Share
تاويل التاريخ الاسلامي في الخطاب الدرامي التلفزيوني == Interpreting of Islamic History In The Speech of Tv
Author name:
علاء مشذوب عبود
Supervisor name:
علي صباح سلمان
General topic:
Fine Arts
Specific topic:
Cinematic Arts
Degree:
Doctorate
University:
University of Baghdad
Language:
Arabic
University location:
Baghdad
First pages:
18T885 - p.pdf
Abstract:
History is considered as one of the most important references of TV DRAMA, it provides it with raw material, though there is a gap between history as a daily reality and the language that records the history as events turning it into a proof of that the language is the guide of that proof , but we can find that history, through language, has been bore sometimes more than its energy through interpretation, if we know that history is been written by powerful persons, at the same time, it subjects to the passion of its writers.Since the history of human in general has faced many apostrophes which were either as in extinction as a result of enforced conversions the human was transporting through from a place to another, without mentioning of any importance to its history, or without having consciousness in a level motivates it keep or considering it, or it may due to turning into communities, some blossoms of civilization started to from as a part of culture surface, causing him exposing to a barbarian attack, making him suffering with his culture, leaving no trace of its first history, to be reformed, since he and history are a part of his true life were forming with no consciousness, till those little communities started to grow to convert into cities then empires.That’s why the research will concern through its study with the dividing of Islamic history into two sensitive areas, they are, some of prophet s stories mentioned through Holy Quran then turned into TV Drama through the ideology of the countries producing to and the Islamic History starting from the period of its communism in the Arabia Peninsula extending to the east and west of the world.Though the history of Arabs in the period of Pre Islam was rich in culture carrying formations and civilization with a great heritage, but it stills not a topic of the research, since it doesn’t carry though its aspects many differences when presenting it though TV dramas, even when turns into dramatic image, considering it as not a part of the Islamic history, as it concerns with history of Arabs pre Islam.Since history in general is considered as a basic pillar represents the whole past and future of human which is considered cut without, and also since it is considered as a source of spiritual and material human sources, many of concerned with dram in general and authors of TV drama in particular, have devoted themselves to reproduce Islamic history though TV dramatic shows. As in the shows of (Mohammed the Prophet of God (part 1 - part 2) Ibn Taimimah, Imam Ghalzali, Al - Tarmathi, Al - Tabri, Al - Dhaher Beers, Al - Layth Ibn Saad, Al - Waad Al - Haq, Imam Al - Doua,at, Imam Al - Fiqahaa, Abu Jaafar Al - Mansour, Abu Hanifa Al - Nouman, Abu Thar Al - Ghifari, Jamal Aldine Al - Afghani, Khaid Bin Al - Waleed, Rayat(B)Al - Haq, Seqoyt Al - Khilafe, Saqer Quraish, Saladine Al - Ayoubi, Asr Al - Aema, Qasr Bani Hisham, Mulook Al - Tawaef, Haroon Al - Rasheed, Al - Qaaqa Bin Amro Al - Timimi, Al - Jamaa)..ets.The main question the researgher is looking for, is how Islamic history has been interpreted which been determined by (Holy Quran Prophetic Hadith and the biography of caliphs and Households) followed to what been acted through only the TV drama, There was a history for persons, been done, this also applicable to bersons, some got their history falsified, some have interpreted, some considered him mistaken, others considered him right. If we know that the Quran is the first book that established the infrastructure of interpretation through its obvious text (He it is Who has sent down to you the Book : in it are verses basic or fundamental (of established meaning), they are the foundation of the Book : others are allegorical. But those in whose hearts is perversity follow the part thereof that is allegorical, seeking discord, and searching for its hidden meanings, but one knows its hidden meanings except Allah. And those who are firmly grounded in knowledge : " We believe in the Book, the whole of it is from our Lord : "and none will grasp the Message except men of understanding.Second point is that, the researcher is studying some of cinema language elements as thy form a part of TV drama speech with form and narration, not as technical elements, considering that TV drama speech of today is dealing with high importance and danger topics, which are some of biographies of Islamic characters were and still have a big effect in the Islamic history and they have attractions by many parties.The research includes an abstract and four chapters, the first chapter - methodological frame - dealt with fixing of the primary basis of the research represented with (problem of the research) as follows : What are the interpreting limits and levels of Islamic history in the speech of TV drama. The importance of the research is a new object useful for those who work and study Art and History, at the time when the goals of research were : to identify the levels of interpreting of Islamic history in the speech of TV drama, the limits of research is exclusive with the study of interpreting of Islamic history in the speech of TV drama as follows : the objective limit : interpreting of Islamic history in the speech of TV drama. Place limit : the show of (Omar) by (MBC) TV channel and time limit : the year of presenting (2011 - 2012).Second chapter has three researches, the first dealt with : history and its interpretation, where the researcher dealt with history interior and beginnings of its establishing till it moved from criticism into philosophy, history between texting and history, the turning over of critic speed and the levels of interpretation), the researcher tried throughout al branch researches to support the research in away presenting the research biography and how the interpretation of Islamic history sunk with oldness and aged with myth, legend and facts has been done.The second research titled (TV drama interpretation of Islamic history), the researcher tried his best to know how the interpretation of Islamic history in the speech of TV drama has been done, divided into branch researches in order to serve the research such as (historical and technical truth, sectarian ideology in the religious shows, history between dram and sacristy, TV drama interpretation of Islamic.The third research was under the titled (the limits of interpretation in TV drama speech), where the researcher based upon the fixation of interpretation as a scientific methodology non randomly in away presenting the parts of interpretation from (explanation to understanding, then interpretation reaching to an explanation) which in return dealt with articular and important researches including (explanation form movement to image, limits of explanation form image to speech), so the researcher will reach a group results : 1 - The interpretation of the serial drama television history , which relied on the historical scattered in the texts of the books is continued in fact to the discretion and interpretation of the text is written as a historian , and then from the collection of text screenplays , and directed the text as a maker of work , and all the processes of transformation and interpretation may weaken event real.2 - The interpretation of historical truth through art packaging and presenting the truth to the recipient and the final text is ready , did not abolish the historical background of the recipient , in the fact that the date on which cares Islamic religion is part of the history of the Arab Muslim.3 - resulted in the interpretation of multiple readings began understanding and explanation , and the explanation down to interpretation , and thus these vessels as a health phases out a careful reading and correct. Valakdam for serial production life , I think it has all the above stages.4 - Misdemeanor Alcinmatugraveh interpretation in the picture , towards the displacement of the elements of language Alcinmatugraveh , as misdemeanors by the elements of dramatic writing ( personal , time , place , the peak, the plot ) , as happened in the age of the series , with the progress of the thirty episodes , shortened Date Caliph Omar ibn al - Khattab long - old , who was limited to forty - five years , with all their changes and occurred from the events.5 - interpretation of the search for meaning lost or disappeared text , and is therefore at each read by the receiver has come out to read the new and different for that preceded the first reading , by producing a new text is in its terms of reference was based on the original text.6 - need to be the interpreter to read it , that does not come out in the interpreted boundaries of the original text, and only turned reading intothe impression , according to the whims of the recipient , and the process of producing text Alcinmatugrave only read historical Tekz maker working on the text of the historic original , cannot be the maker of the text diligence in front of the original text , such as the entry age of Islam after the sixth year of migration, or death at the hands of Abu Lu'lu'ah.7 - adopted the process of interpreting the text Alcinmatugrave elements Alcinmatugraveh language , form and style.8 - shows that the interpretation of a feature is not available on the length of the series or text Sinmatograve , what might they contain some footage and scenes from his two directly.9 - gaps receive text and space is provided for the recipient of a chance in the face of the text interpretation Alcinmatugrave final text subject to interpretation , and that mating between the treasury and poses in front of the historical facts of the art.10 - Reverse interpretation of events and the actions of the secondary characters , and that was the side lines for a positive course of events central to the sails of the text which serves as the bedrock which gives permanence to continue the events and the main characters.11 - different levels of interpretation at each recipient by his cultural background , and cognitive Aktnazh , preoccupied with what the text of the historic speech in dramatic television.12 - RPR Islamic historical text , boasts plenty of rhetorical texts , the request of the receiver , to be a simple scientific background that were not good , in order to understand what has been displayed in the image and its interpretation. This allowed for the recipient in the interpretation of some provisions.13 - indulged TV picture characterized by poetic dramas in addition to artistic truth , and this is what is missing in the mental image stemming from historical texts.The third chapter has specialized with procedures of research and descriptive methodology the researcher depended upon as the more appropriate analytical methodology , then to be used for the scene as a tool of research and analysis of sample.The fourth chapter including analysis of the sample, The fifth chapter has included final results and conclusions with the proposals and recommendations
