عرض: 25 50 75 100 النتائج

نتائج البحث: 50 من أصل 4,189

تاثير مصادر ومستويات المغنيسيوم وكبريتات البوتاسيوم في نمو وحاصل الذرة الصفراء (. Zea mays L) ومحتواها من العناصر الغذائية == Effect of Sources And Levels of Magnesium And Potassium Sulfate on Growth And Yield of (Zea Mays L.) And Its Content of Nutrients

اسم المؤلف: احمد عبد الجبار جاسم الجبوري
اسم المشرف: عبد سلمان جبر اللامي
الموضوع العام: علوم الزراعة
السنة: 2011
الموضوع الدقيق: التربة والمياه
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: نفذت تجربة حقلية في الموسم الخريفي 2009 في حقل قسم البستنة - كلية الزراعة - جامعة بغداد، بهدف دراسة تاثير مصادر المغنيسيوم MgSO4.H2O وMgO والكبريت من المصدر K2SO4 في بعض صفات التربة وجاهزية العناصر في التربة خلال مدد نمو النبات 40، 80 و100 يوما من الزراع | A field experiment in year of 2009 was conducted in a field of Horticulture Dept.Agric.College - Baghdad University to study the effect of magnesium sources ؛ MgSO4.H2O and MgO, as well sulfur source ؛ K2SO4 in some soil properties and nutrients availabil

الميزة النسبية لانتاج الاسماك في العراق للمدة (1980 - 2008) == The Comparative Advantage of Fish Production In Iraq For The Period (1980 - 2008)

اسم المؤلف: سعد جعفر ابراهيم الفلوجي
اسم المشرف: عبد الله علي مضحي الزوبعي
الموضوع العام: الادارة والاقتصاد
السنة: 2011
الموضوع الدقيق: الاقتصاد الزراعي
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يعد قطاع الثروة السمكية موردا انتاجيا مهما ومكونا اساسيا في غذاء معظم شعوب العالم، كما يعد جزءا مهما في اقتصاديات دول عدة من العالم وبضمنها الوطن العربي، حيث يمتاز بعضها بكفاءة انتاجها وميزتها النسبية على مستوى العالم وتوفير العملات الاجنبية لصالح اقتصا | Fish production is considered an important part of people's food in different parts of the world. It is also considered an important component of the economies of many countries in the world including Arab countries. Some of these countries are characteri

تاثير نظام التربية ونوع السماد في نمو وتطور شتلات الخوخ Prunus persica L المفلطح

اسم المؤلف: علي عادل عبد الكريم
اسم المشرف: عيادة عداي عبيد
الموضوع العام: علوم الزراعة
السنة: 2011
الموضوع الدقيق: النبات - البستنة
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: نفذ البحث في بستان الفاكهة التابع لقسم البستنة /كلية الزراعة / جامعة بغداد. وللسنتين 2009 و2010 لدراسة تاثير نظام التربية ونوع السماد والتداخل بينهما في نمو شتلات الخوخ (Peach). Prunus persica L. صنف Peento (المفلطح) وتطورها والمسمى محليا" (كليجة). واشت | This study was coducted in fruit orchard, Dept. of Horticulture / College of Agriculture / University of Baghdad. during two season (2009 and 2010) to study the effect of training system, fertilizer form and their interaction on the growth and developme

تاثير ملوحة مياه الري في نمو شتلات ثلاثة اصناف من الزيتون.Olea europaea L == Effect of Irrigation Water Salinity In Growth of Three Olive Cultivars Olea Europaea L.

اسم المؤلف: منار عبد فلحي حسن الزبيدي
اسم المشرف: مؤيد رجب عبود العاني
الموضوع العام: علوم الزراعة
السنة: 2011
الموضوع الدقيق: النبات - البستنة
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: اجريت الدراسة من 20 اب 2009 لغاية 20 اب 2010 في الظلة الخشبية التابعة لقسم البستنة/ كلية الزراعة/جامعة بغداد وذلك بهدف معرفة تاثير ملوحة مياه الري في ثلاثة اصناف من الزيتون وهي الخضيري، والصوراني،و القيسي. تمت زراعة شتلات الزيتون الفتية بعمر سنتين في حاوي | This study was conducted from 20August 2009 to 20 August 2010 in lath house / Department of Horticulture, University of Baghdad to investigate the influence of the salinity of irrigation Water in three cultivars of olive seedlings (Khodeiri, Sorani and Ka

تاثير اضافة البيتين eBetaine وفيتامين C والمخلوط المحلي مع ماء الشرب في التخفيف من الاجهاد الحراري في فروج اللحم == Effect of Supplementation Betaine, Vitamin C And Local Mixture With Drinking Water on Alleviating Heat Stress In Broiler Chicken

اسم المؤلف: عقيل يوسف عبد النبي الشكري
اسم المشرف: ضياء حسن الحسني
الموضوع العام: علوم الزراعة
السنة: 2011
الموضوع الدقيق: الحيوان - الفسلجة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: اجريت هذه الدراسة في حقل الطيور الداجنة التابع لقسم الثروة الحيوانية كلية الزراعة / جامعة الكوفة , لغرض تحديد افضل تركيز من مادة البيتين المضافة الى ماء الشرب لفروج اللحم المعرض للاجهاد الحراري ومن ثم مقارنتها مع تاثير اضافة فيتامين C والمخلوط المحلي في ت | This study was conducted at the Poultry farm, Animal resources department, Agriculture college the University of Kufa to investigate the best level of betaine supplemented to drinking water(DW) of broiler chickens reared under heat stress conditions (HS),

تاثير اعماق الحراثة والسرعة ورفع الاثقال من الجرار New Holland في بعض مؤشرات اداء الوحدة الميكنية والكثافة الظاهرية للتربة == Effect of Plowing Depths, Speed And Removing The Weights From The New Holland Tractor In Some Performance Indicators of Machine Unit And Soil Bulk Density

اسم المؤلف: علاء كامل صبر
اسم المشرف: نصير سلمان كاظم
الموضوع العام: علوم الزراعة
السنة: 2011
الموضوع الدقيق: النبات - المكننة
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: اجريت تجربة عاملية لدراسة تاثير اعماق الحراثة والسرعة ورفع الاثقال من الجرار New Holland في بعض مؤشرات اداء الوحدة الميكنية والكثافة الظاهرية لتربة نسجتها مزيجية طينية غرينية، ونفذت التجربة في احد الحقول التابعة لكلية الزراعة /جامعة بغداد في العام 2010.ا | A factorial experiment was conducted to evaluate the effect of tillage depths, speed and removing the weights from the New Holland TD80 tractor in some performance indicators of machine unit and soil bulk density of silty clay loam soil.The experiment was

التقييم الجيوتكنيكي لصخور وادي الثرثار قرب الحضر - شمال غرب العراق لمعرفة مدى ملائمتها لانشاء سد == Geotechnical Evaluation of Rocks in Tharthar Valley Near Hatdar City / Northwestern Iraq for Construction A DAM

اسم المؤلف: ماجد سعيد محمد خضير
اسم المشرف: محمد راشد عبود | اميرة اسماعيل حسين
الموضوع العام: علوم الارض
السنة: 2011
الموضوع الدقيق: الجيولوجيا الهندسية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: صلاح الدين
الصفحات الاولى:

تحضير ودراسة بايوكيميائية للادوية المصاحبة الاسترية الحاوية على دواء الاسبرين او الايبوبروفين == Synthesis And Biochemical Study of Ester Prodrugs Containing Aspirin Or Ibuprofen

اسم المؤلف: نوري محمد عزيز فياض الجبوري
اسم المشرف: فراس شوقي عبد الرزاق | اياد سعدي حميد
الموضوع العام: علوم الكيمياء
السنة: 2011
الموضوع الدقيق: علوم الكيمياء
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: صلاح الدين
الصفحات الاولى:
المستخلص: يعد الاسبرين والايبوبروفين من الحوامض الاريلية المستخدمة كادوية مضادة للالتهابات غير استيرويدية (NSAID) ولغرض التقليل من التاثيرات الجانبية السلبية للاسبرين والايبوبروفين من خلال ازالة التاثير السام لمجاميع الكاربوكسيل الحرة المرتبطة بهما، هدفت الدراسة ا | Aspirin and ibuprofen are aryl acids of (NSAID) with good analgesic , anti - inflammatory. For reducing the gastrointestinal toxicity accociated with Aspirin and Ibuprofen therefor the present work is aimed to synthesized a novel ester prodrugs of these two drugs, 1,2 : 5,6 - Di - O - isopropylidine - ? - D - glucofuranose is used a carrier alcohol for attachment of non - steroidal anti - inflammatory Drugs (Aspirin and Ibuprofen ).This work was accomplished according to the following steps.1 - Aspirin and Ibuprofen acid chlorides(1,2) were prepared through the reaction of the corresponding acid with thionyl chloride.2 - 1,2 : 5,6 - Di - O - isopropylidine - ? - D - glucofuranose is afforded by reaction D - Glucose with acetone and Lewis acid catalyst.3 - Esterification reaction of 3 - OH group in compound [AA] with compounds (1) and (2) yielded the corresponding Aspirin ester and Ibuprofen ester prodrugs [AB] and [AC].4 - Deacetonation of Compound [AB]. Using 70% acetic acid afforded Compound [AD].5 - The purity of the compounds synthesized was established by (TLC) and column chromatography.While the structures of their mutual prodrug was confirmed by (FTIR, H1NMR,C13NMR) and the result obtained given good evidence for structures proposed to their compounds.6 - Using through the study 36 rabbit, proximate in the weight and divided in to six groups. First group (six rabbit) control group did not have any dose, second group have (DMSO) dose ,third group have the Aspirin dose, fourth group have the Ibuprofen dose , Fifth group have the compound (AD) and sixth group have the compound (AC), After two hours withdrawal sample of blood from each rabbit, separated the serum to use in the biochemical study to the parameter at the following : The measured parameters include : enzymes activity (Lactate dehydrogenase(LDH) , Acid phosphatase, creatinkinase (MB) , Alkaline phosphatase(ALP) , Gloutamate - pyrovate transaminase (GPT) , Glutamate - oxaloacetate transaminase (GOT) , cholinesterase , peroxidase) , and measured concentration of (Glutathione , malonldialdehdy ,creatinine , albumin , total protein , globulin , uric acid ) and some element’s (Mg ,Fe ,Cu ,Zn). Statistical data analysis revealed signification increase in the levels of creatinkinase activity (147.130±16.176) U/I،(157.785 ±21.590)U/I)، 146.995 ±29.314) U/I by effect Ibuprofen (D), compound (AD), compound (AC) a succession. and alkaline phosphatase (121.933±13.061) U/I، (129.158±17.052)U/I by effect compound (AD), compound (AC) a succession.And Gloutamate - pyrovate transaminase (30.521 ± 6.365)U/I، (31.387 ± 3.005)U/I،(26.863±7.470)U/I، (22.973±6.052)U/I by effect Aspirin (C) ,Ibuprofen (D), compound (AD), compound (AC) a succession. And Glutamate - oxaloacetate transaminase (72.731 ± 5.533) U/I، (75.366 ± 5.032)U/I، (77.560 ± 6.681)U/I by effect Ibuprofen (D), compound (AD), compound (AC) a succession. and peroxidase enzyme(26.433±7.722) U/I، (29.500±3.555)U/I، 31.150 ±4.932)U/I by effect Ibuprofen (D), compound (AD), compound (AC) a succession. And signification increase in the concentration of glutathione (4.897 ±0.448) µmol/L، (4.957 ± 0.501)µmol/L، (4.771 ± 0.366)µmol/L by effect Ibuprofen (D) , compound (AD), compound (AC) a succession. And signification increase in the concentration of malonldialdehyde(11.507±1.841) µmol/L،(12.744±2.275)µmol/L، (14.240±2.861)µmol/L، (14.409 ±1.712)µmol/L by effect Aspirin (C) ,Ibuprofen (D), compound (AD), compound (AC) a succession. And signification increase in the concentration of creatinine (138.847 ± 16.116)µmol/L، (153.021 ± 14.307) µmol/L، (162.466 ± 19.269) µmol/L and (156.074±19.99) µmol/L by effect Aspirin (C) ,Ibuprofen (D), compound (AD), compound (AC) a succession. And signification increase in the concentration of uric acid (108.994 ± 17.347) µmol/L، (90.972 ± 17.567) µmol/L، (101.322±18.090) µmol/L، (101.990±22.918)µmol/L by effect Aspirin (C) ,Ibuprofen (D), compound (AD), compound (AC) a succession (All compared with the serum levels of the control group.The study also showed a signification decrease in level of cholinesterase activity (3140.43±295.54) U/I، (2964.57±351.77)U/I، (2708.40 ±348.29)U/I، (2748.90±464.21)U/I by effect Aspirin (C) ,Ibuprofen (D), compound (AD), compound (AC) a succession.The study also showed a signification increase in level of Total protein by effect compound (AD) ,(AC) (64.821±3.116)g/Land (64.228±5.733)g/La succession.Results had also confirmed a presence of signification increase in the concentration of Mg (0.953±0.147) mmol/L by effect compound (AC). and signification increase in the concentration of Cu (23.964±2.043) µmol/L، (24.740±1.449)µmol/L، (25.367±1.656) µmol/L، 25.003±2.008) µmol/L by effect Aspirin (C) ,Ibuprofen (D), compound (AD), compound (AC) a succession, compared with the serum levels of the control group. The study also showed a signification decrease in concentration of Zn (13.810±0.904) µmol/L،(16.112 ± 1.565) µmol/L،(12.025 ± 1.306) µmol/L، 11.654 ± 2.194) µmol/L by effect Aspirin (C) ,Ibuprofen (D), compound (AD), compound (AC) a succession, compared with the serum levels of the control group.The study also showed non - signification decrease in the activity of Lactate dehydrogenase, acid phosphatase. and non - signification increase in the levels Albumin , Globulin and Iron. And no effect on the level Mg. compared with the serum levels of the control group.7 - To ensure the release of parent drugs (Aspirin, Ibuprofen) a hydrolytic studies of the ester prodrugs [AD],[AC] were done at different pH [ 2 , 4 , 10 ,12 ] and at constant temperature (25 C0) ,The results should that the hydrolysis at basic pH were faster than acidic pH then it mean that the most hydrolysis will obtain at intestine not at stomach.

تطوير طرائق طيفية لتقدير السلفاميثوكسازول والسلفاديازين باستخدام تفاعل الاقتران الازوتي == Development of Spectrophotometric Method For The Determination of Sulphamethoxazole And Sulphadiazine Using Diazotization Coupling

اسم المؤلف: امل حسين محيميد حسين
اسم المشرف: سعدية احمد ظاهر
الموضوع العام: علوم الكيمياء
السنة: 2011
الموضوع الدقيق: الكيمياء
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: اشتملت هذه الرسالة على ثلاثة فصول : يتضمن الفصل الاول استعراضا موجزا لاملاح الديازونيوم والكاشف الثايمول واهمية ادوية السلفا فضلا عن بعض الطرائق الحديثة في تقدير ادوية السلفا والهدف من اجراء البحث.واشتمل الفصل الثاني على وصف طريقة طيفية بسيطة وحساسة | his thesis consists of three chapters : - the first chapter includes a short notes on the diazonium salt and thymol reagent demonstrates a brief review for, an assay of sulpha drugs and aim of the work.The second chapter describe a simple sensitive spectrophotometric method for the determination of microgram amounts of sulphamethoxazole in aqueous solution, based on the coupling of diazotized sulphamethoxazole with thymol reagent in alkaline medium to produce an intense yellow coloured ,water - soluble and stable azo - dye which exhibits maximum absorption at 473 nm. The determination limits of Beer’s law were 1 - 6 µg.ml - 1, with a molar absorptivity 2.1 × 104 l.mol - 1.cm - 1. The average recovery was 100.12 %, and RSD 0.492 %, the LOD is 0.0087 ?g.ml - 1 and LOQ is 0.029 ?g.ml - 1. The method has been successfully applied for the determination of sulphamethoxazole in pharmaceutical preparations where the analytical results are compatible with certified value of pharmaceutical preparations and with a standard addition procedure.The third chapter demonstrates the development of simple sensitive spectrophotometric method for the determination of microgram amounts 1 - 7 µg.ml - 1 of sulphadiazine , based on the formation of diazotized sulphadiazine by adding sodium nitrite in acidic medium; followed by removing the excess of nitrite by sulphamic acid, the formed diazotized sulphadiazine was then coupled with thymol in strong alkaline medium to get a yellow coloured azo dye. The produced dye is stable and soluble in aqueous medium and it has maximum absorption at a wave length of 469 nm. The molar absorptivity was 2.6 × 104 l.mol - 1.cm - 1 with LOD and LOQ 0.0077 and 0.025µg.ml - 1 respectively. The method had good accuracy and precision; The average recovery was 100.57 % and RSD 0.657 %. The method was applied on the pharmaceutical preparation of sulphadiazine (as cream), the analytical results were in agreement with certified value of pharmaceutical preparation and with a standard addition procedure.

دراسة بعض المتغيرات الكيموحيوية على مرضى ضغط الدم

اسم المؤلف: منال عدنان ابراهيم
اسم المشرف: نزار احمد ناجي
الموضوع العام: علوم الكيمياء
السنة: 2011
الموضوع الدقيق: علوم الكيمياء
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: صلاح الدين
الصفحات الاولى:
المستخلص: يتضمن البحث تحضير مشتقات جديدة للقاعدة النتروجينية البيورينية (ثيوفلين) باضافة مجموعة ازو (Azo group) الى هذه القاعدة حيث تتصل بالطرف الاخر لمجموعة الازو الحلقية حلقة بنزين معوضة بمجاميع مختلفة مثل (SO3H , Br , NO2) وقد حضرت اربعة مشتقات للثيوفيلين1 - SA | This study include synthesis of new derivatives of nitrogen bases purin (theophylline) by adding azo group to these Bases where connecting in the other terminal with Banzen ring substituted by different group like (NO3, Br,...) Four derivatives of the theophylline where these are SAT , BAT , 4NAT , 3NAT these derivatives were used as ligand because of is abitity to from helating complex , these derivatives were reacted with eight metal ions these are (Fe2+, Co2+, Ni2+, Cu2+, Zn2+, La3+, Ce3+) these complex were characterized by many methods as molarratio, measuring of electrical conductivity electronic spectra , which helped us to find the chemical structure of those complex this study also found that ratio of ligand metal was 2 : 1 this study also include the study of biological effect for these ligand and complexes on four deferent pathogenic species (staphylococcus aureus, streptococcus viridans ) ,(protens vulgaris, pseudomonas aeruginosa ) the two first species are gram positive while the other are gram negative , finally (by using disk diffusion method) it was found that these compounds show different activity of inhibition on other growth of the Becteria.

دراسة تاثير الخصي في مستويات بعض الهرمونات التناسلية وبعض المعايير الدمية في ذكور الماعز المحلي الاسود == Study The Effect of Castration On The Levels of Some Reproductive Hormones , And Some Hematological Parameters In The Local Black Buck

اسم المؤلف: باسم حميد عبد علي
اسم المشرف: ضياء حسين جاسم الدليمي
الموضوع العام: الطب البيطري
السنة: 2011
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: القادسية
الصفحات الاولى:
المستخلص: اجريت الدراسة لغرض التعرف على تاثير عملية الخصي في ذكور الماعز المحلي الاسود في مستويات الهرمونات التناسلية والصورة الدمية , وقد اشتملت الدراسة على (25) ذكرا تراوحت اعمارها بين (1.5 - 2.5) سنة وكانت خالية من الامراض والمشاكل التناسلية , وقسمت عشوائيا ال | The current study was conducted for the purpose of identification the effect of the castration in male goats on levels of reproductive hormones and some hematological parameters , and had included (25) males ranged from ages between (1.5 - 2.5) years old and was free from diseases and reproductive problems. The animals in this study were randomly divided into two groups (control group includes (10) male and experimental group includes (15) male) that housed in same conditions of nutrition and management. The levels of reproductive hormones include (Spermatogenesis Stimulating hormone (SSH) , Interstitial cell stimulating hormone (ICSH), testosterone, Estradiol - 17 beta and progesterone) as well as blood parameters that include (red blood cells( RBCs), total white blood cells ( tWBCs), packed cell volume (PCV), hemoglobin concentration (Hb), total protein and cholesterol concentration) were estimated three times before castration and in intervals of two weeks between examination and other , Experimental animals were examined after castration all hormones and blood parameters checked two weeks after castration, then after four weeks from castration, and re - measured all hormones and blood parameters after six weeks of the castration. The method of analysis Radioimmunoassay (RIA) was used to measure the levels of reproductive hormones in animals blood serums also the routine blood tests were use for checking the blood parameters. The results revealed that there are significant increased in the level of ICSH in experimental animals after castration (0.345 ± 0.0413) mIU / ml while the level of testosterone and estradiol - 17 beta significantly decrease in experimental animals after castration and the results were (0.0225 ± 0.0036) ng/ ml and (0.93 ± 0.15) pg/ ml, respectively. While castration did not show any significant effect on the levels of reproductive hormones SSH and progesterone (0.145 ± 0.01) mIU/ ml and (0.295 ± 0.03) ng /ml respectively in experimental group. The result showed that there were significant increased in RBCs , PCV, total protein and cholesterol (17125 ± 335.18) × 10 3 cell/µL , (37.7 ± 0.40) , (6.84 ± 0.25) g /100 ml and (84.41 ± 6.6) mg/100 ml respectively in experimental group after castration, while tWBCs and hemoglobin didn't affect after castration in experimental group (10788 ± 429.39) cell /µL and (11.35 ± 0.180) g/ 100 ml, respectively.

دراسة تاثير مبيد البيرمثرين Permethrin على اجنة وفروج الدجاج Gallus domestics == Study The Effect of Permethrin Insecticide In Chicks Embryos Gallus Domestics And Chicks After Hatching

اسم المؤلف: اسراء عبد الزهرة قوري المياحي
اسم المشرف: علاء عبد الخالق حسين | مجدي فيصل مجيد العلي
الموضوع العام: الطب البيطري
السنة: 2011
الموضوع الدقيق: التشريح والانسجة والاجنة
الدرجة: ماجستير
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: This study was carried out in the college of veterinary medicine / Basrah university to find out the toxic effect of the synthetic parathyroid insecticides (permethrin) in embryos kidney and young chick Gallus domestics ,eggs were obtained (227) from Baghdad poultry farm, weights were (55.23 - 69.50) g. The study divided in to two main parts : The first part used (50) eggs were injected with experimental doses (0.00033,0.00022,0.0004,0.0001,0.00005) mg/L of permethrin insecticide before incubation , the results revealed : - A positive correlation between embryonic mortality percentage and insecticide concentration were obtained , whereas the (LD50)values were decreased with increase of exposure time, and the lowest value was recorded at (0,00033) mg/l after (96) hr. of exposure time according to this results the following concentrations of (0.00033,0.00022)mg/l for permethrin were taken.The second part (177) eggs were divided into (9) groups according to the age : 4,7,9,11,14,16,18,19 and the final one included group with 7 day age after hatching.Eggs were injected before incubation with 0.00033, 0.00022 mg/L of insecticide in air sac, while the control group with distal water were injected.The results showed significant differences (p<0.05) in length for groups that injected with concentrations (0.00022,0.00033) mg/L compared with control group specially (19,28 day)of age; on the other hand there were a significant differences (p<0.05) between groups that injected with 0.00022mg/L compared the other groups(0.0003mg/L) in( 28 day).This study shown a significant differences (p<0.05)in weight between groups that injected with (0.00033,0.00022)mg/L in (19,28 days) compared with control group.Also the study shown a significant differences(p<0.05) in weight for groups that injected with (0.00033,0.00022)mg/L from 14 to 28 days compared with the first days and it were the same differences that occurred in control group with less significant differences.The teratological changes of embryos and young chicks according to age were studied in the nine ages which mention above; while the histopathological changes by permethrin studied for mesonephron and metanphron in the same aging groups.Teratological changes occurred according to the following : - opisthotonus in (4th day) ,decrease in epithelial pigment of eyes in (4th,7th days), incomplete development of limbs and wings in (7th,11th,14th,16th,19th days) and some embryos in (11th day) have abnormal growth in maxillary bones , longitudinal fissure dorsally and abnormal brain.Delay growth of feathers in( 9th,11th,14th,19th days ), growth of tail in (9th , 14th days), incomplete development of beak in (9th,11th,18th days) , abnormal growth of skin in (9th,14th,18th,19th days) , congestion in head in (9th ,11th days) , swelling in head and incomplete entering of yolk sac from body in (19th day).The embryos in (14th ,16th ,19th days) suffered from abnormality of the some organs which located out of the body uncompleted development of the vitelline circulation of yolk in (14th day) while the chicks suffered from paralysis of wings and limbs and ruffled feathers.The study results recorded some embryos cases which detected for the first time with the following signs : cleft in dorsum skin region continue from down of neck to lumbar region of embryo body (11) ages , negation growth pads in embryo(11,19) ages ,exit organs out sides the body called hernia in (14,16,19 days), negation retraction yolk sac in to body in last days of incubation( 19) ; finally negation keratinized skin and scales for limbs in( 18 )day of incubation.Histopathological changes were observed in the kidney sections fo both embryos and chicks that injected with (0.00022,0.00033)gm/l of permethrin , included glomeruli and tubular necrosis, swelling in endothelial layer of tubules, absent of glomeruli in some sections accompanied by infiltration of inflammatory cells, congestion in the glomeruli ,decrease in diameter lumen of tubules,absent of space of Bowman's capsule ,swelling diffused in kidney, enlargement of glomeruli ,absent of the histological structure characters of glomeruli and tubules ,enlargement of some tubules nuclei were detected in comparison with the control groups.

المستويات والانماط الجينية المتعددة للانترلوكين - 6 في مرضى التهاب المفاصل الرثوي في محافظة بابل/العراق == Interleukin - 6 Gene Polymorphisms And Levels In Rheumatoid Arthritis Patients In Babylon Province / Iraq

اسم المؤلف: سارة حسين عيدان
اسم المشرف: عبد السميع حسن الطائي | صباح جاسم الربيعي
الموضوع العام: الطب
السنة: 2011
الدرجة: ماجستير
اللغة: الانكليزية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: التهاب المفاصل الرثوي هو احد الامراض المناعية الذاتية الالتهابية المزمنة الذي يتميز بالتهاب المفاصل المتماثل المستمر الذي يصيب عادة مفاصل اليدين والقدمين.تهدف هذه الدراسة الى التقصي عن العلاقة المحتملة بين مستويات الانترلوكين - 6 والانماط الجينية المتعددة | Rheumatoid arthritis (RA) is a chronic systemic inflammatory, autoimmune disease characterized by persistent symmetric polyarthritis that commonly affects joints of hands and feet.This study aims to investigate the possible association between interleukin - 6 (IL - 6) levels and ( - 174 G/C) IL - 6 promoter polymorphism in RA in Babylon Province. 60 RA patients and 60 healthy controls matched in age and sex were included in this case control study. Measurement of serum IL - 6 and serum anti cyclic citrullinated peptide (ACCP) antibodies were assayed using commercially available ELISA kit. Measurement of blood rheumatoid factor (RF) was assayed by use slide agglutination test for the qualitative and semiquantitative. Whereas, blood C - reactive protein (CRP) was determined using latex - enhanced nephelometry. Disease severity score of RA patients was determined by use DAS - 28. DNA was isolated from white blood cells (WBCs) and ( - 174 G/C) IL - 6 gene promoter polymorphism was determined by polymerase chain reaction - restriction fragment length polymorphism (PCR - RFLP) technique. the study was found significantly high levels of serum IL - 6 and ACCPA in untreated and in treated RA patients when compared to healthy controls. RF of patients with RA in the present study was found to be positive in 83.32% and negative in 16.67 % in overall RA patients, whereas was negative in 99% of healthy control. CRF of patients with RA in the present study was found to be positive in 78.4% and negative in 21.6 % in overall patients with RA, and was positive in 20% of healthy control. Correlation between DAS - 28 and IL - 6 levels in untreated and in treated RA patients were significant positive correlation. Correlation between IL - 6 and ACCPA in untreated and in treated RA patients were significant positive correlation. Correlation between DAS - 28 and ACCPA in untreated and in treated RA patients were significant positive correlation. The Genotype of ( - 174 G/C) IL - 6 gene promoter polymorphism and its percentage in patient found to be 80% GG,18.3% GC and 1.6% CC, whereas in healthy control 98.3% GG, 1.6% GC and 0% CC. Relation between both of IL - 6 levels and DAS - 28 with genotyping of ( - 174 G/C) IL - 6 gene promoter polymorphism in untreated and treated RA patients were found to be positive significant relation. The high levels of IL - 6, and its positive relation with DAS - 28 may suggest a possible role of IL - 6 in the pathogenesis of RA. Moreover, these biomarkers can be used as markers of disease activity in the diagnosis and treatment of RA. ( - 174G/C) IL - 6 polymorphisms are also associated with the RA risk, and the C allele of IL - 6 promoter polymorphisms has dramatically increased the susceptibility of RA in Babylon population. This finding suggests that the ( - 174 G/C) IL - 6 gene promoter polymorphism may also be used as another genetic marker for the onset and development of RA in Babylon population.

البنائية للخزف النحتي الهولندي المعاصر : دراسة تحليلية

اسم المؤلف: سجى رسول نفل
اسم المشرف: نبراس احمد جاسم الربيعي
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الخزف
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تناولت الدراسة الحالية اعمال النحت الخزفي البنائي الهولندي للفترة الممتدة بين (1970 ـ 2008) في ضوء تطورها ودلالاتها الفكرية، وقيمها الجمالية، ومرجعياتها، فضلا عن ان الباحثة لم تعثر على دراسة اكاديمية سابقة مباشرة تقترب من موضوع الرسالة الحالية الموسومة

المتغير الشكلي وعلاقته بالاداء الوظيفي للاثاث اللدائني في العراق : كرسي البالغين انموذجا == Formal Variables And It Relationship To Functional Performance of The Plastic Furniture Used In Iraq

اسم المؤلف: شعلة علاء الدين درويش لطفي البكري
اسم المشرف: سعد محمد جرجيس
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يتلخص البحث الخاص بالمتغيرات الشكلية وعلاقتها بالاداء الوظيفي للاثاث اللدائني في العراق اذ يعد الاثاث بشكل عام والاثاث اللدائني بشكل خاص من العناصر المهمة الاساسية لدى المستخدم في العراق، اذ تلمست الباحثة ذلك من خلال انواع الاثاث المستخدمة في جميع مرافق | The research variables formalism and its relationship to functional performance of the Furniture plastic in Iraq, as is the furniture in general, and furniture plastic particularly important components of the basic user has in Iraq, as it learned first - hand the researcher through the kinds of furniture used in all areas of our daily lives as (home, office and other ), but this diversity of furniture in general, and furniture plastic in particular, which was not the required level almost the end of the meet the needs of the user Iraqi different due to the lack of fits in with the factors (environmental, climatic and psychological behavioral) in many types Vdilaan and cases of non - proportionality to measurements of the human body, so the aim of the research to reveal the formal variable and its relationship to functional performance of the Furniture plastic in Iraq.Chapter Two included five Detectives are : The first part, which included changing the formal concept.The second section has included all of : 1 - a historical review of furniture : 2 - furniture plastic in Iraq and the Oases on each of : - Forms of chairs made from thermosetting plastics - Forms of chairs made from thermoplastic elastomers Almtlana - Types of seating.The third part included both : 1 - the design elements in the units of seating. 2 - foundations of organizational units and their relationship to sit (Holy)The fourth topic was to ensure both : 1 - furniture plastic relationship to the surrounding environment.2 - relationship with the chair and the environment3 - Relations Alargeonomitrih plastic in the design of furniture (chair), which in turn contained on each of : - Designed to sit - Parts of the Holy - The conditions of living - Types of seating4 - relationship plastic furniture (chair) to sit and physiology of the musculoskeletal system, which contained the - The backbone. - Joints - MuscleThe fifth topic was included plastics through - The nature of plastics - Types of plastics - The formation of technical plasticsAs well as from the remembrance of the indicators resulting from the theoretical framework and previous studies.The third chapter is to ensure research procedures and methodology and tool design and research labs honesty and analysis of samples, which amounted to (14) sample for the seven previous years.The fourth quarter included the results of research and the conclusions and recommendations, proposals and summarize the most important thing a researcher can make to this research from the results of which the proceeds of Aldrashokma following : 1 - General Authority of the Chair of adults and job performance achieved in the models of the sample number (2 - 4 - 5 - 7 - 8 - 9 - 10 - 11 - 12 - 13), while the check to some extent in all models of the sample number (1 - 3 - 6 - 14).2 - values of aesthetic expression and its association with variable formal has been achieved in each of the models of the sample number (2 - 3 - 4), while the check to some extent in all models of the sample number (1 - 5 - 6 - 7 - 8 - 9 - 10 - 11 - 12 - 13 - 14).3 - Relations Alargeomitrih and its association with functional performance has been achieved in models of the sample number (1 - 2 - 3 - 4 - 6 - 7 - 9 - 10 - 11 - 12 - 13), while the check to some extent in the models of the sample number (5 - 7 ), while not materialized in the form of sample No. (14).4 - raw material and its association with effects, the different environment of Iraq has been achieved in models of the sample number (1 - 4 - 5 - 6 - 8 - 9 - 11 - 13), while the check to some extent in the models of the sample number (1 - 2 - 10 - 12 - 13) while did not materialize in the form of the sample number (7).5 - through the questionnaire show that the taste of color to the user achieved in each of the (green 37% - white 56% - the color turquoise 50% - color Maronite 50% - orange 46% - yellow 46% - the color red 33% - color beige 33% - blue 26% - violet 26%), while achieved to some extent is (violet 43% - the color red 33% - color beige 30% - blue 30% - white 26% - yellow 23% - the color turquoise 23% - color Maronite 20% - orange 20 %), while others are verified (white 3% - 3% violet color - red, 3% - 3% orange - yellow 3%).6 - consumer desire of the Holy plastic in terms of the cost of the purchase price reflected through the questionnaire which was to buy the chair cheap price (achieved by 6%, and verified to some extent by 23%), while the Argbh consumer to buy the chair plastic expensive (achieved by 6%, and achieved to some extent by 16% was achieved by 10%), while the consumer desire to buy the chair plastic average price (it has been achieved by 23%, were achieved to some extent by 23%, while it has not achieved a rate of 6%.)7 - the desire of consumers to buy the chair plastic in one piece without supporting them (achieved 46%, and achieved to some extent, 33%, while non - verified 16%), while the consumer desire to buy the chair plastic one piece armrests condemned by (achieved 46%, and verified to the extent of 13%, while non - verified total 10%), while the consumer desire to buy the chair plastic in one piece the palm of Zaraala was (verified at 20%, and achieved to some extent reached 33%, while non - verified at 16%) , as well as the desire of consumers to buy the chair plastic in one piece the palm back and low (where achieved Mnhakan by 6%, and verified to the extent Mapnsph 43%, while the non - verified amounted to 3%), and we find that consumer desire to buy the chair plastic moving the palm back and low reached them (13% achieved, as well as to the extent achieved Mabulg 13%), while we find that consumer desire to buy the chair back of the palm mobile plastic high have been achieved to some extent by 10% only).8 - through the questionnaire was the desire of the consumer in the presence decoration on the parts of the chair in different proportions with no signal of any rate in the desire of the consumer in the presence of ornamentation on the legs of the chair, while the desire for a decoration on the base of the chair by (achieved 20%, and verified to the extent What is also 13%, while non - verified 20%), and we find that consumer desire of the Holy plastic was Rbgenh in the presence decoration on the back of the chair by (verified 93% and Agheirmthakq 3%, but for the presence decoration on a supporting hand, was the rate achieved to some extent 6% only).9 - as clarified by the questionnaire regarding the type of decoration in the chair plastic Allve preference, the score of his preference for decoration engineering 96%, and plant motifs by 30%, while the consumers' desire to hold the chair for more than one type of decoration by 6%.10 - The job performance requirements for units of furniture have impacts on the formal structural configuration of the design.11 - The development of the performing functions that a user needs to achieve the best service and reduce the effort spent by humans led to the need to develop units and changing the forms of furniture to get to the designs achieve these objectives and satisfactorily.12 - that imposed by raw material in the manufacture of the product from the possibilities of manufacturing and plastic arts forcing the designer to formulate design within these possibilities and make changes required to achieve the formal specifications alozifahalmtalobh.13 - the potential for the human body and mechanism of kinetic role to impose itself on the general shape of the product in general and in particular units of furniture because of its direct and significant impact on the formative structure of the design.14 - to impose the surrounding environment by using unit furniture tathirambacraaly the training requirements of the form and any of the variables in the process of development required by taking into Alaattabarnsph weight of plastic granules, which makes them the chair.15 - The formal variables created by the designer to get to the results achieved and the convenience of the user Alamralasthlaki of the chair can be achieved through the variable elements in the form in whole or in part and to achieve the total integrated design idea.16 - technical effect in the evolution of the variable, especially formal methods of production (industrial technology).17 - the time requirement for the life of the product, whether functional or formal, and their impact on the formal variable, through the weight of plastic granules of the product (the chair) where the greater the weight of particles by a good addition to the anti - particles is the product specifications in order to be good.18 - attention to the standards of human engineering in the process of building the aunt of the chairs is what can users use different chips easily and away and away from any obstacles or the effects of physiology or psychology.19 - most of the models available in the local market productive way of injection.20 - role of the artist comes to be activated nature of the data and the researcher Mknonadtha hard for my conversion and transfer of data to be of particular stylistic feature and transformed through the transitions, executive thought to be formed as a creative output that any variable from case to case.21 - as a result of lack of control of standardization and quality control for imported goods from furniture plastic has led to the importation of furniture for poor creditors of the specifications and not meet the safety conditions and safety for the consumer.One of the conclusions reached by the researcher summed up as follows : 1 - Alastaban by the results of the general assembly of the chair (adults) and job performance, we find that the user of the Holy plastic prefer some chairs on the other, as suits his performance career.2 - The values of aesthetic expression and its relation to the formal variable in the user's preference for the types of them without the other.3 - Alargeomitrih of the relationship and its association with performance functional role in consumer preference for the type of plastic chairs and not others.4 - the severity of effects, and Rtbatha different environment Iraqi born in the user's preference for the type of chair plastic of them without the other, and that the nature of the place where the chair will be used as an environment or an environment external internal.5 - to taste the color of the user role in the color of the chair Akhiarh plastic.6 - the cost of the purchase price of the Holy plastic role in the process of user preference for the chair Allda?na where he prefers the chair with the average cost in addition to other features.7 - different consumer desire to buy the chair plastic in terms of the AHA (in one piece without the pads, or in one piece armrests to the hands, Okqtah one the palm - to - back high, or in one piece the palm back and low, Ktrk the palm back and low, or Ktrk the palm appeared high.8 - the type of decoration on the parts of the chair and place both in the back of the chair base or legs or hands or a supporting role in the user's choice of a chair in the procurement process.9 - must study the possibilities of the human body and motor Mdyatea, because of their Tathermbacr and accurate on the variables required in the product development process, especially furniture designs.10 - that the environmental effects of the sun, wind and temperature difference, etc., have an active role in influencing the product design of furniture, especially because of its negative impact in the short life of the product.11 - must know the raw materials and manufacturing specifications and capabilities, in order to determine the possibility of employing them in products.12 - for the technical development role important and significant in the open broad prospects before the industrial designer in the processes of creativity and toziv output of this development in the design and production, so the use of technical developments at all levels of design and production is a crucial element in the success of the design at all levels.13 - cope with the intellectual and scientific production, as the machines became controlled by the electronic programming.The researcher recommended the following : 1 - it is necessary to study the functionality to be achieved accurately by the designer, to be able to identify the variables in the desired shape, which must be studied in terms.2 - attention to the protection of the laws of the local product, and giving attention to the Iraqi market through the development of future plans to develop a private practice to suit the production and development taking place in the world.3 - the need to subject local and imported product, to measure and control Alnoaahhat exist in the market for Mahlahmentjat Da?nahubmoasfat is good.Researcher has proposed a study of the possibility of developing and supporting the local product plastic in general.

وظيفة الدراما تورج في المسرح العراقي المعاصر : دراسة تحليلية

اسم المؤلف: مثال غازي سلمان التميمي
اسم المشرف: يوسف رشيد جبر
الموضوع العام: الفنون الجميلة
السنة: 2011
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يقف البحث عند اهم اشكالية وظيفية في عمل الدراما تورج وتمفصلاته ما بين النص والعرض. وهي اشكالية يعاني منها المسرح العالمي والعربي والعراقي المعاصر، حول شخصنة الوظيفة او دمجها بالمنجز الابداعي مع باقي الوظائف الاخرى.في حين استطاع الالمان التاكيد على استقلا | The research tackles the most important issue in function of (dramaturge ) and its problems between text and the show. it is an issue in which Arab and global theater is suffering about the personification of the dramaturgical and merge with the innovative achievement and the theatrical functions. While the Germans were able to stress the independence of the dramaturge as a function that lies between the function of the author and that of the director, as a third sensitive eye that is concerned with the aesthetic and intellectual observation for the work to create a balance between the text and the show without the occurrence of unbalances here or there. The research tackled the stage of development of this function passing through the author - dramaturge relation to the director - dramaturge relation reaching to the independence diagnosis of the dramaturgical function and its tasks and duties within the mechanism of dramatic show. Chapter One approaches the problem, importance, the need for, objectives and the limitations of the study, until we arrived at the detertminaiton of the dramaturge concept with some clarifications of the main terms which distinguish between the dramaturge as a concept and a s function. Chapter two tracked the stages of the emergence ad development of the makers of this and the technical and literary condition they posses combining the practical and scientific mind in practice, whether the dramaturge practice outside the dramatic or inside it. The first inquiry included the (author - dramaturge) stage, which is the state that effect the dramaturge action of the literary authorship of the author ((dramaturge)). This stage is as a preface to the way of the emergence of the director - maker of the show. This stage also effect the dramaturge practice which the critical effort has assumed in founding the base of dramatically writings.The second inquiry included the effort of Brecht, technical and ideological, in founding and fixing the stage of (director - dramaturge), with this experiment include of the application effort and theoretical impact. Brecht managed to destabilize and refute many rules which Aristotle had managed. The Brecht experiment is an advanced step forward.The third inquiry included what the Arab experiment has come up to in dramaturge practices for the first Arab pioneers in theatre arriving at the Iraqi theatrical experiment for Qassim Mohammed and Aqeel mahdi. The fourth inquiry tackled in some of reminding of the duties and tasks of the dramaturge tasks inside the team since the experiment of Gotschid, arriving at the dramaturge experiment of Helmut Schiffer. The chapter ends with the posing of the which enriched the procedural chapter. The third chapter which depended on that on samples of the Iraqi samples , which differed in their functional dimensions and limitations which resulted in the fourth chapter. The chapter included the results in details the dramaturge functions of the development and growth, the chapter ends up with a group of conclusions, in addition to the recommendations and suggestions that were imposed to rise the dramaturge reality inside the theatrical experiment in Iraq.

اساليب تصميم واخراج الصورة الرقمية في الصحف العربية الالكترونية : دراسة تقويمية

اسم المؤلف: شيماء وليد جاسم
اسم المشرف: انتصار رسمي موسى
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان التطور الهائل في شبكات الاتصال وشبكة المعلومات الالكترونية (الانترنت) اتاح امامنا المزيد من الانفتاح المعلوماتي والاعلامي الذي تجاوز الحدود والحواجز التقليدية، لاسيما وان شبكة (الانترنت) من ابرز شبكات المعلومات، فقد تتميز بانتشارها الكبير، وتسارعها اله | The Tremendians Development in Comvnunication and Internatiand net of in Favmation ( Ivter net) has opened for us more information and media which extended over the Traditiaral limits, Particularly the ( Inter net) which seems to be the most mean of Informationnet in its large Separation, High Speed, Variety in Subjects, Multi Webs life contribution, Differnt Communication functions, and it Has Been Proveng that it is the Uniqe Means of communication over the world, digited picture also has Witnessed a Great Technical development and become one of the most important activity in New papers and modern design, and we find that the science and art of paper picture and digital picture has developed also with the other sciences particularly the science of printing, media, communication and press, which made the digital picture so important in printing work, perhaps the Essencial Part in picture press. The digital picture is one mean of Cnltnre and it extremely succeded to change communication reception from written to phategraphic text which has a great influence on the receptive. According to what has presented above, the problem of the Stndy Try to study the qualifications of the digital picture among the modern techinges. Defintion of hasic terms has also presented in the stnd like (style of digital picture, electornical popers) limition of the study represented only with ( number of Arabic papers over internet) in 2010 and the main page only. Chapter two studied the ( theoretical background) which consist of three sections, first; Visnal communication and digital picture, second; modern Techincs and the technology of digital picture, third; technical treatment in digital picture. Chapter three covers the Precedues of the study, the researcher used the descriptive approach in the study analysis, Sampu of the study represented by 18, two of the Conntries Were Excluded because they have no Electronical paper like Jiboti, Somel. The indications of the theoretical background has directed the researcher to design the list of analysis resuts, discussion of the results, condution, sngestion and recommendation wer presented in chapter four which shew that : 1. Picture becaue to was devided into two extension which is considered abig faultin designing and effect on to negatively and loss it its valna and function this was appear in somple no ( 1,2,5,9,13,15,17,18).2. Weakness in activiating classificational connections which led the reader to the main page or the inner pages or the connecation which led the reader to the cultnral, informational services. Some samples were used classificational commections as in (9,11,14,15,16,17) shown in tables (51,63,81,87,93,99).3. Multi medium i.e. ( digital sound) were not activiated properly in the electronical paper ever, justin sample no.(8) show in table (45), music were accompening the main page which supported the visual reception.4. Video picture were not used ecceptin sample (6,8,12,16,18) show in table ( 32,44,68,92,104) because it need a long time for looding, and saving which slow the page. However, the video picture is so important in electronical paper because it help him to communicate with the ever its as apart of his life, and has an inflnrce in the process of inter in andio picture, text and motion. And so it attract the reader to muti distinctions. In conclusion the stud appear that : 1. Papers contion different sizes digital pictunes because these poper depend on small formal size picture due to the process of looding time although it effect negatively on the paper and the degree of infuncc on the reader.2. The increasing of inner and outer connection ( thong they are important) led to weak the paper design and its loading and function.3. Digital video and sound has its effect on the reader interaction. Digital video consider the mestimportant target for the multi media because it consist of text and mation picture and sound.The research recommend to : 1. Iet the worker in designing atraining opportunities to be cabable in their field.2. Utizing the ddesig programmer indesigning and directing digital picture particularly in the moin page. Suggeshins were as follow : 1. Applied study in desingning and direching the digital colour in papers.2. Applied study in the design of advertisement for the arobic electronical papers.3. Studying the movement of moved textand titles and its influence on the directing and designing the paper.4. Studying the webs.Finaly the study ended by the list of reffereus and appendices

التراكيب الدرامية والدلالية في البرامج التفاعلية التلفزيونية == The Dramatically And Semantically Structures In The Television Interactivity Programs

اسم المؤلف: عمار ابراهيم محمد الياسري
اسم المشرف: عبد القادر خلف الدليمي
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: مما لاشك فيه ان الانفتاح الفضائي الهائل للفن التلفزيوني على كل ارجاء المعمورة وبساعاته المستمرة بدون انقطاع دفع القائمين على هذه المحطات الى البحث عن اشكال سينماتوغرافية او تلفزيونية غير مالوفة تستطيع فرض ابهارها على المتلقي، وهي اشكال اصبحت في بعض الاحيا | There is no doubt that the great opening to the television art all over the world in his continuous hours without breaking pushes the workers in these channels to look for unfamiliar cinematographic figures. Some times, these figures became one of the new weapons of the informational war which drops all the government , but the people who calls about development ,they looked to revolt against what is spread and holy in the literary achievements and they declare in many occasions on the necessity to attract the audiences to the structure of the event These suggestions which mentioned early and more push many people in the channels and producers to look for new figures which can go side by side with the sounds that demanded by the necessity of changing and looking for new and unfamiliar figures, as a result of what was carried by the cinema from theories which made from the reality its subject , and what is presented by the game programs of nations which is shown by television in addition to the live shows of sport matches and political events help to appear an idea to the television programs producers sine the end of the seventieths in the previous century and this a real life of TV programs which started to make its place in the middle of the ninetieths in the same century then there was a widely opening to the internet through voting and participating to make the interactivity programs which opened to the audiences and declared their revolution in the holy text which is closed on the wrier himself , many of the academic studies in the college art and information when they deal with classifications or TV shapes and they don’t talk a bout the structure of these programs or their names or their classifications , and they don’t talk a bout what is the kind of drama ? Is it arastos dram ? or something else ? and it only do the division of TV shapes into TV drama and the different TV programs. Therefore it left the interactivity works of TV which started to take widely space in the structure of the daily show, From here the researcher in spires his problem which he put it under the following question : what are the dramatical and semantical in the interactivity of TV programs ? and the researcher put his research under the title , the dramatical and semantical structures in the televisional interactivity programs , the importance of the research is to focus on drawing the attention to the new subject which isn’t studied earlier and it became centre of academic and informational problem. The importance of research focus on finding out what are they ? and the classification of these televisional interactivity programs ? which work in it , the bounds of the research focus on the shown programs in 2011 year in the different international channels and it focus on intended samples which suit the requirements of the research. The theoretical frame included five inquiries ,the first inquiry called the televisional interactivity between the appearance and classification ,it deals with the first beginning of the appearance of the televisional interactivity through clarifying the figures to televisional programs of realty , the second inquiry called the appearance of televisional interactivity figure from among the cienamtographic , the researcher say in this inquiry that the televisional interactivity of realty is a result of all the theories of realty ,the third inquiry include the shape structure in interactivity programs, the researcher discussed in it the televisional interactivity shaps through its visual elements , the fourth inquiry called the dramaticl structures which work in the interactivity programs structures ,as mentioned earlier , the researcher clarifies the elements of the drdmdtical structures for televisinal programs of reality and in what is unique in the televisional interactivity programs of reality , in same characteristic figures which differ from other dramatical works , the fifth inquiry called the semantical structures in the interactivity programs. the third and fourth section included the analysis of the three sample which is the Saudi program, bet al attar , and the germane programs ,XY , and children's programs,Aesh safri , in the end section , there are the result , conclusion , recommendations , suggestions , and then re souses and appendix then the summary in the English language

بناء منهج تعليمي لمادة المشروع في قسم التربية الفنية على وفق الاسس النقدية والتقنية للفن الشعبي == Building of An Instructional Curriculum For The Project Subject In The Department of Art Education According To The Critical And Technical Basis of Pop Art

اسم المؤلف: ميادة عبد الرحمن فليح العيساوي
اسم المشرف: ماجد نافع عبود الكناني | سلام جبار جياد
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: التربية الفنية
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يهدف قسم التربية الفنية الذي يمثل احد الاقسام العلمية في كلية الفنون الجميلة، الى اعداد الطلبة وتاهيلهم لمهنة تدريس مادة التربية الفنية المقررة في مدارس المرحلة الثانوية، لذلك فان برنامج الاعداد ينبغي ان يتضمن مجموعة من المقررات الدراسية التي تشمل الجوانب | Since Department of Art Education is one of the scientific department s in the College of Fine Art, then this Department aims at rehabilitate students and adopt them for the career of teaching the subject of art education for the secondary schools. Therefore, the programs includes a set of curricula textbooks that include educational and psychological aspects as well as some artistic. On that basis, the researcher preferred to co duct an experimentation to one of the concepts of postmodern art called (pop art) through building a method depend on one of the concepts which would help students of the subject to carry out their art projects according to scientific steps included in the present study (planning - evaluation). Training of the use of art skills conducted by pop art artistic and promote it for students who carry out their projects represents an artistic cultural process that requires much experience and high level skills according to their mental abilities and intellectual readiness as well as their previous expertise and how they are affected by it. The researcher prepared a theoretical frame that include subjects about pop art and the factors which founded that art as well as the sources of its emergence and the most important arts is who have supplied that art with their worlds hat depended on the daily life (familiar - unfamiliar) with previous references of that art and cultural mass media that have propagate it. The procedures of the study depended on the descriptive method (content analysis) as it is the most suitable procedure to realize the objectives of the present study. She tackle in the chapter the community of study that included 100 works for 10 artists who were chosen randomly. then she derived (carryout) the consisty of tools.The researcher analysis the works by anaujsis the onception of (100) of wark arts. then analsis of building for those ten Artist to support the curriculum so, the researrchn gets the critical and techuical bases of bob art schod by discovering thenm , the researchan depends on them to built the curriculm which is considered one of the aims of research.After that the researcher built the suggested method of the art project subject in the department of art education. The project included the instructional objectives about the theme of the project and its steps represented in determining the problem and in planning the project and then carrying it out.The most important conclusions were : 1. Working on finding new mechanism in organization the structural organization of the art project through directing the students to insert the available raw materials in his environment (ready and not ready) and employ them as material outputs in relation to the reality of Iraqi society.2. Taking to the technological developments in carrying out the idea of project work and use what is available of photographs for some of the art and political persona as well as packages of food and drug products.The most important findings are : 1. Using the suggested method for the project subject in the departments of art education in college of Art Education as it included the instructional contents for w whole academic year. 2. Inducing the educational institutions and researcher alike to translate resources and literatures that have treated pop art as it includes as it includes rich information and the familiarity of uses in many artistic institutions or by artists. The researcher suggestion is , haw to buitt instructional program according to building treatment structural to derelop the plastic Arts student skills.And joput the pop ant and tecniqne bases in acheavement of recommendation of handkerchief subject.

خصائص التعبير الفني لدى اطفال التوحد == Properties of Artistic Expression Children With Autism

اسم المؤلف: شيماء احمد عبد الغني شربة
اسم المشرف: رعد عزيز عبد الله
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تعد فنون الاطفال احد الموضوعات المهمة وتحديدراسومهم التي حظيت باهتمام كبير من الباحثين لما لها من دور في تحقيق الانسجام الداخلي للطفل والتوازن في علاقته مع الاخرين.ويعد الرسم لغة الطفل في التعبير عن نفسه ومكنوناته، اذ احتل الطفل مكانا مهما في العديد من ا | Children's art is one of important issues, specially sketches that received much attention from researchers because of their role in achieving internal harmony of the child and the balance in its relations with others.The drawing is the language of the child to express himself, as the child occupied an important place in many studies and research in detection characteristics of this stage and their relationship to different variables. The attention towards the children drawing in particular has increased, which make the researchers classify children's drawings of different ages and concluded that certain features appear at different ages, which were called by the stages of artistic expression.Given the importance of drawing, it was recommended by some psychologists to use the drawing with children who curriculum and those who suffer from poor social harmony and emotional and those who have behavioral problems, to identify these problems and their resolution and those who more in need of expression drawing without the use of the word, children with special needs, specifically for autism, which find it difficult to create a link between him and the others, here emerged based on this study highlight the drawings autistic children and knowledge of the properties of these drawings was founded as the research problem as follows : 1. Do the autistic children have properties of artistic expression of their own.2. Does the characteristics of artistic expression of children with autism differs from the characteristics of artistic expression of normal children.These researching questions called to prepare this research, which aims to : 1. Definition the artistic expression characteristics for the artistic children aged between (7 - 9 years) and (9 - 11) years.2. The definition of the artistic expression (if any) between the characteristics of artistic expression for the autistic children and the artistic expression for the normal children aged between (7 - 9 years) and (9 - 11) years.The researcher derived from the second goal two hypotheses : A - does not have a statistically significant difference at the level (0,05) between autistic children and the Normal children and aged (7 - 9) in the properties of artistic expression. B - does not have a statistically significant difference at the level (0,05) between autistic children and the Normal children and aged (9 - 11) in the properties of artistic expressionTo achieve the objectives of the research, the research's community was identified which consisted of all autistic children attending Institutes (Rami and Rahman majors), their total number (68) boys and girls by (26) children and (14) baby girl at the Institute of Rami, and (18) children and ( 10) a child at the Institute of Rahman.The research sample consisted of all autistic children who are confined between the ages of (7 - 9), (9 - 11) years was (40) by a boy and girl (24) children and (16) child.The sample of normal children consisted the same numbers of children from autism.The members of the sample were distributed into four groups of autism and normal children, two in the stage of life (7 - 9) years and two in the stage of life (9 - 11 years) and to determine the subjects of graphic and raw materials the researcher held survey included (150) students from autism and normal children, showing that favorite subject is (the landscape) and (home) as the colors of wood got the highest frequencies, and thus adopted by a researcher at the baseline study.The researcher adapted in this research approach (descriptive analysis). The form analysis has been built from children drawings consisted of (29) major area, and (72) minor area. Verified was done from the tool by group of experts in the field of art education, psychology, arts. The stability of the tool, the researcher have been analyzed drawings by agreement with itself over time, and had engaged with two analysts. In order to reach to the search results the researcher used the following statistical methods : The researcher used the SPSS statistical pouch of Social Sciences, as follow : Equation Cooper as used in calculating the true analysis tool drawings, and the equation (Scoot) to calculate the reliability of the graphical analysis, and a square (x 2) to calculate the significant differences between the properties, and the equation of (Fisher) to calculate the weighted average and weight of areas.After the unloading of data the researcher has reached the following conclusions.1 - by observing the results of research show us that most of the characteristics of artistic expression that emerged in the students drawings sample of normal children it appeared in the drawings of autistic children, even if to varying degrees, this means that autistic children are close to the normal children.2 - Properties of artistic expression in children with autism, including the following : It is noted from the results of research show that some characteristics that appear in the age (7 - 9 years) or less disappear in the subsequent phase and this shows the evolution of artistic expression in general, autism and normal children.The recommendations were : 1 - Through the search results produced by the approach of artistic expression for autistic children of their fellow children ,normal , so the researcher recommends the application of the applicable technical education curriculum in primary schools with a little modification commensurate with the possibility of these children and their special status.2 - Researcher recommends that officials of the Ministry of Labour and Social Affairs pay attention to studying art education and the appointment of qualified teachers in technical institutes unite to study the functional significance of the creation of psychological equilibrium of these children.3 - Researcher recommends that officials of the institutes unite to organize art exhibitions for these children to help in the integration of these children with community groups to feel that they are useful members and able to serve their communities and their homeland, and this increases their confidence. The proposals were : 1 - Carry out a study similar to the current discussion and stages other than the stages covered in their search in order to provide integrated information of artistic expression for autistic children. 2 - Carry out a study of the relationship of children drawings and personal characteristics. 3 - Carry out a study of the properties about children's drawings much slower in learning or other classes for children with special needs.

المتغير التقني في اساليب التشكيل المعاصر : العراق، مصر، المغرب انموذجا

اسم المؤلف: ميسر علي احمد القاضلي
اسم المشرف: هادي نفل مهدي
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الرسم
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يسلط البحث الضوء على مفهوم يؤكد ان العمل الانساني الاولي يتضمن فكرا يتجذر بمعطى تقني ويصبح الانسان فيلسوفا في عمله ومن هذا المنطلق تكون الثنائية بين العقل والممارسة مكافيء موضوعي لعملية النمو والتعبير، سواء في الفن ام في غيره.وانطلاقا من واقع الحركة الت | The research sheds light on a concept asserts that the primary human action in clouding thinking that deep rooted with technical fact and man becomes philosophical in his work and from this starting point the wedding between mind and the practice is as objective coefficient for growth and expression process. whether in art or in others.Stating from the realty of the plastic movement in said countries and with in the limitation of science and objectively and through transforming from the stationary to changeable and what was abase has become contrast, and these changes has risen a number of inquires most important of which : 1 - Does the modern art depending the median as a message.2 - Dose the modern civilization of artificial dimension in a physical world pushed the artist to take the path of empirical science.3 - Dose technology intervened in specifying the physical concept for the optical surface. In light of these facts the objective of the research specified by the following : - 1 - Detecting the manifestation technology and the formulation components for the optical surface structure of the modern plastic.2 - Detecting the technical variable in modern plastic styles in Iraq, Egypt and morocco.And the research has eliminated with the limitation of objectivity represented by technical variable and time limitation after the second world war (from 1945 to 2008)And then the second chapter ( the knowledge from work) The first category displayed the recognition concept of the style where it deals with some philosophical concepts which confirmed that the creativity progress doesn’t at some extent, but they are continuous trams formation imposed numerous pressures on the artist. Influenced in creative process and examining it and expressional means of thoughts in away suitable with esthetic and knowledge values.Also the research also displayed the technical concept where it links the philosophical concept of the technology with the scientific research in light with the intellectual products and the society and life systems and the consideration values.As for the second category, which discussed the optical product, represented by thought which proceeds physical nature of the application action, and this leads that each artistic work its distinguished nature of its impact, from the reality of optional will and specifying, the for the whole art to be in the logic circle out the artistic work and just entering the optical circle , becomes a will and sensitive, and the raw material has formed a value and underlying bases of the optical surface as an essential base in foundation of the esthetic values and it may exceed this, that the raw material to be the work itself.And the plastic schools are considered of important for the plastic products, where the artist asset, through the construction systems upon the integrity of the product, and its influential, expressional and esthetic, thus and due to this concept, their figures are established , constructive relation figures ,the relation of the whole to the part is judged or vice versa with mode differs with the plastic components.Also the third category of the second chapter included the technology and the performance in art, where the technology is found in the middle of modernization, and the category has displayed the means and the historical changing of technology, we could find the interventions between the industry impacts upon the art technologies, over ages, also the category illustrated the technical transformation from the made to the ready made, the Dadaea'a movement has adopted the art transformations from the made to the ready made and that was a reflection to intellectual and technical uprising seeking for arouse the chaos among various cultural activities and to reduce the interval borders between the art and the other cultural activities, and recourse to construct to the adherence and assembling through using a strange material from art including the valueless ,common and the consumed and food waste to enter new technology in the context of the artistically work or made it afterward isolating it from it's special reality to an artistically works stand upon by itself. Also the research illustrated the assembling art and the unusual technology, the art is striving to deviation of its traditional methods, and the artist seeking the strangeness in away that provoke the recipient regardless from the esthetic values and the academic mimics. As for the third chapter which illustrated the historical root of the plastic art in Iraq. Egypt and Morocco and it deals with the foundation stage, forerunners and the artistic groups which are established due to intellectual concepts leads to technical and stylistic changes, also the chapter has illustrated the most important references through the proceed of the plastic artistic movement of social, cultural and historical references and the effect of the western arts and modern technologies.As for the fourth chapter which illustrated the procedures of the research and choosing the research society and its sample, in which the researcher has depended on the intentional option based on the artistic experiences and the technical changes and the stylistic one each artist depended.The researcher has depended the descriptive analysis procedure to analyze the samples and depending the indications extracted from the knowledge framework that comes within the axes of the optical research of the plastic products and the constructive systems on which the artist depended, and the demonstration technologies and the pressure references, the style and the trend, as for the fifth chapter which included the research results ,and the conclusion, recommendations and the suggestions, and the research has concluded to the following out comes : - 1 - The artists depending a strange technologies in constructing the optical surface and with local implications. 2 - Some humble technologies have appeared, that we could related to the conceptual arts, but I could not find in artists experiences in the three countries that refers to practicing artistic technologies trends after modernization such as the body art, the earth art or the graphic art and the performance….. etc.3 - Some artists trans pass their experiments technology to traditional technology in the concepts of type to non - type through the interrelation of types.4 - Some of artists have mobilized environmental artistic works, act upon the recipient participation, also others act upon to mobilize using of the artistic work ,and water , earth surfaces and environmental spaces were used as a display media.The research was ended to diagnosis some recommendation and suggestions that support the research and expanding the knowledge base.

اكساب مهارات التشكيل في فن الخزف على وفق النظرية التوسعية == Providing The Plastic Skills In The Art of Ceramics According To The Elaboration Theory

اسم المؤلف: حسين صكبان علي
اسم المشرف: محمد سعدي لفتة
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ادت التطورات العلمية والتكنولوجيا في عالمنا المعاصر الى ظهور تغييرات سريعة في ميادين الحياة كافة حتى اصبح الانسان في حركة دؤبة للبحث عن افكار واساليب جديدة لتحل محل الانظمة التقليدية السائدة وبخاصة بصيغة حديثة تنسجم بروح العصر والسعي لتطوير العملية التعلي | Resulted in scientific developments and technology in the contemporary world to the emergence of rapid changes in the fields of all life to become human in the movement of a vision for the search for new ideas and approaches to replace traditional systems prevailing in particular form a modern fit the spirit of the times and strive for the development of the educational process in order to achieve maximum efficiencies in the field cognitive skills. Therefore, the development of modern technologies in the educational process have an impact in achieving the comprehensive development of the learner and increase the expertise of the educational aspect of knowledge and hand skills has led to the development of the instructional design process which is based on the foundations of philosophical, psychological, intellectual and social Achieving stability depends on primarily the suitability of the nature of scientific article and how to achieve the educational objectives and to meet the specific needs of learners. Among the designs of modern education, the design of an instruction manual on according to the theoretical expansion for (Charles Reigeluth 1983), which imparts education expanded may differ from the rest of the teaching methods, the traditional master, and therefore chose the researcher of this theory in the design of evidence for education based on what he referred to studies and research educational resources and literature that dealt with this theory. Is the material porcelain in a group many of the vocabulary of different starting from the processing tools for the work to prepare for clays to reflect the action steps to build a model ceramic that require mental processes are interdependent and performances skill of formula neat and accurate, so it became necessary to follow the technique technician is subject to the rules and principles of scientific research can be through which the learner access to high performance and accurate in the process of forming the skills of ceramic art. Accordingly, to achieve the goal of current research following : 1 - Design an instruction manual to give the skills in the art of porcelain composition according to the theoretical expansion for (Charles Reigeluth 1983). 2 - Measuring the effectiveness of the educational designer directory with its two dimensions of knowledge and skills through application to the second stage students in the Department of Art Education - College of Fine Arts - University of Baghdad. For the purpose of verification of the objectives, the researcher added eight hypotheses zero to show results and verified. Was necessary to identify the research community who are students from the second stage - Department of Art Education - Faculty of Fine Arts - University of Baghdad, the study for the year (2009 / 2010), numbering (82) students, where the researcher all the research community as a sample for examination as it was divide the sample into four groups to examine each of the skill one has been subject to experience through their teaching according to the educational requirements of the manual which was prepared according to the theory of expansion. To verify that the objectives of current research and access to the results has been building two types of tests, where he was the first collection of knowledge and the second to measure the performance skills which measured performance skills in accordance with the form promised for this purpose was to verify the authenticity and reliability tests. To show the results of the research was the researcher a set of statistical tools, including the equation (Wilcoxon) to verify the validity of null hypotheses and the equation coefficient of difficulty and discrimination of the paragraphs of the achievement test of knowledge, and equation (Cawdor Richardson / 20) for the stability of the test and equation (Holisti) for the stability of the test skill and find a coefficient of agreement between observers. The results to two conclusions : 1 - The adequacy of the sample in the cognitive achievement test which relates to the dimensional aspect of the cognitive content of the contents of the directory of education. 2 - The adequacy of the sample in the test skills which were taught according to the instruction manual skills in the art of forming pottery on the theory of expansion. The recommendations were as follows : 1 - Adoption of the educational guide designed according to the theoretical expansion for (Charles Reigeluth 1983) in teaching ceramics and planned approach in the Department of Technical Education to prove its effectiveness in giving students the skills profile in the art of ceramics. 2 - Working to create the potential supplies of material and human resources to follow the strategy of expansion such as to provide theoretical time and place and to create equipment and provide advanced training means technically and artistically as well as the processing of raw material (clay), which is the basic material for ceramics. And development of the current research studies the researcher suggests the following : 1 - Designing and testing the instruction manual is designed according to the theoretical expansion for (Charles Reigeluth 1983) on the other subjects of the nature of the skill. 2 - A comparative study between the use of the skill composition of learners in the art of ceramics and other technical skills.

التدليل العلامي في افلام لارس فون تراير == Semiotic Semantics In Lars Von'S Movies

اسم المؤلف: حسن قاسم مطشر الساعدي
اسم المشرف: طه حسن عيسى الهاشمي
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الفنون السمعية والمرئية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ينطلق البحث في محاولة لتاشير اهتمام سيميائي بالتجارب السينمائية المتميزة في السينما العالمية عبر تاريخها الطويل، ابتداء من عفويتها التي سحرت المشاهدين بتصوير وصول القطار الى المحطة، وانتهاء بالدهشة البصرية من افلامها الحديثة التي غلبت عليها تقنيات الغرا | The research stems as an attempt to indicate the natural magic interest in distinct cinematic experiments in the world cinema through its long history, beginning from its spontaneity which fascinated the audiences by shooting the train arrival to the station, and ending with the visual surprise at its modern films dominated by the technical graphics, within two main axes : the trial to associate among those experiments which their indicative features and the indicative structure they represent on one hand, on the other hand observing the new experiment to find different formats of semiotic semantics in new, distinct and good works for analysis and theoretical framing processes which the researcher endeavors to apply them and the trial to find a real example for them through cinematic text which the researcher thinks it represents a suitable sample for search and operation. The movies had been classified on analogical bases (realistic and impressionist) which were two main attitudes within them the cinema began to develop until the structuralism and the sign science appearance at early 1970s. The natural magic borrowed from eloquences its search methods to reveal the semiotic and semantic structure owned by the cinematographic images; therefore, this study represents an attempt to read the semiotic semantics in intended film texts using the natural magic analogical effort. The study entitled (The Semiotic Semantics in Lars Von's Movies) included four chapters as the following : The first chapter (The Methodological Frame) addressed the research problem displaying the avoidance of many studies from studying the cinema unless through deliberative starting points, so they were implicative studies related to what said in the movie and not to how it was saying. Consequently, the way to that was knowing the structure of the semiotic semantics in the cinematic film in which it saw the modern criticism of the natural magic method with semiotic value that could be count. The research addressed the research significance and its analogical location among the natural magic studies in the field of cinema. The chapter contained the aims put by the researcher and the limitations within which the research worked. The second chapter (The Theoretical Frame) came including the rules previously established, which the overall operating on them would be the application of some of them, or with some changes besides preserving the general lines of the critical achievement. The search first would be through the first section (The Natural Magic of the Cinematic Image) on the signalization of the cinematic image which due to its iconism resembling the reality it depicted, referred to or symbolized, formed the secret of its excellence, after an inevitable analysis of the sign in general as being an icon, indicator or a symbol. After distinguishing the weak iconism resembled by the planning, and between the direct iconism and the metaphoric iconism established by the successive and compound images in shots, scenes and chapters inside the movie, through this resemblance embodied by the similarity between the cinematic image and the realistic subject it shot, we could read that image in natural magic. Then the research dealt with (The Indication of the Cinematic Sign) the title of the second section in the cinematic address which arranged its images as its language, the open and closed text, deliberative, perceptive, psychological, social and cultural contexts, and the codes through the association of the cinema functions with its meanings closely due to their being video signs, and the transformation of the perceptive example represented by the signs into an indicative example related to the cinema via its video and audio languages which distinguished it from the remaining arts. The research presented in the third section (The Semantic Elements in the Cinematic Film) the filmic narration, the filmic shape, the operating mechanisms of indications in the elements of the cinematic language through adopting (linguistic - cinematic) inducing techniques contribute in exploding the closed structures at the level of the shape, evacuating the filmic text from the dramatism at the narration level rich of playing with times and multiplicity of viewpoints, and using the repetition and overlapping which restore, paste the text segments with an internal and external vision hanging in time and place, and liberate it from mixing with other text. Then, the researcher discussed a group of previous studies covering the natural magic in the cinematic art and some of their sections mingled with the study sections, afterwards the researcher came out with six indicators, i.e. types of indications constituted from the theoretical frame, the researcher wanted to indicate through them what the research tried to confront by exposing them on a committee of experts and specialists who modified them in a way fitting the research. These indicators were summarized in six types of semiotic semantics : intensified and compound indication, transformed indication, additive indication, individualized indication and the accompanying indication, all of which were applied to the sample. The third chapter (The Research Procedures) consisted of two axes : First : the research method where it was relied on the descriptive analytical method, the analysis unit, elected filmic sample, the reasons behind selecting this sample in a way fitting the research nature, and the reasons laid by the researcher for defining the sample. Second : the sample discussion submitted to the analysis according to the indicators extracted from the theoretical frame. The selected filmic samples consisted of three movies for the Danish director (Lars Von Trier) : 1 - Antichrist movie. 2 - Dancer in the Dark movie. 3 - Dogville movie. These three movies were selected because they were distinguished works, since the second movie was awarded the golden palm prize in Cannes cinematic festival, while the movie song (everything I saw) performed by the movie heroine the singer (Burk) written by the director (Lars Von) was awarded the Oscar prize as a best song. The other two movies were praised among the cinematic and critical circles. For information, the director (Lars Von) gained prizes from Munich cinematic festival and won the golden palm prize twice. The fourth chapter came with the research results, the most important of which were that the image had a tremendous number of signs forming the analogy and contrast processes among them to produce the predominant meaning which the maker wanted to uncover. It was relied on the receiver's awareness in reading the coded structures inside the space of the shot or scene which altogether led to reveal the levels of the semiotic structures producing the meaning. Then, the research arrived at conclusions and suggestions. Finally, the researcher's recommendation came asserting the importance of the natural magic method in the cinematic criticism and the necessity to expand working with it within the department methods for the undergraduate and higher studies. Afterwards came a list of the research references, a group of appendices and an English abstract

سمات الاداء التمثيلي في تجربة قاسم محمد المسرحية

اسم المؤلف: حسن قاسم محمد
اسم المشرف: حسين علي كاظم التكمه جي
الموضوع العام: الفنون الجميلة
السنة: 2011
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ينقسم البحث الموسوم (سمات الاداء التمثيلي في تجربة قاسم محمد المسرحية) الى اربعة فصول تضمن الفصل الاول الاطار المنهجي للبحث عن طريق مشكلة البحث والحاجة اليه، واهميته، وهدفه، وحدوده وختم بتحديد المصطلحات ثم تلا ذلك الاطار النظري للبحث وتضمن ثلاثة مباحث الا

جماليات النظام التصميمي لهيئة جهاز الحاسوب المحمول وعلاقته بالمستخدم == Aestheticisms of Designing System For Shape of Laptop And Its Relationship With User

اسم المؤلف: مهند جورج الياس فتح الله
اسم المشرف: شيماء عبد الجبار حميد العبيدي
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يعد? جهاز الحاسوب المحمول , من التقنيات الحديثة المهمة والاكثر فعالية وتاثيرا في حياة الانسان. وبما ان الهدف الرئيس لاي عمل في مجال التصميم هو النظام التصميمي المناسب , فقد تناول البحث الحالي دراسة امكانات وضع مرتكزات تصميمية تطويرية لهيئة جهاز الحاسوب | The lap top is consider one of most modern techniques and most influential and activity in life of human , the main aim for any work in field of designing , is fit designing system where present research deals with studying of potentialities set rests of developing designing for shape of lap top in order to contribution of present research with its artistically and scientific materials in finding knowledge base to studying aestheticisms of designing system for shape of lap top in order to achieve designing aspects with concerning with aestheticism formative system and functional aspect which achieve qualification in work with provide security and safety , both from contains of 1st while 2nd consist of three topics , the first was concerning with in designing system ( formative ) , while 2nd topic was deals with what's lap top and relation of its function with designing variables and its components and ways of used connection beside its relation with surrounding circumstances , 3rd topic have introduced explanation in humanbeing engineering ( Anthropometry ) and designing of designing of designing systems , 3rd have concluded measures of research where I depend studying of case in descriptive methodology in order to form base of scientific analysis of for sample of research which represent 50% from community of research through analysis and current descriptive for phenomenon. The researcher have depended on indicators was outcome sources and references were depended by researcher and field visits for shops of lap tops , and also interviews with owners of experiment , beside reconnaissance of researcher through use application of interview to specify how dealing of user with designing system for shape of lap top. 4th chapter have described sample of research and analysis it according to application of specification of axis of analysis. 5th chapter and last to introduce results and conclusions and designing rests and recommendations besides suggestions.Most results were been discovered by research as following : - 1 - Confirming on designing system which concludes well - organized relations which connect parts each other and with public shape which reforming as whole for structure against its functions within one connected idea.2 - key boards become on shape of bowed in outward and with tendency angle fit with direction of hands in order to functional values and getting rid of stress to wrist joint as result its twist towards inward ( where direction of hand of user in direction same or extension wrist joint and in same extension of hand ) , aesthetics value through movement and variety to its designing variables to cope with desired function. 3 - designing shape of lap top with well - organized structural system from ordered relations? between system of structural techniques designing system and operational smaller size , lighter weight and more competence and between forming designing variables to provide desired function and aestheticism value in order to carry out requirements of user. 4 - employing of shape lap top connect with abilities of loading , moving , and facility of treatment and usages in different environments of work with less range from surrounding space.5 - achieve elements of quality , and designing formatval structure through use material of plastic ( type ASB ) in shape of lap top through physical features and requirements of manufacturing and economic consideration. 6 - relying on movement and variety in structural shape in order to achieve renew structural configurations , original and development with aestheticism influences and by dynamic spaces and not similar and nderstanding for certain aims of designing work.

تاثير استخدام اوكسيدي الزنك والتيتانيوم لانتاج زجاج الخزف البلوري == The Effect of Using Zinc Oxide And Titanium Dioxide To Produce A Crystal Glaze

اسم المؤلف: احمد جعـفر حسين الـشمري
اسم المشرف: محمد عبد الحسين العريبي
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الخزف
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يتناول البحث الحالي امكانية انتاج زجاج خزف متبلور ينضج بمدى حراري عال(1250 م) باستخدام اكاسيد الزنك والتيتانيوم كـمكونا رئيسيا للتبلور وباستخدام زجاج قلوي جاهز(Alkaline Frit glaze) بعد اجراء التحليل الكيمياوي للحصول على زجاج يلائم طبيعة البحث كما حددت | The research is dealing with the ability to produce crystallized Stoneware, Sensing in high range temperature by using alkaline frit glaze as the clay had been appointed, by adding simple amount of unsold material. The materials caused crystallization (ZnO) and (TiO2) in various proportions after treating (ZnO) and (TiO2) screening it to secure its melting in glazes. The results that researcher had done are valued and a selected ,sample has chosen ,after doing many modifications on the group of (ZnO) and (TiO2) upon the appearance of the clearly crystal by ( sight ). Titanium Dioxide was added to the group of zinc to know the influence of the in the crystal of zinc after that the colored oxides averse added which they were (CuO), (CoO), (MnO2), (TiO2.FeO) and (Fe2O3) in various proportions to show the beauty of the crystallized Stoneware. The researcher concluded within the experiences that there are many reasons that confine the produce of the crystallized Stoneware pottery in perfect way like the solid material and the addition of oxides which cause the crystallization in huge a mortal more than it is usual and the right application of equality and thickness and appoint the degree of crystallization and duration and cooling time upon scientific an accurate base.In the laboratory many tests had done and the result was that the examination of (X.R.D) showed that many crystals of new materials appeared after the disappear an of glazes

برنامج تدريبي لاكساب طلبة قسم الاعلام مهارات الاداء الصوتي == Training Program For Acquiring Skills of Diction To The Students of Mass Communication Department

اسم المؤلف: قيس هاشم احمد النعيمي
اسم المشرف: سامي عبد الحميد | عبد المنعم خيري النعيمي
الموضوع العام: العلوم التربوية
السنة: 2011
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: الالقاء المتقن من خصائص الملقي وذوي الاختصاص الفني عامة، والاعلامي في الصحافة المسموعة والمرئية بشكل خاص، الوسيلة المثلى في الايصال والاتصال لتحقيق الافهام والانسجام والتواصل والتاثير في الاخرين. فن الالقاء، علم ذو قواعد وضوابط واسس، لابد من تعلمها، ثم ا | The accurate speech is a tool of the specialist art in general and the especially the spreader who work in (Radio /TV.), It is the optimal medium to accomplish the harmony, Communication, interfacing and the effectiveness with the others.The speech art is a science with criteria and grammar, most be learned and trained based or the skill and the knowledge ability of the learner according to his tendency interest during and after his study and then going onto the knowledge and performance skill sufficiently order to use the human sound with beautiful and accurate speech.The modern knowledge method based on the instructio - nal design steps contribute with appositive form in building the training program to agree with the performance level skill of students especially the student of mass department enabling them acquiring the diction skill and to benefit from the connection between the knowledge skill and the professional training to get sufficient performance skill (Speech and Diction).According to the abovementioned, this study aims to : 1. Designing a training program according to (Gagne & Briggs,1988) method to acquire the students of department of Mass Communication the skills of diction. 2. Measuring the efficacy of the training program through applying it on empirical sample of 4rd grade student of department of Mass Communication / Radio and TV. branch for the academic year 2010/2011. The research population are the fourth student / department of Mass Communication/ Collage of art/ Islamic university - Baghdad. The no. of students sample which taken from/ Radio and TV. branch are (45) students, choosing (10) randomly population to apply the test on them.The current research follows the methodology training, so the training program is designed for acquiring the diction skills from analyzing the contents of (Arabic phonetics) which belongs to speech and diction subject, and rebuilt it according to (Gagne & Briggs,1988) method.In order to measure the efficacy of this program, two kinds of tests were designed, the first test is cognitive to measure the student's information and the second is the expertness which measured by performance rectification form.To manifest the results of the study concluded by the researcher, he used the following statistical means : (Willcoxn Test) to show the prior - posterior differences between the students of the empirical group, (Difficulty and Discrimination Coefficient) equation to analyze the paragraphs of the cognitive achieving test and (Holsti) equation to find the agreement between the two criteria also those noted in consistency on performance rectification form.In addition using the (Kauder Richardson / 20) equation for consistency of cognitive achieving test. Most significant result concluded by the researcher : 1. The efficacy of the training program which designed according to (Gagne & Briggs,1988) method and its effect and capability in acquiring the students the knowledge skills in diction which is part of (speech and diction) subject from the forth class course/ Tv. And Radio/ Mass Communication department/ College of art/ Islamic university/ Baghdad. 2. The training program shows a good result in acquiring the skills of diction after apply it prior - posterior stage, and the posterior stage shows the best results. The most significant recommendations by the researcher are : 1. Consider the training program which tested on diction as a curriculum to teach it to the forth class in the Mass Communication department to acquire them the knowledge and performance skills.2. The modern teaching mediums in using the instructional design and the training Program require suitable learning environment and instructional material and an experience teaching stuff to grantee in general the development of teaching the knowledge and performance skills and especially in diction and speech subject.

ادب السيرة بين الحقائق التاريخية والرؤية الفنية في الدراما التلفزيونية : دراسة مقارنة == Literature Curriculum Between Historical Facts And Artistic Vision In TV Drama

اسم المؤلف: ايناس عبد الحافظ احمد القباني
اسم المشرف: عبد القادر خلف الدليمي
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تكمن اهمية الفن التلفزيوني في كونه يتصدى لموضوعات شتى تنتمي لاجناس ادبية مختلفة تتوحد داخل لغة الصوره بسطوة الدلالة المباشرة لايقونية الصوره المتشكلة في تراكيب ومعالجات اخراجية يريدها صانع العمل, ومن بين الموضوعات التي يتم التعامل معها مرئيا في الدرا | The importance of art lies in being a television address to the various subjects that belong to different genres unite hold sway within the language is significant direct iconography is formed in the structures and processors directorial arranged by the employer, among the topics to be dealt with is visible in the television drama is literature BiographyAnd the specificity of these issues lies in the fact that the literature curriculum promotes the requirements of formal and structural overlap among the various sciences as a science and the concept of narrative history as part of mating between fiction and drama. This privacy policy was prompted by the researcher to identify the object (Literature curriculum between historical facts and artistic vision in TV drama)The researcher divided this study into five sections, the first systematic framework has included the research problem that arose on the following question : What are the modes by which the employment of the artistic vision in the realization of the historical facts in television dramaSection I : Biography of literature and touched the researcher to define the concept of literature curriculum set out the main features and types, which was the Prophet's biography, curriculum vitae and biography biography and historical roots, and then look at the structural elements in the curriculum and levels of narrativeSection II : sign structure of the image visible in the literature curriculum has been the search structure is a sign to achieve as much of the process of delivering information, or to determine the significance in the formats that are often concerned with time particularyThe third topic : the historical facts in television drama, and in this section have been addressed to the concept of historical truth and honesty historical and means owned by the television drama in the formation of credibility for the construction of historical events dramatically through the adoption of all the elements that work on the level of form, research concluded with previous studies and the most important indicators that Researcher learned from almost the theoretical frameworkChapter III : Research procedures, which were addressed to the research methodology and a tool of research and the research that was three serials, as follows : 1 - serial - Zahir Baybars 2 - Asmahan serial 3 - serial Hulagu Finally, samples were analyzedChapter IV : Results and conclusions And it has been to reach the main results which have been drawn and analysis of the sample 1 - Biography of literature depends upon transfer to a television series on the existence of a personal narrator either as a participant narrator or the narrator of events is co - narrator of the events ranged from diagnosed or undiagnosed narrator and as we have seen in the series of Baybars and the series Asmahan serial Hulagu2 - historical truthis linked to the maker's ability to build an image of actions match the historical record in terms of details and building what is known for his historical and literary bloggers, and in this scenario we have seen in political assassinations in the series, both famous Baybars or Asmahan serial or serial ,Then the formulation of conclusions, which included conceptual framework and analysis of the sample. The research concluded with recommendations and proposals and list of sources of supplements with a questionnaire to the Committee of Experts and a summary in English.

المعالجات السينمائية للرواية الحديثة == Film Adaptations of Themodern Novel

اسم المؤلف: احمد جبار عبد الكاظم العبودي
اسم المشرف: طه حسن عيسى الهاشمي
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الفنون السينمائية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان الدرس السينمائي المعاصر، يؤكد على التماهي المطلق بين السينما كوسيط تعبيري قائم بذاته، والفنون الاخرى، كمنجزات جمالية سابقة عليه، يتعالق معها بنيويا ودلاليا، وكانت الرواية من اكثر الاجناس الادبية التي استلهم منها صناع الفيلم منذ بداياتهم الاولى، ل | The modern cinematic lesson emphasizes on the absolute identification between the cinema, as an expressionist intermediary stands for itself, and the other arts, as aesthetic achievement precede it, they both are linked syntactically and semantically. Novel is the most literary genres that inspire the film makers since their beginning because of Its relatedness to Cinema narration characteristic, the completion of the expressionist intermediary of Cinematograph, and involving of the sound that expands the aesthetic and narrative ranges of the film to the maximum in the ideological indication, enables the Cinema to arm with the modernist consciousness because it became close from the experiences of Art and literature ideologically, aesthetically, and stylistically. Cinema involved in the modern novel, which is considered as ideological and aesthetic revolution throughout the film adaptation that copes with the novel context modernism through its construction to the text of the modern film. The theorists and film art critics give a special importance to dialogue relationship that based on the Influence and effect between the novel discourse and film show despite the obvious distinction between their expressionist intermediaries. Because of the quotation processes and forms of correlation between these two arts through interchangeable transformations to the semantic and expressionist statements. The theorized visions are centered through observing aesthetic contiguities and paradoxes to the indication between them. One of them utilizes the oral language and its syntactic structure that contributes in deepening the meaning. While the other one appears through the audio - visual and editing structure that deals with time according to its own way. Despite the difference among the visions and the critical and artistic situation about how Cinema takes the benefit from the novel as a source of inspiration or quotation which is based on particular level of adaptation, as a structural and conscious semantic action. Most of the critics try to undermine this creative connection, said that Cinema is an independent Art contrives its own subjects without standing on literary structures that are already made. It is proved that the spectator accepts the shown ideological structures and interacts with them negatively or positively despite the scenario of the film is adapted from novel context as a semantic reference or an invention leads nowhere but to itself. The uniqueness of this research is to observe the structural and semantic variable between the modern novel through its complicated structures, represented in the paradoxes of narration, narrative prospective, multitude in the levels of focalization, the linguistic rhetoric utilized by poetic deviation, its narrative and semantic concentration, and the film show with its modern form, narration, and Cinema language. Consequently, getting involved into the modern novel context world and its transformations into a film show requires someone who is capable of decoding the secrets of them. In order to fulfill the aim of the research, the researcher divides the research into : Abstract (in English and Arabic) and four units. The first unit (Methodical Frame) contains (problem of the research - Importance of the research - the research limitation). The problem of the research appears as a question has been made, by the researcher, as (what is the range of the semantic and structural transformations of the modern novel in contemporary cinematic discourse?). The aim of the research is to detect the levels of the semantic and structural transformations, which appear in the structure of the modern novel genre, in the contemporary cinematic adaptations. Second unit, theoretical Frame, contains three chapters. First chapter is entitled (semantic and syntactic structure of the modern novel). The researcher investigates, through historical vision, the theory of modern consciousness manifestation of the global and Arabic novel for its conjugation to the realistic variables. The researcher explains how the modern novelist deals with the reality and investigates its deep content according to his personal philosophy and his aesthetic consciousness that comes from deconstructing the ideological structures to the reality and reforming it. He also investigates the characteristics of the modern novel as semantic structures through saturating the syntactic components of the modern novel context from the prospective of the narrator and his multiple visions, time, characterization till the place. The second chapter, entitled "Film Modernism", is dedicated to the prospective of modern consciousness in the contemporary cinematic discourse identifying all the literary and artistic discourses that take the way of modernism in order to express about what is prevailing. The researcher investigates the beginnings of the modern consciousness with contemporary cinematic directions (Formality and Realism) with its various styles in employing the cinematic expression means. While the other component and the most important, was an attempt to theorize the modernism of contemporary cinematic form that appears in time structure of its narration which is done by the semantic activation of Cinematic language. Then from all that, the researcher concludes a simple lesson which is that Form, Narration, and Cinema Language interlaced in a way that cannot be detached but for the purposes of study and analysis. The third chapter, entitled " Text Transformation : Modern Novel and Film Show", discusses the levels of film adaptations to the modern novel by using film examples that are well - known for its adroitness and creativity in adapting novel contexts which are unique for their semantic and structural aesthete. The researcher starts following the concept of the text, as a semantic structure that all critical visions vary to define its concept of text, from the contextual methods till the deconstruction strategy by Dryda (post - modernism) including all the aesthetic characteristics of the novel as a text and the film show as text also. The researcher concludes from the theoretical frame that the contemporary adaptations of modern novel, which are an action to transform the novelistic work into cinematic expressionist intermediary, depending on the strategy of quotations according to literal or free level that reflect the ranges of interlacement for the texts, or to combine both of genre in addition to the interpretative creativity of the therapist by using the cinematic expression language as a remarkable interpretative art. The researcher comes up with punch of stuff and adapts them as a tool to analyze his examples. The third unit is the place where all the elements of the research, Research Method, the research reunion, and the research model, are compiled. The fourth unit contains all the results that the researcher comes up with from his analysis to the models (French Lieutenant's woman) and (Hours) and the conclusions that the researcher comes up with from all the research in general. It contains suggestions and recommendations.

المرجعيات الرافدينية في التشكيل الاوربي الحديث : دراسة تحليلية == The Mesopotamia References In The Formation of Modern European

اسم المؤلف: عادل نفل مهدي
اسم المشرف: محمد جلوب جبر الكناني
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الرسم
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The study tagged (the Mesopotamia references in the formation of modern European)This study (displacement metaphor re - creation Development) in the formation of the European modern, so that the transformation of thought and a variety of techniques purified in Auahr the nineteenth century and early twentieth century, for a performance art in the formation of various multiconfessional to adopt the idea beyond the apparent shape and body to generate new properties dialogue essence, those same characteristics that distinguish them plastic formation Mesopotamia all levels of historical and cultural. The researcher classified the stages of transportation , plastic art historial classical and arrive at modernism in terms of access to (reference Mesopotamia) as follows formation : Stop (switching) characteristics and attributes forming the European through the stages (above) in terms of reference mesopotamia on (the nature of acculturation and cross - fertilization of civilization) and then extrapolate the properties mesopotania as a reference, or analysis of representative samples, while monitoring variables stylistic, or track and investigate variables stylistics in modern European in what is a pointer in the collectanea mespotamia of the properties and attributes, especially those that depend idea exceeded (appearance) to the undercover (substance), which paved the way for action in visual form and paved the way for abstraction of exchange... And mythology mesopotamia which paved the way for surreal and try the artist tributary Lenny to find the best form in addition to the idea of the artist Assyrian of leg five of the objects Guardian winged - that paved the way for the fufusim , in addition to the idea of philosophical Eastern's proposal to the infinite which has no beginning and no end, and embodied in the repetition decorative engineering and others, which the cradle of the art optical (op art) as well as the genius of the artist that created the Sumerian genius act in shorthand and geometric abstraction, in models of devotees of the Sumerians paved cubic, and Transformers artist mesopamia artist generally tributary to embody the emotions in terms of the internal appearance, which paved the way for exprisianism...Thus, for the purpose of access to the results of arguments convincing evidence on the researcher adopted the analytical approach with descriptive identification codes reflected the function of the icons, take a researcher in his analysis of works of art in the formation across three European connotations as the pillars are : 1 - indications of the iceberg of self - creative imagination and conditioning coach in the composition.2 - indications of stock knowledge and implications of cultural, environmental, and how to inflict subseguent in the previous configuration.3 - indications of formal employment and the concept of reference tributary of mesopotamia in the formation of modern European, according to research objectives.Focused on "Chapter II" framework of knowledge as follows : First, the reference - the concept and meaningTurning to the issue of borrowing and call, and Alastaihat different from the experience of the predecessor, essences and essential expressions of the place and time through the ages.Second, the historical reference : Take the conditioning in creative done for generations and peoples, in addition to the date formats, systems and techniques characterized, and the getting has become a source of artistic originality in the discovery and innovation.Third, the environmental reference : Address the mutual adaptation between the projections of subjective "emotional" and between the external environment, and also between different environmental compressors known as an active and influential elements of the activity of the creative artist, whether those compressors natural or spiritual, or thought of the collective agreement is based. Effect in determining the attributes of privacy and identity formation.Fourth, the philosophical reference In which he addressed to him thinking researcher in the Far East, which calls for simplicity and integration with the mystic (scratch) located intuition or not perceptible and the impact of him to think that the rights of the artist creating it. It also discussed the mechanism of thinking in the west of (Europe and America), which calls for the logical analysis of the provocation surrounding which helps to create a human (the world) in addition to addressing the mechanism of thinking in the Middle East, which combines the mechanics of thinking the Far East with the mechanics of thinking the West to create this center intellectual (the human world and the artist) together.Fifth : The logic reference in the structure of rational thinking European He dealt with the happening of knowledge of the mind that made the center of systems thinking based on experience and experimentation, and to make science dominant in place of reason in Europe.Sixth : the meaning of modernity Dealt with the word (modernity) between linguistic meaning and meaning conventional detection and the impact of shocks that hit the art generally affect the characteristics with recognition of the rapid changes of the activities of modernity in the formation and the separation between (character style ) of art) in the ancient civilizations and between (the openness) based on acculturation and cross - fertilization and the intermarriage of intellectual and artistic at the time of modernity.Seventh : the concept of the formation Address the concept of structural - General of the formation of the adoption of elements and the basis of the configuration from the (vacuum) and how to convert the concept into space, the introduction of the simplest forms it (point) and how it moved the point of a (line) and how to move the line with the changing trends and types to form a flat, and how to move flat to form a (mass ) or (stereo) and how to move the cluster on the surface and the optical range and harmony and to form multiple (composition )Eighth : the fourth dimension in the plastic Arts Address the mechanics of structure in the shape to achieve the illusion optical and to achieve the third dimension (prespective , and then simulate the fourth dimension (movement) and format conversion constant (stutic ) at the pictures of figure moving (dynamic) and did not address the fourth dimension as a trend technically called for (furtusime ), but considered in the out of art, auction model is a fourth dimension of the points, and the flat fourth an IV line, and mass represents the fourth dimension of the flat configuration and mass movement through time and space to Tkthel fourth dimension of the flat in addition to the classification of the fourth dimension to three cases : 1 - the fourth dimension structural : the movement is reflected in the vocabulary of visual construction of the text.2 - the fourth dimension of the narrative : This is reflected in the transition time and place within a single work of art, to give the impression Daramatic flow of conversation.3 - the fourth dimension inductive, and is reflected in the multiplicity of points of attraction within the structure of the configuration with the equality of influence in addition to the repetition.Chapter III measures included research, with analysis of samples.The fourth quarter included the results of research, findings and recommendations and proposals.The results of the research, the research found the most important results of1 - revealed some of the experiences of European artists in the update data embodied creatures plastic composite (virtual) for metaphy5icsart mesopotamia2 - showed some of the modern European business formation, syndication of the structures in its reference configuration leading tributaries, with attempts to adapt an innovative new approach resulted in the formation European.3 - revealed the artist's attempts at forcing European art between the summons and displacement of the reference Mesopotamia communication to the fourth dimension formula ((a time)) in the works of modern European composition.4 - European artist to deal revealed in the presentation of some of the meanings and conceptual by start forms that narrative in the presentation of the event with reference mesopotamia in models of seals and inscriptions.

الاساليب الشعرية في النص المسرحي == Styles Poetics In The Theatrical Text

اسم المؤلف: عبلة عباس خضير
اسم المشرف: عبد المرسل فليح الزيدي
الموضوع العام: الفنون الجميلة
السنة: 2011
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: This research deals with the conceptions of poeticalness as they are considered significant ingredients for the formation and construction of contemporary dramatic texts. Because the dramatic text can provide suspense, tension and curiosity for the recipient throughout the dramatic structure molded with the poetic components and techniques, poetry forms an action factor in the formation of the discourse of the contemporary dramatic text which makes use at the poetic structure and methods, so that new spaces are made available for the recipient to mark a scenario between the essence of the text and the essence of the recipient to produce the meaning contained in the dramatic text in a form that is like a chemical equation with different results according to the nature of the mixed materials which represent in this connection the text and the recipient, and thus poetry opens wide directions and lines for their entrance into the domain of meaning. Therefore, the researcher finds it important to study the conceptions of poeticalness and how they work with in the dramatic text, and their aesthetic values. The study is made an analytical one for the sake of finding out the components of the dramatic text, as seen throughout this perspective, which plays, at a high level, its role in the contemporary textual discourses as a whole. The researcher has set a plan for achieving this aim. The plan is summed up as follows : The researcher presents the first chapter which consists of the problem of the research, its significance and aims. Chapter Two is divided in to the following sections : Section one : The concept of poetical nessSection Two : Techniques of poeticalness and the systems of the dramatic conflict. It consists of : First : The poeticalness of rhythm in the dramatic text. A. RepetitionB. ContrastC. Juxtapontions and parallelsSecondly : poetical ness of the structural phenomena : A. Brevity B. Violations of the rulesC. Role transformationD. Emphasis and EllipsisThirdly : The poeticalness of meaning : metaphorical meaning Section Three deal with the aesthetic poetic levels in the dramatic text.Chapter Three presents an analysis of the samples according to the theoretical references. The samples are chosen from effective and typical specimens according to the level the dramatic writings and compositions in Iraq. The Plays chosen are : 1 - Speak o Stone, by Muhaiy AL_Dean Zangana2 - A City Full of Knives, by Jaleel Al_Qaisi3 - The Nights, by Dr. AKeel Mahdi4 - The Door, by Yousif AL_Saig. 5 - Heaven opens lately, Falah shakir Chapter Four consists of the findings reached at by the researcher throughout analyzing the chosen samples conducive to the results, recommendations and suggestion, which contribute to shedding more light on the conception of poetical ness. Then The researcher has attached this research with a bibliography, which shows the reference books the researcher has adopted during the course of this research and study. The researcher has also made an outline of this study in the English language.

اداء الممثل ومقارباته الحركية والايمائية للموروث الشعبي في العرض المسرحي العراقي == The Work of The Actor And His Movement And Gestures Approaches To The Popular Tradition In The Iraqi Theatrical Performance

اسم المؤلف: عقيل ماجد حامد محمد الملا حسن
اسم المشرف: وليد شامل حسين
الموضوع العام: الفنون الجميلة
السنة: 2011
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يتناول البحث دراسة المقاربات الحركية والايمائية للموروث الشعبي عن طريق اداء الممثل المسرحي ولاسيما في المسرح العراقي، والمتمثل بالعادات والتقاليد والمعتقدات التي تسود المجتمعات، منطلقا من البدائية واداء الرقصات والشعائر على مختلف اشكالها، وبحسب ما تحتو | This research studies the movement and gesture approaches to the popular traditions especially customs traditions and beliefs ,through the stage actors performance starting from performance different dances and rituals that belong to each area or environment. Most of the contemporary stage directors could re - read these traditions in different and variable ways making the stage actor a means for expressing these traditions beliefs represented by ceremonial aspects. Based on what is mentioned above , the research is divided into four chapters.The first chapter deals with the systematic frame work that includes the problem and the need of the research and its importance aims , and limits as swell as determining and defining teruninology.The research problem comes into vieuo through the question : ( The Work of the actor and his Movement and gestures approaches to the popular Tradition in the Iraqi theatrical performance ) the importance of research lies in the observing the performance achieved in the stage show through the peoples tradition embodied by the actor on the stage using his motional and sound tools with cognitive aesthetic implications that help him find a way of theatrical performance. for this reason this research has a cognitive importance in presenting an objective study for the researchers in theater sciences. The aim of the research is to identify the motional and mimic approaches to the peoples tradition via the stage actors performance. the limits of research are restricted to study the way the actor deals with his tools and elements surrounding him through his embodiment of a character from an intended chosen samples from Iraqi theatrical performance (1970 - 1990) that were shown on Baghdad stage. The researcher ended this chapter with determing the terminology including : ( performance , approach , motion , mime , folklore , heritage ) and defining then procedurally while chapter tow (theoretical - framework ) contains three (studies) the first (study) pupelar tradition , referenees …. Performance. The Second study (movement and gesture in popular tradition ) the third study (Inspiring the popular tradition on contemperary stage and the technique of performance ) it refers to the most important indications which the theoretical framework house made elear and followed by previous studies. The third chapter is specialized in the procedures of the research which contains research community , sample of research , method and tool of research the chased samples from the Iraqi theatrical shows have been analized after making the field survey on them which are more than 80 performance to reach the optimum results , these performance was submitted to a commity of experts in theatre arts (direction acting , arts , critisim) who were 9 experts. after hawing seen them , three shows have been chose for getting the votes of the commity of the experts : 1 - play of Baghdad the eternity between seriousuess andcomedy Directed by Kasim mohaed.2 - play of Sharea , Directed by Dr. Fadhil Khaleel.3_ Play of Makamat ABI Alward Directed by Ibraheem alal. The Fourth chapter includes the summary of results and conclusions that the researcher reached by sample analysis related to the reaeourch aims. This chapter has the rwsearchers suggestions and recommendations as well a list of sourced refrences photo and annexes. Ending the research with English Abstract.

الخطاب الجمالي في تلوين النحت المعاصر == Aesthetic Speech To Coloring Contemporary Sculpture

اسم المؤلف: علي رسن منصور
اسم المشرف: مرتضى عبود شهاب حداد
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: النحت
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: لقد اخذ النحت حيزا كبيرا في المنجز الفني الحضاري لدى الانسان منذ العهود المبكرة, وقد اظهرت المنحوتات المتنوعة ان محاكاة الانسان للطبيعة كانت متمثلة في اعماله التي جبل بها الانسان الاول بفطرته لينتقي من نفسه ومن الاشكال الطبيعية من حوله الكثير من المفردات

التكوين المهني لمدرسي التربية الفنية في ضوء النقد الثقافي (برنامج مقترح) == Function of Cultural Criticism In Developing Program of Professional Formation For The Art Education Tea

اسم المؤلف: معن جاسم محمد امين
اسم المشرف: ماجد نافع عبود الكناني | عقيل مهدي يوسف
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: التربية الفنية
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: To be an active part in the system of his age, the human being should be aware of the changed cultural signs of his age,. He also should be able to understand the cultural novelties especially in the fields of literature and art. Art education teacher, to be an active element in the cultural change and aware of the importance of renewal and updating in the field of culture, he should be able to analyses the appearances of culture in his age and to be distinguishing in his ability as a critic of his age culture to reveal the defected points that lead culture to be one of the employed means in controlling, hegemony dictatorship and refusal the others, Instead looking for the factors that make culture an active element in the positive change and in the progress of mankind and promotionof humane values.According to all these data, a question is asked : How could the art education teacher be active in achieving educational aims for the philosophy of modern education that looks at life a modern look which takes in the account all cultural and technical change and dealing with new concepts that characterized with their ability to change rapidly and to develop continuously.This could not be achieved except through a completed program of professional formation for the art education teacher in which he may comprehend and understand the goals that should be set to be suitable to the revolutionary start for the thought of Modernism and Post - Modernism and the process of intellectual transformation with the beginning of the new century, and its future challenges that look at the culturing means and Acculturation as a synonym for education and teaching.The process of revealing the function of cultural criticism, especially in the field of art education may form an important point in the way of understanding the role played by culture in forming building and developing the societies Via education in general and art education in particular. Consequently revealing the function of cultural criticism in developing the program of professional formation for the art education teacher opens to us active prospects and pillars through which we may develop programs for preparing andtraining for teaching profession in the field of art education as suitable to continuous developments in our current age and the prospects of transformation and renewal.Under the circumstances of information explosion and deliberated explosion of culture and knowledge in all their forms, the importance of cultural criticism comes to analyses and criticize historical and social roots and what accompanies them of political and moral ramification produced by artistic works, event, and ideological practices and organizations. Thus, preparing an art education teacher for teachingprofession requires a special and methodological preparing including a program prepared to develop a group of cognitive, cultural and practical skills which suitable to development of age and the necessity required by the rapid changes of new world.Basically, the task of art education teacher is a culturing and teaching task, thus his connection with his society culture and value system and moral consideration, which in whole forming a distinguishing identity for the society, is a close connection.Starting from a modern vision in the process of developing a program to prepare and qualify the art education teacher through the role played by cultural criticism in developing a program of professional formation for art education teacher, the problem of research may be determined by the following question : What is the function of cultural criticism and its role in developing program of professional formation for the art education teacher?The research endeavored to achieve two goals : 1 - Defining the function of cultural criticism in developing a program of professional formation for the art education teacher and identifying the basic pillars that my by relied in preparing teacher for the task of art education teaching. 2 - Building a suggested program of professional formation for art education teacher. To achieve the research goals, the research was divided into five chapters, the first chapter included an introduction and a definition of the problem of research and its importanceand goals. The second chapter dealt with the theory of culture and the references of cultural criticism in an attempt to reach the conceptualization of the term "Cultural Criticism" in addition to that, the chapter endeavored to define the linguistically andterminological significances of culture concept and to study the stages of growth and development of cultural theory and the most striking trends, and to took at the conceptual system to each of culture and criticism, then look at intellectual considerations and references that led to the appearance of the term "Cultural Criticism". The third chapter dealt with the relationship of cultural criticism with art education and the relationship of culture with education, the concepts of change and development art education teacher ,and Post - Modernism Culture, then moving to define the most outstanding contemporary treads in forming and preparing the art education teacher, to define the new roles of art education teacher and the concept of quality in teaching. The fourth chapter overviewed the methodology of research and its procedures and steps to prepare the suggested professional program for the art education teacher. The fifth chapter represented the conclusion of research. It also dealt with the reality of the professional formation program for the art education teacher, then it set a suggested model of professional formation program for the art professional formation program for the art education teacher, with a group of recommendations.

تحولات صورة الجسد في الخزف المعاصر == Converting The Image of Body In Contemporary Ceramic Works

اسم المؤلف: علية محسن عبود الصياد
اسم المشرف: انغام سعدون طه العذاري
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الخزف
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: لعبت صورة الجسد في الفن دورا كبيرا ومهما في تطور الفكر والمعرفة الانسانية، وساهمت تحولات صورة الجسد التي اعتمدت الازاحات الكبيرة في تاريخ الفن بافراز تحولات في الاسلوب والية طرح صورة الجسد في مختلف البنى التشكيلية والتي تضمنت الابداع كاحد اسس هذه التح | The body image in art has played a major role to develop the thought or mind and human knowledge, and the converts of body image has contributed to depend on large displacement in history of art to sort the innovation as one of bases to this conversions the body image has moved in the art of pottery in side the mechanism of its matter and the style of it forming and technical style to take its specialization to be emerged to rests of Arts. This abstract includes the study of matter of conversion of body image and recognize its specification in contemporary Iraqi pottery that includes four chapters.The First chapter contains the problem of Abstract and its wondering and an importance of abstract and then its aims upon the observation the important conversion of body image in contemporary Iraqi pottery, and then the boundaries of time abstract that limits (1970 - 2010) and place, then specifying the terms, upon to the need of abstract and process identifications, bet the second chapter that has been divided to three approaches, in the first part of first abstract talking about the confirmation of philosophical and intellectual concept of conversion, in the second part it has been specified to a concept of body image that contains philosophical concepts for body and throw the light on it, at the second approach the showing was made for conversion of body image in art in civilization to deals the body image in ancient Iraq. The body image in Egyptian arts, the body in Greek arts, the body image in Islamic art and its conversions, and Abstract continues to reach the third approach to deal the conversions of body in contemporary pottery. But the Third chapter has been specified to the procedures to select that society, specimen, the tools of sample classification, the tool of analyzing and its concept and then analyzing the samples that have been received to five samples (inspire body image symbol body image, advertising body image, pragmatic body image, realistic body image) have been classified upon to the sample classification tool and its specimen. At the fourth chapter, the results of abstract and its conclusion and recommendation and suggestion, have been acted, and then English, Arabic references, appendixes and images and the researcher has reached to the numbers of conclusions are : 1. It has been appeared significant cross and time cross to appear the body image in potteries that exchanged that emerging and absence upon to the social, intellectual stresses to move to body image to another and from idea to idea.2. The searching always about obscured intercepting beyond the concept and referring to another concept and those referring subject to intellectual, social environmental potteries.3. Body image subject to references either Rafidain it mean old Iraq thought, the order the references of Islamic thought, the order the reference of Islamic thought and oppress to borrow the symbol, inspire, and borrow by color, shape and the style of formation some times, or contemporary references inside modern art school.4. The mythological borrow animal ports for example the horns, feet of birds, wings, and heads of animals upon to the partial idea, where this body becomes alternative body.5. Denoting the image of body for man and woman together a mostly to appear in front of you in pottery samples to indict the human social sense of contemporary Iraqi pottery.6. The abstract shapes performs to play inspiration with mind and sometimes it does out recognize between the shape that takes fake shape and the body is absent, so, the body in case non concisions will be a bent incase of naked form and the surface of body try to expose it by many significant ways methods.7. The web of bodies and clothes stretch to the analyze long and contemporary pottery analyze long and contemporary pottery formation to emerge the body image by different meaning or significance.8. The body image has become a special sign denotes with discontinuing that does not be appear only for special environment or an idea (Death, Birth, the relation ship each other) and continuing the advertising about a case or an idea.9. Borrowing the body image natural shapes to emerge in it and contain grovel and rocks and trunk of tars, color of soil to execute that image in contemporary pottery.10. The fertile body image converted to advertising body image and alternative body image and typical body image inside the beauty specification (style women) and body building a modern idea.11. Pragmatic body image subject to the relation of pottery with received to show the achievement, those carvers, the mind and message that will be in received boundaries and interact with him by borrowing the human, social and enliven mental meaning or vocabularies.

المضامين التربوية والفنية للبرامج المنوعة الموجهة للطفل في التلفزيون عبر الفضائيات العربية == The Educational And Artistic Contents In The Children Variety Programs Among Arabic Satellite T.V

اسم المؤلف: جنان احمد محمد المرسومي
اسم المشرف: عبد الكريم لعيبي الربيعي | صالح احمد الفهداوي
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: التربية الفنية
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان في عصر الفضائيات والمعلومات والتطور التكنولوجي المتسارع، لم يعد مبررا ترك الاطفال يواجهون مصيرهم المجهول، فقد اصبح من الضروري اعداد استراتيجية عربية لانتاج اعلام خاص بهم ينطلق من اسس ومقومات المجتمع العربي الاصيل وبما يحصن الاجيال الجديدة في عالم | By Jenan Ahmed Muhammad Al - Marsomi The time of satellite, information and speed technology led us not to neglect the children to face their fate personally. So it is necessary to prepare an Arabic strategies for special media production based on Arabic traditions to protect the new generation from the purposes behind the different artistic and media production and found the most suitable programs for them. The attempts of globalizing media and audio visual culture call us to enter this civilized race and produce media and programs able to translate the Arabic aims into concert facts by enriching the children culture with his civilization and prospective future. In addition, the family also has a distinctive role, to direct the children toward a mixture of educational concepts and visual media, the role must be supported by a comprehensive social strategies calling for a solid media. Hence the cultural and educational establishment of children obliged to select the desired values and directed it to the children through a variety of cultural and entertainment programs among the artistic and educational media especially the television (T.V) which consider one of the most important media to construct the personality of the children and grew him up according the common social philosophy. In addition, the television can attract the attention of children by the variety educational and attractive programs which are a mixture of sounds, pictures, movements and colors. According to this importance of television as a mean of mass media for presenting a variety of Arabic programs for children, and as mean of separating culture through the programs which includes artistic and educational concept, the researcher found himself in front of different questions which represent the problem of her study which are : - 1 - What are the artistic concepts and values in the variety programs presented by Arabic satellite television for children? 2 - What are the formal and artistic concepts in these programs? According to this problem , the importance of the study comes of follow : - a - Artistically, this concerned with artistic ways of presenting these programs and its relation to attract the child attention to embody the artistic and educational message.b - Educationally, this concentrate on the way of employing some type of arts in television and how to educate children and learn them the sciences of art and literature. The important of the study comes also by analyzing these programs artistically and educationally, hence the aim of this study is to manifest the artistic and educational concepts in the variety items children programs in Arabic satellite television. The limitations of the study cover the following; - 1 - The children Arabic satellite channels.2 - Programs courses from ( 31 March 2009 into 31 December 2009)3 - Variety programs for 9 - 12 children. Chapter two studied the theoretical background which include (first : communication and society / second : children and television/ third : Arabic satellite television of children / forth Stenography and television). According to the indications of the theoretical background and the related thirteen previous studies, the researcher constructs the tools of the study which are presented in chapter three as follow : - 1 - The tool of educational content analysis. 2 - The tool of artistic content analysis. Moreover, the researcher construct a comprehensive evaluation analysis tool which gather these two tools based on (12 variable items) for the distinctive programs for children. Chapter three includes also, the procedures of study which depend on the content analysis as a plan for the study according to the approach of descriptive analysis. The tools of the study exposed to a number of experts to ensure its validity. To ensure high reliability, the researcher applied these tools on a sample of pilot study according to Berlson correlation coefficient. Different procedures were applied to select two samples for the study from the Arabic satellite television channels for children. Chapter four covers the analysis of children programs sample according to the artistic and educational and the analysis evaluation tools. Results of the study were presented in chapter five which shown that the variety programs of the Arabic satellite channels for children are (artistic, educational programs) and the artistic style for entertainment help to ease the process of learning and the positive educational influence by presenting the information and pictures and details to fix in child mind and his memory.

اساليب التصميم الزخرفي في الفن الاسلامي : دراسة مقارنة == Styles of Decorative Design In Islamic Art (Comparative Study

اسم المؤلف: بسام صعب حمد
اسم المشرف: عبد الرضا بهية داود
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الخط والزخرفة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: بعدما قام الباحث بدراسة استطلاعية، على التصاميم الزخرفية النباتية المنجزة على المخطوطات الورقية، في القرن العاشر الهجري/ السادس عشر الميلادي. وجد ان هنالك ثمة اوجه تشابه متعددة، ولكن ثمة اختلافات واضحة، سواء على مستوى المفردات والمكونات، او على مستوى الان | After an exploratory study done by the researcher on plant decorative designs on paper manuscripts during the 10th AH century / 16th AD century. The researcher found that there are many similarities, yet there are also some obvious differences, both at the level of motifs and components, or at the level of construction and configuration, also he noticed that there are two distinct Art schools which had established their characteristics and properties gradually through the Safavid school in Persia and the Ottoman school in the land of Anatolia (turkey). Although the two schools are included in the Islamic circle of Art, both show distinct and obvious characteristics. Thus a detailed study required to show both similarities and differences, especially as the researcher had found out as a result of his continuous research in this field and his study of curriculum in the departments of Arabic calligraphy and ornamentation in the scientific institutions concerned in this type of art. That there is confusion and overlap in the way decorative design is applied in these institutions. This requires that we show these differences by answering the following : {What are the similarities and the differences between the two schools of art (the Safavid and the Ottoman) regarding the styles of designing floral decoration?} The importance of research, in that : 1 - It can contribute to enrich the students with the knowledge and competence in various fields.2 - It can contribute in cementing the curriculum, especially in the field of Islamic decorative arts. The research aims at : Revealing the nature of the decorative design styles in the two Islamic schools of art (Safavid and Ottoman) during the 10th AH century /16thAD century.This is achieved by conducting a comparison between these styles and determining the similarities and differences between these schools, based on the following criteria : 1 - Systems of space division.2 - Styles of construction and structure.3 - Types of decorative design.4 - Units of floral motifs.5 - Treatment of colors and methods of illumination. The research is also limited to floral decorative designs which are colored and illuminated on paper manuscripts, such manuscripts are found in the Riza Abbasi Museum in Iran and in Sulaimani Library in Turkey during the above mentioned period. The theoretical framework included the following subjects : Emergence of plant motifs in Islamic art (Introduction) and then referred to the school Safavid in Persia, and to the school the Ottoman Empire in Anatolia, styles of floral decorative design (regarding space division, and methods of construction and structure), color treatment and methods of illumination, components of floral decorative design, types and units of floral motifs (glass, flower), as well as structural units and design bases of floral decorations. The researcher followed in his procedures a descriptive analytic method to reach the results that can accomplish his goal in solving the problem.A sample has been chosen on purpose, 8 samples have been chosen out of a community of 80 forms. The analytic form have been designed and presented to the experts to ensure its validity an ability to achieve the desired goal.The research has reached the following result : 1 - The styles of the Safavid school was influenced by the styles of Chinese arts and the styles of Tamarid school , whilst the Ottoman school was influenced by the Safavid school , and by the Roman Seljuks arts , as well as the Chinese arts.2 - The systems of space division seems to be alike in both schools (Ottoman and Safavid), represented by five divisional systems which are : (bilateral, quadrilateral, radial, network, stripes) systems.3 - The two schools show similarities in their utilization of the double construction (flower cup, floral), yet they show differences in their utilization of the single style of construction for one of these types, the differences are shown in both ways of space construction which are the free and the repetition styles, or even through the use of units belonging to other types within other types of construction.4 - The components of the design (structures) show similarities in both schools regarding their construction of design and the way of placement.5 - Generally, the two schools have used the same methods in utilizing units and types of floral motifs, yet they differ in the minute details of the motif shapes.6 - Color treatment in both schools are close, both utilize the same colors like (deep blue) and (gold dye), these two colors in particular cover most of the space in the chosen samples.7 - Ottoman and Safavid schools used the same illumination methods called (tazmik)

المعالجة الدرامية لشخصية المراة في مسرحيات هنريك ابسن - واوجست سترنبرغ الواقعية : دراسة مقارنة == The Dramatic Treatment For The Women Personlality In The Plays of Henrick Ebson And Ugost Strendbergh

اسم المؤلف: شيماء علي لعيبي
اسم المشرف: عبد المرسل فليح الزيدي
الموضوع العام: الفنون الجميلة
السنة: 2011
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تحاكي الدراما منذو نشؤها العلاقات الانسانية التي تالف المجتمعات وتنطلق من مكونات المجتمع - المراة والرجل - وفق معطيات الطبيعة ومؤثراتها الدينية والاجتماعية والسياسية والعادات والتقاليد ولكل هذه المفردات مؤثراتها على الفعل الاساس للانسان ذكر كان ام انثى ول

تكييف القص القراني للدراما التلفزيونية : مسلسل يوسف الصديق انموذجا

اسم المؤلف: علاء فاضل حمود
اسم المشرف: محمود اكباشي خلف الزبيدي
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان الامكانات الهائلة التي يقدمها التلفزيون في ميدان صناعة الراي من الناحية الاعلامية، وبما يمتلكه من قدرة كبيرة على التاثير في المتلقي، بحيث اصبح من الميادين المهمة التي تستقطب اهتمام الدول والمؤسسات والمنظمات وحتى الافراد، وقد تعددت اساليب استثمار هذه ال | Within huge capacities introduce by television in the field of manufacturing the opinion from information direction and its large ability to effect on the listener, then it became from the important fields which take the attentions of states, institutions and organizations even the individuals.The means of investment for this active communication device multiplied in order to preserve the cultures of nations ,and many establishments engaged in the work for the sake putting the values and cultures connect peoples with its values and its cultural, faith heritage in order to a achieve kind of sovereignty and at the end it for identification shape ,then kind of influences multiplied with multiplying of these shapes introduced by this mean.From many of practices face tangible development in the act of production ,the dram works come to describe the Quranic stories and it looks as a new kind and localized itself as a kind among television drama kind, and that needed acts of adaptation in order to implementing convenience with television mediator.The described research ( the adaptation for Quranic stories for television drama, true Yousif series) come as an examples as an efforts aim to reveal the machineries where act of adaptation done through it ,and it divided as follows;Chapter one ;methodical frame than contain research problem which it crystallized with the following question ;what the description of adaptation machineries of Quranic stories for television drama.The first chapter contain the research aim which concentrated on the act of revelation for machinery which process of adaptation done related with prophet Yousif story for television drama.Basing on research aim, the importance of research came and that as additions for scientific movement in cinema television arts department and college of fine arts generally.This chapter identify the idioms mentioned in the title of research.This chapter ended with research boundaries which include the selected sample which is selected to arrive to research aim.Chapter two; theoretical frame ,research divided in this chapter into three topics contribute to arrive to research aims as follow;The first topic ,came as a title of narrative structure for Quranic stories ,and research deal with narrative from linguistic and idiom aspect then narrative in Quranic stories.Then dual of ego and objectivity has been discussed and teqnique of narrative then expose for point of view and size of teller and narrative sites then dealing with speaking text in Quranic stories ,personality, time and place of Quranic story besides to investigate for these elements in television drama.The second topic; it came with the title of, adaptation machineries of Quranic stories for television drama ,in this topic it is identified and study adaptation machineries of Quranic stories for television drama and identified with explanation ,quotation and supporting by historic references ,and these machineries identified in the light of response the television mediator for it and with exactness and trust needed by work relate with holy text for its importance and sensitivities.The third topic; it came with the title of ,the elements of pictorial construction for Quranic stories and this topic dealing with elements of pictorial construction that concentrated around the pictorial narrative and imaging ,optical influences ,decoration ,fashions ,accessories and voice duct.Chapter three; research procedures, and that include the followed methodology in the research where there are analytical descriptive manner because of it is more convenient manner for research subject ,and mean of research which it was as an indications for theoretical frame , Chapter three include analysis unit and this unit fitted with sample nature ,and sample has been analyzed on the base of shot ,scene and series ,chapter included the selected sample with aim, then analyzing the selected research sample intentionally is true Yousif series according to the indication adopted by researcher after consulting the opinions of committee of experts and injuries.Chapter four ,the results, in this chapter we write down the results of analyzing process and researcher arrived to;The adaptation works to produce television drama text erected on the holy text through means of different expressive of mediator, and explanation, quotation and dealing with historic references and that machineries and that it is possible to adapt the Quranic stories for television drama.For the technical elements of language has ability to employ more than one level to send information and the meanings of Quranic text.This chapter include the results of researcher as generally mentioned in the research ,and recommendation of researcher and the important suggestions that pour in the service of scientific movement in cinema, television arts departments especially in dealing with such kind of scientific researches.The chapter include the list of scientific references where researcher depending upon it and annex relating with research ا subject and research concluded with abstract in English language.

مرجعيات التشكيل النحتي للعمارة المعاصرة == References of Sculptural Forming For The Contemporary Architectural

اسم المؤلف: علي جبر حسين
اسم المشرف: جبار محمود حسين العبيدي
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: النحت
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تبنى البحث فكرة التشكيل النحتي لمنجزات العمارة المعاصرة في العالم اذ ان التحول الجذري في البنى التصميمية المعمارية وواجهاتها واقترابها او استثمارها لهيئات عضوية بشرية او حيوانية او اجزائها وهي بذلك تحقق تشكيلات نحتية في واجهاتها او عموم كتلها المعمارية اذ | The present study dealt with the idea of, sculptural forming achievements of contemporary architectural in the modern world, which is basically holding transforming in the architectural designs and the fronts to be nearest to human or animal forms with its features, to achieve artistic shapes as architectural works. The study consist of many chapters, one of them is the importance of the study , the main issue and the goals, the second chapter consist the following subjects : 1 - The reference , the vision and the concept.2 - Sculptural movements in the contemporary arts.3 - Sculpture and architectural.4 - The modernism concepts and post - modernism in the contemporary arts.While the third chapter contains, the research procedures and the analysis of the samples, the fourth chapter contains the results of the study, which is : First - The sculptural forming and architectural designs and the fronts seems to be out of the authority of the known tradition.Second - to a sure the necessity of sculptural forming in the architectural works and to give better results.Third - the wide presence of the most weird shapes sculptural forming.Fourth - some of those achievements imitate the shapes of human being and the animal shapes like the heads of some animals. Fifth - using new techniques and new materials in the sculptural forming.

التكوين ثنائي الشكل في النحت العراقي المعاصر : دراسة تحليلية == Formation of Duet Shape In The Contemporary Iraqi Sculpture : Analytical Study

اسم المؤلف: علي عاشور سلمان
اسم المشرف: ازهر داخل محسن
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: النحت
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: فن النحت من الفنون الاكثر تماسا بالحضارات الانسانية لانه فن يمكن ان يطلق عليه الباحث انه فن بيئي المادة والموضوع، بمعنى ان الخامة المستخدمة في النحت متوافرة لاتحتاج الى عناء لاحضارها كالطين والخشب والحجر، فضلا عن استقصائه في متابعة مضامين اجتماعية، ه | Sculpture is of the most fine arts ad hoc with the human civilization as it is the art may the researcher called environmental arty in regards to the subject and material; i.e., the raw material used in sculpture is available getting easily such as clay, wood and stone, in addition to his search for social implications from a side and that fine arts in general and plastic arts in particular are constructive arts depending upon beautification constructive elements ( artistic formation) and one of such that elements is the presence of the man or animal shape so that the sculptor may form singular, duet or more shapes in one artistic work for beautification and ideological aims. The researchers studied one of such this types ( Duet Shape formation) in the contemporary Iraqi Sculpture detecting the building relation within the constructive subject as its importance is merged by attributing it with technical and ideological implications embodied by the ancient man in his artistic work making a substantiation for his persuasion and ceremonies through many raw materials and situations they lived with. Modern sculpture attempts to memorize his ideas , ego and vision through sculpture formations including that of duet forms as outlined as well as that some of which represented dramatically the activity of the scene filled with movement, embodied by divergent modes and ideas having traits and semantics of formative relations reflecting the concepts and ideas of the sculptor towards his environment while it is varied in its formative treatment in spite of the presence of common relations among its elements and then realizing new forms for these relations by which duet shape is formed. It is necessitated to identify this relation analyzing it scientifically within study empiric focusing on the constructive relations realized from shape distribution for the elements, thus the researcher studied and analyzed these elements through its relations of developed formative within the reaction of formative elements. The researchers divided his study into four chapters. The first chapter ( mainframe of the research) concerned with explanation the problem of the research , its importance and the need for which , aiming to outline by analytical study the duet formation of the shape in the contemporary Iraqi sculpture and argued the limits of the research determining the ideological terms through which the researcher derivate a procedural in compliance with the seclusion of the matter and to realize the objective. Second chapter ( Theoretical Study) consisted of three section the first one argued the duet formation in the ancient sculpture ( Iraq, Egypt, Greece and Rome) while the second section argued the due formation of the sculpture shape in the reviviscence era while third one is dedicated to study duet formations of the shape for the international contemporary sculpture. Third chapter ( Methods and Materials) includes the mechanisms of research community , electing its pattern in addition to diagnose the methodology of the analysis , tools of the researches making analytical study for this pattern. Fourth chapter is dedicated for results , discussion, conclusions and recommendations. The most important results are : 1) The Iraqi Contemporary Sculptor insists on the ideological aspect of duet relations never insisted on the shape appearance so that most duet formations appeared with shapes needs for diagnostic traits due to the exorbitance in simplification and reduction.2) It is shown the difficulty of distinguishing between the shape of woman and the shape of man as a constructive relations for duet shape but in some formations through which the femininity traits are appeared for example the conglomerate of the chest by outgoing outshoot resulted from the conglomeration in abstraction and reduction in the formation structure. 3) Creating gaps inside bodies of the formations of the similar relations for both shapes within the formation embodied by the Iraqi contemporary sculptor by areas may take half of formation evidencing the effects of European art in general and Henri Moor ;the English Sculptor in particular. 4) Number of Iraqi Contemporary sculptors used to abstracted man body from arms in addition elongation of the shapes and its meager reduction the skull making it just outgoing merge free from formation traits of the man face so that these formations are referred to the works of Swiss sculptor Alberto Chiakomitti. 5) Stylistic divergence of the Iraqi contemporary sculptor through tracing international works considering the contemporary international empiric and to benefit from in using his elements within self Singularity of real; effects detecting the continuous and developed looking at new styles of formative relations enrichment the artistic movement and the rendezvous culture.6) Sign through its derivatives in the symbol and icon appeared intensively in all samples ( pattern of the research) especially iconic sign representing the real situation but symbolic signs appeared lesser than it relatively while the denotation sign is disappeared slightly. Which confirms that samples of the research are expressive and reductive artistic achievements approaching to the abstraction.7) As the art is deemed the supreme community value in conveying the behaviors of the community trustfully in addition to that the surrounding and the community are the source effecting on the artistic achieved work , thus, their ad hoc with the behavioral values of the community is the truth imagination for these behaviors and the achieved work and the circumstance are related deeply in embodying the folklore surrounding the artistic achieved work especially the sculpture.

الفيلم الوثائقي واشكال تناول الواقع فنيا == Documentation Film And The Forms In Which Deal With Art Fact

اسم المؤلف: كاظم مرشد سلوم
اسم المشرف: صباح مهدي الموسوي
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الفنون السمعية والمرئية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يجمع الفيلم الوثائقي بين انهيار برج التجارة العالمي وبين طريق الحرير، بين تلوث البيئة وتاريخ الاسكندر المقدوني، بين الحرب العالمية الثانية وبين عالم الطيور، بين دب القطب الشمالي وبين عادات وطقوس الهنود الحمر، فمنذ بداية اكتشاف السينما، وهي بداية وثائقية | The documentary film collects between International trade tower and the Al - Hareer road , between the pollution of environment and the history of second world war , the science of birds. Between the north arctic bear and habits red Indians. It’s the documentation film.Since the beginning of cinema discovery , it’s the beginning of documentation , it's simple but excite in same time. because the population seen in the first the fact and all includes forms in front of movable picture. When the two brothers Lomer record daily the motion of worker in the factories while the rail reach to the station to develop the after that the documentation cinema in spite of the competition between them and the novelist cinema , so it's unequivalent competition for different causes. Where , it used while documented the wars and struggles in various fields. Especially in the first & second world war, there were many films produced to notify the role of military propaganda, up to reach the films of nature and geographic regions , show how does the organs life style, when entering the world of cultural and thought sides for societies. All of that done by deal with real facts , with art and creative form , as a result the reporter were documented most of the world events while the moment of occurrence. This research entitled the documentation film and the forms of dealing with fact fall in four chapters. The first one is methodological frame , conclude the introduction and thesis problem in which answer the following question (what is the features of documentation films for the fact art. The importance of the research. The Second chapter include the theoretical frame and the previous studies , in which divide in to three topics : First one for the truth philosophy and the documentation films , in which deal with the real and limits of subjective and bibliographic. While the third one discuss the beauty features of documentation films , where acquire from the beauty from the fact , or from the place in which the film.So, the applications engaged by the researcher to analysis the samples in which selected , as well the aim of the research. Also include the methodological depicted in the research , the reasons to select this style in addition to the research tool. The fourth chapter dedicated to extract the final results in which concluded also expose the most important results , further to recommendations so as for the literature reviews. The research no longer forget to list the used references in which adopted by the researcher , English language abstract also include.

استخدام تقنية العجينة المصرية (Egyptian Paste) في انتاج اجسام خزفية مزججة == The Using of Egyptian Paste Technique To Product Glazing Bodies

اسم المؤلف: نبيل مصطفى محمد الركابي
اسم المشرف: احمد هاشم عبد الكريم الهنداوي
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الخزف
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يتناول البحث استعمال تقنية العجينة المصرية ( Egyptian Paste ) وخلطاتها ذات اللدونة المنخفضة في تشكيل بنى باحجام وابعاد واساليب مختلفة باستعمال خامات محلية وانتاج رائب زجاجي يطبق على الجسم الفخاري ضمن مدى حراري تتراوح بين ( 850 - 950مه).تم استعمال سبعة | This research deal with the technique of Egyptian Past and it's mixtures which have low viscosity in forming built in a different sizes ,dimension and styles by using local raws and produce slip glaze stack on the pottery body through temperatures between ( 950 - 850c ). We use seven local material included sand (Arzama) ,Cawolen (Dwelka),Calcium carbonate(AL - Jabha)Bentonite and unlocal material included Sodium carbonate ,Sodium bicarbonate, feldspar soda added in different ratio after sieving and grating and chemical analysis to determined the properties and the continent of materials added to five mixture managed from references and internet adjusted according to researches s' aims.We evaluated the results and select the sample of researches from the whole models depend on researches s' aims and we made several tests on the sample s' models such as plasticity test, efflorescence salt test, porosity,absorption , density , linear shrinkage ,hardness, scratch hardness of surface,the analysis chromatic , glaze surface topography , formula units.From tests we know that the rise of clay ratio to (30% - 45% ) increasing Plasticity and produce body in a different dimension and the rise of water percentage to a specific level produce slip glaze stuck on pottery body beside using of alternative feldspar made suitable results and the rise of Fusing material ratio led to reduce porosity , absorption , density increasing and forming bound body.and the mixtures s' glaze appear so opaque in spite of ratio of (R2O3 - RO2 ) produce transparency glaze. The reason of darkness is the adding of colored oxides (RO ) group to earthenware glaze beside silica percentage (Higher than the equilibrating ) and gasses resulting from reaction. The slip stationary on pottery body depended on paste texture and body pores ability to absorb liquid and salts which work after firing to fix slip on the body , and the appearance of glaze on surface depended on self glazing of mixtures s' contents and ratio of efflorescence salt weight which reach to surface , beside the heat s' effect on surface

التحولات الاسلوبية في بنية النص المسرحي العراقي المعاصر

اسم المؤلف: منتهى طارق حسين جبار المهناوي
اسم المشرف: عقيل مهدي يوسف
الموضوع العام: الفنون الجميلة
السنة: 2011
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: هناك تحولات واضحة جرت على مستوى الاسلوب واللغة التي انتجها العصر نتيجة حاجات وبواعث اجتماعية وسياسية واقتصادية...الخ. هذه التحولات جرت عبرة سلسلة متواصلة لقرون عدة وصولا الى القرن العشرين الذي احدث انقلابا كبيرا ضد الميتافيزيقيا وصولا الى الحداثة وما بعد | Hare is obvious changes happened on the levees of mode and language that the age produce motive… act. These changes occurred ty continuous series of hundred years access to the twentieth century which make a big revolution against metaphysic get to modernity and what comes after : these changes impact on literature and language which was locked up metaphysic, in view of the fact that language is the agent in embodiment and conduction the literary message and through it, it can be veach to solve the code which represented meaning and symantic levec. Its style tosad on surface meaning on text, so it must be diving in depth to produce style and woven fabril corresponding to what required by modern consciousness. So it must be taking an altions and difterent means in expressing and discovering the meaning of language which elevated power through compatibility of precent and atsent that was established to build advanced language Whig invade the mind of world by his thoughts and realities through several interpretations of a relative expression and interpretation via reading of unlocked text. From here the researcher has an examine glance to observe and chase ( stylistic transfer in framework of modern theater text) it contains four chapters to study that is : The first chapter companies the chief address (systematic frame) which contains a problem of research, targets and its borders, to get finish it by definition of trans fers term and procedure challenge. The it comes the second chapter which reveals to us five subjects, the first one is talking about the style and its historical changes after that it comes the second modifier to be integral and complementary to the first modifier in the address mode of modern text, then it comes the third research which explains, the mode of poetic text and the mode of prosaic text in the forth subject to be the final cheater in the fifth subject which comes with the address of stylistic changes and dramatic speech poetry. Then the research comes out with assigns to establish it her procedures within the third chapter which attributes by the address procedure frame which has analyzed fire samples are respectively : 1 - drama : opera snmar.2 - drama : the clock.3 - drama : the gate.4 - drama : the clown.5 - drama : sedra.6 - drama : republicanism of al jwahery Finally it comes the forth chapter which discover the most important thing by the researcher who discovers the consequences, deduction and recommendation… to complete hev series research by a source of lists which way established on it theoretical frome, to be the final summary of English language out come of research tour.

برنامج تعليمي لتنشيط الذاكرة البصرية لطالبات قسم التربية الفنية / معهد اعداد المعلمات في مادة عناصر واسس التصميم == Educational Program For Activation Sighting Memory For Girl Students / Fine Arts Department - Institution of Preparing of Girl Teachers In Subject Elements And Basis of Design

اسم المؤلف: نورا عبد الله علي
اسم المشرف: ماجد نافع عبود الكناني
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: اصبح الوقوف على اليات تنشيط الذاكرة ضرورة من ضرورات هذا العصر الذي تتفجر فيه المعلومات يوما بعد يوم وتزداد اتساعا وتنوعا، اذ ترتبط الذاكرة بالتعلم ارتباطا وثيقا فالانسان يتذكر ما سبق ان تعلمه، اذ ان مشكلة صعوبة الاسترجاع وعدم الاحتفاظ بالمعلومات في الذاكر | The reliance on techniques of memory activation , it becomes necessary from necessaries of this age within it information flowing day after day and increasing of expansion and variety where as the memory connected by learning relevant connection. the human rembered what have learnt it in former. Problem of recovery difficult and not keep by information in memory which have become importance of researches in scientific fields. From here psychologists and education are think in styles and strategies' which used ( teacher or learner ) in classroom to activation of memory and encourage learner on employment it in order to help him on use of strategies of coding and storing of information in memory and recovery it.starting point from that the researcher find importance of foundation for problem of researcher which aims to achieve as following build educational program for activation visual memory for artistically education department in subject of elements and basis of design , measure activity of educational program by two dimensions cognitive and skillfulness through application it on sample students of fourth class artistically education department institution of program teachers and in order to confirmation from two aims of research have specified (( 4 )) zero hypothesis for measure level of obtainment and also to know on ability of program in activation of memory at students.country of research have specified by students for classes of fourth and fifth in departments artistically education institution of preparing teachers belonging to general directorates of Al - Russafa / Baghdad education ( 1 , 2 ) and Al - Karkh ( 1 , 2 ) where their total reach ( 191 ) students have selected sample from students of fourth class / institution of preparing teacherfs - Palstain street reach ( 20 ) students. the researcher depend on experimental design by two independence groups as being more fit for aims of present research , where as experiment group have submitted for experiment through their teaching according to requirements of educational program which have designed a cording theory of dual coding for rembereing which include ( 3 ) educational units , while controlling group have studied itself through use ways of normal teaching. in order to achieve from aims of research and reaching to results which have designed educational program for refresh of sighing memory according to vocabularies of material elements and basis of design restricted within methods of preparing teachers by specialization artisically education and for measure activity of educational program. the research carry out two kinds of tests , the first obtainment cognitive for activation sighting memory , the second skillfulness obtainment for measure skillfulness performance levels of students in carry out requirements of skillfulness test which performance within it level of their performance according to list of appreciate of skillfulness performance which have prepared for this purpose , educational program , tests , list of skillfulness performance appreciate on group of experts owner of specialists in fields of artistically education and artistically design and measuring and work in order to recognition on modulus truth then actualization from modulus of stability. the research depend on group of statically devices to show results of research such as test ( Mann - Whitney ) in order to actualization from results of two tests cognitive obtainment and skillfulness pre - and post and also formula of diffecult modulus and distinctive for items of cognitive test and formula ( Kyoder Richardson / 20 ) for fix obtainment test and formula of Holisity for fix skillfulness test and find modulus of agreements between observers. from most results which present research find out which may sum up it in superiority of experiment group performance in cognitive test for refreshing of sight memory and skillfulness performance on controlling group of what appear activity and utility of use of prepared educational program according to dual coding theory in teaching elements and basis of specified designed in fourth class - artistically education department in institute of preparing teachers comparison with by normal way.the researcher have advised by group of advises as following : - 1 - reliance educational program in present research in teaching subject of elements and basis of design and generalization on departments of artistically education in institution of preparing teachers and girl teachers because is being positive influence and activity , show it results of present research. 2 - importance of interesting of teachers subjects elements and design basis by cognitive aspect to teach design relations by connected , successive and series way in formation which concerning that basis by constructional form to it which ensure connect relation every teaching units by unit which follow or precede it.The researcher suggested that as following : - 1 - carry out match study from through preparing of educational program in other study subjects and measure its influence in obtainment.2 - preparing of educational program in subject of design through use educational computer and measure its influence in obtainment.

استعارة الاشكال التاريخية في الرسم العراقي المعاصر : دراسة تحليلية == Borrowing Historical Forms of Contemporary Iraqi Painting (Analytic Study)

اسم المؤلف: مؤيد محسن محمد
اسم المشرف: بلاسم محمد جسام
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الرسم
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: هذا البحث.. ينحو الى اقامة بعض الحفريات في الاستعارات الشكلية لمخرجات الفن العراقي القديم التي قام الفنانون العراقيون على استدعائها في اعمالهم الفنية المعاصرة.. وكان هذا الاتجاه قد تمدد في السنوات الاخيرة لدوافع واسباب مختلفة وكانت مخرجاته تؤسس الى طريق | This research.. Tends to establish some formal excavations in the metaphors that the artists are being called on Iraqis in their art.. This trend has been extended in recent years to the motives and reasons were different outputs to establish a way of communication under the title, which says bilateral heritage and contemporary. This call to the metaphor has created a method to look at the historical roots, as well as in metaphors and types, in addition to the motivation that worked on the foundation.It was based search on the first chapter and the research problem and its importance and its objectives and limitations and then determine the terminology and out of the procedural definition.Chapter II : ( conceptual framework ) and is based on the three sections The first topic : the historical root of privacy Mesopotamia all days through the era of Civilization agricultural villages to the new era of Babylonian civilization. Section II : Concepts in metaphor and identity in art. It was based on : 1. Types of metaphors and concepts. 2. Identit.The concept and meaning and form. Section III : Metapor's root contemporary Iraqi art of painting. Has been developed indicators for the Study of the end of each chapter and amounted to seven and twenty nine of them, an indication of the historical root of privacy Mesopotamia and thirteen of the concepts of metaphor and identity in art and four metapor's root Iraqi art of painting.The researcher output indicators of the joints of Investigation said.Chapter III : ( applications ) and verified the procedures of the research community through the samples the amount of sixty works were selected of which 16 to 16 artists Intentional one work per artist may provide a section on the most important conclusions : Conclusions of the research : 1. Most of the painters Iraqi contained descriptive metaphors and rhetorical expression based on the similarities and the similarity between symbols and transformations. Samples (1 - 4 - 5 - 6 - 7 - 9 - 14 - 15 ) 2. Most of the painters Iraqi contained stylistic metaphors shifted to adopt the contemporary contrast between fonts and colors. Or mimic the old style with contemporary's Materials. Or shifted from diagnosed and to be to different. Or mimic the old style on the rise and fall through the severity of the contemporary's materials. Samples (1 - 5 - 6 - 8 - 9 - 11 - 14 ).3. Some of the works of painters Iraqis built on inherited's metaphors you either restore Gaii blogger form or spiritual meaning, inspired by the blogger. And in particular that writing symbols and seals of all kinds is one of the codes. Samples ( 8 - 9 ).4. Most of the work of Iraqi artists has developed forms of abstract and formal micro and unit construction to units and formal units and construction vehicles are included in a system with units and other formalities. Samples (1 - 2 - 4 - 5 - 6 - 8 - 9 - 10 - 11 - 12 - 14 - 15 ).5. Some of the work is built on the interpretive metaphors based on the premise match the samples ( 2 - 12 - 14 ) 6. Iraqi painters are metaphors in contemporary works as follows : A. often feminine forms of mankind and the note or its Parts. Samples ( 1 - 3 - 7 - 8 - 10 - 15 ). B. and animal and vegetable. Samples ( 1 - 8 - 10 - 12 - 15 ). C. geometric shapes often superior to the triangle. Samples ( 4 - 5 - 6 - 9 - 11 - 13 - 14 ). D. and on human and animal forms and geometric designs. Sample ( 8 ). E. and composite figures. Sample ( 2 ). 7. Metaphors were often pointing to the identity and Privacy : A. Is often consistent with the identity of the fifth indicator, which states that it is not subject Of the laws of the samples ( 6 - 9 - 11 - 12 ). B. Sometimes agree with the first indicator of identity, which provides for correlation with radical history Representatives as determined by the content of disclosure about the method And raw material and technology. Samples ( 4 - 8 - 11 ). C. Sometimes consistent with the third indicator of the identity of their types, which provides for individual And collective. Samples (1 - 2 - 10 ). D. Sometimes consistent with the fourth indicator of identity, which provides for individual change And mass displacement due to belief. Samples ( 3 - 7 - 13 ). E. Sometimes inconsistent with the second indicator of identity, which provides for the construction Idealism and style. Samples ( 5 - 14 ). F. Rarely consistent indicator of the identity of the sixth, which establishes it as root repetitive The sample ( 15 ).

جماليات القبح في نتاجات فن ما بعد الحداثة == Ugliness Aestheticisms In The Products of Art Beyond Modernism

اسم المؤلف: سندس محمد عبد الامير
اسم المشرف: علي شناوة وادي
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الفنون التشكيلية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The current research entitled ( ugliness aestheticisms in the products of art beyond modernism ) , It has searched the ugliness in philosophical thought and finding out the existing dialectic between beauty and ugliness and its role in direction work mechanisms in the motions of modern art and beyond the modern ( drawing and sculpturing ). The research has included four chapters. The first one was interested in methodical frame of the research represented by research problem which wasobvious through an ambiguity that arouse many questions such as : - How have the aesthetic understanding theses of ugliness been formed in the products of art beyond modernism ? Do such aestheticisms represent an attractive phenomenon in art beyond modernism ? What are the representations on the level of contents , meanings , forms , styles and techniques ? And what is the amount of connection of such works in phenomena and intellectual , social , political and economical concepts and new explicit prospects within a society beyond industry and its share beyond modernism as a modern urgent necessities ? And the amount of what have ugliness aestheticisms formed from displacement areas in aesthetic received processes.The first chapter through acknowledging the ugliness aestheticisms in the products of art beyond modernism. While the research limitations are restricted on the study of ugliness concept in the art beyond modernism ( drawing and sculpture ) represented by products of ( nonobjective expressionism , popular art , flocks , the art of body and graphite art ) which appeared in USA and Europe in the era ( 1945 - 2010 ).Chapter two has included the theoretical frame which contained three topics , the first one dealt with two pivots , the first pivot included the ugliness philosophically , through browsing the philosophers' opinions beginning of ( Heraclites') and ending to the opinions of modern philosophers. The second pivot concluded to show beauty and ugliness dialectician within analytical philosophical , knowledgeable , aesthetic and psychological vision. The second topic occurs in two pivots.The first one included the beautiful and ugly in modern European painting , the second dealt with the beautiful and ugly in modern European sculpture while the third topic is concerned with the study of ugliness features in two pivots , the first one contained the ugliness features in the art beyond modernism and the second pivot contained the ugliness features in the sculpture beyond modernism. Chapter two concluded with showing the indications to be useful in constructing the devise of the research and analyzing the samples.Chapter three has included the research procedures that contain the whole research , the sample and the nature of the device of the research , research method and used statistic means then analyzing the sample which includes ( 17 ) artistic works.Chapter four has included the research results and conclusions , moreover ; recommendations and suggestions. The most significant results that the research has reached are : - 1 - The structure of implemented artistic view that concerns with ugliness concept leads to make a fierce shock for the receiver in attempt to express the current image of reality and disclosing what are not declared in the meaning that delete the art beyond modernism any ascendant traditional aestheticism.2 - There are products with hostile dye that arise the hatred through pushing the shapes to break into the social conflicts and disclosing the destruction of ideological systems over indications that show the refusal state for cruelty of a society beyond the industry.3 - The ugliness depends in products the art beyond modernism on artistic change through activating the distorted rejected shapes which lead to more deeper disputes and universality for social conflicts within ( Oulama ) by describing it as a valuable system that could move the constant concepts round traditional beauty with all its procedural , technical existence and to fix the concept of non - aesthetic across devoting the theses structure that give changeable aesthetics for promised ones. It is not able to repeat the formation of artistic performance due to ideal features for traditional art time but it attempts through returning the formation of shapes by distorted way to put the shapes in compound components that make easy to arouse the aesthetic understandingcombined with ugly shape. 4 - The products of arts that concern ugliness aestheticisms in art beyond modernism have the ability to invest the subjects that could arouse the sensitivity of receiver towards the human image infringement that make the works empty of human andmoral values through making the implemented art structure loose from any moral and human evaluation in an attempt to present meanings taken from social immoral life to express the human crisis who is threatened by lost in social framesubmitted to weak broken construction. The most significant conclusions that the research has reached are : - 1 - The ugliness aestheticisms are making with the subjects represented by ( violence and political , economical and social cruelty ) tearing the Arab self and its declination and western society with all its distortions , dispersion and lost.2 - The ugliness aestheticisms are trying to express the torn realistic image through dissociation the reality parts and divide them then reconstruct due to view that arouse the sensitivity of receiver towards a lot of truths and human , culturaland political accidents.3 - The ugliness aestheticisms acquire their new descriptions through connection with shapes that express the disorder limitations for living reality. The researcher has referred to a group of re

امكانية استخدام الاطيان النهرية لانتاج انواع من زجاج الخزف عالي الحرارة == Possibility Usage of Clays Rivers To Produce Kinds of High Temperature Ceramic Glaze

اسم المؤلف: طه حنش سلمان الربيعي
اسم المشرف: محمد عبد الحسين العريبي
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الخزف
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يتناول البحث امكانية استخدام الاطيان النهرية المحلية في انتاج انواع من الزجاج عالي الحرارة، وقد حددت طينة خان بني سعد النهرية الحمراء، اذ اخذت كمية من الطينة وتم غسلها وتنقيتها من الشوائب والرمال الخشنة بطريقة الترسيب، وحرقت بدرجة حرارة (700) ( كلسنة ) | The research the possibility of using arable land river local produce kinds of glass, high temperature, have been identified Tine Khan Bani Saad, the river red, where it has a quantity of this clay has been washed and cleaned of impurities and coarse sand in a deposition, and burned at a temperature (700) (calcinations) to get rid plasticity of clay and organic matter after what appeared a problem secede from the body layer of glaze pottery at the application stage of drought (before Firing). Were evaluated the results of initial trials by relying on chemical analysis has been attributed Tina to (Unity Formula) to find out the percentage of vehicles and determine the type of treatment, addition, and make up the shortfall, with a number of processors through the addition of materials used in the composition of glass as material modified the sand silicosis (Erdma ) and Kaalin Duejlh and feldspar Iraqi and feldspar Mxidized which was added in different proportions to the clay, and burned models with varying temperature of the three (1230 m - 1260 m - 1290 m), where the effect of oxides of coloring in the installation of clay and a clear transparent glass, and seemed colors green olive to the honey - colored and dark brown.Was conducted several tests on laboratory models of glass, the most important examination of hardness, abrasion resistance and testing, resistance to chemicals, metal detector. Found during the tests and experiments that the most important factors to form glass cooked at high temperatures of the clay used in the research was to balance the rates of oxides falling within the composition according to the law of the unity of the formula (Unity Formula), and found by experience that there is a difference in the fusion of materials and lack of homogeneity and their interaction enough at certain temperatures there is more than a glass phase in the liquid molten glass, and increased rates of added silica and alumina caused the increase of degrees of maturity and fusion, as well as high hardness of glass and its resistance to scratching and acids. As the examination (X.R.D) crystallization of new minerals after all components of the glass melting temperature specified in the search except the temperature of 1290 AD as any metal did not materialize because of a new high - temperature melting and destroying the Shabak and the full crystal glass.

تقويم النشاط الفني للمنتديات الشبابية التابعة لوزارة الشباب والرياضة == Evaluation of Artistic Activity In Youth Forums of The Ministry of Youth And Sports

اسم المؤلف: علي وجر علاوي الساعدي
اسم المشرف: فؤاد علي حارز الصالحي
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يستمد التقويم اهميته الاساسية في مختلف الميادين من ضرورة الاعتماد عليه في قياس مدى تحقق الاهداف المنشودة من كل نشاط، والكشف عن المواهب وتمييز اصحاب الاستعدادات والميول الخاصة وذوي القدرات والمهارات الممتازة، ويعد التقويم ركنا مهما من اركان التخطيط لان | Derives evaluation of fundamental importance in various fields from the need to rely upon to measure and assess the extent to which the objectives of each activity, and disclosure of talent and distinction holders preparations and likings and abilities and skills excellent, as is the evaluation an important component of planning because it is closely related to the follow - up results and detection all aspects of the power to confirm and higher, including standing on the weaknesses of the treated or modified, and the importance of calendar we are facing a continuously changing and enormous knowledge, concepts, facts and theories, and advanced techniques, which led to change many of the concepts and trends in all the humanities and in all areas, including the technical activities which is one of the means used to guide the youth guidance intellectually and organizationally, in union with the exercise of activities that depend hobby and desire to initial them, and naturally their abilities and attitudes are associated with this process, the objectives set and identified for the movement of young people in the service of the State's goals, and building on, the current research aims to ((evaluation of Technical activity Forums youth of the Ministry of Youth and Sport)) determined by the directorates of Youth and Sports of Baghdad and the provinces except the provinces of Kurdistan, was the importance of research explaining the reasons thatprompted the researcher to choose this field of research, was also clarified the aspects that contribute to research in the promotion of the field of youth work.The theoretical framework came to covering the relevant aspects of the subject matter represented by b (theoretical concepts about the evaluation, and creativity, and the importance of artistic activity in young adulthood, and his contributions to the development and community building) as well as previous studies and the experiences of some Arab countries and the world.The third chapter measures would research was based on the research methodology, which consisted of appointed (50) supervisor and coach for the Arts Forum on the distributors to the young people of Youth and Sports Directorate provinces, the rate Was eliminated after Non - specialists, including, by (13) supervisor and coach for the Arts of Baghdad province and (12) supervisor and coach Art from the provinces of the northern region (13) the supervisor and coach Art from the provinces of the Middle Euphrates region and (12) supervisor and coach Art from the provinces of the southern region..The researcher used (personal interview) and (note) and (content analysis and documentation), and (resolution) as a tool for information gathering, was composed of (120) paragraphaddressed to the administrators and coaches of the arts, and distributed these paragraphs on four areas : 1 - The field of visual activity and ensure (30) paragraph. 2 - The field of theatrical activity and ensure (30) paragraph. 3 - The area of musical activity and ensure (30) paragraph. 4 - Film and television and included ( 30 ) paragraph. He received (the researcher) of the sincerity of the tool through the presentation to a group of experts with competence in the arts and art education and teaching methods, and applied as the final resolution on the sample.To address the statistical data, use the (researcher) Pearson's correlation coefficient to extract the stability, and the Fisher equation to find the unity of the paragraph, as well as the weight percentage to indicate the value of each paragraph of the resolution.The search results were displayed after arranging all the paragraphs according to the degree of severity of the highest degree of unity to the lowest degree of unity. Were arranged areas of the four calendar by decreasing the average degree of intensity for each of the circles, where the occupied area of activity, followed by the first plastic film and television, which occupied the second place, while the field of theatrical activity took third place and won the field of musical activity, Respectively, the fourthConclusion of the research was a series of recommendations and proposals which would in estimating the researcher to contribute in the service of scientific research, including : - 1 - strengthening the media's side, because of its impact and its contribution to educating the community in providing care for youth groups of all ages and help them scientifically, culturally, socially, and organizing their leisure time activities which develop their talents and skills.2 - Greater coordination and joint technical cooperation with other institutions, for the purpose of promoting student attendance and youth in various artistic activities.3 - Provide the tools and supplies, equipment and modern technical equipment for each activity.4 - To provide resources and technical books and magazines those contribute to diverse artistic culture in the development of young people.5 - Select a specialist academic staff for each area of artistic activity. 6 - Plan to include the central vocabulary reflect the academic and technical characteristics of young people through the definition of the cultural heritage of Iraqi art and the Arab and Islamic world and its features in reading and analyzing works of art, and artistic theories which explained the art and beauty.7 - Adoption of the evaluation tool to measure the technical skills as a scientific tool to evaluate performance objectively and disclose the extent of success in achieving the goals set for each activity. 8 - Dissemination of scientific culture and encourage young people to innovate and develop new applications in the field of technology and promote computer skills and employed in works of artProposals : - 1 - a study on the reasons for the reluctance of young people for the exercise of artistic activities in the youth forums.2 - A proposed program of art education in the youth organizations in Iraq.3 - The role of government institutions in maintaining the cultural and artistic identity of a young Arab in light of the challenges of globalization.

سينوغرافيا التشكيل النحتي لما بعد الحداثة : دراسة تحليلية == Scenography of The Sculpture Formation For Post - Modernism (Analytical Studies)

اسم المؤلف: قاسم مرشد ذرب
اسم المشرف: نجم عبد حيدر الجنديل
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: النحت
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تعد السينوغرافيا ظاهرة فنية حداثوية تالقت على نحو واسع بعد الحرب العالمية الثانية وانتسبت الى ما بعد الحداثة حتى ان الكثير من الباحثين في فنون ما بعد الحداثة يعدون هذه الفنون فنونا سينوغرافية تعتمد مركبات متفاعلة متداخلة في الية الاظهار وفي نظم التاويل ال | Scenography is a modern phenomena which has been remarkable after WWII and is attributed to post - modernism, that many post - modernism researchers regard this art as a scenographic art which depend on interrelated in the mechanism of showing and in the systems of interpretation which move opening between the artists, as the producer and the first reader and the masses of receivers as readers effecting the level of intervention. Scenography is a system of aesthetic to itself to the action of performance in manifesting in its techniques even if its interlinked with the system of its connection to the artistic work as the idea and the concept and emitting of meaning and the mechanism of connection. When the researcher was aware of the scenography in sculpting and looked for it. He found that subject is worth studying for master degree in addition to the increasing of the problem. The researcher tried hard to end that or at least to reduce. Thus, the researcher preferred with all effort to investigate and excavate the prospect in the formal structure for the shape in the post - modernism.This study did not aim at employing post - modernism scenography as a mechanism of description and analysis of the sculpting art only. It also confides it into narrow limits and applications realized and or supposed on the display and applied levels.The researcher managed to shed light through the basis and point of the scientific research and mechanism in its theoretical frame. In the second Chapter his study, the researcher shed light on searching for the concept of scenography and the origin and the hisotricla background for it and the environment as one of the milestones and elements of the scenographic structure in the first theme, and to reveal the history of scenography in the academic and critical references and the points of occupation and the points of agreement and disagreement in language and the application. And to reveal the historical root of the concept and the history of its development and mechanisms in addition to investigating the relationship between it and the other plastic arts and the art of sculpting specifically. In the second theme of studying the basic concept and the philosophical of post - modernism art and the connecting relationship the idea of post - modernism as a philosophy and post - modernism as an application that requires scenography and its reaction in that artistic performance on the level of analysis in the scenography thinking in addition to its stylistic references.The third theme is to reveal the bases and point and trends of post - modernism and its references and the relationship connecting it with the scenography as a mechanism and structure and the showing and display. Then the fourth theme the researcher reveals the institutions of analysis. He introduced a summary of what resulted in the First and second chapters which would achieve to the researcher of the samples which would achieve the result, objectives and the requirements of the scientific research.After completing the procedural, cognitive and intellectual requirements, the researcher then moves to the third chapter represented in procedure as the description and choosing a purpose sample out of the community of study according to the models.Finally, the results and conclusions which the researcher has arrived to and recommendations in the fourth chapter of the study
1 ... 43 44 45 46 47 ... 84