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جماليات الازياء في عروض المسرح العراقي The Beauties of Fashions In Iraqi Theater Shows

اسم المؤلف: محمود جباري حافظ الربيعي
اسم المشرف: محمد عبد الرحمن الجبوري
الموضوع العام: الفنون الجميلة
السنة: 2010
الموضوع الدقيق: الفنون المسرحية - تقنيات
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: نبحث في تكوينات الازياء المسرحية من اجل الكشف عن الفكر التاويلي الفلسفي،وايضا عن معاني الصور البصرية المتشكلة بفعل علاقات عناصر العرض المسرحي بعضها بالبعض الاخر، فضلا عن مدى تمثيل شكل الزي المسرحي (سلطة او هيمنة) على مظهر الممثل في ساحة التمثيل، وذلك | My Research in making up of the theater Fashion about the Secret of philosophical thought and about the meaning of Optical pictures Which shaped by the relation ships of Optical Pictures which shaped by the relationships of element of the theatre show , which connects with each other. As wellas the extences of acting the shape of theater Fashion (control) on appearances of the actor in the Field of ailing Fashion covers the natural body of the actor and express the appearances and dimensions of the fashion lakes part outside emotional expression , For the actor in the play averts. The dramatic fashion accused important optical avenge with the rest of visual elements , That style of fashion design stir up beautiful feelings by using fashion forming that is suitable with the nature of designable treatments to other elements. The fashions contains the nature of relation ships of educational address and the kind of beliefs , So the visual beauty is limited for those relation which are the designer fashion tried to redesign and set them anew. so as to goes with beautifully with the last visual for dramatically scene. For this reason the research divided the beauties of fashions in the dramatically shows of Iraqi theater to five scenes : The first Term (methodical frame) includes the research problem it's about the following questions : ( WHAT IS THE BEAUTUL FORMS of THE FASHIONS AND THEIR RELATION SHIPS IN THE IRAQI SHOW PIAY ? ) The importance of the research comes to save scientific subjects for specialists in dramatic Arts in general and to fashion designers specialty. The aim of the research is to limit to reveal the forms of fashions beauty and its relation ship with play show. The place of the research is Baghdad city the time is from (1992 _ 2007) , The subject is the fashion of characters of Iraqi play show. the idiom of beauty and fashion was assigned. The visual frame has been divided in to two terms the second term consists of three researches under the title of the formal dimension for dramatic fashion. The third term includes the things that takes places to the research , the choice for the sample was by mean they are : A _ Media play produced by Adel Kareem. B _ Who splayed raving awake produced by Gamin hammed. C_ Othel in the kitchen , by semi Abdul _ Hammed. D_ Macbeth , by salad Al _ Quad. E_ The Nomad and the Orientalist , by Aqeel _ made. I have hadalat of production as a result to samphs analysis , The most important of them are : 1_ The formation of dramatic fashion is assigned beautifully by two things.The first is by analysis the parts of the formal fashion which are (colures stripes , touching , space, emptiness , mass and shape). As well as its formal parts which are (the unity balance , harmony , mastery , correspond , differences , contradictory , structure , light , shadow , progression , direction , similarity , tune , repetition ) and to got their relations. the relalconship between the fashion designer and the producer of the show and the ability of the designer and its suitable with the desire of the receiver beautifully. 2_ To the formation of fashion beauty value itself reached to its meaning by the formal structural and beautifully designing by the unity of the subject which he wanted to do in his design , whenever the designer got the freedom to choose the design and carrying out increased movement in enlarging its beautiful limits using cloth of fashion. Beautiful arrarement by the continuance to rerch the relationship the combines the special structure that belongs to the dramatic fashion. 3_The relationship of the dramatic fashion with the elements of the play show is dased on the perfection marvelous technical communication among the show designers on the nature of forming these elements and the circumstances around the play show from the show place and its time. The fifth Term is the discussion of the results of the research is done and show the important results. The following is some of them : 1 _ The use of some of formal elements ( stripes , colors , touches , space , mass , and shape ) in the designing of the characters of the play. Neglecting using the others leads not achieve the value of formation of the dramatic fashion. 2_ To the structural elements for the design unity essential role in confirming the beauty of the dramatic fashion. Unused most of those elements leads to obscurity in design and that reflects on the general forming of play show. 3_ The historical dramatic fashion is very important it gives information about the appearances of the time and it reflected subjectively on the erase of receiving and their containment that leads to make the actor do his dramatic play show. The fifth term includes also the important commandments and suggestions. The Research is ended with a list of Arabic and English references in to the English language.

استعارة الاشكال التاريخية في الرسم العراقي المعاصر : دراسة تحليلية Borrowing Historical Forms of Contemporary Iraqi Painting (Analytic Study)

اسم المؤلف: مؤيد محسن محمد
اسم المشرف: بلاسم محمد جسام
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الرسم
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: هذا البحث.. ينحو الى اقامة بعض الحفريات في الاستعارات الشكلية لمخرجات الفن العراقي القديم التي قام الفنانون العراقيون على استدعائها في اعمالهم الفنية المعاصرة.. وكان هذا الاتجاه قد تمدد في السنوات الاخيرة لدوافع واسباب مختلفة وكانت مخرجاته تؤسس الى طريق | This research.. Tends to establish some formal excavations in the metaphors that the artists are being called on Iraqis in their art.. This trend has been extended in recent years to the motives and reasons were different outputs to establish a way of communication under the title, which says bilateral heritage and contemporary. This call to the metaphor has created a method to look at the historical roots, as well as in metaphors and types, in addition to the motivation that worked on the foundation.It was based search on the first chapter and the research problem and its importance and its objectives and limitations and then determine the terminology and out of the procedural definition.Chapter II : ( conceptual framework ) and is based on the three sections The first topic : the historical root of privacy Mesopotamia all days through the era of Civilization agricultural villages to the new era of Babylonian civilization. Section II : Concepts in metaphor and identity in art. It was based on : 1. Types of metaphors and concepts. 2. Identit.The concept and meaning and form. Section III : Metapor's root contemporary Iraqi art of painting. Has been developed indicators for the Study of the end of each chapter and amounted to seven and twenty nine of them, an indication of the historical root of privacy Mesopotamia and thirteen of the concepts of metaphor and identity in art and four metapor's root Iraqi art of painting.The researcher output indicators of the joints of Investigation said.Chapter III : ( applications ) and verified the procedures of the research community through the samples the amount of sixty works were selected of which 16 to 16 artists Intentional one work per artist may provide a section on the most important conclusions : Conclusions of the research : 1. Most of the painters Iraqi contained descriptive metaphors and rhetorical expression based on the similarities and the similarity between symbols and transformations. Samples (1 - 4 - 5 - 6 - 7 - 9 - 14 - 15 ) 2. Most of the painters Iraqi contained stylistic metaphors shifted to adopt the contemporary contrast between fonts and colors. Or mimic the old style with contemporary's Materials. Or shifted from diagnosed and to be to different. Or mimic the old style on the rise and fall through the severity of the contemporary's materials. Samples (1 - 5 - 6 - 8 - 9 - 11 - 14 ).3. Some of the works of painters Iraqis built on inherited's metaphors you either restore Gaii blogger form or spiritual meaning, inspired by the blogger. And in particular that writing symbols and seals of all kinds is one of the codes. Samples ( 8 - 9 ).4. Most of the work of Iraqi artists has developed forms of abstract and formal micro and unit construction to units and formal units and construction vehicles are included in a system with units and other formalities. Samples (1 - 2 - 4 - 5 - 6 - 8 - 9 - 10 - 11 - 12 - 14 - 15 ).5. Some of the work is built on the interpretive metaphors based on the premise match the samples ( 2 - 12 - 14 ) 6. Iraqi painters are metaphors in contemporary works as follows : A. often feminine forms of mankind and the note or its Parts. Samples ( 1 - 3 - 7 - 8 - 10 - 15 ). B. and animal and vegetable. Samples ( 1 - 8 - 10 - 12 - 15 ). C. geometric shapes often superior to the triangle. Samples ( 4 - 5 - 6 - 9 - 11 - 13 - 14 ). D. and on human and animal forms and geometric designs. Sample ( 8 ). E. and composite figures. Sample ( 2 ). 7. Metaphors were often pointing to the identity and Privacy : A. Is often consistent with the identity of the fifth indicator, which states that it is not subject Of the laws of the samples ( 6 - 9 - 11 - 12 ). B. Sometimes agree with the first indicator of identity, which provides for correlation with radical history Representatives as determined by the content of disclosure about the method And raw material and technology. Samples ( 4 - 8 - 11 ). C. Sometimes consistent with the third indicator of the identity of their types, which provides for individual And collective. Samples (1 - 2 - 10 ). D. Sometimes consistent with the fourth indicator of identity, which provides for individual change And mass displacement due to belief. Samples ( 3 - 7 - 13 ). E. Sometimes inconsistent with the second indicator of identity, which provides for the construction Idealism and style. Samples ( 5 - 14 ). F. Rarely consistent indicator of the identity of the sixth, which establishes it as root repetitive The sample ( 15 ).

القيم الجمالية للتنوعات التصميمية في تكوينات خط الثلث الجلي The Aesthetic Values of The Design Varieties In The Formations of Al - Jali Al - Thulth

اسم المؤلف: حسين علي جرمط
اسم المشرف: عبد الرضا بهية داود
الموضوع العام: الفنون الجميلة
السنة: 2010
الموضوع الدقيق: الخط والزخرفة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يعنى هذا البحث بدراسة القيم الجمالية للتنوعات التصميمية في تكوينات خط الثلث الجلي، بوصفه واحدا من اصعب الخطوط العربية واجملها، وما يتميز به من مواصفات فنية شكلت حافزا قويا للخطاطين في السعي باتجاه اجادة واتقان قواعد حروفه وبناء تكويناته باساليب وا | The research is intended to study the aesthetic values of the design varieties in the Formations of Al - Jali Al - thulth script Being one of the most difficult and beautiful Arabic scripts and characterized by some artistic specifications , it strongly motivated the calligraphers to be good at the rules of its letters and the build up of its formations in various artistic trends and styles. That helps enrich and develop the design and aesthetic values of these structures , since they are graphic chievements representing a turning point resulting from the semantic , aesthetic and objective vision in producing the texts according to a particular form - amatter which has clear influence on the expressionistic, aesthetic and technieal development to produce free structures with design constitutions untied to geometric figures. The emergence of these free structures is only a natural product of the Arabic script development and its way of handling the designs in the light of the principles and rules of the Arabic script. The researcher, through the samples which he had access to, has managed to present the problem in the first chapter via the following question : 1 - What are the aesthetic values of the design varieties in theFormations of Al - Jali Al - thulth script ? The significance of this research lies in the fact that the formations of Al - jali Al - thulth script are a wide field of innovation, renewal and change at the level of the formal build up of formation. The study is of sig nificance to the researchers in the field ofArabic script. The study aims at revealing the design varieties in the formations of Al - Jali Al - thulth script, and identifying the aesthetic values of these varieties represented in the free structure appearing in Iraq, Syria, Egypt and Turkey from the period (1970 - 1390) to (2010 - 1431) Chapter Two includes three sections. The First section deals with the genesis and development of Al - thulth script and the transformations it witnesses throughout developmental course until the concept of graphic portrait appears. Section Two touches upon the development of the structure system in the Al - Jali Al - thulth script. Section Three goes into the aesthetics of the Arabic script, followed by the previous studies and the indicators of the theoretical framework. Chapter Three comprises the procedures of the reseaech. The approach adopted is analytic descript. Tive. The population is restricted to the graphic portraits that have free structures written in Al - Jali Al - thulth script. The portraits are one hundred (100) in number, 20 samples of which the researcher has chosen on purpose which accountfor 20% of the total population. These portraits have been analyized to the analysis form which includes four points, the authenticity of which is supervised by a group of specialists in this field. Chapter four contains the analysis of the samples and presentation of the results : 1 - Employing the flexibility of the letters of Al - Jali Al - thulth script in building up free formations. 2 - Diversity in the artistic direction of the free structures whether it is in the organized letters or in the built formation. 3 - The possibility of changing the positions and directions of the letters as well as measurements, facititates the invention of special free formation. 4 - Some free structures are characterized by simplicity in terms of the build up or the formal build up of the formation.5 - The multiple forms of a letter helps the calligraphist prefer one form to another of the same letter and choose the suitable form to build up the design skeleton of the free structures. 6 - The phenomenon of the free structures in the Arabic script is a tendency to liberate from the domination of thegeometric figures. 7 - The engagement between the letters and words forms different design relationships, and helps in effective form and space. 8 - The free graphic formations show that the calligraphist adopts the rule of lengthening of the letters. 9 - The adoption of the rule of letter modification and the specific change of its build up (formal,standard) shows that there are various forms exceeding the rule form of the letters.10 - The artistic direction of the graphic structures is characterized by innovation and diversification whether in terms of the formal organization of formation or in letter organization or merging to complete another letter. 11 - The letter are at the calligrapher`s proposal to satisfy his artistic sensation in the lengthening and sending with the view of showing its beauty. The researcher has come to the following conclusions : 1 - The graphic structures are an important phenomenon generated by the developmental mocement of the Arabic script. of the reasons of this phenomenon is that the calligraphers try hard to give it beauty, cohesion and strength. 2 - Al - Jali Al - thulth is the most capable script of producing the graphic formations in different forms and designs,particularly the formations characterized by the free structures due to its construction properties and itsmultiple and diverse forms of letters. 3 - The weak artistic distribution of the formation design particularly abiding by the reading serial which results from design necessities to produce the formation, negatively reflects upon the realization of the communicative goal and smooth reception. The researcher has made the following recommendations : 1 - Teaching ( the aesthetic values of the design varieties in the structures of Al - Jali Al - thulth script ) as curriculum in the college of fine arts and the educational institutions. 2 - The results of the research should be made use of and be adopted as a basis when preferring one calligrapher to another in the artistic activities such as contests, shows and festivals.

خبرات الطفولة وانعكاسها في التعبير الفني لدى طلبة المرحلة المتوسطة Childhood Experience And Reflection of Expression For Students of Intermediate Level

اسم المؤلف: احسان طالب جعفر
اسم المشرف: محمد سعدي لفتة
الموضوع العام: الفنون الجميلة
السنة: 2012
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: استندت مشكلة البحث الحالي الى التساؤل الاتي : هل هناك علاقة بين خبرات الطفولة والتعبير الفني لدى طلبة المرحلة المتوسطة ؟ هدف البحث الى ( تعرف العلاقة بين خبرات الطفولة والتعبير الفني لدى طلبة المرحلة المتوسطة ) , وتحقيقا لهدف البحث اشتق الباحث عدة فرضيا | The problem of the current research is depending on the following question : Is there any relation between childhood experiences and artistic expression at intermediate stage student ?The objective of the research is ( identify the relation between childhood experiences and artistic expression at intermediate stage student ) and in order to achieve this objective the researcher derived several zero assumptions. The society of the research included the student of intermediate 2nd class student from the intermediate schools in Baghdad city who are still continue studying for the academic year 2011 - 2012. The researcher chose ( 100 )student ( both boys and girls),and the sample of the research were ( 4 ) four school chosen randomly.Adopted the descriptive methodology in the current research and construct the both instruments of the research as follow : - First : Construction measurement of childhood experiences according to the concepts of psychological analysis theory ,consisted of ( 20 ) paragraphs of delightful experiencesand ( 20 )paragraphs of painful experiences. Then achieved honestandsteadiness which are suitable to the measurement. Second : Drawing analysis form : An instrument is constructed composed of ( 6 ) six fields ,( 20 )main characteristic and ( 60 ) secondary characteristic. Then confirmed the honesty of the performance through display it to a group of specialists experts , while regarding steadiness , the researcher resorted to outside analysts Concerning drawing , it has been agreed on three drawings which are ( family , school and general environment )out of (300) drawings.To reach the results of the research ,the researcher used suitable statistical equations ;therefore after discharging the data , the research reached the following results : - 1. There is no positive correlation implies statistically at the sign (0,05 ) between : - • Delightful childhood experiences of males and the drawing of (family , school and general environment).• Delightful childhood experiences of females and the (general environment).• Painful childhood experiences for both gender and the drawing of ( family , school and general environment ).2 - there is positive a correlation of statistic significance at the level of gaudiness (0,05) between the childhood pleasant experiences for the female and the drawing of the family and the school.And after displaying the results and discussing them the researcher has concluded number of recommendations : - 1 - Giving more opportunity for the students to free artistic expression, and excreting efforts to learn the drawing skills and subsequently making the production of artistic expression more available of thoughts sense and emotions obsessed them and feelings towards things surrounding them.2 - Sponsoring the student’s talents especially the artistic expression( drawing) of its importance in developing their personalities and achieving adaptability and psychological health for them, the art in all its kinds emotional discharge mean for what the adolescence bears of painful and emotional experiences.The researcher has suggested performing the following studies : - 1 - The relation of the childhood and the drawing of Dept. of Artistic education.2 - Relation of childhood experiences and the artistic expression for age categories or other studying grades.3 - Relation of the artistic expression with other variables in the field of education and psychological science.

العمليات الادراكية وتطبيقاتها في الرسم الحديث Cognition Processes And Its Applications In The Painting Modern

اسم المؤلف: سهاد عبد المنعم عبد المحسن شعابث
اسم المشرف: علي مهدي ماجد عارف وحيد ابراهيم
الموضوع العام: الفنون الجميلة
السنة: 2008
الموضوع الدقيق: الفنون التشكيلية
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The current research deals with (the cognition processes and its applications in the modern art) in which limits the qualities of art picture in shape and content. The research contains to four chapters; the first chapter deals with research's problem, importance, need, aim, limits and the most important of terms.Research's two aims are : 1. Acknowledge, aesthetical and art concepts of cognition. 2. Mechanisms of cognition processes in the art modern.The second chapter deals with theoretical framework and previous studies; the theoretical framework consists of four researches : the first research discusses the cognition processes in acknowledge by showing the philosophers' opinions starting at Platon's opinions and ending with contemporary philosophers. The second research deals with the cognition processes in aesthetical in the aesthetical philosophical thinking since its first starting at Greek philosophy until contemporary and modern philosophies thesis.While the third research deals with cognition in the field of psychology and art ingenuity theories, the fourth research devotes the mechanisms of applying the cognition processes in the European modern art and its directions. The theoretical framework gets on several of basic indexes to structure the research's tool.As well as the previous studies contain to two studies; they have discussed because of near it from the current study.The third chapter deals with the research's procedures and samples at (15) forms from the works of modern painting artists, as well as the chapter include the research's tool and analysis sample.The fourth chapter discusses the research's results, conclusions, recommendations and proposals. The results have showed into two groups according to each aim; the following most important results of first aim : 12. The modernity and its art directions have imposed cognition processes have variety levels according to the thinking, art and style framework for each direction; these directions have eager desire to pass the sensitive cognition and this desire becomes grow at the abstractionism painting greatly.13. The cognition processes in the modern art connected with the art's identity and his ability to adaptation the cognition with his thinking, art, stylistic and technical ambitions. This connection supported the freedom in the searching and experimentation.While the most important results of second aim are : 1. Impressionism has immediately performance has taken the cognition process starting at sense as a main source of vision and interference the interior senses such as remembering and imagination to come out of saved pictures with mind interference contributes to organize the picture in its lowly limits; then these powers emerges as direct sense form able to gathering all powers immediately to gloss the shapes and remove it from the its visible reality lightly.2. The barbarism follows the cognition process prevalence on it the imagination and sentimental; whereas it starting at sense but it is not absolute sense cognition. The works could complete with painting without observation the scene from the nature; the picture has visible shapes. The wildish and effective by (Gogan) has achieved a cognition phrase on the sense, so that it restored to the mind to organize the picture and give it designing features and give the shapes symbolic significance. In order to limit from the mind's whole power, the imagination comes with sentimental pressure to absence the objective relationships and confirmation the cognition's subjectivity; that's give the picture abstract aesthetic and formalism enjoyment exciting the sentimental, with intuition outcome all acknowledge powers have united in direct cognition for picture in shape and content.

الحركة في تصميم الصحف الرقمية ودورها في التعزيز الوظيفي والجذب البصري Movement In The Design of Digital Newspapers And Their Role In Strengthening The Functional And Attraction Visual

اسم المؤلف: زينه ساوا افرايم
اسم المشرف: انتصار رسمي موسى
الموضوع العام: الفنون الجميلة
السنة: 2012
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

التحولات الفنية لفن التنكر وتوظيفها في العرض المسرحي المعاصر Arhcal Transformations In The Art of Disguise And Their Employment In The Modern Theratrical Show

اسم المؤلف: اسيل ليث احمد
اسم المشرف: عقيل مهدي يوسف
الموضوع العام: الفنون الجميلة
السنة: 2009
الموضوع الدقيق: الفنون المسرحية - تقنيات
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يعد فن التنكر من الفنون التي شكلت تطورا في الظاهرة الادائية على مدى قرون، فقد سعت الحضارات الى حفظ اشكالها المتنوعة على وفق المتغيرات الكبيرة في الظاهرة الانسانية، حيث تم استحضار اغلب المراحل الزمنية التاريخية وما تتطلبه من مهمات اساسية في عملية فهم الظو | Is the art of disguise of art that formed the advanced performance in the phenomenon over the centuries - has sought to preserve cultures and diverse forms according to the major changes in the phenomenon of humanity where most of the period evoke the historical time and the requirements of the core tasks in the process or understanding the phenomenon and facts. The art of disquise re - representation of these facts through the re - configure stuff legendary deeply ingrained in the human mind - as the astablishment of variuaies configurations of existence and gives it expressly based and symbolic - fitr is varied within the act of incarration that would restore image - building knowledge in the time ¬frame the spitil and gives a shift avariety of features exist. and apporoaching the characterization fora new and growing to alleveviate the world understand the sources and manifestations. And gives the art disguise tmzarath tathbera various psychological and realistic visual display on system whel"c the process of change and transition in the pattern of shadowy figure and the shift in the dimensions of various formations lead to, a significant shift in the system performance for display by the shifting course of the actions of the characters and the emergence of manifestions of various interernal and external, which is a shift in its conflicts and its behavior h< - ~s co buted to the art of denial to give a new personality traits thl"ough diffent Aejddalaskkal fit whit the n.llure of transition experieneed by the changing world of pt'ogressive consensus process created by the art of denial among the various configuration able to create visual effects and behavioral reactions varied. In order to monitor the historical developments art disguises Personal patterins type and components. Movement performance analog and different psychological behavior, Aidwakl affecting the personal representative and the nature of performance. Dynamic composition and physical synergy and a caustic. Concluded, then the theoretical frame work a researcher with a number of indicators which were considered an important tool for research as well as othe,' tools in the analysis of sample. The third chapter has devoted to the search procedures which have addressed the researcher community, and search tools method and reason for selecting the research sample~ then the researcher analyzed the research sample : First myth Zhou.Second Sidra. Third Othello Fourth Shose.Fifth scheherazde The forth chapter was contend on findings from research. fifth chapter contain the conclusions it ,has concluded a list of research sources and references in English language.

التناص في النحت العراقي المعاصر : دراسة تحليلية

اسم المؤلف: حيدر علي عاتي
اسم المشرف: مامون سلمان فارس
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: النحت
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

الانزياح الدلالي بين الصورة اللغوية والصورة السينمائية : دراسة مقارنة بين السيناريو والفلم Semantic Displacement Between Linguistic And Cinematic Image

اسم المؤلف: ايهاب ياسين طه
اسم المشرف: طه حسن عيسى الهاشمي
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الفنون السينمائية
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان دراسة الانزياح الدلالي من الامور المهمة لمعرفة مقدار تقدم الفنون او الادب التي تستخدم اللغة بصفتها الركيزة الاساس لتقديم الفعل. والسينما من ضمنها، اذ لا يكاد يخلو اي فيلم سينمائي من بعض العناصر التي لا غنى له عنها، ومنها العناصر النثرية في السينما كالل | The study of semantic Displacement is important to see how much progress the arts or literature which language is used as a substrate to provide the basis for action. Including cinema, It is hardly devoid of any movie of some of the elements which were essential to him, Including prose elements in the film such as color and lighting, shooting angles and other, As well as the poetry elements in cinema Such as metaphor and analogy and metonymy, Taking these elements upon themselves to the management of meaning in the image,The displacement highlights not only through the image or shapes that perform a specific function to embody the meaning. And the growth forms with the event in the careful artistic calculation it seems automatically - Naturally But it is in fact a genius screenwriter in that film written bestows his characters independent of the presence of representatives of those roles characters, It justifies its existence objectively justified, even the sociology researchers and psychology found in these models the most prolific literary figures vitality, And truer than human characters.The researcher dividing the current study into five chapters which are as follows : 1 - Chapter One : Systematic framework for the search, It included a research problem and has been in question in regards the title of the study : What are the modes of achieving semantic Displacement between the linguistic image and the cinematic image? and the Chapter included the importance of research, which included basic dimensions according to the capitalize of others of this study and they were : First, Author cinema capitalize which provided to them from the base of the theory to produce the image with meaning. The second, Provide capitalize for the students of the Department of Film and Television to introduce them to the most important elements of poetry in cinema, A metaphor and analogy and metonymy also included the first chapter on the goals of the current study, namely : A. Detected on how to achieve semantic Displacement between the linguistic image and the cinematic image.B. Recognize the difference between the scenario deviations and the film deviations.The current study identified on both sides of the controversy are : the Displacement and image, whether linguistic or cinematic.2 - Chapter Two : Included a theoretical framework and previous studies, the theoretical framework included three major sections of the study, during which the research problem and addressed to the precise details of artistic and scientific investigation of the objectives of the research were the detective : A. Section I : Representing in addressed concept of semantic Displacement and what it is, whether the Arabs or Western. As well as access to the Displacement in the image in human heritage. As well as the forms of semantic deviation. B. Section II : The researcher studied the scenario structures. It was also addressed to the shape and his movement between the signifier and the signified. As well as the most important modes of scenario deviation. The researcher dealt also the formation methods of the linguistic image in the screenplay.C. Section III : The researcher studied in it, the language of the film and the production of Displacement meaning. And he study of meaning from the standpoint theorists filmmakers, also touched on the kinds of meanings and it's layers, and select forms of displacement in meaning.At the end of this chapter, the researcher review of previous studies that approached from the current study, and discuss them in order to clarify the difference between them and the present study. It turned out that there is no any cinematic study approaching to this study in any way. However, there have been a series of studies that implicitly contain some sub - themes in the current study. The researcher spelled out in this part of the study.3 - Chapter III : Research procedures, the researcher Selected his community discussed in the movies which applies subject of the study. The researcher used (the descriptive) analysis of his research samples, which was about a three films, are : the Trial, the hour, the artist. The researcher choose those films by intentionality way to achieve the research goals and applicate his discussed tool that got approval from the Committee of Experts and arbitrators. By (100%) and adopted indicators theoretical framework tool for consideration.4 - Chapter IV : The researcher in this chapter apply his research tool on the film samples, And follow - up determinants points within the research through subdivisions contained in the research tool and the relationship of the image displacement. 5 - Chapter V : the Researcher Extract through this chapter findings and conclusions of his research, and the most important : A. The semantic displacement on the basis that there is a difference between the written text for the cinema and the film as a final accomplishment. the image at Their arrival from the first to the second, suffer from change at the level of visual forms and at the level of the footage in full is due mainly to change the language of the mediator himself, resulting in the end in multiple layers of meanings.B. The time has a large impact in semantic displacement for linguistic image or cinematic image. Because the literary - artistic time is not realistic, it works as a screenwriter and director in order to make it fit the mediator who tells through. It has been done through the use of narrative techniques that the time displaces literary - artistic receiver gives different meanings. The main recommendations were : a. Created a lesson in the Department of film and television Arts in the name (semantics) is interested in studying the semantics of linguistic and visual image, tracking of their arrival from scenario to the film and how to convert them and displace to cinematic image. b. Encouraging branch scenario's students to submit scenarios based on displacement from reality and stories to other schools of art such as surrealism and abstractionism, and others.

توظيف الاغاني العراقية في تعلم مبادئ العزف على الة البيانو Using Iraqi Songs In Learning Fundamentals of Playing Piano Instrument

اسم المؤلف: وليد قحطان سلمان الجنابي
اسم المشرف: مهيمن ابراهيم الجزراوي
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الفنون الموسيقية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: This Research consisted of five chapters with a list of sources and supplements as follow : First chapter addressed methodological framework of research, viewing research justification, which spotlighted on orientation of musical education institutions in Iraq to use European methods for learning playing piano, and reasons for that, although the music in most of these methods are strange to local student's ears, because these methods are using European music legacy that clearly differs from Iraqi. For that, and for lacking any method using Iraqi songs for learning playing piano, or any academic research dealt with this subject, the researcher convicted to use Iraqi prevailing songs in a musical method for learning playing piano for beginners in an academic and methodological study.Then the researcher showed the importance of his research, as follow : - It considered as first academic research using Iraqi songs in learning playing piano, to the knowledge of the researcher. - It considered as a source for learning playing piano for beginners, and for higher education students, and for specialists in musical studies. - Considered as first step for building methods using Iraqi songs for learning other western musical instruments.Researcher aimed in his research to using Iraqi songs in learning the fundamentals of playing piano.Second chapter included the theoretical framework and previous studies. Where Theoretical framework consisted of three subjects, as follow : First chapter highlighted the role of Iraqi songs in Iraqi society, and how they are relating with its daily life, and how it expresses economic, political, and social aspects, with someexamples about that. Second subject showed early usage of piano in Iraq, and its role in Iraqi songs as a complementary instrument. Third subject issued the summary of most important musical methods used in musical education institutions in Iraq, and some other methods that used the musical world musical legacy used nowadays.Third chapter issued research procedures, where researcher identified research approach he taken, then he chose his research community, which formed Iraqi prevailing songs, then he chose the samples intentionally, which consisted of samples. Then he issued research analytical standard, which he build, for applying the samples in teaching method, then he named his research requirements.Fourth chapter studied applying the samples as a learning method. Finally, fifth chapter set the results of the research according to the samples selected, and then the conclusions, recommendations, suggestions, and then the list of sources, supplements, and finally a research abstract in English.

التكوينات الفنية وتحولاتها في تصاميم اقمشة الازياء الحديثة The Artistic Formations And Their Transformations In The Textile of Modern Fashion

اسم المؤلف: زينـب احمـد هاشـم
اسم المشرف: هند محمد سحاب العاني
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يعد فن تصميم اقمشة الازياء نتاجا حضاريا يدل على رقي الامم وتطورها وازدهارها ونتيجة للتطور العلمي الذي فرض حتمية المزاوجة بين العلم والمعرفة والفن والتي نتج عنها تحولات لتطبيقات اتاحت للفرد مزيدا من التوجه الفني والمعرفي مع سرعة التحول والتغيير المستمر | The art of textile design is a civilized byproduct which indicate the development and advancement of nations as a result of the scientific progress which imposes the inevitability of pairing theory and application and science and work which resulted in new or recent developments that allowed the individual for more artistic and epistemological trend with the fast conditioning and continues change.The artistic formations in the women textile design are subjected to the designer’s taste who bases his deigning ideas in modern style through transformations that go along with the appearance of textile in women fashion arriving at satisfying the taste of the recipient of these designs. In the light of that, the researcher determined her problems of the study with the question : Have the artistic formations and their transformations achieved an effect in the design of modern women textile? The research also contributed in the following through its importance : 1 - The importance of the study from being one of the studies that care for the study and adding an epistemological base for the specialized and workers in the field of the design of fashion textile in general and women in particular.2 - The results of the current study can be used to provide technical base for students of textile design in the institutes and the colleges of fine arts and how to made use them in the plastic art works and employ them in the design to achieve transformations that can enrich the aesthetic taste. 3 - The suggestions imposed by the researcher in her study can lead to the facilitation of the researchers in the women textile design, as well as scholars related to that vital field of art.The researcher also aims at the following objectives : 1. To reveal the reality of transformation of modern women textile (Islamic aba - Al - saya - the dress). 2. Putting suggested designs for the women textile based on the manner of employing the artistic transformations of Iraqi artsitis (Faraj Abou - Jameel Hamoudi - Widad Aourfaly - Bahija Hakeem) as a modernist transformation in the process of outer appearance design. The limitations of the study are manifested in the artistic formations and transformations in modern women textile design (picnicking and evening) for the (25 - 35 years) with originated from (Iraq - UAE - China) available in local markets in Baghdad within the period (2013 - 2014). Chapter Two includes the theoretical frame which includes three inquiries; the first inquiry tackles the artistic formations, while the second includes the concepts of the artistic and technical transformation in fashion textile design; the third inquiry tackles the transformations in fashion in women design. Then the theoretical framework and previous studies follow. Chapter Three includes the procedures of the study which was taking the analytic descriptive approach. The total number of the sample was (150) sample of design. The sample was chosen purposely in (%81) of (12) models. The researcher prepared the questionnaire form to analyze the women textile design that include many axis verified by the experts and then the constancy was derived. The samples were also analyzed.Chapter Four includes the result and findings of the study, and the researcher comes up to the most important findings : 1 - Repletion was used in the formation design as it forms the expressive energy for the distribution of deign items, specially the botanical and geometric forms. 2 - The sizes of items of the design formations have come in attract the attention 3 - The designers depended on the stenography of the written forms and abstract drawings through omission and addition which is more flexible. 4 - The variation in choosing the digital image through depending on the collective style for the adjacent items. It is an attempt to add a kind of change in the realization based on the style of transformations through the distribution of items which showed the effectiveness of the relationship between the form and the space that achieved vitality and dynamicity for the designing formation. Chapter Four also includes the recommendations and suggestions in addition to the suggested computer implemented designs prepared by the researcher. The study ends with the list of references and the abstract.

اقترانات منظومة تصميم الفضاء الداخلي وانعكاساتها على التذوق الفني للطفل System Conjunctions of Interior Space Design And Its Reflection On The Child’s Artistic Taste

اسم المؤلف: شيماء زكي عبد الحميد
اسم المشرف: لبنى اسعد عبد الرزاق
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الداخلي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The interior design of kindergarten classes is considered as a system which has its psychological conjunctions and reflections on the growth of the child's artistic taste. To fully cover the topic of this study, it is essential to deal with interior design both as a science which has its considerations and conditions that fulfill the basic functional needs of a child and as an art which has its conjunctions that fulfill the child's sensual and psychological needs. Since the user of this interior design is the child himself at this important age of his/her life, it is necessary that the study includes the psychological aspect of the child and his/her artistic tasting. Thus, this study researches the conjunctions between the scientific, artistic, and psychological aspects.This study topic arises through questioning what the interior design conjunctions of kindergarten classes are and how they are reflected on the children's artistic taste. The goal of the study is to find mechanisms that activate these conjunctions in a way which increases their reflection on the growth of the child's artistic taste. This goal is achieved through knowing these conjunctions in the interior design of kindergarten classes and proving their reflection on the child's artistic taste. The study is divided to three sections; section one is titled "Explanatory Theories of Conjunctions and Artistic Taste", the title of section two is "Interior Design System in Kindergarten Classes", and section three is about the child's perceptions and his/her artistic tasting.Two research methods are used in this study. The descriptive method is used in analyzing the sample of the interior design of kindergarten classes. The second method is that of testing the artistic taste of the sample children; (Mann Whitney) table is used to analyze the test data. The test results, of the two dissimilar samples of children, show a clear statistical evidence of different percentages about conjunctions and their effect on meeting human needs. So, on the basis of the results, conclusions, and

اسلوب تاليف قالب السماعي عند الموسيقيين العراقيين Style of Composing Sam?'I Form At Iraqi Musicians

اسم المؤلف: ثائر خليل اسماعيل
اسم المشرف: فراس ياسين جاسم
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الفنون الموسيقية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: This Research consisted of five chapters with a list of sources and supplements, as follows : Chapter one addressed the methodological framework of the research, viewing research justification, spotlighting on the musical style as one of the intellectual concepts for understanding the artistry characteristics, which vary according to mentalities and philosophies they descended from. The musical style in Iraq, especially in instrumental music, began to appear starting from 30's of 20th century, which considered the most important time of Iraqi music history, after establishing Institute of Music (Institute of Fine Arts), as it became a musical renaissance time after some Iraqi artists' graduation whose used many musical forms in their compositions, especially Sam?'I form, which was varied in melodic and rhythmic structures because of its importance in musical structure. For lack of previous researches dealt with Iraqi musicians' styles in Sam?'I form, emerged the justification of a scientific and analytic study about composing Sam?'I form style at Iraqi musicians. Then, the researcher showed the importance of his research, and research objective, revealing of the style of Sam?'I form at Iraqi musicians, using. After that, the researcher explained the limits of his research and he defined the terms. Second chapter included the theoretical framework and previous studies, theoretical framework consisted of three subjects; first subject highlighted on style concept, Second subject was about musical composition, Arabian music characteristics, reality of instrumental music in 20th century, Institute of Music (Institute of Fine Arts), ?erif Muhiddin Haider and his school characteristics. Third subject presented popular vocal and instrumental musical forms in Arabic music, reviewing the musical instrumental forms up to Sam?'I form, which it's the main subject of this research, and its parts, melodic and artistic formation, rhythms, composition, and its history. Then the conclusion of the theoretical framework and the previous studies. In third chapter, researcher presented the research procedures, where he identified the research approach taken, and set the research community, whereas it contained tow communities, first one consisted of 13 Iraqi musical composers composed Sam?'I form within (1936 - 2003). Second community consisted of 65 Iraqi musical compositions in Sam?'I form. Then he identified the sample size intentionally within these communities according to objective justifications serve the research procedures and fit in with the goal of research. Then the researcher named his research tools and the analytical standard that he was prepared, and finally his researcher requirements. Fourth chapter studied the musical analysis of 10 selected samples. Finally, Chapter 5 set the results of the musical analysis of samples selected, depending upon these results the researcher presented his conclusions, recommendations, suggestions, and then the list of sources, and finally the research abstract in English.

تمثلات التابو والطوطم في بنائية الفيلم السينمائي Taboo And Totem Representations In Film Structure

اسم المؤلف: محمد سلام عبد
اسم المشرف: محمد عبد الجبار كاظم
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الفنون السينمائية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The Taboo and Totem are considered to be attracted by the cinema attention due to their nature. They represent a performance challenge to the film director. In addition to that, we may say that the cinema capabilities, which go beyond all red lines, tried to reveal what is unidentified or indistinct. This has led the researcher to give his thesis the following title (Taboo and Totem Representations in the Film’s Structure).The thesis was divided into five chapters as follows : The first chapter (The methodological framework) which includes : - the problem of the research and has been put in the following question : How the representations of Taboo and Totem could be achieved in film’s structure ? Then we have written the importance, the need, the aim and the limit of such research. The researcher has made a list of the related terms.The second chapter ( theoretical framework and previous studies ) : The researcher has divided it into three sections as follows : The first Section : The taboo and totem ….. aspect and action : we have discussed the aspect of these terms, taboo and totem, and their historical origin. Also we have discussed the approaches related to psychology and sociology and ended with some film cases on these terms.The second section : Film structure and producing meaning : The researcher has discussed the nature of the film structure and the way of expressing meaning through the activation of the film intermediary language elements. In addition to that , the researcher has discussed the most important rhetorical images.The third section : Taboo and Totem in the film image : The researcher has discussed the film processing for these terms in the worldwide movie and the ways in dealing with these primitive thoughts and their effects on the film manufacture in general.Upon such discussions the researcher has had a group of indications that resemble the theoretical outlines summary to be demonstrated to the experts committee as would be illustrated in the third chapter. The researcher has ended the second chapter with the previous studies.At the end of the second chapter the researcher has mentioned the previous studies which did not include any similar one that are related to the research under discussion.The Third Chapter : ( Research Procedures ) A sample of two films has been analyzed : 1 - The Da Vinci Code (2006)2 - Avatar (2009)The fourth chapter : Analyzing the sample : The researcher has analyzed the sample depending on the indications of the theoretical framework after consulting the experts and judges committeeThe fifth chapter : Results and Conclusions : This chapter included the results that has been achieved by the researcher after analyzing the research sample.Among conclusions which has been achieved is that the film art has the capability to express many different subjects of thoughts , believes and physicals. The taboo, divine and totem represent especial subjects that impose the search for rhetorical ways on film. This is to enriched the image with signs , codes and symbols. The film’s position could be included with specialty of subject being processed so that it becomes an active character involves with other characters to communicate the information and the thoughts produced.The researcher has achieved some conclusions and ended the research with recommendations and suggestions.Finally , the researcher has included Arab and Foreign references that have been adopted in the research as well as annexes.

التطبيقات الجمالية والتداولية للخزف المعاصر في العمارة العراقية The Aesthetic And Communicative Applications of Contemporary Ceramics In Iraqi Architecture

اسم المؤلف: علية يونس ثجيل
اسم المشرف: بلاسم محمد جسام
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الخزف
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The research sets to study the relation between Ceramics and Architecture.It concentrates on functioning Ceramic murals in Iraqi Contemporary Architecture, and the link between these murals and the internal and external spaces of the buildhings that make use of them.Ceramics has special artistic chara - cteristics that make it a significant entity and present it as an independent artistic genre. Because of the close symmetry of Ceramics with Architecture , many artworks have been produced that transfer Ceramics from beneficial and functional fields to the horizons of creativity and beauty and enable Ceramics to make aesthetic formative relation and produce transformations in the disciplines of shape and genres through the use of metaphor and symmetry Language among arts.This is resulted from the artists endurance to create aesthetic transformations in shape ,so categorizing has appeared between Plastic Art and Architecture since the thirties of the last century with the appearance of (Bauhaus) which seeks to integrate arts with each other and with other genres. The study deals with the functioning of Ceramic murals on inner and outer Architectural entities. The study has three chapters ,which involve covering the aim of it.The first chapter deals with the problem of the study and aims at finding out ,whether Ceramics has an effective presence in Iraqi Contemporary life ,and the extent of its applications on this level, and if there is a culter of reception and communication of this art.The chapter also includes the significance of the study, and the aim of it which tries to find out the communicative and aesthetic applications of Ceramics in Iraqi Contemporary Architecture Sections.It also states the Locative and periodical limits of the study. It presents the experimental definitions of important terms. The second chapter includes three sections ,the first one deals with the references of Iraqi Contemporary Ceramics.the effects of Mesoptamia civilization , Islamic Arts and world Art on Ceramic productions.The second section deals with "Ceramics " from Modernism till Contemporariness, and the periods that pass over the total plastic Arts and the changes that Modernism and PostModernism have made in form and content and the installation of shapes and the effect of that on world Ceramics generally , and Arabic & Iraqi Ceramics , specifically. While the third section deals with "Ceramics" in Iraqi Contemporary Architecture , initially from pioneering in Ceramics and the most well - known Ceramics with their stayles and artworks and the functioning of Ceramics in Iraqi contemporary Architecture sections, then the Ceramic murals with their applications on buildings walls and Public squares Regarding Architectural interior, the section deals with the works that made by one artist ,and various cooperative works of many artists.The Ceramic murals have varied in technique ,raw material ,genre , and them & concept. They all unified in the Ceramics inspiration from folklore , Mesopotamia civilization , Islamic Art and the effects of European Art on group of Ceramic murals. The third chapter includes the results and conclusions : I - Achieving architectural environment that has the ability to inspire from Mesopotamian heritage and functions it in murals aesthetically with the addition of modernism forms in Iraq Architecture. 2 - suggestion of functioning of Arabic letter which is considered as a type of refreshing memory towards lettering formation in Islamic arts which has its effect on Iraqi artistic taste on the level of communication.3 - Mesopotamion heritage with its shapes, abstract and symbols has its presence in ceramics shapes which parallel with the materials that Iraqi Architecture has used. As a result it has a kind of symmetry on the level if row materials and reproduction of them.

التنوع التصميمي في لوحات المشق الخطية Diversity In Design Mashaq Handwriting Paintings

اسم المؤلف: اشرف كامل عبد الامير
اسم المشرف: عبد الرضا بهية داود
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الخط والزخرفة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: استهدف البحث الى دراسة التنوع التصميمي في لوحات المشق الخطية، من خلال الدراسات الاستطلاعية التي قام بها الباحث، وجد وعلى حد علمه ان تلك الدراسة لم يتطرق اليها الباحثون من قبل، لهذا وجد الباحث مبررا منطقيا في دراسة لوحات المشق والتعرف على تنوعها تصميمي | Targeted to study the diversity of design in the Mashaq handwriting paintings , and through surveys carried out by the researcher, found and , to his knowledge that the study did not address the researchers before This researcher found in a study rationale plates rima and identify the diversity of design parameter. The study included four chapters, the first chapter includedthe research problem, in the following question : What diversity in design Mashaq handwriting paintings In order to reach solutions to this problem and to achieve the desired results, so research aims to identify the elements of artistic construction plates rima, andidentified by the researcher Balentajat completed in all of Iraq, Turkey, Egypt, and Saudi Arabia.The second chapter includes several axes, including a brief history of plates rima, and building them with technical, design and foundations, while the third chapterincluded the research community boards rima linear and which numbered (97)Chosen from the research (10) samples were deliberate, may follow the researcherdescriptive approach, using this instrument, which were represented form for analysis which is based on dialogue with several oversaw the validity of a group of professors who specialize in this area either Chapter IV represents to reach important results, as it appeared diversity in design plates AlamishqalkhtiahibflAdoption of plates rima processor design variety is based on the methods based on the lack of contention clips, text, or fragmentation of the word into two parts due t othe similarity of characters, or by symmetry and symmetry words of text, contributed treatment sections written word per category of color united in promoting the efficiency of literacy that draw paths lead appointed receiver to track the movement of the characters despite the variation trends, especially within the formations character motor, and the researcher recommended included plates Alamishq the curriculum for the students of the Faculty of Fine Arts, and educational institutions corresponding to them, because of their importance in the diversity of outcomes sin being kept pace with the movement of technical development, sealing the fourth quarter proposal fit to be a subsequentstudy includes oundations Alamchaq pairing between handwriting and paintings of letters nature.

الانسجام الصوتي في مؤلفات الاوركسترا السيمفونية العراقية Harmony In Compositions of The Iraqi Symphony Orchestra

اسم المؤلف: ميسم هرمز توما
اسم المشرف: حسام يعقوب اسحق
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الفنون الموسيقية
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: انبثقت فكرة البحث عن مبرر وحاجة للبحث في مكونات الموسيقى المنهجية الكلاسيكية الطابع لمؤلفات الموسيقيون العراقيون, وبسبب الشمولية الواسعة لمثل هذا النوع من البحث, حدد الباحث فكرته بدراسة جانب مهم وعنصر اساسي من تلك المكونات مختارا عنصر الانسجام والذي فسره | The idea Find justification and the need to study the systematic nature of the components of classical music in the works of Iraqi musicians, And because of the wide comprehensiveness this kind of study, So select a researcher studying the idea along with important and essential element of those components chosen harmony element. This Harmony researcher explained it ,that only includes voice compatibility science in terms of vertical and horizontal harmonic, And overlap together in the construction of large musical compositions That always need to be the concept of the large orchestra or what we call the naming Symphony Orchestra for his performance in a clear and greatest level of creativity.And because the new subject of its kind within the Iraqi Academy of Music Studies, So there was a need to think about an appropriate procedures, Is interested in building a method or technique to analyze these compositions, according to what suits the composer of Iraq, and the amount of knowledge of his music, and his experience of self, On this basis, a researcher systems analysis tool serve the research topic depending on what he was able to get it from a global systems and standards, Has been very useful in the construction of his tool, Then the researcher to apply research tool, on the five samples of three Iraqis composers.Interested in the idea of research in the interpretation of the idea of using harmony in general in the musical compositions of the Symphony Orchestra, which has been associated largely with the musical Diatonic scales with observation the great diversity in the use of different chords. So appeared to build harmony in complex, because of the addition of personal taste more than the scientific bases in the building harmony.The researcher used the modern music software to identify the types of chords. Also, a researcher at the organization committed to his research, According to the system and the methodology of the study followed in the order of chapters musical thesis, the Faculty of Fine Arts - Baghdad

اساليب النحت المعاصر وتاثيرها في نتاجات طلبة قسم التربية الفنية Contemporary Sculpture Methods And Its Effects On Products of Artistic Education Department'S Students

اسم المؤلف: طه عبد الهادي عباس
اسم المشرف: صلاح لازم حسن
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: شهد فن النحت تعدد في الاساليب لاظهار المنجز الفني والذي جاء نتيجة التطور التكنولوجي والايديولوجي الذي افرز بدوره مجموعة من الخامات والمخلفات التي كان لها الدور البارز في اعطاء الحرية في التعبير وسهولة في الاداء, وفقا لحاجات الفن في التجريب بهدف ترجمة افك | The art of sculpture has been witnessed diverse in methods as to bring out the artistic accomplishment that come as a result of ideological and technological development that in return ensues a set of ores and remnants. The latter has a grand role to give freedom of expression and easiness in performance. For translating thoughts of the artist ,successes of the art have been achieved by many artists. The history of art is characterized with a large number of artistic methods types, some of them taken as a general aspect for being distinguished with a specific type in the form, or some types taken as individual impression in works of some artists that are characterized with the form aspects to be distinguished from others. These works express selfness of the artist and being considered as a process of organization. The more progress is achieved in the artistic methods , the more get away from the old artistic methods. The radical turning points on the artistic method late of nineteenth century and twentieth century resulted into occurring changes in the feelings and intellectuality that being regarded as a base for principles , theories and artistic bases.Thus, the researcher has found the necessity to study the contemporary artistic methods for being important to enrich the artistic works in field of Sculpture - Students of Artistic Education Department - college of Fine Art since it is considered as a main gate to know modernism outcomes in plastics. The researcher realizes the problem of the research by making a study on students of artistic education department - second stage in the subject of sculpture. The researcher has suggested a basis for the problem of the research through varying methods of contemporary sculpture along with its effects on products of students of Artistic education department. In the light of that , the researcher has constructed hereunder goals : - Uncovering the effect of contemporary sculpture methods on products of artistic education department students. - Discovering the role played by these methods , techniques and modern sculpture ores on works of students of artistic education department. - Unfolding diverse contemporary sculpture methods. In order to achieve the goals , the researcher has placed a form as to analyze products of the students , the research includes 50 products for the second - stage students - department of artistic education - subject of sculpture. It has been randomly chosen sample consisting of ( 10) products accomplished according to methods of contemporary sculpture. In order to bring out results of the research, the research has depended on a set of statistic means as to process data and information that he obtained from the sample of the research and to set the results he has reached to via form of analyzing works of the research sample. The researcher has used equation of acuteness degree and equation of percentage weighs. For indicating reliability of the form ,it has been entailed two of analysts (after being trained) as to analyze sample of the research for knowing the means of operating compounds of analysis form. The results of analysis appeared according to equation of (Holsti) for the two analysts consent. It has been appeared the general average amounted to (0,86). This ratio gives a good indication to ensure reliability based on compounds of analysis form. Most significant conclusions the researcher has reached to are : 1 - The ability of student to express about his opinions and his thoughts freely by using methods of contemporary sculpture for easily getting parts and remnants from places where being easily gathered and compounded. Besides the diverse in parts that contribute into sculpture accomplishment that spare time , money and effort for the students.2 - Having the students acquire artistic skills in the contemporary sculpture ( post modernism) and modulating the nature of skillfulness and artistic properties as to reach to the best process of sculpture. This transparently appeared through the effect of contemporary sculpture methods on accomplished samples of the students ( sample of the research). The recommendations : 1 - Placing a special method paralleling to the contemporary arts and teaching the history of art. Confirming on the cognitive side as to be equal to application side for helping the student to assimilate arts and most modern artistic experiment. 2 - Motivating the students and those studying in the institutes and colleges on means , ores, techniques, and technology to be entailed in the artistic work. This step for innovating new arts ensued from the environment of the student. This comes from having the student depend on practical and application lessons according to different experimental means within methods of contemporary sculpture. 3 - Increasing lectures and hours of teaching the subject of sculpture and confirming on the classical side that in return helps the students produce works and samples with contemporary methods.This comes through the study of anatomy and kinship that enable the students to be conscious and aware of his sculpture accomplished. The connection between the old and the new helps the student formulate his special bases regarding the artistic work. 4 - Observing the modern technology to carry out the artistic work. The techniques have a role to bring out means to activate the meanings and the indication. The contemporary arts contribute into technology and scientific progress and getting benefit of modern innovations either to be used directly into producing artistic works or searching from inside the technology environment about new techniques and forms

استجابة المستخدم للتجربة الجسدية في التصميم الصناعي

اسم المؤلف: علي غازي مطر
اسم المشرف: شيماء عبد الجبار حميد العبيدي
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الصناعي
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تلخصت اهمية البحث الحالي بكونه يسلط الضوء على جانب مهم واساس في التصميم الصناعي قد نغفل عنه احيانا الا انه يؤثر بما لايقبل الشك بالاسس البنائية لفسلجة الجسد وبما يتعلق بشكل مباشر بالعلاقة مابين المستخدم وبين المنتج الصناعي وطريقة التعامل معه. فهو يبحث ف | Summarized the importance of being present research sheds light on the side of an important and essential in industrial design may overlook him sometimes, but it affects what is not possible doubt structural underpinnings of the physiology of the body, including directly related to the relationship between a user and the industrial product and how to deal with him. Thesis looking at the direct impact of the physical response of reliable and tested during laboratory dealing with the industrial product and the consequent strain resulting from the direct interaction with the product are different.its also trying to dismantle the ethical aspects and ways understood within the framework of the desired ideal design and what aspects that must be considered during the development of a comprehensive design plan for the production of industrial done. What are the real criteria for those ethics.The researcher put the problem discussed in the context of the question : (What's unique design current and future return to intensify the physical experience in the design of industrial products)Trying to achieve two main objectives1. Find the design trends that adopt the philosophy of returning to intensify the physical experience in the design of industrial products and to draw conclusions in this regard emerge from the theoretical framework of the research.2. The side effect of the physical output from the traditional physical experiment to measure within the current time frame during use of the industrial product and compare it with the effect he produces for use under the conditions depend on the physical experience more intensive.Through four classrooms, which dealt with the subject of research gradually through the theoretical framework included a diverse range of themes and detective. Turning through the first part, where the philosophy of physical response : which included within which the following themes : the user in response to experience physical, philosophical physical experience, atique ethics and design.The second section included and marked your subject matter in industrial product in the light of the physical experience : on the following themes : Appearance, compensation sensuous, then metaphysical exile and finally modern products that adopt promote physical experience in design And the third section included the hormones affecting the physical experience of such a groupAdrenaline and cortisol and prolactin, and others.The research has made the following findings : where 75% of the sample responded and 70% of respondents large system expected to experiment with lower percentage of cortisol in the blood after exercise game intensify physical experience because of the low psychological and physical stress level after playing the game using the muscular level and my body the biggest of them the situation in the tribal experience while playing the game tempo inhabitant ratio dimensional case also responded to 68% of the sample intentionality and 60% of the control sample for the test system. Where prolactin ratio in favor of Altghebrh dimensional decreased at the expense of tribal experience. But the rate of decline was very small and does not constitute a significant difference on a practical level.The conclusions of the researcher as follows revolves around that deal with interactive industrial product causes the secretion of the body of cortisol are the biggest apart from the fact that the body has come out of intensive physical experience or static Add to that the recipient who is dealing with the industrial product bodily experience intense will the consumption of cortisol and prolactin in greater than physical after his experience in dealing with the industrial product in the sleep mode. There is no doubt that the intense physical experience supposed to mimic the natural situation in which chemical reactions take place inside the ideal form.The researcher recommended by measuring the level of adrenaline in the urine through a similar experience a sample of the largest number of volunteers. Also examined are the recommended an examination on a mixed group of male and female alike can add to the experience of this kind of results that came out of this Find humble.

الرؤية الفنية في تجربة جعفر علي The Artstic Insight In The Experiment of Jaafer Ali

اسم المؤلف: سلام يوسف دبي
اسم المشرف: صباح مهدي الموسوي
الموضوع العام: الفنون الجميلة
السنة: 2009
الموضوع الدقيق: الفنون السمعية والمرئية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان التصدي لتوثيق ودراسة حياة وتجربة مبدع ليس بالعملية اليسيرة مثلما يبدو وخاصة في بلد مثل العراق الذي شهد صراعا وحربا جعلت منه بلدا يكاد ان يفقد الذاكرة بنتيجة حالة اللااستقرار الذي جعل الكثير من المبدعين ان لا يجد ظرفا مناسبا لتوثيق حياته ومن المبدع | The Intercepting for The Documentation & study of the life & Experiment of a Creative Individual is not an Easy Process as it appears Especially in a country like Iraq that Witnessed war & Struggles that made him as a country that almost losses his Memory in Result of Non Stability Condition That Made A lot of Creative Individuals not Finding a Prorates Circumstances To Document Their Life's , & Those Creative Individuals who Documented to Their Artistic Biographies have been Vanished here & there or Have Terminated By The fires of Wars.So The researcher have Suffered Greatly In his Studying the Artist Jaafer Ali & to Get His Productive Achievements for this Variety artist in The Field of Movies , Radio , Television & Theater For The researcher had found that most of these information in the memory of those who lived with Jaafer Ali & those related to him , & The researcher had Acquired a Paper cuts or Notes Had been Writhen here & there or some articles or Artifacts have been Acquired & it been Convinced That is in Total Does not Form The True Image for Artist Jaafer Ali , & in the In lighting of What Was Available to the researcher From Resources This Research Has Been done about the Artistic Vision in the Experiment of Jaafer Ali Which Contained Three Chapters : - First chapter : - comprises the methodic frame, which handles the themes of the research like : - How Did Jaafer Ali Insights Reveled In his Creative achievements , & what is The Resources That Made him A Multiple Visionaries Individual?.As For The Aims of research : - 1 - The Documentation of An Iraqi Creative Individual In the Field of Culture & Arts.2 - Studying The Achievements of that Creative Individual In the Area of Theater , Movies & Television.3 - In lighting His Experiments In Movies Through His Feature & Documentary Films. The second chapter tackled theoretical frame & Previews Study's which includes Three topics : - 1st topic : - Grown up & Forming in the Effect of Cultural & Artistic Realty : - Which is A Phase Jaafer Ali Was Formed in The Shadow of Social & Cultural Realty That Was Various , & his Affection of With The Greatest Iraqi Culturists , & His Grew in Time Period that was Rich with mind liberty , So He Makes his way according To The Ambitions of sophisticated Individual That Claims the Pronouncing of His Visions , He Managed To Study English Literature In The Literatures College , Than He Headed To Study Cinema In the United States , After His Return He Started To Lecture In Fine Arts Institute & Fine Arts Academy in Deferent Cinematic Art Fields , & The Topic Also Included His Practical Life A Teacher , Musician , Interpreter , Cinematographer , Actor , Critic , & Writer In Addition To Some psychological Crisis That Happened To Him. 2nd topic : - It Includes Technical Expertise 7 Artistic Visions in The Field of Theater & Television , & The Interest That Jaafer Ali Was Reflected On The Composition Between Theory & Applying That Makes Him Capable of His Instruments & Implying it to Manifesting The Contents & Thoughts for the Scripts in Television & Theater , were Theater was The First Lunch in His Technical & Artistic Experiment Through What Been Achieved in Theatrical Plays Were Most Signified One Was Vetrock & Many Other Television Plays Like (Satra Vosan).3RD topic : - The Artistic Vision in His Cinema Experiment : - This Topic Includes A Briefed Historical Reading for The Facts of the Iraqi Movies Production Movement & the Economical & Political Circumstances , Its Divided To Three Periods ; - 1st - From The Year 1946 till the year 1959.2nd - From The Year 1959 till the year 1975.3rd - From The Year 1975till the year 2003. And Remembering some of Jaafer Ali Four Documentary Films Which are : - 1 - The Collector ( Al - Jabi).2 - The Turn ( Al - Munaataph).3 - Years of Life ( Sanwat Al Omer).4 - Narcissi The Bride of Kurdistan ( Narjes Arws Kurdstan).And Two Feature Films are : - 1 - Women & Work ( Al - Maraa Wal Ameel ).2 - Askerrian Shrimp ( Al Rawdaa Al - Askerrian ). This Topic Also Shows The Foundational Role of Jaafer Ali To Establish The Department of Cinema In The College of Fine Arts.The 4TH chapter consists of the research procedures including the Research s' sample that the Researcher analysis of the samples.And The Most Important Results That The Researcher Have Included : - 1 - In Spite of the Specialty of the Research s' sample By Its Narrative Construct & the Shortening of the Dramatic Act but was Able to show the daily life of the Iraqi people & its Suffering through a Bus Journey in The Film The Collector ( Al - Jabi) , & The Political & Social & Economic Reality For The Country & The Agony of The Iraqi Culturist In the Shadow of These Circumstances in the Film The Turn ( Al - Munaataph).2 - It Was Clearly Obvious the Effect of the Poverty & the Lack of Techniques that used in these Film Samples Which Reflected on the General Artistic Shape To The film , For This Lack Had Sustained The Camera Freedom In Movement & Taking More Expressional Angles , & This Lack Also Reflected In The Lightening Composing In A Amount of Scenes Especially The Night Vision Scenes For the Most Was Humble & Modest.

الاتجاهات المعاصرة لفن الخزف العراقي وامكانية توظيفها في مشاريع طلبة الفخار - معهد الفنون الجميلة Contemporary Orientation of Iraqi Ceramic And Ability To Employment In Project of Student of Ceramic\Institute of Fine Arts

اسم المؤلف: هند عبد الجبار عبد الكريم
اسم المشرف: نبراس احمد جاسم الربيعي
الموضوع العام: الفنون الجميلة
السنة: 2012
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: التعليم مشروع انساني يرمي الى هدف مساعدة الافراد على التعلم، والى احداث تغيير مرغوب فيه في سلوكهم، ويرمي ايضا الى اثارة دافعيتهم للتعلم من طريق مجموعة من النشاطات والقرارات التي يتخذها المعلم، او الطالب في الموقف التعليمي في اثناء التركيز والاهتمام بطرائ | Humane education project aims to help individuals learn, and change undesirable behaviour, and also aims to raise davaithm for learning through a variety of activities and decisions taken by a teacher or student in the educational position through focus and interest in teaching methods and techniques in order to achieve objectives which seek to develop capabilities and creativity learner able to discover new horizons in reality promotes all aspects (physical, mental, cognitive, and emotional skills, and professional). Educational institutions, including the fine arts institutes that have a significant role in the community being interested in preparing almlakatalalmet and functional in various disciplines, these institutions a distinct role in the construction of teacher's educational, socially and technically and contribute to the creation of specialized technical elements of education and work in the fields of art, and was responsible for leading the Renaissance and broaden scientific knowledge, through the introduction of ways and means and methods in software setup and keep pace with the technological knowledge and waladatrad occurs in the world, including instructional design.Based on the foregoing, the present research aims to : 1. detect trends of contemporary ceramic art.2. design tutorial on contemporary trends of ceramic art based on the Iraqi paradigm (Kaneh webrgs 1988 (Gagne&Briggs in instructional design.3. measuring the effectiveness of tutorial its knowledge and skills through tested on a sample of students grade 5 - BR - Department of fine arts pottery for the academic year 2011 - 2012. So the researcher designed the educational paradigm (Kaneh webrgs Gagne & Briggs, 1988) contains (4) modules are (raw materials and supplies necessary to prepare dirt, methods of forming Tina pottery, modern art trends, trends and contemporary styles of ceramic art) include (4) learning objectives have been analysed to behaviorally target (70) and reality (13) target behaviorally for first and education unit (17) behavioral goals for second and education unit (8) behavioral goals for third and education unit (32) targeted behaviour of education unit, fourth and knowledge skills represent a dynamic and compassionate. Current research community were selected from students grade 5 Br. pottery - Arts - College of fine arts - study of morning (10) students, the entire community was chosen as a sample of application experience accredited by the researcher. As the current search experimental method was adopted, and it has been chosen as experimental design with a minimum of one sample exactly tests being compatible with tribal walbadi current search procedures which aims to know the effectiveness of tutorial material porcelain. For the purpose of measuring the effectiveness of this program is designed for two types of first tests to measure information collecting knowledge acquired by students and second Maharey measured mediation skill performance evaluation form prepared for that purpose, as these tools have been made subject to the procedure for validity and reliability. To show search results reached by the researcher used the following statistical means (test welkoksn), to show the differences between students in the experimental group, and tribal webadia equation (coefficient of difficulty, discrimination) to analyze cognitive achievement test paragraphs and equalization (Cooper) to find agreement among the arbitrators as well as foremen in the process of performance evaluation form stability, furthermore the researcher to use equation (kiodr Richardson/20) to consistently test cognitive achievement.The most important findings of the researcher, are : 1. The superiority of the experimental group students who applied them tutorial in test marketing post, due to the educational experiences provided in the tutorial.2. the superiority of the experimental group students (the experimental group) students who applied them in skill test tutorial post, due to a sequence of technical skills within the ceramic prepared tutorial content.The researcher has recommended a series of recommendations including : 1. adoption of the tutorial the designer in current research in relevant educational institutions (institutes of fine arts) and the teacher) taught by ceramic material to prove its effectiveness and its ability to develop the skills of students.2. training of teachers and teachers of art education teaching personnel within art education schools secondary technical skills of ceramics as one of the goals of professional education for the purpose of developing the skills of their students in this area.3. use professional skills development centres of the Ministry of education and higher education and scientific research of instructional design (tutorial) prepared in current research on the paradigm webrgs Kaneh/1988, and its use in the design of other subjects to prove its effectiveness.

اشكالية الخطاب الجمالي للجسد في النحت العالمي المعاصر : دراسة على وفق المنهج الظاهراتي The Paradox of Aesthetic Discourse of The Body In The Contemporary World Sculpture

اسم المؤلف: احمد جمعة زبون
اسم المشرف: سعد علي يوسف البصري
الموضوع العام: الفنون الجميلة
السنة: 2012
الموضوع الدقيق: النحت
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: مع تطور الخطاب الجمالي منذ الحداثة وما قبلها وما بعدها، حدثت تحولات كبيرة في تداول الجسد كمفردة اساسية اعتمدها خطاب الصورة البلاغية بشكل عام، مما ادى الى ظهور انواع جديدة في الخطاب الجمالي المعاصر، فقد ظهرت تحولات في بنية المعرفة والفكر. وحدثت انتقالات ه | After apparent progress for physical studies in the philosophical field in general, Especially studies the phenomenology When German philosopher (Edmund Husserl : 1938 - 1859), who is the founder of thinking about the phenomenology in general and physical phenomenon in particular, When contemporary German philosopher (Martin Heidegger : 1889 - 1976) and French (Maurice Merleau ponty : 1908 - 1961).On the one hand, and on the other remarkable progress and growing in the field of plastic optical applications, Sculpture. We study subject in five chapters as follows : - Chapter One : Interested in the first quarter to the theoretical concepts of the curriculum which is located in the five points, the first point concerned the concept of discourse and physical discourse, and we said the letter was based on the body from the beginning, even before that there will be a philosophy or knowledge of the organization. As for the second point concerned the phenomenological concept of discourse, and we at this point the most important pillars upon which the (Edmund Husserl) in building a descriptive weak concept. In the third point we disclose the regarding curriculum phenomenological, then we show sayings about body philosophical when thinkers phenomenology, and it turned out that phenomenology alone is not sufficient to run this study, which led to the study of the theory of existence (ontology) as an extra item of philosophy phenomenology, and this is the fifth point.the second chapter : we discuss the phenomenal transformation of aesthetic body of the speech in the Fine Arts, in three sections : - First research the phenomenology of transformation between concept and application.The second topic special look to the concept of aesthetic discourse of the body and transformations applied.The third topic phenomenology of aesthetic discourse between the subject and body not - subject, and the fact and non - fact.The third chapter : concentrates to study the body in modern art and is located in two sections, we discussed in the first concept of modernity historically and intellectually, aesthetically, and in the second we discussed aesthetic discourse of the body in modern art trends.The fourth chapter : I discuss the aesthetic discourse of the body in the formation of what is modern and, post modernity and contemporary is located in two sections, the first devoted to the study of postmodernism as a concept and as a theory and the second devoted to performing trend analysis and activating the body's discourse and from multiple angles.The fifth chapter : devoted to the study of the physical and aesthetic phenomenology as below : - Tattoo artArt performanceArt of photographyDigital SculptureAesthetic phenomenology rhetoric of the body in contemporary sculptureAs well as other trends in contemporary artAnd we went out with the most important results : - - That the body is the actor in the entire axis of Fine Arts - Body determines an individual's identity and ethnic identity social, economic and other - Body is a cosmetic project can not be extinction.These are the joints about the body in the arts.

تقنيات الذكاء الاصطناعي وفاعليتها في تجاوز المشترط التصميمي Artificial Intelligence Techniques And Effectiveness In Overcoming Designs Requirements

اسم المؤلف: سامر عبد المجيد حميد
اسم المشرف: هدى محمود عمر
الموضوع العام: الفنون الجميلة
السنة: 2012
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: هذا البحث (تقنيات الذكاء الاصطناعي وفاعليتها في تجاوز المشترط التصميمي)، يتناول تاثير التقنيات الذكية على نظم تصاميم المنتجات وفاعليتها في تحرير المصممين والمنتجين من قيود واشتراطات العملية التصميمية. اذ تاتي اهمية هذا الموضوع نتيجة للتطور التكنولوجي في م | This research (Artificial Intelligence techniques and effectiveness in overcoming designs Requirements) deals with Smart technologies impact on product design systems and effectiveness in Unlocking designers and producers from the constraints of the design and operation requirements. The importance of this topic as a result of technological development in the field of high technologies capabilities, The research problem been identified by asking for the possibility fact of been smart technologies are the basis for built upon design (formally and functionally) in the future? The research aims to provide specialized knowledge of these techniques, and to specify trends of industrial products and designs according to the employment of these systems design techniques in the realms of form and functionality. The limits of this study include (Smart) electronic, electrical devices for the Korean company Samsung for the year 2012 , those are available in local markets in Baghdad. and the study contained four chapters, the first one included of the importance of research and the need for it as well as the research problem and the objectives and the limits and the specify of the terms. The second chapter has included previous studies and the theoretical frame, which contains three sections first interested in the concepts and the principles and the mechanisms of intelligence and the artificial intelligence, and the second included the smart technologies and the their use in products, and a third which interested in the design requirement definition and the types of it.The third chapter, which included measures search for community wide study based test (intentional) of the study population samples and descriptive analysis approach through analysis form after its presentation to a group of experts. And which is one of the most convenient ways to achieve the goals of the study.Chapter dealt with the description and analysis of models according to the analysis form designed by the researcher, the fourth chapter included number of results, and the most important : 1. the axis of change ranges in the product - according to the employ smart technologies and their impact on the product - was achieved well by 60% in models (1 - 2 - 3) which showed a change in the form according to the employ smart technologies in their systems, while not achieved by 40% in the two models (4 - 5) to form models remain on its traditional designs despite employ techniques in their systems.2. Change ranges Achieved on the performance of the product - according to the employment of smart technologies and their impact by100% in all models (1 - 2 - 3 - 4 - 5) ,and these technologies affect the performance and design functions primarily reflected the effect on the rest of the design aspects of the system.The most important conclusions drawn in the search : 1. A lot of elements and components of the general form of a smart device transformed from the material system (Hard ware) informational System (Soft ware) according to make them individual automated (automatic), Resulting to Reduction their sizes too much.2. Design Systems of the smart products characterized by fast performance interaction with the surrounding middle which making them time - saving products from aspects of the setup and control for achieving efficiency, and high ease of use.3. Portability and feature of changing elements & formalities which offered by display units and sensing at once (touch screens) gives great variety in the general form, and liberalization from the usual requirements for elements of form to the same device (keyboard & Normal screen), showing the desired and hide the rest.Also contain the suggestions and recommendations and then references.

جماليات الفوتوغراف في الرسم الانطباعي

اسم المؤلف: علي اسماعيل سبتي الكرعاوي
اسم المشرف: عاصم عبد الامير الاعسم
الموضوع العام: الفنون الجميلة
السنة: 2012
الموضوع الدقيق: الفنون التشكيلية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

البيئة وتحولاتها في تشكيل الرؤية الاخراجية Environment And Its Transformations In The Formation of Directorial Vision

اسم المؤلف: حسين جوير علي
اسم المشرف: سعد عبد الكريم خيون
الموضوع العام: الفنون الجميلة
السنة: 2014
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: شكلت عروض البيئة وتحولاتها في تشكيل الرؤية الاخراجية خروجا على الثوابت الارسطية في بناء العرض المسرحي فقد عمد مخرجو المسرح البيئي الى تدوير البنية الدرامية للعرض المسرحي وجعلها متحركة لا تعرف الثبات اذ ازاحوا النهايات التقليدية.ان هذا الامتياز في بناء ا | The Performances environment and its transformations in the formation of directorial vision are formed departure from the Aristotelianism constants in the theater building was deliberately environmental theater directors to rotate the dramatic structure of the text and make it theatrical Animations do not know where steadiness ousted traditional endings.This concession to build a theater. Who created play spaces based on reductionism and abstraction and condensation. Thus, this method is to create a space theater has established for environmental performance today and directorial spaces and transformations in the environment through the formation of directorial vision to create a surprising aesthetic Offers in environmental theater. Eliminated the constants in the construction of the recipient and intellectual provocation formed an ongoing awareness of the recipient and the recipient revealed post and effectiveness in the theater, a goal sought by the environmental theater performances. Environment was the play space are proposed in the conversion and the formation of directorial vision and containing effective weather aesthetic display of theatrical and so did the participation of the recipient to unite the receiver with the effectiveness of the theatrical presentation. Researcher sheds light on in his four seasons in the first chapter (methodological framework) presents the research problem and the need to focus on the following question : Is the environment and the effectiveness of the its transformations in the formation of directorial vision?The research aims to identify the effectiveness of the environment and its transformations in the formation of directorial vision. Researcher has identified a theoretical framework (Chapter II) in three sections : 1. Conceptual environment. 2. The environment and aesthetics of theatrical space. 3. Employ architectural space and environmental Performances.Have been identified through this chapter on the environment and its transformations play intellectually and aesthetically, as well as elements of the establishment of the environment in the directorial styles of both (Richard Chnr, Petrbruk, Arto) and enables the researcher then stand on the theoretical framework of indicators, including : Environment and its transformations (Trans for made space) are that the filmmaker creates a structure width through reconfiguration and replacement of its space carefully selected to create a theatrical Creator. Hired directors rituals in their environments Created play two proposals have a distinctive form and adapted methods and techniques so festive, religious and non - religious, but subject to the understanding of contemporary theatrical techniques and adopted by the researcher as tools for the analysis of research samples.The third chapter contains the search procedures, which included : the research community and specimens, tools and methodology descriptive analysis of three directors : 1. Awni Karome 2. Adel Karim, Salah Kasab. The fourth chapter contains the results and discussion, conclusions, recommendations and suggestions, and then the list of sources, references and appendices and a abstract of research in the English language

ملامح الاداء التمثيلي في المسرح التجريبي وتطبيقاته في عروض كلية الفنون الجميلة Performance Analog Features In The Experimental Stage And Its Applications Offers In The Faculty of Fine Arts

اسم المؤلف: بهاء زهير كاظم
اسم المشرف: عبد المنعم فتحي خطاوي
الموضوع العام: الفنون الجميلة
السنة: 2012
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ينقسم البحث الموسوم (( ملامح الاداء التمثيلي في المسرح التجريبي وتطبيقاته في عروض كلية الفنون الجميلة )) على اربعة فصول , يتضمن الفصل الاول الاطار المنهجي من خلال مشكلة البحث والحاجة اليه واهمية, البحث, وهدفه, وحدوده, ومن ثم تحديد المصطلحات.اما الفصل ال | Research is divided into marked ((features of the performing arts in the experimental stage and its applications offerings in the Faculty of Fine Arts)) to the four chapters, Chapter I of the methodological framework of the research problem and the need to and importance of research and its purpose and its limits, and then determine the terms.The second chapter included the theoretical framework of the research component of Mbgesan, the first title (experimentation through the ages), which dealt with the technological development at the level of presentation and method Alokhraja when each of the (Greeks and Romans in the Middle Ages and the Renaissance In the twentieth century). While addressing the second part (according to the mechanisms of representative performance of schools and recent trends). Mechanism of action of representative directors at the most important theater of the twentieth century, including (Jersey Grotovski and Maerhold and Bertolt Brecht and Peter Brook and Eugenio Barba and some of the trends and modern schools).The third chapter (action research) research community, which defined within the time period of the year (2005 to 2011) and samples of research that have been selected through the application form (questionnaire) which was distributed on (Stth century) competent professors from the Department of Performing Arts and the result was the selection (three ) performances won the most votes to be samples of research, namely, (a play set up Waasitiyyah) by Dr. Akil Mahdi Yousif and directed by Dr. Zuhair Kazem, and (a play that is what happened when we were waiting for) the number and directed by Dr. strict in, and quoted from the play (Waiting for Godot) to Samuel Beckett. And (play field) written and directed by Dr. Akil Mahdi Yusuf. The researcher adopted a descriptive approach for the analysis of his samples by relying on CDs and watch kind of plays and interviews.The fourth chapter has dealt with the results of research and discussion, conclusions and then the recommendations and proposals and then the list of sources and references and a list of supplements that included a model of form (questionnaire) and photographs of some of the scenes drama

الاسطورة في النحت العراقي المعاصر Myth In Contemporary Iraqi Sculpture

اسم المؤلف: طالب محسن رهيف
اسم المشرف: مرتضى عبود شهاب حداد
الموضوع العام: الفنون الجميلة
السنة: 2012
الموضوع الدقيق: النحت
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: استهدفت الدراسة الكشف عن مضامين الاساطير العراقية والدلالات الرمزية الاسطورية التي استلهمت في النحت العراقي المعاصر. وهي في اربعة فصول خصص الاول منها الى الاطار المنهجي، الذي شمل مشكلة البحث واهميته وحدوده واهدافه، ثم تحديد لاهم المصطلحات فيه. والفصل الث | This study aimed to know and learn about the contemporary Iraqi sculpture Which inspired by Iraqi legends. and to study these sculptural pieces of art.The study contains four chapters : First chapter explains the importance and need for the study and also it's objectives and scope. The researcher define some important expressions and term used in the study. Second chapter consists four sections : Section one studies the concept of the legend and it's causes of emergence and discusses the relation between and superstitions. Section two study Iraqi legend according to historical periods. The researcher here divides it into tow groups : 1 - Ancient legends.2 - Legends before and after Islam.Section three discusses the relation between legend and sculpture, some examples of sculptural pieces of art relating to some important ancient cultures were also mentioned with a brief presentation of the history of Iraqi sculpture and the effect of legend on it. Section four about the contemporary Iraqi sculpture Chapter three begins in collecting information and photographs about Iraqi sculptural pieces of art which are basically inspired by legends after this scanning of the materialistic evidence of the research was done starting with first work finished in 1950 until the end of 1992. The total number of works was 63 pieces created by 12 Iraqi contemporary sculptures. The researcher selected 20 works out of the whole as specimen for study, and the conclusion he reached resemble direct answers to the objectives of the study, and was introduced together with suggestions and recommendations in chapter four. About the first aimed , there are 63 sculpture works inspired by legends, done by 12 Iraqi sculpture. The number of sculpture works inspired by legend of the first group (ancient Iraqi legend) is 48 sculpture works. And there are 13 pieces sculpture works taken from Iraqi legends of the second group most of them taken from the tales of (thousand nights and night). The remainder is two pieces of sculpture works taken from both groups, and they are

جماليات القبح في نتاجات فن ما بعد الحداثة Ugliness Aestheticisms In The Products of Art Beyond Modernism

اسم المؤلف: سندس محمد عبد الامير
اسم المشرف: علي شناوة وادي
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الفنون التشكيلية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The current research entitled ( ugliness aestheticisms in the products of art beyond modernism ) , It has searched the ugliness in philosophical thought and finding out the existing dialectic between beauty and ugliness and its role in direction work mechanisms in the motions of modern art and beyond the modern ( drawing and sculpturing ). The research has included four chapters. The first one was interested in methodical frame of the research represented by research problem which wasobvious through an ambiguity that arouse many questions such as : - How have the aesthetic understanding theses of ugliness been formed in the products of art beyond modernism ? Do such aestheticisms represent an attractive phenomenon in art beyond modernism ? What are the representations on the level of contents , meanings , forms , styles and techniques ? And what is the amount of connection of such works in phenomena and intellectual , social , political and economical concepts and new explicit prospects within a society beyond industry and its share beyond modernism as a modern urgent necessities ? And the amount of what have ugliness aestheticisms formed from displacement areas in aesthetic received processes.The first chapter through acknowledging the ugliness aestheticisms in the products of art beyond modernism. While the research limitations are restricted on the study of ugliness concept in the art beyond modernism ( drawing and sculpture ) represented by products of ( nonobjective expressionism , popular art , flocks , the art of body and graphite art ) which appeared in USA and Europe in the era ( 1945 - 2010 ).Chapter two has included the theoretical frame which contained three topics , the first one dealt with two pivots , the first pivot included the ugliness philosophically , through browsing the philosophers' opinions beginning of ( Heraclites') and ending to the opinions of modern philosophers. The second pivot concluded to show beauty and ugliness dialectician within analytical philosophical , knowledgeable , aesthetic and psychological vision. The second topic occurs in two pivots.The first one included the beautiful and ugly in modern European painting , the second dealt with the beautiful and ugly in modern European sculpture while the third topic is concerned with the study of ugliness features in two pivots , the first one contained the ugliness features in the art beyond modernism and the second pivot contained the ugliness features in the sculpture beyond modernism. Chapter two concluded with showing the indications to be useful in constructing the devise of the research and analyzing the samples.Chapter three has included the research procedures that contain the whole research , the sample and the nature of the device of the research , research method and used statistic means then analyzing the sample which includes ( 17 ) artistic works.Chapter four has included the research results and conclusions , moreover ; recommendations and suggestions. The most significant results that the research has reached are : - 1 - The structure of implemented artistic view that concerns with ugliness concept leads to make a fierce shock for the receiver in attempt to express the current image of reality and disclosing what are not declared in the meaning that delete the art beyond modernism any ascendant traditional aestheticism.2 - There are products with hostile dye that arise the hatred through pushing the shapes to break into the social conflicts and disclosing the destruction of ideological systems over indications that show the refusal state for cruelty of a society beyond the industry.3 - The ugliness depends in products the art beyond modernism on artistic change through activating the distorted rejected shapes which lead to more deeper disputes and universality for social conflicts within ( Oulama ) by describing it as a valuable system that could move the constant concepts round traditional beauty with all its procedural , technical existence and to fix the concept of non - aesthetic across devoting the theses structure that give changeable aesthetics for promised ones. It is not able to repeat the formation of artistic performance due to ideal features for traditional art time but it attempts through returning the formation of shapes by distorted way to put the shapes in compound components that make easy to arouse the aesthetic understandingcombined with ugly shape. 4 - The products of arts that concern ugliness aestheticisms in art beyond modernism have the ability to invest the subjects that could arouse the sensitivity of receiver towards the human image infringement that make the works empty of human andmoral values through making the implemented art structure loose from any moral and human evaluation in an attempt to present meanings taken from social immoral life to express the human crisis who is threatened by lost in social framesubmitted to weak broken construction. The most significant conclusions that the research has reached are : - 1 - The ugliness aestheticisms are making with the subjects represented by ( violence and political , economical and social cruelty ) tearing the Arab self and its declination and western society with all its distortions , dispersion and lost.2 - The ugliness aestheticisms are trying to express the torn realistic image through dissociation the reality parts and divide them then reconstruct due to view that arouse the sensitivity of receiver towards a lot of truths and human , culturaland political accidents.3 - The ugliness aestheticisms acquire their new descriptions through connection with shapes that express the disorder limitations for living reality. The researcher has referred to a group of re

امكانية استخدام الاطيان النهرية لانتاج انواع من زجاج الخزف عالي الحرارة Possibility Usage of Clays Rivers To Produce Kinds of High Temperature Ceramic Glaze

اسم المؤلف: طه حنش سلمان الربيعي
اسم المشرف: محمد عبد الحسين العريبي
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الخزف
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يتناول البحث امكانية استخدام الاطيان النهرية المحلية في انتاج انواع من الزجاج عالي الحرارة، وقد حددت طينة خان بني سعد النهرية الحمراء، اذ اخذت كمية من الطينة وتم غسلها وتنقيتها من الشوائب والرمال الخشنة بطريقة الترسيب، وحرقت بدرجة حرارة (700) ( كلسنة ) | The research the possibility of using arable land river local produce kinds of glass, high temperature, have been identified Tine Khan Bani Saad, the river red, where it has a quantity of this clay has been washed and cleaned of impurities and coarse sand in a deposition, and burned at a temperature (700) (calcinations) to get rid plasticity of clay and organic matter after what appeared a problem secede from the body layer of glaze pottery at the application stage of drought (before Firing). Were evaluated the results of initial trials by relying on chemical analysis has been attributed Tina to (Unity Formula) to find out the percentage of vehicles and determine the type of treatment, addition, and make up the shortfall, with a number of processors through the addition of materials used in the composition of glass as material modified the sand silicosis (Erdma ) and Kaalin Duejlh and feldspar Iraqi and feldspar Mxidized which was added in different proportions to the clay, and burned models with varying temperature of the three (1230 m - 1260 m - 1290 m), where the effect of oxides of coloring in the installation of clay and a clear transparent glass, and seemed colors green olive to the honey - colored and dark brown.Was conducted several tests on laboratory models of glass, the most important examination of hardness, abrasion resistance and testing, resistance to chemicals, metal detector. Found during the tests and experiments that the most important factors to form glass cooked at high temperatures of the clay used in the research was to balance the rates of oxides falling within the composition according to the law of the unity of the formula (Unity Formula), and found by experience that there is a difference in the fusion of materials and lack of homogeneity and their interaction enough at certain temperatures there is more than a glass phase in the liquid molten glass, and increased rates of added silica and alumina caused the increase of degrees of maturity and fusion, as well as high hardness of glass and its resistance to scratching and acids. As the examination (X.R.D) crystallization of new minerals after all components of the glass melting temperature specified in the search except the temperature of 1290 AD as any metal did not materialize because of a new high - temperature melting and destroying the Shabak and the full crystal glass.

تقويم النشاط الفني للمنتديات الشبابية التابعة لوزارة الشباب والرياضة Evaluation of Artistic Activity In Youth Forums of The Ministry of Youth And Sports

اسم المؤلف: علي وجر علاوي الساعدي
اسم المشرف: فؤاد علي حارز الصالحي
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يستمد التقويم اهميته الاساسية في مختلف الميادين من ضرورة الاعتماد عليه في قياس مدى تحقق الاهداف المنشودة من كل نشاط، والكشف عن المواهب وتمييز اصحاب الاستعدادات والميول الخاصة وذوي القدرات والمهارات الممتازة، ويعد التقويم ركنا مهما من اركان التخطيط لان | Derives evaluation of fundamental importance in various fields from the need to rely upon to measure and assess the extent to which the objectives of each activity, and disclosure of talent and distinction holders preparations and likings and abilities and skills excellent, as is the evaluation an important component of planning because it is closely related to the follow - up results and detection all aspects of the power to confirm and higher, including standing on the weaknesses of the treated or modified, and the importance of calendar we are facing a continuously changing and enormous knowledge, concepts, facts and theories, and advanced techniques, which led to change many of the concepts and trends in all the humanities and in all areas, including the technical activities which is one of the means used to guide the youth guidance intellectually and organizationally, in union with the exercise of activities that depend hobby and desire to initial them, and naturally their abilities and attitudes are associated with this process, the objectives set and identified for the movement of young people in the service of the State's goals, and building on, the current research aims to ((evaluation of Technical activity Forums youth of the Ministry of Youth and Sport)) determined by the directorates of Youth and Sports of Baghdad and the provinces except the provinces of Kurdistan, was the importance of research explaining the reasons thatprompted the researcher to choose this field of research, was also clarified the aspects that contribute to research in the promotion of the field of youth work.The theoretical framework came to covering the relevant aspects of the subject matter represented by b (theoretical concepts about the evaluation, and creativity, and the importance of artistic activity in young adulthood, and his contributions to the development and community building) as well as previous studies and the experiences of some Arab countries and the world.The third chapter measures would research was based on the research methodology, which consisted of appointed (50) supervisor and coach for the Arts Forum on the distributors to the young people of Youth and Sports Directorate provinces, the rate Was eliminated after Non - specialists, including, by (13) supervisor and coach for the Arts of Baghdad province and (12) supervisor and coach Art from the provinces of the northern region (13) the supervisor and coach Art from the provinces of the Middle Euphrates region and (12) supervisor and coach Art from the provinces of the southern region..The researcher used (personal interview) and (note) and (content analysis and documentation), and (resolution) as a tool for information gathering, was composed of (120) paragraphaddressed to the administrators and coaches of the arts, and distributed these paragraphs on four areas : 1 - The field of visual activity and ensure (30) paragraph. 2 - The field of theatrical activity and ensure (30) paragraph. 3 - The area of musical activity and ensure (30) paragraph. 4 - Film and television and included ( 30 ) paragraph. He received (the researcher) of the sincerity of the tool through the presentation to a group of experts with competence in the arts and art education and teaching methods, and applied as the final resolution on the sample.To address the statistical data, use the (researcher) Pearson's correlation coefficient to extract the stability, and the Fisher equation to find the unity of the paragraph, as well as the weight percentage to indicate the value of each paragraph of the resolution.The search results were displayed after arranging all the paragraphs according to the degree of severity of the highest degree of unity to the lowest degree of unity. Were arranged areas of the four calendar by decreasing the average degree of intensity for each of the circles, where the occupied area of activity, followed by the first plastic film and television, which occupied the second place, while the field of theatrical activity took third place and won the field of musical activity, Respectively, the fourthConclusion of the research was a series of recommendations and proposals which would in estimating the researcher to contribute in the service of scientific research, including : - 1 - strengthening the media's side, because of its impact and its contribution to educating the community in providing care for youth groups of all ages and help them scientifically, culturally, socially, and organizing their leisure time activities which develop their talents and skills.2 - Greater coordination and joint technical cooperation with other institutions, for the purpose of promoting student attendance and youth in various artistic activities.3 - Provide the tools and supplies, equipment and modern technical equipment for each activity.4 - To provide resources and technical books and magazines those contribute to diverse artistic culture in the development of young people.5 - Select a specialist academic staff for each area of artistic activity. 6 - Plan to include the central vocabulary reflect the academic and technical characteristics of young people through the definition of the cultural heritage of Iraqi art and the Arab and Islamic world and its features in reading and analyzing works of art, and artistic theories which explained the art and beauty.7 - Adoption of the evaluation tool to measure the technical skills as a scientific tool to evaluate performance objectively and disclose the extent of success in achieving the goals set for each activity. 8 - Dissemination of scientific culture and encourage young people to innovate and develop new applications in the field of technology and promote computer skills and employed in works of artProposals : - 1 - a study on the reasons for the reluctance of young people for the exercise of artistic activities in the youth forums.2 - A proposed program of art education in the youth organizations in Iraq.3 - The role of government institutions in maintaining the cultural and artistic identity of a young Arab in light of the challenges of globalization.

سينوغرافيا التشكيل النحتي لما بعد الحداثة : دراسة تحليلية Scenography of The Sculpture Formation For Post - Modernism (Analytical Studies)

اسم المؤلف: قاسم مرشد ذرب
اسم المشرف: نجم عبد حيدر الجنديل
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: النحت
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تعد السينوغرافيا ظاهرة فنية حداثوية تالقت على نحو واسع بعد الحرب العالمية الثانية وانتسبت الى ما بعد الحداثة حتى ان الكثير من الباحثين في فنون ما بعد الحداثة يعدون هذه الفنون فنونا سينوغرافية تعتمد مركبات متفاعلة متداخلة في الية الاظهار وفي نظم التاويل ال | Scenography is a modern phenomena which has been remarkable after WWII and is attributed to post - modernism, that many post - modernism researchers regard this art as a scenographic art which depend on interrelated in the mechanism of showing and in the systems of interpretation which move opening between the artists, as the producer and the first reader and the masses of receivers as readers effecting the level of intervention. Scenography is a system of aesthetic to itself to the action of performance in manifesting in its techniques even if its interlinked with the system of its connection to the artistic work as the idea and the concept and emitting of meaning and the mechanism of connection. When the researcher was aware of the scenography in sculpting and looked for it. He found that subject is worth studying for master degree in addition to the increasing of the problem. The researcher tried hard to end that or at least to reduce. Thus, the researcher preferred with all effort to investigate and excavate the prospect in the formal structure for the shape in the post - modernism.This study did not aim at employing post - modernism scenography as a mechanism of description and analysis of the sculpting art only. It also confides it into narrow limits and applications realized and or supposed on the display and applied levels.The researcher managed to shed light through the basis and point of the scientific research and mechanism in its theoretical frame. In the second Chapter his study, the researcher shed light on searching for the concept of scenography and the origin and the hisotricla background for it and the environment as one of the milestones and elements of the scenographic structure in the first theme, and to reveal the history of scenography in the academic and critical references and the points of occupation and the points of agreement and disagreement in language and the application. And to reveal the historical root of the concept and the history of its development and mechanisms in addition to investigating the relationship between it and the other plastic arts and the art of sculpting specifically. In the second theme of studying the basic concept and the philosophical of post - modernism art and the connecting relationship the idea of post - modernism as a philosophy and post - modernism as an application that requires scenography and its reaction in that artistic performance on the level of analysis in the scenography thinking in addition to its stylistic references.The third theme is to reveal the bases and point and trends of post - modernism and its references and the relationship connecting it with the scenography as a mechanism and structure and the showing and display. Then the fourth theme the researcher reveals the institutions of analysis. He introduced a summary of what resulted in the First and second chapters which would achieve to the researcher of the samples which would achieve the result, objectives and the requirements of the scientific research.After completing the procedural, cognitive and intellectual requirements, the researcher then moves to the third chapter represented in procedure as the description and choosing a purpose sample out of the community of study according to the models.Finally, the results and conclusions which the researcher has arrived to and recommendations in the fourth chapter of the study

تحولات القراءة الجمالية للخطاب البصري في عروض عقيل مهدي المسرحية The Trans Formations of Aesthetic Reading For Visual Speech In Aqeel Mahdi'S Plays

اسم المؤلف: وسام مهدي كاظم
اسم المشرف: محمد عبد الرحمن الجبوري
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الفنون المسرحية - تقنيات
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يعد المسرح واحدا من الاكتشافات الخاضعة والممتلئة بالاحالات، كما انه يتمتع بخاصية معرفية جمالية تنتج له القدرة على تقديم مفاهيم جمالية بقراءات معاصرة ذات خطابات بصرية تنقل من خلالها الخطابات الادبية، الى منطقة الرؤية والتحليل. ان مفهوم القراءة والقراءة | Theatre is regarded as one of the discoveries that Subjected to referrals and filled with them. It enjoys with an aesthetic and cognitive property that enables it to present aesthetic concepts with modern reading having visual speeches through which trans forms literary speeches to area of vision and analysis. The concept reading and contemporary reading has ability to deconstruct any speech whether it is literary or pictorial. It is the Medium through which transformation passes with its semantic and significant Concepts. Today, theatre moves side by side with modern discovery in this world indeed, it has ability to benefit from some discoveries to introduce them in the fabric of its theatrical performance in a form harmonized with the requirements of the age. The Visual speech is a cognitive, artistic and technical concern to establish a cultural system which is a communicative channel between sender and receiver. It is not a new phenomenon , but its roots dated back to Greek civilization , developed by discoveries that occurred in all fields of knowledge in general, and theatre in particular. That process exposed to a lot of transformations that helped in discovering multiple readings Strengthened by a visual speech that gave to the system of theatrical performance new forms and implications. These readings and trans formations had Various concerts, some of their sides exposed to dilemmas, So there was a need to solve them. Based on that, the researcher determined the problem of his research entitled " The Trans formations of Aesthetic Reading for visual speech in Aqeel Mahdi's Plays". The research consists of four chapters : The first chapter includes the problem of the research and the need to moke it (Study and analysis of the transformations of Aesthetic Reading for visual speech in Aqeel Mahdi's Plays). The researcher also determined the goal of his research by revealing the aesthetics of visual speech and its reading trans formation in Aqeel Mahdi's Plays. The importance of the research lies in highlighting unknown sides in the Visuality of the plays. The researcher determined the determinants of his research as follows : Time determinants : All Aqeel Mahdi's Plays presented since the first play till the moment of writing this research - Objective determinants : These are Aqeel Mahdi's Plays that Characterized with the transformations of aesthetic reading for the visual speech. The researcher determined his research terms and defined them, selecting to them procedural definition : "Transformation, Reading visual speech". The Second chapter divided in to four parts : the first one contaned the concept of Visual Speech. It began with a cognitive sequence and mental, artistic and technical analysis, then the researcher dealt with the dilemma of visual speech according to numerous concepts, finally, he dealt with the general concept of finally, he dealt with the general concept of visual speech in the system of theatrical performance. The Second part of the Second chapter was entitled "The Aesthetic of visual lmage" , Firstly the part explained the aesthetic of visual image according to the concept of image culture, then it presented the aesthetics of visual image in theatrical performance according to Some modern theatrical experiments. The third part was about the visual speech with a preface, then it dealt with intellectual and aesthetic complex for visual speech. It also dealt with the elements of visual formation in the play. The final or the fourth part dealt with aesthetic reading in Ageel Mahdi's Plays and with his theatrical experiment on the level of writing, theorizing, direction and what associated with it as aesthetic, philosophical and technical aspects. This part also included the previous studies and indications which produced theortical frame , the most import ant of them are : 1 - Visual Speech has components, the most important of them is image in its meanings and significance associated with searching for keys to decode the symbols of that speech.2 - Place and space regarded as two important elements of formation of visual speech in performance.3 - The most important domain of the philosophical, artistical, intellectual and aesthetic domains that affect the creative system for Aqeel Mahdi's dependend on the pvinciple of Civilizatons dialogue. The third chapter included the procedures of the research containing the research Popucation Methodology and tools of research in addition to research samples in addition to research Samples including the followings : 1 - Performance of "Gorilla" Play.2 - Performance of "Jeanne d'ASrc" Play.3 - Performance of "Bedouin and orientalist Play".4 - Performance of "Ali Al - wardi and his rival Play".5 - Performance of "Cobbler" Play. Some tools used to analyse these samples are as follows : 1 - The theoretical frame and its implications.2 - Photographs.3 - Compact discs "C. D"4 - Papers "What was written a bout the plays.5 - Observation. Then, these samples were analysed by the researcher to indicate the transformation of aesthetic reading for visual speech in Aqeel Mahdi's Plays. The fourth chapter contained the findings and their discussion , for example : 1 - Using Space and place as essential elements for transformation of visual speech as in the plays "Cobbler" , "Ali Al - Wardi and his rival" and " Bedouin and orientalist"2 - Regarding the visual formation as one of the tools of transformation in aesthetic image and rebuilding it by the imagination of director associated with his formation senses. That was observed in all Aqeel's plays.3 - The two elements of light and color were regarded as two essential elements for visual speech as in the plays "Cobbler" , "Ali Al - Wardi and his rival", "Jeanne d'Arc" "Gorilla" and " Bedouin and Orientalist. The fourth chapter also included concluded conclusions, recommendations and suggestion, in addition to sources and references, finally an abstract in English.

الاستعارة الشكلية وابعادها الوظيفية والجمالية في المنجز الطباعي Metaphor Formal Functional And Aesthetic Dimensions And Layout Done In

اسم المؤلف: مظفر كاظم حميد
اسم المشرف: خليل ابراهيم حسن الواسطي
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يتضمن التصميم الطباعي المنجز مجموعة اجراءات تبدا من الفكرة وتنتهي بالاداء، او كما توصف من النظرية الى التطبيق. وهذه الاجراءات لا تخلو من اسس وعناصر تجسد الفكرة في منجز ملموس على ارض الواقع، منها واقعية مباشرة في استعارتها، ومنها خيالية غير مباشرة، كما تتض | Graphic Design done includes a package of measures starting from the idea and ending performance, or as described from theory to practice. These actions are not without foundations and elements embody the idea in a tangible accomplishment on the ground, including realistic directly borrowed, including the fictional indirectly, also includes other designs blends these Alastaartin and variable rates or balanced in many designs that require a sign, and the concept of the dimensions of functional orientation of Use and enhance the aesthetic values. Therefore, the researcher felt choose his research is marked Address : ((metaphor formal functional and aesthetic dimensions in the layout done)). Including four chapters, the first chapter consisted research problem identified in the statement of formal elements aliases finished layout declared Btabaah extremes (direct and indirect), which achieved a sense of desire and acceptance functionally and aesthetically. And its importance in the question of what a metaphor formal functional and aesthetic dimensions. The objectives were focusing on the identification of metaphor formal functional and aesthetic dimensions in the layout done. And finally its limits, and then determine the terms.The second chapter dealt with the theoretical framework and previous studies, as search only one study in Specialization found, a doctoral thesis in graphic design researcher philosophy (Shaima full inside) tagged : (metaphor in the default image for commercial Declaration) and three others on the subject of the metaphor, two of them in Fine Arts (drawing) and third in the specialty of interior design, the researcher did not find the approach between this study and the last three studies. And ensure that the theoretical framework Mbgesin, eat first (metaphor formalism in systems design and relations), the concept of this terminology in general and mechanisms put in the concept of the design and directorial methods in the evaluation of the structure and shape systems design and its role in the design of relations. While the second section came under the title (the metaphor between functional and aesthetic considerations) addressed the functional dimensions and dimensional aesthetic metaphors formalism in Graphic Design Ended formal shift in the design according to these two considerations. Then extracted from this chapter is based on indicators set by the selected sample analysis process to get to the search results.The third chapter has consisted action research, as determined methodology (b descriptive analytical method), then the research community and the samples selected, represented by (12) sample, the two tools of research and two Astmattin, first : determine axes analysis form, and the second : Analysis form. Then ratified tool and stability, and finally describe and analyze samples.The fourth chapter has put search field, conclusions and recommendations, and the results of the proposals.The most important results can be summarized as follows : 1. designer adopted the style excretory to borrow formalism based on the idea of the advertised subject and the nature of the slide or the recipient category, which showed a variety of ways, including direct download character peculiar subject of the idea, including indirect altered form system, some of which were collected between the two dual manner to address these levels according tastes and mental Bnahm.2. excretory focus style with the designer in the most completed designs to blend reality and imagination elements borrowed the idea, and also a mixture of different sources for the delivery speed of the plurality of meaning and interpretation and influence in psychology.3. strange shapes borrowed realism achieved by contradiction relational link between the two, beyond the pattern Alantma?a, circumscribed role shorthand meaning up to the idea, on the contrary, most of the shorthand form of fictional metaphor but a broader interpretation of the meaning.4. I took formal signifier symbolic metaphor as a metaphor for the role that represents wigs, require matching an icon directly in slang layout of what is realistic, abstract and indirect, were similar in matching original craft analogy.

خطاب السينوغرافيا في تصميم الفضاءات الداخلية : دور الازياء انموذجا The Discourse of Scenography In The Interior Space Design (Fashion Houses As Example)

اسم المؤلف: عمار طه محمود
اسم المشرف: علاء الدين كاظم الامام
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الداخلي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: We can comprehend the addresses as a bound series of human principals and goals shaping by the sciences and connectives to build a human results revels or gives a meaning for things. So, the interior design is an entity cognitive elaborated in (our now a days world) the modern age to include in its environ sciences,arts,physics,and human directions fetching for forming an environment which adding the esthetic meaning.therefore, it will be possible to submit that through the stenography and its artistic address which is build on the idea of offering an optical picture achieving a sensitive respond reassures and enjoys with it the recipient accompanying a meaningful bearings, circulated and esthetics meanings the interior designer forming it to draw spaces identified according to imperative remarks resulted from a group of essences implied in stenography melting together within the priority of the closer essence on another of a period of time whether it was changeable or unchangeable according to the nature of the place.The research here is trying to discover the role of the stenography address in the interior spaces in the fashion houses through the show spaces; that is for the recent periods had witnessed a great development in this field ,where the optical and the audible through the stenography a creative arrangement attracting the recipient in order to activate the connection between it and there resulting design.Therefore, and according to the knowledge of the researcher ,synography didn’t witness an Arabic academic study as a conception in the interior design especially in Iraq ;so that this subject had been chosen to achieve the benefit from it by the parties of interest whether they were institutes, fashion houses or else.The thesis included in its chapters andtopics the following : - The first chapter : Dealt with the problem of the research ,its importance,goals,and limits ;then identifying the terms used in the research.The second chapter : The empirical frame which includes three topics , the previous studies and reaching to the research remarks.? The first topic : The address and its intellectual employments in the interior space.? The second topic : The stenography's address in designing the interior space.? The third topic : The stenography's address in the spaces of fashion houses' designs.The third chapter : Includes the procedures of the research, its curriculum and forming aform to identify the analyzing dimensions , so according to that it had been formed a form to describe and analyze the research's samples.The forth chapter : Implied the results the researcher reached to; of conclusions,recomands,and suggestions ;add to that the resources,the abstract in English.The researcher had reached to a group of conclusions of their most important are the following : - 1. The interior design is the ideal brooder which can bear the stenography conception in its conception and address and to relate the responsibility that the late (stenography)to it to elaborate in it to limits far to be just connected with one unilateral artistic address; where the interior design can express and include all the arts.2. Stenography is an art can be resulted in the interior design which looking for presenting consideration(functional, synthetic, and expressive) which are the whole inclusion of entity this direction and the feature essence which identify the stenography address in creation the essences and melting them with the priority on an essence on another in an exchangeable movement to reach the creation (out come) of meaning which aspirates in the show to achieve a response the recipient can understand.3. Stenography is an art can reach an extended dimensions in the ability of letting it reach the meaning of the esthetic and psychological interior space in the comprehensive design picture and these aspects represent part of forming the out looking principals of the stenography's esthetics in the interior design.

نتاج فنون بلاد الرافدين وتوظيفها في تصميم بيئة تعليمية للتربية الفنية The Art Products of The Mesopotamia And Its Utilization In Designing A Didactic Environment To The Arts Education

اسم المؤلف: فردوس خضر الجوفي
اسم المشرف: عبد المنعم خيري حسين العاني
الموضوع العام: الفنون الجميلة
السنة: 2012
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان تاريخ العراق القديم لبلاد وادي الرافدين، اعظم حضارة عرفها تاريخ البشرية ومن المؤكد انها اول حضارة انبثقت لتنير صفحات التاريخ باهم وابرز الانجازات التي حققها ابن الرافدين لجميع مجالات الحياة السياسية والاجتماعية والثقافية والفنية، وعليه فقد تشكل عنوان ا | The ancient history of Iraq in the Mesopotamia is the greatest civilization in history of human kind and it is definitely the first civilization which was emerged to enlighten the pages of history with the most important and prominent achievements which were done by the son of the Mesopotamia in the political, social, cultural, and artistic fields of life. Thus, the title of the current research (The art products of the Mesopotamia and its utilization in designing a didactic environment to the students of artistic education dept.) came to include four chapters. The first chapter included the problem of the research and its importance, and it included many questions, the most important of which : The student's ignorance to the indications and artistic symbols of the Mesopotamia, and the lack of an educational environment to the class of the history of art. Thus the research problem has been crystallized in the following question : Is there any educational environment to the history of art class (Mesopotamia) which helps the instructor in teaching the class? The research is important to develop the educational environments to all specialties in the colleges of fine arts and the art institutes and establishing typical educational atmospheres to all specialties in the college. The research aimed at : • Designing an educational environment to the history of art class at the artistic education dept. - college of fine arts - university of Baghdad. • Establishing an educational unit to the vocabularies of the class of ancient history of art in Iraq to the students of the third grade at the dept of artistic education - college of fine arts - university of Baghdad. The research includes : • Third grade students at the dept of artistic education, college of fine arts - university of Baghdad• The products of plastic arts in the Mesopotamia and it includes all prehistoric ages : pottery - Hassona, Samarra'a, Halef, and Al Abeed. • The Sumerian age : the cyclic stamps and the art of architecture. • The Acadian age : Sargon head• The Babylonian age : Hamurabi. • The Assyrian age : the winged ox and the wall painting• The modern Babylonian age : Ishtar gate As for the second chapter, it includes the theoretical aspect and the previous studies. The theoretical frame included the following sections : The first : a brief overview to the history of the Mesopotamia and its ancient ages and the most important plastic art. The second : included designing the educational environment and the factors of its successThe third : is related to the artistic education and its relation to the educational environment of the history of art. The section ends with a group of indications. Chapter three also included the research procedures and its approach in addition to specifying the study community, sample, and tools of research. Chapter four included certain results, the most important of which are : • Teaching the history of art class needs an artificial environment to illustrates the concepts of plastic art and the features of expressive figures of the Iraqi thought and its reflections of creative artistic abilities to the artist of the Mesopotamia • The civilization of the Mesopotamia is one of the most sophisticated and ancient civilizations, and the artistic product confirms the supremacy of the Mesopotamian artist who embodied the daily life in the social, religious and heroic military fields of the kings throughout history. • The superiority and creativity of the Mesopotamian artist in his various artistic performance which included sculpture, drawing, ceramics, and architecture.• Studying the history of art is a study of the roots of civilization which is regarded as the first bricks on which the contemporary and future plastic arts were formed. The researcher concluded : • Spaces and walls which surround the student should be filled in the educational environment to overcome the closeness around the student. • The internal space for any educational environment can fulfill this purpose if it was designed in an interesting way and the furniture and the educational means were distributed in a way that stimulates the student's senses. • Establishing a complementary educational environment which tackles the Nile Valley civilization because it is part of the curriculum of the history of art for the third grade at the dept. of art education. • Establishing different educational environments for all art specialties in the colleges and institutes of arts.

جماليات التكوين في المنمنمات الاسلامية وتوظيفها في تنمية التصور الذهني لطلبة التربية الفنية Aesthetics Configuration In Islamic Miniatures And Employed In The Development of Mental Perception of Art Education For The Students

اسم المؤلف: عمر عنيزي سلمان
اسم المشرف: عبد المنعم خيري حسين العاني
الموضوع العام: العلوم التربوية
السنة: 2014
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Aesthetics configuration in Islamic miniatures and employed in the development of mental perception of art education for the students "The aesthetic dimension of miniatures Islamic terms is not formal , but only interest in terms of expressive also show its strength and greatness through the sense of the movement of these actions or rush through the lines or the third dimension and perspective inspiring depth and color certainly forms All of this helped to show the idea and express them easily.The study of Islamic art of paramount importance in building the artistic life in our Arab heritage are as much as it will give him the tender of humanity , they will contribute to the enrichment of Arab art viable and thrive and prosper through the development of Visualization way we see the world is not Bhastna visual , but the sense of awareness and understanding. See any reason and is not an eye. Everyone sees his thought to your way of thinking that determines Tsoratna mind.And the artist Arab Muslim exceed creative concepts prevailing , which was surrounded by within the boundaries of the Arab nation or civilization neighbors, and is the Baghdad center optimized for the emergence of photography Islamic distinctive character of originality , it has become the political headquarters of the House of the Islamic caliphate and given its geographical location, the unique ability of the receipt and communication between the Middle and the West that the status of the school Baghdadi in the art of photography for miniatures secret superiority brilliant at that stage the fertile stage of Arab history motivates us today to think about the deepening of the link betweenthem and the mindsets of the students , then take advantage of them are not seeking to tradition surface aseptic , but aims to search for the essence of the hidden of its secrets , and the elucidation of those secrets in a way visualization net spiritual perspective , hoping to reach the optimal goal of modern civilization full facesWhat Rade researcher to convey that expertise to increase their perception of mental because the student art education will cost taught in secondary schools ( middle and junior high ) and probably will face the stage teenager depicting one dimension and that this study will show him how to move the students from the stage flatness - one dimension - to the stage achieve depth - the third dimension - hence the need for the current search , which aims to detect ( the aesthetics of the configuration in Islamic miniatures and employed in the development of mental visualization novelty for the students of art education ). Through the border of the following : Schools miniatures Arab and Muslim countries : Iraq , Turkey , Iran. , And fourth - graders , Department of Technical Education - Faculty of Fine Arts / Baghdad University for the academic year 2012 - 2013 m.This included the second chapter , the theoretical framework and previous studies , which included theoretical framework : of the Islamic miniaturesThe third chapter was to research procedures taken by the researcher descriptive method and experimental approach has identified threeschools where a sample of the search , namely : - the school Baghdadi. Turkish school. Iranian school.Then took two tests of knowledge and skills - pre and post tool for his research as well as a form of performance evaluation for students in the Department of Art Education. Then the researcher conducted interviews with faculty specialists in Islamic art in the field of painting and drawing in particular, miniatures and professors of art education , then the researcher validity and reliability by steps of scientific research.And the fourth chapter is devoted to the results and conclusions of the most important findings of the researcher of the results , including : - The effectiveness of the training program prepared in the knowledge and skills , according to the results. - The lack of correlation between the two tests (no significant correlation - To experience the impact of the development of mental perception through artistic expression among the students of the miniatures fourth stage in Art Education Department. - The difference between the arithmetic average of the two tests pre and post ( 23.20 ) degrees more than twice the degree of pre - test which shows the effectiveness of the program in the technically gifted side.Conclusions - 1 Note the visual impact of a large and clear on the successful responses , shows its impact through open the minds of students and their imagination. Which is the modeling of a series of technical movements to express centrally in the brain and send alerts nerve to the muscles in order to perform this series to draw miniatures as perceived by the student Zhnina. - 2 turned out through the application of experience to the classroom learning environment have an impact on students' performance , which is available in the classroom atmosphere of participation of the comments between the students themselves on the miniatures displayed through the disc prepared for the purposes of the current search. - 3 Some studies have confirmed that the use of technology and the diversity of sensory stimuli give positive results from the use of the best sexy one in training and teaching.Recommendations - 1 included on the department's programs for the teaching of miniatures and focus on school Baghdadi in order to revive the heritage because the miniatures is the best material for the training of students to the structural imaging. - 2 The use of computers in teaching construction being digital photogrammetry became modern technologies , which could be grown and the evolution of art education student mentality. - 3 Care to train students in the Department of Art Education , which outputs to be high school on how to write and prepare and directed educational programs.Then proven sources and then supplements.. God Crown success

انعكاسات السرد في التصميم الداخلي Narratives Reflections In Interior DESIGN

اسم المؤلف: حارث اسعد عبد الرزاق السعيدي
اسم المشرف: عباس علي جعفر العبيدي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الداخلي
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: This search is based on a common truth but missed by those who work in interior designing (ID) field such as historians and theorists, which states that the interior designs of temples and palaces of old civilization of Mesopotamia and the other civilizations that followed are considered as one of the narrative literature media that belongs to this civilized society or that, the truth that is still valid through Evangelical stories narrated by murals painted on churches interiors and the inwrought of Qur'ans stories garnishing interior walls of masjids and Mosques in the present time, as we know, language started as pictures embodying expressions of visual language unveiling meanings and significance, as humanity continued to grow, so did writing by getting its own entity that cannot be explained only by certain group of people, limiting its expressional ability so that wide scope of people won't be able using it, which led it to disappear and losing many of human experiences made by these communities and vanished forever.In accordance with the growth happened in the early and middle of the twentieth century, a group of narrative literature theorists called to use more than one way to convey their literature messages and experiments away from spoken and written form of language to ensure establishing their human experiments, to be understood by more recipients and expanding the audience using these messages with their new implications form, one of their saying was that visual entities have elements qualify them to be communicative language has its own alphabet in accordance with communicative components of this interactive environments, Following this a group of interior and architecture designers, Simultaneously, appeared calling to use the narrative literature as designing style model to produce equable significance interior designs, active in creating designing forms that differs from the traditional basis, one of the most controversial movements is the Deconstruction Movement in architecture and interior designing for this movement pioneers depended on one of narrative literature theorist, in spite of the production of this movement and the ones that are related to this synthesis approach between narrative and designing was either na1ve and limited to lateral metaphors has no intellectual dimensions out of the assimilation or metaphor, or appeared to be very odd cannot be explained even by the experts in criticism of art which led recipients to dislike its interior spaces and communication interrupted between them, that's why it didn't succeed to ensure narrative to be a clearly defined designing approach, with clear elements enough to be used by all those who work in this field for most of this style is subject to inner narrative vision and this limited narrative tools which is inspired from narrative in addition to the difference from designer to another, and incompleteness of designing vision of the sensory language alphabet enabling us to activate narrative as designing approach so can all those who work in designing to adopt it in disseminate ideas and their forward - looking vision concerning subject they embody through materialistic mold, and functional and environmental considerations they work with when designing interior spaces, when analyzing the above said a problem emerged which is (the bsence of designing forms that can be used effectively to reproduce narrative speeches as approach adopted by designer to create modem interior designs), many factors enhanced the importance of the subject most notably is the theorists instructing in interior designing field to improve designing method in way that activate the narrative approaches being one of the interior designing styles followed to achieve interior designs with future aspects in educating interior design practitioners in teaching and in the practical side.This vision came out of this study is based on aiming to describe general rules for readable message in narrative showing the ability to be used in the seen message of interior design. In order to start search it was important to define its methodical terms so that the subjective term appeared through studying Intellectual and technical concepts in narration and ways to employ them as new creation strategies constructing shape formations in modem interior design. Time term in this research defined by the interior design projects done by pioneers of deconstruction movement through the period from 2005 up to 2010. While place term is defined by interior spaces done in In global projects (entertainment and cultural) within the continent of Europe exclusively. Then defining the most important idioms in this research to conclude the first chapter of the thesis (dissertation).According to that early mentioned in this research led to rely on literary studies that pointed many aspects of the concept of narrative that emerged in the form of a theoretical framework consist of two chapters, the first addresses the issue of transforming narration in language and way to read it in interior design and what the narrative structure included such as narrator, narration and addressee and its reflections in interior design. While the second chapter we pointed out the structural foundations of the system of fiction such as character, event, place, time and mechanism with their reflections on the dimensional values in interior design projects. After that we discussed the former studies which discussed same subject of this research which enabled us, supported by what earlier has discussed in theoretical chapters through concluding indicators build on the basis of test tools in procedural chapter and that it represented an achievement for the first phase of the research approach in solving the pro bl em.While second step which is applying concluded theoretical form that has been implicated in the third chapter in which we discussed procedures and steps followed in research on its present form in order to achieve the objectives of the research, starting with the description of the approach adopted in the research which is a descriptive approach as well as the phenomenological approach in the analysis, and identify theresearch community and the election of the sample according to research on several criteria that fit with the goal of research, then we dealt with aspects survey of the building tool by creating survey application tool and check its apparent credibility verifying the validation of the tool by external analysts in the company researcher, so we can measure the relationship between the variables according to the note form for analysis then to discuss the results in the fourth chapter to draw conclusions and the most notably were : • narrative stimulates our minds to clarify our vision of design in internal projects since we are encouraged to confer complexity in our thoughts to activate unexpected innovative solutions achieving the appropriate between vision and the completed design.• Efforts to form and support our designs by the narrative is the same that help the interior space recipient to understand us better and more effectively deliver the visual message to them.And search came out with some of the recommendations, most notably : - • The interior design theorist must take in consideration, when heading towards other fields of knowledge to gain from, defining the limits of concept without leaving them fuzzy and with unknown potentials.• Designers have to embrace the idea of promoting the impression of the interior space nature in harmony with time and place in a way that support the designing event and confers upon it drama in aesthetic and functional performance of interior design.Finally, to pave the way for research in the future indicating the beneficiaries of the research.

تقويم اداء مدرسي التربية الفنية في المرحلة الثانوية على وفق مؤشرات معايير جودة التعليم The Assessment of Art Education of Teachers’ Performance Secondary Schools According To Education Quality Standards

اسم المؤلف: هدى خليل حسين عبادة
اسم المشرف: صالح احمد الفهداوي
الموضوع العام: الفنون الجميلة
السنة: 2012
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يشهد العالم المعاصر اهتماما متزايدا بمعايير الجودة في العمل، وبخاصة في ميادين العمل التربوي، وياتي ذلك من اقتناع كامل بان جودة التعليم تكون في وجود معايير محددة ودقيقة تصل في طموحها ودقتها الى درجة توضيح ما يجب تعلمه واكتسابه والمستوى المطلوب الوصول ا | The world today interested in quality standards at work, especially in the fields of education & fully convinced that the quality of education depends on the presence of specific measures and assessment criteria. That depends on the education policy & stakeholders to clarify the level of assessment of what should be learn &gain. Nevertheless, the level and assessment of quality of education & assessment of teachers is not something absolute. It require multiple criteria’s (dependent and independent variables) that should not always be connected to each others, nor to be placed opposed to what the system mean to achieve (the quality of education & teachers development). Therefore, we must look to the quality standards as a whole in terms of student’s advantage & development including the aspirations of the community. Which depend on the quality of the educational system & the services teachers provided over - time. Thus, the quality of education system as an expression of social aspirations has to be measured each year, and according to the national specific measurements. That must be designed in line with international education standards. Therefore, it’s argued that the measurement stage and the formulation of teacher’s development criteria to keep in mind the input and output of the educational system is the must.Its suggested that the criteria to measure the service of teachers and its outputs must be known to everyone, whether to the professional level in the departments of education, the local grassroots (the student’s parents), the teachers & the students. In this context Iraq is not exception it must put itself in comparison of regional and global education assessment system. Towards that end, this study suggested that the education’ managers & the teachers can modify the system according to students need & future challenges. Therefore, the importance of education’ managers, the teachers, the intellectuals, the students participation in the process of laying the standards of education is important. Including the education ministries who are responsible for setting priorities & quality of education, and what must be measured for the education system & teachers is necessary.Therefore, this study focuses on the application of quality standards to evaluate the performance of the teacher in Iraq’s secondary schools, thus, this study’ aims & objectives are : 1. To prepare a list of criteria to evaluate the performance of Iraq’s teachers of art in the light of international standards.2. To evaluate the performance of Iraq’s technical teachers & their standards of quality in education.For the purpose of achieving the objectives of the study the researcher prepared a list of criteria according to the international measurement to evaluate the performance of educational institutions practices in the Arabs, European and other countries. Moreover, 140 samples were selected from the schools community including principals and teachers of art education, who belong to the secondary schools under the directorate general for education in Diyala city.For the purpose of achieving the results the researcher used the statistical methods of Fisher, and concludes : 1. The assessment of teachers, ability and value of work is highly important.2. The ability of teachers to participate & develop education system is the most.On the line of the above result it’s recommended that : • Teachers’ training to curry technical self - assessment is important & Promote a culture of quality appropriate for the quality of the teaching needs.• Provide teacher’s program of art education base in Iraqi universities & colleges to keep pace with contemporary developments in the field of teacher worldwide & Conduct an evaluation study of the artistic education curriculum in accordance with the standards of overall quality.

اثر انموذجي الدورة التعليمية وبوسنر في التغيير المفاهيمي لمادة طرائق تدريس التربية الفنية Effect Is Two Models Learning Cycle And Posner In Conceptual Change To Article Teaching Art Education Methods

اسم المؤلف: زهور جبار راضي العطواني
اسم المشرف: ماجد نافع عبود الكناني
الموضوع العام: الفنون الجميلة
السنة: 2012
الموضوع الدقيق: التربية الفنية
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Conceptual learning is considered one of the present time achievements. For this purpose, many models and strategies are proposed to teach concepts. The educationalists are faced with the problem forming the misunderstood concepts of the individual basic knowledge. There fore the need arises to identify and determine these concepts. Many Arab and foreign studies have identified these misunderstood concepts and it is shown that many students suffer from such concepts. On this basis, many researches are carried out to change this by using different templates and strategies.The aim of the present research stems from its focus on the misunderstood teaching concepts of the students of art education college of Basis education, relying on the cycling teaching model and posner's concept change model. In this regard, the present research attempts to develop teaching strategies.The research specifies the research problem as follows : Q1/ Are there any misunderstood concepts the learner carries out of experience and keeps them in mind regarding the methods of teaching art education?Q2/ Is there a preference for the model based on the structural theory principles which can change the learner's concepts?The present research aims at : 1 - Identifying the misunderstood concepts of art education teaching syllabus (course) of fourth year students in the department of art education.2 - Showing the effect of cycle teaching model and posner's concept change model as foe as teaching art education is concurred.The research sample consists of 51 male and female of the college of basic education.The procedures of the research are as follows : 1 - The identification phase this identifies the misunderstand concepts in teaching art education.2 - The remedial phase : The use of the models to modify and correc't these concepts.To achieve these aims the research uses a number of statistical tools, coble formulaic, T. test.The research has came up with the following result's : 1 - identifiion phase : The total of misunderstood concepts research to 32 concepts out of 60 which constitutes 53 perlent out the total number of the distributed concepts.2 - results of the remedial phase : The students average score who studied art education about the after test with using test (croscal walis) for three group and the students average score who studied art education using the cycling learing model consists of (55,5) with test (man wetny) and the students average score who studied art education using the posner model consists of (57,5) with test (man wetny) average of the control group who studied in the normal way and result of average between group one (studied by learning cycle) and group two (studied by posner) with out any average score.

تصميم تعليمي تعلمي باستخدام نظريات الاتصال الاقناعي لتنمية مهارات طلبة كلية الفنون التطبيقية في مادة ن الاعلان

اسم المؤلف: احلام محمد جرجيس
اسم المشرف: عبد الكريم لعيبي الربيعي
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: التربية الفنية
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

تصميم الحلي المعاصرة في العراق وتقنياتها Design of The Contemporary Jewelry In Iraqi And Its Techniques

اسم المؤلف: وسن ناصر الشاوي
اسم المشرف: محمد جاسم كاظم محمد ابراهيم محيميد
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: التصميم الصناعي
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: استحوذت الحلي على رغبات شرائح واسعة من الناس في العالم، وفي العراق كانت الحلي ولم تزل من المتطلبات الاساسية الهامة في حياة النساء فهي تعكس الجوانب الاجتماعية والاقتصادية وهي دليل على ثراء ومكانة مرتديها. لعب وزن الحلية ومقدار قيراطها دورا مهما في تصاميمه | Jewelry design in the world has occupied a considerable part of population's interest. In Iraq, jewelry was and is still a necessary and important requirement of women's life. Jewelry reflects the economic and social aspects of life and people. It is an evidence of richness as well as social prestige. Metal weight and carat plays and important role in quality of goldsmithery and jewelry design. Further, precious stones play a remarkable part in both the type of design and the value of the ornaments Moreover; metal coloration has its effect in showing the aesthetic aspect of metal, and is used as an element to enhance the impact of the jewelry design.The use of enamel in jewelry coloring has played an important role, and has its stature on both gold and silver jewelry. The study lies in five chapters and deals with both design & techniques of the contemporary jewelry in Iraqi, focusing on the precious metal and gem jewelry. It has two goals : 1 - Identifying the bases used by the designers to create the shapes used in contemporary jewelry design. 2 - Clarifying the techniques employed by contemporary jewelry designers in Iraq.The most important findings of the research are. As for the first goal, it is found that : 1 - Iraqi Contemporary Jewelries are usually made of gold and silver, platinum is not used. 2 - Iraqi designers fall under the impact of cultural and economic factors. 3 - The continuous use of (Mina) in gold and silver jewelry coloring. 4 - the large use of geometrical shapes and designs. 5 - Designers used symbols, especially those derived from religious believe.As for the second goal : 1 - The use of several techniques in the jewelry making such as different types of casting, cutting, wilding, forging, drawing, pressing, rounding, bending, punching, rolling and other modern techniques. 2 - In decorating valuable metals (gold and silver), the designers used the techniques of sanding, perforating and filigree. Examples of designs and techniques employed are shown in color plates

استلهام الاشكال الواقعية وتطبيقاتها في تصاميم الاقمشة المعاصرة Inspiration The Natural Forms And Their Applications At Modern Fabric Design

اسم المؤلف: اسمار عبد الوهاب علي مال الله
اسم المشرف: ناصر حسين الربيعي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The nature is a basic element for designer because it's containing variable elements as spots ,lines ,areas ,tangent forms ,colors ,and spaces and these elements consider at permanent change at visual view upon in what happened at the nature of such variables so it's controlled by nature law as birds , animals , insects ,fish ,shells ,coral groups ,sea waves , followers and plants.The role of designer is coming to extract what is wished to of such visual system to achieve what does he want to express for his own vision , and by his different performance means then the creative eye could see at the nature different designs and on great degree of accuracy and the design it consider as of many expression fields that sensed by human since of his existence on the earth and his insisting of need so the human concluded to centuries of meditation for different aspects to the basic of science and what occur on it of developments to reach with us of great revolution of science to recent century so the designer become as the important role of taking the different appears of nature as testing look and got of awareness ability to discover in what own of arts values and so we should choose the designer to achieve his expressional goal and to put the suitable solutions for designs problems.The fabric designer have the ability to inspire of his many source and multi means as to get for the obvious source inspiration or influence by representing source has the motivation of inspiration so the good designer who influences with all surrounding of direct optical visions effects or effects of inspiration designs invited him of thinking and meditating and analyzing represented as inspired design so every thing he , could do is a reflection for accumulated information results of previous optical or conceptual vision of the life and environment and behaviors , from this it come the recent subject study of ( the realistic forms inspiration and their applications at mordent fabric designs ) that included fourth chapters by using digital technology and the research goals were to discover the realistic forms and employment it to inspired designers of modern fabrics women by using digital design ?and the research goal is discovering realistic forms which inspired by designers then it employed their designing works ( on fabrics women ) and secondly to know the realistic inspired applications for modern fabrics women the research identified by subject to study the realistic and inspired forms to design the modern fabrics women and the research limited at time to design the modern fabrics women for the period 2009 - 2013 and local.Second chapter limited by many researches the first got the realistic forms sources and inspiration at nature and the second chapter got of the application of realistic forms and then it were extracted the signs that took by theoretical frame and by previous studies as follow : Third chapter took the research procedures that included the research's curriculum as discretional analyzing and research society that amounted of ( 93) designing models and removed of ( 70 ) designing models because their repetition and inconvenient of the research purpose so the residue were(23) of samples and upon the sample selection were mentally selected and about the research instrument were presented by bill of fabrics women design that prepared by researcher and included many axis's , the expertise were confirmed on it on basis of samples analyzing and then confirmed it validity according to bill's axis and for the fourth chapter it included the major results that concluded by the study as follow : 1 - The versatility of the inspired designing forms resources as natural resources to represent the realistic life because their a viability and their beauty specially the plants upon contained the love of God of beauty get the benefits of designers by employing it for fabrics designs specially the women designs that depended on it by designers to move the acceptance awareness as result of belonging to there realty then the inspired forms comes of the civilized heritage because it consider as a source and basis for design that never be ended so it's assign of civilizations and their symbols and the it inspired from the manufactured environments where it comes with medium ration and their employed as continues renewing as times and upon the forms inspiration by the society environment as the less ratio of appearing.2 - The executed forms by using the inspired application for the direct transferring decoration from the Islamic period3 - The appeared of designed style applications of indirect that's mean the modified and selected were used as many and it's followed to performing the forms where it shows the inspired forms as new character by new additions and arrangements gives the forms new look and sign get out of imitation.4 - It appeared the new style of implementation the inspired designs creations from the reality depend on inspiration of the natural reality beauties and not just literally transferring of reality so it harmonic with renewing spirit and technology developments science.Adding to the chapter itself included for the recommendations and suggestions.

اليات الارتجال ووظائفه في اداء الممثل المسرحي The Events of Improvisation And Its Functions In The Performance of Theatrical Actor

اسم المؤلف: فراس محمد رضا الموسوي
اسم المشرف: وليد شامل حسين
الموضوع العام: الفنون الجميلة
السنة: 2014
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: شكل الارتجال في فن التمثيل احد المحاور الاساسية المهمة في الاداء بوصفه لا يستند الى نص درامي معين، بل انه يعتمد على القدرات الذاتية للممثل كونه يمتلك موهبة العطاء الفني مما يجعله في موضع التركيز الدائم، اذ اصبح من الضروري ان يستند المسرح المعاصر على ال | The Improvisation in the art of acting is a main points task performance as not based on the text of a particular drama , but it depends on the capabilities of the representative of the talent he possesses technical bid , making it permanent in focus , as it has become necessary to place that is based on contemporary theater Activity improvise when more filmmakers starting from ( Arto and Peter Schumann ) and others , and perhaps this achievement creative improvisation has public functions , especially in the style of a theatrical performance , prompting a lot of directors to open studios , or workshops for representative in order to make a theatrical presentation of contemporary authorized to work crews on the one hand , and improvisation on the other hand so that the contemporary theater depends on the dramatic text and evaluates the improvised theatrical shows derived from the cooperation and participation of the Technical Group.The researcher dealt with the concept of improvisation, and his activities in the theoretical framework, which explained its importance in the uses of the fact that spontaneous or artificial, but this title was maintained for it to go on the level of exercise and width, has been shown to improvise supports standard design, and the idea of automatic rationality also depends on the power of observation, and speed intuitive, and immediate response, and the speed of communication with the unit topic, event, and dialogue, and the target. the first chapter of the research problem, and need for, and importance of, and purpose, affection extent, the definition of terms.The second chapter of the theoretical framework researcher divided in three sections , the first section : the concept of improvisation , the second topic : improvisation trends in contemporary theater , while the third topic : the improvisation activities and functions.The third chapter allotted researcher for two things discussed a specific community, and specimens and analyzed , namely : A - A play written further notification to Abdul Karim Sudanese, directed by Sami Abdul Hamid.2 - Burda written and directed by Ghassan Ismail.3 - apologized to my teacher did not mean that authored the emotions of bliss , output Dr. Haitham Abdul Razak.The fourth chapter guarantee results and conclusions of the researcher to decompose over the eyes of this chapter also included proposals researcher and a list of sources " and references.

اشتغالات التجريب في عروض المسرح العراقي Ostgalat Experimentation In The Iragi Theater Offers

اسم المؤلف: قصي شفيق توفيق امين الدلوي
اسم المشرف: زهير كاظم علوان الشمري
الموضوع العام: الفنون الجميلة
السنة: 2014
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Experimentalism has become the most essential components according to artist of theater in presenting all the additions and innovations because it is not a luxury but technical solutions come closer with the wishes, needs and the language of the viewer, to know that experimentalism is a multiplicity of visions, various trends, and that is the secret of the richness of the artwork. The present study attributes to the characteristics of experimentalism, and the most important experimental innovations that emerges through the creative achievement by the Iraqi director of theatrical art, pointing to the most important experimental additions of theater show and what are the methods by which to achieve these experimental additions of Iraqi theater.The present study consists of four chapters : Chapter I : Methodological Background which includes : The problem, the aims, the hypotheses, the procedures, the limits of the study and the value of the study.Chapter II : Theoretical Background which includes : • The first topic : the Concept of Experimentalism : The researcher presented the concept of experimentalism and the most important definitions, and then the emergence of the factors of experimentalism in the theater, and its characteristics. • The second topic : the Characteristics of Experimentalism in the Theater : The researcher presented the characteristics of experimentalism in the Greek theater, the Roman theater, the Middle ages, and the Renaissance age, where the researcher refers to the theater directors and their experimental innovations through their creative theatrical shows• The third topic : Experimentalism in Modern Theater : The researcher presented the characteristics of the trends of Aristotelian experimentalism in the theater, the trends of non - Aristotelian experimentalism in the theater, and the experimentalism in the contemporary theater. The researcher pointed to the characteristics of the theater - directors in the world.The researcher pointed to the most important results that came out from the theoretical background and has been applied to examine its validity upon Iraqi theatrical shows presented in Baghdad by professional Iraqi directors.The researcher refers to the previous studies were two of them related to the performance and directing, which arranged by date as shown : A. Diya' Kereem Rzeig, "Experimentalism And Its Impact On The Iraqi Theater." 1989. B. Bahaa Zuhair Kadum," Characteristics of Performance Analog In Experimental Theater In The College of Fine Arts." 2012. C. Mudaffar Kadum Mohammed, "Experimental Theater Techniques And The Development of The Performance.".2012. D. Yusuf Hashim, "Characteristics of Experimentalism In Academic Iraqi Theater.".2014. Chapter III : The Procedures : Selected samples based on a questionnaire presented to the theater experts, pointing through it to the theater shows which have experimental features. The researcher adopted the descriptive methodology in analyzing these samples. The study includes tools like documents including books, magazines, CD and Photography which adopted by the researcher in tracking the attributes of experimentalism of the selected theatrical shows.The Selected Samples : A. The Play : " Diamond Party" Directed by Salah Al - Qasab.B. The Play : "Cedra" Directed by Fadel Khalil.C. The Play "One Who Stayed awake In His Hallucination" Directed by Ghanem Hamid.Chapter IV : The results and conclusions, recommendations and suggestions for further studies, list of references, appendices and abstract in English

انعكاس ثقافة المجتمع على اداء الممثل العراقي A Reflection of The Culture of The Community On The Performance of Iraqi Acter

اسم المؤلف: سعد فاخر شبوط
اسم المشرف: راسل كاظم عودة
الموضوع العام: الفنون الجميلة
السنة: 2013
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: As the diversity of the phenomenon of cosmic manifests itself in the world of nature , and because of this diversity of manifestations of creation major , so culture is a necessity in the renaissance of peoples so that you see human life at every level , including social, economic, political , and religious and cultural heritage , it must be multiple in both life and concepts , systems and traditions , and people's habits , and actor as one of the pillars of cultural , this research answers the following question : how the reflection of the culture of the community on the performance of the Iraqi theater actor , has included research on four chapters : Chapter I : methodological framework , which consists of : ( a search problem , its importance, and its goal, and the limits of the search, and determine the terms ). The second chapter has dealt with the theoretical framework , the research has been divided into three sections are : The first section : the concept of culture : in which he addressed to the concept of researcher Culture and Taalgah with society and the environment The second section : ( the art of acting and performance references ) : in which the researcher tracking the art of acting wath references the culture Section III : ( cultural component and the actor 's performance in theatrical trends ) : In this section the researcher reflections on culture trends plays , on the performance of the actor. The third chapter : dealt with the search procedures , has been divided into five sections : ( search procedures , and society, and the research sample , method , and the search tool ). The research sample was represented by five Iraqi theater has offered since 2003 to 2013 The fourth chapter : was the search results and the conclusions and recommendations and proposals. The research concluded with a list of sources and references , and a ABSTRACT in English

التنظيم الشكلي للفضاءات الداخلية الحديثة للمجمعات الطبية الخاصة The Modal Regulationof The Modern Interior Spaces of The Private Medical Complexes

اسم المؤلف: بان احمد ابراهيم
اسم المشرف: عباس علي جعفر العبيدي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الداخلي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The interior design, with its lavish results, in terms of construction and performance, is more than other arts closest to the people, on the basis of the art that treats the difficulties which we face in the field of movement in the interior spaces. it is an essential part of the overall architecture of the building , it is the link between the parts of the building as a integral, elegant and assorted band. It is the max goal Intended to provide an internal environment. The patch vastness is illuminative in place with moderate air , scented space , aseptic atmosphere , comfortable furniture , full supplies, bright colors, adorned walls and full significance. It does not send boring nor boredom feelings , rippling in delight and calling for optimism. The heart exults in its sweet music.it constitutes, with these specifications, an example architectural, and be a masterpiece achieving performance today it is a work of art achieving advanced functionality and aesthetic considerations bestowing, on the human, psychological and physical and intellectual comfort bringing him closer into a lot of safety and reassurance area despite suffering where damaged by disease enforced to visit the medical complexes or the fate led him to work in whatever type of work was.Therefore this research deals with the failure of medical complexes in the provision of internal spaces that meet the humanitarian needs of the physical and mental ones to its users. Accordingly this research came upon the modal regulation of the interior spaces of the modern medical complexes , the idea of this research is generated from a research problem - what is the role of the modal regulation of the internal spaces of the modern private medical complexes to meet the needs of the occupants ? The research aims to detect the modal regulation of the interior spaces of the modern private medical complexes in terms of performance and aesthetic form in order to access to modern interior design.The importance of research hidden in the fact that these complexes must be within the terms of modern therapeutic environments in the world regardful the scientific and technical progress in the methods of providing medical and therapeutic services to the general public, regardful the aesthetic side and achieved through the creation of a modal regulation leads to the performance, functional and aesthetic purpose.The research relied on theoretical study and the analytical study of the healthful spaces. The research is divided into four chapters , the first chapter of the research included the problem of the research and its significance in addition to clarifying and defining the goal and borders and the definition of the most important terms contained therein , the second chapter dealt with the theoretical framework which consists of four pivots, the first one included the studying of the shape concept and its philosophy the sources of the shape and regulation and modal comprehension. the second has dealt with the concept of form in interior design and objectives of the modal regulation in the interior design, properties in the interior design,influencing factors in the modal regulation and the modal relations. The third topic dealt with the modern techniques and their influences on the form of spaces in the stage of Postmodernism, the form in the interior design in the stage of Postmodernism, trends of the movement of postmodern, disassembly internal space according to the modern vision, the impact of new technologies in the design of the internal space, modern ores, modern techniques of raw materials. While the fourth topic was taking about the modal regulation of the elements of the knowledge of the interior spaces of the medical complexes, the concept of inner space, forms of internal space, regulation of internal space, elements of knowledge of the internal space, vertical and horizontal determinants, the optical elements of the interior spaces of the compounds medical, furniture elements of the internal space decorative elements in the design of the internal space and the environmental control systems.The chapter 3 favored with the research procedures where adopted the descriptive analytical method in the research sample which represented by the sample of the form of medical complexes with the regulation and preparing an application for the pivot analysis based on the indicators of the theoretical framework and adopted as a standard basis and in the process description and analysis.The research included the current interior design (of the internal space of the medical complexes) that was established for the period from (2003 - 2013 ) and still operating for the fact that this period specifically represents several intellectual variables on the level of the architecture and interior design the most important of them is the appearance of the enormous technological discoveries which played a major role through modern techniques and its relationship to the performance and function of interior design space for medical complex at the level of the body and the raw material ,so they were counted according to the specific considerations , specifically that fit with the theme of the search, bringing the research (7) medical complexes on Al Karkh area. Samples of research were selected from it in a deliberate manner. The results have been circulating on the society as a whole , the research relied on the sample intentionality by ( % ) consisted of three internal spaces of the medical complexes. It has been chosen for the research because it is differentiated in terms of the use of modern technology at the level of functionality of these spaces. So the three spaces below were chosen as a sample for the research because they share with each other considerations in determining community and differ from each other in terms of interior design , namely : 1. Iraqi Specialist Medical Centre. 2. Dar Es Salaam Medical Center. 3. Razi Medical Center.The fourth chapter has been included on results, the most important are : 1. The non - completion of some of the vertical determinants of top of space,which was resulted to us cacophony of modality in the case of the design which had a negative impact on the achievement of the performance career, as well as giving a clear impression in the negative aesthetic taste which reflects the foolishness of the interior designer.2. The absence of fixed supporters at the vertical limiter which imposes their conditions as a system especially if the absence of theses supporters has a negative impact on the job achievement performance for the privacy of the users of thatbuilding.3. The glass material for doors and windows is free from the self - cleaning properties in addition to the fact that it never provides solar protection and acoustic and thermal insulation, while there is an alternative material of glass where these properties are available in it, which contains the NANO technology which led to weakness in achieving functionality and aesthetic.In light of the findings and its discussions has been going out some conclusions : The absence of typical architect in the building complexes body (medical specialist ) led to the emergence of some of the functional and aesthetic problems in most of the complexes.1. The absence of the use of modern materials due to unavailability in the market or difficult to be purchased impacted negatively on the general authority for architectural and interior medical complexes.2. The absence of the role of the interior designer in terminations and specialist furniture in addition to improper distribution of lighting impacted negatively on the aesthetic and functional values of the medical complexes.3. , The absence of the specialists in the selection of materials of the finishes and furniture caused a breach in the colorimetric regulations which led to confusion in achieving the aesthetic aspect of the medical complex.The research ends for submission of proposals and recommendations pertaining to the subject of the study.

تناسق التقنية والوعي الجمالي في اظهارات الشكل الخزفي Systematic Between Technique And Aesthetic Awareness In Ceramics Art Works Presentations

اسم المؤلف: فاروق عبد الكاظم غانم
اسم المشرف: سلام جبار جياد السوداني احمد هاشم عبد الكريم الهنداوي
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: الخزف
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

اشكالية القبح وتمثلاته في الدراما التلفزيونية

اسم المؤلف: مصطفى عبيد دفاك التميمي
اسم المشرف: علاء الدين عبد المجيد جاسم
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: بقي مفهوم القبح في الفن غير ظاهر في مباحث الفلاسفة الجماليين بوضوح تام على الرغم من حضوره بوجهتيه الابداعية والنقدية، فالفنان يتناول القبح بوصفه مادة ابداعية مرتبطة بالتجربة الجمالية التي تثري المخيلة من خلال التواصل بين النتاج الفني الذي يعمل على تمثيله

البساطة والتعقيد في بنية تصميم العلامات التجارية Simplicity And Complexity In Brands Design Structure

اسم المؤلف: رؤى جعفر سعيد ياسين
اسم المشرف: مها اسماعيل علي الشيخلي
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: This research addressed the subjects of simplicity and complexity in brands design structure, because these two styles of simplicity and complexity play an effective and important role in the design of brands in order to attract the largest number of recipients. The problem lies in how to use the styles of simplicity and complexity correctly and without exaggeration to deliver a clear message to the public. Thus, the messages will not be limited to the expression of the benefits of products only, but also calls for believing and trusting the brand for greater impact and effectiveness on the recipients, so the brand design structure is considered one of the problems faced by some companies trying to attract consumers to remember their brand and set it apart from competitors, and hence the researcher has put the following question : How is the simplicity and complexity in brand design structure exemplified? The aim of this research is to reveal the simplicity and complexity in brand design structure. This research focuses on the styles of simplicity and complexity in Ogilvy agency in the United State of America, in the years (2011 - 2012). Chapter two included the following topics : first topic : the concept of simplicity and complexity in art and design, second topic : simplicity and complexity in graphic design, and the third topic : the structure of brand design.The researcher then mentions one previous study (Brand Personality Creation Through Advertising Design), then the research’s procedures were mentioned, which included the research methodology and research population which was world famous brand designs. The study sample was chosen to be fifteen (15) samples consistent with the requirements and nature of the study, the researcher has shown the study’s tool represented by the analysis form which included several aspects and were presented to experts and research committee and based on that, the samples were analyzed. The results were based on the most important analyses, of the most important results : 1) the style of complexity in design is represented by an increase in elements during the suggestion process, as the design becomes crowded by many elements adding beauty and visual appeal denoting the vitality, youth and the spirit of the young because of the multiple shapes and colors and their variety. The multiple colors and vitality in design attractthe viewer’s eyes towards commercial advertisements and more importantly towards the brand.2) Globally, brands care about designing the shape of products, and having a unique identity distinguishing it from competitors in designing their products and keeping their principles of providing the same high quality and continuing in providing the best always, the outer shapes of a product helps remind people of the brand and sticks in their minds, even if a company wanted to change it in the future, it will try conserving the general and main style of the product shape, and changing simple minor things like the shape of the Fanta bottle in sample (4) and the shape of the Audi car in sample (13).And the main points of the conclusions : simplicity and complexity are important in brands design structure, and both are used by global brands, andit depends on the strength and success of the idea by the designer and the useof thoughtfully selected elements and how they are distributed in a way to attract attention. The most important recommendations : it’s necessary toselect appropriate elements in terms of colors, shapes, lines and graphics, and how to assemble them to attract attention in a way that achieves a successful thoughtful advertising message with strength in creativity. The most important suggestions : the aesthetics of the simplicity style in graphic design.

التنوع التقني الحركي في تصميم الفضاءات الداخلية Technical The Moving Diversity In The Interior Design

اسم المؤلف: احمد طالب جساس
اسم المشرف: سداد هشام
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الداخلي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: نظرا لما يعانيه التصميم الداخلي من فقر واضح في توظيف التقنيات الحديثة للحركة الوهمية في تسيير الحركة الفيزيائية وخاصة في فضاءات الفنادق والذي يعتقد ان سببه هو قلة الدرسات في البلد التي توفر قاعدة معلوماتية للمصممين مستندة على ردود افعال الناس حول انظمة | Given the suffering of the interior design of a clear poverty in the recruitment of new technologies for the movement of the phantom in the conduct of physical movement and especially in the spaces of hotels and who is believed to be caused by is the lack of Studies in the country that provide a database for designers based on the reactions of people around the phantom movement in the internal spaces Systems to be this movement to adopt a tool in spaces of hotels in stimulating the motor inference (physical movement) in spaces which is one of the most important things to be the designer to deal with it so we found that we contribute as a service to the country in search means this aspect of publicly close the part of the knowledge gap in this area. The one who came research the problem by asking : what technical variations in motor design interior spaces. And when the review of the hotel spaces and the great diversity enjoyed by found begin Pfdhaouat can be controlled in its dimensions and diversity of the material. We found that spaces Burj Khalifa of the newest hotels used where these kinetic techniques and private spaces of the main halls of the reception and restaurants within the hotel space and corridors of the hotel and could help put the blocks information could be expanded by future studies more comprehensive spaces of hotels and technologies motor. Find and goals came disclose the modern techniques of the determinants of the movement in the design of administrative spaces. And the disclosure of the impact of technology in determining the physical movement. The axes of the theoretical framework has been included on the three sections first addressed the concept of technical diversity and the second movement dimensions The third intake movement techniques in interior design down to the theoretical framework indicators and then the third quarter, which resulted in research procedures in the internal spaces of the Burj Khalifa analysis is the most important results that determine Vocabulary formal and characteristics of morphological, among the determinants of the structural organization of the space, longer Based prototype of the effectiveness of structural relationships in the global configuration of the system motor, which is transforming the movement of just a sequence and juxtaposition to the same comprehensive indication of the independence of the locomotor system space facts, and that supplements are not the axis or center secondary but as a verb based on attraction and confirms the continuity of kinetic space, working as units overlap and blend with the overall design level. The most important conclusions was, Toss techniques that regulate some of them with some of the elements giving the variation in space, achieving an imaginary kinetic system to adopt materials in a modern way in the investigation because of its functional aspects.
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