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الخصائص اللحنية والايقاعية للتهليلة والذكر القادري : دراسة تحليلية == The Melodic And Rhythmic Characteristics of Al - Tehlila And Al - Qadiri Recital “Analytical Study
Author name:
انمار علي حسين
Supervisor name:
حسام يعقوب اسحق
General topic:
Fine Arts
Specific topic:
Musical Arts
Degree:
Master
University:
University of Baghdad - College Of Fine Arts - Department Of Musical Arts
Language:
Arabic
University location:
Baghdad
First pages:
18T1017 - p.pdf
Abstract:
The research comprises a list of contents, five chapters, list of references and annexes.The First Chapter “The Methodical Framework” in which the research studied the Tehlila and the recitals as samples of Iraqi religious singing; as this type of singing has not received enough attention on the studies of researchers according to required scientific vision. The researcher attempted to study this matter in a methodical way to identify the melodic and rhythmic characteristics of Tehlila and Al - Qadiri Recitals, and then explain the significance of the research by several milestones. Afterwards she studied the objective which is the discovery of characteristics of the said Tehlila and recitals. The objective threshold of the research was the melodic and rhythmic characteristics of Al - Qadiri Tehlila and recitals. The time perimeter was (2003 - 2013). Whereas the location perimeter was the shrine of Abdul Qadir Al - Gaylani in Baghdad. The Second Chapter is titled “The Theoretical Framework and Previous Studies” in which the researcher demonstrated a chronological presentation of the origin of song within various civilizations to include Mesopotamian civilization in the ancient Iraq, and the song in the pre - Islamic age, Islamic era, religious music and singing in the Ottoman age. In the second section, she addressed the religious recitals within the divine religions, then she the Sufi approaches in Iraq, the religious recitals in Iraq, and presentation of Al - Qadiri Tehlila and recital music definition, and their objective features. The researcher presented previous studies, namely two academic studies of researchers Zinat Mahmood and Arif Mohsin.The Third Chapter is titled “Research Procedures”, in which the researcher determined the descriptive - analytical approach, and then she selected the research community, and the targeted audience of (10) samples within the community. Thereafter she addressed the analysis system which she prepared and then the tools employed in the research. While the Fourth Chapter “Musical Analysis” which is devoted to the musical analysis of the selected samples that the researcher divided into two groups : Tehlilas and Al - Qadiri Recitals. The Fifth Chapter which is titled “Musical Analysis Conclusions” of samples of the two groups by which the researcher realized the indicated conclusions according to the required objective of this research. Then she moves forward with the recommendations and suggestions, followed by a list of references and annexes, and then the abstract with its title written in English language.
