التنوعات التصميمية في اللوحة الحروفية الخطية == Design Variation In The Colourful Calligraphic Paintings
Author name:
علاء عطية داخل محمد
Supervisor name:
عبد الرضا بهية داود
General topic:
Fine Arts
Specific topic:
Calligraphy and Decoration
Degree:
Master
University:
University of Baghdad - College Of Fine Arts - Arabic Calligraphy And Decoration Section
Language:
Arabic
University location:
Baghdad
First pages:
18T1015 - p.pdf
Abstract:
يعنى هذا البحث بدراسة التنوعات التصميمية في اللوحة الحروفية الخطية، بوصفها واحدة من الاتجاهات الفنية الجديدة، وما تميزت به من مواصفات فنية شكلت انفتاحا نوعيا للخطاطين في السعي بهذا الاتجاه. وقد ساعد ذلك في اغتناء وتطوير التنوعات التصميمية لهذه الل | This research study deals with designing varieties of painted calligraphy, as one of the new Artistic trends, and was characterized by its artistic specifications that formed a start for calligraphers to pursue this trend.This has helped in enriching and developing the designing varieties of these paintings, considering these calligraphic paintings as achievements that bring out alphabetical letters in specific artistic formats. This has had a clear impact on the tendency towards an artistic development and bringing out design structures that are unrestricted with traditional structural forms. The emergence of these artistic calligraphy paintings is a natural outcome of the development of Arabic Calligraphy and how it has been handled designingly in accordance with the principles of Arabic Calligraphy and its general restrictions.Using samples of these Calligraphies, the researcher has presented his research study issue with the following question : What are the designing variations of the Calligraphy paintings?The importance of this research is related to the fact that these calligraphic paintings are a wide field of invention, renewal, creativity, and change, especially in the composing structure of the painting. This research will be more helpful for future researchers in the field of Arabic Calligraphy.The focus of this research is to uncover the designing varieties of the Calligraphy paintings and identifying the areas of creativity and beauty that emerged in countries like Iraq, Egypt, Iran & Turkey through the period (1965 AC/1385 H) till (2013 AC/1434 H).The second chapter contains the theoretical frame work which in its turn is composed of three researchable subsections : the first one deals with The Emergence and Development of the Calligraphic Paintings and what they went through during the developmental process till the birth of the concept of Alphabetical Calligraphic Paintings. The second subsection is dealing with the Artistic Characteristics and Beauty of these Calligraphies. The third section handles the varieties of designs in both the Free and geometrical aspects. Followed by reading of the theoretical indicators of the framework and previous studiesThe third chapter has the research methodology which has adopted a descriptive method. There were 79 calligraphic paintings and the researcher took 8 selected painting which is approx. 10% of the total number of the paintings. The selected paintings have undergone an analysis using an analysis form which has 4 pillars accredited by Specialists The fourth chapter presents the outcomes and conclusions which are : 1) Benefitting from the flexibility of the Arabic Calligraphy in finding calligraphic compositions.2) The artistic variability of the calligraphic painting in both ways : organizing or composition construction. 3) The flexibility in changing the measurement shapes and direction of the letters leads to inventing new distinctive letter compositions.4) The various shapes of one letter help the calligraphist in deciding the suitability of one formatting instead of another in the process of building the structural design of the compositions of calligraphy.5) The Arabic Calligraphic Compositions are considered as a kind of liberation from the domination of the (classical) traditional compositions.6) The characteristic of composing and overlapping the letters and words have lead to a designing connection which helped in forming the composition and the general outlook.7) The calligrapher has been able to make the letters flexible to satisfy their artistic taste by extending and lengthening the letters when composing in order to show the infinite beauty of the letter.The researcher comes to the following conclusions : 1) The calligraphic painting is the outcome of the development of the Arabic Calligraphic Art and this is due to the fact that the global art movement is in continuous developing and the calligraphers sought to make this kind of art global.2) The calligraphic paintings have the ability to produce compositions with different shapes and designs, particularly the free format designs : the constructional feature, multi - faceted and the variety of the letters.The researcher recommends the following : 1) Teaching the designing variety of Calligraphy in the college of Fine Arts and the equivalent educational institutes considering it as a new trend in the Arabic Calligraphy. Take the research study conclusions and outcome into consideration and get the most benefits of them and consider them as evolutional point when comparing between calligraphers in art events competitions, exhibitions and festivals.
