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تاثير التعويض الجزئي والكلي للاسنان على فحوصات كفاءة الرئتين عند مرضى السكري نوع - 2 == Effect of Partial And Complete Denture Treatment On Spirometric Tests In Type 2 Diabetic Patients

اسم المؤلف: حسين مهدي حسين الخفاجي
اسم المشرف: يسار محمد حسن الشماع
الموضوع العام: الطب
السنة: 2014
الموضوع الدقيق: الفسلجة
الدرجة: دكتوراه
اللغة: الانكليزية
مكان الجامعة: النجف
الصفحات الاولى:
المستخلص: في هذه الدراسة العرضية, تم اختيار 140 شخصا بصورة عشوائية, من بينهم 90 كان مصابا بالسكري والباقون كانوا سليمين ,لدراسة تاثير ارتداء طقم الاسنان الكلي والجزئي من قبل مرضى السكري على فحوصات كفاءة الرئتين وبالتحديد, , السعة الحيوية القسرية (FVC)و الحجم الزفير | In this cross sectional study, a total number of 140 subjects selected randomly, 90 of them were diabetic and the remaining were normal, to study the effect of complete and partial dentures wearing by diabetic patients on pulmonary function test particularly peak expiratory flow rate (PEFR), forced expiratory volume in the first second (FEV1), forced expiratory volume ratio (FEV1/FVC) ratio (FEV1%), forced vital capacity (FVC), and also the retropharyngeal space (RPS), the level of Endothelial selectin (E - selectin) and the level of Vascular Cell Adhesion Molecule - 1(VCAM - 1)was also compared, in this study, between the diabetic and the normal subjects.The results indicate that the spirolab III was accurate and reproducible and can be used in all related studies.The effect of wearing of complete and partial dentures by diabetic patients on FVC, FEV1, PEFR and also the degree of alteration of the RPS were measured.1) The results of the study shows a significant increase in values of FEV1, FEV1%, PEFR and retropharyngeal space (RPS) (p<0.05), while there was no significant change in the value of FVC after the replacement of complete denture.2) No statistically significant differences in the values of FVC, FEV1, FEV1%, PEFR and retropharyngeal space (RPS) was observed after replacement of partial denture without free end extension3) There was a significant increase in values of FEV1, FEV1%, PEFR and retropharyngeal space (RPS) (p<0.05), never the less there was no significant change in the value of FVC after the replacement partial denture with unilateral free end extension.4) There was a significant increase in values of FEV1, FEV1%, PEFR and retropharyngeal space (RPS) (p<0.05), However there was no significant change in the value of FVC after the replacement partial denture with bilateral free end extension5) The results showed that in poor and good control diabetic patients there was a significant decrease in the values of FEV1, PEFR, FEV1%and RPS after the removal of all types of dentures(p<0.05), while no significant change in FVC.6) Statistical significant increase in Serum E - selectin and VCAM - 1 level was found in diabetic patients when compared to that of the normal subjects (p<0.05).7) No statistical significant difference between serum E - selectin and VCAM - 1 level in diabetic patients after and before denture placement (p>0.05). The cause of the significant change in the values of FEV1, FEV1%, PEFR and retropharyngeal space (RPS) in case of complete and partial denture with free end extension replacement may be due to pressing of the retropharyngeal space bilaterally and unilaterally by the complete and partial denture and the FVC was not significantly changed because it may not be affected by denture support, while the elevated Serum E - selectin and VCAM - 1 level might indicate endothelial activation and inflammation.In conclusion we can conclude that 1. The spirolabIII used in this study is an accurate and reproducible device and can be used in the assessment of lung function test.2. Values of FEV1, FEV1%, PEFR and retropharyngeal space (RPS) where significantly higher after the replacement of complete denture and partial denture with bilateral and unilateral free end extension in diabetic patients (p<0.05), while there was no significant change in the value of FVC.3. No statistically significant differences in the values of FVC, FEV1, FEV1%, PEFR and retropharyngeal space (RPS) was observed after partial denture without free end extension has been replaced in diabetic patients.6. In poor and good control diabetic patients there was no significant change in the value of FVC, while the values of FEV1, PEFR, FEV1%and RPS where significantly decrease after the removal of all types of dentures.8. Statistical significant increase in Serum E - selectin and VCAM - 1 level was found in diabetic patients when compared to that of the normal subjects.9. The results for serum level of E - selectin and VCAM - 1 shows no significant difference diabetic patients after the placement of all types of dentures (p>0.05).

تاثير مستخلص الكركم الخام على التعبير الجيني لمورثة البروتين المنظم للغشاء الحيوي لجرثومة Streptococcus mutans المعزولة من التجويف الفمي == Effect of Curcumine Crude Extract On The Gene Expression of Biofilm Regulatory Protein A (Brp A) In Streptococcus Mutans Isolated From Oral Cavity

اسم المؤلف: نزار احمد شهاب
اسم المشرف: عدنان حمد عبيد الحمداني | عدنان حمد عبيدالحمداني
الموضوع العام: الطب
السنة: 2014
الموضوع الدقيق: الاحياء المجهرية
الدرجة: ماجستير
اللغة: الانكليزية
مكان الجامعة: القادسية
الصفحات الاولى:
المستخلص: جمعت 100 مسحة فموية من مرضى تسوس الاسنان وامراض ما حول الاسنان الذين تراوحت اعمارهم ما بين 15 - 65 سنة ومن كلا الجنسين والذين راجعوا المركز التخصصي لطب الاسنان في الديوانية للمدة من كانون الاول 2012 الى اذار 2013 لغرض قياس التعبير الجيني لمورثة البروتين ا | A total of 100 oral swabs were collected from patients suffering from dental caries and priodontal infections, ranging from 15 - 65 years old of both genders whom admitted to the Al - Diwaniyah Teaching Special Center of Dentistry within the period from December 2012 to March 2013, in order to quantify the gene expression of biofim regulatory protein (Brp A) in Streptococcus mutans isolates by using the Real Time polymerase chain reaction. According to morphological, cultural characteristics and biochemical tests by using VITEK - 2 system, 34/84(40.47%) isolates of S.mutans were isolated and identified among streptococcus species and the isolation percentages were 26/50(52%) in males and in females were 24/50(48%), while the age group (15 - 25 years old) was the most affected than the other groups. The statistical analysis showed no significant differences among the interaction between gender and age groups. Molecular detection of 16s rRNA gene was amplified to confirm the diagnosis of S.mutans isolates, where all isolates gave an amplicon size (151) bp, in addition to, the DNA sequencing was done in order to identify the nitrogen bases sequences and phylogeny of local isolates in comparison with the global isolates (Spain, Japan, Korea, USA, Canada, India), results revealed that the local isolates of S.mutans had a similarity percent (90%) with Spain isolates.Furthermore, the susceptibility of isolates to a variety of antibiotics have been investigated. It has been found that isolates had multiresistance to erythromycin(88.2%),ampicillin(76.4%),amoxiclave(70.5%),tetracycline(61.7%), nalidixic acid and amoxicillin (58.8%), chloramphenicol (55.8%). The statistical analysis showed a significant differences among tested antibiotics. Biofilm formation was investigated phenotypically by using tissue culture plate with crystal violet staining for resistant S.mutans isolates, the results revealed that all isolates were high biofilm former, furthermore, the effect of ethanolic extraction (50%) of curcumine in growth inhibition and biofilm reduction of S. mutans was assayed. The results showed an effect of curcumine in comparison with chlorhexidine(2%) as a control.The gene expression of biofilm regulatory protein A(Brp A) was quantified in comparison with housekeeping gene 16s rRNA as a reference gene of biofilm S.mutans by using reverse transcriptase polymerase chain reaction (RT - PCR). The results revealed that the expression (relative&absolute) of Brp A gene is decreased in the test treatment (S.mutans with 1% glucose+ 50% curcumine) in comparison with control (S.mutans grown in 1% glucose only).In conclusion, the present study established the role of Brp A gene in biofilm formation

تعقب الليشمانيا الجلدية بالاختبارات التحليلية الوبائية والطفيلية والجزيئية والكيمياحياتية == Tracking of Cutaneous Leishmaniasis By Epidemiological, Parasitological, Molecular And Biochemical Analysis

اسم المؤلف: سندس نصیف الحجیمي
اسم المشرف: باقر عبیس سلطان | محسن عبد الحسین الظالمي
الموضوع العام: الطب
السنة: 2014
الموضوع الدقيق: الاحياء المجهرية
الدرجة: دكتوراه
اللغة: الانكليزية
مكان الجامعة: النجف
الصفحات الاولى:
المستخلص: The present study was performed to identify the species and strain of Leishmania parasite isolated from different endemic areas. It was carried out on cutaneous leishmaniasis (CL) in five Iraqi provinces as following : Al - Najaf province ( Al - Hakeem and Al - Sadder teaching hospitals), Babylon province ( Marjan hospital ), Al - Qadisya province (AL - Sadder Teaching hospital ), Karbala province (Al - Hussain General Hospital) and Kut province (Al - Zehraa Teaching and Al - Kerama Hospitals). It covered seven hospitals as a field of investigations from October 2010 to December 2012.Cellulose acetate electrophoresis has been performed in Walter Reed Institute of researches in USA. A total of 126 cases comprising 48(38%) females and 78(62%) males were studied. The highest infected age group was 21 - 30 years with a rate of 27.8% and the lowest rate was 11.9% at the age group of 10 and less years.Geographical distribution of CL among hospital patients indicated that rural areas were with highest rate (54%) while in urban areas were with(46%).The number of ulcers per one patient differs for each patient. The highest rate of multiple lesions was 73% in comparison with single lesion (27%).The type of infection showed that disease was in wet type (82.5%) more than in dry type (17.5%). Direct smears were made by lesion aspiration,skin scraping and discharged blood methods , by which 90 (71%) patients gave positive result under light microscope.Modified NNN medium and RPMI - 1640 with fetal bovine serum followed by sub - culture in drosophila Schniders media were performed for each case. Out of 126 cases,83(65%) gave positive growth. Further characterization of the causative parasite species and strain made by molecular and biochemical techniques.Out of 83 postive growth culture,only 52 specimens were studied by nested - PCR, using kinetoplast minicircle fraction amplification to detecte the species of parasite.It was found that 45(86.5%) cases in the generation of a 560 bp DNA and 7(13.4%)patients displayed a fragment of 750 bp, corresponding to L. major and L. tropica, respectively.This test revealed that L. tropica and L. major are the causative agents of infection with dominant shifting to the L. major.Cellulose acetate electrophoresis (CAE) was performed for 20 mass cultivated cultures. Isoenzyme profiles of these isolates were compared with reference strains of Leishmania spp. using cellulose acetate electrophoresis and 4 enzyme systems (glucose phosphateisomerase,leucil phosphate,manose phosphate isomerase and 6phosphogluconate dehydrogenase). The results showed that L.major(LV39) isolate were in 20 mass cultivated culture.Most of the CL patients in Najaf province(2011,2012) were from Haidariya in north district. High prevalence of disease was observed in Autumn and Winter.The highest number of cases was recorded during February and December.

مقارنة بين النوع الثاني من مرض السكري ومرض السكري المناعي الذاتي المتاخر الظهور للبالغين باستخدام مؤشرات الخلايا اللمفاوية وملف الحركيات الخلوية == Comparison Between Type 2 Diabetes Mellitus And Latent Autoimmune Diabetes of Adults Using Lymphocytes Markers And Cytokines Profile

اسم المؤلف: سوسن محمد جبار الحسناوي
اسم المشرف: سلمان عزيز الجبوري
الموضوع العام: الطب
السنة: 2014
الموضوع الدقيق: الاحياء المجهرية
الدرجة: دكتوراه
اللغة: الانكليزية
مكان الجامعة: النجف
الصفحات الاولى:
المستخلص: This study was done to investigate whether Type 2 diabetes and Latent autoimmune diabetes of adult (LADA) patients have similar or different immunological profile.Therefore, measurement of serum levels of adhesion molecules (Serum intracellular cell adhesion molecule(sICAM - 1), Serum vascular cell adhesion molecule (sVCAM - 1) and Serum endothelial Selectin (sESelectin)), chemokines (CCL2, CCL3 and CCL4) and cytokines (IL - 6, IL - 1receptor antagonist and IFN - ?) in these patients was done. In addition to the influence of BMI, gender, age and diabetes duration on these systemic immune mediators were analyzed. Also, the relationships of the in vivo levelsof these mediators with micro - & macro - vascular complications in type 2 diabetes & LADA were studied.Three hundred individual were enrolled in this study and were divided into two subgroups : patients and control groups (280 patients& 20 control). From the 280 patients group who were clinically diagnosed as type 2 D.M., 34 patients were GADA positive and considered as LADA cases. Serum samples were taken from The 34 LADA cases, 36 cases of D.M.2 (selected randomly from the remaining 246 diabetic type 2 patients) & 20 healthy control subjects.The prevalence of LADA among D.M.2 patients was 12.1%. A significant difference in family history, BMI, FBS, HA1C & duration of D.M. was found in D.M.2 cases compared to LADA cases. The mean sVCAM - 1level of control group was significantly lower than D.M.2 and LADA group, P<0.05. The sE - Selectin level was higher in LADA group than control and D.M. type 2 group & significantly different when compared to control group (P<0.05). The sVCAM - 1 level had a significant positive correlation (R=0.25, P=0.017) with BMI in all groups. LADA group had significantly higher values of CCL2 while D.M. type 2 had the least values (P=0.002). The mean IL - 6 of D.M. type 2 group was (11.6±3.1), for LADA group it was (12.4±1.7) and for the controls it was 0.95 ± 0.14. There was a statically significant difference between D.M.2 vs. controls, and LADA vs. controls (P<0.05), regarding the mean IFN - ?, it was significantly higher in LADA group than D.M.2 group (87.5 ± 20.3) vs. (40.3 ± 4.5) respectively, (P=0.032).The mean IL - 1receptor antagonist was significantly higher in D.M. type 2 and LADA cases than controls (P<0.05). A significant positivecorrelation between IL - 6 and sICAM - 1, (R= 0.27, P= 0.013) & a highly significant positive correlation between IL - 6 and IL - 1RA, (R= 0.35, P=0.001) were found. IL - 6 & IL - 1RA serum levels in D.M. type 2 patientswere significantly associated with the complications where p - value?0.05. For conclusions, LADA is clinically underestimated among D.M. type 2 patients and increases with increasing age. Also, Levels of CCL2 and IFN - ? are associated with autoimmunity, Levels of adhesion molecules & chemokines are associated with complications of diabetes.

التقييم التجريبي لتاثير الروزفستاتين المضاد للالم والمضاد للالتهاب وتداخله مع السليكوكسب والباراسيتامول == Experimental Evaluation of The Antinociceptive And Anti - Inflammatory Effects of Rosuvastatin And Its Interaction With Celecoxib And Paracetamol

اسم المؤلف: سرمد عبد العباس كشمر
اسم المشرف: عبد الله محمد جواد
الموضوع العام: الطب
السنة: 2014
الموضوع الدقيق: الادوية والسموم
الدرجة: ماجستير
اللغة: الانكليزية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: اظهرت الدراسات بان الستاتينات تؤدي الى تقليل الوفيات بدرجة اكبر من ان تعزى الى تاثيرها الخافض للكوليستيرول بمفرده لان الفائدة حدثت بشكل اسرع مما يمكن تفسيره على وفق الالية سالفة الذكر. هذه الفوائد يمكن ان يكون لها علاقة بتاثيرات الستاتينات المضادة للالتها | Studies revealed that statins can result in a larger mortality benefits than can be readily explained by their cholesterol - lowering effect alone since they occur too quickly to be explained by the above cited mechanism. These benefits might be related to the anti - inflammatory and other effects statins may have.AimTo find out the extent to which rosuvastatin (a hydrophilic statin) can be considered as an antinociceptive and anti - inflammatory drug in comparison to two standard drugs; paracetamol and celecoxib, and whether its potential antinociceptive effect differs in different pain models. The interaction of rosuvastatin with paracetamol and celecoxib will also be investigated. MethodsMice (a total of 132) of either sex, 3 - 4 weeks of age, 20 - 25 gm body weight, were used (22 mice for each of six groups). Tests for nociception : tail flick, hot plate and formalin tests; and for inflammation (formalin for chronic inflammation, carrageenan - induced paw edema, and TNF - alpha level in blood) were used. Rosuvastatin (7mg/kg), paracetamol (40mg/kg), celecoxib (6mg/kg) or their combination were administered orally once daily in a volume of 0.2 ml. TNF alpha level in blood was measured using ELISA kit.ResultsThe antinociceptive effect of rosuvastatin when investigated in mice using tail flick, hot plate and formalin tests, showed that rosuvastatin has a mild antinociceptive effect which is much less than that of paracetamol and celecoxib tested in the same pain models. It increased the latency for tail flick by only 13.3% when compared to pre - treatment measurements, and in formalin test, it reduced the licking time by 20.9% in comparison to control. The administration of rosuvastatin with either paracetamol or celecoxib did not add to the antinociceptive effects of the latter two drugs (except in formalin test of pain model). None of the above mentioned drugs significantly reduced hind - paw edema when measured 24 hours after formalin injection, while they produced a significant edema - reducing effect after 14 days. Rosuvastatin and paracetamol had nearly similar effect (54.12% and 58.37% reduction compared with control). Celecoxib reduced the hind - paw edema by 73%. Again there was no additive effect between rosuvastatin and either paracetamol or celecoxib; in contrast, rosuvastatin reduced nearly all the effects of celecoxib when given in combination. Similar trend was found when edema was induced by carrageenan injection. TNF alpha level in blood had been reduced by all the three drugs and their combinations but did not reach statistical significance except in the group of rosuvastatin and paracetamol combination.ConclusionRosuvastatin showed a significant antinociceptive effect in tail flick and in formalin test, but not in hot plate test. It had anti - inflammatory and edema - reducing effects in models of inflammation in mice but the effect was less than that of celecoxib and even paracetamol. These rosuvastatin effects did not add to those of paracetamol and had caused a reduction in celecoxib (except for formalin pain model) effects when given in combination.

تاثير الايتانرسبت على السايتوكينات وموت الخلايا المبرمج جراء انقاص الارواء الدموي واعادته لعضلة القلب في ذكور الفاران == Effect of Etanercept Against Myocardial Ischemia/Reperfusion Injury In Male Mice

اسم المؤلف: سيف محمد حسن
اسم المشرف: نجاح رايش هادي الموسوي | فاضل غالي يوسف العمران
الموضوع العام: الطب
السنة: 2014
الموضوع الدقيق: الادوية والسموم
الدرجة: ماجستير
اللغة: الانكليزية
مكان الجامعة: النجف
الصفحات الاولى:
المستخلص: يمثل نقص ارواءعضلة القلب واعادة الارواء مشكلة ذات صلة سريريه مرتبطة بالجلطات والقسطرة وجراحة تغيير الشرايين التاجيه. تشمل اصابة عضلة القلب بسبب نقص التروية الدمويه واعادتها ضعف مقلص القلب، عدم انتظام ضربات القلب وكذلك تلف الخلايا العضلية التي لا رجعة في | Background : Myocardial ischemia - reperfusion represents a clinically relevant problem associated with thrombolysis, angioplasty and coronary bypass surgery. Injury of myocardium due to ischemia - reperfusion includes cardiac contractile dysfunction, arrhythmias as well as irreversible myocytes damage. These changes are considered to be the consequence of imbalance between the formation of oxidants and the availability of endogenous antioxidants in the heart. Objective : This study was undertaken to investigate the potential role of etanercept in amelioration of myocardial I/R injury induced by ligation of coronary artery in a mice model.Material & method : adult male Albino mice were randomized into four equal groups.1. Group (1) : Sham group : mice underwent the same anesthetic and surgical procedure as the control group except ligation of LAD coronary artery.2. Group (2) : Control group : mice subjected to regional ischemia for 30 min by ligation of the LAD coronary artery and reperfusion for 2 hours.3. Group (3) : Control vehicle group : mice subjected to regional ischemia for 30 min by ligation of the LAD coronary artery and reperfusion for 2 hours and mice received vehicle of etanercept (normal saline) 5 minutes before reperfusion via I.P injection and.4. Group( 4) : Etanercept treated group : mice subjected to regional ischemia for 30 min by ligation of the LAD coronary artery and reperfusion for 2 hours and mice treated with etanercept 5mg/kg i.p 5 minutes before reperfusion XVIIIResults : Compared with the sham group, the levels of TNF - ? & IL - 1?, IL - 6, Caspase 3 and plasma level of cardiac troponin I increased in the control group but decreased level of Bcl - 2 (p<0.01).Histologically, all mice in the control group showed significant (p<0.01) cardiac injury and apoptosis.Etanercept significantly decreased in myocardium level of TNF - ?, IL - 1B, IL - 6,Caspase 3 , and plasma cTnI (P < 0.01), while significantly increased level of Bcl - 2 (P < 0.01). Histological analysis revealed that etanercept markedly reduced (P < 0.01) the severity of cardiac injury in the mice underwent LAD ligation procedure. : ionsConcluThe results of the present study reveal that etanercept may ameliorate myocardial I/R injury in mice via interfering with inflammatory reactions and apoptosis. : RecommendationAfter studying the results of the present study, the following recommendation to further1. Further measuring the P - selctine and E - selectine to show the effect of etanercept on rolling of eutrophils and platelets that cause further occlusion of blood vessels.2. Further measure the adiponectine (that have a cardioprotective effect ).

العلاقة بين اعتلال الجهاز العصبي اللاارادي الناتج عن السكري مع مستوى اللبتين وامراض القلب حسب فحص ايكو القلب وفحص اجهاد القلب == Relation of Diabetic Autonomic Neuropathy With Leptin And Cardiac Disease Assessed By Echo And Treadmill Test

اسم المؤلف: زينب فلاح حسن
اسم المشرف: احسان محمد عبود عجينة | علاء حسين عباس
الموضوع العام: الطب
السنة: 2014
الموضوع الدقيق: الفسلجة
الدرجة: دكتوراه
اللغة: الانكليزية
مكان الجامعة: النجف
الصفحات الاولى:
المستخلص: الخلفية : الاعتلال العصبي اللاارادي القلبي له تاثير سلبي على الحياة ونوعيتها للاشخاص المصابين بالسكري. الاعتلال العصبي اللاارادي القلبي يعتبر نوع فرعي من الاعتلال العصبي السكري. هذا النوع من الاعتلال هو الاكثر بروزا لتهديده للحياة وبسبب توفر الفحص القلبي | Background : Cardiac autonomic neuropathy (CAN) has a negative effect on survival and quality of life in people with diabetes mellitus (DM) and is regarded as a subtype of the diabetic autonomic neuropathy. This type of neuropathy is the most prominent focusing because of its life threatening and the availability of the cardiovascular tests that can diagnose it. It has been thought that many factors in DM like leptin causing increase the risk of cardiovascular disease. Researches about the relation of leptin with CAN and cardiovascular disease are yet limited.Aim of study : This study aims to determine the prevalence of CAN in patients with type 2 diabetes mellitus, evaluate the association between CAN the presence of left ventricular dysfunction in these patients, test the association between CAN and ischemic heart disease and assess the relationship between the presence and severity of CAN with fasting serum leptin in these patients.Patients, materials and methods : This cross sectional study included 103 (56 males and 47 females) diabetic patients without hypertension or pre - diagnosis of ischemia. They had attended to the diabetic center in Marjan Medical City in Hilla from March 2013 to February 2014. The patients had undergone thorough assessments that included clinical (history and full examination) and biochemical assessments (measurement of fasting plasma sugar, glycated haemoglobin, lipid profile, blood urea, serum creatinine and serum leptin level). Cardiac autonomic reflex tests were also assessed along with echocardiography and treadmill test. Cardiac autonomic reflex tests included the five tests of Ewing protocol. Patients who had two or more abnormal tests were considered as having CAN (75 patients) and those with less than two abnormal tests were considered as patients without CAN (28 patients). Results : The study found that most diabetic patients (84%) were obese (BMI?25 kg/m2) and most of the diabetic patients presented with CAN (72.8%). Fasting serum leptin level was higher in female than in male in both study groups (with and without CAN). Patients with CAN were older when compared to patients without CAN (p?0.01) and had longer duration of DM (p?0.01) with significantly higher fasting serum leptin levels. The leptin level showed a tendency to increase as the score of CAN increased. However, these changes were not significant (P>0.05). The most abnormal sympathetic response was diastolic blood pressure response to hand grip while the most abnormal parasympathetic response was heart rate response to breathing. On contrary, the lowest abnormal response was found in postural blood pressure test. Echocardiography showed that most of the diabetic patients (89.8%) had a left ventricular hypertrophy by measuring the left ventricular mass index. However, there were no significant changes in echocardiographic results between patients with CAN and those without.Conclusions : This study concludes that CAN is a common complication of type 2 diabetes that affected a large percentage of diabetic patients. The duration of the diabetes and the age of patients are important non modifiable risk factors for the development of CAN. Additionally, heart rate variability is considered as an important test for early detection of CAN. On the other hand, CAN has no impact on the occurrence of left ventricular diastolic dysfunction. Leptin level was high in diabetic patients and even higher in those with CAN and its levels related positively with the severity of CAN. Also, there were high leptin levels in diabetic patients with positive treadmill test results, although these changes were not significant (P>0.05).

فاعليه تطبيق الممرضين للممارسات القياسية على العناية بالاطفال حديثي الولادة المصابين بمتلازمة كرب التنفس في وحده العناية بالاطفال حديثي الولادة في مستشفيات بغداد للاطفال التعليمية == Effectiveness of Nurses Application of Standard Practices On Care of Newborn With Respiratory Distress Syndrome In Neonatal Care Unit At Children And Maternity Teaching Hospitals

اسم المؤلف: محمد عزيز حسن
اسم المشرف: اقبال غانم علي معلة
الموضوع العام: الطب
السنة: 2014
الموضوع الدقيق: التمريض
الدرجة: دكتوراه
اللغة: الانكليزية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: اجريت دراسة شبه تجريبية في مستشفيات بغداد للاطفال التعليمية للفترة من 28 من كانون الثاني الى الاول من ايلول لسنة 2014 لتقييم فاعلية تطبيق الممارسات القياسية للممرضين والذين يتعاملون مع الاطفال حديثي الولادة المصابين بمتلازمة كرب التنفستم تقييم الحاجة من | A quasi experimental(interventional) study was carried out at Baghdad pediatric teaching hospitals in Baghdad from the 28th of January to the 1st of September 2014 to assess the effectiveness of the application of standardized practices to nurses dealing with neonate with respiratory distress syndrome. Assessment of needs was done to evaluate the nurses practices towards neonates with respiratory distress syndrome in neonatal care unit(NCU) by using a special format which includes multiples questions related to nurses knowledge and practices for 10 nurses works at the private Nursing home.The result of the assessment revealed that the nurses have poor knowledge and practices towards neonates with RDS. A pretest test was performed before the application of the program for 35 nurses, three of them was out of the study sample.Observation their practices based on the standardized items which was prepared by the researcher and extensive review of the literature. A non - probability (purposive) sample of 32 nurses who work in the neonate intensive wards was chosen to be involved in study sample, and an educational program was designed based on the results and basic nursing guidelines related to care for neonate with respiratory distress syndrome, it consists of two parts : the first part consists of demographic data, and the second part consists of an observational checklist format related to the nurses practices in care of neonate with respiratory distress syndrome. The questionnaire was used to observe the nurses practices in the pre - test applied before the program started , post - test 1 immediately after the application of the program, post test 2 after 1 month from the post test 1,and a post 3 after 2 months from the second post test. The reliability of the questionnaire was conducted through a pilot study and validity through a panel of experts. The data were analyzed through the application of a descriptive statistics frequencies ,percentages ,and application of inferential statistical procedures which include Pearson correlation coefficient and paired test. The finding of the study revealed that the nurses practices towards neonates with respiratory distress syndrome were improved after the implementation of the program in most of the items of the post test 1 ,2,and 3 of the program, and there is a significant association between nurses' practices and their level of education in most of the program items, There was also a significant association between nurses practices and years of their experiences. The study recommended increasing knowledge and practices of the nurses working in the neonatal care unit through regular training courses, in addition to increasing the number of graduated nurses from the College of Nursing in this critical unit.

تاثير البرنامج التثقيفي التمريضي على معارف وممارسات الملاك التمريضي ازاء التاهيل القلبي لمرضى النوبة القلبية == The Effectiveness of Nursing Educational Program On Nurses Knowledge And Practices Toward Cardiac Rehabilitation For Patients With Heart Attack

اسم المؤلف: احمد عجلان علاوي ناصر
اسم المشرف: حكيمة شاكر حسن
الموضوع العام: الطب
السنة: 2014
الموضوع الدقيق: التمريض
الدرجة: دكتوراه
اللغة: الانكليزية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: اجريت دراسة شبه تجريبية في مستشفى الشيخ زايد ومستشفى الصدر العام ومستشفى الكرخ العام ومستشفى الكرامة ومدينة الامامين الكاظمين الطبية ومستشفى بغداد التعليمي للفترة من الاول من ايلول2013 الى الاول من ايلول2014 تهدف الدراسة الى تقويم فاعلية البرنامج ال | A quasi - experimental design study was carried out at the AL - Sheikh Zayed hospital; AL - Sader; Al - Karkh ;AL - Karama ;Imameinkadhimein medical city and Baghdad Teaching hospital during the period from 1st September 2013 to 1st September 2014. The objective of the present study is to evaluate the effectiveness of nursing education program on the nurses knowledge and practice toward cardiac rehabilitation phase one for patients with heart attackThe program and instrument were constructed and developed by the researcher for the purpose of the study A random sample composed of (80) nurses was divided into two groups , the experimental group consisted of (40) nurses exposed to the nursing educational program and control group consisted of (40) nurses were not exposed to the program.Reliability of instrument was determined through the use of test and retest for the knowledge test and inter - observation for practice and the instrument validity was determined through a panel of experts. The instrument to measure the effectiveness of nursing educational program on nurses knowledge and practice included (30) items concerning the nurses knowledge and 58 items included nurses practice nurses practices toward cardiac rehabilitation phase one for patients with heart attack.The analysis of data was performed through the application of description statistic(Frequencies, Percents, and Cumulative Percentages , Mean of Score , Standard Deviation , Relative Sufficiency ) and Inferential statistical (Contingency Coefficients , Chi - Square test , Fisher to present the differences between the experimental and control groups. The results of the study shows that the nursing educational program regarding nurses knowledge toward cardiac rehabilitation program phase one is effective. They also shows that there is a good improvement with highly statistically significant differences between pre - post tests of experimental group in overall domains related to nurses practice in items of health assessment heart, assessment chest pain, cardiogenic shock, daily activity living and health education. The study concluded that the nurses working in coronary care unit have deficient knowledge and practices toward cardiac rehabilitation phase one for patient with heart attack. The study also confirms that the instruction oriented program on nurses in the experimental group is successful. The study recommended that the nurses staff can be encouraged and having motivation for being participated in the special training programs and conference to fulfill the nurses needs concerning defects and limitations ed in their practice toward cardiac rehabilitation phase one for patient with heart attack.

التشويه في جماليات تصاميم اثاث الشارع وسبل معالجتها == Distortion In The Beauty Of The Design Of Street Furniture And The Methods To Remedy Them

اسم المؤلف: بان محمد شاكر الطائي
اسم المشرف: نوال محسن علي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تتناول الدراسة الحالية (التشويه في جماليات تصاميم اثاث الشارع وسبل معالجتها ) بصورة اكثر شمولية من مثيلاتها لما لها من اهمية في ذائقية المتلقي من خلال البعد الوظيفي والمظهري لاثاث الشارع مع الحفاظ على الهوية والخصوصية في التصاميم , وان مشكلة البحث تحددت | The Current Study deals with(distortion in the beauties of Street Furniture Designs and how to remedy them), in more comprehensive manner than other similar conditions, because of the importance to reflect in the taste of the recipient by the function and the visual aspect of street furniture with maintaining the identity and privacy in the designs , and the problem of the research was out lined in the following question : What are the aspects of distortion in the beauties of furniture used in local areas (street furniture) and methods of treatment ?As for the importance of the research , it was focused in raising the level of taste for beauty of the recipient by determining the distortion taking place in the beauties of the design with finding means to fix this distortion while the research aims to specify the concept and type of distortion taking place in the beauties of street furniture as for the research limits they were outlined by the subject of distortion in beauties of the design of street furniture units used in public areas and how to fix them , in Baghdad /(Alwaziriyah) for the duration(2009 - 2014).As for the procedures of the Research the descriptor method was employed with accrediting a questioner from, which specified the basic axis of analysis, and the researcher have found out the following important results : The distortion took place in the percentage and in some models with a distortion in the visual communication as a result of misuse as the metal ore was distorted because of the bad joining methods which was affected in the climate conditions in several models.The most important conclusions : When the designer ignores the design foundations and the relations the distortion appears unintentionally in the appearance of the industrial product and by choosing some types of ores and joining methods and failing to use good painting , this create is an obvious distortion in these units because they were exposed for different environmental and climate effects which have contributed in creating the distortion , and the research ended by offering a set of recommendations and proposals.

البعد الجمالي في التكوينات الابداعية للخط العربي == Aesthetic Dimension In Linear Formations Creative Calligraphy

اسم المؤلف: كريم سالم الساعدي
اسم المشرف: جواد عبد الكاظم فرحان الزيدي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الخط والزخرفة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تعد مسالة الابداع والابتكار واحدة من اهم المسائل التي تشغل الانسانية في شتى مجالات المعارف والعلوم والفنون، فالابداع سمة العصر الحديث والطريق نحو النمو والرقي الحضاري، ولا يستثنى اي حقل معرفي او جمالي من الانشغال في قضية الابداع والابتكار فهما وسيلة التا | The issue of creativity and innovation is one of the most important issues of concern to humanity in various fields, Creativity characteristic of the times and the road towards progress and prosperity.To Aisttny any field of cognitive or aesthetic preoccupation with this issue, they are the means of meditation deep problems in order to develop solutions to the original and suitable.In Arabic calligraphy, which still indicates many of the questions and give a lot of fields of research is the study of dimensions of creativity is very important to deepen in the region to focus on the aesthetic and artistic objectives.When not studied this issue extensively, has directed the researcher to study through the four seasons, wondering in his first season for dimensional aesthetic that is available by formations linear, and attributes its transformation into a formality creative new leaves the context of traditional and maintains the rules discreet Arabic calligraphy.In the theoretical framework have addressed researcher in three sections to the concept of linear creative formations, as well as the characteristics of the formal and aesthetic and semantic configurable linear, and the effectiveness of Marja receive text language as a springboard aesthetic creative founder of the degree zero aesthetic in modern linear configuration.This included the third chapter action research to analyze the models selected sample and the approval of the orientations of the search, the according to a set of pillars appropriate to achieve the objectives of the research, and seal search a bid for the results showed the contribution of infrastructure design and processing of the contents of the text, and overlapping techniques races other technical in the incorporation of the dimensions of the aesthetic and creative in the configuration linear , as demonstrated by the conclusions of the possibility of achieving the objectives set for the search through the system prepared by the researcher and down to develop a set of recommendations and proposals.

البناء التشكيلي للرسوم الموجهة للاطفال == The Formation Structure of The Painting For Children

اسم المؤلف: كاظم عبد الزهرة رسن
اسم المشرف: نجم عبد حيدر الجنديل
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الرسم
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Developed countries got interested in comic stories after they touched the amount of their broad impact on the development of the child 's perceptions and influence on the growth of his character , and reached this limit interest forcing governments themselves to the legislation of laws that regulate and develop basic obligations and the rules of this art.It was a comic fount major supplying communities with knowledge and science and the publications that contain Comics spread widely distributed millions of copies and were conducted in the world hundreds of thousands of research studies and articles about this art , while the remaining Arab world and the Iraqi JH particular deals with this art has led to marginalize him , what was a major reason for the decline in the level of what is produced in this field of fees , in the Arab world is seen drawing for children as a limited role on decorating books and magazines is not seen critics and researchers to outcomes that will be drawing the bulk of them , but from the perspective of educational denial role art - making communities.From here came the attention of the researcher and its insistence on research in the history of this art and details and patterns , trends, and especially after it was discovered that the Arab Research and Studies in this regard are not available at all Never before an Arab researcher that the research in this field.Can be summed up what he had done researcher in this research are as follows : Researcher touched in the first quarter of the research to the research problem , and the spatial and temporal boundaries , and goals , and the definition of terms for a definition of the research linguistically ,in termly and procedurally.In the second chapter , which included theoretical framework , touched a researcher in the first section to the child's personality and how to grow , noting that growth determinants and reviewing the school when it came , in the fields of psychological and social science theories.While the second part consisted of comics history with a review of the most important patrons referring to the history of censorship art Alcolmx and laws enacted by governments because of the spread of this art is widely and people wanting it.In the third section reviewed the researcher styles and trends pursued by graphic artists are important in the world referring to a group of professional painters who left a clear imprint in the history of this art.While ensuring the fourth section a review of the history and active storyboards in Iraq , and was talking about the pioneers of this art in

المنظومة الضوئية وتغير المكان في العرض المسرحي العراقي == Lighting System And The Change of Place In Iraqi Theatrical Show

اسم المؤلف: علي محمود محمد السوداني
اسم المشرف: قاسم مؤنس عزيز
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون المسرحية - تقنيات
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

ما بعد الحداثة وانعكاساتها في سينوغرافيا العرض المسرحي العراقي == Postmodernism And Anekasthe In Scenography Supply Iraqi The

اسم المؤلف: فيصل علي شرين الدوسكي
اسم المشرف: قاسم مؤنس عزيز
الموضوع العام: الفنون الجميلة
السنة: 2014
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يعد فن المسرح من الظواهر الحضارية الانسانية، اذ يوصف بالتطور على مستوى وجود الانسان بمستواة التاريخي، ويعد قديما على مستوى ظهور الحضارات الكبرى كما هو حال حضارة وادي الرافدين، ووادي النيل، والحضارة الاغريقية...الخ.ويمكن لقاريء تاريخ المسرح ان يلتمس ت | The art of the theater phenomena of human civilization , as described evolution at the level of the existence of the historical rights to its level , and is out of date at the level of the emergence of great civilizations , as is the case with the civilization of Mesopotamia and the Nile Valley and the Greek civilization... etc..A reader theater history to seek the development of the theater with Greek civilization and Romania to disclose material and references and institutions with beginnings and growth , which differed in which researchers , but what can we adopt in this thesis is what constitutes the structure PRESENTATION formal and dynamic game play as the development of methods Manifesting dazzling accompanied this growth of civilization , which can be described as the growth of tissue adopted all the knowledge available in the neighborhoods of the investment game play , including the science of optics and physical blocks and the lighting and colors and different... etc. Alaihamat of Science neighboring possible to utilize them in a product of game play.This as well as the evolution and transformation of aesthetically pleasing as a result of shifts in the structure of consciousness itself , and appointed to the nature of beauty and the beautiful , including changes to the historical level of movements and technical approaches , which as the variable information on the level of art history , or philosophy of art history , and is the idea of post - modernism , and their productions of the most important aspects of development and transformation in the taste of the Assembly, which swept the arts and literature , and all the creative structures of human civilization , including the art of theater that has been affected by and produced what we might call postmodern theater , which skips steps intellectually and technically.One manifestation of the modern theater transformation broad scenography theater , which was adopted approaches and trends of modernity , starting from Impressionist and passing Baltkaaabah and symbolic and Dadaism and the end Balsraalah , but that theater modernism influenced by the art of assembly and installation , which is one of the arts postmodern At the time of modernity itself and it is normal because the interval between modernity and Beyond separator default, can not be entirely watershed where things are a lot of overlap.The postmodern art , particularly theater , has achieved the outcomes of the task can be half to proceed with actors , which will reveal the institutions of post - modernism itself , and these outcomes with regard to the art of body art of the earth , and Video, and digital art , and these trends that form the structure of post - modernism , and found its place fertile in the art of theater in its system design.The Iraqi theater of theaters in bold and call variables which surprised theaters in the neighboring countries and the manifestations of this is what we find in the daring design creations , especially theater scenography of postmodernism.The researcher found that this trend did not take his scientific position and described dimension for analysis and exploration and drilling flour , despite the importance of the subject and seriousness because a shift in the overall environment for viewing theater , directed towards the form that builds scenography theater as an important center and active in PRESENTATION , which shows the importance of this research and the need for him as well as the goals and limitations cited by the researcher in the first chapter of this thesis and after the completion of the researcher to this chapter represented a systematic framework for the search , and then the definition of terms , the frame of mind of knowledge ( theory) is built on the following according to the detective.To enable the researcher of the mechanism of scientific research the exact terms founded and bases to reveal the secrets of this organization and to realize the verdicts Almazmrh and which was governed by a set of structures and cultural patterns , social, economic and even psychological linked Bmarjaaat doctrinal through First research of the second quarter , which was under the title ( the philosophy of modernity onwards ) of this section has been detected philosophy of modernity and their references and their origins and transformations to the postmodern.The second section devoted to ( artistic forms of art postmodern ) because the subject of modernity and beyond is the fabric represents all aspects of civilization kinds Mstdeih inclusiveness and interaction of all aspects of culture change that was philosophically and politically or scientifically or technically , and calls for change and openness to the new.The third section ( Alcinogravea and a mechanism to engage in postmodern theater ) reveals that the correlation between design and architectural Alcinogravea stage and the mechanism of performance and technology that have subscribed to a set of elements and mechanisms that shape the visual presentation of the playwright. Reading is the new scenography in postmodern theater allows for the recipient that explains the artwork in his own way , but re - formed , and according to his reading on what he sees and diversity of stylistic trends of the scenography depending on the variety of trends and styles in the era of post - modernism.After he finished his research researcher kits through detective theoretical , intellectual and technical moved to the third quarter , which represents action research as beginning with his community and his research samples and method , and the method of sampling Mentahja intentionality of the total samples of the title in question and the justification for the selection of samples.Finally, it was the fourth quarter , representing the results and conclusions reached by scientific research which has important consequences on the theoretical level analytical and exploratory and finally the level of future default.The researcher presented at the end of his research recommendations was for supplements that include interviews and research provided by the professors thought and literature, theater and the creators of the design at the College of Fine Arts Mtfdilan thankfully they are both professors Prof. Dr. Fadil (Sami Abdul - Hamid ) , Dr Fadil ( Fadel Khalil ) Dr Fadil ( Salah reeds ) , Dr Fadil ( Abbas Ali Jaafar ) Dr Fadil ( star Haider ) , Dr Fadil ( Hussein Altk ) , Dr Fadil ( Mohammed Abdel - Rahman al - Jubouri ) , Dr Fadil ( Aqeel Muslim).Finally, like the researcher a statement that art ( scenography ) postmodernism in the Iraqi theater is an art recently has been associated with the renaissance of the theater , after the arrival of creative artists from Europe , including the artist ( Kadhim Haydar ) and artist (Sami Abdel Hamid) and artist (Ibrahim Jalal ) and artist ( Fadel Khalil ) and artist ( Salah reeds ), which is an inexact art and composite difficult to interact with it and achieve results , making its employees do not complete the fingers stop per numbering they Mtfaalon in the level of their offspring quantitative and qualitative , and many of the constraints facing the working art Alcingravea , including constraints and objective thought , because theater postmodern disregards the form and terms of reference or foundations or private art techniques , each work has its style and its terms of reference and ideas that are different from the other work

معطيات المعرفة العلمية للمتحول التقني في المنهج الصناعي == Personal Representative And Performance Between The Epic Theater And Gala Theater Offers In Iraq

اسم المؤلف: صلاح نوري محمود الجيلاوي
اسم المشرف: قدوري عراك صكر | هدى محمود عمر
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The current study entitled (the given scientific epistemological knowledge for the technical transformation in industrial product), approached the subject of design in general, and modern industrial product design, in particular, which employed modern techniques and have new concepts and ideas, which was the main element in making significant changes in product appearances. the first chapter included the research problem which it concentrate about identifying the epistemological systems and structure and foundations, which allows us to understand the mechanism and relational components of industrial product , according to that knowledge that contribute to the activation of mental images and imaginative abilities of industrial designer, and reproduction of ideas that used in identifying the technical transformation for that product. According to that, the research problem has crystallized by these questions : 1. does the scientific knowledge has contributed in evolving the product design, and how techniques effected by the upcoming of scientific knowledge? 2. the extent to which the Awareness of industrial designer expertise cumulative knowledge gained through the stages of time?While the importance clarified through the data of scientific knowledge and the overlapping with art, since such interference can appears the values of artistic techniques of product design, so the detection of creative achievement system of scientific knowledge of pure mathematics, physics, chemistry, and technical aesthetic knowledge that appear in the design of industrial product which brings us to an account of the movement of pattern of the mental mechanism visualization and call for a stylistic vocabularyof industrial product to deal with, as it shows the followingimportant points : 1. The pattern movement of mental perception mechanism with which industrial designer generates from which new and innovative ideas based on the accumulation of knowledge, which stores them in memory and call the vocabulary of industrial product and stylistic interaction. 2. The scientific construction mechanism of knowledge and expertise to the industrial designer can be the organization that operates the juxtaposition actor and moving in the structure of the fabric with Other cognitive knowledge. The study aimed to detection and identification knowledge for scientific knowledge and its relationship to technical transformation and their implications in the design of industrial products.And the study formed of four chapters, the first chapter is the research problem and its importance and its objectives and its borders and determine the terms. the second chapter contains on previous studies and theoretical framework , which included four sections. First section dealt with the aspects of philosophical scientific knowledge , and ensure the second section shifts the intellectual , philosophical and tracks applied , and the third section , entitled the concept of technical and its applications in the design , and the fourth section has dealt with the concept and awareness of modern aesthetic and the crux of this chapter, a set of indicators has dealt with Chapter III action research and methodology, as the researcher adopted a descriptive approach in the processof describing and analyzing models of the sample , while the Chapter IV describes the models and analyzed by form axes of analysis developed by the researcher , and the results and conclusions.Chapter four includes models described and analyzed by analysis axes form developed by the researcher, and the results and conclusions. the most important results that emerged from the study are as follows : 1. Diversity in the techniques of high - quality has contrebute in the devices used to distinguish according to specialties.2. the use of new materials in not used of industrial products with a new characteristics, helped achieve the concepts of reductionism and simplicity, durability and ease of use and the possibility of high composition.3. The presence of correlation between technique based on scientific knowledge and applications that have emerged in the experimental applications of industrial product which suited with the mechanics of the user, allowing him to a great deal of activities embodied in scientific knowledge and scientific applications.4. the Change in human behavior and activity through the interaction of functionality, which has contributed to the aesthetics and functionality of the product as a result of the employment of scientific knowledge and its implications, which appeared during the experimental applications. The most important conclusions that emerged from thestudy were : 1. The technologies evolve continuously invested scientific discoveries, and there is no doubt it is one of the effective means to overcome the problems facing the process of development in the industrial products , and this continuity in progress constitutes an important factor in the accumulation of knowledge, which in turn lead to progress and impressive innovation overall of human activities in those products. The technical evolution is an interconnected and connected to start one of them up where the other and in spite of the diversity of techniques between the equipment and the materials and information , but it all involved in creating the products of design will transfer industrial products from traditional character to the modern technical nature, which it need to integrate them , to systems more sophisticated , namely, ( Smart systems )2. The adoption of advanced scientific knowledge has been led to intellectual shifts in the designs of industrial products in terms of function and aesthetics, which gave the impression that intellectually to the role of knowledge in the development of the social life of the user.3. the scientific knowledge Contributed to improved in making changes to the concepts held by the industrial designer See Through accreditation and keep up with new technologies, and this will be achieved throgh the product which it has cognition communication between that and the user, and this is reflected in the designs of industrial product to suit the needs and functional requirements and aesthetic that fit with the taste of the user.4. That most of the techniques employed in contemporary designs of industrial products and its evolution, which is characterized by a technical Nanotechnology and technical tactile and digital technology and radiation, artificial intelligence and pooling of modern materials, which contributed to a change in systems of formal and functional designs in industrial products

جماليات توظيف برامجيات الحاسوب في سينوغرافيا العرض المسرحي == The Aesthetics of Employing Computer Softwares In The Scenography of Theatrical Show

اسم المؤلف: راوية جبار حسن
اسم المشرف: محمد عبد الرحمن الجبوري
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون المسرحية - تقنيات
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان المسرح يعد حصيلة لتكامل النص مع الاداء الصوتي والحركي للممثلين ومدى انصهارهم مع المنظر والاضاءة والازياء، وهنا تظهر امكانية استخدام برامج الحاسوب في جزء من المنظر والمؤثرات الصوتية والضوئية وباستخدام تكنولوجيا العرض هذه مع بعض برامج الحاسوب مثل ( 3D G | The theater is considered as a product of text integration with voice and kinetic expression of the actors and their interaction with the scenery, lighting and costumes. Hence, we can find a possibility of using a computer in a part of the scene, sound and lightening effects. Using display technology by some computer programs such as (3D Graphics) and (Virtual Reality) can configure the sense of depth and different views that commensurate with the desired show. It is also characterized by dynamic capabilities which are not available in the traditional decor based methods. For example, dynamics allow making a change on the display elements with taking advantage of other video presentations to be an integral part of the background. The actual or real effects are to invest the non - final maximum energies for the PC in the creation of artwork tools and symbols, reproducing voice and image so that it its impact on viewers (sometimes) would exceeds the reality and beyond sometimes. The actual effectsoffer its tools to the computer user; would make it dive into an experience that is so close to reality. So the researcher has divided her research into four chapters : Chapter I - Research methodological framework : it includes the research problem, its importance, the need to it, its goals and limits. It ends with defining the following terms : (beauty, employment, software, computer, theatricalscene) Chapter II - it contains a theoretical framework for the research and previous studies, including four sections : First : the aesthetics of modern experiments in the formation of the scene. Second : technology and experimental trends.Third : the aesthetics of design by the computer (Digital Arts). Fourth : lighting devices used in modern theater. Finally, this chapter shows the indications that the theoretical framework ended up with.Chapter III : it includes the research procedures which the whole research was consisted of. It is limited to the Iraqi and Arabic theatrical performances. The samples of the research on the other hand were deliberately chosen by the researcher and for the following rationales : 1. The samples represent the research problem, its importance and its objectives. 2. The extent of disparity between the theatrical directors which the researcher has highlighted their scenes on a play that was embodied by their theatrical shows. 3. Archival sources of theater shows provide the sample of the research. Regarding the research methodology, the researcher has adopted the analytical approach in the presentation of theoretical framework, also adopted the descriptive approach in the presentation of samples brought by the whole research.As for the research tool, the researcher relied on the indicators that resulted from the theoretical framework.The research samples are : 1. Adding Machine directed by (Ronald Wells)2. theatrical play (Play) directed by (Lance Jarafa)3. The use of technology in the play of (Othello) directed by (Salah Qasab).Chapter IV has included research results and conclusions, then the list of resources and supplements. Finally, it ends with an English abstract.

نظريات الاتصال الحديثة واسقاطاتها الفكرية على المنتج الصناعي == The Modern Communication Heories And Their Intellectual Impact On The Industrial Product

اسم المؤلف: جاسم احمد زيدان
اسم المشرف: شيماء عبد الجبار حميد العبيدي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الصناعي
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Industrial design is regarded as an intellectual and cognitive product that is developed with accordance to the analytical awareness of man interpreting accordingly the external existence with the means of senses which human and other creature have. The senses are the window overlooking the external world and the environment. The form the beginning of mediation and observance and concentration and the formation of depictions which work according to the innovative imagining.Therefore the industrial design is regarded as one of the important pivots of the fine arts. These pivots revolve around the bases of how to convey meaning or the design of the idea to the users or the receivers in the clarity with hindrance to the understanding.The language of visual communication which scientific ad practical bases are formed according to the modern theories of communication. It is the language of modern communication of signs and relations are connected together. The modern theories of communication have offered developed system of communication to the user. But these face the problem of awareness and culture in the confrontation of the developed industrial products (multi - purpose digital devices) as means of communication in finding utilities.Upon the above, the researcher preferred to found the problem of his study through revealing the reflections which are formedby the modern theories of communication on the industrial product of the electronic device (Smart TV, Smart Camera, interactive board, Tablet PC, Smart phone).The study aims at the following : 1 - Investigating the modern theories of communication ad their intellectual impacts on the industrial product.2 - Analysis of sample of modern industrial products to know the effect the modern theories of communication in the development of product.In order to verify these objectives, the researcher founded a theoretical framework that tackles the philosophical backdrops to knowledge and communication and put the following (3) inquiries : First inquiry : The relationship between sensual visual realization and communication.Second inquiry : the modern theories of communication and their application fields.Third inquiry : the aesthetic thinking and its relations to the theories of communication and their impact on the industrial product.The researcher comes up with a number of indications which resulted from the theatrical framework depending I the design of the instrument which is the content analysis form of the industrial product specified in the sample.In order to determine the modern theories of communication that could be concord with the samples of the study, the researcher made a survey of the opinions of the experts in these theories. They referred to him to the theories of (McLuhan - Diffusion and innovation - selective effect - developmental technology).The research community was confined in the products of Samsung ad Sony institutions. The researcher chose a sample of (5) products after consulting the experts in the field of industrial design. The, these samples were analyzed according to the analysis form prepared for that purpose, which was subjected to the validity coefficient test by exposing them to the group of experts.Based on the analysis conducted for the sample, the researcher came up with a number of findings : 1) The structure of the sample was characterized by an apparent functional value and utilization which the user can touch and enjoy in their aesthetic function.2) The sample was characterized by digital products with aesthetic value especially in relation to the outside form of these products which contain attractive points emerging from the utilizing features for every type. This created a form of power in the taste.3) There is a clear reflection of the modern theories of communication on the functions of the industrial productsof sample in the functional and utilizing ad aesthetic aspects.The most important findings are the following : Upon these conclusions the researcher made a number of recommendations which are :

البنية التشكيلية لشكل الثور في النحت العراقي المعاصر == Plastic Structure of Ox Shape At The Contemporary Iraqi Sculpture

اسم المؤلف: منى يونس عبد الجبار يونس عبد الجبار الجنابي
اسم المشرف: محمود عجمي جاسم الكلابي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: النحت
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: This study deals with study of ( Plastic structure of OX shape at the Contemporary Iraqi scdlpture ) , it comprises Four Chapters , First Chapter to demonstrate the Study Problem , its significant , its necessary , its target , and determine most important idiomsmentioned at the study.the study Problem inciudes raise limited questions about these study , and answering to that questions through debate main subject that connect to effect of human being at ancient period which is appearin the modern Art action as atopic subject submitted ti study through embodiment in modern Iraqi sculpture actions , and it should be adopted for intellectual and artistic composition to identify its essential.second chapter ( theoretical framework )comprises three topics , first topic deals with the concept of structure , second chapter concern with Iraqi environment effect on composition of OX s shape by course of time on distant ages , third chapter concernsstructure of OXs shape at modern art. chapter three includes study approach , in which researcher review Research population and its sample selection in addition to research tool and its approach. chapter four Ends with research results , conclusions , recommendations , andsuggestions , some of the results that study reach are : - 1 - Add aesthetic value for art action that embodied of OXs shape which has the content that interject subjective and objective of expression through forming of shape till it reach to a limited manner which hold that value , in addition to the intellectual value.2 - It is possible to set a value evaluation that on the vision simples of the OXs shape that has a determinants that embody by external form which determine the simple value that the action refer to it in this manner or embodiment.3 - the vision formulation of OXs shape in some samples has a decorative composition dominated by the nature of old Iraqi traditions that has its own reflect influence on such a simple of contemporary Iraqi sculpture.4 - Some of the OXs shape has a subjectivity plastic composition that alters the shape construction an aesthetic value more than objective one.

الصورة الطقسية في المسرح العراقي المعاصر : عادل كريم انموذجا == Ritualistic Image In The Contemporary Iraqi Theater. (Adel Kareem As A Sample

اسم المؤلف: سعدية نوري محمد
اسم المشرف: سعد عبد الكريم خيون
الموضوع العام: الفنون الجميلة
السنة: 2014
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

الزخارف الاجرية في القصر العباسي وامكانية توظيفها في اعمال الطلبة : النحت على الحجر انموذجا == The Stony Ornaments In Al - Abbasi Mansion And The Way of Using It In Student'S Workers Sample : Sculpture On Stone

اسم المؤلف: منذر عبد المنعم محمد الطائي
اسم المشرف: هاني محي الدين محمد النعيمي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The first chapter deals with studying the problem, the aims, the search limits and idioms and the production of the problem as follows : In general, the Islamic Art is special in its ornamental aspect. In this way the ornaments in all its kinds (Engendering, Vegetarian, Script and animal) becomes main part used a lot in most Artistic products in Moslems especially when in began to appear in Islamic building such as mansions, mosques, schools, all worship houses and holy places during the life of the Islamic city.The ornament with all its forms and shapes is one of the human aspects in Islamic Arab Art. Whether, it is important formed in ornamental lines or various ornamental shapes.One of the historical building that has still been in the city of Baghdad is "Al - Abbasi Mansion on the bank of Tigris which expresses the fabulous building in achievements and the high use of the stone ornament that decorated the walls from the outside and inside.To keep attractive value and the whole heritage of this mansion which expresses that technique and the way of pressing on stone by the ancient Iraqi sculpture all over the famous civilization of pesopetiemia that is used nowadays as a basic way of building the new ornament.And through the researcher's study in Sculpture's hall in the department and meeting a number of students and noticing their works, he finds that the students have no intellectual and practical skills about sculpture on stones because they don’t have enough knowledge about the way of direct achievement, they don’t know how to practice this kind of technique before.So the researcher wants to use the ornamental units in the students products in Collage of Art / Sculpture department in order to investigate about the answer of the following question of this study which is : Is it possible to use the ornaments from AL - Abbasi Mansion in sculpture works for Fine Art students / Plastic department/ sculpture part.The importance of answering the question in brief is that : - 1 - It is useful to the specialist sculpture in designing field , Arabic script , ornamental.2 - Supporting the calculums about designing the ornamental forms and the way of achieving them by using hellan stone or, gypsum marble in decorating the walls of buildings.The aim of this research is to be able to know the ornamental units of A L - Abbasi mansion and the ability to use it in the products of students in fine art college / plastic Department / sculpture part through : A - Making a training program to make students of Fine Art / sculpture part to know designing skills and achieving the ornamental units on stones.The researcher puts two supposals as follows : - 1 - There is no difference that has mathematical way on 0.05 between the students medium marks ( experimental group) who have been trained on sculpture on stone and practicing it through the works of third year students sculpture part according to program about their answers for items of intellectual total test before and after.2 - There is no difference that has mathematical way on the level of 0.05 between the students medium marks (experimental group) who have been trained on sculpture on Ahillan stone and practicing it through the work of third year students / Sculpture part according to the program about their answers for the items of practical total before and after and limits the research in : - The ornamental units that has been in AL - Abbasi mansion in Baghdad, the students of third year plastic sculpture part / Fine Art College / University of Mosul 2013/2014.The second chapter includes the visual aspects and the previous studies and the sources that are put in writing to get benefit from and the study of the researcher.To some points to make use of whenever he needs that through his paper some parts are united to be easy to study such as : a brief look on the history of AL - Abbasi mansion ornament , stony ornaments in AL - Abbasi : mansion.A historical summary about the appearance of Islamic Arab ornaments , the philosophy building the ornamental design. In structional design. The third chapter involves the research equivalents and the experimental.It limits the study experimentally and making a training program according to the scientific calculums for the scientific research. In this way the limits the community of the research and the experiment. It deals with community which the experimental about ten(girls and boys students) in the third year /sculpture / department / University of Mosul.The tools of the research include two tests the intellectual and the skillful before and after. The researcher used the scientific steps in finding the honest use of tools.Farther more , the research designs a form to evaluate the skillful performance , lastly , the researcher puts keys for answering , then he gets a help from two scoring who are specialist in the field of sculpture.The fourth chapter includes the most important results , it is obvious that there is a good achievement in the intellectual and skillful comprehension through the success in the studentsknowledgeable and skillful performance after training the students to practice sculpture on stone , they do very well. This shows the activate way in using this suggested program for this study.The researcher concludes that there is weakness in the knowledgeable part of the level of the 3rd year students/Fine Arts - College - University of Mosel.Probably the reason is that the academic calculums lack the students specialty because their training on clay materials only makes them lose the achieving skill of sculpture on stone in all its different kinds such as : stone marble and etc..1 - the lack of using work techniques (Sculpture tools) because of the lack getting the exact skill to Plastic Art students that leads to weakness in the students learning.2 - The lack of training students on sculpture to use different thing such as : stone, gypsum, marble and etc. makes them lose their skillful experiences.3 - Most of the teachers are old artists lack the practical experience for the new methods of teaching and technique of using the machines and the lack of using visual aids in front of the students.The researcher advised through his conclusions the followings : - 1 - Increasing the practical and the special part of both teacher and the students , through the continuous evaluation of the calculums and modernize them continuously.2 - Using this programed in this study to teach sculpture on stone for sculpture part and all other departments.3 - Opening complete modal workshop containing different materials and the useful tools in sculpture on stone, marble gypsum , wood ,etc……The research ends with some suggestions , then the scientific resources that can be used by the researcher

نظرية الحل الابتكاري TRIZ وانعكاساتها في التصميم الصناعي == Theory of Inventive Solution (TRIZ) And Their Repercussions In Industrial Design

اسم المؤلف: محمد علي حسين القيسي
اسم المشرف: قدوري عراك صكر
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الصناعي
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The importance of the research is the importance of the theory of (TRIZ), which are based on the scientific method resulting from the analysis of the content of more than two million patents, founder of (TRIZ) was Genrich Altshuller, it assumed that the principles of general creative form the basis of the output of creative and that these principles can be identified and transferred to others to make the innovation process more amenable to learn. It recognize as the most important theory of the task, as adopted in more than (50) major international companies, including Company (Boeing for the aircraft industry and Toyota Motor).To summarize the research's problem, there is no publication of TRIZ theory concerning industrial design, the goal of the research is to characterize and employ a matrix of contradictions for the purpose of contradictions matrix Created especially to industrial design. The search Limit to traditional TRIZ theory (1973), which includes a matrix of contradictions, which contain in its composition, the forty principles and the 39 engineering standards as objectives limits, the research contain its theoretical framework of four sections, the first section dealt with the creativity and its theatrical concepts. This has been confirmed that the creativity and innovation cannot be taught or trained or acquisition, as well as the concept of creativity after the first quarter of the last century which showed that creativity could be educated and transformed.The second part of the research explain TRIZ theory and nine of their instruments, The tool matrix contradictions have been allotted for the Study of particular axis as the basis for the study.The third section has dealt with the contradictions and i matrix Included on the study of the concept of contradictions besides reviewed the (39) engineering standards and forty principles, the fourth section studied eight previous TRIZ's studies.The most important findings of the study was achieved the contradictions matrix model of industrial design, which Includes on (20) engineering standards and (40) principle. These principles characterized of the examples used to explain them was new which is taken from the field of industrial design and pro

تاثير الاختزال على زجاج الخزف المؤكسد العالي الحرارة (Stoneware) : دراسة تجريبية مقارنة == The Effect of Reduction On The Oxidized High Temperature Pottery Glaze (Stoneware) : Comparative Experimental Study

اسم المؤلف: زيد لقمان محمد علي الهلالي
اسم المشرف: احمد هاشم عبد الكريم الهنداوي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الخزف
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تناول البحث تاثير الاختزال على الزجاج المؤكسد العالي الحرارة, اذ ان مشكلة البحث, معرفة التاثير على النتائج اللونية ونسيج السطح بالياته المختلفة بالمقارنة مع نتائجه بالحرق في الجو المؤكسد, وقد هدف البحث وضع قاعدة بيانات لتلك النتائج باختلاف الاجواء.تناول | This research dealt with the effect of reduction on the high temperature glaze, as the problem of the research is to know the effect on the color obtained and the effect on the surface texture in comparison with the results obtained in oxidized environment. The goal of the research was to establish a database for those results obtained in different environment.The second chapter dealt with the historical roots for the reduction technique used in the old civilization where different methods and techniques used.The research also studied the types of kilns and the methods used in both reduction and oxidization using fuel burn kilns. The research studied the most effective oxides used in reduction kiln especially Iron and Copper oxides in different ratios as well as different burning program.Three different glazing mixes was prepared, added to each one of them seven different quantities of the following : Three different glass mix been chosen after several experiments, then different percentage of oxide added was determined, red Iron oxide (Fe2O3) in percentages, 0.5, 1, 2, 4, 8, 16, and 32, Copper Carbonate (CuCO3) in percentages of 0.25, 0.5, 1, 2, 4, 8, and 16, the third mix was exactly the same second mix added to it 2 percent of Tin oxide (SnO2).A serious of firing program made in a Gas fired kiln with a firm downdraft controlled for both reduction and oxidation firing. Mean time all experiments done according to specific program through controlling the rate of temperature rise and timing the firing environment, the glass maturity temperature was set to be 1250 C°.Chemical and physical tests applied on the result of above which unveil a wide variation depending on the firing environments and the type of mix, all results shown in a comparison tables.Glaze mix was calculated according to glaze master program which shows the relation between the three oxide mix used (RO, R2O - R2O3 - RO2) accordingly the temperature and the property of glaze surface determined using Seger’s rule and Matrix dimensions system.Results were evaluated according to approved standards and scientific resources, as well as on the theoretical knowledge and previous studies.results were studied to find out the reason behind the color changes and the changes in surface texture in different firing environments.Most important conclusions are : • Reduction achieved good results for the high temperature glaze through increasing the activation of the material.• Celadon and Copper red colors obtained by adding low percent of coloring materials.• The desired copper red color was obtained by adding Stannic oxide (SnO2) which is quadratic ion (Sn+4 ) in oxidized environment to transform it to Stannous oxide (SnO) which is divalent ( Sn+2 ), in turn it will deoxidized during cool down process.• There was more shining and more even surfaces obtained in reduction process due to weakness in its structure for losing its binding Oxygen. The researcher recommended and suggested the following; • Studying the effect of reduction of high temperature glaze on porcelain clay.• Studying the variety results achieved by adding Copper and Iron oxides on high temperature glaze.• Studying the production of crystalline high temperature glaze in reduction environment.

مظاهر العنف في الرسم العراقي المعاصر == Phenomenology of Violence In Contemporary Art

اسم المؤلف: زهراء اياد محمد صادق
اسم المشرف: سلام جبار جياد السوداني
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الرسم
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The phenomenology of violence has formed a notable mark in the modern Iraqi plastic art specially in the stage ( 1980_2012) , the political events and the social changes has Contributed to the production of a lot of art works which are depends expression and symbolic at work to Represent the surrounding environment by performances and the mental purport which that products marked by, the research had four chapters, the first chapter contented the Problematic of the research which had the most important question : did the presenting of violence in Iraqi art marked as a phenomenon? And the The importance of research was detection the mental significance of the Iraqi works in the time (1980_2012), and the research goals was discovering the violence in the contemporary Iraqi pains about terms of form , content and performance, and that had to recognition of some of the terminology that the title of this research contains , in chapter two represents the a complete study of the subject of the research which it was divided through three sections the first one had a full definition for the concept violence and it up growth and developed in humanity, and the second section contend representations of violence in paint starting from the cave paintings and in the appearance in the ancient civilizations down the contemporary art, third section had the representations of violence in Iraqi art through Recognition the general scene of the realty of Iraqi plastic art as a historical preamble to study the art experience that belong to the research subject, and recognition of ingredient that effects in drafting art works that belongs to paint and the changes that happened on it include the research lines, the theoretical chapter marked signal points : 1 - the phenomenology of violence ranged and developed with the humanity development till these days.2 - Violence is a social phenomenon and in the same tine it’s a culture land mark Spreads with a several ways media and modern technology, and violence appears as a result of ingredients cant be limited by one or tow ingredients, and through the Interaction between these ingredients, the violence actions motivated by dissimilar force from society to other and from person to other.3 - the phenomenology of violence linked with collectivism and individual memory so it Is expressed by image, marks and symbols which has icon power Not otherwise historical or critical on it as well as link blood with violence or viewer of broken and destroying with violence.4 - the Scientists and the Philosophers had differed about expressing the violence some of them think that the actually Components is a contrast Conflict and the conflict between the peace and violence are the natural, social, Psychological incentive, and the other think the deep reason of violence is inherent in the psychological Structure.The third chapter (research procedures) limited the research community and counted distributor on the period of time that represents the limits of research and summarized by drawing the sample was selected in meant which includes (12) samples analyzed in accordance with the descriptive analytical approach.researcher reviewed in Chapter Four findings are : 1 - personify the scenes which had deepness and mental content that carried in side look down on the violence behaviors and the penetration which are done by the extremes and that was showed in the sample (8) in the Mosque.2 - sadness, pain and fear were Overshadowed on Person's Features which was notable in the subjects that the samples (12),(8)and(2) review.3 - artest used Loans forms represents phenomenology of violence by performance methods that appears the artist's skill in direct and treatment of subjects and that was broadcasted through marks , Significance and holes that the bullets left and the turns, blood remnant that violence act caused it and that was clear in samples (12),(11) and(7)4 - Artists referred the forms elements in to violence phenomenology which was notable by crafts performance that changes in to an Article aesthetic , so the violence was one of the aesthetic materials and that was showed in the samples (6),(1) and(5).Results have been identified, including the following : 1 - the inspiration of violence has developed as a authority phenomenon for Iraqi paint with development of this phenomenon.2 - the violence has a clear share in the Iraqi contemporary paint which formed as a result of excretions living realty which was full with many difficulties , cresses , wars terrorism and blockade through its different periods.3 - Iraqi paint benefit from modern technical treatment to produce visual product and present fine art phenomenon the artist employed to support his paint surface.4 - iraqi contemporary paints hard and difficult throe made it have its own tragedy mark which represent violence as a special sign in the national plastic art.Later the identified and proposals been recommendations.

المعالجات الاخراجية للمتغير الاجتماعي في الدراما التلفزيونية العراقية ما بعد عام 2003 == Treatment Directorial of Social Variable In The Iraqi TV Drama After 2003

اسم المؤلف: رعد نعمة عزيز
اسم المشرف: متي عبو بولص
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: لقد استحوذت الدراما التلفزيونية على ذهن المتلقي بصورة كبيرة لما لها من تاثير على افراد المجتمع وكونها تمثل جزءا من واقع المجتمع وبالاخص الدراما التلفزيونية الاجتماعية التي تعرض بعض القضايا الاجتماعية والافكار والاتجاهات التي يتميز بها كل مجتمع.وهنا ي | We have acquired a TV drama on the mind of the receiver dramatically because of the impact of Li members of the community and because it is part of the reality of society and especially social TV drama that displays some of the social issues, ideas and trends that characterize each community. And here comes the role of the Iraqi television drama in the process of changing society through the values and the topics raised in this drama, and change here includes several aspects, it is not social change but a cultural change, intellectual, and economic and political. Que To The importance of the subject of the changing social TV drama Iraq after 2003 comes this research work scientific modest seeks researcher from which to processors directorial which is based upon the drama television through treatment literary text (scenario) and the development of solutions directorial the scenes video in order to configure a new reality. And has divided researcher of this research into four chapters have contained the first chapter methodological framework on the research problem formulated in the form of the question follows : What are the treatments directorial the variable social TV drama Iraq beyond 2003 and importance and goals aimed at detecting the changing social and make way in the style of put and processed Akharajia in Iraqi TV drama, and the limits of the search, which included the period of 2003 - 2012 to the Iraqi drama and determine the terms, and has the second chapter contains a theoretical framework and included three major Detectives are : 1 - notion of directorial processors.2 - social variables of the Iraqi society after 2003.3 - Iraqi TV drama after 2003.Researcher and I came out of the theoretical framework of indicators that have adopted it as a tool for the analysis of the sample, either studies Bah has not been mentioned three studies approached next to or part of our current and other aspects were divided.Chapter III research and action may be contained on the research methodology chosen researcher Qaida for suitability nature of the research is descriptive method, which involves the analysis, and ratified the tool.The fourth chapter analysis of selected samples - the results and the conclusions of the researcher to several findings and conclusions, including : 1 - was able to Iraqi TV drama after the social variable that reflect the new values (kidnapping, murder, bribery, corruption and displacement).2 - The TV drama after the variable Iraqi social addressed to recipients and calls in their orientation to be a carrier of the correct values, positive and aimed at education, education, cooperation and social solidarity.The conclusions1 - requires the drama director and writer extraordinary efforts in the selection of the changing social issues and his handling of the television drama through investigation and research, and examination of the topics covered in order to highlight the social variables.2 - Construction work requires the use of television drama moot all the elements and sound that make up the technical construction of the work of television drama.This chapter also included also recommendations, which deemed necessary by the researcher and researcher concluded the list of sources and references, and some supplements and 987, as well as abstract in English.

الاصول الرمزية في رسوم پول كوكان == Symbolic Orgins In Art Works of Paul Gauguin

اسم المؤلف: حيدر صاحب جبار
اسم المشرف: كاظم نوير كاظم الزبيدي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: تناول البحث : (الاصول الرمزية في رسوم پول كوكان) اربعة فصول، عرض في الفصل الاول الاطار المنهجي، من حيث مشكلة البحث التي حددت بالسؤال الاتي : (ما الاصول الرمزية في رسوم پول كوكان ؟)، مع بيان هدف البحث الذي كان (كشف الاصول الرمزية في رسوم پول كوكان) واهمي | This research : (Avatar Symbolic in Art work’s of Paul Gauguin) Vahtoy Find the four seasons meant the first chapter the methodological framework for the search evolved to includeboth research problem identified by asking the following : ( what assets Symbolic in Art work’s of Paul Gauguin ?) , As well as chapter contains the goal of research who was detected assets Disclosure of assets symbolic in Art work’s of Paul Gauguin) ) This research as well as chapter containsAnd identifies current research study ( Avatar Symbolic in Art work’s of Paul Gauguin) oily implemented in the years from 1881 to (1903 ), produced in France , and the islands of Tahiti.The second quarter included four topics in turn divided into several axes. Guarantees thefirst section (the icon in the human thought ) while taking second topic ( symbolism in thearts ) The third topic was interested in studying ( assets symbolism in modern painting ) withincludedSection four ( the life of Paul Gauguin ) The fifth topic handled (attributes of cash ,and the aesthetic in fees Gauguin ) , has concluded the second quarter review of thetheoretical framework of indicators to take advantage of them in the construction of the search tool and analyze appointed.The chapter contains a third search procedures , which included the research community and which consisted of ( 180 ), a work of art ( for (Paul Gauguin ) oil on Alcanvas , and sample amount (20 ), a work of art then search tool that has been built on the light of the indicators of the theoretical framework , where included tool axes assets Avatar which assets : (Mesopotamian , Pharaonic , Greek, Chinese , Japanese, Tahitian , religious , Jewish , classical , romantic ) , has been placed on the horizontal axis in the form of analysis , and then placed shapes Avatar Other, and configuration items , and after that offered the tool on a number of experts and specialists in the field of art education , and fine arts , to express their views in their validity , it has been modified form is deleted , and added some paragraphs of them and having gained the tool honesty ; became ready for application , the researcher : (conducted a stability of the tool through) (agreement between analysts external) Pthalilhma individually the content itself , on the basis of his followers the same steps , and analysis rules , and ( the agreement over time ) : Ptousel researcher to the same results after the decomposition of thesame content again after a certain period of time , and to follow the same rules and procedures in doing and the analysis.After the application of statistical methods by which included both (equation Cooper) to calculate the sincerity of the tool, and the percentage of agreement among the experts (83%) to acquire sincerity content after it gained honesty virtual, and equation (Scott) to calculate the stability of the tool, since the rate of stability in which the proportion(82.5%).The fourth chapter, has included the search results, and conclusions, and contained the search results, and conclusions as well as recommendations and suggestions, the researcher has reached to remember the basic results, including : 1. Formed religious symbols and their meanings obsession deep into the artist orientations of Sufism , and the Catholic associated with church , likening constant in Jesus Christ as , and pain and suffering , which made the orientations religious ecclesiastical , Christianity , Buddhism , and other religions constitute reference inherent in his paintings.2. Use ( Paul Gauguin ) Jewish symbols , and so out of Jewish influence on Europe in general and France in all special.3. Borrowed artist ( Paul Gauguin ) Some symbols mechanisms narrative Novelist , and the stories the old classic with inherited European necessitating thus symbols through flashbacks classic based on the laws stringent technical , but he borrowed , and added them a lot of symbolic nature , and expressive in order to give her a symbolic dimension somewhat different what brought him classical movement.The main findings were : 1. That influenced the artist ( Paul Gauguin ) arts ancient and primitive as it is found in European civilization which the grapes source of threat , and the destruction of self and fled , including searching for primitive life in places not reached European civilization , and to escape from the community who felt secession , and alienation with him because the community did not appreciate his talent.2. Arad, artist ( Paul Gauguin ) in his drawings Liberation Art of limitations generally accepted that left schools that preceded it , and the schools that the grapes try to find new ways , and symbols alternative inspired by the ancient civilizations of the flows into their art , and to convey movement Avatar horizons another that would make him , and his art immortality.As well as research has included : proven sources , and supplements , and a summary of research in English.

خصائص السينوغرافيا في عروض المسرح الاحتفالي العربي == Characterastics In Cenographic Peresentation of Festival Arabian Theater

اسم المؤلف: باسم محمد احمد حسن الجبوري
اسم المشرف: محمد عبد الرحمن الجبوري
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون المسرحية - تقنيات
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: بعد انقطاع وغفلة يعود من جديد البحث في ما هيات المسرح الاحتفالي العربي وعناصره السينوغرافية التي يتشكل منها، بوصفها فنا يعكس انماطا شديدة الخصوصية، وعلى تماس مباشر باحاسيس ومشاعر المتفرجين، مع محاولات اللحاق بركب العصر الحديث والاستفادة القصوى من كل ما | After the interruption and inattention back from New research into what Hiatt theater festive and elements Alcinograveh that make up as an art reflects the patterns very special , and in direct contact feelings and the feelings of the spectators , with attempts to catch up with modern times and make the most of everything that will lift the format presentation for display theatrical techniques and technology , ranging from architectural buildings play to their equipment , technical and professional to the possibilities available in the project sound and follow the movement of Representative above the stage and keep up with the spirit of the times to create a scene of theatrical and methods of implementation and formulation of places of different widths and advanced capabilities of the types of theatrical lighting and the use of historical costumes and contemporary and develop plans integrated to form a celebratory spectacle in the form of the final presentation.In this study addresses the researcher in the first quarter represented the methodological framework of the research problem and the need for him by asking about the properties of Alcinogravea in theater ceremonial and its ability to influence the final wording of the composition of the image visual display and audio , as well as the importance of research in the theme of scenography and its relationship with the theater festive addition to research objectives and limits of temporal and spatial and objectivity, in an attempt to extrapolate the reality of the Arab theater and the vital festive spirit of the times in providing theatrical performances and then determine the terms contained in the title as well as operational definitions for the researcher.In the second chapter of this study , a theoretical framework which is divided into three sections , the first section for the celebration in the Arab and global concept and who are advocates of ceremonial and who are the pioneers and founders. The second section focuses on the tributaries and the main pillars of the festive scene. The third section included Achtgalat Alcinogravea elements in the festive display.And Of space theater and its many forms and theorist playwright ( decoration) and the aesthetics of lighting, costumes , makeup and accessories play various music and sound effects and actor , as active agents in the composition and formation of the system visual and auditory display of theatrical festive , and then dealt with previous studies and the resulting theoretical framework of indicators to contribute to the formulation search results.The third chapter objective measures search by selecting the research community and the samples and the method selected in addition to the research methodology , tools and methods and then analyzing samples for five presentations of the Arab theater festive chosen by Qsidia to get to the search results and discussed in the fourth quarter to reach final conclusions of the research and recommendations and proposals Hutea this study, sources and references that have been approved in addition to the research summary in English.The researcher reached several conclusions , including : 1 - data Alcinogravea and employment within the space of the play one of the methods adopted to create a pluralistic vision directorial heritage dramatic text to read more from Arab filmmaker 2 - rely festive theatrical presentation on the potential of the image of plastic and visual effects and audio generated by Alcinogravea in an attempt to give the ceremonial spectacle , and in a harmonious unit within the theater space 3 - reinforced Alcinogravea attract spectator to the theater after the festive mobilized all available means and that was difficult to achieve in the past aesthetically in theater 4 - become the dominant elements Alcinogravea authority in theater ceremonial speech to achieve intellectual and emotional values desired by the theater in various experiments to highlight the diverse aesthetics at all levels dramas

توظيف الاشكال الفنية الشعبية للتمائم والاحجبة في الفن التشكيلي العراقي المعاصر == Employment of Public Artistic Forms For Amulets And Puzzles In The Iraqi Contemporary Plastic Art

اسم المؤلف: نادية عباس عبد الله نجم الخفاجي
اسم المشرف: علي شناوة وادي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون التشكيلية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: The current research (EMPLOYMENT of PUBLIC ARTISTIC FORMS FOR AMULETS AND PUZZLES IN THE IRAQI CONTEMPORARY PLASTIC ART) aimed to knowing the methods of how to employ the popular artistic shapes of amulets and puzzles in the contemporary Iraqi plastic art , the research includes four chapters, first chapter dealt with showing the problem of the research represented by the question : Do amulets and puzzles pose a cognitive, cultural and religious space in the consensus memory for communities and Iraqi community specifically is one of them andto what extent do the popular artistic shapes represent an aesthetic phenomena has its presence and effect as it needed to be employed in the contemporary plastic arts?In addition to that included also importance and need of the research, the goal of the research was represented by knowing the methods of employing popular artistic shapes for amulets and puzzles in the Iraqi contemporary plastic art. The limits of the research were about studying the works of Iraqi plastic art such as painting , sculpture andceramic in the period ( 1952 - 2010) , then the researcher defined the most important term came into this research.Second chapter concerned about theoretical frame and previous studies, theoretical frame included two sections, the first one is about : investigating historical, cognitive and aesthetic dimensions of amulets and puzzles , while the second section was about : Quotes of employing the folk heritage in the Iraqi contemporary plastic art, then ended the theoretical frame with a punch of indications by showing previous studies and discuss them.Third chapter pertains with procedures of the research included the following : Population of the research included (82) plastic art works (painting, sculpture and ceramics) within the limits of the research, it is been choosing (18) patterns and analyzing them in the shed of imitation of tool pivots.Research's tool : Through the theoretical frame and its indications, the researcher created a content analyzing form to analyze the artistic works through sample of the current research, in the shed of stipulations of pivots of research tool, this form was showed to some experts, the she modified the form after entitling the external truth according to Coper equation, then she created the consistency of the tool using Scott equation.Fourth chapter : included the results, conclusions, recommendations and suggestions, the researcher had come up with some results, most important ones are : - 1 - The public artistic aspects for amulets and puzzle featured with general characteristics of the public heritage like spontaneity, flattening, abstraction, reduction simplicity and differentiation that makes them more closer to modernity and contemporary arts, push the contemporary plastic art Iraqi artist to employ them in his artistic deeds with the features and characteristics and facilitate the employment tools like what we see in the most of the samples of the research's population.2 - The public artistic aspects for amulets and puzzle take constructional employing tools of a formative direction via volunteering in the contemporary Iraqi plastic works in the arts of painting, sculpture, ceramic through its adjacent , abstraction , logic of achieving artistic and organic in the artistic deed and its matching with treatment and techniques that featured with contemporary in the deed like what appears clear in most of techniques of employing these aspects in samples of the research population.3 - The employment's techniques of the artistic public aspects of amulets and puzzle matched with the artistic contemporary Iraqi deed as it described vital expression about the Iraqi environment within color and line units and animal geometric aspects as describing these aspect as products produced from the Iraqi environment itself with its all modifications and variety.. and showed up in most of the samples of research.4 - The employment's techniques of the artistic public aspects of amulets and puzzle are characterized with its designative compositions , unity and adherence of its artistic construction from the shape side, its abstract conductivity and elaboration ability that is able to express.Then the researcher submitted some conclusions as the following : 1 - The public artistic forms of amulets and puzzle are considered as designative constructions able to modify m formation, analyzing, construction, creation, reduction and interaction with other modern conceptive frames and employ them in the contemporary plastic deed.2 - The arts of cultural and public ancient Iraqi heritage (included arts of amulets and puzzle) , their shapes, units and symbols have featured with rude non - reality depictive and then its enrichment that require from the viewer to have the skills of interpretation and explanation.3 - The plastic contemporary attempts that inspire symbols, aspects of cultural and public heritage included amulets and puzzle may lead to let the public identity to international project.4 - What inspires the artistic public for amulets and puzzle that they are considered as results collect between what is subjective and objective, the first one appears clearly through tweaks, treatments and attempts of the artist to show the objective of additive public references for amulets and puzzle.The research was finalized with a list for sources, references, appendixes and an English abstract.

الخصائص اللحنية والايقاعية للاغنية الشعبية في مسرح الطفل == The Melodic And Rhythmic Characteristics of The Follk Song In The Childrens Theater

اسم المؤلف: محمد كاظم محمد
اسم المشرف: ناصر هاشم
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون الموسيقية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: I've been using music and other images humanitarian or literary forms of the rumor respect and reverence and enhance human existence sensations representative and spirituality. That music is an icon of existential its importance in the entire universe of music that was used in many aspects of life , including work or worship or to deliver live images expressive. Therefore, the music used in the whole theater , including children's theater to reach the scenes of the whole picture With this in mind the researcher took it upon himself to description and analysis of popular songs in the Children's Theatre has come from search Mtkona five seasons with a list of sources and supplements 0 The first chapter discusses the methodological framework of the research , presented the research problem , which shed light on the folk songs in the Children's Theatre , which is associated with the contents and her music lives of the community in the city of Basra, and they were inspired by the heritage of song and music in Basra , and therefore there is a need to conduct a study on the characteristics of melodic and rhythmic songs People at the scene of the child in Basra 0 Then Pena important research topic , the aim of the research exposesproperties melodic and rhythmic construction of the songs in the popular children's theater in Basra 0 The second chapter guarantees the theoretical framework and previous studies , and be one of the three sections , came in First research study characteristics melodic folk song , and in the second part, we dealt with characteristics of rhythmic folk song , while the third section has included the study of the functioning of the song popular in children's theater and how it was utilized and what song popular and composition , but on previous studies did not find any scientific study and academic folk songs dealt with in the Children's Theatre , which is the focus of our search. The chapter contains the third research procedures , as we have identified the research community and then selected a sample search where taking Researcher All specimens were analyzed , and then we talked about research tools , explaining the standard analytical 've prepared in order to achieve the goal of the search, depending on what the Word of standards in research and theses the former , then we dealt with the research methodology and research requirements and criterion validity and reliability. The fourth chapter has included analysis of music for all the samplesthat belong to the popular song, and only subject to analysis musician 0 In the fifth chapter we went out the results of a group of investigators that the goal of the research, and then we came to the conclusions , and then we put some of the recommendations and proposals , and was followed by a list of sources and supplements and summary Search in English.

الاستيفاء الوظيفي في بنية الفضاءات الداخلية للمراكز الصحية == The Functional Interpolation In The Structure of The Internal Spaces of The Health Centers

اسم المؤلف: وسام صالح حمد الموسوي
اسم المشرف: فاتن عباس لفتة الاسدي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الداخلي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: For as long as the job is the purpose of the foundation design and due to the nature of the functional characteristic of the structure of the internal spaces of the health centers, has been put forward the following question : How can the structure of the internal spaces of the health centers that meet the functional nature? , And that was the question, but out of weakness career structure which witnessed those spaces, and through that constitute the objective of the research study the problem under the title (interpolation career in the structure of the internal spaces of the health centers).Hence research aims to develop a knowledge based cares to reveal the variables that affect the functional components of the structure of the internal spaces of the health centers, which is where we hope to achieve the following goals : 1. detect functional nature of the internal spaces of the health centers and the development of design considerations to meet the career structure.2. to develop a proposal for a design interior spaces to health centers where interpolation is embodied in the career structure.The importance of research by approaching the subject is interested in preserving the structure of the interior spaces to meet the functional aspects.The theoretical framework to ensure the two sections, the first dealing with it the concept of function and kinds and considerations and variables in the internal spaces, in addition to addressing the concept of functional interpolation and classifications.The second section has been dealt with the elements of the interior spaces to health centers, and the characteristics of its structure, in addition to a comprehensive study of the functional systems affecting the internal spaces are met.As has resulted thereafter theoretical framework for a set of indicators which have been used to build a form for analysis comprised two main pillars : 1. characteristics of the internal space and functional systems.1. 2.functional relationships in the structure of the internal spaces.In doing so it has adopted a descriptive approach in the process of analyzing the three models were chosen is my intention from the research community.It resulted in the analysis process on a number of conclusions, including : 1. represents a form of interior spaces, one of the main factors and actors in the formation of an internal structure to meet the functional aspect to be responsive to the activities and requirements of different users.2. thought the design objective in the design of interior spaces actually translates design meets function through the formation of a structure according to user requirements and technical and technological evolution.3. structure formed interior spaces of the elements of design are the design and production fulfills its function within the pattern of relations in the structural functional unit of interconnected parts to achieve the design goal.

تداخل الواقع والخيال في تشكيل الرؤية الدرامية للنص المسرحي العراقي المعاصر == Overlapping of Reality And Fantasy In The Formation of The Dramatic Vision of The Text of The Iraqi Modern Theater

اسم المؤلف: كفاح حسن محمد الشمري
اسم المشرف: رياض موسى سكران
الموضوع العام: الفنون الجميلة
السنة: 2014
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تعد النصوص المسرحية الصور المعرفية والفكرية والفلسفية في المجتمع الانساني وخاصة وان كتابها شملوا ما هو ذاتي وموضوعي في حياة الانسان وتجاربه المتوالدة. فلرايب ان نجد تداخل الواقع والخيال في تشكيل رؤية دراميه جديده للنص المسرحي الصورة الكاملة للتعدد والت | Theatrical texts are images of cognitive, intellectual and philosophical in human society and especially since her book comprised the self and what is the objective in human life and experiences proliferating. There is no doubt that we find the reality and fiction overlapping of in shaping the vision of a dramatic new text theatrical complete picture of the multiplicity and uniqueness it reveals the desire of our writers in innovation and experimentation, through the search for methods and modern techniques in playwriting So About Me research studying the play in terms of Overlapping of reality and fantasy, with texts the research includes four chapters on the first chapter discusses the research methodology, starting from the research problem identified in the following questions : - What reality and fantasy? And their importance in the Iraqi theater text? Does imagination play an important role in the drafting of the Iraqi modern theatrical text? The importance of research in art as a means to achieve the objective goals and other aesthetic and psychological vary depending on the objectives of the literary trends in artistic expression. And clear objectives of the research to identify the way graphical mature way of upgrading the reader's mind as well (detection aesthetic features of the equation of reality and fantasy interact and ranges employed in the formation of seeing playwright in the contemporary theatrical text Iraqi chapter included on the borders of research identified chronologically texts theater consisting of a period of 1990 - 2013) and spatially in the play texts composed and stomach in Iraq came the search terms used by the researcher identified in the theoretical framework and analysis of samples terminology. The second chapter, it is the theoretical framework and previous studies, which included a Ila?h Investigation, : About Me first identifying the concept of philosophical and psychological reality and fantasy, where branching into two parts, the first concept of reality and the second concept of the imagination, and the second section under the modes of reality and fiction Overlapping of in the theatrical text and section title third aesthetics of reality and fantasy in a theatrical text Overlapping of, and cared chapter created by including the theoretical framework of indicators. The third chapter : - it has the procedural framework, which included the research community, as it included the plays that bear overlapping of fact and fiction.In the theatrical text and identified (100) theatrical text within the temporal and spatial.Chapter also included a sample consisting of three texts play a play (time) to Yusuf al - Ani, and play Sidra to Khaz'al Majidi and memory cage to Ali Terminal selected deliberate manner consistent with the research community and the reasons Sogtha researcher to achieve the objectives of the research were research what emerged from the indicators in the theoretical framework tool and then the samples for specific data analysis, as was the research methodology (analytical).The Chapter Four was a presentation of the most important findings of the researcher through the disclosure of intellectual, philosophical, and technical infrastructure to Overlapping of reality and fiction in modern theatrical text Iraq, as conclusions emerged based on what emerged from the results have been concluded with a list of sources and references, which contributed to the incorporation theoretical research and subsequent analysis of the samples research.

تقنيات اداء الممثل المسرحي في عروض الفضاء المفتوح

اسم المؤلف: اكرم عبد الكريم عبد المجيد سلمان
اسم المشرف: راسل كاظم عودة
الموضوع العام: الفنون الجميلة
السنة: 2014
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان الفضاء المفتوح واعتماده على تقنيات الممثل الجسدية والصوتية شكلت علامة فارقة واساسية في نشاة وتطور المسرح منذ نشاته الاولى.ومن اجل توظيف تلك التقنيات لدى الممثل بصورة تمكن المتلقي (غاية العرض) من انشاء علاقة حميمية مع الممثل خرج معظم المشتغلين في الفنو

التمثلات الفلسفية للحداثة في خطاب السينماتوغراف == Representations Philosophy of Modernity In The Structure of Assets Cinematograph Speech

اسم المؤلف: ماجد عبود الربيعي
اسم المشرف: محمود اكباشي خلف الزبيدي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون السينمائية
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Form engaging in philosophical modernist structure speech Alcinmaturav phenomenon articulated it and the latest irregularities unprecedented make it produces or generates a logic of its own and in order to examine this Alachtgalat This study tagged ( representations of philosophical modernity in a speech Alcinmaturav ) which are arranged through the chapters four came first in which the title frame systematic and included a research problem and its importance and its goals and limits of the most prominent and the terms contained in its title as well as the paragraph previous studies. While the second quarter and marked the theoretical framework on four key sections as follows : First research \ entrance to process philosophy historically , functioning Alcinmatugrave.The second topic \ philosophical trends and strategy in assimilation.The third topic \ modernity ( the project and assimilation Alcinmatugrave.The fourth topic \ representations philosophy of modernity in the structure of assets Alcinmaturav speech.The researcher reviewed the first section of the panorama of historical experienced by the philosophy through the ages , pointing to the most prominent names of the task and milestones witnessed by philosophical thought , while touched second section of the most important trends philosophical shining four trends are ( pragmatism and existentialism and Marxism and idealism ) and noting some of the Achtgaladtha and Tmtheladtha Alcinmaturav in the structure of speech , and singled out the third section of the contest in the term and concept of modernity and its most prominent thinkers of the Enlightenment and in the film Achtgaladtha Alcinmatugrave money while the fourth section to the practical applications of philosophical representations of modernity in the structure of the elements of audio and visual components of speech Alcinmatugrave.Through review of the most prominent theoretical perspectives and institutions Alalstamologih constituents thought the philosophies of modernity researcher unearthed a number of indicators conclusion theory for the second semester and adopted as one of the research tools and a standard measure by the elected Qsidia research specimens.The third chapter , entitled action research has consisted of research methodology used and the research community , and specimens marked by models film following ( The Last Samurai , The Devil's Advocate , Mr. Nobody , Homes in that alley, an avatar ), which cited a researcher some justification for some reason selected , and also contained this chapter the search tool and the unit of analysis as well as samples paragraph film , which relied on what Achtgah researcher of the standard indicators of research theoretical framework after obtaining the approval of the Committee of Experts and Mahknyn it.The fourth and final chapter has been included on most final results derived from the analysis of the samples of the five film and that was the most prominent : 1 - The statements and perceptions problem of philosophical thought Batjahath four ( pragmatism , existentialism , Marxism , idealism ) and Tmtheladtha in the structure of speech Alcinmaturav remain in character and descriptive abstract , and remain within this space even linked to the content is appointed in life or art , and then reflected across assets or elements pampering filming to produce a concept or connotation.2 - show that modernity has Mthaana irregularities within the drift has specific knowledge of their requirements and the logical and technical reflected in the building and the Metn Gaii speech Alcinmaturav unconditionally college , but his being in positions Mtaana it ( footage , scenes , parts, chapters.... etc. ).3 - to remain philosophical representations that the receiver always seek effective and positive for the acquisition of meaning and understanding of the significance , and that the psychological needs of the recipients constantly intervene to read or identify those representations , and Lighting essence through the structure of the assets of the synthetic speech Alcinmaturav.It also included a chapter on conclusions Achtgaha researcher of search results and recommendations as it deems necessary , as well as suggestions for future studies of the suffix with the thrust of this study In conclusion cited researcher list of sources and scientific references adopted in consideration and some supplements and abstract in English.

تعددية الوظيفية وانعكاساتها التعبيرية في تصميم الاقمشة المعاصرة == Plurality of Function And Its Implications In The Design of Expressive Contemporary Fabrics

اسم المؤلف: رسل خليل ابراهيم مصطفى
اسم المشرف: ناصر حسين الربيعي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: This study deals with pluralism functional designs for fabrics that are dual function in do performative and its implications expressive designs in fabrics contemporary, Job Role and aesthetic symbols and connotations and Mathmlh reflections expressionistic as study includes four chapters , the first chapter of the research problem and identified by asking the following : Do you check pluralism functional reflections expressive designs in contemporary fabrics ? The objectives of the research is the detection of multi - functional and study the values expressive designs in fabrics and contemporary numbers designs proposed , may determine search objectively study the multiplicity Alozivuoal_khasa?s expressive designs for fabrics contemporary, spatially study designs fabrics , home furnishings ( mattresses _ curtains ) and available in the local markets of the city of Baghdad , and identifies research temporally studied in models ( 2012_2013.The second chapter identifies several sections dealt with the first section , including multi - functional fabrics and designs in the second section dealt with the expressive characteristics and implications in the design of fabrics and finally the third on reflection expressive designs in contemporary fabrics. Followed previous studies and then the most important indicators that resulted from the theoretical framework.The third chapter dealt with research procedures , which included research methodology a descriptive analytical and research community , which amounted to (44 ), a special model designs upholstery fabrics and curtains Eliminated from him (33) model design parameter as a result they are so different on the level of formal , organizational and color models in the community was the remaining (11) model and it has been selected sample are intentional , but the search tool has been represented in the Form of analysis thathad been prepared by the researcher have included several axes , endorsed by the experts were on the basis of the analysis of samples and then get stability as samples were analyzed in the same chapter based on axes form.The fourth chapter has included the most important models of the study are as follows : 1 - The use of vocabulary in the most natural plant design models because of the sense of the vocabulary and semantics of aesthetic expression and suitability for use functional designs of curtain fabrics and furnishings , and employ at least geometric shapes and written.2 - achieved multi - functional design vocabulary in all models where a single design can perform two or more.3 - reversal is achieved through expressive design methods where the use of the methods varies between the real and the abstract and the hub of reality - decorative while not achieved a reversal in the expressionist style geometric models Almananvzh.The most important conclusions : 1 - Diversity of raw materialsled to the emergence of refletions expressive functional and aesthetic. The raw material and suitable for the job the stomach for it.2 - Vocabulary been employed in the most natural designs led to the occurrence of reflection expressionistic serve the function and less use of animal vocabulary and writing vocabulary.3 - Check multifunctionality in all forms of design , which is reflected through the design methods and vocabulary of symbolic and expressive connotations.As well as to ensure the same chapter conclusions, recommendations and proposed designs included as the last designs prepared by the researcher and presented to a group of experts has got approval.

التحول المفاهيمي للبنية الزخرفية في العمارة الاسلامية == Conceptual Transformation In The Structure of The Ornamentation Islamic Architecture

اسم المؤلف: وسام كامل عبد الامير
اسم المشرف: جواد عبد الكاظم فرحان الزيدي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الخط والزخرفة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تناول الفصل الاول مشكلة البحث التي طرحت التساؤل الاتي ( ما هو التحول المفاهيمي للبنية الزخرفية في العمارة الاسلامية ؟)، ويهدف البحث الى كشف وتحديد التحول المفاهيمي للبنية الزخرفية في العمارة الاسلامية على الصعيد الشكلي والوظيفي والتعبيري في ضوء حدود تمثلت | First Chapter deals with the problem of the research which presents the following question(What is the conceptual transformation in the structure of the ornament Islamic architecture ?) The research aims to disclose and specify the conceptual transformation in the structure of the ornament Islamic architecture at the phases of formal, functional and expressive in light of the limits of ornament components in all its kinds in Islamic architecture within Iraq , Turkey, and Iran for the duration of 1563 AD to 2009 AD. Second chapter discusses the theoretical frame of the following subjects : The meaning of converting and its philosophy in Islamic art at the phases of self and subject , the philosophy of concepts in Islamic ornament as perfection and order and repetition and decoration and unity and variety and movement and rotation and accuracy and workmanship, and the styles of formulation of decorative shape represented in modulation style and style of abstraction , and the structure of the decorative in Islamic architecture at the phases of decorative components and spatial organization and processors colorimetric. Third chapter includes the research's procedures which includes the follow of descriptive approach in the light of research's sample which includes 375 shapes non - recurring. 20 shapes were selected embodied the research's sample according to the method of intentional selection. The tool of the research was designed ( analyses form) and shown to experts in order to obtain their reliability and validity and then analyses of the samples. The fourth chapter includes the results including : 1 - to pursue the conceptual transformation of the ornament structure in Islamic architecture within several axes such as formal, functional and expressive. formal phase includes the following ; 1 - 1 style of shape's formation in terms of the type and quality. It is represented in some methods such as (offloading , replacement , integration ( formal slurring) , substitution , magnification and reduction). 2 - Conceptual transformation of ornament structure at the level of functional side embodied in transmission from the ornament role to openness of the performance of the dual role (decorative - communicative) reflected by designed components through dual superficial structure by two different ornament sorts ( calligrapher - plant ). Transmission from ornament function to the representation of narrative phase presented by details of decorative structure which reflect realistic scenes of life include various expressive subjects. 3 - Conceptual transmission of the ornament structure on the expressive level which is embodied by transmission from imitation of images of the natural existence world ( plant - animal - clouds) , cognitive existence world ( geometrical ) postural (calligrapher) which depends on the metaphor , comparison , and equivocation between the real shape and ( true ) and decorative transmission ( metaphor) via visual signifier and its attribution which is involving the concepts can be understood through phenotypic approach to the ornament icons which state subjects such as ( fighting scenes with fabled creature , hunting scenes , beyond being of the world as a man has two wings ).4 - concept of perfect ness embodied through presenting several comprehensive image to the details of ornament structure which reflects the side of realistic existence elements with shapes that represent this vision in terms of quantity (creation of unilateral and bilateral and multi ornament sorts ) and the quality ( symmetrical , non - symmetrical , round , sidelong , frontal , compound , start of emergence , medial site , final site , small size , large size ) and the type ( plant , geometrical , animal , calligrapher , astronomical elements , supernatural). Transformation of the concepts of the integrated form ornament sort ( bilateral , tripartite , quaternary) depends on the integration with other via combination and replacement between the different parts.The study recommends providing care for the accumulated ornament heritage throughout centuries when maintenance and renewal given the contents of innovative treatments in formulating the shape and concepts within it , which reflects the growth of thought and its appearance applications through a formal shifts represent addition of quality different from the prevailing in the achievement side , and the possibility of opening up its functions to cover the fields of design carpets and paintings. The study suggests references of shape and its representations in the structure of ornament Islamic Architecture.

سياسة الترويج والتسويق للمنتج الصناعي وفاعليتها في الثقافة الاستهلاكية == The Promotion And The Marketing Politic of The Industrial Product And Its Activity In The Consumptive Culture

اسم المؤلف: عبد الخالق سمين فتاح
اسم المشرف: نوال محسن علي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الصناعي
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تمثلت مشكلة البحث الموسوم بـ ( سياسة الترويج والتسويق للمنتج الصناعي وفاعليتها في الثقافة الاستهلاكية ) من خلال التساؤل حول الكيفية التي يمكن لسياسات ترويج وتسويق المنتج الصناعي ان تؤثر وبشكل فاعل في ثقافة المستهلك.اما اهداف البحث فتمثلت بالاتي : بيان ت | The problem of the study entitled ( The Promotion and The Marketing Politic of the Industrial product and its activity in the consumptive culture ) was presented of how can the politics of promotion and marketing of the industrial product effect in consumer culture. The basic research aims represented as the following : Detecting the effect of promoting and marketing politics of the industrial product in consumer culture through : a - Acquaintance the cooperative conscious of Baghdad University professors according to the type ( Males , Females ).b - Acquaintance the meaning difference of Baghdad University professors according to the type ( Males , Females ).c - Definition designing context for the industrial design and its effect in promotion and marketing and cooperative conscious.Research limits included the industrial product users group of Baghdad University professors of the study year ( 2013 - 2014 ) of various types of electrical and electronic home appliances available in local markets of Baghdad city for the period ( 2009 - 2013 ).The second chapter consisted of four sections. The first section addressed politic topic of the industrial product promotion and the communication process. The second section contains marketing politics and strategies topic of the industrial product and its relationship with consumer and appearing the social and economic marketing importance.The third section consisted products design topic and the designer skills.The fourth section singled to study consumer behavior and the consumptive culture.Chapter three addressed research procedures which was depended on the research society presented by industrial product users group of Baghdad University professors , The research tool was depended on both theoretical and applied or field , by depending on the questionnaire.Chapter four comprised results and conclusions that have been reached and the most important of these results include : 1 - 91% of the research sample members rejects the idea of buying electronic appliances with high price to proud of in front the others , while 9% of the rest of sample members agree this idea.2 - 96% of the research sample members primarily interest the job offered by electrical or electronic appearance , and then their interest comes in its forms or appearance , while 4% of the rest of the research sample members does not pay these things any importance.3 - 93% of the research sample consumers members trust of foreign product which is characterized by all the factors of quality and safety , which lacks local or Arab product, while only 7% of the rest of research sample members didn't trust in foreign product as much as their trust in local or Arab product.The most important conclusions that have been reached are : 1 - Spatial channels form for the Iraqi people who imports all of he needs from overseas important sources for building voracious consumerism through its orientation advertisements and ideologies which promote it and burlesque it in Arab consumer mind.2 - The television commercials extraneous to change the Iraqi individual behavior , and imposing another new behaviors to develop inside him alienated feeling from his surroundings , as well as changing his society values and principles.3 - The research members of Baghdad University professors have consumptive perception to buy electrical and electronic home appliances , and this perception is not different between males and females.After that , the recommendations and suggestions were presented to the directions and side related to the research topic , and then the research finale has been providing.

مصادر الشكل التصميمي ومجالات انتاجه الوظيفية والابداعية == Sources of Designing Figure And Its Creative And Functional Production Fields

اسم المؤلف: سند فؤاد محمد
اسم المشرف: خليل ابراهيم حسن الواسطي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يعنى البحث الحالي بدراسة : (مصادر الشكل التصميمي ومجالات انتاجه الوظيفية والابداعية.)، على وفق بناء معرفي محدد بالوظيفة والابداع، والهدف الاساس في تفسير حقيقة الاشكال ومصادرها المتنوعة وجوهرها وما تحمله من معان وعلاقات شكلية وجمالية وافكار تصميمية تحق | The recent research concerning with ( sources of designed figure and its creative & functional production fields ) , according to cognitive construction determined by function and creation and the main goal in explaining figures and its various and what holding of meanings and aesthetic and format relations and designed ideas achieving for the illustrated goal as a printing achievement.Most creative results related in joint divider representing by depending on intellectual constructions or certain philosophy , namely, each creative production has its intellectual or philosophical circle or field that launch from it to the world of creation.The designing figure in its general meaning , includes an idea creating from the internal mental expectation of designer to product figures from self feelings making his prior imaginations far from these figures with his feelings and converting it into creative forms producing the designing figure from mind depending on various functions symbolic , psychological and social and ways of production , norms and traditions, therefore, the desi8gned figure representing a reflection for this social and economic reality.This study considers a sign able to enrich the designing work by many of giving that exciting taste in receiver through its specify in varying symbols and meanings and its fluency for its active importance that combining the designer as a creative man for the designing figure and between society that save in its memory many of designed and figurative styles. Whatever varying theories of figure and its styles and figure related by function and the creative contain, also language of figure related by the visionlanguage to analyzing the aesthetic oratorical to processes of understanding, explanation and conviction.The researcher found that the importance of this subject and inquiry on : What are sources of the designing figure as a problem for research and an goal put for studying determined by : definition of designing figure and its creative and functional production fields.The researcher writes all what has a relation with the designing figure within its theoretical frame , through Arabic & foreign and libraries concerning with specialization for obtaining on indicators useful for measuring field that related with determining approach of research and its method and determining research society that represented by (40) printed designing figures and various goals , from it 10 samples have been chosen intentionally with rate ( 25%) from the original society , and characterized by some features to give scientific results after analyzing, describing and explaining them and then reported according to these results : 1 - There are theories focused on basis that sources of the designing figure lie outside mind of designer in his square , namely they are figures for designing figures derived from nature. There are other theories adopted basis that sources of designing figure lie on mind of designer within it contain namely, external designing productions figures on what is familiar in the nature.2 - It can be create figure depending on various functions (symbolic, psychological , social ) and figure may be in special givings need to requirements of function , environmental condition and the social values.3 - Figure generates from idea originate from the internal mental expectations of designer , the latter drawing his figures from self feelings converting his priorimaginations on these figures with his feelings to creative forms, then figure resulting from mind.4 - Creative peoples in all times producing some ideas in their works depended on requirements of age and its vital and there are many activities that creative man choose from them his figures.5 - The designing figure influenced by many social and economic limitations , ways of production , norms and traditions , then figure became a representation of reflection for this social and economic reality.6 - One of the main factors that effecting on the designing figure is the intellectual factor with its mental imaginations , designing here is an intellectual production between individuals & groups appears through long experience made by special classes of society

تطوير التفكير الناقد لطلبة الدراسات العليا في التحليل والنقد على وفق استراتيجيات التعلم البنائي == Developing of Critical Cogitation For Postgraduate Students In Analysis And Criticism , According To Constructivist Learning Strategies

اسم المؤلف: وسام احمد شهاب المطيري
اسم المشرف: عبد الكريم لعيبي الربيعي
الموضوع العام: العلوم التربوية
السنة: 2014
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان التربية المعاصرة تسعى لتعلم الفرد كيف يتعلم وكيف يفكر، وان هذا يعد من اهم اولوياتها، اذ ان هذا الهدف يمنح المتعلم القدرة على التعلم، ولان العصر الحالي يمتاز بالسرعة في انتاج المعرفة والتغيرات التكنولوجية، اردنا من المتعلم ان يكون ذا كفاءة عالية من ناحي | The contemporary Education aims to instruct the individual how to learn and think , this is the most its priority ,this target gives the literate ability on learning , due to present time distinguish by speed in knowledge production and technology variations , we want from the literate to have high competent in his thinking cause it is important to develop cogitation skills especially skills of critical cogitation , the acquiring of cogitation skills in general and critical cogitation in particular achieves affirmative impressions on literate ability of learning and creation and making correct decision on creative product quality. The revelation of unknown and veiled contexts in art actions determined the developing of cogitation skills, and it connect with developing supreme intellectual skills, which will reflect positively on knowledge and critic ability for the literate on one side and to improve learning level on other side.The fast developing for cultural constructs of societies made the world by what it owned of thoughts and believes ,adopting similar pattern to some extent , so it becomes more important to fortification the literate from submission and subordination beyond substantive ideas and excess at inner meninges to facing challenges ,also develop his critical cogitation and promote his tendencies towards learning process. Critical cogitation is a compound process works on submitting certain idea to verification and on this evidence would be collect and verify it , then will be decided to accept or reject it , depending on certain criteria ,so the matter of development accompaniment becomes a target and feature accompanying contemporary Education ,the arranged instructional programs has adopted mission of developing critical cogitation at literates, these programs were prepared according to theoretical basis taking into consideration actual needs of literates especially constructivist theory which will reflect affirmatively on improving literates performance in general and the artist literate in particular, and this what Art Education Department in Baghdad University had adopted in particular represented by efforts of postgraduate (PhD) professors especially to direct the studies to deals with real problems and find solutions for it and improve the result of literates , there will not be reliance on this matter unless make an experimental study to insure of sufficiency of such programs , thereby this study took place and current research treat to its problem represented by follows questions : 1 - what the effect of designing propose instructional program according to (LOGAN) sample in develop critical cogitation skills for postgraduate students ?2 - Does the strategies of constructivist learning are sufficient to advance the level of critical cogitation for postgraduate students? The research comprise of Four chapter in order to understand the research problem and attempt to solve it, First chapter includes (method frame) which involves (study problem and its necessity, study significance , study limits and determine, identify, discuss idioms of the study ), current research determined its aim by follows : (( Develop critical cogitation of Postgraduate students / PhD in analysis and criticism)) Thus , the researcher put two minor aims ,they are : 1 - Design instructional program ? according to (LOGAN) sample in instructional design depending on constructivist learning strategies to Develop critical cogitation of Postgraduate students.2 - Measuring Efficiency of instructional program through apply it on empiric sample of postgraduate students (PhD) at Art Education Department through the following : A - Measuring level of critical cogitation skills through criticism approaches in recent painting art in epistemic manner. B - Measuring level of critical cogitation skills through literate activity in analyzing and criticize recent painting art in practically manner.Researcher puts the follows null hypothesizes to verify the mentioned aims : 1 - There is no variance of statistical function at level (0,05) among grades average of experimental groups students ,through their answers on the items of knowledge acquiring test , pretest and posterior critical cogitation.2 - There is no variance of statistical function at level (0,05) among grades average of experimental groups students ,through their answers on the items of proficiency test , pretest and posterior critical cogitation.3 - There is no variance of statistical function at level (0,05) among grades average of experimental groups students ,through their answers on the items of knowledge acquiring test for critical cogitation at posterior and consecutive application.4 - There is no variance of statistical function at level (0,05) among grades average of experimental groups students ,through their answers on the items of proficiency test , for critical cogitation at posterior and consecutive application. The current research is limited to : Postgraduate students / PhD at Art Education Department / College of Fine Arts / Baghdad University. for the academic year 2013 - 2014 , in critical cogitation skills of analyzing and criticize subject , ( Pragmatic criticism , post colonially, cultural criticism , Gender criticism ) in Painting Art. Researcher enclaves study idioms by discussing whereas linguistic and idioms identification , to product procedural identities help in achieving research aim. Second chapter includes theoretical frame for all related to research subject ,as it consist of three topics , each topic deals with significant frame of problem nature, First topic deals with (critical cogitation) , The second deals with (analyzing and criticize) , Third topic deals with (Constructivist Theory and constructivist learning strategies), researcher tried to involve multifaceted and study assets with Arabic and Foreign available and recent sources, also researcher promote the theory frame with intellectual maps in addition to involve this chapter the previous studies which come close of research components and discuss it , in order to enable researcher to conclude the indicates of theory frame , previous studies had help researcher in built his test tools and apply study experimenting. Third chapter deals with research measures which contains designing instructional program according to constructivist learning strategies ,depending on (Logan) sample in instructional design and two research tools which represented by proficiency and cognitive critical cogitation test , his items ( 26 ) varies to ( conclusion , proof evaluation , hypothesizes and axioms perception , deduction ,commentary ) , it worth noting that research population represented by postgraduate students /PhD Art Education Department reached (8) students male and female , research sample represented by all population due to its small size reached (8) students for academic year 2013 - 2014, hereafter the two test (research tools) submitted to validity procedures by presented to experts who are specialized in art education teaching methods ,analysis ,criticize , evaluation and measurement , after assurance of commissioning research tool through applying on prospective sample represented by (8) both gender postgraduate students of Baghdad University / College of Fine Arts / Art Education Department , and accounting distinction level ,Essenes and hardness and appropriate time to apply test items, it becomes ready for application on pre mentioned research sample , following design of research experiment which consist of one experimental group and after fixing the variables ,the group submitted to pretest and then concentrate variable (instructional program to develop critical cogitation in ( analysis and criticism) for (7) weeks to the amount of (2) hours weekly , the total hours of experiment reached to (14) hours, experimental group had been taught by analysis and criticism subject professor of postgraduate studies (PhD) with presence of research professor supervisor and researcher for the period from 26/02/2014 to 23/04/2014. After completion of experiment application , the pretest performed on the group using statistical devices ,comparison made between result of prior test and posterior test and separate answers to make researcher reaches collection of results according to null hypothesizes aforesaid to detect the perfection of posterior application in two exams ( cognitive –proficiency) , which indicate affirmatively on independent variable efficiency ( Instructional Program) , by accounting of influence size (R2) we had been able to recognize the credibility of differences of research variable to be proof that obvious effect of instructional program on the cognitive and efficiency acquirement level for experimental group students, it was clear that (T - Test) value is (4,7471 - ) it is a statistic function value at level (0,05) , (d) value is (2,570 ) and it is accepted value , thus we reject null hypothesize and accept substitutive hypothesize , that means there is variance of statistic function at level (0,05) of critical cogitation skills application level in analysis and criticism subject of paint art. A sum of conclusions had been reached according to the light of results ,most important are : - 1. there is weakness in acquirement level of students critical cogitation skills , this had affirmed by research items and pretest of critical cogitation skills.2. importance of organize the instructional environment through principles instructional design according to constructivist learning strategies sights , and direct the didactic process advance towards fulfillment planned objectives.3. priority of constructivist learning strategies in comparison with other strategies in developing critical cogitation skills.4. efficiency of design (Logan) on the used traditional methods of teaching analysis and criticism subject within study sample in develop critical cogitation and make decision to solve didactic problems.5. there is contradiction in effect of used strategies on developing critical cogitation skills.6. efficiency of using (change conceptual) strategy at presentation of new concepts for the student which related to didactic environment that he belonging to.7. efficiency of using learning course strategy in developing (proof evaluation) skill by supporting pragmatic criticism knowledge for postgraduate students (PhD) in Art Education Department.8. Demonstrate implicit meanings of post colonially by effect of using ( suggestion hypothesizes and axioms) according to constructivist learning strategy (Yager) sample.9. Deduction skill could be develop on literate through concentrated learning strategy about the problem according to gender apprehension.10. Appearance of high level at literates in terms of cultural criticism by applying strategies figure (VEE). After reaching sum of introduced conclusions , number of recommendations and suggestions had reached ,most important of it are : - 1 - Adopting the suggested instructional program according to constructivist learning strategies in teaching postgraduate students , University of Baghdad / Art Education Department , for it effect in developing their critical cogitation skills.2 - In regard with proof of efficiency of suggested instructional program in developing critical cogitation skills at postgraduate students (PhD) Art Education Department , it is recommended to circulation use the program from art education departments at fine art colleges and education colleges at country universities.3 - Insertion of study subjects items , subjects related to constructivist learning strategies, in art education departments at fine art colleges and education colleges.4 - Adoption critical cogitation skills in analysis and criticism subject as a tools through it perform the intromission in deep penetration of aesthetic text.5 - Take into consideration training the teaching staff within program of University teaching methods center on teaching design and didactic materials and enhance their ability of using didactic design samples.6 - Allocation subjects in teaching methods courses at University didactic level as regard to styles of developing students ability in cogitation generally and improve Critical cogitation skills in particular.7 - Concerning of art education laboratories at least on postgraduate level and supply it with equipment and appropriate devices. On the other hand ,Suggestions : - 1 - Making a study to identify the efficiency of constructivist learning strategies and develop aesthetic privileging in ( aesthetic philosophy ) subject ,according to introduction (STS) for postgraduate students (PhD) Art Education Department , Art Fine College / Baghdad University.2 - Making a descriptive study to identify level of critical cogitation skills to solve technical problems for postgraduate students at Art Education Departments , Art Fine College / Baghdad University , in comparison with postgraduate students at Art Education Departments at counterpart colleges. 3 - Making studies to build suggestion study units according to constructivist learning strategies and contrast it with traditional used units in methods at level of ( Bachelor Degree) at Art Educations Departments. A list of Arabic and Foreign sources , periodicals and University thesis were regarded to.

الخطاب الايديولوجي لصورة المراة في الرسم العراقي المعاصر == Ideological Discourse of The Image of Women In Contemporary Iraqi Drawing

اسم المؤلف: زهراء موسى مهدي
اسم المشرف: عياض عبد الرحمن امين محمود الدوري
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الرسم
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يتناول البحث الخطاب الايديولوجي لصورة المراة في الرسم العراقي المعاصر تبلورت مشكلة البحث بالاسئلة الثلاثة التالية اولا هل تبدلت القيمة الجمالية لمظهر المراة في الرسم العراقي المعاصر؟ ثانيا هل للمرجع الايديولوجي حضور في صياغة اسلوب العرض؟ وثالثا هل للمرجع | This research Addresses with the ideological discourse of the image of women in contemporary Iraqi drawing Crystallized research problem the following three questions first Are changed the aesthetic value of the appearance Iraqi women in contemporary painting? Second, does the presence of ideological reference in the formulation Style of presentation? Third Is the local and global impact of the references Summons Metaphoric image of women? The importance of the research was the result of the fact that research is Unfrequented previously as well as detect stealthy ideological image of women in Iraqi drawing The objective contemporary research is detected ideological discourse of the image of women in Iraqi contemporary drawingas well as the the limits of research and definition of terms that were with him The chapter concludes with the first and start the second chapter (the theoretical framework), which contains four The first sections of the concept of discourse and ideology put forward by the researcher through hypotheses And definitions of philosophical concepts with philosophers and philosophical books The second section includes Historical root image of a woman who shows how it has changed the image of women through the ages And how it changed the look of the artist put forward a woman through to the image of women in the work of art either The third section display of modern technologies in the drawing, which shows the extent of the development Technology, and how, in turn, the impact of women in the form of artwork inside and tha four deal with amage women in drawing iraqi art, Access to Chapter IIIwhich addresses research procedures of the research community, the research sample, justifications Sample selection, the search tool as well as the use of researcher applied descriptive analysis To analyze the sample and then finally the sample represented in the analysis of eighteen sample to achieve the aim of the research Confined Ben1990 - 2012, and the researcher in chapter IV to a number Results of the most important is that there is a self and social ideology in addition to the use of material Folklore dramatically in the work of artists, as well as the absence of men in some Works and appearing beside women in other works of art as well as the use of artists In display technologies often oily colors without the intensity or add new material To the optical surface in the nineties, while we find the diversity of methods of presentation in the work Artists in the period the new millennium, the following findings and conclusions suggestions and recommendations Developed by the researcher to concludes with this search a list of sources Developed by the researcher to concludes with this search a list of sources.

الدلالات التعبيرية لرسوم التلاميذ بطيئي التعلم وعلاقتها بسماتهم الشخصية == The Expression Indicators of The Drawings of Slow Learning Pupils And Their Relationship To Their Personal Features

اسم المؤلف: نهى سالم جبار العجيلي
اسم المشرف: رعد عزيز عبد الله
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Drawing and its worlds and colors and significances and the indications it hides make the researcher probe into its world with its various deceptions and expression significance. The category of slow learning pupils is one of those who express their ideas and depictions through linear and colors on papers.The present research study sheds the light on the expression indicators of drawing of slow learning pupils and its relationship to their personal features, specifically the two features introversion and extroversion, in addition to determine the feature that is prevalent in these pupils, and whether there are any statically significant indicators between males and females.The study aims at the following : 1 - Knowing the expression indicators of drawing of slow learning pupils.2 - Comparing the expression indicators of drawing of slow learning pupils according to gender.3 - Knowing the features of introversion and extroversion for pupils according to gender.4 - Comparing the features introversion and extroversion, pupils according to gender.5 - Finding the relationship between expression indicators for pupils drawing and features introversion and extroversion.The researcher prepared an instrument to analysis the drawings made up of (16) fields and (44) items, and she adoptedan instrument to measure features introversion and extroversion, prepared by Al - Kubaisy (1994) after making the revisions for the suitability with the sample of (111) slow learning pupils within the schools of Directorate of Education in Al - Kharakh II. The researcher applied the two instruments of the study and comes up to the following : The Results : 1 - The research found that there are (9) items not statistically significant and (4) which are significant in the drawings of pupils.2 - The feature of introversion is the prevalent in this category and the male respondents are not different form females in this feature.3 - There is no relationship between expression indicators and the features introversion and extroversion for slow learning pupils. It is very weak or none.Therefore, the researcher recommends the following : 1 - Supplying the schools of special education with training and heuristic programs to develop their mental capabilities and their personal features which would lead to stable life.2 - Making the media - audible and read - aware the parents of the special needs of their children by fulfilling their material and psychological needs.3 - Making the responsible for the special education to benefit from the two instruments adopted in this study in the field of instruction and guidance.The researcher suggests the following : 1 - Making a subsequent study that tackles the effect of the training programs in developing the capabilities of the pupils.2 - Making another study that tackles other classes in special education or normal schools.3 - Making a similar study that tackles the effect of art education programs in treating problems of special education pupils

البعد الثالث للاشكال التصميمية وتطبيقاتها في اقمشة الالبسة الجاهزة == The Third Dimension of Designing Forms And Their Applications In Ready - Made Clothes

اسم المؤلف: نسرين محمود محمد الجاف
اسم المشرف: هند محمد سحاب العاني
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The design of readymade clothes is regarded as one of the arts which man is involved in functionally and aesthetically. Research in the design aspects is regarded as an important objective after the technical developments began to emerge which covert many of the aspects and search in the aesthetic aspects required from the designer to possess and taste and the ability of imagination and employing the imagination the units forming the general shape in coordinating an integrated image. This is because the designer in general and the textile designer in particular is in need for special features and innovative interventions to enrich and give more of new means to take that lies in his ability to effect the sensual receptors through organizing the expressive meaning in new contexts.The researcher preferred to make use of the third dimension which is regarded as one of the techniques in the setting off of the artistic and designing through the methods and the techniques. The proposes of defining the third dimension which require the investigation and research of its concept as an effective dimension in the design of textile so that the designer could make use of it in his or her designs. In order to arrive at that thing, the researcher found the necessity of understanding the third dimension and tackling third dimension in her research entitled (The Third Dimension of Designing Forms and Their Applications in Ready Clothes Textiles).In this starting point, the researcher posed the following questions as follows : 1 - Can we make use of the methods of achieving the third dimension in the designing forms?2 - Are there possibility of applying these designing forms in the textile of the readymade clothes that would promote the aesthetic and functional value for the receptor?The present study aims at revealing the third dimension of the designing form and putting suggestions for the use of third dimension and applying them on the readymade clothes. The researcher tackled the readymade designs and the printed firs of multiple origins the period 2013 - 2014, after that three concepts were posed to define each term.That what was discussed in Chapter One of the study consistent in the four chapters.Chapter Two contains the theoretical framework and the previous studies. It includes three inquiries; the first inquiry includes the features and methods of third dimension in design, the second includes the three - dimensions deigning figures and their showing applications, while the third inquiry includes the artistic techniques of third dimension for readymade women apparel. Then, the researcher tackled the most important indicators on which the theoretical framework was based and the previous studies.Chapter Three includes the procedures; the researcher followed the descriptive approach in analysis and the experimental approach in the presentation of the suggested designs. The research community included (60) various samples of the printed readymade women textile of which (12) samples chosen by the use of the random selection in rate 20% out of the total samples. The tool of this study is represented in the analysis form according to the scientific approach. It was displayed on experts concerned with textile design to acquire the apparent validity. After that the samples were discussed.Then, Chapter Four tackled the findings and conclusions of the study, the important findings are the following : 1 - The showing techniques has a role in revealing the illusive and real third dimension in the readymade textile in which the digital printed material played a main role. That helped to attract the attention.2 - The style of design represent the significance of the expressive forms, between what of real, abstract or geometric, from which the design is set.3 - The achieved third dimension as geometric form is related to the effectiveness of the luminal values which reflect the transformation of forms on the surfaces from two - dimensional to three dimensions, through the high contrast between the forms and their functions.4 - More than one methods were combined in showing third dimension inside the textile space which has become effective in the functional and aesthetic aspects.5 - The use of third dimension revelation methods in various forms and ideas.6 - The contribution of the digital processing in the treating of two - dimensional and transforming them into three dimensional is a more inevitable matter to arrive at achieving the form to achieve the formative manifestation.Chapter Four includes the suggestions and the recommendations : 1 - The stress on the role of digital technology in the field of textile design, and keeping up with the up - to - date software and employing them in the art of design of textile.2 - Caring for the deduction of the abstract forms and briefing the parts and using the uniform for male and female.3 - Taking into consideration the factor of technical the choice of forms to suit.4 - Taking interest in the chromatic values and he shade grades to deepen the conceptual aspect in the materialization.The researcher suggested : 1 - Making a comparative study between the three dimensional designing and he two - dimensional.2 - Studying symbolic designs of the national traditions in the formation of the cultural dimension.This chapter includes the suggested designed carried by the computer of (14) suggestions which are adopted for readymade clothes textile

رموز الموروث بين الاصالة والابتكار في تصاميم اقمشة معمل نسيج الحلة == Symbol of Heritage Between Originality And Innovation In Designs Fabric Plants Tissue Babylon

اسم المؤلف: مالك جاسم حمزة الدليمي
اسم المشرف: هند محمد سحاب العاني
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The symbol inherited from the influential aesthetic factors in the process of fabrics designs where the unfolding reality and the ways emitted form new innovations mimic impress the receiver. While references related designs on my own fabrics and innovation Babylon civilization codes are representing bosses procedural fertile for those designs.Researcher have tried to stand at the sources of designs and factors affecting it considering that symbols of Babylonian civilization represents the essence in the process of forming the designs by answering the questions that was raised in the research problem which pearls that extent can take advantage of the symbols of heritage in the Babylonian civilization to creat new designs for textile product, Laboratory Babylon tissue with preserving the authenticity of it.All these interventions among texfile and symbols inherited are problems, the current research wants to solve and access to detect target symbols in the Babylonian civilization heritage to produce new designs.And on the Basis lies the importance of research in the face in the privacy of inherited Babylonian the extent of benefit from it the lab fabric of Babylon, it started to make it in the search for the values, traditions and habits between originality and innovation and work to decode and semantics civilization of Babylon and period and specific place.For these and for the systematic division research divided into four sections, the first chapter determine the features included in the detection methodology for the research problem and its significance its goals and limits which required that a definition of some important terms up on which the theoretical research.The second chapter contains the definition of some important terms of the theoretical framework which included the first study of identifying symbols in the civilization heritage up on which the fabrics industry technically and tagged, the second topic was interested in my own innovation and the relationship between them and its contextual reference designs in fabrics.The third topic was complementary to the framework of the oretical in the second quarter was interested in designs fabrics and technologies in term of understanding of the dialectical relationship between authenticity symbols inherited in the Babylonian civilization and new innovations in technology plant tissue Babylon and units design and textile that make those employment for design unified also included chapter two studies which search by approaching in some variables and seal the chapter with basises which will be one of the indicators from building tools for analysis of samples search, and held third chapter on research procedures adopted by the descriptive analytical approach applied the respective fields plant tissue Babylon, which contributes to the textile industry were interviewed people of competence and preparation of forms analysis applied to samples of research have reached your search results and that resalts are : - 1 - Heritage Symbols and desigen draft with impressions caused by his originality and innovation with in a cognitive vision emphasizes the nature of the design and construction diversity of realism , abstractor imaginary or symbolic.2 - The nature of the relation ship between originality and innovation in the design of research sample catd generated with the results of perceived mental visual which crystallized through different emergence of symbolism propensity for inherited as well as the effectiveness of expressive format for innovative design alone.have been discussed systematically and went researcher with group of conclusions Such as : - 1 - The most process adelmatmayor the designs in either natural or animal or geometric because it gave dimensions semantics extends to the root of the historic taken from the nature of the symbol to express style design out put data for fabrics.2 - Dominated the seen symbols used in designs according to the nature of the diversity and revealed the need for aesthetic and functional gave.and then the researcher atotal of design proposal has grown to employ symbols Babylonians in texture Laboratory products researcher Babel the came out with alist of sources and put some of the recommendations and proposals and finally supplements and abstract in English

اثـر التعلم المتحفي الالكتروني في تحـصيل طـلبة كلية الفنون الجميلة فـي مادة تاريخ الـفن == The Effect of Electronic Museum'S Learning In Achievement of Students of College of Fine Arts In Subject of Art History

اسم المؤلف: رغد سلمان خليل الحيالي
اسم المشرف: علاء شاكر محمود العتبي
الموضوع العام: العلوم التربوية
السنة: 2014
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يشهد العالم ثروات علمية وصناعية هائلة غيرت النظم التعليمية، في حين اصاب الجمود والتحجر اغلب دول العالم العربي، فهي ما زالت تخضع لاساليب تدريسية تقليدية فلابد من كسر قيود التقليد وجعل المتعلم هو الهدف والغاية من خلال استعمال المستحدثات الجديدة في تسهيل الص | It is said that there are huge scientific and industrial riches which change the learning systems ,but most of the Arab countries still suffer from rigidity. This is so because they still use the traditional teaching styles. Thus , the obstructs of the tradition must be overcome, making the learner the goal through using modernizations to facilitate the obstructs that face the students of the College of Fine Arts in the subject of history of Art especially in the topic of Modern European painting schools. To academically highlight this problem , the researcher conducted her study entitled (Effect of Electronic Museum's learning in Achievement of college of fine Arts students in the subject of history of Art). This research aims at knowing (Effect of Electronic Museum's learning in Achievement of college of fine Arts students in the subject of history of Art). For this purpose, the researcher has formulated the following two objectives : 1. Design of a program for Electronic Museum's learning in subject of history of Art (school of modern European drawing).2. Measuring effectiveness of the program by applying it on experimental sample of college of fine Arts students, second stage in Academic year 2013 - 2014. To achieve this objective, the researcher formulates the following null hypothesis : There is not any significant statistical difference at level of (0.05) between the average of the students achievement of experimental group and the average of the students achievement of control group in intelligence test.College of Fine Arts - Diyala university was chosen, represented by second stage students who have taught subject of schools of modern European drawing as limitation of research as a field of Experiment intentionally. The two groups of research were choosing by using simple random method to represent original sample of research and they were distributed into two groups, experimental (15) male and female students and control groups (15) male and female students. Equivalence was made between two groups in variables of (intelligence, age, and previous achievement in subject of History of Art). After preparing research requirements, the experiment was applied from the 16th of February 2014 to the 6th of April 2014 by teaching each group one lecture weekly Teaching included six Artistic schools. The researcher has formulated (72) behavioral objectives distributed on six levels of Bloom classification. These objectives were shown to members of Juri who are specialized in Artistic Education, Methods of General Teaching, Measurements and Evaluation. The researcher has constructed post achievement test consisted of (40) items. All statistical analysis was made to the test like reliability items difficulty, effectiveness of distracters, and limitation of test time after its application on pilot sample consisted of (66) students fine arts college students Baghdad University. After this statistical analysis all items were acceptable, and after finishing the experiment, achievement test was applied on the two groups. The results were analyzed by using t - test. The results of research were as follows : Excellence of experimental group who has taught according to Electronic Museum's learning on control group who has taught according to ordinary method for this reason, the null hypothesis was refuted.The research has submitted the following recommendations : 1. Application Electronic Museum's Learning method in teaching subject of History of Art.2. Revision curricula to e suitable with Electronic Museum's learning. The researcher has submitted the following suggestions : 1. Making study about obstacles of using Electronic Museum's learning Iraqi Universities.2. Making study about effect of using Electronic Museum's learning in learning retention for a long time.

التوظيف الجمالي والدرامي للماكياج في افلام الرعب == Recruitment Aesthetic And Dramatic Makeup In Horror Movies

اسم المؤلف: اسيا علي محمود
اسم المشرف: صباح مهدي الموسوي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون السينمائية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يحظى فن الماكياج بدراسات غنية في مجال الفنون المسرحية , كونه يشكل عنصرا مهما في تعبيرية البناء الشكلي الطبيعي لشخصية الممثل , وتطور هذا الفن اليوم بفضل التقنيات الحديثة التي اخذت طريقها الى السينما والتلفزيون , وبات يشكل ايضا احد العناصر المهمة في رسم | The art of make - up enjoys rich studies in the field of performing arts, being an important element in the expressionistic formal and natural building of the character actor. This art has evolved today, thanks to modern techniques, which took its way into film and television; in addition it became one of the important factors in shaping dramatic character and its expressive performance, whether in the reality or fiction movies, but especially in horror films, and film Fantasia. Hence, the art of make - up has emerged into horror movies, as well as its importance in the formation of the natural dimension of character where it became a narrative element that is closely related to the emotional and psychological dimension of characters. We should refer to the role of modern technologies and its addition to the industry of the art of make - up in terms of the accurate possibilities, and the ability to embodiment of (realistic and nonrealistic) of the characters in horror movies, eventually become the magnet of interest to the recipient incorporating all patterns filming characters and a variety of forms between personalities which are (familiar and unfamiliar). These patterns possess the ability of persuasion and have emotional and reactive presence within the receiver. On the basis of this perception, came this study to cover part of the large role played by the art of make - up in the design and construction of the dramatic character, especially in the (horror movies) in the light of which the researcher identified the title as : (Employment of aesthetic and dramatic makeup in horror movies), and the research included five chapters as follows : Chapter I (methodological framework), which included the following : 1. Research problem : which centered in the following question : How can makeup represent aesthetic and dramatic dimension to a character in the movie?2. Research objective : to identify aesthetic and dramatic employment of makeup in horror movies.3. Research Importance : the researcher finds that the art of make - up in the field of cinema did not take enough share of the study, particularly in the importance of its employment in the (horror movies); however theater studies have found addressing make - up, especially at the level of the plays exclusively.4. Research limits : Objective limits : study of (make - up in horror movies).Time boundaries : within the limits of horror movies produced (2007 - 2013).Place boundaries : (films that have been produced in American cinema) The chapter is finalized with identifying the most important terms.Chapter II, include (the theoretical framework and previous studies), the theoretical framework is comprised of 3 sections as follows : • The first section : a historical overview of the evolution of the art of make - up and its relationship to cinema.In this section, we studied the beginning of the evolution of the (make - up - mask) art and tracked down its development from the beginning of its inception in civilizations to being important element in drama and under the requirements of the drama its was taken as an essential element in the film, especially in the fantasia movies of which (thrillers, science fiction movies, and legendary film).• The second section : Aesthetic and dramatic dimensions of cinematic makeup.In this section we stressed the importance of the make - up and the level of its use in terms of natural dimension of the aesthetic and expressive sides, as well as the its aesthetic and drama importance in horror movies, both in the functioning of the colored pigments with a light element on the dramatic characters.• The third section : The role of make - up in drawing dramatic character in horror movies.In this section, we focused on the importance of the role of make - up and its impact in the creation of characters somewhat between the (realistic and unrealistic) characters, as well as the importance of employing the art of make - up tricks in its variant types ( normal , plastic , mechanical , and digital ) in the construction of the characters in horror movies.Previous studies : : No study on the research topic or problem or the importance of research in the field of the cinematic arts.The third Section included (research procedures) : Includes research methodology and the research communityThe researcher relied on the on the descriptive analytical method in the analysis of samples, based on the theoretical framework indicators as a tool for analysis, after being shown to a group of experts and arbitrators. Then a sample was selected deliberately for search due to reasons including : 1. Includes functions of make - up art on the level of building characters to respond to the requirements of the objectives of the research.2. They are movies that attracted a wide range of views by audience, because of its element of suspense and fear.The fourth section included an analysis of the three samples as follows : 1. The Underworld / Part 4. 20132. Resident Evil / part 3. 20073. Wolf man. 2010The fifth section included (the findings, conclusions, recommendations and proposals) : The main findings of the researcher after analyzing the sample are : 1. The techniques of the art of make - up in its varied types (natural, plastic, mechanical, digital) of the characters in horror movies were able to embody unfamiliar forms and far from reality. The main conclusions reached by the researcher : 1. The horror movies are based on the presence of abnormal characters, through transformation and change of their external appearance, because characters need in the in case of transition to (monsters, wolverines, zombies, vampires... etc.) to several techniques of make - up art that are merged with actor features to create creatures that far from reality.

مهارات العزف على الة العود عبر الانترنيت == The Skills of Playing The Oud Via The Internet

اسم المؤلف: علي حسن حمود
اسم المشرف: محمد سعدي لفتة | هيثم شعوبي ابراهيم
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون الموسيقية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان التغيرات السريعة في الميادين العلمية والتكنولوجية جعل الانسان في حركة دؤوبة للبحث عن افكار واساليب جديدة تحل محل الانظمة التقليدية السائدة في مجالات الحياة وبخاصة في التربية والتعليم، لذا ان التطوير في التقنيات الحديثة يؤثر على العملية التعليمية من خل | The rapid changes in scientific and technological fields have made human movement determined to search for new ideas and approaches to replace conventional systems prevailing in the areas of life, especially in education, so the development of new technologies impact on the educational process through the comprehensive development of the learner and increase the expertise of educationally terms of knowledge and skill.This has led to the development of instructional design which is based on the foundations of philosophical, psychological, intellectual, and social , and that stability depends primarily on the basis of their suitability to the nature of the material and scientific skills and how to achieve the goals and meet the specific educational needs of learners.It given scientific and technological developments enormous variety of opportunities in the transfer of the experiences of teaching and learning in an easy and clear enable new educational system in the delivery of skills to the farthest point of the world , and has become a matter of urgency that the benefits of this field of scientific progress by making use of tools, equipment, technology and modern means of communication.depends on this progress has emerged learning and using the means of communication on the Internet as a form of solitary confinement as a learning provides the learner multiple educational alternatives rather than relying on the book of systematic or regular manner and teach them the skills of playing the oud in specialized educational institutions.The necessity for expansion in the field of scientific research The research , which aims to prepare an education program via the Internet which can access the learner to the high performance and accurate skills in playing the oud.The goal of current research to achieve the following : 1. Design of an educational program to give the skills to play the oud via the Internet.2. Measure the effectiveness of a tutorial designed in knowledge and skills through applied to a group of learners.For the purpose of verification of goals, put null hypothesis researcher to show results and verified. It took the research community to determine which of the eight learners from users of the Internet.To achieve the goals of research for the purpose of access to the results has been building two types of tests , he was the first to collect the knowledge and the second to measure performance skills , which has been on the forms according for this purpose were verified sincerity and persistence. To show the results depended researcher equation and Caucasians (Wilcoxon) to validate the null hypothesis and equation coefficient of difficulty and discrimination paragraphs achievement test knowledge and skills and to find agreement between the coefficients of observers.The researcher found the results to the following : 1. Higher average scores of learners in the achievement test and posttest cognitive aspect which relates to cognitive guaranteed by the content of the tutorial.2. Higher average test scores of learners in skills who have been trained according to the tutorial.It are the skills of playing oud across the Internet.The recommendations were as follows : 1. The adoption of the program of skills to play oud designer on the website in the curricula of colleges and institutes specialized proven effective in give learners the skills to play oud.2. Working to create the potential supplies of material and human resources to follow the strategy of the site designer on the Internet, such as providing space and time and the creation of equipment and the provision of training aids developed technically and artistically as well as the provision of computers, advanced communications that are basic material for teaching the skills of playing oud via the Internet.3. Attention to the necessity of knowledge in the education of playing oud and linked side skills in a logical sequence depending on the construction of an extended start of the year to the private and the rules associated with each other in order to contribute to student learning.To develop of the current research suggests the researcher conducting the following studies : 1. Designing and testing programs in the skills of playing the other musical tools via the Internet.2. Comparative study between the learners to use the skills of playing oud via the Internet and other musical skills.

الاساطير الاغريقية وتمثلاتها في الرسم الاوربي == Greek Mythology And Their Representations In European Painting

اسم المؤلف: عبد الرحيم مجيد اسماعيل السامرائي
اسم المشرف: عباس نوري خضير الفتلاوي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون التشكيلية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: The art as a creative lasting power since legend raising as a literary text , the plastic art was working as a creative alternate for literary texts. With many years , this art has lasted to present human memory , they found the conflict within spiritual , psychological and worldly life with form and styles that are updated frequently. From this permanent desire to inspire the legend especially the Greek legends in European art especially drawing during renaissance to be described as an extension for that Greek cultural root which represents the structure of western artist. The current research interested in studying of Greek legends and their representations with European drawing from the period ( 1400 - 1800 A.D.).The research has included four chapters. The first chapter dealt with the research problem , its importance and aims , moreover ; limitations of specifying the important expressions in it. The second chapter has included the theoretical frame with three topics. The first is the concept of legend , the second included the situation of legend and art in Greek community. The third topic discussed the subject of legend and art in European society. The researcher concluded this chapter by showing previous studies and discuss them bedsides the indications of theoretical frame.Chapter three has discussed the whole research which is ( 71 ) artistic works related to renaissance Barook and Rococo. The sample of the research is ( 15 ) artistic works that have been chosen with intended method taking in consideration that these artistic works have given the researcher a chance to cover the Greek legends representations in European drawing , besides a consultation of a group of experts who have an experience in plastic arts and fine arts education. The chapter has also included the research device ( a form of analyzing a content ) and the stages of its structure besides its authentication and confirmation which was used in analyzing the research sample.Chapter four has included the most important results that the researcher has reached.1 - Greek civilization has basically established on ideological and metaphysical which stands on the idea of existence of holy divine community that behaves the human beings life. So the Greek artist has found formal representations groups for these imaginary gods which gather between their power and the thinking of Greek society where they raised in , reflected by effective artistic remains and the narrationswith imagination through appearing the nature power in shape of gods or extraordinary creatures which are common in use in Greek popular heritage. For this reason , a group of legendry shapes have appeared , divided in its shape structure into telling the realistic shape especially in human legend shapes that represent the god as ( Venus god ) ( Zeus god ) ( Hades god ) ( Apollo god ) ( Athena god ).2 - The revival artist has depended in his artistic drawings of choosing symbol words for Greek legends especially widely spread legends stories such as ( Zeus ) , ( Ifrodeit ) ( Harkel ) ( Bakhoos ) ( kidnapping Zeus god for princess Europe ) ( Apollo rides a sun vehicle )and ( Lida and pelican bird ) assuring their interests in their ancient heritage due to ideological and sociological vision carried their artistic existence an active aesthetic power with pictorial surface in the effects of anxiety and emotions.The conclusions were : ? The Greek legends through their indications , structural elements and indicative displacement in Europe drawing across its stages ( renaissance , Barook and Rococo ) have represented an obvious representation in shape and content and that what the researcher has reached to when analyzing the sample of the research.The researcher finished with a number of recommendations some of them are : 1 - The necessity of taking care from artistic and educational associations such as colleges of fine arts to deepen the artistic and cultural awareness for Greek inheritance and what it has of legends and epics because it represents a human inheritance in general by including studying materials that concern with history of ancient art and philosophy of art and aesthetics with large interest for Greek legends and epics for being an effective and affected cultural ratio with oriental civilizations specifically the civilization of Mesopotamia and Neel land.2 - Directing the students of fourth stages in plastic arts and fine education of necessity of including their artistic projects for legendary topics whether Greek or Babylonian or Egyptian since they represent an global cultural legacy that touches all humanity without exception.

التوظيف الجمالي لمنحوتات النافورات في اوربا == Employment Aesthetic of Fountain S Sculptures In Europe

اسم المؤلف: حيدر صبيح عبد الله
اسم المشرف: هادي مشهدي عجيل
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: النحت
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: When sculpting overpasses the temples I the beginning, a kind of interactive paring has happened with its advance that acquired it development and diverse effect. The most important pairing is the combining of sculpting monuments with the aesethic and the effect of fountains, water has acquired water a structural transformation from mere monuments into self - existing as a center of inspiration into the group of activities : ? The aesthetic : employing the water towards an merger with the sculpting to be complimentary.? Psychological : for what water present of the psychological data the basis of life and prosperity.Because the thing accepts merits from the sculpting form when it is combination with water, history of sculpture has passed about forty centuries starting from Mesopotamian, Romans reaching not modernism and postmodern.Since water is regarded one of the pillars of life and the mark of existence and a peculiarly of prosperity, richness and happiness, with all that connotations unrestricted additions to literature and art , specially sculpturing. These are the periods which reveal the points and setting and the results of the aesetithic for the waterfountains as a result of a combination that is not free of interaction on the level.The research needs investigation and digging the interaction in addition to a systematic interpretation with all the calls for investment in that employment with aesetithic developed dynamitic data.The researcher in the cognitive field presents the performance combination between the sculpturing as art that depends on the block with its three dimensions and the interactive movement of water with the text to be a stylistic structural part which is combined with a mechanism that is producing the final form with an interpretation implementation which adds a lively interactive.Besides these ideas, the research depends the ideological implementation which achieve success.Chapter One represent the theoretical of the study, by finding the problem, the aim, the limits and the need for the study as well as defining the terminology.Chapter Two is the theoretical and cognitive framework so that the researcher could achieve the intellectual bases of the aim and the indicator equation analysis depend on the first inquiry : thepsychological dimension of water in the human self and the aesetithic employment.The researcher shed light on what could be achieved by water as a vital element in effect of building the psychology of man. The artist can invest in these information with scientific validity, the second inquiry is the theoretical framework is about the sculpting of fountains and its stylistic development. It is an investigatory inquiry which evaluate the most important findings.The researcher ends the theoretical framework with the third inquiry that shows the aesthetic employment of water in these fountains and that form the sculpting art. These indicators which are produced by the theoretical framework which can proved its analysis of the aesetithic employment. The samples of the research form the site of revealing the results which is achieved the aim of the study which lead to the achievement of the conclusion and recommendations. This researcher in that achievement realizes that the area of her research is regarded new in the Iraqi and the Arabic level. This reveals the importance and the movement of the fountain sculpting in Europe as an important source in the Arab East. This can characterize the thesis of originality in that field

المعالجات الاخراجية وانفتاح النص في الفيلم الملحمي

اسم المؤلف: حياة حيدر محمد علي
اسم المشرف: علي حسين صفوك الركابي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون السينمائية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تناولت الباحثة في هذا البحث(المعالجات الاخراجية وانفتاح النص في الفيلم الملحمي) في محاولة للتعرف على سبل وتنوع المعالجات الاخراجية السينمائية للفلم الملحمي عبر وسائل واساليب استعمال عناصر اللغة السينمائية استنادا الى رؤى وافكار المخرج السينمائي بما يحمله

حداثة الشكل الفلميى وانفتاح النص == Modernity Figure Film And Openness of The Text

اسم المؤلف: نور علي كريم
اسم المشرف: ماهر مجيد ابراهيم
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون السينمائية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

المعالجة الاخراجية للموضوعة التاريخية في الدراما التلفزيونية == Treatment of Directorial Placed In Historical TV Drama

اسم المؤلف: صادق كاظم عبد علي جابر المياحي
اسم المشرف: عصام عيسى علوان السامرائي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: اهتمت الدراما التلفزيونية بانتاج المسلسلات التليفزيونية التي تعالج الجوانب التاريخية، اذ تقدم للمشاهد احداث التاريخ في مسلسل درامي، بكل ما في العمل الدرامي من تشويق واثارة وحركة وحيوية، والعمل الدرامي التاريخي هو عمل فني يقدم قيمة فنية وقيمة انسانية تتجاو | Focused on the television drama produced dramas that deal with historical aspects, as it offers the viewer the events of history in a drama series, with all the drama of suspense and excitement, movement and vitality, and the drama historical is a work of art offers artistic value and the value of humanity beyond the specificity of time and place, as it kicks off director the stage of certain historical, have certain privacy in time and place through treatment directorial sight to humanitarian to address the rights for the time being, and that he wants from which to send a humanitarian message concerning the reality of modern man, and the care with drama historical being reflect the historic moment ago re - formulation of a new and according to the processors directorial based on the nature of this historic moment and transformations of social, political, cultural, economic, and historical works, ranging from the work of dealing with periods and historical events full of ancient history, while fighting others in the facts and events still resonate with us today, and the other dealing with biographies of a number of figures that have had an active role one way or another in guiding the march of history or converted in this way or the other in the dates of ancient and modern, and I found these concepts resonate through the contents of the current research came the title search (treatment directorial the placed historical TV drama ), the Department researcher Find the four seasons, were as follows : The first chapter (systematic framework) : It included research problem that has adopted the following question : What are the qualities that have been achieved processors purine placed in historical TV drama? On the importance of research and the need for him to have touched researcher imperatives and the need that led him to embrace the subject, and then select the aim of the research from the title and the problem, as follows : Detection modalities that have been achieved treatment purine placed in historical TV drama. And select Find a researcher limits the boundaries of the three, Chapter II (theoretical framework) : the oath researcher on the three sections, as follows : Section I : (historical drama film and television) and the researcher (film historical) and (historical drama television) and how taken film and television from the date on the subject of the two, as meet in this work of art with dramatic historical reality to produce artistic work, and the specificity of each type them in dealing with the history and the historic walk. The second topic : was (the structure of TV drama), and researcher in this section components of TV drama, especially the serial drama television and dramatic structure, which is part of the foundation to connect the components of the artwork through the interaction of all elements of drama with each other to create an integrated unit to draw the events inside the artwork, and its constituent elements, namely, (personal, and plot elements, language, conflict. The third topic : the theme of (purine processing elements Aalgh Moot placed in the historical drama Allgzioneh), in which they discussed the creative output for the recruitment of language elements sham in order to find treatments for historical placed. After that previous studies have been identified for the search, and upon completion of the theoretical framework, the researcher suggested a set of indicators adopted as tools for the analysis of the research sample after taking the opinion of a panel of experts and esteemed arbitrators. But in the third quarter (action research) : research methodology to ensure separation, the search tool, and the unit of analysis, sincerity tool, sample research, where the researcher identified the reasons for his choice of the sample. In the fourth chapter, which included analysis of the research sample, a television series (Roof of the World), directed by Syrian Necdet Ismail Anzor. After analyzing the research sample, the researcher found a set of (results), including : - Has been relying on the figures that are contemporary function listed events which are of unique specifications and dimensions, either historical figures came module sometimes unique and at other times has been confirmed in some of them on the psychological dimension. Based on the theoretical framework and the findings of the researcher, was developed conclusions, including : - Dealt with historical events and historical figures are genuine historical facts and maintain installed in the historical sources and not be manipulated and dispose of them in which makes the negative repercussions on the receiver, especially historical figures that carry positive features in the mind of the spectator. And finally been developing recommendations and proposals. Find and seal a list of sources, supplements and finally foreign - language summary.

جماليات اداء الممثل في عروض مسرح السيرة العراقي == The Aesthetics of Actor Performance In The Iraqi Method Theatre Presentations

اسم المؤلف: حازم عودة صيوان الحميداوي
اسم المشرف: مصطفى تركي السالم
الموضوع العام: الفنون الجميلة
السنة: 2014
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ارتبطت البدايات الاولى لفن المسرح، بموضوعات السيرة، وانبنت تلك العروض منذ الاغريق على البنى العميقة لما تحمله شخصيات العرض من منطلقات فلسفية ورؤى تستمد قواعدها من فلسفة كل عصر وتفسيراته بين الذات الانسانية، والموضوع العام الذي يعيش فيه، فكانت شخصيات ا | The first beginnings of the art theater had relating to topics biography, and grew these offers, since the Greeks on the deep structures to afford the display characters from the philosophical insights perspectives derive rules from the philosophy of every age and interpretations of the human self, the public and the subject in which he lives, was the offer and walked figures expressed intellectually aesthetically recline upon the art of theater in a campaign to his statements in every time. And where the actor is the main crossing from those figures, and transferred to the recipient of intellectual and philosophical packages that carried the show, therefore, among the most prominent duties back to authorities relied upon by the formulation of personal, whatever, whether real or fictional legendary, and then employ the capabilities of actor (Voice and motor) in order to achieve reasonable performance, expressing those personal aesthetic formulas and contribute to building a semantics supply and objectives.If pervaded the world stage shows, with these models, the Iraqi theater is the other, many offers that depend of saw (Biography) approach her, and put forward models (mythical and historical, religious, cultural and literary), have had to resonate at the audience, and figured many names directors who have adopted such offers, it is among the most directors prominent is the director (Akil Mahdi), who adopted this experiment, put many of their models, and contemporary vision and dubbed (default Biography) interested in the ideas and principles and directions of these characters, and proceed from which to build a dialectical with contemporary reality in which we live. This artist himself (author - Director), among his peers, in theory to try and establish clear parameters for the experience, and continued this experience and still. Even critics dubbed (leading Biography Theatre).As the actor is the most important element in presentations of this kind, and through the survey a number of offers (Theatre Biography) was found researcher, that there is variation in the performance of the main characters in, and the predominance of diligence Profile in the actors' performance, especially after the spread presentations biography, and what did not finds from previous scholars in addressing the performance of actor and the nature of the formats (audio and kinetic) actors in it according Bending aesthetic function, this research project built in the study, put the artist author's experience - the director (Akil Mahdi), an approach to the analysis of the performance of actors in performances and as a deepening in a theater (the default Biography), Vsag discussed under the heading : (The aesthetics of performance actor in the Iraqi theater Biography Offers) And set the goal of the study to identify the aesthetics of performance actor (voice and kinetic), and the relationship between them to produce a display signs in the Iraqi theater biography.In order to reach the goals of the research, the researcher has studied section into four chapters : Ensure that the first chapter - the methodological framework, where the inclusion of the research problem and its importance and need, objectives and limits, and concluding chapter defines the following terms (Beauty - Biography Theatre).The second chapter - the theoretical framework has been contained to discuss cross - cutting theme of the aesthetics of performance of the actor in the theater curriculum offerings, and previous studies, including three sections : Section I. The aesthetics of performance actor in theater reviewing it : (1) audio system (2) motor system.The second topic - Authorities performance actorWhere he addressed the main references that contribute to the formulation of personal information, and to review the global stage deals and addressed to those references.Section III - actor performance at the World Theater Biography presentations properties, and ensure those elements in these offers, down to the Iraqi theater presentations.This chapter concludes with previous studies and was limited to one study, addressed the researcher, found that the direction was different to the current search path, and the different goals of each other. And finally gave a summary of the most prominent indicators of each to the theoretical framework, which can be counted in the search criteria.The third chapter : the annexation of research procedures, which are from the research community, which was limited to the experience (Akil Mahdi) in the biography theater presentations.The samples of the research, the researcher choose specimens way (simple random).The research methodology researcher on the historical approach has been adopted in the presentation of the theoretical framework, while the descriptive approach adopted in the presentation of the specimens brought by his research community, as for the search tool was based on the researcher to indicators that resulted from the theoretical framework, the research samples are(I) play Jeweler Republic (II) play on the pink and rivals (III) in a play - Hussein Alienation.The fourth chapter, the research results and conclusions.The main conclusions reached by the following : 1. integrated audio system performance techniques derived from the representative of the various personal references with each self, for the production of semantics many dramatic situations and various transformations.2. The motor performance proven techniques congruent with personal references produces dramatic connotations different attitudes and actions in many dramatic situations and their transformations system.3. The consensus performance (audio and kinetic) produces semantics theatrical presentation, according to return to personal references (anthropological, mythological, cultural, historical), using the skills and experience actor self to reach a personal innermost performed.4. dominated (cultural and intellectual references) of the characters in the Offers (Theatre Biography) or (default Biography) at (Akil Mahdi), through put historical models perspective contemporary, inspired by the ideas and culture, in fact, mortgage processing, while not ignoring the rest of the terms of reference (historical, and religious and personal) and thus performance figures model synthesizer that combines references afternoon.5. Turn author - director (Akil Mahdi) to take into account the values, customs and traditions of the community, which to generate a collective awareness among (the sender), (receiver), regulates the display decoder blades and inspired values.6. actor based on performance in default Biography presentations for (Akil Mahdi) to take advantage of (internal references to view) including vision author - director in introducing the character and theme, and (external references) that are related to personality.7. every age recline philosophy of his time to carry around the main characters and be expressive about, is that in Akil Mahdi, the theater has changed the equation, where personal show, including in respect of historical attributes and characteristics to create a dialectic between the concepts of, and contemporary vision.8. The outcome of the performance the most prominent is the three - simultaneous installation : (external references to figures + internal references for the characters within the structure of the text + actor technical capabilities in voice and motor performance, which represents the final product).Then the list of sources and supplements and finally Abstract in English.

دلالات المكان في الرسومات المنفذة على الخزف الاسلامي == Connotations of Place In Graphics Executing On Islamic Ceramics

اسم المؤلف: ثائر حاتم هاتف احمد الجباوي
اسم المشرف: جبار حنون مهاوي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الخزف
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: يعنى هذا البحث بدراسة (دلالات المكان في الرسومات المنفذة على الخزف الاسلامي), والذي يقع في اربعة فصول : تضمن الفصل الاول عرضا لمشكلة البحث والمحدد بالتساؤل الاتي : ما هي الدلالات الفكرية والبنائية المرتبطة ببنية المكان في الرسومات المنفذة على الخزف الاسلام | This research deals with the study of (connotations of place in graphics executing on Islamic porcelain), which fall in four chapters : the first chapter include presentation to the research’s problem and specified with following questioning : intellectual and structural connotations associated with the structure of the place in graphics executing on Islamic porcelain? came the importance of the research and the need for it, in terms of it represents theoretical and practical reading to the products of Islamic porcelain in Fatimid era through analytical level to connotations of place and bear of artistic necessaries connect in intellectual content to the image of the artwork and the impact done in porcelain ,to sheds the current research light cognitively and scientifically on connotation of place in graphics executing on Islamic porcelain though out the Muslim artist on the nature of place as a space and turn it into symbols and signs of spatial. the need for this research it’s being represents attempt by the researcher to fill the vacuum in this important space of artistic forming fact that the subject needs to be enriched in this field of research , down to the desired results, The objective of the study lies in : ( know connotations of place in graphics executing on Islamic porcelain ). And identifies research in study outcomes the Fatimid porcelain executing materials and different oxides on the surfaces of these porcelain productions in Egypt, within the specified of time period between (969 AD - 358 AH), (1171 AD - 567 AH). The second chapter : has included theoretical framework and previous studies , and which contained three sections : the first section deals and which included two axes ,the first axis significance between the concept and terminology , the second is understood place and the data in the arts , the second section deals with study of the structure of place in the art of ancient civilization ( Iraqi and Egyptian ), the third section included two axes the first axis deals with the study of the place in Islamic art while the second axis deals with approaches of place in products of Islamic porcelain. And seal the theoretical framework with set of indications and previous studies. the third chapter deals with procedures of research which include identifying research community and selection of the research sample the amount of (15) porcelain work, then the search tool and description and analysis of sample. While the fourth chapter included the research results and conclusions, as well as the recommendations and suggestions, Among the findings of the researcher is : 1. The aesthetic connotation for place plays prominent role in the Islamic porcelain products and through osmosis properties the shape and meaning where mobile. 2. Islamic porcelain products showed clear interest in the nature of visual of the realistic place as in the models ( 11, 12, 13 ) and the imagined as in models (2, 9) and symbolic as in models (1, 3)3. Affected by the nature of the place in graphics executing on the products of Islamic porcelain, what is essential to the formal inclusion of the structural units (linear and colorimetric and volumetric and touch and space) as in models of search sample. And the conclusions reached by the researcher is : 1. Influenced the nature of the technical characteristics for systems formation the Islamic art and specifically (photography) on methods produce porcelain Islamic in terms of unity and diversity , lack of interest manddour, and stay away from materializing animate beings , abstraction , repetition and vacuum processing. 2. Manifested structure of place technically, on level of materials and raw materials and oxides, to expression of the characteristics demonstrated of image, as well as the fact pattern of connotation aesthetic that are associated with type of place and nature reveled. 3. Not limited to the place indication in Islamic porcelain within the two dimensions aesthetic and functional, but only becomes touching the regulatory nature of the graphics or graphic scene executing on the porcelain surfaces , link to substantial data of the place, nature and philosophy

مقاربات الملحمي والغنائي في مسرحيات جليل القيسي == Approaches Epic And Lyric In Plays Jalil Al - Qaisi

اسم المؤلف: علي حلو داشر
اسم المشرف: عقيل مهدي يوسف
الموضوع العام: الفنون الجميلة
السنة: 2014
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تمثل عملية تحديد انماط مقاربات الملحمي والغنائي ومرجعياتهما في نصوص ( جليل القيسي ) المسرحية، ضمن بناء منظومة العلاقات الداخلية للنص وتشكلها وتفاعلاتها وتصادمها، عملية تعرف وازالة غموض عن تلك الانماط التفاعلية لمكونين رئيسيين في البنية الدرامية للنص ا | Represent the process of identifying patterns approaches epic and lyric and Marjayatema in texts ( Jalil al - Qaisi ) play, within the building system internal relations of the text and posed and their interactions and collisions, a process known and remove ambiguity from those patterns interactive two main components in the structure of the dramatic text theatrical local contemporary Iraqi by shedding light on the mechanism enrichment or interaction in order to understand, since this Altsahir leads to the production of the act drama within the structure of the dramatic text, all this and that is recognized through the adoption of local experience is important, replete with accomplishment artistic and literary (texts plays Jalil al - Qaisi), as a model subjected to analysis and study for marking the movement of the epic and lyric, since this analysis is reflected in turn deepen the awareness of the aesthetic techniques of theatrical and dramatic text pointing problematic border artistic and aesthetic in the installation of the dramatic action. The research consisted of four chapters, as was the research problem, approach the epic and lyric drama, in how to build a theatrical text local, and marking the problematic border artistic, aesthetic, installing act drama, the need for research, raising awareness of the aesthetic techniques text dramatic theater, and see the local experience distinctive in the Iraqi theater of contemporary writer (Jalil al - Qaisi), and the importance of research, the need to deepen the search experience local theater " at the level of authoring dramatic, and elevate it, as stating Find playwright, critic, and researcher in this field and all those concerned to study the theatrical text in academic institutions for theater Arts and workers in the fields of media, and the aim of the research, shed light on how the production of the act drama by the interaction between modes literary, epic and lyric, in texts ( Jalil al - Qaisi ) play, the research methodology, and descriptive, and the research community, texts plays ( Jalil al - Qaisi ), and the selection of the research sample, poem, the most important findings, the emergence of patterns of interactive between the epic and lyric, worked to enrich the structure of drama within the events of the play - Qaisi mounting toward the teleological particular, the most important proposals, the adoption of such patterns interactive between the epic and lyric as cases must create them in the production of the dramatic action within the structure of the text theatrical dramas

خصائص الفضاءات الداخلية لاستوديوهات الانتاج التلفزيوني == Characteristics of Interior Space of TV Production Studios

اسم المؤلف: نوار عبد الامير حميد
اسم المشرف: عباس علي جعفر العبيدي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الداخلي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The interior space has its characteristics in terms of effectiveness involving a design that can be achieved functionally to a specific space but not other space. So that its system controlled by a mechanism which differs due to the space components. And this can be determined at any internal space characterized by factors and limitations by tools identifying the space. This identification comes according to the use of that space. The space of internal TV production studio has characteristics, components and elements which are distributed within the space because of its connection with functional and technical factors aesthetically and psychologically to its occupants.Through reviewing a lot of literature about international design studios, and comparing with what is available of TV drama production, the researcher has identified the following question : Is there any characteristics (Characterized by the local studio) at the interior space of TV production studios that matching its functional aspects?The aim of the research is to identify the characteristics of the internal space of TV production studios, depending on the functional and aesthetical aspects.The scope of the research is the period from 2009 to 2014 as it is characterized by new technologies, globalization and knowledge exchanging. Spatiality scope is Iraqi Satellite TV channels in Baghdad, which have production studios (i.e. Iraqiah, Sumerian and Educational channel).Chapter 2 consists of 4 sections; the concept of the characteristics in the interior design, the artistic interior spaces, specifications of interior spaces of TV production studio, and modern interior design techniques. An observation checklist has been designed by the researcher then viewed on experts in interior design for amendments.The researcher followed a descriptive analytical method, some of the results are : 1. It has been relied on functional components achievements through the performing aspect, and ignoring the functional and aesthetic aspects. This characterized in the samples unevenly.2. All samples lacked of systematic treatment to the aesthetic effects through psychological considerations at a value below the expected level.3. Samples 1 (a - b) and 2, have characteristics of internal space of area, measurement, lighting, and luminescence at an international characteristicslevel, but that internal space is not exploited in a good way resulting a failure in distribution and arrangement processes, while other samples lacked of that characteristic.Some of research conclusions are : 1. The principles of studio internal space characteristics rely on lighting diversity and multiplicity characteristic within the space, depending on its position, direction, automatic movement and temperature.2. The space capacity gives a greater freedom to construct shapes and expand those shapes toward the decoration design, and it provides easiness to the movement of cameras, people and optimum performance for training and performing.The most important recommendations of this research is : We have to get help from interior designer to distribute stable elements to add an aesthetic and expressive aspects, to provide a physical and engineering characteristics for achieving spatial arrangement, taking into consideration changing and redesigning

الحدث السياسي واثره في بنية النص المسرحي العراقي == Political Event And Its Impact In The Dramatic Text Iraqi Structure

اسم المؤلف: خالد وليد جاسم محمد
اسم المشرف: جبار خماط حسن
الموضوع العام: الفنون الجميلة
السنة: 2014
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان الحياة مليئة بالاحداث السياسية والتي تمر على الانسان وتعبر من خلاله ولكنها تترك في وجدانه عظيم الاثر اذا من خلال الاحداث السياسية تتشكل خبرات الانسان وافكاره فالحدث السياسي ربما يكون صانعا للاشخاص ومبررا لهم بعد ان كانوا مهمشين او متواريين لذا يعد الحد | Life is full of political events which pass on the rights and cross through it, but leave it in great conscience impact if through political events of human experiences and ideas of political The event may be the maker of the people and the justification for them after they were marginalized or Mtwarien So is the political event of the texts of intellectual behavior that are formed determined on the images State Administration concepts and identify external and internal relations of the dominated political event on all aspects of life, including the arts of expression KUNA taken from reality arena for Achtgaladtha intellectual and aesthetic, including the performing arts, and because the Arab lining replete with political events that reflect the concepts of internal and external relations, which are reflected in the outcome of the human in the format of these events, including the modern Iraqi lining characterized by political events that expressed the moral, religious and social concepts. The piece researcher found important study the effect of political event on this card including the play card, especially the dramatic text and in order to reveal the search for these aesthetic changes in the theatrical text may Department Finder his research on the four first chapter may include research problem and the need for it.The importance of research in political induction as a springboard to the doctrines and concepts of literary and intellectual new, objective research has focused on the most important political events and their interaction constitute creative achievements in theatrical text.The limits Find Vaguetsrt on the Iraqi theater texts, which lasted for a period of 1985 - 1995 and seal chapter defines key terms. As second chapter contains the theoretical framework and previous studies have this chapter three Investigation included eating the first section of political inhuman phenomenon, social, while the second section has cared for study of political events and their impact on the drama department as important stages of the political events that produced accomplishing morally, and then came the third section in order to Reviews the dramatic structure of the text playwright has devoted the third chapter of the research procedures, which included identifying the research community on according to three layers that include an extension of the political events in Iraq and was the first class, which was the duration of the Iran - Iraq war and the second is peace for Iraq third term is the duration of the economic blockade, has was selected class method intentionality in the selection of sample forms and samples were composed of three plays are distributed on the basis of the expanse of time and the first Valaana is (play back) of the author (Joseph Sayegh) started in 1987, the second sample is play (Speak, stone) of the author (Mohiuddin Zangana) by the year 1989 third sample is (play the descent of Ishtar to a shelter Ameria) writer (Khaz'al Majidi) The samples were presented to a group of experts, either fourth chapter contains the conclusions drawn from the research and then seal this search a list of sources and references, and the title and summary Search in English and supplements.

البنية التصميمية في الاجازات الخطية == Structure Designing In The Calligraphic Authorization

اسم المؤلف: حسـين علي يونـس السعداوي
اسم المشرف: محمد سعدي لفتة
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الخط والزخرفة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: للخط العربي اهمية كبيرة في الحضارة العربية الاسلامية بدات مع النهوض الحضاري في صدر الاسلام، وقد تجلت فضيلة الكتابة والخط ان جعلها الله عز وجل في اول اية نزلت (( اقرا وربك الاكرم الذي علم بالقلم علم الانسان مالم يعلم))( )، فاضاف تعليم الخط الى نفسه وامت | Calligraphy of great importance in the Arab Islamic civilization began with the advancement of civilization in early Islam, has manifested the virtue of writing and calligraphy that make them God Almighty in the first verse revealed, adding the line to the same education and stronger by the slaves, was a witness to the greatest extent writing. The concept began to leave written evolve based on an essential element in the completion, a proficiency in writing and duly written rules, and regulating mechanism of vocabulary and structural elements in order to add value expressionistic, and the goal is linked to the functional and the aesthetic dimension. So it became back and one of the artistic achievements that have been made in the history of calligraphy and helped it spread and keep the rules in place, which is a prerequisite indispensable, has excelled where calligrapher and patterned through the expertise and skill of the design in the output of the artwork beautiful image to fit and the importance of vacation in calligraphy , and shed light on aspects that gave him the permanence and impact of fertility and, because of their structural properties is the originality and uniqueness, which requires a detailed study concerned with showing the structure design in calligraphic leaves. The problem and the search by asking the following : What structure in the design of calligraphic authorization? In order to reach results that aims her current research, which detect the structure design in calligraphic authorization through the known types of authorization, and to identify the pillars of the structure's design leaves calligraphic, defined by the researcher Macs that have emerged in Iraq and Turkey, within the period determined by the year (1219 AH - 1804 AD) and up (1430 - 2010 AD). Dealt with the theoretical framework the following topics; origination degree in calligraphy, in the design of structural foundations leave written, formal structure in the design of calligraphers license, building permits in the text calligraphers, and variations in the structure of the calligraphic authorization. The third chapter devoted to display the search procedures, which included his population on the boards authorization written all kinds, which are (100) sample, researcher selected ones appointed by selective style (10) sample, accounted for (10%) of the community overall, and follow descriptive method of analysis in a way, using the instrument whose form for analysis, which was built on several axes, were presented to the experts to ensure their validity, to achieve the goals. The fourth chapter evolved to include the results of which : 1 - varied Arabic fonts used in the calligraphic authorization by the student, a metaphor (thulth, nusukh, Alle - ns - taliq, Diwani,jele Diwani, and kufi), except ( al - ijaza) calligraphy validity of Licenser only. 2 - changed the structure design of the calligraphic authorization, appeared to them (the board of sin, and patchworks of sin, and the ornament of the Prophet, and the painting Quartet, and painting the all, and painting Almusahfeh), giving high flexibility and complete freedom for the calligraphy to highlight his talent and being able to master the calligraphics in the use of the type of painting that wants access to leave denominated. 3 - Formed calligraphy decoration calligraphic authorization a noticeable improvement in the diversity of design styles, from the use of motifs realism in painting and calligraphic fragment Ornament prophetic and Almusahfeh, to decorative designs in a variety of unites and repetition and symmetry and colors. 4 - The adoption of a particular division to design a symmetrical or asymmetrical design space given various options through a variety of motifs occupancy within the space in a uniform manner. The researcher recommended that invoked to determine the structure design in authorization to Based critical in assessing the achievements of sin, as well as relying on the methods of calligraphic and decorative followed in designs authorization because of its specificity characteristic for the heritage of the calligraphy and decorative, in the relevant departments within colleges and arts institutes. The researcher conducting studies suggested the following : 1. Diversity in decorative formations calligraphic authorization written in the Islamic countries. 2. Relations in the design of calligraphic authorization in other Arab countries. 3. Content approaches in calligraphic authorization for Science and the Arts in Islamic Heritage (comparative study)

جمالية الايهام البصري في رسوم سلفادور دالي == Aesthetic Visual Illusion In Paintings of Salvador Dali

اسم المؤلف: شاكر عبد النبي جباره وطبان
اسم المشرف: محمد عودة سبتي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: Fill Find beauty of human thought since ancient times, being an important part of his feelings and his sense of the world, which showed the his attempts at making beautiful as he sees fit consistent with the feelings and human identity and social affiliation, and characterized without other creatures of being beautiful pictures and creator maker, this led to allocate some of the search the values of these images and their interpretation, Venco so aesthetics, has produced a lot of art images from the caves to the present day, and the great artists who excelled in this area a significant impact in the technical experience considering that their greatest impact on the thoughts and emotions of the people, and who left a legacy artistically valuable a significant impact later is the Spanish artist (Salvador Dali), which occupied a prominent position and an excellent location in the history of European art.The current research has dealt with (Aesthetic visual illusion in Paintings of Salvador Dali) and containing these fees from the beauty of art through the methods of structural treatments, techniques and technologies.Salvador Dali acquires great importance as an artist, he is an artist Urby singularly in his career, and has a level of privacy on the aesthetic tools and on the level of human and social position.As artist Silvader Dali belongs to the school Surrealism, which emerged and was famous in the early twentieth century and affiliation that did not make it affected the fundamentals of technical classic, but search for himself space to override contrary in outside those limits, making it the most famous surrealist artist from among a number of his peers Europeans.As long as his work is that talk, Salvador Dali has left a number of important works, carrying privacy orientations Surrealism.This research is an attempt to reveal the editorial systems in his art, and the qualities that could be achieved in the aesthetic elements of the plastic painting very magnificence and excitement is not technically part, but in metaphor and embedding elements configuration.The search is over to combine analysis who cares fragmented, examination and induction and formulate conclusions,.Thus adopted research the following question : (What aesthetic the illusion in the Salvador Dali fees?)The research is divided in four chapters, the first chapter included, the problem of the definition of research and its importance and need for, and the aim of the research that has been summed up as : (learn visual aesthetic giving the impression in painting of Salvador Dali). The first chapter also includes a definition of the limits of the search, and determine the terms contained therein.The second chapter, which is the theoretical framework of the research, it has been divided in four sections : 1. The first section Me (perceptive formal in painting between reality and create the illusion).2. The second section Me ( illusion in modern painting)3. The third topic Me (Surrealism, origination, vision and method).Also included a theoretical framework and previous studies indicators.While the third quarter included research procedures, from the research community, and a sample search, search tool, the research methodology and analysis of the research sample.• The fourth quarter included the search results, Among the findings of the researcher : 1. The arguments of Surrealism seemed clear in the works of Salvador Dali imagined and underlying vocabulary that seemed a substitute for logic and reason authority since defected to the fundamentals of building formal relations that would achieve a balance between the painting and the unity and harmony dimensions allowing the artist to form a pattern of Fine relations and Avatar on the surface Photogrammetry which met the elements of alienation, imagination and subconscious.2. How important photo in the works of Salvador Dali appeared by employing them in collage techniques as it appears in the painting (3), or in making it as an essential element for the establishment of his work with elements of playing is reflected in the paintings (9.11, 14, 15) of the sample research.The most important conclusions : 1. Depending on the different themes of the diversity of the latest so that the grapes can be classified into the task of the artist's life stages where it was confirmed on a specific theme which completed a large collection of his works2. create the illusion that the key element in most of the works of Salvador Dali Surrealism within the period in his artistic life form.• recommendations, including : the need to establish cultural and intellectual relations between the global arts colleges and technical institutions) with arts colleges in Iraq to take advantage of the technical expertise and experience and acculturation between them, and interest in the study Surrealist art depending on Salvador Dali techniques in the implementation of his paintings.• proposals, including : the impact of Salvador Dali fees in contemporary art.Then comes after chapter four : sources, supplements index, and abstract in English.

جدلية العلاقة بين الانتاج والتقنية الرقمية لتفعيل البعد الجمالي والدرامي للخطاب السينماتوغرافي == The Controversy of Relation Between Production & Digital Technology To Activate The Dramatic & Atheistic Dimension For The Cinematographic Letter

اسم المؤلف: براق انس المدرس
اسم المشرف: ماهر مجيد ابراهيم
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: من غير الممكن عد الفيلم السينمائي او المسلسل التلفزيوني الا بكونه انتاجا ينبثق الى الوجود بعد عدة عمليات انتاجية خلاقة تحققها مستويات ثلاثية متعالقة تاخذ على عتقها عمليات التخليق وعلى حد سواء المستوى الانتاجي : الذي يعتنى بالجوانب الادارية، والاقتصادية، وال | The Movie or TV dramatic series represents the print that dissolves to the level of production Operation, & here the Controversy of Relation has come true between what is on the screen & what is absent in building the pattern & type of image Construction with all its joints, saw you can't see a Film or TV series only as the production Cinematographic Letter, & what the searcher indicated of this interference between Image & of one Side & Production on the other side, which is the seclusion of Critical & Technical Studies that is Specialized in studying the Medium Elements Language.Although studying the meaning production digitally, that is the software of Computers & digital effects which is the pioneer of many specialized academic studies for this medium, & the Predicament is, there is no previous studies Specialized in the effect of Exchange of Production Science & Digital technical Evolution, & the methods of handling this progress by stepping ahead what was Familiar traditionally & that was the main booster to the searcher to select his research Subject in the following address (The Controversy of Relation between Production & Digital Technology to Activate the Dramatic & Atheistic Dimension For The Cinematographic Letter ). For that the searcher has divided his research into five Chapters, the 1ST one Came in the (Methodical Panel) which presents the research Predicament (What is the Basic Form Lines for the Controversy of Relation between Production & Digital Technology to Activate the Dramatic & Atheistic Dimension For The Cinematographic Letter?),than Mentioning the importance of research , Aims of research , its limits & finally the Terms Definition in the Research Title. 2ND Chapter (Theoretical Panel & Previous Studies) which the searcher divided it into 3 Sections : - 1ST Section : - Which Discuses the Production Philosophy & the nature of cinematographic Letter.2ND Section : - That Defines the Technical & Productive Variable in Image Construction. 3RD Section : - That studies the Action Dramazation & the Atheistic Signified of the Cinematographic Letter nature.To conclude these sections by emitting the indicators that was relied on by the searcher that was certified by a panel of experts & Judges, to end this panel with the Previous Studies. 3RD Chapter : - ( Research Procedures) which Contained Research Method, Research Instruments, Research Society, Analyses Units, Research Specimens, Instruments Authentication, Analysis Steps.4TH Chapter : - Which was the Analysis of Research Specimens as Follows : - 1 - Prometheus (Movie).2 - Man of steel (Movie).3 - Falling Skies (TV Serial). 5TH Chapter : - (Results & Conclusions) : - this research has come out with several results after Specimens Analysis, & as follows : - 1 - The digital techniques interfered with all the joins of cinematographic Medium which leads to use a precise Variability to have an Image to the technique that reacts with Production to revel the Atheistic Quarteria, also Dramatic Activation, as we previewed it in Research Specimens. 2 - The techniques have the ability to Create Space in High Precession & Less Expenses, for having an Image with clear Atheistic & Dramatic Clearance, as it in Research Specimens. Than The Searcher has Added Conclusions, Recommendations, Suggestions, Reference List, Appendix & Finally the English Language Abstract.

ثنائية الادارة والانتاج في تسويق العرض المسرحي العراقي == Duality of Management And Production In Marketing of Iraqi Theatrical Show

اسم المؤلف: احرار صيهود حسين
اسم المشرف: محمد عبد الرحمن الجبوري
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون المسرحية - تقنيات
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The world has known the importance of management and production in achieving successful businesses that people could actually benefit from. The world has known too how important that these administrative and productive operations should be accompanied by others that deals with business marketing. Just like there are commodity products achieve profitability direct material, if successful, there are also service products achieve profitability moral and material direct and indirect.The artistic activity, in general, and the theatrical one, in particular, is one of the these activities or businesses that achieve profitability moral and material, as well as help spreading awareness and increasing the level of culture in the countries. To pay attention to the administrative, productive and marketing aspects will emphasize that the community is being developing and progressing. Therefore, this study has came to emphasize the importance of both management and production in marketing the theatrical show and help achieving its goals and reach for the artistic, aesthetic, and cultural aspects in the country. All this because the three operations of management, production and marketing have been taken and discussed in order to having the theatrical show successful.Chapter one of the study which shows the methodological framework, addresses its problem, its need, its importance, its objectives and its limits as well as identifying its terms. While chapter two of the study which shows the theoretical framework that comes in three sections : the first addresses the concepts of managing production and marketing, the second addresses the management and production in a theatrical show, and the third addresses the duality of management and production in marketing a theatricalshow. Then, the researcher comes up with indications of the theoretical framework as follows : 1. That management is considered like a factory of making resolutions and a field for arranging resources in order to use them to achieve specific goals - like results.2. That management is one of the operations of achieving results through the effect of a manner in a framework of a specific environment.Chapter three of the study, which shows the procedural framework, addresses its society, the sample and tools and study methodology, in addition to analyzing the samples according to the indications of the theoretical framework.Chapter four includes the results, conclusions, and recommendations of the study. It ends with list of resources, appendixes and an abstract in English.

تنوع التراكيب الخطية في لوحات الخطاط حامد الامدي == Diversity of Calligraphy Formations In The Paintings of Calligrapher Hamid Alaamdi

اسم المؤلف: ميثم عبد ابراهيم
اسم المشرف: جواد عبد الكاظم فرحان الزيدي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الخط والزخرفة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: This research aims to study the diversity of compositions written in the paintings of calligrapher (Hamid Aamidi), being an area rich achievements written for this type of art, and showed its different kind, where they have been used Kufi, Diwani and Thulth Jelly calligraphy for its ability to form potential in the formation of beautiful structure depends on these scripts that enable perform their skills in order to achieve different results in these compositions for other calligraphers, research has included four chapters, the first chapter of which comprised the research problem and its significance, objectives and limits of the search, as well as search terms. The second chapter includes three sections. First section dealt with diversity concept and meaning in general, and second section addressed identifying the types of structures of sin, and the technical underpinnings of the structures of scripts, and the third section focused on script composition features by (Hamid Aamidi), as well as his biography, and indicators of the theoretical framework, and previous studies that seal out the second quarter. The third chapter dealt with the research procedures and rely on the analytical descriptive method and the research tackled (150) model of calligrapher's paintings (Hamid Aamidi) distributed on three types of scripts : are (Thulth Jelly, Diwani Jelly and Kufi), were selected each sample of (10) models, and after analysis of the sample according to the search form appeared number of results that were addressed in the fourth chapter as follow : 1 - assure the diversity of outcomes (Aamidi) through adoption different forms some of which is inline with its three types (one level, two levels, three levels and above), also the geometric forms of the following (circular, oval, oval, triangle, square, rectangle), as well as all achieved through the adoption of forms (corresponding, iconography and Tgra?ah).2 - was found through analysis of the sample adoption of a variety of geometric forms and to varying degrees as follows : A - Adoption of mounting ring Satari and radiographic by 10% each. B - appeared adoption rate of installation Albbi 20% of the total samples. 3 - iconic compositions is characterized by matching the text with the content in the products of (Aamidi), which appeared during the analysis of 20% of the total sample. The researcher set out conclusions, including : 1 - The calligrapher in most of the scripts achievements depended on Satari structure that has three levels (heavy), so as to demonstrate the Altjoadah skill, the fact that this structure is a measure of the calligrapher Previews, through which the great calligraphers are compete, as well as reveal beautiful decorative dimension and create diversity for by organizing forms of letters and words within the levels of structure. 2 - characterized most of the structures with technical fine art compositions, being one of the key pillars that must be met in the design script achievements, to give some kind of integration of the technical achievements. Number of recommendations and suggestions been addressed which will be another focus in the script search and leading to appendices and resources concluding of the current research.

تضايف الرسم والعمارة في تشكيل المكان : دراسة تحليلية == Correlation of Painting And Architecture In Place Formation Analytical Study

اسم المؤلف: مهند مسعود جميل
اسم المشرف: بلاسم محمد جسام
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الرسم
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يعيش الرسم اليوم حالة من الوجود الجديد على مستوى العرض والاسلوب معا، فقد غادر بعض مستوياته التاريخية والثقافية ليس في الادوات فحسب وانما في وجوده المكاني.ان اية مراجعة لتاريخ الرسم سوف تدلنا على بعض اقتراحاته، منها المتحف وقاعات العرض، والاقتناء الخاص | Drawing lives on the case of a new presence on the level of presentation and style together, have left some of its historical and cultural in not only the tools, but in the presence of spatial.That any review of the history of painting will guide us to some of his proposals, including the museum and exhibition halls, stakeholders in the acquisition of this kind of art, namely systems that are interested labels : artist’s subjects, its recipients, and place of display.But today, some of the vibrations of structural injured joints that pattern, and the foundations of the new approaches stand the place in front of an active and influential when it became seeks, to intensify the kind of new relationships, as it became architecture and one of the most important humanitarian needs, and moved to the New World Center, identity and presence, and set up a series endless data of contemporary life.This research is interested in one of them is to stand on the ability of architecture to attract art to it as an aesthetically pleasing, meets what has been termed the needs for humans as well as lend a cultural identity on the places, so the correlation between architecture and painting one of the pillars of cultural venues and is a global phenomenon and humane public.Accordingly, The current research is trying to study these points And outputs, was based on a systematic four chapters : Chapter One : In the two sections dealing with the first following topics : structural transformation of art and architecture in the third millennium, references conceptual, theoretical needs of emerging - places, modernity and coordinated environmental needs, art and the needs of the architecture of the interior, architectural style, environmental data in art and architecture.The second section deals with the following topics : art and ether, attendance photography, painting and wall. Chapter II : in two sections : the first includes the following titles : receiving and handling, and display modes, art and production places, methods of presentation, display elements (scenography)The second topic : the alienation of aesthetic, architectural design Chapter III : In the first two sections : Art and Architecture in Iraq The second is the maintenance of the national cultural heritage Chapter IV : Results, conclusions and recommendations and proposals. Then sources and references.Results : 1. The art key role in satisfying the desires of Neanderthal and psychological needs , emotional and existential , which indicates the interaction of art and human whole.2. Architecture and art refers to ideological and religious expression, which select models and types of concordance between technocracy as the Renaissance and beyond.3. Was the walls of the graphic display methods, which bases on the type of art called the parietal art, present a work of enduring architectural form.4. Drawings shares on the facades of Architecture in the age of modernity in the emergence of models and patterns, and create new environments for Architecture and propose new styles of painting.5. Cities became in the era of modern systems place for media and advertising, making the drawing takes new aesthetic forms such as writing on the walls and illustrations and advertising.Conclusions : 1. There are fundamental forces prevailed against the presence of art and architecture in the spatial environment, artist, architect, and the new jobs, which make up a whole new aesthetic and proposes a system to correspond to the races at the expense of individuality in the type of art on the historical level.2. Contemporary techniques has become an alternative to the idea of the murals painted for building, making this art takes atrophied in the joints of contemporary spaces.3. The Architecture in Iraq did not contribute in giving proposal which met between art and space; we cannot establish a pattern of contemporary test, because of the absence of the rule aesthetic and architectural patterns.4. Almost the art of Iraq drawing loses it presence in architectural places, for cultural reasons, popular, and the propensity to alternative methods based on the decline in public taste.Recommendation : In light of this study and its findings, the researcher recommends the following : 1. Building a curriculum process between drawing and architecture and sharing needs, to build awareness of contemporary places. 2. Trying to make the drawing goes out to public places and in the space of interior design without anchoring in the exhibition halls. 3. Planning to cooperate with the institutions responsible for the city lay the foundations for the presence of Iraqi art in the joints of buildings for both the public and private sectors. 4. The introduction of new approaches to the drawing go by methods appropriate areas with major transformations architecture and the environment together. Suggestions : An update of the current research suggests a researcher conducting a number of scientific studies and research of the following : 1. Alienation between architecture and art in contemporary spaces. 2. Deconstruction in architecture and art, conceptual approach

تحولات الاداء التراجيكوميدي للممثل في عروض المسرح العراقي == The Tragic - Comic Changes of The Actor Performance In The Shows of Iraqi Theatre

اسم المؤلف: هنادي صلاح عزت
اسم المشرف: مصطفى تركي السالم
الموضوع العام: الفنون الجميلة
السنة: 2014
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: كثيرة هي ثنائيات الحياة، اذ ظلت دافعا للفلاسفة، والعلماء، والمفكرين، لتناولها كل بحسب افقه ومضماره، فكانت ثنائية الليل والنهار، والحياة والموت، والخير والشر ثنائيات كبرى تناسلت منها ثنائيات لا تعد، ولعل الفرح والحزن من بين ابرز الثنائيات التي اخضعها الفل | So many are the dualities that are still incentives forPhilosophers, scientists and thinkers. Each of them deals with dualities within his horizon and aspect. There are the dualities of the night and day, the life and death, the good and evil and so on. Great dualities gave birth to uncountable dualities and perhaps the duality of joy and sadness forms the most distinguished one that the philosophers, since the Greek era up to nowadays, have submitted to test, analysis and derivation. Thus the duality of ( tragedy ) and ( comedy ) was born from it : the two phases which filled the pages of knowledge in general and literature and art especially , and the drama found rich wideness in sequence of thoughts and studies which are connected with them and expressing them as well. Perhaps the articulation of change between them, and moving from one side to another, are regarded a complementary corner for each of them. So the Greek poets and those who came on theatre after them, began to deal with these changes in the structure if their texts, and extended to the textile of the show and found theorization and a wide expansion in many theatre works. Besides, many titles were derived from that duality and its changes. This allowed the concept of ( tragic - comic ) appear as a complete , uniting concept for that everlasting duality in literature generally and in ( the art of performance ) especially , due to the changes that the actor performance acts through the duality of ( voice ) and ( body ) that he embodies through them a fantastic world bearing within it a contrary duality in form and content.As the researchers have dealt with each side separately, the articulations of moving and changes did not find that amount of care in spite of its significance , and this made the researcher go deeply into this subject, trying to discover the nature of ( voice ) and ( movement ) changes in the action of changing and the incentives which lead to it, after a round of the researcher through specialized literary works and found that no one had preceded her in studying the actor performance and its changes both on ( voice ) and ( movement ) levels , and this made her study and choose it as an aspect for her research , choosing for it the address : ( The tragic - comic changes of the actor performance in the shows of Iraqi theatre ). In order to reach the aims of the study, the researcher has drawn the ways of her research in four chapters containingThe following : The first chapter : the curricular frame through examining the research problem and the need for the research. It also contains the significance, purposes and limits of the research, defining its fundamental terms. The second chapter contains the theoretical frame through the following items of study : 1 - The elements of tragic - comic changes in the theatre show. 2 - Tragic - comic performance styles. 3 - The concept of tragic - comic performance and its incentives in the world theatre. 4 - The previous studies. The researcher then concluded the fundamental pointers through her round in the theoretical frame, dividing it into three standards : 1 - The standard of the specifics of tragic performance of the actor. 2 - The standard of the specifics of comic performance of the actor. 3 - The standard of the specifics of tragic - comic performance of the actor. The researcher has specified the third chapter to define the procedures that she has adopted to achieve her purposes as she aimed to make an exploratory study to define the community of research and look over its samples which represents it much , starting out from the standards of the theoretical frame which are carried by its pointers. The study has contained the following two stages : First : Preparing the procedural tool of research represented by a (questionnaire form : close - open ) by a committee of experts from specialists in theatre art , in order to achieve the validity of the tool ,and in the light of its items , the community of research has been reconnoitered to harmonize with the standards of the research. Secondly : Defining the samples of research which are the most representatives of the society , through a ( judges committee )from specialists and others , to assert to the researcher the exactness of the test and its scientism Thus the following play shows have obtained the higher rate in representing society and which the researcher has adopted as samples of the research : 1 - " Sorry Sir. I did not mean that "(Aa tither ultrathin lam aqsud thalik) directed by Haitham Abdulrazzaq. 2 - " Barring wandering "(Hather Tigwal) directed by Muhannad Hadi 3 - " A Prove in the Hell" (Prova fi Jahanam) directed by Hadi al - Mahdi 4 - " Curtain" (Burda) directed by Ghassan Ismail. 5 - " Female Play" (Azif Nisai) directed by Sinsn SL - Azzawi. The third chapter ended with a summary of the research results, while the fourth chapter contained a discussion of the research results according to indicators of the theoretical frame to reach the results of which the following are the most distinguished : The differences in the vocal and movement harmonies of the (Iraqi actor) are those which defined the direction of the changing moment in the tragic - comic performance of the character. Dealing the (Iraqi actor), in the moments of his performing changes. With different body movements besides (dancing) which the tragic - comic character has invested in many situations to distinguish the contradictions in the mood states and deepens the act of changing.Twinning the colloquial and standard language in the performance of Iraqi actor as reflection of the environment and acquired habits in the Iraqi society. This chapter has also involved the recommendations and proposals which the researcher has suggested and found that they are complementary to her present study, with a list of sources and supplements and an abstract in English.

فنون ما بعد الحداثة وتمثلاتها في التشكيل العراقي المعاصر

اسم المؤلف: تحرير علي حسين الجيزاني
اسم المشرف: مكي عمران راجي الخفاجي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التربية الفنية
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The present research is concerned with investigating the embodiment of the Postmodernism Arts, their styles and their artistry trends in the experiences of the modern Iraqi plastic Arts. No doubt that the postmodernism philosophy with all its details, associations, contradictions, which is also called postmodernism phase, has attracted the Iraqi artists inside and outside Iraq. This interest has emerged from the artists wish to convoy the new styles, techniques modes in the world, ideologically or practically in Art.The present dissertation lies in four chapters. The first includes the problem of the research, its importance and value. The problem of the research is limited to the identification of the becoming of the postmodernism arts in the modern Iraqi Plastic view, and that is after the openness of Iraq on the world and the contact of the Iraqi artists with the artists in the world. The following questions embody the problem of the research : has the postmodernism ideology any effect on the modern Iraqi artist? has the postmodernism techniques any effect in to change the aesthetic view of the modern Iraqi plastic proposals? does the dissidence in the Iraqi classic styles of Art, being affected by the aesthetic system of postmodernism, open the way for the procession and involvement of the receiver of the visual show.The importance of the study is embodied in shedding light on the artistic styles of the postmodernism plastic Arts in the Iraqi artists' works. The study also aims at detecting the embodiments of the postmodernism arts, their styles and techniques in the performed modern Iraqi plastic arts.The study is limited to the objective analytical study for the ideology and techniques of the postmodernism plastic art in Iraq; on the other hand, the local limits include the artistic results of the Iraqi artists' works inside and outside Iraq, which is in addition to the analysis of their pictured works which are performed from 1993 to 2013.Chapter Two includes the theoretical background fro the study which includes three sections. Section one includes two axes : the first tackled the notion, as well as the principles, of modernism as it is the phase that proceeded postmodernism, so that it possible to be aware of the notion and principle of the postmodernism phase, which was base on demolishing the modernism basis. Hence, this section propounds the notion and principles of the modernism phase and its visual applications. On the other hand, the second section is concerned with the notions and principles on which the postmodernism phase is established, for it tackled the prologues of the formulation of the postmodernism phase as well as the historical roots for the appearance of the postmodernism notion. That is in addition to the characteristics and ideological starting off which the postmodernism phase was based on and the extent to which the postmodernism phase affected on the Arab world and the effect of the latter on it.Chapter Two deals with the postmodernism data in the visual field, for it includes two sections. The first tackled the artistic characteristics of the postmodernism plastic art such the opening of the visual show, the association of the technical styles and the incoherence and fragmentation in the artistic works of the postmodernism phase. That is in addition to the oddness, obscurity, sarcasm, shocking, and amazement which it attains in the receiver. The study also tackles the role of the pictures and media in the postmodernism artistic products. The second section deals with the important trends of the post modernism arts, starting with the abstractive expressionism with the end of the craft. Section three exposes the postmodernism features and modes of the Iraqi plastic art career, propounding the commencement of the Iraqi plastic movement, starting with the pioneer generation to the present time. This includes the products of the Iraqi artistic works which embody the postmodernism styles. These sections show someaesthetic, philosophical, ideological and artistic indications, being included within the theoretical background.Chapter Three includes the procedures of collecting data about the Iraqi artistic society to be included in study for the period from 1993 to 2013 AD, and about their artistic work inside and outside Iraq. The samples of the study include twenty five artistic works chosen on purpose to fulfill the aims of the study. The researcher works on the descriptive and analytical mode to analyze the samples with reference to the artistic, aesthetic, philosophical and ideological indications, to be coincided with the theoretical background for the formulation of the study.Chapter Four includes the conclusions, recommendations and suggestions depending on the practical side of the analytical study. Here is a brief about the results of the study.1 - The dissidence of Iraqi artistic works from the classic art system which proposes the existence of a limited center inside the framework; thence, the works divert to another form based on the absence of the centrality as those in the western postmodernism art.2 - The demolishing in the structural and constructive order of relations inside the performed artistic structure through breaking the classic perspective as the artist depends on the open show space.3 - The figure appeared as multi - category (non - naturalization) due to the Iraqi artist working on the non - naturalization principle, being one of the most important secretion of the western postmodernism; that is through the interference between the structural systems of the techniques in sculpturing, drawing, architecture, designing and photographing.4 - Activating the personality of the artist and with a bigger liberality to formulate and choose his figures, without being monitored by the former governmental regime.5 - The initiation of new styles for the Iraqi plastic art after 2003, diverting from the prevailing ideological career to present a free ideology carrying the embodiments of the western postmodernism.6 - The social and political changes were implicated in the Iraqi plastic art and with new presentation depending on the assembling, constructing and the ready made thing with the characteristics of the western postmodernism.7 - "Shock and surprise" was a characteristic in the western postmodernism arts reflected on the performance of the Iraqi plastic art; that is when the Iraqi artist used strange and mysterious materials in the structure of his performance according to the modes and techniques of the postmodernism.8 - "Media and advertisement" appeared clearly and widely in the theme of some Iraqi artists' plastic works, especially those which conveyed the information actions.On the basis of the above mentioned findings, the following is concluded : 1 - The social, political and economical changes in the Iraqi structure as well as the living circumstances such as war, destruction and setbacks have a big effect on the Iraqi artists' spirit.2 - After 2003, the Iraqi artist tried all the universal artistic techniques and styles, whence he had been isolated and banned by the Iraqi former regime. This gave him a chance to know the modern modes of art.3 - The Iraq modern art is based on connectivity and cultivation with the others in the world, as well as communicating others and exchange opinions. The Iraqi artist was freer to exemplify and present his aesthetic themes.4 - For the Iraqi artist to be able to travelling abroad after the fall of the former regime, holding shows and being introduced to different cultures and arts a wide effect to make the works seem with universal traits.5 - Experimenting according to postmodernism art styles encourages the Iraqi artist after he was despair of the traditional modes which he worked with before, since these new techniques are modern and more interesting.6 - The internet, celphones and media has a big role to see all the artistic styles that the universal artist can present, that is in addition to the ease of communicating any other artist or a show.7 - The prevailing of TV programs in the Iraqi society, as it becomes easy for them to watch the world, as well as the awareness of the Iraqi artist to what happens in the world, helped him to dedicate these on the artistic performances of his works.8 - As globalization, politically, culturally, economically and militarily, launched the Arab world, including Iraq, this affected greatly on directing the Iraqi artistic performances to embody the existential anxiety and expatriation of the Iraqi

التفاعلية بين الضوء والمنظر في انتاج دلالة العرض المسرحي == Interactive Between Light And The View In The Production of A Theatrical Show

اسم المؤلف: فلاح كاظم حسين سلمان
اسم المشرف: رياض شهيد علي الباهلي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون المسرحية
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان مسالة تكامل الفكر الانساني تجاوزت تداخل العلوم المتعاصرة لتعطي بعدا تفاعليا اخر، وهو ان الفكر الانساني في اي حقبة ليس وليد لحظته، وانما هو تراكم فكري منذ بدا الانسان الاول تجاربه واكتساب معارفه وخبراته، وهذا يعني ان تشكل معارف الانسان اليوم ليس من انت | The issue of the integration of human thoughts beyond the issue of overlapping Science Almtasrh to give dimension to interactive else , which is that human thoug in any era not the result of zth , but it is the accumulation of intellectual since the eginning of the first human experiments and the acquisition of nowledge and experience , and this means that constitute the human nowledge today is not the production era it is consequential to what preceded the production of an intellectual , and verlapping with, has also become interactive according to data recent tudies impact open Tagged reacts and Itlahak with it , as everyone with one intention , which is the same that the *problems which saw *phenomenology , it establishes in the world and Deitna humanitarian progress is not philosopher and psychologist only , but the artist also assertions raise Tfaalath technical creativity , and then he basically for something for the world to submit views and images are open , and that Aaadana always something else we see who shows the convergence of art in the form of what can be called Baltmathlat in infrastructure " ( ) , and because theater is a human activity provides the shape and composition of the creator aims to retrieve the life experience of self , or the structure of a virtual experience virtual produced fantasy conscious within formats and builders of light revealing the contents of the environment implausible and interaction by the receiver where the logical relationship that is supposed to be between the real world and the world of the assumption that is an interactive theater so that it is viewable add intellectual and conceptual knowledge to his regime , it is not only in accordance with the artistic vision and aesthetic intentionally designed to be employed in the technical structure of the play , in order to have a public value in an impressive receiver.The aim of the technical development of the industry landscape playwright and use be linked to meeting specific requirements in terms of reducing the effort required to perform the job with industry conditions and appropriate elements aimed at creating a sensual pleasure associated with the senses of all , it has undergone the light of the developments of several technical , different ages, and varied its importance in each point in time , and within the overlap speed and technology , it has been breached theatrical space , the move paved the way for the theater to get out of rigidity within the forms adopted modern technology in the formation of light dependent uses synthetic within the relationship - related interactive and technical transformation for those elements that formed a quantum leap in the origination and achieve good business where not addressed by researchers in addressing this aspect to maintain the continuity of the bid and raise the offer theater , so the researcher finds that puts search an indication of the importance of light and its role within the relationship of synthetic and nature of the energy proliferating in the production of the play by the qualitative and the application of the method and details are done , so it will answer the researcher on the following question : Mather interaction relationship between the light and the view through the installation process and advanced technologies to produce the display indication , here was a proposal from the title search ( ( interactive between light and landscape in the production of theatrical presentation indication)).

التصوير الفني في قصص القران الكريم وتوظيفه دراميا في المسرح المدرسي == The Artistic Depiction In Al Kareem Quran Stories And Its Employment Dramatically In The School Theatre

اسم المؤلف: ايمان عبد الستار عطا الله الكبيسي
اسم المشرف: هيلا عبد الشهيد النداوي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Characterized Koran miracle and beauty in the selection of words and meanings through artistic photography in the Qur'anic stories of being a way to deliver the target beacon preaching and aesthetic who can benefit from it in the educational side by employing the elements of artistic photography in the Qur'anic stories in writing the texts of theater school, and through the scoping study which interview (the researcher) on a sample of students from the fourth stage - Department of Technical Education who passed the expertise of precedent for the diagnosis of the difficulties they faced in writing the texts of the play in the material (the art of playwriting), resulted in that most of them do not distinguish between text narrative (narrative) and the theatrical text, which form with great conviction (researcher) the necessity of subjecting this variable to scientific research and experimental attempt to explore the best methods of teaching which they can formulate educational content in terms of the fundamentals and rules of writing theatrical text based on instructional design enriches the knowledge and experience of the learners. This is what aspires to current research, which is important in that it sheds light on the current research analyzing the importance of artistic photography with the provisions of the stories of the Koran, which can be described as the best means of buildingpersonal learner educationally and aesthetically and morally and culturally. And the use of new methods of teaching and learning strategies based on the basis of instructional design on according to (model Kemp) as a technical alternatives to the methods of teaching (the art of playwriting) in developing the skills of students in the Department of Art Education in the art of playwriting and improve their abilities to in accordance with the steps educational and clear and precise teaching.This is the objective of the present study which important lies in the following : 1 - The present study sheds the light of analysis of the artistic depiction of the text of the Quranic stories which can be described as the best means to build the character of the learned educationally, aesthetically, morally and culturally.2 - The study receives its importance through providing the concerned in the theatre (authors, teachers and students) b performing the artistic depiction which could be used in analysis of the Quranic stories and employing them in of the school theatre.3 - Enabling students of fine arts to prepare texts directing to the school students in the light of the educational values.4 - It may help to use the methods in the strategies of learning\teaching based on the teaching design (Comb’s Model) as one of the technical alternatives in the art f theatrical writing and develop their abilities I accordance to clear instructional steps.5 - The research is regarded as an addition to the students and teachers on the university level which enrich the Dept. of Art Education and Theatrical Arts in the colleges and Institutes of Fine Arts.The present study aims at the following : 1 - Detection of the elements of artistic depiction in the Quranic stories including what is suitable with the school theatre.2 - Designing a training program for students for writing theatrical texts from Quranic stories according to Comb’s Model.3 - Measuring the effectiveness of the program designed in training the students on writing theatrical texts. The researcher derived from the research objectives the following null hypothesis : 1 - There are no statistically significant differences at the level f (0.5) for the experimental group (taught according t the designed training program) between the (pre - post) tests in accordance to the cognitive test.2 - There are no statistically significant differences at the level f (0.5) for the experimental group (taught according t the designed training program) between the (pre - post) tests in the performance of skill f writing school theatrical texts.Chapter Two includes four inquiries : in the first inquiry the researcher tackle the concept of artistic depiction in the Holy Quran as a means of manifesting the instructional and heuristic aim of the Holy Quran and its characteristics like (imagination, artistic consistency, psychological aspect) and its basis represented by dialogue, movement and the significance of the utterances. The second inquiry tackles the most important distinguishing characteristics of the Quranic stories (character, dialogue, event, time and place), and the types of the Quranic stories represented in the (historical stories, representative stories, instructional stories, psychological stories, symbolic stories, Judgment Day stories). The aims of these stories are to acuminate the motivations.The Third inquiry displays the elements of the dramatic structure which are (dialogue, character, idea and plot) to find the linking ring with the artistic depiction in the Quranic stories that enabled the researcher to achieve its aims according to an instructional method tackled in fourth inquiry which includes an introduction about the educational process ad a detailed explanation of the steps for building a training program according to Comb’s Model.The researcher made a survey of the related studies to mad use of what the preceding has arrived to in that concern. Some of these studies are (Al - qareghli, 1999), (Al - Hamadani, 2002), (Sulaiman, 2003), (Al - Aameri, 2006), (Al - Husseinawi, 2007), (Sulaiman, 2010) ad (Lazem, 2012) which were useful as far as the theoretical framework is concerned.The researcher choses a sample of the research community including students of the third grade \ Dept. of Art Education I the College of Fine Arts - Baghdad University continuing their morning studies for the year (2013 - 2014) randomly the students of the two sections (A - B) of number (32) male and female students. She adjusted the variables of the study (age, previous experience, gender, time and place of experiment, teacher).The researcher constructed the two instruments : the first of the instrument of artistic depiction of choosing the Quranic stories with more elements of artistic depiction; the second is instrument of theatrical texts analysis by students through the skill pre - and post - tests and obtaining from them the validity ad constancy. After designing a training program, the researcher derived the apparent validity and prepared another acquisitive test (cognitive, skill) to measure the effectiveness of the training program applied on the targeted class (sample) on Wednesday 5/2/2014 through Wednesday 26/3/2014.After analyzing the results by the use of t - test for e sample, the results showed the superiority of the average score experimental group in the cognitive acquisitive test in their average scores of posttest over their scores I the pretest which indicate the effectiveness of the applied program and leads us to reject the first null hypothesis and accept the alterative hypothesis. For the skill test, it showed the superiority of the average score experimental group the instrument for the items of instrument the second null hypothesis and accepting the alterative hypothesis.The most important statistical means used by the researcher are (T - test, difficulty coefficient for the item difficult, distinguishing coefficient in the acquisition, Pearson correlative coefficient). In the light of the results of the study the researcher recommends to make use of the program and use it in the courses of continual education ad using them in the directorates of scholastic activity by making training courses for the teachers of Art Education, and the specialized in the field of school theatre, and adopting a program designed in accordance with the following program in the colleges and the institutes of Fine Arts in connection to the theme of this study, and preparing a leaflet about the training program to be provided in the school libraries and the educational institutes.In completion to the findings of this study, the researcher suggests : 1 - Making a comparison study between the program and other programs according to the theories.2 - Studying the artistic depiction in the Holy Quran Stories in developing the artistic expression of the orphan children.3 - Study the artistic depiction in Arabic literature in the Arabic poetry in the artistic depiction.

النظم البنائية في الرسم الحديث : دراسة في الانساق المعرفية == The Constructional Systems In The Modern Painting, A Study In The Knowledge Patterns

اسم المؤلف: وسام حسن مزعل
اسم المشرف: محمد جلوب جبر الكناني
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الرسم
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: In order to see the difference in the levels of thinking through out the history, it would be enough to take a look on the artworks, those being produced during a different eras of the history, that, it could easily gets us aware of the amount of shifts and changes of the thoughts. Therefore, the art emplaced as a representative for the entire intellectual and ideological outcome for each age or era. Hence, the artwork absorbed all the thoughts and beliefs of that age, and assimilated them, which is led to reproduce them in a way that can be defined in a new way as a part of the world of art, so that they began to look like icons to be pointed to, as shorthanded thought of different eras and periods of time, so if we considered the surrounding conditions, we can find that the study of the ties between the constructional system of the modern painting not only justified, moreover it turned to be a necessity for the sake of understanding the artwork comparing to itself, not to the perceiving entity for that "being" and that means, we are trying to reach for that objective reality, which lies in its foundations the conditions of the human being, with absolute presence of him, and beingeffective not only being affected, by searching for the stirrer of the knowledge, like adopting the axis of knowledge which is established a point of interaction, attraction, mutiny, rooting and modernization in the history of modern painting. On account of that, this research came "The constructional systems in the modern painting, a study in the knowledge patterns" includes an introduction and four chapters. The first chapter covers the issue of the research which is related to the foundational knowledge, the efficacious and stirrer for the art producing process, besides the commutative relationship between the evolution of the knowledge and the modern art trends, and there is an attempt to make the research resolve this issue, by displaying different thoughts ofknowledge and finding its shapes and practical applications in the constructional system of the modern painting.As to the goal of the research could be represented as : 1 - Exposing the knowledge patterns, those motivating the systems of constructing the modern painting.2 - Exposing the knowledge mechanisms that controlling the aesthetical and formal construction of the modern painting. As for the limits of the research, confined in an objective limits encompassed only the modernpainting and its spatial borders around Europe, while its time borders set between 1875 and 1943.However, the second chapter consists of four topics, the first topic dealing with the concept of the system and its mechanisms at the visual side, while the second topic is about constructional concept of the visual surface, by considering the phases of the constructional process of the painting, and describing its constructional contents then consider the foundations of the construction as whole. The third topic devoted for the knowledge patterns, by depending the concept of presenting the modernity and its most important quotes, and the mode of knowledge patterns "operating" in the arts arena. Yet, the forth topic covers the trends and styles of the modern painting minutely.The third chapter contains the research strategies, those being represented in the research community with the sample and the research mediums and procedures that being pursued in the study. Then, analyzing the samples according to the researcher's index in the theoretical field as final outcome.As well as, the fourth chapter contains the results of the research, suggestions and recommendations. On the strength of what the analytical study delivered, the research reached into a group of special results in determining the ruling knowledge patterns of the constructional system of the modern painting, the most important results to mention are : - The Impressionism : it is the record of the social knowledge pattern which is takes the form of the naturalism and scientific knowledge pattern goes into the colors theory, which can be materialized in a greatest way of presence and controlling in its aesthetic and formal construction. - The New Impressionism; which is the scientific knowledge pattern represents the controlling basis of its molding process by adopting the rules of the light and color. - The Expressionism : which is illustrates the social knowledge patterns through out the concept of the individualism, and it is the most effective and controlling in its system. - The cubism and futurism : It appears in the scientific knowledge pattern and through out the concept of the place and time values, and it is the most influencing and controlling by its presence, to its constructional system. - The Dadaism : It can be supposed that the philosophical knowledge pattern with nihilist approach practiced an ultimate influencing in its constructional system. - The Surrealism : It becomes clear that the social knowledge pattern through psychologic al studies turned to be so influential in its system. - The Abstract : Which is imbued with constructional molding, in a mount of convergence with a spiritual and philosophical knowledge pattern.And according to these results, it is possible to pointing to some of the important conclusions as : - The modern artwork is an outcome of the spiritual and physical knowledge. - The change that has been made to the painting, it is a reflection of the changes of the fact of the knowledge. - The power of art attracts all the existents around and transforms them to an aesthetic construction. - The modern painting approached to all the kinds of knowledge with a significant vision. - It is not possible to understand the essence of the artwork unless having the ability for being aware of the flaws that could lies behind it. - The switches in the constructional system of the modern painting are a result of an intended changing being achieved with experience awareness and the effects of the surroundings. - Behind each artistic and creative turning point, there is a change in the knowledge patterns, as a rule starts with the response of the creator (the artist) and the recipient (the spectator) would follow

المقاربات الوظيفية بين عمل المخرج المسرحي وسيكولوجية الطفولة == The Functional Approaches Between The Work of Theatrical Director And The Psychology of Childhood

اسم المؤلف: خضر عبد خضير
اسم المشرف: ضياء جعفر صادق | صباح عطية سويبج
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التربية الفنية
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تؤكد الحقائق العلمية ( السيكولوجية) على الاختلافات الجوهرية التي يتمتع بها عموم الناس في ادراكهم للمؤثرات الخارجية التي يتعرضون اليها وبالتالي فان المتلقين للعرض المسرحي يتباينون في فهمهم للخطاب السمعبصري وفي تفضيلاتهم الجمالية، الامر الذي عزز الضرورة لو | Emphasizes scientific facts (psychological) substantial differences enjoyed by the general public in their perception To external Influences, which They are exposed Thus, the recipients of the theatrical presentation they Contrast in their understanding of the auditory and optical speech and In their aesthetic preferences, Command Which reinforced the necessity for the existence of more than level to this speech, Based on the needs of the targeted group and their desires and psychological composition. Accordingly, the researcher conducted a exploratory study to know the opinions of directors dramatists about their excretory work and its relationship with the psychology of childhood Stated the researcher, In establishing the problem his research on the results of those exploratory study where identified the problem in follows wondering : Is there a functional approaches between the work of theatrical director and the psychology of childhood in theatrical shows for children at the Baghdad governorate theaters?Summarized the importance of the current research in that it will highlight on nature of the procedures and the means and methods which must on the theatrical director followed and which are not inconsistent with the scientific results of the psychology of childhood and consistent with Occurred developments in this side, therefore the, This research may contribute to the development of children's theater in Iraq. The current research aims to : 1 - detection of functional approaches between the work of the director in the field of children's theater and the psychology of childhood. 2 - building standards for the work of theater director in the field of children's theater, according to the psychology of childhood. The research community consist of the two axes, first : the directors who provided theatrical performances addressed for children, who are (25) way out theatrically, the second : limited by their offers theatrical presented on the stages the city of Baghdad for the period between 2003 to 2013 thus the researcher choose a random sample from each axis of axis above and chose eight shows for eight Directors. dramatists and To achieve the objectives of the research was to build two tools to gather information, the first was represented (form interview directors) and included in its final form (38) question, addressed by the researcher to (12) director from the community members the his current search, The second was represented (form analysis offers) and included in its final form (31), paragraph adopted a researcher at his analysis of the sample offers, were subjected the two tools to the conditions of validity and reliability depending on the statistical means of the following : - Equation (Holsti) to calculate the reliability coefficient. - The percentage to calculate validity the vertebrae the analysis form.The results showed that the Iraqi director in the field of children's theater has approached his job directorial somewhat psychology of childhood, The weakness that Permeated some sides of his work was offset by strength in other sides and the decline in the balance of paragraphs that appear in some of the presentations was offset by a clear rise in other offers. Researcher reached to a set of conclusions including : - The psychology of childhood from the most important fields of psychology Which must the theatrical director who works in the field of children's theater to familiarity with it and get to know the details and relied upon in his directorial job To be eligible for the achievement of the objectives of the Children's Theatre through investment its scientific truths that he Provided it to them. - Varies Directors, dramatists who working in the field of children's theater in the extent of their investment for scientific facts (psychological) and inspiration it the when doing their jobs directorial for cemented their presentations the play. The researcher recommended in some of the recommendations, including : - Focus on Teaching Material (Child Psychology) and increase the hours of its shares of study in the colleges and institutes of fine arts, especially departments of art education. - Inclusion of all children without exception scenes play through a project sponsored by the Ministry of Education or the Ministry of Culture covers all governorates of Iraq to devote love theatrical art in children and improve aesthetic they feel.The researcher suggested conducting some studies, including : - Mechanisms of action of the director in Children's Theatre according to psychological processes of simple for children

المتخيل النحتي في الواقع الافتراضي : دراسة تطبيقية == Sculptural Imaginary In Virtual Reality Experimental Study

اسم المؤلف: ماهر حسين علي الحبوبي
اسم المشرف: سعد علي يوسف البصري
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: النحت
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يتلخص البحث في محاولة اثبات امكانية الحاسوب الالكتروني كاداة تطبيقية في تجسيم وانشاء مخططات لاعمال نحتية في الواقع الافتراضي كمشروع متخيل لدى النحات لعمل نحتي ينوي تنفيذه. فقد تراءت مشكلة البحث امام عيني الباحث لدى ملاحظته وجود برامج حاسوب قريبة او متخصص | Boils down to search in an attempt to prove the possibility of the computer as a tool applied in materializing and the creation of sculptural works in virtual reality imagined as a sculptor to work with sculptural intends to implement. Perceived research problem has appointed researcher at the front of the note the existence of computer software or near specializes in sculpture and composition can benefit from the development of the traditional methods in the output of sculptural works such as dispensing planning paperwork (Sketch) or scale models (thumbnail) commonly used in recording and output sculptural works created and that cannot give the impression of a real sculptural work , especially in terms of the real size and blending with the specified space for display the goal of the work environment sculptured saving money , time and effort , add to edit the image with the sculptor imagined to broader horizons during organizing formal ties to these programs from a high potential to change and modification of shapes, which cannot be carried out only through the injunction by the user (sculptor). The researcher in the first chapter and the goals of identifying the problem and the importance and limits of the search, where the objectives were as follows : Statement of the possibility of a computer in the development of the initial steps of the finished sculpture. The research identifies ways that show the diverse sculptural works using the techniques of computer programs (3DsMax, Maya, Photoshop, Z Brush, Cinema 4D) and with modern versions only because of their potential novel lacks its older versions. In the second quarter it was the duty of the researcher to explain in detail what the term means and imagined sculptural statement types and divided it from the vocabulary of. Then been identified as exemplified by the image imagined when the artist generally and then sculptor especially during the discussion of the mental processes that contribute to the formation of a mental picture and then discussed with the sculptor in the output stages of the sculpture has been in this first section of the second chapter. As for the second part, in which the researcher has shown what it means to the term virtual reality with an attempt to identify the potential of computer and duties in addition to the work of the system as a whole, especially in the process of Manifesting. The researcher also reviewed the most important programs currently available to the user sculptor and specialized forming and modeling operations with an indication of the most important characteristics of positively and negatively, and this was in the third section. To illustrate these capabilities are available in the software selection researcher felt sculptural work is physically present in the true reality and its application to these programs in virtual reality was the selection of the ancient monument Kahramana of the late sculptor Mohammed Ghani Hikmat.The first stages of such a solution to the problem that led to the indicators determine the logical relationship between the imagined image and the computer as a tool to help implement the executive sculptural work in virtual reality, which can be summarized as follows : 1 - The need to develop analytical side with the sculptor to be able to analyze the shape to its basic components and these components to the re - engineering of its assets.2 - Develop a plan for the implementation of sequential commands for the program.3 - Study variables that can occur in the form during the installation process and modeling. On the basis of the indicators that emerged at the end of the second quarter felt researcher adoption of the experimental method and the request to determine what supplies the basic application and reached through the theoretical aspect of the study sample. He chose researcher all Aanalat formations of sculpture, which gradually in complexity formal between simple and complex as a research and adoption programs modeling two - dimensional and three - dimensional (which have been selected on the basis of its development and the possibility of their use and reliance on the production level) has been applied to these works to demonstrate the possibility of a computer in the application forms from the imagination of the sculptor with an explanation of the application process for the purpose of confirmation of the results, this has been in Chapter III. Has resulted in the actions carried out by the researcher to the emergence of a number of findings and conclusions, the results proved the possibility of the computer as a tool to record initial perceptions of the sculptor and an embodiment of these perceptions to a three - dimensional image can be saved and add amendments to it, and the comparison between the photos and choose the situation appropriately expressive and aesthetically pleasing, including. In order to confirm these findings, the researcher within the expertise to provide a draft proposal for the establishment of sculptures (Polyphonic and memorable, realistic and abstract) in three different locations (Square intersection tunnel police - Baghdad, the interface is complex catalog Mansour Mall - Baghdad, an exhibition hall artistic closed) represents the business environment of sculpture (monuments or exhibitions) and with the help of computer programs for the entire application modeling with each proposal and to develop a sham and video recordings for the purpose of comparison. The researcher in this videotapes put odds change the shape of the monument, the environment or materials with comparable on the basis of natural lighting or artificial with the change of viewing angles in all the time he registered for the purpose of giving more space to compare the shapes and set changes that can be entered on the block sculpture or presentation of the proposed space. As a result of group comparisons have concluded search as a result of the application the possibility of using the computer as a tool documentaries initial sculpture instead of the traditional methods of registration and of drawings paper (Sketch) and scale model (thumbnail) which cannot give the right impression on the bloc proposed when zooming in addition to the open ranges wider in front of the sculptor to diversify and edit pictures imagined starting from the idea and the end of the registration process of the display

القيم الجمالية ودورها في استجابة المتلقي للملصقات الجدارية == Aesthetic Values And Its Role In The Response of The Receiver Wall Posters

اسم المؤلف: مها عبد الرحمن عبد الرزاق الهاشمي
اسم المشرف: حكمت رشيد فخري العزاوي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Means the current research to study the aesthetic values and its role in the response of the receiver in the posters, in order to understand the mechanism of action to realize the ideas that are meant delivery to the recipient to contribute to the development of talent aesthetic sense with him and make him Connoisseur and critic of all that lies in recognizing, as is the aesthetic values as a fun frame of mind of the recipient, being include speech visually in Graphic design in general and in particular wall posters.So it has identified the research problem by asking the following;( What are the values, what is its role in the response of the receiver )For the purpose of reaching the goal included (detection aesthetic values and its role in the response of the receiver) has addressed the researcher in the study Detectives relevant, namely : Chapter One : it addressed the methodological framework (research problem, the importance of research, the goal of the research, the research and determine the limits of the terminology)The researcher also addressed the second chapter (Theoretical framework and indicators Theoretical framework and previous studies)The theoretical framework included the concept of aesthetic values (values and sensory values and the values of the formal relational)Also included the concept of cognition and cognitive and aesthetic response to the recipient, in addition to the concept of aesthetic judgment The third chapter (procedures for research and analysis of the samples) as chose researcher descriptive analytical method as a way suitable for the analysis of the sample and identified b (15) sample, have been selected Qsidia from the research community of (60) where excluded researcher posters Latvian required purpose, since the size of the sample depends on the extent of the homogeneity of the data was also preparing a special form include axes paragraphs of analysis, which were drawn from the theoretical framework of an accurate and objective, as well as the adoption of a researcher on the opinions of experts in the field of graphic design for cemented search tool and make it more objective and coverage of truth for the purpose of achieving the objectives of the researchThe fourth chapter has included findings, conclusions and recommendations and proposals, the researcher remember the most importantFirst results : 1 - convey the idea through photo realism and colorful designer proficiency in recruiting image to serve the idea of the poster in the process of overlap and influence the time according to time, place, and that - lead - to - focus - attention - provoking receiver.2 - the process of attraction have the ability to highlight important topics and make it a tool to attract the recipient, especially if the attraction is characterized sovereignty over most of the area of the visual design of the field3 - According to the designer of the value of cognitive dynamics as a factor in job performance, which gives vital energy through movement vocabulary consisting of the poster.Second : Conclusions1 - of the positives of aesthetic values in the design of the label it affects the receiver and check a lot of intellectual and ideological desires2 - attraction provides the ability to highlight important topics and make it a tool to attract the recipient, especially if the item is characterized by attractive sovereignty over most of the label within the visual field3 - the use of aesthetic values equal powers in determining that it is designed to use tonal values received from the user or the colors of the poster opposing valuesThird : Recommendations1 - to benefit fully from the operations provided by the designers design posters, especially in the ability to deal with the constituent units of the label to achieve the response of the recipient2 - emphasis on the formal activation of sovereignty in the designs of the posters because of their importance in achieving direct contact with the receiver and all genresFourth, as suggested by some studies, the researcher as follows : 1 - design techniques and crafts show layout and its impact on the achievement of aesthetic values in design posters of the movies world2 - study of color and processors Alazaaria through aesthetic values and methods embodied in the designs posters for films global3 - Search and conclude with Arab and foreign sources and a summary of the research in the English

الفكرة وقواها الفاعلية للتصميم الكرافيكي وتاثيرها في الفضاءات المعمارية == The Idea And Its Forces Powers In The Graphic Design And Its Role Effects On Architectural Spaces

اسم المؤلف: جواد كاظم عباس المعموري
اسم المشرف: سعدي عباس كاظم
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تمتاز التصاميم الكرافيكية المعاصرة في امكانيتها على تلبية متطلبات متعددة وغالبا ما تعلب الفكرة دورا اساسيا في تفعيل قدرة التصميم الكرافيكي لتحقيق مديات جمالية ووظيفية اعلى وتكمن اهمية الدراسة في مدى فاعلية وتاثير التصاميم الكرافيكية على الفضاءات المعما | Characterized contemporary Graphic designs in its potential to meet the requirements of multiple and often demand idea a key role in activating the design ability of the graphic design to achieve ranges of aesthetic and functional top lies the importance of the study on the effectiveness and impact of the designs, the spaces architecture which plays a faithful idea and industry play an important role in shaping the graphic design, as it focuses on the side of intellectual raises the value of the design and energy expressive and performing at the same time , and is in itself add knowledge on the part of the fundamental aspects of composition of the graphic design, and focuses on the importance of the role of this production in imparted by the aesthetic and functional to form spaces architecture.The study included four chapters address the first of which methodological framework for the search of the research problem and its significance and its goals, as the research aims to reveal the mechanism of making the idea and its actors in the formation of the graphic design, and the impact of design in the formation of spaces, architectural influence of actors for the manufacture of the idea, as well as the limits of search The definition of terms.And ensure that the second chapter three sections addressing the first of which industry the idea and the idea concept, then eating thought processes and brainstorming as one of these operations and processes of creative, eat second section effective power in the contemporary graphic design, influence and achieve the purpose, which included the third section dealt with functional design in space architectural and aesthetic treatments in these spaces, The researcher concluded that a set of indicators theoretical framework.The third chapter dealt with the procedural framework to look at the community survey and selection of the sample and the tool with the help of experts form prepared by the researcher for this purpose , has resulted after analyzing the models selected sample the contents of Chapter IV of the findings and conclusions , including : 1 - The ideas represented in the designs of the effectiveness of originality and their ability to deliver the message to the public as well as the impact that new in the sense of providing design idea.2 - Works in the activation of the catalyst of social forces in shaping the design idea by virtue of the need to meet the requirement of social, as it is to attract the public key factor in the success of the design.3 - Clarity and ease of visual discourse receipt of the letter by the public advertising of an important factor in activating the basis of the power of design idea.The researcher concluded from the above, the following : 1 - Interior spaces Bulky need to processors after an executive with aesthetic and functional one at that give vitality to the place and form an attraction unique to the public.2 - Based actors to exploit the idea of design as much as possible of the space and use it to deliver advertising messages to the public in an orderly manner sequential do not call for the confusion, but suggest a higher level of organization of the formal elements.The researcher recommended the development of capabilities designed and increase knowledge in the processor architecture of the spaces of both internal and external, which can provide the products of successful staffing level spaces, architectural aesthetic and use in delivering the message, display, and suggested to be interest in technical studies in collaboration with government institutions and service departments out the results of the best Indeed, at the level of the environment.

الرمز التراثي وانعكاسه في تصاميم المطبوعات العراقية == The Inherited Symbol And It'S Reversal In The Designs of The Iraqi Publications

اسم المؤلف: انتصار جعفر رشيد التميمي
اسم المشرف: نعيم عباس حسن
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Was considered by UNESCO thing that ever was fifty - year old inherited cultural andheritage ,heritage ,including his privacy and the importance and and what it has of legaciesand beliefs reflect the reality of peoples ,is a tag that can not in any way be overlooked orignored ,it does not make sense to existence without those roots that support them, whichcheck its stability as it is necessary to broadcast the sustainability of the life time of the last of its reservation of neglect and then disappearing.Because we need today more urgent than everto re - organize our heritage of Iraq ,in line with the development taking place at all levels ,and as contained in the heritage of the plurality of symbols handed down through thousands of years ,and which we find in the case of employing them in the publications identity ,a reflection of a community contributes to the definition country and cultures on the one hand ,and a reflection indicative of meaning and symbolic representation of the content of the intellectual ,and a sense of value and aesthetic heritage on the other hand ,therefore ,felt the researcher to take this research to the definition of heritage and related recruitment ,as well as being complementary to the wedding culture started in the year 2013 AD ,it is but not holds the recipe uniqueness and leadership ,but he specialized in the field of impact caused byinherited in publications in general. Thus it is vitally problem of the research in the detection of the symbols of heritage and their associated meanings ,and the implications of all this inIraqi publications.Based on this researcher has identified the problem examined by asking the following : Is publications included Iraqi reflections of symbols inherited?The current research aims to identify the symbols of heritage and the extent reflected in thepublications of Iraq ,has been identified research study publications issued within the project of Baghdad, the capital of Arab culture for 2013 AD, which included four chapters, the first chapter discusses the research problem and its significance and purpose and its borders and determine its terms ,including, among other second theoretical framework which section into three sections ,carrying the first title of symbol heritage and its diversity of intellectual, cultural ,and included the concept of symbol heritage in terms of its diversity of religious, historical and mythological and folk ,while the second section consisted of levels symbol heritage in the publications of the Iraqi public to ensure that the semantic level and emotional as well as cognitive ,also included symbol heritage and intellectual communication ,postal heritage and a reversal in the community the third topic guarantees the formations symbol heritage that included symbols of heritage written and sham including guaranteed that the development of symbols written under the techniques of modern times ,and the stages of the evolution of the formation Graphic in publications ,and configuration Graph ic as a speech ,as well as variations printed.Chapter III also included an analysis of samples of publications of the project capital Baghdad ,Iraqi culture for the year 2013, and included the last chapter findings and conclusions and a number of proposals and a list of sources.The most important results reached by the researcher are as follows : 1 - Carried all samples representative of the legacy symbols and the concomitant representation of the vocabulary tones chromaticity function ,as well as inspired by some of the ideas associated with it.2 - Brought symbols of heritage readings function on more than one meaning is linked to the ideas of a function of the heritage, including his campaign those ideas of multiplicity of meaning within the contexts of semantic objective component context design parameter specific to the identity of the community, unlike that context aside philosophical aesthetic towards the heritage and the accompanying representation multi shapes moot. 3 - Despite embodies the symbolic representation of the content of ideas in the most appropriate publications mentioned, but some have been emptied from the representation of the symbolic meaning of ideas, so as to pursue intellectual rooting as direction is clear. The publications carried the symbolic representation of trends intellectual Count one combination where tradition and modernity.4 - Salutation semantic structures in decorative compositions written by the design format contextual relationships belong to the symbolism of intellectual, to form a speech Sofia formulated to see deep meanings exceeded the craft.The most important findings of the researcher in the light of the results are : 1 - Condensation signifier symbolic meanings associated with heritage ,making the symbol and one containing the rest of the symbols and meanings of the function on the same meaning, to form simulates including intellectual structure of the work, which triggered a balance of formality My aberration, employed for the benefit of semantic meaning.2 - Speech carries connotations Avatar formation through inspiration inherited cases of community with real - time status of a community, to configure theme symbolic function of the heritage. In contrast, embodied theme layout done through tow combination lines of thought in the opposite direction to achieve tensile visual attraction. The researcher recommended the following : 1 - Longer be working in the field of graphic design kit in devising symbols of heritage, including its sovereignty is linked to the formal representation and chromatography, the headwaters of the cultural and intellectual contemporary philosophical including carrying of inherited, innovation in plastic carrying authentic character of flexibility.2 - Need to focus on the diversity of levels, including Avatar include a function of the meanings of the heritage within the layout done, that it is investigating reactions towardsstructural formations of the intellectual level of significance, to achieve the act of communication.At the end of the research suggests that the researcher : 1 - Popular symbols and signs of intellectual communication of Iraqi Airways model posters

الخصائص الابداعية في تكوينات الخط القيرواني : اعمال الخطاط عامر بن جدو انموذجا == Creativity Characteristics In Formation of Al - Qarawani Calligraphy In Works of Calligrapher Amir Bin Jado

اسم المؤلف: عبد الجبار وهيب احمد
اسم المشرف: عبد المنعم خيري حسين العاني
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الخط والزخرفة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: الخصائص الابداعية في تكوينات الخط القيرواني اعمال الخطاط عامر بن جدو انموذجا , ومن خلال الدراسة الاستطلاعية استطاع الباحث ان يحدد مشكلة بحثه بالنقاط الاتية : 1. الخطوط اليابسة ( السطرية ) لا تحتاج في كتابتها الى مهارات حدسية اما التكوينات الخطية وخصوصا | The problem of the research represented by the following : - 1 - The dry ( linear calligraphy) do not need in their writing to sensitive skills as for the linear formation in special the dry calligraphies that need to study the type of the formation.2 - Missing or absence of specifying the transference circle in the line calligraphic in the creative formations discovered by the questionnaire study in calligraphic works of the calligrapher Amir Bin Jadao.And from these starting points the researcher has formulated the research problem with the following question : 3 - What are the creative characteristics in Al - Qairwan calligraphic formation in calligraphic works of the calligrapher Amir Bin Jadao as a model?The importance of the research represented as follow : - Could be contributed in activation of Al - Qairwan calligraphic letter balance, and to specify the transference period from linear calligraphic to the calligraphic formation in Al - Qairwan calligraphy, and the research objective to specify the transference point from the linear calligraphy to the linear formation in Al - Qaurwan calligraphy, besides the analytic study for the Tunisian calligrapher works Amir bin Jado, and the research specified for the period from (2006 A.C - 1427 A.H to 2013 A.C - 1432 A.H).As for the second chapter which includes historical view to the Arabic calligraphy reaching the starting of Al - Qairwan calligraphy, besides, studying( Al - Hadhna Quran) which was written in Al - Qairwan calligraphy by the calligrapher Ali bin Ahmed Awaraaq with an order from Almueiz bin Badis in 1019 A.C - 410 A.H and the characteristics of this calligraphy, also studying the creative characteristics in formation of the calligraphy, followed by indicators displayed by the theoretical frame of the research. The researcher followed the descriptive method, the style of ( the content analyzing) for realizing the research results and the samples chosen randomly,. The researcher has chosen (6 samples) represented the research sample, of (60) design and has depended analysis form according to the theoretical framework indicators and expose it to the experts in order to confirm its validity. In accordance with analysis form, the selected samples have been analyzed and reached the following results : 1. Line system formations are in Kofi and Qairawani calligraphy which are light formations and depend on successive reading sequence in which the words are distributed upon writing lines without overlapping or imbrications , besides using of the reed in writing those formations.2. Execution of free formations in an overlapping way , which depends on organized reading sequences from down to the top or vice versa. Some of it did not adopt organized reading sequences.Some formations got heavy overlapping , besides imbrications of the letters specially those of vertical expansion.According to the results the researcher has reached several conclusions : 1. The appearance of iconic formations in Kofi and Qairawani calligraphy is to confirm the range of strength of calligrapher mind and his wide imagination to achieve such kinds of formations , besides to confirm compliance of the letters of this calligraphy for flexibility and formation.2. Consolidate the capabilities of the calligrapher to produce such line formation through adjusting rules and regulations and origins of Kofi and Qairawani calligraphy and his abilities of expression about the subject directly with clear signs.According to the mentioned results and conclusions reached by the researcher , and as complementary knowledge and use the researcher proposed some recommendations such as : Keeping on fundamentals and design relationship in line formations due to its capabilities to open new fields for creation in this kind of Arabic calligraphy and expression of the calligrapher potentialities to manipulate the texts and utilizing them in proper context. To complete the research requirements and realizing the scientific utility, the researcher suggested a collection of suggestions valid to be a next study, amongst : studying the Andalus calligraphy according to the design bases.

الاشتراطات الوظيفية في ثصاميم الفضاءات الداخلية لقاعات المناقشات الجامعية == Functional Conditions In The Designation of Internal Spaces of University Discussion Halls

اسم المؤلف: اسامة غانم نوري
اسم المشرف: عباس علي جعفر العبيدي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الداخلي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: I've seen the stage that followed World War II, a rapid development in the field of modern technologies , as influenced in great shape on the concept of university education , which replaced the clear links between the student and the community , as it became openness toward community goals mainly for educational institutions high , as the ocean , which is supposed to cover its requirements. Adding to the actual value of these educational institutions , is to provide continuity in the ongoing evolution of scientific data by discussing the messages and graduate thesis research that offer a variety of different disciplines sings materials science, knowledge and humanity. Hence, it was necessary to design interior spaces to discuss research students applying various formulations and configurations within the design to suit the level of the event is required. Thus, the researcher found the formulation of the research problem by asking the following : What are the functional requirements that should be adopted in the design of interior spaces for university halls of the discussions , including the designer can achieve the design formulations based on the functional aspect and check the value of advanced functionality in harmony with the level of the event ? The importance of search Aocefh deals with the study and analysis of spaces, private discussions university to engorgement of its function undertaken to discuss and evaluate the Alatarih and research and messages of Graduate Studies as well as it is the spaces to set up seminars or scientific conferences , as well as what it means to function in providing ways to make the most of during the design spaces that form the axis adapted to technical developments and raw materials for the purpose of responding to humanitarian needs and requirements. While the aim of the research : 1 - detection of functional requirements in the design of interior spaces for university halls discussions. 2 - Develop a design proposal for the university hall discussions based on the fundamentals and requirements that result from current research. While defined borders ( spatial and temporal ) to search halls discussions of public universities in the city of Baghdad - Rusafa for the period of ( 1975 - 2014 m) , as well as identifying the terms contained inthe title search out procedural definitions. Included in ( the second quarter ) and previous studies of the theoretical framework , which represent three sections , the first section dealt with " functional requirements and dimensions Avatar ," while the second section came Study " " variables functional and organizational dimensions in interior design " , while the third section guarantees the " principles of the design of interior spaces for university halls of the discussions , "and resulted in a set of indicators that the detective form adopted in the analysis of search patterns. As for the third quarter , which included the research methodology and procedures , as adopted research on the descriptive approach in the process of analyzing (3) models represented spaces inner halls of the discussions at the public universities of the city of Baghdad / Rusafa , have been selected in a deliberate from the research community overall 10% according to the rationale clarified by the researcher , and also included the chapter on the search tool , which included axes form analysis ,which included a group axes to cover the analysis of the mechanisms Almokhtarhoha models as follows : (1 - functional feature 2 - the organization of cognitive motor 3 - Safety and security 4 - techniques ). The fourth quarter included a review of the results and discussion that resulted through the process of analysis models and then out through the results to devise a set of conclusions , including : - 1 - that visibility was the result of realizing designer in fact the embodiment of the field of vision and visual receipt due to the structural design of the space as well as include ground and intensity of illumination of convenience. 2 - check the functionality of the rooms in varying degrees to achieve a comfortable indoor environment for users because of the proportions of the standard dimensions between formative vocabulary of space and movement of users as well as acoustic insulation , which came as a result of the use of sound - absorbing materials on the level of space limitations. 3 - should the designer be aware of the impact of color in space and its occupants ( psychologically and Aihamaa ) by adopting the kind of rationality and objectivity in the selection of ratios and color values in thespaces of the discussions as embodying two of them ( the state of anxiety and uneasiness visual and psychological ) , so it should not be used colors high - frequency wavelengths and varied, but the emphasis on some of the colors that achieve harmony. And generate a sense of attention and not feel bored during long sessions. And then make recommendations , and the conclusion of this chapter to provide the proposed design , which included an outline of the spaces engineered internal discussions university halls.

وظيفة القراءة والتلقي في تشكيل معنى العرض المسرحي العراقي == Function of Reading And Reception For Forming The Meaning of Iraqi Theatrical Show

اسم المؤلف: عمر فاروق محمد
اسم المشرف: سافرة ناجي جاسم
الموضوع العام: الفنون الجميلة
السنة: 2014
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Reading is considered as an interactional space between sender, recept - ionist and the message which acts as a mediator through them. So without read - ing action, the invention achievement is not fulfilled, particularly in theatrical di - scourse since reading itself forms the mental dimension and effects the audient - the reader actor, because receiver in theatrical discourse typifies the intellectual presence of text and show in same time. So reading symbols as a connection channel of its aesthetical service which forms the meaning of Iraqi theatrical show. Interpretation and its conception which assume as reading tools discuss with the achievement of invention for discovering the explicit meaning in the show, especially contemporary show. Brecht said : “Our audient’s decaycomes from lack of knowledge that both audient and theatre do not know what should appear on the stage”1. The research has divided in to four chapters. First contains the methodical frame and the problem of research. The emergence of reading and reception methods changed the rout of critique to follow the innovation, and taking from these methods a new way about recipient role and reading deed to reform critique looking in creating show, and exuded new different ways of relationship with the receiver. So, from research question we could ask … “Does the creator of Iraqi theatrical show use reading and reception methods as a new way and aesthetical dimension to build his attitude to his show”. Depending on this, the researcher shaped his research title “Function of reading and reception to forge the meaning of Iraqi theatrical show”. The importance of research is to raise a critiqued study to Iraqi theatrical show depending on reading and reception methods for reforming the theatrical show. In addition, theresearch introduced an assumed plan of strategic pattern to read, receive and explain theatrical show to release audient - receiver from what has been obstructed him before. It sprang up the variation of theatrical practice among contemporary cultures. Then research defined some of sides that can benefit from it. And the goal of research tried to discover the track of reading and reception to reform the meaning of the theatrical show, the limit of objective research locally and temporally, and ended 1 Brecht, Bertolt : Epic Theatre, translator : Jameel Nasef, Baghdah - Al Hurria publishing, 1973 the chapter with defining some expressions which limited on ‘function’ only and leaving the others to theoretical frame. Chapter two (theoretical frame) has three topics; everyone has a part of the title to set up the basis which can be as a starting ground for its procedures. First topic held the title (reading) which has displayed how this term has changed and established from the past until now, tools and the relationship with the (doer - the reader) that does the act. Second topic titled (reception) because of the subject significance to review the way of studying the drama, and dealt with some sides that we often ignored them like; audient as a person and a member of certain culture, his own expectation horizon which is formed by that culture frame, choosing specific events to participate in, and currently developing in dramatic studies, which gave the audient the way to be free from the theatrical show’s capture. So it is not required from this topic (reception) to describe audient’s response to a certain show. Third topic (forming the meaning) which this research discussed this through the relation with reading, reception, and receive. And theoretical frame ended by choosing two reception samples toanalyze, (external reception theory) and (internal reception theory).Chapter three (procedures of research) analyzed and studied specific samples. Then the researcher has examined show reading, through prepared text, or created one, or some other texts stand basically on other texts, and comparing them with originalpieces which leaded to value the theatrical figure more precisely. Chapter four enclosed the results and the conclusions. Some of results are; 1 - Waste the postponed meaning because the show juThe conclusions which became our answer to the researchquestion is;1 - Reading and reception function has participated in theatrical show more effectively for out put the meaning which is made it to reform inside the show not out of it

البنية الدرامية والايديولوجية في نصوص محي الدين زنكنه المسرحية

اسم المؤلف: عباس فاضل عباس
اسم المشرف: سافرة ناجي جاسم
الموضوع العام: الفنون الجميلة
السنة: 2014
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Ideology shapes the theme of man’s struggle. Because it represent the conflict of different wills about a subject. So it is really one of man’s struggle ways in the existence, and it’s his dramatically problem with it. It becomes the motive to many philosophers and writers. As theatre considers one of mind’s systems, which discovers the clash dimension, and it rests on it, the ideology frames on his ideas, which the theatrical texts declare this or that ideology through an aesthetical investment. And with in, the playwright states his attitude about any human matter, as the fate and human being, the problem between the authority and a person, religion complex and other intricate which were a space of resistance and contradiction.The playwright offered his aesthetical ideology based on his dramatically dealing that developed according the time needs, and the conception and political problems. In order to get the full cognitive of aesthetical and intellectual ideology delivered, the researcher divided his research to four chapters index of references, appendix of names and dating of publishing of Muhi Addin Zankana’s plays.The first chapter contains the problem of research which concentrated on the relationship between the theatre and its technique, then its relationship with people to embody their dreaming and agony, and leads to look for the dramatically structure distinguishof Zankana’s texts. And how the ideology appears inside the texts. The importance of research is to study the creative achievement of one of Iraqi dramatist significant, which we see that can add more knowledge. And be useful to theatrical studiers, and to the theatrical foundations.The aims of research : discover the characteristic of Zankan’s texts through technique and ideology. The limit of the research restricted locally in Iraq where Zankana had written all his plays. And chronically in the dramatic texts which published from ( 1859 - 2002 ). And objectively, it is a study and analysis of the technical structure and the intellectual of Zankana’s texts. The second chapter comprises the theoretical framework and previous studies and its discussion. It includes three topics. The first one heeds to the dramatic structure notion and reviews the dramatic structure of theatrical text from Aristo to these days. Historically, talkingabout the methods of writing plays. Second topic pays attention to the ideological meaning and its relationship to society classes. The relationship between the ideology and artists, and how it reflects in their works, the position of government authority from the opposites.The third topic is discussed the text connotation, then the text language structure, and the text semantically structure. The third chapter includes the research procedures which embraces the research society that involves Zankana’s plays, which extended around fourty years. Limit locally and temporally and broach to search method. The tools depend on the indicators that bring out the theoretical framework, as the main tool to analysis the samples, and to realize the research goal and solves its problem, reaching toscientific result. The chapter holds two fields of research, first, the dramatic structure of Zankan,s texts. Second, the ideology, how it is reflected inside the texts, and inside the playwright himself.The chapter four implies the results that the researcher reached, through analysis Zankana’s plays, which declare that Zankana used many methods from traditionalism to experimentalism to reach wider horizons. He was effected by Brecht, using his method to break out the traditional plot, push people to think about what is going on the stage, not to identify with it. Discussing the tragedy concept which destroys the heroes. Zankan’s interesting to the poetic prose, and to range his dialogue between dramatic and narration, because he wrote both plays and stories. And to put the idea of the character before its art structure.The conclusion of the research attained that Zankana is an ideological playwright, but he was not the type of writers that ideology can limit his work or capture his creation. His erudition and the high human feeling helped him to put the ideology under his hand, not the opposite. Ideology appears in his works through his choosing characters, their dialogue, actions. He was not talking friendly when he descried the capitalism class and its political or economical representatives. He strips of their sick behaviors, their slavery tobenefits and privileges, and how easy for them to commit the crimes without twinge of conscience. But he changed his situation, when he descried poor people. He is kind, a friend, caring them the best human feeling and actions. They sacrificed themselves to the others, refusing the injustice, and revolted against it

التحولات الفنية للتكعيبية وتطبيقاتها في تصاميم الاقمشة المعاصرة

اسم المؤلف: سناء محمود ابراهيم النعيمي
اسم المشرف: فاتن علي حسين العامري
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Occupies designs fabrics ample space in the developed world , making the interest in these designs is increasing day by day and this is due to the urgent need of the cloth and the multiplicity of uses to suit the desire of the consumer, no longer fabrics just forms of design it is the interaction of the bases , systems and relationships that lead really expressive and functional requirement the act of design and its impact gustatory in others, they are subject to the taste of a designer who builds upon the idea consistent with the style and material and technical relied upon to show the artwork design. As well as they are in line with the change and development , and develop and enrich the taste of art, fit and prestige which focused phenotypic need to keep pace with the movement and in the field of regenerative design fabrics.. Has seen contemporary thought movements and technical schools shifts the new shape and configuration - including the art movement of cubism - which is one of the most modern art schools interested in form , and formed a starting point and starting to achieve the unique methods varied and varied depending on the renewal of continuing its impact in the field of design , inciting the Cubist movement shift technical systems relations formal level of scientific , technical and aesthetic , and based on the above and through the informed researcher of the importance of these transformations and technical applications in design - designs fabrics - ( women - Upholstery ) created a justification for the study of the subject of current research and marked ( transitions technical Cubist and its applications in designs contemporary fabrics ) , where research includes four chapters , the first chapter came the research methodology and included asking the following question : Is the technical transformation of the movement of Cubism role in achieving techniques in the design of a multi - purpose fabrics career ? In order to shed light on the important concepts and rich in the history of fine arts in general and contemporary design , in particular through the fact - depth intellectual and stylistic aesthetic that characterized the most important features of the Cubist school , goals came search : . 1 - Identify all transitions intellectual movement of Cubism.. 2 - disclosure of technical features and practical designs in fabrics. 3 - Develop design proposals showing shifts of Cubist art and Tabiqatha Fabrics contemporary designs in a multi - functional purpose..The study identified technical changes to the movement of Cubism in the multi - purpose functional fabrics ( woven and printed) of Chinese origin and Turkish as available in the local market of the city of Baghdad and designs of women's fabrics and upholstery from 2011 - 2012. The second chapter , which included theoretical framework , which included three sections covered in the first section shifts the intellectual and artistic movement of cubism , while the second section of Cubism and enforcement mechanisms in the designs of fabrics , and the third section is the impact of contemporary art trends in designs fabrics. As previous studies did not find a researcher study concerning the subject of the search, and so is the search the first study in the field of application of the school Cubist designs in fabrics women - Upholstery, The third chapter dealt with research procedures , which included research methodology , a descriptive analytical and research community , which amounted to (96) model design parameter was selected sample in a deliberate and by 25 % and adult (24) model , has been prepared by the researcher form analysis of the designs fabrics women's Upholstery , which included several axes , endorsed by the experts were on the basis of the analysis of samples and then get stability as samples were analyzed in the same chapter building axes on the form and for the fourth quarter included the results and conclusions reached Albaagesh to the most important conclusions as follows : . 1. Technologies that backs a role in highlighting the verb design of woven fabrics and printed , which represents a shift in the phenotypic characteristics of formal , given privacy in the use of design for multi - purpose fabrics Title ( Women - upholstery ).. 2. The method of engineering and engineering hub dominant trait to show content, as embodied in the processors technical attributes and characteristics of the Cubist art movement characterized by solid and sharp formations in the framework of the formal unity and objectivity. The method of abstract Kmthakq Toy formal and overlap with the geometric method.. 3. The exploitation of space overall as a result of overlap Vocabulary in build formal invested mutual relations between form and space design , which showed both of them as part of the design fabrics women , while requiring upholstery fabrics pronounced in Show content formality and color commensurate with the purpose career Alosthaddama and adaptedto the place. This enhances the transformation of the intellectual and stylistic art cube.. 4. Harnessing the trend All or part of the shapes of the effect corresponds to the privacy level job promising for him , as it is employed in the designs of fabrics women's trends multiple on the basis of their ability to forming and employment are governed by the nature of the raw material and adapted to act Alosthaddama , while confirmed upholstery fabrics on the need to employ the trend one which copes with the act Alosthaddama. 5. Showed most of the designs of the models to harness the attributes of art and design inspired by Cubism analytical second phase , through repetition and diversity of surfaces , colors , style intense and contrasting closer to chaos, but the system , which formed a shift in the structure of the design appeared in the periods required by contemporary visions of design and the need for changes in attraction and excitement in women's designs and upholstery fabrics , followed by the third phase , a synthetic Cubism , which forms produced by the unfamiliar achieved tensile visual composed year.. As well as to ensure the same chapter , proposals and recommendations to ensure this chapter also proposed designs prepared by the researcher access to a computer the possibility of a formal variables and color ways and methods to repeat different , of (27) design proposal which is designed to fit women's fabrics and upholstery.
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