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فاعلية الافراط في النظام التصميمي للمنتج الصناعي == Excessiveness Efficiency of Designing System For Industrial Product

اسم المؤلف: مرتضى حيدر عبود العبيدي
اسم المشرف: نوال محسن علي
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: بحثت الدراسة الموسومة بـ ( فاعلية الافراط في النظام التصميمي للمنتج الصناعي) في مشكلة عدم توفر اطار شامل يوضح مفهوم الافراط والجوانب المرتبطة به وامكانيات هذا المفهوم فيما يمكن ان يحدثه في بنية التصميم الصناعي اذا ما احسن استخدامه من قبل المصمم.ومن هذا | Tagged his research study (Excessiveness Efficiency of Designing System for Industrial Product) in the problem of the lack of a comprehensive framework illustrates the concept of excessive aspects associated with it and the possibilities of this concept can be wrought in industrial design structure if properly used by the designer.From this point the researcher found logical justification for the selection of the problem consideration and determined to answer the question the following : - 'What is excessive and its effectiveness in the system design of industrial products?The research aims to : - Identify excessive and effectiveness of the system in the industrial design of the product methodsThe importance of research to provide a clear picture of the concept of over - design the system and be a theory base can utilize them in practice to achieve the benefit of the individual and society.Find and Stmmelt limits studying industrial products characterized by excessive formalism, functional and technical aspects of furniture, equipment and tools for companies for the years (2014 to 2015)A search of four chapters included the first chapter of the research problem and its significance and purpose and its borders and determine the terms. The second chapter shall be from previous studies and theoretical framework and theoretical framework included three sections on the first section came under the concept of excessive at the same time ensure the second topic system and system design title while the third section displays mechanisms for achieving excessive industrial product. The third chapter included research procedures and methodology adopted researcher on the descriptive approach in the process of describing and analyzing the sample. Chapter IV has included the research and conclusions, recommendations and proposals results.The most important results : - 1. Check excessive formality in all the sample models and 100% through the use of the designer simple and obvious elements in the construction of the unit design in order to get to the simplicity of form design.2. Verify career excessive models (1.3, 4, 5.6) and by 83% due to the use of the designer of the concepts of (multi - enrichment and condensation career)3. shares that employ modern technology in achieving the over - technical models (3.4, 5) and by 50% the fact that these techniques have an active role in the performance and function design.One of the main conclusions are : - 1. Within the industrial designer in his designs over - design system format (formal, functional, and technical) to produce an industrial product is characterized by the beauty of the shape and the efficiency of job performance.2. Excessive career happened within the systems design in various formats including multifunctionality and job enrichment and job condensation, which as a whole has diversified performance and increased Mdyate focused than the number of jobs within the same segment without Atkhalkhal weakness in job performance.3. The technical innovations employed by the designer of industrial products increased within the ranges of functional performance thus achieving a high degree of satisfaction to the consumer through the technical possibilities and performance provided by the product.

القيم التربوية والفنية في عروض مهرجان مسرح الطفل في العراق

اسم المؤلف: مروة شاكر رضا الشيباني
اسم المشرف: حسين علي هارف
الموضوع العام: الفنون الجميلة
السنة: 2010
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: كرس البحث لدراسة العروض المسرحية المقدمة في مهرجان مسرح الطفل في العراق على الصعيدين التربوي والفني. وضم البحث اربعة فصول، تناول الفصل الاول مشكلة البحث التي تحددت بالسؤال الاتي : (ما القيم التربوية والفنية في عروض مهرجان مسرح الطفل في العراق ؟).تتلخص ا | This study devoted its interesting about the theater provided in the Children's Theatre Festival in Iraq for two levels of education and art. The research is composed of four chapters ,the first chapter dealt with the problem of research and identified the following query about : (What are the educational values and artistic offerings in Children's Theatre Festival in Iraq? ).Summed up the importance of the current search set of points ,namely : - - According to playwrights interested in the theater of the child and contribute to the success of their mission and their experience of drama and art in the writing of the text of a theatrical education educational.According to technical education teachers working in primary and middle schools in the artistic activity of the Directorate of Education. - According to the directors in the field of children's theater and theater of the child concerned circle cinema, theater and children's culture department of the Ministry of Culture. Accordingly, the current research aims to : - - Detection of the values of educational offerings in children's theater festival in Iraq. - Detection of artistic values in the festival offers children's theater in Iraq.The chapter also include within the research objective identified in the theatrical performances presented in the Children's Theatre Festival in Iraq, its sessions and the five spatially in Iraq Baghdad and the timetable for the period from 2003 2008 and contains that chapter on also determine the terms and defined.The second chapter devoted to the theoretical framework of research and previous studies in which, as it included four sections. the fourth examines the first educational values, and address the second topic artistic , values ,.while the third section dealt with children's theater, spoke of the fourth section on historical perspective in the experience of children's theater in Iraq , and concluded the chapter with the most important indicators that resulted in our conceptual framework and presentation of the previous studies and discussed. In the third chapter, the researcher identified the research methodology and procedures and identify the research community, which includes (35) a theatrical performance, the researcher chose a sample examined. Random manner to write the names of offers on scraps of paper each session separately, it reached the sample (5) performances in the form of discs (CD), and these presentations are : - 1 - a play (the bird and the fox) : Author Natiq Khulusi,directed by Abbas al - Khafaji.2 - play ( the world of the vitamins ) : Written and directed by Hussein Ali Harff. 3 - play (the reward of the Sultan) : Written and directed by Faleh Al - Abdullah.4 - play (Asia go to school) : Edited by Asad - Hilali and directed by Baker Nayef.5 - play (Sheikh and table) : Written and directed by Faleh A1 - Abdullah.To achieve the goals adopted by the researcher Search tools , namely : 1 - Tool educational values : that relied on classification ( White - Hiti ) the developer , which was introduced to a group of experts to identify the validity and measurement of the first goal, which.called for it, as well as measurement reliability was the use of equation (Holsti) to find a coefficient of agreement between the arbitrators (analysts)2 - Tool artistic values : the researcher has discussed building a tool that was b (i form content analysis of theatrical performances to the values of art) was introduced to a group of experts on the validity of exposure and a measure of the second objective, which called for him.In chapter IV of the results reached through the presentation of the researcher and the most important conclusions from them.1 - varied theatrical performances in the book focus on the educational values some of them focused on a particular group of them did not focus on the rest of the values.2 - characterized by the values of six years as the most important and focus of the theater, namely, (a fun ,aggression, food, generosity, intelligence' diligence and attention, and the unit group, employment, health and safety of the body, love of family, beauty, happiness, conduct' control. honesty, knowledge).3 - showed some of the theater twice in both sides of the lighting. sc as to not having the director in collaboration with lighting designer enough time for the processing of the exhibition ha1l to suit the theatrical work of them receive the hall a few hours of time to display in the festival, forcing the director depending on the illumination of concentrated and flood only in the theater. 4 - showed most of the theater twice in the make - up except the play (the world of vitamins), characterized by makeup personalities and the reason for this is due to the paucity of material and the absence of specialists in this area of the art technical especially in the plays of artistic activity for the Directorate of Education to participate in this festival According to concluded results done by the researcher o she isrecommend the following : 1 - Increase the awareness and governmental assistance for the child theatre and increase the financial customizations for the child produce in the directorate of cinema and theatre.2 - Prolonging by the art level for the children play introduced about the level of direction and writing as well theatre techniques 3 - Necessity for responsible to take care by the directorate of cinema and theatre by making the perfect archived for play show concern the child theatre carnival in Iraq via the Video or photograph development in color if found.4 - Checking the theatre show submitted to children before exhibitto check if it's valuable contents.5 - delegate specialist in the field of makeup outside Iraq to notify the latest techniques and developments in the makeup art and what modern product.6 - abandon the makeup materials in the art institutions to facilitate the makeup working and aid it in addition to take care by and on the library concern the makeup accessories.7 - arrange the exhibit show table for carnival by the form allowto each exhibit the adequate time to prepare the accessoriesand techniques like decoration, lighting, and effects ,... etc.For that the researcher suggest : 1. perform complete art. and educational study in the academictheatre shows.2. perform the educational and art study for the theatre dummyshow.3 - perform the analytical study for attractive elements in the theatre statement directed to children.4 - perform study about the relation between dialogue and personality in the theatre work directed to children.5 - perform the analytical study for the personality of hero in thechild theatre.This chapter include a list of references in Arabic and English ,finally the research finished by the abstract in English language

توظيف الايهام البصري كمعالجة تصميمية للمنتجات الصناعية الكبيرة الحجم == Investment of The Visual Deception As A Designing Treatment For The Large Size Industrial Products

اسم المؤلف: مصطفى عدنان علي الشمري
اسم المشرف: هدى محمود عمر
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: عنوان هذه الدراسة ( توظيف الايهام البصري كمعالجة تصميميه للمنتجات الصناعية الكبيرة الحجم ) اذ تجسدت المشكلة بالسؤال الاتي ماهية الاساليب التصميمية التي يعتمد عليها في تصميم المنتجات الصناعية لتحقيق الايهام البصري التي تعمل بوصفها معالجات تصميمية للمنتجات | Address of this study ( investment of the visual deception as a designing treatment for the large size industrial products) at which the problem shapes by the following questions : - what is the designing methods that we depend on in designing the industrial products to get the visual deception that works as designing treatment for the large size industrial products ?It's important came from here ( by condensing the light on methods and design directions that have a role in creating visual deception and increasing senses and consumer and designer )But the purpose is that ( quiddity of designing methods that have been depended on in designing industrial products to creating the visual deception ) We found that all the search have been determined by products made from LG company that present in Iraqi local markets at Baghdad city for ( 2014 ).The study formed from four lessons , came as bellow : - Lesson one contain the problem of the search and it's importance , purposes , borders and definition of it's terms.Either lesson two probably contain previous studies then the visual casement for the search and it's signs , and then the visual casement contain three subjects : - the first subject is the visual deception and it's relation with designing industrial products , the second subject is the designing methods and it's role in creating the visual deception, working as designing treatment for the large size products , the third subject is the designing mechanics and it's role in making the visual deception as designing treatment.As for the lesson three it's contain the adjectives of the search and it's systematicness ( the attributive method ) in addition to analysis of the research specimen.As for the lesson four it's contain the research results and it's conclusions , the most important results are the following : - 1 - achieve everyone who (elements and bases and relations ) designing different visual deceptions in designing the samples in very high relations.2 - achieve designing technique ( movement , translucency , delusive space, shorthand and condensation and distributing systems ) and the capacity of creating visual deceptions working as designing treatments for the large size industrial products.Truly the most important conclusions that have been get from the study is : - 1 - the elements and bases and designing relations have the capacity to create several various designing forms that work in it's role to create deception motive manners work as large size industrial products.2 - the samples distended by the designing technique multiplicity and appearance to achieve designing creative by means of newly creative adjustment result from different and solitary variety through the mix and structure and change in formal relations for having these differences and multiplicities of deception movements working on receptor deception by increasing and decreasing the industrial product

تقنيات تذهيــب الزخارف النباتية في المدرسة التركية

اسم المؤلف: مصطفى عبد القادر مشحن الفرحان
اسم المشرف: عبد المنعم خيري حسين العاني
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الخط والزخرفة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: انفردت الزخارف النباتية بخصائص جمالية امتازت عن سواها من المفردات الاخرى (الهندسية والحيوانية) , لانها حظيت باهتمام كبير من قبل الفنان المسلم اذ تم توظيفها في المجالات الفنية المختلف لا سيما في مجال الخامات الورقية (اللوحة الخطية) وتعد الزخارف النباتية ال

المعالجات التصميمية للعزل الحراري والمائي في تصميم المنتجات الصناعية == The Processors Designing For Thermal Insulation And Water In The Design of Industrial Products

اسم المؤلف: مصعب حسن عبد
اسم المشرف: شيماء عبد الجبار حميد العبيدي
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان هذا البحث الموسوم ( المعالجات التصميمية للعزل الحراري والمائي في تصميم المنتجات الصناعية)،يستند الى العديد من الدراسات التي تناولت موضوع العزل الحراري بشكل خاص والعزل المائي بشكل عام, بتقديم طروحات حول مفهوم يشمل المستوى الحضري والمعماري وصولا الى تصم | Focused many studies to topic thermal insulation a private and waterproofing generally provide Propositions around the concept includes urban level, and architectural reaching to the design of inner space, as well as the Propositions of insulation system in cooling and preheating, but he did not obtain adequate level of the importance, particularly system design isolate Designated industrial products and of computer devices. The counting concept of thermal insulation and water of the concepts and basic task in the current study. However, the contemporary studies have shown significant interest concepts and applied theory and in particular technological more than others, and therefore tries to current research that offers a new contribution to take advantage of those propositions, the adoption of the reciprocal influence of the bilateral relationship between regular thermal insulation and water through the levels of performance cooling systems suitable for parts heat - producing electronic computer as well as enhanced protection system provides electronic components, the risk of water, with the aim of producing a comprehensive concept for insulation in the design of computer and access to these totalitarian pillars of design Check the best of performance of the computer, and the was the highlight implicit in his first chapter.To achieve this objective and tackle the problem of research has been crystallizing theoretical framework included three topics, 1st has included multiple levels of concepts and techniques for thermal insulation and water, and a detailed review of the parts of electronic producing heat, as well as the most important cooling systems in place through the basics of scientific transmission of heat conduction pregnancy and radiation, as well as the relationship system waterproofing lanes multiple computers and of ports output and input electronic outlets and drag - and - subtraction antenna ports for keyboard, mouse and screen, while 2nd topic, the research in what role influential ecological through the concept of home and environmental Center for the user and the computer and the levels of thermal insulation and watering the inner space and its relation systems thermal insulation, water and ranges of the mutual influence of the components physical and code performance computer as well as outputs manufacturers & their impact on ecosystem of the product industrial, while , 3rd topic was a statement processors design of the system of formal and its relationship to composition of procedure of the system isolation through novelties technical as well as posts principles and Job design elements in the structure of industrial insulation producer.Then came the third quarter search procedures, which included the research community, consisting of computers produced by the Company (HP) U.S. in the years 2012 - 2013. The total number of units produced in this period (25) model, and the Department of researcher these models depending on the type of design into three sections (laptop, desktop computer, computer tablet), which represented 25% of the research community. Through analysis and description quo of the research sample, was adopted researcher indicators The outcome of sources and references relied upon, as well as field visits to agents computers, interviewing poll carried out by the researcher using the form interview with the owners of the expertise of engineers in the maintenance workshops computers to identify the main obstacles and failures electronic infect the computer due to the effect of heat and water., came fourth and final chapter presents the results and conclusions and design foundations, recommendations, proposals, and that the most important findings of the research are : 1.The adoption law basic or importance to the Rxan through the style (All - in - One) All - in - one, him Effects career for regimes thermal insulation and water in the design of the computer through the assembling ingredients annexed in the unit run Chairperson of B (the Fund).2.. The rise in computer restraints by (3 mm) is not agreed with the thermal insulation system and the represented obsolete air drag on the fan and the not to achieve the appropriate antenna Swaps of electronic parts for emitting heat.3. the low of performance associated the specification electronic parts self - cooling technology of the processor (Intel Atom) to achieve the slim design pattern in the computer and this is not consistent with cooling the processor (Intel Core i5).4. have lacked computers to the cooling system for the video card, which parallels the rate of heat emission in which at rates greenhouse gas emissions per unit processor central as well as non employ technology cooling unit RAM and hard drive and only mechanisms of cooling convection natural thus is reflected in the performance and life of the computer.5. satisfying technical alternatives the magnetic connectivity of the screen with a waterproofing system. Traditional techniques for connect mediated axial screws.6. The distribution of electronic ports visibly Exposed to anterior and side elevations are an easy paths for the passage of water in the computer.7. Lack of integration of the functionality of the waterproofing diaphragm add the silicon rubber under the keyboard, without Add a custom corridors to Log out the water and its survival at home,8. The touch technology with occasion of waterproofing system through hide keyboard ports.

مظاهر العنف في الفن التشكيلي المعاصر == Aspects of Violence In The Contemporary Plastic Art

اسم المؤلف: نشوان علي مهدي
اسم المشرف: علي شناوة وادي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون التشكيلية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The current research (Aspects of violence in the contemporary plastic art) described as events and behaviors dominate the whole joints of life in the western society, notably the afflictions of politics, wars , dangers of mass destruction weapon, dominance of the capitalism economy and market monopoly, the matter that reflects on the cultural and social life and stigmatized it with violence, so the plastic art was a major and vital joint reified the whole burdens and haunches of the contemporary western world including the violence, through stylish and technical treatments that resulted in a unique modification ever been familiar in the previous experiments.Therefore the problem of the research came with the query of reasons behind violence and its aspects through artistic treatments and how much did the violence aspects deal with the system of psychological, social and morale relations.We found through first chapter the target of the research that aimed to knowing the aspects of violence in the contemporary plastic art within the boundaries of contemporary art in Europe and USA in the period (1972 - 2012). Also terms were defined in this chapter.While the second chapter included the theoretical frame and previous studies , the theoretical frame included three sections, first one dealt with the violence and its approaches in the contemporary intellect , while in the second section showing the psychological and social appearances of violence. The third section showed the appearances of violence in the art. The frame was ended with indications , then showing two of previous studies related with the current study and discuss it.The third chapter dealt with the procedures of research represented by the society of the research whose population was (19)sample and the nature of constructing the tool in its primary and finally form and how to use the appropriate statistical means to show up the truth and stability of that tool and then analyzing the research's population.The fourth chapter included results of the research, conclusions, recommendations and suggestions.Results of the research : 1 - The human being is the most expressional space for appearance of violence and abuse of human in the contemporary art, one of the works who express violence by using real bodies. Or through the evidential expression by drawing or sculpture and by variant formal treatments.2 - Appearances of violence were unique in the contemporary plastic art, by depending technical treatments and materials included human and animal bloods , bodies of human and animals and real materials and stuff implemented in combination method, that opened new spaces for expression for violence that exceed capability of the classic portrait.3 - The pictures of violence and its appearances in the contemporary art were described with tendency to the formal treatments has instinct, primary and brutal opposite to the civilized cultural false life, and the afflictions of all that by tendency toward the defacing and breach the system and harmony.The conclusions : 1 - Beside the belief that violence is old and exist in every era , but appearances of the violence in the contemporary art is different in its applications and references with an extraordinary style that it was considered as a breach for the previous contexts and traditions with all kinds on the level of concepts , styles and techniques.2 - Directions of the contemporary arts reflected in its dealing with the subject of violence the social and economic side, by expression of conflicting the wars and the psychological and social effects so the acts were as a reaction against the evil in the world , invalidity of the wisdom of the civilization and express that with sadism motives.Finally the research ended with references, appendixes and an English

معطيات النظرية الجمالية وانعكاساتها في التصميم الطباعي == The Outlet of The Aesthetic Theory And Its Reflection In Printing Design

اسم المؤلف: ايمان طه ياسين
اسم المشرف: خليل ابراهيم حسن الواسطي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الطباعي
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Varied styles and trends in contemporary Iraqi art, especially in the era in which Iraqi pioneers artist activiated - the second generation, who immigrated to most European countries where the revolution started on The trends of resemldance Imitation manner conforming with the managed items through the window of the optical einronment. For the purposes of linked with the attemps of the advancement of the movement under the pretext of Fine contemporary intellectual and cultural cross - fertilization between East and West.Different reasons obligcet the Iraqi artists to immigrant - a generation after the pioneers “ as attempts to political ideologies in contemporary Iraq is keen to use the art and the artist to serve political purposes , which led to the search for climates outside of Iraq, allows the Iraqi immigrant artist freedom in artistic creativity, especially in visual field.Numerous environmental references affecting the outputs of aesthetic Iraqi contemporary creative drawing ;since it included the formal applicant of the real environment, and simulating him in a manner of conforming times, and growing in the act of perception formal down to abstraction, it also included the intuitive applicant to simulating ideas and passions and emotions... which are often active in the environment.The study Included (four chapters), the first chapter (methodological framework ), which represents the ( research problem ), which raised a number of questions as follow : 1. Is it correct to call the man who is acclimatized,and Interactive possitivly with the the new environmental climate (colony) recipe expatriate man ?2. Do you achieved in the environment variable , outputs in creative drawing ?3. Does the diversity in the environment affected on the plastic style?4. Is the variable in the environment Impact on of the identity of the Iraqi contemporary painting ?5. Does The Iraqi painter (immigrant)acclimate with the environment (immigrant), and come to terms with it in away which kept him out of local artistic identity and belonging to the original environment ? Is the outcomes Impact on the technical achievements ?6. Does the Iraqi painter (immigrant) carry the characteristics and attributes of the original and the identity of his environment with him to the colony? Is it left its impact on the creative process ?7. Do the body transfer from the original environment (Iraq) to the environment colony (Europe - America)activiared the idea of cultural exchange , and intellectual , and technical ; creativity in the field of plastic ?The first chapter includes olso the importance of research and obiectivec of research seeking to : 1. Detect representations reference in environmental colony on Iraqi artists.2. Detection mechanisms shift stylistic variation in the process of environmental reference.This chapter includes also the limits of the research according to the aspectds and speci fication of Iraqi artists in the immlgranet (Europe - America)and time limits between(2012 - 1971).In addition the definirion of the terms.The second chapter (theoretical framework), which included five sections follows : 1. Introduction to the Theory of Reference2. References institution for visual field3. The third topic : the environmental variable in the drawing of Iraq.4. Contemporary Iraqi drawing rooting and rooting experience.5. Artists of the colony - a study in styles and references. Has included all of those sections on a number of approaches.Chapter three includes the procedurs of the research which includes the analysis (22) model for the research sample , completed (11), a painter Iraqi immigrants , the purpose of the questionnaire growing shift characteristics and attributes painter contemporary Iraqi between his artistic experience in Iraq (before the diaspora) and experience (after the Diaspora) researcher has found the need to discuss one model represents the experience of the painter (in Iraq), and the model represents one experience with a painter (in the Diaspora).Colony of Chapter four includes : results, conclusions and proposals, suggestion and reco in wordations, and the list of references and the abstract in English.

مفهوم الذاتي في اعمال النحات الفطري منعم فرات : دراسة تحليلية == Features Experimentation In Theater Iraqi Academic

اسم المؤلف: حسنين صادق عايد علي
اسم المشرف: مرتضى عبود شهاب حداد
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: النحت
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: اصبح ( التجريب) اليوم مقياسا للنضج العقلي والتحررالفكري من كل اشكال التقيد، كما وسعى الى ترك الباب مفتوحا للابتكاروالاضافة، حتى اصبح مدخلا مهما في تطويروبناء العمل الفني.وجاء هذا البحث لدراسة ملامح (التجريب)، واهم الاضافات التجريبية التي تتضح عن ط | Experimentation became a milestone from tradition work into creative art, conceptual work, based on breaking Perceptions and familiar artist formula into new version, now a day, its consider as indicator to maturity and Intellectual freedom from all restriction & deadlock; it also sought to leave the door open to innovation and addition till its became important iterance to develop and sustain the artwork.This research is to study the sign of "Experimentation", The most important experimental add - ons that emerges through the completed creative artwork (Iraqiacademic'sdirector), and trying marking the most important additions to the pilot on which it runs, has been marking this research under the title (The Features of Experimentation in academic theater in Iraq), where taken researcher took the additions Experimental subject with the director of academic material to be examined, which came from the four chapters : 1. Chapter I (systematic framework) which includes : the research problem and the importance of the research, the need for it, the goals of the research, the temporal &spatial boundaries, determine the terms and defined procedurally.2. Chapter II - the theoretical framework : It consists of three sections are : • The first topic : - the concept of references and experimentation in the theater. this section divided into three paragraphs where the researcher presented the concept of experimentation and the most important definitions, then the emergence of factors experimentation in the theater and then on the characteristics of experimentation. • The second topic : - the movement of experimentation in contemporary" modern" world stage. This included the topic, followed by an introduction and first two paragraphs concerned the most important schools and currents of contemporary experimental and the second where the researcher talked about experimental filmmakers in contemporary theater.• The third topic : - the director of academic and experimentation in Iraq. Two paragraphs in this section came after the introduction, in first paragraph to talk about the Iraqi theater academic and experimentation, and in the second paragraph the researcher spoke about the academic director of the Iraqi and experimentation. Then the researcher put the most important indicators that came out of the theoretical framework, dividing into as follows : indicators of theatrical text, directing specific indicators, performance indicators, technologies indicators. The researcher also connected (previous studies) which arranged by date as shown : ? Dhiyaa Kareem Riziyakh, Experimentation and its impact on the Iraqi theater, 1989.? BahaaZuhairKadihom, Features performance analog in experimental theater in the College of Fine Arts Offers, 2012.? MudaferKadihomMuhamed, Techniques experimental theater and the development of performances, 2012.3. Chapter III - Actions - the research community : - the method of selecting samples : Adoption of the way (intentional) in the selection of specimens. Research Methodology : - The researcher adopt historical method in tracking the movement of relay experimentation in the theater through the three topics, descriptive approach adopted in the study and analysis of samples. Search Tools : - has included : (what resulted in the theoretical framework of indicators, including documents, books, magazines, periodicals, documents CDs, photographs, observation that adopted by the researcher as an important tool in tracking the features of experimentation and additions campaign theatrical approved samples to search ). Find samples : - Play : "Ali Al Wardi& his Opponent" directed by Akil MahdiPlay : "Shadows" directed by Haitham Abdul RazakPlay : "Romeo and Juliet in Baghdad," directed by MunathilDawood4. Chapter IV - Results and conclusions : - (results, conclusions, proposals, recommendations, list of sources and references, appendices, abstract in English).

اشتغال الخدعة البصرية ودلالاتها التربوية في مسرح الطفل == Operation of The Optical Trick And Educational Implications In Children'S Theater

اسم المؤلف: منار محمد جميل الربيعي
اسم المشرف: قاسم مؤنس عزيز
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The current research was devoted to the study of visual tricks and educational significance in the play made presentations to children's theater. Find comprised of four chapters, the first chapter dealt with the problem of search identified the following question - : - What connotations educational visual trick to children's theater?The second chapter devoted to the theoretical framework and previous studies it.Eat first section visual form components, the picture received by the eye and are affected by built on a visual form and its components in general, either in the theater are associated with this visual plug - in theater, which was divided in this section elements to (representative, decor, fashion, lighting, makeup) or meets and solidarity in order to create a unit subject, and become the greatest value from a mere presence as a valuable elements.In the second section dealt with the (educational privacy of children's theater) For those privacy that is unique to all others in the way of the delivery instructions and the information it contains what regales the child and feeds abilities and insatiable needs of knowledge as well as those values that build character in the long run, the children's theater being The most important breeding methods that utilize audio and visual means to address the minds of these age groups in which science and art methods enjoyable as well as religious and national principles and follow the example of good role model receives. This does not negate the audience indirectly composed of key stakeholders to take this theater messages and methods of handling and processing performance in a theatrical home and school.In the third section dealt with the functioning of the trick and the production of significance, as it was allocated when talk about the visual trick and types in general the production of significance has talked about the human element, which produces meanings as a means continue linguistic and visual through innovation signals and interpret the beneficiary of the most famous thinkers of this comprehensive science not They Fernand de Saussure and the American philosopher Charles Pierce logician who invented the three types of signals, a brand and brand iconography indicative and symbol.Then current research in the relevant section dealing with semantics in the theater that had a special character in the theater because it is derived from the fact it adds greater depth and a broader interpretation in order to convey the human values format aesthetic in theater.Also addressed the topic of educational implications and visual tricks and study the relationship between them through visual deception and receiving processes and the role of the imagination in expanding the ability to think.And the importance of visual trick in children's theater presentations reflected in the aesthetic offer in a fun and interesting addition to the educational implications embedded in the context of the design of those tricks that were in director Samir Dawood in his plays Offers. This is the aspirations of the researcher in the light of the descriptive analysis of the samples in the third quarter of the search and out of the results and conclusions in the fourth quarter.

التحولات الاسلوبية في بنية النص المسرحي العراقي المعاصر

اسم المؤلف: منتهى طارق حسين جبار المهناوي
اسم المشرف: عقيل مهدي يوسف
الموضوع العام: الفنون الجميلة
السنة: 2011
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: هناك تحولات واضحة جرت على مستوى الاسلوب واللغة التي انتجها العصر نتيجة حاجات وبواعث اجتماعية وسياسية واقتصادية...الخ. هذه التحولات جرت عبرة سلسلة متواصلة لقرون عدة وصولا الى القرن العشرين الذي احدث انقلابا كبيرا ضد الميتافيزيقيا وصولا الى الحداثة وما بعد | Hare is obvious changes happened on the levees of mode and language that the age produce motive… act. These changes occurred ty continuous series of hundred years access to the twentieth century which make a big revolution against metaphysic get to modernity and what comes after : these changes impact on literature and language which was locked up metaphysic, in view of the fact that language is the agent in embodiment and conduction the literary message and through it, it can be veach to solve the code which represented meaning and symantic levec. Its style tosad on surface meaning on text, so it must be diving in depth to produce style and woven fabril corresponding to what required by modern consciousness. So it must be taking an altions and difterent means in expressing and discovering the meaning of language which elevated power through compatibility of precent and atsent that was established to build advanced language Whig invade the mind of world by his thoughts and realities through several interpretations of a relative expression and interpretation via reading of unlocked text. From here the researcher has an examine glance to observe and chase ( stylistic transfer in framework of modern theater text) it contains four chapters to study that is : The first chapter companies the chief address (systematic frame) which contains a problem of research, targets and its borders, to get finish it by definition of trans fers term and procedure challenge. The it comes the second chapter which reveals to us five subjects, the first one is talking about the style and its historical changes after that it comes the second modifier to be integral and complementary to the first modifier in the address mode of modern text, then it comes the third research which explains, the mode of poetic text and the mode of prosaic text in the forth subject to be the final cheater in the fifth subject which comes with the address of stylistic changes and dramatic speech poetry. Then the research comes out with assigns to establish it her procedures within the third chapter which attributes by the address procedure frame which has analyzed fire samples are respectively : 1 - drama : opera snmar.2 - drama : the clock.3 - drama : the gate.4 - drama : the clown.5 - drama : sedra.6 - drama : republicanism of al jwahery Finally it comes the forth chapter which discover the most important thing by the researcher who discovers the consequences, deduction and recommendation… to complete hev series research by a source of lists which way established on it theoretical frome, to be the final summary of English language out come of research tour.

المعطيات الفكرية للفن الشعبي وانعكاساتها على التصميم الكرافيكي == Intellectual Outcomes of Pop Art And Their Reflection On Graphic Design

اسم المؤلف: مها مؤيد عبد الحسين الناصر
اسم المشرف: نصيف جاسم محمد عباس
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الطباعي
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

اليات التعبير للتابع البصري في تصميم الفضاءات المتضمنة == Manifestation Mechanics And Visual Succession In Inclusive Space Design

اسم المؤلف: ميس نصير عبد الرحمن
اسم المشرف: شيماء عبد الجبار حميد العبيدي
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الداخلي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان هذا البحث الموسوم : " اليات التعبير والتتابع البصري في تصميم فضاء متضمن " يهدف الى تحديد التوجهات التصميمية لاليات التعبير والتتابع البصري في تصميم الفضاءات المتضمنة التي تحقق النظم الجمالية والجوانب الادائية الوظيفية، تكمن اهمية البحث في محورين : ال | This thesis; titled “manifestation mechanics and visual succession in inclusive space design”, is aimed toward defining design trends for manifestation mechanics and visual succession used in inclusive space design; which insures implication of beauty systems and functional aspects of the space.This research importance revolves around two axes : 1 - Theoretical axis : emphasizes on the importance of interaction between man and interior space, through observation of main functional standards of the space deploying visual hints.2 - Practical axis : developing a knowledge base which will assist interior decorator in the process of understanding space comprehensive and sensual capabilities and deployments of visual hints to enhance the design process of inclusive space.In pursue of research targets achievement; the researcher has developed an analysis form; which covers the following : 1 - Functional and beauty manifestation mechanics, which in turn covers the following secondary aspects : (functional performance - beauty manifestation - space dimensioning blocks “floors, walls, ceilings, openings).2 - Inclusive space relations to surrounding space; which includes secondary aspects of (space design succession with neighboring space(s)), space internal successive design).3 - Visual succession suspense and stimulation, which includes : (basis and principles of “ strangeness, mystery, sophistication, variety, contradiction”, space definition plastic elements” lights, motion, colors, space supplements”). The researcher applied descriptive analysis approach, in analyzing three research samples of airports duty free markets; which were chosen carefully, to represent a wide sample range on international level; samples are duty free market for “Baghdad airport, Dubai airport, Ataturk airport”.To emphasize main of many products of the analysis process : 1 - Activation of space suspense, time illusion, motion and succession illusion, figurative attention of space interior, are all requirements to achieve beauty and functional design values; which are the tools to of visual succession activation.2 - Man tends to change his/her linear motional track often to zigzag, or curvature tracks depending on visible attractive points; this indicates the necessity in reconsidering space linearity, in a way which makes space design focus on applying attraction points proportionally to favorite motional tracks of shoppers; to direct man natural motional tracks toward designed attractive points.

الصورة البصرية وانعكاسها في تشكيل الوعي الجمالي لدى طلبة الجامعة == Optical Image And Its Reflection In The Formation of Aesthetic Awareness Among University Students

اسم المؤلف: میسون عبد الله عنبر اللامي
اسم المشرف: صالح احمد الفھداوي | رعد عبد الجبار
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: التربية الفنية
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Is the essence of the visual arts including produced from a new language acquired by the Optical Energy in humans arresting his mind and his imagination and the evolution of the matter to the interaction invisible between the image and awareness of the human picture is Forum Arts and the threshold at which we stand to proceed to the world having witnessed's several transformations affected significantly in the production of concepts New contributed to enrich all the cultural activities and human knowledge, values and aesthetic aided image became a high - level graphical force became dominance and sovereignty characteristic of our time and one of the most important tools of knowledge and cultural institution of human consciousness. The research consisted of four seasons The first chapter research problem and its significance, which summed up by asking the following : • Is there a relationship between attention and awareness of the aesthetic? • Is there a relationship between the visual image and awareness of the aesthetic?• To what extent reflected the impact of optical image formation aesthetic awareness?The aim of the current research was to : - Detect the reflection of the image - forming optical aesthetic awareness. Among university students To achieve this objective research, the researcher sees the need to know the relationship between the basic elements involved in the formation ofaesthetic awareness through a range of measures, namely : 1 - know the real level of attention among the students of the University of Baghdad, depending on the variables A - sex B - SpecializationTo achieve this researcher developed the following hypothesis : (Are there significant differences in the level of real attention to the university students depending on the variables of a - sex - Specialty) 2 - Know abstract level of attention among the students of the University of Baghdad, depending on the variables A - sex B - SpecializationTo achieve this researcher developed the following hypothesis : (Are there significant differences in the level of abstract attention of university students depending on the variables of a - sex - Specialty)3 - know the level of aesthetic awareness among the students of the University of Baghdad, depending on the variables A - sex B - Specialization To achieve this researcher developed the following hypothesis : (Are there significant differences in the level of aesthetic awareness among university students depending on the variables of a - sex - Specialty)4 - known correlation between attention and aesthetic awareness among university students of both typesA - realistic The limits of current research are : - Spatial boundaries : the University of Baghdad - science colleges and humanitarian / Studies morning - Border temporal : the academic year 2012 - 2013 - Human border : third grade students of scientific disciplines and humanities / morning - Objectivity border : ? awareness aesthetic as a preliminary mentality.? fixed optical imageAnd known researcher of the terms contained in the title search and the procedural side, and these terms are : optical image - aesthetic awareness - forming - reflection - attention The second chapter included a theoretical framework and included threesections : - The first topic : Optical Image The second topic : aesthetic awareness Section III : the mechanics of aesthetic awareness of the visual image And hired a researcher with a set of previous studies to benefit them in building the theoretical side and the current procedural Search The third chapter included a search procedures, which included the research community and the research sample chosen by the researcher randomly stratified, and research tools, which included building a measure of attention realistic and abstract and building scale of consciousness aesthetic through visual image and completed researcher validity of the instruments applied to sample reconnaissance and presented to a group of experts and conduct operations to be tools of statistical researcher ready for application on the main research sample's (356) students from the third grade studies morning and humanitarian and scientific disciplines at the University of Baghdad Researcher reached to a set of results of the most important - Baghdad University students enjoy a high level of attention to the quality of realistic and - Baghdad University students enjoy a high level of awareness of the aesthetic - Superiority of females over males in the level of attention and awareness of aesthetic - Outweigh humanitarian scientific specialization in the level of attention and awareness of aesthetic - The prevailing attention among the students of the University of Baghdad is a realistic attention - That the prevailing correlation is the real relationship between attention and aesthetic awareness The researcher then identified conclusions, according to its findings and exited researcher with a set of recommendations including : 1 - the need to prepare a program, giving students in the Department of Education's reading skills and employ optical educationally2 - should not be ignored formal challenges in the field of visual arts because they contribute effectively and active in attracting the attention of the recipient3 - The need to pay attention, including in respect of the messages being reflected on the receiver in the formation of consciousness positively or negatively.4 - The need knowledge of the rapid developments in production techniques and the growing role in the era of globalization, including variables contribute to satiate that serve the goals of human development5 - the need to add optical image aesthetics decision and read methods in undergraduate and taught with jurisdiction.6 - need to take into account the image society's values and customs because of their importance in the social, economic and educational.The proposals identified by the researcher was most important : 1 - to conduct a study aimed at building a training program for university students on reading skills and growing role in the era of globalization variables2 - a study aimed at building a scale to measure the aesthetic awareness through the visual image of a primary school child.3 - conduct a study that includes building a curriculum for aesthetic education based on fixed and mobile.

فاعلية البناء الافتراضي في التصميم الكرافيكي المعاصر == Virtual Construction Effectiveness In Contemporary Graphic Design

اسم المؤلف: نادية خليل اسماعيل العزاوي
اسم المشرف: سعدي عباس كاظم
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الطباعي
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تاتي العمليات الابداعية لتجسيد الوجه الجمالية والبنائية في التصميم المعاصر من خلال استقراء التصورات الذهنية للبناء الافتراضي بالدراسة والتحليل، وابراز قيمة وفق المفهوم الفلسفي للبنى والمتغيرات، بحسب مخيلة المصمم وامكاناته ليظهر مايحملة من افكار نحو فعل مؤ | Creative processes come to embody the aesthetic and structural face in contemporary design through extrapolation of perceptions of mental default building study and analysis, and to highlight the value in accordance with the concept of the philosophical structures and variables, according to the imagination of the designer and the capacities to show what one holds of ideas impressively did achieve presumably to show contemporary Graphic designs. The current problem has been identified by asking the following question : What Is the effective default of Graphic construction in contemporary design? In order to reach the desired results through the goal set by the researcher as : - 1. Disclosure of the effectiveness of the default construction in Graphic contemporary design.2. To highlight the design pillars , ideas and visions to show expressive, functional and aesthetic values of the contemporary Graphic design. For the purpose of access to the objectives of the current research was to identify key themes contained in Chapter II (theoretical framework) four Bembagesh (the concept of construction in design and concept of the default construction, determinants and objectives of the default construction, the default design and philosophy of the digital age, trends and con temporary & Graphic.),art movements And support including what was resulted about the theoretical framework of the basic indicators, identified the procedures of research in the third chapter following the descriptive method (content analysis) for the diverse research community and with (150) one hundred and fifty - designed default, the appointed elected dele bersrately with the help of experts to considerations envisaged by the researcher and the related subject matter whith (15) model for advertising (magazine (Marie Claire) and one page and two pages, and interface published Web sites on a global site (Deviant Art). The covers of magazine (Time)) for the year 2014,according to imperatives highlighted by the researcher and identified according to the pillars derived from the Theoretical frame and indicators, and relied upon in the selected sample analysis to show the results discussed in Chapter IV has been reached.The set of results including : - 1. effectiveness embodied the idea of the building to the default output suggestive creative thinking distant from the reality on the hypotheses according to comparisons, and the effectiveness of the creative thinking of the imaginary axis innovative and metaphor.2. Effective default construction components emerged through subsequent dimensional visualization for configurable output showing new and fanciful to imagine the result of the integration and re - installation of new builders.A group of the most important conclusions where added : 1. Default formal building associated according to the perception of(an objective basis) based on the assumption of mental interpretation according to interpretation and to impose on the for drafting language, and the assumption according to the representative analogy to like in the forms elements and characteristics.• The default design. shows the temporal assumption excitation with a view time assumption and call for the past and, present and call for the next a mentally presumption gives dimension to the future thinking. Then it caused a series of recommendations including : The necessity to emphasize the effectiveness of virtual relationships in the virtual construction of the use of Hypertext (Ultra) or multi media impressive to embody the impressive character of and to empress expression its content. And she put forward a set of proposals and the most the important of : A study of interactive philosophy, deliberative designed product in the construction of online advertising. The sources , references, and appendices ,were added to the study and Displayed summary in English.

فلسفة فن التصميم الطباعي في الفر المعاصر النظرية والتطبيق == Philosophy The Art of Graphic Design In The Contemporary Thought of Theory And Practice

اسم المؤلف: نبيل احمد فؤاد
اسم المشرف: حكمت رشيد فخري العزاوي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الطباعي
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The cultural level of any nation is measured by the prevalence of philosophising proper there, where indicates promoted Nations and its development on promoted thinking and philosophical evolution at their sons, while leading the deterioration of culture and dystrophy in any community to dissolution of philosophical thinking and rigidity where, from here stemmed the importance of the philosophy of being a the effectiveness of a purely intellectual trying to understand the world as a whole.What characterizes the philosophy of inclusiveness and stripping them of a humanitarian nature pushes the boundaries of nations and nationalities, and making it one of the most important means of understanding, cooperation and brotherhoodbetween ideological human beings on the earth. Therefore, the philosophy supports the self - consciousness of the human being and his understanding of the role of scientific discoveries in the overall development of human culture, and thenprovide a standard for appreciation and linking the separate episodes in one comprehensive theory. There is no doubt that the critical spirit characteristic of philosophy contribute liberation of the human mind from the power of tradition and transport and calls for the development of ideas and beliefs established under discussion and revision and modification, , Through those lines philosophical and stripping logic creative meanings of self - expression and nature, we can say that the design simply means approach the expression of certain ideas using visual aids, this process is more like a translation of the interior feelings with the person through the use of abstract shapes derived from nature within certain relationships such as Unity , balance, and rhythm. Design is emulates a vision or in other words "vision", Valmsamm is fully aware that the idea that wants to communicate to people through a particular design must be seen by the people, then design is to deal with the eye directly, and then made up a sense of aesthetics shapes insidedesign at receiver, where represents Chapter the first, which contained the research problem that came on as two questions, namely : - Is it possible to identify and study the philosophical theories and technical schools and experiences of the designers personal contemporary been affected by the art of graphic design as a concept and what are the ranges to take advantage ofthis philosophical theories and personal experiences in contemporary work of design typographical that appeared during the twentieth century in chronological order in a period of contemporary? - Does the sequence historical art graphic design, referring to deepen the philosophical and artistic vision through schools and concepts that have been affected by political considerations, social and environmental? As well as the statement of the importance of the concepts of contemporary thought effect active in the detection of environmental sources of inspiration, The set a goal to search according to the following : 1 - detection the schools of intellectual, artistic and monetary contemporary designs and their impact on print Through the study and analysis of advertising posters for movies.2 - axes identify theory and cognitive processes The their implications in Applied print designs.The boundaries of research have included the reduction objective study which defines the philosophy of the art of graphic design in contemporary thought theory and practice, and the study identifies Alhaddalmkane posters (movie poster) Qsidia selected from the United States, has been the adoption of the length of time from 1980 to 2000 _. As well as to determine the terms of the philosophy of art, contemporary thought, theory, application. And included the second chapter Anwanat including : Firstresearch About the History of Philosophy Abralkaron, the concept of philosophy at the school of contemporary thought, the concept of philosophy at the school of contemporary art, the concept of philosophy at schools cash in contemporary second topic : the axes of the design philosophy, in the third topic : the philosophy of the art of graphic design , in the fourth section : theory and practice, and then seal indicators theoretical framework, and included Chapter III : action research to identify the research method, the method of selecting the sample, the instrument sample analysis, and then allocated the subsequent pages to analyze and critique the models that included posters movies by (20) Sample , and then search out theresults, including : - The styles expressive and aesthetic design requirements also, as a counterpart to realize the inherent requirements of the three is the perceived value of the sensory and subject value formalism and Altobeiragayma connectivity. - Used the colors as symbols to indicate certain connotations and different, then we can say that the language of expressive colors and symbolic tag representing different feelings and aesthetic goals in humans according to the joy, wonder, fascination. - The latest conceptual art shifts in the quality of the concept of art which relies on technical skill, and aims to produce a beautiful thing, and in the concept of consumer artwork, and means of artistic expression, as well as the role of the artist.Then he went out research conclusions, including : - That all the foregoing philosophy are not facts ready nor knowledge acquired but is the idea of research free and permanent dialogue and the ongoing debate of ideas and opinions, theories and approaches, in order to availability on a clearerunderstanding and skill of the mentality of an enlightened and visionary educator, as the function of philosophy is to learn critical thinking in a different way. Then identified recommendations including : - The addition of the philosophy of art to the curriculum for the branches of the design department of the preliminary study of the effectiveness in the development of creative thinking. Then identified the subsequent pages of sources andsupplements, and display the summary in English

الدلالة الزمانية وابعادها التصميمية في المنتج الصناعي == Significance And Temporal Dimensions of Industrial Design In The Product

اسم المؤلف: مصطفى ابراهيم دحام السهيل
اسم المشرف: شيماء عبد الجبار حميد العبيدي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: هذا البحث الموسوم ) الدلالة الزمانية وابعادها التصميمية في المنتج الصناعي ( يتناول تاثير الزمان في تحديد اهم الابعاد في تصميم المنتجات الصناعية وانعكاس تلك الابعاد في تحديد شكل ووظيفة المنتج واهم المتغيرات والتطورات التي يحدثها الزمان والتي تقوم باحداث | This marked research (significant temporal and designing dimensions of the industrial product) deals with the impact of the time factor in determining the most important dimensions in designing of industrial products Its reflection on those dimensions in determining the shape and function of the product and the most important variables and developments caused by the factor of time which make a designing changes to the industrial products including the technical and technological aspects and what these changes may occur the consequent transformations in finding shape changes to the designing form of the functional prefromance ,the quality of the raw used in the industrial product.The research aims at determining the desining dimensions and the impact of time factor in Its composition which relates derectly in the process of industrial design that might lead to clarifying designing tracks taken by the designer in desingning process as the designing comes through a continueous and changed developing form due to chronological progress and what might this factor affects on linking and classifying things according to (past, present, future).The research sonsisted of four chapters, the first one dealt with the research problems,its importance and purposes,and idioms mentioned in, the second chapter focused on the the previous studies ,theoritical frame which included three introductions , the first one dealt with the temporal meaning and its intellectul dimensions , while the second introduction focused on the designing variables of the industrial product ,through time factor,as for the third introduction ,it dealt with the designing variables and its forming dimensions according to time factor and indications of the theoritical frame which formed the research mean by designing an analysis application which resulted definition of the aspects of an analysis form presented to a group of specialized experts.The third chapter included the research procedures of a society that have expanded capacity relying on (intentional) choice for samples of society of the study and the descriptive style in analyzing the sample by analyzing aspects form after presenting ot a group of experts ,which cosidered the most appropriate method to achieve the purposes of the study, the chapter addressed to descibe and analyze the specimens according to analysis form designed by researcher,while the seventh chapter has included the following results : 1 - Significance has achieved formal variable in the specimens of the body (6,3,2) with an average(50%) and turned in the specimen(2) that it was in than it was in the past which preceded in the specimen(1), the designing shape of the speciemen changed and has been enhanced, while in model (3), the design was directed towards the sculpured mass form, hence ,the design was deffered from its predecessors in the chrononlogical past eras,model (6) has achieved the formal variable as the design derected towards the formal shorthand and became more slim than before.2 - The variables effect of the functional performance was achieved significantly with average (33%) in the specimens (6,3), while achieved with (16%) in the specimen (2),and was achieved to some extent in specimen (5), not achieved in specimen (4,1).The most important conclusions in the research as follows : 1 - The transformation and change in the characteristics of design system adopted functional addition according to the technical development besides maintaining the essential system in some specimens a matter which led to waekness of the expressive power and the apparent conductivity of the system from the innersome design, in addition to the recommendations and proposals then references

البعد التعبيري لبورتريه الخزف الاوربي المعاصر == Dimension Expressionist Portrait of Contemporary European Ceramic

اسم المؤلف: مياده حسن مرهج الكعبي
اسم المشرف: نبراس احمد جاسم الربيعي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الخزف
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: دراسه قائمه على التنقيب عن المفاهيم والاصول في قيام العوامل التكوينيه والعليا والوظائفيه بهدف تاطير الانظمه التعبيريه للخزف الاوربي المعاصر. فالتعبيرية الى جانب بواعثها الفطرية لدى الفنانين بما تحمل من دلالات الابداع الشخصي, تنقلنا ايضا الى الحاضن الخارج | Based study exploration concepts and assets in the textural factors and upper and functionality in order to framing regulations expressive of European contemporary ceramicsExpressive motivation along with artists including fungal afford connotations of personal creativity, also Artist and heir to those influences, including in respect to the values of psychological and intellectual relations behavioral concerning its product material, has contributed to ceramic art through the ages the social function of culture was the source induce in its forms and manifestations in artistic expression and is complementary to the ideas in his creations based on various subjects as the theme of portraitureake uArtist and heir to those influences, including in respect to the values of psychological and intellectual relations behavioral concerning its product material, has contributed to ceramic art through the ages the social function of culture was the source induce in its forms and manifestations in artistic expression and is complementary to the ideas in his creations based on various subjects as the theme of portraitures outside the custodial culturally, and culturally.Artist and heir to those influences, including in respect to the values of psychological and intellectual relations behavioral concerning its product material, has contributed to ceramic art through the ages the social function of culture was the source induce in its forms and manifestations in artistic expression and is complementary to the ideas in his creations based on various subjects as the theme of portraitureNow that seen in the art of portraiture European porcelain contemporary offsets Azha and implications in the context of technical and stylistic and aesthetic implications revealed thought Alheiomana which still governs taste new milestones keep pace with progress.from here it seemed the emergence of diversity Graphic showing expressive portrait rights of the reality of cross - fertilization between the past and the goal thought Alheiomana and between the paths of renewal in the framework of modernity and onwards to praise the subject of portraiture new formulas dimension expressionist despite control of quantitative models of the products of different kinds, but the employers doctrine clastic had reached a dimension expressionist the legitimacy of the chaos emerged a clear relationsformalism the most profitable products in portraiture to find this topic rationale for the present study to decode meaning boarder behind diversity in crafting dimension expressionist for portrait porcelain European contemporary in light of the sensitivity of the artist and the expression and contain the aesthetic as well as read the shifts shapes depending on the subject matter of his face and the services of hand in a time of as the body of contemporary portraiture relationship dimensions syntheticAllow to be exploited for artistic expression through various technical treatments in addition to the presence of attributes and Graphic sculptural portraiture of contemporary ceramics from functional integration and aesthetic and associate with everyday life.ln light of the foregoing researcher assumed possession of European porcelain portrait of contemporary characteristics and dimensions of new creative expressive phenomenon influenced the art of modernity and its aftermath a lot of artistic and aesthetic concepts.and offers a researcher fragile study in four chapter included the first chapter the importance of research problem in dimension expressionist porcelain portraiture European comtemporary, have been identified in this chapter bending search time period 2014 - 2000this addition to identifying procedural came in this chapter for the most important termsbasic searchthe chapter has two within the theoretical framework, which included three sections pertalning to contemporary European ceramic portraiture.first research : expressive elements in the art of portraiture and supplements the body. section twante : first concept art of potraiture in formation section third topic of prtraiture contemporary ceramics. the fourth topic : methods of forming ceramic portraiture and techniques. As the third quarter came from search procedures for the busy professionalcontrolled by research community and appointed the fourth chapter select to discuss the results derived from the analysis of samples of research and including checks of this research and included from this study, which ended in a pri acy statement ceramic portraiture European contemporary in terms of its distinguished presance as the value of art and aesthetic affecting the various arts era and in accordance with the regulations , which relied on businessman and big goals in the history of art and ask him pictures of the body.

مرجعيات البناء التشكيلي للقطة في الفيلم السينمائي == References For The Formation Structure of The Shots In Cinema

اسم المؤلف: نصير حيدر لازم
اسم المشرف: رعد عبد الجبار ثامر الشاطي
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الفنون السينمائية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The Formation represents one of the concepts that came from the Plastic Art, which has been effectively Involved in the cinematic shot structure, adapting with the cinematic form that produces motion, although The Formation in the drawing art generally an important reference for film director in the study of the nature of the composition or to suggest movement or flexibility in the usage of colors, and this led to reproduce films for global paintings, from here the researcher put the title of the subject for his research (References for the Formation Structure of the Shots in Cinema).The first Chapter includes (Methodological framework), beginning the problem of research, which is formulated on this question (what qualities which were represented by the References for the Formation Structure of the Shots in Cinema?), And the importance of this research was in addressing important issue of linking the Film Art and Plastic Art, in addition to the benefit of students and scholars in this field of study. The aim of the research has focused on the revelation of representation of References for the Formation Structure of the Shots in Cinema.The research has three limits, the substantive limit addressed feature films that dealt with global Fine paintings as a reference in the construction of the film shots, temporal limit represented by the period between (2004 - 2014), and the spatial limit represented by Films that was produced globally.The second chapter (The theoretical framework and previous studies) in three sections : The First section : Cinema relativity with plastic art.(References for the Formation Structure of the Shots in Cinema) This section has dealt with the chronology of plastic art techniques that helped to develop the Film Art over the years, such as the dark room and Magic Lantern, in addition to the will of cinema to introduce motion to be unique and different from the plastic art, and the Performing relationship between film Art and plastic art and the most important approaches and differences between these two arts.The second section : Formation Structure elements of the Shots in Cinema.Turning topic to Formation Structure elements shared between the art of painting and film art, from the point, line, color, balance and rhythm... etc., have been clarified that the basis for the Formation Structure is not a formative element, but relationships do from this element and make it an interactive capabilities with the rest of the elements for the production of meaning and information, and how the director Employs his tools in ways that leads to a Formation Structure supporting the middle of formative elements and cinematic language elements.The third section : Formation references according to the diversity of performance theories.The Operation types Selected in this section engage in the relationship between cinema and drawing, and joint productions between these two arts, and also addressed to the references of formation art that have had a significant impact in film history, such as classical, surrealism and abstract… etc., in addition to reproduce paintings cinematically, especially those paintings that belong to the global well - known painters, and how they match Formative with the final cinematic image.Finally... the researcher at the end of the second chapter came with indicators that formed the theoretical framework recap, including : that the(References for the Formation Structure of the Shots in Cinema) configuration in the cinematic shots inspires its Formation Structure from the joint proposals between plastic art and film art, and also the motion represents the diversity structure between the painting formation and cinematic shot formation, in addition to Dealing consciously with the optical script as a basic structure between the film shot and formational painting. As for The previous studies the Researcher did not find any study that specializes in his subject (References for the Formation Structure of the Shots in Cinema), except for a few references here and there in a number of books, references and researches related to his subject (The Shots Formation) which the Researcher relied on in his research.Then, in the third chapter, the researcher developed (Research Operations), he used the descriptive method for the analysis of samples in this research and then chose the intentional samples for the purpose of conducting the analysis process through the fourth chapter (Samples of the Research) : 1. Film (The Passion of the Christ).2. Film (Goya's Ghosts).3. Film (The Mill and the Cross).Then the results and conclusions in Chapter five, which the researcher reached what he purports through this research, and the most important results of the researcher is revealed that the film art has the ability to achieve symmetry between the shot and its formational references with pinpoint accuracy, which leads to the production of intellectual and aesthetic level in film structure. Plastic Art theories represent a basic reference that completes Film Art theories in dealing with the raw material (facts).(References for the Formation Structure of the Shots in Cinema) The motion represents the diversity structure between the painting formation and cinematic shot formation. As well as the painting affects the cinematic shots by making them an indication unit with specific features without linking it in the image intellectual context that insures it's formational and dramatic interaction.The recommendations and proposals by the researcher, followed by a list of sources and references which the researcher adopted at his research process, and then the supplements and the Abstract in the English language.

نظم الخطاب في عروض المسرح العراقي على وفق الاتجاهات النقدية الحديثة نماذج مختارة == The Systems of The Iraqi Drama Shows Discourse According To The Modern Directions Critical

اسم المؤلف: حارث حمزة عبد الائمة الخفاجي
اسم المشرف: نصيف جاسم الدليمي
الموضوع العام: الفنون الجميلة
السنة: 2010
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تمثل العملية الابداعية فعلا تواصليا ناتجا عن العلاقة المتبادلة بين الوعي والوجود، على وفق صيغ وانساق تنتظم داخل فضاءات فكرية، تتجسد على نحو متحول في الاشكال المادية الممثلة للشكل الظاهري في الفن بحقوله المختلفة، التي يشكل الفن المسرحي احد تلك الحقول.وي | The creative process is represented communication active is ruselt from the mutual relationship between awareness and existence according to forms systems orginicing inside mental spaces represented on transform in material forms witch are represented in external shape to art in different in fields and the theatrical art is one of that fields.And the system of theatrical art is represented transforms active pivot or many levels wich is represented on realation ships and advices wich are spread between abstract humanity wich represnted in the text of the writer and what is carrying of elements and relationships wich are organize according to the given of text system, from one side ,and transform , in in side the external according to two levels the audiovisual from another side.And because of the processes of be organized the awareness to include the facts of theatrical field is come from to call for all humenty references and wich it cannot to out of tamely place facts and reflexes include the structural of creativness system theatrical - and its just like to called on it as abstract structural and atoms structural wich it called by those previous vocabularies from briefly of all to name for example : ( mentally, abstract, perfectly, sensitively, materially, externally, …. Ect ).The objectly equal wich is to spread the structural of theatrical system and finely, and charm reading , what this meaning in discourse, it is effect in the text, and criticism systems, in the theatrical art, included the place on the stag.The search it s contain in four chapters : The first chpter : the form a manner : 1. problem of research.2. aim of research.3. 4. Sami A. Al - hameed.5. fahdel khaleel.6. ssalah Al - qasab.7. Aakheel mahdee.After that, the researcher look in some criticism current : 1. structural.2. seismology.3. deference.

المعالجات الفنية والجمالية لمسرح الرؤى ومقارباتها في العرض المسرحي العراقي == Artistic And Aesthetic Treatments of The Theatre of Vision And Its Approaches In The Iraqi Stage Dramatic

اسم المؤلف: نور سعيد جبار الخزاعي
اسم المشرف: محمد حسين محمد حبيب | عباس محمد ابراهيم
الموضوع العام: الفنون الجميلة
السنة: 2015
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: انبثقت التجارب الاخراجية الحديثة التي تستند الى الجانب الانتقائي واللغة البصرية الابداعية المتميزة بدينامكيتها الحركية والصورية التي تعبر عن مبادئها الاساسية مقترنة باشتغال الصورة المسرحية ذات الطابع السيميائي والديالكتيكي على الاعراف والقوانين الفنية، وا | The modern trials of direction, which based on selection and creative visual language which is characterized by its motion and image dynamics and reflects its basic principles and associated with the acting of the semiotic , dialectic and revolutionary theatre image on all aesthetic, philosophical and artistic traditions and laws, were emerged to express the directional vision and find a new language that reflects the new era and its needs. The director's means don’t depend on a specific side , but through using creatively all art potentials, modern techniques and staying away from traditionalism and classicality which limit and weaken his expressive potentials. Therefore, there was the theatre of visions which canceled all traditions and laws of theatre and established a theatre depends upon the image that reflects what is in himself and his vision about art and society , generally. Moreover, the Iraqi director worked according to this trial and directive method, he was influenced by previous theatre trials which cleared the way to enter the experimental world to form the theatre image and use it to put the light on the problems in the Iraqi reality and find solutions. Thereupon, the researcher worked on putting the light on the most important theatres , that the Iraqi director was influenced by, the Iraqi director has worked on the system of the theatre image , so there was an approach between the theatre of visions and its functions and the Iraqi theatre and how it is influenced by these theatres from the directional side , artistically, aesthetically and creatively. This research lies in four chapters. The first chapter is the methodological framework of the study, it includes the problem of the research which is "What are the approaches of the theatre of visions in the Iraqi theatre show , artistically and aesthetically speaking? ". The importance of the research is reflected through putting the light on the theatre of visions, its references, how it works and its impact upon the Iraqi director, as a new study dealing with an important subject in the theatre show with a huge impact on the directional method. While the aim of the research is represented in " Identifying the artistic and aesthetic treatments of the theatre of visions and its approaches in the Iraqi theatre show". The research time is limited to the duration between (1985 - 2014) , while the place of the research is in Iraq. The objective limit is limited to " studying the subject of artistic and aesthetic treatments of theatre of visions and its approaches in the Iraqi theatre show within the specified duration of time" , and finally, this research is concluded by identifying terms cited in the title of the research. The second chapter is about the theoretical framework and indicators resulting from previous studies and theoretical framework. So, this chapter lies in three topics : - First topic : references of the theatre of visions Second topic : the beginnings of theatre of visions Third topic : Chaotic aesthetics in the theatre of visions This chapter is concluded with the previous studies and the most important indicators resulted from the theoretical framework. The third chapter includes procedural framework of the research , the research community contains (108) stage shows, within the limits of time and place. Also, it includes the research sample which contains (5) plays which are : " Circus clown's sorrows" , "Karook" , " Doubt" , " Horse of blood" and "Rebuke". These plays are deliberately selected, in a way that fits the research community and to achieve the aim of the research. Furthermore, it includes the research tool , where the researcher formed the tool in its preliminary version by extracting it from the indicators of the theoretical framework. After modification done by the experts committee and applying the operations on it, the final version of the tool was extracted. The researcher has followed the descriptive (analytical )approach, and this chapter is concluded by analyzing the sample. Finally, the fourth chapter is a presentation of the most significant results and conclusions such as : - • The degree of approach differs between the theatre of visions and Iraqi theatre shows due to different directors , their styles in directing , using the theatre techniques and their different ways to create ideas and find treatments. • Display the intermittent theatre images and the way of using them theatrically, occupy the most approaching side to the structure of displaying in the theatre of visions. So, the form of the image, its significance, its symbolism and aestheticism are the approaching side to the theatre of visions

الاضداد في النظم الشكلية للمنتج الصناعي وامكانيتها في استجابة المتلقي == Opposites Formal Systems For Industrial Product And Their Ability In The Response of The Receiver

اسم المؤلف: نور عباس حسين السعدي
اسم المشرف: شيماء عبد الجبار حميد العبيدي
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تشكل الاضداد بالنظم الشكلية في تصاميم المنتجات الصناعية التي تؤدي دورا اساسيا في شكلها ودورها في استجابة المتلقي. ولعدم قيام اي من الدارسين بدراسة موضوع الاضداد في النظم الشكلية ودوره في عملية الجذب والابهار للمتلقي قامت الباحث بطرح الدراسة الموسومة ب ( | Opposites constitute formal systems in industrial designs products that play a key role in its form and its role in the recipient's response. And the failure of any of the students studying the subject of opposites in the formal system and its role in the process of attraction and fascination for the recipient the researcher asking study tagged (opposites in the formal systems for industrial product and their ability in the recipient's response) through the four seasons, the first chapter dealt with the problem of the search centered What is the role of opposites in formal systems and their ability in the recipient's response, then the importance of research in a statement opposites systems formalism for industrial product came as one of the means in the recipient attract, and can benefit from them and put it as a way of moving Bsykologgio receiver to achieve the benefit of the individual and the community, has been the first quarter included the goal of research is to determine the effectiveness of opposites relations and their ability in response Almtgay.vdila eating it identify the terms that Tzmnha search.Chapter II has included previous studies and theoretical framework, the theoretical framework it contains three sections, dealing with the first part, the subject of the idea of spatial contrast broad faithful to the concept of antagonism and Mbdoaltdhad and philosophy of antagonism and theories contrast, while the second topic antagonistic relations and organizational bases (formal systems) for industrial product and explained the foundations of organizational relationships and their types and their relationship contradistinction, while the third section psychology of visual perception and responsive recipient and explaining the cognitive and understandable, and some theories of cognition and the excitement and response and aesthetic judgment.The third chapter included research procedures and methodology that has been through the selection of the research community and choose the descriptive approach in the case study.Chapter IV has included the search results, and most important of these The results : 1. aesthetic values achieved regulatory connotations and at different rates, where the sudden rhythmic patterns in the formal system and color models (1,2,4), while the rhythmic patterns came clades formalism of the model (2.3), either model (5) rhythmic patterns have been achieved in design through raw material (Mca).2. Tmzart formal systems for industrial body product through objective and subjective job performance achieved functional mechanism in the human body models (1,2,3,5), which have the effect of a clearly defined response in the recipient and to realize the function of the product through Almnzawmth formalism.The most important conclusions of the researcher are : 1. The recruitment of antagonism through sudden rhythmic patterns in the formal and tonal system in the industrial product design aesthetic values occur regulatory connotations which they can check the recipient's response.2. antagonism is a goal to create a sense of where the transfer of translational appointed receiver from one area to another investigator continuity, so that the contrast makes winning product design art is visually obvious and makes high - alone form different but interconnected.And the researcher then to set the foundations of the design was the most important : 1. You must sudden rhythmic systems for industrial product adoption in its system of formal and color that affect directly affect the response of the receiver.2. The use of contrast in the system size, shape and direction to enhance highlight the formal systems for industrial product and must be employed is not limited to color spaces equal and flat

فاعلية طريقة الاستكشاف في تنمية المهارات الفنية لدى تلامذة المرحلة الابتدائية في مادة الاشغال اليدوية == Effective Exploration Method In Substantive Skills Development To The Pupils of Primary School In The Subject of Handmade Works

اسم المؤلف: هالة محجن نعمان
اسم المشرف: احلام مجيد سلمان
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: نظرا لما تمتلكة طرائق التدريس من دور مهم في العملية التعليمية يرتكز عليه مختلف الاسس والاساليب والانشطة المختلفه التربوية منها والتعليمية، ولكون طرائق التدريس الحديثة لها اهمية بارزة في العملية التعليمية فان طريقة الاستكشافية وفاعليتها في تنمية المهارات ا | Because of their methods of teaching an important role in the learning process. Based upon various grounds and different styles of educational activities , including learning. The fact that modern teaching method of Prominent importance in the learning process the way of exploration and of activeness in manual skills development, of various material especially material handicraft, and activation of different method to its full Potential and the power of the elements to get to high level of education between students and teachers. This is what the current organized (Effective exploration method in the development of skills for students in primary school ). The research consists of four chapters : - The first chapter : Find deals with problem of cross - crystalline question follow : - Q : How effective exploration method in the development of skills among primary school students?The objective search by : - 1 - Disclosure of the effectiveness of exploration development skills to pupils of primary school.2 - Measure the effective of exploration development skills to pupils of primary school for Hand work. The importance of higher research need to upgrade to high level using modern teaching method to active the educational process - and represented by the objective limits and then spatial and temporal boundaries border as well as identifying terms in the title and exit procedural definition.The second chapter : - It is including the cortical frame work which consisted of three research : - 1 - First section : - The skill and the importance 2 - second section : - included the hand work3 - third section : - included about the importance to teaching method relationship with skill sideThe third chapter : - Included research procedures and methodology adopted the experimental method has been selected sample of pupils of Al - Ashbal primary school fifth grade primary and extent of the use of meta , search teat and tribal tool.The fourth chapter : - Includes findings and conclusions that have been reached and was the most prominent1 - All hand work develop performance skills to students 2 - Conscience and artistic expression and associated operations creation and innovation development3 - Through it is to achieve social cohesion among themselves And then the recommendation and proposal, and list of sources and supplements came.

الاستجابة الجمالية ومتغيراتها في العملية الاتصالية للتصاميم الطباعية == Aesthetic Response And Variables In The Process of Communication

اسم المؤلف: هبة مزهر محجوب
اسم المشرف: ادوار الاشقر
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تشكل اهمية هذا البحث مؤشرا لمواكبة التطور للاستجابة الجمالية ومتغيراتها في العملية الاتصالية للتصمايم الطباعية، فالاستجابة الجمالية تعد ردود الفعل الايجابية التي يثيرها المثير عند المشاهد اثناء الحكم الجمالي او التجربة الجمالية والنفعية اما عند المتغيرات | The importance of this report considers an index to convoy the development of Aesthetic responsive and its changes in the communicative procees for theprinting design.on scientific foundation of effective with using the facilities available for new technologies wich is available in commercial advertising through the computer which through it the effective responsive achieved Conserning with the problem and through the researcher observationjob and her study for the Aesthetic responsive.ahe found that three was aproblem in dealing eith that subject from the searcher specially for the specil reality of the Aesthefic responsive and is changes and effeeing of the communicative rocess in printing design field and that to achieve receiving the actting letter with designs filld with beautiful vaiues to do the job and to get the responses from the listener and his interaction in this letterSearcch target Discovering the changes of the Aesthetic responsive in the communicative process for printing designs ,graphic designs.The search restricted in studing the Aesthetic responsive and is change in the communicative process for the modern commercial advertisement dealing with the beautiful and creer way and that what concerned withchabter one , but chapter tow covered the oretical frame work and it divided to three investigations ,the first study content concept of Aesthetic responsive and Aesthetic concept and the second study content communicative process and the factors which depends on the success of the communicative process, also the third study is commercial advertising and the target of it functions and types artistic side of the most important things in the announcement since it concern with graphic designers?s abilities in artistic and technical skills.Recommendation and propo sals ;1. That are ative and practical application in the commercial side of the announcement.2. confirmation that the work in the design of ommercial advertising deals with receiving advertising me ssage from the designer to the recriver.Suggestions ;1.Undertake astudy similar aesthetic response for the shope and color characteristics in commercial advertising. 2.Practical study to contrast vole of the image in advertisement and its effect on the recever.

برنامج تدريبي لبناء التكوين في رسوم طلبة المرحلة المتوسطة لمدينة بغداد == A Training Program of Composition Structure In Secondary Stage Students Drawing In Baghdad City

اسم المؤلف: هند عماد حميد البياتي
اسم المشرف: هاني محي الدين محمد النعيمي | رعد عزيز عبد الله
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تعد التربية الفنية من الدروس المهمة في حياة الطالب وخاصة في مرحلة المراهقة, المهمة في حياته , حيث تسعى الى صقل وتنمية قدراته فكريا واجتماعيا وفنيا, اذ تتيح له التعبير عن افكاره ومشاعره وانفعالاته حيث يصور العالم الخارجي بنظرته الذاتية او الذاتية الواقع | The art education regarded as one of the important lessons in learners life particularly in adolescence period. Because it a tempts to refine and enrich his abilities mentally , socially and artistically.In this way gives him the opportunity to express his thoughts , feeling and emotions through shaping the outside world with his own or realistic vision. The art of drawing considered one of the most important arts that have been used in the artistically expression which is the visual borrowing from environment. This is done by organizing the lines shapes and colors in specific palter of expression in order to be perfect by the Composition structure of the paint.From the observation, we notice that the learner flounders in his subjects and failure to produce his paint with it perfect shape and context. the reason lies, according to the researcher point of view , through her experience in the artistically supervision , the learners lacking the knowledge of the minor elements and founds of the artistically structure which is considered the basic pillar in any artistically perfect work.Depending on what is said above , the researcher has put the following aims : - 1 - Designing truing programmed for Composition the artistic structure in students drawings according to Gagne& Briggs (1988) theory. 2 - Measuring the effectiveness of the training programmed for the artistically structure elements and founds within the (cognitive - skill) dimensions. By applying it on a sample of secondary stage students. to achieve the second aim , four null hypothesis have determined to measure the cognitive and skill performance achievement level. The stay population is limited to second year boys student of the general sector of education in Baghdad city for the academic year (2011 - 2012), the total number is (27824) male student distributed on (50) school. The study sample is (40) male students which have been chosen randomly. Actually (2) classes from total (7) classes in AL - Garbia secondary school. The experimental group have been exposed to the requirements of training program designed according to Gagne& Briggs (1988) Theory which included (3) educational units.While the control group have taught by using the traditional methods. To option data , two tools are designed : - 1 - Cognitive - achievement test : to measure what in formation the students elements before and after applying the training programmed. 2 - Skill - achievement test : - To measure what drawings skill students have before and after applying the training programmed. Anevalution of skill performance list have been used. The presenter have used the suitable statistical tools such as : (mann_whitney) test to equalize the students in age, the cognitive achievement test (pre _ post)and skill performance (pre _ post). the discrimination power and difficulty of items. (Alpha_Cranach) formula to obtain reliability of the test , (Pearson _correlation) and (spearman brown).The most important results that the research have reached at is that the experimental group. exceeds in their performance of the cognitive - achievement test for article structure Composition and skill performance on the control group which shows the effectiveness of using the training programmed according to Gagne& Briggs (1988) Theory. The important recommendations are : - 1 - Adopting the designed training programmed in teaching elements and founds of artistically structure in secondary school because it is one of the important lessons.2 - Enabling teachers of art who are not specialized in art department to be supported by the content of the training programmed in teaching this lesson.The researcher has suggested the following : - 1 - Conducting a fellow up study for this study sample which have been exposed to this programmed anther studying stages to determine the effectiveness of this programmed in future.2 - Conducting a study for training programmed of Composition artistically structure in talented students drawings at Baghdad university.3 - Conducting a similar study on female students in the same stage and make a comparison between male and female students according to the results of the present study.

واقع اداء الة التشيللو عند المؤلفين الموسيقيين العراقيين وامكانية تطويره : دراسة وصفية تحليلية == The Performance Status of Cello Instrument At Iraqi Composers And The Possibility of Development Descriptive And Analytic Study

اسم المؤلف: وليد غازي فرمان
اسم المشرف: حسام يعقوب اسحق
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الفنون الموسيقية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: This Research consisted of five chapters with a list of sources andsupplements : First chapter addressed methodological framework of the research, exhibited research justification, whereas the researcher referred to the status and development of music in ancient communities in both theoretical and practical levels, and its transferring between east and west, whereas many musical issues transferred to Arab world like western musical composition rules and musical instruments, especially orchestral ones, that encouraged many Arab musician, specially Iraqis, to take concern about these instruments and learn how to use them in orchestral compositions, and how that’s led to emergence of some Arabic and Iraqi orchestral compositions. Then the researcher talked about orchestral instruments, which cello instrument considered one ofthem in violin family, and he clarified that orchestral composer must have full knowledge about the characteristic of this instrument, like acoustic range and its performing techniques, whereas the composer writes special symbols on the score refer to these techniques like dynamic, ornaments and articulations…etc. Then the researcher addressed Iraqi orchestral compositions, whereas he observed a weak utilization of Cello capabilities through little usage of performing symbols in the scores. He realized the importance of academic research, and for lack of previous researches dealt with the subject, after he showed his justifications, he issued his research as : (The performance status of Cello instrument at Iraqi composers and the possibility of development).Then the researcher exhibited the importance of his research as follow : 1 - Studying the amount and types of performance techniques used in Cello line in Iraqi orchestral compositions.2 - Showing the role of Cello instrument in Iraqi orchestral compositions.3 - Useful for students and to those who involved in music field, especially the composers.4 - Considered as an academic source in music field, especially about Cello instrument.5 - Considered the first methodological study about cell instrument in Iraq.The performance status of Cello instrument at Iraqi composers and the possibility of development Descriptive and Analytic study A Thesis submitted to the University of Baghdad council of the College of Fine arts In partial of fulfillment of requirements for the Master Degree in Musicology Then the researcher defined the aim of his research as follow : 1 - Exposing amount and types of performance techniques used in Cello line in Iraqi orchestral compositions. 2 - Exposing performing status of musical usage at Iraqi composers.3 - Setting suggestions for developing composing for Cello instrument.After that, the researcher explained the limits of his research and he defined the terms. Chapter tow consisted of the theoretical framework and previous studies. Theoretical framework consisted of an introduction and four subjects; the introduction addressed music importance in community and its relation with human life. First subject addressed string instruments and orchestral composition, where he defined the term, history of the orchestra, orchestral music instruments and grouping, and then he addressed the development of bowing string instruments and violin family over the time. Third subject was about cello instrument, addressing its importance, especially in orchestral composition, its making history and development, some acoustic characteristics, and the most prominent composers and performers in the west, and then he talked about cello transferring to Arab world and Iraq.Third subject addressed for performance notation techniques symbols and their history. Forth subject addressed definition of some performance techniques and specialty on Cello. Third chapter addressed research procedures, where the researcher identified the research approach he taken. Then he chose his research community, which consisted of all orchestral musical compositions, composed within the time limits, (above 2008),involving a cello line, which consisted of 24 orchestral compositions. Then he exhibited the community to experts to choose the suitable compositions, they chose seven compositions as sample according to special conditions. Then the researcher named his research tools and the analytical standard, and his researcher requirements.Fourth chapter addressed musical analysis of the selected samples. Chapter 5 set the results of the musical analysis, then the

برنامج تدريبي لتطوير مهارات الاخراج في المسرح المدرسي لدى مدرسي التربية الفنية == A Training Program To Develop The Skills of Directing In The Theater School'S Technical Education Teachers

اسم المؤلف: ياسمين عدنان بهجت
اسم المشرف: صباح عطية سويبج
الموضوع العام: الفنون الجميلة
السنة: 2012
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: لقد اكدت الدراسات والبحوث التربوية التي تناولت في اجرءاتها موضوع المسرح المدرسي واهميته في العملية التعليمية ضرورة تخصيص مساحة كبيرة له في برامج المؤسسة التعليمية، كونه يخلق حلقه وصل مهمة بينها وبين المجتمع، كما ان المراحل الدراسية الاولى هي التي تخلق جم | We have confirmed the studies and research addressed in procedures Multi school theater and its importance in the educational process should be allocated a large area has programs in the educational institution, he creates an important link between them and the community, and the grades first is to create public school theater and building artist theatrical authentic.So is theater school of media task that can be used in the development and activation capabilities scientific, educational and technical learners through the stages of pre - stage university, as is through the provision of knowledge in the form of art, helps refine educated and make them accept eagerly to accept scientific data that usually be dry sometimes if presented to them traditional methods in the educational process.We started (the researcher) in the process of incorporation to the problem discussed according to the survey conducted by the scientific studies and research that dealt with the subject of school theater. Moreover the study exploratory in the number of secondary schools of the Directorate of Rusafa second to determine the extent of knowledge of teachers of art education the basic principles of the output and its components, rules and mechanisms applied, I survey teachers of art education and administrative cadres and found their need for more practical experience in this area and courses training and development to drive and develop their skills in the field of directing in the theater school.Based on the foregoing and the researcher found an urgent need to study that will develop the skills of directing in the theater school's art education teachers and raise the technical proficiency.Aim of the current research is to achieve : - Develop directing skills in school theater's art education teachers, and to achieve this goal researcher identified the following two sub - goals : - 1. Building a training program to develop the skills of directing theatrical according to model kofmin / 1970.2. Measure the effectiveness of the training program through its application on a sample of teachers and teachers of art education at the secondary level for the academic year 2010 - 2011.To verify the targets laid researcher hypotheses zero.Ensure the research community of teachers and art education teachers who taught soil art at the secondary level for the academic year 2010 - 2011.To achieve the goals of current research, the researcher designed a training program be (5) modules according to a model kofmin /1970. and includes training content in the material directing theater for theater school, and to measure the effectiveness of the training program has been prepared two types of tests (cognitive - skiller) and measured mediated form calendar performance skills.To show search results based researcher Cookson test for one sample and Kjordichardson equation / 20 and the equation of discrimination and difficulty equation Holsta.The main results are : - 1. Outweigh the experimental group who trained on the content of the training program is designed according to the principles and foundations of instructional design itself in the achievement test cognitive dimensional, reason and clarity phases of the program, and you know teachers and teachers of art education targets training knowledge and skills for each stage of education, making it easier for them follow - up process steps, in chronological order.2. Outweigh the experimental group who trained on the content of the training program is designed according to the principles and foundations of instructional design itself in test performance skills dimensional skills directing for the theater school, and why it clear steps training through the presentation skills directing and models play was prepared in the training program in order to recognize them members Group the treated After creating or preparing complete ’s Necessary , and the use of tools, and implementation of performance correctly and building phases of training in a logical sequence, and not move from skill to skill other only in mastering the skill previous full and dividing the skills to its simplest form by behavioral objectives performing.The main recommendations are : - 1. Adoption of the training program, which try to train teachers and art education teachers on the skills of directing the school theater, to prove its worth and effectiveness in the Acquisition of information and perfecting their skills during the training session.2. Take advantage of training centers and development of the Ministry of Higher Education and Scientific Research and the Ministry of Education of the training program based on principles and the foundations of instructional design for training of personnel teaching in the disciplines of the arts for the theories and models design training and analysis skills and use them in other subjects varied.

التمثلات الجمالية والتعبيرية للسينما النقية في الفيلم المعاصر == Aesthetic And Expressive Representations of Pure Cinema In Contemporary Film

اسم المؤلف: خضير عبيس جياد القريشي
اسم المشرف: محمد عبد الجبار كاظم
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الفنون السينمائية
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان البحث الموسوم ( التمثلات الجمالية والتعبيرية للسينما النقية في الفيلم المعاصر) يتصدى لمفهوم السينما النقية كاتجاه طرح في عشرينيات القرن الماضي , وله سمات على المستوى الاشتغال الجمالي والتعبيري , وتعددت مصطلحات السينما النقية الى ( الخالصة , الصرفة, ) ف | The universe is in a constant motion, and the feature of the innovative life is the continuous change and development accompanies it. The philosophical theories has come with hypotheses based on the alteration or displacement of those before them, and giving these theories and validity in experiments on the practical application level. Cinematic art is one of these arts that derived its endurance from scientific development. The devices and equipment have enabled the artist to express and make his private worlds. Cinematic art closer to dream than reality. On the theorizing level, many theories that address the concept of the concept of film picture and the extent to which it reaches whether from the port of reality or through entering from the realistic port in the physical facts have been posed. Cinema has used this physical shortage and formed a tendency that allows the vision as the filmmaker sees. Within this theories, the trend of pure cinema which has seeded the pioneer cinema makers within the first seed. That has become a feature in many of the revolution on the traditional and classical and searching for new expressions towards aestheticism expressing the taken from the symbols, metonymy, and metaphors tools. Also, the search for ranges which the style reaches the pure style in the contemporary.This chapter includes four chapter; chapter one is the theoretical framework of the study which includes the problem. The problem includes the problem in the following questions (What are the manners which impersonate the aesthetic and expressive works of the pure cinema in the contemporary cinema?). The important of the study lies in shedding light on the concept of pure cinema and stating many of the recursions, and the effect which have given entrance to the world of the subconscious and dream to from. The need for such research should in the hands of many theories which researchers and reveal may of the theories that remained only in books. Also, the argument about pure cinema, its basis and rules and features, the limits of the study were open spatial limits because the cinematic innovation has no limits. The time limit is also not restricted as the pure cinema term was first posed in the 1920s and the work is still in pure technique. The purposed samples were chosen for more than one century for the purpose of study, therefore the choice was according to the objective of the study to investigation the features and characteristics of the pure cinema. The researcher has also tackled the concepts determinations which are mentioned in the study.Chapter Two is the theoretical framework in three inquiries : the first inquiry is the theoretical starting point of the pure cinema in the researcher traces the concept of the pure cinema since the moment of conception by the first pioneer theorists, specially the work of the cinematic director Germaine Dolac. We also find the term (the pure cinema) was the French Henri Shomit. Then, the study tackles the search for the roots of the pure cinema and the pioneer trend manifested in Dadaism, Surrealism and Expressionism. The reason leading to the emergence of the pure cinema. The pioneers of this cinema and their theories. The Inquiry was concluded with the theoretical points in the pure cinema. The second inquiry studies the manner of the how elements works in the pure cinema through looking in expressionism of the cinematography through like scenario, montage art which is characterize by special features in the pure style of cinema, Also, the elements that have given the pure style its expression function like fantasy, symbols, metaphor, metonym, dream and hinting. All of these have given a special feature for functioning characterizes the contemporary films. The researcher came up with foundations which characterize the pure style in cinema.The second inquiry tackles the aesthetic representation in the pure cinema in the contemporary films. It draws boundaries in which the pure style in the contemporary films works through marking out the aesthetic representation and its positions, and what the pure style has come up with to break patterns in the level of expression and the aesthetic representation of the foundations of the pure cinema of.the contemporary films. The researcher comes up with indicators of the theoretical framework and also tackles the previous studies. Chapter Three includes the procedures of the study in determining the descriptive - analytical methodology and the community. The researcher used analysis of scene and shot analysis unit. The tool of the study and the resulting indicators from the theoretical framework, and the subjection of these indicators to the opinions of the experts and arbitrator. After taking these opinions, the tools of the study has become : the pure cinema has taken a style between reality and dream. Dream has become life, and life is the film accomplishment. The samples of the study have chosen following films : Mirror, the film Tree of Life, the film Sesso e Fliosofia and the film The Sea Letters for reasons which the researcher mentions in detail.Chapter Four tackles an analysis of the samples of the study according to the tool of study. The study comes up with the findings as follows : the pure cinema style is the result which seeks the pure filmic expression. The motion photograph is the result of innovative of cinematography, taking from employment of the elements of the cinematography language in its fullest extent and the relations among them to achieve the pure style. The study also includes the recommendations and the suggestions and a list of the references and the abstract in English.

السمات النحتية في العمارة التفكيكية == Sculptural Features In Deconstructionist Architecture

اسم المؤلف: عقيل حسين جاسم حمزة
اسم المشرف: محمد علي علوان عباس القره غولي
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: النحت
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Affected by the nature of the fine arts in general, structures its neighboring affected seem like the product of logical, through contact with these arts influences thought compressor socially and religiously and scientifically and psychologically, and this is what makes sure functionally according to the relationship art evolution year which occurs in the human communities throughout history. I have contacted art, including sculpture composition data of the intellectual and aesthetic transformation that has occurred in the structure of the art in a different historical era from arts of ancient civilizations in Iraq, Egypt and Greece, through the art of the Middle Ages and the Renaissance, and ending, including the outcome of the modern arts and beyond.It was the emergence of currents modernist impact evident in the development of coordinated Achtgala a clear distinction between art painting, sculpture, and took the products of contemporary architecture, influenced by and influence, with the result of the achievements of artistic creativity, and it was for the development of the great in the field of technology have a positive impact of the relationship of sculpture, architecture, in terms of employment and similar and metaphor and embedding, and but relativism rise and fall, the vision of the architect or sculptor alike.Hence, the evolution of architecture in the period of modernism connects the idea of switching from level realistic to the level of abstract or symbolic, and it was for this, a role in showing the properties of architectural most relevant features art talk, specifically sculpture, and this similarity or overlap strengthened through the system aesthetics of modern art all related references poignant and mutant methods.The researcher found important to know the most important of these characteristics. So Me Find studying (sculptural attributes in deconstructionist architecture).This research included four chapters : Chapter One : ensure that the research problem and its importance and the need for objective research and its boundaries, and define the

التحولات التقنية واشتغالاتها في الانتاج الدلالي للعرض المسرحي العراقي == Technical Transformations And Its Work In Semantic Production In Theatrical Display In Iraq

اسم المؤلف: انعام معن ابراهيم
اسم المشرف: صلاح مهدي القصب
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الفنون المسرحية - تقنيات
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Technological techniques have become part of the daily living reality in all joints of social life, both of them, or those that are related to other concepts ,and is no longer a narrow area and inappropriate to make changes that fit the stage.the technological means became the active component in the structure of society and life as it cannot be dispensed with in every forum that artistic activity in the community has the greatest role in shaping and building process of the joints and other life.So it is no longer art in general and theater in particular is able to dispense with these technologies and employ them to suit the listed job to provide all that is fun and useful for its various components.Theatrical field became platform to employ those techniques, which added a lot of aesthetic, intellectual and emotional values, and that made him at the center between the arts.The theatrical art is that art speaking with language and culture of bearer and crossing all his needs and desires and on the light of it researcher felt to shed light on the important topic of those techniques illustrated through the problem posed for dealing to interpret it within the four chapter, which consisted of them the dissertation tagged (Technical Transformations and its Work inSemantic Production in Theatrical display) which dealt in First : the first chapter , which included a research problem, which were represented by a question posed by the researcher and that( are techniques of all kinds Is able across its transforming capacity and its frequencies to produce another meaning in the theatrical display), and then explained the goal of the research is to investigate the effect of moments shifts to those techniques in the production of another meaning for theatrical display.I also showed the importance of research is one of the modest efforts that serve all workers in the field of theater from technicians and technical workers.Then, the researcher determine the limits of this research, which represent between year 2010 and2014, because this period has witnessed many changes in the quality of the presentations that submitted because its area became a broad and open and was conclusion of this chapter with defining the terms contained in the title which is that of (Transformation ,Technique, - Works - Production)Secondly - the second chapter researcher divided into three sections the first with the title of - Technical production in theater, which included three topics in the first one I dealt with the use digital programs in theatrical display, highlighting on the latest technologies that can be used in these offers, such as technology ofdigital actor and the animation technique that is incorporated with the show and during the representation and technique of hyper Tkst and the text to dump into several texts all of it has its meaning and connotations then digital audio technology and finally technology moot, digital influencesThe second topic represents with using techniques of laser light in the theater because of its importance and great benefit in reducing costs and thus produce different meanings in their implications for the meaning to have produced for it.The third topic has been included on the importance of forming three - dimensional drawings or hologram.In the second topic the researcher dealt with the importance of hiring technical elements in building of theater Scenography, which was also divided into four themes dealt with in the first techniques of conventional lighting and their modern projections in the theater.In the second topic highlighted on the theater decor and space configurations.In the third topic researcher dealt with the subject of fashion and accessories, and its role in enriching the display scenography.The fourth topic and the latter has dealt with the music and sound effects and the construction of these offers in the third section researcher explained the importance or instant aesthetic shiftaccording to the relationship between the body and the technical elements that make up the display.This chapter has been terminated with previous studies that shed light on some of them, which focused on the subject of technology, but did not find it close to the subject of her research, which deals with the production of meanings and connotations to offer a statement and then some indicators reached ;Third Chapter, who called the search procedures, the researcher analyzed the five deliberate samples so as to employ techniques offer of theatre with its different images and produce to us more enriching the meanings of these offers and these samples are ;1 - ( Eight week daeis ) Directed by Rassil Kadhum2 - ( Ice ) Directed by Samim Hasseb Allah3 - ( Al - hussain now) Directed by Akeel Mahdi4 - ( Al - Maqam Allowasti ) Directed by Zuhair Kadhum5 - ( question mark) Directed by Qasim MunesEach one of these samples have advantages, especially in recruiting techniques theatrical display clearer and more enriching for the offer.The first sample, the director employed traditional lighting techniques and their modern projections in the theatrical display as making of light another element and an active, participant more than is traditional in his dealings with representative.The second sample was sought by the director to the combination between body technique and audio display technology, in a contemporary vision of despite of age temporal event.The third sample has hired technique of décor and formed by the events of the play and its events, and the fourth sample employed modern techniques with traditional ones in the formation of decorative theatrical presentation, which made clear idea of display from it.The final sample used the human body and instant transformations in the manner of handling with the techniques of Scenography from lighting, accessories and fashions etc. from audio and visual elements.The fourth and final chapter dealt with the researcher's findings with a discussion of each result and then the conclusions and recommendations and then the list of sources and references in Arabic and English, finally summary of research in English

فاعلية الخرائط الذهنية في تطوير بناء الفكرة التصميمية لتكوينات الخط العربي لدى طلبة قسم التربية الفنية == The Efficiency of Using Mental Schfmata In The Development of The Notion of Design Construction For Compone - Nts of Arabic Calligraphy of Co - Llege Students At Fine Arts Departmnt

اسم المؤلف: عطية وزه عبود الدليمي
اسم المشرف: عبد المنعم خيري حسين العاني
الموضوع العام: الفنون الجميلة
السنة: 2012
الموضوع الدقيق: التربية الفنية
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: لم تعد طرائق التدريس الاعتيادية قادرة على تادية دورها في توصيل المعارف الى الطلبة وتنمية تفكيرهم، وذلك للتطور المعرفي السريع نتيجة للتقدم التقني التكنولوجي الهائل في مناحي الحياة كافة، وان هذا التقدم والتطور استوجب الاهتمام بتطور عقلية الطلبة وتزويدهم ب | Traditional methods of teaching are no longer able to play its sufficient Role in conveying knowledge to the students and develop their thinking this is so because of the rapid development of knowledge as a suit of the huge technical and technological advancements in all walks of life - these advancements necessitate the development of students' minds by Providing them with mental skills to be capable of coping with all the Developments a round the world. Paying attention to education through using mental mapping has led to the emergence of teaching programs That suit such type of education and achieve its goals. among the most important types of mental mapping is that of schemata because building schemata is considered as a chance for exercising creativity and generating ideas that contribute to the improvement of building mental maps also considered as a chance for developing creative thinking. Therefore, the researcher, in his dissertation entitled the efficiency of mental mapping in development of the notion of design construction for the components of Arabic calligraphy of college student at fine art departments' decides to use mental schemata to contribute to the overcoming the obstacles of teaching Arabic calligraphy.The researcher, in his study , tries to use a modern technique through using mental schemata Tony Boson) to increase the achievement of students at the Department of Fine art Education , College of Basic Education , AL - Mustansiriayah University in Arabic Calligraphy. For this purpose , the research intends to prepare a guide to the teaching of AL - Kufi handwriting (teacher's guide). This guide has been exposed to a jury of experts to calculate its face validity. The study aims to : 1 - know how to use mental schemata in developing the notion of design construction for components of Arabic calligraphy and developing the creative thinking of students at the Department of Fine Art Education College of Basic Education. 2 - know the efficiency of mental schemata in teaching Arabic calligraphy On the achievement of the students at this department. To achieve the aims of the study , the researcher has posed five null - hypotheses to know the efficiency of the mental schemata on the achievement of the students in the pre and post test. The population of the study consists of 309 male and female students, Morning studies , at the Department of Fine Art Education in College of Basic Education \ AL - Mustansiriyah University studying for the academic year 2011 - 2012. Sixty - eight second - year divided into two section have been chosen to be a representative sample. Section no.1 with 34 students represents the experimental group and section no.2 with 34 students represents the control group. The researcher has used total control experimental design with two equivalent experimental and control groups because this experimental design meets the aims of the current study. The researcher has neutralized the variables of age and past experience. The experiment has been applied by using mental schemata (Tony Boson) to the experimental group. The control group has been taught according to the traditional method. To measure the achievement of the students in knowledge and skill of using Arabic calligraphy, the researcher has prepared an achievement test that consists of a written test items and another skill test. Face validity has been measured by exposing the two tests to a jury of experts. As for reliability , it has been calculated by using [Kuder - Richardson] formula. The value of the reliability has been (0.86) after the final administration of the two tests and the statistical treatment if the data using (t - test), the results have been as the following : 1 - There is a statistically significant difference at level of significance of (0.05) between the mean scores of achievement of the two groups in favor of the experimental group in the skill pretest. This shows the effect of using mental schemata on the achievement of the experimental group and develops their notion of design. 2 - There is no statistically significant difference at a level of significance [0.05] between the mean scores of the experimental male group which was taught by using mental schemata and that of the experimental female group which was taught by the same method in the skill posttest. This indicates that the use of mental schemata has effect on the development of the achievement level, help them to sharpen their memory and comprehension of Arabic calligraphy for both male and female students. 3 - There is a statistically significant difference at a level of significance(0.05) between the mean scores of experimental and control groups in favor of the experimental group in the skill post - test. This means that the use of mental schemata has led to the growth and development in the notion of creative design of the experimental group. This is so because mental schemata has made student more apt to generate ample ideas. It enhances the accuracy and speed in creating ideas and comprehend the Arabic calligraphy by exercising mental practice in the production of the components of kufi handwriting. 4 - There is no statistically significant difference at a level of significance of (0.05) between the mean scores of the experimental groups in the pre and post test of both male and female students. This means that there is a great deal of development and growth in the building of the notion of design and creative thinking in the components of kufi Arabic calligraphy. This is confirmed by the similarity of the arithmetic mean of achievement for both male and female students. 5 - There is a statistically significant difference at a level of significance of (0.05) between the mean scores of the experimental group in the pre and post tests. This means that the use of mental schemata is effective in the development and building design ideas and creative thinking in the components of kufi Arabic calligraphy of the students at the Department of Fine Art Education , College of Basic Education. This is attributed to the efficiency of schemata that enhance student to achieve the ability to imagine because human brain uses scattered pictures(schemata) and emerges them together in new unfamiliar frames to enable the imagination process to start its mental activities with experiences of past knowledge. The present study has come up with the following conclusions : *The performance of the experimental group has greatly improved as a result of using mental schemata. *There are growth and development in building the notion of design of Kufi calligraphy components. *Mental schemata make students' decisions more accurate in the production of design notions. *High efficiency and competency of mental schemata have resulted in improving the level of skill performance in the production of creative notions of design of the components of Arabic calligraphy. The researcher has recommended that teachers of calli - graphy should be encouraged to use mental schemata when teaching handwriting. He has also proposed some other recommendations at the end of this study. Suggestions for further Research has been also put forward.

اتجاهات النقد المسرحي الصحفي في العراق (1990 - 2008) == The Tendencies of Journalist Dramatic Criticism In Iraq - For The Period 1990 - 2008

اسم المؤلف: علي حلو داشر
اسم المشرف: يوسف رشيد جبر
الموضوع العام: الفنون الجميلة
السنة: 2008
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان النقد المسرحي الصحفي العراقي يمثل احد الانماط النقدية المسرحية العراقية ذات الحضور الواسع والفاعل ضمن حراك النقد المسرحي العراقي، وان هذا الحضور جاء نتيجة لتفاعله النشط مع العرض المسرحي العراقي على مستوى المهرجانات والعروض الفردية داخل المؤسسة الاكادي | The dramatic criticism in Iraq represents one of the dramatic criticism patterns that have crucial impact within the movement of criticism in Iraq. The importance of this thesis is entitled (The Tendencies of journalist Dramatic Criticism in Iraq - for the Period 1990 - 2008). The title bears questions and inquiries. The question is what are the tendencies of journalist dramatic criticism in Iraq for the period 1990 - 2000. The inquiry, on the other hand, is why we are investigating these trends, for this very periods which represent the last period in which journalist dramatic criticism was practiced in Iraq. To answer the question, the researcher shed his analytical efforts on the dramatic shows (plays) by Iraqi directors, and international and local plays attempting to know the trends of criticism and their aesthetic tendencies through analyzing these critical texts, employing the simple and compound cases in the known trends and their uses such as the method of content - analysis after determine the standards critical trends. The units were employed to analyze the sample to get closer to the scientific fact by numbers and statistics in an attempt to get away off the disguised relativity that is not accurate. To answer the inquiry, on the other hand, the researcher analyzes the results employing the descriptive procedure and the method of case study in order to know the scopes of this type of criticism, i.e. journal criticism. Thus, we detect point of strength and weakness through the evaluation of journal dramatic criticism. Thus, we will be able to rise up the aesthesis of society. The research is made of four chapters. The first chapter included the problem of the study, the need for it, objectives and the limits of the study. The second chapter is made of the theoretical framework that consist, in turn, of two inquiries; the first is about the concept of criticism and the second deals with the tendencies of dramatic criticism and aestheticism. The second chapter also contains the indicators and standards that the researcher has come up with such as sample analysis, and the analysis of the conclusions of the study and the discussion. The fourth chapter includes the conclusions, recommendations and suggestions. Then, the references and appendices. The researcher shed light of his analytical effort on what has been published in the Iraqi journals by Iraqi critics about the Iraqi critic shows for world and local texts trying at knowing the reading texts and employing them in the simple and composite critical trends made of the critical method of the content analysis and the use of percentage to derive every critical aspect alone within one critical article after specifying the criterion and indicators as an instrument which the researcher has come up with within the theoretical framework, which the research employed as his method of analytical instrument vis - à - vis the idea taken from the approach of content analysis as the unit of analysis to achieve the highest degree of closeness to the scientific reality by numbers and statistics in an attempt to get away from the illusionary percentage that sprout here and there and mostly, inaccurate.

برنامج تعليمي لتنشيط الذاكرة البصرية لطالبات قسم التربية الفنية / معهد اعداد المعلمات في مادة عناصر واسس التصميم == Educational Program For Activation Sighting Memory For Girl Students / Fine Arts Department - Institution of Preparing of Girl Teachers In Subject Elements And Basis of Design

اسم المؤلف: نورا عبد الله علي
اسم المشرف: ماجد نافع عبود الكناني
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: اصبح الوقوف على اليات تنشيط الذاكرة ضرورة من ضرورات هذا العصر الذي تتفجر فيه المعلومات يوما بعد يوم وتزداد اتساعا وتنوعا، اذ ترتبط الذاكرة بالتعلم ارتباطا وثيقا فالانسان يتذكر ما سبق ان تعلمه، اذ ان مشكلة صعوبة الاسترجاع وعدم الاحتفاظ بالمعلومات في الذاكر | The reliance on techniques of memory activation , it becomes necessary from necessaries of this age within it information flowing day after day and increasing of expansion and variety where as the memory connected by learning relevant connection. the human rembered what have learnt it in former. Problem of recovery difficult and not keep by information in memory which have become importance of researches in scientific fields. From here psychologists and education are think in styles and strategies' which used ( teacher or learner ) in classroom to activation of memory and encourage learner on employment it in order to help him on use of strategies of coding and storing of information in memory and recovery it.starting point from that the researcher find importance of foundation for problem of researcher which aims to achieve as following build educational program for activation visual memory for artistically education department in subject of elements and basis of design , measure activity of educational program by two dimensions cognitive and skillfulness through application it on sample students of fourth class artistically education department institution of program teachers and in order to confirmation from two aims of research have specified (( 4 )) zero hypothesis for measure level of obtainment and also to know on ability of program in activation of memory at students.country of research have specified by students for classes of fourth and fifth in departments artistically education institution of preparing teachers belonging to general directorates of Al - Russafa / Baghdad education ( 1 , 2 ) and Al - Karkh ( 1 , 2 ) where their total reach ( 191 ) students have selected sample from students of fourth class / institution of preparing teacherfs - Palstain street reach ( 20 ) students. the researcher depend on experimental design by two independence groups as being more fit for aims of present research , where as experiment group have submitted for experiment through their teaching according to requirements of educational program which have designed a cording theory of dual coding for rembereing which include ( 3 ) educational units , while controlling group have studied itself through use ways of normal teaching. in order to achieve from aims of research and reaching to results which have designed educational program for refresh of sighing memory according to vocabularies of material elements and basis of design restricted within methods of preparing teachers by specialization artisically education and for measure activity of educational program. the research carry out two kinds of tests , the first obtainment cognitive for activation sighting memory , the second skillfulness obtainment for measure skillfulness performance levels of students in carry out requirements of skillfulness test which performance within it level of their performance according to list of appreciate of skillfulness performance which have prepared for this purpose , educational program , tests , list of skillfulness performance appreciate on group of experts owner of specialists in fields of artistically education and artistically design and measuring and work in order to recognition on modulus truth then actualization from modulus of stability. the research depend on group of statically devices to show results of research such as test ( Mann - Whitney ) in order to actualization from results of two tests cognitive obtainment and skillfulness pre - and post and also formula of diffecult modulus and distinctive for items of cognitive test and formula ( Kyoder Richardson / 20 ) for fix obtainment test and formula of Holisity for fix skillfulness test and find modulus of agreements between observers. from most results which present research find out which may sum up it in superiority of experiment group performance in cognitive test for refreshing of sight memory and skillfulness performance on controlling group of what appear activity and utility of use of prepared educational program according to dual coding theory in teaching elements and basis of specified designed in fourth class - artistically education department in institute of preparing teachers comparison with by normal way.the researcher have advised by group of advises as following : - 1 - reliance educational program in present research in teaching subject of elements and basis of design and generalization on departments of artistically education in institution of preparing teachers and girl teachers because is being positive influence and activity , show it results of present research. 2 - importance of interesting of teachers subjects elements and design basis by cognitive aspect to teach design relations by connected , successive and series way in formation which concerning that basis by constructional form to it which ensure connect relation every teaching units by unit which follow or precede it.The researcher suggested that as following : - 1 - carry out match study from through preparing of educational program in other study subjects and measure its influence in obtainment.2 - preparing of educational program in subject of design through use educational computer and measure its influence in obtainment.

التقنيات الحديثة في سينوغرافيا العرض المسرحي == The Modern Technique In Scenography of Drama Show

اسم المؤلف: انعام معن ابراهيم
اسم المشرف: صلاح مهدي القصب
الموضوع العام: الفنون الجميلة
السنة: 2008
الموضوع الدقيق: الفنون المسرحية - تقنيات
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان المسرح كائن حي يتفاعل مع كل المتغيرات والمستجدات القائمة، فلم يكن يوما ولن يكون بعيدا عن هذه المبتكرات والتطورات الحديثة في عالم التكنولوجيا. فالعرض المسرحي تساهم في بنيته وسائط تقنية عديدة يتم توظيفها من قبل اختصاصيون في مختلف الانشطة العلمية ,كالم | The second chapter (theoretical frame) is divided it into five section , in the first, the researcher has explained the importance of technology and its reflections on dramatic culture through the concept of cultures dialogue which was elaborated by the French thinker ( Rojeh Garody) who embraced Islam. In the second section ,the researcher explain the work of that technology through composing dramatic speech. The third section is divided in to two directions; in the first she refers to the most important technical techniques that contributed to development of drama show structure ;identifying it by computer firs and then by internet, while in the second she talks about the most important computer techniques and how to employ it in designing the element of drama show. The fourth section touches the most important direction techniques of directors whom the researcher has divided into tow current, each has a different way when building the Scenography of drama show in the light of using those techniques. She closed the section with the most important techniques used by modern theatre which are body performance through gesture language, sound expression and dancing. She concludes this chapter with former studies and set of indexes resulted from theoretical frame; the most important of them is that the modern theatre is mixture of many cultures that is affected by those cultures, furthermore the director has dealt with the actor as a body having mythological and expressing abilities capable of producing a new language with the receiver. However, modern techniques don't neglect the human being role and his creation, but it increases the opportunities of innovation and renewal in modern theatre.The third chapter includes the research procedures throug the research society and samples represented by the following designs and drama shows : 1 - The play of "The Bedouin and the Orientalist" directed by Akeel Mehdi. Theatre is considered as a living thing that interacts with all standing and revived variables, it was ever and will never be far from these modern innovations and developments in the world of technology. Several technical means contribute to drama show, these means come from specialists in various scientific activies such as musicians, lighting designers, sound effects, optical tricks, as well as designers of fashion, building and shaping. Today theatre also depend on various expressing techniques represented by using the language and grace of the body to put through the meaning by shaping gesture movement, singing and dancing so that the receiver can interact with. So, technology in theatre is not a newborn, but it accompanied it since the Greek times till the present. Consequently, it appeared with a new language whose features have been employ in the artistic currents that emerged and spread definitely after the Second World War in Europe,USA and the Arab World. These current used technology as a technical means employed in various innovation processes to discover its abilities and its intellectual and aesthetic dimensions. Upon this basis ,the researcher has identified the research problem in the first chapter of her thesis designated " Modern techniques in Scenography of drama" , in the following question : How to employ modern techniques to build the Scenography of drama show?Then, the researcher has explained the importance of her research which is regarded as one of the scientific efforts looking for the importance of technical development and its inflection on drama show techniques in Scenography building, and she considered it as an important reference for students at Fine Arts Academy. Then ,she explain the objective of the research , its limits and finally defining the most important term that is the concept of technology and Scenography.

تقنيات الايهام البصري في تصاميم الاقمشة النسائية == Techniques of Visual Illusion In Design of Women'S Textiles

اسم المؤلف: ابتسام محسـن حسـون الخفاجــي
اسم المشرف: سامي ابراهيم حقي
الموضوع العام: الفنون الجميلة
السنة: 2010
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: انجزت دراسة (تقنيات الايهام البصري في تصاميم الاقمشة النسائية) الكثيرمن المفاهيم والافكار الجديدة فسحت المجال للتعدد في الاتجاهات التصميمية للاقمشة، كونها من التقنيات التصميمية المهمة بما يتميز به من قدرة على الايحاءات العديدة وهو ناتجا مستلما من عملية | The study of (Techniques of Visual Illusion in Design of Women's Textiles) demonstrated many novel concepts and ideas within the field of diversity in textiles design orientations, being a significant design technique characterized by an ability for suggestiveness as a final product of process of architecture of constructive relations. It reveals the techniques of Visual illusion in the design of women's textiles and establishes design leverages in women's textiles that depend on techniques of Visual illusion. The significance of the study stems from increased intellectual enlightenment by textiles designers and scholars as well as developing the knowledge of styles and orientations which contributed towards Visual illusion. The study was limited to design of women's textiles for dresses available in Baghdad's local market for the period 2006 - 2008. The study is in four chapters; Chapter One elaborates on the study problem, its significance, aims, limits and definition of terms. Chapter Two deals with the theoretical framework and former studies. It consists of three parts : The first part : Comprehension and Visual illusion in textiles design. The second part : The techniques of Visual illusion in the design process of women's textiles. The third part : The technique and its methods for design of women's textiles. This is followed by the former studies and their discussion thereof. The researcher achieved the most important pointers out of theoretical framework. These pointers were enhanced in Chapter Three. Chapter Three encompasses the study procedures, its methodology by adopting the descriptive approach for analysis of specimens out of the total (96) specimens of the study. A deliberate choice of the study was taken according to design objective levels consistent with the study aim. The study sample was randomly chosen at (25%) of (24) samples. A form was compiled for analysis axes by reliance on pointers out of Arab and foreign sources which were submitted to a panel of experts. The study specimen was analyzed through it. Chapter Four consisted of results of specimens of the study. The most important results obtained by the study were as follows : 1 - Most designs under research depended on the apparent in - form characteristics to achieve Visual illusion to generate diversified formative effects. These effects reflected on the motion, distribution and directions of the items. 2 - Color remedies were adapted to impart vitality aesthetic effect on textiles design by focus on color contrast as an actionable vision accomplishment to demonstrate the illusory space depth due to forward lead of fair colors and rear lag of dark colors. Besides, Chapter Four encompassed the following most important conclusions attained by the study : 1 - Basically, the techniques of Visual illusion were associated with the content of the design idea which was built upon many methodical technical data to be a modern tool whose idea was crystallized by virtue of many intellectual and materialistic concepts which rendered it into evident applicable fact. 2 - In spite of formative diversities in most designs, the design items relied on abstract form as a priority to present the true dimension of the design idea. This made other units of secondary importance overlap with it by limited non - determined motion in the design construction. Chapter Four included also the design leverages concluded by the study. The following are the most important : 1 - Need to widely invest and implement the techniques of Visual illusions in the design of women's textiles as modern design methods to achieve design formations via non - conventional, innovative new and organizational vision which is a product of variance and diversity of the formative items through mixture, placement and change in the formative relationships. 2 - Concern for choice of natural and synthetic fabric raw materials fit for the local environment. These materials have flexible, fine, endurable and moisture - absorbent specifications. On its basis are chosen the types of yarns, fabric construction and appropriate design.3 - Making use of the developments in the technical styles observed in the design of textiles to create non - conventional design assortments through overlapping between styles in order to achieve association between forms and embody them non - conventionally in a manner capable at enhancing Visual illusion. The purpose is aesthetic achievement to serve the functional aim. Chapter Four also included recommendations and suggestions.

الاطر الفكرية وانعكاساتها في تصميم المطبوعات الدينية

اسم المؤلف: صادق هاشم حسن الموسوي
اسم المشرف: نصيف جاسم محمد عباس
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Prevail in the world of intellectual and scientific variables... And overlap the treatises of this party, come research addresses the deliberative ideas as an important and necessary in the cultural communication and information update.. Hence it was dialogue of civilizations.. And individuals in the dialogue between them and the means of activating the intellectual and conceptual frameworks after he entered the concepts of globalization in all their in requirements attempt to impose a particular ideological line style.. But the cultures and traditions of theses communities attend to confirm the role that should not deviate or marginalizes its spiritual and physical level... Where is the means of communication, including print and one of the dozens of ways in which nations and peoples trying its institutions all through the dissemination of cultures, traditions and ideas and concepts..Being at hand and easy circulation and can be employed for the purposes of tourism, religious, economic and otherwise, generally, those nations and institutions are trying in various ways, the announcement of the frameworks related intellectual inheritance of civilization have, including religious shrines that frequented many parts of the world, which requires dissemination and promotion in support of after spiritual and material both whether, in Iraq this ancient country that stretches at home shrines are many varied and different religions and sects, the presence of printed religious for that shrines is an act communicative however, and worked the institutions of the thresholds of the holy given printed religious significance, as it is one of the media and promotion, , Because it appeals to the general public who attend religious shrines of different cultures and referents, and from this perspective the current research to examine and explore the link between spammersintellectual which is designed on the basis of publications issued by those shrines and between the artistic process and its implications, where his grandfather researcher subject should go into it, and distributed find classes as follows : The first chapter methodological framework of the research in terms of the research problem represented by asking the following : Are intellectual frameworks reflected on religious publications design? As the importance of research came in : ? The possibility of benefit from working in the field of Graphic Design in general and employed in the design of religious publications in particular.? The possibility of a briefing media organizations and advertising of the sacred thresholds, set a target Search in : ? The intellectual reflection spammers statement in the design of religious publications.? Provide practical proposals based on the outcome of the theoretical framework and indicators, and the search results, and then refer to the limits of research and determine the terms, as the second quarter included a theoretical framework, where it came from his interlocutor as follows : Also included the first section two addresses (such as conceptual frameworks, philosophy and thought, frame aesthetic, in the framework of art and design, intellectual framework - aesthetic when some civilizations, data intellectual thought and Islamic philosophy, frame artistic and intellectual philosophical Islamic "private"), as discussed topic the second to the (structure design, structure elements, elements Typography, foundations and structural systems), and interested third section in a statement (digital technologies and electronic publishing,producing and designing programs elements Typography, the communicative properties of print), , While the fourth section referred to the (design patterns prints, design publication, Graphic Design and Printing, the most important digital programs used in the design Jerafah), then followed by the indicators theoretical framework, and included the third quarter research methodology and procedures supported the descriptive method (method of content analysis)in order to reach results, and the research community, and the method of selection of models, and search tool which was to design a form identifying axes analysis based on what emerged from the axes and indicators theoretical framework, and opinions of a group of experts respondents who expressed an opinion scientifically built in, to other procedures reported in detail in separate proceedings, then the search in the analysis of the models chosen, came fourth chapter involving the results, discussed and that came from : Conceptual frameworks : 1. based methods of construction design which conceptual frameworks variety of dimensions, philosophical, and intellectual with theses global Islamic, and local variable rates and indicates this fact to the vulnerability results conceptual presented by the scientists and thinkers of the Islamic nation, and non - Islamic, and that proved the most of the ideas presented in the religious publications, namely the ideas of human dimensions related events experienced by the characters in question, as well as being connected to the religious and social situation associated with the ideological environment.2. Adoption of the style of presentation symbolic of the events promise to approach the representation formal, as in models (1, 2, 3, 4, 5, 6, 7, 8, 10, 11, 12, 13, 14, 15, 16, 17,18, 19, 20). And (95%). Thereligious symbols is one of the most important means showing historical events through the employ of being known and unknown when a lot of the audience, and generally the employment of religious symbols or environment - related religious forms is important in the embodiment of the structure of the idea, as well as the fact that the symbols represent a tool easy to bring ideas unhindered and difficulties.Elements Typography : 1. Recruitment effects digital available in computer software in order to achieve dimensions of aesthetic certain, as in the models (1, 2, 3, 4, 5, 6, 7, 8, 10, 11, 12, 13, 14, 15, 16, 17 , 18, 19, 20). And (95%). Commonly used these effects after he added an important set of filters and digital effects, and should be used by designer without distorting what makes writings without clarity and readability2. the emergence of clarity and readability in biblical patterns that have adopted away from digital processors that can come to the contrary where she appeared in all models. It is well known the importance of clarity and readability in hiring patterns written being talkie reader, and that the lack of interest by means cause problems in reading the text, which is not something he wishes designer and he has to pay attention to him.Structural foundations : 1. The adoption of symmetrical balance in the design of the versions with the absence of other balances, and appeared in all samples models. The adoption of symmetrical balance in this type of publications designer was caused by the use of a limited number of pictures of the shrines and domes and minarets of the design spacemakes space for syndication unbearable condensation or search for other balances.Regulations, and the relationship : 1. Recruitment open spaces will be the basis of which a picture has organized other formal elements as in the models (1, 2, 4, 5, 6, 7, 8, 10, 11, 13, 14, 15, 16). And (65%). A systems designer works on the printed employed in religious, and open spaces come to express fallow visual and openness structural system which is often linked to spiritual orientations for visitors.Communication characteristics : 2. Adoption of Direct to provide ideas. Appeared in all models. The use of the direct method in the presentation of the idea, makes it a high gloss deal with all recipients, and equally, and it needs this kind of stylistic designs of this direct relationship with a wide range and variety of people. Then ensued and the conclusions that came from : 3. The intellectual frameworks between the path in front of religious publications and designer working directory based on him in many of the propositions.4. Worked spammers and the arguments of religious thinkers and practitioners in religious affairs by direct reflex on the design structure of the print.5. The weakness that was apparent in the formal organization of the religious publication comes from the few know the designers of modern systems in Graphic Design, including the study of form and space relationships and employ photographs to the other.And continue with the outcome of the results and conclusions of the research researcher recommends including the following : 1. given conceptual frameworks that relate to Islamic history more attention and break the cycle of restriction, and to serve the - oriented ideological intermediary.2. the adoption of new methods in design and art direction and in accordance with up - to - date modern techniques.3. revolving develop specialized media and printing experts and designers led them informed and widely thought any ideological work will organize Publications printing and publications.4. Work on biological directorial sizes of prints and stay away from sizes that may occupy the continental and familiar.The researcher also suggested do following two studies : 1. employ images architectural design Islamic religious publications.2. dimensional aesthetic in the design of religious publications.He then read some of the works carried out by the Applied Researcher in which he singled out the second goal and a list of names of experts who showed Raya scientifically and technically, and he finished researcher finally conclude with a list of sources and supplements, Abstract and Title in English.

برنامج تعليمي لاكساب طلبة قسم التربية الفنية مهارات استخدام الالوان الزيتية == Teaching Program To Acquire The Students of Department of Artistic Education The Skills of Using Oil Colours

اسم المؤلف: محمد عبد الله غيدان
اسم المشرف: سلام جبار جياد السوداني
الموضوع العام: الفنون الجميلة
السنة: 2008
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تعد الاتجاهات الحديثة التي افرزتها الثورة العلمية والتكنولوجية والتي من مبادئها واسسها الاهتمام بهندسة البيئة التعليمية المخصصة لتعليم المتعلم الذي يعد محورا للعملية التعليمية وباساليب تخضع للتحليل والتركيب والتطبيق والتقويم,وما توظفه من معلومات ومفاهيم | The modern trends developed by the scientific and technological revolution which its principles and bases are concerned with teaching environment teaching technology devoted to teach the learner who is the pivot of the teaching process,by methods subjected to analysis, structuring, applying and rectification along with what they employ of scientific data, concepts and activities made according to programmed courses arranged in regulations and law invented by science of teaching design introduced in all fields of specialization.This prompted the teaching institutions with all stages to accompany the developments of this science through directing postgraduate students to search for modern scientific means contributing in developing the teaching process.This include using teaching programs, systems and models and trying to applying and experimenting them in different fields of art, specially in acquiring them the skills of using oil colours which are a basic subject in Department of Artistic Education in College of Fine Arts, specially in practical plastic arts, then employing them in their artistic oil painting.According to the abovementioned, this study aims to : 1.Designing a teaching program to acquire the students of Department of Artistic Education the skills of using oil colours.2.Measuring the efficacy of the teaching program through applying it on empirical sample of 3rd grade student of Department of Artistic Education for the academic year 2007/2008. In order to achieve the objective of the study, a zero hypothesis will be invented according to study procedures.To ascertain those objectives, the researcher invented tow zero hypotheses. The group of the study consists of 3rd grade student of Department of Artistic Education of College of Fine Arts. Their number is (40) male and female students. A random sample of (13) male and female students was chosen whom the researcher adopted to apply the experiment.Since the present study adopted the empirical methodology, a teaching program was designed through analysis the subject of oil colours re - froming it according to the model of (Ganne & Briggs,1988).To measure this program, two types of tests was designed : the first one was cognitive achieving to measure the data that the student acquire and the second is skillful which measured through rectification form of skillful performance prepared for this purpose, those tools were subjected to truth and consistency procedures.To manifest the results of the study concluded by the researcher, he used the following statistical means : (Willcoxn Test) to show the prior - posterior differences between the students of the empirical group, (Difficulty and Discrimination Coefficient) equation to analyze the paragraphs of the cognitive achieving test and (Holsti) equation to find the agreement between the two criteria also those noted in consistency on performance rectification form.In addition to using (Kauder Richardson / 20) equation for consistency of cognitive achieving test.Most significant result concluded by the researcher : 1. The adequacy of the designed teaching program for how to use oil colours through its capability to acquire the students the artistic skills and to assist them to prompt them to think and making mind imaginations to comply with oil colours requirements and acquiring their artistic skills. This, in turn, contributed to achieve the desired objectives which was obvious in experiment results when applying the prior - posteriorcognitive achieving test for the posterior test.2. The adequacy of the teaching program in acquiring the students the artistic which was obvious in experiment results when applying the prior posterior cognitive achieving test for the posterior test.The most significant recommendations by the researcher are : 1. Adopting the teaching program in teaching colour generally and oil colours specifically in the Department of Artistic Education and the scientific departments in the compatible colleges or in departments of plastic arts in institutes of fine arts. This proved an efficacy in training the students on acquiring cognitive and performance skills.2.The agreement between the results of the present study and the results of former scientific studies and researches which adopted designing and inventing teaching programs in their procedures necessitated to add an academic curriculum specialized in teaching design for undergraduate study, especially in Deparment of Artistic Education in order to introduce most recent scientific and technological developments and their role in developing the teaching process.

المعالجات الدرامية للشخصية التاريخية في النص المسرحي العراقي

اسم المؤلف: محمد مطشر عبد الكريم الغراوي الكحلاوي
اسم المشرف: عقيل مهدي يوسف
الموضوع العام: الفنون الجميلة
السنة: 2008
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تعد الشخصية التاريخية في معالجاتها الفنية المسرحية ركيزة من ركائز الدراما المسرحية، فهي العنصر ذو الاهمية، وهي الفعالة في النص المسرحي، لكونها صلة الوصل بين المؤلف والمتلقي، والمعبرة عن فكر الكاتب وما حصل عليه من معلومة موثوقة بعد تقصيه عنها، واستدراكا | The historical character, during its theatrical artistic treatment, is a main pillar of the theatrical drama pillars, it is the most important effective element, of the article, due to it is the connection between the author & the observer, expressed by ideology of the author, by what he has got of a certified &documented information trying to know, the importance of that historical character & the private characteristics of the historical period in which it lived in ,the approach to the historical character, from which the author chose as properties &characteristics discovering the properties ,characteristics of the given historical period & the depressive or liberal circumstances, formed that character, as a result besides its properties in the humanitarian dimensions, perhaps there is an self & influential effects of the historical character, upon the author. There are many historical events in the international history, composed the humanity, is a mean as groups or individuals, coming from the surrounding environmental circumstances, or the resulting individual & collective self agonies suffered, the author is almost obliged by the transfer of the historical events, through historical character, as if this character represents one component of the main resources, composed either the civic development or developed the civilization it self. The theatrical artist (the author) takes the transfer task of these events, even though hypothetically or actually, sometimes, only for the artistic theatrical enrichment, by the inspiration of the passing actual humanitarian history, during different passing eras, containing subjects, ideas and objects lead to the development of peoples vital experiments. It may be seen, from the passing essay, the importance composed from both the history & the characters contained in the past, still have its resonance inside the modern observer, this is the major motive, to look after the reality of the historical character, to be dealt with, theatrically in an artistic style , the research also shows, the author imaginative power, his ideas enrichment of the writing professionalism.Accordingly the research was divided into four chapters : 1) Chapter One : The Text Domain Contains the description of the research problem, importance, targets, limits & the definitions of the terms.2) Chapter two : Covers the theoretical frame, where it contains four research parts, as follows : A) Part one : The concept of public character The public character is treated by its general concept & the limitation of its dimensions (natural, social & psychological dimension) through the ideas &the different theories of the researchers. B)Part two : The concept of the historical character The historical character is treated through its common concept about, as if it is real, not mythic, or imaginary imagined by the author himself, characterized by real humanitarian characteristics lived in real historical period in the past. C) Part three : The concept of the dramatic character The drama is investigated because its importance to the theater, where originally the historical character is contained for the artistic treatment, as considering the character is an important element in the dramatic theatre. D) Part four : the dramatic treatment of the historical character characteristics in the an elective essays, the dramatic treatments of the characteristics was studied by theatrical author, according to the treatments mentioned in the theatrical text. To clarify the complicated image, it was tried to collected different opinions of different writers. The research was stopped, up to this point, on which it was treated as proof supporting the exisistng research, as a specific indicator of the Thesis.3) Chapter three Contains the procedures of the research. The research analyzed the historical plays documented in (1980 - 2005) ,then some specific specimens purposely chosen supporting the research, they are five theatrical essays. 4) Chapter four The results, conclusions, appendences, list of references & English summary.

التحولات الدراماتيكية في فن التشكيل من الرومانسية الى ما بعد الحداثة == Dramatic Transformations In Plastic Art From Romanticism To Postmodernity

اسم المؤلف: اياد ذياب حميد السامرائي
اسم المشرف: نجم عبد حيدر الجنديل
الموضوع العام: الفنون الجميلة
السنة: 2010
الموضوع الدقيق: الرسم
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يقوم موضوع هذه الدراسة على البحث عن التحولات الدراماتيكية في فن التشكيل من الرومانسية الى ما بعد الحداثة، وينجز ذلك بالكشف عن مختلف المرتكزات الاساسية الموصوفة بالاثارة والذهول والابهار والمفاجاة التي ادت اليها، والتي استوطنت اماكن عدة، فتارة نجدها في | The subject of this study on the search for dramatic changes in the art of the formation from romanticism to post - modernism, and performed by disclosing various basic pillars described with excitement, amazement, disbelief, dazzling and surprise that led to it, that settled in several places, Sometimes we find in nature, and at other times, in art, and sometimes in social life and circumstances, as the transition starts from innovation, which is based in turn of the overall environment, and its various components. After a few of change and transformation in art and long periods of time, there has been a period of research - the last two centuries - accelerated momentum of dramatic transformations, diverse coverage of the currently located concept, idea, form, and content fields and use the techniques and mechanisms to show innovative ways, guided by philosophical conceptual and psychological and biological foundations, and selfless and exclusivity, and overlaping between the arts, and East, Africa arts, and the impact of science and wars, etc.... Inquirer plastic works of art are described with dramatic transformations in the "romanticism" , "modernity" and "postmodern" all.This was a ground of knowledge for the start of the research problem as an urgent priority to respond to the misconception in the counting of dramatic art limited to the romantic and earlier, as well as the shut understanding of in that dramatic, are only done by the excitement, dazzling, disbelief and surprise in based meanings or story confirm the diagnosis of individual and collective. And the lack of bold scientific research, to assertion of the continuing dramatic in the formation art from the romantic to the post - modernism arts, despite the differences in the showing tools or the adoption of a dramatic form that are running either removal of partial or full of meaning, or confirm that unstable and the instability of the meaning adoption of the recipient interpreted.The research was completed according to the procedures of its stated objectives, namely : 1 - A shift in the fine dramatic structures and concepts of the Romantic period in the configuration variable to the dramatic arts post - modernism. 2 - detect the movement and dazzling excitement, disbelief and surprise, in form and color and configuration and interpretation in the art of composition of post - modernism, in other words, it was revealed the dramatic formation and have. As well as on the detection of evolution and growth and the variables has intellectual hermeneutical.3 - Statement of the bases in the dramatic arts and post - modernity?. And the movement of the dramatic changes and growth in the shape, color and composition in?.Within the following borders : Temporal limitation - from romantic in the formation (1820 to 2010).spatial limitation - open with an emphasis on European art. As mentioned in the first chapter, as well as to determine the terms, including the title search required by imposing meanings overlap and Transfer of funds between arts ideas and techniques, undertaken in article research and institute an inquiry. Chapter II contains the bases and intellectual and philosophical and substantive shifts in the art of dramatic composition, for a period of time the search Atltha three major periods of art is "Romance" and "modernity" and "post - modernism." The first topic dealt with (the shift in knowledge and art, the art of composition). And ensure the second section (and the dramatic movement in the knowledge and know - how). The third section will assure institutions (and the mechanism of betting that dramatic).Chapter III and included measures to his society and appointed by the search and approach, and the justifications for the selection of which formed the research sample consisting of fine art products to the general romantic postmodernism, drawing them in particular, according to the time limit (1820 - 2010). And select the Finder, including sixteen representative sample of society, as my intention.The researcher adopted a descriptive analytical method in order to align research storehouse placed in the title is marked by "dramatic changes in the art of romance to the formation of post - modernism," as the basis of a tool for analyzing samples from among the indicators that resulted from the theoretical framework.The researcher in the fourth quarter to phrase the results highlighted the most important institutions of the changes dramatic in the art of composition of the romance to what post - modernism and identified citizen functioning multi - described interventions and institutional Altalqat philosophical, conceptual, intellectual, technical, social, political and Alvallosikolojip and Elzimkanip it. Finally, the researcher found some of the proposals and conclusions reached by the search.

جماليات الازياء في عروض المسرح العراقي == The Beauties of Fashions In Iraqi Theater Shows

اسم المؤلف: محمود جباري حافظ الربيعي
اسم المشرف: محمد عبد الرحمن الجبوري
الموضوع العام: الفنون الجميلة
السنة: 2010
الموضوع الدقيق: الفنون المسرحية - تقنيات
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: نبحث في تكوينات الازياء المسرحية من اجل الكشف عن الفكر التاويلي الفلسفي،وايضا عن معاني الصور البصرية المتشكلة بفعل علاقات عناصر العرض المسرحي بعضها بالبعض الاخر، فضلا عن مدى تمثيل شكل الزي المسرحي (سلطة او هيمنة) على مظهر الممثل في ساحة التمثيل، وذلك | My Research in making up of the theater Fashion about the Secret of philosophical thought and about the meaning of Optical pictures Which shaped by the relation ships of Optical Pictures which shaped by the relationships of element of the theatre show , which connects with each other. As wellas the extences of acting the shape of theater Fashion (control) on appearances of the actor in the Field of ailing Fashion covers the natural body of the actor and express the appearances and dimensions of the fashion lakes part outside emotional expression , For the actor in the play averts. The dramatic fashion accused important optical avenge with the rest of visual elements , That style of fashion design stir up beautiful feelings by using fashion forming that is suitable with the nature of designable treatments to other elements. The fashions contains the nature of relation ships of educational address and the kind of beliefs , So the visual beauty is limited for those relation which are the designer fashion tried to redesign and set them anew. so as to goes with beautifully with the last visual for dramatically scene. For this reason the research divided the beauties of fashions in the dramatically shows of Iraqi theater to five scenes : The first Term (methodical frame) includes the research problem it's about the following questions : ( WHAT IS THE BEAUTUL FORMS of THE FASHIONS AND THEIR RELATION SHIPS IN THE IRAQI SHOW PIAY ? ) The importance of the research comes to save scientific subjects for specialists in dramatic Arts in general and to fashion designers specialty. The aim of the research is to limit to reveal the forms of fashions beauty and its relation ship with play show. The place of the research is Baghdad city the time is from (1992 _ 2007) , The subject is the fashion of characters of Iraqi play show. the idiom of beauty and fashion was assigned. The visual frame has been divided in to two terms the second term consists of three researches under the title of the formal dimension for dramatic fashion. The third term includes the things that takes places to the research , the choice for the sample was by mean they are : A _ Media play produced by Adel Kareem. B _ Who splayed raving awake produced by Gamin hammed. C_ Othel in the kitchen , by semi Abdul _ Hammed. D_ Macbeth , by salad Al _ Quad. E_ The Nomad and the Orientalist , by Aqeel _ made. I have hadalat of production as a result to samphs analysis , The most important of them are : 1_ The formation of dramatic fashion is assigned beautifully by two things.The first is by analysis the parts of the formal fashion which are (colures stripes , touching , space, emptiness , mass and shape). As well as its formal parts which are (the unity balance , harmony , mastery , correspond , differences , contradictory , structure , light , shadow , progression , direction , similarity , tune , repetition ) and to got their relations. the relalconship between the fashion designer and the producer of the show and the ability of the designer and its suitable with the desire of the receiver beautifully. 2_ To the formation of fashion beauty value itself reached to its meaning by the formal structural and beautifully designing by the unity of the subject which he wanted to do in his design , whenever the designer got the freedom to choose the design and carrying out increased movement in enlarging its beautiful limits using cloth of fashion. Beautiful arrarement by the continuance to rerch the relationship the combines the special structure that belongs to the dramatic fashion. 3_The relationship of the dramatic fashion with the elements of the play show is dased on the perfection marvelous technical communication among the show designers on the nature of forming these elements and the circumstances around the play show from the show place and its time. The fifth Term is the discussion of the results of the research is done and show the important results. The following is some of them : 1 _ The use of some of formal elements ( stripes , colors , touches , space , mass , and shape ) in the designing of the characters of the play. Neglecting using the others leads not achieve the value of formation of the dramatic fashion. 2_ To the structural elements for the design unity essential role in confirming the beauty of the dramatic fashion. Unused most of those elements leads to obscurity in design and that reflects on the general forming of play show. 3_ The historical dramatic fashion is very important it gives information about the appearances of the time and it reflected subjectively on the erase of receiving and their containment that leads to make the actor do his dramatic play show. The fifth term includes also the important commandments and suggestions. The Research is ended with a list of Arabic and English references in to the English language.

استعارة الاشكال التاريخية في الرسم العراقي المعاصر : دراسة تحليلية == Borrowing Historical Forms of Contemporary Iraqi Painting (Analytic Study)

اسم المؤلف: مؤيد محسن محمد
اسم المشرف: بلاسم محمد جسام
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الرسم
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: هذا البحث.. ينحو الى اقامة بعض الحفريات في الاستعارات الشكلية لمخرجات الفن العراقي القديم التي قام الفنانون العراقيون على استدعائها في اعمالهم الفنية المعاصرة.. وكان هذا الاتجاه قد تمدد في السنوات الاخيرة لدوافع واسباب مختلفة وكانت مخرجاته تؤسس الى طريق | This research.. Tends to establish some formal excavations in the metaphors that the artists are being called on Iraqis in their art.. This trend has been extended in recent years to the motives and reasons were different outputs to establish a way of communication under the title, which says bilateral heritage and contemporary. This call to the metaphor has created a method to look at the historical roots, as well as in metaphors and types, in addition to the motivation that worked on the foundation.It was based search on the first chapter and the research problem and its importance and its objectives and limitations and then determine the terminology and out of the procedural definition.Chapter II : ( conceptual framework ) and is based on the three sections The first topic : the historical root of privacy Mesopotamia all days through the era of Civilization agricultural villages to the new era of Babylonian civilization. Section II : Concepts in metaphor and identity in art. It was based on : 1. Types of metaphors and concepts. 2. Identit.The concept and meaning and form. Section III : Metapor's root contemporary Iraqi art of painting. Has been developed indicators for the Study of the end of each chapter and amounted to seven and twenty nine of them, an indication of the historical root of privacy Mesopotamia and thirteen of the concepts of metaphor and identity in art and four metapor's root Iraqi art of painting.The researcher output indicators of the joints of Investigation said.Chapter III : ( applications ) and verified the procedures of the research community through the samples the amount of sixty works were selected of which 16 to 16 artists Intentional one work per artist may provide a section on the most important conclusions : Conclusions of the research : 1. Most of the painters Iraqi contained descriptive metaphors and rhetorical expression based on the similarities and the similarity between symbols and transformations. Samples (1 - 4 - 5 - 6 - 7 - 9 - 14 - 15 ) 2. Most of the painters Iraqi contained stylistic metaphors shifted to adopt the contemporary contrast between fonts and colors. Or mimic the old style with contemporary's Materials. Or shifted from diagnosed and to be to different. Or mimic the old style on the rise and fall through the severity of the contemporary's materials. Samples (1 - 5 - 6 - 8 - 9 - 11 - 14 ).3. Some of the works of painters Iraqis built on inherited's metaphors you either restore Gaii blogger form or spiritual meaning, inspired by the blogger. And in particular that writing symbols and seals of all kinds is one of the codes. Samples ( 8 - 9 ).4. Most of the work of Iraqi artists has developed forms of abstract and formal micro and unit construction to units and formal units and construction vehicles are included in a system with units and other formalities. Samples (1 - 2 - 4 - 5 - 6 - 8 - 9 - 10 - 11 - 12 - 14 - 15 ).5. Some of the work is built on the interpretive metaphors based on the premise match the samples ( 2 - 12 - 14 ) 6. Iraqi painters are metaphors in contemporary works as follows : A. often feminine forms of mankind and the note or its Parts. Samples ( 1 - 3 - 7 - 8 - 10 - 15 ). B. and animal and vegetable. Samples ( 1 - 8 - 10 - 12 - 15 ). C. geometric shapes often superior to the triangle. Samples ( 4 - 5 - 6 - 9 - 11 - 13 - 14 ). D. and on human and animal forms and geometric designs. Sample ( 8 ). E. and composite figures. Sample ( 2 ). 7. Metaphors were often pointing to the identity and Privacy : A. Is often consistent with the identity of the fifth indicator, which states that it is not subject Of the laws of the samples ( 6 - 9 - 11 - 12 ). B. Sometimes agree with the first indicator of identity, which provides for correlation with radical history Representatives as determined by the content of disclosure about the method And raw material and technology. Samples ( 4 - 8 - 11 ). C. Sometimes consistent with the third indicator of the identity of their types, which provides for individual And collective. Samples (1 - 2 - 10 ). D. Sometimes consistent with the fourth indicator of identity, which provides for individual change And mass displacement due to belief. Samples ( 3 - 7 - 13 ). E. Sometimes inconsistent with the second indicator of identity, which provides for the construction Idealism and style. Samples ( 5 - 14 ). F. Rarely consistent indicator of the identity of the sixth, which establishes it as root repetitive The sample ( 15 ).

القيم الجمالية للتنوعات التصميمية في تكوينات خط الثلث الجلي == The Aesthetic Values of The Design Varieties In The Formations of Al - Jali Al - Thulth

اسم المؤلف: حسين علي جرمط
اسم المشرف: عبد الرضا بهية داود
الموضوع العام: الفنون الجميلة
السنة: 2010
الموضوع الدقيق: الخط والزخرفة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يعنى هذا البحث بدراسة القيم الجمالية للتنوعات التصميمية في تكوينات خط الثلث الجلي، بوصفه واحدا من اصعب الخطوط العربية واجملها، وما يتميز به من مواصفات فنية شكلت حافزا قويا للخطاطين في السعي باتجاه اجادة واتقان قواعد حروفه وبناء تكويناته باساليب وا | The research is intended to study the aesthetic values of the design varieties in the Formations of Al - Jali Al - thulth script Being one of the most difficult and beautiful Arabic scripts and characterized by some artistic specifications , it strongly motivated the calligraphers to be good at the rules of its letters and the build up of its formations in various artistic trends and styles. That helps enrich and develop the design and aesthetic values of these structures , since they are graphic chievements representing a turning point resulting from the semantic , aesthetic and objective vision in producing the texts according to a particular form - amatter which has clear influence on the expressionistic, aesthetic and technieal development to produce free structures with design constitutions untied to geometric figures. The emergence of these free structures is only a natural product of the Arabic script development and its way of handling the designs in the light of the principles and rules of the Arabic script. The researcher, through the samples which he had access to, has managed to present the problem in the first chapter via the following question : 1 - What are the aesthetic values of the design varieties in theFormations of Al - Jali Al - thulth script ? The significance of this research lies in the fact that the formations of Al - jali Al - thulth script are a wide field of innovation, renewal and change at the level of the formal build up of formation. The study is of sig nificance to the researchers in the field ofArabic script. The study aims at revealing the design varieties in the formations of Al - Jali Al - thulth script, and identifying the aesthetic values of these varieties represented in the free structure appearing in Iraq, Syria, Egypt and Turkey from the period (1970 - 1390) to (2010 - 1431) Chapter Two includes three sections. The First section deals with the genesis and development of Al - thulth script and the transformations it witnesses throughout developmental course until the concept of graphic portrait appears. Section Two touches upon the development of the structure system in the Al - Jali Al - thulth script. Section Three goes into the aesthetics of the Arabic script, followed by the previous studies and the indicators of the theoretical framework. Chapter Three comprises the procedures of the reseaech. The approach adopted is analytic descript. Tive. The population is restricted to the graphic portraits that have free structures written in Al - Jali Al - thulth script. The portraits are one hundred (100) in number, 20 samples of which the researcher has chosen on purpose which accountfor 20% of the total population. These portraits have been analyized to the analysis form which includes four points, the authenticity of which is supervised by a group of specialists in this field. Chapter four contains the analysis of the samples and presentation of the results : 1 - Employing the flexibility of the letters of Al - Jali Al - thulth script in building up free formations. 2 - Diversity in the artistic direction of the free structures whether it is in the organized letters or in the built formation. 3 - The possibility of changing the positions and directions of the letters as well as measurements, facititates the invention of special free formation. 4 - Some free structures are characterized by simplicity in terms of the build up or the formal build up of the formation.5 - The multiple forms of a letter helps the calligraphist prefer one form to another of the same letter and choose the suitable form to build up the design skeleton of the free structures. 6 - The phenomenon of the free structures in the Arabic script is a tendency to liberate from the domination of thegeometric figures. 7 - The engagement between the letters and words forms different design relationships, and helps in effective form and space. 8 - The free graphic formations show that the calligraphist adopts the rule of lengthening of the letters. 9 - The adoption of the rule of letter modification and the specific change of its build up (formal,standard) shows that there are various forms exceeding the rule form of the letters.10 - The artistic direction of the graphic structures is characterized by innovation and diversification whether in terms of the formal organization of formation or in letter organization or merging to complete another letter. 11 - The letter are at the calligrapher`s proposal to satisfy his artistic sensation in the lengthening and sending with the view of showing its beauty. The researcher has come to the following conclusions : 1 - The graphic structures are an important phenomenon generated by the developmental mocement of the Arabic script. of the reasons of this phenomenon is that the calligraphers try hard to give it beauty, cohesion and strength. 2 - Al - Jali Al - thulth is the most capable script of producing the graphic formations in different forms and designs,particularly the formations characterized by the free structures due to its construction properties and itsmultiple and diverse forms of letters. 3 - The weak artistic distribution of the formation design particularly abiding by the reading serial which results from design necessities to produce the formation, negatively reflects upon the realization of the communicative goal and smooth reception. The researcher has made the following recommendations : 1 - Teaching ( the aesthetic values of the design varieties in the structures of Al - Jali Al - thulth script ) as curriculum in the college of fine arts and the educational institutions. 2 - The results of the research should be made use of and be adopted as a basis when preferring one calligrapher to another in the artistic activities such as contests, shows and festivals.

خبرات الطفولة وانعكاسها في التعبير الفني لدى طلبة المرحلة المتوسطة == Childhood Experience And Reflection of Expression For Students of Intermediate Level

اسم المؤلف: احسان طالب جعفر
اسم المشرف: محمد سعدي لفتة
الموضوع العام: الفنون الجميلة
السنة: 2012
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: استندت مشكلة البحث الحالي الى التساؤل الاتي : هل هناك علاقة بين خبرات الطفولة والتعبير الفني لدى طلبة المرحلة المتوسطة ؟ هدف البحث الى ( تعرف العلاقة بين خبرات الطفولة والتعبير الفني لدى طلبة المرحلة المتوسطة ) , وتحقيقا لهدف البحث اشتق الباحث عدة فرضيا | The problem of the current research is depending on the following question : Is there any relation between childhood experiences and artistic expression at intermediate stage student ?The objective of the research is ( identify the relation between childhood experiences and artistic expression at intermediate stage student ) and in order to achieve this objective the researcher derived several zero assumptions. The society of the research included the student of intermediate 2nd class student from the intermediate schools in Baghdad city who are still continue studying for the academic year 2011 - 2012. The researcher chose ( 100 )student ( both boys and girls),and the sample of the research were ( 4 ) four school chosen randomly.Adopted the descriptive methodology in the current research and construct the both instruments of the research as follow : - First : Construction measurement of childhood experiences according to the concepts of psychological analysis theory ,consisted of ( 20 ) paragraphs of delightful experiencesand ( 20 )paragraphs of painful experiences. Then achieved honestandsteadiness which are suitable to the measurement. Second : Drawing analysis form : An instrument is constructed composed of ( 6 ) six fields ,( 20 )main characteristic and ( 60 ) secondary characteristic. Then confirmed the honesty of the performance through display it to a group of specialists experts , while regarding steadiness , the researcher resorted to outside analysts Concerning drawing , it has been agreed on three drawings which are ( family , school and general environment )out of (300) drawings.To reach the results of the research ,the researcher used suitable statistical equations ;therefore after discharging the data , the research reached the following results : - 1. There is no positive correlation implies statistically at the sign (0,05 ) between : - • Delightful childhood experiences of males and the drawing of (family , school and general environment).• Delightful childhood experiences of females and the (general environment).• Painful childhood experiences for both gender and the drawing of ( family , school and general environment ).2 - there is positive a correlation of statistic significance at the level of gaudiness (0,05) between the childhood pleasant experiences for the female and the drawing of the family and the school.And after displaying the results and discussing them the researcher has concluded number of recommendations : - 1 - Giving more opportunity for the students to free artistic expression, and excreting efforts to learn the drawing skills and subsequently making the production of artistic expression more available of thoughts sense and emotions obsessed them and feelings towards things surrounding them.2 - Sponsoring the student’s talents especially the artistic expression( drawing) of its importance in developing their personalities and achieving adaptability and psychological health for them, the art in all its kinds emotional discharge mean for what the adolescence bears of painful and emotional experiences.The researcher has suggested performing the following studies : - 1 - The relation of the childhood and the drawing of Dept. of Artistic education.2 - Relation of childhood experiences and the artistic expression for age categories or other studying grades.3 - Relation of the artistic expression with other variables in the field of education and psychological science.

العمليات الادراكية وتطبيقاتها في الرسم الحديث == Cognition Processes And Its Applications In The Painting Modern

اسم المؤلف: سهاد عبد المنعم عبد المحسن شعابث
اسم المشرف: علي مهدي ماجد | عارف وحيد ابراهيم
الموضوع العام: الفنون الجميلة
السنة: 2008
الموضوع الدقيق: الفنون التشكيلية
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The current research deals with (the cognition processes and its applications in the modern art) in which limits the qualities of art picture in shape and content. The research contains to four chapters; the first chapter deals with research's problem, importance, need, aim, limits and the most important of terms.Research's two aims are : 1. Acknowledge, aesthetical and art concepts of cognition. 2. Mechanisms of cognition processes in the art modern.The second chapter deals with theoretical framework and previous studies; the theoretical framework consists of four researches : the first research discusses the cognition processes in acknowledge by showing the philosophers' opinions starting at Platon's opinions and ending with contemporary philosophers. The second research deals with the cognition processes in aesthetical in the aesthetical philosophical thinking since its first starting at Greek philosophy until contemporary and modern philosophies thesis.While the third research deals with cognition in the field of psychology and art ingenuity theories, the fourth research devotes the mechanisms of applying the cognition processes in the European modern art and its directions. The theoretical framework gets on several of basic indexes to structure the research's tool.As well as the previous studies contain to two studies; they have discussed because of near it from the current study.The third chapter deals with the research's procedures and samples at (15) forms from the works of modern painting artists, as well as the chapter include the research's tool and analysis sample.The fourth chapter discusses the research's results, conclusions, recommendations and proposals. The results have showed into two groups according to each aim; the following most important results of first aim : 12. The modernity and its art directions have imposed cognition processes have variety levels according to the thinking, art and style framework for each direction; these directions have eager desire to pass the sensitive cognition and this desire becomes grow at the abstractionism painting greatly.13. The cognition processes in the modern art connected with the art's identity and his ability to adaptation the cognition with his thinking, art, stylistic and technical ambitions. This connection supported the freedom in the searching and experimentation.While the most important results of second aim are : 1. Impressionism has immediately performance has taken the cognition process starting at sense as a main source of vision and interference the interior senses such as remembering and imagination to come out of saved pictures with mind interference contributes to organize the picture in its lowly limits; then these powers emerges as direct sense form able to gathering all powers immediately to gloss the shapes and remove it from the its visible reality lightly.2. The barbarism follows the cognition process prevalence on it the imagination and sentimental; whereas it starting at sense but it is not absolute sense cognition. The works could complete with painting without observation the scene from the nature; the picture has visible shapes. The wildish and effective by (Gogan) has achieved a cognition phrase on the sense, so that it restored to the mind to organize the picture and give it designing features and give the shapes symbolic significance. In order to limit from the mind's whole power, the imagination comes with sentimental pressure to absence the objective relationships and confirmation the cognition's subjectivity; that's give the picture abstract aesthetic and formalism enjoyment exciting the sentimental, with intuition outcome all acknowledge powers have united in direct cognition for picture in shape and content.

الحركة في تصميم الصحف الرقمية ودورها في التعزيز الوظيفي والجذب البصري == Movement In The Design of Digital Newspapers And Their Role In Strengthening The Functional And Attraction Visual

اسم المؤلف: زينه ساوا افرايم
اسم المشرف: انتصار رسمي موسى
الموضوع العام: الفنون الجميلة
السنة: 2012
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

التحولات الفنية لفن التنكر وتوظيفها في العرض المسرحي المعاصر == Arhcal Transformations In The Art of Disguise And Their Employment In The Modern Theratrical Show

اسم المؤلف: اسيل ليث احمد
اسم المشرف: عقيل مهدي يوسف
الموضوع العام: الفنون الجميلة
السنة: 2009
الموضوع الدقيق: الفنون المسرحية - تقنيات
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يعد فن التنكر من الفنون التي شكلت تطورا في الظاهرة الادائية على مدى قرون، فقد سعت الحضارات الى حفظ اشكالها المتنوعة على وفق المتغيرات الكبيرة في الظاهرة الانسانية، حيث تم استحضار اغلب المراحل الزمنية التاريخية وما تتطلبه من مهمات اساسية في عملية فهم الظو | Is the art of disguise of art that formed the advanced performance in the phenomenon over the centuries - has sought to preserve cultures and diverse forms according to the major changes in the phenomenon of humanity where most of the period evoke the historical time and the requirements of the core tasks in the process or understanding the phenomenon and facts. The art of disquise re - representation of these facts through the re - configure stuff legendary deeply ingrained in the human mind - as the astablishment of variuaies configurations of existence and gives it expressly based and symbolic - fitr is varied within the act of incarration that would restore image - building knowledge in the time ¬frame the spitil and gives a shift avariety of features exist. and apporoaching the characterization fora new and growing to alleveviate the world understand the sources and manifestations. And gives the art disguise tmzarath tathbera various psychological and realistic visual display on system whel"c the process of change and transition in the pattern of shadowy figure and the shift in the dimensions of various formations lead to, a significant shift in the system performance for display by the shifting course of the actions of the characters and the emergence of manifestions of various interernal and external, which is a shift in its conflicts and its behavior h< - ~s co buted to the art of denial to give a new personality traits thl"ough diffent Aejddalaskkal fit whit the n.llure of transition experieneed by the changing world of pt'ogressive consensus process created by the art of denial among the various configuration able to create visual effects and behavioral reactions varied. In order to monitor the historical developments art disguises Personal patterins type and components. Movement performance analog and different psychological behavior, Aidwakl affecting the personal representative and the nature of performance. Dynamic composition and physical synergy and a caustic. Concluded, then the theoretical frame work a researcher with a number of indicators which were considered an important tool for research as well as othe,' tools in the analysis of sample. The third chapter has devoted to the search procedures which have addressed the researcher community, and search tools method and reason for selecting the research sample~ then the researcher analyzed the research sample : First myth Zhou.Second Sidra. Third Othello Fourth Shose.Fifth scheherazde The forth chapter was contend on findings from research. fifth chapter contain the conclusions it ,has concluded a list of research sources and references in English language.

التناص في النحت العراقي المعاصر : دراسة تحليلية

اسم المؤلف: حيدر علي عاتي
اسم المشرف: مامون سلمان فارس
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: النحت
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

الانزياح الدلالي بين الصورة اللغوية والصورة السينمائية : دراسة مقارنة بين السيناريو والفلم == Semantic Displacement Between Linguistic And Cinematic Image

اسم المؤلف: ايهاب ياسين طه
اسم المشرف: طه حسن عيسى الهاشمي
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الفنون السينمائية
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان دراسة الانزياح الدلالي من الامور المهمة لمعرفة مقدار تقدم الفنون او الادب التي تستخدم اللغة بصفتها الركيزة الاساس لتقديم الفعل. والسينما من ضمنها، اذ لا يكاد يخلو اي فيلم سينمائي من بعض العناصر التي لا غنى له عنها، ومنها العناصر النثرية في السينما كالل | The study of semantic Displacement is important to see how much progress the arts or literature which language is used as a substrate to provide the basis for action. Including cinema, It is hardly devoid of any movie of some of the elements which were essential to him, Including prose elements in the film such as color and lighting, shooting angles and other, As well as the poetry elements in cinema Such as metaphor and analogy and metonymy, Taking these elements upon themselves to the management of meaning in the image,The displacement highlights not only through the image or shapes that perform a specific function to embody the meaning. And the growth forms with the event in the careful artistic calculation it seems automatically - Naturally But it is in fact a genius screenwriter in that film written bestows his characters independent of the presence of representatives of those roles characters, It justifies its existence objectively justified, even the sociology researchers and psychology found in these models the most prolific literary figures vitality, And truer than human characters.The researcher dividing the current study into five chapters which are as follows : 1 - Chapter One : Systematic framework for the search, It included a research problem and has been in question in regards the title of the study : What are the modes of achieving semantic Displacement between the linguistic image and the cinematic image? and the Chapter included the importance of research, which included basic dimensions according to the capitalize of others of this study and they were : First, Author cinema capitalize which provided to them from the base of the theory to produce the image with meaning. The second, Provide capitalize for the students of the Department of Film and Television to introduce them to the most important elements of poetry in cinema, A metaphor and analogy and metonymy also included the first chapter on the goals of the current study, namely : A. Detected on how to achieve semantic Displacement between the linguistic image and the cinematic image.B. Recognize the difference between the scenario deviations and the film deviations.The current study identified on both sides of the controversy are : the Displacement and image, whether linguistic or cinematic.2 - Chapter Two : Included a theoretical framework and previous studies, the theoretical framework included three major sections of the study, during which the research problem and addressed to the precise details of artistic and scientific investigation of the objectives of the research were the detective : A. Section I : Representing in addressed concept of semantic Displacement and what it is, whether the Arabs or Western. As well as access to the Displacement in the image in human heritage. As well as the forms of semantic deviation. B. Section II : The researcher studied the scenario structures. It was also addressed to the shape and his movement between the signifier and the signified. As well as the most important modes of scenario deviation. The researcher dealt also the formation methods of the linguistic image in the screenplay.C. Section III : The researcher studied in it, the language of the film and the production of Displacement meaning. And he study of meaning from the standpoint theorists filmmakers, also touched on the kinds of meanings and it's layers, and select forms of displacement in meaning.At the end of this chapter, the researcher review of previous studies that approached from the current study, and discuss them in order to clarify the difference between them and the present study. It turned out that there is no any cinematic study approaching to this study in any way. However, there have been a series of studies that implicitly contain some sub - themes in the current study. The researcher spelled out in this part of the study.3 - Chapter III : Research procedures, the researcher Selected his community discussed in the movies which applies subject of the study. The researcher used (the descriptive) analysis of his research samples, which was about a three films, are : the Trial, the hour, the artist. The researcher choose those films by intentionality way to achieve the research goals and applicate his discussed tool that got approval from the Committee of Experts and arbitrators. By (100%) and adopted indicators theoretical framework tool for consideration.4 - Chapter IV : The researcher in this chapter apply his research tool on the film samples, And follow - up determinants points within the research through subdivisions contained in the research tool and the relationship of the image displacement. 5 - Chapter V : the Researcher Extract through this chapter findings and conclusions of his research, and the most important : A. The semantic displacement on the basis that there is a difference between the written text for the cinema and the film as a final accomplishment. the image at Their arrival from the first to the second, suffer from change at the level of visual forms and at the level of the footage in full is due mainly to change the language of the mediator himself, resulting in the end in multiple layers of meanings.B. The time has a large impact in semantic displacement for linguistic image or cinematic image. Because the literary - artistic time is not realistic, it works as a screenwriter and director in order to make it fit the mediator who tells through. It has been done through the use of narrative techniques that the time displaces literary - artistic receiver gives different meanings. The main recommendations were : a. Created a lesson in the Department of film and television Arts in the name (semantics) is interested in studying the semantics of linguistic and visual image, tracking of their arrival from scenario to the film and how to convert them and displace to cinematic image. b. Encouraging branch scenario's students to submit scenarios based on displacement from reality and stories to other schools of art such as surrealism and abstractionism, and others.

توظيف الاغاني العراقية في تعلم مبادئ العزف على الة البيانو == Using Iraqi Songs In Learning Fundamentals of Playing Piano Instrument

اسم المؤلف: وليد قحطان سلمان الجنابي
اسم المشرف: مهيمن ابراهيم الجزراوي
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الفنون الموسيقية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: This Research consisted of five chapters with a list of sources and supplements as follow : First chapter addressed methodological framework of research, viewing research justification, which spotlighted on orientation of musical education institutions in Iraq to use European methods for learning playing piano, and reasons for that, although the music in most of these methods are strange to local student's ears, because these methods are using European music legacy that clearly differs from Iraqi. For that, and for lacking any method using Iraqi songs for learning playing piano, or any academic research dealt with this subject, the researcher convicted to use Iraqi prevailing songs in a musical method for learning playing piano for beginners in an academic and methodological study.Then the researcher showed the importance of his research, as follow : - It considered as first academic research using Iraqi songs in learning playing piano, to the knowledge of the researcher. - It considered as a source for learning playing piano for beginners, and for higher education students, and for specialists in musical studies. - Considered as first step for building methods using Iraqi songs for learning other western musical instruments.Researcher aimed in his research to using Iraqi songs in learning the fundamentals of playing piano.Second chapter included the theoretical framework and previous studies. Where Theoretical framework consisted of three subjects, as follow : First chapter highlighted the role of Iraqi songs in Iraqi society, and how they are relating with its daily life, and how it expresses economic, political, and social aspects, with someexamples about that. Second subject showed early usage of piano in Iraq, and its role in Iraqi songs as a complementary instrument. Third subject issued the summary of most important musical methods used in musical education institutions in Iraq, and some other methods that used the musical world musical legacy used nowadays.Third chapter issued research procedures, where researcher identified research approach he taken, then he chose his research community, which formed Iraqi prevailing songs, then he chose the samples intentionally, which consisted of samples. Then he issued research analytical standard, which he build, for applying the samples in teaching method, then he named his research requirements.Fourth chapter studied applying the samples as a learning method. Finally, fifth chapter set the results of the research according to the samples selected, and then the conclusions, recommendations, suggestions, and then the list of sources, supplements, and finally a research abstract in English.

التكوينات الفنية وتحولاتها في تصاميم اقمشة الازياء الحديثة == The Artistic Formations And Their Transformations In The Textile of Modern Fashion

اسم المؤلف: زينـب احمـد هاشـم
اسم المشرف: هند محمد سحاب العاني
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يعد فن تصميم اقمشة الازياء نتاجا حضاريا يدل على رقي الامم وتطورها وازدهارها ونتيجة للتطور العلمي الذي فرض حتمية المزاوجة بين العلم والمعرفة والفن والتي نتج عنها تحولات لتطبيقات اتاحت للفرد مزيدا من التوجه الفني والمعرفي مع سرعة التحول والتغيير المستمر | The art of textile design is a civilized byproduct which indicate the development and advancement of nations as a result of the scientific progress which imposes the inevitability of pairing theory and application and science and work which resulted in new or recent developments that allowed the individual for more artistic and epistemological trend with the fast conditioning and continues change.The artistic formations in the women textile design are subjected to the designer’s taste who bases his deigning ideas in modern style through transformations that go along with the appearance of textile in women fashion arriving at satisfying the taste of the recipient of these designs. In the light of that, the researcher determined her problems of the study with the question : Have the artistic formations and their transformations achieved an effect in the design of modern women textile? The research also contributed in the following through its importance : 1 - The importance of the study from being one of the studies that care for the study and adding an epistemological base for the specialized and workers in the field of the design of fashion textile in general and women in particular.2 - The results of the current study can be used to provide technical base for students of textile design in the institutes and the colleges of fine arts and how to made use them in the plastic art works and employ them in the design to achieve transformations that can enrich the aesthetic taste. 3 - The suggestions imposed by the researcher in her study can lead to the facilitation of the researchers in the women textile design, as well as scholars related to that vital field of art.The researcher also aims at the following objectives : 1. To reveal the reality of transformation of modern women textile (Islamic aba - Al - saya - the dress). 2. Putting suggested designs for the women textile based on the manner of employing the artistic transformations of Iraqi artsitis (Faraj Abou - Jameel Hamoudi - Widad Aourfaly - Bahija Hakeem) as a modernist transformation in the process of outer appearance design. The limitations of the study are manifested in the artistic formations and transformations in modern women textile design (picnicking and evening) for the (25 - 35 years) with originated from (Iraq - UAE - China) available in local markets in Baghdad within the period (2013 - 2014). Chapter Two includes the theoretical frame which includes three inquiries; the first inquiry tackles the artistic formations, while the second includes the concepts of the artistic and technical transformation in fashion textile design; the third inquiry tackles the transformations in fashion in women design. Then the theoretical framework and previous studies follow. Chapter Three includes the procedures of the study which was taking the analytic descriptive approach. The total number of the sample was (150) sample of design. The sample was chosen purposely in (%81) of (12) models. The researcher prepared the questionnaire form to analyze the women textile design that include many axis verified by the experts and then the constancy was derived. The samples were also analyzed.Chapter Four includes the result and findings of the study, and the researcher comes up to the most important findings : 1 - Repletion was used in the formation design as it forms the expressive energy for the distribution of deign items, specially the botanical and geometric forms. 2 - The sizes of items of the design formations have come in attract the attention 3 - The designers depended on the stenography of the written forms and abstract drawings through omission and addition which is more flexible. 4 - The variation in choosing the digital image through depending on the collective style for the adjacent items. It is an attempt to add a kind of change in the realization based on the style of transformations through the distribution of items which showed the effectiveness of the relationship between the form and the space that achieved vitality and dynamicity for the designing formation. Chapter Four also includes the recommendations and suggestions in addition to the suggested computer implemented designs prepared by the researcher. The study ends with the list of references and the abstract.

اقترانات منظومة تصميم الفضاء الداخلي وانعكاساتها على التذوق الفني للطفل == System Conjunctions of Interior Space Design And Its Reflection On The Child’s Artistic Taste

اسم المؤلف: شيماء زكي عبد الحميد
اسم المشرف: لبنى اسعد عبد الرزاق
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الداخلي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The interior design of kindergarten classes is considered as a system which has its psychological conjunctions and reflections on the growth of the child's artistic taste. To fully cover the topic of this study, it is essential to deal with interior design both as a science which has its considerations and conditions that fulfill the basic functional needs of a child and as an art which has its conjunctions that fulfill the child's sensual and psychological needs. Since the user of this interior design is the child himself at this important age of his/her life, it is necessary that the study includes the psychological aspect of the child and his/her artistic tasting. Thus, this study researches the conjunctions between the scientific, artistic, and psychological aspects.This study topic arises through questioning what the interior design conjunctions of kindergarten classes are and how they are reflected on the children's artistic taste. The goal of the study is to find mechanisms that activate these conjunctions in a way which increases their reflection on the growth of the child's artistic taste. This goal is achieved through knowing these conjunctions in the interior design of kindergarten classes and proving their reflection on the child's artistic taste. The study is divided to three sections; section one is titled "Explanatory Theories of Conjunctions and Artistic Taste", the title of section two is "Interior Design System in Kindergarten Classes", and section three is about the child's perceptions and his/her artistic tasting.Two research methods are used in this study. The descriptive method is used in analyzing the sample of the interior design of kindergarten classes. The second method is that of testing the artistic taste of the sample children; (Mann Whitney) table is used to analyze the test data. The test results, of the two dissimilar samples of children, show a clear statistical evidence of different percentages about conjunctions and their effect on meeting human needs. So, on the basis of the results, conclusions, and

اسلوب تاليف قالب السماعي عند الموسيقيين العراقيين == Style of Composing Sam?'I Form At Iraqi Musicians

اسم المؤلف: ثائر خليل اسماعيل
اسم المشرف: فراس ياسين جاسم
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الفنون الموسيقية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: This Research consisted of five chapters with a list of sources and supplements, as follows : Chapter one addressed the methodological framework of the research, viewing research justification, spotlighting on the musical style as one of the intellectual concepts for understanding the artistry characteristics, which vary according to mentalities and philosophies they descended from. The musical style in Iraq, especially in instrumental music, began to appear starting from 30's of 20th century, which considered the most important time of Iraqi music history, after establishing Institute of Music (Institute of Fine Arts), as it became a musical renaissance time after some Iraqi artists' graduation whose used many musical forms in their compositions, especially Sam?'I form, which was varied in melodic and rhythmic structures because of its importance in musical structure. For lack of previous researches dealt with Iraqi musicians' styles in Sam?'I form, emerged the justification of a scientific and analytic study about composing Sam?'I form style at Iraqi musicians. Then, the researcher showed the importance of his research, and research objective, revealing of the style of Sam?'I form at Iraqi musicians, using. After that, the researcher explained the limits of his research and he defined the terms. Second chapter included the theoretical framework and previous studies, theoretical framework consisted of three subjects; first subject highlighted on style concept, Second subject was about musical composition, Arabian music characteristics, reality of instrumental music in 20th century, Institute of Music (Institute of Fine Arts), ?erif Muhiddin Haider and his school characteristics. Third subject presented popular vocal and instrumental musical forms in Arabic music, reviewing the musical instrumental forms up to Sam?'I form, which it's the main subject of this research, and its parts, melodic and artistic formation, rhythms, composition, and its history. Then the conclusion of the theoretical framework and the previous studies. In third chapter, researcher presented the research procedures, where he identified the research approach taken, and set the research community, whereas it contained tow communities, first one consisted of 13 Iraqi musical composers composed Sam?'I form within (1936 - 2003). Second community consisted of 65 Iraqi musical compositions in Sam?'I form. Then he identified the sample size intentionally within these communities according to objective justifications serve the research procedures and fit in with the goal of research. Then the researcher named his research tools and the analytical standard that he was prepared, and finally his researcher requirements. Fourth chapter studied the musical analysis of 10 selected samples. Finally, Chapter 5 set the results of the musical analysis of samples selected, depending upon these results the researcher presented his conclusions, recommendations, suggestions, and then the list of sources, and finally the research abstract in English.

تمثلات التابو والطوطم في بنائية الفيلم السينمائي == Taboo And Totem Representations In Film Structure

اسم المؤلف: محمد سلام عبد
اسم المشرف: محمد عبد الجبار كاظم
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الفنون السينمائية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The Taboo and Totem are considered to be attracted by the cinema attention due to their nature. They represent a performance challenge to the film director. In addition to that, we may say that the cinema capabilities, which go beyond all red lines, tried to reveal what is unidentified or indistinct. This has led the researcher to give his thesis the following title (Taboo and Totem Representations in the Film’s Structure).The thesis was divided into five chapters as follows : The first chapter (The methodological framework) which includes : - the problem of the research and has been put in the following question : How the representations of Taboo and Totem could be achieved in film’s structure ? Then we have written the importance, the need, the aim and the limit of such research. The researcher has made a list of the related terms.The second chapter ( theoretical framework and previous studies ) : The researcher has divided it into three sections as follows : The first Section : The taboo and totem ….. aspect and action : we have discussed the aspect of these terms, taboo and totem, and their historical origin. Also we have discussed the approaches related to psychology and sociology and ended with some film cases on these terms.The second section : Film structure and producing meaning : The researcher has discussed the nature of the film structure and the way of expressing meaning through the activation of the film intermediary language elements. In addition to that , the researcher has discussed the most important rhetorical images.The third section : Taboo and Totem in the film image : The researcher has discussed the film processing for these terms in the worldwide movie and the ways in dealing with these primitive thoughts and their effects on the film manufacture in general.Upon such discussions the researcher has had a group of indications that resemble the theoretical outlines summary to be demonstrated to the experts committee as would be illustrated in the third chapter. The researcher has ended the second chapter with the previous studies.At the end of the second chapter the researcher has mentioned the previous studies which did not include any similar one that are related to the research under discussion.The Third Chapter : ( Research Procedures ) A sample of two films has been analyzed : 1 - The Da Vinci Code (2006)2 - Avatar (2009)The fourth chapter : Analyzing the sample : The researcher has analyzed the sample depending on the indications of the theoretical framework after consulting the experts and judges committeeThe fifth chapter : Results and Conclusions : This chapter included the results that has been achieved by the researcher after analyzing the research sample.Among conclusions which has been achieved is that the film art has the capability to express many different subjects of thoughts , believes and physicals. The taboo, divine and totem represent especial subjects that impose the search for rhetorical ways on film. This is to enriched the image with signs , codes and symbols. The film’s position could be included with specialty of subject being processed so that it becomes an active character involves with other characters to communicate the information and the thoughts produced.The researcher has achieved some conclusions and ended the research with recommendations and suggestions.Finally , the researcher has included Arab and Foreign references that have been adopted in the research as well as annexes.

التطبيقات الجمالية والتداولية للخزف المعاصر في العمارة العراقية == The Aesthetic And Communicative Applications of Contemporary Ceramics In Iraqi Architecture

اسم المؤلف: علية يونس ثجيل
اسم المشرف: بلاسم محمد جسام
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الخزف
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The research sets to study the relation between Ceramics and Architecture.It concentrates on functioning Ceramic murals in Iraqi Contemporary Architecture, and the link between these murals and the internal and external spaces of the buildhings that make use of them.Ceramics has special artistic chara - cteristics that make it a significant entity and present it as an independent artistic genre. Because of the close symmetry of Ceramics with Architecture , many artworks have been produced that transfer Ceramics from beneficial and functional fields to the horizons of creativity and beauty and enable Ceramics to make aesthetic formative relation and produce transformations in the disciplines of shape and genres through the use of metaphor and symmetry Language among arts.This is resulted from the artists endurance to create aesthetic transformations in shape ,so categorizing has appeared between Plastic Art and Architecture since the thirties of the last century with the appearance of (Bauhaus) which seeks to integrate arts with each other and with other genres. The study deals with the functioning of Ceramic murals on inner and outer Architectural entities. The study has three chapters ,which involve covering the aim of it.The first chapter deals with the problem of the study and aims at finding out ,whether Ceramics has an effective presence in Iraqi Contemporary life ,and the extent of its applications on this level, and if there is a culter of reception and communication of this art.The chapter also includes the significance of the study, and the aim of it which tries to find out the communicative and aesthetic applications of Ceramics in Iraqi Contemporary Architecture Sections.It also states the Locative and periodical limits of the study. It presents the experimental definitions of important terms. The second chapter includes three sections ,the first one deals with the references of Iraqi Contemporary Ceramics.the effects of Mesoptamia civilization , Islamic Arts and world Art on Ceramic productions.The second section deals with "Ceramics " from Modernism till Contemporariness, and the periods that pass over the total plastic Arts and the changes that Modernism and PostModernism have made in form and content and the installation of shapes and the effect of that on world Ceramics generally , and Arabic & Iraqi Ceramics , specifically. While the third section deals with "Ceramics" in Iraqi Contemporary Architecture , initially from pioneering in Ceramics and the most well - known Ceramics with their stayles and artworks and the functioning of Ceramics in Iraqi contemporary Architecture sections, then the Ceramic murals with their applications on buildings walls and Public squares Regarding Architectural interior, the section deals with the works that made by one artist ,and various cooperative works of many artists.The Ceramic murals have varied in technique ,raw material ,genre , and them & concept. They all unified in the Ceramics inspiration from folklore , Mesopotamia civilization , Islamic Art and the effects of European Art on group of Ceramic murals. The third chapter includes the results and conclusions : I - Achieving architectural environment that has the ability to inspire from Mesopotamian heritage and functions it in murals aesthetically with the addition of modernism forms in Iraq Architecture. 2 - suggestion of functioning of Arabic letter which is considered as a type of refreshing memory towards lettering formation in Islamic arts which has its effect on Iraqi artistic taste on the level of communication.3 - Mesopotamion heritage with its shapes, abstract and symbols has its presence in ceramics shapes which parallel with the materials that Iraqi Architecture has used. As a result it has a kind of symmetry on the level if row materials and reproduction of them.

التنوع التصميمي في لوحات المشق الخطية == Diversity In Design Mashaq Handwriting Paintings

اسم المؤلف: اشرف كامل عبد الامير
اسم المشرف: عبد الرضا بهية داود
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الخط والزخرفة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: استهدف البحث الى دراسة التنوع التصميمي في لوحات المشق الخطية، من خلال الدراسات الاستطلاعية التي قام بها الباحث، وجد وعلى حد علمه ان تلك الدراسة لم يتطرق اليها الباحثون من قبل، لهذا وجد الباحث مبررا منطقيا في دراسة لوحات المشق والتعرف على تنوعها تصميمي | Targeted to study the diversity of design in the Mashaq handwriting paintings , and through surveys carried out by the researcher, found and , to his knowledge that the study did not address the researchers before This researcher found in a study rationale plates rima and identify the diversity of design parameter. The study included four chapters, the first chapter includedthe research problem, in the following question : What diversity in design Mashaq handwriting paintings In order to reach solutions to this problem and to achieve the desired results, so research aims to identify the elements of artistic construction plates rima, andidentified by the researcher Balentajat completed in all of Iraq, Turkey, Egypt, and Saudi Arabia.The second chapter includes several axes, including a brief history of plates rima, and building them with technical, design and foundations, while the third chapterincluded the research community boards rima linear and which numbered (97)Chosen from the research (10) samples were deliberate, may follow the researcherdescriptive approach, using this instrument, which were represented form for analysis which is based on dialogue with several oversaw the validity of a group of professors who specialize in this area either Chapter IV represents to reach important results, as it appeared diversity in design plates AlamishqalkhtiahibflAdoption of plates rima processor design variety is based on the methods based on the lack of contention clips, text, or fragmentation of the word into two parts due t othe similarity of characters, or by symmetry and symmetry words of text, contributed treatment sections written word per category of color united in promoting the efficiency of literacy that draw paths lead appointed receiver to track the movement of the characters despite the variation trends, especially within the formations character motor, and the researcher recommended included plates Alamishq the curriculum for the students of the Faculty of Fine Arts, and educational institutions corresponding to them, because of their importance in the diversity of outcomes sin being kept pace with the movement of technical development, sealing the fourth quarter proposal fit to be a subsequentstudy includes oundations Alamchaq pairing between handwriting and paintings of letters nature.

الانسجام الصوتي في مؤلفات الاوركسترا السيمفونية العراقية == Harmony In Compositions of The Iraqi Symphony Orchestra

اسم المؤلف: ميسم هرمز توما
اسم المشرف: حسام يعقوب اسحق
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الفنون الموسيقية
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: انبثقت فكرة البحث عن مبرر وحاجة للبحث في مكونات الموسيقى المنهجية الكلاسيكية الطابع لمؤلفات الموسيقيون العراقيون, وبسبب الشمولية الواسعة لمثل هذا النوع من البحث, حدد الباحث فكرته بدراسة جانب مهم وعنصر اساسي من تلك المكونات مختارا عنصر الانسجام والذي فسره | The idea Find justification and the need to study the systematic nature of the components of classical music in the works of Iraqi musicians, And because of the wide comprehensiveness this kind of study, So select a researcher studying the idea along with important and essential element of those components chosen harmony element. This Harmony researcher explained it ,that only includes voice compatibility science in terms of vertical and horizontal harmonic, And overlap together in the construction of large musical compositions That always need to be the concept of the large orchestra or what we call the naming Symphony Orchestra for his performance in a clear and greatest level of creativity.And because the new subject of its kind within the Iraqi Academy of Music Studies, So there was a need to think about an appropriate procedures, Is interested in building a method or technique to analyze these compositions, according to what suits the composer of Iraq, and the amount of knowledge of his music, and his experience of self, On this basis, a researcher systems analysis tool serve the research topic depending on what he was able to get it from a global systems and standards, Has been very useful in the construction of his tool, Then the researcher to apply research tool, on the five samples of three Iraqis composers.Interested in the idea of research in the interpretation of the idea of using harmony in general in the musical compositions of the Symphony Orchestra, which has been associated largely with the musical Diatonic scales with observation the great diversity in the use of different chords. So appeared to build harmony in complex, because of the addition of personal taste more than the scientific bases in the building harmony.The researcher used the modern music software to identify the types of chords. Also, a researcher at the organization committed to his research, According to the system and the methodology of the study followed in the order of chapters musical thesis, the Faculty of Fine Arts - Baghdad

اساليب النحت المعاصر وتاثيرها في نتاجات طلبة قسم التربية الفنية == Contemporary Sculpture Methods And Its Effects On Products of Artistic Education Department'S Students

اسم المؤلف: طه عبد الهادي عباس
اسم المشرف: صلاح لازم حسن
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: شهد فن النحت تعدد في الاساليب لاظهار المنجز الفني والذي جاء نتيجة التطور التكنولوجي والايديولوجي الذي افرز بدوره مجموعة من الخامات والمخلفات التي كان لها الدور البارز في اعطاء الحرية في التعبير وسهولة في الاداء, وفقا لحاجات الفن في التجريب بهدف ترجمة افك | The art of sculpture has been witnessed diverse in methods as to bring out the artistic accomplishment that come as a result of ideological and technological development that in return ensues a set of ores and remnants. The latter has a grand role to give freedom of expression and easiness in performance. For translating thoughts of the artist ,successes of the art have been achieved by many artists. The history of art is characterized with a large number of artistic methods types, some of them taken as a general aspect for being distinguished with a specific type in the form, or some types taken as individual impression in works of some artists that are characterized with the form aspects to be distinguished from others. These works express selfness of the artist and being considered as a process of organization. The more progress is achieved in the artistic methods , the more get away from the old artistic methods. The radical turning points on the artistic method late of nineteenth century and twentieth century resulted into occurring changes in the feelings and intellectuality that being regarded as a base for principles , theories and artistic bases.Thus, the researcher has found the necessity to study the contemporary artistic methods for being important to enrich the artistic works in field of Sculpture - Students of Artistic Education Department - college of Fine Art since it is considered as a main gate to know modernism outcomes in plastics. The researcher realizes the problem of the research by making a study on students of artistic education department - second stage in the subject of sculpture. The researcher has suggested a basis for the problem of the research through varying methods of contemporary sculpture along with its effects on products of students of Artistic education department. In the light of that , the researcher has constructed hereunder goals : - Uncovering the effect of contemporary sculpture methods on products of artistic education department students. - Discovering the role played by these methods , techniques and modern sculpture ores on works of students of artistic education department. - Unfolding diverse contemporary sculpture methods. In order to achieve the goals , the researcher has placed a form as to analyze products of the students , the research includes 50 products for the second - stage students - department of artistic education - subject of sculpture. It has been randomly chosen sample consisting of ( 10) products accomplished according to methods of contemporary sculpture. In order to bring out results of the research, the research has depended on a set of statistic means as to process data and information that he obtained from the sample of the research and to set the results he has reached to via form of analyzing works of the research sample. The researcher has used equation of acuteness degree and equation of percentage weighs. For indicating reliability of the form ,it has been entailed two of analysts (after being trained) as to analyze sample of the research for knowing the means of operating compounds of analysis form. The results of analysis appeared according to equation of (Holsti) for the two analysts consent. It has been appeared the general average amounted to (0,86). This ratio gives a good indication to ensure reliability based on compounds of analysis form. Most significant conclusions the researcher has reached to are : 1 - The ability of student to express about his opinions and his thoughts freely by using methods of contemporary sculpture for easily getting parts and remnants from places where being easily gathered and compounded. Besides the diverse in parts that contribute into sculpture accomplishment that spare time , money and effort for the students.2 - Having the students acquire artistic skills in the contemporary sculpture ( post modernism) and modulating the nature of skillfulness and artistic properties as to reach to the best process of sculpture. This transparently appeared through the effect of contemporary sculpture methods on accomplished samples of the students ( sample of the research). The recommendations : 1 - Placing a special method paralleling to the contemporary arts and teaching the history of art. Confirming on the cognitive side as to be equal to application side for helping the student to assimilate arts and most modern artistic experiment. 2 - Motivating the students and those studying in the institutes and colleges on means , ores, techniques, and technology to be entailed in the artistic work. This step for innovating new arts ensued from the environment of the student. This comes from having the student depend on practical and application lessons according to different experimental means within methods of contemporary sculpture. 3 - Increasing lectures and hours of teaching the subject of sculpture and confirming on the classical side that in return helps the students produce works and samples with contemporary methods.This comes through the study of anatomy and kinship that enable the students to be conscious and aware of his sculpture accomplished. The connection between the old and the new helps the student formulate his special bases regarding the artistic work. 4 - Observing the modern technology to carry out the artistic work. The techniques have a role to bring out means to activate the meanings and the indication. The contemporary arts contribute into technology and scientific progress and getting benefit of modern innovations either to be used directly into producing artistic works or searching from inside the technology environment about new techniques and forms

استجابة المستخدم للتجربة الجسدية في التصميم الصناعي

اسم المؤلف: علي غازي مطر
اسم المشرف: شيماء عبد الجبار حميد العبيدي
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الصناعي
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تلخصت اهمية البحث الحالي بكونه يسلط الضوء على جانب مهم واساس في التصميم الصناعي قد نغفل عنه احيانا الا انه يؤثر بما لايقبل الشك بالاسس البنائية لفسلجة الجسد وبما يتعلق بشكل مباشر بالعلاقة مابين المستخدم وبين المنتج الصناعي وطريقة التعامل معه. فهو يبحث ف | Summarized the importance of being present research sheds light on the side of an important and essential in industrial design may overlook him sometimes, but it affects what is not possible doubt structural underpinnings of the physiology of the body, including directly related to the relationship between a user and the industrial product and how to deal with him. Thesis looking at the direct impact of the physical response of reliable and tested during laboratory dealing with the industrial product and the consequent strain resulting from the direct interaction with the product are different.its also trying to dismantle the ethical aspects and ways understood within the framework of the desired ideal design and what aspects that must be considered during the development of a comprehensive design plan for the production of industrial done. What are the real criteria for those ethics.The researcher put the problem discussed in the context of the question : (What's unique design current and future return to intensify the physical experience in the design of industrial products)Trying to achieve two main objectives1. Find the design trends that adopt the philosophy of returning to intensify the physical experience in the design of industrial products and to draw conclusions in this regard emerge from the theoretical framework of the research.2. The side effect of the physical output from the traditional physical experiment to measure within the current time frame during use of the industrial product and compare it with the effect he produces for use under the conditions depend on the physical experience more intensive.Through four classrooms, which dealt with the subject of research gradually through the theoretical framework included a diverse range of themes and detective. Turning through the first part, where the philosophy of physical response : which included within which the following themes : the user in response to experience physical, philosophical physical experience, atique ethics and design.The second section included and marked your subject matter in industrial product in the light of the physical experience : on the following themes : Appearance, compensation sensuous, then metaphysical exile and finally modern products that adopt promote physical experience in design And the third section included the hormones affecting the physical experience of such a groupAdrenaline and cortisol and prolactin, and others.The research has made the following findings : where 75% of the sample responded and 70% of respondents large system expected to experiment with lower percentage of cortisol in the blood after exercise game intensify physical experience because of the low psychological and physical stress level after playing the game using the muscular level and my body the biggest of them the situation in the tribal experience while playing the game tempo inhabitant ratio dimensional case also responded to 68% of the sample intentionality and 60% of the control sample for the test system. Where prolactin ratio in favor of Altghebrh dimensional decreased at the expense of tribal experience. But the rate of decline was very small and does not constitute a significant difference on a practical level.The conclusions of the researcher as follows revolves around that deal with interactive industrial product causes the secretion of the body of cortisol are the biggest apart from the fact that the body has come out of intensive physical experience or static Add to that the recipient who is dealing with the industrial product bodily experience intense will the consumption of cortisol and prolactin in greater than physical after his experience in dealing with the industrial product in the sleep mode. There is no doubt that the intense physical experience supposed to mimic the natural situation in which chemical reactions take place inside the ideal form.The researcher recommended by measuring the level of adrenaline in the urine through a similar experience a sample of the largest number of volunteers. Also examined are the recommended an examination on a mixed group of male and female alike can add to the experience of this kind of results that came out of this Find humble.

الرؤية الفنية في تجربة جعفر علي == The Artstic Insight In The Experiment of Jaafer Ali

اسم المؤلف: سلام يوسف دبي
اسم المشرف: صباح مهدي الموسوي
الموضوع العام: الفنون الجميلة
السنة: 2009
الموضوع الدقيق: الفنون السمعية والمرئية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان التصدي لتوثيق ودراسة حياة وتجربة مبدع ليس بالعملية اليسيرة مثلما يبدو وخاصة في بلد مثل العراق الذي شهد صراعا وحربا جعلت منه بلدا يكاد ان يفقد الذاكرة بنتيجة حالة اللااستقرار الذي جعل الكثير من المبدعين ان لا يجد ظرفا مناسبا لتوثيق حياته ومن المبدع | The Intercepting for The Documentation & study of the life & Experiment of a Creative Individual is not an Easy Process as it appears Especially in a country like Iraq that Witnessed war & Struggles that made him as a country that almost losses his Memory in Result of Non Stability Condition That Made A lot of Creative Individuals not Finding a Prorates Circumstances To Document Their Life's , & Those Creative Individuals who Documented to Their Artistic Biographies have been Vanished here & there or Have Terminated By The fires of Wars.So The researcher have Suffered Greatly In his Studying the Artist Jaafer Ali & to Get His Productive Achievements for this Variety artist in The Field of Movies , Radio , Television & Theater For The researcher had found that most of these information in the memory of those who lived with Jaafer Ali & those related to him , & The researcher had Acquired a Paper cuts or Notes Had been Writhen here & there or some articles or Artifacts have been Acquired & it been Convinced That is in Total Does not Form The True Image for Artist Jaafer Ali , & in the In lighting of What Was Available to the researcher From Resources This Research Has Been done about the Artistic Vision in the Experiment of Jaafer Ali Which Contained Three Chapters : - First chapter : - comprises the methodic frame, which handles the themes of the research like : - How Did Jaafer Ali Insights Reveled In his Creative achievements , & what is The Resources That Made him A Multiple Visionaries Individual?.As For The Aims of research : - 1 - The Documentation of An Iraqi Creative Individual In the Field of Culture & Arts.2 - Studying The Achievements of that Creative Individual In the Area of Theater , Movies & Television.3 - In lighting His Experiments In Movies Through His Feature & Documentary Films. The second chapter tackled theoretical frame & Previews Study's which includes Three topics : - 1st topic : - Grown up & Forming in the Effect of Cultural & Artistic Realty : - Which is A Phase Jaafer Ali Was Formed in The Shadow of Social & Cultural Realty That Was Various , & his Affection of With The Greatest Iraqi Culturists , & His Grew in Time Period that was Rich with mind liberty , So He Makes his way according To The Ambitions of sophisticated Individual That Claims the Pronouncing of His Visions , He Managed To Study English Literature In The Literatures College , Than He Headed To Study Cinema In the United States , After His Return He Started To Lecture In Fine Arts Institute & Fine Arts Academy in Deferent Cinematic Art Fields , & The Topic Also Included His Practical Life A Teacher , Musician , Interpreter , Cinematographer , Actor , Critic , & Writer In Addition To Some psychological Crisis That Happened To Him. 2nd topic : - It Includes Technical Expertise 7 Artistic Visions in The Field of Theater & Television , & The Interest That Jaafer Ali Was Reflected On The Composition Between Theory & Applying That Makes Him Capable of His Instruments & Implying it to Manifesting The Contents & Thoughts for the Scripts in Television & Theater , were Theater was The First Lunch in His Technical & Artistic Experiment Through What Been Achieved in Theatrical Plays Were Most Signified One Was Vetrock & Many Other Television Plays Like (Satra Vosan).3RD topic : - The Artistic Vision in His Cinema Experiment : - This Topic Includes A Briefed Historical Reading for The Facts of the Iraqi Movies Production Movement & the Economical & Political Circumstances , Its Divided To Three Periods ; - 1st - From The Year 1946 till the year 1959.2nd - From The Year 1959 till the year 1975.3rd - From The Year 1975till the year 2003. And Remembering some of Jaafer Ali Four Documentary Films Which are : - 1 - The Collector ( Al - Jabi).2 - The Turn ( Al - Munaataph).3 - Years of Life ( Sanwat Al Omer).4 - Narcissi The Bride of Kurdistan ( Narjes Arws Kurdstan).And Two Feature Films are : - 1 - Women & Work ( Al - Maraa Wal Ameel ).2 - Askerrian Shrimp ( Al Rawdaa Al - Askerrian ). This Topic Also Shows The Foundational Role of Jaafer Ali To Establish The Department of Cinema In The College of Fine Arts.The 4TH chapter consists of the research procedures including the Research s' sample that the Researcher analysis of the samples.And The Most Important Results That The Researcher Have Included : - 1 - In Spite of the Specialty of the Research s' sample By Its Narrative Construct & the Shortening of the Dramatic Act but was Able to show the daily life of the Iraqi people & its Suffering through a Bus Journey in The Film The Collector ( Al - Jabi) , & The Political & Social & Economic Reality For The Country & The Agony of The Iraqi Culturist In the Shadow of These Circumstances in the Film The Turn ( Al - Munaataph).2 - It Was Clearly Obvious the Effect of the Poverty & the Lack of Techniques that used in these Film Samples Which Reflected on the General Artistic Shape To The film , For This Lack Had Sustained The Camera Freedom In Movement & Taking More Expressional Angles , & This Lack Also Reflected In The Lightening Composing In A Amount of Scenes Especially The Night Vision Scenes For the Most Was Humble & Modest.

الاتجاهات المعاصرة لفن الخزف العراقي وامكانية توظيفها في مشاريع طلبة الفخار - معهد الفنون الجميلة == Contemporary Orientation of Iraqi Ceramic And Ability To Employment In Project of Student of Ceramic\Institute of Fine Arts

اسم المؤلف: هند عبد الجبار عبد الكريم
اسم المشرف: نبراس احمد جاسم الربيعي
الموضوع العام: الفنون الجميلة
السنة: 2012
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: التعليم مشروع انساني يرمي الى هدف مساعدة الافراد على التعلم، والى احداث تغيير مرغوب فيه في سلوكهم، ويرمي ايضا الى اثارة دافعيتهم للتعلم من طريق مجموعة من النشاطات والقرارات التي يتخذها المعلم، او الطالب في الموقف التعليمي في اثناء التركيز والاهتمام بطرائ | Humane education project aims to help individuals learn, and change undesirable behaviour, and also aims to raise davaithm for learning through a variety of activities and decisions taken by a teacher or student in the educational position through focus and interest in teaching methods and techniques in order to achieve objectives which seek to develop capabilities and creativity learner able to discover new horizons in reality promotes all aspects (physical, mental, cognitive, and emotional skills, and professional). Educational institutions, including the fine arts institutes that have a significant role in the community being interested in preparing almlakatalalmet and functional in various disciplines, these institutions a distinct role in the construction of teacher's educational, socially and technically and contribute to the creation of specialized technical elements of education and work in the fields of art, and was responsible for leading the Renaissance and broaden scientific knowledge, through the introduction of ways and means and methods in software setup and keep pace with the technological knowledge and waladatrad occurs in the world, including instructional design.Based on the foregoing, the present research aims to : 1. detect trends of contemporary ceramic art.2. design tutorial on contemporary trends of ceramic art based on the Iraqi paradigm (Kaneh webrgs 1988 (Gagne&Briggs in instructional design.3. measuring the effectiveness of tutorial its knowledge and skills through tested on a sample of students grade 5 - BR - Department of fine arts pottery for the academic year 2011 - 2012. So the researcher designed the educational paradigm (Kaneh webrgs Gagne & Briggs, 1988) contains (4) modules are (raw materials and supplies necessary to prepare dirt, methods of forming Tina pottery, modern art trends, trends and contemporary styles of ceramic art) include (4) learning objectives have been analysed to behaviorally target (70) and reality (13) target behaviorally for first and education unit (17) behavioral goals for second and education unit (8) behavioral goals for third and education unit (32) targeted behaviour of education unit, fourth and knowledge skills represent a dynamic and compassionate. Current research community were selected from students grade 5 Br. pottery - Arts - College of fine arts - study of morning (10) students, the entire community was chosen as a sample of application experience accredited by the researcher. As the current search experimental method was adopted, and it has been chosen as experimental design with a minimum of one sample exactly tests being compatible with tribal walbadi current search procedures which aims to know the effectiveness of tutorial material porcelain. For the purpose of measuring the effectiveness of this program is designed for two types of first tests to measure information collecting knowledge acquired by students and second Maharey measured mediation skill performance evaluation form prepared for that purpose, as these tools have been made subject to the procedure for validity and reliability. To show search results reached by the researcher used the following statistical means (test welkoksn), to show the differences between students in the experimental group, and tribal webadia equation (coefficient of difficulty, discrimination) to analyze cognitive achievement test paragraphs and equalization (Cooper) to find agreement among the arbitrators as well as foremen in the process of performance evaluation form stability, furthermore the researcher to use equation (kiodr Richardson/20) to consistently test cognitive achievement.The most important findings of the researcher, are : 1. The superiority of the experimental group students who applied them tutorial in test marketing post, due to the educational experiences provided in the tutorial.2. the superiority of the experimental group students (the experimental group) students who applied them in skill test tutorial post, due to a sequence of technical skills within the ceramic prepared tutorial content.The researcher has recommended a series of recommendations including : 1. adoption of the tutorial the designer in current research in relevant educational institutions (institutes of fine arts) and the teacher) taught by ceramic material to prove its effectiveness and its ability to develop the skills of students.2. training of teachers and teachers of art education teaching personnel within art education schools secondary technical skills of ceramics as one of the goals of professional education for the purpose of developing the skills of their students in this area.3. use professional skills development centres of the Ministry of education and higher education and scientific research of instructional design (tutorial) prepared in current research on the paradigm webrgs Kaneh/1988, and its use in the design of other subjects to prove its effectiveness.

اشكالية الخطاب الجمالي للجسد في النحت العالمي المعاصر : دراسة على وفق المنهج الظاهراتي == The Paradox of Aesthetic Discourse of The Body In The Contemporary World Sculpture

اسم المؤلف: احمد جمعة زبون
اسم المشرف: سعد علي يوسف البصري
الموضوع العام: الفنون الجميلة
السنة: 2012
الموضوع الدقيق: النحت
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: مع تطور الخطاب الجمالي منذ الحداثة وما قبلها وما بعدها، حدثت تحولات كبيرة في تداول الجسد كمفردة اساسية اعتمدها خطاب الصورة البلاغية بشكل عام، مما ادى الى ظهور انواع جديدة في الخطاب الجمالي المعاصر، فقد ظهرت تحولات في بنية المعرفة والفكر. وحدثت انتقالات ه | After apparent progress for physical studies in the philosophical field in general, Especially studies the phenomenology When German philosopher (Edmund Husserl : 1938 - 1859), who is the founder of thinking about the phenomenology in general and physical phenomenon in particular, When contemporary German philosopher (Martin Heidegger : 1889 - 1976) and French (Maurice Merleau ponty : 1908 - 1961).On the one hand, and on the other remarkable progress and growing in the field of plastic optical applications, Sculpture. We study subject in five chapters as follows : - Chapter One : Interested in the first quarter to the theoretical concepts of the curriculum which is located in the five points, the first point concerned the concept of discourse and physical discourse, and we said the letter was based on the body from the beginning, even before that there will be a philosophy or knowledge of the organization. As for the second point concerned the phenomenological concept of discourse, and we at this point the most important pillars upon which the (Edmund Husserl) in building a descriptive weak concept. In the third point we disclose the regarding curriculum phenomenological, then we show sayings about body philosophical when thinkers phenomenology, and it turned out that phenomenology alone is not sufficient to run this study, which led to the study of the theory of existence (ontology) as an extra item of philosophy phenomenology, and this is the fifth point.the second chapter : we discuss the phenomenal transformation of aesthetic body of the speech in the Fine Arts, in three sections : - First research the phenomenology of transformation between concept and application.The second topic special look to the concept of aesthetic discourse of the body and transformations applied.The third topic phenomenology of aesthetic discourse between the subject and body not - subject, and the fact and non - fact.The third chapter : concentrates to study the body in modern art and is located in two sections, we discussed in the first concept of modernity historically and intellectually, aesthetically, and in the second we discussed aesthetic discourse of the body in modern art trends.The fourth chapter : I discuss the aesthetic discourse of the body in the formation of what is modern and, post modernity and contemporary is located in two sections, the first devoted to the study of postmodernism as a concept and as a theory and the second devoted to performing trend analysis and activating the body's discourse and from multiple angles.The fifth chapter : devoted to the study of the physical and aesthetic phenomenology as below : - Tattoo artArt performanceArt of photographyDigital SculptureAesthetic phenomenology rhetoric of the body in contemporary sculptureAs well as other trends in contemporary artAnd we went out with the most important results : - - That the body is the actor in the entire axis of Fine Arts - Body determines an individual's identity and ethnic identity social, economic and other - Body is a cosmetic project can not be extinction.These are the joints about the body in the arts.

تقنيات الذكاء الاصطناعي وفاعليتها في تجاوز المشترط التصميمي == Artificial Intelligence Techniques And Effectiveness In Overcoming Designs Requirements

اسم المؤلف: سامر عبد المجيد حميد
اسم المشرف: هدى محمود عمر
الموضوع العام: الفنون الجميلة
السنة: 2012
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: هذا البحث (تقنيات الذكاء الاصطناعي وفاعليتها في تجاوز المشترط التصميمي)، يتناول تاثير التقنيات الذكية على نظم تصاميم المنتجات وفاعليتها في تحرير المصممين والمنتجين من قيود واشتراطات العملية التصميمية. اذ تاتي اهمية هذا الموضوع نتيجة للتطور التكنولوجي في م | This research (Artificial Intelligence techniques and effectiveness in overcoming designs Requirements) deals with Smart technologies impact on product design systems and effectiveness in Unlocking designers and producers from the constraints of the design and operation requirements. The importance of this topic as a result of technological development in the field of high technologies capabilities, The research problem been identified by asking for the possibility fact of been smart technologies are the basis for built upon design (formally and functionally) in the future? The research aims to provide specialized knowledge of these techniques, and to specify trends of industrial products and designs according to the employment of these systems design techniques in the realms of form and functionality. The limits of this study include (Smart) electronic, electrical devices for the Korean company Samsung for the year 2012 , those are available in local markets in Baghdad. and the study contained four chapters, the first one included of the importance of research and the need for it as well as the research problem and the objectives and the limits and the specify of the terms. The second chapter has included previous studies and the theoretical frame, which contains three sections first interested in the concepts and the principles and the mechanisms of intelligence and the artificial intelligence, and the second included the smart technologies and the their use in products, and a third which interested in the design requirement definition and the types of it.The third chapter, which included measures search for community wide study based test (intentional) of the study population samples and descriptive analysis approach through analysis form after its presentation to a group of experts. And which is one of the most convenient ways to achieve the goals of the study.Chapter dealt with the description and analysis of models according to the analysis form designed by the researcher, the fourth chapter included number of results, and the most important : 1. the axis of change ranges in the product - according to the employ smart technologies and their impact on the product - was achieved well by 60% in models (1 - 2 - 3) which showed a change in the form according to the employ smart technologies in their systems, while not achieved by 40% in the two models (4 - 5) to form models remain on its traditional designs despite employ techniques in their systems.2. Change ranges Achieved on the performance of the product - according to the employment of smart technologies and their impact by100% in all models (1 - 2 - 3 - 4 - 5) ,and these technologies affect the performance and design functions primarily reflected the effect on the rest of the design aspects of the system.The most important conclusions drawn in the search : 1. A lot of elements and components of the general form of a smart device transformed from the material system (Hard ware) informational System (Soft ware) according to make them individual automated (automatic), Resulting to Reduction their sizes too much.2. Design Systems of the smart products characterized by fast performance interaction with the surrounding middle which making them time - saving products from aspects of the setup and control for achieving efficiency, and high ease of use.3. Portability and feature of changing elements & formalities which offered by display units and sensing at once (touch screens) gives great variety in the general form, and liberalization from the usual requirements for elements of form to the same device (keyboard & Normal screen), showing the desired and hide the rest.Also contain the suggestions and recommendations and then references.

جماليات الفوتوغراف في الرسم الانطباعي

اسم المؤلف: علي اسماعيل سبتي الكرعاوي
اسم المشرف: عاصم عبد الامير الاعسم
الموضوع العام: الفنون الجميلة
السنة: 2012
الموضوع الدقيق: الفنون التشكيلية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

البيئة وتحولاتها في تشكيل الرؤية الاخراجية == Environment And Its Transformations In The Formation of Directorial Vision

اسم المؤلف: حسين جوير علي
اسم المشرف: سعد عبد الكريم خيون
الموضوع العام: الفنون الجميلة
السنة: 2014
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: شكلت عروض البيئة وتحولاتها في تشكيل الرؤية الاخراجية خروجا على الثوابت الارسطية في بناء العرض المسرحي فقد عمد مخرجو المسرح البيئي الى تدوير البنية الدرامية للعرض المسرحي وجعلها متحركة لا تعرف الثبات اذ ازاحوا النهايات التقليدية.ان هذا الامتياز في بناء ا | The Performances environment and its transformations in the formation of directorial vision are formed departure from the Aristotelianism constants in the theater building was deliberately environmental theater directors to rotate the dramatic structure of the text and make it theatrical Animations do not know where steadiness ousted traditional endings.This concession to build a theater. Who created play spaces based on reductionism and abstraction and condensation. Thus, this method is to create a space theater has established for environmental performance today and directorial spaces and transformations in the environment through the formation of directorial vision to create a surprising aesthetic Offers in environmental theater. Eliminated the constants in the construction of the recipient and intellectual provocation formed an ongoing awareness of the recipient and the recipient revealed post and effectiveness in the theater, a goal sought by the environmental theater performances. Environment was the play space are proposed in the conversion and the formation of directorial vision and containing effective weather aesthetic display of theatrical and so did the participation of the recipient to unite the receiver with the effectiveness of the theatrical presentation. Researcher sheds light on in his four seasons in the first chapter (methodological framework) presents the research problem and the need to focus on the following question : Is the environment and the effectiveness of the its transformations in the formation of directorial vision?The research aims to identify the effectiveness of the environment and its transformations in the formation of directorial vision. Researcher has identified a theoretical framework (Chapter II) in three sections : 1. Conceptual environment. 2. The environment and aesthetics of theatrical space. 3. Employ architectural space and environmental Performances.Have been identified through this chapter on the environment and its transformations play intellectually and aesthetically, as well as elements of the establishment of the environment in the directorial styles of both (Richard Chnr, Petrbruk, Arto) and enables the researcher then stand on the theoretical framework of indicators, including : Environment and its transformations (Trans for made space) are that the filmmaker creates a structure width through reconfiguration and replacement of its space carefully selected to create a theatrical Creator. Hired directors rituals in their environments Created play two proposals have a distinctive form and adapted methods and techniques so festive, religious and non - religious, but subject to the understanding of contemporary theatrical techniques and adopted by the researcher as tools for the analysis of research samples.The third chapter contains the search procedures, which included : the research community and specimens, tools and methodology descriptive analysis of three directors : 1. Awni Karome 2. Adel Karim, Salah Kasab. The fourth chapter contains the results and discussion, conclusions, recommendations and suggestions, and then the list of sources, references and appendices and a abstract of research in the English language

ملامح الاداء التمثيلي في المسرح التجريبي وتطبيقاته في عروض كلية الفنون الجميلة == Performance Analog Features In The Experimental Stage And Its Applications Offers In The Faculty of Fine Arts

اسم المؤلف: بهاء زهير كاظم
اسم المشرف: عبد المنعم فتحي خطاوي
الموضوع العام: الفنون الجميلة
السنة: 2012
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ينقسم البحث الموسوم (( ملامح الاداء التمثيلي في المسرح التجريبي وتطبيقاته في عروض كلية الفنون الجميلة )) على اربعة فصول , يتضمن الفصل الاول الاطار المنهجي من خلال مشكلة البحث والحاجة اليه واهمية, البحث, وهدفه, وحدوده, ومن ثم تحديد المصطلحات.اما الفصل ال | Research is divided into marked ((features of the performing arts in the experimental stage and its applications offerings in the Faculty of Fine Arts)) to the four chapters, Chapter I of the methodological framework of the research problem and the need to and importance of research and its purpose and its limits, and then determine the terms.The second chapter included the theoretical framework of the research component of Mbgesan, the first title (experimentation through the ages), which dealt with the technological development at the level of presentation and method Alokhraja when each of the (Greeks and Romans in the Middle Ages and the Renaissance In the twentieth century). While addressing the second part (according to the mechanisms of representative performance of schools and recent trends). Mechanism of action of representative directors at the most important theater of the twentieth century, including (Jersey Grotovski and Maerhold and Bertolt Brecht and Peter Brook and Eugenio Barba and some of the trends and modern schools).The third chapter (action research) research community, which defined within the time period of the year (2005 to 2011) and samples of research that have been selected through the application form (questionnaire) which was distributed on (Stth century) competent professors from the Department of Performing Arts and the result was the selection (three ) performances won the most votes to be samples of research, namely, (a play set up Waasitiyyah) by Dr. Akil Mahdi Yousif and directed by Dr. Zuhair Kazem, and (a play that is what happened when we were waiting for) the number and directed by Dr. strict in, and quoted from the play (Waiting for Godot) to Samuel Beckett. And (play field) written and directed by Dr. Akil Mahdi Yusuf. The researcher adopted a descriptive approach for the analysis of his samples by relying on CDs and watch kind of plays and interviews.The fourth chapter has dealt with the results of research and discussion, conclusions and then the recommendations and proposals and then the list of sources and references and a list of supplements that included a model of form (questionnaire) and photographs of some of the scenes drama

الاسطورة في النحت العراقي المعاصر == Myth In Contemporary Iraqi Sculpture

اسم المؤلف: طالب محسن رهيف
اسم المشرف: مرتضى عبود شهاب حداد
الموضوع العام: الفنون الجميلة
السنة: 2012
الموضوع الدقيق: النحت
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: استهدفت الدراسة الكشف عن مضامين الاساطير العراقية والدلالات الرمزية الاسطورية التي استلهمت في النحت العراقي المعاصر. وهي في اربعة فصول خصص الاول منها الى الاطار المنهجي، الذي شمل مشكلة البحث واهميته وحدوده واهدافه، ثم تحديد لاهم المصطلحات فيه. والفصل الث | This study aimed to know and learn about the contemporary Iraqi sculpture Which inspired by Iraqi legends. and to study these sculptural pieces of art.The study contains four chapters : First chapter explains the importance and need for the study and also it's objectives and scope. The researcher define some important expressions and term used in the study. Second chapter consists four sections : Section one studies the concept of the legend and it's causes of emergence and discusses the relation between and superstitions. Section two study Iraqi legend according to historical periods. The researcher here divides it into tow groups : 1 - Ancient legends.2 - Legends before and after Islam.Section three discusses the relation between legend and sculpture, some examples of sculptural pieces of art relating to some important ancient cultures were also mentioned with a brief presentation of the history of Iraqi sculpture and the effect of legend on it. Section four about the contemporary Iraqi sculpture Chapter three begins in collecting information and photographs about Iraqi sculptural pieces of art which are basically inspired by legends after this scanning of the materialistic evidence of the research was done starting with first work finished in 1950 until the end of 1992. The total number of works was 63 pieces created by 12 Iraqi contemporary sculptures. The researcher selected 20 works out of the whole as specimen for study, and the conclusion he reached resemble direct answers to the objectives of the study, and was introduced together with suggestions and recommendations in chapter four. About the first aimed , there are 63 sculpture works inspired by legends, done by 12 Iraqi sculpture. The number of sculpture works inspired by legend of the first group (ancient Iraqi legend) is 48 sculpture works. And there are 13 pieces sculpture works taken from Iraqi legends of the second group most of them taken from the tales of (thousand nights and night). The remainder is two pieces of sculpture works taken from both groups, and they are

جماليات القبح في نتاجات فن ما بعد الحداثة == Ugliness Aestheticisms In The Products of Art Beyond Modernism

اسم المؤلف: سندس محمد عبد الامير
اسم المشرف: علي شناوة وادي
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الفنون التشكيلية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The current research entitled ( ugliness aestheticisms in the products of art beyond modernism ) , It has searched the ugliness in philosophical thought and finding out the existing dialectic between beauty and ugliness and its role in direction work mechanisms in the motions of modern art and beyond the modern ( drawing and sculpturing ). The research has included four chapters. The first one was interested in methodical frame of the research represented by research problem which wasobvious through an ambiguity that arouse many questions such as : - How have the aesthetic understanding theses of ugliness been formed in the products of art beyond modernism ? Do such aestheticisms represent an attractive phenomenon in art beyond modernism ? What are the representations on the level of contents , meanings , forms , styles and techniques ? And what is the amount of connection of such works in phenomena and intellectual , social , political and economical concepts and new explicit prospects within a society beyond industry and its share beyond modernism as a modern urgent necessities ? And the amount of what have ugliness aestheticisms formed from displacement areas in aesthetic received processes.The first chapter through acknowledging the ugliness aestheticisms in the products of art beyond modernism. While the research limitations are restricted on the study of ugliness concept in the art beyond modernism ( drawing and sculpture ) represented by products of ( nonobjective expressionism , popular art , flocks , the art of body and graphite art ) which appeared in USA and Europe in the era ( 1945 - 2010 ).Chapter two has included the theoretical frame which contained three topics , the first one dealt with two pivots , the first pivot included the ugliness philosophically , through browsing the philosophers' opinions beginning of ( Heraclites') and ending to the opinions of modern philosophers. The second pivot concluded to show beauty and ugliness dialectician within analytical philosophical , knowledgeable , aesthetic and psychological vision. The second topic occurs in two pivots.The first one included the beautiful and ugly in modern European painting , the second dealt with the beautiful and ugly in modern European sculpture while the third topic is concerned with the study of ugliness features in two pivots , the first one contained the ugliness features in the art beyond modernism and the second pivot contained the ugliness features in the sculpture beyond modernism. Chapter two concluded with showing the indications to be useful in constructing the devise of the research and analyzing the samples.Chapter three has included the research procedures that contain the whole research , the sample and the nature of the device of the research , research method and used statistic means then analyzing the sample which includes ( 17 ) artistic works.Chapter four has included the research results and conclusions , moreover ; recommendations and suggestions. The most significant results that the research has reached are : - 1 - The structure of implemented artistic view that concerns with ugliness concept leads to make a fierce shock for the receiver in attempt to express the current image of reality and disclosing what are not declared in the meaning that delete the art beyond modernism any ascendant traditional aestheticism.2 - There are products with hostile dye that arise the hatred through pushing the shapes to break into the social conflicts and disclosing the destruction of ideological systems over indications that show the refusal state for cruelty of a society beyond the industry.3 - The ugliness depends in products the art beyond modernism on artistic change through activating the distorted rejected shapes which lead to more deeper disputes and universality for social conflicts within ( Oulama ) by describing it as a valuable system that could move the constant concepts round traditional beauty with all its procedural , technical existence and to fix the concept of non - aesthetic across devoting the theses structure that give changeable aesthetics for promised ones. It is not able to repeat the formation of artistic performance due to ideal features for traditional art time but it attempts through returning the formation of shapes by distorted way to put the shapes in compound components that make easy to arouse the aesthetic understandingcombined with ugly shape. 4 - The products of arts that concern ugliness aestheticisms in art beyond modernism have the ability to invest the subjects that could arouse the sensitivity of receiver towards the human image infringement that make the works empty of human andmoral values through making the implemented art structure loose from any moral and human evaluation in an attempt to present meanings taken from social immoral life to express the human crisis who is threatened by lost in social framesubmitted to weak broken construction. The most significant conclusions that the research has reached are : - 1 - The ugliness aestheticisms are making with the subjects represented by ( violence and political , economical and social cruelty ) tearing the Arab self and its declination and western society with all its distortions , dispersion and lost.2 - The ugliness aestheticisms are trying to express the torn realistic image through dissociation the reality parts and divide them then reconstruct due to view that arouse the sensitivity of receiver towards a lot of truths and human , culturaland political accidents.3 - The ugliness aestheticisms acquire their new descriptions through connection with shapes that express the disorder limitations for living reality. The researcher has referred to a group of re

امكانية استخدام الاطيان النهرية لانتاج انواع من زجاج الخزف عالي الحرارة == Possibility Usage of Clays Rivers To Produce Kinds of High Temperature Ceramic Glaze

اسم المؤلف: طه حنش سلمان الربيعي
اسم المشرف: محمد عبد الحسين العريبي
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الخزف
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يتناول البحث امكانية استخدام الاطيان النهرية المحلية في انتاج انواع من الزجاج عالي الحرارة، وقد حددت طينة خان بني سعد النهرية الحمراء، اذ اخذت كمية من الطينة وتم غسلها وتنقيتها من الشوائب والرمال الخشنة بطريقة الترسيب، وحرقت بدرجة حرارة (700) ( كلسنة ) | The research the possibility of using arable land river local produce kinds of glass, high temperature, have been identified Tine Khan Bani Saad, the river red, where it has a quantity of this clay has been washed and cleaned of impurities and coarse sand in a deposition, and burned at a temperature (700) (calcinations) to get rid plasticity of clay and organic matter after what appeared a problem secede from the body layer of glaze pottery at the application stage of drought (before Firing). Were evaluated the results of initial trials by relying on chemical analysis has been attributed Tina to (Unity Formula) to find out the percentage of vehicles and determine the type of treatment, addition, and make up the shortfall, with a number of processors through the addition of materials used in the composition of glass as material modified the sand silicosis (Erdma ) and Kaalin Duejlh and feldspar Iraqi and feldspar Mxidized which was added in different proportions to the clay, and burned models with varying temperature of the three (1230 m - 1260 m - 1290 m), where the effect of oxides of coloring in the installation of clay and a clear transparent glass, and seemed colors green olive to the honey - colored and dark brown.Was conducted several tests on laboratory models of glass, the most important examination of hardness, abrasion resistance and testing, resistance to chemicals, metal detector. Found during the tests and experiments that the most important factors to form glass cooked at high temperatures of the clay used in the research was to balance the rates of oxides falling within the composition according to the law of the unity of the formula (Unity Formula), and found by experience that there is a difference in the fusion of materials and lack of homogeneity and their interaction enough at certain temperatures there is more than a glass phase in the liquid molten glass, and increased rates of added silica and alumina caused the increase of degrees of maturity and fusion, as well as high hardness of glass and its resistance to scratching and acids. As the examination (X.R.D) crystallization of new minerals after all components of the glass melting temperature specified in the search except the temperature of 1290 AD as any metal did not materialize because of a new high - temperature melting and destroying the Shabak and the full crystal glass.

تقويم النشاط الفني للمنتديات الشبابية التابعة لوزارة الشباب والرياضة == Evaluation of Artistic Activity In Youth Forums of The Ministry of Youth And Sports

اسم المؤلف: علي وجر علاوي الساعدي
اسم المشرف: فؤاد علي حارز الصالحي
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يستمد التقويم اهميته الاساسية في مختلف الميادين من ضرورة الاعتماد عليه في قياس مدى تحقق الاهداف المنشودة من كل نشاط، والكشف عن المواهب وتمييز اصحاب الاستعدادات والميول الخاصة وذوي القدرات والمهارات الممتازة، ويعد التقويم ركنا مهما من اركان التخطيط لان | Derives evaluation of fundamental importance in various fields from the need to rely upon to measure and assess the extent to which the objectives of each activity, and disclosure of talent and distinction holders preparations and likings and abilities and skills excellent, as is the evaluation an important component of planning because it is closely related to the follow - up results and detection all aspects of the power to confirm and higher, including standing on the weaknesses of the treated or modified, and the importance of calendar we are facing a continuously changing and enormous knowledge, concepts, facts and theories, and advanced techniques, which led to change many of the concepts and trends in all the humanities and in all areas, including the technical activities which is one of the means used to guide the youth guidance intellectually and organizationally, in union with the exercise of activities that depend hobby and desire to initial them, and naturally their abilities and attitudes are associated with this process, the objectives set and identified for the movement of young people in the service of the State's goals, and building on, the current research aims to ((evaluation of Technical activity Forums youth of the Ministry of Youth and Sport)) determined by the directorates of Youth and Sports of Baghdad and the provinces except the provinces of Kurdistan, was the importance of research explaining the reasons thatprompted the researcher to choose this field of research, was also clarified the aspects that contribute to research in the promotion of the field of youth work.The theoretical framework came to covering the relevant aspects of the subject matter represented by b (theoretical concepts about the evaluation, and creativity, and the importance of artistic activity in young adulthood, and his contributions to the development and community building) as well as previous studies and the experiences of some Arab countries and the world.The third chapter measures would research was based on the research methodology, which consisted of appointed (50) supervisor and coach for the Arts Forum on the distributors to the young people of Youth and Sports Directorate provinces, the rate Was eliminated after Non - specialists, including, by (13) supervisor and coach for the Arts of Baghdad province and (12) supervisor and coach Art from the provinces of the northern region (13) the supervisor and coach Art from the provinces of the Middle Euphrates region and (12) supervisor and coach Art from the provinces of the southern region..The researcher used (personal interview) and (note) and (content analysis and documentation), and (resolution) as a tool for information gathering, was composed of (120) paragraphaddressed to the administrators and coaches of the arts, and distributed these paragraphs on four areas : 1 - The field of visual activity and ensure (30) paragraph. 2 - The field of theatrical activity and ensure (30) paragraph. 3 - The area of musical activity and ensure (30) paragraph. 4 - Film and television and included ( 30 ) paragraph. He received (the researcher) of the sincerity of the tool through the presentation to a group of experts with competence in the arts and art education and teaching methods, and applied as the final resolution on the sample.To address the statistical data, use the (researcher) Pearson's correlation coefficient to extract the stability, and the Fisher equation to find the unity of the paragraph, as well as the weight percentage to indicate the value of each paragraph of the resolution.The search results were displayed after arranging all the paragraphs according to the degree of severity of the highest degree of unity to the lowest degree of unity. Were arranged areas of the four calendar by decreasing the average degree of intensity for each of the circles, where the occupied area of activity, followed by the first plastic film and television, which occupied the second place, while the field of theatrical activity took third place and won the field of musical activity, Respectively, the fourthConclusion of the research was a series of recommendations and proposals which would in estimating the researcher to contribute in the service of scientific research, including : - 1 - strengthening the media's side, because of its impact and its contribution to educating the community in providing care for youth groups of all ages and help them scientifically, culturally, socially, and organizing their leisure time activities which develop their talents and skills.2 - Greater coordination and joint technical cooperation with other institutions, for the purpose of promoting student attendance and youth in various artistic activities.3 - Provide the tools and supplies, equipment and modern technical equipment for each activity.4 - To provide resources and technical books and magazines those contribute to diverse artistic culture in the development of young people.5 - Select a specialist academic staff for each area of artistic activity. 6 - Plan to include the central vocabulary reflect the academic and technical characteristics of young people through the definition of the cultural heritage of Iraqi art and the Arab and Islamic world and its features in reading and analyzing works of art, and artistic theories which explained the art and beauty.7 - Adoption of the evaluation tool to measure the technical skills as a scientific tool to evaluate performance objectively and disclose the extent of success in achieving the goals set for each activity. 8 - Dissemination of scientific culture and encourage young people to innovate and develop new applications in the field of technology and promote computer skills and employed in works of artProposals : - 1 - a study on the reasons for the reluctance of young people for the exercise of artistic activities in the youth forums.2 - A proposed program of art education in the youth organizations in Iraq.3 - The role of government institutions in maintaining the cultural and artistic identity of a young Arab in light of the challenges of globalization.

سينوغرافيا التشكيل النحتي لما بعد الحداثة : دراسة تحليلية == Scenography of The Sculpture Formation For Post - Modernism (Analytical Studies)

اسم المؤلف: قاسم مرشد ذرب
اسم المشرف: نجم عبد حيدر الجنديل
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: النحت
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تعد السينوغرافيا ظاهرة فنية حداثوية تالقت على نحو واسع بعد الحرب العالمية الثانية وانتسبت الى ما بعد الحداثة حتى ان الكثير من الباحثين في فنون ما بعد الحداثة يعدون هذه الفنون فنونا سينوغرافية تعتمد مركبات متفاعلة متداخلة في الية الاظهار وفي نظم التاويل ال | Scenography is a modern phenomena which has been remarkable after WWII and is attributed to post - modernism, that many post - modernism researchers regard this art as a scenographic art which depend on interrelated in the mechanism of showing and in the systems of interpretation which move opening between the artists, as the producer and the first reader and the masses of receivers as readers effecting the level of intervention. Scenography is a system of aesthetic to itself to the action of performance in manifesting in its techniques even if its interlinked with the system of its connection to the artistic work as the idea and the concept and emitting of meaning and the mechanism of connection. When the researcher was aware of the scenography in sculpting and looked for it. He found that subject is worth studying for master degree in addition to the increasing of the problem. The researcher tried hard to end that or at least to reduce. Thus, the researcher preferred with all effort to investigate and excavate the prospect in the formal structure for the shape in the post - modernism.This study did not aim at employing post - modernism scenography as a mechanism of description and analysis of the sculpting art only. It also confides it into narrow limits and applications realized and or supposed on the display and applied levels.The researcher managed to shed light through the basis and point of the scientific research and mechanism in its theoretical frame. In the second Chapter his study, the researcher shed light on searching for the concept of scenography and the origin and the hisotricla background for it and the environment as one of the milestones and elements of the scenographic structure in the first theme, and to reveal the history of scenography in the academic and critical references and the points of occupation and the points of agreement and disagreement in language and the application. And to reveal the historical root of the concept and the history of its development and mechanisms in addition to investigating the relationship between it and the other plastic arts and the art of sculpting specifically. In the second theme of studying the basic concept and the philosophical of post - modernism art and the connecting relationship the idea of post - modernism as a philosophy and post - modernism as an application that requires scenography and its reaction in that artistic performance on the level of analysis in the scenography thinking in addition to its stylistic references.The third theme is to reveal the bases and point and trends of post - modernism and its references and the relationship connecting it with the scenography as a mechanism and structure and the showing and display. Then the fourth theme the researcher reveals the institutions of analysis. He introduced a summary of what resulted in the First and second chapters which would achieve to the researcher of the samples which would achieve the result, objectives and the requirements of the scientific research.After completing the procedural, cognitive and intellectual requirements, the researcher then moves to the third chapter represented in procedure as the description and choosing a purpose sample out of the community of study according to the models.Finally, the results and conclusions which the researcher has arrived to and recommendations in the fourth chapter of the study

تحولات القراءة الجمالية للخطاب البصري في عروض عقيل مهدي المسرحية == The Trans Formations of Aesthetic Reading For Visual Speech In Aqeel Mahdi'S Plays

اسم المؤلف: وسام مهدي كاظم
اسم المشرف: محمد عبد الرحمن الجبوري
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الفنون المسرحية - تقنيات
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يعد المسرح واحدا من الاكتشافات الخاضعة والممتلئة بالاحالات، كما انه يتمتع بخاصية معرفية جمالية تنتج له القدرة على تقديم مفاهيم جمالية بقراءات معاصرة ذات خطابات بصرية تنقل من خلالها الخطابات الادبية، الى منطقة الرؤية والتحليل. ان مفهوم القراءة والقراءة | Theatre is regarded as one of the discoveries that Subjected to referrals and filled with them. It enjoys with an aesthetic and cognitive property that enables it to present aesthetic concepts with modern reading having visual speeches through which trans forms literary speeches to area of vision and analysis. The concept reading and contemporary reading has ability to deconstruct any speech whether it is literary or pictorial. It is the Medium through which transformation passes with its semantic and significant Concepts. Today, theatre moves side by side with modern discovery in this world indeed, it has ability to benefit from some discoveries to introduce them in the fabric of its theatrical performance in a form harmonized with the requirements of the age. The Visual speech is a cognitive, artistic and technical concern to establish a cultural system which is a communicative channel between sender and receiver. It is not a new phenomenon , but its roots dated back to Greek civilization , developed by discoveries that occurred in all fields of knowledge in general, and theatre in particular. That process exposed to a lot of transformations that helped in discovering multiple readings Strengthened by a visual speech that gave to the system of theatrical performance new forms and implications. These readings and trans formations had Various concerts, some of their sides exposed to dilemmas, So there was a need to solve them. Based on that, the researcher determined the problem of his research entitled " The Trans formations of Aesthetic Reading for visual speech in Aqeel Mahdi's Plays". The research consists of four chapters : The first chapter includes the problem of the research and the need to moke it (Study and analysis of the transformations of Aesthetic Reading for visual speech in Aqeel Mahdi's Plays). The researcher also determined the goal of his research by revealing the aesthetics of visual speech and its reading trans formation in Aqeel Mahdi's Plays. The importance of the research lies in highlighting unknown sides in the Visuality of the plays. The researcher determined the determinants of his research as follows : Time determinants : All Aqeel Mahdi's Plays presented since the first play till the moment of writing this research - Objective determinants : These are Aqeel Mahdi's Plays that Characterized with the transformations of aesthetic reading for the visual speech. The researcher determined his research terms and defined them, selecting to them procedural definition : "Transformation, Reading visual speech". The Second chapter divided in to four parts : the first one contaned the concept of Visual Speech. It began with a cognitive sequence and mental, artistic and technical analysis, then the researcher dealt with the dilemma of visual speech according to numerous concepts, finally, he dealt with the general concept of finally, he dealt with the general concept of visual speech in the system of theatrical performance. The Second part of the Second chapter was entitled "The Aesthetic of visual lmage" , Firstly the part explained the aesthetic of visual image according to the concept of image culture, then it presented the aesthetics of visual image in theatrical performance according to Some modern theatrical experiments. The third part was about the visual speech with a preface, then it dealt with intellectual and aesthetic complex for visual speech. It also dealt with the elements of visual formation in the play. The final or the fourth part dealt with aesthetic reading in Ageel Mahdi's Plays and with his theatrical experiment on the level of writing, theorizing, direction and what associated with it as aesthetic, philosophical and technical aspects. This part also included the previous studies and indications which produced theortical frame , the most import ant of them are : 1 - Visual Speech has components, the most important of them is image in its meanings and significance associated with searching for keys to decode the symbols of that speech.2 - Place and space regarded as two important elements of formation of visual speech in performance.3 - The most important domain of the philosophical, artistical, intellectual and aesthetic domains that affect the creative system for Aqeel Mahdi's dependend on the pvinciple of Civilizatons dialogue. The third chapter included the procedures of the research containing the research Popucation Methodology and tools of research in addition to research samples in addition to research Samples including the followings : 1 - Performance of "Gorilla" Play.2 - Performance of "Jeanne d'ASrc" Play.3 - Performance of "Bedouin and orientalist Play".4 - Performance of "Ali Al - wardi and his rival Play".5 - Performance of "Cobbler" Play. Some tools used to analyse these samples are as follows : 1 - The theoretical frame and its implications.2 - Photographs.3 - Compact discs "C. D"4 - Papers "What was written a bout the plays.5 - Observation. Then, these samples were analysed by the researcher to indicate the transformation of aesthetic reading for visual speech in Aqeel Mahdi's Plays. The fourth chapter contained the findings and their discussion , for example : 1 - Using Space and place as essential elements for transformation of visual speech as in the plays "Cobbler" , "Ali Al - Wardi and his rival" and " Bedouin and orientalist"2 - Regarding the visual formation as one of the tools of transformation in aesthetic image and rebuilding it by the imagination of director associated with his formation senses. That was observed in all Aqeel's plays.3 - The two elements of light and color were regarded as two essential elements for visual speech as in the plays "Cobbler" , "Ali Al - Wardi and his rival", "Jeanne d'Arc" "Gorilla" and " Bedouin and Orientalist. The fourth chapter also included concluded conclusions, recommendations and suggestion, in addition to sources and references, finally an abstract in English.

الاستعارة الشكلية وابعادها الوظيفية والجمالية في المنجز الطباعي == Metaphor Formal Functional And Aesthetic Dimensions And Layout Done In

اسم المؤلف: مظفر كاظم حميد
اسم المشرف: خليل ابراهيم حسن الواسطي
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يتضمن التصميم الطباعي المنجز مجموعة اجراءات تبدا من الفكرة وتنتهي بالاداء، او كما توصف من النظرية الى التطبيق. وهذه الاجراءات لا تخلو من اسس وعناصر تجسد الفكرة في منجز ملموس على ارض الواقع، منها واقعية مباشرة في استعارتها، ومنها خيالية غير مباشرة، كما تتض | Graphic Design done includes a package of measures starting from the idea and ending performance, or as described from theory to practice. These actions are not without foundations and elements embody the idea in a tangible accomplishment on the ground, including realistic directly borrowed, including the fictional indirectly, also includes other designs blends these Alastaartin and variable rates or balanced in many designs that require a sign, and the concept of the dimensions of functional orientation of Use and enhance the aesthetic values. Therefore, the researcher felt choose his research is marked Address : ((metaphor formal functional and aesthetic dimensions in the layout done)). Including four chapters, the first chapter consisted research problem identified in the statement of formal elements aliases finished layout declared Btabaah extremes (direct and indirect), which achieved a sense of desire and acceptance functionally and aesthetically. And its importance in the question of what a metaphor formal functional and aesthetic dimensions. The objectives were focusing on the identification of metaphor formal functional and aesthetic dimensions in the layout done. And finally its limits, and then determine the terms.The second chapter dealt with the theoretical framework and previous studies, as search only one study in Specialization found, a doctoral thesis in graphic design researcher philosophy (Shaima full inside) tagged : (metaphor in the default image for commercial Declaration) and three others on the subject of the metaphor, two of them in Fine Arts (drawing) and third in the specialty of interior design, the researcher did not find the approach between this study and the last three studies. And ensure that the theoretical framework Mbgesin, eat first (metaphor formalism in systems design and relations), the concept of this terminology in general and mechanisms put in the concept of the design and directorial methods in the evaluation of the structure and shape systems design and its role in the design of relations. While the second section came under the title (the metaphor between functional and aesthetic considerations) addressed the functional dimensions and dimensional aesthetic metaphors formalism in Graphic Design Ended formal shift in the design according to these two considerations. Then extracted from this chapter is based on indicators set by the selected sample analysis process to get to the search results.The third chapter has consisted action research, as determined methodology (b descriptive analytical method), then the research community and the samples selected, represented by (12) sample, the two tools of research and two Astmattin, first : determine axes analysis form, and the second : Analysis form. Then ratified tool and stability, and finally describe and analyze samples.The fourth chapter has put search field, conclusions and recommendations, and the results of the proposals.The most important results can be summarized as follows : 1. designer adopted the style excretory to borrow formalism based on the idea of the advertised subject and the nature of the slide or the recipient category, which showed a variety of ways, including direct download character peculiar subject of the idea, including indirect altered form system, some of which were collected between the two dual manner to address these levels according tastes and mental Bnahm.2. excretory focus style with the designer in the most completed designs to blend reality and imagination elements borrowed the idea, and also a mixture of different sources for the delivery speed of the plurality of meaning and interpretation and influence in psychology.3. strange shapes borrowed realism achieved by contradiction relational link between the two, beyond the pattern Alantma?a, circumscribed role shorthand meaning up to the idea, on the contrary, most of the shorthand form of fictional metaphor but a broader interpretation of the meaning.4. I took formal signifier symbolic metaphor as a metaphor for the role that represents wigs, require matching an icon directly in slang layout of what is realistic, abstract and indirect, were similar in matching original craft analogy.

خطاب السينوغرافيا في تصميم الفضاءات الداخلية : دور الازياء انموذجا == The Discourse of Scenography In The Interior Space Design (Fashion Houses As Example)

اسم المؤلف: عمار طه محمود
اسم المشرف: علاء الدين كاظم الامام
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الداخلي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: We can comprehend the addresses as a bound series of human principals and goals shaping by the sciences and connectives to build a human results revels or gives a meaning for things. So, the interior design is an entity cognitive elaborated in (our now a days world) the modern age to include in its environ sciences,arts,physics,and human directions fetching for forming an environment which adding the esthetic meaning.therefore, it will be possible to submit that through the stenography and its artistic address which is build on the idea of offering an optical picture achieving a sensitive respond reassures and enjoys with it the recipient accompanying a meaningful bearings, circulated and esthetics meanings the interior designer forming it to draw spaces identified according to imperative remarks resulted from a group of essences implied in stenography melting together within the priority of the closer essence on another of a period of time whether it was changeable or unchangeable according to the nature of the place.The research here is trying to discover the role of the stenography address in the interior spaces in the fashion houses through the show spaces; that is for the recent periods had witnessed a great development in this field ,where the optical and the audible through the stenography a creative arrangement attracting the recipient in order to activate the connection between it and there resulting design.Therefore, and according to the knowledge of the researcher ,synography didn’t witness an Arabic academic study as a conception in the interior design especially in Iraq ;so that this subject had been chosen to achieve the benefit from it by the parties of interest whether they were institutes, fashion houses or else.The thesis included in its chapters andtopics the following : - The first chapter : Dealt with the problem of the research ,its importance,goals,and limits ;then identifying the terms used in the research.The second chapter : The empirical frame which includes three topics , the previous studies and reaching to the research remarks.? The first topic : The address and its intellectual employments in the interior space.? The second topic : The stenography's address in designing the interior space.? The third topic : The stenography's address in the spaces of fashion houses' designs.The third chapter : Includes the procedures of the research, its curriculum and forming aform to identify the analyzing dimensions , so according to that it had been formed a form to describe and analyze the research's samples.The forth chapter : Implied the results the researcher reached to; of conclusions,recomands,and suggestions ;add to that the resources,the abstract in English.The researcher had reached to a group of conclusions of their most important are the following : - 1. The interior design is the ideal brooder which can bear the stenography conception in its conception and address and to relate the responsibility that the late (stenography)to it to elaborate in it to limits far to be just connected with one unilateral artistic address; where the interior design can express and include all the arts.2. Stenography is an art can be resulted in the interior design which looking for presenting consideration(functional, synthetic, and expressive) which are the whole inclusion of entity this direction and the feature essence which identify the stenography address in creation the essences and melting them with the priority on an essence on another in an exchangeable movement to reach the creation (out come) of meaning which aspirates in the show to achieve a response the recipient can understand.3. Stenography is an art can reach an extended dimensions in the ability of letting it reach the meaning of the esthetic and psychological interior space in the comprehensive design picture and these aspects represent part of forming the out looking principals of the stenography's esthetics in the interior design.

نتاج فنون بلاد الرافدين وتوظيفها في تصميم بيئة تعليمية للتربية الفنية == The Art Products of The Mesopotamia And Its Utilization In Designing A Didactic Environment To The Arts Education

اسم المؤلف: فردوس خضر الجوفي
اسم المشرف: عبد المنعم خيري حسين العاني
الموضوع العام: الفنون الجميلة
السنة: 2012
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان تاريخ العراق القديم لبلاد وادي الرافدين، اعظم حضارة عرفها تاريخ البشرية ومن المؤكد انها اول حضارة انبثقت لتنير صفحات التاريخ باهم وابرز الانجازات التي حققها ابن الرافدين لجميع مجالات الحياة السياسية والاجتماعية والثقافية والفنية، وعليه فقد تشكل عنوان ا | The ancient history of Iraq in the Mesopotamia is the greatest civilization in history of human kind and it is definitely the first civilization which was emerged to enlighten the pages of history with the most important and prominent achievements which were done by the son of the Mesopotamia in the political, social, cultural, and artistic fields of life. Thus, the title of the current research (The art products of the Mesopotamia and its utilization in designing a didactic environment to the students of artistic education dept.) came to include four chapters. The first chapter included the problem of the research and its importance, and it included many questions, the most important of which : The student's ignorance to the indications and artistic symbols of the Mesopotamia, and the lack of an educational environment to the class of the history of art. Thus the research problem has been crystallized in the following question : Is there any educational environment to the history of art class (Mesopotamia) which helps the instructor in teaching the class? The research is important to develop the educational environments to all specialties in the colleges of fine arts and the art institutes and establishing typical educational atmospheres to all specialties in the college. The research aimed at : • Designing an educational environment to the history of art class at the artistic education dept. - college of fine arts - university of Baghdad. • Establishing an educational unit to the vocabularies of the class of ancient history of art in Iraq to the students of the third grade at the dept of artistic education - college of fine arts - university of Baghdad. The research includes : • Third grade students at the dept of artistic education, college of fine arts - university of Baghdad• The products of plastic arts in the Mesopotamia and it includes all prehistoric ages : pottery - Hassona, Samarra'a, Halef, and Al Abeed. • The Sumerian age : the cyclic stamps and the art of architecture. • The Acadian age : Sargon head• The Babylonian age : Hamurabi. • The Assyrian age : the winged ox and the wall painting• The modern Babylonian age : Ishtar gate As for the second chapter, it includes the theoretical aspect and the previous studies. The theoretical frame included the following sections : The first : a brief overview to the history of the Mesopotamia and its ancient ages and the most important plastic art. The second : included designing the educational environment and the factors of its successThe third : is related to the artistic education and its relation to the educational environment of the history of art. The section ends with a group of indications. Chapter three also included the research procedures and its approach in addition to specifying the study community, sample, and tools of research. Chapter four included certain results, the most important of which are : • Teaching the history of art class needs an artificial environment to illustrates the concepts of plastic art and the features of expressive figures of the Iraqi thought and its reflections of creative artistic abilities to the artist of the Mesopotamia • The civilization of the Mesopotamia is one of the most sophisticated and ancient civilizations, and the artistic product confirms the supremacy of the Mesopotamian artist who embodied the daily life in the social, religious and heroic military fields of the kings throughout history. • The superiority and creativity of the Mesopotamian artist in his various artistic performance which included sculpture, drawing, ceramics, and architecture.• Studying the history of art is a study of the roots of civilization which is regarded as the first bricks on which the contemporary and future plastic arts were formed. The researcher concluded : • Spaces and walls which surround the student should be filled in the educational environment to overcome the closeness around the student. • The internal space for any educational environment can fulfill this purpose if it was designed in an interesting way and the furniture and the educational means were distributed in a way that stimulates the student's senses. • Establishing a complementary educational environment which tackles the Nile Valley civilization because it is part of the curriculum of the history of art for the third grade at the dept. of art education. • Establishing different educational environments for all art specialties in the colleges and institutes of arts.

جماليات التكوين في المنمنمات الاسلامية وتوظيفها في تنمية التصور الذهني لطلبة التربية الفنية == Aesthetics Configuration In Islamic Miniatures And Employed In The Development of Mental Perception of Art Education For The Students

اسم المؤلف: عمر عنيزي سلمان
اسم المشرف: عبد المنعم خيري حسين العاني
الموضوع العام: العلوم التربوية
السنة: 2014
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Aesthetics configuration in Islamic miniatures and employed in the development of mental perception of art education for the students "The aesthetic dimension of miniatures Islamic terms is not formal , but only interest in terms of expressive also show its strength and greatness through the sense of the movement of these actions or rush through the lines or the third dimension and perspective inspiring depth and color certainly forms All of this helped to show the idea and express them easily.The study of Islamic art of paramount importance in building the artistic life in our Arab heritage are as much as it will give him the tender of humanity , they will contribute to the enrichment of Arab art viable and thrive and prosper through the development of Visualization way we see the world is not Bhastna visual , but the sense of awareness and understanding. See any reason and is not an eye. Everyone sees his thought to your way of thinking that determines Tsoratna mind.And the artist Arab Muslim exceed creative concepts prevailing , which was surrounded by within the boundaries of the Arab nation or civilization neighbors, and is the Baghdad center optimized for the emergence of photography Islamic distinctive character of originality , it has become the political headquarters of the House of the Islamic caliphate and given its geographical location, the unique ability of the receipt and communication between the Middle and the West that the status of the school Baghdadi in the art of photography for miniatures secret superiority brilliant at that stage the fertile stage of Arab history motivates us today to think about the deepening of the link betweenthem and the mindsets of the students , then take advantage of them are not seeking to tradition surface aseptic , but aims to search for the essence of the hidden of its secrets , and the elucidation of those secrets in a way visualization net spiritual perspective , hoping to reach the optimal goal of modern civilization full facesWhat Rade researcher to convey that expertise to increase their perception of mental because the student art education will cost taught in secondary schools ( middle and junior high ) and probably will face the stage teenager depicting one dimension and that this study will show him how to move the students from the stage flatness - one dimension - to the stage achieve depth - the third dimension - hence the need for the current search , which aims to detect ( the aesthetics of the configuration in Islamic miniatures and employed in the development of mental visualization novelty for the students of art education ). Through the border of the following : Schools miniatures Arab and Muslim countries : Iraq , Turkey , Iran. , And fourth - graders , Department of Technical Education - Faculty of Fine Arts / Baghdad University for the academic year 2012 - 2013 m.This included the second chapter , the theoretical framework and previous studies , which included theoretical framework : of the Islamic miniaturesThe third chapter was to research procedures taken by the researcher descriptive method and experimental approach has identified threeschools where a sample of the search , namely : - the school Baghdadi. Turkish school. Iranian school.Then took two tests of knowledge and skills - pre and post tool for his research as well as a form of performance evaluation for students in the Department of Art Education. Then the researcher conducted interviews with faculty specialists in Islamic art in the field of painting and drawing in particular, miniatures and professors of art education , then the researcher validity and reliability by steps of scientific research.And the fourth chapter is devoted to the results and conclusions of the most important findings of the researcher of the results , including : - The effectiveness of the training program prepared in the knowledge and skills , according to the results. - The lack of correlation between the two tests (no significant correlation - To experience the impact of the development of mental perception through artistic expression among the students of the miniatures fourth stage in Art Education Department. - The difference between the arithmetic average of the two tests pre and post ( 23.20 ) degrees more than twice the degree of pre - test which shows the effectiveness of the program in the technically gifted side.Conclusions - 1 Note the visual impact of a large and clear on the successful responses , shows its impact through open the minds of students and their imagination. Which is the modeling of a series of technical movements to express centrally in the brain and send alerts nerve to the muscles in order to perform this series to draw miniatures as perceived by the student Zhnina. - 2 turned out through the application of experience to the classroom learning environment have an impact on students' performance , which is available in the classroom atmosphere of participation of the comments between the students themselves on the miniatures displayed through the disc prepared for the purposes of the current search. - 3 Some studies have confirmed that the use of technology and the diversity of sensory stimuli give positive results from the use of the best sexy one in training and teaching.Recommendations - 1 included on the department's programs for the teaching of miniatures and focus on school Baghdadi in order to revive the heritage because the miniatures is the best material for the training of students to the structural imaging. - 2 The use of computers in teaching construction being digital photogrammetry became modern technologies , which could be grown and the evolution of art education student mentality. - 3 Care to train students in the Department of Art Education , which outputs to be high school on how to write and prepare and directed educational programs.Then proven sources and then supplements.. God Crown success

انعكاسات السرد في التصميم الداخلي == Narratives Reflections In Interior DESIGN

اسم المؤلف: حارث اسعد عبد الرزاق السعيدي
اسم المشرف: عباس علي جعفر العبيدي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الداخلي
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: This search is based on a common truth but missed by those who work in interior designing (ID) field such as historians and theorists, which states that the interior designs of temples and palaces of old civilization of Mesopotamia and the other civilizations that followed are considered as one of the narrative literature media that belongs to this civilized society or that, the truth that is still valid through Evangelical stories narrated by murals painted on churches interiors and the inwrought of Qur'ans stories garnishing interior walls of masjids and Mosques in the present time, as we know, language started as pictures embodying expressions of visual language unveiling meanings and significance, as humanity continued to grow, so did writing by getting its own entity that cannot be explained only by certain group of people, limiting its expressional ability so that wide scope of people won't be able using it, which led it to disappear and losing many of human experiences made by these communities and vanished forever.In accordance with the growth happened in the early and middle of the twentieth century, a group of narrative literature theorists called to use more than one way to convey their literature messages and experiments away from spoken and written form of language to ensure establishing their human experiments, to be understood by more recipients and expanding the audience using these messages with their new implications form, one of their saying was that visual entities have elements qualify them to be communicative language has its own alphabet in accordance with communicative components of this interactive environments, Following this a group of interior and architecture designers, Simultaneously, appeared calling to use the narrative literature as designing style model to produce equable significance interior designs, active in creating designing forms that differs from the traditional basis, one of the most controversial movements is the Deconstruction Movement in architecture and interior designing for this movement pioneers depended on one of narrative literature theorist, in spite of the production of this movement and the ones that are related to this synthesis approach between narrative and designing was either na1ve and limited to lateral metaphors has no intellectual dimensions out of the assimilation or metaphor, or appeared to be very odd cannot be explained even by the experts in criticism of art which led recipients to dislike its interior spaces and communication interrupted between them, that's why it didn't succeed to ensure narrative to be a clearly defined designing approach, with clear elements enough to be used by all those who work in this field for most of this style is subject to inner narrative vision and this limited narrative tools which is inspired from narrative in addition to the difference from designer to another, and incompleteness of designing vision of the sensory language alphabet enabling us to activate narrative as designing approach so can all those who work in designing to adopt it in disseminate ideas and their forward - looking vision concerning subject they embody through materialistic mold, and functional and environmental considerations they work with when designing interior spaces, when analyzing the above said a problem emerged which is (the bsence of designing forms that can be used effectively to reproduce narrative speeches as approach adopted by designer to create modem interior designs), many factors enhanced the importance of the subject most notably is the theorists instructing in interior designing field to improve designing method in way that activate the narrative approaches being one of the interior designing styles followed to achieve interior designs with future aspects in educating interior design practitioners in teaching and in the practical side.This vision came out of this study is based on aiming to describe general rules for readable message in narrative showing the ability to be used in the seen message of interior design. In order to start search it was important to define its methodical terms so that the subjective term appeared through studying Intellectual and technical concepts in narration and ways to employ them as new creation strategies constructing shape formations in modem interior design. Time term in this research defined by the interior design projects done by pioneers of deconstruction movement through the period from 2005 up to 2010. While place term is defined by interior spaces done in In global projects (entertainment and cultural) within the continent of Europe exclusively. Then defining the most important idioms in this research to conclude the first chapter of the thesis (dissertation).According to that early mentioned in this research led to rely on literary studies that pointed many aspects of the concept of narrative that emerged in the form of a theoretical framework consist of two chapters, the first addresses the issue of transforming narration in language and way to read it in interior design and what the narrative structure included such as narrator, narration and addressee and its reflections in interior design. While the second chapter we pointed out the structural foundations of the system of fiction such as character, event, place, time and mechanism with their reflections on the dimensional values in interior design projects. After that we discussed the former studies which discussed same subject of this research which enabled us, supported by what earlier has discussed in theoretical chapters through concluding indicators build on the basis of test tools in procedural chapter and that it represented an achievement for the first phase of the research approach in solving the pro bl em.While second step which is applying concluded theoretical form that has been implicated in the third chapter in which we discussed procedures and steps followed in research on its present form in order to achieve the objectives of the research, starting with the description of the approach adopted in the research which is a descriptive approach as well as the phenomenological approach in the analysis, and identify theresearch community and the election of the sample according to research on several criteria that fit with the goal of research, then we dealt with aspects survey of the building tool by creating survey application tool and check its apparent credibility verifying the validation of the tool by external analysts in the company researcher, so we can measure the relationship between the variables according to the note form for analysis then to discuss the results in the fourth chapter to draw conclusions and the most notably were : • narrative stimulates our minds to clarify our vision of design in internal projects since we are encouraged to confer complexity in our thoughts to activate unexpected innovative solutions achieving the appropriate between vision and the completed design.• Efforts to form and support our designs by the narrative is the same that help the interior space recipient to understand us better and more effectively deliver the visual message to them.And search came out with some of the recommendations, most notably : - • The interior design theorist must take in consideration, when heading towards other fields of knowledge to gain from, defining the limits of concept without leaving them fuzzy and with unknown potentials.• Designers have to embrace the idea of promoting the impression of the interior space nature in harmony with time and place in a way that support the designing event and confers upon it drama in aesthetic and functional performance of interior design.Finally, to pave the way for research in the future indicating the beneficiaries of the research.
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