العلاقات الشكلية وجماليات التشكيل الخزفي المعاصر في المانيا : دراسة تحليلية == The Formulative Relations And Aesthetics of The Contemporary Pottery Formation In Germany (Analytical Study)
Author name:
ازهار محمد علي محمد الجبوري
Supervisor name:
جبار محمود حسين العبيدي
General topic:
Fine Arts
Specific topic:
Porcelain
Degree:
Master
University:
University of Baghdad - College Of Fine Arts - Fine Arts Department
Language:
Arabic
University location:
Baghdad
First pages:
18T1051 - p.pdf
Abstract:
يعني هذا البحث بدراسة (العلاقات الشكلية وجماليات التشكيل الخزفي المعاصر في المانيا)، مسلطا الضوء على انظمة من العلاقات الشكلية التي تولدت داخل البنية الفنية للمنجز الفني والكشف عن هذه الاساسيات في العملية الابداعية وعن طبيعة الحركة التشكيلية الالمانية ال | The research is concerned with the Formalitive Relations and Aesthetics of the Contemporary Pottery Formation in Germany. It sheds light on the systems of formalitive relations in the creative process and also on the nature of the Contemporary Pottery Formation in Germany, specially pottery and earth ware which bears the characteristics of and senses of the formaltive relations and the aesthetics of the pottery in expressing the new raw material and methods, and that manner of treating these relations focusing on the structuralism of component units of the pottery work through the formal distribution of the artistic items.The study was divided into four chapters. The first chapter is concerned with the problem which is the aesthetic and formalitive treating of the relations and the elements common in the Contemporary Pottery in Germany and importance, objectives, limits of the study as well as determining the terminology. The second chapter is the theoretical framework, which tackles the importance of the form in terms of appearance and the method of appearance for the philosophers and critics and artists inside the structure of the art work. the chapter included four inquiries. The first inquiry included the importance of form in Contemporary pottery and the dialectic relation between form and content. It also included several pivots such as the showing the alterations of form for the movement of art like the modernized classic, Romanticism and for the critical attitudes like structural, semiotic, deconstruction, and modernism and what follows reaching up to the concept of aesthetic in the modern art.The second inquiry treats the nature of the formaltive structure of Contemporary pottery in Europe through citing some of the school of arts starting with realism and ending with brutalism. The third inquiry tackles in general the theme of pottery represented in Contemporary pottery in Europe and in stating the most important European potters who practiced pottery and whose works are studied. The fourth inquiry states the nature of contemporary German pottery through reference to some of the German potters, the pioneers in particular. The third chapter is a base for the application of that base according to systematic method that makes the studied sample of the researcher of the original community in order to reveal the objective of study and analysis the formal relation of the German potters.The results were attained through the stating and studying the pottery samples to which the fourth chapter is allocated. The researcher reached to the following results : 1. The correlative relation between the art of pottery and pottery of sculpture which comes through the elements of plastic art and the primary principle as common shared unit.2. The appearance of the formatlive relation in the Contemporary Pottery Formation in Germany as tight relations through a common mechanism which used in achieving.3. The German potter tends to the structural relations of the form in some of the potter and sculpture works and according to the artistic view of the theme.4. A movement among the items of the artistic achievement was generated through the effects of the German references which activated the artistic, which rendered the characteristic of totality and unity to the achived work of art.5. the formalitve relations Contemporary Pottery in Germany comes in the feature of the formalitve specially ion the style of the German potter and the existence of a common relationship between the potter and the sculptor in creation shapes such as geometric shapes and abstract.6. The German potter merged together pottery and sculpting with maintaining the particularity of each, but in a method that invest the technique of painting in his achieved works.7. The appearance of varied technique which has had the role in taking the used raw out and in the manner of using it in the achieved work. The chapter also tackled the concluded findings and the suggestions an d recommendation which the researcher found necessary.
