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الخطاب الايديولوجي لصورة المراة في الرسم العراقي المعاصر == Ideological Discourse of The Image of Women In Contemporary Iraqi Drawing
Author name:
زهراء موسى مهدي
Supervisor name:
عياض عبد الرحمن امين محمود الدوري
General topic:
Fine Arts
Specific topic:
Drawing
Degree:
Master
University:
University of Baghdad - College Of Fine Arts - Fine Arts Department
Language:
Arabic
University location:
Baghdad
First pages:
18T1212 - p.pdf
Abstract:
يتناول البحث الخطاب الايديولوجي لصورة المراة في الرسم العراقي المعاصر تبلورت مشكلة البحث بالاسئلة الثلاثة التالية اولا هل تبدلت القيمة الجمالية لمظهر المراة في الرسم العراقي المعاصر؟ ثانيا هل للمرجع الايديولوجي حضور في صياغة اسلوب العرض؟ وثالثا هل للمرجع | This research Addresses with the ideological discourse of the image of women in contemporary Iraqi drawing Crystallized research problem the following three questions first Are changed the aesthetic value of the appearance Iraqi women in contemporary painting? Second, does the presence of ideological reference in the formulation Style of presentation? Third Is the local and global impact of the references Summons Metaphoric image of women? The importance of the research was the result of the fact that research is Unfrequented previously as well as detect stealthy ideological image of women in Iraqi drawing The objective contemporary research is detected ideological discourse of the image of women in Iraqi contemporary drawingas well as the the limits of research and definition of terms that were with him The chapter concludes with the first and start the second chapter (the theoretical framework), which contains four The first sections of the concept of discourse and ideology put forward by the researcher through hypotheses And definitions of philosophical concepts with philosophers and philosophical books The second section includes Historical root image of a woman who shows how it has changed the image of women through the ages And how it changed the look of the artist put forward a woman through to the image of women in the work of art either The third section display of modern technologies in the drawing, which shows the extent of the development Technology, and how, in turn, the impact of women in the form of artwork inside and tha four deal with amage women in drawing iraqi art, Access to Chapter IIIwhich addresses research procedures of the research community, the research sample, justifications Sample selection, the search tool as well as the use of researcher applied descriptive analysis To analyze the sample and then finally the sample represented in the analysis of eighteen sample to achieve the aim of the research Confined Ben1990 - 2012, and the researcher in chapter IV to a number Results of the most important is that there is a self and social ideology in addition to the use of material Folklore dramatically in the work of artists, as well as the absence of men in some Works and appearing beside women in other works of art as well as the use of artists In display technologies often oily colors without the intensity or add new material To the optical surface in the nineties, while we find the diversity of methods of presentation in the work Artists in the period the new millennium, the following findings and conclusions suggestions and recommendations Developed by the researcher to concludes with this search a list of sources Developed by the researcher to concludes with this search a list of sources.
