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تضايف الرسم والعمارة في تشكيل المكان : دراسة تحليلية == Correlation of Painting And Architecture In Place Formation Analytical Study

Author name: مهند مسعود جميل
Supervisor name: بلاسم محمد جسام
General topic: Fine Arts
Specific topic: Drawing
Degree: Master
University: University of Baghdad - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: يعيش الرسم اليوم حالة من الوجود الجديد على مستوى العرض والاسلوب معا، فقد غادر بعض مستوياته التاريخية والثقافية ليس في الادوات فحسب وانما في وجوده المكاني.ان اية مراجعة لتاريخ الرسم سوف تدلنا على بعض اقتراحاته، منها المتحف وقاعات العرض، والاقتناء الخاص | Drawing lives on the case of a new presence on the level of presentation and style together, have left some of its historical and cultural in not only the tools, but in the presence of spatial.That any review of the history of painting will guide us to some of his proposals, including the museum and exhibition halls, stakeholders in the acquisition of this kind of art, namely systems that are interested labels : artist’s subjects, its recipients, and place of display.But today, some of the vibrations of structural injured joints that pattern, and the foundations of the new approaches stand the place in front of an active and influential when it became seeks, to intensify the kind of new relationships, as it became architecture and one of the most important humanitarian needs, and moved to the New World Center, identity and presence, and set up a series endless data of contemporary life.This research is interested in one of them is to stand on the ability of architecture to attract art to it as an aesthetically pleasing, meets what has been termed the needs for humans as well as lend a cultural identity on the places, so the correlation between architecture and painting one of the pillars of cultural venues and is a global phenomenon and humane public.Accordingly, The current research is trying to study these points And outputs, was based on a systematic four chapters : Chapter One : In the two sections dealing with the first following topics : structural transformation of art and architecture in the third millennium, references conceptual, theoretical needs of emerging - places, modernity and coordinated environmental needs, art and the needs of the architecture of the interior, architectural style, environmental data in art and architecture.The second section deals with the following topics : art and ether, attendance photography, painting and wall. Chapter II : in two sections : the first includes the following titles : receiving and handling, and display modes, art and production places, methods of presentation, display elements (scenography)The second topic : the alienation of aesthetic, architectural design Chapter III : In the first two sections : Art and Architecture in Iraq The second is the maintenance of the national cultural heritage Chapter IV : Results, conclusions and recommendations and proposals. Then sources and references.Results : 1. The art key role in satisfying the desires of Neanderthal and psychological needs , emotional and existential , which indicates the interaction of art and human whole.2. Architecture and art refers to ideological and religious expression, which select models and types of concordance between technocracy as the Renaissance and beyond.3. Was the walls of the graphic display methods, which bases on the type of art called the parietal art, present a work of enduring architectural form.4. Drawings shares on the facades of Architecture in the age of modernity in the emergence of models and patterns, and create new environments for Architecture and propose new styles of painting.5. Cities became in the era of modern systems place for media and advertising, making the drawing takes new aesthetic forms such as writing on the walls and illustrations and advertising.Conclusions : 1. There are fundamental forces prevailed against the presence of art and architecture in the spatial environment, artist, architect, and the new jobs, which make up a whole new aesthetic and proposes a system to correspond to the races at the expense of individuality in the type of art on the historical level.2. Contemporary techniques has become an alternative to the idea of the murals painted for building, making this art takes atrophied in the joints of contemporary spaces.3. The Architecture in Iraq did not contribute in giving proposal which met between art and space; we cannot establish a pattern of contemporary test, because of the absence of the rule aesthetic and architectural patterns.4. Almost the art of Iraq drawing loses it presence in architectural places, for cultural reasons, popular, and the propensity to alternative methods based on the decline in public taste.Recommendation : In light of this study and its findings, the researcher recommends the following : 1. Building a curriculum process between drawing and architecture and sharing needs, to build awareness of contemporary places. 2. Trying to make the drawing goes out to public places and in the space of interior design without anchoring in the exhibition halls. 3. Planning to cooperate with the institutions responsible for the city lay the foundations for the presence of Iraqi art in the joints of buildings for both the public and private sectors. 4. The introduction of new approaches to the drawing go by methods appropriate areas with major transformations architecture and the environment together. Suggestions : An update of the current research suggests a researcher conducting a number of scientific studies and research of the following : 1. Alienation between architecture and art in contemporary spaces. 2. Deconstruction in architecture and art, conceptual approach

تركيب الخامات المعمارية في تشكيلات الرسم المعاصر == Architectural Raw Construction In Modern Draw Formations

Author name: سها عبد الجبار رشيد خزعل
Supervisor name: سلام جبار جياد السوداني
General topic: Fine Arts
Specific topic: Drawing
Degree: Master
University: University of Baghdad - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: Research adopted on readings of modern technical systems and that architecture materials contributed in large amount for art production whether in show means or the beauty action.Already art change and leave history when entered rules and materials were non known for huge extent to depart it's indicated influence for interest of location existence , as their influence with environmental architecture and technical materials until it become to pull out for board lines in their constructional combination therefore research meant in study of such large constructional attempts and to stand to on their elements and reassembling their indicated codes and it fell down for new raw as wood and stone and sand and cement and plaster tree roof glass and metal and fiberglass and it's adjacent raw were found presence in modern art so research laid many of questions about modes that enable art for investment their abilities then study the combination units and borrowing power that harmonic with new art formulas.These questions leads to locate research goal : ( discloser on modes of employment architectures raw in modern paint board ).And it's study of art architecture system and matching between them on material level of acknowledgment mutation and theory that work as reference for two cases and research was limited with art drawing and movements and arts tendencies for age extended from the year of ( 1942 - 2012 ) and research adopted theoretical frame as follow : First research : historical resume for material system and their mutations about architecture raw and their employment in plastic achievement starting from human cave until space setting and ( earth art ) adding to the architecture raw the value and basic pivot for optical surface as description of importance pivot of beauty values.Second research : got of location dimensional representation in modern draw.Third research : got (architecture raw investment in school of Albahouse ).Fourth research : got the kinds of adding architecture materials for optical surface and it was ended by some of previous signs and studies that benefited in analysis the research sample and upon chapter three was contained research procedure and research community and sample selection and research instrument and analysis and sample description that amount (19 ) of samples and fine all fourth chapter comes with many of results and conclusionsCand recommendations and suggestions. and the most of results they were as : 1 - Adding multi architecture materials to enable it for speech in modern language of art and continuity with it's new try between them by breaking boundaries of different arts fields and the use it indirect or intervene manner with of tissue board surface or wooden or metal or mixing by more than type and engaged between draw and relief in article work and we could restrict the emerging architecture materials were in modern draw as follow : sand ,cement, stone, wood ,metal ,glass ,ceramic waterproof ,glue and different materials.2 - Interfering of constructional systems for draw and architecture and sculpture and design in technical work for raw and architecture combination in optical field by using technologies gathering and combination and blending , adhesives (collage ) with colored spaces of engineering style design.3 - Contrast in thickness of accumulated surfaces that consists of technical work give sense of material deepness wherein show the upper part for paint surface draw as rotate over another surface by contracts of work so by waving the surface protrusions and size or levels over each other.4 - The use of welding bolts and knifes and biggest brushes and cutter and sponges pieces and electrical tools and mechanical and natural power.5 - Artist selection with appropriate of architecture materials to build the modern art when the execution for addition artistic dimension and beauty this represented as reference for the origin of civilization in spite of developments technology.Conclusions : 1 - Motivated of Architecture raw ability for imagination and fantasy of creative and progressive the residual supporting material that consider as inventive stage wherein artist was started from with some of elements and the idea growing up through the use of raw capabilities in artistic work2 - Versatile the use of material and technologies forming the artistic work that lead to diversity of touch signs of pictorial surface as expressional value or beauty or the gathering between them.3 - It's ability put the artistic work any were on the base without need of stand or hanging on the wall.Recommendation : 1 - put fixed curriculum study for students Art College consider as study of versatile raw in modern draw.2 - Employment of basic technologies for modern art in studying curriculum.Suggestions : 1 - Study of architecture material touch in modern draw.2 - Study the mode of furnished the modern draw by architecture raw.

تداخل اساليب الاداء التمثيلي في عروض المسرح العراقي == Interlinking of Artistic Performance Styles In Iraqi Theatrical Shows

Author name: عتاب جاسم نصيف
Supervisor name: عادل كريم سالم
General topic: Fine Arts
Specific topic: Theatrical Arts - Directing and Acting
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: يتفق كل الباحثين والدارسين في حقل الفن المسرحي ان لفن الاداء التمثيلي اسلوبين اساسيين احداهما (تمثيلي) والاخر (تقديمي) من حيث الاداء اذ تنضوي تحت لوائهما مدارس تمثيلية عدة منها الكلاسيكية والتعبيرية والواقعية والرمزية...وقد تولدت عنهما اساليب ادائية شتى | All the Researchers And Students In The Field of Theatrical Art Agreed upon That the artistic performance has two basic styles one of them is (performance) and the another is ( introductory) they included numerous performance schools among them the classical, realistic and symbolic schools…… From them numerous performance styles have been originated, opining avenue to the actors to introduce numerous of these performance styles with in the numerous concept of and interlinking of artistic performance in the single theatrical show. For achieving the purposes of the researcher in her thesis to recognize the machinery of artistic performance in single theatrical show so the research has come under the title (interlinking of artistic performance styles in Iraqi theatrical show. The research includes four chapters.The first chapter concentrated on the systematic frame of the research whereas the research problem dealt with an obstacle deters the actor performance considered the basic authority and the active element in theatrical show address which is as a result of the numerated school performance and their styles perplexion has prevailed in the theatrical performance so the criteriia have become imbalance as a result of ignorance resulted from this interlinking and non - distinguishing and awareness to the reality these styles, also the chapter includes the importance of the research ,its aim ,limits and assign the terms, while the second chapter includes theatrical frame , it contains three main categories under titles The first category : - the concept of interlinking in which I have displayed in this category the most important psychological, and Knowledge fundamentals of the interlinking concept The second category interlinking of artistic performances which I have reviewed the interlinking of styles in theatrical show of reading the text in a contemporary directory vision which will be subjected to the interlinking of new economical, political and social relations this will lead to interlinking in artistic styles which connected in its circumstances, stage and its reconstruction in away conform to the nature the direction of the modern vision. While the third category includes the machineries of interlinking of artistic performance styles in theoretical directions, I have displayed in this category techniques of artistic performance styles and its methods. The theatrical frame has produced indications, the most prominent of them are : - 1.Interlinking of artistic performance styles the in the research of new performance styles, new the artistic performances connected another styles references temporary connected with harmonious interlinking unity, in which the principles of mixing organizing, diversity , balance, harmony and rhythmic achieved the artistic effect which represent aesthetic tendency to attain the communication process between the actor and the spectator.2 - Mixing of artistic performance styles randomly doesn't mean in a random method without subjecting to unified harmony for their diversity with in the diversity concept in the unity, interlinking in styles, whereas the interlinking always move on the base of finding a central focus in performance in which and through them another performance styles move after interlinking with units of building personality, scene and action.The third chapter based on measures taking frame and it includes the structure and the specimen of the research that are represented in elected shows of the Iraqi theatre like ( Oteil in the kitchen), ( Macbeth) and(the Ghost)I have displayed in the most important and conclusions in the fourth chapterAmong these results : - 1. Thearitcal artistic performance styles interlinking which is process of liberating the actor tools from their usual expressional mode, and oriented towards new animation and movable existence being the interlinking in its essence mean movement concluded by the action in its dealing with things for revealing its hidden secrets then representing them in forms, images and expressional contexts of theatrical show address.2.Theatrical artistic performance styles interlinking means the organized technical and aesthetic structure of the whole relations of these styles inside the performance structure within central harmony, it is creative action in organizing the action of the actor and it is equivalent to organizing his tools. The research is terminated of foreign and Arabic sources and the abstract in English language and appendix with pattern of Iraqi theatre.

تحولات بنية التطهير في النص المسرحي == Transformations of Structure Catharsis In Dramatic Play

Author name: محمد مهدي حسون راهي المياحي
Supervisor name: يوسف رشيد جبر
General topic: Fine Arts
Specific topic: Theatrical Arts - Literature and Criticism
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: يخوض البحث الحالي في دراسة المفهوم الجمالي للتطهير وتحولات البناء الفني للتطهير، بوصفه غائية بنائية يقاس على وفقها تحولات المنظور الجمالي للمنتج الابداعي، وضمن الفضاء التاريخي لهذا المنجز، في زمانه ومكانه..فالتطهير هو موقف للذات تعانيه باشتراطات تجربتها | Since his first steps in existence, the human being followed mental or sentimental or instinctive activities in order to reach to the state of tranquility and stress reduction between the requirements of the self and its propensity for differentiation in this world, and between the conditions of the world and its laws. These activities were issued by the first act of the human, starting by worship, and through worship came tranquility which leads to the power of the ritual and the flooding of spiritual energy of the self being differentiated in this world and reforming the conditions in the line with the self, i.e. changing the world humanly and this is the principle of the civilization. Through the evolution of repetitive practice of worship and the growth of its aesthetic awareness, emerged the art work and the aesthetic practice which its basic point is catharsis.In a philosophical perspective through bilateral self/world argumentative conflict, the self gains some of the world`s themes. These themes forms through their hazards and threats to the self, a prior criterion to moral and manners standards such as; danger, panic, fear, murder and loss. These are threats by the world, and their opposites are the need of the self to what is against them to sustain survival such as; safety, peace, tranquility, goodness, justice, honor, loyalty and honesty. But the fact that the outside world is always threatening, keeps the self in constant sufferings for the absence of the catharsis out of the art work and the aesthetic experience, which must be the basic aspect in the creative structure of the work - theatre. when it is there, the aesthetic factor is also there but when it is absent, the whole experience is becoming incomplete. Therefore, the multiplicity of artistic structure of the text as a basis of theatrical presentation, which leads to catharsis and that was what occurred of shifts in the functional concept of catharsis. Thus, this study comes to explain the concepts and procedures of the transformations of structure catharsis in theatrical text. In the light of this study, the following chapters have been resulted : Chapter One : the methodological framework that contained the problem, the significance and the limits of the study; in addition to identifying some of the idioms mentioned throughout the whole study.Chapter Two : the theoretical framework that contained the following sections : Section One : Catharsis in philosophical speechFirst Hub : Catharsis in Metaphysics Speech / Classical Second Hub : Catharsis in Modernism Speech / Realism Third Hub : Catharsis in Postmodernism Speech / Expressionism Section Two : the Mechanisms of Catharsis in the elements of dramatic structure First Hub : Catharsis in PlotSecond Hub : catharsis in personality Third Hub : Catharsis in ThoughtForth Hub : Catharsis in LanguageSection Three : Aesthetics of catharsis in theatrical speech / Indications of the theoretical framework and previous studies. Section Three : the Procedural chapter in which samples had been analyzed as follows : 1. The play of "Oedipus the King" of the Greek writer Sophocles - translated by Taha Hussein.2. The play of " al - huor al - ryahi" of the Iraq writer abed alrazaq abed alwahid.3. The play of "the House of Agoesar Holm" of the Norwegian writer Henrik Ibsen - translated by Tamader Tawfik.4. The play of " Ana omak yashaker " of the Iraq writer Yosef Al - any.5. The play of " allawha" of the british writer Harold pinter.6. The play of " Mythical Reality" of the Iraqi writer Ali Abd al - Nabi al - ZaidiChapter Four : it contained the results, conclusions and recommendations. Then, a list of sources, references and an abstract in English.

تحولات الاداء التراجيكوميدي للممثل في عروض المسرح العراقي == The Tragic - Comic Changes of The Actor Performance In The Shows of Iraqi Theatre

Author name: هنادي صلاح عزت
Supervisor name: مصطفى تركي السالم
General topic: Fine Arts
Specific topic: Theatrical Arts - Directing and Acting
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: كثيرة هي ثنائيات الحياة، اذ ظلت دافعا للفلاسفة، والعلماء، والمفكرين، لتناولها كل بحسب افقه ومضماره، فكانت ثنائية الليل والنهار، والحياة والموت، والخير والشر ثنائيات كبرى تناسلت منها ثنائيات لا تعد، ولعل الفرح والحزن من بين ابرز الثنائيات التي اخضعها الفل | So many are the dualities that are still incentives forPhilosophers, scientists and thinkers. Each of them deals with dualities within his horizon and aspect. There are the dualities of the night and day, the life and death, the good and evil and so on. Great dualities gave birth to uncountable dualities and perhaps the duality of joy and sadness forms the most distinguished one that the philosophers, since the Greek era up to nowadays, have submitted to test, analysis and derivation. Thus the duality of ( tragedy ) and ( comedy ) was born from it : the two phases which filled the pages of knowledge in general and literature and art especially , and the drama found rich wideness in sequence of thoughts and studies which are connected with them and expressing them as well. Perhaps the articulation of change between them, and moving from one side to another, are regarded a complementary corner for each of them. So the Greek poets and those who came on theatre after them, began to deal with these changes in the structure if their texts, and extended to the textile of the show and found theorization and a wide expansion in many theatre works. Besides, many titles were derived from that duality and its changes. This allowed the concept of ( tragic - comic ) appear as a complete , uniting concept for that everlasting duality in literature generally and in ( the art of performance ) especially , due to the changes that the actor performance acts through the duality of ( voice ) and ( body ) that he embodies through them a fantastic world bearing within it a contrary duality in form and content.As the researchers have dealt with each side separately, the articulations of moving and changes did not find that amount of care in spite of its significance , and this made the researcher go deeply into this subject, trying to discover the nature of ( voice ) and ( movement ) changes in the action of changing and the incentives which lead to it, after a round of the researcher through specialized literary works and found that no one had preceded her in studying the actor performance and its changes both on ( voice ) and ( movement ) levels , and this made her study and choose it as an aspect for her research , choosing for it the address : ( The tragic - comic changes of the actor performance in the shows of Iraqi theatre ). In order to reach the aims of the study, the researcher has drawn the ways of her research in four chapters containingThe following : The first chapter : the curricular frame through examining the research problem and the need for the research. It also contains the significance, purposes and limits of the research, defining its fundamental terms. The second chapter contains the theoretical frame through the following items of study : 1 - The elements of tragic - comic changes in the theatre show. 2 - Tragic - comic performance styles. 3 - The concept of tragic - comic performance and its incentives in the world theatre. 4 - The previous studies. The researcher then concluded the fundamental pointers through her round in the theoretical frame, dividing it into three standards : 1 - The standard of the specifics of tragic performance of the actor. 2 - The standard of the specifics of comic performance of the actor. 3 - The standard of the specifics of tragic - comic performance of the actor. The researcher has specified the third chapter to define the procedures that she has adopted to achieve her purposes as she aimed to make an exploratory study to define the community of research and look over its samples which represents it much , starting out from the standards of the theoretical frame which are carried by its pointers. The study has contained the following two stages : First : Preparing the procedural tool of research represented by a (questionnaire form : close - open ) by a committee of experts from specialists in theatre art , in order to achieve the validity of the tool ,and in the light of its items , the community of research has been reconnoitered to harmonize with the standards of the research. Secondly : Defining the samples of research which are the most representatives of the society , through a ( judges committee )from specialists and others , to assert to the researcher the exactness of the test and its scientism Thus the following play shows have obtained the higher rate in representing society and which the researcher has adopted as samples of the research : 1 - " Sorry Sir. I did not mean that "(Aa tither ultrathin lam aqsud thalik) directed by Haitham Abdulrazzaq. 2 - " Barring wandering "(Hather Tigwal) directed by Muhannad Hadi 3 - " A Prove in the Hell" (Prova fi Jahanam) directed by Hadi al - Mahdi 4 - " Curtain" (Burda) directed by Ghassan Ismail. 5 - " Female Play" (Azif Nisai) directed by Sinsn SL - Azzawi. The third chapter ended with a summary of the research results, while the fourth chapter contained a discussion of the research results according to indicators of the theoretical frame to reach the results of which the following are the most distinguished : The differences in the vocal and movement harmonies of the (Iraqi actor) are those which defined the direction of the changing moment in the tragic - comic performance of the character. Dealing the (Iraqi actor), in the moments of his performing changes. With different body movements besides (dancing) which the tragic - comic character has invested in many situations to distinguish the contradictions in the mood states and deepens the act of changing.Twinning the colloquial and standard language in the performance of Iraqi actor as reflection of the environment and acquired habits in the Iraqi society. This chapter has also involved the recommendations and proposals which the researcher has suggested and found that they are complementary to her present study, with a list of sources and supplements and an abstract in English.

فنون ما بعد الحداثة وتمثلاتها في التشكيل العراقي المعاصر

Author name: تحرير علي حسين الجيزاني
Supervisor name: مكي عمران راجي الخفاجي
General topic: Fine Arts
Specific topic: Art Education
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: The present research is concerned with investigating the embodiment of the Postmodernism Arts, their styles and their artistry trends in the experiences of the modern Iraqi plastic Arts. No doubt that the postmodernism philosophy with all its details, associations, contradictions, which is also called postmodernism phase, has attracted the Iraqi artists inside and outside Iraq. This interest has emerged from the artists wish to convoy the new styles, techniques modes in the world, ideologically or practically in Art.The present dissertation lies in four chapters. The first includes the problem of the research, its importance and value. The problem of the research is limited to the identification of the becoming of the postmodernism arts in the modern Iraqi Plastic view, and that is after the openness of Iraq on the world and the contact of the Iraqi artists with the artists in the world. The following questions embody the problem of the research : has the postmodernism ideology any effect on the modern Iraqi artist? has the postmodernism techniques any effect in to change the aesthetic view of the modern Iraqi plastic proposals? does the dissidence in the Iraqi classic styles of Art, being affected by the aesthetic system of postmodernism, open the way for the procession and involvement of the receiver of the visual show.The importance of the study is embodied in shedding light on the artistic styles of the postmodernism plastic Arts in the Iraqi artists' works. The study also aims at detecting the embodiments of the postmodernism arts, their styles and techniques in the performed modern Iraqi plastic arts.The study is limited to the objective analytical study for the ideology and techniques of the postmodernism plastic art in Iraq; on the other hand, the local limits include the artistic results of the Iraqi artists' works inside and outside Iraq, which is in addition to the analysis of their pictured works which are performed from 1993 to 2013.Chapter Two includes the theoretical background fro the study which includes three sections. Section one includes two axes : the first tackled the notion, as well as the principles, of modernism as it is the phase that proceeded postmodernism, so that it possible to be aware of the notion and principle of the postmodernism phase, which was base on demolishing the modernism basis. Hence, this section propounds the notion and principles of the modernism phase and its visual applications. On the other hand, the second section is concerned with the notions and principles on which the postmodernism phase is established, for it tackled the prologues of the formulation of the postmodernism phase as well as the historical roots for the appearance of the postmodernism notion. That is in addition to the characteristics and ideological starting off which the postmodernism phase was based on and the extent to which the postmodernism phase affected on the Arab world and the effect of the latter on it.Chapter Two deals with the postmodernism data in the visual field, for it includes two sections. The first tackled the artistic characteristics of the postmodernism plastic art such the opening of the visual show, the association of the technical styles and the incoherence and fragmentation in the artistic works of the postmodernism phase. That is in addition to the oddness, obscurity, sarcasm, shocking, and amazement which it attains in the receiver. The study also tackles the role of the pictures and media in the postmodernism artistic products. The second section deals with the important trends of the post modernism arts, starting with the abstractive expressionism with the end of the craft. Section three exposes the postmodernism features and modes of the Iraqi plastic art career, propounding the commencement of the Iraqi plastic movement, starting with the pioneer generation to the present time. This includes the products of the Iraqi artistic works which embody the postmodernism styles. These sections show someaesthetic, philosophical, ideological and artistic indications, being included within the theoretical background.Chapter Three includes the procedures of collecting data about the Iraqi artistic society to be included in study for the period from 1993 to 2013 AD, and about their artistic work inside and outside Iraq. The samples of the study include twenty five artistic works chosen on purpose to fulfill the aims of the study. The researcher works on the descriptive and analytical mode to analyze the samples with reference to the artistic, aesthetic, philosophical and ideological indications, to be coincided with the theoretical background for the formulation of the study.Chapter Four includes the conclusions, recommendations and suggestions depending on the practical side of the analytical study. Here is a brief about the results of the study.1 - The dissidence of Iraqi artistic works from the classic art system which proposes the existence of a limited center inside the framework; thence, the works divert to another form based on the absence of the centrality as those in the western postmodernism art.2 - The demolishing in the structural and constructive order of relations inside the performed artistic structure through breaking the classic perspective as the artist depends on the open show space.3 - The figure appeared as multi - category (non - naturalization) due to the Iraqi artist working on the non - naturalization principle, being one of the most important secretion of the western postmodernism; that is through the interference between the structural systems of the techniques in sculpturing, drawing, architecture, designing and photographing.4 - Activating the personality of the artist and with a bigger liberality to formulate and choose his figures, without being monitored by the former governmental regime.5 - The initiation of new styles for the Iraqi plastic art after 2003, diverting from the prevailing ideological career to present a free ideology carrying the embodiments of the western postmodernism.6 - The social and political changes were implicated in the Iraqi plastic art and with new presentation depending on the assembling, constructing and the ready made thing with the characteristics of the western postmodernism.7 - "Shock and surprise" was a characteristic in the western postmodernism arts reflected on the performance of the Iraqi plastic art; that is when the Iraqi artist used strange and mysterious materials in the structure of his performance according to the modes and techniques of the postmodernism.8 - "Media and advertisement" appeared clearly and widely in the theme of some Iraqi artists' plastic works, especially those which conveyed the information actions.On the basis of the above mentioned findings, the following is concluded : 1 - The social, political and economical changes in the Iraqi structure as well as the living circumstances such as war, destruction and setbacks have a big effect on the Iraqi artists' spirit.2 - After 2003, the Iraqi artist tried all the universal artistic techniques and styles, whence he had been isolated and banned by the Iraqi former regime. This gave him a chance to know the modern modes of art.3 - The Iraq modern art is based on connectivity and cultivation with the others in the world, as well as communicating others and exchange opinions. The Iraqi artist was freer to exemplify and present his aesthetic themes.4 - For the Iraqi artist to be able to travelling abroad after the fall of the former regime, holding shows and being introduced to different cultures and arts a wide effect to make the works seem with universal traits.5 - Experimenting according to postmodernism art styles encourages the Iraqi artist after he was despair of the traditional modes which he worked with before, since these new techniques are modern and more interesting.6 - The internet, celphones and media has a big role to see all the artistic styles that the universal artist can present, that is in addition to the ease of communicating any other artist or a show.7 - The prevailing of TV programs in the Iraqi society, as it becomes easy for them to watch the world, as well as the awareness of the Iraqi artist to what happens in the world, helped him to dedicate these on the artistic performances of his works.8 - As globalization, politically, culturally, economically and militarily, launched the Arab world, including Iraq, this affected greatly on directing the Iraqi artistic performances to embody the existential anxiety and expatriation of the Iraqi

المغايـرة في تجارب المخرجين المسرحيين الشباب في العراق 1990 - 2009 == Variant Directors, Playwrights In The Experiences of Young People In Iraq 1990 - 2009

Author name: جبار محيبس مجيد
Supervisor name: صلاح مهدي القصب
General topic: Fine Arts
Specific topic: Theatrical Arts - Directing and Acting
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: يتكون البحث المعنون ( المغايرة في تجارب المخرجين المسرحيين الشباب في العراق من 1990 - 2009 )من اربعة فصول، قسم الباحث هذه الفصول الى مباحث فرعية يتضمن الفصل الاول الاطار المنهجي ومشكلة البحث والحاجة اليه ثم تناول الباحث اهمية البحث وحدود البحث الموضوعية

تجارب المسرح الاكاديمي العراقي ما بعد التغيير : نماذج مختارة == University of Baghdad College of Fine Arts Post - Change Iraqi Academic Theatrical Experiences (Selected Samples)

Author name: نبا جبار مناحي الربيعي
Supervisor name: عقيل مهدي يوسف
General topic: Fine Arts
Specific topic: Theatrical Arts - Directing and Acting
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: التجربة المسرحية هي تقديم عرض له مرتكزات علمية تربوية رصينة يهدف من خلالها المخرج تقديم عرضا مسرحيا متكامل العناصر، قدر الامكان ومقاربة الابتكارات المسرحية الجديدة. بالاعتماد على الاكاديمي وهو المنهاج العلمي الذي يعتمده الاستاذ المسرحي التربوي، في تقديم | A theatrical experience is merely a presentation based on firm scientific and educational elements, through which a director aims at presenting, as possible as he can, an integrated theatrical performance, and at approximating new theatrical innovations. Depending on the scientific methodological approach which the theatrical academic professors usually adopt in presenting a qualified theatrical experience on applied scientific bases and theoretical principles, specified objectives and outcomes are brought about and they consequently formulate the elements of any academic theatrical performance in a way parallel to the targeted artistic model. This study mainly aims at discussing the significance of (Academic Director), as well as the main educational additions which can be identified by the innovative achievements of the Iraqi theatrical academic director, in an attempt to point out the most successful educational and scientific achievements within the academic institution, and the means and methods adopted to fulfill this aim. The researcher, in her study entitled "Post - Change Iraqi Theatrical Academic Experiences", has discussed the theme of Iraqi professional academic director. The study deals with four chapters : 1 - Chapter one : The methodological Framework. This chapter deals with the problem, its significance and necessity; aims of the study; the spatial and time limits of the study; terminology and its definition.2 - Chapter Two : The Theoretical Framework. It consists of three sections : - Section One : the global concept of Theatrical Experience. It has been divided according to the study of ancient international experiences. After the introduction, the researcher discusses the concept of experience, main definitions, and elements of experience in the international theatre and, then, the main innovative streams of the theatrical experiences. - Section Two : the influence of political and social changes over theatrical performance. This section includes an introduction, followed by two subsections. The first casts light on the main contemporary schools and trends which greatly influenced by the recent political and social changes. On the other hand, the second subsection discusses the impact of political and social changes over the contemporary European theatre, as well as the most important theatrical achievements in Europe, which , within their performances, greatly affected by politics and social life. - Section Three : the concept of academic theatre on Arab and Iraqi levels. This section is divided to five subsections that deal, after an introduction, with Arab academic theatre, Arab academic director, academic theatre in Syria, academic theatre in Iraq, and the concept of academic director on the Iraqi level, respectively. The researcher has also referred to the phenomenon of the professional academic director in the Arab and Iraqi theatre. The main indicators of the theoretical framework of the study have also been presented by the researcher. They have been applied and tested on some Iraqi theatrical performances by college of Fine Arts\ Theatrical arts Department, in Baghdad, by a number of Iraqi professional academic directors. Previous literature related to acting and directing have also presented and chronologically arranged as follows : A - Bahaa Zuhair Kadhim : Features of Theatrical Performance in the Experimental Theatre in the performances of the College of Fine Arts, 2012.B - Yusuf Hashim : Features of Experimentalism in the Iraqi Academic Theatre, 2014. 3 - Chapter Three (procedures of the study) : In this chapter, a sample has been selected depending on a comprehensive investigation for theatrical performances from 2005 to 2015. The sample has been deliberately selected due to the diversity of these performances to the Iraqi academic director. The researcher thus adopts the (descriptive) approach in studying and analyzing the sample. The study's tools consist of the indicators of the theoretical framework, documents such as books, magazines, CDs, photographs, and notes, which the researcher utilized to pursue certain academic levels, starting from writing, presentation, directing and all the additions that characterize the reliable theatrical performances. The samples selected by the researcher are as follows : a - Al - Hussein Alaan (Hussein Now) , a play directed by Aqeel Mahdi Yusuf. b - Maradh alSharq Dimoqrati (East Disease is Democratic), a play directed by Haitham Abdul Razzaq. c - Ghareeb al - Dar (a stranger), a play directed by Zuhair Kadhim Alwan. 4 - Chapter Four (results and conclusions) : In this chapter results, conclusions, suggestions, recommendations, a list of references, appendices, and an abstract in English have been pinpointed.

تاثير استخدام اوكسيدي الزنك والتيتانيوم لانتاج زجاج الخزف البلوري == The Effect of Using Zinc Oxide And Titanium Dioxide To Produce A Crystal Glaze

Author name: احمد جعـفر حسين الـشمري
Supervisor name: محمد عبد الحسين العريبي
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
University: University of Baghdad - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: يتناول البحث الحالي امكانية انتاج زجاج خزف متبلور ينضج بمدى حراري عال(1250 م) باستخدام اكاسيد الزنك والتيتانيوم كـمكونا رئيسيا للتبلور وباستخدام زجاج قلوي جاهز(Alkaline Frit glaze) بعد اجراء التحليل الكيمياوي للحصول على زجاج يلائم طبيعة البحث كما حددت | The research is dealing with the ability to produce crystallized Stoneware, Sensing in high range temperature by using alkaline frit glaze as the clay had been appointed, by adding simple amount of unsold material. The materials caused crystallization (ZnO) and (TiO2) in various proportions after treating (ZnO) and (TiO2) screening it to secure its melting in glazes. The results that researcher had done are valued and a selected ,sample has chosen ,after doing many modifications on the group of (ZnO) and (TiO2) upon the appearance of the clearly crystal by ( sight ). Titanium Dioxide was added to the group of zinc to know the influence of the in the crystal of zinc after that the colored oxides averse added which they were (CuO), (CoO), (MnO2), (TiO2.FeO) and (Fe2O3) in various proportions to show the beauty of the crystallized Stoneware. The researcher concluded within the experiences that there are many reasons that confine the produce of the crystallized Stoneware pottery in perfect way like the solid material and the addition of oxides which cause the crystallization in huge a mortal more than it is usual and the right application of equality and thickness and appoint the degree of crystallization and duration and cooling time upon scientific an accurate base.In the laboratory many tests had done and the result was that the examination of (X.R.D) showed that many crystals of new materials appeared after the disappear an of glazes

بنية التصميم في رسوم ضياء العزاوي == The Structure of Design In Dia Al Azzawi Paintings

Author name: ازهار كاظم كريم الشريفي
Supervisor name: عباس جاسم حمود الربيعي
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Master
University: University of Baghdad - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: كان الفنان ضياء العزاوي من الفنانين الذين لهم الاثر البارز لتاسيس فـن عراقي ذي خصوصية وطنية وقومية تستند الى تراث فني عريق ولغة معاصرة قادرة على التواصل مع منجزات الفـن الاوربي والعالمي الحديث. غير ان الفنان العزاوي خاض تجربته الفنية في سياق اجتماعي وثقا | Dia Azzawi, an artist of artists who have a prominent effect of the founding of the art with the privacy of Iraqi national and national heritage of art based on ancient and contemporary language that can communicate with the achievements of European art and the modern world. However, the artist - Azzawi fought experience of art in the context of various social and cultural, the contemporary - Azzawi, the conditions of war experienced by the Arab world and the struggle of the Palestinian cause against the occupation and suffering experienced by Arab intellectuals and the Iraqis during this period. Finally, the migration to the west in the direction opposite to the flight Jawad Salim, who studied in Europe and returned home, where al - Azzawi be in Iraq, then technically he journeyed to Europe. This dye experience technical features artist who is looking for innovation across the horizon of his dialogue with Western art and a new life, not the horizon of incorporation alone. Hence, al - Azzawi was launched in an attempt to confirm its presence in the present art world and his desire to maintain its root in the soil that extends the Arab world and the preservation of his artistic map of his country, Iraq. At the heart of current research in the study (in the fee structure design Dia al - Azzawi) is divided into four chapters, Chapter I contains an account of the research problem has summarized the problem of current research questions has the following : 1. How could the artist Dia al - Azzawi of the control structure design in his work that combines abstract formalist approach, despite his eagerness to sacrifice the intellectual content of the painting? 2. How does the artist Dia Azzawi visual compositions with the work that is rich with symbols of heritage, diversity on the one hand, which seeks to keep up with modernity in the drawing on the other? 3. Can the artist Dia al - Azzawi of the development of the structure design in works of art on the diversity of sources of inspiration and employment Aharovi heritage, literary and poetic to be commensurate with all of these trends? 4. Can the artist to make works of art with a list of complementary relationships between form and meaning and their conformity or disagreement with the purposes of property across my design a system based on technical grounds between the meanings of the structure design and ideas that are the basis for its engine of the year? Search has been divided into four chapters, which included the first, the definition of the problem of research and its importance and need for, and purpose of the research summarized by define structure design fees Dia al - Azzawi. Also included the first chapter defines the limits research, and determine the terms contained therein. The second chapter, a theoretical framework for research, has been divided into four topics, addressing the first part, the nature of the structure. And studied the second design processes, while the third topic dealt with the design features in the drawing contemporary Iraqi, The fourth topic was addressed in the design construction Ramps fees Dia al - Azzawi. Chapter also included a presentation of the previous studies and discussed. And ensure the process for the third quarter, the research community, and a sample search, search tool, and analysis of the sample, as well as statistical tools and sports, also included an analysis of the twenty - act of the artist Dia al - Azzawi. The fourth quarter included the results of research, and a number of findings of the researcher, including : 1. Technical design at the Dia Azzawi, subject to the disposal of the artist forms which deprived and treated to a limited extent of the reduction and simplification maintains close ties to their assets from the real world and tries to merge with each other and detract from the completion of the core parts, which establishes its basic structure. 2. Forms when an artist Dia Azzawi, a solid and coherent does not always tend to turn and disappearing in space imaging is always surrounded by the limits established institution strongly about the land and the land itself is a strong and consistent surface gives the impression of the possibility of diving in the folds or Oguarha away, and the forms themselves are always crowded in large spatial space is punctuated only in limited spots do not weaken the cohesion. 3. The structure determination of Dia Azzawi, based on a ground area containing all of his thoughts and symbols, these interiors are the focus of his genuine interest above can establish different types of configurations always remain consistent with it is based on the floor of aesthetic and technical court. Also included the separation of research findings, and some recommendations and proposals, and disclosure of sources of Arab and foreign research, and a summary in English.

برنامج تدريبي في التذوق الموسيقي لتطوير مهارات التجويد القراني لطلبة علوم القران الكريم == Training Program In The Musical Apperception For Skills Development of Qur’An Tajweed of Students of Qur’Ans S

Author name: فاضل عرام لازم
Supervisor name: طارق حسون فريد
General topic: Fine Arts
Specific topic: Art Education
Degree: Master
University: University of Baghdad - College Of Fine Arts - Department Of Musical Arts
Language: Arabic
University location: Baghdad
First pages:
Abstract: First chapter of the research deals with the problem felt by the researcher within the Qur'anic society. This problem is represented by urgent need for (Qur'anic Tone) in "Tajweed" Recitation of the Holy Quran, especially for the students of Qur'an Sciences. Therefore, a comprehensive field survey was conducted and showed that there is no any preceding specialized study for Master of PhD degree. This study was needed since adopted curricula are not available. The title is designated as follows : " Training Program for skills Development of Qur'anic Tajweed for students of Qur'an Sciences ".The research objectives : 1. Development of skills of students of Qur'an Sciences through designing a training program of musical appreciation according to Kemp's model (Kemp, 1985).2. Identifying the effectiveness of the training program of musical appreciation to develop the Qur'anic Tajweed of third grade students of Institute of Qur'an Sciences in both dimensions; cognitive and skillful.To verify these objectives the researcher put two zero assumptions.Second chapter is divided into three topics. First topic deals with the >>>>>> of the instructional design including the preparation steps of training program, presenting the steps of Kemp's model (Kemp, 1985) and the voiced skill. Second topic deals with the origin of Tajweed, its fundamentals, Qur'anic recitations, recitation ranks and Qur'anic tones. Third topic deals with musical appreciation and its levels, eight eastern maqams, human voice, raising up and training and criticism in recitation of Holy Qur'an.Third chapter deals with research proceeds and steps of design and applications of training program. The society of the research includes students of Institute of Qur'an Sciences / National Centre of Qur'an Sciences Shia Waqf, averaged to 64 students. The sample was whom they formed 23% of original society.3. Since the current research adopted the experimental methodology, a training program of musical appreciation according was designed according to Kemp's model (Kemp, 1985). It is one group pre - test post - test with minimum control. To measure the efficacy of this program, two types of tests was designed. First type is cognitive achievement to measure the data acquired by the student. Second type is skillful measured by form of skilful performance assessment with is dedicated for this purpose. The two tools were subjected to consistency and validity and reliability procedures.The experiment was conducted in 62 class periods, divided into 38 days (8 weeks), from 15/11/2011 to 10/1/2012 and for the academic year 2011/2012 at the abovementioned Institute.To show the result of the experiment, the following means was utilized : 1. Wilcoxon Test : to identify the variation between pre and post response and performance of the students of experimental group.2. Difficulty and Discrimination Coefficient : to analyze the items of the cognitive achievement test.3. Cooper Equation : to calculate the correction ratability in skillful performance test.4. Richardson Equation : to calculate the reliability of cognitive achievement test.Fourth chapter introduces study results and discussion.Significant results attained in the research are as follows : 1. Prominence of training program for students designed according to Kemp's model (Kemp, 1985), since it is arranged in accordance to serial strategic steps through Tajweed performance of Holy Qur'an Verses.2. Efficiency of cognitive part of instructional content of program, represented by cognitive post - tests in addition to the efficiency of experimental group in understanding and accepting the program.3. Efficiency of skillful part of training content of program, which represented by students marks "sample of research", to accept this study and dedicating it to Tajweed of Holy Qur'an Verses.4. Effectiveness and influence of instructional means and educational techniques - used by the by the researcher to clarify the idea in to the minds of students - in arranging the training program content. Also, introducing the program through Microsoft PowerPoint software assisted the student to develop his musical appreciation through listening at the time of training program.5. The limited consistent reinforcement contributed in each instructional duty. This was made available by instructional actions and activities per each instructional unit; this was represented when targeted sample individuals of actions and activities introduced to the result of actions and activities the made. This lead to increase in learning effectiveness and efficiency.6. Negative feedback represented by permanent view and comprehensive and consistent assessment to the program lead to review and reversion of most of program's items. This played a significant role in crystallizing and modifying the content and technique of the program.In the light of the results of the research, a set of conclusions, recommendations and suggestions was presents

توظيف برنامج الرسام في درس التربية الفنية لاكساب مهارات الرسم لتلامذة المرحلة الابتدائية == Employment of Al_ Rassam Program In Art Education Lesson To Gaining Drawing Skills To Pupils of Primary Stage

Author name: حيدر كاظم سيد
Supervisor name: رعد عزيز عبد الله
General topic: Fine Arts
Specific topic: Art Education
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: تفرض طبيعة التطور الثقافي المعاصر، وما ينطوي عليه من تقدم معرفي وتكنولوجي فريد، متطلبات جديدة، تهدف الى تمكين الفرد من استيعاب عناصر الثقافة ومهاراتها ووسائطها، ومن حسن استخدامها وتوظيفها.فقد ادى التطور في تقنية الحاسوب وبرمجياته الى تطور | Imposing nature of the contemporary cultural development , and the implications of technological progress and knowledge unique new requirements, designed to enable the individual to absorb the elements of culture, skills, and its arguments and good use and employment. Has led the development in computer technology and software to the development in the fields of all life, where he witnessed the contemporary world developments of civilization and culture was one of its causes, the adoption and employment potential of computers and software in various fields, The computer fertile ground for the growth of science and the arts in all its different forms has become a common denominator of human activities, as characterized by its advantages such as speeding, accuracy and multiple options and quality in the implementation of the tasks required, which saves time and human effort. It is by drawing in the studied art education at the primary one of the activities that can accommodate and benefit from the potential of computer and in which there is the application software, including the - Al - Rassam program as an effective and easy to use can be used by students in the production of sketches and expression of art from the screen, and as give them the ability to dealing with the software and benefit from the present and future. But to benefit from these tools (computers and application software - Al - Rassam program) depends on knowledge of the use of such software and handled by pupils. From here emerged the problem of current research, which was not familiar with pupils , cognitive and skills using this program available within the Windows operating system , which prevents them from employment and thus invest the computer in the study of art education - the visual (drawing) in primary schools equipped laboratory computer, and it proved to be the researcher need to give pupils the skills and expertise knowledge and performance necessary to enable them to invest and benefit from, and therefore the goal of the current search to the following : - gaining pupils of primary stage , computer drawing skills - Al - Rassam program (Paint). The achievement of this goal, requires the following two sub - goals : 1 - Design a module in the self - learning computer skills drawing - Al - Rassam program. 2 - measuring the effectiveness of the module dimensions of knowledge and skills, through experimental testing on a sample of the pupils of primary stage. Determine the current research community pupils primary schools equipped computer laboratory of the Directorate General for Education Baghdad Rusafa second. Total sample (20) male and female pupils of the pupils of the fifth grade were chosen the way random from two primary schools, was the application of the module intended for the drawing skills Computer - Al - Rassam program , on the sample which formed the whole experimental group one, as it adopted the experimental design per set with a minimum of settings for measuring the effectiveness of the module dimensions of knowledge and skills, and the purpose of collection and data collection was designed two tools : - cognitive test : to measure what pupils possessed of information about computer drawing skills - Al - Rassam program application module before and after. - skill test : to measure what pupils possessed the skills to draw a computer - Al - Rassam program , application module before and after, and is measured according to the form to evaluate the performance skills consisting of (21), paragraph prepared for this purpose.Subjected tools in research and application performance evaluation skills with the terms of honesty and alignment and stability, for adoption in the current search. the researcher use, a number of statistical methods in the current research were transactions of difficulty and discrimination of the paragraphs of achievement test knowledge, and the correlation coefficient (Pearson) to verify the stability of achievement test knowledge in a retail mid - term and re - test application and to verify the stability of the correction form for evaluating performance skills, and used the equation Spearman - Brown to correct the value of reliability coefficient calculated between the two halves in a retail midterm test, and use the test (T - Test) for the two samples interrelated to show search results that have been reached and that was the following : 1 - effectiveness of the module next to give the pupils knowledge in information about computer drawing - Al - Rassam program. 2 - the effectiveness of the module next to them in the skills give pupils the skills needed to draw a computer - Al - Rassam program. The most important conclusions that were drawn from the results are : 1 - the adequacy of educational content of the module next to knowledge. 2 - the adequacy of educational content of the module next to the skill. 3 - the effectiveness of self - learning formula instructional - learning to give pupils information and skills, including computer drawing skills - Al - Rassam program. In light of the findings the researcher recommended the following : 1. Benefit from the content of the module in giving pupils the primary (school - equipped computer lab) computer - drawing skills - Al - Rassam program. 2. Adoption of the content of the module by the Centers for preparation and training of the Directorates General for Education, to give teachers of art education computer drawing skills - Al - Rassam program , through the establishment of training courses to enable them to give their pupils these skills. account Al - Rassam program possess potential , and easily of composition dues and dealing with the images and edit texts, And contain tools of cut and stir and paste, and to complete interest, the researcher suggesting to adjective search the following : (gaining pupils of stage secondary, skills of collage art , using Al - Rassam program).

برامجيات التصميم الكرافيكي ودورها في التصميم والاخراج الفني للمطبوع == Programs Graphic Design And Its Role In The Design And Artistical Direction For Printed

Author name: بسام جاسم حسين بنانه
Supervisor name: نصيف جاسم محمد عباس
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
University: University of Baghdad - College Of Fine Arts - Design Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: With high technical sophistication that happened in the world of digital Program, it reflected way or another on the science of graphic design at its different types and from it the Artistical Directing for magazines that expanded and walked many fields, and was one of the most important data is the emergence of new structural frameworks, particularly with respect to graphics vocabulary and its relation to space design and regulate of color relations and diversity in employment written patterns, and so on, the great access for digital Program enhanced the innovative capability of the employees in this kind of arts, which now deals with everything new and modern, these Programs enhanced the world of print and enriched its structure design and referred it to the functional and aesthetic values and clear semantic, the art institutions is no longer far from the use of such Program and deal with it in a contemporary because of the interference potential at the heart of work design, and the graphic design must be the first to deal and deal with this Program and to serve the process of design and directorial, It must for graphics designer to be the first transact and deal with this Program and to serve the design process and directing, and all current research meant to deal with this type of cognitive engage in talk, an indication of the research problem by asking the following : What is the role of programs graphic design in design and Artistical Directing for print?The importance of research identified through : - - Enhance the practical skills of workers in the relevant journalistic institutions. - Take advantage of the technical capabilities offered by digital design programs in the field of design and Artistical Directing.The search identified by two objectives : - Demonstrate the role of graphic Programs design in the field of design and Artistical Directing for magazines. - Provide practical suggestions depend on what the results of research lead and its findings.The research determined by the following : Objective boundaries : - Study the Programs of graphic design related to the design and Artistical Directing to magazine board (internal pages) only.Spatial boundaries : - Designs the Iraqi magazines that published in Baghdad exclusively, by (5) types of magazines.Temporal boundaries : designs of magazines that published exclusively in , which represent the year of research study.Then researcher knew the terminology contained in research, namely : - Programs, Graphic design, Design, Artistical Directing, and Printed.And select the second chapter, which includes (previous studies) and (theoretical framework), as enrolled in three sections : - The first Section : - Journal origins and history.The second Section : - Elements of the structure of the magazine and the methods of design and directing.Third Section : - digital design programs and their role in directing and publishing.The researcher point set of indicators represented a summary of what resulted in the theoretical framework, including : - - Designer hit the press over time various design techniques and goal was to get out of a primitive design and directed by journalist as cutting, assembly and distribution unorganized and the difficulties of manual labor to enter more flexibility in stages with the implementation of computer programs. - Internal thread form factor gravitational continuity and form the largest part of the magazine organized Failure means the failure of the magazine from the functional and aesthetic. - Faces a designer journalist difficulties quality in terms of his move from manual labor to the computer the most complex, since the arrival of the printing press result reaction by designers and scribes at the time, and the arrival of the computer resemble the arrival of the printing press and the reaction came to realize designers how hard work design in computer programs. Followed by the research procedures contained in the third quarter marked by the adoption of the descriptive method (method of content analysis) in order to reach results, also represented a tool his form for determining axes analysis based on what emerged from the axes and indicators theoretical framework as well as the views of a group of experts, and then included chapter on the selection process models intentional non - probabilistic reasons and clarified the researcher, as the researcher to choose (5) magazines published in Baghdad exclusively is my intention, and select from each magazine two issues as availability in the domestic market and 50% contained on (6) models of research for pages The number of internal models surveyed 30 model, also took into account research validity and reliability of the tool, then the researcher models in the description of the (30) model and analyzed according to the themes that included in the analysis tool. Followed by a separation of the findings and discussed included in Chapter four, which included the following : - - digital programs supported formats (Victorian) (Vector Shape) to make it more effective and visually attractive, as in models ( - - - - - - - - - - - - - - - - - - - - - - - and %), and the researcher finds that the Victorian shapes colors and movements done by Rested through visual colorimetric leave spaces designed computerized through the program (Illustrator) and is added to the movement of large explosions when reading, browsing, and thus highlights the topics - text and images. 2 - reinforced the use of Adobe Photoshop effects in image processing method in terms of purity and activating misting command (Overlay) which appeared evident in docking bitmaps, as in models (4 - 5 - 10 - 16 - 17 - 22 - 23) and by (24 %), the researcher believes that it is important to use this option Pavement cover chromatic images more vibrant by reducing the details of areas dark light to highlight them and therefore it is important to enhance the purity and clarity of the images. - Activate the tool decreases density (Dodge Tool), and to address areas silhouettes in the pictures, as in the model and by (4%), and constitute the tool element of professional designer to It's a tool that can not be for professional designers abandoned, being easy to work and highly effective great use for image processing dark through the details of Interior Lighting.Then researcher concluded a number of conclusions, including : - - with all the possibilities offered by digital photo, but it's in all cases remained weak missed its strength has been dealing with the expressive discourse technically shallow, which means a lack of awareness of the technical skills in ways to deal with such kind of formal vocabulary that form the foundation pillar in the design of the pages. - Each program has privacy in the way in terms of design, the ease or difficulty resolution make it integrates with other programs, which may contribute to the completion of the design is of particular aesthetic dimensions.Then the researcher recommended a number of recommendations, including : - - access to programs, which provided digital design such a program (Photoshop) and (InDesign) and (Illustrator), which includes a great potential fit design and Artistical Directing. - keep pace with technical development and modernization carried out by the digital and programs companies that offer new every day has to do with design and Artistical Directing.The researcher presented ten practical proposals to redesign the interior pages of magazines and specifically page (beginning and middle).The researcher presented a proposal could be for a subsequent study complementary to the current search : - (Digital effects and their role in showing contents graphics) And then seal Find a list of sources and supplements

تصميم الازياء في مسرح الطفل بين الشكل والهدف == Couturein Childrens Theater Between Form And Goal

Author name: براء شكيب اكرم الصالحي
Supervisor name: روعة بهنام الشعاوي
General topic: Fine Arts
Specific topic: Theatrical Arts - Techniques
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: يتناول البحث دراسة الاشكال التصميمية الخاصة بمسرح الطفل من حيث الشكل والهدف بوصفها احدى عناصر العرض المسرحي، لانها تشغل حيزا ماديا فوق خشبة المسرح، وفي الوقت نفسه تسهم في ايصال المعنى والدلالات الى الطفل.يقع البحث على اربعة فصول، يتضمن الفصل الاول الاط | This research deals with the study of forms design for the theater of the child in terms of the shape and the goal as one of the elements of theater because they occupy materially above the stage, and at the same time contribute to the delivery of meaning and connotations to the child. Situated Find in four chapters, Chapter I contains the methodological framework / research problem that crystallized the following question (Are there problematic in fashion design in offers children's theater between form and goal?) And have X objective to identify the limits of the relationship between form and goal in fashion design as well as The importance of research and determine the terms. In the second chapter (theoretical framework) has included three sections, the first section is the following : the concept of fashion design in the shape of the child, has been divided into : - 1 - A brief history of fashion child. 2 - Figure in Fashion Design : The divided into : - A - Figure B - connotations figure in the design of the outfit. C - perception and shape The second topic is : the design goals for the child fashion : The divided into : First, the design elements and foundations : The divided into : a - b design elements - the basis of the design Secondly technical objectives : The divided into : a - b functional - aesthetic Third, psychological and educational goals. The third topic is : fashion and its relationship to the elements of the display in the children's theater, has been divided into : A - Relationship Representative theatrical fashion. B - relationship with lighting theatrical fashion. C - nothing theatrical fashion decor. D - relationship theatrical makeup fashion The outcome was the theoretical framework for a number of indicators which were represented by the search tool as well as other tools. The third chapter, which measures the search, as selected samples Qsidia which offers plays (the world of vitamins) and (jackal advanced) and (Karkh and Rusafa) based on analysis of the research tools, namely, (watch theatrical performances) and watch the CDs, interviews, and indicators that resulted in by the theoretical framework, and photographs), following the approach of descriptive and analytical results that have emerged have been discussed during the fourth quarter and has been reached conclusions and seal search a list of sources and a number of supplements that the researcher sees the need for them to enrich search. In order to submit presentation on stage has to be the availability of a set of basic elements , including text and actor , location, etc, which integrates supply Fimnha many pictures innovative bearing the meaning of the play and expressive about events Moreover, they reveal perceptions director has within its vision directorial. The theater does not integrates her address the language only , but there must be interaction with the elements of image formation and play between the receiver which reacts with the show visually and acoustically. That 's the play is not the only visual shape , but the relationships are visual, auditory, visual relations that are among the elements of theater itself. Since it does not form a picture of the real substance of which its constituent elements and these elements interfere with each other to be the aesthetic image with signs and symbols of working to attract the attention of the recipient and stimulate his imagination dislodged.The study included four chapters - : Chapter One : The methodological framework contained , which included the research problem and the need for , and the importance of research and research objectives and the limits of the search, specify the terms. The research problem has emerged to ask a question the researcher is trying to answer it ( What 's building mechanisms and transformations to create a theater Is it fixed or variable ). The importance of this research lies in the identification of image - building mechanisms , functioning to be a theatrical presentation. The goal includes research to identify the image - building mechanism and formed in the theater.Chapter II : which included three sections : The first topic : the concept of the picture , which addresses how the emergence of the image and what the image and its impact on the receiver since primitive man to the present time and how to enter in the technical field.Section II : Mechanisms for image building , where he addressed this topic elements that work on the production 's theatrical and enrich the theater , and these elements are ( actor, theorist theater , lighting , costumes, makeup, music and sound effects , where she works all combined with each other to create a space special display and impress recipients and transfer the idea to them.Section III : 's variables in directorial directions , has included this section : First : the realistic trend in the stage directions : it provides a realistic picture of unknown to the receiver including raises surprised have had to rely on in this direction Representative in the transfer of feelings and emotions to the recipient to affect it attracted for theatrical display.Second : the natural trend in directing theater : where is this trend is an extreme extension of the trend as it moves the realistic fact to the recipient as it is non - delete or decoration as it was his goal to provide actually honestly Tam.Third : direction or the opposite direction of realism in theater directing : a trend that was intended to give priority to the shape and aesthetic values on the content of the work.Fourth : Expressive trend in theater directing : eat this trend provide a picture embodies the essence of things without paying attention to the external form has interested in filming the individual 's mind more than the facts of life , because the fact of man lies in the depths of the same sensory manifestations Ave.Fifth : the artistic direction ( art for art ) has been preached in this direction director Gordon Craig depends on where the two components : a. Representative body. B. Vacuum forming theater.Sixth : the epic trend in directing theater : where this trend has sought to transfer emotions from the podium to an audience that is provided in this direction of movement of events directly related to the problems of people to get them to the coup and rebellion against reality and change it.Then touched a researcher to previous studies , which focused on the subject of the picture , and then the researcher reached a set of indicators of the theoretical framework of the research in order to analyze the samples and tested.The third chapter : (procedures ) with double two.First : research methodology , with the adoption of the descriptive and analytical approach.Second : discuss the samples that have been selected are intentional and subjected to analysis according to indicators that have been out of the theoretical framework and the samples consisted of three performances of a number of directors.1. Ice play.2. Play a secret session.3. Play reindeer mortarThe fourth quarter included result : Then came the conclusions of the researcher and then came the recommendations of the researcher stressed the importance of play and mechanisms that operate on its composition within the directorial trends and the need for the expansion of research and work out accompanied by a list of sources of research and a summary in English.

اشكالية اشتغال مضمرات الصورة في بناء سردية اللغة السينمائية == Problematic of Processing of Hidden Picture In Narrative Cinema Language

Author name: حيدر فيصل كريم
Supervisor name: صباح مهدي الموسوي
General topic: Fine Arts
Specific topic: Cinematic Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: انبثقت موضوعة البحث انطلاقا من الهم العلمي الذي كان يعتري مخيلة الباحث لفهم المعاني والمعلومات المضمرة في الخطاب السينمائي، التي تمتلك حضورها الفاعل داخل فضاء الصورة الفلمية بكونها بنية لامرئية ترتبط بقصدية صانع العمل، يتطلب تحديدها فهم العلاقات التداولي | My thesis subject Emerged from the Scientific concerns over pragmatic Cinema, which was overcome the researcher's imagination how to understand the meanings and the information implicit in the Film Festival principles, which has acting presence, starting from the basis of the relationship between the recipient and language film, and this prompted the researcher to engage in the field which almost difficult even at the level of studies literary For that , it demands us to look of methodology to determine the standards by which to unveil implicit in the narrative cinema, for reaching such a study we have to sat categories based on scientific, which we can through it characterize photographical Cinema and identified by Laws , because it sat the method in determining the implicit, Which that requires sitting a development of a comprehensive study to determine the pragmatic cinema, and then determine work according to the implicit key concepts identified by the researchers or students, on cinema application. For the purpose of adopting approach to means of methodological Cinema in study the relationship between actors and narrative image to build a narrative language film,Especially with the concept of pragmatic cinema immerse from the relationship between actors the recipient as well as language of the film (the perspective of a film), The researcher divided it into four chapters, as the following : Chapter I (methodological framework) has included the research problem, which adopted the following question : Who did it operate in the narrative language of cinema? On the importance of the research and the need for it , then we has touched the necessities and the need for that adopt this subject, and then select the objective of this research from the title and the problem, as the following : detection operation implicit in the narrative elements of film language. Selecting a researcher of the three borders, and seal Chapter status determine the terms contained in the Title, as well as the message board. In the second quarter (theoretical framework), the researcher divided into three themes, and as follows : First research has dealt with (implicit... the term and concept) which were studied implied by searching in the laws of the deliberative, which requires study traffic concepts of semiotics of the following : (installation, significance and interpretation) to access the propositions, deliberative, and then discussed the laws of the deliberative - on - scope language. The second topic was the (implicit in the narrative film), and the researcher in this section as the laws of deliberative tools detect implicit picture, and it has been discussed establishing deliberative principle in the art of film by examining the evolution of the relationship between the recipient and the film.The third section dealt with the subjectThe first chapter of thesis is about (the hidden... concept and etymology) which we studied the hidden through out searching in the pragmatic law , which its study conditioning the Known the following of the principle of cinema (the composition, evidence and theory) in order to reach to pragmatic theory, Then searching through out the pragmatic law according to its scopeThe Second chapter of thesis is about ( the Hidden in narrative film )Which deals with the pragmatic law describing it as the tools that could reveals the Hidden Picture , In that we studied the scope of pragmatic cinema in the Cinema Art through out the processing of developing the relation between Audience and Cinema Film. The Second chapter of thesis is about (the Hidden in cinema photograph ) we studied the results of creation to sit the elements of the cinema language for the hidden cinema photograph production.then focusing the previous studies for thesis , after finished the viewing scope for the thesis we reached band of signs which we depend on it as tools for analysis the thesis sample and after depending on experts and Instructors In the Third Chapter in that Thesis we have (Methodological scope)We choice sample for reasons explained in the Third Chapter ,then analyzing samples of two films as the following : )PERFUME)، (THE IRON LADY(In the fourth chapter we have ( Results and conclusions ) after analyzing the sample , we reaches to band of results • In the result of hidden as relation between audience and cinema photograph ( pragmatic film ) which starts from the analysis of the (composition and evidence ) for cinema photograph , which we achieved wide concept for the cinema as we have taken in the sample We reached from the viewing results of the thesis we have conclusion • The picture taken by hidden through out scopes of forms of methodological expression in the film which transforms to serious of action of pictures that formed the film chain.. Finally I have concluded my Thesis according to your recommendations

التفاعلية بين الضوء والمنظر في انتاج دلالة العرض المسرحي == Interactive Between Light And The View In The Production of A Theatrical Show

Author name: فلاح كاظم حسين سلمان
Supervisor name: رياض شهيد علي الباهلي
General topic: Fine Arts
Specific topic: Theatrical Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: ان مسالة تكامل الفكر الانساني تجاوزت تداخل العلوم المتعاصرة لتعطي بعدا تفاعليا اخر، وهو ان الفكر الانساني في اي حقبة ليس وليد لحظته، وانما هو تراكم فكري منذ بدا الانسان الاول تجاربه واكتساب معارفه وخبراته، وهذا يعني ان تشكل معارف الانسان اليوم ليس من انت | The issue of the integration of human thoughts beyond the issue of overlapping Science Almtasrh to give dimension to interactive else , which is that human thoug in any era not the result of zth , but it is the accumulation of intellectual since the eginning of the first human experiments and the acquisition of nowledge and experience , and this means that constitute the human nowledge today is not the production era it is consequential to what preceded the production of an intellectual , and verlapping with, has also become interactive according to data recent tudies impact open Tagged reacts and Itlahak with it , as everyone with one intention , which is the same that the *problems which saw *phenomenology , it establishes in the world and Deitna humanitarian progress is not philosopher and psychologist only , but the artist also assertions raise Tfaalath technical creativity , and then he basically for something for the world to submit views and images are open , and that Aaadana always something else we see who shows the convergence of art in the form of what can be called Baltmathlat in infrastructure " ( ) , and because theater is a human activity provides the shape and composition of the creator aims to retrieve the life experience of self , or the structure of a virtual experience virtual produced fantasy conscious within formats and builders of light revealing the contents of the environment implausible and interaction by the receiver where the logical relationship that is supposed to be between the real world and the world of the assumption that is an interactive theater so that it is viewable add intellectual and conceptual knowledge to his regime , it is not only in accordance with the artistic vision and aesthetic intentionally designed to be employed in the technical structure of the play , in order to have a public value in an impressive receiver.The aim of the technical development of the industry landscape playwright and use be linked to meeting specific requirements in terms of reducing the effort required to perform the job with industry conditions and appropriate elements aimed at creating a sensual pleasure associated with the senses of all , it has undergone the light of the developments of several technical , different ages, and varied its importance in each point in time , and within the overlap speed and technology , it has been breached theatrical space , the move paved the way for the theater to get out of rigidity within the forms adopted modern technology in the formation of light dependent uses synthetic within the relationship - related interactive and technical transformation for those elements that formed a quantum leap in the origination and achieve good business where not addressed by researchers in addressing this aspect to maintain the continuity of the bid and raise the offer theater , so the researcher finds that puts search an indication of the importance of light and its role within the relationship of synthetic and nature of the energy proliferating in the production of the play by the qualitative and the application of the method and details are done , so it will answer the researcher on the following question : Mather interaction relationship between the light and the view through the installation process and advanced technologies to produce the display indication , here was a proposal from the title search ( ( interactive between light and landscape in the production of theatrical presentation indication)).

جماليات النزعة المدينية وتمثلاتها في فنون ما بعد الحداثة

Author name: اديان يونس ياسين الربيعي
Supervisor name: عارف وحيد ابراهيم الخفاجي
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Doctorate
University: University of Babylon - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Babylon
First pages:
Abstract: تناول البحث الحالي الموسوم (جماليات النزعة المدينية وتمثلاتها في فنون ما بعد الحداثة) تقصي تيارات فنون ما بعد الحداثة ومظاهر الفعاليات الاجتماعية والثقافية التي ظهرت داخل مدينية المجتمع الغربي، الذي شهد الانجازات العلمية والادائية بعد الحرب العالمية الثا

ادب السيرة بين الحقائق التاريخية والرؤية الفنية في الدراما التلفزيونية : دراسة مقارنة == Literature Curriculum Between Historical Facts And Artistic Vision In TV Drama

Author name: ايناس عبد الحافظ احمد القباني
Supervisor name: عبد القادر خلف الدليمي
General topic: Fine Arts
Specific topic: TV Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: تكمن اهمية الفن التلفزيوني في كونه يتصدى لموضوعات شتى تنتمي لاجناس ادبية مختلفة تتوحد داخل لغة الصوره بسطوة الدلالة المباشرة لايقونية الصوره المتشكلة في تراكيب ومعالجات اخراجية يريدها صانع العمل, ومن بين الموضوعات التي يتم التعامل معها مرئيا في الدرا | The importance of art lies in being a television address to the various subjects that belong to different genres unite hold sway within the language is significant direct iconography is formed in the structures and processors directorial arranged by the employer, among the topics to be dealt with is visible in the television drama is literature BiographyAnd the specificity of these issues lies in the fact that the literature curriculum promotes the requirements of formal and structural overlap among the various sciences as a science and the concept of narrative history as part of mating between fiction and drama. This privacy policy was prompted by the researcher to identify the object (Literature curriculum between historical facts and artistic vision in TV drama)The researcher divided this study into five sections, the first systematic framework has included the research problem that arose on the following question : What are the modes by which the employment of the artistic vision in the realization of the historical facts in television dramaSection I : Biography of literature and touched the researcher to define the concept of literature curriculum set out the main features and types, which was the Prophet's biography, curriculum vitae and biography biography and historical roots, and then look at the structural elements in the curriculum and levels of narrativeSection II : sign structure of the image visible in the literature curriculum has been the search structure is a sign to achieve as much of the process of delivering information, or to determine the significance in the formats that are often concerned with time particularyThe third topic : the historical facts in television drama, and in this section have been addressed to the concept of historical truth and honesty historical and means owned by the television drama in the formation of credibility for the construction of historical events dramatically through the adoption of all the elements that work on the level of form, research concluded with previous studies and the most important indicators that Researcher learned from almost the theoretical frameworkChapter III : Research procedures, which were addressed to the research methodology and a tool of research and the research that was three serials, as follows : 1 - serial - Zahir Baybars 2 - Asmahan serial 3 - serial Hulagu Finally, samples were analyzedChapter IV : Results and conclusions And it has been to reach the main results which have been drawn and analysis of the sample 1 - Biography of literature depends upon transfer to a television series on the existence of a personal narrator either as a participant narrator or the narrator of events is co - narrator of the events ranged from diagnosed or undiagnosed narrator and as we have seen in the series of Baybars and the series Asmahan serial Hulagu2 - historical truthis linked to the maker's ability to build an image of actions match the historical record in terms of details and building what is known for his historical and literary bloggers, and in this scenario we have seen in political assassinations in the series, both famous Baybars or Asmahan serial or serial ,Then the formulation of conclusions, which included conceptual framework and analysis of the sample. The research concluded with recommendations and proposals and list of sources of supplements with a questionnaire to the Committee of Experts and a summary in English.

التجارب الاخراجية النسوية في السينما العربية == The Female Directional Experiments In The Arabic Cinema

Author name: ايمان حمادي عبد الامير محمد علي
Supervisor name: صباح مهدي الموسوي
General topic: Fine Arts
Specific topic: Audio and Visual Arts
Degree: Doctorate
University: University of Baghdad - College Of Fine Arts - Department Of Audio And Visual Arts
Language: Arabic
University location: Baghdad
First pages:
Abstract: استعانت المراة منذ القدم بالعديد من الوسائل للتعبير عن نفسها. وقد تطورت هذه الوسائل بصورة تدريجية عبر مراحل التاريخ. فلم تجد منفذا يعبر عن ذاتها افضل من السينما، لتنقل عن طريقها الكثير من المعلومات والافكار والمضامين لكونها تمثل اشمل واعمق اداة فنية، وفك | Since ancient times women used many means to express themselves. These methods have evolved gradually through the stages of history. Did not find an outlet for expressing themselves better than the movies, meant to deliver a lot of information, ideas and content as they represent a broader and deeper technical tool, and intellectual able to express the problems of society revealed its specificity, thus contributing to the development and change. Since the beginnings of the establishment of cinema in the Arab world women were very enthusiastic to promote the cinema of the Arab and able to occupy the great work of art representative and prolific and productive, as well as fought battle of film directing, has emerged since then, the names of the output pioneers were able to defy the silence and isolation and Imahdn the way for other outputs and register the lead in directing fiction of Arab women and they (Aziza Amir, and joyful Hafez, Fatma Rushdi, Amina Muhammad), then followed by having so many names and from different Arab countries were able to prove their presence and play a full role in the process of intellectual development that fall within the the door of development and the impact that Iozvhn see them through the technical work of art to choose to and affected.Which managed to films made of them reverse the problems of society and from the problems of women through Enayathn content - references and intellectual as well as the technical aspects that go into the heart of the artwork.I found these concepts resonate through the contents of the present research came Title (women's directorial experiences in Arab Cinema), which can be summarize as follows : Find attended several of the chapters, the first chapter dealt with the problem of determining the research questions formulated in accordance with : Would the director was able to acquire speech reflects the aspirations of the film or only on the man? Is it the form of facts to the different perspective of women in community issues? Is there is privacy in dealing with these issues? The features of that discourse and modes of formation of a cinematic visions and the difficulties of entry in the realm of film directing.The objectives of the research are : 1. Disclosure on the topics addressed by the women (the director) in Arab cinema.2. Disclosure on the mechanisms of recruitment of directorial vision and their relationship to highlight the intellectual content.The second chapter covered a theoretical framework which consisted of several sections included : the first output from the experience of Women in Arab cinema extrapolation historically.The second included the topics addressed by the filmmaker.And take care of hiring the third directorial vision to highlight the intellectual content into the work of filmmaker and he went out the theoretical framework is a summary of indicators of substantive literature search.The third chapter action research has contained the research method chosen by the researcher in order to bring the nature of the research is descriptive method, which involves the analysis, then the research sample was chosen Qsidia, and search tool, and the unit of analysis, and certified tool.Chapter IV - where the results were focused on two parts : First - What is the subject of directing feminist attached (there are linking a clear and explicit issues faced by women and was bringing it through the intellectual content within the imaginary events).Second : The technical wizards for Women directorHence the conclusions may carry this chapter also the recommendations and proposals, as well as on the last page contains a list of sources, and then supplements and finally there is the abstract in English.

التصوير الفني في قصص القران الكريم وتوظيفه دراميا في المسرح المدرسي == The Artistic Depiction In Al Kareem Quran Stories And Its Employment Dramatically In The School Theatre

Author name: ايمان عبد الستار عطا الله الكبيسي
Supervisor name: هيلا عبد الشهيد النداوي
General topic: Fine Arts
Specific topic: Art Education
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: Characterized Koran miracle and beauty in the selection of words and meanings through artistic photography in the Qur'anic stories of being a way to deliver the target beacon preaching and aesthetic who can benefit from it in the educational side by employing the elements of artistic photography in the Qur'anic stories in writing the texts of theater school, and through the scoping study which interview (the researcher) on a sample of students from the fourth stage - Department of Technical Education who passed the expertise of precedent for the diagnosis of the difficulties they faced in writing the texts of the play in the material (the art of playwriting), resulted in that most of them do not distinguish between text narrative (narrative) and the theatrical text, which form with great conviction (researcher) the necessity of subjecting this variable to scientific research and experimental attempt to explore the best methods of teaching which they can formulate educational content in terms of the fundamentals and rules of writing theatrical text based on instructional design enriches the knowledge and experience of the learners. This is what aspires to current research, which is important in that it sheds light on the current research analyzing the importance of artistic photography with the provisions of the stories of the Koran, which can be described as the best means of buildingpersonal learner educationally and aesthetically and morally and culturally. And the use of new methods of teaching and learning strategies based on the basis of instructional design on according to (model Kemp) as a technical alternatives to the methods of teaching (the art of playwriting) in developing the skills of students in the Department of Art Education in the art of playwriting and improve their abilities to in accordance with the steps educational and clear and precise teaching.This is the objective of the present study which important lies in the following : 1 - The present study sheds the light of analysis of the artistic depiction of the text of the Quranic stories which can be described as the best means to build the character of the learned educationally, aesthetically, morally and culturally.2 - The study receives its importance through providing the concerned in the theatre (authors, teachers and students) b performing the artistic depiction which could be used in analysis of the Quranic stories and employing them in of the school theatre.3 - Enabling students of fine arts to prepare texts directing to the school students in the light of the educational values.4 - It may help to use the methods in the strategies of learning\teaching based on the teaching design (Comb’s Model) as one of the technical alternatives in the art f theatrical writing and develop their abilities I accordance to clear instructional steps.5 - The research is regarded as an addition to the students and teachers on the university level which enrich the Dept. of Art Education and Theatrical Arts in the colleges and Institutes of Fine Arts.The present study aims at the following : 1 - Detection of the elements of artistic depiction in the Quranic stories including what is suitable with the school theatre.2 - Designing a training program for students for writing theatrical texts from Quranic stories according to Comb’s Model.3 - Measuring the effectiveness of the program designed in training the students on writing theatrical texts. The researcher derived from the research objectives the following null hypothesis : 1 - There are no statistically significant differences at the level f (0.5) for the experimental group (taught according t the designed training program) between the (pre - post) tests in accordance to the cognitive test.2 - There are no statistically significant differences at the level f (0.5) for the experimental group (taught according t the designed training program) between the (pre - post) tests in the performance of skill f writing school theatrical texts.Chapter Two includes four inquiries : in the first inquiry the researcher tackle the concept of artistic depiction in the Holy Quran as a means of manifesting the instructional and heuristic aim of the Holy Quran and its characteristics like (imagination, artistic consistency, psychological aspect) and its basis represented by dialogue, movement and the significance of the utterances. The second inquiry tackles the most important distinguishing characteristics of the Quranic stories (character, dialogue, event, time and place), and the types of the Quranic stories represented in the (historical stories, representative stories, instructional stories, psychological stories, symbolic stories, Judgment Day stories). The aims of these stories are to acuminate the motivations.The Third inquiry displays the elements of the dramatic structure which are (dialogue, character, idea and plot) to find the linking ring with the artistic depiction in the Quranic stories that enabled the researcher to achieve its aims according to an instructional method tackled in fourth inquiry which includes an introduction about the educational process ad a detailed explanation of the steps for building a training program according to Comb’s Model.The researcher made a survey of the related studies to mad use of what the preceding has arrived to in that concern. Some of these studies are (Al - qareghli, 1999), (Al - Hamadani, 2002), (Sulaiman, 2003), (Al - Aameri, 2006), (Al - Husseinawi, 2007), (Sulaiman, 2010) ad (Lazem, 2012) which were useful as far as the theoretical framework is concerned.The researcher choses a sample of the research community including students of the third grade \ Dept. of Art Education I the College of Fine Arts - Baghdad University continuing their morning studies for the year (2013 - 2014) randomly the students of the two sections (A - B) of number (32) male and female students. She adjusted the variables of the study (age, previous experience, gender, time and place of experiment, teacher).The researcher constructed the two instruments : the first of the instrument of artistic depiction of choosing the Quranic stories with more elements of artistic depiction; the second is instrument of theatrical texts analysis by students through the skill pre - and post - tests and obtaining from them the validity ad constancy. After designing a training program, the researcher derived the apparent validity and prepared another acquisitive test (cognitive, skill) to measure the effectiveness of the training program applied on the targeted class (sample) on Wednesday 5/2/2014 through Wednesday 26/3/2014.After analyzing the results by the use of t - test for e sample, the results showed the superiority of the average score experimental group in the cognitive acquisitive test in their average scores of posttest over their scores I the pretest which indicate the effectiveness of the applied program and leads us to reject the first null hypothesis and accept the alterative hypothesis. For the skill test, it showed the superiority of the average score experimental group the instrument for the items of instrument the second null hypothesis and accepting the alterative hypothesis.The most important statistical means used by the researcher are (T - test, difficulty coefficient for the item difficult, distinguishing coefficient in the acquisition, Pearson correlative coefficient). In the light of the results of the study the researcher recommends to make use of the program and use it in the courses of continual education ad using them in the directorates of scholastic activity by making training courses for the teachers of Art Education, and the specialized in the field of school theatre, and adopting a program designed in accordance with the following program in the colleges and the institutes of Fine Arts in connection to the theme of this study, and preparing a leaflet about the training program to be provided in the school libraries and the educational institutes.In completion to the findings of this study, the researcher suggests : 1 - Making a comparison study between the program and other programs according to the theories.2 - Studying the artistic depiction in the Holy Quran Stories in developing the artistic expression of the orphan children.3 - Study the artistic depiction in Arabic literature in the Arabic poetry in the artistic depiction.

الاعتبارات الانتاجية والتغيير الشكلي في المنتج الصناعي المعاصر == The Considerations of Productivity And The Formal Change In The Modern Industrial Product

Author name: اياس صلاح الدين حامد
Supervisor name: هدى محمود عمر
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Master
University: University of Baghdad - College Of Fine Arts - Design Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: This search deals with the study of (productivity considerations) as it is important to the industrial designers, and its scientific inherent importance in the development of the shapes of their products benefit that presents , The search consists of five chapters , The first chapter includes the research problem , ( what is the role of productivity considerations in determining the shape of the product ? ), the problem will be dealt by searching in the title of (productivity considerations and the change in shapes of the Modern industrial product) The importance of the research is to provide a clear picture, of the concept of productivity considerations and define its role in changing the shape of the product, The aim of this study is to Detected and limit the role of productivity considerations to change the shape of the industrial product.The outline of the this study is the productivity considerations before the design and manufacture of the product for Nikon products of digital cameras and photographs, which is available on the company's site in the international network (the Internet) raised in The second chapter, which contains the theoretical framework and previous studies which include three sections ; the first section is on the structural change by subtracting the causes and factors and the necessary requirements to change the shapeof the product, whereas in the second section represents detection and determine the productivity considerations and how to limit its role in changing the shape of the product, The third section shed light on the strategies used by industrial enterprises in changing the forms of its products in The framework of economic production , and the result of theoretical framework of indicators based on the basis of which the models analysis axes.The third chapter includes research methodology, descriptive analytical method , samples of analytical forms , Forms of information and the reasons for choosing sampling forms, while the fourth chapter consists pictures of samples which are five samples what analyzed according to themes derived from the theoretical framework, Chapter five the latest, includes the results extracted from the analysis samples , Conclusions , recommendations, proposals and beneficiaries, and the most important results are : - - The group who designed for , and competition between industrial enterprises has the role to determine the product form in all models.The main conclusions are : - - The diversification strategy includes most of the samples and , which many of them are variety in more than one level, For example, came chromatic diversity and diversity in this category at the formal level with the knowledge that the technical diversity has had a share is considerable in the diversification strategy. and The kind of group of peoplewho use the product, had a big part to limit the process of standardization , simplification type and miniaturization ,which is restricted in the samples that where determined for a class with a large number, which have ability to follow the changing forms , and the possibility of running multiple experiments with the product, while offset by the qualities of excellence and uniqueness in other samples that do not accept profiling and simplistic in their platforms

اليوتوبيا في المنتج الصناعي المعاصر وانعكاسها على المستخدم == Utopia In Contemporary Industrial Product And Its Impacts On The User

Author name: اياد خلف ياسين
Supervisor name: شيماء عبد الجبار حميد العبيدي
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Doctorate
University: University of Baghdad - College Of Fine Arts - Design Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: ان هذا البحث الموسوم ((اليوتوبيا في المنتج الصناعي المعاصر وانعكاسها على المستخدم)) استهدف الكشف عن المفاهيم المعرفية المتمثلة بـ {بيان اشتغال اليوتوبيا (المثالية واللامكان ) في اداء المنتجات الصناعية المعاصره وانعكاسها على سلوك المستخدم }.من خلال دراس | Targeted this research is marked by ((utopia in contemporary industrial product and its impacts on the user)) detect cognitive concepts of b {statement functioning of Utopia (ideal and nowhere) in the performance of industrial products and contemporary impacts on user behavior.Through evolutionary context, the study of contemporary industrial products to be tapped in the identification between the utopia of contemporary industrial and product relationship to study the modalities by which the development of systems design in light of the impact of job performance industrial products Aluotabih and the reflection of that performance on user behavior, and focus on Aluotabi design privacy in structural aspects. To achieve the aim of the research, the researcher collected the main pillars necessary for the analysis based on the Investigation of the theoretical framework, which included three sections, which included the first part, "utopia concepts and perspectives" and included relationship utopia Qur'an and some other science and relations relational between the concept of utopia and some other concepts. While the second section included "the possibilities of utopia in contemporary industrial product" activities included mental utopia in contemporary industrial and product possible, as well as the process of utopia in contemporary industrial product. The third and final section included "act Aluotabi trends and reflected on the user's" included : the characteristics and mechanisms of utopia, as well as contemporary industrial product and user behavior.With the adoption of theoretical concepts and regulated by the researcher in determining the axes of the analysis, which included a total of the following themes : - Form• reciprocal nowhere and idealism in contemporary industrial product.• Aluotabi dimension to the way of dealing with the user.• Aluotabi act for the performance of the product and its reflection on the user.After the agreement with the specialists from the relationship with the subject of research, according to the time period specified for the selection of a sample of international companies in several countries for the year 2015. Concluded researcher set of results, namely : - 1) Technical impact is affecting the most effective in pushing the design thought to grant approach broader and open with all the theoretical and applied sciences, including the utopia that is proportional to the contemporary technology, in the sense of industrial designs whenever the technology available for industrial product simulates the ideal side, the user has the size of usability and interaction with those larger products and vice versa, it means the user definition of technological progress by contemporary industrial product.2) Investment artificial intelligence by mutant technical time in the formation of utopian thought for systems design environment contemporary industrial product through the concept of nowhere, Find a tradeoff between user and act Aluotabi salary through the performance of contemporary industrial product that technology was the reason be found through technical methods that It reduced the time and effort to achieve high efficiency and ease of use.3) There are no design constants be the tracks that underpin the designer, but it is about the ability to arrange the vocabulary and elements of building design in accordance with the determinants of building modern industrial product, as well as possibilities acquired by the accumulated experience in the sense there is no certainty at all but a relative because science against stability, In fact, the only constant is that all the facts in the case of change

المعالجات الفنية للسيرة الذاتية في الفلم السينمائي الروائي == The Artistic Treatment of The Biography In The Narrative Cinematic Films

Author name: انتصار علي مجول حمود الجبوري
Supervisor name: طه حسن عيسى الهاشمي
General topic: Fine Arts
Specific topic: Cinematic Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: The cinematic procedure affirms that the narrative films depend basically on the employment of the aesthetic of cinema ad giving a wide freedom for the subjective imagination of the artistic in order to serve his emotions and creative imagination into a limit of not bounding with reality and logic. Instead , he sets his imagination to the amendment of reality.The director's subjectivity in the cinema of biography managed to submit a reading of the subjectivity of the biography of famous people away from copying or being limited to the traditional literary texts. Therefore, the cinematic display which tackle the narration of a real biography is only a viewpoint that is subjective and subject to the interpretation and the amendment of the director. An important condition of the cinematic narration and the form is the language and the imagination of the living reality.That made the artistic treatment of the biography in its types aiming at the reality and the imitative value of the achievement of the artistic achievement.Hence, the research entitled " The Artistic Treatment of the Biography in the Narrative cinematic Films" of the problem of the artistic treatment of biography films in the narrative cinematic films setting out from the perspective of their subjective interpretations which are innumerable.The research consisted of an abstract and four chapters, chapter One includes the theoretical procedure of the study. The chapter includes an introduction that prepared the way to the understanding of the nature of the study and its problems followed by a comprehension of the important of the research and objectives and limits. Chapter two includes three inquiries; the first is the concept andterm of biography. This inquiry tackles biography as an art, and treated the concepts derived from the literary treatment of the biography in the subjective and objective forms. The second inquiry tackles the patterns of artistic treatments in biography films with the recognition of the reality of the multiples in the treatment and the instability on a rule or law.The ideological dimension affirms the importance of the character for which the film is being made. These aesthetic dimension is affirmed through the here patterns : a pattern that depends on the original scenario of the theme in origin, and another pattern which the director puts his biography from his composition, the third pattern presents a hypothetical pattern that simulate one form of the real character but presents it in for more satisfactory conditions. Perhaps, the most important one is the director's belief that he will be free to tackle it. Chapter three includes the application which the researcher used on the chosen samples to arrive at fulfilling the objective of her study. It includes the procedure followed in the stud and the reasons for choosing the sample and the instrument and the study.Chapter Four includes a summary of the final outcome derived from the analysis. The most important of the results is the multiplicity of the artistic treatment of biography in the narrative film in an open way that does not confine the creative into a limit. Also, some of the conclusions deducted from the results were shown. The researcher poses a number of recommendations which she sees necessary, as well as suggestions for subsequent studies. The research included a list of the resources and references which she depended on her study in Arab and foreign languages and an instruct in English

التكوين المهني لطلبة التربية الفنية في ضوء تكنولوجيا التعليم الحديثة == The Professional Formation of Art Education Students In The Light of Modern Instructional Technology

Author name: امل حسن ابراهيم الغزالي
Supervisor name: ماجد نافع عبود الكناني
General topic: Fine Arts
Specific topic: Art Education
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: ان التقدم العلمي والتكنولوجي السريع يحتم على البلدان المختلفة اعداد ملاكات مؤهلة مهنيا وفنيا وتربويا تمتلك الخبرات والمعلومات والمهارات التي تساعدهم على تتبع طريقهم بانفسهم وتحديد علاقات واضحة بما يحيط بهم من احتمالات ومتغيرات، ولذلك اصبح انتشار التربية و| These fast scientific and technological advances have made it necessary for different countries to develop qualified staff professionally, technically, and educationally and equip them with expertise, information and skills that help them follow their way by themselves and identify clear relations of the changes around them. Consequently, the dissemination of education and methods of teachings in a country have become a yardstick for the scientific, social, and cultural advancement of that country, and the focus on the scientific thinking has become the major part of society advancement.Problem of the StudyBased on this, the problem of this study deals with the professional formation of Art Education students in the light of modern learning technology data. This study is based on a survey study conducted in intermediate schools and designed to get acquainted with the most modern technology techniques used in teaching. It is also based on a study questionnaire designed to learn about the opinions of experts about the importance of the role teaching technology to develop a model of the professional formation of a student of Art Education who is to be prepared for the teaching career. For this reason, the researcher has identified the importance of the study with the following : to know the professional development in the light of data related to modern teaching technology of the Art Education student to make use of it to prepare the student technically and scientifically to give him the chance to obtain the permit for teaching Art Education.Goal of the StudyTo provide a proposed perception on the professional formation in the light of modern teaching technology data to serve as a scientific approach to allow the student to scientifically and professionally ready to teach Art Education.To achieve this goal, the researcher poses the following questions : 1 - What is the type of technology that is included in the formation of the professional preparedness of the Art Education student? 2 - What are the training methods of the education model for the art education student to allow him use modern methods of teaching?3 - What are the assessment methods in the model of professional formation for the art education student in the light of the modern teaching technology?Population of the StudyThe sample of the population of the study consists of 27 experts in different specialty (art education, teaching methods, plastic art, theatrical arts, educational psychology, measurement and evaluation, and computer sciences). The researcher has used them to know the validity of the proposed professional formation model in this study to be an approach to allow the student to be a teacher.An approach for the analysis of system was prepared to serve as a theoretical framework that is consistent with the nature of the current study. It aims at learning the inputs, processes, and outputs of the professional formation model. A survey containing 149 items has been prepared. The survey was distributed on three areas : formation for preparing a teacher for art education; formation for training the art education teacher; and formation for evaluating the art education teacher. This tool was presented to a group of experts using the Delfi method which includes three rounds to know the validity of this tool in measuring the goal used for. To reveal the results of the study, the researcher used a number of statistical methods such as Copper Equation, degree of quality. Among the results reached by the researcher are the following : 1 - Ensure high quality in performance by getting acquaintance with the professional technological practices by using different means;2 - Master the scientific material by knowing the theoretical studies to be confident of his scientific sources. ConclusionsThe researcher concluded the following : 1 - The professional preparedness of the art education student in the light of the modern teaching technology ensures the increase in the effectiveness of the theoretical expertise in teaching. The technological knowledge is a means of thinking and innovation to grow by providing him with intellectual information and basic concepts of technological data and how to use them to refine and improve his knowledge;2 - The professional training of the art education student in the light of modern teaching technology ensures high quality in the professional and teaching performance to be able to use the modern teaching methods; and3 - The evaluations of the art education student in the light of the modern teaching technology reveals weaknesses in the professional performance, and hence addresses it and enhance strengths to support his full understanding for the different needs of the students and their abilities to make use of modern teaching methods.Suggestions : The researcher provided several suggestions including : 1 - Generalize the professional formation model for art education students which she has come with to educational institutions to be taken into consideration when developing terms for appointment.2 - Evaluate the academic curricula for the sections and colleges of Art Education according to modern teaching technology data to keep pace with the technological development.The researcher suggested the following studies : 1 - Studying the status of the professional formation of the art education teacher according to the modern teaching technology data;2 - Enrich programs of preparing the art education teacher with more context in the field of teaching technology; and3 - How far current art education programs are enough in developing technological profession formation in art education students; The researcher presented a group of references which she had made use of in its current study and provided annexes and ended with an abstract in the English language.

اليات التكامل بين دلالات الزي في العرض المسرحي العراقي (1990 - 2000)

Author name: سرى جاسم خيون الساعدي
Supervisor name: مصطفى تركي السالم
General topic: Fine Arts
Specific topic: Theatrical Arts - Techniques
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: The developments of societies throughout various periods have yielded many philosophies and ideas in dramatic arts for the historical extension. It is a language that surpasses all the local idioms to address the whole world. The development that the societies have witnessed in all stages has been reflected in the contents of drama in general to appear various trends and methods. That has been expanded with the expansion of the social, intellectual and aesthetic needs of society to be richer practices that were crystallize in the form of dramatic shows as groups and systems. Undoubtedly, the lingual and acoustic messages do not abolish the importance of visual aspects in transforming the dramatic message. All that exists on the stage are signs that have come to express an intentional delivery to form visual images such as (costume, décor, action, etc.). The ceniograph works as completely as signs that make these references whose temporary becoming on stage leaves for imaginative factors. Thus, the dramatic work becomes a net governed by the system of showing that achieves the integrated harmony between what is acoustic and what is visual, in which costume plays as one of the signal systems that communicate with other signs in different designed methods and styles within the accumulated organic sequences that communicate that completes the general effect of the show throughout the consequential doctrines. The production of costumes to connate more rich meanings, through the harmonious interrelated elements that form signal systems smaller in the general costumes (color, shape, lining, and crude) which have taken the effectiveness pf costume as one of the semantic signs along with other signs of show on the intellectual, artistic and aesthetic levels and within various courses. This mechanism has led to researcher to trace the semantic of costume throughout various periods, and how to relate them into the signs of show and determine the aesthetic function of costumes in order to achieve this integral mechanism. The study falls into five chapters : The first chapter (Methodological Framework) which included the problem, the needs for the study, objectives and its limits as, as well as determining the definition of terms adjectively. The second chapter tackled the theoretical framework of the study in five inquiries. The first inquiry dealt with the semantic information of costumes in two pivots : the first is about the composing elements of costumes as a mark of drama, while the second tackled the integration that indicates the structural relationship between costumes and dramatic show. The third inquiry was devoted to the semantic transformations of costumes in the light of the trends and visions in the dramatic shows. The fourth inquiry tackled the pervious studies the most important indications that resulted from the theorticval framework. The researcher devoted her third chapter for the procedures, methods, instrument and of the study, the analysis of three samples : the plays (Media), (Othello in Kitchen) and Macbeth. These samples are considered as distinguished oeuvres of drama. The chapter was concluded with a summary of the results that the researcher has come to. While the fourth chapter was devoted to the discussion of the results of the study according to the derivatives of the theoretical framework to deduct conclusions for the integral answers of the objectives of the study. In the light of the conclusions, the researcher formed the recommendations that enhances through the investment of the results and outcome sof the study, which is achieved in the middle of the field. Finally, the researcher presents what she finds suitable for suggestion in order to complete this study and giving its due interest. Then, it ended with a list of references and resources which she used, followed by the document and an abstract.I hope I was successful in my endeavors, God is the destination for all…

اليات اشتغال النسق والتكرار في التصميم الطباعي == Mechanisms of Functioning of Pattern And Repetition In Graphic Design

Author name: ازهر يوسف مبارك
Supervisor name: نصيف جاسم محمد عباس
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
University: University of Baghdad - College Of Fine Arts - Design Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: Represent the relationship between pattern and repetition and Achtgalhma in Graphic Design One of the relationships that lead to control structure design and which are of a role in influencing perceptions of the receiver in the definition of the idea and will lead to the success of the letter addressed to contribute to the delivery of the idea put forward as based axis current research on the study of thosemechanism and implications left by the advertising design forms and sizes all, companions have easy in the process of receiving, including what constitutes a difficulty in the process of visual perception and through the process of cognitive clear Achtgalat patterns design and the promise Graphic Design of iterations of the elements of building, causing confusion in the process of receiving because of employmentis appropriate for design formats, where enrolled search in several classes, came the first chapter select a research problem which manifested itself by asking the following : - What are the mechanisms of operation of pattern and repetition in Graphic Design ?The importance of search through the possibility of its contribution to the benefit of printing and institutions, including newspapers and magazines through a better understanding of these mechanisms and Achtgaladtha, as well as for the development of design awareness among workers in the field of Graphic Design, which would in turn enrich their cognitive awareness.Select the aim of the research to define the mechanisms of operation of pattern and repetition in Graphic Design in general and advertising in particular.Cared theoretical framework with four sections, touched first topic to (Layout and repetition in the Koran as well as in philosophy and art), while interested in the second section (Layout and redundancy in the structure of Graphic Design, structural layout design, structural perceptions Altibograveh in design, patterns written, structure perceived Alkraveka in design), and touched the third section to (Layout and redundancy in communication process in terms of the concept and its elements as well as the format and frequency and mechanism of perception, communication and design language, perception and coordinated communication design), the fourth section, Vttriq to (semiotic pattern and repetition, semiotics in design typographic elements Alkravekah and implications of semiotics, signifier and signified PHP design elements).In the third quarter was the description and analysis (20) sample - based research into paragraphs derived from the analysis of the theoretical framework, and its outcome indicators were as follows : - The dimensions of the functioning of the format. - Repetitive structure. - The functioning of the structure. - Layout and redundancy by writing patterns. - Recurring pattern through the communication dimension. - Layout and redundancy by perception. - Semiotic pattern and repetition. - Engage in relational system of pattern and repetition.According to the contents of each individual model, the fourth chapter, has included a presentation of the findings of a researcher, and numbered (19) as a result, with regard to the aim of the research, including : 1 - hired Layout pivotal parties with confirmation relations structural Association between shape and space, that the adoption of Opto Recurring pivotal clearly indicates typical treatments carried out by designers working in design commercials that are often printed product charges, from planning trademark Anwanat and images.2 - represents balance types in the organization Opto and Recurring through recruiting Alkravekah with the larger sizes of pictures and that ran large swathes of the overall size basis for designing advertising, as though the adoption of outsize pictures and some elements Alkravekah that that which comes to confirm the importance of image in the reporting and in occupancy space and that calls shorthand in other elements as well as direct delivery of content that you upload.3 - hired format redundancy through an overlay images and who reported in reducing the sizes in cases available where large images size, as is the pattern overlay formal which depends repeat elements among the processors technical construction which resorted to the designer to show the largest number of images or shapes related advertising as envisaged and lead color, size large role in clarifying the mechanism overlay which requires clarity in the employee elements.4 - hired format repetition vertical structure design, and that by repeating elements contrast volumetric and chromatography, as a kind of regulation iterative whatever is meant to pull the attention of the seer according to the mechanism from top to bottom and make itmove according Values available in design, and is working through volumetric variation and color, as you can start vertically from top to bottom or vice versa.5 - adopted Layout radiation emanating from the center to the sides with investment Vocabulary large sizes to balance formality, as is commonly this format much in structure design with Vocabulary numerous terms easier for the designer distributed through a single prevalent and organized around Vocabulary other way diffusivity some aspects.6 - hired Layout hierarchy in highlighting the individual formal prevailing advertised, and comes this employment in order to attract the recipient and influence it and procedure requires gradual Values from top to bottom (repeat hierarchy), as if the base address and ranging beyond Anwanat another and so on.The researcher also suggest a set of assumptions that will be an important focus for future studies, including : 1 - benefit from design methods with which designers Alaalaon developed countries Kravekaa and industrially, particularly in the area of employment pattern and repetition of images and other vocabulary.2 - Find insights and new ideas in the design of the advertising formula and published and Akhraja final and must know the equipment and print - related media.3 - the pursuit of understanding of digital design and learning software, which deals with design Alkraveka it the most effective way to develop an understanding of the designer of what is happening in the field is the arena foundation and important episodes of the deal modern Alkraveka.

الوظيفة النفسية للتشكيل الدرامي للاضاءة في افلام الرعب

Author name: بسام نوري محمد
Supervisor name: عبد الجليل ابراهيم ادهم
General topic: Fine Arts
Specific topic: Cinematic Arts
Degree: Master
University: University of Baghdad - College Of Fine Arts - Department Of Audio And Visual Arts
Language: Arabic
University location: Baghdad
First pages:
Abstract: ان جملة الرسم بالضوء هي افضل مايمكن وصفه عن طبيعة عمل الاضاءة في الفن السينمائي, اذا ما تجاوزنا عن قصد مسالة التعريض وكمية الاضاءة اللازمة لتحقيق التعريض، فالضوء هو عنصر نوعي يعمل على ايجاد مستويات تعبيرية مهمة داخل حدود اللقطة السينمائية، من خلال انتاج ا | The light working nature in movies art could be best define by painting with light if we intentionally skip exposure issue and light quantity we need to serve the purpose of exposure, light is crucial element in terms of identify new levels of expressionism that are important within the cinematic shot area., whether it’s dramatic or psychological because it is give the lighting body the ability to transport photographical particular information without need for dialogue or other direct narrative way’s. Light have the ability to produce imagist build with information contain also with obvious beauty, as we know filmic image is the unit in light structural building which serve the drama in film by light and color interest that appears in light layers which add value to their grown that are related to the complete dramatically work grown.What’ve been mentioned above , is what all cinema’s current work is about, specially those depends on light as important material in cinema expression like expressionism cinema and avant - garde cinema and others current which find in light there important missing way in transport information dramatically, psychological and by beauty and from all of these reference the researcher limit he’s object in ( psychological factor for lighting dramatic formation in horror movie ) he divided he’s study to four chapters : Chapter One : This chapter consider as the procedure form.This chapter addresses the research troubles and we can form this question as below : What is the means that can use lighting dramatic formation in horror movie to reach for psychological action?But the value of this chapter is about addressing in thorough the importantly of one of the important language elements in cinema, and that procedure and explore the work of the term (lighting) in horror movies form That kind of films depend on light job specially to view on psychological and dramatic level The aim of research is study lighting dramatically formation in horror movie and its border reach climax study horror movie produced after 2000 ac Chapter Two : This chapter considers as the theoretical form for research and it is subdivide into five subchapters : 1. horror movie2. lighting drama formation in horror movie 3. deals with dramatic and psychological impression for (light ,shadow , color ) 4. lighting drama formation 5. discuss the relation between lighting formation elements and cinema language Chapter Three : The third one study the research method particularly, scans its method and analyses it and also study search community and samples which its five movies First (shutter), second (Halloween), third (exorcism of emly rose), fourth (wrong turn), fifth (blade) The search tools depend on the theoretical frame in analyzing after its review on group of researchers to give there approval The fourth chapter deals with results and discussions, details of samples which are shown and analyzed and results are taken from this analysis but the general conclusion which is taken out for that, the researcher give us group of suggestion and advises as it comes in list of references of research, appendixes and abstract of research.

التقابل بين الرسم والفوتوغراف في التداوليات المعاصرة == Paeallelism Between Painting And Photograph In Contemporary Communicatives

Author name: الهام صبحي عبد
Supervisor name: بلاسم محمد جسام
General topic: Fine Arts
Specific topic: Drawing
Degree: Doctorate
University: University of Baghdad - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: The emergence of photography and the invention of the camera have a fundamental effect on all the ¬branches of the artistic field such as painting, sculpture, media, advertising, newspapers and magazines. Since the inception of photography, it has diligently sought to approach the level of the art of painting. With the passage of time, and because of technical and technological development, the roles have changed. The art of painting persistently sought to approach the level of this small machine, and tried to mimic its accuracy in the embodiment of details. Photography was able to possess the art scene and to give an unprecedented prevalence for the art. For this conflict, which generated between painting and photography, the researcher decided to study the impacts and the effects between them. For this conflict, which generated between painting and photography, the researcher decided to study the affect and the impacts between them through this study, which is titled as ‘Concordance Between Painting and Photography in Contemporary Circulation’.This study consists of two chapters; the first includes the problem, aim, importance, terms’ definition and the boundaries of the research. The second chapter includes the theoretical framework and previous studies. The theoretical framework consists of two topics, the first is the art of drawing and photographic metaphor, which discusses the role of photo and its impact on the recipient, the simulation of painting to photography, the adaptation and usage of painters to the camera in their works and the connections between drawing and photography through modern artistic trends and postmodernism. The second topic is the historical root, iconography, technical transformation, photography, drawing with light, digital photography and graphics, which deals with the invention of the camera, the emergence of photography and the transformations that have occurred on the camera. In addition, this topic discusses the development of this machine, which was transformed from a large box to a very small item, which is become accessible to everyone. Moreover, this topic explains how this development has helped artists in the production of works that record fine details of objects, which cannot be seen with the naked eye, and how those works strongly competed drawing. Finally, this topic shows the impact of photography on the graphic art.In the end, the results, conclusions, recommendations and proposals were presented and the abstract and the title of the study in English were provided.

النظم البنائية في الرسم الحديث : دراسة في الانساق المعرفية == The Constructional Systems In The Modern Painting, A Study In The Knowledge Patterns

Author name: وسام حسن مزعل
Supervisor name: محمد جلوب جبر الكناني
General topic: Fine Arts
Specific topic: Drawing
Degree: Master
University: University of Baghdad - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: In order to see the difference in the levels of thinking through out the history, it would be enough to take a look on the artworks, those being produced during a different eras of the history, that, it could easily gets us aware of the amount of shifts and changes of the thoughts. Therefore, the art emplaced as a representative for the entire intellectual and ideological outcome for each age or era. Hence, the artwork absorbed all the thoughts and beliefs of that age, and assimilated them, which is led to reproduce them in a way that can be defined in a new way as a part of the world of art, so that they began to look like icons to be pointed to, as shorthanded thought of different eras and periods of time, so if we considered the surrounding conditions, we can find that the study of the ties between the constructional system of the modern painting not only justified, moreover it turned to be a necessity for the sake of understanding the artwork comparing to itself, not to the perceiving entity for that "being" and that means, we are trying to reach for that objective reality, which lies in its foundations the conditions of the human being, with absolute presence of him, and beingeffective not only being affected, by searching for the stirrer of the knowledge, like adopting the axis of knowledge which is established a point of interaction, attraction, mutiny, rooting and modernization in the history of modern painting. On account of that, this research came "The constructional systems in the modern painting, a study in the knowledge patterns" includes an introduction and four chapters. The first chapter covers the issue of the research which is related to the foundational knowledge, the efficacious and stirrer for the art producing process, besides the commutative relationship between the evolution of the knowledge and the modern art trends, and there is an attempt to make the research resolve this issue, by displaying different thoughts ofknowledge and finding its shapes and practical applications in the constructional system of the modern painting.As to the goal of the research could be represented as : 1 - Exposing the knowledge patterns, those motivating the systems of constructing the modern painting.2 - Exposing the knowledge mechanisms that controlling the aesthetical and formal construction of the modern painting. As for the limits of the research, confined in an objective limits encompassed only the modernpainting and its spatial borders around Europe, while its time borders set between 1875 and 1943.However, the second chapter consists of four topics, the first topic dealing with the concept of the system and its mechanisms at the visual side, while the second topic is about constructional concept of the visual surface, by considering the phases of the constructional process of the painting, and describing its constructional contents then consider the foundations of the construction as whole. The third topic devoted for the knowledge patterns, by depending the concept of presenting the modernity and its most important quotes, and the mode of knowledge patterns "operating" in the arts arena. Yet, the forth topic covers the trends and styles of the modern painting minutely.The third chapter contains the research strategies, those being represented in the research community with the sample and the research mediums and procedures that being pursued in the study. Then, analyzing the samples according to the researcher's index in the theoretical field as final outcome.As well as, the fourth chapter contains the results of the research, suggestions and recommendations. On the strength of what the analytical study delivered, the research reached into a group of special results in determining the ruling knowledge patterns of the constructional system of the modern painting, the most important results to mention are : - The Impressionism : it is the record of the social knowledge pattern which is takes the form of the naturalism and scientific knowledge pattern goes into the colors theory, which can be materialized in a greatest way of presence and controlling in its aesthetic and formal construction. - The New Impressionism; which is the scientific knowledge pattern represents the controlling basis of its molding process by adopting the rules of the light and color. - The Expressionism : which is illustrates the social knowledge patterns through out the concept of the individualism, and it is the most effective and controlling in its system. - The cubism and futurism : It appears in the scientific knowledge pattern and through out the concept of the place and time values, and it is the most influencing and controlling by its presence, to its constructional system. - The Dadaism : It can be supposed that the philosophical knowledge pattern with nihilist approach practiced an ultimate influencing in its constructional system. - The Surrealism : It becomes clear that the social knowledge pattern through psychologic al studies turned to be so influential in its system. - The Abstract : Which is imbued with constructional molding, in a mount of convergence with a spiritual and philosophical knowledge pattern.And according to these results, it is possible to pointing to some of the important conclusions as : - The modern artwork is an outcome of the spiritual and physical knowledge. - The change that has been made to the painting, it is a reflection of the changes of the fact of the knowledge. - The power of art attracts all the existents around and transforms them to an aesthetic construction. - The modern painting approached to all the kinds of knowledge with a significant vision. - It is not possible to understand the essence of the artwork unless having the ability for being aware of the flaws that could lies behind it. - The switches in the constructional system of the modern painting are a result of an intended changing being achieved with experience awareness and the effects of the surroundings. - Behind each artistic and creative turning point, there is a change in the knowledge patterns, as a rule starts with the response of the creator (the artist) and the recipient (the spectator) would follow

صيغ الاداء التمثيلي في المسرح العراقي المعاصر == Forms of Acting Performance In The Modern Iraqi Theatre

Author name: وسام خضر موسى
Supervisor name: هيثم عبد الرزاق علي
General topic: Fine Arts
Specific topic: Theatrical Arts - Directing and Acting
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: عالميا شغل الاداء التمثيلي مساحة واسعة من اهتمام المنظرين المسرحيين طوال القرن العشرين في اوروبا وامريكا، ودول العالم المتقدمة. اذ ارتبط بمنظومة العصر وطروحاتها الفلسفية منذ ظهور الممثل لاول مرة. فضلا عن الافكار المنتجة له فكان ينحو نحو هذه الافكار ويسا | Universally , the acting performance was the main concern of the dramatists in Europ , America, and world advanced countries in the 20th century. It has been related to the system of the era and its philosophical theses since the appearance of the first actor. This relation was part and parcel of the cultural demands of the societies and the essence of their existence.As far as Iraq is concerned, this global influence was evident of the Iraq academicians and actors, particularly those who studied in Europ and America. Therefore, the research question is : Was the Iraqi theatre able to shape its acting performance from the system of its age or from the ready - made styles it got from outside? The thesis includes four chapters. 1. Chapter One ( Methodical framework )a - The problem of the study b - The importance of the study c - The aim of the study d - Limits of the study. Place limits which included two groups of actors from Baghdad , the capital of Iraq : Academic actors who studied global procedures and styles and conveyed them to Iraq. As far as time limits are concerned , the researcher selected actors representing different periods of time. Finally , the objective limits included forms of the acting performance in the modern Iraqi theatre.e - Key terms : the researcher specified the following terms : Forms , performance , modernity.2. Chapter Two (Theoretical framework) a - Section one (the philosophy of the age and its relation to the styles of acting performance)It tackled the Greek, Roman and the Medieval age , as well as Renaissance Delarty comedy, and the Enlightenment age. b - Section two (the actor and its relation to the style of acting performance in the world theatre). It included theorists of the theatric shows whose theories influenced the philosophy of the age such as Stanislavsky, Myerhold, Grotovesky, Brecht, and Peter Brooch. Each of these prominent figures worked separately in the relationship between the form of the performance and the philosophy of the age from different angles.c - Section three (Designing acting performance in the modern Iraqi theatre) It included the Iraqi producers who studied global methods and styles of acting and conveyed them to the Iraqi theatre according to their own experience and views like.Jasim Al aboudi, Ibrahim jalal, Badri Hasoon Farid, Qasim Mohammed, Awni Karoumi, Salah al Qasab, and Fadil Khalil.This section also included the most influential effects of the theoretical framework.3. Chapter three. It included the research procedures , samples , methodology , tools ,and analysis. The selected test - subjects actors are : 1. Khalil Shawqi, 2.Sami Abdul Hamid, 3.Yousif Al ani, 4..Sami Qaftan 4.Chapter four. It included the results of the study, discussions, and conclusions, the most important of which is that mixing performance techniques acquired from the environment with the academic training was one of the necessities of the modern age to adapt the imported form with the original local content. Finally the study states recommendations, suggestions, and lists of references, appendices and the Arabic abstract.

المكون الصوري بين التشفير والتاويل في القراءة الاخراجية : فاضل خليل انموذجا == The Image Components Between Encoding And Interpretation In The Directorial Reading (Fadhil Khalel Example)

Author name: حيدر حسن عبيد
Supervisor name: عقيل مهدي يوسف
General topic: Fine Arts
Specific topic: Theatrical Arts - Directing and Acting
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: ينطلق البحث في محاولة لرصد عمليتي التشفير والتاويل للمكون الصوري للعرض باعتبار ان العرض المسرحي عملية تواصل تعتمد على وجود خطاب مكون من مجموعة رسائل توجه بشكل قصدي من قبل باث الى مستلم ليقوم المستلم بقرائتها ولا يمكن قراءة هذه الرسائل الا بفك شفراتها، ان | The research attempts to monitor the process of encoding and interpretation of the image component of the show, that the theatrical is a communication process which depends on a speech containing a group of message which are deliberately directed by a broadcaster to a receiver whom will read the message which cannot be read unless their codes will be decoded. The first component for any mark or a message depends on the internal relation process between the gesticulation and meaning among the marks in the directed message.Theses internal relations are the roles which govern the way of encoding to generate the marks of the theatrical show as sequence image show in a period of time, theses image consist of two parts the first is the visual component and the second is the invisible component and by the unity of these two parts produce the image component which contains show message that consist of the marks, these marks contain the gesticulation and meaning that are connected by the low of the code. Throughout this code the interpretational reading of the show will be achieved and by encoding, from the text to the image and the reading from the image to the meaning, the aesthetic distances will be established of the process of the encoding and interpretation that belongs to the image component of the theatrical show.Thus this mechanism represents an attempt to recognize the means of the encoding, the interpretation and the marks guiding of the image components of the theatrical show starting from its change to image code, ending to the interpretational meaning.The study includes (the image components between encoding and interpretation in the directorial reading Fadhil Khalel example) the four chapter are as follows : The first chapter (the approach framework) we dealt with the problem of the research and how to convert the visual to invisible and vice versa, throughout the process of encoding and the interpretation which are the based on cinematic thesis in order to figure out the way that these changes arise from the text to image and the way of establishing the image components of the show, this chapter includes : 1 - the problem of the research.2 - the significance of the research.3 - the objectives of the research.4 - the limits of the research.5 - identifying the terms.The second chapter includes the (theoretical framework)in which theorizing the rules, that were established, have been dealt. throughout these rules, the aesthetic process of encoding and interpretation that belongs to the image component of the theatrical show will be accomplished.this chapter include four section : 1 - section one : the concept of the image components between the visual and the invisible : in this section we discussed the theories and the opinions about establishing the image and how the imaginations interfere with the material in order to form a component relies on the artistic creative process.2 - section two : the encoding of the image component : in this section we discussed how recognize the formation the code and its change from the text to the image with various levels as well as the types of the codes and its derivatives.3 - section three : interpretation of image component : in this section we discussed how the interpretational reading has been formed depending on the process of encoding and creating a superficial and deep meaning, in addition to the most prominent interpretational theories and what is the definite and indefinite interpretation. 4 - section four : aesthetic values of encoding process and interpretation of image component : in this chapter we discussed the aesthetic process of encoding as well as delivering examples of different codes which discovered throughout a creative process by modern playwrights and the matter that led to perceptions which are different and interpretational.Then the researcher discussed previous studies which are concerned with the encoding and the interpretation and the obtained the results of the research theoretical framework for analyzing experimenting the samples.The third chapter (the procedures of the research) discussed two topics : 1 - the approach of the research : as the analyzing descriptive approach has been adopted.2 - discussing the sample which has deliberately chosen and analyzing it according to the parameters which had been concluded from the theoretical framework, the sample had been formed from three shows of the Iraqi director Fadhil Khalel. 1 - Cedra2 - Fi Aeali al hob3 - HerostradThe fourth chapter includes the result of the research : The research came out with conclusions and suggestion, then recommendations of the research which asserted the significance of the process of encoding and interpretation in addition to the necessity of expanding the work with it. Attached with the list of the research and a summery in English.

المقاربات الوظيفية بين عمل المخرج المسرحي وسيكولوجية الطفولة == The Functional Approaches Between The Work of Theatrical Director And The Psychology of Childhood

Author name: خضر عبد خضير
Supervisor name: ضياء جعفر صادق | صباح عطية سويبج
General topic: Fine Arts
Specific topic: Art Education
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: تؤكد الحقائق العلمية ( السيكولوجية) على الاختلافات الجوهرية التي يتمتع بها عموم الناس في ادراكهم للمؤثرات الخارجية التي يتعرضون اليها وبالتالي فان المتلقين للعرض المسرحي يتباينون في فهمهم للخطاب السمعبصري وفي تفضيلاتهم الجمالية، الامر الذي عزز الضرورة لو | Emphasizes scientific facts (psychological) substantial differences enjoyed by the general public in their perception To external Influences, which They are exposed Thus, the recipients of the theatrical presentation they Contrast in their understanding of the auditory and optical speech and In their aesthetic preferences, Command Which reinforced the necessity for the existence of more than level to this speech, Based on the needs of the targeted group and their desires and psychological composition. Accordingly, the researcher conducted a exploratory study to know the opinions of directors dramatists about their excretory work and its relationship with the psychology of childhood Stated the researcher, In establishing the problem his research on the results of those exploratory study where identified the problem in follows wondering : Is there a functional approaches between the work of theatrical director and the psychology of childhood in theatrical shows for children at the Baghdad governorate theaters?Summarized the importance of the current research in that it will highlight on nature of the procedures and the means and methods which must on the theatrical director followed and which are not inconsistent with the scientific results of the psychology of childhood and consistent with Occurred developments in this side, therefore the, This research may contribute to the development of children's theater in Iraq. The current research aims to : 1 - detection of functional approaches between the work of the director in the field of children's theater and the psychology of childhood. 2 - building standards for the work of theater director in the field of children's theater, according to the psychology of childhood. The research community consist of the two axes, first : the directors who provided theatrical performances addressed for children, who are (25) way out theatrically, the second : limited by their offers theatrical presented on the stages the city of Baghdad for the period between 2003 to 2013 thus the researcher choose a random sample from each axis of axis above and chose eight shows for eight Directors. dramatists and To achieve the objectives of the research was to build two tools to gather information, the first was represented (form interview directors) and included in its final form (38) question, addressed by the researcher to (12) director from the community members the his current search, The second was represented (form analysis offers) and included in its final form (31), paragraph adopted a researcher at his analysis of the sample offers, were subjected the two tools to the conditions of validity and reliability depending on the statistical means of the following : - Equation (Holsti) to calculate the reliability coefficient. - The percentage to calculate validity the vertebrae the analysis form.The results showed that the Iraqi director in the field of children's theater has approached his job directorial somewhat psychology of childhood, The weakness that Permeated some sides of his work was offset by strength in other sides and the decline in the balance of paragraphs that appear in some of the presentations was offset by a clear rise in other offers. Researcher reached to a set of conclusions including : - The psychology of childhood from the most important fields of psychology Which must the theatrical director who works in the field of children's theater to familiarity with it and get to know the details and relied upon in his directorial job To be eligible for the achievement of the objectives of the Children's Theatre through investment its scientific truths that he Provided it to them. - Varies Directors, dramatists who working in the field of children's theater in the extent of their investment for scientific facts (psychological) and inspiration it the when doing their jobs directorial for cemented their presentations the play. The researcher recommended in some of the recommendations, including : - Focus on Teaching Material (Child Psychology) and increase the hours of its shares of study in the colleges and institutes of fine arts, especially departments of art education. - Inclusion of all children without exception scenes play through a project sponsored by the Ministry of Education or the Ministry of Culture covers all governorates of Iraq to devote love theatrical art in children and improve aesthetic they feel.The researcher suggested conducting some studies, including : - Mechanisms of action of the director in Children's Theatre according to psychological processes of simple for children

المعالجات الفنية لعناصر التعبير الفلمي في السينما التجريبية == Experimentation Trials In Cinematographical Films And Their Presentati

Author name: بان جبار الربيعي
Supervisor name: طه حسن عيسى الهاشمي
General topic: Fine Arts
Specific topic: Cinematic Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: ان البحث الموسوم "المعالجات الفنية لعناصر التعبير الفلمي في السينما التجريبية" يتصدى لمشكلة مهمة في التنظير السينمائي هي التجريب في الفن السينمائي.ان مشكلة التجريب طبعت تاريخ جماليات الفلم بشكل استاثرت فيه بكل تاريخ السينما ومراحله المختلفة، والغريب في ا | The research is trying to tackle an important problem in the “cinematic theorizing “which is the experimentation in the cinema art. The experimentation problem prints the history of the film creativities in the way that it covered all the cinema history in its deferent stages. Surprisingly, we couldn’t find clear defintion for this term nor the logic that is work in, also there weren’t specific limitations between the Experimentation as a creative act and the Synthesis that covered by creativities, morever the experimentation term and using other different terms that almost erase the experimentation term, then the problem became much more difficult when the researcher found many illusions affecting the term of experimentation and its relation with the term of “modernization “which considered as a Vague term due to its different definitions in the resources that explained it.This research includes a summary and four chapters; the 1St chapter was like a methodical framework for the research and it includes Introduction to understand the kind of the research then “the problem of the research and its necessity”. So the problem of the research identified by the following.What are the Experimental trials that print the cinema film?What is the limitation of experimentation? And what kind of logic can control it in the filming show on the screen as a basic visual reality?The researchers other the individuals interested are in need for such researches to solve the ambiguity that occurs in the fundamental terms related to the development of all cinema sciences. The objects of the research were to uncover “what are the Experimentation and of the logic of its effects “as a filming show appeared on screen. The place factor was widely open for the research because the cinema creation is not a limited by a place also because the creation come out from everywhere with a cinematic production, concerning to the time factor, the researcher found after its putting in mind of the Experimentation that the from the begining of the third millennium until this moment of the writing the research a period of most understanding and growing for the Experimentation cinema despite not forgetting, anyway, the previous important trials.The research added previous studies to its methodical framework, believing that such studies should precede the writing of the research in order to be its guidance in the positive negative way its issue. Chapter II includes three sections; the first section was “the expircal cinema the term and concept” this section addressed to all the Experimentation practiced by cinema as a creative art, but during discussing all of this, the section excluded the experimentation in the silent cinema, allegedly that the right Experimentation is accomplished by envolving all the cinematic language factors, since the silent cinema doesn’t have the sound factor the silent cinema miss, subsequently After further study, the researcher found that the Experimentation in some aspects needs a a longer reactive time in order to find the range of its disclosures so the short movies also have been excluded from the research, the emphasis has been put on by the usual narrative cinema, those movies which fund the movie Film industry by attravting huge masses the people who buy the expensive tickets for the sake of this art, it rendering the art of the age indeed in terms of its popularity that exceeded any other art, conseauently excluded the Experimental film made for the elite Which is displayed indoors then disappeared to be found only in the cinema archives.The experimental film presented by this section is the movie that never gives up its fans nor its experimental and creative discoveries and both are difficult demands, the movie that achieved those demands is the movie that add something to the cinema art as experimentation use for the first time in the cinema language or narrative filming or the shape or all together.The section refers to the relation between the modernism and the experimentation, and tried to put both terms in its own range.The second section entitled “experimental generation”, it was an attempt to go through the experimentation as a human significance practiced by the mankind, identifying how the human creativity introduced something in certain time and hide things to be discovered in another period, it’s about to say that experimentation does not to “narrow” through surrender the usual techniques and looks for a new technique not recognized yet. The section concludes that the cinematogra one experimentation hides in the previous experimental films prior the expreimation because it refers to something related to the cinema language or film narration and figure, through the study of the movie as semiotic text in addition to what it content of text signs cohere into a linguistic significance effected to the traditional and experimental film, but the research focused on the semiotic of the experimental film through understanding the means that insure the right use of the expressive tool.We will study also the linguistic system for the experimental film and what it contains from text, context or message and all the conceptual system which came from the science of signals that started basically from a philosophical approach which is the Logic adopted by the signals, so the Logic is the tool directed by the mind to realize things and the semiotic is the science which enables us to know the logic of signals due to its signals roots found in the same logic, here we reach to a fact that It is not possible that we impose the standard science logic upon the art.In this section has we have taken advantage of avaluable lesson on lecture regarding the (science of signs and semiotic) especially the lecture of “the original signalsand the subsidiary ones and how they work in the experimental film” Perhaps the stopovers in some of the top actors who involved modernity & experimentation will become a necessity for such section like (Bonweel, Bazolini and Ghodar) whom considered the film art is a wide open area for the experimentation and creativity.The third section involved in the” experimentation in the cinema and the neighbor artistic fields. like poetry, novel ,painting ,theater and others.the section came to an important result which is the film art in its experimentation possessed the major part of originality either in the film figure or narration, moreover the film art regarding its tale said that it use all the experimental narrative discoveries for its interest due to the ability of its expressive tool to cover the elements whether narrative or artistic It is inevitably, the research figure out signs to use it as guidance to analyze its components, so all its signs that subjected to evaluation of the exports had covered what the research contained from analysis and the signs were as the following.1. Experimental film is the film that presents unexpected trials for the factors of the cinematic language which insure its unique signs functions, either if it was picture the unbelievable role of the camera lights the movements time and place for a factor or some or them of all of themThe third chapter contains the research procedure included the research approach which is a describing approach and the research sample which contained three films which are 1. Dialogues with other women 2. Dogh feel 3. Sin city The research tool was the indicati of the theoretical frame that agreed by the experts with amending some other components that touche the surface of the indicator but not its essence that’s mean that the experts completely agreed on this signs while the analysis unit was the complete filming scene.The research started to analyze its three samples according to its signs and it’s important for such research to include results, conclusions, recommendations and suggestions.The results of the research1. The research presents filming figures taken from its experiment in the filming language and narration, and it is not an imposed figure on its experimentation.The research also had several conclusions which are: - 1. The experimentation in the filming art didn’t come from emptiness; it was the continuation to a deep accumulation in various efforts exerted by various creators.The research recommended to study the experimental documentary film and to study the short narrative experimental film to add the benefits of this experimentation to the long narrative experimental cinema in the usual mass production and enriching the free direct cinema and the underground cinema, thus the research ended with its different recourses, appendecies and English language summary

المعالجات السينمائية للرواية الحديثة == Film Adaptations of Themodern Novel

Author name: احمد جبار عبد الكاظم العبودي
Supervisor name: طه حسن عيسى الهاشمي
General topic: Fine Arts
Specific topic: Cinematic Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: ان الدرس السينمائي المعاصر، يؤكد على التماهي المطلق بين السينما كوسيط تعبيري قائم بذاته، والفنون الاخرى، كمنجزات جمالية سابقة عليه، يتعالق معها بنيويا ودلاليا، وكانت الرواية من اكثر الاجناس الادبية التي استلهم منها صناع الفيلم منذ بداياتهم الاولى، ل | The modern cinematic lesson emphasizes on the absolute identification between the cinema, as an expressionist intermediary stands for itself, and the other arts, as aesthetic achievement precede it, they both are linked syntactically and semantically. Novel is the most literary genres that inspire the film makers since their beginning because of Its relatedness to Cinema narration characteristic, the completion of the expressionist intermediary of Cinematograph, and involving of the sound that expands the aesthetic and narrative ranges of the film to the maximum in the ideological indication, enables the Cinema to arm with the modernist consciousness because it became close from the experiences of Art and literature ideologically, aesthetically, and stylistically. Cinema involved in the modern novel, which is considered as ideological and aesthetic revolution throughout the film adaptation that copes with the novel context modernism through its construction to the text of the modern film. The theorists and film art critics give a special importance to dialogue relationship that based on the Influence and effect between the novel discourse and film show despite the obvious distinction between their expressionist intermediaries. Because of the quotation processes and forms of correlation between these two arts through interchangeable transformations to the semantic and expressionist statements. The theorized visions are centered through observing aesthetic contiguities and paradoxes to the indication between them. One of them utilizes the oral language and its syntactic structure that contributes in deepening the meaning. While the other one appears through the audio - visual and editing structure that deals with time according to its own way. Despite the difference among the visions and the critical and artistic situation about how Cinema takes the benefit from the novel as a source of inspiration or quotation which is based on particular level of adaptation, as a structural and conscious semantic action. Most of the critics try to undermine this creative connection, said that Cinema is an independent Art contrives its own subjects without standing on literary structures that are already made. It is proved that the spectator accepts the shown ideological structures and interacts with them negatively or positively despite the scenario of the film is adapted from novel context as a semantic reference or an invention leads nowhere but to itself. The uniqueness of this research is to observe the structural and semantic variable between the modern novel through its complicated structures, represented in the paradoxes of narration, narrative prospective, multitude in the levels of focalization, the linguistic rhetoric utilized by poetic deviation, its narrative and semantic concentration, and the film show with its modern form, narration, and Cinema language. Consequently, getting involved into the modern novel context world and its transformations into a film show requires someone who is capable of decoding the secrets of them. In order to fulfill the aim of the research, the researcher divides the research into : Abstract (in English and Arabic) and four units. The first unit (Methodical Frame) contains (problem of the research - Importance of the research - the research limitation). The problem of the research appears as a question has been made, by the researcher, as (what is the range of the semantic and structural transformations of the modern novel in contemporary cinematic discourse?). The aim of the research is to detect the levels of the semantic and structural transformations, which appear in the structure of the modern novel genre, in the contemporary cinematic adaptations. Second unit, theoretical Frame, contains three chapters. First chapter is entitled (semantic and syntactic structure of the modern novel). The researcher investigates, through historical vision, the theory of modern consciousness manifestation of the global and Arabic novel for its conjugation to the realistic variables. The researcher explains how the modern novelist deals with the reality and investigates its deep content according to his personal philosophy and his aesthetic consciousness that comes from deconstructing the ideological structures to the reality and reforming it. He also investigates the characteristics of the modern novel as semantic structures through saturating the syntactic components of the modern novel context from the prospective of the narrator and his multiple visions, time, characterization till the place. The second chapter, entitled "Film Modernism", is dedicated to the prospective of modern consciousness in the contemporary cinematic discourse identifying all the literary and artistic discourses that take the way of modernism in order to express about what is prevailing. The researcher investigates the beginnings of the modern consciousness with contemporary cinematic directions (Formality and Realism) with its various styles in employing the cinematic expression means. While the other component and the most important, was an attempt to theorize the modernism of contemporary cinematic form that appears in time structure of its narration which is done by the semantic activation of Cinematic language. Then from all that, the researcher concludes a simple lesson which is that Form, Narration, and Cinema Language interlaced in a way that cannot be detached but for the purposes of study and analysis. The third chapter, entitled " Text Transformation : Modern Novel and Film Show", discusses the levels of film adaptations to the modern novel by using film examples that are well - known for its adroitness and creativity in adapting novel contexts which are unique for their semantic and structural aesthete. The researcher starts following the concept of the text, as a semantic structure that all critical visions vary to define its concept of text, from the contextual methods till the deconstruction strategy by Dryda (post - modernism) including all the aesthetic characteristics of the novel as a text and the film show as text also. The researcher concludes from the theoretical frame that the contemporary adaptations of modern novel, which are an action to transform the novelistic work into cinematic expressionist intermediary, depending on the strategy of quotations according to literal or free level that reflect the ranges of interlacement for the texts, or to combine both of genre in addition to the interpretative creativity of the therapist by using the cinematic expression language as a remarkable interpretative art. The researcher comes up with punch of stuff and adapts them as a tool to analyze his examples. The third unit is the place where all the elements of the research, Research Method, the research reunion, and the research model, are compiled. The fourth unit contains all the results that the researcher comes up with from his analysis to the models (French Lieutenant's woman) and (Hours) and the conclusions that the researcher comes up with from all the research in general. It contains suggestions and recommendations.

المعالجات التصميمية في الفضاءات الداخلية للورش التعليمية == Treatment Design In The Internal Spaces of Educational Workshops

Author name: منتهى عبد النبي حسن نجدي السعودي
Supervisor name: فاتن عباس لفتة الاسدي
General topic: Fine Arts
Specific topic: Interior Design
Degree: Master
University: University of Baghdad - College Of Fine Arts - Design Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: Represents treatments design spaces educational workshops , one of most important basic functions that seek him by the designer and the resulting coverage of the nature of educational workshops and spaces employed in the formation of character career.Addressing these spaces allows us designers internal mechanisms employment possibilities ,techniques and methods of a variety of style different for what we find in most spaces,the other for starting towards the concept of the projections functional (Performative,aesthetic) that hide in it.The features detailed spaces work(wokshops) to design spaces interior is characterized by being the field of lead to study and knowledge of the factors affecting our treatments design for this type of spaces,which in ourMinds bunched treatments values overlap with traditional asset developments and new technologies for the advancement of educational spaces carpentry workshops to keep up with the functional requirements.The treatment of achieving spaces internal according to the concept of functional integration(Performative,aesthetic) should the interior designer to be of a familiar treatment design and ways to achieve them,with the assistance of vision and ideas for starting towards the concept translates façade educational for our country,which has become a requirement no matter how based on him the need to address spaces workshops to keep up with the requirements of age and educational reality,to lead us to the title search is marked"design treatments in the iternal spaces of educational workshops" the search consists of for chapters : Chapter One : Addressing the problem of search which crystallized by asking the following : What is the treatment design in the internal spaces of educational workshops?The objectives of the research guarantees the possible contributing ideas to develop designs interior spaces for learning carpentry workshops.And demonstrated the importance of current research presenting the study necessitated by the need to raise the level of the reality of the spaces,interior carpentry workshops world, as well as the contribution of researchto clarify the most important levels of treatments that work on the development of the spaces, as wel as lay the foundations of the theory for the purposes of application of the treatment design on according to mechanisms keep pace with the times, as play an important role to suit the nature of thefunctions and activities performed there in, which is represented by the border merits of the search, while determined the spatial and temporal him in spaces carpentry workshops teaching in colleges of fine arts and applied arts in the provinces of Iraq for the period from(1967 - 2013) as well as determine the terms contained in the title of out procedural tariffs.Chapter Two : The theoretical framework which resulted in two sections : The first topic : Singled out the concept of interior design and its relationship to job performance in the educational workshop spaces, while the second topic : The spaces included carpentry workshops and educational ways to address them and upgradeable career.The theoretical framework resulted in a set of indicators adopted in the analysis of form models : Chapter Three : Included research procedures and methodology, as it comprehensive survey in the selection of community samples and research(3) models only for study, and adopted the search tool on the form axes analysis , pointing degree achieve those themes on them, as well as a description of research and analysis models.Chapter Four : Ensure that the findings and conclusions that have been reached by this research, is the most prominent : 1 - Chapter's relationship to the workshop space from the rest of the educational institution spaces provided a comfortable indoor environment , to achieve the required functional requirements not only in terms of space of the institution.2 - The treatment of perception and understanding of the internal space is a staggered treatment which contribute to numerous factors and effects , including behavioral and psychological related to the user.Including structural and training related to the form and body components of the internal space(SDH, furniture and supplements), as well as relations achieved through it , and here comes the role of the interior designer and his ability to achieve this integration in directing realize user elements and components of the internal space and the relationships between these elements and components.3 - Contribute the characteristics relations in space to achieve continuity the physics and visual space workshop with spaces adjacent or between the spaces of the workshop itself , result in the outcome to the treatment of configuring the harmony and continuity visual, and to achieve the structure physics coherent visually compatible with each other and with all, anything to do with all of the space(work,storage,supervision, diction, service).As well as the fourth quarter included the foundations of design theory, and recommendations, and general suggestions, and design proposals, as well as horizontal charts, tables and explanatory forms, and a list of sources and supplements.

المعالجة الاخراجية للموروث الشعبي في الدراما التلفزيونية العراقية == The Directing Treatment of Popular Heritage In Iraqi Television Drama

Author name: فردوس مدحت رؤوف
Supervisor name: عبد الكريم حسين السوداني
General topic: Fine Arts
Specific topic: TV Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: يمثل الموروث الشعبي اهم اشكال الثقافة الحياتية ومرجعية لطقوس وحراك ويمكن توصيفه بالذاكرة المعرفية المتمركزة على ما تنتجه المخيلة الانسانية في صراعها المستمر عبر المراحل التاريخية المختلفة ولا يمكن لاي شعب ان ينفصل عن تاريخه وممارساته التلقائية والتي تعكس | The popular heritage represents the most important forms of life culture and a reference of rituals and motion. It can be characterized with the cognitive memory centered on what the human imagination produces in its continuous struggle across different historical stages. No people can be separated from its history and its spontaneous practices which reflect its attitudes and awareness. What manifestations and expressions the events distinguish promote the thinking level and the characteristics of each people or human group. Because the popular heritage includes deep human experiments, it holds decisively a living and existential essence motivating many artists whether in Iraq or in other world states to turn to invest the data and values he distinguishes. It is easy to transform the social facts to artistic visions, especially TV drama works, besides the marriage between the heritage and TV reflects the fact that the popular polarization size of the little screen made the reception characterized with this extensiveness in that the serials or drama works grew addressing the popular memory towards employing what is common and deep rooted in the collective social mind. Hence, the researcher submitted her topic entitled (The Directing Treatment of the Popular Heritage in Iraq Television Drama) within the light of five chapter as the following : In chapter one (the Methodological Frame), the researcher identified the research problem manifested in the following question : What are direction styles of popular heritage in Iraqi TV drama? then comes the research significance which was obvious from the significance of the topic (popular heritage), since the directing treatments of the popular heritage topics require standing long at them for it is one of the topics that documents a nation life through reformulate its history in a TV drama work. This matter makes it of an obvious importance in searching it in order to provide the chance for the one who works in the field of direction to stand at the potentialities and merits of the works treating the popular heritage as well as to provide a search reference for the followers and readers to get what is within its contents, in addition to the advantage given to the critics, authors and directors who work in TV drama and the advantage goes to the students of the College and the Institute of Fine Arts. As to the research aim, it was in exposing the directing treatment of popular heritage in Iraqi TV drama. Chapter two (The Theoretical Frame and Previous Studies) included five sections as follows : 1 - Section one : The Popular Heritage - The Origin and Concept. 2 - Section Two : The Elements of Popular Heritage and Their Employment. 3 - Section Three : Employing the Popular Heritage in Iraqi TV drama. 4 - Section Four : The Directing Treatment of Popular Heritage Topics. 5 - Section Five : Glimpses of Addressing the Popular Heritage in Some Works. The indicators of the theoretical frame distinguished some results dealing with the directing treatment nature of popular heritage in Iraqi TV drama. As to previous studies and after studying and searching, the researcher found a master study in the library of the College of Fine Arts for the student Adnan Mizhir Lafta entitled (the Cinematic Formulation of Superstitious Story in the Narrative Movie 2004). In chapter three (Research Procedures), the researcher dealt with the research method where she took the descriptive method which fits the research nature. While the instrument was concerned with the elements of the popular heritage and how to employ them as well as the expressing elements which contribute in embodying the popular heritage. The researcher took the scenes as a main unit in analyzing the sample in that she took the research samples purposively which contain the popular heritage essence represented in several samples mentioned with details. Chapter four addressed the analysis of samples. Chapter five (Results and Their Discussion) covered a detailed display of the results arrived at by the researcher where some customs and traditions were shown in most drama works addressed in the research, in that the directors asserted running after the details of traditions and heritage glimpses clearly as well as the popular songs were embodied with all it could turn us to their reality, so the instruments like the Joza and Khishba and singing the squares (Muraba'at) necessitated that there should be a privacy when directing them. Thus, they were discussed and then the conclusions came out, the most important of which are quoting some international works (as popular heritage) and reflecting them on our heritage where the features and characters are changed in a way simulates the Iraqi traditions which makes the director subject to the original text in the treatment process. Afterwards came the recommendations and suggestions matching the research aims. Finally, the researched adopted several suggestions for future topics.

دور التربية الفنية في تشكيل الوعي الجمالي الاجتماعي == The Role of Arts Education In Forming Social Beauty Awareness

Author name: صلاح رهيف امير الزاملي
Supervisor name: ماجد نافع عبود الكناني
General topic: Fine Arts
Specific topic: Art Education
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: تتمثل قوة الامم اليوم في قدرتها على بناء الروح العلمية والنقدية لابنائها من اجل الحياة في عصر واسع في قدراته واندفاعاته المعرفية، التي تتحدى العقل الانساني تفوق امكانات الخيال والتصور، من هنا تاخذ قضية الوعي الانساني عموما والجمالي خصوصا اهميتها وحضورها | The power of nations today is represented by their ability to build the scientific and critical spirit of their people in order to live in the age of wide learning abilities and rush which challenges human mind in spectra's that one higher than the imagination.thus, human awareness in general and beauty specifieally take their importance and presence in the heart of each knowledge and awareness.The process of forming and development is considered necessity and for all these nations , peoples and societies among them our big society in which we live which includes education - learning environment that needs this human awareness and social beautiful awareness. Thus this awareness needs human and material abilities to form and develop.Thus, arts education is considered one of these mechanisms which contribute in its formation through its modern elements and trends.Thus the researcher works to give future image before the planners of arts education text books considering experiences that contribute in forming beauty awareness through social theories.Thus, he introduces this experience to contribute in developing arts education first ,then promote this subject to take its natural among studying subjects as it concerns to change the behavior of learner.Among them ,how to develop his awareness and sensitivity towards the beauty of the things that appears in his environment and how to deal with it.Then the ability to employ them in his daily life.This subject could be reflected in its objectives on the learners' life.Consequently we shall have a generation cope with the changes in the future.This research aims to : 1 - Know the role of arts education as a social process which contribute positively in forming social beauty awareness 2 - Forming textual structure of philosophic and thinking visions to activate test and beauty awareness such as the researcher vision in introducing outlines for a proposed course for arts education includes objectives , experiences and learning activities. Theoretical frame considered them in aspects represented in (beauty awareness ,social theories and the concepts of modern arts education ) The third chapter includes the procedures of the research which are based on two types of methods represented in description analytic method and developing method.The society of the research was limited in three axis : First ; For the experts of scientific, education and art specialty to take their opinions about the validity of the enquiries of theoretical frame and truth of the research instruments as well as show the elements of the researcher's vision of the art education course that includes ( learning objectives ,behavioral objectives , learning contains and learning activities ) on them.Second : Male and female teachers of art education for secondary stage in General Directorate of Rusafa /3 whos opinions were taken for the learning objectives and their abilities to analyze and form it behaviorally to agree with the learning contains of art education guidance for this stage in 2009.Third : Male and female students of the secondary schools from the same directorate. A sample from them were addressed the test of social beauty awareness.After theses propping studies ,based on surveying for previous studies and resources ,viewing their philosophic and thinking aspects and according to the objectives and procedures of the research which works to collect data and information it benefit in showing the results the research was conclude to in introducing the vision to proposed course for art education including objectives, experiences and enriching activities.The dissertation came up with several recommendation of which as : 1 - Taking into consideration the results of this research in the way that activate the area of social and beauty awareness for the learners according to art education roles and various fields such as modern trends(history of arts ,science of beauty ,criticism ,art test, art product ) 2 - The necessity renew studying courses and courses of secondary stage specially art education and transferred to modern and scientific subjects and concern of technological contributions ( electronic learning ,electronic , library ,electronic museum.etc…)

المرجعيات الرافدينية في التشكيل الاوربي الحديث : دراسة تحليلية == The Mesopotamia References In The Formation of Modern European

Author name: عادل نفل مهدي
Supervisor name: محمد جلوب جبر الكناني
General topic: Fine Arts
Specific topic: Drawing
Degree: Master
University: University of Baghdad - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: The study tagged (the Mesopotamia references in the formation of modern European)This study (displacement metaphor re - creation Development) in the formation of the European modern, so that the transformation of thought and a variety of techniques purified in Auahr the nineteenth century and early twentieth century, for a performance art in the formation of various multiconfessional to adopt the idea beyond the apparent shape and body to generate new properties dialogue essence, those same characteristics that distinguish them plastic formation Mesopotamia all levels of historical and cultural. The researcher classified the stages of transportation , plastic art historial classical and arrive at modernism in terms of access to (reference Mesopotamia) as follows formation : Stop (switching) characteristics and attributes forming the European through the stages (above) in terms of reference mesopotamia on (the nature of acculturation and cross - fertilization of civilization) and then extrapolate the properties mesopotania as a reference, or analysis of representative samples, while monitoring variables stylistic, or track and investigate variables stylistics in modern European in what is a pointer in the collectanea mespotamia of the properties and attributes, especially those that depend idea exceeded (appearance) to the undercover (substance), which paved the way for action in visual form and paved the way for abstraction of exchange... And mythology mesopotamia which paved the way for surreal and try the artist tributary Lenny to find the best form in addition to the idea of the artist Assyrian of leg five of the objects Guardian winged - that paved the way for the fufusim , in addition to the idea of philosophical Eastern's proposal to the infinite which has no beginning and no end, and embodied in the repetition decorative engineering and others, which the cradle of the art optical (op art) as well as the genius of the artist that created the Sumerian genius act in shorthand and geometric abstraction, in models of devotees of the Sumerians paved cubic, and Transformers artist mesopamia artist generally tributary to embody the emotions in terms of the internal appearance, which paved the way for exprisianism...Thus, for the purpose of access to the results of arguments convincing evidence on the researcher adopted the analytical approach with descriptive identification codes reflected the function of the icons, take a researcher in his analysis of works of art in the formation across three European connotations as the pillars are : 1 - indications of the iceberg of self - creative imagination and conditioning coach in the composition.2 - indications of stock knowledge and implications of cultural, environmental, and how to inflict subseguent in the previous configuration.3 - indications of formal employment and the concept of reference tributary of mesopotamia in the formation of modern European, according to research objectives.Focused on "Chapter II" framework of knowledge as follows : First, the reference - the concept and meaningTurning to the issue of borrowing and call, and Alastaihat different from the experience of the predecessor, essences and essential expressions of the place and time through the ages.Second, the historical reference : Take the conditioning in creative done for generations and peoples, in addition to the date formats, systems and techniques characterized, and the getting has become a source of artistic originality in the discovery and innovation.Third, the environmental reference : Address the mutual adaptation between the projections of subjective "emotional" and between the external environment, and also between different environmental compressors known as an active and influential elements of the activity of the creative artist, whether those compressors natural or spiritual, or thought of the collective agreement is based. Effect in determining the attributes of privacy and identity formation.Fourth, the philosophical reference In which he addressed to him thinking researcher in the Far East, which calls for simplicity and integration with the mystic (scratch) located intuition or not perceptible and the impact of him to think that the rights of the artist creating it. It also discussed the mechanism of thinking in the west of (Europe and America), which calls for the logical analysis of the provocation surrounding which helps to create a human (the world) in addition to addressing the mechanism of thinking in the Middle East, which combines the mechanics of thinking the Far East with the mechanics of thinking the West to create this center intellectual (the human world and the artist) together.Fifth : The logic reference in the structure of rational thinking European He dealt with the happening of knowledge of the mind that made the center of systems thinking based on experience and experimentation, and to make science dominant in place of reason in Europe.Sixth : the meaning of modernity Dealt with the word (modernity) between linguistic meaning and meaning conventional detection and the impact of shocks that hit the art generally affect the characteristics with recognition of the rapid changes of the activities of modernity in the formation and the separation between (character style ) of art) in the ancient civilizations and between (the openness) based on acculturation and cross - fertilization and the intermarriage of intellectual and artistic at the time of modernity.Seventh : the concept of the formation Address the concept of structural - General of the formation of the adoption of elements and the basis of the configuration from the (vacuum) and how to convert the concept into space, the introduction of the simplest forms it (point) and how it moved the point of a (line) and how to move the line with the changing trends and types to form a flat, and how to move flat to form a (mass ) or (stereo) and how to move the cluster on the surface and the optical range and harmony and to form multiple (composition )Eighth : the fourth dimension in the plastic Arts Address the mechanics of structure in the shape to achieve the illusion optical and to achieve the third dimension (prespective , and then simulate the fourth dimension (movement) and format conversion constant (stutic ) at the pictures of figure moving (dynamic) and did not address the fourth dimension as a trend technically called for (furtusime ), but considered in the out of art, auction model is a fourth dimension of the points, and the flat fourth an IV line, and mass represents the fourth dimension of the flat configuration and mass movement through time and space to Tkthel fourth dimension of the flat in addition to the classification of the fourth dimension to three cases : 1 - the fourth dimension structural : the movement is reflected in the vocabulary of visual construction of the text.2 - the fourth dimension of the narrative : This is reflected in the transition time and place within a single work of art, to give the impression Daramatic flow of conversation.3 - the fourth dimension inductive, and is reflected in the multiplicity of points of attraction within the structure of the configuration with the equality of influence in addition to the repetition.Chapter III measures included research, with analysis of samples.The fourth quarter included the results of research, findings and recommendations and proposals.The results of the research, the research found the most important results of1 - revealed some of the experiences of European artists in the update data embodied creatures plastic composite (virtual) for metaphy5icsart mesopotamia2 - showed some of the modern European business formation, syndication of the structures in its reference configuration leading tributaries, with attempts to adapt an innovative new approach resulted in the formation European.3 - revealed the artist's attempts at forcing European art between the summons and displacement of the reference Mesopotamia communication to the fourth dimension formula ((a time)) in the works of modern European composition.4 - European artist to deal revealed in the presentation of some of the meanings and conceptual by start forms that narrative in the presentation of the event with reference mesopotamia in models of seals and inscriptions.

المتخيل النحتي في الواقع الافتراضي : دراسة تطبيقية == Sculptural Imaginary In Virtual Reality Experimental Study

Author name: ماهر حسين علي الحبوبي
Supervisor name: سعد علي يوسف البصري
General topic: Fine Arts
Specific topic: Sculpture
Degree: Master
University: University of Baghdad - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: يتلخص البحث في محاولة اثبات امكانية الحاسوب الالكتروني كاداة تطبيقية في تجسيم وانشاء مخططات لاعمال نحتية في الواقع الافتراضي كمشروع متخيل لدى النحات لعمل نحتي ينوي تنفيذه. فقد تراءت مشكلة البحث امام عيني الباحث لدى ملاحظته وجود برامج حاسوب قريبة او متخصص | Boils down to search in an attempt to prove the possibility of the computer as a tool applied in materializing and the creation of sculptural works in virtual reality imagined as a sculptor to work with sculptural intends to implement. Perceived research problem has appointed researcher at the front of the note the existence of computer software or near specializes in sculpture and composition can benefit from the development of the traditional methods in the output of sculptural works such as dispensing planning paperwork (Sketch) or scale models (thumbnail) commonly used in recording and output sculptural works created and that cannot give the impression of a real sculptural work , especially in terms of the real size and blending with the specified space for display the goal of the work environment sculptured saving money , time and effort , add to edit the image with the sculptor imagined to broader horizons during organizing formal ties to these programs from a high potential to change and modification of shapes, which cannot be carried out only through the injunction by the user (sculptor). The researcher in the first chapter and the goals of identifying the problem and the importance and limits of the search, where the objectives were as follows : Statement of the possibility of a computer in the development of the initial steps of the finished sculpture. The research identifies ways that show the diverse sculptural works using the techniques of computer programs (3DsMax, Maya, Photoshop, Z Brush, Cinema 4D) and with modern versions only because of their potential novel lacks its older versions. In the second quarter it was the duty of the researcher to explain in detail what the term means and imagined sculptural statement types and divided it from the vocabulary of. Then been identified as exemplified by the image imagined when the artist generally and then sculptor especially during the discussion of the mental processes that contribute to the formation of a mental picture and then discussed with the sculptor in the output stages of the sculpture has been in this first section of the second chapter. As for the second part, in which the researcher has shown what it means to the term virtual reality with an attempt to identify the potential of computer and duties in addition to the work of the system as a whole, especially in the process of Manifesting. The researcher also reviewed the most important programs currently available to the user sculptor and specialized forming and modeling operations with an indication of the most important characteristics of positively and negatively, and this was in the third section. To illustrate these capabilities are available in the software selection researcher felt sculptural work is physically present in the true reality and its application to these programs in virtual reality was the selection of the ancient monument Kahramana of the late sculptor Mohammed Ghani Hikmat.The first stages of such a solution to the problem that led to the indicators determine the logical relationship between the imagined image and the computer as a tool to help implement the executive sculptural work in virtual reality, which can be summarized as follows : 1 - The need to develop analytical side with the sculptor to be able to analyze the shape to its basic components and these components to the re - engineering of its assets.2 - Develop a plan for the implementation of sequential commands for the program.3 - Study variables that can occur in the form during the installation process and modeling. On the basis of the indicators that emerged at the end of the second quarter felt researcher adoption of the experimental method and the request to determine what supplies the basic application and reached through the theoretical aspect of the study sample. He chose researcher all Aanalat formations of sculpture, which gradually in complexity formal between simple and complex as a research and adoption programs modeling two - dimensional and three - dimensional (which have been selected on the basis of its development and the possibility of their use and reliance on the production level) has been applied to these works to demonstrate the possibility of a computer in the application forms from the imagination of the sculptor with an explanation of the application process for the purpose of confirmation of the results, this has been in Chapter III. Has resulted in the actions carried out by the researcher to the emergence of a number of findings and conclusions, the results proved the possibility of the computer as a tool to record initial perceptions of the sculptor and an embodiment of these perceptions to a three - dimensional image can be saved and add amendments to it, and the comparison between the photos and choose the situation appropriately expressive and aesthetically pleasing, including. In order to confirm these findings, the researcher within the expertise to provide a draft proposal for the establishment of sculptures (Polyphonic and memorable, realistic and abstract) in three different locations (Square intersection tunnel police - Baghdad, the interface is complex catalog Mansour Mall - Baghdad, an exhibition hall artistic closed) represents the business environment of sculpture (monuments or exhibitions) and with the help of computer programs for the entire application modeling with each proposal and to develop a sham and video recordings for the purpose of comparison. The researcher in this videotapes put odds change the shape of the monument, the environment or materials with comparable on the basis of natural lighting or artificial with the change of viewing angles in all the time he registered for the purpose of giving more space to compare the shapes and set changes that can be entered on the block sculpture or presentation of the proposed space. As a result of group comparisons have concluded search as a result of the application the possibility of using the computer as a tool documentaries initial sculpture instead of the traditional methods of registration and of drawings paper (Sketch) and scale model (thumbnail) which cannot give the right impression on the bloc proposed when zooming in addition to the open ranges wider in front of the sculptor to diversify and edit pictures imagined starting from the idea and the end of the registration process of the display

الاساليب الشعرية في النص المسرحي == Styles Poetics In The Theatrical Text

Author name: عبلة عباس خضير
Supervisor name: عبد المرسل فليح الزيدي
General topic: Fine Arts
Specific topic: Theatrical Arts - Literature and Criticism
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: This research deals with the conceptions of poeticalness as they are considered significant ingredients for the formation and construction of contemporary dramatic texts. Because the dramatic text can provide suspense, tension and curiosity for the recipient throughout the dramatic structure molded with the poetic components and techniques, poetry forms an action factor in the formation of the discourse of the contemporary dramatic text which makes use at the poetic structure and methods, so that new spaces are made available for the recipient to mark a scenario between the essence of the text and the essence of the recipient to produce the meaning contained in the dramatic text in a form that is like a chemical equation with different results according to the nature of the mixed materials which represent in this connection the text and the recipient, and thus poetry opens wide directions and lines for their entrance into the domain of meaning. Therefore, the researcher finds it important to study the conceptions of poeticalness and how they work with in the dramatic text, and their aesthetic values. The study is made an analytical one for the sake of finding out the components of the dramatic text, as seen throughout this perspective, which plays, at a high level, its role in the contemporary textual discourses as a whole. The researcher has set a plan for achieving this aim. The plan is summed up as follows : The researcher presents the first chapter which consists of the problem of the research, its significance and aims. Chapter Two is divided in to the following sections : Section one : The concept of poetical nessSection Two : Techniques of poeticalness and the systems of the dramatic conflict. It consists of : First : The poeticalness of rhythm in the dramatic text. A. RepetitionB. ContrastC. Juxtapontions and parallelsSecondly : poetical ness of the structural phenomena : A. Brevity B. Violations of the rulesC. Role transformationD. Emphasis and EllipsisThirdly : The poeticalness of meaning : metaphorical meaning Section Three deal with the aesthetic poetic levels in the dramatic text.Chapter Three presents an analysis of the samples according to the theoretical references. The samples are chosen from effective and typical specimens according to the level the dramatic writings and compositions in Iraq. The Plays chosen are : 1 - Speak o Stone, by Muhaiy AL_Dean Zangana2 - A City Full of Knives, by Jaleel Al_Qaisi3 - The Nights, by Dr. AKeel Mahdi4 - The Door, by Yousif AL_Saig. 5 - Heaven opens lately, Falah shakir Chapter Four consists of the findings reached at by the researcher throughout analyzing the chosen samples conducive to the results, recommendations and suggestion, which contribute to shedding more light on the conception of poetical ness. Then The researcher has attached this research with a bibliography, which shows the reference books the researcher has adopted during the course of this research and study. The researcher has also made an outline of this study in the English language.

القيم الجمالية ودورها في استجابة المتلقي للملصقات الجدارية == Aesthetic Values And Its Role In The Response of The Receiver Wall Posters

Author name: مها عبد الرحمن عبد الرزاق الهاشمي
Supervisor name: حكمت رشيد فخري العزاوي
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
University: University of Baghdad - College Of Fine Arts - Design Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: Means the current research to study the aesthetic values and its role in the response of the receiver in the posters, in order to understand the mechanism of action to realize the ideas that are meant delivery to the recipient to contribute to the development of talent aesthetic sense with him and make him Connoisseur and critic of all that lies in recognizing, as is the aesthetic values as a fun frame of mind of the recipient, being include speech visually in Graphic design in general and in particular wall posters.So it has identified the research problem by asking the following;( What are the values, what is its role in the response of the receiver )For the purpose of reaching the goal included (detection aesthetic values and its role in the response of the receiver) has addressed the researcher in the study Detectives relevant, namely : Chapter One : it addressed the methodological framework (research problem, the importance of research, the goal of the research, the research and determine the limits of the terminology)The researcher also addressed the second chapter (Theoretical framework and indicators Theoretical framework and previous studies)The theoretical framework included the concept of aesthetic values (values and sensory values and the values of the formal relational)Also included the concept of cognition and cognitive and aesthetic response to the recipient, in addition to the concept of aesthetic judgment The third chapter (procedures for research and analysis of the samples) as chose researcher descriptive analytical method as a way suitable for the analysis of the sample and identified b (15) sample, have been selected Qsidia from the research community of (60) where excluded researcher posters Latvian required purpose, since the size of the sample depends on the extent of the homogeneity of the data was also preparing a special form include axes paragraphs of analysis, which were drawn from the theoretical framework of an accurate and objective, as well as the adoption of a researcher on the opinions of experts in the field of graphic design for cemented search tool and make it more objective and coverage of truth for the purpose of achieving the objectives of the researchThe fourth chapter has included findings, conclusions and recommendations and proposals, the researcher remember the most importantFirst results : 1 - convey the idea through photo realism and colorful designer proficiency in recruiting image to serve the idea of the poster in the process of overlap and influence the time according to time, place, and that - lead - to - focus - attention - provoking receiver.2 - the process of attraction have the ability to highlight important topics and make it a tool to attract the recipient, especially if the attraction is characterized sovereignty over most of the area of the visual design of the field3 - According to the designer of the value of cognitive dynamics as a factor in job performance, which gives vital energy through movement vocabulary consisting of the poster.Second : Conclusions1 - of the positives of aesthetic values in the design of the label it affects the receiver and check a lot of intellectual and ideological desires2 - attraction provides the ability to highlight important topics and make it a tool to attract the recipient, especially if the item is characterized by attractive sovereignty over most of the label within the visual field3 - the use of aesthetic values equal powers in determining that it is designed to use tonal values received from the user or the colors of the poster opposing valuesThird : Recommendations1 - to benefit fully from the operations provided by the designers design posters, especially in the ability to deal with the constituent units of the label to achieve the response of the recipient2 - emphasis on the formal activation of sovereignty in the designs of the posters because of their importance in achieving direct contact with the receiver and all genresFourth, as suggested by some studies, the researcher as follows : 1 - design techniques and crafts show layout and its impact on the achievement of aesthetic values in design posters of the movies world2 - study of color and processors Alazaaria through aesthetic values and methods embodied in the designs posters for films global3 - Search and conclude with Arab and foreign sources and a summary of the research in the English

الفكرة وقواها الفاعلية للتصميم الكرافيكي وتاثيرها في الفضاءات المعمارية == The Idea And Its Forces Powers In The Graphic Design And Its Role Effects On Architectural Spaces

Author name: جواد كاظم عباس المعموري
Supervisor name: سعدي عباس كاظم
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
University: University of Baghdad - College Of Fine Arts - Design Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: تمتاز التصاميم الكرافيكية المعاصرة في امكانيتها على تلبية متطلبات متعددة وغالبا ما تعلب الفكرة دورا اساسيا في تفعيل قدرة التصميم الكرافيكي لتحقيق مديات جمالية ووظيفية اعلى وتكمن اهمية الدراسة في مدى فاعلية وتاثير التصاميم الكرافيكية على الفضاءات المعما | Characterized contemporary Graphic designs in its potential to meet the requirements of multiple and often demand idea a key role in activating the design ability of the graphic design to achieve ranges of aesthetic and functional top lies the importance of the study on the effectiveness and impact of the designs, the spaces architecture which plays a faithful idea and industry play an important role in shaping the graphic design, as it focuses on the side of intellectual raises the value of the design and energy expressive and performing at the same time , and is in itself add knowledge on the part of the fundamental aspects of composition of the graphic design, and focuses on the importance of the role of this production in imparted by the aesthetic and functional to form spaces architecture.The study included four chapters address the first of which methodological framework for the search of the research problem and its significance and its goals, as the research aims to reveal the mechanism of making the idea and its actors in the formation of the graphic design, and the impact of design in the formation of spaces, architectural influence of actors for the manufacture of the idea, as well as the limits of search The definition of terms.And ensure that the second chapter three sections addressing the first of which industry the idea and the idea concept, then eating thought processes and brainstorming as one of these operations and processes of creative, eat second section effective power in the contemporary graphic design, influence and achieve the purpose, which included the third section dealt with functional design in space architectural and aesthetic treatments in these spaces, The researcher concluded that a set of indicators theoretical framework.The third chapter dealt with the procedural framework to look at the community survey and selection of the sample and the tool with the help of experts form prepared by the researcher for this purpose , has resulted after analyzing the models selected sample the contents of Chapter IV of the findings and conclusions , including : 1 - The ideas represented in the designs of the effectiveness of originality and their ability to deliver the message to the public as well as the impact that new in the sense of providing design idea.2 - Works in the activation of the catalyst of social forces in shaping the design idea by virtue of the need to meet the requirement of social, as it is to attract the public key factor in the success of the design.3 - Clarity and ease of visual discourse receipt of the letter by the public advertising of an important factor in activating the basis of the power of design idea.The researcher concluded from the above, the following : 1 - Interior spaces Bulky need to processors after an executive with aesthetic and functional one at that give vitality to the place and form an attraction unique to the public.2 - Based actors to exploit the idea of design as much as possible of the space and use it to deliver advertising messages to the public in an orderly manner sequential do not call for the confusion, but suggest a higher level of organization of the formal elements.The researcher recommended the development of capabilities designed and increase knowledge in the processor architecture of the spaces of both internal and external, which can provide the products of successful staffing level spaces, architectural aesthetic and use in delivering the message, display, and suggested to be interest in technical studies in collaboration with government institutions and service departments out the results of the best Indeed, at the level of the environment.

العلاقات الشكلية وجماليات التشكيل الخزفي المعاصر في المانيا : دراسة تحليلية == The Formulative Relations And Aesthetics of The Contemporary Pottery Formation In Germany (Analytical Study)

Author name: ازهار محمد علي محمد الجبوري
Supervisor name: جبار محمود حسين العبيدي
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
University: University of Baghdad - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: يعني هذا البحث بدراسة (العلاقات الشكلية وجماليات التشكيل الخزفي المعاصر في المانيا)، مسلطا الضوء على انظمة من العلاقات الشكلية التي تولدت داخل البنية الفنية للمنجز الفني والكشف عن هذه الاساسيات في العملية الابداعية وعن طبيعة الحركة التشكيلية الالمانية ال | The research is concerned with the Formalitive Relations and Aesthetics of the Contemporary Pottery Formation in Germany. It sheds light on the systems of formalitive relations in the creative process and also on the nature of the Contemporary Pottery Formation in Germany, specially pottery and earth ware which bears the characteristics of and senses of the formaltive relations and the aesthetics of the pottery in expressing the new raw material and methods, and that manner of treating these relations focusing on the structuralism of component units of the pottery work through the formal distribution of the artistic items.The study was divided into four chapters. The first chapter is concerned with the problem which is the aesthetic and formalitive treating of the relations and the elements common in the Contemporary Pottery in Germany and importance, objectives, limits of the study as well as determining the terminology. The second chapter is the theoretical framework, which tackles the importance of the form in terms of appearance and the method of appearance for the philosophers and critics and artists inside the structure of the art work. the chapter included four inquiries. The first inquiry included the importance of form in Contemporary pottery and the dialectic relation between form and content. It also included several pivots such as the showing the alterations of form for the movement of art like the modernized classic, Romanticism and for the critical attitudes like structural, semiotic, deconstruction, and modernism and what follows reaching up to the concept of aesthetic in the modern art.The second inquiry treats the nature of the formaltive structure of Contemporary pottery in Europe through citing some of the school of arts starting with realism and ending with brutalism. The third inquiry tackles in general the theme of pottery represented in Contemporary pottery in Europe and in stating the most important European potters who practiced pottery and whose works are studied. The fourth inquiry states the nature of contemporary German pottery through reference to some of the German potters, the pioneers in particular. The third chapter is a base for the application of that base according to systematic method that makes the studied sample of the researcher of the original community in order to reveal the objective of study and analysis the formal relation of the German potters.The results were attained through the stating and studying the pottery samples to which the fourth chapter is allocated. The researcher reached to the following results : 1. The correlative relation between the art of pottery and pottery of sculpture which comes through the elements of plastic art and the primary principle as common shared unit.2. The appearance of the formatlive relation in the Contemporary Pottery Formation in Germany as tight relations through a common mechanism which used in achieving.3. The German potter tends to the structural relations of the form in some of the potter and sculpture works and according to the artistic view of the theme.4. A movement among the items of the artistic achievement was generated through the effects of the German references which activated the artistic, which rendered the characteristic of totality and unity to the achived work of art.5. the formalitve relations Contemporary Pottery in Germany comes in the feature of the formalitve specially ion the style of the German potter and the existence of a common relationship between the potter and the sculptor in creation shapes such as geometric shapes and abstract.6. The German potter merged together pottery and sculpting with maintaining the particularity of each, but in a method that invest the technique of painting in his achieved works.7. The appearance of varied technique which has had the role in taking the used raw out and in the manner of using it in the achieved work. The chapter also tackled the concluded findings and the suggestions an d recommendation which the researcher found necessary.

العقلانية التطبيقية في التشكيل المعاصر : دراسة تحليلية == Applied Rationalism In Contemporary Plastic Arts Analytical Study

Author name: نبراس وفاء بدري
Supervisor name: نجم عبد حيدر الجنديل
General topic: Fine Arts
Specific topic: Drawing
Degree: Doctorate
University: University of Baghdad - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: تؤمن العقلانية التطبيقية بتحاور مناهج فلسفية عدة ؛ اذ تسعى الى المصالحة بالتركيب العاطفي بين الاضداد ؛ اي التاليف والتركيب بين التناقضات الميتافيزيقية ( ميتافيزياء العقل وميتافيزياء الواقع ) منطلقة من ثنائية لا من وحدة ؛ فهي فلسفة الرفض الذي يعني الاحتوا | Applied rationalism believes in the dialogue of several philosophical methodologies. It seeks to reconciliation through the sentimental composition between opposites ; which means the authorship and composition between metaphysical contradictions ( metaphysicality of the reason and metaphysicality of reality ) originating from duality and not oneness. It is the philosophy of rejection which means containments , i.e. it is dialectical and undialectical. Applied rationalism with its movement from thought to reality is an open philosophy which believes in selective methodology and objective criteria via a wide system of criteria. The study of art and aesthetic as all philosophical researches is subjected to a framework of mind which specifies the affiliation , thus we have dealt in this research with the study of applied rationalism in contemporary plastic arts since we believe in this rationalism which starts from instantaneous time , and then a philosophy for action and after that a comprehensive methodology with a philosophy of creative construction which does not stop. This means that it is described as a doctrine in giving births by adopting phenomenology and psycho analysis in each of the two contradicting fields ( science and art ) which seek authorship and composition between them.The study consists of four chapters. The first chapter takes interest in the methodological framework of the research. The problem of the research starts from the enquiry concerning ( what is the explanation of the dialectical relationship between scientific thought as specified incident and the imaginative , poetic , dreaming and meditative incidents which can formulate a plastic art ). Its hypothesis is represented by ( irrationality of postmodern art is an applied rationalism ). The research aims at ( established aesthetic and artistic critical vision depending on applied rationalism method and disclosing the mechanisms for the working of applied rationalism in contemporary plastic arts ). The limits of the research consist in studying the Bachelardian applied rationalism and art production in contemporary plastic arts which belongs to artistic movements succeeding world war II in the United States of America and Europe. As well as the methodological framework , the first chapter consists of a presentation and discussion of previous studies related to the research subject.Chapter two sets to undertake the theoretical framework of the study and consists of two sections. The first section is concerned with the study of rationalism and its transformation from abstraction of mind to abstraction in performance theorizing , and dealt with : rationality , experiential rationalism and applied rationalism. The second section deals with the transformative of Bachelardian applied rationalism ( Bachelard theory of aesthetic in creative imagination and artistic image ). It is interested in the study of the essence of Bachelard imagination and day dreaming as an imaginative instrument. It also deals with the study of phenomenology of poetic image ( artistic ) by Bachelard from point of its creativity and reception. The second chapter concluded to an aggregation of points which reveal a criticizing , aesthetic and artistic vision according to the methodology of applied rationalism. The third chapter is devoted to the procedures of the research and consists of its community , sample , instrument used , methodology and analysis of sample. As for chapter four , it consists of the research results , conclusions and recommendations. A number of basic results have been reached which achieved the aim of the research , such as : 1. Cotemporary plastic arts are characterized , as existence , by circularity , i.e. round existence ( Phenomenal ). Art departs objective reality and returns back to it. Thus , there is a kind of succession between subjectivity and objectivity. 2. There are epistemological obstacles and obstructions : common sense , generalization , verbality , essentiality and animism. These are the source of unity of artistic work in contemporary plastic arts.3. Contemporary plastic arts perform materialistic imagination and presents it over formal imagination. Materialistic imagination relegates essence and transports it to a case of trope or symbol not abstracted from sense or reality. 4. Poetic day dreaming which is considered an isolation phenomenon and passing psychological case is an instrument of imagination for extracting objectivity in contemporary plastic arts. 5. The contemporary plastic arts are formative not given , i.e. the are facts ( events ).Thus , the artistic image in contemporary plastic arts is posterior not prior and is a neonate of emotional authorship and composition between opposites ( metaphysical contradictions ). 6. Contemporary plastic arts are characterized by openness , i.e. the capability of review and exegesis. They declare the death of the image and realization of form , not as an essence which is unpenetrating but in its description as incomplete and unspecified , i.e. a domain of capabilities.7. Contemporary plastic arts rise as a result of identification of reception and creativity , a continuation between the artist and recipient through a separation , i.e. the artistic image ( origin ) in which the artistic work leans on regarding it as a medium that inspires raw senses ( subject ).The conclusions reached are : 1. The irrationality of postmodern art is applied rationalism , i.e. contemporary plastic arts are considered applied rational.2. Contemporary plastic arts are psychological - epistemological , they conduct a total behavior via construction and authorship between function and structure.

السمات الفكرية والفنية للفلم السياسي == Tellectual And Artistic Features of The Film'S Political

Author name: سرى عباس علي مصطفى
Supervisor name: محمد عبد الجبار كاظم | عدنان جبار شبيب
General topic: Fine Arts
Specific topic: Cinematic Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: السينما السياسية واحدة من اخطر الانواع الفيلمية واكثرها انتشارا لتزاوجها مع انواع اخرى من الانواع الفيلمية وتاثيرها الخطير في عقل المتلقي اكثر من اي خطاب سياسي مباشر وقد اختصت الباحثة بالافلام المنتجة داخل الكيان الصهيوني (اسرائيل) والمدعومة من قبل الحكو

السمات الغرائبية للشخصية الدرامية في افلام الفنتازيا == Instinctual Features of The Character In The Drama Film Fantasia

Author name: معتز محمد علي جبر
Supervisor name: صباح مهدي الموسوي
General topic: Fine Arts
Specific topic: TV Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: The imagination represents the bases which the arts and especially the art film set out from it, and how treat with the imagination in description of the reality of the movie is the moderns of Cinematographic kinds, according to the self - evident of the imagination, is the real driver for the films the Realism and Impressionism, the story or the Directorial vision and the way which the cinematographic language elements are employing, it must to raise on a large estimate of the imagination, the imagination is consider the base element, so the researcher found that specialization of Fantasia subject which is known fantasy, it was the motive to make it as a subject for his research by rely on the strange characters for the other dramatic figures, these figures have common features which distinguish from the other of the figures dramatic. They are figures which couldn’t available within the physically world, but they set out from the reality to the maximum degree of imagination whether in terms of the shape or from another side the ability to do extraordinary deeds, all that give it libration from the abstracts which tie up the material worlds. the strange figure in Fantasia movies is considered an important element, Innovative and creative, it works by sharing with other figures to reach the Content associated with the Exoticism, from this point of the imagination, the researcher has limited a title of this research as following ((Exoticism features of drama figures in movies Fantasia)), the research has been divided in four chapters : The first chapter/ the Systematic framework which include : The research problem which Crystallized in these questions : what the exoticism features and how show in building the dramatic figure in Fantasia movies? Aims of the research : the revealing about the exoticism features of the dramatic figure in fantasia movies. In addition to show the important of the research and its borders and conclude the chapter by limiting the most important terms.The second chapter ((Theoretical framework)), it has been divided to three researches as following : The first research : consist of fantasia movies ((type and feature)) The second research : the research consist of the exoticism features for the dramatic figure The third research : it deals element role of the cinematographic language in embody the exoticism features for the dramatic figure.In the third chapter : (research measures) the researcher depended on the analytical Descriptive approach according to Indicators of the theoretical framework describing as analyses instrument, after it has been offered to group of the experts, finally it has been chosen the research, they are documentary movies and he put them for many reasons, finally the research has analyzed sample of the research as following : ((X men, The Fantastic four, Thief of thunderbolt, Nightmare in Elem Street))The fourth chapter, the results and Conclusions : it has consist of the most important of the results and conclusions that the researcher has reached as following1 - The Extraordinary capacity for the dramatic figure consider the Instinctual qualities which Fantasia movie bases on 2 - form Embodiment of the instinctual figure presents one of the necessities which reveal about it’s the Instinctual qualities.The most important conclusions are,1 - Fantasia movie represents a Cinematographic kind, which has specialty in presenting a specific subject also the Cinematographic treatments 2 - The dramatic figure in Fantasia movie a large space in variety operation on level of the form and function because multitude its forms, they may be human figure, but it has superpower or Mythic Creatures or monsters Finally it has been offered the recommendations and the suggestions and it has been ended the research by list of the sources.

السمات الجمالية للتركيب الشكلي في الخزف العراقي المعاصر

Author name: ايثار فهمي عمر الخفاف
Supervisor name: نبراس احمد جاسم الربيعي
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
University: University of Baghdad - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: تناول هذا البحث دراسة السمات الجمالية للتركيب الشكلي للنتاجات الخزفية المعاصرة في العراق، وجاءت الدراسة من خمسة فصول، مثل الاول الاطار العام للبحث والمتضمن المشكلة التي وضعت الفرضية الاتية ( في الوقت الذي يكشف الخزف المعاصر في العراق عن المهارات التشكيلية | This search to deal with studying the Characteristics of Aesthetic for Figuration Constrictive in the modern Iraqi pottery. and where established this studying of four chapters for example. First : The general fame to search and including the problem that status theory as follows ( In this time that discover pottery in the modern of Iraqi for The Skill Plastic , assembly , The constrictive and the technique , this emphasize of probation , although. The figuration system to overlap between the function and the aesthetic , and the different protection of the experience and the art thought that productive with characteristics figures. The presents for equations if answer is that : Is there the deference among experience and other , to distinguish to be reference was be cultural or sociological or the tradition civilization , in another phrase in state of this difference , This style limit text pottery and concerning Art ?. In this time , Is constrictive operation of potteries to be based on to imitate on the reality figure , or the addition modern ?. And , Is preparing the production for operation , the constrictive achievement , pattern or creativity in light to overlap and mixture and synthesize in constrictive operation ?. Is stretch aesthetic of this treatment , to interpret disposition has possessions of symbols , codes , signs and stretch cultural … or that has satisfaction treatment of the pattern or traditional have include of tributary and the different elements in beside of the difference material and the way execution and treatment. According to get this operation has to coordinate figuration another side and the stretch aesthetic of the Creativity from another side ?. While the important supplement of search to consider is quality studying and addition to , of scientist in the characteristics subject special with the Constrictive Figuration Aesthetic in The Art Pottery , and to Contribute the search in produce on to be conscious of Aesthetic and Article of Iraqis Potteries through of the importance with the constrictive building the figure. And the discover of experiment the Iraqis artist in the probability, instrument and the aims in addition of the new including has the pottery production. If the aim this studying illustration in discover of the characteristics of aesthetic with the Iraqi production Pottery that constrictive figure and if instate of the natural technique uses.In method collection that achievement and also reference this the Constrictive in the environment and the belife and the schools modern art.If when limited this studying timely in the period ( 1970 - 2002 A.C ) and in the place of ( Iraq ) , as known as the researcher in the natural light of the search now of Linguistic , Article , Philosophy and Procedural. As well as , the researcher go on to the chapter two that included four searches , First : That is talk the studying has the concept of characteristics of aesthetic to deal with some of thought of philosophy that belong to the subject of aesthetic and evaluation of aesthetic at achievement of artily and with that concern of some if opinion the aesthetic between the philosophical and the art and also that deal with to importance of the characteristics of the aesthetic are limited the characteristics a knowledge - the emotional - the movement a constructive and the static - the invention while to discuss with the second that included two parts ; First : ( the concept title of constrictive theoretical and related with as the important theoretical , and the second the systems of constrictive a figure of pottery Constructive is contain symbols ( Line , Color , Size ,Volume Lighting and Texture ). And includes on the principal as ( the Balance , the Rhythm , the Discrepancy , the Repetition , the Succession and the Interchange ). While , to discuss with the third topic the ore and techniques uses in the methods collection the woks fictile and also concept. The technique and importance in field pottery and the relationship when has between the various ores clay or the clay with another materials on the important techniques which uses in collection the achievement pottery.The same constrictive figuration or orally while the four tittles has discuss with the historical root is constructive in the art pottery the researcher has to explain to the development stages of this constructive since the old ages passing if the Islamic age and the dark ages and from then in this time , his schools artily and effect that stages on the production the art the fictile in the modern Iraqi.If that tittles the researcher had to extract to mention that the fame of theoretical whom with example this capture to level off the captures three what include performance of the search , if following a investigation of truth a tool of search and goes with numbers of especial to ask for an explanation and the importance interview with artists Iranian potteries and asking them for questions , that help him in thuthly analyzing samples , and then that production of the analyzing and the researcher is showing results in the capture four and this following : - 1. aesthetic characteristics in Iraqi modern pottery is coming according to varied compound manner and as follows : A. According to neighborhood relation as samples no. 5 \6\8 \9 \10 \25.B. According to cooperated relation as in samples no. 1\3\5\7\13\23\24\26\27\29C. According to interact relation as in samples no. : 20\24D. According to centralization as samples no. : 3\4\5\11\13\14\15\17\18\19\26\28.E. According to spread relation as samples no. : 1\2\10\12\20\21\22\24.2. the aesthetic characteristics of compound shape in some of modern Iraqi pottery was according to remarkable varied as follows : A. in using heritage civilization as samples no : 5\7\8\9\16\17\18\20\22\23\28.B. In using the Islamic heritage as samples no : 6\8\22.C. In using the folklore heritage as samples no : 2\3\9.3. the compound operation in order to created the aesthetic characteristics in modern Iraqi pottery with the experiment of Iraqi Artist( Sa'ad Shaker) as shape no. (23) in fourth searching.4. the aesthetic characteristics (aesthetic excitement as basic in the operation of compound shape in Iraqi modern pottery and according to many manners as follows : A. the social manner as in samples no. : 2\9\13\29.B. The political manner as in samples no. : 1\20\27.C. The psychological manner as in samples 21\24\27\28\29.D. The pure aesthetic as samples no. : 4\8\11\12\14\15\17\25.5. the aesthetic characteristics for compound shape is coming through moveable varied and harmonious manner as follows : A. Colored harmonious manners as samples no. : 3\4\6\7\8\9\10\11\13\14\16\20\25.B. According to harmonious lines manners in samples no. : 1\5\7\8\9\\11\12\14\16\18\22\24\25\27\29.C. According to harmonious texture manner as samples no : 3\5\6\7\9\10\11\13\14\15\16\18\20\21\22\25\26\29.D. According to valued harmonious lighting manner as samples no. : 2\3\5\6\8\10\11\13\15\16\19\20\23\24\25\26\27\28\29.E. According to harmonious structure manner in samples no : 5\7\8\18\22\24\25\29.6. the aesthetics characteristics for structure shape in modern Iraqi pottery and according to moveable varied different manner and as follows : A. colored - different moveable manner as samples no : 2\5\6\15\17\19\21\23\24\26\29.B. Moveable different structure manner as samples no : 1\2\5\9\10\12\16\18\19\24\29.C. Different moveable materialed manner (varied materials) as samples no. : 3\5\7\10\20\24\25\27.D. Moveable different texture manner as samples no. : 4\5\7\8\16\18\19\20\23\24\25\29.7. the aesthetic characteristics for structure shape is coming in Iraqi modern pottery according to varied musical manner as follows : A. according to musical structure manner as samples no. : 1\6\8\9\16\24\28.B. According to colored musical manner as samples no : 3\5\8\11\14\19\20\23\25.C. According to texture musical manner as samples no : 2\7\15\18\19\20\22\23\29.D. According to musical lined manner as samples no : 1\3\5\6\7\\8\9\11\12\14\16\1\8\21\22\24\25\27\29.E. According to musical volumed manner as samples no : 1\6\9\10\11\12.8. the aesthetic characteristics of shaped structure appeared in Iraqi modern pottery according to the quit manner that result of the balanced static of the unit (structure units) in the finished structure pottery as samples no : 1\2\6\7\17\19\21\23\26.9. the structure shape in Iraqi pottery and its aesthetics characteristics respond to modern technical as follows : A. according to using the power of material (clays - minerals - plastics )in order to create aesthetic characteristics in the building of shapes as samples no. : 1\3\5\7\9\10\20\21\23\24\25\26\27.B. According to mix the colored clays as sample no : 25.C. According to use the colors of glazing in different degrees of heat as samples no : 3\15\17\21\22\26.D. According to total manner for above mentioned points as samples no : 3\4\19\20\21.10. some aesthetic characteristics for structure shape appeared in Iraqi modern pottery according to repeating of the figure of shape as samples no : 2\11\15\26.11. the aesthetic characteristics coming in the structure shape in Iraqi modern pottery according to varied manner in adding sorted shape of the complete pottery which used in many functions as like (Jar) that is give aesthetic trace out of its lined shape as samples no : 5\11\21.12. the aesthetic characteristics coming for structure shape in Iraqi modern pottery through the solvent of the specialized parts of plastic arts (painting - structure - sculpture) as in samples no : 3\5\6\7\9\10\12\14\16\17\18\19\22\24\25\26\27\28\29.13. he researcher like this go on has production in special the characteristics of subject constrictive figuration aesthetic in achievement Iraqi pottery , showing after that his testament and suggestion.

السمات الاثنوغرافية لاداء الممثل في العرض المسرح العراقي == Ethnographic Features of The Actor`S Performance In Iraqi Theatre

Author name: منتصر مجيد ابراهيم
Supervisor name: هيثم عبد الرزاق علي
General topic: Fine Arts
Specific topic: Theatrical Arts - Directing and Acting
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: Ethnographic studies represent one of the scientific sources which grows from the art of theatre. it is due to the huge abilities of theatre in embodying life, expressing societies, revealing life nature by its precise details, and recognizing races and tribes, as well as embodying the décor and props of the place of the show. It finally comes the performance of the actor and the ways used to approach the character being played. The actor shapes the most important nerve in the show, especially as he guides the events and expresses actions through his emotions, gestures, costumes and accessories. So, it is the actor and his body, specifically, that is of great importance in conveying information and provides thoughts. So, out of this creative overlap between the art of theatre and the science of Ethnography, the researcher has identified his research title as : (Ethnographic Features of the Actor`s Performance in Iraqi Theatre). the researcher has divided his research into four chapters as follows : Chapter one includes The methodological framework as the following : ? The problem of the research which is defined by the following question : what are the ethnographic features of the actor`s performance in Iraqi theatre?? The importance of the research as well as the need for it, the aims and the limits of the research. The researcher also has defined the terms that has been used throughout the research.Chapter two includes the theoretical framework and the previous studies. The researcher has divided this chapter into three sections : Section one : Ethnography - the concept and the features : this section discusses the features and the concept of Ethnography - types and functions.Section two : Ethnographic datum in structuring the theatrical character : it discusses the ethnographic relationships with the elements of the theatrical show.Section three : Ethnographic Indications in the actor`s performance : the researcher discusses the nature of theatre indications and how they are functionalized in the show, particularly, the body of the actor.Then, the previous studies has been discussed and finally the researcher has reached for the indications of the theoretical framework and build them as indications for analyzing the sample.Chapter three includes the procedures of the research. Three Iraqi Plays are analyzed as being the samples : 1. Romeo and Juliet in Baghdad - prepared and directed by Munadil Dawud2. The Cobbler - written and directed by Akeel Mahdi3. Massoud`s Dream - prepared and directed by Eawatif NaeimChapter four includes the results and conclusions. it includes the results that the researcher has reached for through analyzing samples. It also includes the conclusions, recommendations, proposals, resources and references, and finally an abstract in English.

الريادة الجمالية في الرسم العراقي الحديث == Aesthetical Pioneer In Modern Iraqi Painting

Author name: عمر مجبل جبر المطلبي
Supervisor name: سلام جبار جياد السوداني
General topic: Fine Arts
Specific topic: Drawing
Degree: Doctorate
University: University of Baghdad - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: تعد الريادة احدى اشكاليات ومظاهر التحديث في الابداع ومنه ماحصل في الفنون التشكيلية عبر التاريخ، وتكمن اشكالية الريادة اساسا في تصارع التاريخي والجمالي والمفصلي وتداخلها بحيث يشتركون بما لايمكن معه فكاك الخواص المتداخلة والظاهرة في تشكلات المنجز التشكيلي | Pioneer was distinguished as a dispute or conversation elements in describe and criticize modern art. Pioneer here doesn't mean some thing old or former historical events exclusively, but it is mean a process of forming pioneer phenomena as completing entity in a way to be able of breaking what is common and enters in new also imposing its change in art movement, it is distinguishing a separation, which creates a changeable, the last one is considered as a companied property for aesthetical pioneer styles. Also In art the process of works can not be worked separately, but the element of effect and affect is control at the work, and by the Pioneer creating, the image of stage will be and history of movement will be formed according to the aesthetical indications of institution which always depend on creative element. As creative has a degrees and levels also in aesthetical indications their degrees depend on creative degrees in forming phenomena and creating separation which take at it is shoulders imposing historical changeable.So researcher concentrated that the study will be at what aesthetical Pioneer mean and work which are the base in change in modern art. According which we mentioned above the study of this subject has four chapters.First one is a procedure frame beginning with problem of research explained the nature of term which contained number of interiors which showed the problem in determining frame and to reach at determining the jelly and form of term after then. And driving in roots of the subject starting from Pioneer movement generally (Internationally) arriving at aesthetical Pioneer in Iraq and this is a subject of this study (research) by observing two aims of research first one is determining the concept of Pioneer historically and then aesthetically and then showing the features and affective varieties in forming the Pioneer phenomena in modern Iraqi drawing, in addition to the term of aesthetical Pioneer terminology and measurement.In chapter two the study of theoretical frame three parts, distributing the parts of study in attempt of showing the form and content of Pioneer movement.First section is about the concept of Pioneer in its historical form and then determining their forms within old historical periods and changeable movement through times arriving to determining elements which begin to establish the concept of aesthetical Pioneer by changeable towards more self - work in art.Section two concentrated on Pioneer in art and creative term (aesthetical) and this is a base of creating aesthetical exploring creative creation in view changeable which control in aesthetical concepts through history and expanded in create styles which achieve the self - created within aesthetical exploration changes, that the styles have a direct forming in their latest stages from aesthetical Pioneer in history specially in modern.Then we found that is necessary to shed a light at the twentieth century as a directed representative of modern concept which the former studies stages struggle to arrive, so it's the point to enter to chapter three by pay attention at the aesthetical Pioneer in century time, changeable movements, the space of Pioneer expansion which formed in that time, and print a stamp of modernization at its aesthetical image.Chapter three included the measurements of research by determining research society and depended on selected samples intended way according what indicators separated in determine the concepts which dealt with subject of research in addition to the opinions of experts in this matter which are served this research. Chapter four contained the results and recommendations. 1/Chapter four includes the results and conclusions of research which are related with researches' targets, and the extent of the relations of the indications by theoretical frame and what is produced by the process of samples analysis with the showed figures of study, the most distinguished one is 1/ esthetic pioneering, although it is relation with history movement, but it doesn't accept to separate or deflect in style of Art Movement inside history2/ The transferring from general in former time to self in times after Al - Kawti was the real emerge in what known now esthetic pioneering, so the turning is the companied feature of pioneering nature.3/ Pioneering is shown by style of turning and deflecting and then the context changing in Art this declination in Art and in communications as a result of breaching which lead to change the method which is became tradition need to new pioneering.4/ one of the important condition of pioneering is to put an effect on next experiments which are emphasized and make it a base joint to be esthetic pioneering.5/ changing towards modernization was result of needs and inter pressures has a relation with time itself which is more verities in common world.6/ the modernization time is the time of increasing in generating individual styles and pioneering especially in twentieth century.7/ the form of esthetic pioneering is determined according to the nature of reference which is feed it some of them return to the historical hypothesis other for tradition, also the changes in western, history, modernization, tradition, local and western all of them emphasis the type of pioneering in Modern Iraqi Art.8/ one of the most important phenomena in pioneering in Iraqi draw was style creation as a result of merging between tradition and modernization as a result of searching on existence the modern Iraqi draw identity which is considered as an important element in Modern Iraqi draw. Some Conclusions are : 1/ It is not important that every painter be pioneer, but pioneer the person who make a creating discovery and he makes a deflecting in Art movement so to form its pioneering.2/esthetic pioneering begin from artist liberation from subject and changing the art view which is full of subjectivism.3/ style is one of the important element of pioneering it lives in style atmosphere which is created by pioneering and to be responsible of style creation and making historical extension of this pioneering.4/ searching on reality is the pioneer duty which is to be first discovering of esthetic reality by its art means and creative view.5/Pionner the person who is struggle for self –independent which was obeyed from many times to the history events by arriving for individuality and strangeness, these are the most important elements in pioneering in modern styles. 6/ Modern Iraqi Painting considers one of the pioneering experiment within the frame of Arabic east.In addition, researcher submits some of recommendations and suggestions which find them important for future criticism studies, such as : 1/ Look at the pioneering as a science, it is an establishment depend at it self and responsible on historical changes in History Art Movement.2/ esthetic pioneering is one of the aesthetic face so look at esthetic achievement by its first structure to achieving the principle of procedure specialty in phenomena study.3/research advice to study the pioneering effect which is responsible on arriving of pioneering effect, and its time that need to create its effect.Besides, some suggestion by researcher to expand in study and understanding the pioneering as a basic joint of aesthetic, with list of references contains the references of thesis besides the locations of interne which are used by the researcher. And at the end number of appendix with appendix of figures' photos and appendix of samples besides experiments information papers.

الرؤى الجمالية لنصب فنية مقترحة في مدينة بغداد : دراسة تحليلية تطبيقية == The Aesthetic Visions of Proposed Artistic Monuments In Baghdad City An Analytical Applied Study

Author name: وليد عبد الله نوري البدري
Supervisor name: جبار محمود حسين العبيدي
General topic: Fine Arts
Specific topic: Sculpture
Degree: Master
University: University of Baghdad - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: يتبنى البحث فكرة اقتراح نماذج نصب فنية نحتية في مدينة بغداد لغرض تطويرها ونشر الذائقية الجمالية اذ تعد هذه الدراسة التطبيقية من الدراسات البكر والمتفردة والرائدة في هذا المجال. فضلا عن ذلك احتواء هذه الدراسة لرؤى جمالية يقوم بها الباحث عن هذه النماذج | The research adopts the idea of proposing examples of artistic sculptural monuments in Baghdad City for the purpose of developing them and spread the aesthetic taste for this applied school is considered as one of the early, individual and leading studies in this domain, as well as this study contains aesthetic visions for the researcher about these proposed monument examples, giving them an academic merit in method and application. The study consists of four chapters. The first chapter includes the methodological aspect represented by the research problem, its significance, its necessity, its aims and the definition of terms. While the second chapter includes the theoretical framework consisting of the following sections : 1 - The artistic monuments in the world, the attitudes and styles. 2 - Beauty and its vision in the contemporary formation. The third chapter came dedicated to the research procedures and the analysis of its sample, while the fourth chapter is concerned with the research results, the most important of which are : 1. The aesthetic visions of the suggested monuments in Baghdad City were unconventional visions and characterized with contemporary, innovation and individualism. 2. The examples of the research sample bear an Iraqi cultural contemporary identity with contemporary aesthetic visions in terms of new sculptural formation as cited in all sample examples. 3. The suggested sample examples as artistic monuments in Baghdad City came mostly inspiring the Iraqi cultural heritage. 4. The research sample examples as artistic monuments in Baghdad City reflected the sculptor researcher's ability and his high technical and performing skills as cited in all sample examples.

الروافد الجمالية للفكر الاسلامي وتمثلاتها في التويين الزخرفي == The Aesthetic Resources For The Islamic Thought And Their Embodiments In The Decorative Arrangement

Author name: امين عبد الزهرة ياسين النوري
Supervisor name: كريم حواس علي الساعدي
General topic: Fine Arts
Specific topic: Calligraphy and Decoration
Degree: Doctorate
University: University of Baghdad - College Of Fine Arts - Arabic Calligraphy And Decoration Section
Language: Arabic
University location: Baghdad
First pages:
Abstract: ما هي الروافد الجمالية للفكر الاسلامي وتمثلاتها في التزيين الزخرفي )؟ ويهدف البحث الى الكشف عن الروافد الجمالية للفكر الاسلامي وتمثلاتها في التزيين الزخرفي الموظفة في التصاميم الزخرفية في الواجهات الخارجية والداخلية للعمائر الاسلامية ( العتبات والمساجد و

الرمز التراثي وانعكاسه في تصاميم المطبوعات العراقية == The Inherited Symbol And It'S Reversal In The Designs of The Iraqi Publications

Author name: انتصار جعفر رشيد التميمي
Supervisor name: نعيم عباس حسن
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
University: University of Baghdad - College Of Fine Arts - Design Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: Was considered by UNESCO thing that ever was fifty - year old inherited cultural andheritage ,heritage ,including his privacy and the importance and and what it has of legaciesand beliefs reflect the reality of peoples ,is a tag that can not in any way be overlooked orignored ,it does not make sense to existence without those roots that support them, whichcheck its stability as it is necessary to broadcast the sustainability of the life time of the last of its reservation of neglect and then disappearing.Because we need today more urgent than everto re - organize our heritage of Iraq ,in line with the development taking place at all levels ,and as contained in the heritage of the plurality of symbols handed down through thousands of years ,and which we find in the case of employing them in the publications identity ,a reflection of a community contributes to the definition country and cultures on the one hand ,and a reflection indicative of meaning and symbolic representation of the content of the intellectual ,and a sense of value and aesthetic heritage on the other hand ,therefore ,felt the researcher to take this research to the definition of heritage and related recruitment ,as well as being complementary to the wedding culture started in the year 2013 AD ,it is but not holds the recipe uniqueness and leadership ,but he specialized in the field of impact caused byinherited in publications in general. Thus it is vitally problem of the research in the detection of the symbols of heritage and their associated meanings ,and the implications of all this inIraqi publications.Based on this researcher has identified the problem examined by asking the following : Is publications included Iraqi reflections of symbols inherited?The current research aims to identify the symbols of heritage and the extent reflected in thepublications of Iraq ,has been identified research study publications issued within the project of Baghdad, the capital of Arab culture for 2013 AD, which included four chapters, the first chapter discusses the research problem and its significance and purpose and its borders and determine its terms ,including, among other second theoretical framework which section into three sections ,carrying the first title of symbol heritage and its diversity of intellectual, cultural ,and included the concept of symbol heritage in terms of its diversity of religious, historical and mythological and folk ,while the second section consisted of levels symbol heritage in the publications of the Iraqi public to ensure that the semantic level and emotional as well as cognitive ,also included symbol heritage and intellectual communication ,postal heritage and a reversal in the community the third topic guarantees the formations symbol heritage that included symbols of heritage written and sham including guaranteed that the development of symbols written under the techniques of modern times ,and the stages of the evolution of the formation Graphic in publications ,and configuration Graph ic as a speech ,as well as variations printed.Chapter III also included an analysis of samples of publications of the project capital Baghdad ,Iraqi culture for the year 2013, and included the last chapter findings and conclusions and a number of proposals and a list of sources.The most important results reached by the researcher are as follows : 1 - Carried all samples representative of the legacy symbols and the concomitant representation of the vocabulary tones chromaticity function ,as well as inspired by some of the ideas associated with it.2 - Brought symbols of heritage readings function on more than one meaning is linked to the ideas of a function of the heritage, including his campaign those ideas of multiplicity of meaning within the contexts of semantic objective component context design parameter specific to the identity of the community, unlike that context aside philosophical aesthetic towards the heritage and the accompanying representation multi shapes moot. 3 - Despite embodies the symbolic representation of the content of ideas in the most appropriate publications mentioned, but some have been emptied from the representation of the symbolic meaning of ideas, so as to pursue intellectual rooting as direction is clear. The publications carried the symbolic representation of trends intellectual Count one combination where tradition and modernity.4 - Salutation semantic structures in decorative compositions written by the design format contextual relationships belong to the symbolism of intellectual, to form a speech Sofia formulated to see deep meanings exceeded the craft.The most important findings of the researcher in the light of the results are : 1 - Condensation signifier symbolic meanings associated with heritage ,making the symbol and one containing the rest of the symbols and meanings of the function on the same meaning, to form simulates including intellectual structure of the work, which triggered a balance of formality My aberration, employed for the benefit of semantic meaning.2 - Speech carries connotations Avatar formation through inspiration inherited cases of community with real - time status of a community, to configure theme symbolic function of the heritage. In contrast, embodied theme layout done through tow combination lines of thought in the opposite direction to achieve tensile visual attraction. The researcher recommended the following : 1 - Longer be working in the field of graphic design kit in devising symbols of heritage, including its sovereignty is linked to the formal representation and chromatography, the headwaters of the cultural and intellectual contemporary philosophical including carrying of inherited, innovation in plastic carrying authentic character of flexibility.2 - Need to focus on the diversity of levels, including Avatar include a function of the meanings of the heritage within the layout done, that it is investigating reactions towardsstructural formations of the intellectual level of significance, to achieve the act of communication.At the end of the research suggests that the researcher : 1 - Popular symbols and signs of intellectual communication of Iraqi Airways model posters

ملامح البطل الشعبي في الدراما التلفزيونية العراقية == Features of Public Hero In Iraqi TV Drama

Author name: سلوان بهاء كاظم
Supervisor name: علي صباح سلمان
General topic: Fine Arts
Specific topic: TV Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: تطلع الانسان منذ بداية حياته على الارض الى مثال، او انموذج فية قيم البطولة بعضها، او كلها التي تنسجم مع مستوى وعيه وطبيعة الشعب الذي يعيش فيه، وتتناسب في صيرورتها المتطورة مع مراحل تطور الفكر الانساني المعاصر الذي ينسج عن طريق تعالق وتشابك الانسان مع طبيع | The human, since his struggle on earth, looks for an example characterized with values of heroism that corresponded with his thought and nature of people whom he lives with. These values match the development stages of temporary thought that resulted from getting the man to be aware of surrounding circumstances in respect to social, political and economical factors which considered as a main basis for crystallizing human and people's awareness. Hence, the public hero gets his sufferings by his expression about physical human action in different forms affected by place and time across human life decades. Hero features got determined as a result of human awareness development in respect to life that required a set of features the hero characterized with as to express through which about human action linking to his awareness about nations in an active way.The research includes four chapters , the first chapter deals with the methodical field included problem of the research that represented in the following question : What are outstanding features of public Hero in Iraqi TV Drama? In addition to the research's significance, its goal and finally terms definition.The second chapter includes theoretical filed and previous studies. The theoretical filed divided into 3 parts (1st part) : public hero in relation to significance and term, where it had been defined definition of public hero according to conception of public hero.( 2 nd part ) and about the second research : drama construction at the television series which included the most important of emerging and theories that belong to the drama construction for television series. (3nd part) : includes features of public hero in drama and basic supports pertaining to features and aspects in the drama. This gives him a distinction as to embody his people longings and desires via his action and his struggles with other forces.After then, the researcher got theoretical field that helped him after the approval of experts committee as to be a tool for analysis.The third chapter includes applications the researcher depends on for analyzing the sample chosen on purpose as to get to the goal of the research. The application includes the research tool and text and reasons lying behind its choose , the analysis unit, tool confirmation and sample analysis.The fourth chapter includes final results conclusion resulted from the analysis. Actions and changes of public hero have been considered as a real and actual expression about social structure and self - patriotic in its ambitions , hopes , equity and justice. It also exposes conclusions resulted from the research results , top of which have been social, economic and political changes that formed picture of public hero in TV Drama; besides, it includes some recommendations and also suggestions for later study.The research has concluded with list of references the researcher depends on and a summary of study with English Language.

توظيف انموذج لعب الادوار في تنمية التعبير الفني لدى تلامذة المرحلة الابتدائية == Employment of Type To Playing Roles In Improvement of Artistical Expression At Pupils of Stage Primary

Author name: اخلاص عبد القادر طاهر
Supervisor name: ماجد نافع عبود الكناني
General topic: Fine Arts
Specific topic: Art Education
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: يتضمن مفهوم لعب الدور افتراضا بان للمتعلم (تلميذ، طالب) دورا يلعبه، سواء اكان معبرا فيه عن نفسه ام عن احد زملائه في موقف محدد، فاللعب يعني انه سيتم تادية الدور في البيئة الصفية التي يتم اعدادها وتهيئتها لتحقيق اهداف محددة تضم ظروفا" يكون فيها المتعلمون مت | concept of role playing , supposal includes that the learner (student , pupil ) role may to play it , whether he expresses himself or about one of his colleagues in limited situation , the playing means that will performance the role in clear environment which performance prepare it in order to achieve specified aims includes conditions within it learnersAre cooperating, tolerant and inclined to playing , and they performance activity play the role in class room (new environment), with group of their friends partisce them features , events , properties and aims. That type helps learners on developing their abilities through practice activities and expressing and interactive with others , without their transfer to topic of observation or appreciation of strange individuals about learners inside classroom, without any risks or threaten situation. their practice for that activity will contribute in build confidence by themselves and their abilities.The researcher see that today, concentrate on learner and know its personal features and how progress it and direction it in order to improvement educational aims and behavioral for educational process with importance preparing activities and educational activities and ways and studying styles to fit with need and requirements of learners to create motives which influence on him / her to require specialized artistical skills. The researcher have informed on former studies which deals with artistical expression , she finds out that there are studies deal with concept of artistical expression and relation it by by variable of self and ways of social and family bringing up , and other studies deal with playing of roles in improvement of some social skills at kindergarten , but she doesn't find any study deals with employment of type to play roles in improvement of artistical expression at purples of stage primary ( stage of actual expression 9 - 11 years ) , therefore find that establishing for problem of her research through pursuit trace which leaves it use type of roles playing as method of studying in improvement of artistic artistical which appearance it pupils of primary stage in their drawing after their watching serials which include it this type and they practice its roles. From this point , aim of present research : Disclosure on the impact of role - playing model in the development of artistic expression by drawing for fifth students elementary. Have restricted ( 6) zero hypothesis, certify from this aim. County of research consist of pupils of primary stage schools belong to general directorate / Al - Rassafa education ( 1,2 ,3 ) , their number reach ( 112106 ) pupils ( males and females ) distribute on ( 1045 ) primary school , where select arbitrary sample from pupils of 5th primary class in school (green valley ) reach ( 80 ) pupils ( males and females ) , have distribute them to two groups experimental and control. In order to achieve aims of present research where use type of roles playing as way of teaching includes ( 6 ) short plays which displayed on group of experts in specials (drama arts, artistical educational , psychology , measuring , measuring and appreciation ) who they agree on its validate and its fitting for age level for pupils.Have restricted ( 6 ) topics for artistical expression which represent by ( good and evil , school garden , teacher or , four seasons , role of physician , toy of train ) , where performance building of list in order to analysis contain of drawings which include ( 48 ) items represent features of artistical expression and contains on sub - features and branch features , display on experts and its get approval on use it. A prance of results of present research , the researcher use set of statistical ways for treat data and information which she get it through responses and drawings pupils such as ( t - test ) for two independence samples, quadrilateral coupling modulus and the z - test of the correlation coefficient to identify the statistical significance in the correlation coefficient calculated, while most results which she find out as following : 1 - Exist positive relationship between of artistical expressions for pupils of experimental group and plays which prepared in present research and they practice its roles which result cognitive impression at them embody in their artistical expressions by drawing. 2 - Drawing of experimental group pupils characteristic by expression about characters which appeared in events of plays ( sun s friends , teacher as mother , role of physician ) while not express it with their equals in controlling group. According that the researcher advised that : - 1 - Interesting by training of teachers (males and females ) for primary stage (during service) on how use of actingcal playing way through training of pupils on all social skills and cooperation and knowledge and sense action. 2 - Encourage authors and writers for write plays specialists for pupils of primary stage bear much educational values which we aim to confirmed them through encourage teachers this stage in use it within type of roles play as target educational ways for different studying subjects.

التفضيل الجمالي وعلاقته بالانماط الادراكية البصرية لدى طلبة جامعة بغداد == Aesthetic Preference And Its Relationship To Cognitive Visual Patterns Baghdad University Students

Author name: اسماء كريم كاظم
Supervisor name: ماجد نافع عبود الكناني
General topic: Fine Arts
Specific topic: Art Education
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: تلعب التربية الفنية باعتبارهااحدى المواد الدراسية المقررة في مناهج المتعلمين ضمن مراحل التعليم العام دورا هاما في تنمية الوعي الجمالي لدى الافراد، اذ تمثل محورا كبيرا للتربية عن طريق مجالاتها وانشطتها المختلفة، وهي عملية قصدية يتم عن طريقها توجيه الاف | Education of arts play role by the consider of one of determined subjects for curriculums learners include the general education stages with importance role of progressing the esthetic's awareness for individuals , that imitation a great role of education to be the way of their fields and versatile activities , so it's mental process could achieve as guided for individuals in conceptual ,acknowledgment , skill and beauties development whether if it were as moral interior development in forms of optical esthetic awareness to reflect of human their trace. Art education as human area technically competent learner and skillfulness and elegance whether it was moral interior progress or developmental in awareness optical forms therefore it could reflect their trace on human.Art education consider as human field specialized with learner art education and skillfulness and art taste adding to working as to forming it's own esthetic behavior for events adoption the best for him and his society. This field is not progress skillfulness only but stand on trainings only but learner of art education it non something you can touch but you could conclude on their traces adding to it's an active of art process got through the learning student for multi experiences ( acknowledge - skillfulness ) be as importance stand for development and aesthetic awareness in it's own behavior and manners it's known as the student acquiring or the learner acquiring of esthetic education.Proceeding from the above forgoing the art education that acquired by student their cognitive skills through education stages that represented such processes by which acquiring of values and directions that is an impact on the development it's own optical an sensitive awareness that contributed with to social adoption so could got of social balance that develop through his permanent disclosure for ideas and meanings and cods that could amended his behavior in result of what required and get influenced in his social activation with others.Emerging from above the researcher concluded to establish to problem through her reconnaissance to discover on the level of taste and aesthetic awareness toward the surrounding environmental problems that lead to this study to gave the researcher as conceptual visualization to the importance of construction of learner awareness toward the esthetic shapes and distinguish between them and to know their importantly for him and for his life and society.So the problem was consisted on as follow : 1 - The esthetic preference directly proportional to form the awareness types for university student 2 - Esthetic presence represented the student ability on sense with esthetic locations in the environment that could live.So the research goal to : Discloser the esthetic preference for Baghdad university students and their relation with awareness types and to achieve this goal, researcher put the branched aims as follow : 1 - The know of the esthetic preference for Baghdad university students 2 - The know of level for esthetic preference of Baghdad university students as followed to the variable of gender ( males - females )3 - The know on relation between the esthetic preference and their awareness types of scientific specialize ( scientific - human )4 - The know on relation between the esthetic preference and their awareness types of ( optical - sense )5 - The know on relation between the esthetic preference and their awareness types of as followed by gender variables ( males - females )6 - The know on relation between the esthetic preference and their awareness types of variables specialize (scientific - human )The research society consist of students second class in the college that followed Baghdad university the year of 2011 - 2012 that among of (4871) students ( females and males ) distributed on 23 of colleges that followed university of Baghdad were selected as sample in random manner among of ( 300 ) students ( females and males ) to apply the research 's procedures on it. And to achieve the designed research for ( 3 ) tools for assembling data and information from research sample as : 1 - Esthetic preference measurement ( theory )2 - Esthetic preference measurement ( conceptual ) 3 - Awareness types measurement These measurements were showed on a group of expertise in different specializes of art education and physiological education and measurement and amending and plastic arts adding to their statistic treatments through the show of truth and confirmation to ensure from their authority in measurement goals that put for their measurement , then application of the basic research's tools that belong to ( 6 ) colleges that followed university of Baghdad.To show results , researcher depended on group of statistical means as ( selection T - test for two independent samples ) and the selection of one sample and Person equivalent and Coper equivalent and distinguishable equivalent and difficulty ) The most importance results that concluded to were : 1 - The enjoyment of second class ( generally ) in scientific and human departments of colleges that followed to university of Baghdad.2 - The enjoyment of second class in scientific and human departments of colleges that followed university of Baghdad for moral assigned level in esthetic preference account the gender variables ( females - males ).3 - The enjoyment of second class in scientific and human departments of colleges that followed university of Baghdad according the (scientific and human )4 - The enjoyment of second class in scientific and human departments of colleges that followed university of Baghdad for moral assigned on esthetic preference on awareness type ( optical - sense )According to group of recommendations as : 1 - Education university students with importance of practicing the art activities in leisure times that contribute on their level taste art elevation.2 - The interest with teaching environment for students whether they were in scholastic class or the yards of college to be as more esthetic that enforce such esthetic preferences for them.

الدلالات الزمنية للصورة في الدراما التلفزيونية == The Time Indications Forpicture In Television Drama

Author name: صابرين كامل زيدان خلف
Supervisor name: عصام عيسى علوان السامرائي
General topic: Fine Arts
Specific topic: TV Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: ان وعينا لمفهوم الزمن وادراكنا له,ليس في كونه زمنامجردا,بل في معايشتنا له,جعل الباحثة تستقصي حالات بناء الزمن ودلالته وكيفية نشوء فكرته لدى الانسان وصولا الى ادراكه واستيعابه من خلال البنى الفنية بتعدد صنوفها وحالاتها والتي تصاغ بسبل درامية تعطي متصوا انس | That our awareness of the concept of time is not in the fact that time merely, but in the Maistna him to make a researcher investigating cases of building time and the significance and how the emergence of the idea of a guidance man down to the perceptible and absorbed through the structures of art multiplicity of its different, situation and formulated ways of dramatic give a vision humanly creative about the time.In aspects of the philosophical, scientific and technical witness the effect of time and the concept of time, occupies an important place in the drama in human life, self and external environment and society, all this gives the structure of image work dramatic themes promise revolves time Petrchinha So it was a question that deals with the search : (What are the qualities under which the pixels to produce indications of time of the events in the drama TV show?)The first chapter deals with the structure of the research, the problem and the need for it, its goal and its importance, and which controls the border area of research as well as determine the terms.Chapter II addresses the theoretical framework (two topics), the first contains several sections and includes each time its concept, types and concept philosophically, and in the section other includes the structure of semantic of the image in the television drama, and represents the time in which to infer the effects of time of the artwork and understood by the receiver when watching action film and television and then reviewed by a researcher the results of the theoretical framework and left him in several indicators,In the third quarter, which includes measures of research methodology - sample of the research - the search tool and the unit of analysis,Finally moving to the fourth quarter to deal with the analysis of samples selected from the serials, which have been selected Qsidia two series (King Farouk, another series of kings) and through the search tool is obtained, our findings through the analysis and thus complete the research conclusions, proposals and recommendations complementary to search then fixed list sources and supplements

الخصائص الابداعية في تكوينات الخط القيرواني : اعمال الخطاط عامر بن جدو انموذجا == Creativity Characteristics In Formation of Al - Qarawani Calligraphy In Works of Calligrapher Amir Bin Jado

Author name: عبد الجبار وهيب احمد
Supervisor name: عبد المنعم خيري حسين العاني
General topic: Fine Arts
Specific topic: Calligraphy and Decoration
Degree: Master
University: University of Baghdad - College Of Fine Arts - Arabic Calligraphy And Decoration Section
Language: Arabic
University location: Baghdad
First pages:
Abstract: الخصائص الابداعية في تكوينات الخط القيرواني اعمال الخطاط عامر بن جدو انموذجا , ومن خلال الدراسة الاستطلاعية استطاع الباحث ان يحدد مشكلة بحثه بالنقاط الاتية : 1. الخطوط اليابسة ( السطرية ) لا تحتاج في كتابتها الى مهارات حدسية اما التكوينات الخطية وخصوصا | The problem of the research represented by the following : - 1 - The dry ( linear calligraphy) do not need in their writing to sensitive skills as for the linear formation in special the dry calligraphies that need to study the type of the formation.2 - Missing or absence of specifying the transference circle in the line calligraphic in the creative formations discovered by the questionnaire study in calligraphic works of the calligrapher Amir Bin Jadao.And from these starting points the researcher has formulated the research problem with the following question : 3 - What are the creative characteristics in Al - Qairwan calligraphic formation in calligraphic works of the calligrapher Amir Bin Jadao as a model?The importance of the research represented as follow : - Could be contributed in activation of Al - Qairwan calligraphic letter balance, and to specify the transference period from linear calligraphic to the calligraphic formation in Al - Qairwan calligraphy, and the research objective to specify the transference point from the linear calligraphy to the linear formation in Al - Qaurwan calligraphy, besides the analytic study for the Tunisian calligrapher works Amir bin Jado, and the research specified for the period from (2006 A.C - 1427 A.H to 2013 A.C - 1432 A.H).As for the second chapter which includes historical view to the Arabic calligraphy reaching the starting of Al - Qairwan calligraphy, besides, studying( Al - Hadhna Quran) which was written in Al - Qairwan calligraphy by the calligrapher Ali bin Ahmed Awaraaq with an order from Almueiz bin Badis in 1019 A.C - 410 A.H and the characteristics of this calligraphy, also studying the creative characteristics in formation of the calligraphy, followed by indicators displayed by the theoretical frame of the research. The researcher followed the descriptive method, the style of ( the content analyzing) for realizing the research results and the samples chosen randomly,. The researcher has chosen (6 samples) represented the research sample, of (60) design and has depended analysis form according to the theoretical framework indicators and expose it to the experts in order to confirm its validity. In accordance with analysis form, the selected samples have been analyzed and reached the following results : 1. Line system formations are in Kofi and Qairawani calligraphy which are light formations and depend on successive reading sequence in which the words are distributed upon writing lines without overlapping or imbrications , besides using of the reed in writing those formations.2. Execution of free formations in an overlapping way , which depends on organized reading sequences from down to the top or vice versa. Some of it did not adopt organized reading sequences.Some formations got heavy overlapping , besides imbrications of the letters specially those of vertical expansion.According to the results the researcher has reached several conclusions : 1. The appearance of iconic formations in Kofi and Qairawani calligraphy is to confirm the range of strength of calligrapher mind and his wide imagination to achieve such kinds of formations , besides to confirm compliance of the letters of this calligraphy for flexibility and formation.2. Consolidate the capabilities of the calligrapher to produce such line formation through adjusting rules and regulations and origins of Kofi and Qairawani calligraphy and his abilities of expression about the subject directly with clear signs.According to the mentioned results and conclusions reached by the researcher , and as complementary knowledge and use the researcher proposed some recommendations such as : Keeping on fundamentals and design relationship in line formations due to its capabilities to open new fields for creation in this kind of Arabic calligraphy and expression of the calligrapher potentialities to manipulate the texts and utilizing them in proper context. To complete the research requirements and realizing the scientific utility, the researcher suggested a collection of suggestions valid to be a next study, amongst : studying the Andalus calligraphy according to the design bases.

دلالات الشكل في رسوم عامر العبيدي == Figure Connotations In Amer Al - Obeidi’s Drawings

Author name: خمائل محسن رشيد الشمري
Supervisor name: علي مهدي ماجد
General topic: Fine Arts
Specific topic: Art Education
Degree: Master
University: University of Babylon - College Of Fine Arts - Department Of Art Education
Language: Arabic
University location: Babylon
First pages:
Abstract: تناول البحث الحالي دلالات الشكل في رسوم عامر العبيدي، وقسم البحث على اربعة فصول، تضمن الفصل الاول عرضا لمشكلة البحث، ان عملية تقصي الدلالة هي حاجة ملحة للكشف عن المضمون الذي يروم الفنان التعبير عنه عبر الاشكال فيما تحدد ت حدود البحث الحقبة التاريخية ( | The current research has figure connotations in Amer al - Obeidi’s drawings , the Research divided to four chapters, the first chapter included a presentation of the research problem, the process of finding significance is an urgent need to detect a content which the artist looking to express about it through forms. While the research boundaries defined at the historical period (1981 - 2012 m)The second chapter included a theoretical framework which included three sections : the first section has (figure indicative between meaning and concept) where the concept of significance and its mechanism functioning in art in addition to the kinds of connotations shapes and its mechanism functioning in art has been mentioned. While the significance approaches in the art has been mentioned in the second topic, ensuring : ancient Iraqi art, art of the Middle Ages, Renaissance, modern European art and the contemporary Iraqi art.The third section included biography of the artist and a brief from a revivalists group to which Amer al - Obeidi belongs to. The third chapter included procedures of the search which the researcher adopted on the descriptive style content analysis, with a total of180 models of the research represented the research sample that chosen in deliberately by experts.The fourth chapter contains several results that reached by the researcher after analyzing the research sample was the most prominent : 1 - Signs Diversity from iconic to Indicative and symbolic and that leads to a diversity of readings from closed to open meaning as in most of the artist works.2 - The Iraqi ancient civilization forms in its lines , vocabularies and symbols a formality reference and semantic content of the artist which represented by symbols of Sumerian’s ,Babylonian’s , Acadian’s and Assyrian’s art. 3 - The artist inspired elements of Islamic architecture to escalation of civilized connotations in the artwork depending on collecting architectural forms represented in domes , arcs , columns and lighthouses and niches that each bearing its symbolic , mystical and religious connotations cross geometry Islamic form and distributing it within the painting in balance and juxtaposition and consistency and harmony attaining through it religious and cultural semantics as in the sample4 - Horses forms occupied wide part in al - Obeidi works where deprives from its utilitarian connotations and devise it in a frilly amount holds aesthetic connotations to be the horses complement for that frilly total , that means it turns into animal ornament in most of his works.5 - Amer al - Obeidi loaded spiritual and sacred connotations in some of his works through forms which he browed from Christian art and he describes it in a new style that Special to the artist while he carries it a symbolic significance indicates absolute infinite , metaphysician ,eternal divine and unifying the heavenly messages6 - Amer al - Obeidi’s some works are featuring in dealing with space with repentances of breach the space by forms hanging from the top and describing the space as a form , that has a symbolic suggestive significant which represented in extension , infinity , unity and loss 7 - Part of Amer al - Obeidi’s work has political patriotism nationalism connotations through shapes that included in the technical work such as horses and knights armor and gear in the deserts and spaces while it considered indicative signs with terms refer to war or revolution in addition to violent rebel knights and horses movements, which showed a conflict between antagonists or more.The search also included many of the conclusions, recommendations and proposals and the researcher finalized her letter with a list of sources, references and appendices and the abstract in English

تنوع اساليب الاداء التمثيلي في المسرح المدرسي : عروض البصرة انموذجا 1999 م - 2009 م == Diversity of Performance Styles Representative Theatre School Offers A Model of Basra

Author name: حيدر صالح دشر
Supervisor name: عبد الكريم عبود عودة المبارك
General topic: Fine Arts
Specific topic: Theatrical Arts - Directing and Acting
Degree: Master
University: University Of Basrah - College Of Fine Arts - Department Of Performing Arts
Language: Arabic
University location: Basrah
First pages:
Abstract: يشكل المسرح المدرسي ظاهرة فنية مسرحية تعبيرية مهمة كونه موجه الى شريحة اجتماعية لها دورها في بناء المجتمع.ومن خلال اهداف هذا المسرح المتنوعة في التعليم والتربية والتوجيه والتثقيف والترفيه فان الجانب الادائي يشكل عنصرا اساسيا وم | Schooling Theatre represents very important Artistic and expressive theatrical phenomenon for being addressed social category that has it role in building the society. Through the various objectives of this theatre in education , learning, guidance and entertaining , the performance factor make up a primary important element of forming this theatre and activate its objectives; accordingly , the different types of this theatre requires from the actor to act based on acting methods related to the form of schooling theatre which are divided into the following : 1. Schooling theatre shows inside the class 2. Schooling theatre shows inside the school3. Schooling theatre shows outside the schoolThrough this division , the researcher observed the operations of these various methods within the above divisions, and he observed its different types and used by the actor by his research titled ( variety of methods of casting roles in theatre of Basra typical theatre. The research comes up with four chapters , the researcher initiated with the methodological chapter which represents the problem and the importance of the research besides its objectives which summarized by revealing ( variety of acting performance methods in schooling theatre and observe the visual channels in those methods to a achieve the objectives of show forms in schooling theatre). Furthermore, this chapter includes the time and place and subjective borders , through the title of the research , the researcher observed the most important terms and have procedural definitions for them that conform with its subject. As for the second chapter , it is related to the theatrical framework that includes three important sections which are as follows : First section : - Schooling theatre , the beginning and the development Second Section : - Forms of shows in schooling theatre Third Section : - Methods of acting performance in Schooling theatre The second chapter dealt with confirmation of the most important previous studies and to recognize the extent of it similarity with our field of study , and finally the chapter includes the indications of theatrical framework. The third chapter is a procedural one that contains on collection of applications to select the criteria of subjective analysis of sample chosen by the researcher after has done full survey on schooling activity in Basra governorate particularly the center of Basra , he tried to choose ( Al - Farahidi Typical School) to try out the sample of the research related to the first type ( inside the class) ,and the second type ( inside the school) through selective shows , as for the third type , the researcher intentionally chose a show presented by students of Fine Arts College during the Fifth Child Festival in Baghdad. The Forth chapter dealt with results , conclusions and recommendations , and finally , he presented the most important references and recourses used in the research besides summary in English.

برنامج تعليمي لاكساب طلبة قسم التربية الفنية المهارات الجسدية == Teaching Program For The Acquistion Students of Department of Art Education Body Skills

Author name: رسول عباس حسن
Supervisor name: صفاء الدين حسين جمعة التميمي
General topic: Fine Arts
Specific topic: Art Education
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: في اطار رؤية تربوية متطلعة نحو التجديد، تتاكد النظرة الشمولية للنظام التربوي التي ترى ان المؤسسة التعليمية مركز علمي وتربوي وثقافي واجتماعي يتخذ من التعليم وسيلة لتحقيق اغراض متعددة لا تقتصر على الاعداد العلمي والعملي للحياة الانتاجية، بل اعداد الفرد للتف | In structure of ambitious educational view to renew , universal view of educational system certified that consider teaching institution as social centre , educational , culture , scientific adopt teaching as mean to fulfill multi - purposes not restrict on scientific arrangement or practical for productivity life , but arrange private to safe interaction with the society on strong bases of relativity or good relations and tolerance , the education of art aims to cultivate people and arrange him universally , it is one of sciences that take care for sympathy , mind , body , psychology , social , beauty fields all of them to provide student of art education with experiences , knowledge skills to make him use them with better shape , benefit himself or his society , through study textbooks that were taught to student , with developing of science , language of body become occupies scientists ,m and it was transformed to science taught in universities , every movement or indication has meaning or aim , one move by head may mean more of words , for following up that developing become necessary to student of department of education art to have body skills are given to him in the subject of drama body fitness , experiences assist him to make drama shows that take body as a tool for it to take thought properly emptied from defects or false to make drama movements , from this it was shown need to arrange student of art education to make him acquire body skills through teaching program was designed for this purpose , accordingly the aim of currently research to fulfill the following : Acquire students of department of art education physical skills For purposes of fulfill this aim , should fulfill the following branches aims : 1 - uncover reality of physical fitness as it is study subject from textbook to arrange student of department of art education to profession of teaching.2 - design teaching program in physical skills for two sides knowledge and skillful according to Kanih & Burjuz models for 1979 developed 1988. 3 - measure activity of teaching program designed with its two sides knowledge or skillful through applying it on sample of students of department of art education of first stage in subject of physical fitness.The society of currently research was determined by students of first stage - department of art education \ college of fine arts \ university of Baghdad , example of research was chosen by intentional method , size of example reached to ( 17 ) students ( males & Females ) , the arranged teaching program was applied according to Kanih & Burjuz models on one experimental group , where experimental model was used that partial fit to measure activity of teaching program to acquire students body skills and two tools were designed as following : - getting ( knowledge ) test to measure range of acquire aimed group for knowledge bases in body skills. - getting test ( skillful ) to measure range of acquire aimed group for body skills in physical fitness.The two tools of the above research with assessment tools to conditions of truth , suitability and steadfastness to make them convinced tools are interesting with suitable characteristics to depend them later in similar experiments researches or complementary to currently research The researcher used a group of statistical means to show research results , one of the most important them is ( square Ka2) to indication of differentiations between acceptors or objectors of experts to safety of textbook words , subject of physical fitness that is adopted currently in department of art education , such as used to introduce difference between agreed or non agreed groups of arbitrators to possibility of paragraphs of performance educational units eventually , indication difference between agreed or non agreed groups of arbitrators to authority of serial of practices , time every one in the program , the researcher used difficulty factor or distinction for knowledge getting test paragraphs , ( person connection factor ) to investigate from skillful test steadiness , formula of ( Spearman Brown ) to amend constant by half partition of knowledge test equation of ( Alpha Cronbach ) to calculate constant for paragraphs knowledge getting test , test of ( Wolcocsin ) to analyze answers of experiment group about their answers on knowledge getting test paragraphs in previous & after and analyze answers of group about their skillful performance before & after The researcher concluded results that were discussed , the most important points : 1 - efficiency of teaching content of the program with its knowledge side.2 - efficiency of teaching content of the program in the skillful side (performance ).Whereas the most important points that the researcher got them according to research results , they are as following : 1 - efficiency of arranged teaching program according to model of Kanih & Burjuz \ 1979 developed for year 1988 to assist the learner to stir his thinking , supply him with knowledge skills that help to teach physical skills. 2 - participation the program to enhance information base for knowledge situations by save feed back system in addition to support skillful performance cultivation by use structured assessment by teaching activities. The most important of recommendations that the researcher recommend them in the light of the conclusions as follow : 1 - depending on teaching program to teach physical fitness subject in department of art education , similar departments of the college in other governorates of the country for assertion of teaching program from efficiency & activity to teach physical skills. 2 - address students of department of art education to benefit from physical skills to perform drama shows during their study period and after graduate. The researcher suggested that subject of physical fitness to be textbook of second stage in art education department to make students develops his physical skills that support his performance in drama shows , such as make study includes teaching program more develop than second stage to make it as complete to currently research.

تمثلات الجسد في الرسم العراقي المعاصر : دراسة تحليلية == Representations of The Body In Contemporary Iraqi Drawing

Author name: محمد قاسم سلمان عوض السوداني
Supervisor name: محمد جلوب جبر الكناني
General topic: Fine Arts
Specific topic: Drawing
Degree: Master
University: University of Baghdad - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: Takes this research idea representations body in art, and how they appear in the configuration and the method of performance in order to achieve an important element in the development of concepts of cognitive and cultural inside surface artwork, including that the body shape of his presence authority dominant in the history of art so it was for this audience self - motivated and cultural and part of the confirmed human side, and serves as a carrier of ideas and diagnosed her. Search determined on the title theme (representations of the body in contemporary Iraqi drawing), and a comparison of how the audience and what it will be, so Researcher seeks drilling in the artwork and self - disclosure dimensional, social and intellectual, which establishes this audience. Search starts with a problem down to determine which questions Eptga Find answers, including : What formal and aesthetic features to represent the body? And the way they were dealing with the body? The second chapter is the theoretical framework which divided into three sections, the first research body in philosophical thought and the eating researcher idea body as a method and tool for doing the world and self - image and brand in existence, and the second part is the presence of the body in the art world of modern and contemporary, then the third section is the presence of the body in contemporary Iraqi art and after exhibiting indicators, including : The body is being physicist who represent its ideas in the physical presence, the body is what is only bowl carrieth her, which Panevaalath and moves but tell us what is happening from the perceptions and attitudes stored in the subconscious, the body tool and a way to sense the world, because the body tag self - image,reported data emotional and instinctive and cultural overlap body absurdly by mixing forms animal Mmsuchh or opening its borders to the neighboring solids and things, and these indicators adopted researcher in the analysis of models in the third quarter, which the researcher analyzed the work of Iraqi artists and consisting of fifteen model formed space of time from 2003 to 2012 is the time period covered by the research and researcher adopted the descriptive and analytical. In the fourth quarter results were to reveal the participants and junctions in the presence of the body and which shows the body drafting distorted depending on restrictions awareness and social power, which is based on the literacy of the body and on the special markup for uses ritual to prevent or regulate the physical contact, represents the body text aesthetically and cognitively store mahmolat cultural, and bears traces of bodies that other body takes an area central to the work of art to its emphasis upon show as, and here we find approaching intellectually in reporting the body as self - image and the center of existence, and has a feeling the presence in the world and including Ageorna of things, and then was to provide conclusions and recommendations and proposals, and thus search has answered for questioning, and this may represent the body variable from one artist to another, and control of the environment and the social milieu and aspects of self and philosophical treatises of this audience

الاشتراطات الوظيفية في ثصاميم الفضاءات الداخلية لقاعات المناقشات الجامعية == Functional Conditions In The Designation of Internal Spaces of University Discussion Halls

Author name: اسامة غانم نوري
Supervisor name: عباس علي جعفر العبيدي
General topic: Fine Arts
Specific topic: Interior Design
Degree: Master
University: University of Baghdad - College Of Fine Arts - Design Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: I've seen the stage that followed World War II, a rapid development in the field of modern technologies , as influenced in great shape on the concept of university education , which replaced the clear links between the student and the community , as it became openness toward community goals mainly for educational institutions high , as the ocean , which is supposed to cover its requirements. Adding to the actual value of these educational institutions , is to provide continuity in the ongoing evolution of scientific data by discussing the messages and graduate thesis research that offer a variety of different disciplines sings materials science, knowledge and humanity. Hence, it was necessary to design interior spaces to discuss research students applying various formulations and configurations within the design to suit the level of the event is required. Thus, the researcher found the formulation of the research problem by asking the following : What are the functional requirements that should be adopted in the design of interior spaces for university halls of the discussions , including the designer can achieve the design formulations based on the functional aspect and check the value of advanced functionality in harmony with the level of the event ? The importance of search Aocefh deals with the study and analysis of spaces, private discussions university to engorgement of its function undertaken to discuss and evaluate the Alatarih and research and messages of Graduate Studies as well as it is the spaces to set up seminars or scientific conferences , as well as what it means to function in providing ways to make the most of during the design spaces that form the axis adapted to technical developments and raw materials for the purpose of responding to humanitarian needs and requirements. While the aim of the research : 1 - detection of functional requirements in the design of interior spaces for university halls discussions. 2 - Develop a design proposal for the university hall discussions based on the fundamentals and requirements that result from current research. While defined borders ( spatial and temporal ) to search halls discussions of public universities in the city of Baghdad - Rusafa for the period of ( 1975 - 2014 m) , as well as identifying the terms contained inthe title search out procedural definitions. Included in ( the second quarter ) and previous studies of the theoretical framework , which represent three sections , the first section dealt with " functional requirements and dimensions Avatar ," while the second section came Study " " variables functional and organizational dimensions in interior design " , while the third section guarantees the " principles of the design of interior spaces for university halls of the discussions , "and resulted in a set of indicators that the detective form adopted in the analysis of search patterns. As for the third quarter , which included the research methodology and procedures , as adopted research on the descriptive approach in the process of analyzing (3) models represented spaces inner halls of the discussions at the public universities of the city of Baghdad / Rusafa , have been selected in a deliberate from the research community overall 10% according to the rationale clarified by the researcher , and also included the chapter on the search tool , which included axes form analysis ,which included a group axes to cover the analysis of the mechanisms Almokhtarhoha models as follows : (1 - functional feature 2 - the organization of cognitive motor 3 - Safety and security 4 - techniques ). The fourth quarter included a review of the results and discussion that resulted through the process of analysis models and then out through the results to devise a set of conclusions , including : - 1 - that visibility was the result of realizing designer in fact the embodiment of the field of vision and visual receipt due to the structural design of the space as well as include ground and intensity of illumination of convenience. 2 - check the functionality of the rooms in varying degrees to achieve a comfortable indoor environment for users because of the proportions of the standard dimensions between formative vocabulary of space and movement of users as well as acoustic insulation , which came as a result of the use of sound - absorbing materials on the level of space limitations. 3 - should the designer be aware of the impact of color in space and its occupants ( psychologically and Aihamaa ) by adopting the kind of rationality and objectivity in the selection of ratios and color values in thespaces of the discussions as embodying two of them ( the state of anxiety and uneasiness visual and psychological ) , so it should not be used colors high - frequency wavelengths and varied, but the emphasis on some of the colors that achieve harmony. And generate a sense of attention and not feel bored during long sessions. And then make recommendations , and the conclusion of this chapter to provide the proposed design , which included an outline of the spaces engineered internal discussions university halls.

اداء الممثل ومقارباته الحركية والايمائية للموروث الشعبي في العرض المسرحي العراقي == The Work of The Actor And His Movement And Gestures Approaches To The Popular Tradition In The Iraqi Theatrical Performance

Author name: عقيل ماجد حامد محمد الملا حسن
Supervisor name: وليد شامل حسين
General topic: Fine Arts
Specific topic: Theatrical Arts - Directing and Acting
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: يتناول البحث دراسة المقاربات الحركية والايمائية للموروث الشعبي عن طريق اداء الممثل المسرحي ولاسيما في المسرح العراقي، والمتمثل بالعادات والتقاليد والمعتقدات التي تسود المجتمعات، منطلقا من البدائية واداء الرقصات والشعائر على مختلف اشكالها، وبحسب ما تحتو | This research studies the movement and gesture approaches to the popular traditions especially customs traditions and beliefs ,through the stage actors performance starting from performance different dances and rituals that belong to each area or environment. Most of the contemporary stage directors could re - read these traditions in different and variable ways making the stage actor a means for expressing these traditions beliefs represented by ceremonial aspects. Based on what is mentioned above , the research is divided into four chapters.The first chapter deals with the systematic frame work that includes the problem and the need of the research and its importance aims , and limits as swell as determining and defining teruninology.The research problem comes into vieuo through the question : ( The Work of the actor and his Movement and gestures approaches to the popular Tradition in the Iraqi theatrical performance ) the importance of research lies in the observing the performance achieved in the stage show through the peoples tradition embodied by the actor on the stage using his motional and sound tools with cognitive aesthetic implications that help him find a way of theatrical performance. for this reason this research has a cognitive importance in presenting an objective study for the researchers in theater sciences. The aim of the research is to identify the motional and mimic approaches to the peoples tradition via the stage actors performance. the limits of research are restricted to study the way the actor deals with his tools and elements surrounding him through his embodiment of a character from an intended chosen samples from Iraqi theatrical performance (1970 - 1990) that were shown on Baghdad stage. The researcher ended this chapter with determing the terminology including : ( performance , approach , motion , mime , folklore , heritage ) and defining then procedurally while chapter tow (theoretical - framework ) contains three (studies) the first (study) pupelar tradition , referenees …. Performance. The Second study (movement and gesture in popular tradition ) the third study (Inspiring the popular tradition on contemperary stage and the technique of performance ) it refers to the most important indications which the theoretical framework house made elear and followed by previous studies. The third chapter is specialized in the procedures of the research which contains research community , sample of research , method and tool of research the chased samples from the Iraqi theatrical shows have been analized after making the field survey on them which are more than 80 performance to reach the optimum results , these performance was submitted to a commity of experts in theatre arts (direction acting , arts , critisim) who were 9 experts. after hawing seen them , three shows have been chose for getting the votes of the commity of the experts : 1 - play of Baghdad the eternity between seriousuess andcomedy Directed by Kasim mohaed.2 - play of Sharea , Directed by Dr. Fadhil Khaleel.3_ Play of Makamat ABI Alward Directed by Ibraheem alal. The Fourth chapter includes the summary of results and conclusions that the researcher reached by sample analysis related to the reaeourch aims. This chapter has the rwsearchers suggestions and recommendations as well a list of sourced refrences photo and annexes. Ending the research with English Abstract.

القيم الاجتماعية في افلام محمد شكري جميل == Social Values In Mohammed Shukri Jameel Films

Author name: علاء مكي عبد الهادي
Supervisor name: صباح مهدي الموسوي
General topic: Fine Arts
Specific topic: Audio and Visual Arts
Degree: Master
University: University of Baghdad - College Of Fine Arts - Department Of Audio And Visual Arts
Language: Arabic
University location: Baghdad
First pages:
Abstract: يتناول البحث التعريف باهمية الفن بشكل عام والسينما بشكل خاص من خلال امتلاك خاصية التاثر والتاثير في المجتمعات الحديثة، واعطاء لمحة موجزة عن اهتمام اهل الحضارات الاولى في العالم في هذا الجانب لاسيما في العراق القديم وشرح العلاقة بين الفن والمجتمع التي تش

تحضير القشرة الخزفية (Ceramic Shell) باستعمال خامات محمية لصب المنحوتات == Preparation of Ceramic Shell Using Local Raw Materials For Casting Sculptures

Author name: هيثم صباح حميد
Supervisor name: هادي مشهدي عجيل | احمد هاشم عبد الكريم
General topic: Fine Arts
Specific topic: Sculpture
Degree: Master
University: University of Baghdad - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: The study deals with one of the modern techniques used in the formation of the metal casting, which include using of local materials in the preparation of typical mixtures without needing for imported ready - made mixtures, which are monopoly of technical secrets to those companies. The first chapter discusses the research problem, which were represented in (to reach a mechanism for the use of ceramic shell technology with standard specifications helps for not to loosing a lot of sculptural details and delicate task during the casting process through the traditional techniques). The importance and objectives of the research are : (1. Obtaining of precise details for works of art that perform the ceramic shell technology, 2. Reach for a scientific data base for technical functioning of these mechanisms and capabilities of local materials) as well as the limits of the search. The second chapter (theoretical framework) includes the first section : a brief history for the using of metals, the second section deals with the metals used in the research (as brunze and aluminum) as well as their types and properties the third section deals with the History of the mechanisms of metal casting in ancient civilizations, which are Mesopotamia, the Nile Valley, the Levant, the Greeks, the Romans, the Islamic civilization and then the Renaissance, after this, asection deals with the metal casting techniques, which divided into two types according to the type of templates : permanent, which include centrifugal plumbing and plumbing by electrical clicking and sedimentation. while non - permanent include the plumbing by sand and lost wax which includes two methods, the first one is the normal thermal template (traditional) and the second method of ceramic shell which is the subject of our research. It was taking four previous studies,two of them were Iraqi and two foreign studies. At the end of this chapter we reach to a theoretical framework indicators. The third chapter deals with the research measures which included the identification of research methodology, the research community, samples. And then the selection of local materials that will be included in research trials which are zircon and silica silicate (sand Erdma), Kaolan (Duekhlh), Filnt Klay, sodium silicate water and Sodium carbonate andresin (c.m.c).After preparation, crushing and screening of the materials according to the granular gradients and chemical analysis to determine their characteristics and components then calcination. Dry materials were calcinied at (600°) to lose its chemical water. After preparation of series of preliminary mixtures in some of them depending on local materials as alternatives to foreign ready mixes and through access to sources, references and the Internet, as well as local experiences. Eight mixtures were succeeded through the stuccoing process of the waxy model ,during the process of drying and burning there is problems such as crucking in the surface of ceramic shell as a result of internal tension and external pressure, as well as the reduction in the hardness of ceramic schell after burning due to the weakness in the linking between the components of materials during high temperature causing their destruction after burning, so that it is necessary to raising calcination temperature to 1000 ? to ensure the disposal of the transformations that will get during the burning process. In addition to the getting rid of plasticity to ensure that no shrinking in the ceramic shell after burning. All failed mixtures were excluded,while the other four mixtures were remained which were : Mixture of silicate zircon, silica (crushed Erdma sand), clay Filnt,caolin with silica (Ardma sand), because of the high coast silicate zircon and not providing in large quantities, as well as to the difficulty of obtaining of Filnt clay despite its presence in abundance in Iraq, it has not been extracted and provided in abundance as a consumer material, as there have been some problems in the use alone, so the researcher find two mixtures from (zircon silicate with silica) and ( Calcinied caolin with calcinied silica).The four mixtures considered the sample of research which include (zircon silicate), (silica), (zircon silicate and silica) and (silica and caolin).Which has been conducting laboratory tests on them. The fourth chapter contained the results of the chemical analysis and the results of physical and mechanical tests and their discussion. Also included the conclusions which reached by the researcher. The results showed the success of the four mixtures in the casting of bronze and aluminum models with maintaining the accuracy of the details and achieve the goals of the research. The mixture (A) preferably used in the casting of mineral sculpture with temperature top of the (1200 ?) due to the cost of silicate zirconium, while the mixture (C) is the better becauseof its potential in metal casting and low coast ratio compared with mixture (A). The mixtures (B, D) preferably used in the casting sculpture as alolminium and lower heat metals. Then the recommendations and suggestions as well as a list of Arabic, english references and web sites for information

وظيفة القراءة والتلقي في تشكيل معنى العرض المسرحي العراقي == Function of Reading And Reception For Forming The Meaning of Iraqi Theatrical Show

Author name: عمر فاروق محمد
Supervisor name: سافرة ناجي جاسم
General topic: Fine Arts
Specific topic: Theatrical Arts - Literature and Criticism
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: Reading is considered as an interactional space between sender, recept - ionist and the message which acts as a mediator through them. So without read - ing action, the invention achievement is not fulfilled, particularly in theatrical di - scourse since reading itself forms the mental dimension and effects the audient - the reader actor, because receiver in theatrical discourse typifies the intellectual presence of text and show in same time. So reading symbols as a connection channel of its aesthetical service which forms the meaning of Iraqi theatrical show. Interpretation and its conception which assume as reading tools discuss with the achievement of invention for discovering the explicit meaning in the show, especially contemporary show. Brecht said : “Our audient’s decaycomes from lack of knowledge that both audient and theatre do not know what should appear on the stage”1. The research has divided in to four chapters. First contains the methodical frame and the problem of research. The emergence of reading and reception methods changed the rout of critique to follow the innovation, and taking from these methods a new way about recipient role and reading deed to reform critique looking in creating show, and exuded new different ways of relationship with the receiver. So, from research question we could ask … “Does the creator of Iraqi theatrical show use reading and reception methods as a new way and aesthetical dimension to build his attitude to his show”. Depending on this, the researcher shaped his research title “Function of reading and reception to forge the meaning of Iraqi theatrical show”. The importance of research is to raise a critiqued study to Iraqi theatrical show depending on reading and reception methods for reforming the theatrical show. In addition, theresearch introduced an assumed plan of strategic pattern to read, receive and explain theatrical show to release audient - receiver from what has been obstructed him before. It sprang up the variation of theatrical practice among contemporary cultures. Then research defined some of sides that can benefit from it. And the goal of research tried to discover the track of reading and reception to reform the meaning of the theatrical show, the limit of objective research locally and temporally, and ended 1 Brecht, Bertolt : Epic Theatre, translator : Jameel Nasef, Baghdah - Al Hurria publishing, 1973 the chapter with defining some expressions which limited on ‘function’ only and leaving the others to theoretical frame. Chapter two (theoretical frame) has three topics; everyone has a part of the title to set up the basis which can be as a starting ground for its procedures. First topic held the title (reading) which has displayed how this term has changed and established from the past until now, tools and the relationship with the (doer - the reader) that does the act. Second topic titled (reception) because of the subject significance to review the way of studying the drama, and dealt with some sides that we often ignored them like; audient as a person and a member of certain culture, his own expectation horizon which is formed by that culture frame, choosing specific events to participate in, and currently developing in dramatic studies, which gave the audient the way to be free from the theatrical show’s capture. So it is not required from this topic (reception) to describe audient’s response to a certain show. Third topic (forming the meaning) which this research discussed this through the relation with reading, reception, and receive. And theoretical frame ended by choosing two reception samples toanalyze, (external reception theory) and (internal reception theory).Chapter three (procedures of research) analyzed and studied specific samples. Then the researcher has examined show reading, through prepared text, or created one, or some other texts stand basically on other texts, and comparing them with originalpieces which leaded to value the theatrical figure more precisely. Chapter four enclosed the results and the conclusions. Some of results are; 1 - Waste the postponed meaning because the show juThe conclusions which became our answer to the researchquestion is;1 - Reading and reception function has participated in theatrical show more effectively for out put the meaning which is made it to reform inside the show not out of it

البنية الدرامية والايديولوجية في نصوص محي الدين زنكنه المسرحية

Author name: عباس فاضل عباس
Supervisor name: سافرة ناجي جاسم
General topic: Fine Arts
Specific topic: Theatrical Arts - Literature and Criticism
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: Ideology shapes the theme of man’s struggle. Because it represent the conflict of different wills about a subject. So it is really one of man’s struggle ways in the existence, and it’s his dramatically problem with it. It becomes the motive to many philosophers and writers. As theatre considers one of mind’s systems, which discovers the clash dimension, and it rests on it, the ideology frames on his ideas, which the theatrical texts declare this or that ideology through an aesthetical investment. And with in, the playwright states his attitude about any human matter, as the fate and human being, the problem between the authority and a person, religion complex and other intricate which were a space of resistance and contradiction.The playwright offered his aesthetical ideology based on his dramatically dealing that developed according the time needs, and the conception and political problems. In order to get the full cognitive of aesthetical and intellectual ideology delivered, the researcher divided his research to four chapters index of references, appendix of names and dating of publishing of Muhi Addin Zankana’s plays.The first chapter contains the problem of research which concentrated on the relationship between the theatre and its technique, then its relationship with people to embody their dreaming and agony, and leads to look for the dramatically structure distinguishof Zankana’s texts. And how the ideology appears inside the texts. The importance of research is to study the creative achievement of one of Iraqi dramatist significant, which we see that can add more knowledge. And be useful to theatrical studiers, and to the theatrical foundations.The aims of research : discover the characteristic of Zankan’s texts through technique and ideology. The limit of the research restricted locally in Iraq where Zankana had written all his plays. And chronically in the dramatic texts which published from ( 1859 - 2002 ). And objectively, it is a study and analysis of the technical structure and the intellectual of Zankana’s texts. The second chapter comprises the theoretical framework and previous studies and its discussion. It includes three topics. The first one heeds to the dramatic structure notion and reviews the dramatic structure of theatrical text from Aristo to these days. Historically, talkingabout the methods of writing plays. Second topic pays attention to the ideological meaning and its relationship to society classes. The relationship between the ideology and artists, and how it reflects in their works, the position of government authority from the opposites.The third topic is discussed the text connotation, then the text language structure, and the text semantically structure. The third chapter includes the research procedures which embraces the research society that involves Zankana’s plays, which extended around fourty years. Limit locally and temporally and broach to search method. The tools depend on the indicators that bring out the theoretical framework, as the main tool to analysis the samples, and to realize the research goal and solves its problem, reaching toscientific result. The chapter holds two fields of research, first, the dramatic structure of Zankan,s texts. Second, the ideology, how it is reflected inside the texts, and inside the playwright himself.The chapter four implies the results that the researcher reached, through analysis Zankana’s plays, which declare that Zankana used many methods from traditionalism to experimentalism to reach wider horizons. He was effected by Brecht, using his method to break out the traditional plot, push people to think about what is going on the stage, not to identify with it. Discussing the tragedy concept which destroys the heroes. Zankan’s interesting to the poetic prose, and to range his dialogue between dramatic and narration, because he wrote both plays and stories. And to put the idea of the character before its art structure.The conclusion of the research attained that Zankana is an ideological playwright, but he was not the type of writers that ideology can limit his work or capture his creation. His erudition and the high human feeling helped him to put the ideology under his hand, not the opposite. Ideology appears in his works through his choosing characters, their dialogue, actions. He was not talking friendly when he descried the capitalism class and its political or economical representatives. He strips of their sick behaviors, their slavery tobenefits and privileges, and how easy for them to commit the crimes without twinge of conscience. But he changed his situation, when he descried poor people. He is kind, a friend, caring them the best human feeling and actions. They sacrificed themselves to the others, refusing the injustice, and revolted against it

التحولات الفنية للتكعيبية وتطبيقاتها في تصاميم الاقمشة المعاصرة

Author name: سناء محمود ابراهيم النعيمي
Supervisor name: فاتن علي حسين العامري
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Master
University: University of Baghdad - College Of Fine Arts - Design Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: Occupies designs fabrics ample space in the developed world , making the interest in these designs is increasing day by day and this is due to the urgent need of the cloth and the multiplicity of uses to suit the desire of the consumer, no longer fabrics just forms of design it is the interaction of the bases , systems and relationships that lead really expressive and functional requirement the act of design and its impact gustatory in others, they are subject to the taste of a designer who builds upon the idea consistent with the style and material and technical relied upon to show the artwork design. As well as they are in line with the change and development , and develop and enrich the taste of art, fit and prestige which focused phenotypic need to keep pace with the movement and in the field of regenerative design fabrics.. Has seen contemporary thought movements and technical schools shifts the new shape and configuration - including the art movement of cubism - which is one of the most modern art schools interested in form , and formed a starting point and starting to achieve the unique methods varied and varied depending on the renewal of continuing its impact in the field of design , inciting the Cubist movement shift technical systems relations formal level of scientific , technical and aesthetic , and based on the above and through the informed researcher of the importance of these transformations and technical applications in design - designs fabrics - ( women - Upholstery ) created a justification for the study of the subject of current research and marked ( transitions technical Cubist and its applications in designs contemporary fabrics ) , where research includes four chapters , the first chapter came the research methodology and included asking the following question : Is the technical transformation of the movement of Cubism role in achieving techniques in the design of a multi - purpose fabrics career ? In order to shed light on the important concepts and rich in the history of fine arts in general and contemporary design , in particular through the fact - depth intellectual and stylistic aesthetic that characterized the most important features of the Cubist school , goals came search : . 1 - Identify all transitions intellectual movement of Cubism.. 2 - disclosure of technical features and practical designs in fabrics. 3 - Develop design proposals showing shifts of Cubist art and Tabiqatha Fabrics contemporary designs in a multi - functional purpose..The study identified technical changes to the movement of Cubism in the multi - purpose functional fabrics ( woven and printed) of Chinese origin and Turkish as available in the local market of the city of Baghdad and designs of women's fabrics and upholstery from 2011 - 2012. The second chapter , which included theoretical framework , which included three sections covered in the first section shifts the intellectual and artistic movement of cubism , while the second section of Cubism and enforcement mechanisms in the designs of fabrics , and the third section is the impact of contemporary art trends in designs fabrics. As previous studies did not find a researcher study concerning the subject of the search, and so is the search the first study in the field of application of the school Cubist designs in fabrics women - Upholstery, The third chapter dealt with research procedures , which included research methodology , a descriptive analytical and research community , which amounted to (96) model design parameter was selected sample in a deliberate and by 25 % and adult (24) model , has been prepared by the researcher form analysis of the designs fabrics women's Upholstery , which included several axes , endorsed by the experts were on the basis of the analysis of samples and then get stability as samples were analyzed in the same chapter building axes on the form and for the fourth quarter included the results and conclusions reached Albaagesh to the most important conclusions as follows : . 1. Technologies that backs a role in highlighting the verb design of woven fabrics and printed , which represents a shift in the phenotypic characteristics of formal , given privacy in the use of design for multi - purpose fabrics Title ( Women - upholstery ).. 2. The method of engineering and engineering hub dominant trait to show content, as embodied in the processors technical attributes and characteristics of the Cubist art movement characterized by solid and sharp formations in the framework of the formal unity and objectivity. The method of abstract Kmthakq Toy formal and overlap with the geometric method.. 3. The exploitation of space overall as a result of overlap Vocabulary in build formal invested mutual relations between form and space design , which showed both of them as part of the design fabrics women , while requiring upholstery fabrics pronounced in Show content formality and color commensurate with the purpose career Alosthaddama and adaptedto the place. This enhances the transformation of the intellectual and stylistic art cube.. 4. Harnessing the trend All or part of the shapes of the effect corresponds to the privacy level job promising for him , as it is employed in the designs of fabrics women's trends multiple on the basis of their ability to forming and employment are governed by the nature of the raw material and adapted to act Alosthaddama , while confirmed upholstery fabrics on the need to employ the trend one which copes with the act Alosthaddama. 5. Showed most of the designs of the models to harness the attributes of art and design inspired by Cubism analytical second phase , through repetition and diversity of surfaces , colors , style intense and contrasting closer to chaos, but the system , which formed a shift in the structure of the design appeared in the periods required by contemporary visions of design and the need for changes in attraction and excitement in women's designs and upholstery fabrics , followed by the third phase , a synthetic Cubism , which forms produced by the unfamiliar achieved tensile visual composed year.. As well as to ensure the same chapter , proposals and recommendations to ensure this chapter also proposed designs prepared by the researcher access to a computer the possibility of a formal variables and color ways and methods to repeat different , of (27) design proposal which is designed to fit women's fabrics and upholstery.

الفنانون النقاد : دراسة في النقد الفني العراقي اتجاهاته واساليبه == The Critic Artists - Astudy In Iraqi Artistic Criticismits Directions And Its Methods

Author name: احلام عبد الستار شنين
Supervisor name: بلاسم محمد جسام
General topic: Fine Arts
Specific topic: Drawing
Degree: Master
University: University of Baghdad - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: لكل حركة فنية مرجعا نقديا , يحدد اهدافها واتجاهاتها وسياقها , وفي العراق كان للفنانين النقاد رؤى وفلسفة نقدية ساهمت في بلورة بعض اتجاهاتهم وتمدد تاثيرها الى الانتاج الفني المجاور من خلال التاثير والتاثر.. وهو ماتصبو هذه الدراسة الى تلمس موقع الفنانين ا | Every artist movement has criticism reference that defines its aims and its context. In Iraq, the critics artists have a vision and critic philosophy that contributed into crystallizing some of their directions and into having effects on artist production via effect and affected. This study aims at handling position of critics artist and their directions. Hence, the research problem comes as to study the critics artist's theoretical and practical Sides.This study stands behind questions listed below : . - Did critics artists have conceptions relying on criticism text books? What are the results standing behind that? The artistic criticism was previously dealing with a set of textbooks, either be those that concerned with artistic work surroundings or be those that concerned with the artistic depth. Those who specialized into criticism, together with their directions remain determined by methods of readings. Most prominent problem in artistic reading lies in the ability of the critic to untie artistic work codes and to re - build them. This problem forms the core of criticism script production. If the critic's handling methods be away from art atmosphere, then the criticism would be just more like other language and literary arts than be as textural and analytic method. Hence, we suppose Formulation of the problem following questions : 1 - Is it possible for the critics artist to perform critical excavations in artistic works most nearest to the art than to get side by side with it?2 - Could the artists critics have formed a movement inside the Plastic movement and that contributes into disclosing its context? Therefore, important study curriculum cash for critics and artists stand on their contributions to the Iraqi art movement...The research's goals are : The research provides twice trying to reach them and two1 - To get to critic centers and to its directions for the artists critics.2 - To uncover the comparison between practical and theoretical productionBut it borders The research confines on critic production and its classifications for the artists critics since 1940 - 2012. The first chapter includes critic production and its classification in addition to most important terms (artistic criticism, direction and method). The second chapter deals with the theoretical side that comes with two parts (1st part concerns with conceptions and kinds of criticism, concept of critic and critical scrip separation into (the artist, script and receiver) and 2nd part concerned with criticism in Iraq, the critics artists and their opinions and readings. The third chapter includes procedures and purpose of the current study. The researcher depends on the analytic descriptive method as to describe samples and to analyze them according to methods resulted from procedural conceptions mentioned in the theoretical filed Enhanced tools and procedures which : 1 - Table of research sample from the critical essays (26 essays)) 2 - Table of works of the critics artists( plastic artistic works - paintings). The fourth chapter deals with results of research according to the research goal and deals with the critical centers and its directions for the critics artists. According to what was mentioned above , the researcher reached to the following : 1 - The critic artist (Balasim Muhammad) employed the modern critical textbooks in his essays (No.1, 2) , where the visage method had been formed ratio amounted %44.44 , while the structural criticism ratio %14.81 , the neutral criticism ratio is %7.40 , the estimation judgments ratio is %3.70 , The total ratio of his essays (No.1, 2) is %33.33. Results concerning the second goal of research lie into uncovering the comparison between the practical and theoretical production : 1 - By analyzing the critic artist Balasim Muhammad's critical essays and its comparison with his artistic works, the researcher concluded that the critic artist (Balasim) makes his depictions out of familiar logics in Iraqi paintings and adheres textural exactness in his critical journey. In his critical writings we see him sticking to textual exactness, but in his artistic production there are recitations and imaginations. Most prominent conclusions are : 1 - The artistic criticism in Iraq depends on self - impressions unlike artistic work. 2 - The artistic criticism in Iraq relies on search into the art itself and not in artistic work details. 3 - The historical and social criticism occupies a space in critical writings.4t - Plastic criticism in Iraq does not depend on scientific method and there are not contemporary methods in reading artistic works , but with simple proportions. 5 - The criticism often depends on personal motifs and general rules. 6 - The journalistic and literary language was dominant as to read artistic works and this resulted into forming a dictionary strange to artistic criticism conception.

درامية التاريخ في نصوص المسرح الاحتفالي == Dramatic History In The Texts of The Festive Theater

Author name: حسام عبد الستار عبد االجبار
Supervisor name: رياض موسى سكران
General topic: Fine Arts
Specific topic: Theatrical Arts - Literature and Criticism
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: رافقت الاحتفالية فن المسرح منذ عهد الاغريق، وذلك عن طريق ا الطقوس الراقصة التي كانت تؤديها الجوقة,، كما ظهر في وطننا العربي ما سمي بالجماعات المسرحية العربية التي تهدف جاهدة الى ايجاد هوية مميزه لمسرحنا العربي , ينقسم البحث الموسوم (درامية التاريخ في نصو | Find divided marked ((dramatic history in the texts of the festive theater)) Allier four chapters, the first chapter includes a methodological framework through research problem and the need for and importance, research, and purpose, and its limits, and then determine the terms . As the second chapter has included the theoretical framework of the research component of the three sections, the first entitled (the concept of drama in the theater ceremonial), which dealt with the evolution and emergence of the start of the celebration theater in various Arab countries and foreign while eating second section titled (relationship history in the drama), includes this section Ttoreddrama through the ages and the extent of the impact of history began with "eras of the Greeks to the Romans to the Middle Ages from the Arabs and then move to the third section is titled (the aesthetics of history in the drama) contains the philosophy department of the philosophers in the art and the extent of their relationship to the evolution of art A third chapter (research procedures) research community, who identified within the time period of the year (1970 to 2013), and research samples chosen way intentionality, namely, (a play shrines Abu Ward) authored just Kazem and directed by Ibrahim Jalal, and (theatrical nights Sumerian) authored a nice Dulaimi, and (a play on the Tour of Abu Othman yesterday now) written by Dr. Zuhair Kazem. Rely researcher descriptive analytical method for the analysis of specimens based on the texts of the play. The fourth chapter dealt with the search results, discussion and conclusions, and then recommendations, and proposals, and then the list of sources and references, and a list of supplements, and finally abstract in English

السمات الاعلانية في الرسم العراقي المعاصر

Author name: عادل كريم عبد العالي
Supervisor name: سلام جبار جياد السوداني
General topic: Fine Arts
Specific topic: Drawing
Degree: Master
University: University of Baghdad - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Baghdad
First pages:

القيم الخلافية في الخزف العراقي المعاصر == The Controversial Values In The Contemporary Iraqi Ceramic

Author name: زيد محمد رحيم فاضل
Supervisor name: محمد علي اجحالي
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
University: University of Baghdad - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: The importance of studying the controversial values in the system of plastic art and notably in ceramic poses an artistic aesthetic study due to the importance of these values in the network of aesthetic innovation , that we see these values moving and contradict with each other due to the continuous modification in the certain development of the whole cognitive specialization for the favor of the permanent controversial in the artistic and conceptual performance, in addition to what critic theories submit, and philosophic theses that submit logics of art's moving tastes from a site to another conflicting site and argue with in crystallization the importance of these controversial values and that is behind enriching the controversial values withcontroversies, disputes and contradiction which are exist and permanent in the network of art and beauty.We see the position of the ceramic is in the center of aesthetic dispute, because it is considered one of the contradicted plastic arts where attitudes are variance based on formal and cognitive foundation for its high plastic flexibility, that led to studying the systems of dispute as reading and criticizing contradiction.For that , the research aimed to study ((Controversial values in the Iraqi contemporary ceramic)) and was in four chapters : - - First chapter included the problem of the research by a punch of questions about the controversial values in the contemporary Iraqi ceramic and urged us to wonder about the structural design in the contemporary ceramic form based on the contemporary ceramic forming in Iraq, and on what level that contradiction was, and were there specific values which the art of ceramic has worked on? And how could it include most of its values in one constructional structure? The answer will be the resultant of that question , about the mechanism of employment the controversial values in the contemporary ceramic in Iraq?Therefore , the study aimed to : - Discovering the controversial values in the Iraqi contemporary ceramic , on the level of shape, technique and content.The researcher was limited with studying the contemporary ceramic works within the period between ( ) to ( ) existed in the Iraqi museums or as special findings the researcher has found in old books or online , then reviewing the term of values and the term of dispute and defining the controversial values by term and procedure. - Second chapter was represented by the theoretical frame including three sections , first one concerned with studying (controversial values by a conceptual approach) , second chapter concerned with studying (the controversial values in the arts of modernity ), second pivot concerned with (studying the controversial values in post modernity arts) , while the third section included three pivots, first pivot concerned with studying (representing of controversial values in ceramic) , second pivot concerned with studying (the contemporary Iraqi ceramic) and ended the theoretical with a punch of indications and then the previous studies. - Third chapter tackled with procedures of the research that included specifying the society of research and choosing the research population that were ( samples) , then the method used for analyzing the sample, depending the depictive method in analyzing the artistic works.While the four chapter included results of research, conclusions plus recommendations and suggestions from the results the researcher had come up with the following results : - The controversial value turn out through the using of the potter to couple of contradicted values in the aesthetic, artificial and academic phenomena which are (reality & experiment). - The controversial value is achieved through contradiction and closeness of two values that are of one element and between them there is a controversial contend. - Controversial value may be achieved by analyzing the reality for the human shape that carry composition and diagnostic features differ from the origin totally. - The controversial values have turned out through granting the brain its authority in implementing and granting the action of the emotion its authority also. - The controversial value also can be achieved by the letter - composition for the read ceramic work and the instantaneous composition of the ceramic work.The conclusions : Up to the results obtained by the researcher, he come up with the following conclusions. - The controversial values in the cognitive, aesthetic and intellectual knowledge , entangled circle of relationships and gathering of intervening letters. - The aesthetic knowledge for the system of contradiction in the art of contemporary ceramic, applied on the basis of the formative composition and the open - eye illusions and what these elements pose of intervenient values.The system of the controversial is a future system based on the historical instantaneous basis , so it emanated newly every time

اشتغال الشفرات الثقافية في المسلسلات التلفزيونية التركية == The Functioning of Cultural Codes In Turkish TV Series

Author name: علي عبد الرضا مزبان المطيري
Supervisor name: ياسر عيسى حسن الياسري
General topic: Fine Arts
Specific topic: TV Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: بدات العروض الدرامية التلفزيونية الاجنبية وبالخصوص المسلسلات التركية تاخذ مداها الاوسع في البث والانتشار في الساحة العربية عبر وسائل العرض المتنوعة ومنها القنوات العربية كافة الحكومية والاهلية، وصارت تشق لها طريقراحبا وسط المتلقين العرب عبر ما تبثه من قيم | Began offers dramatic foreign TV and in particular Turkish soap operas take a range of broader in broadcast and spread in the Arab arena through the means of various display including Arab television all government and private , and became make their its way welcomed amid recipients Arabs over what was done to the values , ideas, and the meanings of various , across what was done to their offerings dramas diverse in terms of form and content , and therefore it has become necessary to monitor this phenomenon art by researchers and scholars in the fields of film and Television Arts so that it can understand and comprehend the vast amount of marks artistic , aesthetic and semiotics posed on according to their own perspective , and that seemed to constitute as mentioned phenomenon of great artistic occupied Arab public opinion and Muslim world as a whole. In order to prove a research that this phenomenon is its own language was we have to disclose their tools and language Tglatha aesthetic and expressive and semantic terms of form and composition and meaning , and here began , the first steps in the study of this phenomenon artistic expatriate us , through an approach to language film structures semiotics active and effective participation in Mndzha iconic pregnant for the meaning of the signifier ( s dramatic itself ) , in terms of function units and compositional organization and shape and Altmzar , and the resulting emergence of Encode cultural meet the privacy of work and gives him his identity , social and cultural well and shown on according Achtglatha multiple hidden and implicit within the overall context of the presentation of dramatic television , the offer system nested and linked to cultural life public and the same time is a separate system of cognitive intellectual aesthetic operates according to its own language and Its blades specialized Kalza and theorist , music, physical movement , and here and where resulting from this approach several results had them , the possibility of the application of most of the structures of semiotics linguistic the accomplished television drama based on the manifestation and emanation built Alamih lingual and non - lingual actor like , blades , and built a communicative other is determined by which identity and privacy accomplished dramatic television and his art , through interdependence and different and Talvadtha markers ( iconography , and symbolism , and indicative) incarnated and is operated in the body art , and the problem with this , a system of rules and technical norms , which in turn lead later to deliver a message with deep meanings , using all elements of cinematic language. And according to the progress of speech and a request to build the foundations of scientific research , academic, and in order to stand on the details of the chapters of this research work and covered components of the various it has been the study title, year ( the functioning of cultural codes in the dramatic TV series Turkish ) and were divided into four chapters , as follows : Chapter I ( methodological framework ) : The intake of this chapter the research problem , which crystallized and was studying the modalities of the functioning of cultural codes in the structures of television dramas Turkish embodied in the form of dramas and demonstrate their functional and semantic through the identification of structures cryptographic elements display art and semiotics. Vassana work uses blades cultural reality expressed through the expressive elements of cinematic language , in turn, creates a cultural Its blades that gives the drama of technical specificity and uniqueness distinctive. Also included this chapter objectives of the research , also included a chapter on the rest of the ingredients methodology other than the importance of research and its limits , and the definition of terms and came second chapter ( the theoretical framework and previous studies ) : Based on the manifestation of the subject of current research into the levels of synthetic and Alamih and expressive , diverse saw the researcher to study what's covered by the installation of elements within the construction and semiotic recaps of the drama television show as a structure and shape Accordingly, the researcher finds this chapter is divided into several sections , were as follows : First : dramatic structure in Turkish TV series : Second : the semiotics of dramatic television building : Third, the concept of semiotic codes in the field : The third chapter ( research procedures ) is based on two main pillars : research methodology , and it has been adopted descriptive analytical method based on the unit of analysis that are part of the selected sample Qsidia a way that fits with the nature of the research, in addition to clarifying the reasons for choosing this sample. The resulting theoretical framework for a number of indicators adopted by the researcher as a tool for the analysis of the sample after the presentation to the committee of professors and experts for the purpose of examination and evaluationCO : Analysis of selected sample according to the tool that came out of a researcher from the theoretical framework. , The sample consisted of the series ( Valley of the Wolves ) measure performed seventh.And ensure the fourth quarter , a set of findings and conclusions , the most prominent of which contribute to the adoption of cultural codes through Ostglatha multi as markers or glitter Tgeorah and deliberative adopt the concept of relational in the supply , transportation and neighborhoods structures and forms Alamih with Achtgalat extinct and dead , or specific markers ( arrows ) (Poison ) ( cord ) ( secret rituals ) , employed in the service of a broader meaning and shows the function within the context of the Great unity (Serial ). The research also included a series of recommendations and suggestions for the search ends with a list of diverse sources and a summary of research in English

تحليل بنيات الرسم الواقعي الفانتازي == Analysis Structures of The Realistic Fantasy Painting

Author name: رعد فـليح حـسن
Supervisor name: نجم عبد حيدر الجنديل
General topic: Fine Arts
Specific topic: Drawing
Degree: Master
University: University of Baghdad - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: تعد ظاهرة الرسم من ظواهر الوجود التي تتخطى القياس والتثبت منذ الكهف ومرورا بتتابعات تاريخية اسسها الرسم بانواعه وتقنياته المختلفة، نجد ان الواقعية او الرسم الواقعي يعد من اوسع هذه النتاجات واعمقها تاريخيا بل يمكننا القول ان الواقعية ابتدئت مع الرسم، | Is the phenomenon of drawing from the phenomena of existence wich go beyond measurement and validation when you want and calling it since the cave and through historical sequences founded by painting types and its different techniques , we find that the realism or realistic painting is one of the broadest of these productions and the farthest in the history of painting , but we can say that realism began with the painting is continuing and will continue ,put this historic wide area provided different methods of realistic production in the art of painting , including realistic fantasy painting , which is the basis and logic of this Thesis , in short can be defined as the foundations of the technical and ideational structure , and its style depends imagination and requires total time from the past to the present to the future and achieve that accurate Performing interaction between sudden exciting form and the compound structures established this which we call realistic fantasy painting.And a researcher at his prospecting that adopted academic study during years of his work of his preliminary studies through the Masters preparatory year found a problem that needs a solution and exploration stationed in referring realistic fantasy painting with its different structures that need to analytical prospectical accuratical study , which achieved a desire to be of this study on the master's level and was him what he wanted with the help of his professors Distinguished majoring in painting , especially when he found that this area of research is almost to be missing as it did not address her any study only study ( magical realism ) which is close to the fantasy realism put it is not that the difference between them is broad and many.Against this researcher fought the first chapter represented the methodic framework of the research which shortened partical conceptuals of the system box for scientific research , while the second chapter was based following studies : First : the structure and the structures and functioning mechanism.Second : realism and fantasy realism of its history , its institutions and its releases.Third : between realist painting and realism surrealism and magical realism and fantasy realism. Fourth : changeable in the fantasy realism manners in contemporary painting.This after entering in the subject study and , we came to a set of indicators for the theoretical framework were adopted equivalents analysis of selected samples in the third chapter Representative procedures followed in the collection of the research community and the selection of the sample within the rationale justifying selected , and the search tool and its role in the detection and analysis within certain mechanisms , and then choose the curriculum analysis samples ( descriptive analytical ).The fourth chapter has been committed to the article spammers methodology competent displays the derived results that can sum up the most important of the following : 1 The absurd is the most important theme of my speech broadcast in drawing realistic fantasy2 The absurd in drawing realistic fantasy doomed somehow ( varying according to the text itself ) credible same3 Diagnosis and meaning in the vocabulary of the construction drawing fantasy effective governor can not dislodge4 Drawing fantasy inclined to create excitement and surprise ( the result is a dramatic draw ) the effectiveness of the secret of success and transmit the dramatic5 Timelessness and nowhere tools show effective in drawing fantasy6 the human body Interestingly for the wishes of the sexual content ( man، woman ) is an important element of the elements of fantasy structures require relationships with neighborings and regimented with laws and regulations governed by the subject which belongs to it's the same text

الدلالات التعبيرية في تصاميم اقمشة الاطفال في العراق من عمر 6 الى 12 سنة == The Expressional Significes In Designing Children Fabric In Iraq Within 6 - 12 Year

Author name: مروان توفيق عبد حميد
Supervisor name: خليل ابراهيم حسن الواسطي
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Master
University: University of Baghdad - College Of Fine Arts - Design Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: تتناول هذه الدراسة الدلالات التعبيرية لتصاميم اقمشة الاطفال في العراق من عمر6 - 12 سنة، والتي اكدت الدراسات الحديثة على اهمية دورالدلالة في تحديد الاتصال المرئي والحسي مابين المرسل والمتلقي (الطفل)، لما تتضمنه من معان تعبيرية وخصوصية وظيفية ليس من الناح | The present study deals with the expressional significance in designing children fabric in Iraq within 6 - 12 year. However, recent studies in this field asserted the importance of the significance role in identifying the nature of communication between the sender and the receiver (the child). It includes an expressional functional meaning shot only in the performance role but, also in the ascetical and artistically role if it has been designed according to scientific studies.Modern designs have been emphasizes on the child and this abilities , interest and tendencies (mentally psychologically and emotionally in the process of design and perform it on printed fabric, in away that makes the child have essential care this process and how to employ the expressional meaning, which has the ability to send the child to the target and the ability to recognize and understanding those meaning i.e. to perform its functional and aesthetical purposes. In conclusion it can achieve the aim of designing idea especially when this idea express the child's environment social , civilization in additional to the Iraq identity and folklore.Accordingly , this study comes reveal the nature of expressional significances in designing the child's fabric, within 6 - 12 year because this age is very important to construct the child's character and his body brain.The first chapter of this study includes the problem which appear the expressional significances in designing child's fabric and the suggested designing which employ these significances. the material understudy were chosen from Iraqi markets during the year 2005 - 2008.Chapter two consists of four sections the first one study the child's fabric as well as the colors and forms section two studied the expression and its meaning according to colors forms and expressional significance and function section three studies the aspects and the stages of recognition development and the basis used in designing and child's fabric. Then the section identify the most important indications of the theoretical back ground and precious studies.Chapter these includes the procedures of the research and the analytical methods being used in the study. The population here represented by 62 designed sample 25% , of the whole population were chosen debility as a sample of the research which concluded by 15 designed samples. These samples were analyzed according to analytical list constructed by the researcher as a tool of the research after it has been validated and granted it readability by the experts and cooper formula.In chapter four the 15the designed samples were analyzed and the conclusion were stated in chapter five which were as follow : 1 - cloth plays a big role the features of the used fabric because the texture adds an aesthetical and functional to the designed fabric.2 - Colors has an essential role to appear the aesthetic of designed forms and achieve symbolic and aesthetical dimensions.3 - Most of the items being used in designing is either from animal nature or a words written in foreign langue’s which in conclusion lack the environment, civilization and folklore of Iraqi child.4 - Most of the significances being concluded from the usage of the designed item were either symbolical or iconic , while most of the designing lack the symptom.5 - The styles of executive , designing , engineering and abstraction were mostly used in the most while factual style were less used in relative with the other style.In chapter five, the second aim were achieved by setting suggested designing followed by the suggestions , recommendation stated by the research and finally the references and appendices used in the research.
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