary and the different elements in beside of the difference material and the way execution and treatment. According to get this operation has to coordinate figuration another side and the stretch aesthetic of the Creativity from another side ?. While the important supplement of search to consider is quality studying and addition to , of scientist in the characteristics subject special with the Constrictive Figuration Aesthetic in The Art Pottery , and to Contribute the search in produce on to be conscious of Aesthetic and Article of Iraqis Potteries through of the importance with the constrictive building the figure. And the discover of experiment the Iraqis artist in the probability, instrument and the aims in addition of the new including has the pottery production. If the aim this studying illustration in discover of the characteristics of aesthetic with the Iraqi production Pottery that constrictive figure and if instate of the natural technique uses.In method collection that achievement and also reference this the Constrictive in the environment and the belife and the schools modern art.If when limited this studying timely in the period ( 1970 - 2002 A.C ) and in the place of ( Iraq ) , as known as the researcher in the natural light of the search now of Linguistic , Article , Philosophy and Procedural. As well as , the researcher go on to the chapter two that included four searches , First : That is talk the studying has the concept of characteristics of aesthetic to deal with some of thought of philosophy that belong to the subject of aesthetic and evaluation of aesthetic at achievement of artily and with that concern of some if opinion the aesthetic between the philosophical and the art and also that deal with to importance of the characteristics of the aesthetic are limited the characteristics a knowledge - the emotional - the movement a constructive and the static - the invention while to discuss with the second that included two parts ; First : ( the concept title of constrictive theoretical and related with as the important theoretical , and the second the systems of constrictive a figure of pottery Constructive is contain symbols ( Line , Color , Size ,Volume Lighting and Texture ). And includes on the principal as ( the Balance , the Rhythm , the Discrepancy , the Repetition , the Succession and the Interchange ). While , to discuss with the third topic the ore and techniques uses in the methods collection the woks fictile and also concept. The technique and importance in field pottery and the relationship when has between the various ores clay or the clay with another materials on the important techniques which uses in collection the achievement pottery.The same constrictive figuration or orally while the four tittles has discuss with the historical root is constructive in the art pottery the researcher has to explain to the development stages of this constructive since the old ages passing if the Islamic age and the dark ages and from then in this time , his schools artily and effect that stages on the production the art the fictile in the modern Iraqi.If that tittles the researcher had to extract to mention that the fame of theoretical whom with example this capture to level off the captures three what include performance of the search , if following a investigation of truth a tool of search and goes with numbers of especial to ask for an explanation and the importance interview with artists Iranian potteries and asking them for questions , that help him in thuthly analyzing samples , and then that production of the analyzing and the researcher is showing results in the capture four and this following : - 1. aesthetic characteristics in Iraqi modern pottery is coming according to varied compound manner and as follows : A. According to neighborhood relation as samples no. 5 \6\8 \9 \10 \25.B. According to cooperated relation as in samples no. 1\3\5\7\13\23\24\26\27\29C. According to interact relation as in samples no. : 20\24D. According to centralization as samples no. : 3\4\5\11\13\14\15\17\18\19\26\28.E. According to spread relation as samples no. : 1\2\10\12\20\21\22\24.2. the aesthetic characteristics of compound shape in some of modern Iraqi pottery was according to remarkable varied as follows : A. in using heritage civilization as samples no : 5\7\8\9\16\17\18\20\22\23\28.B. In using the Islamic heritage as samples no : 6\8\22.C. In using the folklore heritage as samples no : 2\3\9.3. the compound operation in order to created the aesthetic characteristics in modern Iraqi pottery with the experiment of Iraqi Artist( Sa'ad Shaker) as shape no. (23) in fourth searching.4. the aesthetic characteristics (aesthetic excitement as basic in the operation of compound shape in Iraqi modern pottery and according to many manners as follows : A. the social manner as in samples no. : 2\9\13\29.B. The political manner as in samples no. : 1\20\27.C. The psychological manner as in samples 21\24\27\28\29.D. The pure aesthetic as samples no. : 4\8\11\12\14\15\17\25.5. the aesthetic characteristics for compound shape is coming through moveable varied and harmonious manner as follows : A. Colored harmonious manners as samples no. : 3\4\6\7\8\9\10\11\13\14\16\20\25.B. According to harmonious lines manners in samples no. : 1\5\7\8\9\\11\12\14\16\18\22\24\25\27\29.C. According to harmonious texture manner as samples no : 3\5\6\7\9\10\11\13\14\15\16\18\20\21\22\25\26\29.D. According to valued harmonious lighting manner as samples no. : 2\3\5\6\8\10\11\13\15\16\19\20\23\24\25\26\27\28\29.E. According to harmonious structure manner in samples no : 5\7\8\18\22\24\25\29.6. the aesthetics characteristics for structure shape in modern Iraqi pottery and according to moveable varied different manner and as follows : A. colored - different moveable manner as samples no : 2\5\6\15\17\19\21\23\24\26\29.B. Moveable different structure manner as samples no : 1\2\5\9\10\12\16\18\19\24\29.C. Different moveable materialed manner (varied materials) as samples no. : 3\5\7\10\20\24\25\27.D. Moveable different texture manner as samples no. : 4\5\7\8\16\18\19\20\23\24\25\29.7. the aesthetic characteristics for structure shape is coming in Iraqi modern pottery according to varied musical manner as follows : A. according to musical structure manner as samples no. : 1\6\8\9\16\24\28.B. According to colored musical manner as samples no : 3\5\8\11\14\19\20\23\25.C. According to texture musical manner as samples no : 2\7\15\18\19\20\22\23\29.D. According to musical lined manner as samples no : 1\3\5\6\7\\8\9\11\12\14\16\1\8\21\22\24\25\27\29.E. According to musical volumed manner as samples no : 1\6\9\10\11\12.8. the aesthetic characteristics of shaped structure appeared in Iraqi modern pottery according to the quit manner that result of the balanced static of the unit (structure units) in the finished structure pottery as samples no : 1\2\6\7\17\19\21\23\26.9. the structure shape in Iraqi pottery and its aesthetics characteristics respond to modern technical as follows : A. according to using the power of material (clays - minerals - plastics )in order to create aesthetic characteristics in the building of shapes as samples no. : 1\3\5\7\9\10\20\21\23\24\25\26\27.B. According to mix the colored clays as sample no : 25.C. According to use the colors of glazing in different degrees of heat as samples no : 3\15\17\21\22\26.D. According to total manner for above mentioned points as samples no : 3\4\19\20\21.10. some aesthetic characteristics for structure shape appeared in Iraqi modern pottery according to repeating of the figure of shape as samples no : 2\11\15\26.11. the aesthetic characteristics coming in the structure shape in Iraqi modern pottery according to varied manner in adding sorted shape of the complete pottery which used in many functions as like (Jar) that is give aesthetic trace out of its lined shape as samples no : 5\11\21.12. the aesthetic characteristics coming for structure shape in Iraqi modern pottery through the solvent of the specialized parts of plastic arts (painting - structure - sculpture) as in samples no : 3\5\6\7\9\10\12\14\16\17\18\19\22\24\25\26\27\28\29.13. he researcher like this go on has production in special the characteristics of subject constrictive figuration aesthetic in achievement Iraqi pottery , showing after that his testament and suggestion.

السمات الاثنوغرافية لاداء الممثل في العرض المسرح العراقي Ethnographic Features of The Actor`S Performance In Iraqi Theatre

اسم المؤلف: منتصر مجيد ابراهيم
اسم المشرف: هيثم عبد الرزاق علي
الموضوع العام: الفنون الجميلة
السنة: 2015
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Ethnographic studies represent one of the scientific sources which grows from the art of theatre. it is due to the huge abilities of theatre in embodying life, expressing societies, revealing life nature by its precise details, and recognizing races and tribes, as well as embodying the décor and props of the place of the show. It finally comes the performance of the actor and the ways used to approach the character being played. The actor shapes the most important nerve in the show, especially as he guides the events and expresses actions through his emotions, gestures, costumes and accessories. So, it is the actor and his body, specifically, that is of great importance in conveying information and provides thoughts. So, out of this creative overlap between the art of theatre and the science of Ethnography, the researcher has identified his research title as : (Ethnographic Features of the Actor`s Performance in Iraqi Theatre). the researcher has divided his research into four chapters as follows : Chapter one includes The methodological framework as the following : ? The problem of the research which is defined by the following question : what are the ethnographic features of the actor`s performance in Iraqi theatre?? The importance of the research as well as the need for it, the aims and the limits of the research. The researcher also has defined the terms that has been used throughout the research.Chapter two includes the theoretical framework and the previous studies. The researcher has divided this chapter into three sections : Section one : Ethnography - the concept and the features : this section discusses the features and the concept of Ethnography - types and functions.Section two : Ethnographic datum in structuring the theatrical character : it discusses the ethnographic relationships with the elements of the theatrical show.Section three : Ethnographic Indications in the actor`s performance : the researcher discusses the nature of theatre indications and how they are functionalized in the show, particularly, the body of the actor.Then, the previous studies has been discussed and finally the researcher has reached for the indications of the theoretical framework and build them as indications for analyzing the sample.Chapter three includes the procedures of the research. Three Iraqi Plays are analyzed as being the samples : 1. Romeo and Juliet in Baghdad - prepared and directed by Munadil Dawud2. The Cobbler - written and directed by Akeel Mahdi3. Massoud`s Dream - prepared and directed by Eawatif NaeimChapter four includes the results and conclusions. it includes the results that the researcher has reached for through analyzing samples. It also includes the conclusions, recommendations, proposals, resources and references, and finally an abstract in English.

الرؤى الجمالية لنصب فنية مقترحة في مدينة بغداد : دراسة تحليلية تطبيقية The Aesthetic Visions of Proposed Artistic Monuments In Baghdad City An Analytical Applied Study

اسم المؤلف: وليد عبد الله نوري البدري
اسم المشرف: جبار محمود حسين العبيدي
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: النحت
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يتبنى البحث فكرة اقتراح نماذج نصب فنية نحتية في مدينة بغداد لغرض تطويرها ونشر الذائقية الجمالية اذ تعد هذه الدراسة التطبيقية من الدراسات البكر والمتفردة والرائدة في هذا المجال. فضلا عن ذلك احتواء هذه الدراسة لرؤى جمالية يقوم بها الباحث عن هذه النماذج | The research adopts the idea of proposing examples of artistic sculptural monuments in Baghdad City for the purpose of developing them and spread the aesthetic taste for this applied school is considered as one of the early, individual and leading studies in this domain, as well as this study contains aesthetic visions for the researcher about these proposed monument examples, giving them an academic merit in method and application. The study consists of four chapters. The first chapter includes the methodological aspect represented by the research problem, its significance, its necessity, its aims and the definition of terms. While the second chapter includes the theoretical framework consisting of the following sections : 1 - The artistic monuments in the world, the attitudes and styles. 2 - Beauty and its vision in the contemporary formation. The third chapter came dedicated to the research procedures and the analysis of its sample, while the fourth chapter is concerned with the research results, the most important of which are : 1. The aesthetic visions of the suggested monuments in Baghdad City were unconventional visions and characterized with contemporary, innovation and individualism. 2. The examples of the research sample bear an Iraqi cultural contemporary identity with contemporary aesthetic visions in terms of new sculptural formation as cited in all sample examples. 3. The suggested sample examples as artistic monuments in Baghdad City came mostly inspiring the Iraqi cultural heritage. 4. The research sample examples as artistic monuments in Baghdad City reflected the sculptor researcher's ability and his high technical and performing skills as cited in all sample examples.

الرمز التراثي وانعكاسه في تصاميم المطبوعات العراقية The Inherited Symbol And It'S Reversal In The Designs of The Iraqi Publications

اسم المؤلف: انتصار جعفر رشيد التميمي
اسم المشرف: نعيم عباس حسن
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Was considered by UNESCO thing that ever was fifty - year old inherited cultural andheritage ,heritage ,including his privacy and the importance and and what it has of legaciesand beliefs reflect the reality of peoples ,is a tag that can not in any way be overlooked orignored ,it does not make sense to existence without those roots that support them, whichcheck its stability as it is necessary to broadcast the sustainability of the life time of the last of its reservation of neglect and then disappearing.Because we need today more urgent than everto re - organize our heritage of Iraq ,in line with the development taking place at all levels ,and as contained in the heritage of the plurality of symbols handed down through thousands of years ,and which we find in the case of employing them in the publications identity ,a reflection of a community contributes to the definition country and cultures on the one hand ,and a reflection indicative of meaning and symbolic representation of the content of the intellectual ,and a sense of value and aesthetic heritage on the other hand ,therefore ,felt the researcher to take this research to the definition of heritage and related recruitment ,as well as being complementary to the wedding culture started in the year 2013 AD ,it is but not holds the recipe uniqueness and leadership ,but he specialized in the field of impact caused byinherited in publications in general. Thus it is vitally problem of the research in the detection of the symbols of heritage and their associated meanings ,and the implications of all this inIraqi publications.Based on this researcher has identified the problem examined by asking the following : Is publications included Iraqi reflections of symbols inherited?The current research aims to identify the symbols of heritage and the extent reflected in thepublications of Iraq ,has been identified research study publications issued within the project of Baghdad, the capital of Arab culture for 2013 AD, which included four chapters, the first chapter discusses the research problem and its significance and purpose and its borders and determine its terms ,including, among other second theoretical framework which section into three sections ,carrying the first title of symbol heritage and its diversity of intellectual, cultural ,and included the concept of symbol heritage in terms of its diversity of religious, historical and mythological and folk ,while the second section consisted of levels symbol heritage in the publications of the Iraqi public to ensure that the semantic level and emotional as well as cognitive ,also included symbol heritage and intellectual communication ,postal heritage and a reversal in the community the third topic guarantees the formations symbol heritage that included symbols of heritage written and sham including guaranteed that the development of symbols written under the techniques of modern times ,and the stages of the evolution of the formation Graphic in publications ,and configuration Graph ic as a speech ,as well as variations printed.Chapter III also included an analysis of samples of publications of the project capital Baghdad ,Iraqi culture for the year 2013, and included the last chapter findings and conclusions and a number of proposals and a list of sources.The most important results reached by the researcher are as follows : 1 - Carried all samples representative of the legacy symbols and the concomitant representation of the vocabulary tones chromaticity function ,as well as inspired by some of the ideas associated with it.2 - Brought symbols of heritage readings function on more than one meaning is linked to the ideas of a function of the heritage, including his campaign those ideas of multiplicity of meaning within the contexts of semantic objective component context design parameter specific to the identity of the community, unlike that context aside philosophical aesthetic towards the heritage and the accompanying representation multi shapes moot. 3 - Despite embodies the symbolic representation of the content of ideas in the most appropriate publications mentioned, but some have been emptied from the representation of the symbolic meaning of ideas, so as to pursue intellectual rooting as direction is clear. The publications carried the symbolic representation of trends intellectual Count one combination where tradition and modernity.4 - Salutation semantic structures in decorative compositions written by the design format contextual relationships belong to the symbolism of intellectual, to form a speech Sofia formulated to see deep meanings exceeded the craft.The most important findings of the researcher in the light of the results are : 1 - Condensation signifier symbolic meanings associated with heritage ,making the symbol and one containing the rest of the symbols and meanings of the function on the same meaning, to form simulates including intellectual structure of the work, which triggered a balance of formality My aberration, employed for the benefit of semantic meaning.2 - Speech carries connotations Avatar formation through inspiration inherited cases of community with real - time status of a community, to configure theme symbolic function of the heritage. In contrast, embodied theme layout done through tow combination lines of thought in the opposite direction to achieve tensile visual attraction. The researcher recommended the following : 1 - Longer be working in the field of graphic design kit in devising symbols of heritage, including its sovereignty is linked to the formal representation and chromatography, the headwaters of the cultural and intellectual contemporary philosophical including carrying of inherited, innovation in plastic carrying authentic character of flexibility.2 - Need to focus on the diversity of levels, including Avatar include a function of the meanings of the heritage within the layout done, that it is investigating reactions towardsstructural formations of the intellectual level of significance, to achieve the act of communication.At the end of the research suggests that the researcher : 1 - Popular symbols and signs of intellectual communication of Iraqi Airways model posters

ملامح البطل الشعبي في الدراما التلفزيونية العراقية Features of Public Hero In Iraqi TV Drama

اسم المؤلف: سلوان بهاء كاظم
اسم المشرف: علي صباح سلمان
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تطلع الانسان منذ بداية حياته على الارض الى مثال، او انموذج فية قيم البطولة بعضها، او كلها التي تنسجم مع مستوى وعيه وطبيعة الشعب الذي يعيش فيه، وتتناسب في صيرورتها المتطورة مع مراحل تطور الفكر الانساني المعاصر الذي ينسج عن طريق تعالق وتشابك الانسان مع طبيع | The human, since his struggle on earth, looks for an example characterized with values of heroism that corresponded with his thought and nature of people whom he lives with. These values match the development stages of temporary thought that resulted from getting the man to be aware of surrounding circumstances in respect to social, political and economical factors which considered as a main basis for crystallizing human and people's awareness. Hence, the public hero gets his sufferings by his expression about physical human action in different forms affected by place and time across human life decades. Hero features got determined as a result of human awareness development in respect to life that required a set of features the hero characterized with as to express through which about human action linking to his awareness about nations in an active way.The research includes four chapters , the first chapter deals with the methodical field included problem of the research that represented in the following question : What are outstanding features of public Hero in Iraqi TV Drama? In addition to the research's significance, its goal and finally terms definition.The second chapter includes theoretical filed and previous studies. The theoretical filed divided into 3 parts (1st part) : public hero in relation to significance and term, where it had been defined definition of public hero according to conception of public hero.( 2 nd part ) and about the second research : drama construction at the television series which included the most important of emerging and theories that belong to the drama construction for television series. (3nd part) : includes features of public hero in drama and basic supports pertaining to features and aspects in the drama. This gives him a distinction as to embody his people longings and desires via his action and his struggles with other forces.After then, the researcher got theoretical field that helped him after the approval of experts committee as to be a tool for analysis.The third chapter includes applications the researcher depends on for analyzing the sample chosen on purpose as to get to the goal of the research. The application includes the research tool and text and reasons lying behind its choose , the analysis unit, tool confirmation and sample analysis.The fourth chapter includes final results conclusion resulted from the analysis. Actions and changes of public hero have been considered as a real and actual expression about social structure and self - patriotic in its ambitions , hopes , equity and justice. It also exposes conclusions resulted from the research results , top of which have been social, economic and political changes that formed picture of public hero in TV Drama; besides, it includes some recommendations and also suggestions for later study.The research has concluded with list of references the researcher depends on and a summary of study with English Language.

توظيف انموذج لعب الادوار في تنمية التعبير الفني لدى تلامذة المرحلة الابتدائية Employment of Type To Playing Roles In Improvement of Artistical Expression At Pupils of Stage Primary

اسم المؤلف: اخلاص عبد القادر طاهر
اسم المشرف: ماجد نافع عبود الكناني
الموضوع العام: الفنون الجميلة
السنة: 2010
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يتضمن مفهوم لعب الدور افتراضا بان للمتعلم (تلميذ، طالب) دورا يلعبه، سواء اكان معبرا فيه عن نفسه ام عن احد زملائه في موقف محدد، فاللعب يعني انه سيتم تادية الدور في البيئة الصفية التي يتم اعدادها وتهيئتها لتحقيق اهداف محددة تضم ظروفا" يكون فيها المتعلمون مت | concept of role playing , supposal includes that the learner (student , pupil ) role may to play it , whether he expresses himself or about one of his colleagues in limited situation , the playing means that will performance the role in clear environment which performance prepare it in order to achieve specified aims includes conditions within it learnersAre cooperating, tolerant and inclined to playing , and they performance activity play the role in class room (new environment), with group of their friends partisce them features , events , properties and aims. That type helps learners on developing their abilities through practice activities and expressing and interactive with others , without their transfer to topic of observation or appreciation of strange individuals about learners inside classroom, without any risks or threaten situation. their practice for that activity will contribute in build confidence by themselves and their abilities.The researcher see that today, concentrate on learner and know its personal features and how progress it and direction it in order to improvement educational aims and behavioral for educational process with importance preparing activities and educational activities and ways and studying styles to fit with need and requirements of learners to create motives which influence on him / her to require specialized artistical skills. The researcher have informed on former studies which deals with artistical expression , she finds out that there are studies deal with concept of artistical expression and relation it by by variable of self and ways of social and family bringing up , and other studies deal with playing of roles in improvement of some social skills at kindergarten , but she doesn't find any study deals with employment of type to play roles in improvement of artistical expression at purples of stage primary ( stage of actual expression 9 - 11 years ) , therefore find that establishing for problem of her research through pursuit trace which leaves it use type of roles playing as method of studying in improvement of artistic artistical which appearance it pupils of primary stage in their drawing after their watching serials which include it this type and they practice its roles. From this point , aim of present research : Disclosure on the impact of role - playing model in the development of artistic expression by drawing for fifth students elementary. Have restricted ( 6) zero hypothesis, certify from this aim. County of research consist of pupils of primary stage schools belong to general directorate / Al - Rassafa education ( 1,2 ,3 ) , their number reach ( 112106 ) pupils ( males and females ) distribute on ( 1045 ) primary school , where select arbitrary sample from pupils of 5th primary class in school (green valley ) reach ( 80 ) pupils ( males and females ) , have distribute them to two groups experimental and control. In order to achieve aims of present research where use type of roles playing as way of teaching includes ( 6 ) short plays which displayed on group of experts in specials (drama arts, artistical educational , psychology , measuring , measuring and appreciation ) who they agree on its validate and its fitting for age level for pupils.Have restricted ( 6 ) topics for artistical expression which represent by ( good and evil , school garden , teacher or , four seasons , role of physician , toy of train ) , where performance building of list in order to analysis contain of drawings which include ( 48 ) items represent features of artistical expression and contains on sub - features and branch features , display on experts and its get approval on use it. A prance of results of present research , the researcher use set of statistical ways for treat data and information which she get it through responses and drawings pupils such as ( t - test ) for two independence samples, quadrilateral coupling modulus and the z - test of the correlation coefficient to identify the statistical significance in the correlation coefficient calculated, while most results which she find out as following : 1 - Exist positive relationship between of artistical expressions for pupils of experimental group and plays which prepared in present research and they practice its roles which result cognitive impression at them embody in their artistical expressions by drawing. 2 - Drawing of experimental group pupils characteristic by expression about characters which appeared in events of plays ( sun s friends , teacher as mother , role of physician ) while not express it with their equals in controlling group. According that the researcher advised that : - 1 - Interesting by training of teachers (males and females ) for primary stage (during service) on how use of actingcal playing way through training of pupils on all social skills and cooperation and knowledge and sense action. 2 - Encourage authors and writers for write plays specialists for pupils of primary stage bear much educational values which we aim to confirmed them through encourage teachers this stage in use it within type of roles play as target educational ways for different studying subjects.

التفضيل الجمالي وعلاقته بالانماط الادراكية البصرية لدى طلبة جامعة بغداد Aesthetic Preference And Its Relationship To Cognitive Visual Patterns Baghdad University Students

اسم المؤلف: اسماء كريم كاظم
اسم المشرف: ماجد نافع عبود الكناني
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تلعب التربية الفنية باعتبارهااحدى المواد الدراسية المقررة في مناهج المتعلمين ضمن مراحل التعليم العام دورا هاما في تنمية الوعي الجمالي لدى الافراد، اذ تمثل محورا كبيرا للتربية عن طريق مجالاتها وانشطتها المختلفة، وهي عملية قصدية يتم عن طريقها توجيه الاف | Education of arts play role by the consider of one of determined subjects for curriculums learners include the general education stages with importance role of progressing the esthetic's awareness for individuals , that imitation a great role of education to be the way of their fields and versatile activities , so it's mental process could achieve as guided for individuals in conceptual ,acknowledgment , skill and beauties development whether if it were as moral interior development in forms of optical esthetic awareness to reflect of human their trace. Art education as human area technically competent learner and skillfulness and elegance whether it was moral interior progress or developmental in awareness optical forms therefore it could reflect their trace on human.Art education consider as human field specialized with learner art education and skillfulness and art taste adding to working as to forming it's own esthetic behavior for events adoption the best for him and his society. This field is not progress skillfulness only but stand on trainings only but learner of art education it non something you can touch but you could conclude on their traces adding to it's an active of art process got through the learning student for multi experiences ( acknowledge - skillfulness ) be as importance stand for development and aesthetic awareness in it's own behavior and manners it's known as the student acquiring or the learner acquiring of esthetic education.Proceeding from the above forgoing the art education that acquired by student their cognitive skills through education stages that represented such processes by which acquiring of values and directions that is an impact on the development it's own optical an sensitive awareness that contributed with to social adoption so could got of social balance that develop through his permanent disclosure for ideas and meanings and cods that could amended his behavior in result of what required and get influenced in his social activation with others.Emerging from above the researcher concluded to establish to problem through her reconnaissance to discover on the level of taste and aesthetic awareness toward the surrounding environmental problems that lead to this study to gave the researcher as conceptual visualization to the importance of construction of learner awareness toward the esthetic shapes and distinguish between them and to know their importantly for him and for his life and society.So the problem was consisted on as follow : 1 - The esthetic preference directly proportional to form the awareness types for university student 2 - Esthetic presence represented the student ability on sense with esthetic locations in the environment that could live.So the research goal to : Discloser the esthetic preference for Baghdad university students and their relation with awareness types and to achieve this goal, researcher put the branched aims as follow : 1 - The know of the esthetic preference for Baghdad university students 2 - The know of level for esthetic preference of Baghdad university students as followed to the variable of gender ( males - females )3 - The know on relation between the esthetic preference and their awareness types of scientific specialize ( scientific - human )4 - The know on relation between the esthetic preference and their awareness types of ( optical - sense )5 - The know on relation between the esthetic preference and their awareness types of as followed by gender variables ( males - females )6 - The know on relation between the esthetic preference and their awareness types of variables specialize (scientific - human )The research society consist of students second class in the college that followed Baghdad university the year of 2011 - 2012 that among of (4871) students ( females and males ) distributed on 23 of colleges that followed university of Baghdad were selected as sample in random manner among of ( 300 ) students ( females and males ) to apply the research 's procedures on it. And to achieve the designed research for ( 3 ) tools for assembling data and information from research sample as : 1 - Esthetic preference measurement ( theory )2 - Esthetic preference measurement ( conceptual ) 3 - Awareness types measurement These measurements were showed on a group of expertise in different specializes of art education and physiological education and measurement and amending and plastic arts adding to their statistic treatments through the show of truth and confirmation to ensure from their authority in measurement goals that put for their measurement , then application of the basic research's tools that belong to ( 6 ) colleges that followed university of Baghdad.To show results , researcher depended on group of statistical means as ( selection T - test for two independent samples ) and the selection of one sample and Person equivalent and Coper equivalent and distinguishable equivalent and difficulty ) The most importance results that concluded to were : 1 - The enjoyment of second class ( generally ) in scientific and human departments of colleges that followed to university of Baghdad.2 - The enjoyment of second class in scientific and human departments of colleges that followed university of Baghdad for moral assigned level in esthetic preference account the gender variables ( females - males ).3 - The enjoyment of second class in scientific and human departments of colleges that followed university of Baghdad according the (scientific and human )4 - The enjoyment of second class in scientific and human departments of colleges that followed university of Baghdad for moral assigned on esthetic preference on awareness type ( optical - sense )According to group of recommendations as : 1 - Education university students with importance of practicing the art activities in leisure times that contribute on their level taste art elevation.2 - The interest with teaching environment for students whether they were in scholastic class or the yards of college to be as more esthetic that enforce such esthetic preferences for them.

الدلالات الزمنية للصورة في الدراما التلفزيونية The Time Indications Forpicture In Television Drama

اسم المؤلف: صابرين كامل زيدان خلف
اسم المشرف: عصام عيسى علوان السامرائي
الموضوع العام: الفنون الجميلة
السنة: 2012
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان وعينا لمفهوم الزمن وادراكنا له,ليس في كونه زمنامجردا,بل في معايشتنا له,جعل الباحثة تستقصي حالات بناء الزمن ودلالته وكيفية نشوء فكرته لدى الانسان وصولا الى ادراكه واستيعابه من خلال البنى الفنية بتعدد صنوفها وحالاتها والتي تصاغ بسبل درامية تعطي متصوا انس | That our awareness of the concept of time is not in the fact that time merely, but in the Maistna him to make a researcher investigating cases of building time and the significance and how the emergence of the idea of a guidance man down to the perceptible and absorbed through the structures of art multiplicity of its different, situation and formulated ways of dramatic give a vision humanly creative about the time.In aspects of the philosophical, scientific and technical witness the effect of time and the concept of time, occupies an important place in the drama in human life, self and external environment and society, all this gives the structure of image work dramatic themes promise revolves time Petrchinha So it was a question that deals with the search : (What are the qualities under which the pixels to produce indications of time of the events in the drama TV show?)The first chapter deals with the structure of the research, the problem and the need for it, its goal and its importance, and which controls the border area of research as well as determine the terms.Chapter II addresses the theoretical framework (two topics), the first contains several sections and includes each time its concept, types and concept philosophically, and in the section other includes the structure of semantic of the image in the television drama, and represents the time in which to infer the effects of time of the artwork and understood by the receiver when watching action film and television and then reviewed by a researcher the results of the theoretical framework and left him in several indicators,In the third quarter, which includes measures of research methodology - sample of the research - the search tool and the unit of analysis,Finally moving to the fourth quarter to deal with the analysis of samples selected from the serials, which have been selected Qsidia two series (King Farouk, another series of kings) and through the search tool is obtained, our findings through the analysis and thus complete the research conclusions, proposals and recommendations complementary to search then fixed list sources and supplements

الخصائص الابداعية في تكوينات الخط القيرواني : اعمال الخطاط عامر بن جدو انموذجا Creativity Characteristics In Formation of Al - Qarawani Calligraphy In Works of Calligrapher Amir Bin Jado

اسم المؤلف: عبد الجبار وهيب احمد
اسم المشرف: عبد المنعم خيري حسين العاني
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الخط والزخرفة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: الخصائص الابداعية في تكوينات الخط القيرواني اعمال الخطاط عامر بن جدو انموذجا , ومن خلال الدراسة الاستطلاعية استطاع الباحث ان يحدد مشكلة بحثه بالنقاط الاتية : 1. الخطوط اليابسة ( السطرية ) لا تحتاج في كتابتها الى مهارات حدسية اما التكوينات الخطية وخصوصا | The problem of the research represented by the following : - 1 - The dry ( linear calligraphy) do not need in their writing to sensitive skills as for the linear formation in special the dry calligraphies that need to study the type of the formation.2 - Missing or absence of specifying the transference circle in the line calligraphic in the creative formations discovered by the questionnaire study in calligraphic works of the calligrapher Amir Bin Jadao.And from these starting points the researcher has formulated the research problem with the following question : 3 - What are the creative characteristics in Al - Qairwan calligraphic formation in calligraphic works of the calligrapher Amir Bin Jadao as a model?The importance of the research represented as follow : - Could be contributed in activation of Al - Qairwan calligraphic letter balance, and to specify the transference period from linear calligraphic to the calligraphic formation in Al - Qairwan calligraphy, and the research objective to specify the transference point from the linear calligraphy to the linear formation in Al - Qaurwan calligraphy, besides the analytic study for the Tunisian calligrapher works Amir bin Jado, and the research specified for the period from (2006 A.C - 1427 A.H to 2013 A.C - 1432 A.H).As for the second chapter which includes historical view to the Arabic calligraphy reaching the starting of Al - Qairwan calligraphy, besides, studying( Al - Hadhna Quran) which was written in Al - Qairwan calligraphy by the calligrapher Ali bin Ahmed Awaraaq with an order from Almueiz bin Badis in 1019 A.C - 410 A.H and the characteristics of this calligraphy, also studying the creative characteristics in formation of the calligraphy, followed by indicators displayed by the theoretical frame of the research. The researcher followed the descriptive method, the style of ( the content analyzing) for realizing the research results and the samples chosen randomly,. The researcher has chosen (6 samples) represented the research sample, of (60) design and has depended analysis form according to the theoretical framework indicators and expose it to the experts in order to confirm its validity. In accordance with analysis form, the selected samples have been analyzed and reached the following results : 1. Line system formations are in Kofi and Qairawani calligraphy which are light formations and depend on successive reading sequence in which the words are distributed upon writing lines without overlapping or imbrications , besides using of the reed in writing those formations.2. Execution of free formations in an overlapping way , which depends on organized reading sequences from down to the top or vice versa. Some of it did not adopt organized reading sequences.Some formations got heavy overlapping , besides imbrications of the letters specially those of vertical expansion.According to the results the researcher has reached several conclusions : 1. The appearance of iconic formations in Kofi and Qairawani calligraphy is to confirm the range of strength of calligrapher mind and his wide imagination to achieve such kinds of formations , besides to confirm compliance of the letters of this calligraphy for flexibility and formation.2. Consolidate the capabilities of the calligrapher to produce such line formation through adjusting rules and regulations and origins of Kofi and Qairawani calligraphy and his abilities of expression about the subject directly with clear signs.According to the mentioned results and conclusions reached by the researcher , and as complementary knowledge and use the researcher proposed some recommendations such as : Keeping on fundamentals and design relationship in line formations due to its capabilities to open new fields for creation in this kind of Arabic calligraphy and expression of the calligrapher potentialities to manipulate the texts and utilizing them in proper context. To complete the research requirements and realizing the scientific utility, the researcher suggested a collection of suggestions valid to be a next study, amongst : studying the Andalus calligraphy according to the design bases.

دلالات الشكل في رسوم عامر العبيدي Figure Connotations In Amer Al - Obeidi’s Drawings

اسم المؤلف: خمائل محسن رشيد الشمري
اسم المشرف: علي مهدي ماجد
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: تناول البحث الحالي دلالات الشكل في رسوم عامر العبيدي، وقسم البحث على اربعة فصول، تضمن الفصل الاول عرضا لمشكلة البحث، ان عملية تقصي الدلالة هي حاجة ملحة للكشف عن المضمون الذي يروم الفنان التعبير عنه عبر الاشكال فيما تحدد ت حدود البحث الحقبة التاريخية ( | The current research has figure connotations in Amer al - Obeidi’s drawings , the Research divided to four chapters, the first chapter included a presentation of the research problem, the process of finding significance is an urgent need to detect a content which the artist looking to express about it through forms. While the research boundaries defined at the historical period (1981 - 2012 m)The second chapter included a theoretical framework which included three sections : the first section has (figure indicative between meaning and concept) where the concept of significance and its mechanism functioning in art in addition to the kinds of connotations shapes and its mechanism functioning in art has been mentioned. While the significance approaches in the art has been mentioned in the second topic, ensuring : ancient Iraqi art, art of the Middle Ages, Renaissance, modern European art and the contemporary Iraqi art.The third section included biography of the artist and a brief from a revivalists group to which Amer al - Obeidi belongs to. The third chapter included procedures of the search which the researcher adopted on the descriptive style content analysis, with a total of180 models of the research represented the research sample that chosen in deliberately by experts.The fourth chapter contains several results that reached by the researcher after analyzing the research sample was the most prominent : 1 - Signs Diversity from iconic to Indicative and symbolic and that leads to a diversity of readings from closed to open meaning as in most of the artist works.2 - The Iraqi ancient civilization forms in its lines , vocabularies and symbols a formality reference and semantic content of the artist which represented by symbols of Sumerian’s ,Babylonian’s , Acadian’s and Assyrian’s art. 3 - The artist inspired elements of Islamic architecture to escalation of civilized connotations in the artwork depending on collecting architectural forms represented in domes , arcs , columns and lighthouses and niches that each bearing its symbolic , mystical and religious connotations cross geometry Islamic form and distributing it within the painting in balance and juxtaposition and consistency and harmony attaining through it religious and cultural semantics as in the sample4 - Horses forms occupied wide part in al - Obeidi works where deprives from its utilitarian connotations and devise it in a frilly amount holds aesthetic connotations to be the horses complement for that frilly total , that means it turns into animal ornament in most of his works.5 - Amer al - Obeidi loaded spiritual and sacred connotations in some of his works through forms which he browed from Christian art and he describes it in a new style that Special to the artist while he carries it a symbolic significance indicates absolute infinite , metaphysician ,eternal divine and unifying the heavenly messages6 - Amer al - Obeidi’s some works are featuring in dealing with space with repentances of breach the space by forms hanging from the top and describing the space as a form , that has a symbolic suggestive significant which represented in extension , infinity , unity and loss 7 - Part of Amer al - Obeidi’s work has political patriotism nationalism connotations through shapes that included in the technical work such as horses and knights armor and gear in the deserts and spaces while it considered indicative signs with terms refer to war or revolution in addition to violent rebel knights and horses movements, which showed a conflict between antagonists or more.The search also included many of the conclusions, recommendations and proposals and the researcher finalized her letter with a list of sources, references and appendices and the abstract in English

تنوع اساليب الاداء التمثيلي في المسرح المدرسي : عروض البصرة انموذجا 1999 م - 2009 م Diversity of Performance Styles Representative Theatre School Offers A Model of Basra

اسم المؤلف: حيدر صالح دشر
اسم المشرف: عبد الكريم عبود عودة المبارك
الموضوع العام: الفنون الجميلة
السنة: 2010
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: يشكل المسرح المدرسي ظاهرة فنية مسرحية تعبيرية مهمة كونه موجه الى شريحة اجتماعية لها دورها في بناء المجتمع.ومن خلال اهداف هذا المسرح المتنوعة في التعليم والتربية والتوجيه والتثقيف والترفيه فان الجانب الادائي يشكل عنصرا اساسيا وم | Schooling Theatre represents very important Artistic and expressive theatrical phenomenon for being addressed social category that has it role in building the society. Through the various objectives of this theatre in education , learning, guidance and entertaining , the performance factor make up a primary important element of forming this theatre and activate its objectives; accordingly , the different types of this theatre requires from the actor to act based on acting methods related to the form of schooling theatre which are divided into the following : 1. Schooling theatre shows inside the class 2. Schooling theatre shows inside the school3. Schooling theatre shows outside the schoolThrough this division , the researcher observed the operations of these various methods within the above divisions, and he observed its different types and used by the actor by his research titled ( variety of methods of casting roles in theatre of Basra typical theatre. The research comes up with four chapters , the researcher initiated with the methodological chapter which represents the problem and the importance of the research besides its objectives which summarized by revealing ( variety of acting performance methods in schooling theatre and observe the visual channels in those methods to a achieve the objectives of show forms in schooling theatre). Furthermore, this chapter includes the time and place and subjective borders , through the title of the research , the researcher observed the most important terms and have procedural definitions for them that conform with its subject. As for the second chapter , it is related to the theatrical framework that includes three important sections which are as follows : First section : - Schooling theatre , the beginning and the development Second Section : - Forms of shows in schooling theatre Third Section : - Methods of acting performance in Schooling theatre The second chapter dealt with confirmation of the most important previous studies and to recognize the extent of it similarity with our field of study , and finally the chapter includes the indications of theatrical framework. The third chapter is a procedural one that contains on collection of applications to select the criteria of subjective analysis of sample chosen by the researcher after has done full survey on schooling activity in Basra governorate particularly the center of Basra , he tried to choose ( Al - Farahidi Typical School) to try out the sample of the research related to the first type ( inside the class) ,and the second type ( inside the school) through selective shows , as for the third type , the researcher intentionally chose a show presented by students of Fine Arts College during the Fifth Child Festival in Baghdad. The Forth chapter dealt with results , conclusions and recommendations , and finally , he presented the most important references and recourses used in the research besides summary in English.

برنامج تعليمي لاكساب طلبة قسم التربية الفنية المهارات الجسدية Teaching Program For The Acquistion Students of Department of Art Education Body Skills

اسم المؤلف: رسول عباس حسن
اسم المشرف: صفاء الدين حسين جمعة التميمي
الموضوع العام: الفنون الجميلة
السنة: 2012
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: في اطار رؤية تربوية متطلعة نحو التجديد، تتاكد النظرة الشمولية للنظام التربوي التي ترى ان المؤسسة التعليمية مركز علمي وتربوي وثقافي واجتماعي يتخذ من التعليم وسيلة لتحقيق اغراض متعددة لا تقتصر على الاعداد العلمي والعملي للحياة الانتاجية، بل اعداد الفرد للتف | In structure of ambitious educational view to renew , universal view of educational system certified that consider teaching institution as social centre , educational , culture , scientific adopt teaching as mean to fulfill multi - purposes not restrict on scientific arrangement or practical for productivity life , but arrange private to safe interaction with the society on strong bases of relativity or good relations and tolerance , the education of art aims to cultivate people and arrange him universally , it is one of sciences that take care for sympathy , mind , body , psychology , social , beauty fields all of them to provide student of art education with experiences , knowledge skills to make him use them with better shape , benefit himself or his society , through study textbooks that were taught to student , with developing of science , language of body become occupies scientists ,m and it was transformed to science taught in universities , every movement or indication has meaning or aim , one move by head may mean more of words , for following up that developing become necessary to student of department of education art to have body skills are given to him in the subject of drama body fitness , experiences assist him to make drama shows that take body as a tool for it to take thought properly emptied from defects or false to make drama movements , from this it was shown need to arrange student of art education to make him acquire body skills through teaching program was designed for this purpose , accordingly the aim of currently research to fulfill the following : Acquire students of department of art education physical skills For purposes of fulfill this aim , should fulfill the following branches aims : 1 - uncover reality of physical fitness as it is study subject from textbook to arrange student of department of art education to profession of teaching.2 - design teaching program in physical skills for two sides knowledge and skillful according to Kanih & Burjuz models for 1979 developed 1988. 3 - measure activity of teaching program designed with its two sides knowledge or skillful through applying it on sample of students of department of art education of first stage in subject of physical fitness.The society of currently research was determined by students of first stage - department of art education \ college of fine arts \ university of Baghdad , example of research was chosen by intentional method , size of example reached to ( 17 ) students ( males & Females ) , the arranged teaching program was applied according to Kanih & Burjuz models on one experimental group , where experimental model was used that partial fit to measure activity of teaching program to acquire students body skills and two tools were designed as following : - getting ( knowledge ) test to measure range of acquire aimed group for knowledge bases in body skills. - getting test ( skillful ) to measure range of acquire aimed group for body skills in physical fitness.The two tools of the above research with assessment tools to conditions of truth , suitability and steadfastness to make them convinced tools are interesting with suitable characteristics to depend them later in similar experiments researches or complementary to currently research The researcher used a group of statistical means to show research results , one of the most important them is ( square Ka2) to indication of differentiations between acceptors or objectors of experts to safety of textbook words , subject of physical fitness that is adopted currently in department of art education , such as used to introduce difference between agreed or non agreed groups of arbitrators to possibility of paragraphs of performance educational units eventually , indication difference between agreed or non agreed groups of arbitrators to authority of serial of practices , time every one in the program , the researcher used difficulty factor or distinction for knowledge getting test paragraphs , ( person connection factor ) to investigate from skillful test steadiness , formula of ( Spearman Brown ) to amend constant by half partition of knowledge test equation of ( Alpha Cronbach ) to calculate constant for paragraphs knowledge getting test , test of ( Wolcocsin ) to analyze answers of experiment group about their answers on knowledge getting test paragraphs in previous & after and analyze answers of group about their skillful performance before & after The researcher concluded results that were discussed , the most important points : 1 - efficiency of teaching content of the program with its knowledge side.2 - efficiency of teaching content of the program in the skillful side (performance ).Whereas the most important points that the researcher got them according to research results , they are as following : 1 - efficiency of arranged teaching program according to model of Kanih & Burjuz \ 1979 developed for year 1988 to assist the learner to stir his thinking , supply him with knowledge skills that help to teach physical skills. 2 - participation the program to enhance information base for knowledge situations by save feed back system in addition to support skillful performance cultivation by use structured assessment by teaching activities. The most important of recommendations that the researcher recommend them in the light of the conclusions as follow : 1 - depending on teaching program to teach physical fitness subject in department of art education , similar departments of the college in other governorates of the country for assertion of teaching program from efficiency & activity to teach physical skills. 2 - address students of department of art education to benefit from physical skills to perform drama shows during their study period and after graduate. The researcher suggested that subject of physical fitness to be textbook of second stage in art education department to make students develops his physical skills that support his performance in drama shows , such as make study includes teaching program more develop than second stage to make it as complete to currently research.

تمثلات الجسد في الرسم العراقي المعاصر : دراسة تحليلية Representations of The Body In Contemporary Iraqi Drawing

اسم المؤلف: محمد قاسم سلمان عوض السوداني
اسم المشرف: محمد جلوب جبر الكناني
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: الرسم
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Takes this research idea representations body in art, and how they appear in the configuration and the method of performance in order to achieve an important element in the development of concepts of cognitive and cultural inside surface artwork, including that the body shape of his presence authority dominant in the history of art so it was for this audience self - motivated and cultural and part of the confirmed human side, and serves as a carrier of ideas and diagnosed her. Search determined on the title theme (representations of the body in contemporary Iraqi drawing), and a comparison of how the audience and what it will be, so Researcher seeks drilling in the artwork and self - disclosure dimensional, social and intellectual, which establishes this audience. Search starts with a problem down to determine which questions Eptga Find answers, including : What formal and aesthetic features to represent the body? And the way they were dealing with the body? The second chapter is the theoretical framework which divided into three sections, the first research body in philosophical thought and the eating researcher idea body as a method and tool for doing the world and self - image and brand in existence, and the second part is the presence of the body in the art world of modern and contemporary, then the third section is the presence of the body in contemporary Iraqi art and after exhibiting indicators, including : The body is being physicist who represent its ideas in the physical presence, the body is what is only bowl carrieth her, which Panevaalath and moves but tell us what is happening from the perceptions and attitudes stored in the subconscious, the body tool and a way to sense the world, because the body tag self - image,reported data emotional and instinctive and cultural overlap body absurdly by mixing forms animal Mmsuchh or opening its borders to the neighboring solids and things, and these indicators adopted researcher in the analysis of models in the third quarter, which the researcher analyzed the work of Iraqi artists and consisting of fifteen model formed space of time from 2003 to 2012 is the time period covered by the research and researcher adopted the descriptive and analytical. In the fourth quarter results were to reveal the participants and junctions in the presence of the body and which shows the body drafting distorted depending on restrictions awareness and social power, which is based on the literacy of the body and on the special markup for uses ritual to prevent or regulate the physical contact, represents the body text aesthetically and cognitively store mahmolat cultural, and bears traces of bodies that other body takes an area central to the work of art to its emphasis upon show as, and here we find approaching intellectually in reporting the body as self - image and the center of existence, and has a feeling the presence in the world and including Ageorna of things, and then was to provide conclusions and recommendations and proposals, and thus search has answered for questioning, and this may represent the body variable from one artist to another, and control of the environment and the social milieu and aspects of self and philosophical treatises of this audience

الاشتراطات الوظيفية في ثصاميم الفضاءات الداخلية لقاعات المناقشات الجامعية Functional Conditions In The Designation of Internal Spaces of University Discussion Halls

اسم المؤلف: اسامة غانم نوري
اسم المشرف: عباس علي جعفر العبيدي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الداخلي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: I've seen the stage that followed World War II, a rapid development in the field of modern technologies , as influenced in great shape on the concept of university education , which replaced the clear links between the student and the community , as it became openness toward community goals mainly for educational institutions high , as the ocean , which is supposed to cover its requirements. Adding to the actual value of these educational institutions , is to provide continuity in the ongoing evolution of scientific data by discussing the messages and graduate thesis research that offer a variety of different disciplines sings materials science, knowledge and humanity. Hence, it was necessary to design interior spaces to discuss research students applying various formulations and configurations within the design to suit the level of the event is required. Thus, the researcher found the formulation of the research problem by asking the following : What are the functional requirements that should be adopted in the design of interior spaces for university halls of the discussions , including the designer can achieve the design formulations based on the functional aspect and check the value of advanced functionality in harmony with the level of the event ? The importance of search Aocefh deals with the study and analysis of spaces, private discussions university to engorgement of its function undertaken to discuss and evaluate the Alatarih and research and messages of Graduate Studies as well as it is the spaces to set up seminars or scientific conferences , as well as what it means to function in providing ways to make the most of during the design spaces that form the axis adapted to technical developments and raw materials for the purpose of responding to humanitarian needs and requirements. While the aim of the research : 1 - detection of functional requirements in the design of interior spaces for university halls discussions. 2 - Develop a design proposal for the university hall discussions based on the fundamentals and requirements that result from current research. While defined borders ( spatial and temporal ) to search halls discussions of public universities in the city of Baghdad - Rusafa for the period of ( 1975 - 2014 m) , as well as identifying the terms contained inthe title search out procedural definitions. Included in ( the second quarter ) and previous studies of the theoretical framework , which represent three sections , the first section dealt with " functional requirements and dimensions Avatar ," while the second section came Study " " variables functional and organizational dimensions in interior design " , while the third section guarantees the " principles of the design of interior spaces for university halls of the discussions , "and resulted in a set of indicators that the detective form adopted in the analysis of search patterns. As for the third quarter , which included the research methodology and procedures , as adopted research on the descriptive approach in the process of analyzing (3) models represented spaces inner halls of the discussions at the public universities of the city of Baghdad / Rusafa , have been selected in a deliberate from the research community overall 10% according to the rationale clarified by the researcher , and also included the chapter on the search tool , which included axes form analysis ,which included a group axes to cover the analysis of the mechanisms Almokhtarhoha models as follows : (1 - functional feature 2 - the organization of cognitive motor 3 - Safety and security 4 - techniques ). The fourth quarter included a review of the results and discussion that resulted through the process of analysis models and then out through the results to devise a set of conclusions , including : - 1 - that visibility was the result of realizing designer in fact the embodiment of the field of vision and visual receipt due to the structural design of the space as well as include ground and intensity of illumination of convenience. 2 - check the functionality of the rooms in varying degrees to achieve a comfortable indoor environment for users because of the proportions of the standard dimensions between formative vocabulary of space and movement of users as well as acoustic insulation , which came as a result of the use of sound - absorbing materials on the level of space limitations. 3 - should the designer be aware of the impact of color in space and its occupants ( psychologically and Aihamaa ) by adopting the kind of rationality and objectivity in the selection of ratios and color values in thespaces of the discussions as embodying two of them ( the state of anxiety and uneasiness visual and psychological ) , so it should not be used colors high - frequency wavelengths and varied, but the emphasis on some of the colors that achieve harmony. And generate a sense of attention and not feel bored during long sessions. And then make recommendations , and the conclusion of this chapter to provide the proposed design , which included an outline of the spaces engineered internal discussions university halls.

اداء الممثل ومقارباته الحركية والايمائية للموروث الشعبي في العرض المسرحي العراقي The Work of The Actor And His Movement And Gestures Approaches To The Popular Tradition In The Iraqi Theatrical Performance

اسم المؤلف: عقيل ماجد حامد محمد الملا حسن
اسم المشرف: وليد شامل حسين
الموضوع العام: الفنون الجميلة
السنة: 2011
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يتناول البحث دراسة المقاربات الحركية والايمائية للموروث الشعبي عن طريق اداء الممثل المسرحي ولاسيما في المسرح العراقي، والمتمثل بالعادات والتقاليد والمعتقدات التي تسود المجتمعات، منطلقا من البدائية واداء الرقصات والشعائر على مختلف اشكالها، وبحسب ما تحتو | This research studies the movement and gesture approaches to the popular traditions especially customs traditions and beliefs ,through the stage actors performance starting from performance different dances and rituals that belong to each area or environment. Most of the contemporary stage directors could re - read these traditions in different and variable ways making the stage actor a means for expressing these traditions beliefs represented by ceremonial aspects. Based on what is mentioned above , the research is divided into four chapters.The first chapter deals with the systematic frame work that includes the problem and the need of the research and its importance aims , and limits as swell as determining and defining teruninology.The research problem comes into vieuo through the question : ( The Work of the actor and his Movement and gestures approaches to the popular Tradition in the Iraqi theatrical performance ) the importance of research lies in the observing the performance achieved in the stage show through the peoples tradition embodied by the actor on the stage using his motional and sound tools with cognitive aesthetic implications that help him find a way of theatrical performance. for this reason this research has a cognitive importance in presenting an objective study for the researchers in theater sciences. The aim of the research is to identify the motional and mimic approaches to the peoples tradition via the stage actors performance. the limits of research are restricted to study the way the actor deals with his tools and elements surrounding him through his embodiment of a character from an intended chosen samples from Iraqi theatrical performance (1970 - 1990) that were shown on Baghdad stage. The researcher ended this chapter with determing the terminology including : ( performance , approach , motion , mime , folklore , heritage ) and defining then procedurally while chapter tow (theoretical - framework ) contains three (studies) the first (study) pupelar tradition , referenees …. Performance. The Second study (movement and gesture in popular tradition ) the third study (Inspiring the popular tradition on contemperary stage and the technique of performance ) it refers to the most important indications which the theoretical framework house made elear and followed by previous studies. The third chapter is specialized in the procedures of the research which contains research community , sample of research , method and tool of research the chased samples from the Iraqi theatrical shows have been analized after making the field survey on them which are more than 80 performance to reach the optimum results , these performance was submitted to a commity of experts in theatre arts (direction acting , arts , critisim) who were 9 experts. after hawing seen them , three shows have been chose for getting the votes of the commity of the experts : 1 - play of Baghdad the eternity between seriousuess andcomedy Directed by Kasim mohaed.2 - play of Sharea , Directed by Dr. Fadhil Khaleel.3_ Play of Makamat ABI Alward Directed by Ibraheem alal. The Fourth chapter includes the summary of results and conclusions that the researcher reached by sample analysis related to the reaeourch aims. This chapter has the rwsearchers suggestions and recommendations as well a list of sourced refrences photo and annexes. Ending the research with English Abstract.

القيم الاجتماعية في افلام محمد شكري جميل Social Values In Mohammed Shukri Jameel Films

اسم المؤلف: علاء مكي عبد الهادي
اسم المشرف: صباح مهدي الموسوي
الموضوع العام: الفنون الجميلة
السنة: 2010
الموضوع الدقيق: الفنون السمعية والمرئية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يتناول البحث التعريف باهمية الفن بشكل عام والسينما بشكل خاص من خلال امتلاك خاصية التاثر والتاثير في المجتمعات الحديثة، واعطاء لمحة موجزة عن اهتمام اهل الحضارات الاولى في العالم في هذا الجانب لاسيما في العراق القديم وشرح العلاقة بين الفن والمجتمع التي تش

تحضير القشرة الخزفية (Ceramic Shell) باستعمال خامات محمية لصب المنحوتات Preparation of Ceramic Shell Using Local Raw Materials For Casting Sculptures

اسم المؤلف: هيثم صباح حميد
اسم المشرف: هادي مشهدي عجيل احمد هاشم عبد الكريم
الموضوع العام: الفنون الجميلة
السنة: 2012
الموضوع الدقيق: النحت
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The study deals with one of the modern techniques used in the formation of the metal casting, which include using of local materials in the preparation of typical mixtures without needing for imported ready - made mixtures, which are monopoly of technical secrets to those companies. The first chapter discusses the research problem, which were represented in (to reach a mechanism for the use of ceramic shell technology with standard specifications helps for not to loosing a lot of sculptural details and delicate task during the casting process through the traditional techniques). The importance and objectives of the research are : (1. Obtaining of precise details for works of art that perform the ceramic shell technology, 2. Reach for a scientific data base for technical functioning of these mechanisms and capabilities of local materials) as well as the limits of the search. The second chapter (theoretical framework) includes the first section : a brief history for the using of metals, the second section deals with the metals used in the research (as brunze and aluminum) as well as their types and properties the third section deals with the History of the mechanisms of metal casting in ancient civilizations, which are Mesopotamia, the Nile Valley, the Levant, the Greeks, the Romans, the Islamic civilization and then the Renaissance, after this, asection deals with the metal casting techniques, which divided into two types according to the type of templates : permanent, which include centrifugal plumbing and plumbing by electrical clicking and sedimentation. while non - permanent include the plumbing by sand and lost wax which includes two methods, the first one is the normal thermal template (traditional) and the second method of ceramic shell which is the subject of our research. It was taking four previous studies,two of them were Iraqi and two foreign studies. At the end of this chapter we reach to a theoretical framework indicators. The third chapter deals with the research measures which included the identification of research methodology, the research community, samples. And then the selection of local materials that will be included in research trials which are zircon and silica silicate (sand Erdma), Kaolan (Duekhlh), Filnt Klay, sodium silicate water and Sodium carbonate andresin (c.m.c).After preparation, crushing and screening of the materials according to the granular gradients and chemical analysis to determine their characteristics and components then calcination. Dry materials were calcinied at (600°) to lose its chemical water. After preparation of series of preliminary mixtures in some of them depending on local materials as alternatives to foreign ready mixes and through access to sources, references and the Internet, as well as local experiences. Eight mixtures were succeeded through the stuccoing process of the waxy model ,during the process of drying and burning there is problems such as crucking in the surface of ceramic shell as a result of internal tension and external pressure, as well as the reduction in the hardness of ceramic schell after burning due to the weakness in the linking between the components of materials during high temperature causing their destruction after burning, so that it is necessary to raising calcination temperature to 1000 ? to ensure the disposal of the transformations that will get during the burning process. In addition to the getting rid of plasticity to ensure that no shrinking in the ceramic shell after burning. All failed mixtures were excluded,while the other four mixtures were remained which were : Mixture of silicate zircon, silica (crushed Erdma sand), clay Filnt,caolin with silica (Ardma sand), because of the high coast silicate zircon and not providing in large quantities, as well as to the difficulty of obtaining of Filnt clay despite its presence in abundance in Iraq, it has not been extracted and provided in abundance as a consumer material, as there have been some problems in the use alone, so the researcher find two mixtures from (zircon silicate with silica) and ( Calcinied caolin with calcinied silica).The four mixtures considered the sample of research which include (zircon silicate), (silica), (zircon silicate and silica) and (silica and caolin).Which has been conducting laboratory tests on them. The fourth chapter contained the results of the chemical analysis and the results of physical and mechanical tests and their discussion. Also included the conclusions which reached by the researcher. The results showed the success of the four mixtures in the casting of bronze and aluminum models with maintaining the accuracy of the details and achieve the goals of the research. The mixture (A) preferably used in the casting of mineral sculpture with temperature top of the (1200 ?) due to the cost of silicate zirconium, while the mixture (C) is the better becauseof its potential in metal casting and low coast ratio compared with mixture (A). The mixtures (B, D) preferably used in the casting sculpture as alolminium and lower heat metals. Then the recommendations and suggestions as well as a list of Arabic, english references and web sites for information

وظيفة القراءة والتلقي في تشكيل معنى العرض المسرحي العراقي Function of Reading And Reception For Forming The Meaning of Iraqi Theatrical Show

اسم المؤلف: عمر فاروق محمد
اسم المشرف: سافرة ناجي جاسم
الموضوع العام: الفنون الجميلة
السنة: 2014
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Reading is considered as an interactional space between sender, recept - ionist and the message which acts as a mediator through them. So without read - ing action, the invention achievement is not fulfilled, particularly in theatrical di - scourse since reading itself forms the mental dimension and effects the audient - the reader actor, because receiver in theatrical discourse typifies the intellectual presence of text and show in same time. So reading symbols as a connection channel of its aesthetical service which forms the meaning of Iraqi theatrical show. Interpretation and its conception which assume as reading tools discuss with the achievement of invention for discovering the explicit meaning in the show, especially contemporary show. Brecht said : “Our audient’s decaycomes from lack of knowledge that both audient and theatre do not know what should appear on the stage”1. The research has divided in to four chapters. First contains the methodical frame and the problem of research. The emergence of reading and reception methods changed the rout of critique to follow the innovation, and taking from these methods a new way about recipient role and reading deed to reform critique looking in creating show, and exuded new different ways of relationship with the receiver. So, from research question we could ask … “Does the creator of Iraqi theatrical show use reading and reception methods as a new way and aesthetical dimension to build his attitude to his show”. Depending on this, the researcher shaped his research title “Function of reading and reception to forge the meaning of Iraqi theatrical show”. The importance of research is to raise a critiqued study to Iraqi theatrical show depending on reading and reception methods for reforming the theatrical show. In addition, theresearch introduced an assumed plan of strategic pattern to read, receive and explain theatrical show to release audient - receiver from what has been obstructed him before. It sprang up the variation of theatrical practice among contemporary cultures. Then research defined some of sides that can benefit from it. And the goal of research tried to discover the track of reading and reception to reform the meaning of the theatrical show, the limit of objective research locally and temporally, and ended 1 Brecht, Bertolt : Epic Theatre, translator : Jameel Nasef, Baghdah - Al Hurria publishing, 1973 the chapter with defining some expressions which limited on ‘function’ only and leaving the others to theoretical frame. Chapter two (theoretical frame) has three topics; everyone has a part of the title to set up the basis which can be as a starting ground for its procedures. First topic held the title (reading) which has displayed how this term has changed and established from the past until now, tools and the relationship with the (doer - the reader) that does the act. Second topic titled (reception) because of the subject significance to review the way of studying the drama, and dealt with some sides that we often ignored them like; audient as a person and a member of certain culture, his own expectation horizon which is formed by that culture frame, choosing specific events to participate in, and currently developing in dramatic studies, which gave the audient the way to be free from the theatrical show’s capture. So it is not required from this topic (reception) to describe audient’s response to a certain show. Third topic (forming the meaning) which this research discussed this through the relation with reading, reception, and receive. And theoretical frame ended by choosing two reception samples toanalyze, (external reception theory) and (internal reception theory).Chapter three (procedures of research) analyzed and studied specific samples. Then the researcher has examined show reading, through prepared text, or created one, or some other texts stand basically on other texts, and comparing them with originalpieces which leaded to value the theatrical figure more precisely. Chapter four enclosed the results and the conclusions. Some of results are; 1 - Waste the postponed meaning because the show juThe conclusions which became our answer to the researchquestion is;1 - Reading and reception function has participated in theatrical show more effectively for out put the meaning which is made it to reform inside the show not out of it

البنية الدرامية والايديولوجية في نصوص محي الدين زنكنه المسرحية

اسم المؤلف: عباس فاضل عباس
اسم المشرف: سافرة ناجي جاسم
الموضوع العام: الفنون الجميلة
السنة: 2014
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Ideology shapes the theme of man’s struggle. Because it represent the conflict of different wills about a subject. So it is really one of man’s struggle ways in the existence, and it’s his dramatically problem with it. It becomes the motive to many philosophers and writers. As theatre considers one of mind’s systems, which discovers the clash dimension, and it rests on it, the ideology frames on his ideas, which the theatrical texts declare this or that ideology through an aesthetical investment. And with in, the playwright states his attitude about any human matter, as the fate and human being, the problem between the authority and a person, religion complex and other intricate which were a space of resistance and contradiction.The playwright offered his aesthetical ideology based on his dramatically dealing that developed according the time needs, and the conception and political problems. In order to get the full cognitive of aesthetical and intellectual ideology delivered, the researcher divided his research to four chapters index of references, appendix of names and dating of publishing of Muhi Addin Zankana’s plays.The first chapter contains the problem of research which concentrated on the relationship between the theatre and its technique, then its relationship with people to embody their dreaming and agony, and leads to look for the dramatically structure distinguishof Zankana’s texts. And how the ideology appears inside the texts. The importance of research is to study the creative achievement of one of Iraqi dramatist significant, which we see that can add more knowledge. And be useful to theatrical studiers, and to the theatrical foundations.The aims of research : discover the characteristic of Zankan’s texts through technique and ideology. The limit of the research restricted locally in Iraq where Zankana had written all his plays. And chronically in the dramatic texts which published from ( 1859 - 2002 ). And objectively, it is a study and analysis of the technical structure and the intellectual of Zankana’s texts. The second chapter comprises the theoretical framework and previous studies and its discussion. It includes three topics. The first one heeds to the dramatic structure notion and reviews the dramatic structure of theatrical text from Aristo to these days. Historically, talkingabout the methods of writing plays. Second topic pays attention to the ideological meaning and its relationship to society classes. The relationship between the ideology and artists, and how it reflects in their works, the position of government authority from the opposites.The third topic is discussed the text connotation, then the text language structure, and the text semantically structure. The third chapter includes the research procedures which embraces the research society that involves Zankana’s plays, which extended around fourty years. Limit locally and temporally and broach to search method. The tools depend on the indicators that bring out the theoretical framework, as the main tool to analysis the samples, and to realize the research goal and solves its problem, reaching toscientific result. The chapter holds two fields of research, first, the dramatic structure of Zankan,s texts. Second, the ideology, how it is reflected inside the texts, and inside the playwright himself.The chapter four implies the results that the researcher reached, through analysis Zankana’s plays, which declare that Zankana used many methods from traditionalism to experimentalism to reach wider horizons. He was effected by Brecht, using his method to break out the traditional plot, push people to think about what is going on the stage, not to identify with it. Discussing the tragedy concept which destroys the heroes. Zankan’s interesting to the poetic prose, and to range his dialogue between dramatic and narration, because he wrote both plays and stories. And to put the idea of the character before its art structure.The conclusion of the research attained that Zankana is an ideological playwright, but he was not the type of writers that ideology can limit his work or capture his creation. His erudition and the high human feeling helped him to put the ideology under his hand, not the opposite. Ideology appears in his works through his choosing characters, their dialogue, actions. He was not talking friendly when he descried the capitalism class and its political or economical representatives. He strips of their sick behaviors, their slavery tobenefits and privileges, and how easy for them to commit the crimes without twinge of conscience. But he changed his situation, when he descried poor people. He is kind, a friend, caring them the best human feeling and actions. They sacrificed themselves to the others, refusing the injustice, and revolted against it

التحولات الفنية للتكعيبية وتطبيقاتها في تصاميم الاقمشة المعاصرة

اسم المؤلف: سناء محمود ابراهيم النعيمي
اسم المشرف: فاتن علي حسين العامري
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Occupies designs fabrics ample space in the developed world , making the interest in these designs is increasing day by day and this is due to the urgent need of the cloth and the multiplicity of uses to suit the desire of the consumer, no longer fabrics just forms of design it is the interaction of the bases , systems and relationships that lead really expressive and functional requirement the act of design and its impact gustatory in others, they are subject to the taste of a designer who builds upon the idea consistent with the style and material and technical relied upon to show the artwork design. As well as they are in line with the change and development , and develop and enrich the taste of art, fit and prestige which focused phenotypic need to keep pace with the movement and in the field of regenerative design fabrics.. Has seen contemporary thought movements and technical schools shifts the new shape and configuration - including the art movement of cubism - which is one of the most modern art schools interested in form , and formed a starting point and starting to achieve the unique methods varied and varied depending on the renewal of continuing its impact in the field of design , inciting the Cubist movement shift technical systems relations formal level of scientific , technical and aesthetic , and based on the above and through the informed researcher of the importance of these transformations and technical applications in design - designs fabrics - ( women - Upholstery ) created a justification for the study of the subject of current research and marked ( transitions technical Cubist and its applications in designs contemporary fabrics ) , where research includes four chapters , the first chapter came the research methodology and included asking the following question : Is the technical transformation of the movement of Cubism role in achieving techniques in the design of a multi - purpose fabrics career ? In order to shed light on the important concepts and rich in the history of fine arts in general and contemporary design , in particular through the fact - depth intellectual and stylistic aesthetic that characterized the most important features of the Cubist school , goals came search : . 1 - Identify all transitions intellectual movement of Cubism.. 2 - disclosure of technical features and practical designs in fabrics. 3 - Develop design proposals showing shifts of Cubist art and Tabiqatha Fabrics contemporary designs in a multi - functional purpose..The study identified technical changes to the movement of Cubism in the multi - purpose functional fabrics ( woven and printed) of Chinese origin and Turkish as available in the local market of the city of Baghdad and designs of women's fabrics and upholstery from 2011 - 2012. The second chapter , which included theoretical framework , which included three sections covered in the first section shifts the intellectual and artistic movement of cubism , while the second section of Cubism and enforcement mechanisms in the designs of fabrics , and the third section is the impact of contemporary art trends in designs fabrics. As previous studies did not find a researcher study concerning the subject of the search, and so is the search the first study in the field of application of the school Cubist designs in fabrics women - Upholstery, The third chapter dealt with research procedures , which included research methodology , a descriptive analytical and research community , which amounted to (96) model design parameter was selected sample in a deliberate and by 25 % and adult (24) model , has been prepared by the researcher form analysis of the designs fabrics women's Upholstery , which included several axes , endorsed by the experts were on the basis of the analysis of samples and then get stability as samples were analyzed in the same chapter building axes on the form and for the fourth quarter included the results and conclusions reached Albaagesh to the most important conclusions as follows : . 1. Technologies that backs a role in highlighting the verb design of woven fabrics and printed , which represents a shift in the phenotypic characteristics of formal , given privacy in the use of design for multi - purpose fabrics Title ( Women - upholstery ).. 2. The method of engineering and engineering hub dominant trait to show content, as embodied in the processors technical attributes and characteristics of the Cubist art movement characterized by solid and sharp formations in the framework of the formal unity and objectivity. The method of abstract Kmthakq Toy formal and overlap with the geometric method.. 3. The exploitation of space overall as a result of overlap Vocabulary in build formal invested mutual relations between form and space design , which showed both of them as part of the design fabrics women , while requiring upholstery fabrics pronounced in Show content formality and color commensurate with the purpose career Alosthaddama and adaptedto the place. This enhances the transformation of the intellectual and stylistic art cube.. 4. Harnessing the trend All or part of the shapes of the effect corresponds to the privacy level job promising for him , as it is employed in the designs of fabrics women's trends multiple on the basis of their ability to forming and employment are governed by the nature of the raw material and adapted to act Alosthaddama , while confirmed upholstery fabrics on the need to employ the trend one which copes with the act Alosthaddama. 5. Showed most of the designs of the models to harness the attributes of art and design inspired by Cubism analytical second phase , through repetition and diversity of surfaces , colors , style intense and contrasting closer to chaos, but the system , which formed a shift in the structure of the design appeared in the periods required by contemporary visions of design and the need for changes in attraction and excitement in women's designs and upholstery fabrics , followed by the third phase , a synthetic Cubism , which forms produced by the unfamiliar achieved tensile visual composed year.. As well as to ensure the same chapter , proposals and recommendations to ensure this chapter also proposed designs prepared by the researcher access to a computer the possibility of a formal variables and color ways and methods to repeat different , of (27) design proposal which is designed to fit women's fabrics and upholstery.

الفنانون النقاد : دراسة في النقد الفني العراقي اتجاهاته واساليبه The Critic Artists - Astudy In Iraqi Artistic Criticismits Directions And Its Methods

اسم المؤلف: احلام عبد الستار شنين
اسم المشرف: بلاسم محمد جسام
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: الرسم
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: لكل حركة فنية مرجعا نقديا , يحدد اهدافها واتجاهاتها وسياقها , وفي العراق كان للفنانين النقاد رؤى وفلسفة نقدية ساهمت في بلورة بعض اتجاهاتهم وتمدد تاثيرها الى الانتاج الفني المجاور من خلال التاثير والتاثر.. وهو ماتصبو هذه الدراسة الى تلمس موقع الفنانين ا | Every artist movement has criticism reference that defines its aims and its context. In Iraq, the critics artists have a vision and critic philosophy that contributed into crystallizing some of their directions and into having effects on artist production via effect and affected. This study aims at handling position of critics artist and their directions. Hence, the research problem comes as to study the critics artist's theoretical and practical Sides.This study stands behind questions listed below : . - Did critics artists have conceptions relying on criticism text books? What are the results standing behind that? The artistic criticism was previously dealing with a set of textbooks, either be those that concerned with artistic work surroundings or be those that concerned with the artistic depth. Those who specialized into criticism, together with their directions remain determined by methods of readings. Most prominent problem in artistic reading lies in the ability of the critic to untie artistic work codes and to re - build them. This problem forms the core of criticism script production. If the critic's handling methods be away from art atmosphere, then the criticism would be just more like other language and literary arts than be as textural and analytic method. Hence, we suppose Formulation of the problem following questions : 1 - Is it possible for the critics artist to perform critical excavations in artistic works most nearest to the art than to get side by side with it?2 - Could the artists critics have formed a movement inside the Plastic movement and that contributes into disclosing its context? Therefore, important study curriculum cash for critics and artists stand on their contributions to the Iraqi art movement...The research's goals are : The research provides twice trying to reach them and two1 - To get to critic centers and to its directions for the artists critics.2 - To uncover the comparison between practical and theoretical productionBut it borders The research confines on critic production and its classifications for the artists critics since 1940 - 2012. The first chapter includes critic production and its classification in addition to most important terms (artistic criticism, direction and method). The second chapter deals with the theoretical side that comes with two parts (1st part concerns with conceptions and kinds of criticism, concept of critic and critical scrip separation into (the artist, script and receiver) and 2nd part concerned with criticism in Iraq, the critics artists and their opinions and readings. The third chapter includes procedures and purpose of the current study. The researcher depends on the analytic descriptive method as to describe samples and to analyze them according to methods resulted from procedural conceptions mentioned in the theoretical filed Enhanced tools and procedures which : 1 - Table of research sample from the critical essays (26 essays)) 2 - Table of works of the critics artists( plastic artistic works - paintings). The fourth chapter deals with results of research according to the research goal and deals with the critical centers and its directions for the critics artists. According to what was mentioned above , the researcher reached to the following : 1 - The critic artist (Balasim Muhammad) employed the modern critical textbooks in his essays (No.1, 2) , where the visage method had been formed ratio amounted %44.44 , while the structural criticism ratio %14.81 , the neutral criticism ratio is %7.40 , the estimation judgments ratio is %3.70 , The total ratio of his essays (No.1, 2) is %33.33. Results concerning the second goal of research lie into uncovering the comparison between the practical and theoretical production : 1 - By analyzing the critic artist Balasim Muhammad's critical essays and its comparison with his artistic works, the researcher concluded that the critic artist (Balasim) makes his depictions out of familiar logics in Iraqi paintings and adheres textural exactness in his critical journey. In his critical writings we see him sticking to textual exactness, but in his artistic production there are recitations and imaginations. Most prominent conclusions are : 1 - The artistic criticism in Iraq depends on self - impressions unlike artistic work. 2 - The artistic criticism in Iraq relies on search into the art itself and not in artistic work details. 3 - The historical and social criticism occupies a space in critical writings.4t - Plastic criticism in Iraq does not depend on scientific method and there are not contemporary methods in reading artistic works , but with simple proportions. 5 - The criticism often depends on personal motifs and general rules. 6 - The journalistic and literary language was dominant as to read artistic works and this resulted into forming a dictionary strange to artistic criticism conception.

درامية التاريخ في نصوص المسرح الاحتفالي Dramatic History In The Texts of The Festive Theater

اسم المؤلف: حسام عبد الستار عبد االجبار
اسم المشرف: رياض موسى سكران
الموضوع العام: الفنون الجميلة
السنة: 2015
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: رافقت الاحتفالية فن المسرح منذ عهد الاغريق، وذلك عن طريق ا الطقوس الراقصة التي كانت تؤديها الجوقة,، كما ظهر في وطننا العربي ما سمي بالجماعات المسرحية العربية التي تهدف جاهدة الى ايجاد هوية مميزه لمسرحنا العربي , ينقسم البحث الموسوم (درامية التاريخ في نصو | Find divided marked ((dramatic history in the texts of the festive theater)) Allier four chapters, the first chapter includes a methodological framework through research problem and the need for and importance, research, and purpose, and its limits, and then determine the terms . As the second chapter has included the theoretical framework of the research component of the three sections, the first entitled (the concept of drama in the theater ceremonial), which dealt with the evolution and emergence of the start of the celebration theater in various Arab countries and foreign while eating second section titled (relationship history in the drama), includes this section Ttoreddrama through the ages and the extent of the impact of history began with "eras of the Greeks to the Romans to the Middle Ages from the Arabs and then move to the third section is titled (the aesthetics of history in the drama) contains the philosophy department of the philosophers in the art and the extent of their relationship to the evolution of art A third chapter (research procedures) research community, who identified within the time period of the year (1970 to 2013), and research samples chosen way intentionality, namely, (a play shrines Abu Ward) authored just Kazem and directed by Ibrahim Jalal, and (theatrical nights Sumerian) authored a nice Dulaimi, and (a play on the Tour of Abu Othman yesterday now) written by Dr. Zuhair Kazem. Rely researcher descriptive analytical method for the analysis of specimens based on the texts of the play. The fourth chapter dealt with the search results, discussion and conclusions, and then recommendations, and proposals, and then the list of sources and references, and a list of supplements, and finally abstract in English

السمات الاعلانية في الرسم العراقي المعاصر

اسم المؤلف: عادل كريم عبد العالي
اسم المشرف: سلام جبار جياد السوداني
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الرسم
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

القيم الخلافية في الخزف العراقي المعاصر The Controversial Values In The Contemporary Iraqi Ceramic

اسم المؤلف: زيد محمد رحيم فاضل
اسم المشرف: محمد علي اجحالي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الخزف
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The importance of studying the controversial values in the system of plastic art and notably in ceramic poses an artistic aesthetic study due to the importance of these values in the network of aesthetic innovation , that we see these values moving and contradict with each other due to the continuous modification in the certain development of the whole cognitive specialization for the favor of the permanent controversial in the artistic and conceptual performance, in addition to what critic theories submit, and philosophic theses that submit logics of art's moving tastes from a site to another conflicting site and argue with in crystallization the importance of these controversial values and that is behind enriching the controversial values withcontroversies, disputes and contradiction which are exist and permanent in the network of art and beauty.We see the position of the ceramic is in the center of aesthetic dispute, because it is considered one of the contradicted plastic arts where attitudes are variance based on formal and cognitive foundation for its high plastic flexibility, that led to studying the systems of dispute as reading and criticizing contradiction.For that , the research aimed to study ((Controversial values in the Iraqi contemporary ceramic)) and was in four chapters : - - First chapter included the problem of the research by a punch of questions about the controversial values in the contemporary Iraqi ceramic and urged us to wonder about the structural design in the contemporary ceramic form based on the contemporary ceramic forming in Iraq, and on what level that contradiction was, and were there specific values which the art of ceramic has worked on? And how could it include most of its values in one constructional structure? The answer will be the resultant of that question , about the mechanism of employment the controversial values in the contemporary ceramic in Iraq?Therefore , the study aimed to : - Discovering the controversial values in the Iraqi contemporary ceramic , on the level of shape, technique and content.The researcher was limited with studying the contemporary ceramic works within the period between ( ) to ( ) existed in the Iraqi museums or as special findings the researcher has found in old books or online , then reviewing the term of values and the term of dispute and defining the controversial values by term and procedure. - Second chapter was represented by the theoretical frame including three sections , first one concerned with studying (controversial values by a conceptual approach) , second chapter concerned with studying (the controversial values in the arts of modernity ), second pivot concerned with (studying the controversial values in post modernity arts) , while the third section included three pivots, first pivot concerned with studying (representing of controversial values in ceramic) , second pivot concerned with studying (the contemporary Iraqi ceramic) and ended the theoretical with a punch of indications and then the previous studies. - Third chapter tackled with procedures of the research that included specifying the society of research and choosing the research population that were ( samples) , then the method used for analyzing the sample, depending the depictive method in analyzing the artistic works.While the four chapter included results of research, conclusions plus recommendations and suggestions from the results the researcher had come up with the following results : - The controversial value turn out through the using of the potter to couple of contradicted values in the aesthetic, artificial and academic phenomena which are (reality & experiment). - The controversial value is achieved through contradiction and closeness of two values that are of one element and between them there is a controversial contend. - Controversial value may be achieved by analyzing the reality for the human shape that carry composition and diagnostic features differ from the origin totally. - The controversial values have turned out through granting the brain its authority in implementing and granting the action of the emotion its authority also. - The controversial value also can be achieved by the letter - composition for the read ceramic work and the instantaneous composition of the ceramic work.The conclusions : Up to the results obtained by the researcher, he come up with the following conclusions. - The controversial values in the cognitive, aesthetic and intellectual knowledge , entangled circle of relationships and gathering of intervening letters. - The aesthetic knowledge for the system of contradiction in the art of contemporary ceramic, applied on the basis of the formative composition and the open - eye illusions and what these elements pose of intervenient values.The system of the controversial is a future system based on the historical instantaneous basis , so it emanated newly every time

اشتغال الشفرات الثقافية في المسلسلات التلفزيونية التركية The Functioning of Cultural Codes In Turkish TV Series

اسم المؤلف: علي عبد الرضا مزبان المطيري
اسم المشرف: ياسر عيسى حسن الياسري
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: بدات العروض الدرامية التلفزيونية الاجنبية وبالخصوص المسلسلات التركية تاخذ مداها الاوسع في البث والانتشار في الساحة العربية عبر وسائل العرض المتنوعة ومنها القنوات العربية كافة الحكومية والاهلية، وصارت تشق لها طريقراحبا وسط المتلقين العرب عبر ما تبثه من قيم | Began offers dramatic foreign TV and in particular Turkish soap operas take a range of broader in broadcast and spread in the Arab arena through the means of various display including Arab television all government and private , and became make their its way welcomed amid recipients Arabs over what was done to the values , ideas, and the meanings of various , across what was done to their offerings dramas diverse in terms of form and content , and therefore it has become necessary to monitor this phenomenon art by researchers and scholars in the fields of film and Television Arts so that it can understand and comprehend the vast amount of marks artistic , aesthetic and semiotics posed on according to their own perspective , and that seemed to constitute as mentioned phenomenon of great artistic occupied Arab public opinion and Muslim world as a whole. In order to prove a research that this phenomenon is its own language was we have to disclose their tools and language Tglatha aesthetic and expressive and semantic terms of form and composition and meaning , and here began , the first steps in the study of this phenomenon artistic expatriate us , through an approach to language film structures semiotics active and effective participation in Mndzha iconic pregnant for the meaning of the signifier ( s dramatic itself ) , in terms of function units and compositional organization and shape and Altmzar , and the resulting emergence of Encode cultural meet the privacy of work and gives him his identity , social and cultural well and shown on according Achtglatha multiple hidden and implicit within the overall context of the presentation of dramatic television , the offer system nested and linked to cultural life public and the same time is a separate system of cognitive intellectual aesthetic operates according to its own language and Its blades specialized Kalza and theorist , music, physical movement , and here and where resulting from this approach several results had them , the possibility of the application of most of the structures of semiotics linguistic the accomplished television drama based on the manifestation and emanation built Alamih lingual and non - lingual actor like , blades , and built a communicative other is determined by which identity and privacy accomplished dramatic television and his art , through interdependence and different and Talvadtha markers ( iconography , and symbolism , and indicative) incarnated and is operated in the body art , and the problem with this , a system of rules and technical norms , which in turn lead later to deliver a message with deep meanings , using all elements of cinematic language. And according to the progress of speech and a request to build the foundations of scientific research , academic, and in order to stand on the details of the chapters of this research work and covered components of the various it has been the study title, year ( the functioning of cultural codes in the dramatic TV series Turkish ) and were divided into four chapters , as follows : Chapter I ( methodological framework ) : The intake of this chapter the research problem , which crystallized and was studying the modalities of the functioning of cultural codes in the structures of television dramas Turkish embodied in the form of dramas and demonstrate their functional and semantic through the identification of structures cryptographic elements display art and semiotics. Vassana work uses blades cultural reality expressed through the expressive elements of cinematic language , in turn, creates a cultural Its blades that gives the drama of technical specificity and uniqueness distinctive. Also included this chapter objectives of the research , also included a chapter on the rest of the ingredients methodology other than the importance of research and its limits , and the definition of terms and came second chapter ( the theoretical framework and previous studies ) : Based on the manifestation of the subject of current research into the levels of synthetic and Alamih and expressive , diverse saw the researcher to study what's covered by the installation of elements within the construction and semiotic recaps of the drama television show as a structure and shape Accordingly, the researcher finds this chapter is divided into several sections , were as follows : First : dramatic structure in Turkish TV series : Second : the semiotics of dramatic television building : Third, the concept of semiotic codes in the field : The third chapter ( research procedures ) is based on two main pillars : research methodology , and it has been adopted descriptive analytical method based on the unit of analysis that are part of the selected sample Qsidia a way that fits with the nature of the research, in addition to clarifying the reasons for choosing this sample. The resulting theoretical framework for a number of indicators adopted by the researcher as a tool for the analysis of the sample after the presentation to the committee of professors and experts for the purpose of examination and evaluationCO : Analysis of selected sample according to the tool that came out of a researcher from the theoretical framework. , The sample consisted of the series ( Valley of the Wolves ) measure performed seventh.And ensure the fourth quarter , a set of findings and conclusions , the most prominent of which contribute to the adoption of cultural codes through Ostglatha multi as markers or glitter Tgeorah and deliberative adopt the concept of relational in the supply , transportation and neighborhoods structures and forms Alamih with Achtgalat extinct and dead , or specific markers ( arrows ) (Poison ) ( cord ) ( secret rituals ) , employed in the service of a broader meaning and shows the function within the context of the Great unity (Serial ). The research also included a series of recommendations and suggestions for the search ends with a list of diverse sources and a summary of research in English

تحليل بنيات الرسم الواقعي الفانتازي Analysis Structures of The Realistic Fantasy Painting

اسم المؤلف: رعد فـليح حـسن
اسم المشرف: نجم عبد حيدر الجنديل
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الرسم
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تعد ظاهرة الرسم من ظواهر الوجود التي تتخطى القياس والتثبت منذ الكهف ومرورا بتتابعات تاريخية اسسها الرسم بانواعه وتقنياته المختلفة، نجد ان الواقعية او الرسم الواقعي يعد من اوسع هذه النتاجات واعمقها تاريخيا بل يمكننا القول ان الواقعية ابتدئت مع الرسم، | Is the phenomenon of drawing from the phenomena of existence wich go beyond measurement and validation when you want and calling it since the cave and through historical sequences founded by painting types and its different techniques , we find that the realism or realistic painting is one of the broadest of these productions and the farthest in the history of painting , but we can say that realism began with the painting is continuing and will continue ,put this historic wide area provided different methods of realistic production in the art of painting , including realistic fantasy painting , which is the basis and logic of this Thesis , in short can be defined as the foundations of the technical and ideational structure , and its style depends imagination and requires total time from the past to the present to the future and achieve that accurate Performing interaction between sudden exciting form and the compound structures established this which we call realistic fantasy painting.And a researcher at his prospecting that adopted academic study during years of his work of his preliminary studies through the Masters preparatory year found a problem that needs a solution and exploration stationed in referring realistic fantasy painting with its different structures that need to analytical prospectical accuratical study , which achieved a desire to be of this study on the master's level and was him what he wanted with the help of his professors Distinguished majoring in painting , especially when he found that this area of research is almost to be missing as it did not address her any study only study ( magical realism ) which is close to the fantasy realism put it is not that the difference between them is broad and many.Against this researcher fought the first chapter represented the methodic framework of the research which shortened partical conceptuals of the system box for scientific research , while the second chapter was based following studies : First : the structure and the structures and functioning mechanism.Second : realism and fantasy realism of its history , its institutions and its releases.Third : between realist painting and realism surrealism and magical realism and fantasy realism. Fourth : changeable in the fantasy realism manners in contemporary painting.This after entering in the subject study and , we came to a set of indicators for the theoretical framework were adopted equivalents analysis of selected samples in the third chapter Representative procedures followed in the collection of the research community and the selection of the sample within the rationale justifying selected , and the search tool and its role in the detection and analysis within certain mechanisms , and then choose the curriculum analysis samples ( descriptive analytical ).The fourth chapter has been committed to the article spammers methodology competent displays the derived results that can sum up the most important of the following : 1 The absurd is the most important theme of my speech broadcast in drawing realistic fantasy2 The absurd in drawing realistic fantasy doomed somehow ( varying according to the text itself ) credible same3 Diagnosis and meaning in the vocabulary of the construction drawing fantasy effective governor can not dislodge4 Drawing fantasy inclined to create excitement and surprise ( the result is a dramatic draw ) the effectiveness of the secret of success and transmit the dramatic5 Timelessness and nowhere tools show effective in drawing fantasy6 the human body Interestingly for the wishes of the sexual content ( man، woman ) is an important element of the elements of fantasy structures require relationships with neighborings and regimented with laws and regulations governed by the subject which belongs to it's the same text

الدلالات التعبيرية في تصاميم اقمشة الاطفال في العراق من عمر 6 الى 12 سنة The Expressional Significes In Designing Children Fabric In Iraq Within 6 - 12 Year

اسم المؤلف: مروان توفيق عبد حميد
اسم المشرف: خليل ابراهيم حسن الواسطي
الموضوع العام: الفنون الجميلة
السنة: 2009
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تتناول هذه الدراسة الدلالات التعبيرية لتصاميم اقمشة الاطفال في العراق من عمر6 - 12 سنة، والتي اكدت الدراسات الحديثة على اهمية دورالدلالة في تحديد الاتصال المرئي والحسي مابين المرسل والمتلقي (الطفل)، لما تتضمنه من معان تعبيرية وخصوصية وظيفية ليس من الناح | The present study deals with the expressional significance in designing children fabric in Iraq within 6 - 12 year. However, recent studies in this field asserted the importance of the significance role in identifying the nature of communication between the sender and the receiver (the child). It includes an expressional functional meaning shot only in the performance role but, also in the ascetical and artistically role if it has been designed according to scientific studies.Modern designs have been emphasizes on the child and this abilities , interest and tendencies (mentally psychologically and emotionally in the process of design and perform it on printed fabric, in away that makes the child have essential care this process and how to employ the expressional meaning, which has the ability to send the child to the target and the ability to recognize and understanding those meaning i.e. to perform its functional and aesthetical purposes. In conclusion it can achieve the aim of designing idea especially when this idea express the child's environment social , civilization in additional to the Iraq identity and folklore.Accordingly , this study comes reveal the nature of expressional significances in designing the child's fabric, within 6 - 12 year because this age is very important to construct the child's character and his body brain.The first chapter of this study includes the problem which appear the expressional significances in designing child's fabric and the suggested designing which employ these significances. the material understudy were chosen from Iraqi markets during the year 2005 - 2008.Chapter two consists of four sections the first one study the child's fabric as well as the colors and forms section two studied the expression and its meaning according to colors forms and expressional significance and function section three studies the aspects and the stages of recognition development and the basis used in designing and child's fabric. Then the section identify the most important indications of the theoretical back ground and precious studies.Chapter these includes the procedures of the research and the analytical methods being used in the study. The population here represented by 62 designed sample 25% , of the whole population were chosen debility as a sample of the research which concluded by 15 designed samples. These samples were analyzed according to analytical list constructed by the researcher as a tool of the research after it has been validated and granted it readability by the experts and cooper formula.In chapter four the 15the designed samples were analyzed and the conclusion were stated in chapter five which were as follow : 1 - cloth plays a big role the features of the used fabric because the texture adds an aesthetical and functional to the designed fabric.2 - Colors has an essential role to appear the aesthetic of designed forms and achieve symbolic and aesthetical dimensions.3 - Most of the items being used in designing is either from animal nature or a words written in foreign langue’s which in conclusion lack the environment, civilization and folklore of Iraqi child.4 - Most of the significances being concluded from the usage of the designed item were either symbolical or iconic , while most of the designing lack the symptom.5 - The styles of executive , designing , engineering and abstraction were mostly used in the most while factual style were less used in relative with the other style.In chapter five, the second aim were achieved by setting suggested designing followed by the suggestions , recommendation stated by the research and finally the references and appendices used in the research.

الخطاب الجمالي في تلوين النحت المعاصر Aesthetic Speech To Coloring Contemporary Sculpture

اسم المؤلف: علي رسن منصور
اسم المشرف: مرتضى عبود شهاب حداد
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: النحت
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: لقد اخذ النحت حيزا كبيرا في المنجز الفني الحضاري لدى الانسان منذ العهود المبكرة, وقد اظهرت المنحوتات المتنوعة ان محاكاة الانسان للطبيعة كانت متمثلة في اعماله التي جبل بها الانسان الاول بفطرته لينتقي من نفسه ومن الاشكال الطبيعية من حوله الكثير من المفردات

الخصائص اللحنية والايقاعية للتهليلة والذكر القادري : دراسة تحليلية The Melodic And Rhythmic Characteristics of Al - Tehlila And Al - Qadiri Recital “Analytical Study

اسم المؤلف: انمار علي حسين
اسم المشرف: حسام يعقوب اسحق
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون الموسيقية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The research comprises a list of contents, five chapters, list of references and annexes.The First Chapter “The Methodical Framework” in which the research studied the Tehlila and the recitals as samples of Iraqi religious singing; as this type of singing has not received enough attention on the studies of researchers according to required scientific vision. The researcher attempted to study this matter in a methodical way to identify the melodic and rhythmic characteristics of Tehlila and Al - Qadiri Recitals, and then explain the significance of the research by several milestones. Afterwards she studied the objective which is the discovery of characteristics of the said Tehlila and recitals. The objective threshold of the research was the melodic and rhythmic characteristics of Al - Qadiri Tehlila and recitals. The time perimeter was (2003 - 2013). Whereas the location perimeter was the shrine of Abdul Qadir Al - Gaylani in Baghdad. The Second Chapter is titled “The Theoretical Framework and Previous Studies” in which the researcher demonstrated a chronological presentation of the origin of song within various civilizations to include Mesopotamian civilization in the ancient Iraq, and the song in the pre - Islamic age, Islamic era, religious music and singing in the Ottoman age. In the second section, she addressed the religious recitals within the divine religions, then she the Sufi approaches in Iraq, the religious recitals in Iraq, and presentation of Al - Qadiri Tehlila and recital music definition, and their objective features. The researcher presented previous studies, namely two academic studies of researchers Zinat Mahmood and Arif Mohsin.The Third Chapter is titled “Research Procedures”, in which the researcher determined the descriptive - analytical approach, and then she selected the research community, and the targeted audience of (10) samples within the community. Thereafter she addressed the analysis system which she prepared and then the tools employed in the research. While the Fourth Chapter “Musical Analysis” which is devoted to the musical analysis of the selected samples that the researcher divided into two groups : Tehlilas and Al - Qadiri Recitals. The Fifth Chapter which is titled “Musical Analysis Conclusions” of samples of the two groups by which the researcher realized the indicated conclusions according to the required objective of this research. Then she moves forward with the recommendations and suggestions, followed by a list of references and annexes, and then the abstract with its title written in English language.

الخصائص الشكلية للفضاءات الداخلية للكنائس والمساجد : دراسة مقارنة Morphological Characteristics of The Interior Spaces of Churches And Mosques (Comparative Study)

اسم المؤلف: اياد طارق نجم عبود الدليمي
اسم المشرف: فاتن عباس لفتة الاسدي
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الداخلي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ملخص البحثتتشكل الفضاءات الداخلية للكنائس والمساجد من عناصر تصميمية تحمل في بنيتها الشكلية الظاهرة خصائص ذات قيم ادائية وجمالية تحمل في ثناياها الكامنة قيما اعتبارية ذات خصائص روحية فكرية وعقائدية تكون دافعا وعاملا اساسا في تشكيل الخصائص الشكلية الظاهر | Formed interior spaces of churches and mosques of design elements bear in its formal phenomenon properties with values of advanced functionality and aesthetic carries with it the inherent values of corporate characteristics intellectual and ideological be a motivation and a factor based on the formation of formal qualities phenomenon, and in doing so has the form of a motive for the formulation of the research problem of the following : (What are the formal qualities of the interior spaces of churches and mosques?). Hence research aims to develop a knowledge based cares to reveal the variables that affect the morphological characteristics of the elements of the internal spaces of churches and mosques, and through them we hope to achieve the following goals : 1. detection secured performative and aesthetic and expressive elements in the formal interiors of churches and mosques. 2. to identify the morphological characteristics of the variables and find the similarities and differences between them in the interior spaces of churches and mosques. The importance of research through its product intellectual means to study the morphological characteristics and variables in the internal spaces of churches and mosques. It included the theoretical framework of the two sections, the first dealing with it Heritage properties similar to the formal trappings of churches and mosques, as well as the concept of the characteristics and concepts of churches and mosques. The second section has been dealt with by the formal qualities of the various churches and mosques. As has resulted thereafter theoretical framework for a set of indicators which have been used to build a form for analysis comprised two main pillars : 1. formal qualities similar to the decorative inner space between the Performing and aesthetic. 2. morphological characteristics of various decorative elements in accordance with the formal expressive. In doing so it has adopted a descriptive approach in the process of analyzing the four models were selected as intention of the research community. It resulted in the analysis process on a number of conclusions, including : 1. is the internal spaces of churches and mosques, according to the system being expressive environment addresses the conscience of users, manifested within Astrsal Madrkatena sensual to the world of the divine spirit of worship within the projections symbolic and interpretive vision to promote the ideal of absolute heavenly. 2. accreditation bodies engineering regular and irregular, which lead to the organization of the movement to show the status of consensus and harmony in the interior spaces of churches and mosques decorative shapes between anthropomorphism and products related to the style of movement toward the tracks to generate visual drag the case within the determinants of decorative spaces. 3. use the balance of the distribution of structural elements of the design of the forms and motifs that include overlapping relationship is the balance of colors in terms of value, intensity and balance in terms of geometric shapes and inversion symmetry and structural shapes in terms of the overlap in the form of vertical and horizontal determinants Interior spaces of churches and mosques are formed of design elements carry in its formal phenomenon with advanced functionality values and aesthetic properties carries with it inherent valuable legal personality with intellectual and ideological spiritual characteristics be a motivation factor mainly in the formation of the formal properties of the phenomenon, and in doing so has the form of a motive for the formulation of the research problem of the following (What are the formal characteristics of the internal spaces of churches and mosques?).Hence the research aims to develop knowledge base cares to reveal variables that affect the morphological characteristics of the elements of the interior spaces of churches and mosques, and which can be used to achieve the following : 1. disclosure of content, performance and aesthetic and expressive elements of formal interior spaces of churches and mosques.2. identify morphological characteristics of the internal spaces of the variables by finding similarities and differences between the churches and mosques.The importance of research through its product intellectual means to study morphological characteristics and variables in the interior spaces of churches and mosques.The theoretical framework of two sections included, the first part, it dealt with the heritage of the formal characteristics similar to the trappings of churches and mosques, as well as the concept of morphological characteristics of churches and mosques. The second section has dealt with different morphological characteristics between churches and mosques.The theoretical framework has resulted in a set of indicators which have been used to build form for analysis included two main pillars : 1. morphological characteristics similar to inner space between the body and aesthetic performance.2. different morphological characteristics according to the formal elements of expressionism.Through it adopted a descriptive approach in four models were selected from the community is my intention to search the analysis process.The analysis resulted in process on a number of conclusions, including : 1. The interior spaces of churches and mosques, according to the system being expressive environment addresses the conscience of users, to manifest within Astrsal sensory Madrkatena to the world of the divine spirit of worship within the projection symbolic and interpretive vision to promote the ideal of absolute heavenly.2. Adoption of regular and irregular design bodies that lead to the organization of the movement to show the compatibility and harmony in the interior spaces of churches and mosques case between decorative shapes anthropomorphism and products related to the style of movement toward the tracks to generate the case of visual attractions within the determinants of the internal spaces.3. Use the distribution of structural balance of the elements of the design of forms and motifs that include overlapping relationship is the color balance in terms of value, intensity and balance forms design in terms of symmetry and inversion and structural shapes, from where they overlap in the form of vertical and horizontal determinants.On the basis of the findings of the study findings and conclusions. The researcher to submit a design models (my design proposal) the similarity and difference of churches and mosques, is extracted through scientific and cognitive theories associated with the formal study of the decorative features (performing and aesthetic) for interior design.

التنوعات التصميمية في اللوحة الحروفية الخطية Design Variation In The Colourful Calligraphic Paintings

اسم المؤلف: علاء عطية داخل محمد
اسم المشرف: عبد الرضا بهية داود
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الخط والزخرفة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يعنى هذا البحث بدراسة التنوعات التصميمية في اللوحة الحروفية الخطية، بوصفها واحدة من الاتجاهات الفنية الجديدة، وما تميزت به من مواصفات فنية شكلت انفتاحا نوعيا للخطاطين في السعي بهذا الاتجاه. وقد ساعد ذلك في اغتناء وتطوير التنوعات التصميمية لهذه الل | This research study deals with designing varieties of painted calligraphy, as one of the new Artistic trends, and was characterized by its artistic specifications that formed a start for calligraphers to pursue this trend.This has helped in enriching and developing the designing varieties of these paintings, considering these calligraphic paintings as achievements that bring out alphabetical letters in specific artistic formats. This has had a clear impact on the tendency towards an artistic development and bringing out design structures that are unrestricted with traditional structural forms. The emergence of these artistic calligraphy paintings is a natural outcome of the development of Arabic Calligraphy and how it has been handled designingly in accordance with the principles of Arabic Calligraphy and its general restrictions.Using samples of these Calligraphies, the researcher has presented his research study issue with the following question : What are the designing variations of the Calligraphy paintings?The importance of this research is related to the fact that these calligraphic paintings are a wide field of invention, renewal, creativity, and change, especially in the composing structure of the painting. This research will be more helpful for future researchers in the field of Arabic Calligraphy.The focus of this research is to uncover the designing varieties of the Calligraphy paintings and identifying the areas of creativity and beauty that emerged in countries like Iraq, Egypt, Iran & Turkey through the period (1965 AC/1385 H) till (2013 AC/1434 H).The second chapter contains the theoretical frame work which in its turn is composed of three researchable subsections : the first one deals with The Emergence and Development of the Calligraphic Paintings and what they went through during the developmental process till the birth of the concept of Alphabetical Calligraphic Paintings. The second subsection is dealing with the Artistic Characteristics and Beauty of these Calligraphies. The third section handles the varieties of designs in both the Free and geometrical aspects. Followed by reading of the theoretical indicators of the framework and previous studiesThe third chapter has the research methodology which has adopted a descriptive method. There were 79 calligraphic paintings and the researcher took 8 selected painting which is approx. 10% of the total number of the paintings. The selected paintings have undergone an analysis using an analysis form which has 4 pillars accredited by Specialists The fourth chapter presents the outcomes and conclusions which are : 1) Benefitting from the flexibility of the Arabic Calligraphy in finding calligraphic compositions.2) The artistic variability of the calligraphic painting in both ways : organizing or composition construction. 3) The flexibility in changing the measurement shapes and direction of the letters leads to inventing new distinctive letter compositions.4) The various shapes of one letter help the calligraphist in deciding the suitability of one formatting instead of another in the process of building the structural design of the compositions of calligraphy.5) The Arabic Calligraphic Compositions are considered as a kind of liberation from the domination of the (classical) traditional compositions.6) The characteristic of composing and overlapping the letters and words have lead to a designing connection which helped in forming the composition and the general outlook.7) The calligrapher has been able to make the letters flexible to satisfy their artistic taste by extending and lengthening the letters when composing in order to show the infinite beauty of the letter.The researcher comes to the following conclusions : 1) The calligraphic painting is the outcome of the development of the Arabic Calligraphic Art and this is due to the fact that the global art movement is in continuous developing and the calligraphers sought to make this kind of art global.2) The calligraphic paintings have the ability to produce compositions with different shapes and designs, particularly the free format designs : the constructional feature, multi - faceted and the variety of the letters.The researcher recommends the following : 1) Teaching the designing variety of Calligraphy in the college of Fine Arts and the equivalent educational institutes considering it as a new trend in the Arabic Calligraphy. Take the research study conclusions and outcome into consideration and get the most benefits of them and consider them as evolutional point when comparing between calligraphers in art events competitions, exhibitions and festivals.

التوليد الدلالي للمخرج المؤلف في عروض المسرح العراقي المعاصر : جواد الاسدي انموذجا Semantic Generative of The Director Playwright In The Contemporary Iraqi Theatrical Shows (With Special Reference To Jawad Al - Asadi)

اسم المؤلف: صميم حسب الله يحيى
اسم المشرف: صلاح مهدي القصب
الموضوع العام: الفنون الجميلة
السنة: 2012
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تنوعت التجارب الاخراجية في القرن العشرين عبر اشتغال المخرج المسرحي على ازاحة البنية السردية للنص المسرحي باتجاه ايجاد بدائل بصرية تعبر عن المضامين التي يطرحها المؤلف لكنها لا تتطابق معها، وكان من جراء ذلك ان تحولت وظيفة المخرج من الالتزام بالنص الى تحويل | direction experiment century took many aspects through the work of stage director who tried to displace the narratological structure of the dramatic text favour of finding image alternatives that could express the contents presented by the playwright though it might not go in line with it.consequently the directors function turned from committing himself to the text to that of transforming his ideas in the intellectual and aesthetic dimensions for more comprehensive than those presented by the language of the text which the theatre director had neglected in various theatrical shows including Or the hand , the significance of the theatrical text , including its own aesthetics , continued to be part of the show lu fact, a group of directors uncle took to write plays in harmony with their theatrical opinions and views.Thus they established a new director playwright. Brecht , Dario FO and Richard Forman are the most prominent in world theatre.The resear hers has explored the most important characteristics of each one of them and , then , shifted to large theatre where there have been several experiments on the director playwright there represented by : Qassim Mohammed ,Aqil Mahdi ,Sadi Younis and Jawad Al - Asadi.The researcher has taken Iraq stage director Jawad Al - Asadi an a model for him research which contains the following four chapters.Chapter One : The Methodological Framework : The problem of the Research Study of the phenomenon (director playwright) and the disclosure of privacy that characterized the play texts written by the director, and by analyzing the distance between the structure of discourse, founder and intellectual energy and structural transformations in the field any distance between the text and director's vision. - The significance of the research : this can refer essentially to the stage director. - The aim of the research : This is represented by getting to know the mechanism or the aspects of semantic transformations that lead to the semantic generation by studding the distance between the theatrical discourse (the text) and the image reading in the theatrical shows of Jawad al - Asadi the director playwright. - Limitation of the research : (2000 - 2010). - Definition of terminology : this includes definition of the most prominent terms that are mentored in the dissertation the semantic generative , director playwright, the transformation.Chapter two : The theoretical From work : the included three sections : 1. The playwright director in the history of drama.2. Transformation of the sign in the experiments of the director playwright worldwide.3. The experiments of director playwright in Iraq theatre.Chapter three : procedures : - The dissertation includes six theatrical shows from (2000 to2010). - Method of sample selections : The researcher will adopt relatively arbitrary method in his selection of sampler. - The method of the research : the researcher will adopt the historical method in following the development of theatre in all its sphere.He will adopt the descriptive method in studying and analyzing the current artistic date and analyzing the sample. - Search Tools : this include the results of the theatrical from work, the documents , including books, magazines , periodicals , videos , photographs , and Note and comments.The researcher will depend on all there an important instruments in following the theatrical shows. - Analysis of the researchers samples : 1. Layali (nights) of Ahmed bin Majid.2. A Baghdadi Bath.3. Woman at war.Chapter four : Results and Conclusions : ( Results , Conclusions, suggestions, recommend , ations , List of sources and references, Supplements, abstract in English ).

التوجهات التطبيقية للهندسة الحيوية وعلاقتها بتصميم هيئة المنتج الصناعي Orientations of Applied For Bio - Engineering And Their Relationship For A Body

اسم المؤلف: يوجل عبد الحسين فارس
اسم المشرف: نوال محسن علي
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تاتي اهمية هذا البحث من خلال دراسة بعض منتجات التصميم الصناعي من منظور الصحة البشرية برؤية حديثة للاشكال والهيئات التي تتخذها المنتجات الصناعية عموما والالكترونية بشكل خاص، ولهذا يعد البحث اول دراسة من نوعها على نطاق القطر وتفتح بابا واسعا امام المصمم | The importance of this research is come from through the study of some products of industrial design from the perspective of human health with a modern vision of the forms and the bodies taken by industrial products in general, and the electronic in a particularly , for this reason, this research is the first study of its kind on the diameter range , and it’s open the wide door in front of industrial designer to design their product on the basis of health controls , and it also encourages researchers for future studies so kind of studies that affect human health and the environment.As for the research problem has been determined in accordance with the question about the nature of the relationship of the link between the science of industrial design and science of BioGeometry.As the objectives of the research were directed at determining what Biological Engineering configuration (BioGeometry ) and application areas.The shed light on the mechanism of the relationship between the Engineering science association forming vital science (BioGeometry ) and the industrial design science in general, and the industrial product particular , in order to achieve success in dealing with the energies of vital human energy, to reach the objectives of the research were to be addressed to the three basic sections in the theoretical framework.The first section, which included them on the basics of Biological Engineering configuration and application areas and its relationship to other sciences , the second part address, the relationship bond between human and industrial product with BioGeometry perspective , In the third section dealt bio - engineering configuration (BioGeometry) and its relation to industrial product authority , and in the research procedures followed the descriptive approach in the analysis of samples , according to the analysis and form developed by the researcher based on the indicators that resulted in a theoretical framework, and The research community has included products for electronic devices for various international companies specialized electronic devices during the years (2008 - 2012), the research sample included (5) models of electronic devices , they are : (Mobile device , Laptop , i Pad , Audio files player mp3 , And electronic games player Mp5 and resulted in the process of analyzing the sample models among the results of the most important of which is : ــ The form taken by the industrial product profound impact on human health, according to their interaction with bio - energy. ــTo achieve a positive dynamic interaction between human and industrial product must be the dimensions of the product conforms to the golden ratio, and this was not fulfilled in analyst models. ــThere is a close relationship between two - dimensional shapes and three - dimensional in terms of dealing with the bio - energy and bio - quality impact on humans, as the shape with dimensions similar issues vital energy for the same three - dimensional shape, but by less.ــ Some species of jagged lines or abstract clear impact ability to accelerate healing some physical ailments in the vital organs in the human body, and activate the psychological or mental cases if employed in the industrial product. The most important conclusions reached by the researcher were : ــThere is a wide range of reconciling aware of the overall design and design BioGeometry gender. ــOf the main reasons that led to the deterioration of the overall health of mankind is its reliance on technical development at the expense of human health.ــThere is a wide range of reconciling aware of the overall design and design perspective BioGeometry starting, or through the addition of some amendments to improve some aspects of the products that have not heeded to aware BioGeometry.ــ There are constants design know the language of nature In the selection of colors, shapes , proportion and tunes..Etc. Equality of all members of the human race and Does not distinguish between religious , ethnic cultures, linguistic and cultural in preliminary step But can be employed and aligned with the designer as he deems the only target community as a secondary step attached And not as a principle basis prior to the first principle of design also establishes his general perspective.ــ Balance and proportionality have certain parameters in the overall design but the BioGeometry design have strict determinants Must be taken into account if the targets fit of some kind Or the balance in accordance with a specific target..After reaching to search results was to put some of the recommendations and proposals.

اشكالية التوازن الجمالي في العرض المسرحي العراقي The Problematic of Aesthetic Balance In Iraqi Theatrical Performance

اسم المؤلف: حيدر مجيد كاظم الوداي
اسم المشرف: حسين علي كاظم التكمه جي
الموضوع العام: الفنون الجميلة
السنة: 2009
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان للتكـويـن اهميـة كبـيرة فـي العـرض المسـرحـي، فـي بناء الصـورة البصـريـة بوصفها قيمة جمالـية وفكـريـة تبـث الشفرات الدلالـية، ثـم ياتي اثر المتلقـي فـي استقبال تـلك الشفـرات وفـك رمـوزها الـدلالـية، ويعـد الـتوازن مـن اهـم عناصر الـتكويـن، فضلا | The composition is very important in the theatrical show specially in the visual image construction as a aesthetic and mental value exposing the semiotic codes then it comes the viewer part in receiving those codes and resolve its symbols, the balance considered as one of the most important features of the composition such as symmetry, rhythm, extensive, harmony and construct. The un balanced image in the play cause inconvenience feeling, the balance used in the theater field involved within the evolution steps of the theater the both formal and informal balance had been used before the realism, later with the appearance of the realism contrast the theatre managers that all the types of balance are not enough to solve the balance problems due to the variety in the form of the visual image, due to that they started to use the balance used in the plastic art collecting the one which can be useful the theater art, so the esthetic balance became useful in solving the balance problems in the theatrical show. Due to that the researcher reached the conclusion that it now necessary to use some of the balance types in other fields and ad justified them in the theater show and its balance.In addition to the above and threw the researcher experience find out that there is a connection between the balance in the theater and the balance in the economic science in the formalizing the image, for the standards mentioned above the map of the research will be : Chapter one : includes the method used in the study(the problem, aims, and terms. Chapter two : represent a review of literature and a theoretical frame work and formal studies helped the researcher to conclude some points used as standards for the procedures. Chapter three : this chapter devoted to the procedures of the study which can lead the researcher to analyze the samples of the theatrical shows according to a special form of the consequences of the theoretical work in chapter two, the work of this chapter stands on analyzing three plays as a sample : 1 - the bedewen and the oriental. 2 - krewlanece. 3 - gelgamesh.4 - noterdam lamp. 5 - sedra Chapter four : this chapter devoted to mention the results of this study according to the procedures followed in chapter three, which can be summarized as follows : 1 - the esthetic composition condition had been fulfilled almost all the plays. 2 - there is a balanced unity between the masses ,forms, surface and the volumes. 3 - there is a contrast balance presents in all the plays. 4 - the image in the play is stabile. 5 - most of the plays are masterwork. 6 - most of the plays used one or two type of balance for the image structure. The conclusions : 1 - there were no clear stylistic personality for the Iraqi theatrical director to deal with the balance showed in the play. 2 - balance is a creative procedure and one of the methods that lead the play to high standard. 3 - all the theatrical balance types known are not enough to cover and solve all the balance problems in the show.

التنواعات التصميمية في التراكيب الخطية الايقونية The Designing Variations In The Compositions of Calligraphies Iconography

اسم المؤلف: حيدر جبار عبد
اسم المشرف: محمد سعدي لفتة
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الخط والزخرفة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تعد التراكيب الخطية الايقونية نوع متميز من التراكيب الخطية المتداولة ؛ يعبر عن التطور الحاصل في الخط العربي عموما والتراكيب الخطية خصوصا، ولعدم وجود دراسة سابقة بحثت هذا المنحى الفني (بحدود علم الباحث)، فقد تمت دراستها وصيغت مشكلة البحث بالتساؤل ا | The compositions written iconic distinct type; expresses the evaluation in the calligraphy in general and compositions written especially, the absence of a previous study that examined the technical - oriented (up science researcher), has been studied and formulated the research problem by asking the following : ( What are the structural foundations of the variations in the design of linear structures iconic ?) The objective of this research was to determine (by reaching structural foundations of design variations in compositions written iconography), has been identified by research.1 - (Compositions written in the iconic paintings calligraphers since the beginning of the eighth century AH to 1434 AH). The researcher came out of the theoretical frame work adopted by the indicators in the design of his research tool ; analysis of samples for the purpose of the adoption of a set of actions contained in Chapter III , namely : 1 - Collect researcher community's consideration and (200) plate; was classified into : Iconic structures in the form of plant and animal and human figures and architectural and industrial (Max) and a variety of bodies. Then extracted six samples by one sample from each category. The researcher came out a set of results, was the most prominent : 1 - The third line is the most obvious lines adopted by calligraphers in linear iconic building installation. 2 - The levels of installation rates were relatively close.3 - Has been the adoption of the rules and regulations in calligraphy. The majority of movements syntactic language used within the need. 4 - The most iconic compositions written coincided with indications of the contents of iconic texts directly. The researcher set out conclusions, including : 1 - Can be expressed as the content of the text through the iconic figure and approving letters and words and read it without having to read the text linguistically; without the need to adopt the colors. 2 - The third line is clear and one - third the average for the largest share in two iconic structures. The researcher came out a set of recommendations, including : 1 - Emphasized by the jury in exhibitions and competitions on the availability of safety requirements for spelling and reading sequence and the rules and regulations of Arabic calligraphy in the paintings of the iconic installation.2 - that is the introduction of competition in the production of plates written with iconic structures, in order to make way for creativity in the field of calligraphy.The researcher came out a set of proposals; including : 1 - A comparative study between the compositions written iconography Iraqi and other other countries.2 - A comparative study between a group of compositions written iconography of the period of time past and the other in the present time and the extent of development in the directorial vision.

التنوع العلامي في بنائية الملصق المعاصر Diversity of Signs In Constructivism Contemporary Poster

اسم المؤلف: ثامر حميد رزوقي
اسم المشرف: شيماء كامل داخل الوائلي
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The Sign represented a kind of visual language immemorially , which has been long drawn by the old man to express those Moot memory that he has stockpiled for the assets around him exceeded the net assets of around. So he began painted on the walls of caves and has added and deleted portions of the forms previously that its product mentally to give her a tangible dimension and could be the core that merged emotions and feelings, yet over Ages and keep up with environmental changes need to visual language has become an urgent need to document the humanitarian implications as a way to linguistic transfer and document the concepts of civilized several were the interim necessities which manages the changes of events of the most important reasons for this finding language that participated with one goal which is to express ,With the advent of the Industrial Revolution multiplicity of trade exchanges between the peoples and to understand the nature of the products and discrimination issuers of goods and what to use andunderstand the purpose of the acquisition, the mark grew as a means of tariff, and the passage of time and the widening amid the economic environment, which is the prime mover of all that happened and is happening from social and cultural variables, it was necessary for this language to grow and grow to include other areas of life and wide The means of communication that evolve gradually according to a major role in the spread of this visual language, which included formations in the form of countless natural assets and innovative forms of time And considered the intellectual propositions of different types and orientations that are competing in the shortcut receiving time and install the meanings to be delivered to the public reeducates, fast and effective and productive manner as a kind of language which is based in the mark approach contributes to the detection and patterns of expressive implications. And this language is in an existing design on which the communication act, and in the poster is a diversity in the use of these marks one of the main factors that contribute to the interpretation and the interpretation of the hidden connotations with it by holding a series of intellectual and objective factors, the main supporter of the requirement for ad idea. That diversity in the media contributes to design posters to highlight the good and meaningful ideas, as it is an attempt to overcome the prevailing function poster concepts without dropping the social trends of the individual recipient, as well as, this task can it achieve its goals by relying on technical expertise and awareness and to go beyond the limits of art forms and move it to the substantive terms of innovation, which can grow to the growth of the idea within the artistic process The diversity of the mark in the label would be listed from interpretive reading of no compromise biography tells the other features a capacity of its surroundings and the multiplicity of readings So the researcher found a possibility to raise the following questions, and scope to identify the problem of the current search : How can the diversity of marks be shown in the structure of a poster?. he current study is designed into three main chapters, the first includes the problem, aims and definitions of the study. As well as suggested designated models that can illustrate the meaning of the diversity of marks in designing a poster. The study is limited to study the diversity of marks in designing a modern poster as a subject, the posters of the exhibition ( world without violence ) as a special limit and the academic year of the study was (2014).The second chapter of the theoretical framework as it was divided into three sections, the first dealt with the diversity of marks and designing as a concept and approach through the study of diversity of technical and objective dimensions and diversity of an idea and the relationship between unity and diversity. The second topic touched upon the concept of the mark and its nutrients , divisions and their implications and the mechanism selected, composition and factors affected in functioning and exposing tosemantics of those marks and their symbolic dimensions, and the third section was dedicated to the study of structural poster and included the design structure and types and levels of properties achieved, and also structural poster and its objective aspects and its typographic and graphic elements, and the study indicators relating to the ethics of jurisdiction, including : There is no communication by signs without the presence of a poembehind the act of communication and without the presence of creativity or without the presence of synthesis of signs, as the good mark urge to communicate, being considered compromise a vector for the experiences and the culture of a community man - portable inside as cultural connotations..Conversions in the structure of the poster arise from the inside through the forms and spaces of color in them and interacting broadcast interpretive biography that will change the mental image formed by the individual and the creation of an area of broadcast interpreted formula sings advertising message..Marked poster is a way to pay public poignant and expressive and developer of consciousness and have the ability to create ranges of interpretation and enjoy through the implications of what it has of connotations and the ability to blow up new ideas moving towards the overall bias for creativity... And the third chapter include identifying research methodology or procedures to choose the descriptive approach, a chapter on the structural analysis of the signs of mechanisms, then the researcher analyzing search patterns and number (18) a model in the fourth quarter to reach a number of findings. Invoking the mark in the poster to my design a system that has the ability to represent the reality of inhumane retained by a designer to create a structural formula Tagged interact with him, as the structural mark value embodied in the label, according to the formal structurebased approach in the embodiment of intellectual given... Alternate levels, according to the structural analysis of the forms that have been functioned and design a system that is used by the designerand according to the nature of the reality of interim necessities and needed to be embodied, representation iconic or the indicative or symbolic.. The researcher concluded : that embodies some diversity methods the mark resulting from the diversity of formal and chromatography in the implicit and motor and mutual and closed space with the rule of one or more elements and their interaction with fixed and non - fixed elements, in placed and the idea of the poster as well as the selection and production of brand, controlled by environmental factors and community prevailing addition to the psychological factor and cultural heritage and trends interim ruling, as the researcher developed the foundations of design to achieve the second goal.. Then the researcher presented a set of recommendations including : pay attention to what result his brand interaction through the issue with the rest of the labelcomponents with interest in the subject basic idea, and attention element sovereign of the mark in the label because of its role in attracting attention and shorten the reception time, and take care side of the drama of the mark and its role in moving the feelings of the recipient, and focus on the objective aspects experienced by modern man of societal changes and political challenges and security and social in the framework of its environment and the embodiment of its implications technically a way that makes a poster of the importance of graphical directly pose the kind of language that translates it faces daily problems and challenges. The researcher has also drawn a set of proposals, including : .1. Studying the manifesting implementation and selection of the mark in the mark design methods. .2. Studying brand structure in the mark and its role in fomenting the recipient.3..Studying deliberative mark in the poster..Then inflicted Find a list of sources and supplements related to the study.. English abstract..

التنوع التصميمي لزخارف مشبكات الاضرحة الاسلامية المقدسة في العراق Design Variety of Ornament of Sacred Islamic Shrines Lattices In Iraq

اسم المؤلف: ظافر عباس جسام العيساوي
اسم المشرف: عبد المنعم خيري حسين العاني
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الخط والزخرفة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تمثلت مشكلة البحث بالنقاط الاتية : 1. تعدد الاشكال" العناصر الزخرفية النباتية والهندسية والتكوينات الكتابية" في تصاميم مشبكات الاضرحة مما اثر في وحدة الشكل ووحدة التصميم الزخرفي. 2. ان تعدد الخامات والتقنيات المعدنية المستخدمة في تزيين المشبك اثر عل | Problem of the research is represented in the following points : - 1. Multi forms " engineering and vegetal ornament elements and written formations in the designs of shrines lattices which affected form unity and ornament design unity "2. Multiplicity of raw materials and metal techniques used in adornment of the interlace , affected the design meaning which leads to losing the functional side of the interlace of the shrines.Accordingly , the researcher formed the problem of the research according to the following question : - (Design Variety of Ornament of Sacred Islamic Shrines Lattices in Iraq ?) The importance of the research is embodied by warning the designer to adhere to the unity of the subject in ornamented design specially for the shrines due to their spiritual and doctrine sanctity , and commitment with elements signs and the technologies of the material used by accurate expression of both sides functional and aesthetical due to the sanctity of these places and the reason of using. The objective of the research is to response the above question mentioned in the problem of the research. The research deals with design variety of ornament of sacred Islamic shrines lattices in all its kinds ( vegetal , engineering and calligraphy ) in Iraq ( Holy Najaf , Holy Karbala and Baghdad ) for the period from ( 1928 A.D - 2013 )( 1347 A.H - 1435 ). The second chapter is dealing with the following subjects : historical background about the beginning of holy Islamic shrines and lattices , meaning dimensions in the variety sacred Islamic shrines lattices , besides the variety in areal division of the ornament of sacred shrines lattices , variety of ornament of sacred Islamic shrines lattices in all its kinds ( vegetal , engineering and calligraphy ) , ornamented design elements and the basics of ornamented design , and finally adopted raw materials in executing sacred Islamic shrines lattices , besides technical methods in execution used in sacred Islamic shrines lattices. Then followed by theoretical framework and previous studies. The researcher adopted descriptive method ( analyzing the content ) in order to reach and achieve the objective of the research. The samples have been chosen intentionally , so the researcher chose ( 5 ) lattices of the shrines out of ( 20 ) lattices. Analyze form has been made for the selected samples according to the indications of theoretical framework , then presented to the experts to check its validity. According to the analyze form, the selected samples have been analyzed and showed the following results : - 1. The designer adopted one system for ornamented design process in sacred Islamic shrines lattices , in which the ornamented design were similar in general design by adopting unified design system ( bi - similarity ) across halved vertical pivot of ornamented formations 2 - The mobilized decorations have appeared in net of a scared Islamic shrines in Iraq of three types(plantation - calligraphic, engineering ) where they could be assorted as follows : A - Single work of one decoration type ( Flower) and (liner) and ( engineering ).B - Double work of two decoration( of cup and vase shape) and reality and calligraphic and(vassal , calligraphic, shape).3 - Several materials have embodied in designs ( decoration, lattice of sacred Islamic shrines, depending three material (gold, silver, and enamel ).4 - It was depended on the type of material(gold, silver and enamel) essentially via using various methods in accomplishment of decorations and writings, such as prominent cold hammering , crafting and perforation, besides using another colors for the mobilized decoration on Enamel materials. Based on results, the researcher has reached to a number of conclusions represented by the following : - 1 - The Islamic lattice of sacred shrines of engineering shapes( rectangular solid), that make for the designer, availability to implement one front and to repeat it on the other fronts, besides, depending, diversity of area division for the single lattice to get of the red tape of recurrence.2 - Depending the decoration diversity( vegetable, engineering, calligraphic) in Sacred Islamic lattice of shrine to realize the appearance opulence and to highlighted the estheticism, which contributed in self relation of the visitor via effectiveness added by these decoration to human spirit, and adding the spirit of humility and sublimation.3 - Not to mobilize the detective decoration( human and animal) in Islamic sacred lattice of shrine, and this related to the researcher's belief of credit motives, and hatred of picturing the creatures especially in the sacred places. According to what the researcher has reached of results , conclusions, and to complete the utility and knowledge, thus he deems specifying a group of recommendations , most important of them are : 1 - Make use of the current research results to sustain the academic curricula for the given departments. Amongst , the Arabic calligraphy and Islamic decoration in institutes and colleges of fine arts.2 - Emphasizing on the scientific and academic aspect in the process of selecting decoration especially in the Sacred Islamic lattice of shrines to realize the unison of the subject.And to meet the requirement of the research, and to realize the scientific utility, the researcher has suggested collection of suggestion useful for the successive studies, amongst : Studying the design manipulation for the lattice of sacred Islamic of shrines in another Islamic countries.

التمثلات البنائية والفكرية للمكان في مشاهد الاستهلال في الفيلم الروائي Representations Structural And Intellectual Place In The Scenes Initialization In The Feature Film

اسم المؤلف: محمد عبد الحميد ضيدان
اسم المشرف: علي حسين صفوك الركابي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يتلخص موضوع البحث ( التمثلات البنائية والفكرية للمكان في مشاهد الاستهلال في الفيلم الروائي) كونه يبحث الجانب البنائي للمكان, اي مجموع العناصر التي تتفاعل معا في تحقيق تلك البنائية وما يترتب عن ذلك من وظائف تحقق تلك البنائية المكانية وخصوصا في مشاهد الاسته | Boils research topic ( representations structural and intellectual place in the scenes initialization in the feature film ) being looking side constructivist place, any sum of elements that interact together in achieving those Constructivism and the consequent functions check those structural spatial and especially in the scenes of initiation which usually reveal the nature of the events and the dimensions of the characters and their actions , and the atmosphere psychological, social , cultural and otherwise, for the link to place a lot of dimensions that can be drawn or expected , so I saw a structural place over the course of art film a lot of transformations which Erafqgaha necessarily a change in the functions performed. In terms of representations intellectual place , the directors usually hire the place in order to bring out their ideas , either directly provides an understanding of the receiver to the idea of the film from the beginning, or indirectly by encoding the place and thus may postpone the director in the detection of the idea of the film to movie scenes Other may sometimes up to the end , and it will be a key component in place to receive information either visible or invisible and a substitute for the usual methods such as dialogue or commentary , or other methods of narrative.The research is divided into five chapters : Chapter One : to ensure a systematic framework for research and included a research problem , which was the following question : What representations structural and intellectual place in the start - up scenes in the feature film ?And also included a theoretical framework to search a target detection modalities that their place is structurally and intellectually in the start - up scenes in the feature film. The search also included the importance of and the need for him , as well as to clarify and define the limits of search terms.The second chapter included a theoretical framework and previous studies theoretical framework has been divided into three sections : The first topic : the concept of the place and divided into three main axesDiscourses place linguistically and philosophical concept of the place and the concept of the place of artThe second section was talking about the structural location and the types of films that Abanna?aat what are the cinematic elements that participate in these structural and how they operate.The third topic : it was the place to talk about the film structure and significance , particularly in the start - up scenes , and touched on the concept of search start - up in literature and cinema and what is the structure of the privacy of the place in the opening scenes , and how they hired Bna?aat place in those scenes.He then discussed the intellectual side of the place in the opening scenes and how they were dealt with by the directors of place in the presentation of their implications intellectual ways and means Ctoziv many cinematic elements and other methods such as the use rhetorical symbol and metaphor. After the completion of the theoretical framework presented earlier studies that dealt with the subject of research from afar or from nearby , concluded the researcher to a number of indicators that felt researcher to be a tool for analysis after the presentation to the experts and ratification by them , so the researcher analyzed the three films has arrived at a set of results was the most important : 1 - saw the place in the structure of scenes initialization shifts and many changes as a result of the active role of this structure and of its own functions on the level of dramatic and aesthetic and intellectual.As of the most important conclusions was : 1 - maker cares about the structure of the work place in the side as a start - up scenes of the most influential and enjoyed plenty of the recipient in terms of reaction and anticipation fascinate and expand the horizon of expectations.Then your search is over some of the recommendations and proposals.Find then concluded with a list of the most important references and sources that hired the researcher and a summary in English

التمثل الدلالي للسريالية في الفيلم الروائي Semantic Assimilation of The Surreal In The Feature Film

اسم المؤلف: اثير عبد الرزاق بدن الساعدي
اسم المشرف: ماهر مجيد ابراهيم
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يركز صانع العمل في خطابه على انتاج المعنى، عبر توظيف الوسائل التي تولد المعاني الظاهرة والضامرة، وترتبط عملية انتاج المعنى بالمرجعيات التنظيرية التي ترتبط بذات الموضوع، فللموضوعة الواقعية خصوصتها في التعامل مع المعنى، وهذا ما ينطبق على باقي المرجعيات التن | Focuses maker working in his speech on the production of meaning, through the employment of means which generates meanings phenomenon and vestigial, and linked to the process of production of meaning reference laparoscopic, which are associated with the same subject, subject realism particularity in dealing with meaning, and this is what applies to the rest of the references laparoscopic, such as formal theory or Cinema dogma, and other references that assume a particular form of dealing with the raw material and the elements of the language of the mediator, and Surrealism one of these references, which are characterized by particularity in dealing with the meaning and production of special means, represent this means the basic features of the surreal, which crystallized images cinematic configurations working to represent the significance of Surrealism in the film, hence the title of his research researcher identified the following : (semantic assimilation of surreal in the feature film), and the researcher dividing the search on four chapters, were as follows : Chapter I (methodological framework), which included the research problem, and summarized by asking the following : What are how they are semantic assimilation of surreal in the feature film? Then the importance of research and the need for him, as well as the objectives of the research and its borders, and identify the most important chapter seal the terms contained in the title search. Chapter II (theoretical framework) and came on the three sections, are as follows : The first topic : the concept and references Surrealism : researcher where the concept of Surrealism, and techniques adopted, as well as the attributes of the surreal. The second topic : embodiment and abstraction of the cinematic image : in this topic was discussed modes of assimilation in the picture Surrealist film, once deprivation through symbol and metaphor and again personification by employing elements mediator Film Festival. The third topic : the significance and layers of meaning : in this section have been addressed to the term significance, and the beginning of this science, and the mechanism for making semantics and Production of meaning, as well as layers of meaning direct and implied indirect, through which assimilation Surrealist inside feature film. In light of this, the researcher to a set of indicators that represent the summary of the theoretical framework. Chapter and seal with previous studies.Chapter III (action research) : has included research methodology, tool research and analysis unit and the research community and the sincerity of the tool and steps of analysis and research sample that has been selected Deterministic are as follows : First : the movie (Black Swan) output (Inception) Second : the movie (Inception - Inception) Directed (Christopher Nolan) Then, the researcher analyzed the sample from the theoretical framework of indicators after taking the opinion of the Committee of Experts and arbitrators. Chapter IV (findings and conclusions) : it ensures results that came out of the researcher after analyzing the sample, and the most important results 1. activation rhetorical elements of the language of the mediator film for the production of meaning in ways different from what is familiar, becomes a meaning associated consciously receiver, and the capabilities of psychoanalysis to uncover the nature of relations constructivism in movie scenes, as demonstrated in the research sample (film Black Swan, and film Inception) 2. shape the narrative in the film Surrealist manner vehicle, it is beyond the formats of traditional narrative, clinging to such modalities narrative hybrids that overlap the middle of texts, and becomes a sequence of Psychological is dominant in the presentation of the events, as demonstrated in the research sample (film Black Swan, and film Inception) The researcher then went out to a number of conclusions, and recommendations and proposals. Find and seal a list of sources and supplements and a summary in English.

التكامل الدلالي بين المؤثرات السمعية والبصرية في مسرح الطفل Semantic Integration Between Visual And Audio Effects In Children'S Theater

اسم المؤلف: ناجد جباري علي الربيعي
اسم المشرف: مصطفى تركي السالم
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: الفنون المسرحية - تقنيات
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Depends Children's Theatre on the influences that make up language play tag through two systems audio and video to contribute in pulling attention of the child for display through the delivery of items that mimic Madrkath mental which they can check means educational, social and cultural rights of children, and as they play effects of a prominent role in the theatrical presentation directed the child being element interesting that enriches thinking and imagination and breed has fun in the follow - up offer, this sought researcher to monitor these effects as signs refer to references leave becoming a Wares on stage, to refer to the factors imagined settle apprehensive in the mind of the recipient, and it becomes theatrical work network governed display system that achieves integrated lines between what is and what is audiovisual. This eating in his first season (methodological framework), which included the research problem and the need for and importance of the research objectives and the limits of search, and definition of the terms and procedurally defined. While eating in his class II (theoretical framework), which included three sections, taking first, the system audio and video in the Children's Theatre, which revolves around two axes, the first for the system audio, either second axis has search in the system optics, the researcher on the division (Tadeusz Kavzan ) in tracking display elements across two axes first represents what the representative and the second represents what is outside Representative, The second section handled construction rhythmic and importance semantic and aesthetic offers children's theater and revolves around two axes also the first study building rhythmic and importance semantic and aesthetic in the system audio, either second axis has He studied construction rhythmic and importance semantic and aesthetic in the system visual, and devoted the third section to address shifts elements of audio - visual in children's theater and revolves around two axes first represents elements of audio, either second axis is a visual elements, also addressed the topic most prominent indicators resulting from the theoretical framework. And devoted researcher Chapter III of the research procedures, methodology, tools and analysis specimens seven : the play (Flying Fox), and play (access), and play (world vitamins), and play (wolf fake), and play (story pearlmissing), and play (sky color), The play (advanced Jackal), and these models is, of distinguished theatrical works within the limits of the search, and seal chapter, presented a summary of the results reached by the researcher through the analysis of samples. While included chapter IV to discuss the results of the search, according to what created by the theoretical framework of indicators, to devise such conclusions that represent answers complementary research objectives, and in the light of these findings, coined researcher recommendations reinforcing through investment results and conclusions of the research, and achieves a range of influence in the middle and arena, and finally the researcher what he deems appropriate proposals completed this study, and give the subject the attention it deserves, then your search is over a list of sources and references used by the researcher, and attached some documents relating to research, and a summary of the research. Finally, I hope that I have managed in Msai, and God of the intent behind...

التفكيكية وانعكاساتها الوظيفية والجمالية في تصميم الفضاءات الداخلية Deconstruction And Its Repercussions Functional And Aesthetic In The Design of Interior Spaces

اسم المؤلف: رياض حامد العجيلي
اسم المشرف: شيماء عبد الجبار حميد العبيدي
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: التصميم الداخلي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: في خضم المتغيرات العلاقاتية للشكل والنتاجات التصميمية, تبرز ضرورة البحث عن الفكر التصميمي الذي ترك بصمات ذات قيمة جمالية دعت الى اعادة وتعديل الرؤية الى النتاج التصميمي على مستوى العمارة والتصميم الداخلي بما تم تسميته بالتفكيكية, | In the midst of variables relational of shape and Actual design, there is need to search for Thought design that leave fingerprints with aesthetic value called to restore and modify the vision into production design at the level of architecture and interior design of what has been termed Deconstruction, which adopted the standards and requirements for pro forma unusual mental contributed thus in achieving formal configurations refer figure to design formulations and exotic representations on the level of relations and then Association emphasis on the case of creative Acceptance and Satisfaction by the receiver. Therefore, select the question the researcher from which embody the problem of current research, as follows : "What is the possibility of activating variations and transformations of configurations and shapes that deconstruction Adopted in the design of spaces Interior? What are the variables of formal and relational approved and participating in the design clastic and who can be conducive to the values of aesthetic and have a functional indicators? ". Therefore objective of this research was to determine methods of design orientation to deconstruction and his variations formal and transformations in the design of interior spaces in the light of changing intellectual and technical development of contemporary, including doing the functional aspect and beauty. In order to reach the goal Search are four chapters address the first of which the research problem and its significance and purpose, as well as its borders and determine the terms contained. The second chapter included previous studies and the theoretical framework which represents four Detectives, taking the first of which Deconstruction strategy and concept of philosophical and intellectual properties. Then came the second part, the functional efficiency of the deconstructive method in the field of design. While Included the third section deconstructive manner and effectiveness of the aesthetic via changing formal and relational. The fourth section was singled out in dismantling an application strategy in the art of contemporary interior design, and then access to the indicators. This included the third chapter research methodology and procedures, as adopted descriptive analytical method to describe models of research and analysis, also included chapter research community and appointed by intentionality and tools, notably the form axes analysis, as the researcher design form analysis set included axes to cover the mechanisms analysis of the models chosen. And finally came the fourth chapter as it ensures the findings of research through a process of analysis and discussion, then exit conclusions with the group to make recommendations and several proposals. One of the main conclusions of the research are : 1. Deconstruction strategy was adopted on the formality values and a completely different standard dimensions of what has been the traditional formal systems earlier, as a kind of change on the level of formal discourse.2. Characterized design ideas thought design for Deconstruction strategy to adopt the principle mechanisms re - design as a feature and a key pillar within its own principles. 3. Confirmed the pioneers of deconstruction via his Products design on a graphical properties created for itself an active asset at the application level as (strangeness, mystery, excitement, smashing,..). 4. Coupled with most contemporary technologies deconstructive design, because of the nature of the approved premises in this strategy.

التعالقات الوجودية مع نحت الحداثة : دراسة في التحول الاسلوبي The Existentialist Relatedness With Modernism Sculpture (A Study In Style Conversion

اسم المؤلف: عبد الله فوزي خورشيد
اسم المشرف: مامون سلمان فارس
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: النحت
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: انبثقت الوجودية من الواقع الانساني وحياته الماساوية التي يعيشها بعد حروب وصراعات وفوضى ودمار وخراب في المجتمعات الغربية ولاسيما اوروبا , حيث اصبح الانسان يعيش حالات من قلق وخوف ورعب بسبب الازمات التي مرت بها تلك المجتمعات , فضلا عما يجتاح الانسان من ا | The existentialism has been ensued from the human reality and deteriorated miserable life definitely after wars , struggles , chaos , destruction and sabotages in the western societies especially Europe. The human under such down - to - earth circumstances lives in worry, fear and awe owing to crises these societies passed through; besides, the human beings have been swept by self - narrowness and life - disdain that would be ended with inevitable death. The existentialism has interacted with these conditions and situations as to fulfill freedom of a human; the existentialism became prevailing over in the societies ,definitely in Europe and western world and even in Arab Home Land where we find it very effective and interactive in its arts ,literatures and its philosophers including (Abdul Rahman Badawi) who declares his existentialism , while he was proud of that. The existentialist thought embodied in disdaining the existentialism completely and nothingness of human, besides ,worry embedded deeply into the selfness begets fears and absolute freedoms for human - self as well. Owing to what have been mentioned above , it has been appeared triviality and rejection all laws and holies that rule the human and confirming segregation ensued from Alienation and self - separation where human lives. Thus the research sets off as to search for the necessity of digging deeply into effects implanted by existentialism unto plastic modernized architected productions. The present paper includes four chapters , the chapter one includes general frame of research and that includes problem of research to know causes and motifs that being relied on the existentialist thought and after that , accomplishing existentialist sculptured works concerning with the disdain of existentialism , nothingness and worry in addition to the freedom selection, alienation and segregation in a modernized period. Then it comes the importance and goal of research owing to rarity of studies and scientific researches about existentialism into sculpturing modernism and trying unfold intellectual concerns along with its method conversion effecting hugely on the modernized artistic movement ,especially the sculpture. The chapter one ends with specifying some terms concerning with the title of the thesis. The chapter two incudes theoretic framework for the research , it includes four parts , the 1st part comes under the title (( Phenomenology thought) AND ITS ( Existentialist Thought) , it means searching for references of existentialist thought inn the ancient philosophy, then going to conception of outward appearance since its first establishment for knowing bases of this controversial term. After that uncovering the existentialist thought concern and its methodology quoted from outward appearance. The 2nd part includes the existentialist thought ( institutions )by knowing the prominent philosophers who have been considered as founders for this thought. Then moving to the bases as to achieve its goals and such bases are ( nothingness , worry, freedom ,selection and alienation). The 3rd part includes intellectual and technical reflection of existentialism into forming modernism; this part deals with the modernized movement passing through plastic works expressing about the existentialist thought via bases the existentialism depends upon. The chapter two ends with the four parts including ( style conversion into forming the modernism concerned with existentialism). This part deals with the method and artistic conversions occurred within the artists of modernized period by analyzing most prominent works concerning with the existentialism. The chapter third represents procedures of research including analyzing descriptive method and research sample consisting of 20 modernized sculptured works arranged chronically , then tools of analysis the researcher has depended on are as follows : 1. When the modernized sculptured text expresses about the human's internal life starting from his body to small parts ;the text is consistent to the existentialist thought. 2. When nothingness and sensing the inevitable end ( death) in any text ,that means this text is existentialist thought.3. Alienation and segregation calls depended on by the text means merely transparent calls of existentialism declaring alienation.Then ,the research has got data and accurate and correct information from books , magazines and artistic works. The research has moved to analyze the samples by describing them superficially and analyzing them existentially based on results of existentialist thought in sculptured text selected by the researcher accurately. The chapter four includes results of the research and they are very expressive about the goals of the research : 1. Existentialist intertextuakity centered the modernized sculpture represented into the human body in respect to its individuality generally and its deteriorated existentialism specifically. 2. The creative results of existentialist have been described as to be liberated from( what is holy and subject to law); the creative existentialist text is considered a liberated text depending on the always - rejection method and being liberated from all shackles.3. Cry gestures into face ensued from human selfness are no more than a vision declaring existentialism between the sculpture and thought. Then, the research moves to a set of conclusions : 1. The existentialism is a human philosophy since it is basically depended on individuality of human along with his sense of his pains and self - deterioration. Thus it is focused on selfness of human as an individual to perform and form a meaning for his life. 2. The existentialism with modernism sculpture together with its existentialist analyses has been considered as an important factor into works of modernized periods via aspects represented in existentialist bases. By end , the researcher has submitted a set of recommendations and suggestions ; he has presented supplement including a set of artists together with their artistic biography as getting scientific and academic benefit for the students and researchers in future, then a list of references and abstract in English.

توظيف الدراما في الاعمال التعليمية التلفزيونية Employing The Drama In Educational TV Works

اسم المؤلف: عدنان كاظم منسف علي
اسم المشرف: عصام عيسى علوان السامرائي
الموضوع العام: الفنون الجميلة
السنة: 2010
الموضوع الدقيق: الفنون السمعية والمرئية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: على مدى تاريخ الحياة الانسانية بقيت الحاجة ماسة للتطورات التقنية التي تزامن المسيرة التعليمية بمختلف تدرجاتها ومستوياتها بسبب العلاقة الجدلية التي ربطت ما بين التعليم كحاجة انسانية واجتماعية وما بين التطور التقني كوسيلة تساعد في تذليل الصعاب وتيسير استخدا | Over a range of human life history, the need remained urgent to technical developments that concur the educational course with its different gradations and levels due to the controversial relation associated between education as a human and social need and the technical development as a means helps in surmounting the difficulties and facilitating the use of cognition to serve and promote the society; therefore, this study tried to take the suitable ways to achieve the maximum possible advantage of education effectiveness through employing the available means to increase the productivity of education like using the drama and employing it within the educational TV works in order to help in adding a kind of suspense and excitement on those TV works and increasing their attraction in the target audience. Hence, the researcher divided his research entitled (Employing the Drama in Educational TV Works) into four chapters. The first chapter came under the title (The Methodological Frame) including the research problem summarized in the following question (What is the role of drama in the educational works and how is it employed in those works? And what are the artistic treatments of drama in the educational works?). The researcher referred to a group of aims he intended in his current research process which were as the following : 1 - Identifying the forms of employing the drama in educational TV works. 2 - Revealing the drama treatments in educational TV works. As to the research limitations, they are confined to the study of drama works of Iraqi, Arabic and international educational programs and movies for the period 2005 - 2010. The second chapter was entitled (The Theoretical Frame and Previous Studies) including three sections under the following titles : Sections one/ The Drama and Education Technology under the contemporary TechniquesSection two/ The Forms of Drama Employment in Educational TV Works Section thee/ Artistic Treatments of Drama in educational TV works This chapter also included a number of previous studies approximate this study. The researcher also got out with a number of indicators as a theoretical summary of what the theoretical frame revealed. The third chapter addressed the procedures done by the researcher consisting of the method used, research population, research sample and its selection justifications as well as the research instrument and the analysis unit besides the analysis of the selected TV samples (Prophets' stories - Dora - the Ice Age - Fridge - Tilley Tapez). The fourth chapter contained the final results, the most prominent of which were : 1 - It was shown that some educational TV works accept the work of drama in them and employing it within their internal structure with variant ratios according to the form of artistic treatment of drama elements and the nature of directing vision of the work maker. 2 - The dolls used in educational TV drama works had a great capability of explaining and conveying the scientific material to the target audience through the fantasy form of dolls presented through the reality of drama characters. 3 - The researcher observed the distinct employment of picture scientific imagination in cartoon films taken from realistic scientific facts within the structure of educational TV works executed by cartoon films with methods facilitated the process of addressing the scientific topic and embodying it in an artistic, interesting, exciting and attractive form to the receiver.4 - It was shown through the analysis that the TV works executed by the three dimensional (3D) technique were the most working and effective types as embodying the drama characters and places in a semi - realistic way. The research also arrived at a group of conclusions, recommendations and suggestions as well as a list of references and sources the researcher relied on in his research besides some appendices and the research English abstract.

التراكب الصوري ودلالاته الايقونية في تصاميم الاقمشة النسائية Image Overlapping And Its Iconic Connotation In Designing Women'S Fabrics

اسم المؤلف: الهام طاهر حسين معله السعيدي
اسم المشرف: هند محمد سحاب العاني
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تصنف الصور الى فئات زمنية تاريخيه مثل الصور القديمة المرسومة والصور الحديثة وهذا التصنيف ليس مجرد نظام للتصنيف الزمني وانما هو تصنيف لصور واضحة ومتميزة من نمط التصوير والاسلوب , وعليه فان هذه الصور التي تغرينا بسحرها ماوصلت الينا الا نتيجة مراحل طويلة من | Images are sorted into historical time categories such as the ancient and the modern image, and this classification is not just a system of time classification ,but it is classified for clear and distinguished image of picturing and style pattern, thus these images that are tempting us of their charm which do not reach us, but as a result of long stages of thinking , production and transformation, the human proceeding considered a textile of diversified developments in their expressions and connotation, and the man proceeding was coincide with continues growth of the image opulence, and the optical heritage along the human history, and the process of seeing theses images and re - presenting this vision being represented as a process via which something replaced another thing or denoted to it as alternative, it was accompanying the man since ancient times with the development of time, the beginning of the digital image with the initial drawings covered the cave walls, then the drawings included in compiles and manuscripts and with the invention of lenses and discovering the picturing opinion embodied at last in the forms of image or what is called at that time the photography, and with the advancement of time, the overlapping of image has become one of the advanced arts via involving the image in the printing world and has become indispensible element and with the appearance of the digital processing, subsequently, the image has started in the printing world and has become element in which the image has transformed into creative work working in the scope of digital processing, subsequently the image has proceeded another trend, working via iconic connotation working in the field of fabrics amongst the women's fabrics, and it is the basic via which the research is moving which is determined with the following question : Does the photographic overlapping and its iconic connotation has effective role in designing the women's fabrics that realized its esthetic and functional dimensions ?The research has contributed via its importance as follow : - 1. It could contribute in detecting the photographic overlapping and its iconic connotation in designing the women's fabrics.2. It could contributed in developing the design performance for the fabrics designers especially in aspects of preparing the idea and generating design subjects raised the Iraqi design level both in form and content.3. It could shedding light on realizing the scientific and artistic utility for the learners and those interested in the design and technical field in the technical and technological colleges and institutes in the specialization ( fabrics design). The research is seeking for realizing the following objectives : 1. Detecting the photo graphic overlapping and its iconic connotation in designing the women's fabrics.2. Set design suggestions in which the photographic overlapping mechanism is mobilized in designing the women's fabrics.The dimensions of the research represented in" designing the women's fabrics which bear design of photographic overlapping of its iconic connotation of( Turkish and Chinese) origin available in the local markets for Baghdad city within the period from 2013 - 2014" The second chapter includes theoretical frame consisted of three categories, the first one displayed the imagegraphic iconic of the image and its role in designing the women's fabrics, and the third category discussed the artistic , appearance ,executive technology and the digital processing in designing the women's fabrics, and then extracting the most important indicators from which the theoretical frame produced followed by the previous studies and discussing them. The procedures of the research was specified within the third chapter via adopting the descriptive approach to analysis the sample models amounted(95) design models, from which excluded(47) design model, being similar and repeated in showing the design content and the color variables which do not realize consistence with the Iraqi society environment, and the remaining was(48) represented the sample of the original research, upon this the selection of the model deliberately of percentage(25%) where the number of the model(12) design models distributed due to the country of origin and the technical appearance. And the instruments of the research have arranged, represented by a form of pivots analysis, depending on the indications of theoretical frame, thus they are arranged by the researcher with the aid of the supervisor, and approved by a number of experts upon which the analyzing of the sample model was done, then obtaining its stability and also analyzing the sample models of the research in the chapter according to the pivot of the form, as for the forth chapter which included the results, and the conclusions the researcher has realized , and most distinguished of them are : 1. The iconic connotations which are considered of the design necessities that are indispensible in designing the women's fabrics being of expressive and esthetic energy and its relation could be controlled to reach more effective results.2. The iconic connotation in the image and its relation with each other especially the color and the space relation with the form ,frame and framing relation, concise, concentration and the perspective.And the chapter it self included the recommendations and suggestions, besides the Arabic and foreign sources, appendixes, abstract, the front page in English language.

التباين الاسلوبي في الكرافيك العربي المعاصر

اسم المؤلف: حنان رضا حمودي كاظم الجبوري
اسم المشرف: مجيد حميد حسون
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: الرسم
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

البناء الشكلي ومتطلبات الاداء الوظيفي في تصميم عبوات المنتجات الصناعية

اسم المؤلف: زياد حاتم حربي العامري
اسم المشرف: فوزي ابراهيم المشهداني
الموضوع العام: الفنون الجميلة
السنة: 2012
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تعد عمليات تعبئة وتغليف المنتجات بصورة عامة والمنتجات الصناعية بصورة خاصة من العمليات بالغة الاهمية اذا صح التعبير ذلك كون العبوة هي المسئولة عن ايصال تلك المنتجات الى المنافذ البيع ومن ثم الى المستهلكين. فلكل عبوة تصميم يجب ان يلاءم المنتج من حيث البناء | The packing of the products in general and industrial products in particular is one of the complicated operations, because package is responsible for delivering of those products to sale outlets and then to consumers.Each designed package must fit the product in building of the general shape and its task Pressure as well as the Packet has the ability to show aesthetics of the Product, so the Package has limited base that can be distinguished. These Products will be Paid attention by the consumers. Therefore the researcher focuses his idea on (The formal building for functional requirements in the design of packaging industrial products). This research explains clearly the fact that Packing is regarded as a reflexive mirror of the Producer who tries to give a good visual image.It is also a means of communication between producer and consumer it has an effective role in vogue of products. It is as silent salesman. Being a motive acceleration towards high quality products factories and productive developments in order to reach the objectives of the research.In determining the design of the packet industrial products.Depending on temporal boundaries in duration (2006 - 2010) and form the Products of the electrical industries company in Baghdad exclusively.The research also included a set of terms related to the subject of the research. Some of them are important and suitable to the research.The second chapter contains the theoretical framework and previous studies according to the following division.The first section included formal construction and functional performance.It means building the figure in industrial product and the elements of the designed foundation in building shapes and the relationship between the outer shape of the packed and the inner.The second research included packing in industrial products which includes (industry of packing and its relationship to the environment).The third research included designing of the packages which includes the packet itself as a communication material and factors of ideal designing of packets and its elements. The conclusion of the framework refers to some references that the researcher has a do pled in designing of analysis form to search wit hen its products in chatter including research community, which represents products of the electrical industries in Al - Waziriya, My sample of the research aims to choose five models out of twelve models and 40% of the research community.The researcher depended on books and other resource, specialized his method on descriptive analysis in a researcher sample. He concluded a number of results (some of them did not achieve to the inner shape in all samples that leads to weakness of the formal performance and never achieve the required engineering function in protecting the packet products, and using the raw material did not achieve the required protection), up to the conclusions, including (the formal building of industrial products has clear effect in building varieties of packets according to the size of the packet plus fro duct to build Varity of forms which has the capacity to perform the function well excites the consumers reaction), then recommendations and proposals, and sources and finally the summary of in English

البناء الحركي وانتاج المعنى الدلالي في المشهد التلفزيوني The Buildup of Motion And Production of Semantics Meaning In The Television Scene

اسم المؤلف: كمال شناوي ذياب
اسم المشرف: دريد شريف محمود
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: سعى الباحث في هذه الدراسة الى ابراز دور الحركة كمفهوم شمولي في مستويات متعددة امتلكها الفلم كمنتج فني سواء على مستوى السينما او التلفزيون بشكل عام، كما سعى الباحث الى تجذير العلاقة ما بين الحركة ذاتها بكل مستوياتها ومراحلها وتاثيراتها في انتاج المعنى الد | Researcher sought in this study to highlight the role of the motion as a comprehensive concept in several levels the film has as an artistic product, both at the level of the cinema or television in general. The researcher sought to consolidate the relationship between motions itself at all levels and stages and their effects in the production of the semantic meaning. The study tried to follow the appropriate way to achieve the maximum benefit through reading all views in line with the research objectives, the research was divided entitled (buildup of motion and production of semantics meaning in the television scene) into four chapters in which he first entitled (The methodological framework ) which includes the problem research, its limits and its goals, while the problem of the research can be summarized asking following ((what are the aspects of motion affecting the production semantic meaning in unified artistic buildup?)). Yet, the importance of the research being dealing with basic subject in the structure of a scene, which is motion and their meanings in production as well as the possibility of becoming a useful study for those interested in field of TV drama. Meanwhile, the limits of the research focus on studying television drama. The research objectives have been limited to (detecting the modes in which motion operates within its various forms on production of semantics of meaning in the television scene). The chapter also included on a definition of the term motion, while chapter two (the theoretical framework and previous studies) which has included three studies which have formed the theoretical foundation of the research, these studies were titled as follows : The first section (motion from the structure to the meaning) it gave a thorough discussion to the concept of motion, in addition to the structure and semantics and the significant of the structure on scene buildup in films, in addition to the theoretical picture and its relation with the meaning which is being dealt in details. The second section (from the movement to the film) it reviews the history of motion picture and factors that affect the composition of picture in television.The third section (motion and dramatic structure in the television scene) it addresses the concept of drama, in addition to the elements of action and its buildup, also we have dealt with the rhythm of the scene and building it both intellectually and editing (montage). The research also tackled a number of previous studies that have smaller interests. The researcher has come out of a number of indicators which are the results of the theoretical framework.The third chapter included (research procedures) which included the used methodology and the research community and the chosen samples and justifications for choosing them, as well as the mechanism of research and unit of analysis, this chapter also included analysis of the selected samples. The fourth chapter includes conclusions that focused on two television series that were intentionally chosen to meet the requirements of the research. There are fundamental findings that both series have resorted to motion levels in producing the meaning in different manners, starting from the buildup of motion to vision and the editing, camera and sound. The researcher confirmed on a number of conclusions that have resulted in the light of discussing the samples of the research which confirmed that television series should deal with almost all levels of motion and its meanings in the production of the television scene, with a significant difference in the levels of motion in building of the scene. The results and the recommendations have maintained the goal that the researcher has made in mind in his scientific plan, as mentioned above. This chapter also includes the recommendations, proposals and sources, in addition to summary of the research in English.

البعد الوظيفي للعناصر البنائية في التصميم الطباعي Functional Dimension of The Structural Elements In Graphic Design

اسم المؤلف: نور احمد حاجم الربيعي
اسم المشرف: حكمت رشيد فخري العزاوي
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The completed design layout space mixed the structural elements and react according to the ranges of operation and functional, establish by regulation and interrelationships that are formed according to the bonds of the structural discourse visual design career in Graphic Design in general and the cover of the magazine , in particular, for its fun mentality and culture of the recipient affect the everyday needs him in various directions. The focus of current research in almost all its attention on knowledge of functional dimension of the elements of building in Graphic Design in order to understand the mechanism of action and the realization of ideas and assisted by the intended delivery to the recipient, where enrolled Search classes several , came the first chapter required for the research problem which manifested itself by asking the following : ( What's the role of the functional dimension of the structural elements in layout design ? ) And demonstrated the importance of research in : The possibility to form a view of knowledge contributes to the Iraqi supplement the library a new type of research in the field of Graphic Design , as well as its contribution to the open window scientific knowledge for those working in the field of Graphic Design. As set a target search : (learn functional dimension of the structural elements in the layout design , and make proposals for practical purposes according to the results). Interested in the theoretical framework of three Detectives , touched first section of ( the concept of origination and development function , function in philosophical thought , a job in the art, design and function ). The second topic addressed ( in art and architecture design, structural elements for the cover of the magazine , and directorial styles for the cover of the magazine and its relationship to job performance ). While eating Section III variables design and its relationship dimension career as follows : (function and Attractions visual function through unity and diversity, function and significance , function and cognition, function and connectivity, functionality and digital technology , function and beauty). Then came the theoretical framework of inter indicators are the epitome of what resulted in the theoretical framework , including 1 - Position not be realized arbitrarily by the designer , but must have a level of awareness of the specialist, and a level of awareness Palmgeorat ofknowledge and phenomena exist. 2 - the aesthetic value of harmony with functional value and interpretation of functional value in a utilitarian manner and performance make it to the cover of the magazine outlook such us beauty and the value of a direct relationship between each other. Followed by the research procedures contained in the third quarter , marked by the adoption of the descriptive method (method of content analysis ) in order to reach results that achieve the target search. Also represented his research tool the analysis identifying axes form the basis of the theoretical framework , and resulted in the indicators and analysis axes were as follows : • functional dimension of the element Alkraveka • functional dimension of the element Altibograve • functional dimension - semantic structural elements • perception relationship the functional performance of the structural elements • processors relationship technical digital functional performance of the structural elements • 's function in terms of content • relationship methods design the functional performance of the structural elements • functional dimension _ aesthetic elements Altibogravekah According to the contents of each model on the unit where it was described and analyzed (16) sample research , based to the paragraphs of analysis, Chapter IV, has included a presentation of the findings of the researcher , the total number (18 ) as a result , for the first target of the search , and it was them : 1 - achieved a system architecture formal moot differentiation by employing forms Allamolovh and redesigned and adapted consistent and subtraction objective idea of the cover of the magazine, donor 's energy performance functional aesthetic through innovation and uniqueness in the way of subtraction, and this stems from a number of elements and the values of design that not only required The distinction is to make it unfit for understanding and vision , and but instigate our sense and intuition effective visual design field and in accordance with the requirements of utilitarian image. 2 - over - employing key Anwanat number and subsidiary in the cover of the magazine , had a negative impact in the process of receiving it , they distract the receiver because of the large number and its color variations and thusweaken functionality. 3 - Check the iconic structural element - written , which led to the production of functional structure - Tagged , designer prduses system Alamatah expressive semantics , through formal positioning of symbols and visual signs with signifier written. 4 - According to the designer of processors digital technology specialized processing digital photo in particular in the job enrichment - semantic image through the use of technology (filters ), as reported techniques pieces , deletions and additions, Alfotomonteg , and contributed to processors of digital technology is the basis in shaping the idea of working to break the stereotype of shapes and out of the conventional method of frames through Semiotics produced approach visually and functionally speech by digital technology. Then the researcher concluded a number of conclusions , including : 1 - Enter key to the language of mock job was through the adoption of the principle of sovereignty in the volumetric space of the cover of the magazine. 2 - rapid transfer visual and mental unit moving in the process of receiving the elements was due to the adoption of structural variations and sharp color value Altdadat her. The researcher organized recommendations A_i_vtha by in the light of its findings , including : 1 - choice of images with deep meanings and connotations that are consistent with two goals design idea. 2 - Pay activate visual discourse through the organization structures Altibogravekah the importance of being frees broadcast communicative the and functionally - Tagged - aesthetically pleasing. 3 - Activating Digital Alkraveka Design in all its specificity as a tool supportive performance done layout , and make it accessible to the hands of students in educational institutions and Fine Arts and the establishment of sections designed to teach and in line with global trends. The researcher also presented two proposals could form the focus of subsequent studies complement the current research , namely : 1 - the communicative function of Amolov formal layout design. 2 - Semantic job enrichment component Altibograve using digital processors. With regard to the second goal of the researcher presented a search applications proposed designs for the covers of magazines , according to the results. And then seal Find a list of sources and supplements

الايقاع البصري في عروض المسرح العراقي

اسم المؤلف: ميادة مجيد امين الباجلان
اسم المشرف: قاسم مؤنس عزيز
الموضوع العام: الفنون الجميلة
السنة: 2009
الموضوع الدقيق: الفنون المسرحية - تقنيات
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يتناول البحث الايقاع البصري في العرض المسرحي بوصفه المنظم لنمو شبكة العرض المسرحي، والذي يساهم في ايصال المعنى للمتلقي، ومدى استجابته، وتنصب مشكلة البحث على كيفية اشتغال الايقاع البصري في العرض المسرحي العراقي من اجل خلق الانسجام والتوازن والتضاد والثبا

القيــم التربويـة والفنيـة في نصوص الاوبريت المدرسي Artistical And Educational Values In Texts of School Operat

اسم المؤلف: كريم محمد حسين العامري
اسم المشرف: حسين علي هارف
الموضوع العام: الفنون الجميلة
السنة: 2012
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ترتبط القيم بمختلف انواعها وتوجهاتها الاخلاقية والدينية والاجتماعية والانسانية بالتربية لذلك فقد سعى التربويون الى تعليم الافراد القيم التربوية من خلال تربية الذات التي تعد محور نشاط هذه التربية وبها تتشكل عن طريق غرس القيم التربوية لدى التلامذة ليحتفظوا | The values are conducted with education in variety of their ethical, religious, social and human differences and attitudes, thus the educationists seek for teaching the personnel educational values through educating the self which considers the axis activity to this education and within are formed through inserting those values in students minds to acquire comprehensive and sound growth. School theatre considers one of the educational and cultural statements that seek to fulfill desired educational purpose in learning students the positive social, educational values and acquire them through employing the theatre art as successful, effective and eagerness educational mediator. School operat considers one of the main and important skills and activities in the school theatre which have the art components to gather between acting, music and singing and those who making the school operat in Iraq desire to make their texts hold variety of artistical and educational values to be positive, effective, interesting and persuasive. Here appear many questions about values. Do texts authors about school operat aware about the quiddity of educational values, their characteristics, contents, sources, to succeed in including them in their texts?, Do they have the technical profession and dramatic qualification in writing the school operat which included artistic and dramatic values as an idea, dialogue, plot and characters?. To answer about all those questions, this research as (artistical and educational values in the texts of school operas) is devoted to study the school operat texts in Iraq at the level of artistical and educational. This research contains four chapters; the first takes the problem of the research, its significance, purpose and limits. The problem of the research is constricted by asking a double question (what is the most important prevailing educational values in the school operat texts in Iraq and what are the nature of those values that included these texts on the level of dramatic construction and artistical form?. This research utilizes the school operat writers and help in succeeding their dramatic experience and utilize those who working in the school operat such as directors and supervisors in the school activity. The Research aims at : 1. Revealing the educational values in school operat texts in Iraq.2. Revealing the artistical values in school operat texts in Iraq. The first chapter includes the search limits which contains the school operat texts in the School Activity Departments in the Educational Directorates in Iraq Governorates 2005 - 2010. This chapter includes precisely the fundamental idioms that surround the research such as (the values, educational values, artistical values, operat, and the school operat). The second chapter contains the theoretical background, the previous related studies; it subdivides to five branches which include the educational values philosophy, the opera art, singing theatre, operat art, and the school singing operat in Iraq. The third chapter includes the research methodology, the procedures, the population of study, which contains (30 ) school operat, and the sample. The researcher has chosen (randomly stratified sample) which consists of five texts covering five geographical areas in Iraq. To fulfill the aims of the study, the researcher has adopted two tools : 1. educational values tool which depends on the classification of (White - Al - Heeti) developed, after exposing it to group of Jury members to investigate of its validity and measurability, and measuring the reliability by using (the Holisty Formula) to find the agreement coefficient between the arbitrators (analysts),2. artistical values tool which represents (the analysis list of operat texts content for the artistical values after exposing it to group of Jury members to investigate of its validity and measurability and measuring the reliability by using (the Holisty Formula) to find the agreement coefficient between the arbitrators (analysts). The fourth chapter contains the results and the main conclusions as follow : 1. school operat texts are varied through concentrating on the educational values which some of them focused on limited group of values and left the others,2. the first sixteen values are distinguished that they are the most important and focusing on operats texts such as (beauty, care, attention, aggression, work, religion, control, cleverness, energy, challenging, determination, new experience, food, gentleness, humorous),3. ideas and the essential subjects of the school operat texts are conducted with the student’s world, his/her environment and surrounding to be suitable of the aimed ages,4. the authors are neglected in their fundamental educational texts which represented in growing the student's feeling in responsibility towards the general properties and protect them in spite of the necessity to depend and include them in the texts,5. the authors are succeeded in drawing their operas characters, and give them artistical and dramatic form through their having the dramatic dimensions for personality,6. Texts are depended on the simplified Arabic language in writing the dialogue or singing texts with little exceptions. This dialogue is distinguished with rhythmic, simplicity, smoothing, and short phonetic formulations, with clear and purified vocabulary.According to these conclusions, the researcher has confirmed the main recommendations as follow : 1. introducing the school theatre authors in general and the school operat authors in special in culturing courses in educational science, educational psychology science and educational philosophy and enlightening them with general government philosophy and with depended educational philosophy,2. urging the school operat authors to use variety of subjects and ideas and embodiment a large number of educational values within each operat text,3. taking into consideration the side of (enjoyment) and (eagerness) from the authors,4. depending embodiment (within values) in majority for its effecting and reducing from the directed clear values as possible and depending them as artistical and dramatic necessity,5. referring the operats texts to check and educational evaluation before their producing, offering and presenting to ensure from their values content nature,6. emphasizing on the ethical and national values to fix them in students' thinking and behavior,7. concentrating on the values that have little attention in the school operat texts to create harmony between the values system and the educational aims that have requested by society to fulfill them in teaching and educational statement,8. introducing school activity supervisors who practice authoring for school theatre and operat in training courses in terms of authoring and writing to theatre and develop their adequacy and grow their innovation and authoring skills,9. increasing support and consideration to school operat and theatre by Ministry of Education through increasing support and financial allocations to School Activity Directorate. The research also contains some suggestions, sources, Arabic and Foreign bibliography, and summary in English.

الانظمة التصميمة لخيم المناسبات وامكانية تطويرها Systems Design For Tents And The Possibitity Developing Rituala

اسم المؤلف: عبد الحسين عبد الكريم سلمان
اسم المشرف: نوال محسن علي
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تبحث الدراسة الموسومة (الانظمة التصميمية لخيم المناسبات وامكانية تطويرها) في مشكلة عدم وجود مرتكزات واضحة تعبر عن خصوصية المجتمع العراقي البيئية التاريخية والفيزيائية وضعف الاستفادة من التطورات التقنية العالمية في مجال صناعة الخيم المخصصة للمناسبات العامة | The study examines tagged ( design systems for severe events and the possibility of development ) in the problem of the lack of clear foundations reflect the privacy of Iraqi society, environmental , physical and historical weakness to take advantage of technological developments in the field of global industry tents allocated to public and private occasions The research aims to detect and analyze the design and create foundations for tents occasions The importance of this study being the first to address this area which now use common events and tents dramatically in Iraqi society and is considered an indispensable product in most occasions Search limits included design systems used in textile architecture allocated for public and private events in the city of Baghdad, manufactured locally in 2013 The research will be four chapters included the first chapter of the research problem and its significance and its purpose and its borders and determine the terms The second chapter has included theoretical framework and previous studies and the theoretical framework included three Detectives first came under the heading of what histological architecture of the time, which included the second part placed climatic effects and their relationship in tents occasions while offering third section for Altamaha systems for tents occasions The third chapter has included search procedures, methodology and researcher adopted the descriptive approach in the process of describing and analyzing the samples, which represented I 00% in addition to the description and analysis of samples The most important findings of the researcher in the fourth : quarter are1. The form of the use of horizontal lines In all samples In response to functional purposes2.Methods of linkage formed a burden because of the number of syllables rail many constituents ofSupporterstructure of the three models : One of the most important conclusions reached by the study is 1. The absence of a balance between the functional and aesthetic aspects of the matter which led to the exit of a product is almost incoherent with a clear domination of the functionality at the expense of other aspects2.Adoption of a system design te?ts explicit geometric shapes (square or rectangle) mainly weakens the aesthetic features of the tents and lose diversity3.Not to take advantage of technical developments in the field of physical resistance to environmental conditions on the ~esign, though he crucial element in the success of the design of the tent and reflected in a positive environmental performanceAlso included aboard the fourth quarter on the cornerstones of design which concluded such study, which was the most important benefit from the outputs of the technical development in the areas of design, production and utilization in the design ofsevere events in time, which included the fourth quarter of carries also a set of recommendations and proposals as well as the proposed design

الانزياح الدلالي في الخطاب المسرحي Semantic Shift In The Theatrical Discourse To The Council of The Collage of Fine Arts As Partial Fulfillment of The Requirements of Master Degree

اسم المؤلف: سعاد نعمة حسين
اسم المشرف: رياض موسى سكران
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون المسرحية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: في المسرح تكتسب الاشياء التي تقوم بدور العلامات المسرحية مقومات خاصة وخصائص نوعية وصفات لا تملكها في الحياة الواقعية. بمعنى ان كل ما يكون في المسرح هو علامات ذات وظيفة دلالية , لان التجلي الحقيقي والواقعي للظواهر على خشبة المسرح يفقدها وظيفتها العملية ال | In the theater gaining things that play a role play elements of private labels and quality characteristics and qualities not possessed in real life. In the sense that everything will be in the theater is the signs of a semantic function, because the Transfiguration real and realistic phenomena on stage loses her job process, which seeks to clarify the role of the semantic code. At a time that is in the show theme in everyday life more important than its meaning, then lose the display structure of the task built a theater symbolic significance based upon the structure Avatar. Characterized by the nature of the play marks a special ability to produce connotations included, and the inclusion of this comes within the context of cultural, social or moral structures for special theatrical presentation of actors and spectators. Where you specify the semantics according to a tacit agreement between the supply and the future. In this context can be expressed decoration - for example - at the level of a particular social or cultural. It can reflect the fashion for a feature of the figures as attributes moral and social as well. Where in this process is gaining each additional sign of play semantics. As well as the real implications of each sign, there are indications, including the result of a cultural agreement implied about the significance of the sign, and this leads to the understanding of pluralism semantic markers in the theater. So it can be a sign of one of several indications that lead. The brand is characterized by high drama In dynamic because they lead to the exchange of elements play with each other, and this leads to the replacement of mutual formats to mark the play. In the display can mark certain belong to more than a certain format. The sense that the significance of the table can be produced for a certain movement performed by the body of the actor. The table that belong to the pattern is indicative decoration and then expressed by the body that belongs to the coordinated movement or gesture, and this is to be the representative element to generate President connotations place. That any actor can have is through a certain movement that depicts scenes of the existence of a river or a door or fence.... Etc.. Hence, we conclude that he can sign one play that kill jobs Tag is finished and this is what we are seeing in the theater mobster in general. And that the growth of the semantic probably was the cause of the occurrence of an objective process of semantic displacement in the texts, as the literature was not a specific connotation, like other sciences, or topics. It was the growth in the promotion of universal semantic earned him more than others. In order to reach the objectives of this study came four seasons and the following format : - In the first quarter it included a research problem by questioning follows is (Is there shift indicative discourse playwright?) And then came the importance of research which provides a critical study looking at the formation of the speech playwright through a variable displacement and movement semantic see the creative aesthetic and the light of the results from these visions of outputs in media discourse playwright as well as the benefit of students in the field of jurisdiction and stated aim of the research to reveal the offsets semantic discourse playwright and limits the temporal and spatial and objectivity of the research as limited offers on the province of Baghdad exclusively was the time period from 1995 until 2005, then touched search to define terms Thread. The second chapter came, including three sections of which the first interested in the concept of significance origination, development and care of the second part, in terms of the text and the significance of the display either the third section has himself to the concept of displacement semantic discourse theater and then came indicators theoretical framework approval to offer the detective to ask then explained the researcher that he there were not previous studies or a similar approach to study them. Then came the third quarter, which meant the samples were analyzed three samples are : 1. Othello in the kitchen to Sami Abdul Hamid 2. Play Macbeth directed by Salah reeds 3. Drama Ghost, directed by Adel Karim Find then concluded the fourth quarter, which included findings, conclusions and recommendations and proposals. Finally, Arab and foreign sources which Adopted researcher examined and then placed in the appendices and summary in English.

الاستعارة الايقونية ودورها في تعزيز الخطاب الاتصالي للمنجز الطباعي The Iconic Borrowing And Its Role In Enhancing The Communicative Discourse of The Printed Achievement

اسم المؤلف: هدى علي لفتة
اسم المشرف: انتصار رسمي موسى
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The printing achieved works is regarded as one of the artistic variations with functional and aesthetic considerations as it is a means of communication that is active and addresses the audience. As a result of that the means of expression varied for the designer. Perhaps one of the most important mechanisms of adaptation is the resort to the created and the renovated media in the printing design through the borrowing of form that are not familiar within other contexts to obtainpredetermined intellectual contents.Hence comes idea of the study. Chapter One includes the problem of study represented in the following question : What is the role of iconic borrowing in enhancing the communicative discourse of the printed achievement? Then the justifications of the study that is : 1. It contributes to the manifestation of the communicative idea between the designer and the receiver through depending on the iconic borrowing. 2. The possibility of contribution of scientific knowledge which the designers need in the designing field. The researcher then determined her objectives in knowing the role of iconic borrowing in enhancing the communicative discourse of the printed achievement. The limits of the study included the posters of ads published in the websites whereas the time limit is from 2010 to 2015. The researcher includes the following terms (iconic, borrowing, iconic borrowing, communicative discourse). Chapter Two tackles the theoretical framework including three inquiries that concentrates on the first inquiry on (borrowing and the methods of design form), the second is about (iconic and their suggestive indications), the third includes (the iconic borrowing in communicative discourse). Then the indicators of the theoretical framework which is one of the means of the building of the analysis form. Chapter is devoted to the study of the procedures of the study depending on the descriptive approach for the purpose ofanalysis and then determine by (%10) and the tool of the study which wasprepared for that purposeChapter Four includes the findings of the study like : 1. The iconic borrowing is an important means of the achievement of many designing means like the ascertain of meaning and the greater possibility of achieving more suggestion.2. The designing idea is distinguished by depending on the principle of double communicative discoursebetween the direct and the indirect as in the sample (1, 2, 3, 5, 7, 8, 9, 11, 16) and the indirect as in the models (4,6,10,12,13,14,15) through the rhetoric images that refer to other meaning. Thus they found the idea of communicative discourse with the recipient concenteringthe product advertised on.The researcher comes up with important results life : 1. The invention of new form (creative) which is represented by the iconic borrowing leading to the achievement of expressive force within the sensational realization into a potential expressive unit that leads to attractiveness, excitement, and attention. Therefore, it enhancing the communicative discourse of the printed achievement.2. The variety of the sources of iconic borrowing which contributes to the making of communicative discourse, The researcher comes up with some suggestions and recommendations and then a list of the references.

الاساليب التقنية الحديثة وعلاقتها بالاداء الوظيفي في التصميم الداخلي Modern Techniques Methods And Its Relationship To Functional Performance In Interior Design

اسم المؤلف: عمار نعمة كاظم
اسم المشرف: عباس علي جعفر العبيدي
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: التصميم الداخلي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: نظرا لافتقار البلد الحبيب لفضاءات داخلية تشتمل على اساليب تقنية حديثة والذي نعتقد ان سببه هو قلة الدراسات التي توفر قاعدة معلوماتية للمصممين في البلد، ولما تلعبه التقنيات الحديثة من دور فاعل في تحقيق الاداء الوظيفي في الفضاءات الداخلية، لذا وجدنا ان ن | Due to the country's lack beloved spaces interior include the methods of modern technology and who believe that it is caused by the lack of studies that provide a database for designers in the country , and as they play modern techniques of an active role in achieving the functionality in interior spaces , so we found that we address spaces, a built - in area Gulf Arab rapprochement affiliation environmental and it involves the requirements of research , represented space internal to the lobby in the premises of hotels five star , which opened in the past ten years , to contribute as a service to the country in search means this aspect to publicly close the part of the knowledge gap in this area , and that can help to develop blocks Informatics could be expanded by future studies more comprehensive for spaces larger , and it came this research is marked by " the methods of modern technology and its relationship to performance career in interior design " was the formulation of the research problem : the problem of research : what role that can be played by the methods of modern technology to achieve the functionality in interior space for the lobby of the hotel? The research aims to " disclose the methods of modern technology and its relationship to job performance in the interior design of the space hotel lobby five - star " The importance of research in " contributing to the provision of a database to uncover the methods of modern technology and its relationship to performance career in interior design space lobby and determine the nature of ties design between them , and is adding scientific research by eating Kagina modern techniques of knowledge in the field of interior design for those spaces , " to achieve the aim of the research , the researcher extracted axes analysis by building a Form analysis of the indicators of the theoretical framework has included two main axes : 1 - the methods of modern technology to form relationships for the design of public space to the lobby to the direction of postmodernism which verify the functionality level determinants of vertical and horizontal.2 - methods of modern technology for raw materials and its relationship to the formal characteristics to achieve the functionality of the internal space of the lobby - level determinants of vertical and horizontal.This included research community current on the interior design ( the inner space of the lobby of the hotel in the Gulf region within the five - star ) , which established for the period ( 2002 - 2012 AD ) and still operates the fact that this period specifically represent several variables intellectual level architecture and interior design most notably the emergence of technological discoveries tremendous to have played a major role through the methods of modern technology and its relationship to the performance and function of interior design space lobby at the level of the body and the raw material , so were counted according to the specific considerations , specifically that fit with the theme of the search, bringing the research community 25 five - star hotel (25 space internal to the lobby ) were selected samples Find him and in a manner deliberate and was circulated results on society as a whole , where the adopted research sample intentionality and by ( 8.33 % ) was three spaces internal to the hotel lobby , has been selected this sample for research and for comprehensiveness in terms of the use of modern technology at the level of functionality of these spaces and because these methods are not clear all of the rest of the other samples , in addition to the design of these spaces was by the most prominent design firms therefore been chosen spaces of the three below as a sample to look for they share with each other in considerations determine community and differ from some of them in terms of interior design , namely : 1 - the inner space of the lobby of The Yas Hotel (The Yas Hotel) in Abu Dhabi.2 - the inner space of the lobby of Abu Dhabi hotel (Hyatt Capital Gate Abu Dhabi) in Abu Dhabi.3 - the inner space of the lobby of the hotel tower torch (The Torch Hotel) in Doha. The process resulted in the analysis of the results was to devise a set of conclusions of the most important : 1 - Oanmad modern style Alteixrat as a technique in order to achieve an attractive stranger to strange and check Allamolov embodied job performance space in the lobby.2 - Dependence style ripples and twists as a technique to check Allamolov investigator for the job Alantma?ah space in the lobby.3 - Confirmation style organizational depth as a technique to transfer the structural depth of the building in order to achieve some sort of create the illusion of depth to achieve the performance of the virtual space of the lobby.4 - Adoption of raw materials and the clever (transmaterial) as a method of technical talk because of its properties of functional and aesthetic to achieve the functionality in the space of the lobby.5 - The use of nanotechnology to achieve the functionality in the space of the lobby because of its characteristics make it smart materials and material capacity to meet a variety of functions.6 - were adopted tactics of modern technology for lighting units related to the ABM smart lighting , the composition of cases of thrills and achieve performance in the internior space.

الاداء التجاوبي في الردات الحسينية Antiphonal Performance (Responsoriali) In Alrdat Hosseinieh

اسم المؤلف: سامي هيال عبد الرضا فهد الساعدي
اسم المشرف: طارق حسون فريد
الموضوع العام: الفنون الجميلة
السنة: 2010
الموضوع الدقيق: الفنون الموسيقية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يتكون البحث من اربعة فصول مع قائمة بالمصادر والملاحق 0 يتناول الفصل الاول الاطار المنهجي للبحث، والذي يبدا بمبررات البحث التي تبحث موضوع الردات الحسينية في العراق، وقد وضح الباحث تاريخ وموقع تلك الممارسات ابتداءا من الحاجة الى التعبير عن الحزن وال

الاثراء الجمالي للكادراج في تشكيل فضاء اللقطة لبنية الفيلم السينمائي Aesthetic Enrichment For Cadrage In The Formation of A Snapshot Space of The Film Structure

اسم المؤلف: علي حيدر خالد فرمان
اسم المشرف: متي عبو بولص
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: When he was told earlier that the film image and the movement were matched at the same moment that attempts perpetual to find potential unique art film , a possibility that must be characterized and unique among the rest of the other arts , which laid with the long history of the foundations of language unique.. as he says Eisenstein in his book Movie format that the musician uses a ladder of votes , as well as a painter uses the area graded colors as that of the scribe set of characters and words.. but in return what fired on cinema recipe she image and movement have come to the recipe opaque in the eyes of aesthetics film since there is no image transmitted the camera does not move CONTAINED within this cadre express virtually no way for the uniqueness of this special art.. the picture itself is a possibility of many other visual arts... as well as the movement within a specific framework cadre is also a feature of the theater.The image and movement are two of the data of this language does not mean in themselves this language , but is just data , and these data are recoverable only to the restructuring and the creation and then the way restructuring is the same as that language desired , which will uniqueness of the art film venue solo the rest of the languages of art, because the cinema visual art , it was the configuration the effect of the basis of the formation of the mainstay of this art , Valtkoan picture film performs a critical function in the development of any accomplish my film , not surprising that the overlap in the configuration process all the technical elements and technology that contribute to the making of the film , way out and photographer and designer decor , actor and sound engineer contributing to all of us in creating a configuration Film Festival, as well as " all this, the film largely depend on the aesthetic image problem system configured I mean , it can be Mahbuka Banazare and special effects nearby , which qualifies the process of attracting viewers and raise their senses and provoke Maiqathm about topics that drama Moot film , particularly as it was the product of a technical support look and feel as a showpresenting , and leaning on the configuration elements and forming processes in the formation of the final image of the drama movie , which up to the viewer , carrying in its content story or idea , in the framework of art was his mastery and drafted through the techniques and tools employed by Maker work with his style and his way and visions.Hence the researcher in identifying placed his research (such as the inclusion of aesthetic enrichment in the formation of a space snapshot of the structure of the movie), has been divided into five chapters on research were as follows : The first chapter ( frame systematic ) : to ensure the research problem, which was questioning follows ((what qualities by which to achieve enrichment aesthetic such as the inclusion in the formation of a space snapshot of the structure of the movie?)), As well as its importance and the need for him in being dealt with articulation accurate one language elements film, in addition to the aim of the research, which represents detects modalities by which or contribute to the enrichment aesthetic such as the inclusion in the formation of a space snapshot of the structure of the movie, as well as ensure that the limits of the search, and seal Chapter determine the terms contained in the title search.Chapter II (theoretical framework and previous studies ) : The researcher dividing the chapter on the three sections, as shown below : 1. The first section : (Alkadraj in the structure of the movie)2. Second topic : ( plastic film shot in space )3. Third topic : (aesthetic building frames acoustically and visually)Finally, the researcher came out at the end of the second chapter of inter indicators formed a summary of the theoretical framework.Chapter III ( action research ) : ensure research methodology and the research community and the research sample, and the search tool has been identified through the indicators derived from the theoretical framework after a presentation to a committee of experts for examination and evaluation.Chapter IV (sample analysis and discussion) : ensure that the sample analysis and discussion of the analysis was to deliberate three movies to get to the results and objectives , A film (Shakespeare in Love), directed by John Madden and film (Kingdom of Heaven), directed by Ridley Scott and the film (a nightmare of blood and sex), directed by Joseph Kolbyk.Chapter V ( findings and conclusions ) : Review of the researcher to ensure that the most important results that came out of the analysis of the sample , including : 1. Enrichment is a given aesthetic basis for action when Alkadraj composition of space from the vision of self - treatment of structural frames in the film , as demonstrated in our research sample film ( Kingdom of Heaven ) and film ( Shakespeare in Love ).2. The building Alkadraj means the ability of the director to manipulate the rhythm and the mass distribution through homologues and antonyms , which represents the process of enriching the aesthetic of the snapshot in the structure of the film as a whole , as demonstrated in our research sample film ( Kingdom of Heaven ) and film ( the nightmare of blood and sex ).3. Represent the process of the mass distribution within the framework of the standard basis in shaping the aesthetics of the rhythm of the picture and the overall unity of rising onthe balance of the overall composition of which , as demonstrated in our research sample movies.4. Achieved enrichment aesthetic through activation of the text scanner , and the gradient hormonal colors or Alcontrast which is a factor creating clarity and isolation and vision , as well as distortion and guess in a sense, as demonstrated in our research sample film ( Shakespeare in Love ) and film ( the nightmare of blood and sex).As well as the conclusions that the researcher extracted from the overall theoretical framework and analysis of the sample and that of the most prominent : 1. The Alkadraj is one of the most important means of creating distance aesthetic image , Valotra aesthetic in the picture is constructive Eptgeh director of that image in its final form, it is that expresses the sum of intellectual and formative vision of Foreign Affairs of the same artist to public life , which is the result of all his thoughts and instincts on differing trends and inclinations and different affiliations , culture and consciousness , experience and practice , which represents emotions and maturity and the extent of his capabilities , which led him to this level of performance excretory , especially since the plastic snapshot extends to the meanings of Interior , which is closely related to and interacting with all shapes and sizes , and the characters and decoration , furniture, fashion and color and lighting of during that intentionality regulatory those different elements.2. Said enrichment aesthetic such as the inclusion controlled by the ability of the director to manipulate the rhythm mass distribution language brevity of its subject , who is filming , as well as by staff and the framework Ikts intent to form was footage establishes turn later scenes , which in turn containsall elements of the picture and formations granted by the characteristics and dynamics , which is incorporated in the final form of image expression and its beauty.3. Polarization and induction of wonder and exoticism at the viewer , to establish enjoy and gravitate to the image Bmoduaadtha , shape and construction of the picture and the objective and all this is thanks to the amount and type and multiplicity ( abundance ) and the shape , color, size and method of formation of fonts, colors and decorations and sculptures , which are in constant flux and constant , and that even included fashion accessories and all assets in most movies samples.Chapter and seal the proposals and recommendations , and then the list of sources and references that benefited the researcher and seal search extract in English.

الاثراء الجمالي للمؤثرات الرقمية في الصورة التلفزيونية Aesthetic Enrichment of Digital Effects In The Television Picture

اسم المؤلف: نوفل جنان بهنام فتوحي
اسم المشرف: ماهر مجيد ابراهيم
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Tertat data aesthetic and practical achievement of enrichment variable technical and scientific development adopted by means Alcinmatugraveh, especially psychotropic Digital, which employs in the production of TV picture, and the formulation of the reality of art as much as possible of persuasion, since they represent the process enriching the form of technical drama television, producing layers of meaning, accompanied that achieving credibility dealing with vocabulary set drama, so granted the fact of the Incarnation in the window, and this articulation select researcher Title search (b enrichment aesthetic effects digital TV picture), where it formed digital technologies certain scope for creative building (picture art) characterized by high capacity on intellectual expression because of its highly effective techniques to achieve aesthetic enrichment level exceeded the traditional concept of the tricks and traditional influences, has been divided researcher discussed into Khosma chapters were as follows : Chapter One (methodological framework) : which included the research problem that summarized in the following question : How are achieved aesthetic enrichment of digital effects in the TV picture?The importance of research and the need for it, as well as the limits of search, and seal identifying the most important chapter of the terms contained in the title search.Chapter II (theoretical framework) : included three sections were as follows : The first topic : technical development and creative construction in artworkThe second topic : employ digital effects in TV pictureSection III : aesthetic influential digital television drama.In light of this, the researcher to a set of indicators which represent abstract theoretical framework as a prelude to the presentation to the Committee of Experts as described in Chapter III, the researcher concluded Chapter Two previous studies.Chapter III (search procedures) : The research methodology included, and search tool, the unit of analysis and research community and sincerity of the tool and analysis steps, and finally the research sample, where purposive sample was selected are as follows : three television series : First series : (Sinbad) Directed by (Brian Grant - Andy Weston)Second series : (Visitors Visitors) Directed by Scott Peters.Third series : (Spartacus Spartacus) first season out (Rick Jacobson)Then, the researcher analyzed the sample from theoretical framework indicators after taking the opinion of the Committee of Experts and the arbitrators.In the fourth quarter (results and conclusions) : it included findings researcher after analyzing a sample search, including : 1 - aesthetic enrichment achieved through the effective capacity of the effects on the formulation parameters of time and space in the television drama high flexibility and voluntarily whether through industry place fully, or partially. As we have seen in the research sample TV (Sinbad, Spartacus, visitors).2 - leads enrichment aesthetic image to enrich the credibility and construction, verification and conformation, which means achieving maximum active connotations expressive different in all cases the result is a functioning aesthetic features the ability to combine the advantages of the real world and the vision fictional at the same time. As we saw in the research sample (Sinbad, visitors)The researcher came after a number of conclusions, and seal research recommendations and proposals.The researcher finally put a list of Arab and foreign sources adopted by research, supplements and seal research Abstract in English.

الاتجاه الجمالي في تجربة الناقد عقيل مهدي Aesthetic Trend of Aqeel Mahdi'S The Critical Experiment

اسم المؤلف: محمد مهدي حسون
اسم المشرف: رياض موسى سكران
الموضوع العام: الفنون الجميلة
السنة: 2008
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تنفتح دائرة النقد اليوم لتشكل تداخلات مفصلية مع الفلسفة، وهذا التداخل بين النقد والفلسفة يتميز بوصفه علامة بارزة في القرن العشرين, وحتى لحظة تدوين هذا الملخص، اذ ياخذ النقد صفة متعالية تبلغ درجة ووسعا وكانها فلسفة العصر, وهذا بدوره قد اثر كثيرا على الاش | Today , the criticism's cycle opens to form an auricular overlap with philosophy's , this overlap between the criticism and philosophy distinguished as a remarkable mark the 20th century till the moment of preparation of this thesis , the criticism takes a transient adj. attains degree as it's era philosophy ,that has largely influenced histrionic functioning with all it's trends and men and all.Following the global criticism scene and its influences onto theater is necessary to follow the effect relativity and influence in histrionic scene. And this way the researcher thesis opened in his dissertation to see in global criticism movement experiment being the occupied thinking trends which replaced the philosophy and formed a group of functions which accompanied the scientific and humanitarian fields with all it's types.The matter which made the researcher , to follow the critical experiment from available aesthetic perspective in critic experiment ( Aqeel Mahdi ) and the operation of following this experiment doesn't halt onto the concepts frontiers which is enjoyed by each critical trend but it extends further until reaches to discover the pleasure and aesthetic climax which accompanies each criticism trend and diagnosis with generality from one side and the privacy in critic project ( Aqeel Mahdi) , that opened the door to articulate the research (Aesthetic trend on the critic of Aqeel Mahdi's experiment ) with the following splits.First 1st chapter : the methodical frame : - The researcher has exposed to diagnosis the research difficulty and need extent , it's importance , it's targets , research frontiers then the extension to locate the terms mentioned in research title. Second - 2nd chapter : the theoretical frame : - which include 3 researches : A. Shows the criticism trends concepts onto the contextual level , text , reading trends level and receiving.B. 2nd. research : in this research the researcher has concluded the mechanisms which are enjoyed by every trend.C. 3rd. research : this research forms a checking for aesthetic in every trend.Third : 3rd. Chapter it is the research procedures : the researcher has worked to discover three of criticism books which are distinguished by the criticizer (Aqeel Mahdi ) ,He hold a funding and analysis fit and the research nuncupative.As well as the researcher has recapped in this chapter a group of ramifications based on his analysis for opted samples. Fourth 4th. Chapter : - this chapter has the research ramifications , conclusion ,recommendations , suggestions , a list of references and finally the research abstract written with English language.

العولمة والهوية المحلية في تصاميم الاقمشة النسائية الحديثة Globalization And Local Identity In Modern Fabrics Designs For Women

اسم المؤلف: الاء عادل علوان الشمري
اسم المشرف: رجاء سعدي لفتة
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تعد العولمة مرحلة تحول كبيرة في تاريخ الشعوب فقد الغت الحضارات وداخلت بين العادات والتقاليد واثرت على الهوية المحلية للبلدان برزت تلك التاثيرات في مختلف جوانب الحياة وقد برزت بشكل كبير في الفن وفي التصميم وتصميم الاقمشة بشكل خاص لانه ميدان مفتوح وفن تطبي | The Globalization concider a hug dange gap in the people's world because it conceded civilizations and get's between the traditions, and effectual on the local identity of contains, and that influenced on the different sides life, and it append very clean on the art, design fabrics in specialty because an open field of applied art takes from what's around like a material, and may he that put up very need on the woman's fabrics, as the woman focus more than anther on the style in general, and the proof at this the fashion world focus on the woman's category an it's design, and because of the physiology and sociology nature at the woman, the diversification enters in a very hug. Way in design fabrics, so that the researcher is diseasing this subject through this research that named under this title "the globalization and the local identity in woman design fabrics" wonders in the effect of the globalization and the local identity at fabrics design specially in fabrics fashion? And was that effect results of natural respected historical sequence; or it fabrics and it move, towards acertain direction to make some aims in a regular prior of time? And the research aims on know the globalization effects and morphological variables of the local identity in modaren fabrics design, and the practical woman fabrics on the years 2013 - 2014 and than it classified three terminology which is (globalization , the local identity the modern fabrics design), the researcher put procedural definition for every term, and that what's chapter one count air in this research which is contains from four chapters.Chapter two contains the theoretical side, and it includes three researches, the first one contains the globalization diffaritian and it's history, while the second research is about to contain the globalization culture and it's effectance on the disting ideality, and the theard research contains the effect of globalization in clanging the shop of the deign identity., and that the research studies the most import things in the theoretical farm directions and the researcher couldn't got any previose researches. Chapter three contains the tachrical part of the research though the researcher used the descriptive approachfor the purpose of analysis, and the research sogty contains from 60 sample speaidzd by the fabrics at the gbblized mind, and (12) sample were tesed by pick point style, and in 20% present in total socity research, and the test been diosien according to what is useful to the research aims. While the research tool was an analysis form acceding to the scientific method to again it's scientific stand and than I analyzed the samples and disscussal and the research after that got those results and coucultions when it written in chapter four, and some of the most important things from are : 1. The elements med to tai the ship and space element where the ship turns to configurations usually depends on the decoration or stripping the human vocabulary or the animal vocabulary to a photographical image in usually.2. The phenomerion of breaking balances and taking the assymatry balance, and also sorareigntg over the nest elemats to make the globizatior farm, and also the frequent random repeat append so much in the design unit wit it's repeat in fourth repeat, weather we can use it's other repeats like rendition of projective quartet or half or the braes. 3. The globization phinomana have two forms goes beyond it's way, the first one is the world steam and all what is guide from the transmission project design vocabulary and ideas, symbols, and the second one is political globluzation steam that is aims to put down the local identity.4. Dimension graphical emarfed carries it's belongs identify to forign sicrtios in a way it describes it's calture and political sumbuls and comuity. and it shows how to make use of some local and Arabian symbols in the woman's fashion fabrics. And besides chapter four contains also the pillars and the recommardeations and proposals along side with the suggested design make by the research made by the computer and it's ( ) suggested design.

تحولات صورة الجسد في الخزف المعاصر Converting The Image of Body In Contemporary Ceramic Works

اسم المؤلف: علية محسن عبود الصياد
اسم المشرف: انغام سعدون طه العذاري
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الخزف
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: لعبت صورة الجسد في الفن دورا كبيرا ومهما في تطور الفكر والمعرفة الانسانية، وساهمت تحولات صورة الجسد التي اعتمدت الازاحات الكبيرة في تاريخ الفن بافراز تحولات في الاسلوب والية طرح صورة الجسد في مختلف البنى التشكيلية والتي تضمنت الابداع كاحد اسس هذه التح | The body image in art has played a major role to develop the thought or mind and human knowledge, and the converts of body image has contributed to depend on large displacement in history of art to sort the innovation as one of bases to this conversions the body image has moved in the art of pottery in side the mechanism of its matter and the style of it forming and technical style to take its specialization to be emerged to rests of Arts. This abstract includes the study of matter of conversion of body image and recognize its specification in contemporary Iraqi pottery that includes four chapters.The First chapter contains the problem of Abstract and its wondering and an importance of abstract and then its aims upon the observation the important conversion of body image in contemporary Iraqi pottery, and then the boundaries of time abstract that limits (1970 - 2010) and place, then specifying the terms, upon to the need of abstract and process identifications, bet the second chapter that has been divided to three approaches, in the first part of first abstract talking about the confirmation of philosophical and intellectual concept of conversion, in the second part it has been specified to a concept of body image that contains philosophical concepts for body and throw the light on it, at the second approach the showing was made for conversion of body image in art in civilization to deals the body image in ancient Iraq. The body image in Egyptian arts, the body in Greek arts, the body image in Islamic art and its conversions, and Abstract continues to reach the third approach to deal the conversions of body in contemporary pottery. But the Third chapter has been specified to the procedures to select that society, specimen, the tools of sample classification, the tool of analyzing and its concept and then analyzing the samples that have been received to five samples (inspire body image symbol body image, advertising body image, pragmatic body image, realistic body image) have been classified upon to the sample classification tool and its specimen. At the fourth chapter, the results of abstract and its conclusion and recommendation and suggestion, have been acted, and then English, Arabic references, appendixes and images and the researcher has reached to the numbers of conclusions are : 1. It has been appeared significant cross and time cross to appear the body image in potteries that exchanged that emerging and absence upon to the social, intellectual stresses to move to body image to another and from idea to idea.2. The searching always about obscured intercepting beyond the concept and referring to another concept and those referring subject to intellectual, social environmental potteries.3. Body image subject to references either Rafidain it mean old Iraq thought, the order the references of Islamic thought, the order the reference of Islamic thought and oppress to borrow the symbol, inspire, and borrow by color, shape and the style of formation some times, or contemporary references inside modern art school.4. The mythological borrow animal ports for example the horns, feet of birds, wings, and heads of animals upon to the partial idea, where this body becomes alternative body.5. Denoting the image of body for man and woman together a mostly to appear in front of you in pottery samples to indict the human social sense of contemporary Iraqi pottery.6. The abstract shapes performs to play inspiration with mind and sometimes it does out recognize between the shape that takes fake shape and the body is absent, so, the body in case non concisions will be a bent incase of naked form and the surface of body try to expose it by many significant ways methods.7. The web of bodies and clothes stretch to the analyze long and contemporary pottery analyze long and contemporary pottery formation to emerge the body image by different meaning or significance.8. The body image has become a special sign denotes with discontinuing that does not be appear only for special environment or an idea (Death, Birth, the relation ship each other) and continuing the advertising about a case or an idea.9. Borrowing the body image natural shapes to emerge in it and contain grovel and rocks and trunk of tars, color of soil to execute that image in contemporary pottery.10. The fertile body image converted to advertising body image and alternative body image and typical body image inside the beauty specification (style women) and body building a modern idea.11. Pragmatic body image subject to the relation of pottery with received to show the achievement, those carvers, the mind and message that will be in received boundaries and interact with him by borrowing the human, social and enliven mental meaning or vocabularies.

ايجاد مرتكزات تصميمية لاسرة الاطفال الطبية Finding Designing Pivots For Children Medical Beds

اسم المؤلف: وليد محمد مهدي السعدي
اسم المشرف: فوزي ابراهيم المشهداني
الموضوع العام: الفنون الجميلة
السنة: 2008
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تناولت الدراسة الموسومة (ايجاد مرتكزات تصميمية لاسرة الاطفال الطبية)، موضوع المنتجات الاجنبية من حيث تصاميمها ودرجة ملاءمتها مع الاطفال المرضى من العراقيين استنادا الى ان مرحلة الطفولة تعد من المراحل العمرية المهمة والاساسية في حياة الفرد وان الاهتمام بهذ | This thesis entitled (Finding designing pivots for children medical beds) tackled the subject of the foreign products from the designing side and its degree of suitableness to Iraqi sick children as childhood is consider an important stage and the base in the life of the individual and taking care of this slice of society is consider important demand to raise physical and mental healthy generation, where providing the needs of the child whether (entertaining, activating and education) or products provide relief for him in physical and psychological especially the medical beds and taking care of their functional and beautifulness sides in addition to the usage suitableness of these products with the organs and the movement machinery of the child to achieve the suitable position for the case with working machinery and performance of the medical beds.The thesis importance is shown in the following points : 1 - this thesis supports an important slice of society need health caring through providing the physical and psychological relief to them2 - this thesis in its scientific and artificial material participates in enhancing the technical sides and supply the related organizations with designing ratifications the basic goal of this thesis is the analysis of children medical beds designing reality in the aye group which the study identified to be from (4) to (12) years old, which are used in Baghdad city hospitals for the period (2003 - 2008) for reaching to designing pivots that achieve the suitableness between usage and the dimensions and machinery of child body movement, in addition to the effect of these products from beautifulness and expression sides on the psychological side of the child and his degree of acceptance to them and this was chapter one contents.As for chapter two it contained four researches : Research one : the medical beds and their functional sortingResearch two : technical changes in the building shapes for the medical bedsResearch three : shape building for the medical forms and their relation to the user(child) Research four : awaring effects for the designing accomplishments and their relation to the user Whereas chapter three tackles the research procedures where we used the descriptive schedule ( case study) to reach the achievement of the research goals, after the depending on the research society as hall, the analyses were done through the depending on scientific scale which was designed and applied on the samples of the research and the stability was got through the balancing among the analyzers The researcher reached to the following results : 1 - There was obvious weakness in group samples staffs especially in employing the designing elements and basics and achieving beauty dimension in the identification on the ranges of these elements, bases and their potential energy so the samples outlines came to be empty of flexibility and streamlined 2 - there is a leak in all group samples for expressing shapes whether (animals, plants or imaginaries) in addition to the leak in the coloring details and on the level of awareness for light for the age group 3 - the group samples (1,2,3,4) achieved the suitableness for the usage for the child in the first age group (4 - 6) years for the samples (1 - 2) and second group (7 - 9) years and the third group (10 - 12) years for the samples (3,4) and in a ratio of 66% while the samples (5,6) have a leak in some of their shaping items for the child use and for all age groups which were depended by the research and by 34% as for the most important conclusions the research reached : 1 - the bases and human engineering criteria in the designing of the medical beds, had a big trace in the forming of cohesion products and the machinery dimensions for the user’s body and in accordance to the stand reds depended internationally 2 - the forming of the medical beds shapes according to the designing systems, did not take in consideration the psychological factor for the child and what effect it from colors, shapes, lighting values and touching values which fulfill its tendencies and willing toward the productaccording to the results and the conclusions the researcher reached to a group of recommendations and suggestions in addition to that the researcher reached to a number of the designing pivots which must be considered when designing the children medical beds, and most important pivot are : 1 - the necessity of using the favorite colors for the child like warm colors (red, yellow, and orange) because they are more bright and clear and have direct effect on the child psychology in addition to the using of lighting patterns, sound and the expressing shapes of the medical beds2 - taking care of the physical relief of the child through finding support for all the parts of the laying baby body (bed surface) 3 - taking care on employing the dimensions and the scales for the children bodies which are depended on international level, in designing the medical beds and make the product more stable for the children and in their age group under the research. Especially the touchable parts of the child body and according to the child medical case in addition to the suitable position during the laying on the bed.

خصائص الاداء التمثيلي للمجاميع في عروض المسرح العراقي Features of Acting Performance For Groups In Theatricals of Iraqi Play

اسم المؤلف: غازي حمود سعود
اسم المشرف: عادل كريم سالم
الموضوع العام: الفنون الجميلة
السنة: 2008
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يتناول البحث خاصية اداء المجاميع وتطورها عبر العصور المسرحية المختلفة حتى عصرنا الحالي وما لهذه المجاميع من دور مهم في بناء العرض المسرحي. وكيف تعامل المخرجون, والممثلون مع هذا العنصر المهم ضمن التكوين العام للشكل المسرحي.قسم البحث على اربعة فصول، يتض | This research is about the feature of groups and Their development Through a different play periods till the moderan period, also These groups had important roles in construct.The play Theatrical and they are formed ingredent which is hold abeauty and mental value connect with construct relationship in public forming for the theatrical,and how the directors deals with this important ingredent according a public forming for the play forme.For that the researcher was divided his research into four chaptersThe first chapter : including the (Sustematic framework) which is the researcher presents the research problem , its needed , its importance, its aim, its edge and its defintion to The its terms.The research problem was appear by a question about (What is the features of acting performance for groups in theatricals of Iraqi play) ?The importance of this research is about the work of the groups on the Iraqi stage.The aim of the research is about the identify on the features of acting performance for groups in theatrical of Iraqi play.This research is restricted on the study of dealing with groups in choosen samples and intentional from Iraqi play theatrical in(1988 - 1977) and it presents on the Baghdad stages In The second chapter : (The thearetical framework) is consisted of three subjects : - The first subject : is about a public sight in a group estabilshment.The second subject : is about groups and thier development through play periods.The Third subject : is about directorial treatment for groups in wordly play theatricals and also it consist of the most important refers which are result upon them theoretisal framework and previous studies. In The Third Chapter : The researcher was specify. This Chapter for carrying out ,his research specific his society and its samples and the way for thier analysis the researcher was used analystic descripition system for this sample which is made of (3) Iraqi play theatricals as : ((ALMOTANABY)) : is preparing by (ADEL KADM) directing by (EBRAHIM GALAL)in 1977 acting By nationality group for acting. ((ALEKTRA)) : is preparing by (SOPHOCLES) directing By (ADEl KAREM) in 1987 , acting on circling theatre in Arts Fine College.((THE BIRD LETTER)) : is preparing and directing by (KASIM MOHAMAD) in 1988 , acting by nationality group for acting.in The fourth Chapter : is consist of The results and The researcher was reach to them through his analysis for these samples also this chapter is consist of lists of sources , references and the summary in English language.

اشتغالات المنظومة اللونية في تصميم الزي المسرحي

اسم المؤلف: اشواق كاظم ابراهيم الجنديل
اسم المشرف: روعة بهنام الشعاوي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون المسرحية - ازياء
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

اشتغالات التابو في النص المسرحي العراقي

اسم المؤلف: نورس عادل هادي
اسم المشرف: يوسف رشيد جبر
الموضوع العام: الفنون الجميلة
السنة: 2013
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يعد التابو احد اهم المفاهيم المهيمنة في بنية العمل الفني ولاسيما النص المسرحي بوصفه اشتغالا على ثنائيــــــــة الوعي والوجود بمجمل تحولاته وافرازاته التي تؤثر في تشكل الخطاب الدرامي وبالتالي تنوعه في الرؤى والاساليب بحسب المعطيات الفكرية والجماليــــــة | Taboo Presents one of the most important influencing concepts in the structure of the art work , especially in the theatrical text because it works on the duality of consciousness and existence in all its alternative aspects and discharges which affect in forming the dramatic rhetoric in consequence its variety in visions and styles according to the intellectual and beauty findings which arose from them the culture of individual and society. From that above crystallized the specialty of the research in its chapters , where it implied four chapters : The first chapter : - Which dealt with methodical frame which includes studying the implications of Taboo as influencing concept for the whole social, economic and political transformations and their reflection and influence in the behavior action of the individual within the social system specially the conflicts the Iraqi society confronted in the Iraqi theatrical text for the period between ( 1990 - 2000 ) which led to disturb the individual behavior Forms and exceeding the virtual order limits as a collector of the taboo concept in its different forms. The second chapter : - Which dealt with establishing and following the taboo concept through the human consciousness system along its intellectual periodical differences. Also in the researcher discussed the way in following the Taboo concept between the philosophy of beauty and science. In addition to that the researcher pointed out the most important implications of Taboo as procedure term its influences had reflected in the structure of the theatrical text.The third chapter : - implied the research Procedures. Where the research was limited as a whole in the published Iraqi theatrical texts in the 1990's where the researcher refuted to the intentional way in selecting the sample of its research. The forth chapter : - the final chapter dealt with the research results , conclusions and the list of references.

الانساق التصميمية في الفضاءات الداخلية الملحقة بالملاعب الرياضية Design Patterns In Interior Spaces Attached To Sports Playgrounds

اسم المؤلف: اسمى عبد الحميد عبد المهدي
اسم المشرف: بدريا محمد حسن فرج
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الداخلي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يعد تناول موضوعة الملاعب الرياضية موضوعا حيويا ومهما لما يقدمه من جوانب فكرية وثقافية واقتصادية للبلد المقام فيه, ونظرا لما يمثله هذا الصرح الذي يعد حاليا ليس مجرد مبنى رياضي يخدم اغراض اللعبة فقط, وانما يمثل نقطة استقطاب الدول وكلما كان التصميم خلاق ويجس | The sport stadiums subject is an important and vital subject because of the intellectual, cultural and economic aspects that it offers for the country which it held in. As to this edifice and what it represent which consider not only a sport building for just playing, but it also represent a polarization point for other countries and as much this design is creative and embodies certain idea represented by a certain figure that symbolize the country where the stadium is built mingled with the technical creation in a harmonious way with the internal and outer view and the content with exterior of the stadium. As a result the subject of the soccer international stadium is submitted by the searcher because of the mentioned reasons and it limited by the interior spaces that is expansion the stadium with other expansion spaces “ Athletes’ changing clothes room and it expansions” Depending on the design features of stadiums; build up including the expansion spaces. These features are different according to the differences of designers and architects who devoted their practical, engineering and designed potential to put design scheme for a stadium complies with all conditions and approved specification by FIFA to compatible with the stadium exterior which has special identity an belong to the country culture. It also should be modern and technical just like other stadiums in other countries. As a result the searcher submitted this subject “The Designed Layouts of interior expansion spaces of stadiums” The research consists of four chapters : 1. Chapter 1 : The methodological framework that included the research problem that crystallized by the following questions : Q : Are there specific design patterns specialized in the nature of formative system in organizing the attached spaces to the international athletics’ stadiums? And to which degree it is connected to the systematic performance to the mentioned spaces, in addition to its role in insure a positive psychological behavior by the athletes? While the research objective : To detect the systematic design patterns in the interior spaces attached to athletics stadiums, and its fittingness to its users from the performance perspectives and the variable formatives linked to Aesthetic and expressive sides. The importance of the of this study appeared in its participating in providing information with a new system that depends on scientific and artistic bases clarifies a special evidence for the values that express the identity of the spaces that is the theme of this study. And it also represents an added study to the athletics stadiums supported by a diagram to the designing patterns, and use a special expression to the interior spaces attached to the international athletics stadiums, which is what the subjective limits for this study has represented. While the spatial and temporal limits specified to the spaces (specialized to the athletes) in Iraq and parts of the world for the years (2012 - 2014), in addition to specifying the terms included with the study title to get executive definitions as outcomes. 2. Chapter 2 : Include the previous studying. Discussions and the theoretical framework. This chapter divided into three main parts. a. Part 1 : Focus on “concept of the layout and its relations with interior design”. b. Part 2 : Include “The layout and its formal regulations in interior spaces” c. Part 3 : ” Invest the layout’s standards in the expansion spaces of stadium”.The results of theoretical framework some indictors that depends on them in analysis the research models form3. Chapter 3 : Consist of research procedures and its methodology where it depends on defining the method in analysis. It chose 3 models from the whole research, in purpose, for studying and it depends on the analysis of form aspects, point the level that achieve these aspects, in addition to describe and analysis the research models 4. Chapter 4 : Included the outcomes and conclusions that have been reached to in this study : 1. No color coordination in such vital space to athletes as it is the only space specified for them that offers comfort and psychological motivation which affects their performance. And this have not been achieved in two study samples, while has been achieved in one study sample only. 2. There were no designing patterns whether they were functional or graphical specified to this space for its many functional characterization as (holding lectures, planning for games, break times after playing… act) this was achieved in one study sample. 3. The shortage of the indicative meanings that represent the meaning of such a space, like the nature of space organizing and its lake to the necessary requirements that relates to the training and all other important activities), this has been achieved in the first study sample only. Also, chapter four included the theoretical designing foundations, designing suggestions and recommendations, beneficiaries of this study, and a list of the resources and appendix.

التمثل الشكلي في رسوم فخاريات عصر ما قبل الكتابة بالعراق القديم Formal Assimilation In Pottery Paintings of Pre - Writing Age In Iraq

اسم المؤلف: اسعد مطر خليل العزاوي
اسم المشرف: انغام سعدون طه العذاري
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الخزف
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ساهم الفكر الرافديني في البناء الحضاري للانسان والذي تجلى بانجازات مهمة على صعيد الفن والادب والعلوم، فقد ابتكر الفخار والاختام ثم ابتكر الكتابة وطورها، وابتكر الدولاب اليدوي والعجلة وعرف الرياضيات والكيمياء والتنجيم وبرع في هندسة المدن والابنية والمعاب

انظمة التكوين الشكلي وتقنياتها الاظهارية في تصاميم الاقمشة الرجالية Systems of Formal Training And Techniques Alazaaria In Menswear Fabrics Designs

اسم المؤلف: اسعد عاتي هليل سعد الموسوي
اسم المشرف: فاتن علي حسين العامري
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تعد انظمة التكوين الشكلي بمثابه اسس يقوم المصمم بابتكارها وصولا الى اختيارات تنظيمية بفعل تقنيات الاظهار التي تعطي للنظام التصميمي جاذبية اظهارية تحقق غايات الفكره التصميمية, فانظمة التكوين الشكلي تهدف الى تحقيق غاية التصميم من خلال تقنياتها الاظهارية الن | The formalistic composing orders are considered a basement. This basement which is the designer made to reach forming choices depending on displaying technics that give attractiveness to formalistic composing which leads to applying the aim of the design itself. They work to apply the aim of the design through the finished displaying technics and this is the essence of the research. This research which depended on this question : what are the formalistic composing orders of the designs of men fabrics ? Do displaying technics make changes in formalistic composing order of men fabrics? The importance of this research has these roles : 1. It helps in the opportunity of managing the scientific and artistic benefit for those who are studying and interested in the field of designing and technical in the colleges of technics and institutes as well.2. It may participate in increasing the knowledge of the researcher and technicians in ways and technics. It also stabilizes the artistic designing principles, and put them in front of the designers to inspire them consequently bring new ideas of designs. These inspirations raise the designs of Iraqi cloth in quantity and quality. The research also wants to applying these goals : 1. To know the formalistic composing order of the designs of men fabrics. 2. Showing the relationship between the formalistic composing order and displaying technics in the designs of men fabrics.Th research of formalistic composing orders and the applying displaying technics, and the designs of men fabrics consisted shirt , (Indian or Chinese ) made , which are available in the public shops of Baghdad ( Al Shorja trading shops) from 2010 - 2012.The seconds chapter contained the theoretical work which consisted of three ideas. The first one was about the formalistic composing in designing men fabrics. The second chapter was about the designing composing in the design of men fabrics. The third was the effect of technics in the formalistic composing order. After that it is concluded the most important signs that comes from the research. Then come the preceding studies and their discussing.The procedures in the third chapter represented by depending on descriptions of the analysis of samples. These samples were (240) designed samples. About (160) of them are excluded. The reason was that they are similar in showing the essence of the design and repeated in one hand and repeating it on the other hand. Add to that it repeat the same defect on variation of colour to this design, which is not in harmony with the needs of Iraqi shops and styles. So what was rest (80) which represented the base samples. According to that samples were chosen intentionally in (30%) , which was about (24) samples. These samples are varied according to displaying technics.The analysis tools are listed in points of analysis. This analysis tools depended on some theoretical signs, which the researcher presented with the help of the supervisor, and certificated by number of experts. These tools were depended on in analyzing samples. In the same course, the samples of research were also analyzed depending on the points of the list.The fourth chapter contained the result that is found by the researches and the conclusions. The notable of them were the dependence of men clothes designs firstly on the mixed fabric. they did that since it is durable, comfortable and cheap. This led to reduction of using the natural fabric due to their high prices. In addition, the artificial fabrics also reduced in usage because it is not suitable for the weather of Iraq.The formalistic composing orders are actively represented that within them, the designer used the reticular fabric and liner fabric which is prevalent which suggested a limited space for similarity and repetition in the parts of the main unit. This unit has connected totally with the capability of the designing to weave fabrics through the crossing of the vertical lines with the horizontal lines to show the essence of the fabric on its surface, as the central organization appeared in least percentage. The distribution of the random consistence which gives variety in directions and the design unit via the connection of the relations of its factors could appear in less percentage. This is because it a reflection of a real technic of fabric printing which is usage has reduced in making men fabric designs. The chapter is consisted the recommendations and suggestions and the Arabic and Foreign. In addition to that, it is consisted the summary in a foreign language.

الغرائبية في نصوص مسرح الطفل Exoticism In The Texts of Children'S Theatre

اسم المؤلف: اسراء علي سلمان القيسي
اسم المشرف: يوسف رشيد جبر
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون المسرحية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان قلة نادرة من البنى المسرحية وجدت طريقها في الذيوع والانتشار بين العامة مثلما وجدت بنية الغرائبية، لكثرة ما دار حولها من جدل ونقاش بغية تفسير مدلولاتها ومعانيها وحصر مكوناتها التي اختلفت باختلاف الثقافات والبيئات الاجتماعية المختلفة. لقد تعددت الرؤى وال | The lack of a rare theatrical structures and found their way to publicity and spread among the public, as found between exoticism, for the large number around the house of controversy and debate in order to interpret their meanings and their meanings and inventory components that differ in different cultures and different social environments.I have multiplied visions and ideas about the process of using this structure in the theater in general, and particularly in children's theater where they can reflect the themes and drafted meticulously crafted to reach the connotations and meanings with values intellectual bear the stamp of education - education - an education from this perception identified researcher title researched (exoticism in the texts of children's Theatre), the search was organized in four chapters as follows : Chapter I : (methodological framework) : Which includes a research problem and the need for as represented through the problematic question (how it works exoticism in the texts of Children's Theatre), as well as a researcher by highlighting the importance of research and its objectives and seal its borders and separation required number of terms.The second chapter (the theoretical framework and previous studies), has been divided into three sections came as follows : • The first topic : exoticism concept.• The second topic : exoticism in children's literature.• The third topic : the ages of the child.The chapter concluded with the theoretical framework indicators, and previous studies.The third chapter, a chapter on action research by taking indicators theoretical framework analysis tool after it was presented to a group of experts, and research methodology adopted a descriptive approach - analytical and research sample for the period (2001 - 2010) has been selected three texts play, then the unit of analysis, where the researcher adopted as a scene analysis unit, as well as the sincerity of the tool where the researcher relied on virtual honesty to ascertain the veracity of the analysis tool.The fourth chapter included the most important findings and conclusions reached by the researcher, including : The results are : 1. The exoticism is given the role of beauty for the emergence of the Transfiguration through events and actions more attractive and realistic and expressive.2. The exoticism is an effective impact on the feelings of the child, and the content of the passionate and emotional content comes according aware of aesthetic and scientific drama.The conclusions reached by the researcher were : 1. The theme most Exoticism texts, based on educational issues - educational, and were formulated in a way Western and unfamiliar, but she eventually refer to the nature of the subject formulated it.2. Personal Exoticism has the same qualities of the ordinary in terms of personal feelings and emotions, but it is characterized with its extraordinary capabilities and boundless acts, and it appears that through its actions.And finally been presented recommendations and proposals, and then concluded Find a list of sources and references, appendices and abstract in Englis

اساليب التصميم الزخرفي في الفن الاسلامي : دراسة مقارنة Styles of Decorative Design In Islamic Art (Comparative Study

اسم المؤلف: بسام صعب حمد
اسم المشرف: عبد الرضا بهية داود
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الخط والزخرفة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: بعدما قام الباحث بدراسة استطلاعية، على التصاميم الزخرفية النباتية المنجزة على المخطوطات الورقية، في القرن العاشر الهجري/ السادس عشر الميلادي. وجد ان هنالك ثمة اوجه تشابه متعددة، ولكن ثمة اختلافات واضحة، سواء على مستوى المفردات والمكونات، او على مستوى الان | After an exploratory study done by the researcher on plant decorative designs on paper manuscripts during the 10th AH century / 16th AD century. The researcher found that there are many similarities, yet there are also some obvious differences, both at the level of motifs and components, or at the level of construction and configuration, also he noticed that there are two distinct Art schools which had established their characteristics and properties gradually through the Safavid school in Persia and the Ottoman school in the land of Anatolia (turkey). Although the two schools are included in the Islamic circle of Art, both show distinct and obvious characteristics. Thus a detailed study required to show both similarities and differences, especially as the researcher had found out as a result of his continuous research in this field and his study of curriculum in the departments of Arabic calligraphy and ornamentation in the scientific institutions concerned in this type of art. That there is confusion and overlap in the way decorative design is applied in these institutions. This requires that we show these differences by answering the following : {What are the similarities and the differences between the two schools of art (the Safavid and the Ottoman) regarding the styles of designing floral decoration?} The importance of research, in that : 1 - It can contribute to enrich the students with the knowledge and competence in various fields.2 - It can contribute in cementing the curriculum, especially in the field of Islamic decorative arts. The research aims at : Revealing the nature of the decorative design styles in the two Islamic schools of art (Safavid and Ottoman) during the 10th AH century /16thAD century.This is achieved by conducting a comparison between these styles and determining the similarities and differences between these schools, based on the following criteria : 1 - Systems of space division.2 - Styles of construction and structure.3 - Types of decorative design.4 - Units of floral motifs.5 - Treatment of colors and methods of illumination. The research is also limited to floral decorative designs which are colored and illuminated on paper manuscripts, such manuscripts are found in the Riza Abbasi Museum in Iran and in Sulaimani Library in Turkey during the above mentioned period. The theoretical framework included the following subjects : Emergence of plant motifs in Islamic art (Introduction) and then referred to the school Safavid in Persia, and to the school the Ottoman Empire in Anatolia, styles of floral decorative design (regarding space division, and methods of construction and structure), color treatment and methods of illumination, components of floral decorative design, types and units of floral motifs (glass, flower), as well as structural units and design bases of floral decorations. The researcher followed in his procedures a descriptive analytic method to reach the results that can accomplish his goal in solving the problem.A sample has been chosen on purpose, 8 samples have been chosen out of a community of 80 forms. The analytic form have been designed and presented to the experts to ensure its validity an ability to achieve the desired goal.The research has reached the following result : 1 - The styles of the Safavid school was influenced by the styles of Chinese arts and the styles of Tamarid school , whilst the Ottoman school was influenced by the Safavid school , and by the Roman Seljuks arts , as well as the Chinese arts.2 - The systems of space division seems to be alike in both schools (Ottoman and Safavid), represented by five divisional systems which are : (bilateral, quadrilateral, radial, network, stripes) systems.3 - The two schools show similarities in their utilization of the double construction (flower cup, floral), yet they show differences in their utilization of the single style of construction for one of these types, the differences are shown in both ways of space construction which are the free and the repetition styles, or even through the use of units belonging to other types within other types of construction.4 - The components of the design (structures) show similarities in both schools regarding their construction of design and the way of placement.5 - Generally, the two schools have used the same methods in utilizing units and types of floral motifs, yet they differ in the minute details of the motif shapes.6 - Color treatment in both schools are close, both utilize the same colors like (deep blue) and (gold dye), these two colors in particular cover most of the space in the chosen samples.7 - Ottoman and Safavid schools used the same illumination methods called (tazmik)

الماكياج والتعبير الدلالي في العرض المسرحي العراقي

اسم المؤلف: اخلاص فاضل احمد السامرائي
اسم المشرف: قاسم مؤنس عزيز
الموضوع العام: الفنون الجميلة
السنة: 2009
الموضوع الدقيق: الفنون المسرحية - تقنيات
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يعتبر الماكياج عنصرا اساسيا مع عناصر المنظومة البصرية، ولاسيما في المسرح الحديث، حيث اكد الماكياج مع باقي العناصر ايصال الشفرات والعلامات، والرسائل وصولا الى المعنى المطلوب كما ان للماكياج خاصية اظهار العوالم الداخلية للشخصيات والعروض والتيارات والتجارب ا

النظم السريالية في الخزف البريطاني المعاصر Surrealism System In British Contemporary Pottery

اسم المؤلف: احمد عودة نايف
اسم المشرف: نبراس احمد جاسم الربيعي
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الخزف
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Surrealism appeared as literary and artistic movement from very beginning of the year 1924 which disclosed of the first statement by Andria Briton who was regarded as the inheritor of the movement. It used some of its techniques , besides its affected with roots that established for this movement.Therefore the characteristics of this movement were regarded that it did not practice mental control due to the absence of actual sense.Also conceive aesthetic and moral aspects in far away embodying from as familiar one and different from reality , besides its affect with Fraud modern school and what Fraud discuss about dream, dreams and psychological analysis which allow the Surrealism to for expression about information of their artistic experiences according to visions and directions reflect by its concept and characteristics that tend to gather between the reality and below reality.Confirming upon reflex hallucinations and delirium which was regarded by the Surrealism like wake up process resulted from imagination of the artist who has special presence and works ,. Therefore the Surrealism when it call for destruction of criteria and classic traditions , it aimed at creativity and more developed frameworks. By criticizing the reality and leaves awareness and reflex feeling ,it is related to that movement Founded by the inevitable shake in artistic trends.The renewal of logical system rather than others of philosophy and contemporary artistic trends ; therefore we found that Surrealism nowadays increased its importance and earnestness as in other contemporary arts and trends to understand our new world. Surrealism as term has passed the stage where it was rejected by the earnest critics who regards itfunny ,now it is one of the most great modern artistic and intellectualmovement in which its thoughts affected distinctly at many artists in modernization period and then.Accordingly the researcher specialized the first chapter to explain the problem of the research and what is the stylistic systems in contemporary British pottery ,then define the importance of the research and necessity of such researches in order to know new styles in Surrealism art which has clear vision embodied in contemporary British pottery ,then the limitation of the research which was represented in : - Objective limit in Surrealism , criticism theories and new philosophy , starting point and references of contemporary British pottery. - Time limit in contemporary British pottery ; from 1970 - 2014. - The spatial limit : the machinery of operation in execution of pottery production in the country of the study - British besides specifying the terminology in the research titleThe researcher displaying theoretical intellectual and philosophy frame in the first category identifying the Surrealism formation and its changes in fine art post modernism the roots impact in the general structure in the Surrealism formation and what generated of works incarnated in Mesopotamia and presenting the text in symbolic structure, besides the pharos arts and what they presented of creek arts of analyzing processes and structure in the human and animal body also the art productions(Jerome Bush) which Surrealism sustained a lot of their characteristics which impact clearly and effective in modern Surrealism art and the second category in Surrealism and its transformations in modernism formations and after it which influenced by Existentialism and the physiologicalCanalyzing school especially Freudian thought and intellectual analyzing presented by Friedrich Nietzsche depended by Surrealism as fine art and its theories theoretically entirely and the third category disclose the starting and references and the Surrealism systems in British pottery which effected directly in develop and advance of British pottery leads to broad uses Surrealism - oriented confirmed by the modern period artists in their incarnation of the pottery product which the researcher depended in his research based on indications from which theoretical frame as a tool of analyzing the sample.As for the third chapter represented by the research procedures as follow : - The research community and its sample, then the research approach in which the research sample within the research community for the British potters according to time limit ( 1970 - 2014) and the sample was chosen deliberately consisted of eighteen pottery works and disclose justifications and method of analyzing the sample and the researcher depended the descriptive analytical approach for its consistence with trends, and visions of the immediate research depended on indications of theoretical frame mentioned in P.( 115 - 117)In the forth the researcher achieved the research results reached via them to disclose the Surrealism systems disclosed by pottery works represented by sample analyses and reached conclusions and suggestions then list of Arabic and Foreign sources and references lists and abstract in English language.

ملامح الفكر الفلسفي الاغريقي في الرسم الاوربي الحديث

اسم المؤلف: احمد علي كاظم السعيدي
اسم المشرف: كاظم نوير كاظم الزبيدي
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Current search study( the features of Greek philosophical thought in modern European painting ), research has included four chapters : Me first chapter from the framework of systematic research , represented by the problem of research that have been identified to answer the question (what features of philosophical thought Greek in drawing European modern ), and Browse importance, and it's needed, and the goal of the research was limited to defined ( Features philosophical thought Greek in drawing( EU talk) then custom and select the terms contained in the title search, the second chapter devoted to the statement of the theoretical framework and previous studies of the search , where divided into four topics , eating Section I : ( philosophical thought Greek in terms of (knowledge, beauty) when philosophers Greeks ), while addressing the second part : ( a historical perspective of the relationship reciprocity between philosophical thought and art of drawing EU, starting from the drawing Greek to drawing European modern ), while the third section handled ( the features of philosophical thought Greek in philosophical talk ), while taking fourth section : ( contents of the philosophical currents of art in the modern European painting ), and the theoretical framework of the review concluded indicators derived from the theoretical framework , to take advantage of them in the formulation of the search tool.The third chapter guarantees the research procedures and contains the following : 1 - the research community : Researcher briefed on what available publication of related charges identified the research community and in ( 120) artwork of modern European art paintings.2 - sample : the researcher selects sample after the presentation to the experts , which amounted to ( 19) works of art , including all directions modernity fee covers the limits of European research and its purpose.3 - Analysis Tool : Requests Find a analysis tool for fee artists modernity European , to detect the features of philosophical thought Greek in drawing EU talk , so deliberately researcher to build analysis tool is of introduction disclosure about the features of philosophical thought Greek in drawing European modern according to the following steps : First / formulation paragraphs : Researcher adopted in the formulation of paragraphs on the theoretical framework indicators , and noteArt works of European painting schools to talk to the research sample , he put in philosophical axis features Vertical , and artistic currents of modern European painting schools in the horizontal axis on the form.II / Believe content analysis tool : the researcher to view the tool on a group of experts inThe field of art education and fine arts to express their opinion in the validity of the analysis of the features of philosophical thought Greek in drawing EU talk , to ensure the veracity of paragraphs, and using equation (Cooper ) Cooper, and the percentage of agreement among the experts have reached rate (92% ) which is reliable , after that gained virtual honesty , and equation ( Scott ) to calculate the stability of the tool , with a persistence rate ( 83.5 % ) , and become a viable tool. III / Analysis of the research sample : The researcher analyzed a sample of the research community in the light of paragraphs search tool to access the search results.The fourth chapter handled ; review of the search results , and the conclusions drawn , and the findings : 1 - Emergence feature Happening and Change( Heiraclaitism ) and the expression of the driving forces behind the phenomena of nature in the future technical school.. Where painter EU sought in modern painting to record the moment time accelerating toward changing the visual landscape of the universe , all things in the universe, in the case of the process of change , the world is not fixed on a particular case. This is what philosophers Greeks ( Anxsmander ) , and ( Heiraclaitus ) , and later ( Plato ) hundreds of years ago , and as it appears in the form (1 ), and ( 7) of the sample. 2 - Emergence tendency Engineering ( platonic ) , fees ( Cezanne ) Impressionism, and school fees ( cubism ) , and school ( for the future ), and fees for abstract ( Mondrian ) and ( Malvi? ). Where modernity painter taken the registration point of European self trying to blend the kind of rationality in classic formations ( the hierarchical configuration ) , and the Impressionist vision that is trying to express the variable, and mutated forms of the world that change with surfaces formats. He wanted painter European express the essence of facts shapes found in nature and which belongs to shape the absolute in the world of ideals , which is achieved by sharp lines and geometric shapes box and roller circle, as mentioned ( Plato ), also note that in the models (2), and (6 ), and ( 7) and ( 11) of the sample.3 - Action painter European modern to stay away from the simulation sensory direct ( platonic ), to disclose the deep structure hides improvisations self cancel manifestation abroad to reflect new insights Delivered on fact, the visual contemporary vision , pursued painter European modern to promote the concept ( Platonic ), which finds that beauty lies in abstract shapes also appeared in school in school ( Cubism ) and ( future ) and school ( abstract ), scene visual illusion and shadows and ghosts of the truth as seen ( Plato ), and then on the artist searching for the truth essence, the remaining time. This is what we notice in the models (6), (7), (8), (9), ( 11 ) of the sample.The search also reached several conclusions , including : 1 - found painter European modern Greek thought keys radical solutions to many of the problems that was Want go into it, also found the starting point for the prospects of a civilized new what will happen in the twentieth century and the subsequent sync with the role that caused the world's statements modern scientific and radical changes carry are other attributes intellectual vision consistent with the propositions of Greek thought , there is no peace or standard stand - alone nor space - standing , and dimensions of the stand - alone, this revolution in the face of the Laws seemed suddenly like reforms Hjmtha and Haunted reactions against ( realism) and against signified year 's theme , which stems from susceptibility of us.2 - movements invasion of Europe that have emerged in the seventeenth and eighteenth centuries, especially the invasion (Napoleon ) for (Italy) and the Mediterranean coast , led to bring a lot of books and cultural relics and art to (France) , Which had a leading role in the development of Western civilization. was one of the most important elements of this intellectual movement is a rich intellectual inventories of Greek civilization.The Greek civilization and culture, roots and the intellectual foundation of the Western mindset , they are formed by installing a Western man mentality, and thus was leading philosophers of the Middle Ages and the modern can not get out of the mantle of thought ( Platonic ), and ( Aristotelian ).