Share
التحقيب والمجايلة في رسم الفنانات العراقيات : دراسة في الاساليب والاتجاهات == Periodization And Generativity In The Paintings of Iraqi Female Artists : A Study In Styles & Trends
Author name:
انس كاظم ياسر ال شبر
Supervisor name:
محمد جلوب جبر الكناني
General topic:
Fine Arts
Specific topic:
Plastic Arts
Degree:
Doctorate
University:
University of Baghdad - College Of Fine Arts - Fine Arts Department
Language:
Arabic
University location:
Baghdad
First pages:
18T857 - p.pdf
Abstract:
The present study has traced back the Female Art according to its existence as a cultural construction that occupies a wide range of Iraqi plastic map through the art performance (painting).This has been achieved by generativity with Modern Iraqi Art. The Female Art has acquired features and characteristics and references allow it to have its own stylistic characteristics that are parallel with International styles and trends, in addition to the fertility of the environment and the stressful references that lead to establishing and growth of this art internally & externally.The study deals also with intellectual dispute about Woman, her rights, challenges, problems and her ability of giving and creativity as she constructs a very important part of life and Society. It also discusses different points of view of intellectual trends and their attitudes towards woman's issues and dealing with basic impressions of those trends such as Liberalism, Radicalism and Islamism, etc.The study shows also the female movements' role in society after adopting different values and concepts to treat woman issues and her suitable place in life. Because of interaction between Oriental and Western World, the female movements have developed to cope with the age changes after the total transformations in Capitalistic and political Systems that reach to the comprehensive change in all fields of life, which leads to concepts and thoughts liberation regarding woman. As a result there is an effective existence concerning equity with man.Because of all these changes, woman begins to enter fields of arts, especially, painting - This leads to presence of distinguished female artists who be in touch with modernism and post modernism thinking and techniques in regard to style and artistic performance of each one. So, this study focuses on studying the different phases for each female artist and the settlement of intellectual concepts.The study has four chapters. The first chapter deals with the study problem which dries to find out the effect of generativity ofmale art on female art besides the lack of ideological study of female art during different intellectual and technical periods that makes painting without significant features.The study aims at : 1. Finding out stressful references of Iraqi female painters.2. Finding out the styles and Trends of Iraqi female artists' painting.The limits of the study is between (1951 - 2014) through depending the artworks of Iraqi female painters, with the definition of terms.The second chapter has six sections. The first one deals with the explanation of concepts of periodization and generativity intellectually. while the second one deals with the meaning, significance and concept of female Culture.The third has concerned with auto parallelisms in female Culture and the emergence of it with the geographic classification and historical background of its features. The fourth section comprises an introduction to the Iraqi Contemporary female Iraqi art.The fifth section includes the References that establish the female art in Iraqi.The sixth one deals with styles and Trends of Iraqi Female Art.The third chapter has the procedures of the study concerning the population and analysis of samples and the adoption of analysis of samples and analytic descriptive method. The matrix of analysis has been adopted as the study tool.The fourth chapter deals with the conclusions and results of the study besides the recommendations. The researcher has concluded the following results.1. The variety of technique and performance as it is shown in samples (7 - 12 - 15 - 17).2. The differences of stressful references that effect on Iraqi female artists' products - This has been shown in all the study samples.3. The variety of artistic experiences for each female artist as it is shown in samples (12 - 13 - 15 - 16 - 17 - 18 - 19).4. The use of different methods to treat the formative construction of the art work that has been achieved on the visual surface as it shown in samples (1 - 3 - 5 - 7 - 12 - 14 - 16 - 17 - 18).5. Dealing with subjects concerning environment, society, fancy, dream and reality. All these subjects have been reflected on female artists' experiences as it is shown in samples (2 - 3 - 4 - 5 - 6 - 7 - 8 - 10 - 11 - 13 - 14 - 15).6. The artistic style helps in forming significant aesthetic composition for each female painter.The following conclusions have been drawn : 1. The environment and society have effective role in constructing themes for paintings.2. Each artist has different style and trend (such as surrealist, realistic, expressionistic, abstract expressionistic, etc.).3. Iraqi female painters have consolidated various subject inside art construction.4. Some painters have depended on post - modernism art in functioning their subjects.5. Refreshing useless things to take important role in the artworks of some painters.6. The experience of Iraqi artist has been enriched through the interaction with world in regard to new stylistic changes with the dealing with multi meanings and signs of visual text.
