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صورة الاخر في الرسم الغربي والعربي المعاصر == Other Image In The Painting Western And Contemporary Arab
Author name:
مازن هادي لطيف
Supervisor name:
حيدر عبد الامير رشيد الخزعلي
General topic:
Fine Arts
Specific topic:
Plastic Arts
Degree:
Doctorate
University:
University of Babylon - College Of Fine Arts - Fine Arts Department
Language:
Arabic
University location:
Babylon
First pages:
18T861 - p.pdf
Abstract:
يتضمن الاشكال المعرفي لصورة الاخر تشعبات معقدة, تضفي على الاستعمال الثقافي سلطة مهيمنة على طرفي الصراع ( شرق / غرب) لتكون الصورة ذاتا منقلبة على نفسها لتعيد انتاج اخرية الانا من موقع الخطاب والتاويل تحت طائل الجغرافية وترحيلها الى العلامة الثقافية التي تق | Forms of knowledge to the image of the other includes the ramifications are complex, to confer on the cultural use dominant on both sides of the conflict Authority (east / west) to be the image Mata overturned on itself to re - otherness Alana production of discourse site and interpretation under the geographical pointless and carried over into the cultural brand that offers us (Islam / Kafr ) With combines shifts moot models each culture reflect the mechanics of strength against the other and remove him in the contemporary world, so that could be another image available for use in the arts all, particularly in the drawing, which found attending actor in the consolidation of the stereotype of the Arab East in light of the historical and intellectual Tbdyatea and theses philosophers and thinkers west of the project, which allowed the other concept that reflected a phenomenon subject to examination and study in Art, where the research contained four chapters, the first chapter cared methodological framework for research represented research problem which is determined by asking the following : What are the other image in the western painting and contemporary Arab?With the aim of the research : Identify the other image in the western painting and contemporary Arab. The limits of the research, it has been limited to the study of the other image in the western painting and contemporary Arab for the period from 2003 to 2014.The second chapter has included the theoretical framework and previous studies, which included the theoretical framework of three Investigation, accept the first part, intellectual approaches to the concept of the other, was stopped at the views of the most important philosophers and thinkers of the three monotheistic religions and discussing the views of contemporary colonial projects.The second topic also addressed other Tmasat as other mechanisms that painted a picture (such as Orientalism and Occidentalism and colonialism, terrorism and the flesh trade and globalization of knowledge and religious belief) and ended the second quarter with the reflection of indicators of research and discussion.The third chapter has included actions concerning research and community - appointed and research methodology, and then the sample was analyzed (23) model.In the fourth quarter included the search results and conclusions as well as recommendations and suggestions, and the main results that have been reached : 1. provided us with the American artist Anita Kunz in the sample (2) the other image in light of Semiotics clothes that worked to show the identity of both the Christian and Islamic religion with a statement of image and contemporary dialectical movement of history and development of the conceptual relationship with each other every day and cultural details in line with the vision of women the impact of cultural reality each identity of the identities of the women, according to the Orientalist perspective as one of the structures, the conceptual foundation of the image of Arab women Almoshh Arab Balkhmar and statement image of Western women trendy image to serve as a platform to know each other and consolidate the stereotypical image of our God and Hinak, including give us a visual perceived cultural and civilized. 2. makes the mind western Aladhati image of human monstrosity in contemporary his being in the sample (2), where the highlights Chia rights as the last subject to the processes of self - destruction in the light of the dominance of Western military power and demonstrate technical strength, science and transform the human to machine consumer deadly working to right the Arab - Muslim the other Specifically, what is the project to sustain the reality of Western power and will. 3. intake artist Samuel Bak in the sample (3) international, social and cultural isolation experienced by the Jewish community as the only group that suffer from ocean disharmonious like symbolically expressed the fact that its existence as an entity is not desirable, since all the Arab neighboring countries it considers an enemy contributes to the destruction of the social and political structures in the Arab region, including marks self Tense image amid the frenzy of the Arab community against the other rapist of Palestine, leading to the other Cancel force, and contributes to the self - knowledge as opposed to know each other as in the diagram (16) based this on the structures of formal level Heavy blocks and lines and families of color gray.4. gave us the Spanish artist Lopez in the sample (4) the other image of the marginalized and is suffering from a loss of cultural identity under the manifestations of the image of globalization, which created a new system of contemporary life is dominated by the mechanism of overlap Alhoiati among vulnerable people suffering from the reality of economic bad, others urged to move to the West and integration identities and environments is consistent, so that became a distraction and Nomadic one of the most important elements of the crowded Western societies stranger and newcomer, especially North Africa and the countries near Europe Mediterranean coast, where he produced globalization global perspective economies are fragile and unstable robbed each other's identity and turned to the strange object and lost.One of the main conclusions were : 1. other image in the West are still stereotyped working on the embodiment of the Arab Islamic fatigues traditional and ancient culture, while highlighting the Western image according to the concept of power and tyranny, who scored through the contemporary history of the crisis and existential sharp working to highlight the status of aggression against the other on the practical application level in the light of the current challenges and rising conflict and changes taking place in the Arab region to implement Western agendas to ensure the dominance of the West in the Arab communities that suffer from the ongoing wars and bloody coups account and the deterioration of the economic and cultural reality, which is what we've seen in the recurring image of strength and colonialism variations. 2. other image is formed in accordance with the following directions : Self defeated A front of the other.B other strong unbeatable.C cultural self - identity that work on rooting image pride existence of a special identity does not erase the other, despite the dominance of technical, scientific and cultural rights in the contemporary world.D cultural Alahjna that formed the modern concept of otherness through Tbdiat attending globalized.His death and war in their capacity as two sides of the same coin, the other image is different forward intellectually, socially and culturally to the extent of genocide, exile and displacement and unload the place of his identity.And violation of human picture of the last of what is unwanted object.G continuing discourse of Orientalism and the consolidation of the stereotype of Arabs in the minds of Western man.But at the technical level the other has faced a crowd shape homogeneity essential for humans based on dialogue and tender, as he used the Arab artist mechanics western artwork for the formation of the same intellectual mechanisms and instrumental, technical and helped bridge the gap between the ego and the other across Tmasat knowledge and integration civilized human in the modern world, use Artist Arab Bank painting to express mastery toward the other and draw a self - portrait and knowledge of others in line with the nature of the relationship Almkhialah each, also used self - oriented techniques and haploid codified in his artwork.
