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عينات المجتمع الاصلي للبحث الموسوم بـ الشكل ودلالاته في الفخاريات والخزفيات البابلية والاغريقية : دراسة مقارنة == The Form And Its Significance In The Babylonian And Greek The Pottery And Ceramic

Author name: كريمة هاشم محمد البيضاني
Supervisor name: زينب كاظم صالح البياتي
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
University: University of Baghdad - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: في البدء لابد لنا، ونحن نخوض في مضمار بحثنا الحالي من تحديد موضوع الشكل والدلالة وتعيين موضوعها المقصود في الفنون بصوره عامة والفنون التشكيلية والفخار والخزف منها على نحو خاص، ولابد من تحديد مفهوم الدلالة ومعرفتها لارتباطها بالاشكال ومضامينها من خلال التا | In the beginning, we should delve in the determination of the form, and the significance of our research and determining what is meant by arts in general and plastic arts, including ceramic, in particular. We should also determine the concept of significance and its correlation with form and content through the exchanging effect between the signifier and the signifies. This connection can be explained through the visual discourse, especially what is implicit in the metaphorical pressures and what they pressures produce like religious dictorine, mythological, social and political which the natural and civilized environment has produced for Babylon and Greek. The study tackles in this field the form and its significances in the Babylonian and Greek ceramic and pottery works. The study was limited to the Babylonian and Greek ceramic and pottery works of art, specifically the Babylonian ceramic and pottery of the two old periods (1595 - 2004 BC) and the Hittite period (627 - 601 BC) and the Greek ceramic and pottery in the century (1800 - 500 BC). The study includes four chapters which cover the determined objectives. It includes : Chapter One : the methodology frame of the study which is based on the problem of study that is represented in the achievement of the Babylonian and Greek ceramic and pottery artistes how the internal and external pressures has affected the understanding of the significance of meaning of the form system in the Babylonian and Greek civilization and the external pressures like the culture and regions and politics which contributed to the foundation of indicators that satisfy the form and its significances in the Babylonian and Greek ceramic and pottery works through the period of the study. In addition to that, the chapter includes the importance of the study and the need for it according to the direct items in nature. It is important to point out that the study includes previous studies because there is none. Chapter two includes the exposition of the theoretical frame in three inquiries : The first inquiry tackles the concept and meaning of the general concept of significance and then defining the significance philosophically and then describe then according to the formal concept (iconic, symbolic, referential). Then, the significance and its reading were applied. The second includes the referential and intellectual pressures in the plastic arts of Babylonia. It includes the historical root and the intellectual pressures represented in the environmental mythological, political and social pressures. The forms of Babylonian pressures are also illustrated. The third inquiry tackles the referential and intellectual pressures in Plastic arts in Greece. It includes the historical root and the intellectual pressures represented in the environmental mythological, political and social pressures. The forms of Greek pressures are also illustrated.In Chapter Three which illustrated the procedures of the study represented in how to detect the society and choose the sample, and the methods and tools for data collecting and analysis. In addition to that, the researcher prepared diagrams in which some of the significancs have been form and matching them. Finally, the community of the study through the sample of the study which includes 12 samples varied between the Babylonian and Greek ceramic and pottery works out of 180 Babylonian and Greek earthworks. They were purposefully chosen using the assistant specialized professors in the field of ancient pottery like Prof. Dr. Zuhair Sahib in addition to the assistance of Prof. Dr. Majid Na’fa Al - Kinani. In chapter four the study comes up the following findings of the study which can be summarized as following : * The significance of the forms in Babylonian and Greek ceramic and pottery works are clearly reflected through the realistic forms and the organizations which represented in iconic and symbolic forms. Also, we found some unrealistic forms like the compound and abstract forms to represent some forms with significance the ceramic and pottery works. * Some significance has come with purposes of completing the level of the colorful functions on the level of Babylonian and Greek forms. * Ceramic and pottery works revealed the inspiration of natural themes and effects on pressures through which can artistic tendencies. The analysis sample analysis of ceramic and pottery works resulted in approaches in the significances.Finally, the most important conclusions of the study are tackled and based on that the researcher put some of the recommendations and suggestions. Then, the study ended with a list of references and resources.

ابعاد الشكل الجديد في التصميم الكرافيكي المعاصر == The Dimensions of The New Form In Contemporary Graphic Design

Author name: لبيد مالك يو سف المطلبي
Supervisor name: اياد حسين عبد الله الحسيني
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Doctorate
University: University of Baghdad - College Of Fine Arts - Design Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: يسهم هذا البحث في مراجعة شاملة لمفاهيم مكررة؛ يستنسخ بعضها بعضا، في سياق شهد تحولات كبرى؛ في الجوانب المعرفية، والثقافية، والعلمية، ليسلط الضوء على الشكل التصميمي؛ نظامه، وسماته، ووسائطه، وتقنياته، وعلاقته بما يجاوره من فنون، وانظمة | The thesis tries to give a comprehensive revision of some repeated concepts, each imitates the other. However, the social context has witnessed great scientific and cultural changes. The study also sheds light on the forms, systems, concepts and features, mediums and technicalities of design. It shows the relation of the design form to other adjacent arts and other symbolical systems. This is to enable as to feel the extent to which the design responsive to the already mentioned highly important changes, as it assumes a new form. The aim is to understand the nature this newness as it reveals itself in forms of design.The most important question is this : As the need increases a way that never been, before has the design given up its artistic identity and as being an organic element of what is now known as the aesthetics of arts and not as being a guest to it, borrowing from then its outward appearance. Its core, however, relates to what we may call as the demands of marketing. This deference between the instrumental outward function and the internal aesthetic function is the problematic dialectics of the new form to which the thesis has tried to discuss and to lay down operative concepts of new graphic forms through noting and examining their various models.The thesis consists of four chapter;Chapter one deals with the scientific framework which deals with the problems of the study, its importance the need for it, its aims, and limitation as well defining the most recognized terms as I envisage them.Chapter two (the theoretical framework) consists of four sections. The first sections suggests the intellectual dimension which shows the history of the aesthetic thoughts which has emanated from the philosophic arena known as the aesthetics. It also discuss the aesthetic changes in the language of the form. The ultimate end is to arrive at the philosophy of forms on the basis of the ideal, materialist, existential and pragmatic perspectives. This topic ends with the hermeneutic theory and the openness of the meaning of design.The second section (the sociological dimension) discusses the metaphorical transformation in contemporary graphic design, the metaphorical system and the manifestation of the nous form, especially in color metaphor.The section also deals with the sematic sign to narrow the gap between the function of the form and its beauty. As for the third section (the functional dimension of the new form), its titles go as follows : The new form between realization and meditation; the deconstruction of functional design from which DE familiarization the exclusion.The fourth section [the technical dimension] discusses the description of the technicality as being a tool for history, knowledge and art. Describes the hedge among of the technicality on human life and sheds light on the technical act and the concept of the new form.The section also talks about the effectiveness of the technicality on design and its limited scope of influence not on the form, its practical area but also on its significance.The third chapter is set to analyze models representing various types of designs such as slogan, commercial, environmental instruction and educational (poster, advertisement, heads of magazines, and covers. this models consists of twenty eight ones.Chapter Four comes up with the conclusion of the study which are discussed in details. The chapter ends with deduction and recommendations for further study.

جماليات الرسوم المستوحاة من قصص الكتاب المقدس == Aesthetics Paintings Suggested From The Stories of The Holy Book

Author name: لميع نجيب موسى ال سقط
Supervisor name: عاصم عبد الامير الاعسم
General topic: Fine Arts
Specific topic: Drawing
Degree: Master
University: University of Baghdad - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: The stories of the holy book and the way education image, shape, color, and does not seek the artist in his work to take out the features of the aesthetic, but also uses the aesthetics and plays a chord genius to arouse the passions of spiritual and stir the emotions underlying which, inventors faith in the heart of the viewer through religious text, which forwards it to the image Completed and optical, and thus something that causes feelings in the soul of the movement of faith in the heart of her scenes, and this is what it is keen artist or storyteller color that comes out of his portrait in the midst of weather technician transcends it to a state of spiritual insight.I have included this study, four chapters, the first chapter , a statement of the research problem and its importance and the need for it, and the aim of the research and its borders, and to identify the most important terms contained therein, has dealt with the aim of research known as the aesthetics of painting inspired by the stories of the holy book.The Chapter II included theoretical framework and previous studies, which included theoretical framework three sections the first section : the concept of beauty and image when Fathers of the Church, which he reviewed the researcher views of parents who strike depth of spirituality and had their philosophical vision and written for beauty and image. And ensure the second topic : the concept of the picture in the art Aldeames, and the war of images or icons. And ensure that the third section three axes, which included the first axis story from the Middle Ages to the Baroque, and the second axis assets shear in the holy book , and the third axis features aesthetic art Christian, has contained the third chapter on research procedures, the research community, the research sample, searchtool, the research methodology , and the analysis of the sample amounting to ( ) model. The fourth chapter evolved to include search results, conclusions, and recommendations, and proposals, and the most important findings of the researcher as follows : . Christ spoke parables which each story uttered to give comparisons based on simplicity, and a lot of analogies and images and to clarify very specific, so that helps the plot narrative or summary of the end of the parable in the understanding of spiritual truths, and use bywords from the ocean, some of nature directly and others social habits, for the delivery of spiritual reality, every such application gives spiritually for something familiar, as in the model ( , , , , ).. hire artist Christian symbols that carry a theme featured in the religious thought of the Christian, which contributed effectively to enrich the religious discourse connotations ideological such symbolic pregnancy, as in the model ( ), and the symbolism of the fish as in the model ( ), and symbolic aura circular as in the model ( and ), and the aura surrounding the body and head, as in the model ( ), and the aura in the form of the cross, as in the model ( ). The symbolism of the ball - and - stick model, as in ( ). And symbolic dirham and as in the model ( ).. showed the achievements visual inspired by the stories of the holy book that the viewing eye more uncertain and inflicted impact on belief, and that of comic possibility to rationalize events much more than reading and hearing that transmits events to it in the form of votes interpreted by the brain, turning it into an image changing and ephemeral, unlike the eye which turns images directly to the contents of certainty and clear and accurate, and that's what it seemed clear in most models.The researcher arrived conclusions, including : . relied artists throughout the centuries to giving Topics the holy book stories Testaments old and new, especially proverbs in most of their artwork, while the general topics less addressed, because the stories of the holy book - text literature that carry speech and significance, they represent system ideological aims publication of the Christian religion and the search for absolute truth and character of Jesus Christ , also served as a source of inspiration for artists who in turn follow up by the text of the plastic on the body of the painting.. painter Christian deal over the centuries through his artistic vision to the stories of the holy book in two directions : first eastern abstract art, because it rejects the diagnosis and fights the physical embodiment seeking to represent the Eastern Christian spirituality, icon , as in Syria, Iraq, Egypt and Byzantium. The second Western art depicts and embodies the objects and nature, as it seeks to represent the physical realism, such as statues and paintings of various technologies.. make the parents of the icon part of the ritual church (liturgy), it represents the expression of formal physical perspective on the one hand, on the other hand sense on the fact un known , has now become embodied in the picture, and see the picture makes the believer that looking at all the abilities saved to be understood and recognized, all of which are things want him back for a recall of colors during the announcement of Jesus Christ in the heavenly ilk. It is a non - listed historical events superficially, were written or church, but is basically a symbolic code which performs across the emphasis on aesthetic finality carries connotations of forms has become a distinctive character in the Christian religion.The search is over Arab

تداخل الاجناس الفنية في بنية التكوينات الخطية المعاصرة == Interpenetrate The Art Varieties In The Modren Structure Calligraphy Formation

Author name: لؤي نجم جرجيس امين البياتي
Supervisor name: عياض عبد الرحمن امين محمود الدوري
General topic: Fine Arts
Specific topic: Calligraphy and Decoration
Degree: Doctorate
University: University of Baghdad - College Of Fine Arts - Arabic Calligraphy And Decoration Section
Language: Arabic
University location: Baghdad
First pages:
Abstract: تعنى هذه الدراسة الموسومة بــ (تداخل الاجناس الفنية في بنية التكوينات الخطية المعاصرة) بالتساؤلات الاتية : 1. ما هي العوامل التي تحدد كيانية فن الخط العربي بوصفه عنصرا فنيا تشكيليلا ؟2. ما هي السمات التي تعطي فرصة لمنظومة التكوينات الخطية المعاصرة مسا | The wide opens of knowledge and inter penetrate achievements systems and their instruments and the down full the theory of the limits line between the varieties sorts of Artistic this subject puts on many complicated questions if they watched that it’s variety includes between it’s two one sides more than enther artistic Kinds , however it done by research confect rival and not ended trying into the fine disputes (struggles) about the structure form and the structure content and structure method (technique) and create the analogous by it’s beauty works and works on activation the Artistic achievement in it’s Same special kind As activation coalition and a harmony conscious analogy between many artistic billings (structures), according to the analysis theories and restructure by anew shaps to reach to the artistic invention for that the research’s problem represented by these questions : 1. Does the artistic of Arabic calligraphy structure some characters limitation of it’s nature by describing as artistic collection king?2. Are there another beauty artistic interpenetrate shaps into the formation of the modern structure Art?3. Does the out side from the establish of liberal and traditional gives an opportunity to the system after the modernize more spaces into the pavticipation.The research’s purpose into ansuer about all the quesitions which coming in the problem, so that the research restrict formation all kinds and which outlet on many different crudes and technicals whether on paper or clothes stons like buildings material as containers pottery soas adifferent writers to 2013 A.C.The theoretical side has these subjects : the unders too d(aspect) of interpenetrate varieties in formations or directions of structure disgn and the relation building between the artistic varieties (the relation of calligraphy and AL - Munamnamat, the (Calligraphy) structure letters relation with artistic build (architectural) The pretty up of calligraphy and homogeneity with the carried master piece The graphic Art and it’s interpenetrate withen the calligraphy formation, instead of the construction of the structure formation. The conditions forms (the construct of the modern) structure formation building, The technical construct, The borrowing in the structure sort , the elements of formation in the structure sort. The researcher followed by his procedures the Description analysis theory to reach to the some results to make iti purposes and resolve it’s own problem and complete chose the sample by intend way which they have the numbers of the samples into (15) from the totel numbers (134) shaps. and deter mination appliance (form) and presentation into the experiences to make sur that from it’s validity, and achieved to make the purposes this research is reaching to some results some of them : - 1. There is more than an element and interpenetrate system with the modern structure formation, there is (the shape system, the design system to face each other system, changeable system, and borrowing system.2. The technical character, it’s the type which marked by the sort of modern structure formation into majority artistic achievements which it’s own quality on basc like this kind.3. there is a clear to face each other and interpenetrate by the kinds the artistic collection with the modern structure formation sort. That will be a clear with the shapes systems and the ways of achievement by another kinds of collection especially at the modern artistic schools : and we can limitation the variety interpenetrate in the modern structure formation into : A. To face each other with the modern artistic carve.B. Interpenetrat the Art of design, pottery, Decoration and drawing with the structure variety.C. The interpenetrate the graphic Art and it’s own sensitive the structure variety.D. Face each other with the art of architecture and the monument.4. The modern calligraphy variety witnesses, Transformation from it’s ancient benefit, into the beauty shape and the relation with modern artistic collections.5. The modern calligraphy variety contain with the beauty valuable by done with interpenetrate out side and inside the spaces in the work. The space factor has a central and an effect work into the formation setup.The researcher rec0mmends, and to benefit from his recommendation and his expressions by confess a subject about the artistic interpenetrate varieties as a lesson or matrial for the higher studies and to directe the calligraphy writers students in the initial studies to produce the calligraphy working brojects to be the inter penetrectes more than one types from the Artistic variety and the researchers suggestion that to give a comparison studing between the modern calligraphy structure formation and the artistic collection with interpenetrate by achivements forming (fulfillment) and gives a study conception of the facing each other aspect aspect and borrowing and trans form in the modern calligraphy structure formation.

تنوع دلالات الاشكال المرئية في تصاميم الاعلان التجاري == The Diversity of Semantics Shapes Visual Designs In Commercial Advertising

Author name: ليلى علي رجب العبيدي
Supervisor name: هند محمد سحاب العاني
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
University: University of Baghdad - College Of Fine Arts - Design Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: يتميز الاعلان بانه قوة اقتصادية واجتماعية لايستهان بها ويعتمد نجاحه على قدرات المصمم الابداعية في توظيف عناصر التصميم بشكل ملفت للنظر يجذب المتلقي الى منتج قد لايكون بحاجة الى استهلاكه، ان اهم الاسباب التي دعت الى اختيار موضوع (تنوع دلالات الاشكال المرئية | Featuring announcement that economic power and social supports his success on the capabilities of designer creativity in the recruitment of design elements strikingly attracts the receiver to the product might not need to consumption, the most important reasons for choosing the subject (the diversity of semantics shapes visual designs in commercial advertising) is the ability of advertising to accommodate commercial designs with various connotations in visual formats, To give commercial advertising regeneration and dazzling ability to continue to acquire the attention of the receiver, who is under dozens of ads a day packed with ideas and images and connotations, but hotshot designer is able to implant the idea in the mind of the receiver to deliver a desired response from the entire advertising process. The search included a summary and four chapters, where the fact that the first chapter, the methodological framework of the research, which included the research problem represented by the following questions : 1 - The Semantic shows diversity in the visual forms only or whether the in the ad business?2 - How Semantic diversity arises through advertising formats across its design and progress of the sensory response and aesthetic towards fees or words in aboard commercial advertising, including advertising ensures speech affect the customer?The importance of research in being important addresses placed a semantic diversity of forms of visual designs in commercial advertising, as it is a point proceed in the field of advertising design and Learners in the Department of Graphic Design. In addition to the limits of temporal and spatial search, objectivity and research community goal of commercial advertisements in magazines and appointed Iraqi who represented the Iraqi network magazine advertising, then the researcher has identified search terms. The second chapter, which included three Investigation handled first section origins and evolution of commercial advertising any announcement date and stopovers on the most important stages undergone by the announcement from oral to written and evolution witnessed after the invention of printing, and new technologies and the impact of the spread of newspapers and magazines on a variety of designs The second part, the idea of design implications and dimensions in the Declaration traders have had placed significance in some detail cross - check ideas advertising, which represent the basic building block in the design, advertising through the shapes visible through (consistency, installation, mystery, clarity.) To form the meaning inherent behind the figure inIn this sense, design disclose the same result demonstrated icon and marks (iconography, symbolism, and indicative) reflects the appearance of the other meaning of her beauty functional verification, The third topic was the visual way and methods of design in commercial advertising, and was the first section talks about the formats of video and how organized according to the specific configuration and employ symbols written and image forms and types and logos in addition to employment chromatography and the rest of the elements (point, line, shape, space) according to the principles of design (unity and Diversity, General balance, repetition and rhythm, contrast, and sovereignty), which operate within a system architecture (focal length, radial, linear, synthesis, reticular, circular, random Speaking section to the methods directorial design mismatch image or cartoons or writing or combines more than style and all that in order to achieve the purposes of design to announce commercial next career and expressive and aesthetic, then the indicators that emerged from the researcher of the theoretical framework and previous studies that touched in one way or another study researcher then comes the third chapter which deals with procedures for research and analysis of the sample intentionality a group of ads in the Journal of the Iraqi network and discuss the results, which was the most important : system architecture (focal length, radial, linear, synthesis, reticular, circular, random Speaking section to the methods directorial design mismatch image or cartoons or writing or combines more than style and all that in order to achieve the purposes of design to announce commercial next career and expressive and aesthetic, then the indicators that emerged from the researcher of the theoretical framework and previous studies that touched in one way or another study researcher then comes the third chapter which deals with procedures for research and analysis of the sample intentionality a group of ads in the Journal of the Iraqi network and discuss the results, which was the most important : 1 - domination formalism based on the total area of occupancy Advertising exit conclusions, including that the semantic diversity does not respect the idea, method, or purpose, whether aesthetically or functionally, but that diversity holds in all the design process.2 - The perceived importance of the logo in advertising for each product being a commercial adds meaning and value of Advertising in the expression of his identity and a sign of trust between the consumer and the product.There were also recommendations for the researcher including : 3 - The designer uses label (symbol, icon, signal) in advertising design elements to demonstrate the commercial product because it tightens the receiver and it connects the idea of substance that particular day became tired recipients simplified format is clear.4 - The designer uses the mark (symbol, icon, signal) in advertising design elements to demonstrate the commercial product because it tightens the receiver and it connects the idea of substance that particular day became tired recipients simplified format is clear.Proposals5 - The designer uses the sign (symbol, icon, signal) in advertising design elements to demonstrate the commercial product because it tightens the receiver and it connects the idea of substance that particular day became tired recipients simplified format is clear.

الاساليب الجمالية والفكرية للاعلان التلفزيوني العراقي المعاصر

Author name: ماجدة سلمان محمد
Supervisor name: عبد القادر خلف الدليمي
General topic: Fine Arts
Specific topic: Audio and Visual Arts
Degree: Master
University: University of Baghdad - College Of Fine Arts - Department Of Audio And Visual Arts
Language: Arabic
University location: Baghdad
First pages:
Abstract: يتميز الاعلان بانه قوة اقتصادية واجتماعية، ويعتمد نجاحه على ما يتضمنه من قيم فكرية وجمالية، وليس مجال بحثنا العمليات التي يحيل اليها النشاط الاقتصادي للاعلان، فقد حاولت انماط من الاعلان ذات سمات جمالية وفكرية ان تخرج عن النموذج الاستهلاكي الى افاق اكثر ان

استخدام تقنية العجينة المصرية (Egyptian Paste) في انتاج اجسام خزفية مزججة == The Using of Egyptian Paste Technique To Product Glazing Bodies

Author name: نبيل مصطفى محمد الركابي
Supervisor name: احمد هاشم عبد الكريم الهنداوي
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
University: University of Baghdad - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: يتناول البحث استعمال تقنية العجينة المصرية ( Egyptian Paste ) وخلطاتها ذات اللدونة المنخفضة في تشكيل بنى باحجام وابعاد واساليب مختلفة باستعمال خامات محلية وانتاج رائب زجاجي يطبق على الجسم الفخاري ضمن مدى حراري تتراوح بين ( 850 - 950مه).تم استعمال سبعة | This research deal with the technique of Egyptian Past and it's mixtures which have low viscosity in forming built in a different sizes ,dimension and styles by using local raws and produce slip glaze stack on the pottery body through temperatures between ( 950 - 850c ). We use seven local material included sand (Arzama) ,Cawolen (Dwelka),Calcium carbonate(AL - Jabha)Bentonite and unlocal material included Sodium carbonate ,Sodium bicarbonate, feldspar soda added in different ratio after sieving and grating and chemical analysis to determined the properties and the continent of materials added to five mixture managed from references and internet adjusted according to researches s' aims.We evaluated the results and select the sample of researches from the whole models depend on researches s' aims and we made several tests on the sample s' models such as plasticity test, efflorescence salt test, porosity,absorption , density , linear shrinkage ,hardness, scratch hardness of surface,the analysis chromatic , glaze surface topography , formula units.From tests we know that the rise of clay ratio to (30% - 45% ) increasing Plasticity and produce body in a different dimension and the rise of water percentage to a specific level produce slip glaze stuck on pottery body beside using of alternative feldspar made suitable results and the rise of Fusing material ratio led to reduce porosity , absorption , density increasing and forming bound body.and the mixtures s' glaze appear so opaque in spite of ratio of (R2O3 - RO2 ) produce transparency glaze. The reason of darkness is the adding of colored oxides (RO ) group to earthenware glaze beside silica percentage (Higher than the equilibrating ) and gasses resulting from reaction. The slip stationary on pottery body depended on paste texture and body pores ability to absorb liquid and salts which work after firing to fix slip on the body , and the appearance of glaze on surface depended on self glazing of mixtures s' contents and ratio of efflorescence salt weight which reach to surface , beside the heat s' effect on surface

صورة الاخر في الرسم الغربي والعربي المعاصر == Other Image In The Painting Western And Contemporary Arab

Author name: مازن هادي لطيف
Supervisor name: حيدر عبد الامير رشيد الخزعلي
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Doctorate
University: University of Babylon - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Babylon
First pages:
Abstract: يتضمن الاشكال المعرفي لصورة الاخر تشعبات معقدة, تضفي على الاستعمال الثقافي سلطة مهيمنة على طرفي الصراع ( شرق / غرب) لتكون الصورة ذاتا منقلبة على نفسها لتعيد انتاج اخرية الانا من موقع الخطاب والتاويل تحت طائل الجغرافية وترحيلها الى العلامة الثقافية التي تق | Forms of knowledge to the image of the other includes the ramifications are complex, to confer on the cultural use dominant on both sides of the conflict Authority (east / west) to be the image Mata overturned on itself to re - otherness Alana production of discourse site and interpretation under the geographical pointless and carried over into the cultural brand that offers us (Islam / Kafr ) With combines shifts moot models each culture reflect the mechanics of strength against the other and remove him in the contemporary world, so that could be another image available for use in the arts all, particularly in the drawing, which found attending actor in the consolidation of the stereotype of the Arab East in light of the historical and intellectual Tbdyatea and theses philosophers and thinkers west of the project, which allowed the other concept that reflected a phenomenon subject to examination and study in Art, where the research contained four chapters, the first chapter cared methodological framework for research represented research problem which is determined by asking the following : What are the other image in the western painting and contemporary Arab?With the aim of the research : Identify the other image in the western painting and contemporary Arab. The limits of the research, it has been limited to the study of the other image in the western painting and contemporary Arab for the period from 2003 to 2014.The second chapter has included the theoretical framework and previous studies, which included the theoretical framework of three Investigation, accept the first part, intellectual approaches to the concept of the other, was stopped at the views of the most important philosophers and thinkers of the three monotheistic religions and discussing the views of contemporary colonial projects.The second topic also addressed other Tmasat as other mechanisms that painted a picture (such as Orientalism and Occidentalism and colonialism, terrorism and the flesh trade and globalization of knowledge and religious belief) and ended the second quarter with the reflection of indicators of research and discussion.The third chapter has included actions concerning research and community - appointed and research methodology, and then the sample was analyzed (23) model.In the fourth quarter included the search results and conclusions as well as recommendations and suggestions, and the main results that have been reached : 1. provided us with the American artist Anita Kunz in the sample (2) the other image in light of Semiotics clothes that worked to show the identity of both the Christian and Islamic religion with a statement of image and contemporary dialectical movement of history and development of the conceptual relationship with each other every day and cultural details in line with the vision of women the impact of cultural reality each identity of the identities of the women, according to the Orientalist perspective as one of the structures, the conceptual foundation of the image of Arab women Almoshh Arab Balkhmar and statement image of Western women trendy image to serve as a platform to know each other and consolidate the stereotypical image of our God and Hinak, including give us a visual perceived cultural and civilized. 2. makes the mind western Aladhati image of human monstrosity in contemporary his being in the sample (2), where the highlights Chia rights as the last subject to the processes of self - destruction in the light of the dominance of Western military power and demonstrate technical strength, science and transform the human to machine consumer deadly working to right the Arab - Muslim the other Specifically, what is the project to sustain the reality of Western power and will. 3. intake artist Samuel Bak in the sample (3) international, social and cultural isolation experienced by the Jewish community as the only group that suffer from ocean disharmonious like symbolically expressed the fact that its existence as an entity is not desirable, since all the Arab neighboring countries it considers an enemy contributes to the destruction of the social and political structures in the Arab region, including marks self Tense image amid the frenzy of the Arab community against the other rapist of Palestine, leading to the other Cancel force, and contributes to the self - knowledge as opposed to know each other as in the diagram (16) based this on the structures of formal level Heavy blocks and lines and families of color gray.4. gave us the Spanish artist Lopez in the sample (4) the other image of the marginalized and is suffering from a loss of cultural identity under the manifestations of the image of globalization, which created a new system of contemporary life is dominated by the mechanism of overlap Alhoiati among vulnerable people suffering from the reality of economic bad, others urged to move to the West and integration identities and environments is consistent, so that became a distraction and Nomadic one of the most important elements of the crowded Western societies stranger and newcomer, especially North Africa and the countries near Europe Mediterranean coast, where he produced globalization global perspective economies are fragile and unstable robbed each other's identity and turned to the strange object and lost.One of the main conclusions were : 1. other image in the West are still stereotyped working on the embodiment of the Arab Islamic fatigues traditional and ancient culture, while highlighting the Western image according to the concept of power and tyranny, who scored through the contemporary history of the crisis and existential sharp working to highlight the status of aggression against the other on the practical application level in the light of the current challenges and rising conflict and changes taking place in the Arab region to implement Western agendas to ensure the dominance of the West in the Arab communities that suffer from the ongoing wars and bloody coups account and the deterioration of the economic and cultural reality, which is what we've seen in the recurring image of strength and colonialism variations. 2. other image is formed in accordance with the following directions : Self defeated A front of the other.B other strong unbeatable.C cultural self - identity that work on rooting image pride existence of a special identity does not erase the other, despite the dominance of technical, scientific and cultural rights in the contemporary world.D cultural Alahjna that formed the modern concept of otherness through Tbdiat attending globalized.His death and war in their capacity as two sides of the same coin, the other image is different forward intellectually, socially and culturally to the extent of genocide, exile and displacement and unload the place of his identity.And violation of human picture of the last of what is unwanted object.G continuing discourse of Orientalism and the consolidation of the stereotype of Arabs in the minds of Western man.But at the technical level the other has faced a crowd shape homogeneity essential for humans based on dialogue and tender, as he used the Arab artist mechanics western artwork for the formation of the same intellectual mechanisms and instrumental, technical and helped bridge the gap between the ego and the other across Tmasat knowledge and integration civilized human in the modern world, use Artist Arab Bank painting to express mastery toward the other and draw a self - portrait and knowledge of others in line with the nature of the relationship Almkhialah each, also used self - oriented techniques and haploid codified in his artwork.

ماهية النظام الكامن في فعل التصميم للاعلانات التجارية

Author name: دنيا محمد عناد
Supervisor name: خليل ابراهيم حسن الواسطي
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
University: University of Baghdad - College Of Fine Arts - Design Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: تعنى هذه الدراسة اهمية لايجاد صلة مبدئية نظرية في بناء النظام الكامن وما يتضمنه من مبادئ ومفاهيم فكرية وفلسفية من خلال الافكار والاساليب الاخراجية التي تتعلق بالتطبيق العملي لتحقيق النظام الكامن في فعل التصميم ادراكيا الذي يؤدي الى وحدة الفعل التصميمي م | To deal with the significance of this study ,is theoretical ignition ,to the construction of the concealed System, and what consists of principles and philosophical and intellectual concepts, through ideas and directional methods ,which related to the practical application ,in order to achieve the concealed System, in the act of design ,that perceived cognitively, This leads to the unity of the act of design objectively and functionally. To increase the leverage of influence on the audience side, in that it supply the cultural side with a recent and development study, for the design of commercial advertisement. To the lack of a study, dealing with a subject of the concealed system in the act of design, including an act worthy of its importance ,in the process of design ,and its technical construction ,which meets, the requirements of the designing process ,influence and delivery, So this study is tagged under the title " The Essence of concealed System, in the design act, of the commercial advertisement" through four chapters. The first chapters included, the focused on research and the need for it. This focused on the question ,of what is the concealed System in design? And what is ,their impact in the act of design?Hence ,the importance of research comes with in some specific justifications : - 1 - It contributes to highlight the directorial methods, with the concealed systems in the act of design.2 - IT contributes to the development of visions and the skilled capabilities of workers, in the design commercial advertisement.The objects of study are represented by. revealing the concealed systems ,in the structure of designing the commercial advertisement, and laying down the essential foundations to the act of the concealed systems, according to the following : - 1 - The confirming on the fulfillment of the concealed system in the act design , through achieving an expressive unity, to establish the unity of the designing act , through consistency of the apparent formal elements , with the content of the concealed idea , at the heart of the direct sensory perception , this leads to the achievement of a high communicative value , used as an instrument , producing the concealed meaning , through excitement , and attracting attention , towards the product by the act of the concealed expressive forces.2 - The confirming on the expressive forces , to the concealed system , in the act of design , through modulation , and changing in the design elements , by adopting the mechanism of deletion and addition.3 - Achieving the presence of the concealed designing systems , by the act of the formal distinction , through the apparent designing systems , in a way that relies on the objective expression about designing idea. In addition to present an applicable proposal to the concealed influenced systems , in the act of design. The research limitations were represented by the printed commercial advertisement , in the foreign and Arab magazines , that released by the following states : Syria - Lebanon - Saudi Arabia - The United Arab Emirates the united states of Ameriea , for the periods from the year 2004 - 2009. As well as determining the terms , which contained in the study title. The second part came to cover the theoretical framework , and the previous studies , which found by the "female" researcher. They are adjacent studies to the current study , in the field of graphic design , approaching the subject of research , without being involved in it. The previous studies had been agreed with the current study , in terms of addressing the subject of system , and the formal systems , which differed in terms of meaning , the content and the target. In regard to the theoretical framework , that included four fields of investigation. The first part focuses on what is the concealed system , in the act of graphic design. And according to the second part , which has been focused on the "Concealed forces in the design" and the third part included "The structure of the commercial advertisement design " The fourth part contains "The methods of the commercial advertisement design " along came the theoretical framework in several indicators. Then the third part has been allocated for research procedures , in that the "female " researcher followed the desecriptive approach , as a method of analyzing the content , for the purpose of monitoring phenomena - Since the unity of analysis has been specified , for it's being carry out the integrated communicative ideas , that can be drawn from it ideas by analysis. And thus it formed "20 " units , as samples , and in proportion to 20 % of the research community. These were selected in a non - intentional potential way to be close to the average of the phenomenon , which are being searched , and for the following reasons : 1 - The availability of the objective reasons for each advertisement.2 - The quality of the print , and the particularity of its intellectual arguments."The female" researcher has come through a number of results and scientific conclusions , that has achieved the plotted targets of the study , and some of the results are : 1 - the concealed systems contained several techniques in the act of design , like the formal lending techniques , the formal referral , and the integration between the positive and the negative picture , the element of surprise and amazement in the expression , and the style of technical processing , which could be used to help in achieving the concealed systems.2 - The impact of the concealed systems on the designing act , is associative , that comes through the connection of the main idea with the advertisement content , as a result to the correlation of the implicit expression forces with the semantic suggestive , which broadcasting the form , to achieve the unity of the designing act , to stimulate the drawing of attention.3 - To achieve the concealing system it produced as a result that each designingly space , has it's special system , through a combination of an unusual , innovative forces , to be as incentives for working on directed eye movement, with in the limits of the designing surrounding.4 - The system has multi - forms in the advertisingly design - there is nothing prevent it ,from containing more than one optical system , in order to achieve it's communicative function.5 - There are two types of designing systems , in terms of interaction with the surrounding environment , that is the closed system and the open system.6 - It is expresses on the characteristics of the concealed system , through the idea as an average relation between the two systems "This notion should reflect the characteristics of the concealed systems". This should reflect the characteristics of the concealed system in shape , and the ability to evolve , the self - control or flexibility - this system affect in the design through the expression of implicit and it's developmental abilities. It is a sensible , intangible thing , that cannot deny the existence or determine it's presence. It finds out in a set of relations , that are governed by fixed laws. It is the essence , that cannot be change , is governed by the rules that are subject to change , in order to achieve different appearance methods for the concealed system , which cannot be absorbed by stereotypes.7 - The ingredients of the concealed system are (intellectual and physical) , and through which the integration is being achieved the creative element in the act of design. 8 - To understand the concealed system needs to be aware of the fact, that the biggest innovation system is the highest rank.9 - The act of design includes many concurrent transitions, which are the use of different integrated plans, interacting and overlapping with each other.10 - The expressive system are considered in the case of constant change, we respond only to a limited group of shapes and meanings, and thus to particular relations with each other (and to adopt the forms systems, and the meanings to some extent each other) as the structural analysis leads us from the surface level of research to a deeper level, meaning, that live on the borders of this level.11 - The forces can be seen as expressive powers, and include its manifestation, different areas of life, some of it, including the apparent and the other is the concealed, which reflects the self - aware human being, and is a strong trend everywhere. It is a process governed by cognitive mind, and the sense at the same time. And then the search introduced recommendations, proposals, and practical application, in the attic light of the finding results, and the conclusions

تكنولوجيا الصورة ودورها في تنمية الادراك الفني في مادة المنظور == Photo Technology And Its Rolein Promoting The Artistic Percetion In The Scenery Perspective Subject

Author name: محمد عبد الله غيدان
Supervisor name: كريم حواس علي الساعدي
General topic: Fine Arts
Specific topic: Art Education
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: The recent trends that emerged from the scientific and technological revolution, including image technology and that its principles and founded interest in architecture dedicated to teaching the learner, which is the hub of the educational process and methods are subject to analysis, installation and application, evaluation and employed by the information and concepts and scientific activities carried on in accordance with the programmed contexts organized in the laws and regulations educational environment developed by instructional design introduced in all areas of specialization science.This prompted educational institutions and stages all to keep up with the developments of this science by guiding graduate students in search of modern scientific methods that contribute to developing the educational process, including the use of softwareand systems and models of educational and try to apply and piloted in various fields of the arts, especially attention to instill in students drawing skills perspective and through Technology note that the lesson of perspective are key material in the Departmentof Art Education / Faculty of Fine Arts, which help the student to learn the basics of painting, especially in the lessons Fine process and then placement in artistic paintings.Based on the foregoing current research aims to 1 - Build an educational program on the technology according to the picture in the material perspective.2 - measure the effectiveness of the educational program through tested on a sample of students in the second - Department of Art Education for the development of artistic perceptions, for the academic year (2013 - 2014).To achieve the objectives, the development of the researcher (6) hypotheses zero to measure the technical realization and measurement of achievement cognitive side and the other to measure the skill side.The research community from the third row Department of Technical Education / College of Fine Arts students, totaling 53 students were selected sample of intentional second grade students - Department of art education amounted to (26) students authraizied researcher aplayment experience them. Since the current research follow experimental approach to this has been an educational program designed by analyzing the material perspective and re - drafted to conform to the form (Bronze).For the purpose of measuring this program were three types of the first tests test design artistic visual perception and the second Achievement cognitive measurement information acquired by the students and the third skilfully test measured mediated evaluationof the performance of the skill form prepared for this purpose has been subject of these tools to the validity and reliability measures.And to show search results reached by the researcher used the following statistical methods (Mann - Whitney) to show the results of the zero assumptions specified in the current research the fact that current research of nonparametric research with small samples.Qudar Richardson / 20 equation was used to conduct a stability test grades cognitive factor equation difficulty coefficient used this equation to conduct a pilot test of the paragraphs of the achievement test cognitive equation discrimination coefficient usedthis equation to conduct a pilot test of the paragraphs of the achievement test cognitive equation Cooper (Cooper) was used to find the percentage of agreement between the arbitrators, as well as between correctors for Pretesting Clifford and skill testThe most important findings of the researcher 1 - The superiority of the experimental group that used the tutorial material perspective designed according technology image on students group that same article studied according to the method routine comes because of the educational content of the materialpresented using modern techniques provided by the technology organization, which facilitated the acquisition of the students knowledge and skills of the material.2 - The process of employing modern techniques in teaching perspective, which requires the learner to be on the level of cognitive well to accommodate cognitive information and performance skills well.3 - Educational image contained in the educational content of the program, which offered the use of modern computer technology (power point - photoshop - 3DMax) contributed to creating a bridge link between these technologies and the requirements ofeducational content as well as raised motivation and desire of the experimental group students in learning vocabulary perspective article.4 - I have shares tutorial in how to activate the students'perceptions of technical components foreseeable material and thus be used in the construction of skill performance requirements for the material and perspective this ruin him the usual way thatdepends on the teaching capabilities in building skills for students and conduct the necessary tests. The researcher recommended a set of recommendationsincluding : 1 - Adoption of the educational program in teaching perspective prescribed in the second row / Department of Art Education in order to prove its effectiveness and quality compared to the teaching of this article according to the usual way.2 - Can the educational program that benefits related to educational institutions (schools and colleges of Fine Arts Colleges Basic Education) or institutions interested in courses of continuing education for the training of teachers in art education in - servicethrough training courses to develop their skills and increase their proficiency skills in teaching perspective.3 - Provide tutorial application of modern techniques and material requirements perspective within the building and artwork related to the application of the program requirements, and then contribute to the artistic development of perceptions of students.

نظم الانتاج السينمائي العالمي واليات توظيفها في العراق

Author name: فلاح قاسم عجيل
Supervisor name: علي حسين صفوك الركابي
General topic: Fine Arts
Specific topic: Cinematic Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: ان بناء قاعدة انتاجية سليمة وواقعية لا تتجاهل الحقائق وتتوفر لها الظروف المناسبة التي تمكنها من تحريك عجلة الانتاج السينمائي والسير بخطوات واثقة نحو المستقبل لتادية المفاهيم السينمائية على مستوى السوق مشهود لها بالكفاءة والتميز والمساهمة في تفسير القواعد

التحقيب والمجايلة في رسم الفنانات العراقيات : دراسة في الاساليب والاتجاهات == Periodization And Generativity In The Paintings of Iraqi Female Artists : A Study In Styles & Trends

Author name: انس كاظم ياسر ال شبر
Supervisor name: محمد جلوب جبر الكناني
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Doctorate
University: University of Baghdad - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: The present study has traced back the Female Art according to its existence as a cultural construction that occupies a wide range of Iraqi plastic map through the art performance (painting).This has been achieved by generativity with Modern Iraqi Art. The Female Art has acquired features and characteristics and references allow it to have its own stylistic characteristics that are parallel with International styles and trends, in addition to the fertility of the environment and the stressful references that lead to establishing and growth of this art internally & externally.The study deals also with intellectual dispute about Woman, her rights, challenges, problems and her ability of giving and creativity as she constructs a very important part of life and Society. It also discusses different points of view of intellectual trends and their attitudes towards woman's issues and dealing with basic impressions of those trends such as Liberalism, Radicalism and Islamism, etc.The study shows also the female movements' role in society after adopting different values and concepts to treat woman issues and her suitable place in life. Because of interaction between Oriental and Western World, the female movements have developed to cope with the age changes after the total transformations in Capitalistic and political Systems that reach to the comprehensive change in all fields of life, which leads to concepts and thoughts liberation regarding woman. As a result there is an effective existence concerning equity with man.Because of all these changes, woman begins to enter fields of arts, especially, painting - This leads to presence of distinguished female artists who be in touch with modernism and post modernism thinking and techniques in regard to style and artistic performance of each one. So, this study focuses on studying the different phases for each female artist and the settlement of intellectual concepts.The study has four chapters. The first chapter deals with the study problem which dries to find out the effect of generativity ofmale art on female art besides the lack of ideological study of female art during different intellectual and technical periods that makes painting without significant features.The study aims at : 1. Finding out stressful references of Iraqi female painters.2. Finding out the styles and Trends of Iraqi female artists' painting.The limits of the study is between (1951 - 2014) through depending the artworks of Iraqi female painters, with the definition of terms.The second chapter has six sections. The first one deals with the explanation of concepts of periodization and generativity intellectually. while the second one deals with the meaning, significance and concept of female Culture.The third has concerned with auto parallelisms in female Culture and the emergence of it with the geographic classification and historical background of its features. The fourth section comprises an introduction to the Iraqi Contemporary female Iraqi art.The fifth section includes the References that establish the female art in Iraqi.The sixth one deals with styles and Trends of Iraqi Female Art.The third chapter has the procedures of the study concerning the population and analysis of samples and the adoption of analysis of samples and analytic descriptive method. The matrix of analysis has been adopted as the study tool.The fourth chapter deals with the conclusions and results of the study besides the recommendations. The researcher has concluded the following results.1. The variety of technique and performance as it is shown in samples (7 - 12 - 15 - 17).2. The differences of stressful references that effect on Iraqi female artists' products - This has been shown in all the study samples.3. The variety of artistic experiences for each female artist as it is shown in samples (12 - 13 - 15 - 16 - 17 - 18 - 19).4. The use of different methods to treat the formative construction of the art work that has been achieved on the visual surface as it shown in samples (1 - 3 - 5 - 7 - 12 - 14 - 16 - 17 - 18).5. Dealing with subjects concerning environment, society, fancy, dream and reality. All these subjects have been reflected on female artists' experiences as it is shown in samples (2 - 3 - 4 - 5 - 6 - 7 - 8 - 10 - 11 - 13 - 14 - 15).6. The artistic style helps in forming significant aesthetic composition for each female painter.The following conclusions have been drawn : 1. The environment and society have effective role in constructing themes for paintings.2. Each artist has different style and trend (such as surrealist, realistic, expressionistic, abstract expressionistic, etc.).3. Iraqi female painters have consolidated various subject inside art construction.4. Some painters have depended on post - modernism art in functioning their subjects.5. Refreshing useless things to take important role in the artworks of some painters.6. The experience of Iraqi artist has been enriched through the interaction with world in regard to new stylistic changes with the dealing with multi meanings and signs of visual text.

تحولاث البنى الوظيفية والجمالية للصورة البلاغية بين النص المقروء والنص المرئي == The Functional And Aesthetic Structures Transformations of The Rhetoric Image Between The Readable And Visible Text

Author name: فيصل لعيبي حمود الساعدي
Supervisor name: محمد عبد الجبار كاظم
General topic: Fine Arts
Specific topic: Cinematic Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: The functional structures and their transformation in the readable text has a special place in the process of the formation of the image system by the creators of the art work and to determine its aesthetic dimensions, and the artistic value which are being created so that the for the visible text to appear according to a directive view for its privacy in the process of expressing meaning and aesthetic token. According to these rules, the maker of art work endeavors to make through artistic techniques and the process of formation of artistic element and determine the level of narration, and what the scene has of dramatic action and the attractions and prevalence of the elements, and achieving the objective which the maker aims. In the light of that, the receipt interacts with interpretation and understanding through the shots and the extraction of the general from the private.Thus, the study tackles the functional structure and the rhetoric image of the visible text according to the following : Chapter One includes the methodological framework as follows : The problem of the study can be formulated in the following question : What are the manner through which the transformations of the function and the aesthetic structures of the rhetoric image between the readable and the visible text?The importance of the study lies in the need for it. It sheds light on the functional structure in the readable text and the manner according to which the directive of the readable text.The objectives of the study are the following : 1 - Revealing the functional structures and its aesthetic transformations through directive processing.2 - Activating the rhetoric elements and the formation of the semantic displacement and the production of meaning.The limits of study include : 1 - The Thematic Limit : Study of the thematic and aesthetic transformation between the readable and visible text.2 - The time limit : the researcher chooses the period 2012 - 2014 , for the following reasons : a. The rhetoric image formed great importance in the readable text which made the directors intensify their efforts.b. The crystallization directive perspective, for the greatest director in the artistic milieu when the readable text is realized.c. The scientific and technical progress has become clear in that period.d. The variety of methods in posing the narrative concepts which are based in the directive process made the artistic image with privacy in the composition for showing the aesthetic of the scene.3 - The time limit : films were produced in America.The most impoirtant terms of the researcher like (transformation, functional structures, rhetoric image, and the readable and visible text).Chapter Two : the heretical framework and the previous studies. The theatrical framework includes the following inquiries : 1 - The first inquiry : the function artistically. The inquiry includes the most important philosophical opinions and the critics in their view to art and the artist and the manner by which the artistic work is formulated.2 - The second inquiry : the functional structures in the texts and their significance to tackle the nature of the functional structures and the divisions of the French critics.3 - Third inquiry : the aesthetic of the imagery formulation which includes the structure of the elements of the composition of the artistic image and the role of the two balances in the process of the distribution of the elects within the frame of the image.4 - The Fourth Inquiry : the direction treatment of the readable text through the decomposition of the text and putting the suitable solutions for each scene in coincidence with the theme of visible text and the activation of the elements of the cinematic language.5 - The Fifth Inquiry : the rhetoric image of the visible text. The inquiry includes rhetoric image and its aestheticism, and the composition of the image, and the technical characteristics which made the process of displacement and the role in the building of image.Finally, at the end of the chapter the researcher comes up with the most important indicators.The researcher tackles the previous studies. He found many references and resources in relation to the present study.Chapter Three : the procedures of study which includes.1 - The Methodology : the researcher used the descriptive analytic method.2 - The tool of study : the researcher depends on the indicators of the theoretical framework after obtaining the approval of the committee of experts.3 - Analysis unit : the researcher depend on the shot and the scene as main unit of analysis as they represent the basic structural units for the formation of the rhetoric image.4 - The Sample : the sample was chosen intentionally in proption with the nature of the theme of study, in addition to the availality of the readable text of each sample.Chosen sample : 1 - The film (Noah) by director Darren Aronofsky2 - The film (The Hunger Game) by director Gay Ross3 - The Film ( The Dark knight Rises) by director Christopher Nolan.5 - The Tool Validity : The experts showed a consensus on the terms of the tool (%100), thus, the researcher achieved the validity of the tool.6 - The sample Analysis : the analysis of the visible texts chosen in the sample.Chapter Four includes the most important findings of the study which the researcher has come up to. In the light of results, the researcher comes up to the following findings : 1 - The virtual truth was manifested through the use of modern technology and various programs in the design of imaginary locations by activating the technical formations and the formation of displacement of the artistic elements and to achieve the operation of rhetoric image through these formulations. The use of technique of virtual reality in )12) scenes through the use of the blending method in the process of transformation in addition to the design of design of places. The second sample showed in (13) scenes, and the third sample showed (10) scenes to achieve the idea of the subject.2 - The particularity of the use and transformation and the functional structures in the readable text through the processes of direction treatment and the achievement of the central objective and the formation of the narration and the presentation of the struggle aspects. This wasmanifested through the building of an integrated plot for the dramatic events and the role of the character (actor) that happened to. Therefore, according to the divisions of Gremas of the functional structures and the degree of their blend in the visual text.a. The contractor … in the first sample the contract formulation appeared through assignment of chief policeman Batman to get the city rid from the evil who try to control it. In the second scene, it was manifested assigning by God Almighty to Noah to save his family and pair of animals to a new world. In the third scene, it was manifested when the character volunteered herself to fulfill the task of her sister in Hunger Game.b. Test... for the process of functional transformation of test, the character (actor) was tested for the sake of achieving his task, in the second sample in the visual (11) scene while in the third the test was focused in the (10) scene.c. Connection \ disconnection … that was achieved in the first sample. In the second sample, disconnection was achieved in in the visual (12) scene … then connection was achieved in the third scene.Thus, we find that transformation of the functional structures in the readable line and the process of transformation to the visual text according to the direction treatment. That was achieved according to Gremas division of the functional structures.The recommendations and suggestions come at the end of the study.References in Arabic and translated.references in English.Film references and screenplays.An annex in the questionnaireAnnex of the notables and terms.Abstract in English.

وظيفة النقد الثقافي في الخطاب المسرحي العراقي المعاصر == Operation of The Cultural Criticism In Iraqi Theatrical Discourse

Author name: محمد مطشر عبد الكريم الغراوي الكحلاوي
Supervisor name: سافرة ناجي جاسم
General topic: Fine Arts
Specific topic: Theatrical Arts - Literature and Criticism
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: ان الاهمية التي يشكلها النقد الثقافي في مجال الدراسات النقدية الثقافية، تكمن في انه يكون احد الروافد المفاهيمية في تلك الدراسات، كذلك انه يرصد العلاقة بين النسق الثقافي وبنائية الادب لما لها من بعد بعد حداثوي، ولمقتضيات منهجية البحث، فقد قسم البحث ا | Criticism is a calibration tool on which both literature and recipients makers based, and each according to his approach, because any literary work, whether it was popular or elitist, as it needs to be re - considered and calibrated due to what it bears of intellectual implicit rely on the cognitive concepts of the course of that work, Whether it was poetry or short story or novel or a play as well as other kind of literature, and to be understood by the receiver.As that literature was elitist and restricted to those only (Elite), cultural criticism came to break the hurdle, surpassing all the obstacles placed in front of the popular literature so as to take ample space in the cognitive studies field, To search in all that is hidden and latent in response to the proposals of the postmodern and post - structuralism.All of these changes came as a result of the evolution that took place in post - colonial that led to the awareness of the people and be alert to what is going on around them, so the book made research for that kind of criticism, and as a result the cultural criticism emerged.Based on that, we realized that the importance posed by the cultural criticism in the field of the critical cultural studies, to be one of the conceptual tributaries in those studies, and to monitor the relationship between the cultural pattern in literature constructivism due to its modernist approach, as a result the remarkable research has been divided into (Functioning of the cultural criticism in Iraqi theatrical discourse) four chapters, and they were as follows : - The first chapterThe methodological framework and in which : 1 - The issue : - It is possible to determine the issue and identify the defect to be an entry to the research after identifying the problem.2 - The Importance of the research : We have explained what the Importance of the research in the text of this study is.3 - Research goals : The researcher adopted two goals to be his starting point.4 - The research limits : It has been identified with temporal and spatial (time and place) as well as the objective limit.5 - Determining the terms (idioms) : The researcher has set the terms in accordance with the requirements of the research.Chapter II / The theoretical framework : It contains three topics and by sequence.The first topic - the cultural criticism concepts.The second topic - the references of cultural criticism which is : A) Modern Marxism.B) Materialistic cultural and sometimes called cultural studies.C) Modern historicismD) Womanly criticismE) Modern colonialismTopic III - Cultural criticism strategy in dramatic criticism.Chapter III / research procedures which included : - 1 - Research community.2 - Research tools.3 - Research method.4 - Sample analysis, contained five plays and they are as follows : - a) (Fog) Play - 2003.b) (Curfew) Play - 2008.c) (Death and the Virgin) Play - 2010.d) (Badr and Wafiqa Tale) Play - 2013.e) (The Cart) Play - 2014.Finally, chapter four which included : - The results and conclusions of the research.And after that, the sources and references adopted by the researcher in his research and finally a summary in English.

الرسوم الصحفية في العراق : دراسة تحليلية == The Journal Drawings In Iraq An Analytical Study

Author name: محمود موسى وادي
Supervisor name: سلام جبار جياد السوداني
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Master
University: University of Baghdad - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: يتناول بحثي هذا الموسوم بـ (الرسوم الصحفية في العراق - دراسة تحليلية) جوانب عديدة لها صلة جوهرية بالموضوع الذي بدا منسيا من قبل الباحثين والدارسين فمن المعروف ان الصحافة تواجه تحديا كبيرا امامها الا وهو حركة الصورة وانتشار الميديا البصرية وتطور تقنياته | This study is entitled (The Journal drawings in Iraq - An analytical Study). It deals with many aspects that are related essentially with the topic which have been forgotten by the scholars. It is known that journalism faces a great challenge, that is, the movement of photographs, the spread of visual media and the development of its techniques. The journal cartoonsare regarded as one of the means that competed the typical journal image. The art of journal sketching acquires features and characteristics from the rest of the arts for the receipt and the public via a display means and an easy way for spreading.Since the journal drawings and the documentations, especially the colored sketched and magazine cover, formed a challenge to the motion of pictures in black and white which were prevalent in television before it evolves to colors. In addition the other challenge posited by cartoons of the journal photographs which were known by their traditional static framework.The research tackled in Chapter One the problem of this study, its spatial and temporal limits, and the objective of the study, and knowing the definition of the terms of the study linguistically and lexically. The second chapter studies the lexical framework in which the researcher studies in First Inquiry to the journal cartoons; the foundation and the historical origin. The second inquiry includes the techniques of the journal cartoons and the most important like ink in its types, pencils, water colors, Pastille, and also the most important techniques of the journal cartoons like AutoCAD, marking and graphic.In the third inquiry the researcher studies the aesthetic references of the Iraqi journalistic cartoonsindicating the effects of the Arab magazine, and the international and the traditions.The four inquiry includes the structural relations between the written text and the journal cartoons referring to a number of theories and opinions concerning the problem of the relation between the written text and the visualcartoons.The researcher comes up to number of indicators that have resulted in these inquiries dealt in Chapter Two. These indicators have formed to the researcher an important tool in the analysis of the samples which were chosen in the Third chapter. They are 12 samples chosen according to the justification to which the researcher has referred in. After the analysis of samples, the researcher comes up with the findings which are mentioned in Chapter Four. The most important one are : 1 - The journal cartoons were characterized by violence in the motion of the characters and the figures which is a reflection of the prevailed phenomena in Iraq with the use of the torn human body.2 - The use of the theme of the cut head and its repetition. The result was of many references like the cut head, the bronze head of kings of Mesopotamia which formed an aesthetic addition. Also, the image of the sacred head carried on spears for tis relation to the sacredness of Imam Hussein martyrdom.3 - The journal cartoons were influenced by the ideologies of the authorizes and the ideologies of the journal as in the (Tareeq Al - sha’ab) of the leftistpolices. 4 - The avoidance of the difficult techniques like graphic or the inscription technique on the Britishscraper board. 5 - The journal cartoons were not an attraction in Iraq for the Iraqi female cartoonists except for some of the few names like (Afifa Laebi, Hana Mal - Allah, Antlaq Mohammed Ali). This is a negative phenomenon that required analysis and reflection. 6 - The attraction to the expressionist school in most of the journal cartoons for the purpose of maneuvering the monitor and censorship. The researcher comes up with the most important findings which he displayed in the study.

فاعلية الافراط في النظام التصميمي للمنتج الصناعي == Excessiveness Efficiency of Designing System For Industrial Product

Author name: مرتضى حيدر عبود العبيدي
Supervisor name: نوال محسن علي
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Master
University: University of Baghdad - College Of Fine Arts - Design Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: بحثت الدراسة الموسومة بـ ( فاعلية الافراط في النظام التصميمي للمنتج الصناعي) في مشكلة عدم توفر اطار شامل يوضح مفهوم الافراط والجوانب المرتبطة به وامكانيات هذا المفهوم فيما يمكن ان يحدثه في بنية التصميم الصناعي اذا ما احسن استخدامه من قبل المصمم.ومن هذا | Tagged his research study (Excessiveness Efficiency of Designing System for Industrial Product) in the problem of the lack of a comprehensive framework illustrates the concept of excessive aspects associated with it and the possibilities of this concept can be wrought in industrial design structure if properly used by the designer.From this point the researcher found logical justification for the selection of the problem consideration and determined to answer the question the following : - 'What is excessive and its effectiveness in the system design of industrial products?The research aims to : - Identify excessive and effectiveness of the system in the industrial design of the product methodsThe importance of research to provide a clear picture of the concept of over - design the system and be a theory base can utilize them in practice to achieve the benefit of the individual and society.Find and Stmmelt limits studying industrial products characterized by excessive formalism, functional and technical aspects of furniture, equipment and tools for companies for the years (2014 to 2015)A search of four chapters included the first chapter of the research problem and its significance and purpose and its borders and determine the terms. The second chapter shall be from previous studies and theoretical framework and theoretical framework included three sections on the first section came under the concept of excessive at the same time ensure the second topic system and system design title while the third section displays mechanisms for achieving excessive industrial product. The third chapter included research procedures and methodology adopted researcher on the descriptive approach in the process of describing and analyzing the sample. Chapter IV has included the research and conclusions, recommendations and proposals results.The most important results : - 1. Check excessive formality in all the sample models and 100% through the use of the designer simple and obvious elements in the construction of the unit design in order to get to the simplicity of form design.2. Verify career excessive models (1.3, 4, 5.6) and by 83% due to the use of the designer of the concepts of (multi - enrichment and condensation career)3. shares that employ modern technology in achieving the over - technical models (3.4, 5) and by 50% the fact that these techniques have an active role in the performance and function design.One of the main conclusions are : - 1. Within the industrial designer in his designs over - design system format (formal, functional, and technical) to produce an industrial product is characterized by the beauty of the shape and the efficiency of job performance.2. Excessive career happened within the systems design in various formats including multifunctionality and job enrichment and job condensation, which as a whole has diversified performance and increased Mdyate focused than the number of jobs within the same segment without Atkhalkhal weakness in job performance.3. The technical innovations employed by the designer of industrial products increased within the ranges of functional performance thus achieving a high degree of satisfaction to the consumer through the technical possibilities and performance provided by the product.

القيم التربوية والفنية في عروض مهرجان مسرح الطفل في العراق

Author name: مروة شاكر رضا الشيباني
Supervisor name: حسين علي هارف
General topic: Fine Arts
Specific topic: Art Education
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: كرس البحث لدراسة العروض المسرحية المقدمة في مهرجان مسرح الطفل في العراق على الصعيدين التربوي والفني. وضم البحث اربعة فصول، تناول الفصل الاول مشكلة البحث التي تحددت بالسؤال الاتي : (ما القيم التربوية والفنية في عروض مهرجان مسرح الطفل في العراق ؟).تتلخص ا | This study devoted its interesting about the theater provided in the Children's Theatre Festival in Iraq for two levels of education and art. The research is composed of four chapters ,the first chapter dealt with the problem of research and identified the following query about : (What are the educational values and artistic offerings in Children's Theatre Festival in Iraq? ).Summed up the importance of the current search set of points ,namely : - - According to playwrights interested in the theater of the child and contribute to the success of their mission and their experience of drama and art in the writing of the text of a theatrical education educational.According to technical education teachers working in primary and middle schools in the artistic activity of the Directorate of Education. - According to the directors in the field of children's theater and theater of the child concerned circle cinema, theater and children's culture department of the Ministry of Culture. Accordingly, the current research aims to : - - Detection of the values of educational offerings in children's theater festival in Iraq. - Detection of artistic values in the festival offers children's theater in Iraq.The chapter also include within the research objective identified in the theatrical performances presented in the Children's Theatre Festival in Iraq, its sessions and the five spatially in Iraq Baghdad and the timetable for the period from 2003 2008 and contains that chapter on also determine the terms and defined.The second chapter devoted to the theoretical framework of research and previous studies in which, as it included four sections. the fourth examines the first educational values, and address the second topic artistic , values ,.while the third section dealt with children's theater, spoke of the fourth section on historical perspective in the experience of children's theater in Iraq , and concluded the chapter with the most important indicators that resulted in our conceptual framework and presentation of the previous studies and discussed. In the third chapter, the researcher identified the research methodology and procedures and identify the research community, which includes (35) a theatrical performance, the researcher chose a sample examined. Random manner to write the names of offers on scraps of paper each session separately, it reached the sample (5) performances in the form of discs (CD), and these presentations are : - 1 - a play (the bird and the fox) : Author Natiq Khulusi,directed by Abbas al - Khafaji.2 - play ( the world of the vitamins ) : Written and directed by Hussein Ali Harff. 3 - play (the reward of the Sultan) : Written and directed by Faleh Al - Abdullah.4 - play (Asia go to school) : Edited by Asad - Hilali and directed by Baker Nayef.5 - play (Sheikh and table) : Written and directed by Faleh A1 - Abdullah.To achieve the goals adopted by the researcher Search tools , namely : 1 - Tool educational values : that relied on classification ( White - Hiti ) the developer , which was introduced to a group of experts to identify the validity and measurement of the first goal, which.called for it, as well as measurement reliability was the use of equation (Holsti) to find a coefficient of agreement between the arbitrators (analysts)2 - Tool artistic values : the researcher has discussed building a tool that was b (i form content analysis of theatrical performances to the values of art) was introduced to a group of experts on the validity of exposure and a measure of the second objective, which called for him.In chapter IV of the results reached through the presentation of the researcher and the most important conclusions from them.1 - varied theatrical performances in the book focus on the educational values some of them focused on a particular group of them did not focus on the rest of the values.2 - characterized by the values of six years as the most important and focus of the theater, namely, (a fun ,aggression, food, generosity, intelligence' diligence and attention, and the unit group, employment, health and safety of the body, love of family, beauty, happiness, conduct' control. honesty, knowledge).3 - showed some of the theater twice in both sides of the lighting. sc as to not having the director in collaboration with lighting designer enough time for the processing of the exhibition ha1l to suit the theatrical work of them receive the hall a few hours of time to display in the festival, forcing the director depending on the illumination of concentrated and flood only in the theater. 4 - showed most of the theater twice in the make - up except the play (the world of vitamins), characterized by makeup personalities and the reason for this is due to the paucity of material and the absence of specialists in this area of the art technical especially in the plays of artistic activity for the Directorate of Education to participate in this festival According to concluded results done by the researcher o she isrecommend the following : 1 - Increase the awareness and governmental assistance for the child theatre and increase the financial customizations for the child produce in the directorate of cinema and theatre.2 - Prolonging by the art level for the children play introduced about the level of direction and writing as well theatre techniques 3 - Necessity for responsible to take care by the directorate of cinema and theatre by making the perfect archived for play show concern the child theatre carnival in Iraq via the Video or photograph development in color if found.4 - Checking the theatre show submitted to children before exhibitto check if it's valuable contents.5 - delegate specialist in the field of makeup outside Iraq to notify the latest techniques and developments in the makeup art and what modern product.6 - abandon the makeup materials in the art institutions to facilitate the makeup working and aid it in addition to take care by and on the library concern the makeup accessories.7 - arrange the exhibit show table for carnival by the form allowto each exhibit the adequate time to prepare the accessoriesand techniques like decoration, lighting, and effects ,... etc.For that the researcher suggest : 1. perform complete art. and educational study in the academictheatre shows.2. perform the educational and art study for the theatre dummyshow.3 - perform the analytical study for attractive elements in the theatre statement directed to children.4 - perform study about the relation between dialogue and personality in the theatre work directed to children.5 - perform the analytical study for the personality of hero in thechild theatre.This chapter include a list of references in Arabic and English ,finally the research finished by the abstract in English language

توظيف الايهام البصري كمعالجة تصميمية للمنتجات الصناعية الكبيرة الحجم == Investment of The Visual Deception As A Designing Treatment For The Large Size Industrial Products

Author name: مصطفى عدنان علي الشمري
Supervisor name: هدى محمود عمر
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Master
University: University of Baghdad - College Of Fine Arts - Design Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: عنوان هذه الدراسة ( توظيف الايهام البصري كمعالجة تصميميه للمنتجات الصناعية الكبيرة الحجم ) اذ تجسدت المشكلة بالسؤال الاتي ماهية الاساليب التصميمية التي يعتمد عليها في تصميم المنتجات الصناعية لتحقيق الايهام البصري التي تعمل بوصفها معالجات تصميمية للمنتجات | Address of this study ( investment of the visual deception as a designing treatment for the large size industrial products) at which the problem shapes by the following questions : - what is the designing methods that we depend on in designing the industrial products to get the visual deception that works as designing treatment for the large size industrial products ?It's important came from here ( by condensing the light on methods and design directions that have a role in creating visual deception and increasing senses and consumer and designer )But the purpose is that ( quiddity of designing methods that have been depended on in designing industrial products to creating the visual deception ) We found that all the search have been determined by products made from LG company that present in Iraqi local markets at Baghdad city for ( 2014 ).The study formed from four lessons , came as bellow : - Lesson one contain the problem of the search and it's importance , purposes , borders and definition of it's terms.Either lesson two probably contain previous studies then the visual casement for the search and it's signs , and then the visual casement contain three subjects : - the first subject is the visual deception and it's relation with designing industrial products , the second subject is the designing methods and it's role in creating the visual deception, working as designing treatment for the large size products , the third subject is the designing mechanics and it's role in making the visual deception as designing treatment.As for the lesson three it's contain the adjectives of the search and it's systematicness ( the attributive method ) in addition to analysis of the research specimen.As for the lesson four it's contain the research results and it's conclusions , the most important results are the following : - 1 - achieve everyone who (elements and bases and relations ) designing different visual deceptions in designing the samples in very high relations.2 - achieve designing technique ( movement , translucency , delusive space, shorthand and condensation and distributing systems ) and the capacity of creating visual deceptions working as designing treatments for the large size industrial products.Truly the most important conclusions that have been get from the study is : - 1 - the elements and bases and designing relations have the capacity to create several various designing forms that work in it's role to create deception motive manners work as large size industrial products.2 - the samples distended by the designing technique multiplicity and appearance to achieve designing creative by means of newly creative adjustment result from different and solitary variety through the mix and structure and change in formal relations for having these differences and multiplicities of deception movements working on receptor deception by increasing and decreasing the industrial product

تقنيات تذهيــب الزخارف النباتية في المدرسة التركية

Author name: مصطفى عبد القادر مشحن الفرحان
Supervisor name: عبد المنعم خيري حسين العاني
General topic: Fine Arts
Specific topic: Calligraphy and Decoration
Degree: Master
University: University of Baghdad - College Of Fine Arts - Arabic Calligraphy And Decoration Section
Language: Arabic
University location: Baghdad
First pages:
Abstract: انفردت الزخارف النباتية بخصائص جمالية امتازت عن سواها من المفردات الاخرى (الهندسية والحيوانية) , لانها حظيت باهتمام كبير من قبل الفنان المسلم اذ تم توظيفها في المجالات الفنية المختلف لا سيما في مجال الخامات الورقية (اللوحة الخطية) وتعد الزخارف النباتية ال

المعالجات التصميمية للعزل الحراري والمائي في تصميم المنتجات الصناعية == The Processors Designing For Thermal Insulation And Water In The Design of Industrial Products

Author name: مصعب حسن عبد
Supervisor name: شيماء عبد الجبار حميد العبيدي
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Master
University: University of Baghdad - College Of Fine Arts - Design Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: ان هذا البحث الموسوم ( المعالجات التصميمية للعزل الحراري والمائي في تصميم المنتجات الصناعية)،يستند الى العديد من الدراسات التي تناولت موضوع العزل الحراري بشكل خاص والعزل المائي بشكل عام, بتقديم طروحات حول مفهوم يشمل المستوى الحضري والمعماري وصولا الى تصم | Focused many studies to topic thermal insulation a private and waterproofing generally provide Propositions around the concept includes urban level, and architectural reaching to the design of inner space, as well as the Propositions of insulation system in cooling and preheating, but he did not obtain adequate level of the importance, particularly system design isolate Designated industrial products and of computer devices. The counting concept of thermal insulation and water of the concepts and basic task in the current study. However, the contemporary studies have shown significant interest concepts and applied theory and in particular technological more than others, and therefore tries to current research that offers a new contribution to take advantage of those propositions, the adoption of the reciprocal influence of the bilateral relationship between regular thermal insulation and water through the levels of performance cooling systems suitable for parts heat - producing electronic computer as well as enhanced protection system provides electronic components, the risk of water, with the aim of producing a comprehensive concept for insulation in the design of computer and access to these totalitarian pillars of design Check the best of performance of the computer, and the was the highlight implicit in his first chapter.To achieve this objective and tackle the problem of research has been crystallizing theoretical framework included three topics, 1st has included multiple levels of concepts and techniques for thermal insulation and water, and a detailed review of the parts of electronic producing heat, as well as the most important cooling systems in place through the basics of scientific transmission of heat conduction pregnancy and radiation, as well as the relationship system waterproofing lanes multiple computers and of ports output and input electronic outlets and drag - and - subtraction antenna ports for keyboard, mouse and screen, while 2nd topic, the research in what role influential ecological through the concept of home and environmental Center for the user and the computer and the levels of thermal insulation and watering the inner space and its relation systems thermal insulation, water and ranges of the mutual influence of the components physical and code performance computer as well as outputs manufacturers & their impact on ecosystem of the product industrial, while , 3rd topic was a statement processors design of the system of formal and its relationship to composition of procedure of the system isolation through novelties technical as well as posts principles and Job design elements in the structure of industrial insulation producer.Then came the third quarter search procedures, which included the research community, consisting of computers produced by the Company (HP) U.S. in the years 2012 - 2013. The total number of units produced in this period (25) model, and the Department of researcher these models depending on the type of design into three sections (laptop, desktop computer, computer tablet), which represented 25% of the research community. Through analysis and description quo of the research sample, was adopted researcher indicators The outcome of sources and references relied upon, as well as field visits to agents computers, interviewing poll carried out by the researcher using the form interview with the owners of the expertise of engineers in the maintenance workshops computers to identify the main obstacles and failures electronic infect the computer due to the effect of heat and water., came fourth and final chapter presents the results and conclusions and design foundations, recommendations, proposals, and that the most important findings of the research are : 1.The adoption law basic or importance to the Rxan through the style (All - in - One) All - in - one, him Effects career for regimes thermal insulation and water in the design of the computer through the assembling ingredients annexed in the unit run Chairperson of B (the Fund).2.. The rise in computer restraints by (3 mm) is not agreed with the thermal insulation system and the represented obsolete air drag on the fan and the not to achieve the appropriate antenna Swaps of electronic parts for emitting heat.3. the low of performance associated the specification electronic parts self - cooling technology of the processor (Intel Atom) to achieve the slim design pattern in the computer and this is not consistent with cooling the processor (Intel Core i5).4. have lacked computers to the cooling system for the video card, which parallels the rate of heat emission in which at rates greenhouse gas emissions per unit processor central as well as non employ technology cooling unit RAM and hard drive and only mechanisms of cooling convection natural thus is reflected in the performance and life of the computer.5. satisfying technical alternatives the magnetic connectivity of the screen with a waterproofing system. Traditional techniques for connect mediated axial screws.6. The distribution of electronic ports visibly Exposed to anterior and side elevations are an easy paths for the passage of water in the computer.7. Lack of integration of the functionality of the waterproofing diaphragm add the silicon rubber under the keyboard, without Add a custom corridors to Log out the water and its survival at home,8. The touch technology with occasion of waterproofing system through hide keyboard ports.

مظاهر الاغتراب في رسوم فان كوخ == Appearances of Alienation In Art Work’s of Van Gogh

Author name: اسراء قحطان جاسم
Supervisor name: كاظم نوير كاظم الزبيدي
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Master
University: University of Babylon - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Babylon
First pages:
Abstract: تناول هذا البحث : (مظاهر الاغتراب في رسوم فان كوخ)، فاحتوى البحث اربعة فصول، عني الفصل الاول بالاطار المنهجي للبحث ممثلا بمشكلة البحث التي تحددت بالسؤال الاتي : (ما مظاهر الاغتراب في رسوم فان كوخ ؟)،وكذلك احتوى الفصل هدف البحث الذي كان (كشف مظاهر الاغتراب ف | This study deals with the Appearances of Alienation in Art work’s of Van GoghThe study falls in four chapters. Chapter one deals with the theoretical frame which is represented by the problem of the study that is limited to the answer of the question; what are the appearances of alienation in Van Gogh’s paintings. The chapter also contains the aim of the study which is to reveal the appearances of alienation in Van Gogh’s paintings.The study is limited to investigate the appearances of alienation in Van Gogh’s paintings between (1881 - 1890). This period represents his works from his artistic beginning until his death. The researcher uses the analytical approach according to an ideological and aesthetic vision in both of its aspects the theoretical and the practical.Chapter Two deals with the theoretical framework which consists of four topics : the first topic deals with the conception of alienation, while the second topic sheds light on the concept of alienation in the movements of modern painting. The third one gives an idea about Gogh’s life. The fourth topic studies the ideological and aesthetic features in the paintings of Van Gogh. The chapter is concluded with the mentioning of indications of the theoretical framework in order to make use of them in the building of the research tool and the analysis of its sample.Chapter Three deals with the procedures of the study, it explores the society of the research which consists of 200 works of art of Cogh’s. They are distributed chronologically. These works of art are executed with different materials; 55 drawings, 26 works with water color, 119 paintings with oil, and the sample of the study which is the society of the study at the same time for the quantitative analysis. From the study society which consists of 20 works, a sample was chosen randomly to be analyzed critically in order to compensate the gaps that appear through the use of the quantitative analysis for the aesthetic and artistic phenomenon in the visual texts. This is done according to the research tool which is built in consistence with the theoretical framework. The researcher notices the meeting between the appearances of alienation and the mechanisms of the painting production. The tool consists of the cores of alienation which are : isolation, non - normative, nonsense, disobedience, impotence, despoliation, rejection, escape, and withdrawal. These are put in the horizontal core in the analysis form. The main items which include the elements of formation, and the secondary items which include the relations of formation, and the subsidiary items are put. The tool then is showed to a number of specialists and experts in artistic education and visual arts and psychology, in order to make use of their opinion in its validity. Accordingly, the form is amended by the omission and addition of some items. After the tool acquires validity, it becomes ready for use. The researcher makes sure of the tool validity through the agreement comparison of outside analyzers by making them analyze the same content separately. She depends also on the agreement through time which means that the researcher acquires the same results as she analyzes the same content after a period of time using the same tools.After the application of the statistic tools which consist of Cooper Equation to measure the validity of the tool, which appears to be 88%, and Scott Equation to measure the consistency of the tool which appears to be 87.25. She uses the mathematic average to measure the frequency of the research society. She uses Kai square to analyze the sample quantitatively. After that she analyzes the sample critically.Chapter Four includes the results and the conclusions of the study. It also includes the recommendations that the researcher sees important for future studies. Among the main results that the researcher arrives at are the followings : 1 - Isolation appears to be an appearance of alienation in the works of Van Gogh. This reflects his dissociation from the others and society in the aspects of interaction, communication, cooperation, and emotional and social incorporation. Isolation appears very clear through the elements of the critical analysis : line, color, touch, and the relations of formation. Van Gogh expresses his isolation in his paintings. Isolation appears clear in the society of the study and the statistical analysis of the research sample. The cut form is 64.06%, horizontal line is 39.16%, hot transparent color 27.73%, soft touch 19.36%, non - asymmetric balance 41.01%, color dominance 22.31%, distortion of figure through elongate 21.82%, and technical expression 20.45%.2 - Non - normative appears in the works of Van Gogh through his trial to get rid of society as he tries to focus on his being and the rejection of social relations. Non - normative is represented semantically through the constructional critical analysis of the figure and its elements; line, color, touch, formation relations. He reflects them in his paintings and the incarnation of figures and things using indicatives that reject society, life, and social connections. According to statistical analysis, non - normative appears : hot transparent color 95.3%, varied line 47.18%, normal cut figure 24.75%, tough touch 20.04%. Through the formation relations; normal representative movement 40.04%, rhythm and repetition 23.7%. Through artistic treatments : distortion of figure through stretch 26.25%.3 - Disobedience appears in the works of Van Gogh in his separation from the moralist, civilization, historical, social norms in the form a destructive trend that goes out of his person and takes the form of an aggressive behavior against society and its civilization indications. Through the critical constructive analysis, disobedience appears semantically in the form and its elements : color, touch, formation relations. Gogh expresses his disobedience through his paintings. The statistical analysis of the sample of research society reveals the following : thick hot color 56.33%, varied touch 26.8%, and geometrical cut figure 22.15%. The formation relations through the unbalanced balancing 25.25%, the rhythm and the repetition 21.81%. Artistic treatment, the distortion of color 20.59%, the expression through technicality 20.66%.4 - Rejection appears in the works of Gogh as another appearance of alienation. He expresses this through the rejection of some types of behavior and culture that are dominated in the society he lives in. Aspects of rejection appear semantically and through the critical constructive analysis of the form and its elements : color, line, formation relations. Gogh expresses his rejection through the drawing of forms and contents that goes far from society. According to statistical analysis : thick hot color 63.78%, vertical line 43.56%, and varied geometrical shape 20.37%. According to the formation relations : color consistence 31.85%, rhythm and contradicted repletion 23.64%, the relation of the part to the all 20.45%, color dominance 23.64%.The most important conclusions are : 1 - Van Gogh does not use the appearances of alienation willingly but as a result of a psychological mood that affected him in an indirect way. This is reflected in the unconsciousness of the artist affecting his production. Different moods and circumstances help in the appearance of such representations. The most important of these circumstances are his culture and way of living.2 - The psychological aspect has a strong connection with the work of art as a value that achieves a kind of spiritual connection between man and his subject. The psychological dimension of Van Gogh appears to be a centre of the human subject to introduce its suggestions about the work of art.3 - The elements of formation and its relations have semantic indications for alienation. Van Gogh expresses an emotional feature, not as decoration, but according to a subject system and as a deep philosophical and spiritual concept. The search also includes : Proven sources, supplements, abstract in English.

مظاهر السرعة المعرفية في رسوم اطفال الروضة

Author name: براق هلال جاسم
Supervisor name: عباس نوري خضير الفتلاوي
General topic: Fine Arts
Specific topic: Art Education
Degree: Master
University: University of Babylon - College Of Fine Arts
Language: Arabic
University location: Babylon
First pages:
Abstract: لا يزال العلم يبحث في الاطر المعرفية ونموها عند الطفل ووضع الحلول المناسبة ازاء المعوقات التي من شانها ازاحة ذلك النماء المعرفي نحو التدهور ولعل رصد الاساليب المعرفية المرتبطة بالعمليات العقلية وتطبيقاتها في الرسم عند الاطفال قد يسهم في توفير ظروف تعليمة

مظاهر العنف في الفن التشكيلي المعاصر == Aspects of Violence In The Contemporary Plastic Art

Author name: نشوان علي مهدي
Supervisor name: علي شناوة وادي
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: The current research (Aspects of violence in the contemporary plastic art) described as events and behaviors dominate the whole joints of life in the western society, notably the afflictions of politics, wars , dangers of mass destruction weapon, dominance of the capitalism economy and market monopoly, the matter that reflects on the cultural and social life and stigmatized it with violence, so the plastic art was a major and vital joint reified the whole burdens and haunches of the contemporary western world including the violence, through stylish and technical treatments that resulted in a unique modification ever been familiar in the previous experiments.Therefore the problem of the research came with the query of reasons behind violence and its aspects through artistic treatments and how much did the violence aspects deal with the system of psychological, social and morale relations.We found through first chapter the target of the research that aimed to knowing the aspects of violence in the contemporary plastic art within the boundaries of contemporary art in Europe and USA in the period (1972 - 2012). Also terms were defined in this chapter.While the second chapter included the theoretical frame and previous studies , the theoretical frame included three sections, first one dealt with the violence and its approaches in the contemporary intellect , while in the second section showing the psychological and social appearances of violence. The third section showed the appearances of violence in the art. The frame was ended with indications , then showing two of previous studies related with the current study and discuss it.The third chapter dealt with the procedures of research represented by the society of the research whose population was (19)sample and the nature of constructing the tool in its primary and finally form and how to use the appropriate statistical means to show up the truth and stability of that tool and then analyzing the research's population.The fourth chapter included results of the research, conclusions, recommendations and suggestions.Results of the research : 1 - The human being is the most expressional space for appearance of violence and abuse of human in the contemporary art, one of the works who express violence by using real bodies. Or through the evidential expression by drawing or sculpture and by variant formal treatments.2 - Appearances of violence were unique in the contemporary plastic art, by depending technical treatments and materials included human and animal bloods , bodies of human and animals and real materials and stuff implemented in combination method, that opened new spaces for expression for violence that exceed capability of the classic portrait.3 - The pictures of violence and its appearances in the contemporary art were described with tendency to the formal treatments has instinct, primary and brutal opposite to the civilized cultural false life, and the afflictions of all that by tendency toward the defacing and breach the system and harmony.The conclusions : 1 - Beside the belief that violence is old and exist in every era , but appearances of the violence in the contemporary art is different in its applications and references with an extraordinary style that it was considered as a breach for the previous contexts and traditions with all kinds on the level of concepts , styles and techniques.2 - Directions of the contemporary arts reflected in its dealing with the subject of violence the social and economic side, by expression of conflicting the wars and the psychological and social effects so the acts were as a reaction against the evil in the world , invalidity of the wisdom of the civilization and express that with sadism motives.Finally the research ended with references, appendixes and an English

معطيات النظرية الجمالية وانعكاساتها في التصميم الطباعي == The Outlet of The Aesthetic Theory And Its Reflection In Printing Design

Author name: ايمان طه ياسين
Supervisor name: خليل ابراهيم حسن الواسطي
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Doctorate
University: University of Baghdad - College Of Fine Arts - Design Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: Varied styles and trends in contemporary Iraqi art, especially in the era in which Iraqi pioneers artist activiated - the second generation, who immigrated to most European countries where the revolution started on The trends of resemldance Imitation manner conforming with the managed items through the window of the optical einronment. For the purposes of linked with the attemps of the advancement of the movement under the pretext of Fine contemporary intellectual and cultural cross - fertilization between East and West.Different reasons obligcet the Iraqi artists to immigrant - a generation after the pioneers “ as attempts to political ideologies in contemporary Iraq is keen to use the art and the artist to serve political purposes , which led to the search for climates outside of Iraq, allows the Iraqi immigrant artist freedom in artistic creativity, especially in visual field.Numerous environmental references affecting the outputs of aesthetic Iraqi contemporary creative drawing ;since it included the formal applicant of the real environment, and simulating him in a manner of conforming times, and growing in the act of perception formal down to abstraction, it also included the intuitive applicant to simulating ideas and passions and emotions... which are often active in the environment.The study Included (four chapters), the first chapter (methodological framework ), which represents the ( research problem ), which raised a number of questions as follow : 1. Is it correct to call the man who is acclimatized,and Interactive possitivly with the the new environmental climate (colony) recipe expatriate man ?2. Do you achieved in the environment variable , outputs in creative drawing ?3. Does the diversity in the environment affected on the plastic style?4. Is the variable in the environment Impact on of the identity of the Iraqi contemporary painting ?5. Does The Iraqi painter (immigrant)acclimate with the environment (immigrant), and come to terms with it in away which kept him out of local artistic identity and belonging to the original environment ? Is the outcomes Impact on the technical achievements ?6. Does the Iraqi painter (immigrant) carry the characteristics and attributes of the original and the identity of his environment with him to the colony? Is it left its impact on the creative process ?7. Do the body transfer from the original environment (Iraq) to the environment colony (Europe - America)activiared the idea of cultural exchange , and intellectual , and technical ; creativity in the field of plastic ?The first chapter includes olso the importance of research and obiectivec of research seeking to : 1. Detect representations reference in environmental colony on Iraqi artists.2. Detection mechanisms shift stylistic variation in the process of environmental reference.This chapter includes also the limits of the research according to the aspectds and speci fication of Iraqi artists in the immlgranet (Europe - America)and time limits between(2012 - 1971).In addition the definirion of the terms.The second chapter (theoretical framework), which included five sections follows : 1. Introduction to the Theory of Reference2. References institution for visual field3. The third topic : the environmental variable in the drawing of Iraq.4. Contemporary Iraqi drawing rooting and rooting experience.5. Artists of the colony - a study in styles and references. Has included all of those sections on a number of approaches.Chapter three includes the procedurs of the research which includes the analysis (22) model for the research sample , completed (11), a painter Iraqi immigrants , the purpose of the questionnaire growing shift characteristics and attributes painter contemporary Iraqi between his artistic experience in Iraq (before the diaspora) and experience (after the Diaspora) researcher has found the need to discuss one model represents the experience of the painter (in Iraq), and the model represents one experience with a painter (in the Diaspora).Colony of Chapter four includes : results, conclusions and proposals, suggestion and reco in wordations, and the list of references and the abstract in English.

مفهوم الذاتي في اعمال النحات الفطري منعم فرات : دراسة تحليلية == Features Experimentation In Theater Iraqi Academic

Author name: حسنين صادق عايد علي
Supervisor name: مرتضى عبود شهاب حداد
General topic: Fine Arts
Specific topic: Sculpture
Degree: Master
University: University of Baghdad - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: اصبح ( التجريب) اليوم مقياسا للنضج العقلي والتحررالفكري من كل اشكال التقيد، كما وسعى الى ترك الباب مفتوحا للابتكاروالاضافة، حتى اصبح مدخلا مهما في تطويروبناء العمل الفني.وجاء هذا البحث لدراسة ملامح (التجريب)، واهم الاضافات التجريبية التي تتضح عن ط | Experimentation became a milestone from tradition work into creative art, conceptual work, based on breaking Perceptions and familiar artist formula into new version, now a day, its consider as indicator to maturity and Intellectual freedom from all restriction & deadlock; it also sought to leave the door open to innovation and addition till its became important iterance to develop and sustain the artwork.This research is to study the sign of "Experimentation", The most important experimental add - ons that emerges through the completed creative artwork (Iraqiacademic'sdirector), and trying marking the most important additions to the pilot on which it runs, has been marking this research under the title (The Features of Experimentation in academic theater in Iraq), where taken researcher took the additions Experimental subject with the director of academic material to be examined, which came from the four chapters : 1. Chapter I (systematic framework) which includes : the research problem and the importance of the research, the need for it, the goals of the research, the temporal &spatial boundaries, determine the terms and defined procedurally.2. Chapter II - the theoretical framework : It consists of three sections are : • The first topic : - the concept of references and experimentation in the theater. this section divided into three paragraphs where the researcher presented the concept of experimentation and the most important definitions, then the emergence of factors experimentation in the theater and then on the characteristics of experimentation. • The second topic : - the movement of experimentation in contemporary" modern" world stage. This included the topic, followed by an introduction and first two paragraphs concerned the most important schools and currents of contemporary experimental and the second where the researcher talked about experimental filmmakers in contemporary theater.• The third topic : - the director of academic and experimentation in Iraq. Two paragraphs in this section came after the introduction, in first paragraph to talk about the Iraqi theater academic and experimentation, and in the second paragraph the researcher spoke about the academic director of the Iraqi and experimentation. Then the researcher put the most important indicators that came out of the theoretical framework, dividing into as follows : indicators of theatrical text, directing specific indicators, performance indicators, technologies indicators. The researcher also connected (previous studies) which arranged by date as shown : ? Dhiyaa Kareem Riziyakh, Experimentation and its impact on the Iraqi theater, 1989.? BahaaZuhairKadihom, Features performance analog in experimental theater in the College of Fine Arts Offers, 2012.? MudaferKadihomMuhamed, Techniques experimental theater and the development of performances, 2012.3. Chapter III - Actions - the research community : - the method of selecting samples : Adoption of the way (intentional) in the selection of specimens. Research Methodology : - The researcher adopt historical method in tracking the movement of relay experimentation in the theater through the three topics, descriptive approach adopted in the study and analysis of samples. Search Tools : - has included : (what resulted in the theoretical framework of indicators, including documents, books, magazines, periodicals, documents CDs, photographs, observation that adopted by the researcher as an important tool in tracking the features of experimentation and additions campaign theatrical approved samples to search ). Find samples : - Play : "Ali Al Wardi& his Opponent" directed by Akil MahdiPlay : "Shadows" directed by Haitham Abdul RazakPlay : "Romeo and Juliet in Baghdad," directed by MunathilDawood4. Chapter IV - Results and conclusions : - (results, conclusions, proposals, recommendations, list of sources and references, appendices, abstract in English).

اشتغال الخدعة البصرية ودلالاتها التربوية في مسرح الطفل == Operation of The Optical Trick And Educational Implications In Children'S Theater

Author name: منار محمد جميل الربيعي
Supervisor name: قاسم مؤنس عزيز
General topic: Fine Arts
Specific topic: Art Education
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: The current research was devoted to the study of visual tricks and educational significance in the play made presentations to children's theater. Find comprised of four chapters, the first chapter dealt with the problem of search identified the following question - : - What connotations educational visual trick to children's theater?The second chapter devoted to the theoretical framework and previous studies it.Eat first section visual form components, the picture received by the eye and are affected by built on a visual form and its components in general, either in the theater are associated with this visual plug - in theater, which was divided in this section elements to (representative, decor, fashion, lighting, makeup) or meets and solidarity in order to create a unit subject, and become the greatest value from a mere presence as a valuable elements.In the second section dealt with the (educational privacy of children's theater) For those privacy that is unique to all others in the way of the delivery instructions and the information it contains what regales the child and feeds abilities and insatiable needs of knowledge as well as those values that build character in the long run, the children's theater being The most important breeding methods that utilize audio and visual means to address the minds of these age groups in which science and art methods enjoyable as well as religious and national principles and follow the example of good role model receives. This does not negate the audience indirectly composed of key stakeholders to take this theater messages and methods of handling and processing performance in a theatrical home and school.In the third section dealt with the functioning of the trick and the production of significance, as it was allocated when talk about the visual trick and types in general the production of significance has talked about the human element, which produces meanings as a means continue linguistic and visual through innovation signals and interpret the beneficiary of the most famous thinkers of this comprehensive science not They Fernand de Saussure and the American philosopher Charles Pierce logician who invented the three types of signals, a brand and brand iconography indicative and symbol.Then current research in the relevant section dealing with semantics in the theater that had a special character in the theater because it is derived from the fact it adds greater depth and a broader interpretation in order to convey the human values format aesthetic in theater.Also addressed the topic of educational implications and visual tricks and study the relationship between them through visual deception and receiving processes and the role of the imagination in expanding the ability to think.And the importance of visual trick in children's theater presentations reflected in the aesthetic offer in a fun and interesting addition to the educational implications embedded in the context of the design of those tricks that were in director Samir Dawood in his plays Offers. This is the aspirations of the researcher in the light of the descriptive analysis of the samples in the third quarter of the search and out of the results and conclusions in the fourth quarter.

التحولات الاسلوبية في بنية النص المسرحي العراقي المعاصر

Author name: منتهى طارق حسين جبار المهناوي
Supervisor name: عقيل مهدي يوسف
General topic: Fine Arts
Specific topic: Theatrical Arts - Literature and Criticism
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: هناك تحولات واضحة جرت على مستوى الاسلوب واللغة التي انتجها العصر نتيجة حاجات وبواعث اجتماعية وسياسية واقتصادية...الخ. هذه التحولات جرت عبرة سلسلة متواصلة لقرون عدة وصولا الى القرن العشرين الذي احدث انقلابا كبيرا ضد الميتافيزيقيا وصولا الى الحداثة وما بعد | Hare is obvious changes happened on the levees of mode and language that the age produce motive… act. These changes occurred ty continuous series of hundred years access to the twentieth century which make a big revolution against metaphysic get to modernity and what comes after : these changes impact on literature and language which was locked up metaphysic, in view of the fact that language is the agent in embodiment and conduction the literary message and through it, it can be veach to solve the code which represented meaning and symantic levec. Its style tosad on surface meaning on text, so it must be diving in depth to produce style and woven fabril corresponding to what required by modern consciousness. So it must be taking an altions and difterent means in expressing and discovering the meaning of language which elevated power through compatibility of precent and atsent that was established to build advanced language Whig invade the mind of world by his thoughts and realities through several interpretations of a relative expression and interpretation via reading of unlocked text. From here the researcher has an examine glance to observe and chase ( stylistic transfer in framework of modern theater text) it contains four chapters to study that is : The first chapter companies the chief address (systematic frame) which contains a problem of research, targets and its borders, to get finish it by definition of trans fers term and procedure challenge. The it comes the second chapter which reveals to us five subjects, the first one is talking about the style and its historical changes after that it comes the second modifier to be integral and complementary to the first modifier in the address mode of modern text, then it comes the third research which explains, the mode of poetic text and the mode of prosaic text in the forth subject to be the final cheater in the fifth subject which comes with the address of stylistic changes and dramatic speech poetry. Then the research comes out with assigns to establish it her procedures within the third chapter which attributes by the address procedure frame which has analyzed fire samples are respectively : 1 - drama : opera snmar.2 - drama : the clock.3 - drama : the gate.4 - drama : the clown.5 - drama : sedra.6 - drama : republicanism of al jwahery Finally it comes the forth chapter which discover the most important thing by the researcher who discovers the consequences, deduction and recommendation… to complete hev series research by a source of lists which way established on it theoretical frome, to be the final summary of English language out come of research tour.

المعطيات الفكرية للفن الشعبي وانعكاساتها على التصميم الكرافيكي == Intellectual Outcomes of Pop Art And Their Reflection On Graphic Design

Author name: مها مؤيد عبد الحسين الناصر
Supervisor name: نصيف جاسم محمد عباس
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Doctorate
University: University of Baghdad - College Of Fine Arts - Design Department
Language: Arabic
University location: Baghdad
First pages:

اليات التعبير للتابع البصري في تصميم الفضاءات المتضمنة == Manifestation Mechanics And Visual Succession In Inclusive Space Design

Author name: ميس نصير عبد الرحمن
Supervisor name: شيماء عبد الجبار حميد العبيدي
General topic: Fine Arts
Specific topic: Interior Design
Degree: Master
University: University of Baghdad - College Of Fine Arts - Design Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: ان هذا البحث الموسوم : " اليات التعبير والتتابع البصري في تصميم فضاء متضمن " يهدف الى تحديد التوجهات التصميمية لاليات التعبير والتتابع البصري في تصميم الفضاءات المتضمنة التي تحقق النظم الجمالية والجوانب الادائية الوظيفية، تكمن اهمية البحث في محورين : ال | This thesis; titled “manifestation mechanics and visual succession in inclusive space design”, is aimed toward defining design trends for manifestation mechanics and visual succession used in inclusive space design; which insures implication of beauty systems and functional aspects of the space.This research importance revolves around two axes : 1 - Theoretical axis : emphasizes on the importance of interaction between man and interior space, through observation of main functional standards of the space deploying visual hints.2 - Practical axis : developing a knowledge base which will assist interior decorator in the process of understanding space comprehensive and sensual capabilities and deployments of visual hints to enhance the design process of inclusive space.In pursue of research targets achievement; the researcher has developed an analysis form; which covers the following : 1 - Functional and beauty manifestation mechanics, which in turn covers the following secondary aspects : (functional performance - beauty manifestation - space dimensioning blocks “floors, walls, ceilings, openings).2 - Inclusive space relations to surrounding space; which includes secondary aspects of (space design succession with neighboring space(s)), space internal successive design).3 - Visual succession suspense and stimulation, which includes : (basis and principles of “ strangeness, mystery, sophistication, variety, contradiction”, space definition plastic elements” lights, motion, colors, space supplements”). The researcher applied descriptive analysis approach, in analyzing three research samples of airports duty free markets; which were chosen carefully, to represent a wide sample range on international level; samples are duty free market for “Baghdad airport, Dubai airport, Ataturk airport”.To emphasize main of many products of the analysis process : 1 - Activation of space suspense, time illusion, motion and succession illusion, figurative attention of space interior, are all requirements to achieve beauty and functional design values; which are the tools to of visual succession activation.2 - Man tends to change his/her linear motional track often to zigzag, or curvature tracks depending on visible attractive points; this indicates the necessity in reconsidering space linearity, in a way which makes space design focus on applying attraction points proportionally to favorite motional tracks of shoppers; to direct man natural motional tracks toward designed attractive points.

الصورة البصرية وانعكاسها في تشكيل الوعي الجمالي لدى طلبة الجامعة == Optical Image And Its Reflection In The Formation of Aesthetic Awareness Among University Students

Author name: میسون عبد الله عنبر اللامي
Supervisor name: صالح احمد الفھداوي | رعد عبد الجبار
General topic: Fine Arts
Specific topic: Art Education
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: Is the essence of the visual arts including produced from a new language acquired by the Optical Energy in humans arresting his mind and his imagination and the evolution of the matter to the interaction invisible between the image and awareness of the human picture is Forum Arts and the threshold at which we stand to proceed to the world having witnessed's several transformations affected significantly in the production of concepts New contributed to enrich all the cultural activities and human knowledge, values and aesthetic aided image became a high - level graphical force became dominance and sovereignty characteristic of our time and one of the most important tools of knowledge and cultural institution of human consciousness. The research consisted of four seasons The first chapter research problem and its significance, which summed up by asking the following : • Is there a relationship between attention and awareness of the aesthetic? • Is there a relationship between the visual image and awareness of the aesthetic?• To what extent reflected the impact of optical image formation aesthetic awareness?The aim of the current research was to : - Detect the reflection of the image - forming optical aesthetic awareness. Among university students To achieve this objective research, the researcher sees the need to know the relationship between the basic elements involved in the formation ofaesthetic awareness through a range of measures, namely : 1 - know the real level of attention among the students of the University of Baghdad, depending on the variables A - sex B - SpecializationTo achieve this researcher developed the following hypothesis : (Are there significant differences in the level of real attention to the university students depending on the variables of a - sex - Specialty) 2 - Know abstract level of attention among the students of the University of Baghdad, depending on the variables A - sex B - SpecializationTo achieve this researcher developed the following hypothesis : (Are there significant differences in the level of abstract attention of university students depending on the variables of a - sex - Specialty)3 - know the level of aesthetic awareness among the students of the University of Baghdad, depending on the variables A - sex B - Specialization To achieve this researcher developed the following hypothesis : (Are there significant differences in the level of aesthetic awareness among university students depending on the variables of a - sex - Specialty)4 - known correlation between attention and aesthetic awareness among university students of both typesA - realistic The limits of current research are : - Spatial boundaries : the University of Baghdad - science colleges and humanitarian / Studies morning - Border temporal : the academic year 2012 - 2013 - Human border : third grade students of scientific disciplines and humanities / morning - Objectivity border : ? awareness aesthetic as a preliminary mentality.? fixed optical imageAnd known researcher of the terms contained in the title search and the procedural side, and these terms are : optical image - aesthetic awareness - forming - reflection - attention The second chapter included a theoretical framework and included threesections : - The first topic : Optical Image The second topic : aesthetic awareness Section III : the mechanics of aesthetic awareness of the visual image And hired a researcher with a set of previous studies to benefit them in building the theoretical side and the current procedural Search The third chapter included a search procedures, which included the research community and the research sample chosen by the researcher randomly stratified, and research tools, which included building a measure of attention realistic and abstract and building scale of consciousness aesthetic through visual image and completed researcher validity of the instruments applied to sample reconnaissance and presented to a group of experts and conduct operations to be tools of statistical researcher ready for application on the main research sample's (356) students from the third grade studies morning and humanitarian and scientific disciplines at the University of Baghdad Researcher reached to a set of results of the most important - Baghdad University students enjoy a high level of attention to the quality of realistic and - Baghdad University students enjoy a high level of awareness of the aesthetic - Superiority of females over males in the level of attention and awareness of aesthetic - Outweigh humanitarian scientific specialization in the level of attention and awareness of aesthetic - The prevailing attention among the students of the University of Baghdad is a realistic attention - That the prevailing correlation is the real relationship between attention and aesthetic awareness The researcher then identified conclusions, according to its findings and exited researcher with a set of recommendations including : 1 - the need to prepare a program, giving students in the Department of Education's reading skills and employ optical educationally2 - should not be ignored formal challenges in the field of visual arts because they contribute effectively and active in attracting the attention of the recipient3 - The need to pay attention, including in respect of the messages being reflected on the receiver in the formation of consciousness positively or negatively.4 - The need knowledge of the rapid developments in production techniques and the growing role in the era of globalization, including variables contribute to satiate that serve the goals of human development5 - the need to add optical image aesthetics decision and read methods in undergraduate and taught with jurisdiction.6 - need to take into account the image society's values and customs because of their importance in the social, economic and educational.The proposals identified by the researcher was most important : 1 - to conduct a study aimed at building a training program for university students on reading skills and growing role in the era of globalization variables2 - a study aimed at building a scale to measure the aesthetic awareness through the visual image of a primary school child.3 - conduct a study that includes building a curriculum for aesthetic education based on fixed and mobile.

فاعلية البناء الافتراضي في التصميم الكرافيكي المعاصر == Virtual Construction Effectiveness In Contemporary Graphic Design

Author name: نادية خليل اسماعيل العزاوي
Supervisor name: سعدي عباس كاظم
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Doctorate
University: University of Baghdad - College Of Fine Arts - Design Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: تاتي العمليات الابداعية لتجسيد الوجه الجمالية والبنائية في التصميم المعاصر من خلال استقراء التصورات الذهنية للبناء الافتراضي بالدراسة والتحليل، وابراز قيمة وفق المفهوم الفلسفي للبنى والمتغيرات، بحسب مخيلة المصمم وامكاناته ليظهر مايحملة من افكار نحو فعل مؤ | Creative processes come to embody the aesthetic and structural face in contemporary design through extrapolation of perceptions of mental default building study and analysis, and to highlight the value in accordance with the concept of the philosophical structures and variables, according to the imagination of the designer and the capacities to show what one holds of ideas impressively did achieve presumably to show contemporary Graphic designs. The current problem has been identified by asking the following question : What Is the effective default of Graphic construction in contemporary design? In order to reach the desired results through the goal set by the researcher as : - 1. Disclosure of the effectiveness of the default construction in Graphic contemporary design.2. To highlight the design pillars , ideas and visions to show expressive, functional and aesthetic values of the contemporary Graphic design. For the purpose of access to the objectives of the current research was to identify key themes contained in Chapter II (theoretical framework) four Bembagesh (the concept of construction in design and concept of the default construction, determinants and objectives of the default construction, the default design and philosophy of the digital age, trends and con temporary & Graphic.),art movements And support including what was resulted about the theoretical framework of the basic indicators, identified the procedures of research in the third chapter following the descriptive method (content analysis) for the diverse research community and with (150) one hundred and fifty - designed default, the appointed elected dele bersrately with the help of experts to considerations envisaged by the researcher and the related subject matter whith (15) model for advertising (magazine (Marie Claire) and one page and two pages, and interface published Web sites on a global site (Deviant Art). The covers of magazine (Time)) for the year 2014,according to imperatives highlighted by the researcher and identified according to the pillars derived from the Theoretical frame and indicators, and relied upon in the selected sample analysis to show the results discussed in Chapter IV has been reached.The set of results including : - 1. effectiveness embodied the idea of the building to the default output suggestive creative thinking distant from the reality on the hypotheses according to comparisons, and the effectiveness of the creative thinking of the imaginary axis innovative and metaphor.2. Effective default construction components emerged through subsequent dimensional visualization for configurable output showing new and fanciful to imagine the result of the integration and re - installation of new builders.A group of the most important conclusions where added : 1. Default formal building associated according to the perception of(an objective basis) based on the assumption of mental interpretation according to interpretation and to impose on the for drafting language, and the assumption according to the representative analogy to like in the forms elements and characteristics.• The default design. shows the temporal assumption excitation with a view time assumption and call for the past and, present and call for the next a mentally presumption gives dimension to the future thinking. Then it caused a series of recommendations including : The necessity to emphasize the effectiveness of virtual relationships in the virtual construction of the use of Hypertext (Ultra) or multi media impressive to embody the impressive character of and to empress expression its content. And she put forward a set of proposals and the most the important of : A study of interactive philosophy, deliberative designed product in the construction of online advertising. The sources , references, and appendices ,were added to the study and Displayed summary in English.

فلسفة فن التصميم الطباعي في الفر المعاصر النظرية والتطبيق == Philosophy The Art of Graphic Design In The Contemporary Thought of Theory And Practice

Author name: نبيل احمد فؤاد
Supervisor name: حكمت رشيد فخري العزاوي
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Doctorate
University: University of Baghdad - College Of Fine Arts - Design Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: The cultural level of any nation is measured by the prevalence of philosophising proper there, where indicates promoted Nations and its development on promoted thinking and philosophical evolution at their sons, while leading the deterioration of culture and dystrophy in any community to dissolution of philosophical thinking and rigidity where, from here stemmed the importance of the philosophy of being a the effectiveness of a purely intellectual trying to understand the world as a whole.What characterizes the philosophy of inclusiveness and stripping them of a humanitarian nature pushes the boundaries of nations and nationalities, and making it one of the most important means of understanding, cooperation and brotherhoodbetween ideological human beings on the earth. Therefore, the philosophy supports the self - consciousness of the human being and his understanding of the role of scientific discoveries in the overall development of human culture, and thenprovide a standard for appreciation and linking the separate episodes in one comprehensive theory. There is no doubt that the critical spirit characteristic of philosophy contribute liberation of the human mind from the power of tradition and transport and calls for the development of ideas and beliefs established under discussion and revision and modification, , Through those lines philosophical and stripping logic creative meanings of self - expression and nature, we can say that the design simply means approach the expression of certain ideas using visual aids, this process is more like a translation of the interior feelings with the person through the use of abstract shapes derived from nature within certain relationships such as Unity , balance, and rhythm. Design is emulates a vision or in other words "vision", Valmsamm is fully aware that the idea that wants to communicate to people through a particular design must be seen by the people, then design is to deal with the eye directly, and then made up a sense of aesthetics shapes insidedesign at receiver, where represents Chapter the first, which contained the research problem that came on as two questions, namely : - Is it possible to identify and study the philosophical theories and technical schools and experiences of the designers personal contemporary been affected by the art of graphic design as a concept and what are the ranges to take advantage ofthis philosophical theories and personal experiences in contemporary work of design typographical that appeared during the twentieth century in chronological order in a period of contemporary? - Does the sequence historical art graphic design, referring to deepen the philosophical and artistic vision through schools and concepts that have been affected by political considerations, social and environmental? As well as the statement of the importance of the concepts of contemporary thought effect active in the detection of environmental sources of inspiration, The set a goal to search according to the following : 1 - detection the schools of intellectual, artistic and monetary contemporary designs and their impact on print Through the study and analysis of advertising posters for movies.2 - axes identify theory and cognitive processes The their implications in Applied print designs.The boundaries of research have included the reduction objective study which defines the philosophy of the art of graphic design in contemporary thought theory and practice, and the study identifies Alhaddalmkane posters (movie poster) Qsidia selected from the United States, has been the adoption of the length of time from 1980 to 2000 _. As well as to determine the terms of the philosophy of art, contemporary thought, theory, application. And included the second chapter Anwanat including : Firstresearch About the History of Philosophy Abralkaron, the concept of philosophy at the school of contemporary thought, the concept of philosophy at the school of contemporary art, the concept of philosophy at schools cash in contemporary second topic : the axes of the design philosophy, in the third topic : the philosophy of the art of graphic design , in the fourth section : theory and practice, and then seal indicators theoretical framework, and included Chapter III : action research to identify the research method, the method of selecting the sample, the instrument sample analysis, and then allocated the subsequent pages to analyze and critique the models that included posters movies by (20) Sample , and then search out theresults, including : - The styles expressive and aesthetic design requirements also, as a counterpart to realize the inherent requirements of the three is the perceived value of the sensory and subject value formalism and Altobeiragayma connectivity. - Used the colors as symbols to indicate certain connotations and different, then we can say that the language of expressive colors and symbolic tag representing different feelings and aesthetic goals in humans according to the joy, wonder, fascination. - The latest conceptual art shifts in the quality of the concept of art which relies on technical skill, and aims to produce a beautiful thing, and in the concept of consumer artwork, and means of artistic expression, as well as the role of the artist.Then he went out research conclusions, including : - That all the foregoing philosophy are not facts ready nor knowledge acquired but is the idea of research free and permanent dialogue and the ongoing debate of ideas and opinions, theories and approaches, in order to availability on a clearerunderstanding and skill of the mentality of an enlightened and visionary educator, as the function of philosophy is to learn critical thinking in a different way. Then identified recommendations including : - The addition of the philosophy of art to the curriculum for the branches of the design department of the preliminary study of the effectiveness in the development of creative thinking. Then identified the subsequent pages of sources andsupplements, and display the summary in English

الدلالة الزمانية وابعادها التصميمية في المنتج الصناعي == Significance And Temporal Dimensions of Industrial Design In The Product

Author name: مصطفى ابراهيم دحام السهيل
Supervisor name: شيماء عبد الجبار حميد العبيدي
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Master
University: University of Baghdad - College Of Fine Arts - Design Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: هذا البحث الموسوم ) الدلالة الزمانية وابعادها التصميمية في المنتج الصناعي ( يتناول تاثير الزمان في تحديد اهم الابعاد في تصميم المنتجات الصناعية وانعكاس تلك الابعاد في تحديد شكل ووظيفة المنتج واهم المتغيرات والتطورات التي يحدثها الزمان والتي تقوم باحداث | This marked research (significant temporal and designing dimensions of the industrial product) deals with the impact of the time factor in determining the most important dimensions in designing of industrial products Its reflection on those dimensions in determining the shape and function of the product and the most important variables and developments caused by the factor of time which make a designing changes to the industrial products including the technical and technological aspects and what these changes may occur the consequent transformations in finding shape changes to the designing form of the functional prefromance ,the quality of the raw used in the industrial product.The research aims at determining the desining dimensions and the impact of time factor in Its composition which relates derectly in the process of industrial design that might lead to clarifying designing tracks taken by the designer in desingning process as the designing comes through a continueous and changed developing form due to chronological progress and what might this factor affects on linking and classifying things according to (past, present, future).The research sonsisted of four chapters, the first one dealt with the research problems,its importance and purposes,and idioms mentioned in, the second chapter focused on the the previous studies ,theoritical frame which included three introductions , the first one dealt with the temporal meaning and its intellectul dimensions , while the second introduction focused on the designing variables of the industrial product ,through time factor,as for the third introduction ,it dealt with the designing variables and its forming dimensions according to time factor and indications of the theoritical frame which formed the research mean by designing an analysis application which resulted definition of the aspects of an analysis form presented to a group of specialized experts.The third chapter included the research procedures of a society that have expanded capacity relying on (intentional) choice for samples of society of the study and the descriptive style in analyzing the sample by analyzing aspects form after presenting ot a group of experts ,which cosidered the most appropriate method to achieve the purposes of the study, the chapter addressed to descibe and analyze the specimens according to analysis form designed by researcher,while the seventh chapter has included the following results : 1 - Significance has achieved formal variable in the specimens of the body (6,3,2) with an average(50%) and turned in the specimen(2) that it was in than it was in the past which preceded in the specimen(1), the designing shape of the speciemen changed and has been enhanced, while in model (3), the design was directed towards the sculpured mass form, hence ,the design was deffered from its predecessors in the chrononlogical past eras,model (6) has achieved the formal variable as the design derected towards the formal shorthand and became more slim than before.2 - The variables effect of the functional performance was achieved significantly with average (33%) in the specimens (6,3), while achieved with (16%) in the specimen (2),and was achieved to some extent in specimen (5), not achieved in specimen (4,1).The most important conclusions in the research as follows : 1 - The transformation and change in the characteristics of design system adopted functional addition according to the technical development besides maintaining the essential system in some specimens a matter which led to waekness of the expressive power and the apparent conductivity of the system from the innersome design, in addition to the recommendations and proposals then references

البعد التعبيري لبورتريه الخزف الاوربي المعاصر == Dimension Expressionist Portrait of Contemporary European Ceramic

Author name: مياده حسن مرهج الكعبي
Supervisor name: نبراس احمد جاسم الربيعي
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
University: University of Baghdad - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: دراسه قائمه على التنقيب عن المفاهيم والاصول في قيام العوامل التكوينيه والعليا والوظائفيه بهدف تاطير الانظمه التعبيريه للخزف الاوربي المعاصر. فالتعبيرية الى جانب بواعثها الفطرية لدى الفنانين بما تحمل من دلالات الابداع الشخصي, تنقلنا ايضا الى الحاضن الخارج | Based study exploration concepts and assets in the textural factors and upper and functionality in order to framing regulations expressive of European contemporary ceramicsExpressive motivation along with artists including fungal afford connotations of personal creativity, also Artist and heir to those influences, including in respect to the values of psychological and intellectual relations behavioral concerning its product material, has contributed to ceramic art through the ages the social function of culture was the source induce in its forms and manifestations in artistic expression and is complementary to the ideas in his creations based on various subjects as the theme of portraitureake uArtist and heir to those influences, including in respect to the values of psychological and intellectual relations behavioral concerning its product material, has contributed to ceramic art through the ages the social function of culture was the source induce in its forms and manifestations in artistic expression and is complementary to the ideas in his creations based on various subjects as the theme of portraitures outside the custodial culturally, and culturally.Artist and heir to those influences, including in respect to the values of psychological and intellectual relations behavioral concerning its product material, has contributed to ceramic art through the ages the social function of culture was the source induce in its forms and manifestations in artistic expression and is complementary to the ideas in his creations based on various subjects as the theme of portraitureNow that seen in the art of portraiture European porcelain contemporary offsets Azha and implications in the context of technical and stylistic and aesthetic implications revealed thought Alheiomana which still governs taste new milestones keep pace with progress.from here it seemed the emergence of diversity Graphic showing expressive portrait rights of the reality of cross - fertilization between the past and the goal thought Alheiomana and between the paths of renewal in the framework of modernity and onwards to praise the subject of portraiture new formulas dimension expressionist despite control of quantitative models of the products of different kinds, but the employers doctrine clastic had reached a dimension expressionist the legitimacy of the chaos emerged a clear relationsformalism the most profitable products in portraiture to find this topic rationale for the present study to decode meaning boarder behind diversity in crafting dimension expressionist for portrait porcelain European contemporary in light of the sensitivity of the artist and the expression and contain the aesthetic as well as read the shifts shapes depending on the subject matter of his face and the services of hand in a time of as the body of contemporary portraiture relationship dimensions syntheticAllow to be exploited for artistic expression through various technical treatments in addition to the presence of attributes and Graphic sculptural portraiture of contemporary ceramics from functional integration and aesthetic and associate with everyday life.ln light of the foregoing researcher assumed possession of European porcelain portrait of contemporary characteristics and dimensions of new creative expressive phenomenon influenced the art of modernity and its aftermath a lot of artistic and aesthetic concepts.and offers a researcher fragile study in four chapter included the first chapter the importance of research problem in dimension expressionist porcelain portraiture European comtemporary, have been identified in this chapter bending search time period 2014 - 2000this addition to identifying procedural came in this chapter for the most important termsbasic searchthe chapter has two within the theoretical framework, which included three sections pertalning to contemporary European ceramic portraiture.first research : expressive elements in the art of portraiture and supplements the body. section twante : first concept art of potraiture in formation section third topic of prtraiture contemporary ceramics. the fourth topic : methods of forming ceramic portraiture and techniques. As the third quarter came from search procedures for the busy professionalcontrolled by research community and appointed the fourth chapter select to discuss the results derived from the analysis of samples of research and including checks of this research and included from this study, which ended in a pri acy statement ceramic portraiture European contemporary in terms of its distinguished presance as the value of art and aesthetic affecting the various arts era and in accordance with the regulations , which relied on businessman and big goals in the history of art and ask him pictures of the body.

مرجعيات البناء التشكيلي للقطة في الفيلم السينمائي == References For The Formation Structure of The Shots In Cinema

Author name: نصير حيدر لازم
Supervisor name: رعد عبد الجبار ثامر الشاطي
General topic: Fine Arts
Specific topic: Cinematic Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: The Formation represents one of the concepts that came from the Plastic Art, which has been effectively Involved in the cinematic shot structure, adapting with the cinematic form that produces motion, although The Formation in the drawing art generally an important reference for film director in the study of the nature of the composition or to suggest movement or flexibility in the usage of colors, and this led to reproduce films for global paintings, from here the researcher put the title of the subject for his research (References for the Formation Structure of the Shots in Cinema).The first Chapter includes (Methodological framework), beginning the problem of research, which is formulated on this question (what qualities which were represented by the References for the Formation Structure of the Shots in Cinema?), And the importance of this research was in addressing important issue of linking the Film Art and Plastic Art, in addition to the benefit of students and scholars in this field of study. The aim of the research has focused on the revelation of representation of References for the Formation Structure of the Shots in Cinema.The research has three limits, the substantive limit addressed feature films that dealt with global Fine paintings as a reference in the construction of the film shots, temporal limit represented by the period between (2004 - 2014), and the spatial limit represented by Films that was produced globally.The second chapter (The theoretical framework and previous studies) in three sections : The First section : Cinema relativity with plastic art.(References for the Formation Structure of the Shots in Cinema) This section has dealt with the chronology of plastic art techniques that helped to develop the Film Art over the years, such as the dark room and Magic Lantern, in addition to the will of cinema to introduce motion to be unique and different from the plastic art, and the Performing relationship between film Art and plastic art and the most important approaches and differences between these two arts.The second section : Formation Structure elements of the Shots in Cinema.Turning topic to Formation Structure elements shared between the art of painting and film art, from the point, line, color, balance and rhythm... etc., have been clarified that the basis for the Formation Structure is not a formative element, but relationships do from this element and make it an interactive capabilities with the rest of the elements for the production of meaning and information, and how the director Employs his tools in ways that leads to a Formation Structure supporting the middle of formative elements and cinematic language elements.The third section : Formation references according to the diversity of performance theories.The Operation types Selected in this section engage in the relationship between cinema and drawing, and joint productions between these two arts, and also addressed to the references of formation art that have had a significant impact in film history, such as classical, surrealism and abstract… etc., in addition to reproduce paintings cinematically, especially those paintings that belong to the global well - known painters, and how they match Formative with the final cinematic image.Finally... the researcher at the end of the second chapter came with indicators that formed the theoretical framework recap, including : that the(References for the Formation Structure of the Shots in Cinema) configuration in the cinematic shots inspires its Formation Structure from the joint proposals between plastic art and film art, and also the motion represents the diversity structure between the painting formation and cinematic shot formation, in addition to Dealing consciously with the optical script as a basic structure between the film shot and formational painting. As for The previous studies the Researcher did not find any study that specializes in his subject (References for the Formation Structure of the Shots in Cinema), except for a few references here and there in a number of books, references and researches related to his subject (The Shots Formation) which the Researcher relied on in his research.Then, in the third chapter, the researcher developed (Research Operations), he used the descriptive method for the analysis of samples in this research and then chose the intentional samples for the purpose of conducting the analysis process through the fourth chapter (Samples of the Research) : 1. Film (The Passion of the Christ).2. Film (Goya's Ghosts).3. Film (The Mill and the Cross).Then the results and conclusions in Chapter five, which the researcher reached what he purports through this research, and the most important results of the researcher is revealed that the film art has the ability to achieve symmetry between the shot and its formational references with pinpoint accuracy, which leads to the production of intellectual and aesthetic level in film structure. Plastic Art theories represent a basic reference that completes Film Art theories in dealing with the raw material (facts).(References for the Formation Structure of the Shots in Cinema) The motion represents the diversity structure between the painting formation and cinematic shot formation. As well as the painting affects the cinematic shots by making them an indication unit with specific features without linking it in the image intellectual context that insures it's formational and dramatic interaction.The recommendations and proposals by the researcher, followed by a list of sources and references which the researcher adopted at his research process, and then the supplements and the Abstract in the English language.

نظم الخطاب في عروض المسرح العراقي على وفق الاتجاهات النقدية الحديثة نماذج مختارة == The Systems of The Iraqi Drama Shows Discourse According To The Modern Directions Critical

Author name: حارث حمزة عبد الائمة الخفاجي
Supervisor name: نصيف جاسم الدليمي
General topic: Fine Arts
Specific topic: Theatrical Arts - Literature and Criticism
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: تمثل العملية الابداعية فعلا تواصليا ناتجا عن العلاقة المتبادلة بين الوعي والوجود، على وفق صيغ وانساق تنتظم داخل فضاءات فكرية، تتجسد على نحو متحول في الاشكال المادية الممثلة للشكل الظاهري في الفن بحقوله المختلفة، التي يشكل الفن المسرحي احد تلك الحقول.وي | The creative process is represented communication active is ruselt from the mutual relationship between awareness and existence according to forms systems orginicing inside mental spaces represented on transform in material forms witch are represented in external shape to art in different in fields and the theatrical art is one of that fields.And the system of theatrical art is represented transforms active pivot or many levels wich is represented on realation ships and advices wich are spread between abstract humanity wich represnted in the text of the writer and what is carrying of elements and relationships wich are organize according to the given of text system, from one side ,and transform , in in side the external according to two levels the audiovisual from another side.And because of the processes of be organized the awareness to include the facts of theatrical field is come from to call for all humenty references and wich it cannot to out of tamely place facts and reflexes include the structural of creativness system theatrical - and its just like to called on it as abstract structural and atoms structural wich it called by those previous vocabularies from briefly of all to name for example : ( mentally, abstract, perfectly, sensitively, materially, externally, …. Ect ).The objectly equal wich is to spread the structural of theatrical system and finely, and charm reading , what this meaning in discourse, it is effect in the text, and criticism systems, in the theatrical art, included the place on the stag.The search it s contain in four chapters : The first chpter : the form a manner : 1. problem of research.2. aim of research.3. 4. Sami A. Al - hameed.5. fahdel khaleel.6. ssalah Al - qasab.7. Aakheel mahdee.After that, the researcher look in some criticism current : 1. structural.2. seismology.3. deference.

المعالجات الفنية والجمالية لمسرح الرؤى ومقارباتها في العرض المسرحي العراقي == Artistic And Aesthetic Treatments of The Theatre of Vision And Its Approaches In The Iraqi Stage Dramatic

Author name: نور سعيد جبار الخزاعي
Supervisor name: محمد حسين محمد حبيب | عباس محمد ابراهيم
General topic: Fine Arts
Specific topic: Theatrical Arts - Directing and Acting
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: انبثقت التجارب الاخراجية الحديثة التي تستند الى الجانب الانتقائي واللغة البصرية الابداعية المتميزة بدينامكيتها الحركية والصورية التي تعبر عن مبادئها الاساسية مقترنة باشتغال الصورة المسرحية ذات الطابع السيميائي والديالكتيكي على الاعراف والقوانين الفنية، وا | The modern trials of direction, which based on selection and creative visual language which is characterized by its motion and image dynamics and reflects its basic principles and associated with the acting of the semiotic , dialectic and revolutionary theatre image on all aesthetic, philosophical and artistic traditions and laws, were emerged to express the directional vision and find a new language that reflects the new era and its needs. The director's means don’t depend on a specific side , but through using creatively all art potentials, modern techniques and staying away from traditionalism and classicality which limit and weaken his expressive potentials. Therefore, there was the theatre of visions which canceled all traditions and laws of theatre and established a theatre depends upon the image that reflects what is in himself and his vision about art and society , generally. Moreover, the Iraqi director worked according to this trial and directive method, he was influenced by previous theatre trials which cleared the way to enter the experimental world to form the theatre image and use it to put the light on the problems in the Iraqi reality and find solutions. Thereupon, the researcher worked on putting the light on the most important theatres , that the Iraqi director was influenced by, the Iraqi director has worked on the system of the theatre image , so there was an approach between the theatre of visions and its functions and the Iraqi theatre and how it is influenced by these theatres from the directional side , artistically, aesthetically and creatively. This research lies in four chapters. The first chapter is the methodological framework of the study, it includes the problem of the research which is "What are the approaches of the theatre of visions in the Iraqi theatre show , artistically and aesthetically speaking? ". The importance of the research is reflected through putting the light on the theatre of visions, its references, how it works and its impact upon the Iraqi director, as a new study dealing with an important subject in the theatre show with a huge impact on the directional method. While the aim of the research is represented in " Identifying the artistic and aesthetic treatments of the theatre of visions and its approaches in the Iraqi theatre show". The research time is limited to the duration between (1985 - 2014) , while the place of the research is in Iraq. The objective limit is limited to " studying the subject of artistic and aesthetic treatments of theatre of visions and its approaches in the Iraqi theatre show within the specified duration of time" , and finally, this research is concluded by identifying terms cited in the title of the research. The second chapter is about the theoretical framework and indicators resulting from previous studies and theoretical framework. So, this chapter lies in three topics : - First topic : references of the theatre of visions Second topic : the beginnings of theatre of visions Third topic : Chaotic aesthetics in the theatre of visions This chapter is concluded with the previous studies and the most important indicators resulted from the theoretical framework. The third chapter includes procedural framework of the research , the research community contains (108) stage shows, within the limits of time and place. Also, it includes the research sample which contains (5) plays which are : " Circus clown's sorrows" , "Karook" , " Doubt" , " Horse of blood" and "Rebuke". These plays are deliberately selected, in a way that fits the research community and to achieve the aim of the research. Furthermore, it includes the research tool , where the researcher formed the tool in its preliminary version by extracting it from the indicators of the theoretical framework. After modification done by the experts committee and applying the operations on it, the final version of the tool was extracted. The researcher has followed the descriptive (analytical )approach, and this chapter is concluded by analyzing the sample. Finally, the fourth chapter is a presentation of the most significant results and conclusions such as : - • The degree of approach differs between the theatre of visions and Iraqi theatre shows due to different directors , their styles in directing , using the theatre techniques and their different ways to create ideas and find treatments. • Display the intermittent theatre images and the way of using them theatrically, occupy the most approaching side to the structure of displaying in the theatre of visions. So, the form of the image, its significance, its symbolism and aestheticism are the approaching side to the theatre of visions

الاضداد في النظم الشكلية للمنتج الصناعي وامكانيتها في استجابة المتلقي == Opposites Formal Systems For Industrial Product And Their Ability In The Response of The Receiver

Author name: نور عباس حسين السعدي
Supervisor name: شيماء عبد الجبار حميد العبيدي
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Master
University: University of Baghdad - College Of Fine Arts - Design Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: تشكل الاضداد بالنظم الشكلية في تصاميم المنتجات الصناعية التي تؤدي دورا اساسيا في شكلها ودورها في استجابة المتلقي. ولعدم قيام اي من الدارسين بدراسة موضوع الاضداد في النظم الشكلية ودوره في عملية الجذب والابهار للمتلقي قامت الباحث بطرح الدراسة الموسومة ب ( | Opposites constitute formal systems in industrial designs products that play a key role in its form and its role in the recipient's response. And the failure of any of the students studying the subject of opposites in the formal system and its role in the process of attraction and fascination for the recipient the researcher asking study tagged (opposites in the formal systems for industrial product and their ability in the recipient's response) through the four seasons, the first chapter dealt with the problem of the search centered What is the role of opposites in formal systems and their ability in the recipient's response, then the importance of research in a statement opposites systems formalism for industrial product came as one of the means in the recipient attract, and can benefit from them and put it as a way of moving Bsykologgio receiver to achieve the benefit of the individual and the community, has been the first quarter included the goal of research is to determine the effectiveness of opposites relations and their ability in response Almtgay.vdila eating it identify the terms that Tzmnha search.Chapter II has included previous studies and theoretical framework, the theoretical framework it contains three sections, dealing with the first part, the subject of the idea of spatial contrast broad faithful to the concept of antagonism and Mbdoaltdhad and philosophy of antagonism and theories contrast, while the second topic antagonistic relations and organizational bases (formal systems) for industrial product and explained the foundations of organizational relationships and their types and their relationship contradistinction, while the third section psychology of visual perception and responsive recipient and explaining the cognitive and understandable, and some theories of cognition and the excitement and response and aesthetic judgment.The third chapter included research procedures and methodology that has been through the selection of the research community and choose the descriptive approach in the case study.Chapter IV has included the search results, and most important of these The results : 1. aesthetic values achieved regulatory connotations and at different rates, where the sudden rhythmic patterns in the formal system and color models (1,2,4), while the rhythmic patterns came clades formalism of the model (2.3), either model (5) rhythmic patterns have been achieved in design through raw material (Mca).2. Tmzart formal systems for industrial body product through objective and subjective job performance achieved functional mechanism in the human body models (1,2,3,5), which have the effect of a clearly defined response in the recipient and to realize the function of the product through Almnzawmth formalism.The most important conclusions of the researcher are : 1. The recruitment of antagonism through sudden rhythmic patterns in the formal and tonal system in the industrial product design aesthetic values occur regulatory connotations which they can check the recipient's response.2. antagonism is a goal to create a sense of where the transfer of translational appointed receiver from one area to another investigator continuity, so that the contrast makes winning product design art is visually obvious and makes high - alone form different but interconnected.And the researcher then to set the foundations of the design was the most important : 1. You must sudden rhythmic systems for industrial product adoption in its system of formal and color that affect directly affect the response of the receiver.2. The use of contrast in the system size, shape and direction to enhance highlight the formal systems for industrial product and must be employed is not limited to color spaces equal and flat

فاعلية طريقة الاستكشاف في تنمية المهارات الفنية لدى تلامذة المرحلة الابتدائية في مادة الاشغال اليدوية == Effective Exploration Method In Substantive Skills Development To The Pupils of Primary School In The Subject of Handmade Works

Author name: هالة محجن نعمان
Supervisor name: احلام مجيد سلمان
General topic: Fine Arts
Specific topic: Art Education
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: نظرا لما تمتلكة طرائق التدريس من دور مهم في العملية التعليمية يرتكز عليه مختلف الاسس والاساليب والانشطة المختلفه التربوية منها والتعليمية، ولكون طرائق التدريس الحديثة لها اهمية بارزة في العملية التعليمية فان طريقة الاستكشافية وفاعليتها في تنمية المهارات ا | Because of their methods of teaching an important role in the learning process. Based upon various grounds and different styles of educational activities , including learning. The fact that modern teaching method of Prominent importance in the learning process the way of exploration and of activeness in manual skills development, of various material especially material handicraft, and activation of different method to its full Potential and the power of the elements to get to high level of education between students and teachers. This is what the current organized (Effective exploration method in the development of skills for students in primary school ). The research consists of four chapters : - The first chapter : Find deals with problem of cross - crystalline question follow : - Q : How effective exploration method in the development of skills among primary school students?The objective search by : - 1 - Disclosure of the effectiveness of exploration development skills to pupils of primary school.2 - Measure the effective of exploration development skills to pupils of primary school for Hand work. The importance of higher research need to upgrade to high level using modern teaching method to active the educational process - and represented by the objective limits and then spatial and temporal boundaries border as well as identifying terms in the title and exit procedural definition.The second chapter : - It is including the cortical frame work which consisted of three research : - 1 - First section : - The skill and the importance 2 - second section : - included the hand work3 - third section : - included about the importance to teaching method relationship with skill sideThe third chapter : - Included research procedures and methodology adopted the experimental method has been selected sample of pupils of Al - Ashbal primary school fifth grade primary and extent of the use of meta , search teat and tribal tool.The fourth chapter : - Includes findings and conclusions that have been reached and was the most prominent1 - All hand work develop performance skills to students 2 - Conscience and artistic expression and associated operations creation and innovation development3 - Through it is to achieve social cohesion among themselves And then the recommendation and proposal, and list of sources and supplements came.

الاستجابة الجمالية ومتغيراتها في العملية الاتصالية للتصاميم الطباعية == Aesthetic Response And Variables In The Process of Communication

Author name: هبة مزهر محجوب
Supervisor name: ادوار الاشقر
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
University: University of Baghdad - College Of Fine Arts - Design Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: تشكل اهمية هذا البحث مؤشرا لمواكبة التطور للاستجابة الجمالية ومتغيراتها في العملية الاتصالية للتصمايم الطباعية، فالاستجابة الجمالية تعد ردود الفعل الايجابية التي يثيرها المثير عند المشاهد اثناء الحكم الجمالي او التجربة الجمالية والنفعية اما عند المتغيرات | The importance of this report considers an index to convoy the development of Aesthetic responsive and its changes in the communicative procees for theprinting design.on scientific foundation of effective with using the facilities available for new technologies wich is available in commercial advertising through the computer which through it the effective responsive achieved Conserning with the problem and through the researcher observationjob and her study for the Aesthetic responsive.ahe found that three was aproblem in dealing eith that subject from the searcher specially for the specil reality of the Aesthefic responsive and is changes and effeeing of the communicative rocess in printing design field and that to achieve receiving the actting letter with designs filld with beautiful vaiues to do the job and to get the responses from the listener and his interaction in this letterSearcch target Discovering the changes of the Aesthetic responsive in the communicative process for printing designs ,graphic designs.The search restricted in studing the Aesthetic responsive and is change in the communicative process for the modern commercial advertisement dealing with the beautiful and creer way and that what concerned withchabter one , but chapter tow covered the oretical frame work and it divided to three investigations ,the first study content concept of Aesthetic responsive and Aesthetic concept and the second study content communicative process and the factors which depends on the success of the communicative process, also the third study is commercial advertising and the target of it functions and types artistic side of the most important things in the announcement since it concern with graphic designers?s abilities in artistic and technical skills.Recommendation and propo sals ;1. That are ative and practical application in the commercial side of the announcement.2. confirmation that the work in the design of ommercial advertising deals with receiving advertising me ssage from the designer to the recriver.Suggestions ;1.Undertake astudy similar aesthetic response for the shope and color characteristics in commercial advertising. 2.Practical study to contrast vole of the image in advertisement and its effect on the recever.

برنامج تدريبي لبناء التكوين في رسوم طلبة المرحلة المتوسطة لمدينة بغداد == A Training Program of Composition Structure In Secondary Stage Students Drawing In Baghdad City

Author name: هند عماد حميد البياتي
Supervisor name: هاني محي الدين محمد النعيمي | رعد عزيز عبد الله
General topic: Fine Arts
Specific topic: Art Education
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: تعد التربية الفنية من الدروس المهمة في حياة الطالب وخاصة في مرحلة المراهقة, المهمة في حياته , حيث تسعى الى صقل وتنمية قدراته فكريا واجتماعيا وفنيا, اذ تتيح له التعبير عن افكاره ومشاعره وانفعالاته حيث يصور العالم الخارجي بنظرته الذاتية او الذاتية الواقع | The art education regarded as one of the important lessons in learners life particularly in adolescence period. Because it a tempts to refine and enrich his abilities mentally , socially and artistically.In this way gives him the opportunity to express his thoughts , feeling and emotions through shaping the outside world with his own or realistic vision. The art of drawing considered one of the most important arts that have been used in the artistically expression which is the visual borrowing from environment. This is done by organizing the lines shapes and colors in specific palter of expression in order to be perfect by the Composition structure of the paint.From the observation, we notice that the learner flounders in his subjects and failure to produce his paint with it perfect shape and context. the reason lies, according to the researcher point of view , through her experience in the artistically supervision , the learners lacking the knowledge of the minor elements and founds of the artistically structure which is considered the basic pillar in any artistically perfect work.Depending on what is said above , the researcher has put the following aims : - 1 - Designing truing programmed for Composition the artistic structure in students drawings according to Gagne& Briggs (1988) theory. 2 - Measuring the effectiveness of the training programmed for the artistically structure elements and founds within the (cognitive - skill) dimensions. By applying it on a sample of secondary stage students. to achieve the second aim , four null hypothesis have determined to measure the cognitive and skill performance achievement level. The stay population is limited to second year boys student of the general sector of education in Baghdad city for the academic year (2011 - 2012), the total number is (27824) male student distributed on (50) school. The study sample is (40) male students which have been chosen randomly. Actually (2) classes from total (7) classes in AL - Garbia secondary school. The experimental group have been exposed to the requirements of training program designed according to Gagne& Briggs (1988) Theory which included (3) educational units.While the control group have taught by using the traditional methods. To option data , two tools are designed : - 1 - Cognitive - achievement test : to measure what in formation the students elements before and after applying the training programmed. 2 - Skill - achievement test : - To measure what drawings skill students have before and after applying the training programmed. Anevalution of skill performance list have been used. The presenter have used the suitable statistical tools such as : (mann_whitney) test to equalize the students in age, the cognitive achievement test (pre _ post)and skill performance (pre _ post). the discrimination power and difficulty of items. (Alpha_Cranach) formula to obtain reliability of the test , (Pearson _correlation) and (spearman brown).The most important results that the research have reached at is that the experimental group. exceeds in their performance of the cognitive - achievement test for article structure Composition and skill performance on the control group which shows the effectiveness of using the training programmed according to Gagne& Briggs (1988) Theory. The important recommendations are : - 1 - Adopting the designed training programmed in teaching elements and founds of artistically structure in secondary school because it is one of the important lessons.2 - Enabling teachers of art who are not specialized in art department to be supported by the content of the training programmed in teaching this lesson.The researcher has suggested the following : - 1 - Conducting a fellow up study for this study sample which have been exposed to this programmed anther studying stages to determine the effectiveness of this programmed in future.2 - Conducting a study for training programmed of Composition artistically structure in talented students drawings at Baghdad university.3 - Conducting a similar study on female students in the same stage and make a comparison between male and female students according to the results of the present study.

واقع اداء الة التشيللو عند المؤلفين الموسيقيين العراقيين وامكانية تطويره : دراسة وصفية تحليلية == The Performance Status of Cello Instrument At Iraqi Composers And The Possibility of Development Descriptive And Analytic Study

Author name: وليد غازي فرمان
Supervisor name: حسام يعقوب اسحق
General topic: Fine Arts
Specific topic: Musical Arts
Degree: Master
University: University of Baghdad - College Of Fine Arts - Department Of Musical Arts
Language: Arabic
University location: Baghdad
First pages:
Abstract: This Research consisted of five chapters with a list of sources andsupplements : First chapter addressed methodological framework of the research, exhibited research justification, whereas the researcher referred to the status and development of music in ancient communities in both theoretical and practical levels, and its transferring between east and west, whereas many musical issues transferred to Arab world like western musical composition rules and musical instruments, especially orchestral ones, that encouraged many Arab musician, specially Iraqis, to take concern about these instruments and learn how to use them in orchestral compositions, and how that’s led to emergence of some Arabic and Iraqi orchestral compositions. Then the researcher talked about orchestral instruments, which cello instrument considered one ofthem in violin family, and he clarified that orchestral composer must have full knowledge about the characteristic of this instrument, like acoustic range and its performing techniques, whereas the composer writes special symbols on the score refer to these techniques like dynamic, ornaments and articulations…etc. Then the researcher addressed Iraqi orchestral compositions, whereas he observed a weak utilization of Cello capabilities through little usage of performing symbols in the scores. He realized the importance of academic research, and for lack of previous researches dealt with the subject, after he showed his justifications, he issued his research as : (The performance status of Cello instrument at Iraqi composers and the possibility of development).Then the researcher exhibited the importance of his research as follow : 1 - Studying the amount and types of performance techniques used in Cello line in Iraqi orchestral compositions.2 - Showing the role of Cello instrument in Iraqi orchestral compositions.3 - Useful for students and to those who involved in music field, especially the composers.4 - Considered as an academic source in music field, especially about Cello instrument.5 - Considered the first methodological study about cell instrument in Iraq.The performance status of Cello instrument at Iraqi composers and the possibility of development Descriptive and Analytic study A Thesis submitted to the University of Baghdad council of the College of Fine arts In partial of fulfillment of requirements for the Master Degree in Musicology Then the researcher defined the aim of his research as follow : 1 - Exposing amount and types of performance techniques used in Cello line in Iraqi orchestral compositions. 2 - Exposing performing status of musical usage at Iraqi composers.3 - Setting suggestions for developing composing for Cello instrument.After that, the researcher explained the limits of his research and he defined the terms. Chapter tow consisted of the theoretical framework and previous studies. Theoretical framework consisted of an introduction and four subjects; the introduction addressed music importance in community and its relation with human life. First subject addressed string instruments and orchestral composition, where he defined the term, history of the orchestra, orchestral music instruments and grouping, and then he addressed the development of bowing string instruments and violin family over the time. Third subject was about cello instrument, addressing its importance, especially in orchestral composition, its making history and development, some acoustic characteristics, and the most prominent composers and performers in the west, and then he talked about cello transferring to Arab world and Iraq.Third subject addressed for performance notation techniques symbols and their history. Forth subject addressed definition of some performance techniques and specialty on Cello. Third chapter addressed research procedures, where the researcher identified the research approach he taken. Then he chose his research community, which consisted of all orchestral musical compositions, composed within the time limits, (above 2008),involving a cello line, which consisted of 24 orchestral compositions. Then he exhibited the community to experts to choose the suitable compositions, they chose seven compositions as sample according to special conditions. Then the researcher named his research tools and the analytical standard, and his researcher requirements.Fourth chapter addressed musical analysis of the selected samples. Chapter 5 set the results of the musical analysis, then the

برنامج تدريبي لتطوير مهارات الاخراج في المسرح المدرسي لدى مدرسي التربية الفنية == A Training Program To Develop The Skills of Directing In The Theater School'S Technical Education Teachers

Author name: ياسمين عدنان بهجت
Supervisor name: صباح عطية سويبج
General topic: Fine Arts
Specific topic: Art Education
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: لقد اكدت الدراسات والبحوث التربوية التي تناولت في اجرءاتها موضوع المسرح المدرسي واهميته في العملية التعليمية ضرورة تخصيص مساحة كبيرة له في برامج المؤسسة التعليمية، كونه يخلق حلقه وصل مهمة بينها وبين المجتمع، كما ان المراحل الدراسية الاولى هي التي تخلق جم | We have confirmed the studies and research addressed in procedures Multi school theater and its importance in the educational process should be allocated a large area has programs in the educational institution, he creates an important link between them and the community, and the grades first is to create public school theater and building artist theatrical authentic.So is theater school of media task that can be used in the development and activation capabilities scientific, educational and technical learners through the stages of pre - stage university, as is through the provision of knowledge in the form of art, helps refine educated and make them accept eagerly to accept scientific data that usually be dry sometimes if presented to them traditional methods in the educational process.We started (the researcher) in the process of incorporation to the problem discussed according to the survey conducted by the scientific studies and research that dealt with the subject of school theater. Moreover the study exploratory in the number of secondary schools of the Directorate of Rusafa second to determine the extent of knowledge of teachers of art education the basic principles of the output and its components, rules and mechanisms applied, I survey teachers of art education and administrative cadres and found their need for more practical experience in this area and courses training and development to drive and develop their skills in the field of directing in the theater school.Based on the foregoing and the researcher found an urgent need to study that will develop the skills of directing in the theater school's art education teachers and raise the technical proficiency.Aim of the current research is to achieve : - Develop directing skills in school theater's art education teachers, and to achieve this goal researcher identified the following two sub - goals : - 1. Building a training program to develop the skills of directing theatrical according to model kofmin / 1970.2. Measure the effectiveness of the training program through its application on a sample of teachers and teachers of art education at the secondary level for the academic year 2010 - 2011.To verify the targets laid researcher hypotheses zero.Ensure the research community of teachers and art education teachers who taught soil art at the secondary level for the academic year 2010 - 2011.To achieve the goals of current research, the researcher designed a training program be (5) modules according to a model kofmin /1970. and includes training content in the material directing theater for theater school, and to measure the effectiveness of the training program has been prepared two types of tests (cognitive - skiller) and measured mediated form calendar performance skills.To show search results based researcher Cookson test for one sample and Kjordichardson equation / 20 and the equation of discrimination and difficulty equation Holsta.The main results are : - 1. Outweigh the experimental group who trained on the content of the training program is designed according to the principles and foundations of instructional design itself in the achievement test cognitive dimensional, reason and clarity phases of the program, and you know teachers and teachers of art education targets training knowledge and skills for each stage of education, making it easier for them follow - up process steps, in chronological order.2. Outweigh the experimental group who trained on the content of the training program is designed according to the principles and foundations of instructional design itself in test performance skills dimensional skills directing for the theater school, and why it clear steps training through the presentation skills directing and models play was prepared in the training program in order to recognize them members Group the treated After creating or preparing complete ’s Necessary , and the use of tools, and implementation of performance correctly and building phases of training in a logical sequence, and not move from skill to skill other only in mastering the skill previous full and dividing the skills to its simplest form by behavioral objectives performing.The main recommendations are : - 1. Adoption of the training program, which try to train teachers and art education teachers on the skills of directing the school theater, to prove its worth and effectiveness in the Acquisition of information and perfecting their skills during the training session.2. Take advantage of training centers and development of the Ministry of Higher Education and Scientific Research and the Ministry of Education of the training program based on principles and the foundations of instructional design for training of personnel teaching in the disciplines of the arts for the theories and models design training and analysis skills and use them in other subjects varied.

التمثلات الجمالية والتعبيرية للسينما النقية في الفيلم المعاصر == Aesthetic And Expressive Representations of Pure Cinema In Contemporary Film

Author name: خضير عبيس جياد القريشي
Supervisor name: محمد عبد الجبار كاظم
General topic: Fine Arts
Specific topic: Cinematic Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: ان البحث الموسوم ( التمثلات الجمالية والتعبيرية للسينما النقية في الفيلم المعاصر) يتصدى لمفهوم السينما النقية كاتجاه طرح في عشرينيات القرن الماضي , وله سمات على المستوى الاشتغال الجمالي والتعبيري , وتعددت مصطلحات السينما النقية الى ( الخالصة , الصرفة, ) ف | The universe is in a constant motion, and the feature of the innovative life is the continuous change and development accompanies it. The philosophical theories has come with hypotheses based on the alteration or displacement of those before them, and giving these theories and validity in experiments on the practical application level. Cinematic art is one of these arts that derived its endurance from scientific development. The devices and equipment have enabled the artist to express and make his private worlds. Cinematic art closer to dream than reality. On the theorizing level, many theories that address the concept of the concept of film picture and the extent to which it reaches whether from the port of reality or through entering from the realistic port in the physical facts have been posed. Cinema has used this physical shortage and formed a tendency that allows the vision as the filmmaker sees. Within this theories, the trend of pure cinema which has seeded the pioneer cinema makers within the first seed. That has become a feature in many of the revolution on the traditional and classical and searching for new expressions towards aestheticism expressing the taken from the symbols, metonymy, and metaphors tools. Also, the search for ranges which the style reaches the pure style in the contemporary.This chapter includes four chapter; chapter one is the theoretical framework of the study which includes the problem. The problem includes the problem in the following questions (What are the manners which impersonate the aesthetic and expressive works of the pure cinema in the contemporary cinema?). The important of the study lies in shedding light on the concept of pure cinema and stating many of the recursions, and the effect which have given entrance to the world of the subconscious and dream to from. The need for such research should in the hands of many theories which researchers and reveal may of the theories that remained only in books. Also, the argument about pure cinema, its basis and rules and features, the limits of the study were open spatial limits because the cinematic innovation has no limits. The time limit is also not restricted as the pure cinema term was first posed in the 1920s and the work is still in pure technique. The purposed samples were chosen for more than one century for the purpose of study, therefore the choice was according to the objective of the study to investigation the features and characteristics of the pure cinema. The researcher has also tackled the concepts determinations which are mentioned in the study.Chapter Two is the theoretical framework in three inquiries : the first inquiry is the theoretical starting point of the pure cinema in the researcher traces the concept of the pure cinema since the moment of conception by the first pioneer theorists, specially the work of the cinematic director Germaine Dolac. We also find the term (the pure cinema) was the French Henri Shomit. Then, the study tackles the search for the roots of the pure cinema and the pioneer trend manifested in Dadaism, Surrealism and Expressionism. The reason leading to the emergence of the pure cinema. The pioneers of this cinema and their theories. The Inquiry was concluded with the theoretical points in the pure cinema. The second inquiry studies the manner of the how elements works in the pure cinema through looking in expressionism of the cinematography through like scenario, montage art which is characterize by special features in the pure style of cinema, Also, the elements that have given the pure style its expression function like fantasy, symbols, metaphor, metonym, dream and hinting. All of these have given a special feature for functioning characterizes the contemporary films. The researcher came up with foundations which characterize the pure style in cinema.The second inquiry tackles the aesthetic representation in the pure cinema in the contemporary films. It draws boundaries in which the pure style in the contemporary films works through marking out the aesthetic representation and its positions, and what the pure style has come up with to break patterns in the level of expression and the aesthetic representation of the foundations of the pure cinema of.the contemporary films. The researcher comes up with indicators of the theoretical framework and also tackles the previous studies. Chapter Three includes the procedures of the study in determining the descriptive - analytical methodology and the community. The researcher used analysis of scene and shot analysis unit. The tool of the study and the resulting indicators from the theoretical framework, and the subjection of these indicators to the opinions of the experts and arbitrator. After taking these opinions, the tools of the study has become : the pure cinema has taken a style between reality and dream. Dream has become life, and life is the film accomplishment. The samples of the study have chosen following films : Mirror, the film Tree of Life, the film Sesso e Fliosofia and the film The Sea Letters for reasons which the researcher mentions in detail.Chapter Four tackles an analysis of the samples of the study according to the tool of study. The study comes up with the findings as follows : the pure cinema style is the result which seeks the pure filmic expression. The motion photograph is the result of innovative of cinematography, taking from employment of the elements of the cinematography language in its fullest extent and the relations among them to achieve the pure style. The study also includes the recommendations and the suggestions and a list of the references and the abstract in English.

السمات النحتية في العمارة التفكيكية == Sculptural Features In Deconstructionist Architecture

Author name: عقيل حسين جاسم حمزة
Supervisor name: محمد علي علوان عباس القره غولي
General topic: Fine Arts
Specific topic: Sculpture
Degree: Master
University: University of Baghdad - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: Affected by the nature of the fine arts in general, structures its neighboring affected seem like the product of logical, through contact with these arts influences thought compressor socially and religiously and scientifically and psychologically, and this is what makes sure functionally according to the relationship art evolution year which occurs in the human communities throughout history. I have contacted art, including sculpture composition data of the intellectual and aesthetic transformation that has occurred in the structure of the art in a different historical era from arts of ancient civilizations in Iraq, Egypt and Greece, through the art of the Middle Ages and the Renaissance, and ending, including the outcome of the modern arts and beyond.It was the emergence of currents modernist impact evident in the development of coordinated Achtgala a clear distinction between art painting, sculpture, and took the products of contemporary architecture, influenced by and influence, with the result of the achievements of artistic creativity, and it was for the development of the great in the field of technology have a positive impact of the relationship of sculpture, architecture, in terms of employment and similar and metaphor and embedding, and but relativism rise and fall, the vision of the architect or sculptor alike.Hence, the evolution of architecture in the period of modernism connects the idea of switching from level realistic to the level of abstract or symbolic, and it was for this, a role in showing the properties of architectural most relevant features art talk, specifically sculpture, and this similarity or overlap strengthened through the system aesthetics of modern art all related references poignant and mutant methods.The researcher found important to know the most important of these characteristics. So Me Find studying (sculptural attributes in deconstructionist architecture).This research included four chapters : Chapter One : ensure that the research problem and its importance and the need for objective research and its boundaries, and define the

التحولات التقنية واشتغالاتها في الانتاج الدلالي للعرض المسرحي العراقي == Technical Transformations And Its Work In Semantic Production In Theatrical Display In Iraq

Author name: انعام معن ابراهيم
Supervisor name: صلاح مهدي القصب
General topic: Fine Arts
Specific topic: Theatrical Arts - Techniques
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: Technological techniques have become part of the daily living reality in all joints of social life, both of them, or those that are related to other concepts ,and is no longer a narrow area and inappropriate to make changes that fit the stage.the technological means became the active component in the structure of society and life as it cannot be dispensed with in every forum that artistic activity in the community has the greatest role in shaping and building process of the joints and other life.So it is no longer art in general and theater in particular is able to dispense with these technologies and employ them to suit the listed job to provide all that is fun and useful for its various components.Theatrical field became platform to employ those techniques, which added a lot of aesthetic, intellectual and emotional values, and that made him at the center between the arts.The theatrical art is that art speaking with language and culture of bearer and crossing all his needs and desires and on the light of it researcher felt to shed light on the important topic of those techniques illustrated through the problem posed for dealing to interpret it within the four chapter, which consisted of them the dissertation tagged (Technical Transformations and its Work inSemantic Production in Theatrical display) which dealt in First : the first chapter , which included a research problem, which were represented by a question posed by the researcher and that( are techniques of all kinds Is able across its transforming capacity and its frequencies to produce another meaning in the theatrical display), and then explained the goal of the research is to investigate the effect of moments shifts to those techniques in the production of another meaning for theatrical display.I also showed the importance of research is one of the modest efforts that serve all workers in the field of theater from technicians and technical workers.Then, the researcher determine the limits of this research, which represent between year 2010 and2014, because this period has witnessed many changes in the quality of the presentations that submitted because its area became a broad and open and was conclusion of this chapter with defining the terms contained in the title which is that of (Transformation ,Technique, - Works - Production)Secondly - the second chapter researcher divided into three sections the first with the title of - Technical production in theater, which included three topics in the first one I dealt with the use digital programs in theatrical display, highlighting on the latest technologies that can be used in these offers, such as technology ofdigital actor and the animation technique that is incorporated with the show and during the representation and technique of hyper Tkst and the text to dump into several texts all of it has its meaning and connotations then digital audio technology and finally technology moot, digital influencesThe second topic represents with using techniques of laser light in the theater because of its importance and great benefit in reducing costs and thus produce different meanings in their implications for the meaning to have produced for it.The third topic has been included on the importance of forming three - dimensional drawings or hologram.In the second topic the researcher dealt with the importance of hiring technical elements in building of theater Scenography, which was also divided into four themes dealt with in the first techniques of conventional lighting and their modern projections in the theater.In the second topic highlighted on the theater decor and space configurations.In the third topic researcher dealt with the subject of fashion and accessories, and its role in enriching the display scenography.The fourth topic and the latter has dealt with the music and sound effects and the construction of these offers in the third section researcher explained the importance or instant aesthetic shiftaccording to the relationship between the body and the technical elements that make up the display.This chapter has been terminated with previous studies that shed light on some of them, which focused on the subject of technology, but did not find it close to the subject of her research, which deals with the production of meanings and connotations to offer a statement and then some indicators reached ;Third Chapter, who called the search procedures, the researcher analyzed the five deliberate samples so as to employ techniques offer of theatre with its different images and produce to us more enriching the meanings of these offers and these samples are ;1 - ( Eight week daeis ) Directed by Rassil Kadhum2 - ( Ice ) Directed by Samim Hasseb Allah3 - ( Al - hussain now) Directed by Akeel Mahdi4 - ( Al - Maqam Allowasti ) Directed by Zuhair Kadhum5 - ( question mark) Directed by Qasim MunesEach one of these samples have advantages, especially in recruiting techniques theatrical display clearer and more enriching for the offer.The first sample, the director employed traditional lighting techniques and their modern projections in the theatrical display as making of light another element and an active, participant more than is traditional in his dealings with representative.The second sample was sought by the director to the combination between body technique and audio display technology, in a contemporary vision of despite of age temporal event.The third sample has hired technique of décor and formed by the events of the play and its events, and the fourth sample employed modern techniques with traditional ones in the formation of decorative theatrical presentation, which made clear idea of display from it.The final sample used the human body and instant transformations in the manner of handling with the techniques of Scenography from lighting, accessories and fashions etc. from audio and visual elements.The fourth and final chapter dealt with the researcher's findings with a discussion of each result and then the conclusions and recommendations and then the list of sources and references in Arabic and English, finally summary of research in English

فاعلية الخرائط الذهنية في تطوير بناء الفكرة التصميمية لتكوينات الخط العربي لدى طلبة قسم التربية الفنية == The Efficiency of Using Mental Schfmata In The Development of The Notion of Design Construction For Compone - Nts of Arabic Calligraphy of Co - Llege Students At Fine Arts Departmnt

Author name: عطية وزه عبود الدليمي
Supervisor name: عبد المنعم خيري حسين العاني
General topic: Fine Arts
Specific topic: Art Education
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: لم تعد طرائق التدريس الاعتيادية قادرة على تادية دورها في توصيل المعارف الى الطلبة وتنمية تفكيرهم، وذلك للتطور المعرفي السريع نتيجة للتقدم التقني التكنولوجي الهائل في مناحي الحياة كافة، وان هذا التقدم والتطور استوجب الاهتمام بتطور عقلية الطلبة وتزويدهم ب | Traditional methods of teaching are no longer able to play its sufficient Role in conveying knowledge to the students and develop their thinking this is so because of the rapid development of knowledge as a suit of the huge technical and technological advancements in all walks of life - these advancements necessitate the development of students' minds by Providing them with mental skills to be capable of coping with all the Developments a round the world. Paying attention to education through using mental mapping has led to the emergence of teaching programs That suit such type of education and achieve its goals. among the most important types of mental mapping is that of schemata because building schemata is considered as a chance for exercising creativity and generating ideas that contribute to the improvement of building mental maps also considered as a chance for developing creative thinking. Therefore, the researcher, in his dissertation entitled the efficiency of mental mapping in development of the notion of design construction for the components of Arabic calligraphy of college student at fine art departments' decides to use mental schemata to contribute to the overcoming the obstacles of teaching Arabic calligraphy.The researcher, in his study , tries to use a modern technique through using mental schemata Tony Boson) to increase the achievement of students at the Department of Fine art Education , College of Basic Education , AL - Mustansiriayah University in Arabic Calligraphy. For this purpose , the research intends to prepare a guide to the teaching of AL - Kufi handwriting (teacher's guide). This guide has been exposed to a jury of experts to calculate its face validity. The study aims to : 1 - know how to use mental schemata in developing the notion of design construction for components of Arabic calligraphy and developing the creative thinking of students at the Department of Fine Art Education College of Basic Education. 2 - know the efficiency of mental schemata in teaching Arabic calligraphy On the achievement of the students at this department. To achieve the aims of the study , the researcher has posed five null - hypotheses to know the efficiency of the mental schemata on the achievement of the students in the pre and post test. The population of the study consists of 309 male and female students, Morning studies , at the Department of Fine Art Education in College of Basic Education \ AL - Mustansiriyah University studying for the academic year 2011 - 2012. Sixty - eight second - year divided into two section have been chosen to be a representative sample. Section no.1 with 34 students represents the experimental group and section no.2 with 34 students represents the control group. The researcher has used total control experimental design with two equivalent experimental and control groups because this experimental design meets the aims of the current study. The researcher has neutralized the variables of age and past experience. The experiment has been applied by using mental schemata (Tony Boson) to the experimental group. The control group has been taught according to the traditional method. To measure the achievement of the students in knowledge and skill of using Arabic calligraphy, the researcher has prepared an achievement test that consists of a written test items and another skill test. Face validity has been measured by exposing the two tests to a jury of experts. As for reliability , it has been calculated by using [Kuder - Richardson] formula. The value of the reliability has been (0.86) after the final administration of the two tests and the statistical treatment if the data using (t - test), the results have been as the following : 1 - There is a statistically significant difference at level of significance of (0.05) between the mean scores of achievement of the two groups in favor of the experimental group in the skill pretest. This shows the effect of using mental schemata on the achievement of the experimental group and develops their notion of design. 2 - There is no statistically significant difference at a level of significance [0.05] between the mean scores of the experimental male group which was taught by using mental schemata and that of the experimental female group which was taught by the same method in the skill posttest. This indicates that the use of mental schemata has effect on the development of the achievement level, help them to sharpen their memory and comprehension of Arabic calligraphy for both male and female students. 3 - There is a statistically significant difference at a level of significance(0.05) between the mean scores of experimental and control groups in favor of the experimental group in the skill post - test. This means that the use of mental schemata has led to the growth and development in the notion of creative design of the experimental group. This is so because mental schemata has made student more apt to generate ample ideas. It enhances the accuracy and speed in creating ideas and comprehend the Arabic calligraphy by exercising mental practice in the production of the components of kufi handwriting. 4 - There is no statistically significant difference at a level of significance of (0.05) between the mean scores of the experimental groups in the pre and post test of both male and female students. This means that there is a great deal of development and growth in the building of the notion of design and creative thinking in the components of kufi Arabic calligraphy. This is confirmed by the similarity of the arithmetic mean of achievement for both male and female students. 5 - There is a statistically significant difference at a level of significance of (0.05) between the mean scores of the experimental group in the pre and post tests. This means that the use of mental schemata is effective in the development and building design ideas and creative thinking in the components of kufi Arabic calligraphy of the students at the Department of Fine Art Education , College of Basic Education. This is attributed to the efficiency of schemata that enhance student to achieve the ability to imagine because human brain uses scattered pictures(schemata) and emerges them together in new unfamiliar frames to enable the imagination process to start its mental activities with experiences of past knowledge. The present study has come up with the following conclusions : *The performance of the experimental group has greatly improved as a result of using mental schemata. *There are growth and development in building the notion of design of Kufi calligraphy components. *Mental schemata make students' decisions more accurate in the production of design notions. *High efficiency and competency of mental schemata have resulted in improving the level of skill performance in the production of creative notions of design of the components of Arabic calligraphy. The researcher has recommended that teachers of calli - graphy should be encouraged to use mental schemata when teaching handwriting. He has also proposed some other recommendations at the end of this study. Suggestions for further Research has been also put forward.

خطاب ميشيل فوكو وتمثلاته في العرض المسرحي العراقي == Michel Foucault Discourse And Its Representation In The Iraqi Dramatic Show

Author name: عمر محمد جنداري
Supervisor name: عبود حسن عبود المهنا
General topic: Fine Arts
Specific topic: Theatrical Arts
Degree: Master
University: University of Babylon - College Of Fine Arts - Department Of Performing Arts
Language: Arabic
University location: Babylon
First pages:
Abstract: تمحورت الرسالة حول خطاب ميشيل فوكو وطروحاته الفكرية واهم المراحل التي مر بها هذا الفيلسوف في حياته, وابرز الشخصيات التي اثرت في فكره ومن ثم على نتاجاته التي تضمنت مفهوم الخطاب في مختلف المجالات, وما يتخلله ذلك الخطاب من طروحات ذات حقائق معرفية وسلطوية ماد | The current study dealt with Michel Foucault's discourse, his materialistic psychological propounds, the most important periods of his life and the most prominent characters which affected his thought and consequently affected his products including the concept of discourse and all its fields, and what that discourse contains as propounds characterized with epistemological authoritarian fact whether they were materialistic or psychological, then Finding approaches of Foucault's discourse in some works of a group of international directors reaching to the impact of this thought on a group of Iraqi dramatic shows and experiments. Therefore; the researcher divided the study into four chapters The first dealt with the methodological frame and the problem of the study embodied by the following question : How is the discourse of Michel Foucault represented in the Iraqi dramatic show ?The importance of the research is embedded in studying Foucault's philosophical discourse, as one of 20th century philosophers, and identify his thought and his product concerning discourse, the extent of the benefits that the Iraqi dramatic shows got from those theorizations. As for the need for the study; it is implied in providing advantages to students of Fine Arts colleges and Fine Arts institutions in devising the philosophical thoughts that are embedded in the dramatic show. The purpose of the study is represented in Identifying Michel Foucault discourse and its representations in the Iraqi dramatic shows.The Second chapter (the theoretical frame) included three sections; the first is concerned with the cultural philosophical conformation of Foucault's and his main writings, stages and transferences which he experienced during the period of his discourses theorizations, the most important philosophers, men of thoughts, men of literature, artists and the poets who affected his thought then his philosophical product and his own concept of discourse, then perusing the most important terms he worked on in his writings such as epistemology, Genealogy , archeology, panoptisme in addition to Marxism , structuralism reaching to College De France. In the Second section; the researcher shed light on Foucault's materialistic and psychological thoughts which are represented in various types of discourses to which he relates his propounds such as (the discourse of power, self - discourse, body - discourse, history discourse, epistemology discourse and madness discourse. These discourses took a critical way to show the relation between the total discourses on the one hand and power and epistemology on the other in order to find out the facts whether the matter is concerned with the materialistic visible image or with the invisible mental images. As for the third section; the researcher dealt with Foucault's discourse approaches in the dramatic show referring to some directors, such as(Arto , Erwin Pescator , Cantor , Jozef szajna , Peter Brook , Ariane Mnouchkine , Grotowski , Ojino Barba and Robert Wilson) as models whose products resulted in approaches on the theoretical and applying levels within the Foucault's discourse. Then the researcher talked about the indicators that are resulted from the theoretical frame to conform the tool by which the samples of the research were analyzed. Then the researcher ended the section with reviewing the previous studies. The Third chapter (the procedures of the study) which included the community of the study, that consists of sixty three plays. The researcher relied on the academic dramatic shows which were presented in the colleges of fine arts in Baghdad University, Babylon University and Mosul University from 2005 to 2010, from which the samples of the study were chosen. The samples of the study were analyzed by means of the tool of analysis, its validity, its stability and the approach of the research, choosing the intentional sample; then analyzing the sample that are represented in the following dramatic shows : 1. The Play "Mice and Presses"2. The Play "Either…Or"3. The Play "Ice"The Fourth chapter dealt with the findings which the researcher reached at : 1. The authoritarian discourse dominated the three shows; represented as a moral and materialistic authority as in "Ice", or the authority of power as in "Either…Or" and "Mice and Presses" in which the authorities varied between materialistic and psychological in the characters. 2. The three shows shed a light on the role of the marginalized person in the society and the loss of values which he suffered because of coercion and social injustice considering him, the neglected, as a (non - thought of) category.3. The shows of the two plays "Ice" and "Either… Or" presented the mechanisms of power sexuality and madness through disassembling their themes and relate them to epistemology. While "Mice and Presses" is built on the authoritarian conquer and presenting paste and senseless words to the minds of characters which misguided them in finding the truth.The chapter also included the conclusions and a group of recommendations and suggestions, followed by references and photos. The researcher ended the study with the English abstract.

اتجاهات النقد المسرحي الصحفي في العراق (1990 - 2008) == The Tendencies of Journalist Dramatic Criticism In Iraq - For The Period 1990 - 2008

Author name: علي حلو داشر
Supervisor name: يوسف رشيد جبر
General topic: Fine Arts
Specific topic: Theatrical Arts - Literature and Criticism
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: ان النقد المسرحي الصحفي العراقي يمثل احد الانماط النقدية المسرحية العراقية ذات الحضور الواسع والفاعل ضمن حراك النقد المسرحي العراقي، وان هذا الحضور جاء نتيجة لتفاعله النشط مع العرض المسرحي العراقي على مستوى المهرجانات والعروض الفردية داخل المؤسسة الاكادي | The dramatic criticism in Iraq represents one of the dramatic criticism patterns that have crucial impact within the movement of criticism in Iraq. The importance of this thesis is entitled (The Tendencies of journalist Dramatic Criticism in Iraq - for the Period 1990 - 2008). The title bears questions and inquiries. The question is what are the tendencies of journalist dramatic criticism in Iraq for the period 1990 - 2000. The inquiry, on the other hand, is why we are investigating these trends, for this very periods which represent the last period in which journalist dramatic criticism was practiced in Iraq. To answer the question, the researcher shed his analytical efforts on the dramatic shows (plays) by Iraqi directors, and international and local plays attempting to know the trends of criticism and their aesthetic tendencies through analyzing these critical texts, employing the simple and compound cases in the known trends and their uses such as the method of content - analysis after determine the standards critical trends. The units were employed to analyze the sample to get closer to the scientific fact by numbers and statistics in an attempt to get away off the disguised relativity that is not accurate. To answer the inquiry, on the other hand, the researcher analyzes the results employing the descriptive procedure and the method of case study in order to know the scopes of this type of criticism, i.e. journal criticism. Thus, we detect point of strength and weakness through the evaluation of journal dramatic criticism. Thus, we will be able to rise up the aesthesis of society. The research is made of four chapters. The first chapter included the problem of the study, the need for it, objectives and the limits of the study. The second chapter is made of the theoretical framework that consist, in turn, of two inquiries; the first is about the concept of criticism and the second deals with the tendencies of dramatic criticism and aestheticism. The second chapter also contains the indicators and standards that the researcher has come up with such as sample analysis, and the analysis of the conclusions of the study and the discussion. The fourth chapter includes the conclusions, recommendations and suggestions. Then, the references and appendices. The researcher shed light of his analytical effort on what has been published in the Iraqi journals by Iraqi critics about the Iraqi critic shows for world and local texts trying at knowing the reading texts and employing them in the simple and composite critical trends made of the critical method of the content analysis and the use of percentage to derive every critical aspect alone within one critical article after specifying the criterion and indicators as an instrument which the researcher has come up with within the theoretical framework, which the research employed as his method of analytical instrument vis - à - vis the idea taken from the approach of content analysis as the unit of analysis to achieve the highest degree of closeness to the scientific reality by numbers and statistics in an attempt to get away from the illusionary percentage that sprout here and there and mostly, inaccurate.

سمات الحداثة في فن الكرافيك الاوربي == The Features of Modernity In European Art Graphic

Author name: بشير احمد جعفر
Supervisor name: كامل عبد الحسين خضير النداوي
General topic: Fine Arts
Specific topic: Drawing
Degree: Master
University: University of Babylon - College Of Fine Arts
Language: Arabic
University location: Babylon
First pages:
Abstract: The art is considered one of episodes that produce fresh perspective , Opening a new fields to wards.renew in all life scopes so The modernity does not be the result of a certain moment , but it refers to the many historical stages that are contributed and formed it.The modernity is a new intellectual movement in art in general and in European graphic art in particular. It mainly depends on trying to replace the intellectual reference that govern the human behaviour in life.And according to this fact , the modernity is an active partnership in the intellectual transformation grand witnessed by the humanity.The modernity does not call only for the evaluation of thought and renewal the literature but also to develop the art and out of old to the new style , language and thought without losing its cultural roots, and also its original features which are stemming from human civilization. As ( Audinos ) mentioned that every modern does not mention about a new view of life , man and science through art aesthetic and not be valuable.It is worth mention that Europe has been witnessed modernity in its large meaning which rapidly spread and impact on arts all over the world, among an important things that European modernism confirmed on especially in art : is great tendency toward abstraction or alienation depending on the currents brought by modernity , which made the shape rejects any static image through diversity in technology and style , so this figure appeared clearly in the art , particularly in the graphic artThese changes have led to revision the nature of the vision to art in general and graphic in particular. On art level , these changes represent by new European movements , the researcher has found the importance of knowing the modernism features in European graphic art. The research has focused on ( The features of modernity in European graphic art ). The research has contained four chapters , the first chapter is to show the researches problem which summarized in (What are the features of modernity in European graphic are) and its importance its needs and its aim which sets in (Definition of modernity attributes in the European graphic Art) during (1895 - 1978)and spatial in (Europe) , As objectivity identified by graphic works according to its techniques , and determine the terms contained therein. Chapter two has contained three studies ; the first one concentrated on the concept of modernity in art , the second one contained the grew up of the graphic art and its development through ages while the last one is about paths and directions of European modern graphic. Chapter three has devoted for the research procedures which contained identify the research community and choose the sample which is nearly (18) aprinted work , then the search tool and to analysis the sample.The Chapter four has contained the results , conclusions , proposals andrecommendations. Among the most important results finding by the researcherare : 1. Modernity led the movement changes in the nature of visibility to art ingeneral and graphic art in particular.2. modernity has combined between passion and scientific analysis in shape , colour and movement , and this method has formed the basis for many movements (Graphic art) in Europe.3. Modernity for the impressionists considers as a renewed movement which contributed in great change which accompanied the artist , of this school by their using the technology of ( wood engraving in colour , Lithograph in colour) as in examples (1 , 2 ,4).4. The modernity feature has confirmed for the impressionists by using symbols taken from lived environment which implemented in a style with simple lines as in example (1).5. For the expressionist artists , the modernity has confirmed that they have two levels within two ways : the first , is to determine the shapes by his strict limits of linear up to the point summary which makes the real foundation of forms away from realize , while the second is to look for about the details of the shape within geographical (modeling) strict for colour by using mechanism experimentation chromatography as in examples (3 , 18).6. Modernity for the expressionist artists , shown in colour by using the main colours ( black , red , green , yellow , and violet) with some changes in , with modern technologies (drypoint with aquatint in colour , woodcut in colour) as in examples (3, 18).7. Modernity for the brutality school , affirmed on unusual colour and vision as in examples (11).8. The brutal artist collected a total of technologies in their modern works , and within it ,modernist form has been activated and in modern view unlike the previous forms. And among these important technologies are (sugar lift Aquatint) as in example (11).9. Modernity to the Cubism school is characterized by analysis and forming shape. by returning shapes to the mind concept and meditation for cubists as in examples (9 , 14).10. Modernity to the cubists characterized by using of new technology ( linocut printed in five colours , etching) by these techniques , the features experimentation showed to the cubists as in examples (9 , 14).11. Modernity to the futurists arts is considered as renewed movement which contributed in great change which accompanied the artist of this school by introducing the concept of dynamic cosmic and used it in graphic art fieldas in example (5 ,10).12. Technologies for the futurists arts formed a modern touches through the expression and formal method of treatment manipulates light and shadow within the printed work. It was obvious in techniques of ( Etching ), (Linocut in colour) as in example (5,10).13. Modernity has appeared at abstractionists artists within the geometric abstraction which is the most reductionist level structure of formal and modern colour as in example (8 , 12).14. Abstractionists artists has taken a new formulation of the printed form by using modern technologies different from the previous techniques groups ,which enhanced the shape with modernism , and among the most important of these techniques are ( lithograph in colour , woodcut , Lithograph ) as in examples (6, 8,12).15. Modernity found at aldadanyeen and the surrealists , which comes from the illogic (neglect logic) and we can see through that they set out the visibility in their thoughts and emancipation outside the limits of laws to create forms (abstract forms which have mysterious nature) which consists of the absurd within abstraction as in examples (13 ,17).16. The Modernity has embodiment for alddadanyeen and the surrealists by defining the concepts of dream and realism in a new frame from the reality within dream which means expression of activities over realism in disordered forms or incoherence , one of the most important technologies that have emerged features of modernity they have are : (etching , lithograph , etching with Aquatint ,Aquatint with etching in colour ) as in examples (13, 15 , 16,17).The conclusions reached by the researcher Among the most prominent. : 1. Human dimension appeared in most of the fields of European art especially in graphic art.2. The new printed work considers as text which shows aesthetic relationships through the ordering of structural elements of the graphic art.3. The European artist graphic enabled to find spaces to show the expressive dimension in their works.4. The European artists graphic interested in experimentation which led to show a new technologies in his works.5. The printed work appeared diverse in forms features through diversity in arts fields for the European graphics.The search is over by recommendations and proposals with a list of references and sources and with abstract with English language.

برنامج تعليمي لتنشيط الذاكرة البصرية لطالبات قسم التربية الفنية / معهد اعداد المعلمات في مادة عناصر واسس التصميم == Educational Program For Activation Sighting Memory For Girl Students / Fine Arts Department - Institution of Preparing of Girl Teachers In Subject Elements And Basis of Design

Author name: نورا عبد الله علي
Supervisor name: ماجد نافع عبود الكناني
General topic: Fine Arts
Specific topic: Art Education
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: اصبح الوقوف على اليات تنشيط الذاكرة ضرورة من ضرورات هذا العصر الذي تتفجر فيه المعلومات يوما بعد يوم وتزداد اتساعا وتنوعا، اذ ترتبط الذاكرة بالتعلم ارتباطا وثيقا فالانسان يتذكر ما سبق ان تعلمه، اذ ان مشكلة صعوبة الاسترجاع وعدم الاحتفاظ بالمعلومات في الذاكر | The reliance on techniques of memory activation , it becomes necessary from necessaries of this age within it information flowing day after day and increasing of expansion and variety where as the memory connected by learning relevant connection. the human rembered what have learnt it in former. Problem of recovery difficult and not keep by information in memory which have become importance of researches in scientific fields. From here psychologists and education are think in styles and strategies' which used ( teacher or learner ) in classroom to activation of memory and encourage learner on employment it in order to help him on use of strategies of coding and storing of information in memory and recovery it.starting point from that the researcher find importance of foundation for problem of researcher which aims to achieve as following build educational program for activation visual memory for artistically education department in subject of elements and basis of design , measure activity of educational program by two dimensions cognitive and skillfulness through application it on sample students of fourth class artistically education department institution of program teachers and in order to confirmation from two aims of research have specified (( 4 )) zero hypothesis for measure level of obtainment and also to know on ability of program in activation of memory at students.country of research have specified by students for classes of fourth and fifth in departments artistically education institution of preparing teachers belonging to general directorates of Al - Russafa / Baghdad education ( 1 , 2 ) and Al - Karkh ( 1 , 2 ) where their total reach ( 191 ) students have selected sample from students of fourth class / institution of preparing teacherfs - Palstain street reach ( 20 ) students. the researcher depend on experimental design by two independence groups as being more fit for aims of present research , where as experiment group have submitted for experiment through their teaching according to requirements of educational program which have designed a cording theory of dual coding for rembereing which include ( 3 ) educational units , while controlling group have studied itself through use ways of normal teaching. in order to achieve from aims of research and reaching to results which have designed educational program for refresh of sighing memory according to vocabularies of material elements and basis of design restricted within methods of preparing teachers by specialization artisically education and for measure activity of educational program. the research carry out two kinds of tests , the first obtainment cognitive for activation sighting memory , the second skillfulness obtainment for measure skillfulness performance levels of students in carry out requirements of skillfulness test which performance within it level of their performance according to list of appreciate of skillfulness performance which have prepared for this purpose , educational program , tests , list of skillfulness performance appreciate on group of experts owner of specialists in fields of artistically education and artistically design and measuring and work in order to recognition on modulus truth then actualization from modulus of stability. the research depend on group of statically devices to show results of research such as test ( Mann - Whitney ) in order to actualization from results of two tests cognitive obtainment and skillfulness pre - and post and also formula of diffecult modulus and distinctive for items of cognitive test and formula ( Kyoder Richardson / 20 ) for fix obtainment test and formula of Holisity for fix skillfulness test and find modulus of agreements between observers. from most results which present research find out which may sum up it in superiority of experiment group performance in cognitive test for refreshing of sight memory and skillfulness performance on controlling group of what appear activity and utility of use of prepared educational program according to dual coding theory in teaching elements and basis of specified designed in fourth class - artistically education department in institute of preparing teachers comparison with by normal way.the researcher have advised by group of advises as following : - 1 - reliance educational program in present research in teaching subject of elements and basis of design and generalization on departments of artistically education in institution of preparing teachers and girl teachers because is being positive influence and activity , show it results of present research. 2 - importance of interesting of teachers subjects elements and design basis by cognitive aspect to teach design relations by connected , successive and series way in formation which concerning that basis by constructional form to it which ensure connect relation every teaching units by unit which follow or precede it.The researcher suggested that as following : - 1 - carry out match study from through preparing of educational program in other study subjects and measure its influence in obtainment.2 - preparing of educational program in subject of design through use educational computer and measure its influence in obtainment.

التقنيات الحديثة في سينوغرافيا العرض المسرحي == The Modern Technique In Scenography of Drama Show

Author name: انعام معن ابراهيم
Supervisor name: صلاح مهدي القصب
General topic: Fine Arts
Specific topic: Theatrical Arts - Techniques
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: ان المسرح كائن حي يتفاعل مع كل المتغيرات والمستجدات القائمة، فلم يكن يوما ولن يكون بعيدا عن هذه المبتكرات والتطورات الحديثة في عالم التكنولوجيا. فالعرض المسرحي تساهم في بنيته وسائط تقنية عديدة يتم توظيفها من قبل اختصاصيون في مختلف الانشطة العلمية ,كالم | The second chapter (theoretical frame) is divided it into five section , in the first, the researcher has explained the importance of technology and its reflections on dramatic culture through the concept of cultures dialogue which was elaborated by the French thinker ( Rojeh Garody) who embraced Islam. In the second section ,the researcher explain the work of that technology through composing dramatic speech. The third section is divided in to two directions; in the first she refers to the most important technical techniques that contributed to development of drama show structure ;identifying it by computer firs and then by internet, while in the second she talks about the most important computer techniques and how to employ it in designing the element of drama show. The fourth section touches the most important direction techniques of directors whom the researcher has divided into tow current, each has a different way when building the Scenography of drama show in the light of using those techniques. She closed the section with the most important techniques used by modern theatre which are body performance through gesture language, sound expression and dancing. She concludes this chapter with former studies and set of indexes resulted from theoretical frame; the most important of them is that the modern theatre is mixture of many cultures that is affected by those cultures, furthermore the director has dealt with the actor as a body having mythological and expressing abilities capable of producing a new language with the receiver. However, modern techniques don't neglect the human being role and his creation, but it increases the opportunities of innovation and renewal in modern theatre.The third chapter includes the research procedures throug the research society and samples represented by the following designs and drama shows : 1 - The play of "The Bedouin and the Orientalist" directed by Akeel Mehdi. Theatre is considered as a living thing that interacts with all standing and revived variables, it was ever and will never be far from these modern innovations and developments in the world of technology. Several technical means contribute to drama show, these means come from specialists in various scientific activies such as musicians, lighting designers, sound effects, optical tricks, as well as designers of fashion, building and shaping. Today theatre also depend on various expressing techniques represented by using the language and grace of the body to put through the meaning by shaping gesture movement, singing and dancing so that the receiver can interact with. So, technology in theatre is not a newborn, but it accompanied it since the Greek times till the present. Consequently, it appeared with a new language whose features have been employ in the artistic currents that emerged and spread definitely after the Second World War in Europe,USA and the Arab World. These current used technology as a technical means employed in various innovation processes to discover its abilities and its intellectual and aesthetic dimensions. Upon this basis ,the researcher has identified the research problem in the first chapter of her thesis designated " Modern techniques in Scenography of drama" , in the following question : How to employ modern techniques to build the Scenography of drama show?Then, the researcher has explained the importance of her research which is regarded as one of the scientific efforts looking for the importance of technical development and its inflection on drama show techniques in Scenography building, and she considered it as an important reference for students at Fine Arts Academy. Then ,she explain the objective of the research , its limits and finally defining the most important term that is the concept of technology and Scenography.

تقنيات الايهام البصري في تصاميم الاقمشة النسائية == Techniques of Visual Illusion In Design of Women'S Textiles

Author name: ابتسام محسـن حسـون الخفاجــي
Supervisor name: سامي ابراهيم حقي
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Master
University: University of Baghdad - College Of Fine Arts - Design Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: انجزت دراسة (تقنيات الايهام البصري في تصاميم الاقمشة النسائية) الكثيرمن المفاهيم والافكار الجديدة فسحت المجال للتعدد في الاتجاهات التصميمية للاقمشة، كونها من التقنيات التصميمية المهمة بما يتميز به من قدرة على الايحاءات العديدة وهو ناتجا مستلما من عملية | The study of (Techniques of Visual Illusion in Design of Women's Textiles) demonstrated many novel concepts and ideas within the field of diversity in textiles design orientations, being a significant design technique characterized by an ability for suggestiveness as a final product of process of architecture of constructive relations. It reveals the techniques of Visual illusion in the design of women's textiles and establishes design leverages in women's textiles that depend on techniques of Visual illusion. The significance of the study stems from increased intellectual enlightenment by textiles designers and scholars as well as developing the knowledge of styles and orientations which contributed towards Visual illusion. The study was limited to design of women's textiles for dresses available in Baghdad's local market for the period 2006 - 2008. The study is in four chapters; Chapter One elaborates on the study problem, its significance, aims, limits and definition of terms. Chapter Two deals with the theoretical framework and former studies. It consists of three parts : The first part : Comprehension and Visual illusion in textiles design. The second part : The techniques of Visual illusion in the design process of women's textiles. The third part : The technique and its methods for design of women's textiles. This is followed by the former studies and their discussion thereof. The researcher achieved the most important pointers out of theoretical framework. These pointers were enhanced in Chapter Three. Chapter Three encompasses the study procedures, its methodology by adopting the descriptive approach for analysis of specimens out of the total (96) specimens of the study. A deliberate choice of the study was taken according to design objective levels consistent with the study aim. The study sample was randomly chosen at (25%) of (24) samples. A form was compiled for analysis axes by reliance on pointers out of Arab and foreign sources which were submitted to a panel of experts. The study specimen was analyzed through it. Chapter Four consisted of results of specimens of the study. The most important results obtained by the study were as follows : 1 - Most designs under research depended on the apparent in - form characteristics to achieve Visual illusion to generate diversified formative effects. These effects reflected on the motion, distribution and directions of the items. 2 - Color remedies were adapted to impart vitality aesthetic effect on textiles design by focus on color contrast as an actionable vision accomplishment to demonstrate the illusory space depth due to forward lead of fair colors and rear lag of dark colors. Besides, Chapter Four encompassed the following most important conclusions attained by the study : 1 - Basically, the techniques of Visual illusion were associated with the content of the design idea which was built upon many methodical technical data to be a modern tool whose idea was crystallized by virtue of many intellectual and materialistic concepts which rendered it into evident applicable fact. 2 - In spite of formative diversities in most designs, the design items relied on abstract form as a priority to present the true dimension of the design idea. This made other units of secondary importance overlap with it by limited non - determined motion in the design construction. Chapter Four included also the design leverages concluded by the study. The following are the most important : 1 - Need to widely invest and implement the techniques of Visual illusions in the design of women's textiles as modern design methods to achieve design formations via non - conventional, innovative new and organizational vision which is a product of variance and diversity of the formative items through mixture, placement and change in the formative relationships. 2 - Concern for choice of natural and synthetic fabric raw materials fit for the local environment. These materials have flexible, fine, endurable and moisture - absorbent specifications. On its basis are chosen the types of yarns, fabric construction and appropriate design.3 - Making use of the developments in the technical styles observed in the design of textiles to create non - conventional design assortments through overlapping between styles in order to achieve association between forms and embody them non - conventionally in a manner capable at enhancing Visual illusion. The purpose is aesthetic achievement to serve the functional aim. Chapter Four also included recommendations and suggestions.

الاطر الفكرية وانعكاساتها في تصميم المطبوعات الدينية

Author name: صادق هاشم حسن الموسوي
Supervisor name: نصيف جاسم محمد عباس
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
University: University of Baghdad - College Of Fine Arts - Design Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: Prevail in the world of intellectual and scientific variables... And overlap the treatises of this party, come research addresses the deliberative ideas as an important and necessary in the cultural communication and information update.. Hence it was dialogue of civilizations.. And individuals in the dialogue between them and the means of activating the intellectual and conceptual frameworks after he entered the concepts of globalization in all their in requirements attempt to impose a particular ideological line style.. But the cultures and traditions of theses communities attend to confirm the role that should not deviate or marginalizes its spiritual and physical level... Where is the means of communication, including print and one of the dozens of ways in which nations and peoples trying its institutions all through the dissemination of cultures, traditions and ideas and concepts..Being at hand and easy circulation and can be employed for the purposes of tourism, religious, economic and otherwise, generally, those nations and institutions are trying in various ways, the announcement of the frameworks related intellectual inheritance of civilization have, including religious shrines that frequented many parts of the world, which requires dissemination and promotion in support of after spiritual and material both whether, in Iraq this ancient country that stretches at home shrines are many varied and different religions and sects, the presence of printed religious for that shrines is an act communicative however, and worked the institutions of the thresholds of the holy given printed religious significance, as it is one of the media and promotion, , Because it appeals to the general public who attend religious shrines of different cultures and referents, and from this perspective the current research to examine and explore the link between spammersintellectual which is designed on the basis of publications issued by those shrines and between the artistic process and its implications, where his grandfather researcher subject should go into it, and distributed find classes as follows : The first chapter methodological framework of the research in terms of the research problem represented by asking the following : Are intellectual frameworks reflected on religious publications design? As the importance of research came in : ? The possibility of benefit from working in the field of Graphic Design in general and employed in the design of religious publications in particular.? The possibility of a briefing media organizations and advertising of the sacred thresholds, set a target Search in : ? The intellectual reflection spammers statement in the design of religious publications.? Provide practical proposals based on the outcome of the theoretical framework and indicators, and the search results, and then refer to the limits of research and determine the terms, as the second quarter included a theoretical framework, where it came from his interlocutor as follows : Also included the first section two addresses (such as conceptual frameworks, philosophy and thought, frame aesthetic, in the framework of art and design, intellectual framework - aesthetic when some civilizations, data intellectual thought and Islamic philosophy, frame artistic and intellectual philosophical Islamic "private"), as discussed topic the second to the (structure design, structure elements, elements Typography, foundations and structural systems), and interested third section in a statement (digital technologies and electronic publishing,producing and designing programs elements Typography, the communicative properties of print), , While the fourth section referred to the (design patterns prints, design publication, Graphic Design and Printing, the most important digital programs used in the design Jerafah), then followed by the indicators theoretical framework, and included the third quarter research methodology and procedures supported the descriptive method (method of content analysis)in order to reach results, and the research community, and the method of selection of models, and search tool which was to design a form identifying axes analysis based on what emerged from the axes and indicators theoretical framework, and opinions of a group of experts respondents who expressed an opinion scientifically built in, to other procedures reported in detail in separate proceedings, then the search in the analysis of the models chosen, came fourth chapter involving the results, discussed and that came from : Conceptual frameworks : 1. based methods of construction design which conceptual frameworks variety of dimensions, philosophical, and intellectual with theses global Islamic, and local variable rates and indicates this fact to the vulnerability results conceptual presented by the scientists and thinkers of the Islamic nation, and non - Islamic, and that proved the most of the ideas presented in the religious publications, namely the ideas of human dimensions related events experienced by the characters in question, as well as being connected to the religious and social situation associated with the ideological environment.2. Adoption of the style of presentation symbolic of the events promise to approach the representation formal, as in models (1, 2, 3, 4, 5, 6, 7, 8, 10, 11, 12, 13, 14, 15, 16, 17,18, 19, 20). And (95%). Thereligious symbols is one of the most important means showing historical events through the employ of being known and unknown when a lot of the audience, and generally the employment of religious symbols or environment - related religious forms is important in the embodiment of the structure of the idea, as well as the fact that the symbols represent a tool easy to bring ideas unhindered and difficulties.Elements Typography : 1. Recruitment effects digital available in computer software in order to achieve dimensions of aesthetic certain, as in the models (1, 2, 3, 4, 5, 6, 7, 8, 10, 11, 12, 13, 14, 15, 16, 17 , 18, 19, 20). And (95%). Commonly used these effects after he added an important set of filters and digital effects, and should be used by designer without distorting what makes writings without clarity and readability2. the emergence of clarity and readability in biblical patterns that have adopted away from digital processors that can come to the contrary where she appeared in all models. It is well known the importance of clarity and readability in hiring patterns written being talkie reader, and that the lack of interest by means cause problems in reading the text, which is not something he wishes designer and he has to pay attention to him.Structural foundations : 1. The adoption of symmetrical balance in the design of the versions with the absence of other balances, and appeared in all samples models. The adoption of symmetrical balance in this type of publications designer was caused by the use of a limited number of pictures of the shrines and domes and minarets of the design spacemakes space for syndication unbearable condensation or search for other balances.Regulations, and the relationship : 1. Recruitment open spaces will be the basis of which a picture has organized other formal elements as in the models (1, 2, 4, 5, 6, 7, 8, 10, 11, 13, 14, 15, 16). And (65%). A systems designer works on the printed employed in religious, and open spaces come to express fallow visual and openness structural system which is often linked to spiritual orientations for visitors.Communication characteristics : 2. Adoption of Direct to provide ideas. Appeared in all models. The use of the direct method in the presentation of the idea, makes it a high gloss deal with all recipients, and equally, and it needs this kind of stylistic designs of this direct relationship with a wide range and variety of people. Then ensued and the conclusions that came from : 3. The intellectual frameworks between the path in front of religious publications and designer working directory based on him in many of the propositions.4. Worked spammers and the arguments of religious thinkers and practitioners in religious affairs by direct reflex on the design structure of the print.5. The weakness that was apparent in the formal organization of the religious publication comes from the few know the designers of modern systems in Graphic Design, including the study of form and space relationships and employ photographs to the other.And continue with the outcome of the results and conclusions of the research researcher recommends including the following : 1. given conceptual frameworks that relate to Islamic history more attention and break the cycle of restriction, and to serve the - oriented ideological intermediary.2. the adoption of new methods in design and art direction and in accordance with up - to - date modern techniques.3. revolving develop specialized media and printing experts and designers led them informed and widely thought any ideological work will organize Publications printing and publications.4. Work on biological directorial sizes of prints and stay away from sizes that may occupy the continental and familiar.The researcher also suggested do following two studies : 1. employ images architectural design Islamic religious publications.2. dimensional aesthetic in the design of religious publications.He then read some of the works carried out by the Applied Researcher in which he singled out the second goal and a list of names of experts who showed Raya scientifically and technically, and he finished researcher finally conclude with a list of sources and supplements, Abstract and Title in English.

برنامج تعليمي لاكساب طلبة قسم التربية الفنية مهارات استخدام الالوان الزيتية == Teaching Program To Acquire The Students of Department of Artistic Education The Skills of Using Oil Colours

Author name: محمد عبد الله غيدان
Supervisor name: سلام جبار جياد السوداني
General topic: Fine Arts
Specific topic: Art Education
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: تعد الاتجاهات الحديثة التي افرزتها الثورة العلمية والتكنولوجية والتي من مبادئها واسسها الاهتمام بهندسة البيئة التعليمية المخصصة لتعليم المتعلم الذي يعد محورا للعملية التعليمية وباساليب تخضع للتحليل والتركيب والتطبيق والتقويم,وما توظفه من معلومات ومفاهيم | The modern trends developed by the scientific and technological revolution which its principles and bases are concerned with teaching environment teaching technology devoted to teach the learner who is the pivot of the teaching process,by methods subjected to analysis, structuring, applying and rectification along with what they employ of scientific data, concepts and activities made according to programmed courses arranged in regulations and law invented by science of teaching design introduced in all fields of specialization.This prompted the teaching institutions with all stages to accompany the developments of this science through directing postgraduate students to search for modern scientific means contributing in developing the teaching process.This include using teaching programs, systems and models and trying to applying and experimenting them in different fields of art, specially in acquiring them the skills of using oil colours which are a basic subject in Department of Artistic Education in College of Fine Arts, specially in practical plastic arts, then employing them in their artistic oil painting.According to the abovementioned, this study aims to : 1.Designing a teaching program to acquire the students of Department of Artistic Education the skills of using oil colours.2.Measuring the efficacy of the teaching program through applying it on empirical sample of 3rd grade student of Department of Artistic Education for the academic year 2007/2008. In order to achieve the objective of the study, a zero hypothesis will be invented according to study procedures.To ascertain those objectives, the researcher invented tow zero hypotheses. The group of the study consists of 3rd grade student of Department of Artistic Education of College of Fine Arts. Their number is (40) male and female students. A random sample of (13) male and female students was chosen whom the researcher adopted to apply the experiment.Since the present study adopted the empirical methodology, a teaching program was designed through analysis the subject of oil colours re - froming it according to the model of (Ganne & Briggs,1988).To measure this program, two types of tests was designed : the first one was cognitive achieving to measure the data that the student acquire and the second is skillful which measured through rectification form of skillful performance prepared for this purpose, those tools were subjected to truth and consistency procedures.To manifest the results of the study concluded by the researcher, he used the following statistical means : (Willcoxn Test) to show the prior - posterior differences between the students of the empirical group, (Difficulty and Discrimination Coefficient) equation to analyze the paragraphs of the cognitive achieving test and (Holsti) equation to find the agreement between the two criteria also those noted in consistency on performance rectification form.In addition to using (Kauder Richardson / 20) equation for consistency of cognitive achieving test.Most significant result concluded by the researcher : 1. The adequacy of the designed teaching program for how to use oil colours through its capability to acquire the students the artistic skills and to assist them to prompt them to think and making mind imaginations to comply with oil colours requirements and acquiring their artistic skills. This, in turn, contributed to achieve the desired objectives which was obvious in experiment results when applying the prior - posteriorcognitive achieving test for the posterior test.2. The adequacy of the teaching program in acquiring the students the artistic which was obvious in experiment results when applying the prior posterior cognitive achieving test for the posterior test.The most significant recommendations by the researcher are : 1. Adopting the teaching program in teaching colour generally and oil colours specifically in the Department of Artistic Education and the scientific departments in the compatible colleges or in departments of plastic arts in institutes of fine arts. This proved an efficacy in training the students on acquiring cognitive and performance skills.2.The agreement between the results of the present study and the results of former scientific studies and researches which adopted designing and inventing teaching programs in their procedures necessitated to add an academic curriculum specialized in teaching design for undergraduate study, especially in Deparment of Artistic Education in order to introduce most recent scientific and technological developments and their role in developing the teaching process.

المعالجات الدرامية للشخصية التاريخية في النص المسرحي العراقي

Author name: محمد مطشر عبد الكريم الغراوي الكحلاوي
Supervisor name: عقيل مهدي يوسف
General topic: Fine Arts
Specific topic: Theatrical Arts - Literature and Criticism
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: تعد الشخصية التاريخية في معالجاتها الفنية المسرحية ركيزة من ركائز الدراما المسرحية، فهي العنصر ذو الاهمية، وهي الفعالة في النص المسرحي، لكونها صلة الوصل بين المؤلف والمتلقي، والمعبرة عن فكر الكاتب وما حصل عليه من معلومة موثوقة بعد تقصيه عنها، واستدراكا | The historical character, during its theatrical artistic treatment, is a main pillar of the theatrical drama pillars, it is the most important effective element, of the article, due to it is the connection between the author & the observer, expressed by ideology of the author, by what he has got of a certified &documented information trying to know, the importance of that historical character & the private characteristics of the historical period in which it lived in ,the approach to the historical character, from which the author chose as properties &characteristics discovering the properties ,characteristics of the given historical period & the depressive or liberal circumstances, formed that character, as a result besides its properties in the humanitarian dimensions, perhaps there is an self & influential effects of the historical character, upon the author. There are many historical events in the international history, composed the humanity, is a mean as groups or individuals, coming from the surrounding environmental circumstances, or the resulting individual & collective self agonies suffered, the author is almost obliged by the transfer of the historical events, through historical character, as if this character represents one component of the main resources, composed either the civic development or developed the civilization it self. The theatrical artist (the author) takes the transfer task of these events, even though hypothetically or actually, sometimes, only for the artistic theatrical enrichment, by the inspiration of the passing actual humanitarian history, during different passing eras, containing subjects, ideas and objects lead to the development of peoples vital experiments. It may be seen, from the passing essay, the importance composed from both the history & the characters contained in the past, still have its resonance inside the modern observer, this is the major motive, to look after the reality of the historical character, to be dealt with, theatrically in an artistic style , the research also shows, the author imaginative power, his ideas enrichment of the writing professionalism.Accordingly the research was divided into four chapters : 1) Chapter One : The Text Domain Contains the description of the research problem, importance, targets, limits & the definitions of the terms.2) Chapter two : Covers the theoretical frame, where it contains four research parts, as follows : A) Part one : The concept of public character The public character is treated by its general concept & the limitation of its dimensions (natural, social & psychological dimension) through the ideas &the different theories of the researchers. B)Part two : The concept of the historical character The historical character is treated through its common concept about, as if it is real, not mythic, or imaginary imagined by the author himself, characterized by real humanitarian characteristics lived in real historical period in the past. C) Part three : The concept of the dramatic character The drama is investigated because its importance to the theater, where originally the historical character is contained for the artistic treatment, as considering the character is an important element in the dramatic theatre. D) Part four : the dramatic treatment of the historical character characteristics in the an elective essays, the dramatic treatments of the characteristics was studied by theatrical author, according to the treatments mentioned in the theatrical text. To clarify the complicated image, it was tried to collected different opinions of different writers. The research was stopped, up to this point, on which it was treated as proof supporting the exisistng research, as a specific indicator of the Thesis.3) Chapter three Contains the procedures of the research. The research analyzed the historical plays documented in (1980 - 2005) ,then some specific specimens purposely chosen supporting the research, they are five theatrical essays. 4) Chapter four The results, conclusions, appendences, list of references & English summary.

التحولات الدراماتيكية في فن التشكيل من الرومانسية الى ما بعد الحداثة == Dramatic Transformations In Plastic Art From Romanticism To Postmodernity

Author name: اياد ذياب حميد السامرائي
Supervisor name: نجم عبد حيدر الجنديل
General topic: Fine Arts
Specific topic: Drawing
Degree: Doctorate
University: University of Baghdad - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: يقوم موضوع هذه الدراسة على البحث عن التحولات الدراماتيكية في فن التشكيل من الرومانسية الى ما بعد الحداثة، وينجز ذلك بالكشف عن مختلف المرتكزات الاساسية الموصوفة بالاثارة والذهول والابهار والمفاجاة التي ادت اليها، والتي استوطنت اماكن عدة، فتارة نجدها في | The subject of this study on the search for dramatic changes in the art of the formation from romanticism to post - modernism, and performed by disclosing various basic pillars described with excitement, amazement, disbelief, dazzling and surprise that led to it, that settled in several places, Sometimes we find in nature, and at other times, in art, and sometimes in social life and circumstances, as the transition starts from innovation, which is based in turn of the overall environment, and its various components. After a few of change and transformation in art and long periods of time, there has been a period of research - the last two centuries - accelerated momentum of dramatic transformations, diverse coverage of the currently located concept, idea, form, and content fields and use the techniques and mechanisms to show innovative ways, guided by philosophical conceptual and psychological and biological foundations, and selfless and exclusivity, and overlaping between the arts, and East, Africa arts, and the impact of science and wars, etc.... Inquirer plastic works of art are described with dramatic transformations in the "romanticism" , "modernity" and "postmodern" all.This was a ground of knowledge for the start of the research problem as an urgent priority to respond to the misconception in the counting of dramatic art limited to the romantic and earlier, as well as the shut understanding of in that dramatic, are only done by the excitement, dazzling, disbelief and surprise in based meanings or story confirm the diagnosis of individual and collective. And the lack of bold scientific research, to assertion of the continuing dramatic in the formation art from the romantic to the post - modernism arts, despite the differences in the showing tools or the adoption of a dramatic form that are running either removal of partial or full of meaning, or confirm that unstable and the instability of the meaning adoption of the recipient interpreted.The research was completed according to the procedures of its stated objectives, namely : 1 - A shift in the fine dramatic structures and concepts of the Romantic period in the configuration variable to the dramatic arts post - modernism. 2 - detect the movement and dazzling excitement, disbelief and surprise, in form and color and configuration and interpretation in the art of composition of post - modernism, in other words, it was revealed the dramatic formation and have. As well as on the detection of evolution and growth and the variables has intellectual hermeneutical.3 - Statement of the bases in the dramatic arts and post - modernity?. And the movement of the dramatic changes and growth in the shape, color and composition in?.Within the following borders : Temporal limitation - from romantic in the formation (1820 to 2010).spatial limitation - open with an emphasis on European art. As mentioned in the first chapter, as well as to determine the terms, including the title search required by imposing meanings overlap and Transfer of funds between arts ideas and techniques, undertaken in article research and institute an inquiry. Chapter II contains the bases and intellectual and philosophical and substantive shifts in the art of dramatic composition, for a period of time the search Atltha three major periods of art is "Romance" and "modernity" and "post - modernism." The first topic dealt with (the shift in knowledge and art, the art of composition). And ensure the second section (and the dramatic movement in the knowledge and know - how). The third section will assure institutions (and the mechanism of betting that dramatic).Chapter III and included measures to his society and appointed by the search and approach, and the justifications for the selection of which formed the research sample consisting of fine art products to the general romantic postmodernism, drawing them in particular, according to the time limit (1820 - 2010). And select the Finder, including sixteen representative sample of society, as my intention.The researcher adopted a descriptive analytical method in order to align research storehouse placed in the title is marked by "dramatic changes in the art of romance to the formation of post - modernism," as the basis of a tool for analyzing samples from among the indicators that resulted from the theoretical framework.The researcher in the fourth quarter to phrase the results highlighted the most important institutions of the changes dramatic in the art of composition of the romance to what post - modernism and identified citizen functioning multi - described interventions and institutional Altalqat philosophical, conceptual, intellectual, technical, social, political and Alvallosikolojip and Elzimkanip it. Finally, the researcher found some of the proposals and conclusions reached by the search.

جماليات الازياء في عروض المسرح العراقي == The Beauties of Fashions In Iraqi Theater Shows

Author name: محمود جباري حافظ الربيعي
Supervisor name: محمد عبد الرحمن الجبوري
General topic: Fine Arts
Specific topic: Theatrical Arts - Techniques
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: نبحث في تكوينات الازياء المسرحية من اجل الكشف عن الفكر التاويلي الفلسفي،وايضا عن معاني الصور البصرية المتشكلة بفعل علاقات عناصر العرض المسرحي بعضها بالبعض الاخر، فضلا عن مدى تمثيل شكل الزي المسرحي (سلطة او هيمنة) على مظهر الممثل في ساحة التمثيل، وذلك | My Research in making up of the theater Fashion about the Secret of philosophical thought and about the meaning of Optical pictures Which shaped by the relation ships of Optical Pictures which shaped by the relationships of element of the theatre show , which connects with each other. As wellas the extences of acting the shape of theater Fashion (control) on appearances of the actor in the Field of ailing Fashion covers the natural body of the actor and express the appearances and dimensions of the fashion lakes part outside emotional expression , For the actor in the play averts. The dramatic fashion accused important optical avenge with the rest of visual elements , That style of fashion design stir up beautiful feelings by using fashion forming that is suitable with the nature of designable treatments to other elements. The fashions contains the nature of relation ships of educational address and the kind of beliefs , So the visual beauty is limited for those relation which are the designer fashion tried to redesign and set them anew. so as to goes with beautifully with the last visual for dramatically scene. For this reason the research divided the beauties of fashions in the dramatically shows of Iraqi theater to five scenes : The first Term (methodical frame) includes the research problem it's about the following questions : ( WHAT IS THE BEAUTUL FORMS of THE FASHIONS AND THEIR RELATION SHIPS IN THE IRAQI SHOW PIAY ? ) The importance of the research comes to save scientific subjects for specialists in dramatic Arts in general and to fashion designers specialty. The aim of the research is to limit to reveal the forms of fashions beauty and its relation ship with play show. The place of the research is Baghdad city the time is from (1992 _ 2007) , The subject is the fashion of characters of Iraqi play show. the idiom of beauty and fashion was assigned. The visual frame has been divided in to two terms the second term consists of three researches under the title of the formal dimension for dramatic fashion. The third term includes the things that takes places to the research , the choice for the sample was by mean they are : A _ Media play produced by Adel Kareem. B _ Who splayed raving awake produced by Gamin hammed. C_ Othel in the kitchen , by semi Abdul _ Hammed. D_ Macbeth , by salad Al _ Quad. E_ The Nomad and the Orientalist , by Aqeel _ made. I have hadalat of production as a result to samphs analysis , The most important of them are : 1_ The formation of dramatic fashion is assigned beautifully by two things.The first is by analysis the parts of the formal fashion which are (colures stripes , touching , space, emptiness , mass and shape). As well as its formal parts which are (the unity balance , harmony , mastery , correspond , differences , contradictory , structure , light , shadow , progression , direction , similarity , tune , repetition ) and to got their relations. the relalconship between the fashion designer and the producer of the show and the ability of the designer and its suitable with the desire of the receiver beautifully. 2_ To the formation of fashion beauty value itself reached to its meaning by the formal structural and beautifully designing by the unity of the subject which he wanted to do in his design , whenever the designer got the freedom to choose the design and carrying out increased movement in enlarging its beautiful limits using cloth of fashion. Beautiful arrarement by the continuance to rerch the relationship the combines the special structure that belongs to the dramatic fashion. 3_The relationship of the dramatic fashion with the elements of the play show is dased on the perfection marvelous technical communication among the show designers on the nature of forming these elements and the circumstances around the play show from the show place and its time. The fifth Term is the discussion of the results of the research is done and show the important results. The following is some of them : 1 _ The use of some of formal elements ( stripes , colors , touches , space , mass , and shape ) in the designing of the characters of the play. Neglecting using the others leads not achieve the value of formation of the dramatic fashion. 2_ To the structural elements for the design unity essential role in confirming the beauty of the dramatic fashion. Unused most of those elements leads to obscurity in design and that reflects on the general forming of play show. 3_ The historical dramatic fashion is very important it gives information about the appearances of the time and it reflected subjectively on the erase of receiving and their containment that leads to make the actor do his dramatic play show. The fifth term includes also the important commandments and suggestions. The Research is ended with a list of Arabic and English references in to the English language.

استعارة الاشكال التاريخية في الرسم العراقي المعاصر : دراسة تحليلية == Borrowing Historical Forms of Contemporary Iraqi Painting (Analytic Study)

Author name: مؤيد محسن محمد
Supervisor name: بلاسم محمد جسام
General topic: Fine Arts
Specific topic: Drawing
Degree: Master
University: University of Baghdad - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: هذا البحث.. ينحو الى اقامة بعض الحفريات في الاستعارات الشكلية لمخرجات الفن العراقي القديم التي قام الفنانون العراقيون على استدعائها في اعمالهم الفنية المعاصرة.. وكان هذا الاتجاه قد تمدد في السنوات الاخيرة لدوافع واسباب مختلفة وكانت مخرجاته تؤسس الى طريق | This research.. Tends to establish some formal excavations in the metaphors that the artists are being called on Iraqis in their art.. This trend has been extended in recent years to the motives and reasons were different outputs to establish a way of communication under the title, which says bilateral heritage and contemporary. This call to the metaphor has created a method to look at the historical roots, as well as in metaphors and types, in addition to the motivation that worked on the foundation.It was based search on the first chapter and the research problem and its importance and its objectives and limitations and then determine the terminology and out of the procedural definition.Chapter II : ( conceptual framework ) and is based on the three sections The first topic : the historical root of privacy Mesopotamia all days through the era of Civilization agricultural villages to the new era of Babylonian civilization. Section II : Concepts in metaphor and identity in art. It was based on : 1. Types of metaphors and concepts. 2. Identit.The concept and meaning and form. Section III : Metapor's root contemporary Iraqi art of painting. Has been developed indicators for the Study of the end of each chapter and amounted to seven and twenty nine of them, an indication of the historical root of privacy Mesopotamia and thirteen of the concepts of metaphor and identity in art and four metapor's root Iraqi art of painting.The researcher output indicators of the joints of Investigation said.Chapter III : ( applications ) and verified the procedures of the research community through the samples the amount of sixty works were selected of which 16 to 16 artists Intentional one work per artist may provide a section on the most important conclusions : Conclusions of the research : 1. Most of the painters Iraqi contained descriptive metaphors and rhetorical expression based on the similarities and the similarity between symbols and transformations. Samples (1 - 4 - 5 - 6 - 7 - 9 - 14 - 15 ) 2. Most of the painters Iraqi contained stylistic metaphors shifted to adopt the contemporary contrast between fonts and colors. Or mimic the old style with contemporary's Materials. Or shifted from diagnosed and to be to different. Or mimic the old style on the rise and fall through the severity of the contemporary's materials. Samples (1 - 5 - 6 - 8 - 9 - 11 - 14 ).3. Some of the works of painters Iraqis built on inherited's metaphors you either restore Gaii blogger form or spiritual meaning, inspired by the blogger. And in particular that writing symbols and seals of all kinds is one of the codes. Samples ( 8 - 9 ).4. Most of the work of Iraqi artists has developed forms of abstract and formal micro and unit construction to units and formal units and construction vehicles are included in a system with units and other formalities. Samples (1 - 2 - 4 - 5 - 6 - 8 - 9 - 10 - 11 - 12 - 14 - 15 ).5. Some of the work is built on the interpretive metaphors based on the premise match the samples ( 2 - 12 - 14 ) 6. Iraqi painters are metaphors in contemporary works as follows : A. often feminine forms of mankind and the note or its Parts. Samples ( 1 - 3 - 7 - 8 - 10 - 15 ). B. and animal and vegetable. Samples ( 1 - 8 - 10 - 12 - 15 ). C. geometric shapes often superior to the triangle. Samples ( 4 - 5 - 6 - 9 - 11 - 13 - 14 ). D. and on human and animal forms and geometric designs. Sample ( 8 ). E. and composite figures. Sample ( 2 ). 7. Metaphors were often pointing to the identity and Privacy : A. Is often consistent with the identity of the fifth indicator, which states that it is not subject Of the laws of the samples ( 6 - 9 - 11 - 12 ). B. Sometimes agree with the first indicator of identity, which provides for correlation with radical history Representatives as determined by the content of disclosure about the method And raw material and technology. Samples ( 4 - 8 - 11 ). C. Sometimes consistent with the third indicator of the identity of their types, which provides for individual And collective. Samples (1 - 2 - 10 ). D. Sometimes consistent with the fourth indicator of identity, which provides for individual change And mass displacement due to belief. Samples ( 3 - 7 - 13 ). E. Sometimes inconsistent with the second indicator of identity, which provides for the construction Idealism and style. Samples ( 5 - 14 ). F. Rarely consistent indicator of the identity of the sixth, which establishes it as root repetitive The sample ( 15 ).

القيم الجمالية للتنوعات التصميمية في تكوينات خط الثلث الجلي == The Aesthetic Values of The Design Varieties In The Formations of Al - Jali Al - Thulth

Author name: حسين علي جرمط
Supervisor name: عبد الرضا بهية داود
General topic: Fine Arts
Specific topic: Calligraphy and Decoration
Degree: Master
University: University of Baghdad - College Of Fine Arts - Arabic Calligraphy And Decoration Section
Language: Arabic
University location: Baghdad
First pages:
Abstract: يعنى هذا البحث بدراسة القيم الجمالية للتنوعات التصميمية في تكوينات خط الثلث الجلي، بوصفه واحدا من اصعب الخطوط العربية واجملها، وما يتميز به من مواصفات فنية شكلت حافزا قويا للخطاطين في السعي باتجاه اجادة واتقان قواعد حروفه وبناء تكويناته باساليب وا | The research is intended to study the aesthetic values of the design varieties in the Formations of Al - Jali Al - thulth script Being one of the most difficult and beautiful Arabic scripts and characterized by some artistic specifications , it strongly motivated the calligraphers to be good at the rules of its letters and the build up of its formations in various artistic trends and styles. That helps enrich and develop the design and aesthetic values of these structures , since they are graphic chievements representing a turning point resulting from the semantic , aesthetic and objective vision in producing the texts according to a particular form - amatter which has clear influence on the expressionistic, aesthetic and technieal development to produce free structures with design constitutions untied to geometric figures. The emergence of these free structures is only a natural product of the Arabic script development and its way of handling the designs in the light of the principles and rules of the Arabic script. The researcher, through the samples which he had access to, has managed to present the problem in the first chapter via the following question : 1 - What are the aesthetic values of the design varieties in theFormations of Al - Jali Al - thulth script ? The significance of this research lies in the fact that the formations of Al - jali Al - thulth script are a wide field of innovation, renewal and change at the level of the formal build up of formation. The study is of sig nificance to the researchers in the field ofArabic script. The study aims at revealing the design varieties in the formations of Al - Jali Al - thulth script, and identifying the aesthetic values of these varieties represented in the free structure appearing in Iraq, Syria, Egypt and Turkey from the period (1970 - 1390) to (2010 - 1431) Chapter Two includes three sections. The First section deals with the genesis and development of Al - thulth script and the transformations it witnesses throughout developmental course until the concept of graphic portrait appears. Section Two touches upon the development of the structure system in the Al - Jali Al - thulth script. Section Three goes into the aesthetics of the Arabic script, followed by the previous studies and the indicators of the theoretical framework. Chapter Three comprises the procedures of the reseaech. The approach adopted is analytic descript. Tive. The population is restricted to the graphic portraits that have free structures written in Al - Jali Al - thulth script. The portraits are one hundred (100) in number, 20 samples of which the researcher has chosen on purpose which accountfor 20% of the total population. These portraits have been analyized to the analysis form which includes four points, the authenticity of which is supervised by a group of specialists in this field. Chapter four contains the analysis of the samples and presentation of the results : 1 - Employing the flexibility of the letters of Al - Jali Al - thulth script in building up free formations. 2 - Diversity in the artistic direction of the free structures whether it is in the organized letters or in the built formation. 3 - The possibility of changing the positions and directions of the letters as well as measurements, facititates the invention of special free formation. 4 - Some free structures are characterized by simplicity in terms of the build up or the formal build up of the formation.5 - The multiple forms of a letter helps the calligraphist prefer one form to another of the same letter and choose the suitable form to build up the design skeleton of the free structures. 6 - The phenomenon of the free structures in the Arabic script is a tendency to liberate from the domination of thegeometric figures. 7 - The engagement between the letters and words forms different design relationships, and helps in effective form and space. 8 - The free graphic formations show that the calligraphist adopts the rule of lengthening of the letters. 9 - The adoption of the rule of letter modification and the specific change of its build up (formal,standard) shows that there are various forms exceeding the rule form of the letters.10 - The artistic direction of the graphic structures is characterized by innovation and diversification whether in terms of the formal organization of formation or in letter organization or merging to complete another letter. 11 - The letter are at the calligrapher`s proposal to satisfy his artistic sensation in the lengthening and sending with the view of showing its beauty. The researcher has come to the following conclusions : 1 - The graphic structures are an important phenomenon generated by the developmental mocement of the Arabic script. of the reasons of this phenomenon is that the calligraphers try hard to give it beauty, cohesion and strength. 2 - Al - Jali Al - thulth is the most capable script of producing the graphic formations in different forms and designs,particularly the formations characterized by the free structures due to its construction properties and itsmultiple and diverse forms of letters. 3 - The weak artistic distribution of the formation design particularly abiding by the reading serial which results from design necessities to produce the formation, negatively reflects upon the realization of the communicative goal and smooth reception. The researcher has made the following recommendations : 1 - Teaching ( the aesthetic values of the design varieties in the structures of Al - Jali Al - thulth script ) as curriculum in the college of fine arts and the educational institutions. 2 - The results of the research should be made use of and be adopted as a basis when preferring one calligrapher to another in the artistic activities such as contests, shows and festivals.

المنطلقات النفسية لتحليل الشخصية الدرامية في النص المسرحي العراقي : نماذج مختارة == The Psychological Beginnings In Analyzing Iraqi Dramatic Character

Author name: عقيل قاسم ولي الموالي
Supervisor name: حسن عبد المنعم الخاقاني
General topic: Fine Arts
Specific topic: Theatrical Arts - Literature and Criticism
Degree: Master
University: University Of Basrah - College Of Fine Arts - Department Of Performing Arts
Language: Arabic
University location: Basrah
First pages:
Abstract: اهتمت الدراسات الادبية والنقدية في تناول النص المسرحي من الوجهة النفسية عالميا وعربيا ؛ غير ان النص الدرامي العراقي لم يحظ بالكثير من الدراسات النفسية خصوصا التي تناولت المنطلقات النفسية للشخصية الدرامية.. من خلال تقصي الدوافع النفسية الكامنة في هذه المن | The critic and literary studies concern in dealing the theatrical text in psychological in International and Arabic point of view, while the Iraqi dramatic text did not acclaim in many psychological studies specially those studies which dealt with psychological beginnings of dramatic character due to the lack of potential incentives of these beginnings , therefore, the researcher challenge this point in his thesis titled ( The Psychological Beginnings in Analyzing Iraqi Dramatic Character - Selected Samples) , which will includes Two Chapters : The first chapter (Methodic Framework), and second chapter (Theoretical Framework) which were divided into two sub - researches and they are : First sub - research : The Psychological beginnings of analyzing the character, while the second sub - research : The Psychological beginnings in analyzing the dramatic character The researcher and throughout the theoretical framework indications has come up with nine psychological beginnings, and they are as follows : First : Instinctive Psychological beginnings Second : Social Psychological beginnings Third : Self - psychological beginnings Fourth : Sub - conscious beginnings Fifth : Sicken Psychological beginnings Sixth : Bio - physiological Psychological beginnings Seventh : Reaction Psychological beginnings Eighth : Emotional Psychological beginnings Ninth : Philosophical Psychological beginnings As for the third chapter (Procedures of the Research), the researcher deals with those nine Psychological beginnings based on the indications resulted from analyzing the following samples : First : Text of play titled (the Door) by the writer Yousif AL - SaeghSecond : Text of (The Thorns) by the writer Muhyee AL - Deen Zankana Third : Text of (Welcome Oh, Peacefulness) BY the writer Jalil AL - Qaisi While the (Forth chapter) deals with displaying : First : Research Results. Second : Conclusions.

خبرات الطفولة وانعكاسها في التعبير الفني لدى طلبة المرحلة المتوسطة == Childhood Experience And Reflection of Expression For Students of Intermediate Level

Author name: احسان طالب جعفر
Supervisor name: محمد سعدي لفتة
General topic: Fine Arts
Specific topic: Art Education
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: استندت مشكلة البحث الحالي الى التساؤل الاتي : هل هناك علاقة بين خبرات الطفولة والتعبير الفني لدى طلبة المرحلة المتوسطة ؟ هدف البحث الى ( تعرف العلاقة بين خبرات الطفولة والتعبير الفني لدى طلبة المرحلة المتوسطة ) , وتحقيقا لهدف البحث اشتق الباحث عدة فرضيا | The problem of the current research is depending on the following question : Is there any relation between childhood experiences and artistic expression at intermediate stage student ?The objective of the research is ( identify the relation between childhood experiences and artistic expression at intermediate stage student ) and in order to achieve this objective the researcher derived several zero assumptions. The society of the research included the student of intermediate 2nd class student from the intermediate schools in Baghdad city who are still continue studying for the academic year 2011 - 2012. The researcher chose ( 100 )student ( both boys and girls),and the sample of the research were ( 4 ) four school chosen randomly.Adopted the descriptive methodology in the current research and construct the both instruments of the research as follow : - First : Construction measurement of childhood experiences according to the concepts of psychological analysis theory ,consisted of ( 20 ) paragraphs of delightful experiencesand ( 20 )paragraphs of painful experiences. Then achieved honestandsteadiness which are suitable to the measurement. Second : Drawing analysis form : An instrument is constructed composed of ( 6 ) six fields ,( 20 )main characteristic and ( 60 ) secondary characteristic. Then confirmed the honesty of the performance through display it to a group of specialists experts , while regarding steadiness , the researcher resorted to outside analysts Concerning drawing , it has been agreed on three drawings which are ( family , school and general environment )out of (300) drawings.To reach the results of the research ,the researcher used suitable statistical equations ;therefore after discharging the data , the research reached the following results : - 1. There is no positive correlation implies statistically at the sign (0,05 ) between : - • Delightful childhood experiences of males and the drawing of (family , school and general environment).• Delightful childhood experiences of females and the (general environment).• Painful childhood experiences for both gender and the drawing of ( family , school and general environment ).2 - there is positive a correlation of statistic significance at the level of gaudiness (0,05) between the childhood pleasant experiences for the female and the drawing of the family and the school.And after displaying the results and discussing them the researcher has concluded number of recommendations : - 1 - Giving more opportunity for the students to free artistic expression, and excreting efforts to learn the drawing skills and subsequently making the production of artistic expression more available of thoughts sense and emotions obsessed them and feelings towards things surrounding them.2 - Sponsoring the student’s talents especially the artistic expression( drawing) of its importance in developing their personalities and achieving adaptability and psychological health for them, the art in all its kinds emotional discharge mean for what the adolescence bears of painful and emotional experiences.The researcher has suggested performing the following studies : - 1 - The relation of the childhood and the drawing of Dept. of Artistic education.2 - Relation of childhood experiences and the artistic expression for age categories or other studying grades.3 - Relation of the artistic expression with other variables in the field of education and psychological science.

العمليات الادراكية وتطبيقاتها في الرسم الحديث == Cognition Processes And Its Applications In The Painting Modern

Author name: سهاد عبد المنعم عبد المحسن شعابث
Supervisor name: علي مهدي ماجد | عارف وحيد ابراهيم
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Doctorate
University: University of Baghdad - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: The current research deals with (the cognition processes and its applications in the modern art) in which limits the qualities of art picture in shape and content. The research contains to four chapters; the first chapter deals with research's problem, importance, need, aim, limits and the most important of terms.Research's two aims are : 1. Acknowledge, aesthetical and art concepts of cognition. 2. Mechanisms of cognition processes in the art modern.The second chapter deals with theoretical framework and previous studies; the theoretical framework consists of four researches : the first research discusses the cognition processes in acknowledge by showing the philosophers' opinions starting at Platon's opinions and ending with contemporary philosophers. The second research deals with the cognition processes in aesthetical in the aesthetical philosophical thinking since its first starting at Greek philosophy until contemporary and modern philosophies thesis.While the third research deals with cognition in the field of psychology and art ingenuity theories, the fourth research devotes the mechanisms of applying the cognition processes in the European modern art and its directions. The theoretical framework gets on several of basic indexes to structure the research's tool.As well as the previous studies contain to two studies; they have discussed because of near it from the current study.The third chapter deals with the research's procedures and samples at (15) forms from the works of modern painting artists, as well as the chapter include the research's tool and analysis sample.The fourth chapter discusses the research's results, conclusions, recommendations and proposals. The results have showed into two groups according to each aim; the following most important results of first aim : 12. The modernity and its art directions have imposed cognition processes have variety levels according to the thinking, art and style framework for each direction; these directions have eager desire to pass the sensitive cognition and this desire becomes grow at the abstractionism painting greatly.13. The cognition processes in the modern art connected with the art's identity and his ability to adaptation the cognition with his thinking, art, stylistic and technical ambitions. This connection supported the freedom in the searching and experimentation.While the most important results of second aim are : 1. Impressionism has immediately performance has taken the cognition process starting at sense as a main source of vision and interference the interior senses such as remembering and imagination to come out of saved pictures with mind interference contributes to organize the picture in its lowly limits; then these powers emerges as direct sense form able to gathering all powers immediately to gloss the shapes and remove it from the its visible reality lightly.2. The barbarism follows the cognition process prevalence on it the imagination and sentimental; whereas it starting at sense but it is not absolute sense cognition. The works could complete with painting without observation the scene from the nature; the picture has visible shapes. The wildish and effective by (Gogan) has achieved a cognition phrase on the sense, so that it restored to the mind to organize the picture and give it designing features and give the shapes symbolic significance. In order to limit from the mind's whole power, the imagination comes with sentimental pressure to absence the objective relationships and confirmation the cognition's subjectivity; that's give the picture abstract aesthetic and formalism enjoyment exciting the sentimental, with intuition outcome all acknowledge powers have united in direct cognition for picture in shape and content.

الحركة في تصميم الصحف الرقمية ودورها في التعزيز الوظيفي والجذب البصري == Movement In The Design of Digital Newspapers And Their Role In Strengthening The Functional And Attraction Visual

Author name: زينه ساوا افرايم
Supervisor name: انتصار رسمي موسى
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
University: University of Baghdad - College Of Fine Arts - Design Department
Language: Arabic
University location: Baghdad
First pages:

التحولات الفنية لفن التنكر وتوظيفها في العرض المسرحي المعاصر == Arhcal Transformations In The Art of Disguise And Their Employment In The Modern Theratrical Show

Author name: اسيل ليث احمد
Supervisor name: عقيل مهدي يوسف
General topic: Fine Arts
Specific topic: Theatrical Arts - Techniques
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: يعد فن التنكر من الفنون التي شكلت تطورا في الظاهرة الادائية على مدى قرون، فقد سعت الحضارات الى حفظ اشكالها المتنوعة على وفق المتغيرات الكبيرة في الظاهرة الانسانية، حيث تم استحضار اغلب المراحل الزمنية التاريخية وما تتطلبه من مهمات اساسية في عملية فهم الظو | Is the art of disguise of art that formed the advanced performance in the phenomenon over the centuries - has sought to preserve cultures and diverse forms according to the major changes in the phenomenon of humanity where most of the period evoke the historical time and the requirements of the core tasks in the process or understanding the phenomenon and facts. The art of disquise re - representation of these facts through the re - configure stuff legendary deeply ingrained in the human mind - as the astablishment of variuaies configurations of existence and gives it expressly based and symbolic - fitr is varied within the act of incarration that would restore image - building knowledge in the time ¬frame the spitil and gives a shift avariety of features exist. and apporoaching the characterization fora new and growing to alleveviate the world understand the sources and manifestations. And gives the art disguise tmzarath tathbera various psychological and realistic visual display on system whel"c the process of change and transition in the pattern of shadowy figure and the shift in the dimensions of various formations lead to, a significant shift in the system performance for display by the shifting course of the actions of the characters and the emergence of manifestions of various interernal and external, which is a shift in its conflicts and its behavior h< - ~s co buted to the art of denial to give a new personality traits thl"ough diffent Aejddalaskkal fit whit the n.llure of transition experieneed by the changing world of pt'ogressive consensus process created by the art of denial among the various configuration able to create visual effects and behavioral reactions varied. In order to monitor the historical developments art disguises Personal patterins type and components. Movement performance analog and different psychological behavior, Aidwakl affecting the personal representative and the nature of performance. Dynamic composition and physical synergy and a caustic. Concluded, then the theoretical frame work a researcher with a number of indicators which were considered an important tool for research as well as othe,' tools in the analysis of sample. The third chapter has devoted to the search procedures which have addressed the researcher community, and search tools method and reason for selecting the research sample~ then the researcher analyzed the research sample : First myth Zhou.Second Sidra. Third Othello Fourth Shose.Fifth scheherazde The forth chapter was contend on findings from research. fifth chapter contain the conclusions it ,has concluded a list of research sources and references in English language.

التناص في النحت العراقي المعاصر : دراسة تحليلية

Author name: حيدر علي عاتي
Supervisor name: مامون سلمان فارس
General topic: Fine Arts
Specific topic: Sculpture
Degree: Master
University: University of Baghdad - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Baghdad
First pages:

الانزياح الدلالي بين الصورة اللغوية والصورة السينمائية : دراسة مقارنة بين السيناريو والفلم == Semantic Displacement Between Linguistic And Cinematic Image

Author name: ايهاب ياسين طه
Supervisor name: طه حسن عيسى الهاشمي
General topic: Fine Arts
Specific topic: Cinematic Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: ان دراسة الانزياح الدلالي من الامور المهمة لمعرفة مقدار تقدم الفنون او الادب التي تستخدم اللغة بصفتها الركيزة الاساس لتقديم الفعل. والسينما من ضمنها، اذ لا يكاد يخلو اي فيلم سينمائي من بعض العناصر التي لا غنى له عنها، ومنها العناصر النثرية في السينما كالل | The study of semantic Displacement is important to see how much progress the arts or literature which language is used as a substrate to provide the basis for action. Including cinema, It is hardly devoid of any movie of some of the elements which were essential to him, Including prose elements in the film such as color and lighting, shooting angles and other, As well as the poetry elements in cinema Such as metaphor and analogy and metonymy, Taking these elements upon themselves to the management of meaning in the image,The displacement highlights not only through the image or shapes that perform a specific function to embody the meaning. And the growth forms with the event in the careful artistic calculation it seems automatically - Naturally But it is in fact a genius screenwriter in that film written bestows his characters independent of the presence of representatives of those roles characters, It justifies its existence objectively justified, even the sociology researchers and psychology found in these models the most prolific literary figures vitality, And truer than human characters.The researcher dividing the current study into five chapters which are as follows : 1 - Chapter One : Systematic framework for the search, It included a research problem and has been in question in regards the title of the study : What are the modes of achieving semantic Displacement between the linguistic image and the cinematic image? and the Chapter included the importance of research, which included basic dimensions according to the capitalize of others of this study and they were : First, Author cinema capitalize which provided to them from the base of the theory to produce the image with meaning. The second, Provide capitalize for the students of the Department of Film and Television to introduce them to the most important elements of poetry in cinema, A metaphor and analogy and metonymy also included the first chapter on the goals of the current study, namely : A. Detected on how to achieve semantic Displacement between the linguistic image and the cinematic image.B. Recognize the difference between the scenario deviations and the film deviations.The current study identified on both sides of the controversy are : the Displacement and image, whether linguistic or cinematic.2 - Chapter Two : Included a theoretical framework and previous studies, the theoretical framework included three major sections of the study, during which the research problem and addressed to the precise details of artistic and scientific investigation of the objectives of the research were the detective : A. Section I : Representing in addressed concept of semantic Displacement and what it is, whether the Arabs or Western. As well as access to the Displacement in the image in human heritage. As well as the forms of semantic deviation. B. Section II : The researcher studied the scenario structures. It was also addressed to the shape and his movement between the signifier and the signified. As well as the most important modes of scenario deviation. The researcher dealt also the formation methods of the linguistic image in the screenplay.C. Section III : The researcher studied in it, the language of the film and the production of Displacement meaning. And he study of meaning from the standpoint theorists filmmakers, also touched on the kinds of meanings and it's layers, and select forms of displacement in meaning.At the end of this chapter, the researcher review of previous studies that approached from the current study, and discuss them in order to clarify the difference between them and the present study. It turned out that there is no any cinematic study approaching to this study in any way. However, there have been a series of studies that implicitly contain some sub - themes in the current study. The researcher spelled out in this part of the study.3 - Chapter III : Research procedures, the researcher Selected his community discussed in the movies which applies subject of the study. The researcher used (the descriptive) analysis of his research samples, which was about a three films, are : the Trial, the hour, the artist. The researcher choose those films by intentionality way to achieve the research goals and applicate his discussed tool that got approval from the Committee of Experts and arbitrators. By (100%) and adopted indicators theoretical framework tool for consideration.4 - Chapter IV : The researcher in this chapter apply his research tool on the film samples, And follow - up determinants points within the research through subdivisions contained in the research tool and the relationship of the image displacement. 5 - Chapter V : the Researcher Extract through this chapter findings and conclusions of his research, and the most important : A. The semantic displacement on the basis that there is a difference between the written text for the cinema and the film as a final accomplishment. the image at Their arrival from the first to the second, suffer from change at the level of visual forms and at the level of the footage in full is due mainly to change the language of the mediator himself, resulting in the end in multiple layers of meanings.B. The time has a large impact in semantic displacement for linguistic image or cinematic image. Because the literary - artistic time is not realistic, it works as a screenwriter and director in order to make it fit the mediator who tells through. It has been done through the use of narrative techniques that the time displaces literary - artistic receiver gives different meanings. The main recommendations were : a. Created a lesson in the Department of film and television Arts in the name (semantics) is interested in studying the semantics of linguistic and visual image, tracking of their arrival from scenario to the film and how to convert them and displace to cinematic image. b. Encouraging branch scenario's students to submit scenarios based on displacement from reality and stories to other schools of art such as surrealism and abstractionism, and others.

توظيف الاغاني العراقية في تعلم مبادئ العزف على الة البيانو == Using Iraqi Songs In Learning Fundamentals of Playing Piano Instrument

Author name: وليد قحطان سلمان الجنابي
Supervisor name: مهيمن ابراهيم الجزراوي
General topic: Fine Arts
Specific topic: Musical Arts
Degree: Master
University: University of Baghdad - College Of Fine Arts - Department Of Musical Arts
Language: Arabic
University location: Baghdad
First pages:
Abstract: This Research consisted of five chapters with a list of sources and supplements as follow : First chapter addressed methodological framework of research, viewing research justification, which spotlighted on orientation of musical education institutions in Iraq to use European methods for learning playing piano, and reasons for that, although the music in most of these methods are strange to local student's ears, because these methods are using European music legacy that clearly differs from Iraqi. For that, and for lacking any method using Iraqi songs for learning playing piano, or any academic research dealt with this subject, the researcher convicted to use Iraqi prevailing songs in a musical method for learning playing piano for beginners in an academic and methodological study.Then the researcher showed the importance of his research, as follow : - It considered as first academic research using Iraqi songs in learning playing piano, to the knowledge of the researcher. - It considered as a source for learning playing piano for beginners, and for higher education students, and for specialists in musical studies. - Considered as first step for building methods using Iraqi songs for learning other western musical instruments.Researcher aimed in his research to using Iraqi songs in learning the fundamentals of playing piano.Second chapter included the theoretical framework and previous studies. Where Theoretical framework consisted of three subjects, as follow : First chapter highlighted the role of Iraqi songs in Iraqi society, and how they are relating with its daily life, and how it expresses economic, political, and social aspects, with someexamples about that. Second subject showed early usage of piano in Iraq, and its role in Iraqi songs as a complementary instrument. Third subject issued the summary of most important musical methods used in musical education institutions in Iraq, and some other methods that used the musical world musical legacy used nowadays.Third chapter issued research procedures, where researcher identified research approach he taken, then he chose his research community, which formed Iraqi prevailing songs, then he chose the samples intentionally, which consisted of samples. Then he issued research analytical standard, which he build, for applying the samples in teaching method, then he named his research requirements.Fourth chapter studied applying the samples as a learning method. Finally, fifth chapter set the results of the research according to the samples selected, and then the conclusions, recommendations, suggestions, and then the list of sources, supplements, and finally a research abstract in English.

التكوينات الفنية وتحولاتها في تصاميم اقمشة الازياء الحديثة == The Artistic Formations And Their Transformations In The Textile of Modern Fashion

Author name: زينـب احمـد هاشـم
Supervisor name: هند محمد سحاب العاني
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Master
University: University of Baghdad - College Of Fine Arts - Design Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: يعد فن تصميم اقمشة الازياء نتاجا حضاريا يدل على رقي الامم وتطورها وازدهارها ونتيجة للتطور العلمي الذي فرض حتمية المزاوجة بين العلم والمعرفة والفن والتي نتج عنها تحولات لتطبيقات اتاحت للفرد مزيدا من التوجه الفني والمعرفي مع سرعة التحول والتغيير المستمر | The art of textile design is a civilized byproduct which indicate the development and advancement of nations as a result of the scientific progress which imposes the inevitability of pairing theory and application and science and work which resulted in new or recent developments that allowed the individual for more artistic and epistemological trend with the fast conditioning and continues change.The artistic formations in the women textile design are subjected to the designer’s taste who bases his deigning ideas in modern style through transformations that go along with the appearance of textile in women fashion arriving at satisfying the taste of the recipient of these designs. In the light of that, the researcher determined her problems of the study with the question : Have the artistic formations and their transformations achieved an effect in the design of modern women textile? The research also contributed in the following through its importance : 1 - The importance of the study from being one of the studies that care for the study and adding an epistemological base for the specialized and workers in the field of the design of fashion textile in general and women in particular.2 - The results of the current study can be used to provide technical base for students of textile design in the institutes and the colleges of fine arts and how to made use them in the plastic art works and employ them in the design to achieve transformations that can enrich the aesthetic taste. 3 - The suggestions imposed by the researcher in her study can lead to the facilitation of the researchers in the women textile design, as well as scholars related to that vital field of art.The researcher also aims at the following objectives : 1. To reveal the reality of transformation of modern women textile (Islamic aba - Al - saya - the dress). 2. Putting suggested designs for the women textile based on the manner of employing the artistic transformations of Iraqi artsitis (Faraj Abou - Jameel Hamoudi - Widad Aourfaly - Bahija Hakeem) as a modernist transformation in the process of outer appearance design. The limitations of the study are manifested in the artistic formations and transformations in modern women textile design (picnicking and evening) for the (25 - 35 years) with originated from (Iraq - UAE - China) available in local markets in Baghdad within the period (2013 - 2014). Chapter Two includes the theoretical frame which includes three inquiries; the first inquiry tackles the artistic formations, while the second includes the concepts of the artistic and technical transformation in fashion textile design; the third inquiry tackles the transformations in fashion in women design. Then the theoretical framework and previous studies follow. Chapter Three includes the procedures of the study which was taking the analytic descriptive approach. The total number of the sample was (150) sample of design. The sample was chosen purposely in (%81) of (12) models. The researcher prepared the questionnaire form to analyze the women textile design that include many axis verified by the experts and then the constancy was derived. The samples were also analyzed.Chapter Four includes the result and findings of the study, and the researcher comes up to the most important findings : 1 - Repletion was used in the formation design as it forms the expressive energy for the distribution of deign items, specially the botanical and geometric forms. 2 - The sizes of items of the design formations have come in attract the attention 3 - The designers depended on the stenography of the written forms and abstract drawings through omission and addition which is more flexible. 4 - The variation in choosing the digital image through depending on the collective style for the adjacent items. It is an attempt to add a kind of change in the realization based on the style of transformations through the distribution of items which showed the effectiveness of the relationship between the form and the space that achieved vitality and dynamicity for the designing formation. Chapter Four also includes the recommendations and suggestions in addition to the suggested computer implemented designs prepared by the researcher. The study ends with the list of references and the abstract.

اقترانات منظومة تصميم الفضاء الداخلي وانعكاساتها على التذوق الفني للطفل == System Conjunctions of Interior Space Design And Its Reflection On The Child’s Artistic Taste

Author name: شيماء زكي عبد الحميد
Supervisor name: لبنى اسعد عبد الرزاق
General topic: Fine Arts
Specific topic: Interior Design
Degree: Master
University: University of Baghdad - College Of Fine Arts - Design Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: The interior design of kindergarten classes is considered as a system which has its psychological conjunctions and reflections on the growth of the child's artistic taste. To fully cover the topic of this study, it is essential to deal with interior design both as a science which has its considerations and conditions that fulfill the basic functional needs of a child and as an art which has its conjunctions that fulfill the child's sensual and psychological needs. Since the user of this interior design is the child himself at this important age of his/her life, it is necessary that the study includes the psychological aspect of the child and his/her artistic tasting. Thus, this study researches the conjunctions between the scientific, artistic, and psychological aspects.This study topic arises through questioning what the interior design conjunctions of kindergarten classes are and how they are reflected on the children's artistic taste. The goal of the study is to find mechanisms that activate these conjunctions in a way which increases their reflection on the growth of the child's artistic taste. This goal is achieved through knowing these conjunctions in the interior design of kindergarten classes and proving their reflection on the child's artistic taste. The study is divided to three sections; section one is titled "Explanatory Theories of Conjunctions and Artistic Taste", the title of section two is "Interior Design System in Kindergarten Classes", and section three is about the child's perceptions and his/her artistic tasting.Two research methods are used in this study. The descriptive method is used in analyzing the sample of the interior design of kindergarten classes. The second method is that of testing the artistic taste of the sample children; (Mann Whitney) table is used to analyze the test data. The test results, of the two dissimilar samples of children, show a clear statistical evidence of different percentages about conjunctions and their effect on meeting human needs. So, on the basis of the results, conclusions, and

اسلوب تاليف قالب السماعي عند الموسيقيين العراقيين == Style of Composing Sam?'I Form At Iraqi Musicians

Author name: ثائر خليل اسماعيل
Supervisor name: فراس ياسين جاسم
General topic: Fine Arts
Specific topic: Musical Arts
Degree: Master
University: University of Baghdad - College Of Fine Arts - Department Of Musical Arts
Language: Arabic
University location: Baghdad
First pages:
Abstract: This Research consisted of five chapters with a list of sources and supplements, as follows : Chapter one addressed the methodological framework of the research, viewing research justification, spotlighting on the musical style as one of the intellectual concepts for understanding the artistry characteristics, which vary according to mentalities and philosophies they descended from. The musical style in Iraq, especially in instrumental music, began to appear starting from 30's of 20th century, which considered the most important time of Iraqi music history, after establishing Institute of Music (Institute of Fine Arts), as it became a musical renaissance time after some Iraqi artists' graduation whose used many musical forms in their compositions, especially Sam?'I form, which was varied in melodic and rhythmic structures because of its importance in musical structure. For lack of previous researches dealt with Iraqi musicians' styles in Sam?'I form, emerged the justification of a scientific and analytic study about composing Sam?'I form style at Iraqi musicians. Then, the researcher showed the importance of his research, and research objective, revealing of the style of Sam?'I form at Iraqi musicians, using. After that, the researcher explained the limits of his research and he defined the terms. Second chapter included the theoretical framework and previous studies, theoretical framework consisted of three subjects; first subject highlighted on style concept, Second subject was about musical composition, Arabian music characteristics, reality of instrumental music in 20th century, Institute of Music (Institute of Fine Arts), ?erif Muhiddin Haider and his school characteristics. Third subject presented popular vocal and instrumental musical forms in Arabic music, reviewing the musical instrumental forms up to Sam?'I form, which it's the main subject of this research, and its parts, melodic and artistic formation, rhythms, composition, and its history. Then the conclusion of the theoretical framework and the previous studies. In third chapter, researcher presented the research procedures, where he identified the research approach taken, and set the research community, whereas it contained tow communities, first one consisted of 13 Iraqi musical composers composed Sam?'I form within (1936 - 2003). Second community consisted of 65 Iraqi musical compositions in Sam?'I form. Then he identified the sample size intentionally within these communities according to objective justifications serve the research procedures and fit in with the goal of research. Then the researcher named his research tools and the analytical standard that he was prepared, and finally his researcher requirements. Fourth chapter studied the musical analysis of 10 selected samples. Finally, Chapter 5 set the results of the musical analysis of samples selected, depending upon these results the researcher presented his conclusions, recommendations, suggestions, and then the list of sources, and finally the research abstract in English.

تمثلات التابو والطوطم في بنائية الفيلم السينمائي == Taboo And Totem Representations In Film Structure

Author name: محمد سلام عبد
Supervisor name: محمد عبد الجبار كاظم
General topic: Fine Arts
Specific topic: Cinematic Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: The Taboo and Totem are considered to be attracted by the cinema attention due to their nature. They represent a performance challenge to the film director. In addition to that, we may say that the cinema capabilities, which go beyond all red lines, tried to reveal what is unidentified or indistinct. This has led the researcher to give his thesis the following title (Taboo and Totem Representations in the Film’s Structure).The thesis was divided into five chapters as follows : The first chapter (The methodological framework) which includes : - the problem of the research and has been put in the following question : How the representations of Taboo and Totem could be achieved in film’s structure ? Then we have written the importance, the need, the aim and the limit of such research. The researcher has made a list of the related terms.The second chapter ( theoretical framework and previous studies ) : The researcher has divided it into three sections as follows : The first Section : The taboo and totem ….. aspect and action : we have discussed the aspect of these terms, taboo and totem, and their historical origin. Also we have discussed the approaches related to psychology and sociology and ended with some film cases on these terms.The second section : Film structure and producing meaning : The researcher has discussed the nature of the film structure and the way of expressing meaning through the activation of the film intermediary language elements. In addition to that , the researcher has discussed the most important rhetorical images.The third section : Taboo and Totem in the film image : The researcher has discussed the film processing for these terms in the worldwide movie and the ways in dealing with these primitive thoughts and their effects on the film manufacture in general.Upon such discussions the researcher has had a group of indications that resemble the theoretical outlines summary to be demonstrated to the experts committee as would be illustrated in the third chapter. The researcher has ended the second chapter with the previous studies.At the end of the second chapter the researcher has mentioned the previous studies which did not include any similar one that are related to the research under discussion.The Third Chapter : ( Research Procedures ) A sample of two films has been analyzed : 1 - The Da Vinci Code (2006)2 - Avatar (2009)The fourth chapter : Analyzing the sample : The researcher has analyzed the sample depending on the indications of the theoretical framework after consulting the experts and judges committeeThe fifth chapter : Results and Conclusions : This chapter included the results that has been achieved by the researcher after analyzing the research sample.Among conclusions which has been achieved is that the film art has the capability to express many different subjects of thoughts , believes and physicals. The taboo, divine and totem represent especial subjects that impose the search for rhetorical ways on film. This is to enriched the image with signs , codes and symbols. The film’s position could be included with specialty of subject being processed so that it becomes an active character involves with other characters to communicate the information and the thoughts produced.The researcher has achieved some conclusions and ended the research with recommendations and suggestions.Finally , the researcher has included Arab and Foreign references that have been adopted in the research as well as annexes.

التطبيقات الجمالية والتداولية للخزف المعاصر في العمارة العراقية == The Aesthetic And Communicative Applications of Contemporary Ceramics In Iraqi Architecture

Author name: علية يونس ثجيل
Supervisor name: بلاسم محمد جسام
General topic: Fine Arts
Specific topic: Porcelain
Degree: Doctorate
University: University of Baghdad - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: The research sets to study the relation between Ceramics and Architecture.It concentrates on functioning Ceramic murals in Iraqi Contemporary Architecture, and the link between these murals and the internal and external spaces of the buildhings that make use of them.Ceramics has special artistic chara - cteristics that make it a significant entity and present it as an independent artistic genre. Because of the close symmetry of Ceramics with Architecture , many artworks have been produced that transfer Ceramics from beneficial and functional fields to the horizons of creativity and beauty and enable Ceramics to make aesthetic formative relation and produce transformations in the disciplines of shape and genres through the use of metaphor and symmetry Language among arts.This is resulted from the artists endurance to create aesthetic transformations in shape ,so categorizing has appeared between Plastic Art and Architecture since the thirties of the last century with the appearance of (Bauhaus) which seeks to integrate arts with each other and with other genres. The study deals with the functioning of Ceramic murals on inner and outer Architectural entities. The study has three chapters ,which involve covering the aim of it.The first chapter deals with the problem of the study and aims at finding out ,whether Ceramics has an effective presence in Iraqi Contemporary life ,and the extent of its applications on this level, and if there is a culter of reception and communication of this art.The chapter also includes the significance of the study, and the aim of it which tries to find out the communicative and aesthetic applications of Ceramics in Iraqi Contemporary Architecture Sections.It also states the Locative and periodical limits of the study. It presents the experimental definitions of important terms. The second chapter includes three sections ,the first one deals with the references of Iraqi Contemporary Ceramics.the effects of Mesoptamia civilization , Islamic Arts and world Art on Ceramic productions.The second section deals with "Ceramics " from Modernism till Contemporariness, and the periods that pass over the total plastic Arts and the changes that Modernism and PostModernism have made in form and content and the installation of shapes and the effect of that on world Ceramics generally , and Arabic & Iraqi Ceramics , specifically. While the third section deals with "Ceramics" in Iraqi Contemporary Architecture , initially from pioneering in Ceramics and the most well - known Ceramics with their stayles and artworks and the functioning of Ceramics in Iraqi contemporary Architecture sections, then the Ceramic murals with their applications on buildings walls and Public squares Regarding Architectural interior, the section deals with the works that made by one artist ,and various cooperative works of many artists.The Ceramic murals have varied in technique ,raw material ,genre , and them & concept. They all unified in the Ceramics inspiration from folklore , Mesopotamia civilization , Islamic Art and the effects of European Art on group of Ceramic murals. The third chapter includes the results and conclusions : I - Achieving architectural environment that has the ability to inspire from Mesopotamian heritage and functions it in murals aesthetically with the addition of modernism forms in Iraq Architecture. 2 - suggestion of functioning of Arabic letter which is considered as a type of refreshing memory towards lettering formation in Islamic arts which has its effect on Iraqi artistic taste on the level of communication.3 - Mesopotamion heritage with its shapes, abstract and symbols has its presence in ceramics shapes which parallel with the materials that Iraqi Architecture has used. As a result it has a kind of symmetry on the level if row materials and reproduction of them.

التنوع التصميمي في لوحات المشق الخطية == Diversity In Design Mashaq Handwriting Paintings

Author name: اشرف كامل عبد الامير
Supervisor name: عبد الرضا بهية داود
General topic: Fine Arts
Specific topic: Calligraphy and Decoration
Degree: Master
University: University of Baghdad - College Of Fine Arts - Arabic Calligraphy And Decoration Section
Language: Arabic
University location: Baghdad
First pages:
Abstract: استهدف البحث الى دراسة التنوع التصميمي في لوحات المشق الخطية، من خلال الدراسات الاستطلاعية التي قام بها الباحث، وجد وعلى حد علمه ان تلك الدراسة لم يتطرق اليها الباحثون من قبل، لهذا وجد الباحث مبررا منطقيا في دراسة لوحات المشق والتعرف على تنوعها تصميمي | Targeted to study the diversity of design in the Mashaq handwriting paintings , and through surveys carried out by the researcher, found and , to his knowledge that the study did not address the researchers before This researcher found in a study rationale plates rima and identify the diversity of design parameter. The study included four chapters, the first chapter includedthe research problem, in the following question : What diversity in design Mashaq handwriting paintings In order to reach solutions to this problem and to achieve the desired results, so research aims to identify the elements of artistic construction plates rima, andidentified by the researcher Balentajat completed in all of Iraq, Turkey, Egypt, and Saudi Arabia.The second chapter includes several axes, including a brief history of plates rima, and building them with technical, design and foundations, while the third chapterincluded the research community boards rima linear and which numbered (97)Chosen from the research (10) samples were deliberate, may follow the researcherdescriptive approach, using this instrument, which were represented form for analysis which is based on dialogue with several oversaw the validity of a group of professors who specialize in this area either Chapter IV represents to reach important results, as it appeared diversity in design plates AlamishqalkhtiahibflAdoption of plates rima processor design variety is based on the methods based on the lack of contention clips, text, or fragmentation of the word into two parts due t othe similarity of characters, or by symmetry and symmetry words of text, contributed treatment sections written word per category of color united in promoting the efficiency of literacy that draw paths lead appointed receiver to track the movement of the characters despite the variation trends, especially within the formations character motor, and the researcher recommended included plates Alamishq the curriculum for the students of the Faculty of Fine Arts, and educational institutions corresponding to them, because of their importance in the diversity of outcomes sin being kept pace with the movement of technical development, sealing the fourth quarter proposal fit to be a subsequentstudy includes oundations Alamchaq pairing between handwriting and paintings of letters nature.

الانسجام الصوتي في مؤلفات الاوركسترا السيمفونية العراقية == Harmony In Compositions of The Iraqi Symphony Orchestra

Author name: ميسم هرمز توما
Supervisor name: حسام يعقوب اسحق
General topic: Fine Arts
Specific topic: Musical Arts
Degree: Doctorate
University: University of Baghdad - College Of Fine Arts - Department Of Musical Arts
Language: Arabic
University location: Baghdad
First pages:
Abstract: انبثقت فكرة البحث عن مبرر وحاجة للبحث في مكونات الموسيقى المنهجية الكلاسيكية الطابع لمؤلفات الموسيقيون العراقيون, وبسبب الشمولية الواسعة لمثل هذا النوع من البحث, حدد الباحث فكرته بدراسة جانب مهم وعنصر اساسي من تلك المكونات مختارا عنصر الانسجام والذي فسره | The idea Find justification and the need to study the systematic nature of the components of classical music in the works of Iraqi musicians, And because of the wide comprehensiveness this kind of study, So select a researcher studying the idea along with important and essential element of those components chosen harmony element. This Harmony researcher explained it ,that only includes voice compatibility science in terms of vertical and horizontal harmonic, And overlap together in the construction of large musical compositions That always need to be the concept of the large orchestra or what we call the naming Symphony Orchestra for his performance in a clear and greatest level of creativity.And because the new subject of its kind within the Iraqi Academy of Music Studies, So there was a need to think about an appropriate procedures, Is interested in building a method or technique to analyze these compositions, according to what suits the composer of Iraq, and the amount of knowledge of his music, and his experience of self, On this basis, a researcher systems analysis tool serve the research topic depending on what he was able to get it from a global systems and standards, Has been very useful in the construction of his tool, Then the researcher to apply research tool, on the five samples of three Iraqis composers.Interested in the idea of research in the interpretation of the idea of using harmony in general in the musical compositions of the Symphony Orchestra, which has been associated largely with the musical Diatonic scales with observation the great diversity in the use of different chords. So appeared to build harmony in complex, because of the addition of personal taste more than the scientific bases in the building harmony.The researcher used the modern music software to identify the types of chords. Also, a researcher at the organization committed to his research, According to the system and the methodology of the study followed in the order of chapters musical thesis, the Faculty of Fine Arts - Baghdad
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