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الاعتبارات الانتاجية والتغيير الشكلي في المنتج الصناعي المعاصر == The Considerations of Productivity And The Formal Change In The Modern Industrial Product

Author name: اياس صلاح الدين حامد
Supervisor name: هدى محمود عمر
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: This search deals with the study of (productivity considerations) as it is important to the industrial designers, and its scientific inherent importance in the development of the shapes of their products benefit that presents , The search consists of five chapters , The first chapter includes the research problem , ( what is the role of productivity considerations in determining the shape of the product ? ), the problem will be dealt by searching in the title of (productivity considerations and the change in shapes of the Modern industrial product) The importance of the research is to provide a clear picture, of the concept of productivity considerations and define its role in changing the shape of the product, The aim of this study is to Detected and limit the role of productivity considerations to change the shape of the industrial product.The outline of the this study is the productivity considerations before the design and manufacture of the product for Nikon products of digital cameras and photographs, which is available on the company's site in the international network (the Internet) raised in The second chapter, which contains the theoretical framework and previous studies which include three sections ; the first section is on the structural change by subtracting the causes and factors and the necessary requirements to change the shapeof the product, whereas in the second section represents detection and determine the productivity considerations and how to limit its role in changing the shape of the product, The third section shed light on the strategies used by industrial enterprises in changing the forms of its products in The framework of economic production , and the result of theoretical framework of indicators based on the basis of which the models analysis axes.The third chapter includes research methodology, descriptive analytical method , samples of analytical forms , Forms of information and the reasons for choosing sampling forms, while the fourth chapter consists pictures of samples which are five samples what analyzed according to themes derived from the theoretical framework, Chapter five the latest, includes the results extracted from the analysis samples , Conclusions , recommendations, proposals and beneficiaries, and the most important results are : - - The group who designed for , and competition between industrial enterprises has the role to determine the product form in all models.The main conclusions are : - - The diversification strategy includes most of the samples and , which many of them are variety in more than one level, For example, came chromatic diversity and diversity in this category at the formal level with the knowledge that the technical diversity has had a share is considerable in the diversification strategy. and The kind of group of peoplewho use the product, had a big part to limit the process of standardization , simplification type and miniaturization ,which is restricted in the samples that where determined for a class with a large number, which have ability to follow the changing forms , and the possibility of running multiple experiments with the product, while offset by the qualities of excellence and uniqueness in other samples that do not accept profiling and simplistic in their platforms

اليوتوبيا في المنتج الصناعي المعاصر وانعكاسها على المستخدم == Utopia In Contemporary Industrial Product And Its Impacts On The User

Author name: اياد خلف ياسين
Supervisor name: شيماء عبد الجبار حميد العبيدي
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: ان هذا البحث الموسوم ((اليوتوبيا في المنتج الصناعي المعاصر وانعكاسها على المستخدم)) استهدف الكشف عن المفاهيم المعرفية المتمثلة بـ {بيان اشتغال اليوتوبيا (المثالية واللامكان ) في اداء المنتجات الصناعية المعاصره وانعكاسها على سلوك المستخدم }.من خلال دراس | Targeted this research is marked by ((utopia in contemporary industrial product and its impacts on the user)) detect cognitive concepts of b {statement functioning of Utopia (ideal and nowhere) in the performance of industrial products and contemporary impacts on user behavior.Through evolutionary context, the study of contemporary industrial products to be tapped in the identification between the utopia of contemporary industrial and product relationship to study the modalities by which the development of systems design in light of the impact of job performance industrial products Aluotabih and the reflection of that performance on user behavior, and focus on Aluotabi design privacy in structural aspects. To achieve the aim of the research, the researcher collected the main pillars necessary for the analysis based on the Investigation of the theoretical framework, which included three sections, which included the first part, "utopia concepts and perspectives" and included relationship utopia Qur'an and some other science and relations relational between the concept of utopia and some other concepts. While the second section included "the possibilities of utopia in contemporary industrial product" activities included mental utopia in contemporary industrial and product possible, as well as the process of utopia in contemporary industrial product. The third and final section included "act Aluotabi trends and reflected on the user's" included : the characteristics and mechanisms of utopia, as well as contemporary industrial product and user behavior.With the adoption of theoretical concepts and regulated by the researcher in determining the axes of the analysis, which included a total of the following themes : - Form• reciprocal nowhere and idealism in contemporary industrial product.• Aluotabi dimension to the way of dealing with the user.• Aluotabi act for the performance of the product and its reflection on the user.After the agreement with the specialists from the relationship with the subject of research, according to the time period specified for the selection of a sample of international companies in several countries for the year 2015. Concluded researcher set of results, namely : - 1) Technical impact is affecting the most effective in pushing the design thought to grant approach broader and open with all the theoretical and applied sciences, including the utopia that is proportional to the contemporary technology, in the sense of industrial designs whenever the technology available for industrial product simulates the ideal side, the user has the size of usability and interaction with those larger products and vice versa, it means the user definition of technological progress by contemporary industrial product.2) Investment artificial intelligence by mutant technical time in the formation of utopian thought for systems design environment contemporary industrial product through the concept of nowhere, Find a tradeoff between user and act Aluotabi salary through the performance of contemporary industrial product that technology was the reason be found through technical methods that It reduced the time and effort to achieve high efficiency and ease of use.3) There are no design constants be the tracks that underpin the designer, but it is about the ability to arrange the vocabulary and elements of building design in accordance with the determinants of building modern industrial product, as well as possibilities acquired by the accumulated experience in the sense there is no certainty at all but a relative because science against stability, In fact, the only constant is that all the facts in the case of change

اليات اشتغال النسق والتكرار في التصميم الطباعي == Mechanisms of Functioning of Pattern And Repetition In Graphic Design

Author name: ازهر يوسف مبارك
Supervisor name: نصيف جاسم محمد عباس
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: Represent the relationship between pattern and repetition and Achtgalhma in Graphic Design One of the relationships that lead to control structure design and which are of a role in influencing perceptions of the receiver in the definition of the idea and will lead to the success of the letter addressed to contribute to the delivery of the idea put forward as based axis current research on the study of thosemechanism and implications left by the advertising design forms and sizes all, companions have easy in the process of receiving, including what constitutes a difficulty in the process of visual perception and through the process of cognitive clear Achtgalat patterns design and the promise Graphic Design of iterations of the elements of building, causing confusion in the process of receiving because of employmentis appropriate for design formats, where enrolled search in several classes, came the first chapter select a research problem which manifested itself by asking the following : - What are the mechanisms of operation of pattern and repetition in Graphic Design ?The importance of search through the possibility of its contribution to the benefit of printing and institutions, including newspapers and magazines through a better understanding of these mechanisms and Achtgaladtha, as well as for the development of design awareness among workers in the field of Graphic Design, which would in turn enrich their cognitive awareness.Select the aim of the research to define the mechanisms of operation of pattern and repetition in Graphic Design in general and advertising in particular.Cared theoretical framework with four sections, touched first topic to (Layout and repetition in the Koran as well as in philosophy and art), while interested in the second section (Layout and redundancy in the structure of Graphic Design, structural layout design, structural perceptions Altibograveh in design, patterns written, structure perceived Alkraveka in design), and touched the third section to (Layout and redundancy in communication process in terms of the concept and its elements as well as the format and frequency and mechanism of perception, communication and design language, perception and coordinated communication design), the fourth section, Vttriq to (semiotic pattern and repetition, semiotics in design typographic elements Alkravekah and implications of semiotics, signifier and signified PHP design elements).In the third quarter was the description and analysis (20) sample - based research into paragraphs derived from the analysis of the theoretical framework, and its outcome indicators were as follows : - The dimensions of the functioning of the format. - Repetitive structure. - The functioning of the structure. - Layout and redundancy by writing patterns. - Recurring pattern through the communication dimension. - Layout and redundancy by perception. - Semiotic pattern and repetition. - Engage in relational system of pattern and repetition.According to the contents of each individual model, the fourth chapter, has included a presentation of the findings of a researcher, and numbered (19) as a result, with regard to the aim of the research, including : 1 - hired Layout pivotal parties with confirmation relations structural Association between shape and space, that the adoption of Opto Recurring pivotal clearly indicates typical treatments carried out by designers working in design commercials that are often printed product charges, from planning trademark Anwanat and images.2 - represents balance types in the organization Opto and Recurring through recruiting Alkravekah with the larger sizes of pictures and that ran large swathes of the overall size basis for designing advertising, as though the adoption of outsize pictures and some elements Alkravekah that that which comes to confirm the importance of image in the reporting and in occupancy space and that calls shorthand in other elements as well as direct delivery of content that you upload.3 - hired format redundancy through an overlay images and who reported in reducing the sizes in cases available where large images size, as is the pattern overlay formal which depends repeat elements among the processors technical construction which resorted to the designer to show the largest number of images or shapes related advertising as envisaged and lead color, size large role in clarifying the mechanism overlay which requires clarity in the employee elements.4 - hired format repetition vertical structure design, and that by repeating elements contrast volumetric and chromatography, as a kind of regulation iterative whatever is meant to pull the attention of the seer according to the mechanism from top to bottom and make itmove according Values available in design, and is working through volumetric variation and color, as you can start vertically from top to bottom or vice versa.5 - adopted Layout radiation emanating from the center to the sides with investment Vocabulary large sizes to balance formality, as is commonly this format much in structure design with Vocabulary numerous terms easier for the designer distributed through a single prevalent and organized around Vocabulary other way diffusivity some aspects.6 - hired Layout hierarchy in highlighting the individual formal prevailing advertised, and comes this employment in order to attract the recipient and influence it and procedure requires gradual Values from top to bottom (repeat hierarchy), as if the base address and ranging beyond Anwanat another and so on.The researcher also suggest a set of assumptions that will be an important focus for future studies, including : 1 - benefit from design methods with which designers Alaalaon developed countries Kravekaa and industrially, particularly in the area of employment pattern and repetition of images and other vocabulary.2 - Find insights and new ideas in the design of the advertising formula and published and Akhraja final and must know the equipment and print - related media.3 - the pursuit of understanding of digital design and learning software, which deals with design Alkraveka it the most effective way to develop an understanding of the designer of what is happening in the field is the arena foundation and important episodes of the deal modern Alkraveka.

المعالجات التصميمية في الفضاءات الداخلية للورش التعليمية == Treatment Design In The Internal Spaces of Educational Workshops

Author name: منتهى عبد النبي حسن نجدي السعودي
Supervisor name: فاتن عباس لفتة الاسدي
General topic: Fine Arts
Specific topic: Interior Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: Represents treatments design spaces educational workshops , one of most important basic functions that seek him by the designer and the resulting coverage of the nature of educational workshops and spaces employed in the formation of character career.Addressing these spaces allows us designers internal mechanisms employment possibilities ,techniques and methods of a variety of style different for what we find in most spaces,the other for starting towards the concept of the projections functional (Performative,aesthetic) that hide in it.The features detailed spaces work(wokshops) to design spaces interior is characterized by being the field of lead to study and knowledge of the factors affecting our treatments design for this type of spaces,which in ourMinds bunched treatments values overlap with traditional asset developments and new technologies for the advancement of educational spaces carpentry workshops to keep up with the functional requirements.The treatment of achieving spaces internal according to the concept of functional integration(Performative,aesthetic) should the interior designer to be of a familiar treatment design and ways to achieve them,with the assistance of vision and ideas for starting towards the concept translates façade educational for our country,which has become a requirement no matter how based on him the need to address spaces workshops to keep up with the requirements of age and educational reality,to lead us to the title search is marked"design treatments in the iternal spaces of educational workshops" the search consists of for chapters : Chapter One : Addressing the problem of search which crystallized by asking the following : What is the treatment design in the internal spaces of educational workshops?The objectives of the research guarantees the possible contributing ideas to develop designs interior spaces for learning carpentry workshops.And demonstrated the importance of current research presenting the study necessitated by the need to raise the level of the reality of the spaces,interior carpentry workshops world, as well as the contribution of researchto clarify the most important levels of treatments that work on the development of the spaces, as wel as lay the foundations of the theory for the purposes of application of the treatment design on according to mechanisms keep pace with the times, as play an important role to suit the nature of thefunctions and activities performed there in, which is represented by the border merits of the search, while determined the spatial and temporal him in spaces carpentry workshops teaching in colleges of fine arts and applied arts in the provinces of Iraq for the period from(1967 - 2013) as well as determine the terms contained in the title of out procedural tariffs.Chapter Two : The theoretical framework which resulted in two sections : The first topic : Singled out the concept of interior design and its relationship to job performance in the educational workshop spaces, while the second topic : The spaces included carpentry workshops and educational ways to address them and upgradeable career.The theoretical framework resulted in a set of indicators adopted in the analysis of form models : Chapter Three : Included research procedures and methodology, as it comprehensive survey in the selection of community samples and research(3) models only for study, and adopted the search tool on the form axes analysis , pointing degree achieve those themes on them, as well as a description of research and analysis models.Chapter Four : Ensure that the findings and conclusions that have been reached by this research, is the most prominent : 1 - Chapter's relationship to the workshop space from the rest of the educational institution spaces provided a comfortable indoor environment , to achieve the required functional requirements not only in terms of space of the institution.2 - The treatment of perception and understanding of the internal space is a staggered treatment which contribute to numerous factors and effects , including behavioral and psychological related to the user.Including structural and training related to the form and body components of the internal space(SDH, furniture and supplements), as well as relations achieved through it , and here comes the role of the interior designer and his ability to achieve this integration in directing realize user elements and components of the internal space and the relationships between these elements and components.3 - Contribute the characteristics relations in space to achieve continuity the physics and visual space workshop with spaces adjacent or between the spaces of the workshop itself , result in the outcome to the treatment of configuring the harmony and continuity visual, and to achieve the structure physics coherent visually compatible with each other and with all, anything to do with all of the space(work,storage,supervision, diction, service).As well as the fourth quarter included the foundations of design theory, and recommendations, and general suggestions, and design proposals, as well as horizontal charts, tables and explanatory forms, and a list of sources and supplements.

القيم الجمالية ودورها في استجابة المتلقي للملصقات الجدارية == Aesthetic Values And Its Role In The Response of The Receiver Wall Posters

Author name: مها عبد الرحمن عبد الرزاق الهاشمي
Supervisor name: حكمت رشيد فخري العزاوي
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: Means the current research to study the aesthetic values and its role in the response of the receiver in the posters, in order to understand the mechanism of action to realize the ideas that are meant delivery to the recipient to contribute to the development of talent aesthetic sense with him and make him Connoisseur and critic of all that lies in recognizing, as is the aesthetic values as a fun frame of mind of the recipient, being include speech visually in Graphic design in general and in particular wall posters.So it has identified the research problem by asking the following;( What are the values, what is its role in the response of the receiver )For the purpose of reaching the goal included (detection aesthetic values and its role in the response of the receiver) has addressed the researcher in the study Detectives relevant, namely : Chapter One : it addressed the methodological framework (research problem, the importance of research, the goal of the research, the research and determine the limits of the terminology)The researcher also addressed the second chapter (Theoretical framework and indicators Theoretical framework and previous studies)The theoretical framework included the concept of aesthetic values (values and sensory values and the values of the formal relational)Also included the concept of cognition and cognitive and aesthetic response to the recipient, in addition to the concept of aesthetic judgment The third chapter (procedures for research and analysis of the samples) as chose researcher descriptive analytical method as a way suitable for the analysis of the sample and identified b (15) sample, have been selected Qsidia from the research community of (60) where excluded researcher posters Latvian required purpose, since the size of the sample depends on the extent of the homogeneity of the data was also preparing a special form include axes paragraphs of analysis, which were drawn from the theoretical framework of an accurate and objective, as well as the adoption of a researcher on the opinions of experts in the field of graphic design for cemented search tool and make it more objective and coverage of truth for the purpose of achieving the objectives of the researchThe fourth chapter has included findings, conclusions and recommendations and proposals, the researcher remember the most importantFirst results : 1 - convey the idea through photo realism and colorful designer proficiency in recruiting image to serve the idea of the poster in the process of overlap and influence the time according to time, place, and that - lead - to - focus - attention - provoking receiver.2 - the process of attraction have the ability to highlight important topics and make it a tool to attract the recipient, especially if the attraction is characterized sovereignty over most of the area of the visual design of the field3 - According to the designer of the value of cognitive dynamics as a factor in job performance, which gives vital energy through movement vocabulary consisting of the poster.Second : Conclusions1 - of the positives of aesthetic values in the design of the label it affects the receiver and check a lot of intellectual and ideological desires2 - attraction provides the ability to highlight important topics and make it a tool to attract the recipient, especially if the item is characterized by attractive sovereignty over most of the label within the visual field3 - the use of aesthetic values equal powers in determining that it is designed to use tonal values received from the user or the colors of the poster opposing valuesThird : Recommendations1 - to benefit fully from the operations provided by the designers design posters, especially in the ability to deal with the constituent units of the label to achieve the response of the recipient2 - emphasis on the formal activation of sovereignty in the designs of the posters because of their importance in achieving direct contact with the receiver and all genresFourth, as suggested by some studies, the researcher as follows : 1 - design techniques and crafts show layout and its impact on the achievement of aesthetic values in design posters of the movies world2 - study of color and processors Alazaaria through aesthetic values and methods embodied in the designs posters for films global3 - Search and conclude with Arab and foreign sources and a summary of the research in the English

الفكرة وقواها الفاعلية للتصميم الكرافيكي وتاثيرها في الفضاءات المعمارية == The Idea And Its Forces Powers In The Graphic Design And Its Role Effects On Architectural Spaces

Author name: جواد كاظم عباس المعموري
Supervisor name: سعدي عباس كاظم
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: تمتاز التصاميم الكرافيكية المعاصرة في امكانيتها على تلبية متطلبات متعددة وغالبا ما تعلب الفكرة دورا اساسيا في تفعيل قدرة التصميم الكرافيكي لتحقيق مديات جمالية ووظيفية اعلى وتكمن اهمية الدراسة في مدى فاعلية وتاثير التصاميم الكرافيكية على الفضاءات المعما | Characterized contemporary Graphic designs in its potential to meet the requirements of multiple and often demand idea a key role in activating the design ability of the graphic design to achieve ranges of aesthetic and functional top lies the importance of the study on the effectiveness and impact of the designs, the spaces architecture which plays a faithful idea and industry play an important role in shaping the graphic design, as it focuses on the side of intellectual raises the value of the design and energy expressive and performing at the same time , and is in itself add knowledge on the part of the fundamental aspects of composition of the graphic design, and focuses on the importance of the role of this production in imparted by the aesthetic and functional to form spaces architecture.The study included four chapters address the first of which methodological framework for the search of the research problem and its significance and its goals, as the research aims to reveal the mechanism of making the idea and its actors in the formation of the graphic design, and the impact of design in the formation of spaces, architectural influence of actors for the manufacture of the idea, as well as the limits of search The definition of terms.And ensure that the second chapter three sections addressing the first of which industry the idea and the idea concept, then eating thought processes and brainstorming as one of these operations and processes of creative, eat second section effective power in the contemporary graphic design, influence and achieve the purpose, which included the third section dealt with functional design in space architectural and aesthetic treatments in these spaces, The researcher concluded that a set of indicators theoretical framework.The third chapter dealt with the procedural framework to look at the community survey and selection of the sample and the tool with the help of experts form prepared by the researcher for this purpose , has resulted after analyzing the models selected sample the contents of Chapter IV of the findings and conclusions , including : 1 - The ideas represented in the designs of the effectiveness of originality and their ability to deliver the message to the public as well as the impact that new in the sense of providing design idea.2 - Works in the activation of the catalyst of social forces in shaping the design idea by virtue of the need to meet the requirement of social, as it is to attract the public key factor in the success of the design.3 - Clarity and ease of visual discourse receipt of the letter by the public advertising of an important factor in activating the basis of the power of design idea.The researcher concluded from the above, the following : 1 - Interior spaces Bulky need to processors after an executive with aesthetic and functional one at that give vitality to the place and form an attraction unique to the public.2 - Based actors to exploit the idea of design as much as possible of the space and use it to deliver advertising messages to the public in an orderly manner sequential do not call for the confusion, but suggest a higher level of organization of the formal elements.The researcher recommended the development of capabilities designed and increase knowledge in the processor architecture of the spaces of both internal and external, which can provide the products of successful staffing level spaces, architectural aesthetic and use in delivering the message, display, and suggested to be interest in technical studies in collaboration with government institutions and service departments out the results of the best Indeed, at the level of the environment.

الرمز التراثي وانعكاسه في تصاميم المطبوعات العراقية == The Inherited Symbol And It'S Reversal In The Designs of The Iraqi Publications

Author name: انتصار جعفر رشيد التميمي
Supervisor name: نعيم عباس حسن
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: Was considered by UNESCO thing that ever was fifty - year old inherited cultural andheritage ,heritage ,including his privacy and the importance and and what it has of legaciesand beliefs reflect the reality of peoples ,is a tag that can not in any way be overlooked orignored ,it does not make sense to existence without those roots that support them, whichcheck its stability as it is necessary to broadcast the sustainability of the life time of the last of its reservation of neglect and then disappearing.Because we need today more urgent than everto re - organize our heritage of Iraq ,in line with the development taking place at all levels ,and as contained in the heritage of the plurality of symbols handed down through thousands of years ,and which we find in the case of employing them in the publications identity ,a reflection of a community contributes to the definition country and cultures on the one hand ,and a reflection indicative of meaning and symbolic representation of the content of the intellectual ,and a sense of value and aesthetic heritage on the other hand ,therefore ,felt the researcher to take this research to the definition of heritage and related recruitment ,as well as being complementary to the wedding culture started in the year 2013 AD ,it is but not holds the recipe uniqueness and leadership ,but he specialized in the field of impact caused byinherited in publications in general. Thus it is vitally problem of the research in the detection of the symbols of heritage and their associated meanings ,and the implications of all this inIraqi publications.Based on this researcher has identified the problem examined by asking the following : Is publications included Iraqi reflections of symbols inherited?The current research aims to identify the symbols of heritage and the extent reflected in thepublications of Iraq ,has been identified research study publications issued within the project of Baghdad, the capital of Arab culture for 2013 AD, which included four chapters, the first chapter discusses the research problem and its significance and purpose and its borders and determine its terms ,including, among other second theoretical framework which section into three sections ,carrying the first title of symbol heritage and its diversity of intellectual, cultural ,and included the concept of symbol heritage in terms of its diversity of religious, historical and mythological and folk ,while the second section consisted of levels symbol heritage in the publications of the Iraqi public to ensure that the semantic level and emotional as well as cognitive ,also included symbol heritage and intellectual communication ,postal heritage and a reversal in the community the third topic guarantees the formations symbol heritage that included symbols of heritage written and sham including guaranteed that the development of symbols written under the techniques of modern times ,and the stages of the evolution of the formation Graphic in publications ,and configuration Graph ic as a speech ,as well as variations printed.Chapter III also included an analysis of samples of publications of the project capital Baghdad ,Iraqi culture for the year 2013, and included the last chapter findings and conclusions and a number of proposals and a list of sources.The most important results reached by the researcher are as follows : 1 - Carried all samples representative of the legacy symbols and the concomitant representation of the vocabulary tones chromaticity function ,as well as inspired by some of the ideas associated with it.2 - Brought symbols of heritage readings function on more than one meaning is linked to the ideas of a function of the heritage, including his campaign those ideas of multiplicity of meaning within the contexts of semantic objective component context design parameter specific to the identity of the community, unlike that context aside philosophical aesthetic towards the heritage and the accompanying representation multi shapes moot. 3 - Despite embodies the symbolic representation of the content of ideas in the most appropriate publications mentioned, but some have been emptied from the representation of the symbolic meaning of ideas, so as to pursue intellectual rooting as direction is clear. The publications carried the symbolic representation of trends intellectual Count one combination where tradition and modernity.4 - Salutation semantic structures in decorative compositions written by the design format contextual relationships belong to the symbolism of intellectual, to form a speech Sofia formulated to see deep meanings exceeded the craft.The most important findings of the researcher in the light of the results are : 1 - Condensation signifier symbolic meanings associated with heritage ,making the symbol and one containing the rest of the symbols and meanings of the function on the same meaning, to form simulates including intellectual structure of the work, which triggered a balance of formality My aberration, employed for the benefit of semantic meaning.2 - Speech carries connotations Avatar formation through inspiration inherited cases of community with real - time status of a community, to configure theme symbolic function of the heritage. In contrast, embodied theme layout done through tow combination lines of thought in the opposite direction to achieve tensile visual attraction. The researcher recommended the following : 1 - Longer be working in the field of graphic design kit in devising symbols of heritage, including its sovereignty is linked to the formal representation and chromatography, the headwaters of the cultural and intellectual contemporary philosophical including carrying of inherited, innovation in plastic carrying authentic character of flexibility.2 - Need to focus on the diversity of levels, including Avatar include a function of the meanings of the heritage within the layout done, that it is investigating reactions towardsstructural formations of the intellectual level of significance, to achieve the act of communication.At the end of the research suggests that the researcher : 1 - Popular symbols and signs of intellectual communication of Iraqi Airways model posters

الاشتراطات الوظيفية في ثصاميم الفضاءات الداخلية لقاعات المناقشات الجامعية == Functional Conditions In The Designation of Internal Spaces of University Discussion Halls

Author name: اسامة غانم نوري
Supervisor name: عباس علي جعفر العبيدي
General topic: Fine Arts
Specific topic: Interior Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: I've seen the stage that followed World War II, a rapid development in the field of modern technologies , as influenced in great shape on the concept of university education , which replaced the clear links between the student and the community , as it became openness toward community goals mainly for educational institutions high , as the ocean , which is supposed to cover its requirements. Adding to the actual value of these educational institutions , is to provide continuity in the ongoing evolution of scientific data by discussing the messages and graduate thesis research that offer a variety of different disciplines sings materials science, knowledge and humanity. Hence, it was necessary to design interior spaces to discuss research students applying various formulations and configurations within the design to suit the level of the event is required. Thus, the researcher found the formulation of the research problem by asking the following : What are the functional requirements that should be adopted in the design of interior spaces for university halls of the discussions , including the designer can achieve the design formulations based on the functional aspect and check the value of advanced functionality in harmony with the level of the event ? The importance of search Aocefh deals with the study and analysis of spaces, private discussions university to engorgement of its function undertaken to discuss and evaluate the Alatarih and research and messages of Graduate Studies as well as it is the spaces to set up seminars or scientific conferences , as well as what it means to function in providing ways to make the most of during the design spaces that form the axis adapted to technical developments and raw materials for the purpose of responding to humanitarian needs and requirements. While the aim of the research : 1 - detection of functional requirements in the design of interior spaces for university halls discussions. 2 - Develop a design proposal for the university hall discussions based on the fundamentals and requirements that result from current research. While defined borders ( spatial and temporal ) to search halls discussions of public universities in the city of Baghdad - Rusafa for the period of ( 1975 - 2014 m) , as well as identifying the terms contained inthe title search out procedural definitions. Included in ( the second quarter ) and previous studies of the theoretical framework , which represent three sections , the first section dealt with " functional requirements and dimensions Avatar ," while the second section came Study " " variables functional and organizational dimensions in interior design " , while the third section guarantees the " principles of the design of interior spaces for university halls of the discussions , "and resulted in a set of indicators that the detective form adopted in the analysis of search patterns. As for the third quarter , which included the research methodology and procedures , as adopted research on the descriptive approach in the process of analyzing (3) models represented spaces inner halls of the discussions at the public universities of the city of Baghdad / Rusafa , have been selected in a deliberate from the research community overall 10% according to the rationale clarified by the researcher , and also included the chapter on the search tool , which included axes form analysis ,which included a group axes to cover the analysis of the mechanisms Almokhtarhoha models as follows : (1 - functional feature 2 - the organization of cognitive motor 3 - Safety and security 4 - techniques ). The fourth quarter included a review of the results and discussion that resulted through the process of analysis models and then out through the results to devise a set of conclusions , including : - 1 - that visibility was the result of realizing designer in fact the embodiment of the field of vision and visual receipt due to the structural design of the space as well as include ground and intensity of illumination of convenience. 2 - check the functionality of the rooms in varying degrees to achieve a comfortable indoor environment for users because of the proportions of the standard dimensions between formative vocabulary of space and movement of users as well as acoustic insulation , which came as a result of the use of sound - absorbing materials on the level of space limitations. 3 - should the designer be aware of the impact of color in space and its occupants ( psychologically and Aihamaa ) by adopting the kind of rationality and objectivity in the selection of ratios and color values in thespaces of the discussions as embodying two of them ( the state of anxiety and uneasiness visual and psychological ) , so it should not be used colors high - frequency wavelengths and varied, but the emphasis on some of the colors that achieve harmony. And generate a sense of attention and not feel bored during long sessions. And then make recommendations , and the conclusion of this chapter to provide the proposed design , which included an outline of the spaces engineered internal discussions university halls.

التحولات الفنية للتكعيبية وتطبيقاتها في تصاميم الاقمشة المعاصرة

Author name: سناء محمود ابراهيم النعيمي
Supervisor name: فاتن علي حسين العامري
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: Occupies designs fabrics ample space in the developed world , making the interest in these designs is increasing day by day and this is due to the urgent need of the cloth and the multiplicity of uses to suit the desire of the consumer, no longer fabrics just forms of design it is the interaction of the bases , systems and relationships that lead really expressive and functional requirement the act of design and its impact gustatory in others, they are subject to the taste of a designer who builds upon the idea consistent with the style and material and technical relied upon to show the artwork design. As well as they are in line with the change and development , and develop and enrich the taste of art, fit and prestige which focused phenotypic need to keep pace with the movement and in the field of regenerative design fabrics.. Has seen contemporary thought movements and technical schools shifts the new shape and configuration - including the art movement of cubism - which is one of the most modern art schools interested in form , and formed a starting point and starting to achieve the unique methods varied and varied depending on the renewal of continuing its impact in the field of design , inciting the Cubist movement shift technical systems relations formal level of scientific , technical and aesthetic , and based on the above and through the informed researcher of the importance of these transformations and technical applications in design - designs fabrics - ( women - Upholstery ) created a justification for the study of the subject of current research and marked ( transitions technical Cubist and its applications in designs contemporary fabrics ) , where research includes four chapters , the first chapter came the research methodology and included asking the following question : Is the technical transformation of the movement of Cubism role in achieving techniques in the design of a multi - purpose fabrics career ? In order to shed light on the important concepts and rich in the history of fine arts in general and contemporary design , in particular through the fact - depth intellectual and stylistic aesthetic that characterized the most important features of the Cubist school , goals came search : . 1 - Identify all transitions intellectual movement of Cubism.. 2 - disclosure of technical features and practical designs in fabrics. 3 - Develop design proposals showing shifts of Cubist art and Tabiqatha Fabrics contemporary designs in a multi - functional purpose..The study identified technical changes to the movement of Cubism in the multi - purpose functional fabrics ( woven and printed) of Chinese origin and Turkish as available in the local market of the city of Baghdad and designs of women's fabrics and upholstery from 2011 - 2012. The second chapter , which included theoretical framework , which included three sections covered in the first section shifts the intellectual and artistic movement of cubism , while the second section of Cubism and enforcement mechanisms in the designs of fabrics , and the third section is the impact of contemporary art trends in designs fabrics. As previous studies did not find a researcher study concerning the subject of the search, and so is the search the first study in the field of application of the school Cubist designs in fabrics women - Upholstery, The third chapter dealt with research procedures , which included research methodology , a descriptive analytical and research community , which amounted to (96) model design parameter was selected sample in a deliberate and by 25 % and adult (24) model , has been prepared by the researcher form analysis of the designs fabrics women's Upholstery , which included several axes , endorsed by the experts were on the basis of the analysis of samples and then get stability as samples were analyzed in the same chapter building axes on the form and for the fourth quarter included the results and conclusions reached Albaagesh to the most important conclusions as follows : . 1. Technologies that backs a role in highlighting the verb design of woven fabrics and printed , which represents a shift in the phenotypic characteristics of formal , given privacy in the use of design for multi - purpose fabrics Title ( Women - upholstery ).. 2. The method of engineering and engineering hub dominant trait to show content, as embodied in the processors technical attributes and characteristics of the Cubist art movement characterized by solid and sharp formations in the framework of the formal unity and objectivity. The method of abstract Kmthakq Toy formal and overlap with the geometric method.. 3. The exploitation of space overall as a result of overlap Vocabulary in build formal invested mutual relations between form and space design , which showed both of them as part of the design fabrics women , while requiring upholstery fabrics pronounced in Show content formality and color commensurate with the purpose career Alosthaddama and adaptedto the place. This enhances the transformation of the intellectual and stylistic art cube.. 4. Harnessing the trend All or part of the shapes of the effect corresponds to the privacy level job promising for him , as it is employed in the designs of fabrics women's trends multiple on the basis of their ability to forming and employment are governed by the nature of the raw material and adapted to act Alosthaddama , while confirmed upholstery fabrics on the need to employ the trend one which copes with the act Alosthaddama. 5. Showed most of the designs of the models to harness the attributes of art and design inspired by Cubism analytical second phase , through repetition and diversity of surfaces , colors , style intense and contrasting closer to chaos, but the system , which formed a shift in the structure of the design appeared in the periods required by contemporary visions of design and the need for changes in attraction and excitement in women's designs and upholstery fabrics , followed by the third phase , a synthetic Cubism , which forms produced by the unfamiliar achieved tensile visual composed year.. As well as to ensure the same chapter , proposals and recommendations to ensure this chapter also proposed designs prepared by the researcher access to a computer the possibility of a formal variables and color ways and methods to repeat different , of (27) design proposal which is designed to fit women's fabrics and upholstery.

الدلالات التعبيرية في تصاميم اقمشة الاطفال في العراق من عمر 6 الى 12 سنة == The Expressional Significes In Designing Children Fabric In Iraq Within 6 - 12 Year

Author name: مروان توفيق عبد حميد
Supervisor name: خليل ابراهيم حسن الواسطي
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: تتناول هذه الدراسة الدلالات التعبيرية لتصاميم اقمشة الاطفال في العراق من عمر6 - 12 سنة، والتي اكدت الدراسات الحديثة على اهمية دورالدلالة في تحديد الاتصال المرئي والحسي مابين المرسل والمتلقي (الطفل)، لما تتضمنه من معان تعبيرية وخصوصية وظيفية ليس من الناح | The present study deals with the expressional significance in designing children fabric in Iraq within 6 - 12 year. However, recent studies in this field asserted the importance of the significance role in identifying the nature of communication between the sender and the receiver (the child). It includes an expressional functional meaning shot only in the performance role but, also in the ascetical and artistically role if it has been designed according to scientific studies.Modern designs have been emphasizes on the child and this abilities , interest and tendencies (mentally psychologically and emotionally in the process of design and perform it on printed fabric, in away that makes the child have essential care this process and how to employ the expressional meaning, which has the ability to send the child to the target and the ability to recognize and understanding those meaning i.e. to perform its functional and aesthetical purposes. In conclusion it can achieve the aim of designing idea especially when this idea express the child's environment social , civilization in additional to the Iraq identity and folklore.Accordingly , this study comes reveal the nature of expressional significances in designing the child's fabric, within 6 - 12 year because this age is very important to construct the child's character and his body brain.The first chapter of this study includes the problem which appear the expressional significances in designing child's fabric and the suggested designing which employ these significances. the material understudy were chosen from Iraqi markets during the year 2005 - 2008.Chapter two consists of four sections the first one study the child's fabric as well as the colors and forms section two studied the expression and its meaning according to colors forms and expressional significance and function section three studies the aspects and the stages of recognition development and the basis used in designing and child's fabric. Then the section identify the most important indications of the theoretical back ground and precious studies.Chapter these includes the procedures of the research and the analytical methods being used in the study. The population here represented by 62 designed sample 25% , of the whole population were chosen debility as a sample of the research which concluded by 15 designed samples. These samples were analyzed according to analytical list constructed by the researcher as a tool of the research after it has been validated and granted it readability by the experts and cooper formula.In chapter four the 15the designed samples were analyzed and the conclusion were stated in chapter five which were as follow : 1 - cloth plays a big role the features of the used fabric because the texture adds an aesthetical and functional to the designed fabric.2 - Colors has an essential role to appear the aesthetic of designed forms and achieve symbolic and aesthetical dimensions.3 - Most of the items being used in designing is either from animal nature or a words written in foreign langue’s which in conclusion lack the environment, civilization and folklore of Iraqi child.4 - Most of the significances being concluded from the usage of the designed item were either symbolical or iconic , while most of the designing lack the symptom.5 - The styles of executive , designing , engineering and abstraction were mostly used in the most while factual style were less used in relative with the other style.In chapter five, the second aim were achieved by setting suggested designing followed by the suggestions , recommendation stated by the research and finally the references and appendices used in the research.

الخصائص الشكلية للفضاءات الداخلية للكنائس والمساجد : دراسة مقارنة == Morphological Characteristics of The Interior Spaces of Churches And Mosques (Comparative Study)

Author name: اياد طارق نجم عبود الدليمي
Supervisor name: فاتن عباس لفتة الاسدي
General topic: Fine Arts
Specific topic: Interior Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: ملخص البحثتتشكل الفضاءات الداخلية للكنائس والمساجد من عناصر تصميمية تحمل في بنيتها الشكلية الظاهرة خصائص ذات قيم ادائية وجمالية تحمل في ثناياها الكامنة قيما اعتبارية ذات خصائص روحية فكرية وعقائدية تكون دافعا وعاملا اساسا في تشكيل الخصائص الشكلية الظاهر | Formed interior spaces of churches and mosques of design elements bear in its formal phenomenon properties with values of advanced functionality and aesthetic carries with it the inherent values of corporate characteristics intellectual and ideological be a motivation and a factor based on the formation of formal qualities phenomenon, and in doing so has the form of a motive for the formulation of the research problem of the following : (What are the formal qualities of the interior spaces of churches and mosques?). Hence research aims to develop a knowledge based cares to reveal the variables that affect the morphological characteristics of the elements of the internal spaces of churches and mosques, and through them we hope to achieve the following goals : 1. detection secured performative and aesthetic and expressive elements in the formal interiors of churches and mosques. 2. to identify the morphological characteristics of the variables and find the similarities and differences between them in the interior spaces of churches and mosques. The importance of research through its product intellectual means to study the morphological characteristics and variables in the internal spaces of churches and mosques. It included the theoretical framework of the two sections, the first dealing with it Heritage properties similar to the formal trappings of churches and mosques, as well as the concept of the characteristics and concepts of churches and mosques. The second section has been dealt with by the formal qualities of the various churches and mosques. As has resulted thereafter theoretical framework for a set of indicators which have been used to build a form for analysis comprised two main pillars : 1. formal qualities similar to the decorative inner space between the Performing and aesthetic. 2. morphological characteristics of various decorative elements in accordance with the formal expressive. In doing so it has adopted a descriptive approach in the process of analyzing the four models were selected as intention of the research community. It resulted in the analysis process on a number of conclusions, including : 1. is the internal spaces of churches and mosques, according to the system being expressive environment addresses the conscience of users, manifested within Astrsal Madrkatena sensual to the world of the divine spirit of worship within the projections symbolic and interpretive vision to promote the ideal of absolute heavenly. 2. accreditation bodies engineering regular and irregular, which lead to the organization of the movement to show the status of consensus and harmony in the interior spaces of churches and mosques decorative shapes between anthropomorphism and products related to the style of movement toward the tracks to generate visual drag the case within the determinants of decorative spaces. 3. use the balance of the distribution of structural elements of the design of the forms and motifs that include overlapping relationship is the balance of colors in terms of value, intensity and balance in terms of geometric shapes and inversion symmetry and structural shapes in terms of the overlap in the form of vertical and horizontal determinants Interior spaces of churches and mosques are formed of design elements carry in its formal phenomenon with advanced functionality values and aesthetic properties carries with it inherent valuable legal personality with intellectual and ideological spiritual characteristics be a motivation factor mainly in the formation of the formal properties of the phenomenon, and in doing so has the form of a motive for the formulation of the research problem of the following (What are the formal characteristics of the internal spaces of churches and mosques?).Hence the research aims to develop knowledge base cares to reveal variables that affect the morphological characteristics of the elements of the interior spaces of churches and mosques, and which can be used to achieve the following : 1. disclosure of content, performance and aesthetic and expressive elements of formal interior spaces of churches and mosques.2. identify morphological characteristics of the internal spaces of the variables by finding similarities and differences between the churches and mosques.The importance of research through its product intellectual means to study morphological characteristics and variables in the interior spaces of churches and mosques.The theoretical framework of two sections included, the first part, it dealt with the heritage of the formal characteristics similar to the trappings of churches and mosques, as well as the concept of morphological characteristics of churches and mosques. The second section has dealt with different morphological characteristics between churches and mosques.The theoretical framework has resulted in a set of indicators which have been used to build form for analysis included two main pillars : 1. morphological characteristics similar to inner space between the body and aesthetic performance.2. different morphological characteristics according to the formal elements of expressionism.Through it adopted a descriptive approach in four models were selected from the community is my intention to search the analysis process.The analysis resulted in process on a number of conclusions, including : 1. The interior spaces of churches and mosques, according to the system being expressive environment addresses the conscience of users, to manifest within Astrsal sensory Madrkatena to the world of the divine spirit of worship within the projection symbolic and interpretive vision to promote the ideal of absolute heavenly.2. Adoption of regular and irregular design bodies that lead to the organization of the movement to show the compatibility and harmony in the interior spaces of churches and mosques case between decorative shapes anthropomorphism and products related to the style of movement toward the tracks to generate the case of visual attractions within the determinants of the internal spaces.3. Use the distribution of structural balance of the elements of the design of forms and motifs that include overlapping relationship is the color balance in terms of value, intensity and balance forms design in terms of symmetry and inversion and structural shapes, from where they overlap in the form of vertical and horizontal determinants.On the basis of the findings of the study findings and conclusions. The researcher to submit a design models (my design proposal) the similarity and difference of churches and mosques, is extracted through scientific and cognitive theories associated with the formal study of the decorative features (performing and aesthetic) for interior design.

التوجهات التطبيقية للهندسة الحيوية وعلاقتها بتصميم هيئة المنتج الصناعي == Orientations of Applied For Bio - Engineering And Their Relationship For A Body

Author name: يوجل عبد الحسين فارس
Supervisor name: نوال محسن علي
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: تاتي اهمية هذا البحث من خلال دراسة بعض منتجات التصميم الصناعي من منظور الصحة البشرية برؤية حديثة للاشكال والهيئات التي تتخذها المنتجات الصناعية عموما والالكترونية بشكل خاص، ولهذا يعد البحث اول دراسة من نوعها على نطاق القطر وتفتح بابا واسعا امام المصمم | The importance of this research is come from through the study of some products of industrial design from the perspective of human health with a modern vision of the forms and the bodies taken by industrial products in general, and the electronic in a particularly , for this reason, this research is the first study of its kind on the diameter range , and it’s open the wide door in front of industrial designer to design their product on the basis of health controls , and it also encourages researchers for future studies so kind of studies that affect human health and the environment.As for the research problem has been determined in accordance with the question about the nature of the relationship of the link between the science of industrial design and science of BioGeometry.As the objectives of the research were directed at determining what Biological Engineering configuration (BioGeometry ) and application areas.The shed light on the mechanism of the relationship between the Engineering science association forming vital science (BioGeometry ) and the industrial design science in general, and the industrial product particular , in order to achieve success in dealing with the energies of vital human energy, to reach the objectives of the research were to be addressed to the three basic sections in the theoretical framework.The first section, which included them on the basics of Biological Engineering configuration and application areas and its relationship to other sciences , the second part address, the relationship bond between human and industrial product with BioGeometry perspective , In the third section dealt bio - engineering configuration (BioGeometry) and its relation to industrial product authority , and in the research procedures followed the descriptive approach in the analysis of samples , according to the analysis and form developed by the researcher based on the indicators that resulted in a theoretical framework, and The research community has included products for electronic devices for various international companies specialized electronic devices during the years (2008 - 2012), the research sample included (5) models of electronic devices , they are : (Mobile device , Laptop , i Pad , Audio files player mp3 , And electronic games player Mp5 and resulted in the process of analyzing the sample models among the results of the most important of which is : ــ The form taken by the industrial product profound impact on human health, according to their interaction with bio - energy. ــTo achieve a positive dynamic interaction between human and industrial product must be the dimensions of the product conforms to the golden ratio, and this was not fulfilled in analyst models. ــThere is a close relationship between two - dimensional shapes and three - dimensional in terms of dealing with the bio - energy and bio - quality impact on humans, as the shape with dimensions similar issues vital energy for the same three - dimensional shape, but by less.ــ Some species of jagged lines or abstract clear impact ability to accelerate healing some physical ailments in the vital organs in the human body, and activate the psychological or mental cases if employed in the industrial product. The most important conclusions reached by the researcher were : ــThere is a wide range of reconciling aware of the overall design and design BioGeometry gender. ــOf the main reasons that led to the deterioration of the overall health of mankind is its reliance on technical development at the expense of human health.ــThere is a wide range of reconciling aware of the overall design and design perspective BioGeometry starting, or through the addition of some amendments to improve some aspects of the products that have not heeded to aware BioGeometry.ــ There are constants design know the language of nature In the selection of colors, shapes , proportion and tunes..Etc. Equality of all members of the human race and Does not distinguish between religious , ethnic cultures, linguistic and cultural in preliminary step But can be employed and aligned with the designer as he deems the only target community as a secondary step attached And not as a principle basis prior to the first principle of design also establishes his general perspective.ــ Balance and proportionality have certain parameters in the overall design but the BioGeometry design have strict determinants Must be taken into account if the targets fit of some kind Or the balance in accordance with a specific target..After reaching to search results was to put some of the recommendations and proposals.

التنوع العلامي في بنائية الملصق المعاصر == Diversity of Signs In Constructivism Contemporary Poster

Author name: ثامر حميد رزوقي
Supervisor name: شيماء كامل داخل الوائلي
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: The Sign represented a kind of visual language immemorially , which has been long drawn by the old man to express those Moot memory that he has stockpiled for the assets around him exceeded the net assets of around. So he began painted on the walls of caves and has added and deleted portions of the forms previously that its product mentally to give her a tangible dimension and could be the core that merged emotions and feelings, yet over Ages and keep up with environmental changes need to visual language has become an urgent need to document the humanitarian implications as a way to linguistic transfer and document the concepts of civilized several were the interim necessities which manages the changes of events of the most important reasons for this finding language that participated with one goal which is to express ,With the advent of the Industrial Revolution multiplicity of trade exchanges between the peoples and to understand the nature of the products and discrimination issuers of goods and what to use andunderstand the purpose of the acquisition, the mark grew as a means of tariff, and the passage of time and the widening amid the economic environment, which is the prime mover of all that happened and is happening from social and cultural variables, it was necessary for this language to grow and grow to include other areas of life and wide The means of communication that evolve gradually according to a major role in the spread of this visual language, which included formations in the form of countless natural assets and innovative forms of time And considered the intellectual propositions of different types and orientations that are competing in the shortcut receiving time and install the meanings to be delivered to the public reeducates, fast and effective and productive manner as a kind of language which is based in the mark approach contributes to the detection and patterns of expressive implications. And this language is in an existing design on which the communication act, and in the poster is a diversity in the use of these marks one of the main factors that contribute to the interpretation and the interpretation of the hidden connotations with it by holding a series of intellectual and objective factors, the main supporter of the requirement for ad idea. That diversity in the media contributes to design posters to highlight the good and meaningful ideas, as it is an attempt to overcome the prevailing function poster concepts without dropping the social trends of the individual recipient, as well as, this task can it achieve its goals by relying on technical expertise and awareness and to go beyond the limits of art forms and move it to the substantive terms of innovation, which can grow to the growth of the idea within the artistic process The diversity of the mark in the label would be listed from interpretive reading of no compromise biography tells the other features a capacity of its surroundings and the multiplicity of readings So the researcher found a possibility to raise the following questions, and scope to identify the problem of the current search : How can the diversity of marks be shown in the structure of a poster?. he current study is designed into three main chapters, the first includes the problem, aims and definitions of the study. As well as suggested designated models that can illustrate the meaning of the diversity of marks in designing a poster. The study is limited to study the diversity of marks in designing a modern poster as a subject, the posters of the exhibition ( world without violence ) as a special limit and the academic year of the study was (2014).The second chapter of the theoretical framework as it was divided into three sections, the first dealt with the diversity of marks and designing as a concept and approach through the study of diversity of technical and objective dimensions and diversity of an idea and the relationship between unity and diversity. The second topic touched upon the concept of the mark and its nutrients , divisions and their implications and the mechanism selected, composition and factors affected in functioning and exposing tosemantics of those marks and their symbolic dimensions, and the third section was dedicated to the study of structural poster and included the design structure and types and levels of properties achieved, and also structural poster and its objective aspects and its typographic and graphic elements, and the study indicators relating to the ethics of jurisdiction, including : There is no communication by signs without the presence of a poembehind the act of communication and without the presence of creativity or without the presence of synthesis of signs, as the good mark urge to communicate, being considered compromise a vector for the experiences and the culture of a community man - portable inside as cultural connotations..Conversions in the structure of the poster arise from the inside through the forms and spaces of color in them and interacting broadcast interpretive biography that will change the mental image formed by the individual and the creation of an area of broadcast interpreted formula sings advertising message..Marked poster is a way to pay public poignant and expressive and developer of consciousness and have the ability to create ranges of interpretation and enjoy through the implications of what it has of connotations and the ability to blow up new ideas moving towards the overall bias for creativity... And the third chapter include identifying research methodology or procedures to choose the descriptive approach, a chapter on the structural analysis of the signs of mechanisms, then the researcher analyzing search patterns and number (18) a model in the fourth quarter to reach a number of findings. Invoking the mark in the poster to my design a system that has the ability to represent the reality of inhumane retained by a designer to create a structural formula Tagged interact with him, as the structural mark value embodied in the label, according to the formal structurebased approach in the embodiment of intellectual given... Alternate levels, according to the structural analysis of the forms that have been functioned and design a system that is used by the designerand according to the nature of the reality of interim necessities and needed to be embodied, representation iconic or the indicative or symbolic.. The researcher concluded : that embodies some diversity methods the mark resulting from the diversity of formal and chromatography in the implicit and motor and mutual and closed space with the rule of one or more elements and their interaction with fixed and non - fixed elements, in placed and the idea of the poster as well as the selection and production of brand, controlled by environmental factors and community prevailing addition to the psychological factor and cultural heritage and trends interim ruling, as the researcher developed the foundations of design to achieve the second goal.. Then the researcher presented a set of recommendations including : pay attention to what result his brand interaction through the issue with the rest of the labelcomponents with interest in the subject basic idea, and attention element sovereign of the mark in the label because of its role in attracting attention and shorten the reception time, and take care side of the drama of the mark and its role in moving the feelings of the recipient, and focus on the objective aspects experienced by modern man of societal changes and political challenges and security and social in the framework of its environment and the embodiment of its implications technically a way that makes a poster of the importance of graphical directly pose the kind of language that translates it faces daily problems and challenges. The researcher has also drawn a set of proposals, including : .1. Studying the manifesting implementation and selection of the mark in the mark design methods. .2. Studying brand structure in the mark and its role in fomenting the recipient.3..Studying deliberative mark in the poster..Then inflicted Find a list of sources and supplements related to the study.. English abstract..

التمثيل الرمزي الزماني - المكاني في تصاميم الاقمشة النسائية المعاصرة == The Symbolic Representation of Temporal - Spatial of Women'S Fabric Design Contemporary

Author name: زينب عبد علي محسن الزبيدي
Supervisor name: انتصار رسمي موسى
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: جاء موضوع الاطروحة الحالي للاجابة عن تنوع تصميم الاقمشة كنشاط ابداعي يتضمن الرابطة للزماني_المكاني لكي يتاسس في ضوءها التمثيل الرمزي للجمالية او الوظيفية وفي ذلك تضمينا عن الحقائق والقضايا الحياتية ليتحد شكلا ومضمونا تجديديا قائم على هوية وثقافة الم | Design as a science has its aspects Fine and functional, and has taken form and content new express the spirit of talking through the use of the all - new data the development of scientific and technological era, so the design is a creative activity includes innovative data in the fields of humanitarian needs, which may be aesthetic or functional, is Method on two types of varieties stuff their relationship Fates symbolic representation through this link and be Taming expressing the facts and issues of life Aloha based on the identity and culture of the community in a particular place and time and therefore have the symbolic representation expressing these cultural artifacts, including General Arts and designs fabrics in particular Time, place and in printed forms manifested leads us to the symbolic representation. Intends to research problem in the symbolic representation of the absolute and not subject to the laws of age to understand the full understanding of science. It is almost human understanding of the meaning of existence to go to the knowledge that endless expressed stretch between the outer his world and his world creative represents things and meanings in different modes of Altmthel.ohms creative activity is a set of mental skills like thinking, accompanied by a high sensitivity that will contribute to creating suitable climate to imagine or visualize innovative form, and is subject to building shape of the operations of the mental and visual thinking to organize the vocabulary of lines and spaces, colors and spaces are manufactured pattern is visible, and in accordance with the foundations and private elements of this figure comes out in the form of aesthetic organization, stages of thinking is based design in two phases of two thinking mental thinking (mental) and think mental is the first design stages as directed and motivated to process design symbolic representation expresses the extension between the world outside the designer and his world creative represents things and meanings in different modes of representation across cultural shifts across times and places in successive communities, based on the foregoing progress the researcher asked her questions as contained in the first quarter, which included the research problem and its importance are as follows : 1. What are the attributes of the symbolic representation in the light of the time variable in the design of women's contemporary fabrics?2. Maahmah spatial and temporal environment in women's contemporary designs fabrics?3. Does the symbolic representation is based in fabrics Women contemporary trend designer of innovative self - expression in different times and places?The objectives of the research were identified as follows : (1) detection of symbolic representation Alzamani_ spatial designs in women's contemporary fabrics. 2 - identify the tendency of self - expression of the designer in different times and places. 3 - identify the extent of the compressor role ideological or cultural or historical in the symbolic representation of women in contemporary designs fabrics.The search has been identified limits of the substantive limits : the symbolic representation of temporal - spatial designs in women's contemporary fabrics. And temporal boundaries : 2013 - 2014 and the spatial boundaries : Fabrics Arab and international fashion houses. And then went to the researcher to identify discussed terms.The second chapter guarantees the four topics dealt with in the first part, the symbolic representation of the meaning and concept of the second section, which dealt with the symbolic representation of time and place in the women's cloth and then the third section, which included time assets and representations symbolic designs women's fabrics and finally the fourth section, which dealt with the structures of time Avatar in the design fabrics women and the most important Masaya his theoretical framework. Then the third quarter, which contained the methodology and procedures for research and analysis of the research sample models. And finally the fourth quarter, which included the most important results that came out of the researcher and most important : 1. The most representations Avatar in the sample representations models Inspired stylists from the environment vocabulary heritage abstract engineering has represented symbols of communication and interaction with the environment is part of the community and covenantal, as varied representations Avatar depending on environmental factors can be varied with shapes and symbols quoted representations of Avatar move spaces own environmental symbolic representations of the universe and the creation of new relationships to formations as in models (2, 3, 8.5.(2. afternoon the use of representations space - time belief of the Islamic ornamented lines Arab Varmus represented open to interpretation formula varied interpretations and meanings varied dramatically, life and semantic provided metaphors rhetorical and wide to reach some of the meanings that he expresses his ideas through art and design, and one of the features of this interpretation out icon of the present time and positioning in future. As in the models (1.2, 10).3. The direct and indirect effects closely related to the environment, social life and formed the identity of the symbols used based on environmental factors through affiliation designer geographically and environmentally Vest affiliations and identity expressive code Knot representations symbols creative place environment consisted of symbols derived by the designer of nature which may components and varied vocabulary, as in the models (2.3, 5 and 6.9).4. characterized by decorative shapes and representations Avatar used in the models character civilized formative for several civilizations mixed with different cultures, including Islamic, which took Urbis character, Avatar has represented human practices in any culture was, which produced a reality and not flipped him, because he is one unit associated with a number of relationships constructivism, intellectual and space - time and formed its content within a single format and mingled performance art in which cultures and times and places, as in the models (2.5, 8, 10).

التفكيكية وانعكاساتها الوظيفية والجمالية في تصميم الفضاءات الداخلية == Deconstruction And Its Repercussions Functional And Aesthetic In The Design of Interior Spaces

Author name: رياض حامد العجيلي
Supervisor name: شيماء عبد الجبار حميد العبيدي
General topic: Fine Arts
Specific topic: Interior Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: في خضم المتغيرات العلاقاتية للشكل والنتاجات التصميمية, تبرز ضرورة البحث عن الفكر التصميمي الذي ترك بصمات ذات قيمة جمالية دعت الى اعادة وتعديل الرؤية الى النتاج التصميمي على مستوى العمارة والتصميم الداخلي بما تم تسميته بالتفكيكية, | In the midst of variables relational of shape and Actual design, there is need to search for Thought design that leave fingerprints with aesthetic value called to restore and modify the vision into production design at the level of architecture and interior design of what has been termed Deconstruction, which adopted the standards and requirements for pro forma unusual mental contributed thus in achieving formal configurations refer figure to design formulations and exotic representations on the level of relations and then Association emphasis on the case of creative Acceptance and Satisfaction by the receiver. Therefore, select the question the researcher from which embody the problem of current research, as follows : "What is the possibility of activating variations and transformations of configurations and shapes that deconstruction Adopted in the design of spaces Interior? What are the variables of formal and relational approved and participating in the design clastic and who can be conducive to the values of aesthetic and have a functional indicators? ". Therefore objective of this research was to determine methods of design orientation to deconstruction and his variations formal and transformations in the design of interior spaces in the light of changing intellectual and technical development of contemporary, including doing the functional aspect and beauty. In order to reach the goal Search are four chapters address the first of which the research problem and its significance and purpose, as well as its borders and determine the terms contained. The second chapter included previous studies and the theoretical framework which represents four Detectives, taking the first of which Deconstruction strategy and concept of philosophical and intellectual properties. Then came the second part, the functional efficiency of the deconstructive method in the field of design. While Included the third section deconstructive manner and effectiveness of the aesthetic via changing formal and relational. The fourth section was singled out in dismantling an application strategy in the art of contemporary interior design, and then access to the indicators. This included the third chapter research methodology and procedures, as adopted descriptive analytical method to describe models of research and analysis, also included chapter research community and appointed by intentionality and tools, notably the form axes analysis, as the researcher design form analysis set included axes to cover the mechanisms analysis of the models chosen. And finally came the fourth chapter as it ensures the findings of research through a process of analysis and discussion, then exit conclusions with the group to make recommendations and several proposals. One of the main conclusions of the research are : 1. Deconstruction strategy was adopted on the formality values and a completely different standard dimensions of what has been the traditional formal systems earlier, as a kind of change on the level of formal discourse.2. Characterized design ideas thought design for Deconstruction strategy to adopt the principle mechanisms re - design as a feature and a key pillar within its own principles. 3. Confirmed the pioneers of deconstruction via his Products design on a graphical properties created for itself an active asset at the application level as (strangeness, mystery, excitement, smashing,..). 4. Coupled with most contemporary technologies deconstructive design, because of the nature of the approved premises in this strategy.

التصور الذهني وفلسفة التشكل في التصاميم الكرافيكية رباعية الابعاد == Intellectual Conception And The Philosophy of Formation of Four Dimensional In Graphic Design

Author name: فلاح حسن علي العتابي
Supervisor name: سعدي عباس كاظم
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: The Researcher found the importance of studying the topic of Intellectual and structural design idea in graphics designs, because not to address this issue by scholars, and the researcher presented his thesis tagged (Intellectual conception and the philosophy of formation of four dimensional in graphic design ) to fill Containment of research.The Thesis has four chapters. The first one talked about the problem in the search centered on President (Formation of the design process and design construction) and respect which the steps and rationale invent designer, and adoption of any level of thinking. And show the principles and the methods of intellectual, philosophical, and the relationship between philosophy conception in graphics four - dimensional designs, and procedural dimensions associated with the practical application.This chapter discussed the objectives of the research, which was to identify the vision intense evidentiary of intellectual conception, and accordance with the basic foundations of functional building and aesthetic considerations.The second chapter, focused about the theoretical framework of four sections, the first one, explained the subject (fantasy and building of Intellectual and creativity, and apply the creative process, as relates with Intellectual conception of design, perception and form, which active the problem. Therefor this study contributes for understanding the stages of design process.The second section, the researcher talked about the idea and thinking appearance. And then reaching to goals of design. That’s means the design specified direction of our thinking during the problem subject, and also helps us to focus for reaching and getting a short and easy ways.The third section talks about essential of philosophy and characteristics, as well as philosophy of shapes and philosophy of formation in design. As it, the philosophy adopts on the shape roads, thus; the designer Realize the value and elements of design Aesthetics.The fourth section contain the four dimensional in graphic design, The importance of regulation in design Aesthetics, also the researcher talks about two &three dimensions in graphic design. Then Focus concerning four dimensions through his studied the Movement and time in design.Where the researcher find, the Cognition for four dimensional creates Integration with Environment, then humans and them Movement, subsequently, the Construction stage Linked with design, during the time which creates the four dimensional in graphic design and their related with the roots of design.The third chapter included measures research, and researcher chose for community of research as studying “self - Selection” for analysis methods , which is most appropriate ways to achieve the objectives of the research, by expressive and aesthetic effects.The fourth chapter has results of research. As follows : The movement is receiver eye, and it’s a part of four dimensional realizing processes. Through the expresses and time. The four dimensional meaning in graphic design as movement and space depth.In this chapter also have research results discussion, conclusions, recommendations and proposals.The study revealed results including : that the four - dimensional design in graphics, its temporal dimension is very closely with movement and physically dimension in two & three dimensions designs, through the visual process.The researcher find after simple’s analysis, most of them has an aesthetic structure, while there free selected uses by designers during control of design styles. Through diverse methods and units.The end of research is References

التراكب الصوري ودلالاته الايقونية في تصاميم الاقمشة النسائية == Image Overlapping And Its Iconic Connotation In Designing Women'S Fabrics

Author name: الهام طاهر حسين معله السعيدي
Supervisor name: هند محمد سحاب العاني
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: تصنف الصور الى فئات زمنية تاريخيه مثل الصور القديمة المرسومة والصور الحديثة وهذا التصنيف ليس مجرد نظام للتصنيف الزمني وانما هو تصنيف لصور واضحة ومتميزة من نمط التصوير والاسلوب , وعليه فان هذه الصور التي تغرينا بسحرها ماوصلت الينا الا نتيجة مراحل طويلة من | Images are sorted into historical time categories such as the ancient and the modern image, and this classification is not just a system of time classification ,but it is classified for clear and distinguished image of picturing and style pattern, thus these images that are tempting us of their charm which do not reach us, but as a result of long stages of thinking , production and transformation, the human proceeding considered a textile of diversified developments in their expressions and connotation, and the man proceeding was coincide with continues growth of the image opulence, and the optical heritage along the human history, and the process of seeing theses images and re - presenting this vision being represented as a process via which something replaced another thing or denoted to it as alternative, it was accompanying the man since ancient times with the development of time, the beginning of the digital image with the initial drawings covered the cave walls, then the drawings included in compiles and manuscripts and with the invention of lenses and discovering the picturing opinion embodied at last in the forms of image or what is called at that time the photography, and with the advancement of time, the overlapping of image has become one of the advanced arts via involving the image in the printing world and has become indispensible element and with the appearance of the digital processing, subsequently, the image has started in the printing world and has become element in which the image has transformed into creative work working in the scope of digital processing, subsequently the image has proceeded another trend, working via iconic connotation working in the field of fabrics amongst the women's fabrics, and it is the basic via which the research is moving which is determined with the following question : Does the photographic overlapping and its iconic connotation has effective role in designing the women's fabrics that realized its esthetic and functional dimensions ?The research has contributed via its importance as follow : - 1. It could contribute in detecting the photographic overlapping and its iconic connotation in designing the women's fabrics.2. It could contributed in developing the design performance for the fabrics designers especially in aspects of preparing the idea and generating design subjects raised the Iraqi design level both in form and content.3. It could shedding light on realizing the scientific and artistic utility for the learners and those interested in the design and technical field in the technical and technological colleges and institutes in the specialization ( fabrics design). The research is seeking for realizing the following objectives : 1. Detecting the photo graphic overlapping and its iconic connotation in designing the women's fabrics.2. Set design suggestions in which the photographic overlapping mechanism is mobilized in designing the women's fabrics.The dimensions of the research represented in" designing the women's fabrics which bear design of photographic overlapping of its iconic connotation of( Turkish and Chinese) origin available in the local markets for Baghdad city within the period from 2013 - 2014" The second chapter includes theoretical frame consisted of three categories, the first one displayed the imagegraphic iconic of the image and its role in designing the women's fabrics, and the third category discussed the artistic , appearance ,executive technology and the digital processing in designing the women's fabrics, and then extracting the most important indicators from which the theoretical frame produced followed by the previous studies and discussing them. The procedures of the research was specified within the third chapter via adopting the descriptive approach to analysis the sample models amounted(95) design models, from which excluded(47) design model, being similar and repeated in showing the design content and the color variables which do not realize consistence with the Iraqi society environment, and the remaining was(48) represented the sample of the original research, upon this the selection of the model deliberately of percentage(25%) where the number of the model(12) design models distributed due to the country of origin and the technical appearance. And the instruments of the research have arranged, represented by a form of pivots analysis, depending on the indications of theoretical frame, thus they are arranged by the researcher with the aid of the supervisor, and approved by a number of experts upon which the analyzing of the sample model was done, then obtaining its stability and also analyzing the sample models of the research in the chapter according to the pivot of the form, as for the forth chapter which included the results, and the conclusions the researcher has realized , and most distinguished of them are : 1. The iconic connotations which are considered of the design necessities that are indispensible in designing the women's fabrics being of expressive and esthetic energy and its relation could be controlled to reach more effective results.2. The iconic connotation in the image and its relation with each other especially the color and the space relation with the form ,frame and framing relation, concise, concentration and the perspective.And the chapter it self included the recommendations and suggestions, besides the Arabic and foreign sources, appendixes, abstract, the front page in English language.

التحولات التعبيرية في تصميم ملصقات ما بعد الحداثة == Expressve Transitions In Desing Posters Postmodrn

Author name: احمد عبيد كاظم سلطان الغزالي
Supervisor name: انتصار رسمي موسى | عباس جاسم حمود
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: تناول البحث التحولات التعبيرية في الفكر الفلسفي والجمالي ودورها في كل من حقبتي الحداثة وما بعد الحداثة , واثرها في توجيه اليات الاشتغال في تصميم ملصقات مرحلة الحداثة وما بعد الحداثة , وقد تضمن البحث اربعة فصول اهتم الفصل الاول بالاطار المنهجي للبحث متمثلا | This thesis tackles (expressive transformations in designs of post modernity posts )and it studied the expressive transformations of the philosophical and aesthetical and their roles in both eras of modernity and post modernity also its role in guiding the mechanisms of operation in design of posts during the eras of modernity and post modernity. The first research consisted of four chapters, where the first interested at the Methodist form of the research focusing on the problematic of the research which was determined by responding to the following question : what are the expressive transformations in design of post modernity post? The first chapter contained the aims of research which were uncovering the expressive transformations in design of post modernity posts, while the limits of research limited to the study of expressive transformations in design of post modernity posts and analyzing of pictorial samples of cultural posts represented the movements of expressive abstract, folk art , visual art ,minimal art , conceptual art , hyper realism , superlism and graphic which appeared in USA and Europe during the era 1970 - 2000 where the analyzing was conducted depending on descriptive and analytical approach through philosophy , aesthetic and acknowledgment vision within its theoretical and procedural dimensions. The second chapter included theoretical frame consisted of three research where the first tackled the expressive transformations conceptually and aesthetically. It contains ideological , aesthetical, formal, stylistic, functional transformations beside the transformations of meaning , concept and technician. The second research dealt with the pillars of expressive transformations during the eras of modernity and post modernity while third research talked the expressive transformation in designs of post modernity posts. The chapter was concluded by discussing the quotations from it in order to be used in analyzing the sample of research. The third chapter contained the procedures of reaserach where it contained the culture of research , sample and research tool then analyzing the research samples (16 ). The fourth chapter contained the findings and conclusions of research beside the recommendations and suggestions. The most significant findings of research : 1 - The expressive transformations of the post modernity post distinguished with rejecting the central authority , expanding over the ideological and value structures also they rejected the separation among multi contrasting dualities and that means rejecting the logical of existence or believing in the Universe teleo. 2 - In the ideational side, the post modernity posts distinguished with interpreting the texts ,destabilizing the fixed meaning and diversifying the readings with teleo text which depends on inner necessities where it is allowed to the receiving to form unlimited readings. 3 - In stylistic transformation, the expressive transformation distinguished with mixing between the subjective and objective as a hybrid way quoted within structural and compositional procedures by using borrowable elements from multi cultures. 4 - In functional side, they confirmed the expedient, marketing and circulation of the post. 5 - In technical side, they distinguished with what confirms the trial side of the varied technicians such as printing with words and using digital technology as a tool. The most important conclusions reached by researcher : 1 - The expressive transformations of the post modernity posts came to uncover new sides in the reality emerging from the desire of man in transforming , expressing and rejecting for what circulated and common and they are shifts in the structure of thought being it is the main and active generator in each transformation aiming to smash the acknowledgment structures with others to reconsider in majors and generals. 2 - They came with the side of formal transformation toward the borrowable form which stipulates the necessity of rejecting all what related to the ideology and conventional theoretical formats which are far from social humanitarian concepts. 3 - They came within the transformations of simple and conception in connecting with the icon of cheap format requested by commercial market dominated by capital powers and their media institutes where all of them call for cultural project basing on refusal aesthetics and contrariness. The researcher referred to a set of recommendations and conclusions beside indexing the references, indexes and the abstract of researc

التكنولوجيا الحديثة والتحول الوظيفي في تصاميم الاقمشة والازياء == Modern Technology And The Functional Transformation of Fabric And Fashion Design

Author name: وسن خليل ابراهيم حسن
Supervisor name: عبد الرضا بهية داود
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: The current study entitled (modern technology and the functional transformation in fabric and fashion design), addressed the issue of functional transformation in the design of fabrics and fashion as a result of the introduction of elements of advanced technology in the composition of Textile and fashion, which led to a shift in the functional forms included aspects dimensions multiple and variable climate applications and type of material used in the industry and the implementation of the fabrics.As it addressed the problem of the study researcher questionably was to the effect : Does the modern technological developments role in achieving a state of functional transition in fashion fabrics and design? The objectives of the study identified two goals, the first : is to identify the technological elements that were introduced to the design and fashion fabrics, which led to shifts in functional structure. And another : is to identify the kinds of transformations that have occurred in functional fabrics and fashion designs as a result of the entry of the technology. Has addressed a researcher at the board thesis topics related to minute to collect information about the aspects addressed by the study, as it focused attention in the first section of the Metn on the basic concepts of the technology, and disability - tech technology and the relationship of technology to science, and the centrality of technology in the design of textiles and fashion. In the second part, researcher dealt with all the technological advances that entered into the textile and fashion design elements changed the physical structure of synthetic and textile fabrics. In the third section, the researcher dealt function relationship and the relationship of technology transformation concept functional dimension of Fashion and Textiles, and identified the basic aspects of the design concepts that emanate from a recipe change and transformation and associated interest and benefit. The researcher also linked in this section of the aesthetic value of Textile and Fashion performative dimension to it, which is quite different from the formal dimension. In the third chapter, the researcher identified the research community Bntegat Yonsei University and NASA space science, because it's the guardian institutions that are meant to develop fabrics and fashion to advanced technological levels and provides jobs for mutant versions of the functions of traditional textiles and fashion. And then the researcher has analyzed the research community, and reached a number of findingsand conclusions of the most important : The most important results1. Had to use materials with sophisticated structures of the technological levels of its role in creating turnovers and in the design of functional models of the research community, through the adoption of innovative methods in the manufacture of new materials and methods to be employed to find jobs vary images contrast Employment and design.2. The shift in the functional nature of the research community models, in turn, led to a shift in the nature of aesthetic, stemming from a shift in how to receive judgment on the photo images of metamorphic fabric and fashion design.3. The nanotechnology, and specifically the possibility of hiring ores have the ability to sweat and odor treatment, as reported technology dimension of it in the design of fashion fabrics and be able to evaporation of sweat, and change to the other odors proportionate and emotional nature of the wearer. Which in turn, such as a shift in the nature of functional fabrics and fashion.One of the most important conclusions 1. The ability of modern technology to find materials and raw materials have the ability to perform new functions, and can be employed in the composition of textile fabrics for fashion, it stems from the evolution of scientific knowledge at the level of thought, design, and other disciplines which found its place an applied in the structure of the material, which was born prospects for employment Technology and the potential for large shift in functional formulas for fabrics and fashion designs. 2. That all investments technological dimensions of scientific and stylistic, were the result of the transformation of the concept of the need for humanity to another exceed spammers generally accepted methods of satisfying that need, and that was taken away material outward and inward in the structure of production design of fabrics and fashion, due to meet by one or more of the requirements of humanitarian need changing.3. The use of variables materials that originated from the evolution of scientific knowledge regarding nanotechnology forms and manifestations multiple, was the result of Thumbnail materials used in the manufacture of materials to Almqayas Nanaoa which has to utilize them in finding fabrics and costumes have the ability to manipulate the concept of environmental change or physical to the wearer, and these developments The result of the exploitation of cognitive development in the scientificstructure of different disciplines, which found her Ssaliba and modern techniques introduced in the compositional structure of fabrics and designs fas, which generated a remarkable transformation in her career form

البنى الارتكازية لفن التصميم الطباعي المعاصر == Infrastructures of Contemporary Graphic Design Art

Author name: دينا محمد عناد
Supervisor name: خليل ابراهيم حسن الواسطي
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: The art of graphic design from more arts modernity which appeared beginnings in the nineteenth century and the evolution in the mid - twentieth century, the owner of this development a particular focus on the development of theories of knowledge, bring about the way the designer base model represents a built anchor, any (ground knowledge firmly) based upon The art of design, and can not be achieved without taking into account the design of these structures and aesthetic value to the success achieved by the design. Although the essence of the design idea is gaining value only the veracity of the results that can be achieved at the application level and then detect the role of the creative process, which is often coupled with the idea of design, construction and technical design meets the requirements of the message and influence in the receipt.Based on the foregoing, this study comes tagged (the infrastructure of contemporary graphic design art) to clarify the subject through the four seasons, which included the first chapter, which has been allocated to research methodology on the research problem identified by asking the following ((What are the key pillars upon which the art of graphic design as a theory ))? The objective of the study ((Essential for building the foundations of the theory of the art of contemporary graphic design)).It also included the importance of research and the limits of research as well as identifying terminology.The second chapter includes a theoretical framework and previous studies, they did not find the researcher taught by a previous study approach to the subject of current research in graphic design, so this study is considered the leading theme in graphic design.The theoretical framework has included four sections focuses First research on (a brief history of the graphic design art), and focused the second topic on the (Strategies graphic design) and ensure that the third section (Features theart of graphic design on according to the intellectual trends of contemporary), while the fourth section guarantees the (Modernity and postmodernism in graphic design). This has resulted in a theoretical framework on several indicators. The third chapter is devoted to research procedures as researcher followed the descriptive method and the method of content analysis for the purpose of monitoring phenomena. Means of objective critical analysis of each model separately, to reach accurate results. It ensures the research community a hundred and fifty (150) culturally poster technically universally contemporary publications on the international information network (Internet), countries (Germany, Holland, Switzerland, France, USA), which included the years (2004 - 2014) and due to the capacity of the research community, and the multiplicity specialties areas posters cultural art, arrogating the researcher exclusion of (100) poster depending on the way (not the probability of intentional) in the selection of research models, bringing the number of models of the sample (fifteen 15 culturally poster technically worldwide) Elected out of (50) Model for the purposes of analysis, (33%) of the research community overall, with three posters for each state. For the purpose of analyzing the sample form was designed to determine axes analysis, which was approved by experts and was based on the analysis of its clauses. And ensure that Chapter Four of this study was to review the results and conclusions for research, and the most important results : - Was to determine the infrastructure of the theory of the art of contemporary graphic design : - 1 - Reliance on cognitive theories, especially the new objectivity, which confirmed the technology and manufacturing processes and function. The purpose of design, and sobriety and strength in design and visual communication to mind.2 - Designer culture that rely on the construction of knowledge. 3 - Rely on innovation and artistic creativity to achieve the image of visualculture. 4 - Accrediting simplicity and abstraction and symbolism.5 - Employ modern technologies in order to serve the idea and content, to bring the power of visual communication and cognitive, by addressing the fonts and color values, and linking elements and styles of design to achieve movement and tensile visual, in order to serve the idea and secured to the success of the design work.6 - Recruiting employ methods of design elements and characteristics of intellectual and aesthetic, which is the language of design.7 - Verb match career with the formats for design aesthetic expression. 8 - Employ metaphor in the formal design built to achieve a synthesis based on visual discourse, bearing dimensions intellectual and aesthetic contribute to the understanding of the structure of the underlying design.The main conclusions of the research : - 1 - Activating the role of the recipient in the field of fiction and the future vision, and read the text design with connotations Avatar Towards a new vision based on the culture and its relation to the recipient and knew that his stock of knowledge, and to make it mainly in the construction of knowledge. 2 - Achieved a designer horizons and a new perspective in the presentation of design work, so as to break the traditional context, by relying on inspiration, a theories of artistic creativity and application of discovering the same fantasies and imaginative jets occur suddenly, to achieve the image of visual culture and linked to the contemporary.3 - Resulted in graphic design strategies to build a knowledge base, any emphasis on theoretical knowledge to work as a precedent Executive, to achieve the anchor structures, based on the culture of creativity and innovation, and to identify the strengths of the unique design of the building implementation approach and the development of future standards work.It is then incorporated the recommendations, including : 1 - Emphasis on activating the role of the recipient to read the text design with connotations Avatar Towards a new vision based on the culture and its relation to the recipient and knew that his stock of knowledge.2 - Introducing new systems design using a new method of connecting elements and coordination among them ensures the effectiveness of the design and achieve new and innovative formulas lead to a reaction force to provoke an implicit attract an audience.The research proposals : 1 - To conduct a study on the technological standard and its impact on contemporary designs.2 - Combination study of structures based on visual discourse in contemporary designs, printing and its impact on the receiver

البناء الشكلي ومتطلبات الاداء الوظيفي في تصميم عبوات المنتجات الصناعية

Author name: زياد حاتم حربي العامري
Supervisor name: فوزي ابراهيم المشهداني
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: تعد عمليات تعبئة وتغليف المنتجات بصورة عامة والمنتجات الصناعية بصورة خاصة من العمليات بالغة الاهمية اذا صح التعبير ذلك كون العبوة هي المسئولة عن ايصال تلك المنتجات الى المنافذ البيع ومن ثم الى المستهلكين. فلكل عبوة تصميم يجب ان يلاءم المنتج من حيث البناء | The packing of the products in general and industrial products in particular is one of the complicated operations, because package is responsible for delivering of those products to sale outlets and then to consumers.Each designed package must fit the product in building of the general shape and its task Pressure as well as the Packet has the ability to show aesthetics of the Product, so the Package has limited base that can be distinguished. These Products will be Paid attention by the consumers. Therefore the researcher focuses his idea on (The formal building for functional requirements in the design of packaging industrial products). This research explains clearly the fact that Packing is regarded as a reflexive mirror of the Producer who tries to give a good visual image.It is also a means of communication between producer and consumer it has an effective role in vogue of products. It is as silent salesman. Being a motive acceleration towards high quality products factories and productive developments in order to reach the objectives of the research.In determining the design of the packet industrial products.Depending on temporal boundaries in duration (2006 - 2010) and form the Products of the electrical industries company in Baghdad exclusively.The research also included a set of terms related to the subject of the research. Some of them are important and suitable to the research.The second chapter contains the theoretical framework and previous studies according to the following division.The first section included formal construction and functional performance.It means building the figure in industrial product and the elements of the designed foundation in building shapes and the relationship between the outer shape of the packed and the inner.The second research included packing in industrial products which includes (industry of packing and its relationship to the environment).The third research included designing of the packages which includes the packet itself as a communication material and factors of ideal designing of packets and its elements. The conclusion of the framework refers to some references that the researcher has a do pled in designing of analysis form to search wit hen its products in chatter including research community, which represents products of the electrical industries in Al - Waziriya, My sample of the research aims to choose five models out of twelve models and 40% of the research community.The researcher depended on books and other resource, specialized his method on descriptive analysis in a researcher sample. He concluded a number of results (some of them did not achieve to the inner shape in all samples that leads to weakness of the formal performance and never achieve the required engineering function in protecting the packet products, and using the raw material did not achieve the required protection), up to the conclusions, including (the formal building of industrial products has clear effect in building varieties of packets according to the size of the packet plus fro duct to build Varity of forms which has the capacity to perform the function well excites the consumers reaction), then recommendations and proposals, and sources and finally the summary of in English

البعد الوظيفي للعناصر البنائية في التصميم الطباعي == Functional Dimension of The Structural Elements In Graphic Design

Author name: نور احمد حاجم الربيعي
Supervisor name: حكمت رشيد فخري العزاوي
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: The completed design layout space mixed the structural elements and react according to the ranges of operation and functional, establish by regulation and interrelationships that are formed according to the bonds of the structural discourse visual design career in Graphic Design in general and the cover of the magazine , in particular, for its fun mentality and culture of the recipient affect the everyday needs him in various directions. The focus of current research in almost all its attention on knowledge of functional dimension of the elements of building in Graphic Design in order to understand the mechanism of action and the realization of ideas and assisted by the intended delivery to the recipient, where enrolled Search classes several , came the first chapter required for the research problem which manifested itself by asking the following : ( What's the role of the functional dimension of the structural elements in layout design ? ) And demonstrated the importance of research in : The possibility to form a view of knowledge contributes to the Iraqi supplement the library a new type of research in the field of Graphic Design , as well as its contribution to the open window scientific knowledge for those working in the field of Graphic Design. As set a target search : (learn functional dimension of the structural elements in the layout design , and make proposals for practical purposes according to the results). Interested in the theoretical framework of three Detectives , touched first section of ( the concept of origination and development function , function in philosophical thought , a job in the art, design and function ). The second topic addressed ( in art and architecture design, structural elements for the cover of the magazine , and directorial styles for the cover of the magazine and its relationship to job performance ). While eating Section III variables design and its relationship dimension career as follows : (function and Attractions visual function through unity and diversity, function and significance , function and cognition, function and connectivity, functionality and digital technology , function and beauty). Then came the theoretical framework of inter indicators are the epitome of what resulted in the theoretical framework , including 1 - Position not be realized arbitrarily by the designer , but must have a level of awareness of the specialist, and a level of awareness Palmgeorat ofknowledge and phenomena exist. 2 - the aesthetic value of harmony with functional value and interpretation of functional value in a utilitarian manner and performance make it to the cover of the magazine outlook such us beauty and the value of a direct relationship between each other. Followed by the research procedures contained in the third quarter , marked by the adoption of the descriptive method (method of content analysis ) in order to reach results that achieve the target search. Also represented his research tool the analysis identifying axes form the basis of the theoretical framework , and resulted in the indicators and analysis axes were as follows : • functional dimension of the element Alkraveka • functional dimension of the element Altibograve • functional dimension - semantic structural elements • perception relationship the functional performance of the structural elements • processors relationship technical digital functional performance of the structural elements • 's function in terms of content • relationship methods design the functional performance of the structural elements • functional dimension _ aesthetic elements Altibogravekah According to the contents of each model on the unit where it was described and analyzed (16) sample research , based to the paragraphs of analysis, Chapter IV, has included a presentation of the findings of the researcher , the total number (18 ) as a result , for the first target of the search , and it was them : 1 - achieved a system architecture formal moot differentiation by employing forms Allamolovh and redesigned and adapted consistent and subtraction objective idea of the cover of the magazine, donor 's energy performance functional aesthetic through innovation and uniqueness in the way of subtraction, and this stems from a number of elements and the values of design that not only required The distinction is to make it unfit for understanding and vision , and but instigate our sense and intuition effective visual design field and in accordance with the requirements of utilitarian image. 2 - over - employing key Anwanat number and subsidiary in the cover of the magazine , had a negative impact in the process of receiving it , they distract the receiver because of the large number and its color variations and thusweaken functionality. 3 - Check the iconic structural element - written , which led to the production of functional structure - Tagged , designer prduses system Alamatah expressive semantics , through formal positioning of symbols and visual signs with signifier written. 4 - According to the designer of processors digital technology specialized processing digital photo in particular in the job enrichment - semantic image through the use of technology (filters ), as reported techniques pieces , deletions and additions, Alfotomonteg , and contributed to processors of digital technology is the basis in shaping the idea of working to break the stereotype of shapes and out of the conventional method of frames through Semiotics produced approach visually and functionally speech by digital technology. Then the researcher concluded a number of conclusions , including : 1 - Enter key to the language of mock job was through the adoption of the principle of sovereignty in the volumetric space of the cover of the magazine. 2 - rapid transfer visual and mental unit moving in the process of receiving the elements was due to the adoption of structural variations and sharp color value Altdadat her. The researcher organized recommendations A_i_vtha by in the light of its findings , including : 1 - choice of images with deep meanings and connotations that are consistent with two goals design idea. 2 - Pay activate visual discourse through the organization structures Altibogravekah the importance of being frees broadcast communicative the and functionally - Tagged - aesthetically pleasing. 3 - Activating Digital Alkraveka Design in all its specificity as a tool supportive performance done layout , and make it accessible to the hands of students in educational institutions and Fine Arts and the establishment of sections designed to teach and in line with global trends. The researcher also presented two proposals could form the focus of subsequent studies complement the current research , namely : 1 - the communicative function of Amolov formal layout design. 2 - Semantic job enrichment component Altibograve using digital processors. With regard to the second goal of the researcher presented a search applications proposed designs for the covers of magazines , according to the results. And then seal Find a list of sources and supplements

الانظمة التصميمة لخيم المناسبات وامكانية تطويرها == Systems Design For Tents And The Possibitity Developing Rituala

Author name: عبد الحسين عبد الكريم سلمان
Supervisor name: نوال محسن علي
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: تبحث الدراسة الموسومة (الانظمة التصميمية لخيم المناسبات وامكانية تطويرها) في مشكلة عدم وجود مرتكزات واضحة تعبر عن خصوصية المجتمع العراقي البيئية التاريخية والفيزيائية وضعف الاستفادة من التطورات التقنية العالمية في مجال صناعة الخيم المخصصة للمناسبات العامة | The study examines tagged ( design systems for severe events and the possibility of development ) in the problem of the lack of clear foundations reflect the privacy of Iraqi society, environmental , physical and historical weakness to take advantage of technological developments in the field of global industry tents allocated to public and private occasions The research aims to detect and analyze the design and create foundations for tents occasions The importance of this study being the first to address this area which now use common events and tents dramatically in Iraqi society and is considered an indispensable product in most occasions Search limits included design systems used in textile architecture allocated for public and private events in the city of Baghdad, manufactured locally in 2013 The research will be four chapters included the first chapter of the research problem and its significance and its purpose and its borders and determine the terms The second chapter has included theoretical framework and previous studies and the theoretical framework included three Detectives first came under the heading of what histological architecture of the time, which included the second part placed climatic effects and their relationship in tents occasions while offering third section for Altamaha systems for tents occasions The third chapter has included search procedures, methodology and researcher adopted the descriptive approach in the process of describing and analyzing the samples, which represented I 00% in addition to the description and analysis of samples The most important findings of the researcher in the fourth : quarter are1. The form of the use of horizontal lines In all samples In response to functional purposes2.Methods of linkage formed a burden because of the number of syllables rail many constituents ofSupporterstructure of the three models : One of the most important conclusions reached by the study is 1. The absence of a balance between the functional and aesthetic aspects of the matter which led to the exit of a product is almost incoherent with a clear domination of the functionality at the expense of other aspects2.Adoption of a system design te?ts explicit geometric shapes (square or rectangle) mainly weakens the aesthetic features of the tents and lose diversity3.Not to take advantage of technical developments in the field of physical resistance to environmental conditions on the ~esign, though he crucial element in the success of the design of the tent and reflected in a positive environmental performanceAlso included aboard the fourth quarter on the cornerstones of design which concluded such study, which was the most important benefit from the outputs of the technical development in the areas of design, production and utilization in the design ofsevere events in time, which included the fourth quarter of carries also a set of recommendations and proposals as well as the proposed design

الاستعارة الايقونية ودورها في تعزيز الخطاب الاتصالي للمنجز الطباعي == The Iconic Borrowing And Its Role In Enhancing The Communicative Discourse of The Printed Achievement

Author name: هدى علي لفتة
Supervisor name: انتصار رسمي موسى
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: The printing achieved works is regarded as one of the artistic variations with functional and aesthetic considerations as it is a means of communication that is active and addresses the audience. As a result of that the means of expression varied for the designer. Perhaps one of the most important mechanisms of adaptation is the resort to the created and the renovated media in the printing design through the borrowing of form that are not familiar within other contexts to obtainpredetermined intellectual contents.Hence comes idea of the study. Chapter One includes the problem of study represented in the following question : What is the role of iconic borrowing in enhancing the communicative discourse of the printed achievement? Then the justifications of the study that is : 1. It contributes to the manifestation of the communicative idea between the designer and the receiver through depending on the iconic borrowing. 2. The possibility of contribution of scientific knowledge which the designers need in the designing field. The researcher then determined her objectives in knowing the role of iconic borrowing in enhancing the communicative discourse of the printed achievement. The limits of the study included the posters of ads published in the websites whereas the time limit is from 2010 to 2015. The researcher includes the following terms (iconic, borrowing, iconic borrowing, communicative discourse). Chapter Two tackles the theoretical framework including three inquiries that concentrates on the first inquiry on (borrowing and the methods of design form), the second is about (iconic and their suggestive indications), the third includes (the iconic borrowing in communicative discourse). Then the indicators of the theoretical framework which is one of the means of the building of the analysis form. Chapter is devoted to the study of the procedures of the study depending on the descriptive approach for the purpose ofanalysis and then determine by (%10) and the tool of the study which wasprepared for that purposeChapter Four includes the findings of the study like : 1. The iconic borrowing is an important means of the achievement of many designing means like the ascertain of meaning and the greater possibility of achieving more suggestion.2. The designing idea is distinguished by depending on the principle of double communicative discoursebetween the direct and the indirect as in the sample (1, 2, 3, 5, 7, 8, 9, 11, 16) and the indirect as in the models (4,6,10,12,13,14,15) through the rhetoric images that refer to other meaning. Thus they found the idea of communicative discourse with the recipient concenteringthe product advertised on.The researcher comes up with important results life : 1. The invention of new form (creative) which is represented by the iconic borrowing leading to the achievement of expressive force within the sensational realization into a potential expressive unit that leads to attractiveness, excitement, and attention. Therefore, it enhancing the communicative discourse of the printed achievement.2. The variety of the sources of iconic borrowing which contributes to the making of communicative discourse, The researcher comes up with some suggestions and recommendations and then a list of the references.

الاساليب التقنية الحديثة وعلاقتها بالاداء الوظيفي في التصميم الداخلي == Modern Techniques Methods And Its Relationship To Functional Performance In Interior Design

Author name: عمار نعمة كاظم
Supervisor name: عباس علي جعفر العبيدي
General topic: Fine Arts
Specific topic: Interior Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: نظرا لافتقار البلد الحبيب لفضاءات داخلية تشتمل على اساليب تقنية حديثة والذي نعتقد ان سببه هو قلة الدراسات التي توفر قاعدة معلوماتية للمصممين في البلد، ولما تلعبه التقنيات الحديثة من دور فاعل في تحقيق الاداء الوظيفي في الفضاءات الداخلية، لذا وجدنا ان ن | Due to the country's lack beloved spaces interior include the methods of modern technology and who believe that it is caused by the lack of studies that provide a database for designers in the country , and as they play modern techniques of an active role in achieving the functionality in interior spaces , so we found that we address spaces, a built - in area Gulf Arab rapprochement affiliation environmental and it involves the requirements of research , represented space internal to the lobby in the premises of hotels five star , which opened in the past ten years , to contribute as a service to the country in search means this aspect to publicly close the part of the knowledge gap in this area , and that can help to develop blocks Informatics could be expanded by future studies more comprehensive for spaces larger , and it came this research is marked by " the methods of modern technology and its relationship to performance career in interior design " was the formulation of the research problem : the problem of research : what role that can be played by the methods of modern technology to achieve the functionality in interior space for the lobby of the hotel? The research aims to " disclose the methods of modern technology and its relationship to job performance in the interior design of the space hotel lobby five - star " The importance of research in " contributing to the provision of a database to uncover the methods of modern technology and its relationship to performance career in interior design space lobby and determine the nature of ties design between them , and is adding scientific research by eating Kagina modern techniques of knowledge in the field of interior design for those spaces , " to achieve the aim of the research , the researcher extracted axes analysis by building a Form analysis of the indicators of the theoretical framework has included two main axes : 1 - the methods of modern technology to form relationships for the design of public space to the lobby to the direction of postmodernism which verify the functionality level determinants of vertical and horizontal.2 - methods of modern technology for raw materials and its relationship to the formal characteristics to achieve the functionality of the internal space of the lobby - level determinants of vertical and horizontal.This included research community current on the interior design ( the inner space of the lobby of the hotel in the Gulf region within the five - star ) , which established for the period ( 2002 - 2012 AD ) and still operates the fact that this period specifically represent several variables intellectual level architecture and interior design most notably the emergence of technological discoveries tremendous to have played a major role through the methods of modern technology and its relationship to the performance and function of interior design space lobby at the level of the body and the raw material , so were counted according to the specific considerations , specifically that fit with the theme of the search, bringing the research community 25 five - star hotel (25 space internal to the lobby ) were selected samples Find him and in a manner deliberate and was circulated results on society as a whole , where the adopted research sample intentionality and by ( 8.33 % ) was three spaces internal to the hotel lobby , has been selected this sample for research and for comprehensiveness in terms of the use of modern technology at the level of functionality of these spaces and because these methods are not clear all of the rest of the other samples , in addition to the design of these spaces was by the most prominent design firms therefore been chosen spaces of the three below as a sample to look for they share with each other in considerations determine community and differ from some of them in terms of interior design , namely : 1 - the inner space of the lobby of The Yas Hotel (The Yas Hotel) in Abu Dhabi.2 - the inner space of the lobby of Abu Dhabi hotel (Hyatt Capital Gate Abu Dhabi) in Abu Dhabi.3 - the inner space of the lobby of the hotel tower torch (The Torch Hotel) in Doha. The process resulted in the analysis of the results was to devise a set of conclusions of the most important : 1 - Oanmad modern style Alteixrat as a technique in order to achieve an attractive stranger to strange and check Allamolov embodied job performance space in the lobby.2 - Dependence style ripples and twists as a technique to check Allamolov investigator for the job Alantma?ah space in the lobby.3 - Confirmation style organizational depth as a technique to transfer the structural depth of the building in order to achieve some sort of create the illusion of depth to achieve the performance of the virtual space of the lobby.4 - Adoption of raw materials and the clever (transmaterial) as a method of technical talk because of its properties of functional and aesthetic to achieve the functionality in the space of the lobby.5 - The use of nanotechnology to achieve the functionality in the space of the lobby because of its characteristics make it smart materials and material capacity to meet a variety of functions.6 - were adopted tactics of modern technology for lighting units related to the ABM smart lighting , the composition of cases of thrills and achieve performance in the internior space.

العولمة والهوية المحلية في تصاميم الاقمشة النسائية الحديثة == Globalization And Local Identity In Modern Fabrics Designs For Women

Author name: الاء عادل علوان الشمري
Supervisor name: رجاء سعدي لفتة
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: تعد العولمة مرحلة تحول كبيرة في تاريخ الشعوب فقد الغت الحضارات وداخلت بين العادات والتقاليد واثرت على الهوية المحلية للبلدان برزت تلك التاثيرات في مختلف جوانب الحياة وقد برزت بشكل كبير في الفن وفي التصميم وتصميم الاقمشة بشكل خاص لانه ميدان مفتوح وفن تطبي | The Globalization concider a hug dange gap in the people's world because it conceded civilizations and get's between the traditions, and effectual on the local identity of contains, and that influenced on the different sides life, and it append very clean on the art, design fabrics in specialty because an open field of applied art takes from what's around like a material, and may he that put up very need on the woman's fabrics, as the woman focus more than anther on the style in general, and the proof at this the fashion world focus on the woman's category an it's design, and because of the physiology and sociology nature at the woman, the diversification enters in a very hug. Way in design fabrics, so that the researcher is diseasing this subject through this research that named under this title "the globalization and the local identity in woman design fabrics" wonders in the effect of the globalization and the local identity at fabrics design specially in fabrics fashion? And was that effect results of natural respected historical sequence; or it fabrics and it move, towards acertain direction to make some aims in a regular prior of time? And the research aims on know the globalization effects and morphological variables of the local identity in modaren fabrics design, and the practical woman fabrics on the years 2013 - 2014 and than it classified three terminology which is (globalization , the local identity the modern fabrics design), the researcher put procedural definition for every term, and that what's chapter one count air in this research which is contains from four chapters.Chapter two contains the theoretical side, and it includes three researches, the first one contains the globalization diffaritian and it's history, while the second research is about to contain the globalization culture and it's effectance on the disting ideality, and the theard research contains the effect of globalization in clanging the shop of the deign identity., and that the research studies the most import things in the theoretical farm directions and the researcher couldn't got any previose researches. Chapter three contains the tachrical part of the research though the researcher used the descriptive approachfor the purpose of analysis, and the research sogty contains from 60 sample speaidzd by the fabrics at the gbblized mind, and (12) sample were tesed by pick point style, and in 20% present in total socity research, and the test been diosien according to what is useful to the research aims. While the research tool was an analysis form acceding to the scientific method to again it's scientific stand and than I analyzed the samples and disscussal and the research after that got those results and coucultions when it written in chapter four, and some of the most important things from are : 1. The elements med to tai the ship and space element where the ship turns to configurations usually depends on the decoration or stripping the human vocabulary or the animal vocabulary to a photographical image in usually.2. The phenomerion of breaking balances and taking the assymatry balance, and also sorareigntg over the nest elemats to make the globizatior farm, and also the frequent random repeat append so much in the design unit wit it's repeat in fourth repeat, weather we can use it's other repeats like rendition of projective quartet or half or the braes. 3. The globization phinomana have two forms goes beyond it's way, the first one is the world steam and all what is guide from the transmission project design vocabulary and ideas, symbols, and the second one is political globluzation steam that is aims to put down the local identity.4. Dimension graphical emarfed carries it's belongs identify to forign sicrtios in a way it describes it's calture and political sumbuls and comuity. and it shows how to make use of some local and Arabian symbols in the woman's fashion fabrics. And besides chapter four contains also the pillars and the recommardeations and proposals along side with the suggested design make by the research made by the computer and it's ( ) suggested design.

الخيال العلمي والرؤى المستقبلية للمنتجات الصناعية == Science Fiction And Future Visions of Industrial Products

Author name: مصطفى محمد بركات
Supervisor name: نوال محسن علي
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:

ايجاد مرتكزات تصميمية لاسرة الاطفال الطبية == Finding Designing Pivots For Children Medical Beds

Author name: وليد محمد مهدي السعدي
Supervisor name: فوزي ابراهيم المشهداني
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: تناولت الدراسة الموسومة (ايجاد مرتكزات تصميمية لاسرة الاطفال الطبية)، موضوع المنتجات الاجنبية من حيث تصاميمها ودرجة ملاءمتها مع الاطفال المرضى من العراقيين استنادا الى ان مرحلة الطفولة تعد من المراحل العمرية المهمة والاساسية في حياة الفرد وان الاهتمام بهذ | This thesis entitled (Finding designing pivots for children medical beds) tackled the subject of the foreign products from the designing side and its degree of suitableness to Iraqi sick children as childhood is consider an important stage and the base in the life of the individual and taking care of this slice of society is consider important demand to raise physical and mental healthy generation, where providing the needs of the child whether (entertaining, activating and education) or products provide relief for him in physical and psychological especially the medical beds and taking care of their functional and beautifulness sides in addition to the usage suitableness of these products with the organs and the movement machinery of the child to achieve the suitable position for the case with working machinery and performance of the medical beds.The thesis importance is shown in the following points : 1 - this thesis supports an important slice of society need health caring through providing the physical and psychological relief to them2 - this thesis in its scientific and artificial material participates in enhancing the technical sides and supply the related organizations with designing ratifications the basic goal of this thesis is the analysis of children medical beds designing reality in the aye group which the study identified to be from (4) to (12) years old, which are used in Baghdad city hospitals for the period (2003 - 2008) for reaching to designing pivots that achieve the suitableness between usage and the dimensions and machinery of child body movement, in addition to the effect of these products from beautifulness and expression sides on the psychological side of the child and his degree of acceptance to them and this was chapter one contents.As for chapter two it contained four researches : Research one : the medical beds and their functional sortingResearch two : technical changes in the building shapes for the medical bedsResearch three : shape building for the medical forms and their relation to the user(child) Research four : awaring effects for the designing accomplishments and their relation to the user Whereas chapter three tackles the research procedures where we used the descriptive schedule ( case study) to reach the achievement of the research goals, after the depending on the research society as hall, the analyses were done through the depending on scientific scale which was designed and applied on the samples of the research and the stability was got through the balancing among the analyzers The researcher reached to the following results : 1 - There was obvious weakness in group samples staffs especially in employing the designing elements and basics and achieving beauty dimension in the identification on the ranges of these elements, bases and their potential energy so the samples outlines came to be empty of flexibility and streamlined 2 - there is a leak in all group samples for expressing shapes whether (animals, plants or imaginaries) in addition to the leak in the coloring details and on the level of awareness for light for the age group 3 - the group samples (1,2,3,4) achieved the suitableness for the usage for the child in the first age group (4 - 6) years for the samples (1 - 2) and second group (7 - 9) years and the third group (10 - 12) years for the samples (3,4) and in a ratio of 66% while the samples (5,6) have a leak in some of their shaping items for the child use and for all age groups which were depended by the research and by 34% as for the most important conclusions the research reached : 1 - the bases and human engineering criteria in the designing of the medical beds, had a big trace in the forming of cohesion products and the machinery dimensions for the user’s body and in accordance to the stand reds depended internationally 2 - the forming of the medical beds shapes according to the designing systems, did not take in consideration the psychological factor for the child and what effect it from colors, shapes, lighting values and touching values which fulfill its tendencies and willing toward the productaccording to the results and the conclusions the researcher reached to a group of recommendations and suggestions in addition to that the researcher reached to a number of the designing pivots which must be considered when designing the children medical beds, and most important pivot are : 1 - the necessity of using the favorite colors for the child like warm colors (red, yellow, and orange) because they are more bright and clear and have direct effect on the child psychology in addition to the using of lighting patterns, sound and the expressing shapes of the medical beds2 - taking care of the physical relief of the child through finding support for all the parts of the laying baby body (bed surface) 3 - taking care on employing the dimensions and the scales for the children bodies which are depended on international level, in designing the medical beds and make the product more stable for the children and in their age group under the research. Especially the touchable parts of the child body and according to the child medical case in addition to the suitable position during the laying on the bed.

المتغير الصوري في الفكر المعاصر وانعكاسه على التصميم الكرافيكي == The Variable of Picture In Contemporary Thought And Its Reflection On Graphic Design

Author name: شيماء عبد الجبار عبد الكريم السامرائي
Supervisor name: نعيم عباس حسن
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: Image is the new language that all human languages are superior. Image worthy of contemplation and research as an industry controlled sector and a wide range of fields of science and knowledge and art. It has connotations and symbols, with meanings and a high value that makes it an instrument for active communication for technical changes to achieve beautiful, civilization, satisfactorily, communication role. It is major component indispensable, in new advertising media. Image dispense with a written speech or audible to change our reality and affect on our awareness and (self - optic) and attributes of our current dominance in the field of image continues to humans and take site of domination and sovereignty of the other elements and cultural tools in contemporary. The design of the arts that are related to the lives of individuals and the community for its services related to the development of artistic taste, through visual attraction and influence in the forum to promote the ideas of design and achieving goals. The design is particularly graphic of the most important types of designs of what constitutes direct contact or indirectly, intellectually, socially, politically and economically, the main function of through is reflected publish, through the design of the poster, magazine, newspaper, book, logo, trademarks, and the other. As well as the advertisement with its types. Current research explores the subject of the dummy variable in the contemporary through to reveal its effectiveness in design graphics which depends on the development and transforming to implement the idea. The hiring picture to form the audience and effectiveness in influencing for the purpose of culture specific image, and work to deepen the artistic culture, finding points of interest and a common understanding of the goals and effects the image on the forum and designed the structure of the first quarter, which contained are search problem, which formed are search problem : - 1 - Varied investments in the variables topics.2 - Focus on the structural aspects of the design in parts of design.3 - The pursuit of what is unfamiliar was important to identify users and workers in this area, important conceptual aspect to enrich knowledge and skills to design specialists graphic.Also we imputed the goal of the research according to (detection achieved intellectual contemporary picture of the variable and its reflection on the graphic design) for the other hand we limited the boarders of the research according to place, time, subject and limited the terms : image variable, contemporary thought, graphics design, the second part of research includes the theoretical framework of cognitive, which covered by the researcher with the following points : first topic, image relations in graphics design from the artistic vision for the image and the artistic affection for the image, the employmentpicture structurally and aesthetically pleasing and finally the image variable in the design structure.In the second topic the image variable in graphic designs from the philosophical concepts for the image variable and its effectiveness and formal configuration with image variety and optical configuration but the third topic, is graphic designs in contemporary thought from the intellectual theories and the variety in design finally the image reflection, with the indexes of theoretical framework in fact the third topic consists of the research procedures and the methodology of the research.The fourth topic contains an analysis and critique models and the last contains the poster with logo by eighteen model, lastly the conclusions of the research : 1 - The majority of samples depended on organizing a diverse tectonic from the figure, containing to achieve functional beautiful expressional side, from the other hand I embarked on a new path to achieve aesthetic that give rise to the forum and afford to link and meditate and tight attention with enriching the visual rhetoric by symbols, variety that was optical.2 - It was defected achieved intellectual for the image by many transformation and resources that are mental and optical under many meanings contrary to the image. After that it was considered as a variable achieves by effectiveness in a change for image. The contemporary thinking is renewed, evolution, and change.3 - Varied employment visual rhetoric in the variable of image rhetoric. (image, geometric, written) in the effectiveness which carries beautiful guides that required by function dimension.Finally the conclusions that are : 1 - The necessity to make many studies to show the importance of an image and the image variable and deepen in its role, affection in developing the sides like intellectual, artistic, cultural.2 - The necessity of knowledge of the rapid developments, in the world of the software which connected by contemporary graphic designs, and the techniques of communication and the role of greatest image in the advertising, and contemporary media.3 - Publish a magazine specialized scientific in the study of an image and its variables, in the contemporary thinking.4 - Seminars and the establishment of scientific sessions and artistic in the field of digital graphic designs.Then been indentified subsequent pages of references and appendices and display summaries in English.

التشاكل الحداثي في اساليب تصميم الاقمشة والازياء المعاصرة == Moderization Isotopie of Contemporary Fabrics & Fashion In Design Styles

Author name: هادي نفل
Supervisor name: رؤيا حميد ياسين
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: انشغلت الباحثة بشكل واسع في موضوع يعد من اهم الموضوعات المتعلقة بتصميم الاقمشة والازياء، هو التشاكل بوصفه فكرا حداثيا وظاهرة سيميولوجية تعمل على تنظيم المدركات العملية لاجزاء البنية التصميمية وتلخيصها بالجوهر الابداعي الذي تلتقي عنده الاجزاء لتكون غاية جم

جماليات المتكون التصميمي الرقمي وتطبيقاته في الاقمشة الحديثة == The Aesthetics of The Digital Design Component And Its Implications In Modern Fabric

Author name: حيدر هاشم محمود الحسيني
Supervisor name: هند محمد سحاب العاني
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: يعد الحاسوب من اهم مظاهر التقدم العلمي والتقني الذي ساد العالم، بل اصبح لغة العصر التي تخدم مجالات الحياة المتنوعة، واصبح الحاسوب من اهم اهداف المجتمع نحو تحقيق مستقبل افضل لامكانياته الواسعة في استعمال اساليب وطرائق اخراج متعددة، مما ادى الى ظهور طرق | The component is regarded as of the aspects scientific and technological progress all over the world. It became the language of the modern age that is used in various fields of life and the computer became one of the best means for societies to chive a better future due to its wide potentials in using various ways and styles of output. This led to the appearance of new ways of thinking performance and expression and the formation (to the contemporary creators ) of symbolic and visual possibilities affected the structure of ideology , culture and art since the computer is one of the bridges between art , since the technique and it is an inevitable development of channels began to be digged years ago. According to the design core which takes the creation approach as a means to almeve its functional and aesthetic goals , the meaning of aestheticism depends basically on the latest technical innovations. The researcher sees that, according to the contributions of the digital technique and the potentials of the programmers of the digital design including the Photoshop ( focus of thing study ) it became a new way to invent new designs leading To the renewal of the the design structure in from as well as in content in accordance with the conceptual transitions in the art of design and in scene in the twenty first century.Accordingly, the researches stopped at the following questions that represent the problem of the present study. They are : 1. Does the digital technology help in a achieving dimensions for the design component in the modern feminine cloths ?2. Are the aesthetics of the design component aliened through the effects of the digital technology or through the components of the structure and what it includes of elements bases , systems and its relationships or through this harmony.3. Are there digital design bases help achieving aesthetics dimensions for the design component of the modern feminine clothes ?The study aims at showing the role of the digital technology , its means , styles and effects in achieving the aesthetics dimension of the digital design of component in modern feminine clothes and pulting design bases help in achieving the aesthetics dimension for the digital design component in modern feminine clothes. It also aims at putting design suggestions in the light of the theatrical bases. The study limits itself to the feminine clothes implemented a according to the digital technology of various sources within the period of 2011 - 2012. After that it limited Four terms , namely, ( aesthetics , consisting of design , digital technology , design fabrics ) researcher has developed a procedural definition of each term. This is what came in the first chapter of the research , consisting of four chapters. With regard to the second quarter , which contained the theoretical framework and previous studies , it has included in the carrying four sections , which included the first section of what beauty and the mechanics of the operation of the theories aesthetic in design and aesthetic dimension of the composed design digital , while included the second part, the elements and the foundations of building regulations and relationships and methods governing the design Women cloth , In regard to the third section has cared Balozifah aesthetic and cognitive and aesthetic judgment and experience and then touched on the implications of the expressive and symbolic composed of digital design. The fourth topic , including concept and technical sophistication of the design is composed of digital and then the components of the computer and digital design software ( Photoshop ). He then went on to search the most important indicators on which the general theoretical framework and then the previous studies. The third chapter dealt with research procedures , as follow researcher descriptive survey ( content analysis ) , and represent the research community to (123) model diverse special designs fabrics women's modern , ruled researcher (13 ), a model of which to replicate the idea of design in multiple colors , and this has become a community Find ( 110 ) was chosen as a model design parameter (22) in a deliberate model and 20% of the total research community and came selected depending on what serves the objectives of the research. The search tool Vtmthelt form for analysis according to the scientific method , and presented to the experts specialized in designing fabrics for gaining virtual sincerity. And then analyzed the models and discussed. And then eat the fourth quarter results and conclusions Among the most important are : 1 - adopted the most effective form designers ready in the toolbox program Photoshop , which includes geometric and floral shapes and forms in a variety of other building design and artwork that have achieved the aesthetic dimensions of the canvas.2 - wizards of digital technology has made the aesthetic dimensions of the design is composed through the adoption of effective color cast Color Overlay intent to show diversity chromatography vocabulary inside the building design. It also granted the effectiveness of the filter Filter effects variables in the visual design of the product forms and vocabulary and achieve aesthetic dimensions of the canvas. It also adopted the effectiveness of border effects and Stroke , who worked on the framing shapes the design and increase the strength of its appearance.Based on what came from the sequential action of the researcher discuss the status of the most important pillars of design that contribute to the aesthetic dimensions of the digital design is composed of the women's modern fabrics and as follows : 1 - Take advantage of ready - made shapes in Photoshop toolbox with the addition of some minor aesthetic that serves the goals of the artwork design.2 - Attention to employ digital effects technical vocabulary of shapes and design , according to experience and taste of the designer, what possesses these effects ( processors ) of aesthetic additions attractive integrated with the rest of the aesthetics of the design and verification consisting of cloth female attraction. The fourth quarter included recommendations and proposals mention the most important thing , which stated : 1 - emphasis on the role of digital technology in the field of design fabrics , and keep up with the latest software versions with respect to digital design and employ them in the art of design and art in general design fabrics in particular.

بنية الخطاب النقدي في التصميم الداخلي للفضاءات الانتاجية : دراسة تحليلية

Author name: زينة فهد عثد السادة
Supervisor name: فاتن عباس لفتة الاسدي
General topic: Fine Arts
Specific topic: Interior Design
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: Industry is a basic reason for occupies admiration and interest among a lot of international and Arab countries, including our country Iraq which is converted with new concepts that commensurate with entitled value for the industry, as Iraq seeks to develop its national economy through the consolidation of production and improved performance combined with expansion in finding a shortened and cleared ways in supporting promoting various industries, and for the purpose of achieving the production process aims must be taken health and scientific methods, that can be achieved through the creation of an appropriate work environment with its specification for all production facilities, whether plants, factories , or work - shops to boost the morale and psychological for workers in productivity spaces, therefore the attention of researchers (interior designers), related with the internal environment of productivity spaces considered a design and formative process, because there is a fundamental relationship between the work spaces and production level.In order to access unique and correct reading in understanding and studying of critical discourse in interior design of productivity spaces, on the grounds that criticism is a set of advanced operations of specialized awareness, which can extrapolate the productivity spaces based on analysis, weather with the vision of undercover parts in of spaces structure and their readings, or vision of all then move to the parts, and in the induction and conclusion process there are secrets behind the apparent productive space detected by the critics (designers), Btaktehm stage description and analysis to uncover hidden relationships pressing, deep brown, Altaalqat system in the productive space. Therefore, the need arises to go into this area by going to the literary and artistic studies, for the purpose of clarifying the general concept of critical discourse, and to clarify the historical background, and the most important cash curricula modern, it will highlight the critical discourse in interior design as one of the letters to which it applies what is in the critical discourse of literary.It is critical discourse in addition to material critical of themselves (productive space particularities and its mechanisms and its interactions with draw close), the target and the receiver that directs Monetary him a critical process that must critic institutions (interior designer), that puts it under a scientific mechanism is not without its philosophy, based objectivity in theory and practice attempt an intellectual theory, data for the philosophical vision of monetary modern curricula. So felt the researcher to choose researched address (critical discourse structure in interior design productivity of spaces), to be the subject of a research addresses an important aspect of the merits of interior design, this study focused on the important aspect of the monetary process of lighting, and the basis not get up cash without it, is the speech which is a pillar of science in various fields of knowledge, especially if the concept of the speech concerned with the study one of the most popular concepts and traded in the cash Cultural Movement and the Arab Bank.Find rely on theoretical study and analytical study of the spaces in the city of Baghdad in the Karkh and Rusafa sewing labs, research has been divided into four chapters. The first chapter included the research problem and its importance as well as to clarify and define the objectives and limits and define the most important terms contained therein. The second chapter dealt with the theoretical framework and previous studies, which included theoretical framework of three sections, addressing the first part, the study of the concept of the speech, and the second section dealt with cognitive and intellectual structure of the criticism, and the third section has included cash curriculum structure of modern interior design productive spaces. And devoted the third chapter to research procedures, as has been the adoption of the descriptive approach in the research sample analysis, marked by two models of spaces productivity with the preparation and organization determine axes analysis form, based on the theoretical framework that has been adopted part of them as a criterion and basis in the process of analysis indicators.CThe fourth chapter, has included the results of the sample analysis models in the light of the results have been discussed to draw

الدلالات الفكرية والجمالية في تصميم الفضاءات الداخلية == Intellectual And Aestheticconnotations In The Design of Interior Spaces

Author name: رجاء سعدي لفتة
Supervisor name: نصيف جاسم محمد عباس
General topic: Fine Arts
Specific topic: Interior Design
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: Looks Researchers from designers internal and architects about renewal in their quest to achieve the aims functional and aesthetic response to the requirements of the living human being contemporary, so it meant the study "connotations of intellectual and aesthetic design spaces Interior" to find a link between the connotations of intellectual and aesthetic in the act of design objective and functionally. And the lack of study dealing with the subject of intellectual and aesthetic connotations in the design of interior spaces, and for the purpose of bridging the gap and the lack of knowledge in this area.So ensure that the first chapter on the research problem that summarized the following question : Does the data intellectual, aesthetic and adopted within the general concepts of interior design its required role in the opera houses designs?. Or that there occurred variables have been adopted concerning those aspects when initiating design spacesrole of the opera? The important data are included to provide an intellectual and aesthetic role contribute to supplement the opera companies and institutions involved in the internal spaces designs textured scientific knowledge have a presence in translatingdesign to reality cosmetic formulations carries the meanings and implications of intellectual and aesthetic. Down to the objective of this research, which represents disclose intellectual and aesthetic connotations of the internal spaces of international opera houses. And the adoption of the limits of temporal and spatial search that was the main study hall for seven of the role of the opera world (Australia, Egypt, Paris, Norway, Scotland, China, Oman) for the period from 1974to 2012.And contained the second quarter on previous studies and theoretical framework, which included four Detectives first (verb significance), while the second part guarantees the (semantic property), and third (semantic aesthetic), and finally meant the fourth section (developments formal aesthetic spaces of the role of the Opera), and after the completion of theoretical framework was extracted indicators adopted by the form analysis axles. The third chapter was devoted to research procedures where the researcher followed the descriptive method for analysis through the analysis of the seven models of international opera houses spaces.Among the findings of research are : Adoption of intellectual frameworks according to its historical variations in the design of buildings opera houses, each according to its terms of reference, which are thus reflected on the external and internal appearance, and depending on the cohesion between the urban fabric of the building and incidence within the social and cultural environment and heritage. And the emergence of mixed functional and aesthetic throughout the investments made by the designers all walks of life, and it comes from Advanced aware of my design was dictated by intellectual imperatives and its data to be imposed on the designer alignment and harmonization of vocabulary space. Through the contents of ideas and their significance, whether subjective or objective, or is the theory relied upon by the designer in the design space of Procedure of the hall's main role of the opera world, confirm the harmonization formal environmental, came this assertion to install a mechanism to promote and partnership between the building and surrounded by the words, which were reflected in clear the internal data as well, which is clearly manifested in the choice of items and processors that has. Illustrate the innovative dimension identify determinants attributes, and by addressing the ceilings and rises, walls and floorsand afford values and color, and benefit from the strengthening of relations link between the board space and worker his items. Activation of the internal space design elements such as : lines, textures, sizes and color values, optical, and benefit from the raw materials and what happened from the development, which provided the inner space in a variety of ways and unfamiliar, Also concluded Find the most important conclusions, including : Conformation and semantic representation and symbolic transformations such as an integrated part of the functioning of a link between the symbol and the history..As well as mixing clear and precise them.. integral formalism with the design elements of the space of the opera, that is the only representation formed lighting, furniture, finishes and materials textile dimensions important in it. That interaction semantic - functional and aesthetic between different patterns represented in opera houses meant impact of where meanings and deepening confirms relational format - space, the environment and architectural body was both. Down to the recommendations and proposals, and finally the list of sources and supplements.

الانساق التصميمية في الفضاءات الداخلية الملحقة بالملاعب الرياضية == Design Patterns In Interior Spaces Attached To Sports Playgrounds

Author name: اسمى عبد الحميد عبد المهدي
Supervisor name: بدريا محمد حسن فرج
General topic: Fine Arts
Specific topic: Interior Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: يعد تناول موضوعة الملاعب الرياضية موضوعا حيويا ومهما لما يقدمه من جوانب فكرية وثقافية واقتصادية للبلد المقام فيه, ونظرا لما يمثله هذا الصرح الذي يعد حاليا ليس مجرد مبنى رياضي يخدم اغراض اللعبة فقط, وانما يمثل نقطة استقطاب الدول وكلما كان التصميم خلاق ويجس | The sport stadiums subject is an important and vital subject because of the intellectual, cultural and economic aspects that it offers for the country which it held in. As to this edifice and what it represent which consider not only a sport building for just playing, but it also represent a polarization point for other countries and as much this design is creative and embodies certain idea represented by a certain figure that symbolize the country where the stadium is built mingled with the technical creation in a harmonious way with the internal and outer view and the content with exterior of the stadium. As a result the subject of the soccer international stadium is submitted by the searcher because of the mentioned reasons and it limited by the interior spaces that is expansion the stadium with other expansion spaces “ Athletes’ changing clothes room and it expansions” Depending on the design features of stadiums; build up including the expansion spaces. These features are different according to the differences of designers and architects who devoted their practical, engineering and designed potential to put design scheme for a stadium complies with all conditions and approved specification by FIFA to compatible with the stadium exterior which has special identity an belong to the country culture. It also should be modern and technical just like other stadiums in other countries. As a result the searcher submitted this subject “The Designed Layouts of interior expansion spaces of stadiums” The research consists of four chapters : 1. Chapter 1 : The methodological framework that included the research problem that crystallized by the following questions : Q : Are there specific design patterns specialized in the nature of formative system in organizing the attached spaces to the international athletics’ stadiums? And to which degree it is connected to the systematic performance to the mentioned spaces, in addition to its role in insure a positive psychological behavior by the athletes? While the research objective : To detect the systematic design patterns in the interior spaces attached to athletics stadiums, and its fittingness to its users from the performance perspectives and the variable formatives linked to Aesthetic and expressive sides. The importance of the of this study appeared in its participating in providing information with a new system that depends on scientific and artistic bases clarifies a special evidence for the values that express the identity of the spaces that is the theme of this study. And it also represents an added study to the athletics stadiums supported by a diagram to the designing patterns, and use a special expression to the interior spaces attached to the international athletics stadiums, which is what the subjective limits for this study has represented. While the spatial and temporal limits specified to the spaces (specialized to the athletes) in Iraq and parts of the world for the years (2012 - 2014), in addition to specifying the terms included with the study title to get executive definitions as outcomes. 2. Chapter 2 : Include the previous studying. Discussions and the theoretical framework. This chapter divided into three main parts. a. Part 1 : Focus on “concept of the layout and its relations with interior design”. b. Part 2 : Include “The layout and its formal regulations in interior spaces” c. Part 3 : ” Invest the layout’s standards in the expansion spaces of stadium”.The results of theoretical framework some indictors that depends on them in analysis the research models form3. Chapter 3 : Consist of research procedures and its methodology where it depends on defining the method in analysis. It chose 3 models from the whole research, in purpose, for studying and it depends on the analysis of form aspects, point the level that achieve these aspects, in addition to describe and analysis the research models 4. Chapter 4 : Included the outcomes and conclusions that have been reached to in this study : 1. No color coordination in such vital space to athletes as it is the only space specified for them that offers comfort and psychological motivation which affects their performance. And this have not been achieved in two study samples, while has been achieved in one study sample only. 2. There were no designing patterns whether they were functional or graphical specified to this space for its many functional characterization as (holding lectures, planning for games, break times after playing… act) this was achieved in one study sample. 3. The shortage of the indicative meanings that represent the meaning of such a space, like the nature of space organizing and its lake to the necessary requirements that relates to the training and all other important activities), this has been achieved in the first study sample only. Also, chapter four included the theoretical designing foundations, designing suggestions and recommendations, beneficiaries of this study, and a list of the resources and appendix.

انظمة التكوين الشكلي وتقنياتها الاظهارية في تصاميم الاقمشة الرجالية == Systems of Formal Training And Techniques Alazaaria In Menswear Fabrics Designs

Author name: اسعد عاتي هليل سعد الموسوي
Supervisor name: فاتن علي حسين العامري
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: تعد انظمة التكوين الشكلي بمثابه اسس يقوم المصمم بابتكارها وصولا الى اختيارات تنظيمية بفعل تقنيات الاظهار التي تعطي للنظام التصميمي جاذبية اظهارية تحقق غايات الفكره التصميمية, فانظمة التكوين الشكلي تهدف الى تحقيق غاية التصميم من خلال تقنياتها الاظهارية الن | The formalistic composing orders are considered a basement. This basement which is the designer made to reach forming choices depending on displaying technics that give attractiveness to formalistic composing which leads to applying the aim of the design itself. They work to apply the aim of the design through the finished displaying technics and this is the essence of the research. This research which depended on this question : what are the formalistic composing orders of the designs of men fabrics ? Do displaying technics make changes in formalistic composing order of men fabrics? The importance of this research has these roles : 1. It helps in the opportunity of managing the scientific and artistic benefit for those who are studying and interested in the field of designing and technical in the colleges of technics and institutes as well.2. It may participate in increasing the knowledge of the researcher and technicians in ways and technics. It also stabilizes the artistic designing principles, and put them in front of the designers to inspire them consequently bring new ideas of designs. These inspirations raise the designs of Iraqi cloth in quantity and quality. The research also wants to applying these goals : 1. To know the formalistic composing order of the designs of men fabrics. 2. Showing the relationship between the formalistic composing order and displaying technics in the designs of men fabrics.Th research of formalistic composing orders and the applying displaying technics, and the designs of men fabrics consisted shirt , (Indian or Chinese ) made , which are available in the public shops of Baghdad ( Al Shorja trading shops) from 2010 - 2012.The seconds chapter contained the theoretical work which consisted of three ideas. The first one was about the formalistic composing in designing men fabrics. The second chapter was about the designing composing in the design of men fabrics. The third was the effect of technics in the formalistic composing order. After that it is concluded the most important signs that comes from the research. Then come the preceding studies and their discussing.The procedures in the third chapter represented by depending on descriptions of the analysis of samples. These samples were (240) designed samples. About (160) of them are excluded. The reason was that they are similar in showing the essence of the design and repeated in one hand and repeating it on the other hand. Add to that it repeat the same defect on variation of colour to this design, which is not in harmony with the needs of Iraqi shops and styles. So what was rest (80) which represented the base samples. According to that samples were chosen intentionally in (30%) , which was about (24) samples. These samples are varied according to displaying technics.The analysis tools are listed in points of analysis. This analysis tools depended on some theoretical signs, which the researcher presented with the help of the supervisor, and certificated by number of experts. These tools were depended on in analyzing samples. In the same course, the samples of research were also analyzed depending on the points of the list.The fourth chapter contained the result that is found by the researches and the conclusions. The notable of them were the dependence of men clothes designs firstly on the mixed fabric. they did that since it is durable, comfortable and cheap. This led to reduction of using the natural fabric due to their high prices. In addition, the artificial fabrics also reduced in usage because it is not suitable for the weather of Iraq.The formalistic composing orders are actively represented that within them, the designer used the reticular fabric and liner fabric which is prevalent which suggested a limited space for similarity and repetition in the parts of the main unit. This unit has connected totally with the capability of the designing to weave fabrics through the crossing of the vertical lines with the horizontal lines to show the essence of the fabric on its surface, as the central organization appeared in least percentage. The distribution of the random consistence which gives variety in directions and the design unit via the connection of the relations of its factors could appear in less percentage. This is because it a reflection of a real technic of fabric printing which is usage has reduced in making men fabric designs. The chapter is consisted the recommendations and suggestions and the Arabic and Foreign. In addition to that, it is consisted the summary in a foreign language.

المعالجات التقنية في التصاميم الكرافيكية الرقمية : دراسة تحليلية == Processor Technology In Digital Graphic Design (Analytical Study)

Author name: منير جباري علي
Supervisor name: نصيف جاسم محمد عباس
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: Based on the idea of building design work, Thought and implementation, with its current phase and the next, the nature of the tools to achieve Product supports the foundations and elements.Showing the methods which comprises a set of software, Tools and processing of digital technology, which has become a significant impact. To know and to clarify the dimensions and optical outputs achieved for the job and beauty of design, as is obvious to the specialists and workers. In the field of digital design, the importance of employment additions, that enhances and enriches the digital work. Built in the events of a formal design gives IT efficiency. Contribute to the diversity data, and digital technology has proven its substantial role in communication, and interaction between nations and peoples. Through diversity, which came clearly into the overall process of building in the newspapers, magazines and various publications, and has emerged as a field design magazine covers important for recruitment and programs, techniques and digital boosted this trend.In additions to the daily products invented by companies. Relevant and which were taken to expand and spread. A very big way, and took it upon himself to research the current job search and the investigation of what aspects of it, through the organized according to four classes, which included the first chapter of the research problem. He touched on the researcher and the field of processing technology in digital designs, according to a specific question it as follows : - - Contributed to the programs and additions. To the relevant design, Contributed to the Role in the promotion of digital processors.Identified the importance of research through : - • The possibility of its contribution to the development of conceptual awareness among workers, in the field of digital graphic design.• The possibility of its contribution, in the promotion of technical skills among workers in state institutions, Relevant, including the press and satellite channels, Find and select the goal of the following : - 1 - Knowing the technical wizards, Officer - in digital graphic design.2 - Make applications proposed for digital designs the covers of magazines based on what the outcome of the research findings and conclusions.Search also identifies the following : - Objective limits : - designs the covers of magazines related to digital affairs because of their role and specificity, to give an idea of the nature andcontent of the magazine, as well as the promise of a magnet and attract and optical techniques applied to digitalSpatial boundaries : - covers digital magazines issued by institutions working in the field of digital design and by (5) types.Temporal boundaries : digital magazines of the years (2010 - 2011) they represent for completion of the research.Then the researcher identifies the terminology contained in the research, as follow : - Processing, Technical, Design, Digital.And select the second, involving separation (previous studies) and (theoretical framework), as enrolled in three sections : - • Technical concept and its history.• Graphic design history.• Digital art.Researcher point represented a group of indicators for salvation resulted in the theoretical framework, including : - - Resulted in outcomes humanity at the level of innovation technology in the interaction between the old tools and modern digital technologies and work on the transmission of technical modern recipe originality and benefit from the experience design prior to obtain complementary to employ all the tools to reach results similar to the poses from the experience of art. - Interest in designer digital technique is employed to simplify things in the way the current building design taking advantage of the semantics, such as the flag signal function that helps the recipient to understand the design and absorb the meanings of vocabulary work in a clear and easy. - Was of the computer mail a clear role in the field of visual arts because of its ability to produce data visual ranging from data and technical data visual minutes to analyze the data and the design shapes technical versatile in the field of graphic design in activating and stimulate the process of recruitment communication and visual communication. - Reaching the Digital Design advanced levels made him a speech about what is different from other kinds of arts, as well as technical development that has occurred on the capabilities of digital designer in the shadow and light, bringing the design in our world as important as the written word, if not more important ones. - Such as graphic design and visual arts which has preserved its history of mankind and carried the banner of the development which was the result of developments in the human scene, of what occurred in the artistic process of reinventions in a sequential manner, this type of art a major role in human life and design.Then followed by the research procedures contained in Chapter III, represented by adoption of the approach the descriptive (the way content analysis) in order to reach results, also represented a tool discussed form for determining axes of analysis based on what emerged from the themes and indicators of theoretical framework as well as the opinions of a group of experts, then included a chapter on the process of sample selection intentional non - probabilistic, for reasons clarified by the researcher, as determined by (21) sample designs the covers of magazines digital variety amounted to (5) types, also took into account the research validity and reliability of the tool, then the researcher to describe the samples Find the (21) sample and analyzed according to themes that are included in the analysis tool.Then followed by the separation of the results and discussion presented in the fourth quarter and that was including the following : - 1 - Was the technical wizard’s patterns according to the following : • Light character, as in the samples (2.3, 4, 6.7, 9, 10.14, 15, 16.18, 20) and by (57%).• A regular character, as in the samples (1.2, 5.7, 8, 9.10, 11, 12.14, 15, 16.17, 18.19, 20) and by (76%). That the processors that have taken place is part of a comprehensive process diversity within the door of the aesthetic and functional, especially since the field is the field of packaging design requires dealing with the categories of discourse dysfunctional to the distortion and digital magazine but in addition the quality of the designer employed consistent with the structural system.2 - Was treated on the digital images according to the following : - • Spare parts of pictures to show them as an important part in the samples (3, 6.7, 8, 10.11, 12, 13.14, 15, 16.17, 20.19, 21) and by (71%).• Employment of filters as in the samples (9.11, 13, 17, 18) and by (24%).• Combine two images to give the appearance of three - dimensional, as in the samples (3.4, 7, 8.9, 10, 13, 14, 16.18, 20.19, 21) and by (62%).• cut or paste parts of an image to another, as in the samples (4, 5.7, 8, 9, 10, 12, 13, 14.17, 18.19, 21) and by (62%), and Gat, technical wizards that are consistent with current trends prevailing in the digital design, which depends Foundation to build the formal is that the reason to create a critical mass of software, digital design accompanied by a large number of additions and processors of this open area and wide for the designer to work according to the options enhance the dimensional functional and aesthetic and took the designer about developmental horizons further than he had imagined.Researcher then concluded a number of conclusions, including : - 1 - The diversity of employment patterns as the back but indicates the importance attached by the designers of multi - specific; because the structure of the cover is in essence a typography component comprehensive and collectivelyconstitute a real translation of the ideas put forward a clear indication of the universality of technology promoted by digital art.2 - At a time when Western patterns designed for multi - character, but retain the structural architecture of some of them indicates the reality of formal consistency, stability and susceptibility of those underlying the patterns and their compatibility with the printing and design techniques.The researcher recommended a number of recommendations including : - Benefit from the digital processing techniques, which are the basis of design work in the development of new formative structures in the design of newspapers and magazines and to make them appreciate the receipt and communication with the receiver, with the printed confirmation and functional - oriented society to him.The proposal could have a subsequent study complementary to the current search : - Visual data in the structure of digital designs the covers of magazines.Find and then seal with a list of sources and supplements.

الفاعلية التداولية في التصميم الاعلاني المطبوع == Effectiveness Pragmatics In Advertisement Printed Design

Author name: بشرى محسن ياسر
Supervisor name: نعيم عباس حسن
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: This research is considered as an important step in dealing with the pragmatic for its interruption in all the scientific, humanity and social fields. This subject has an importance in the foundations? works and the directorates that has a direct connection with the society individuals especially the advertisement foundations because of the need to get the specific and sufficient information about the expression of pragmatic through its properties , directions and the potential meaning in pragmatic the advertisements and their symbolic components between the receiver of the advertisement message in a specific communication sequence. This is what we show in the problem of this research through asking two questions which represents the research problems, they are : - 1 - what are the pragmatic characteristics in printed advertisement design. How they are connected in conveyance the advertisement idea to the audience?2 - How to diagnosis the symbolic pragmatic comprehension of the signs from different audience identifications and different thinking levels , the time and place dimensions and the circumstances of its spreading through the used communications ways to show the printed advertisement design ?This research aims to identify the pragmatic and how its effectiveness and impact on the printed advertisement design. The research deals with the study of the printed design in three pragmatic famous magazines in the world for the period from August 2012 to July 2013. The study consists of four chapters. The first chapter deals with the problem of the research , its importance, its targets, its limitations and specify its expressions. The second chapter which consists of the theoretical frame is divided into three fields. The first field is about the effectiveness and the design theme , the effectiveness and the design theme, the effectiveness and the factors of its achieving and theeffectiveness of using the individuals in design. The second field is about the pragmatic effectiveness systems , the rhetorical meaning in the individuals of characteristics of pragmatic in design. Where as the third field deals with the effective power in the visual impact and gravity and receiving operation, the elements of free and non free - will of attention, the visual impacts and the resulted connections in the advertisement components and the design building ,the basis of advertisement design and its role, the elements of the advertisement design building, the basis of advertisement design and its role and influence on the specter and then showing the signs which resulted from the theoretical frame , that the researcher depended on in making the analysis application form. In the third chapter, the researcher deals with the research procedures of the methodology research, the research society which consists of printed advertisement designs in three world pragmatic magazines.The sample of the research is chosen on purpose which is suitable to the nature of the research. The tool of the research is represented by the analysis application form which consists of many axis. These axis are authorized by the experimentals. They are considered the basis of analyzing the sample and then getting its fixing. The fourth chapter deals with the most important results that this study has reached. This chapter deals also with the conclusions , the recommendations and many suggestions and finally the abstract in English language.The most important results of the research are : - 1 - The advertisement design has many meanings that are identical with the idea of the design. This idea is reached to , by explanation the individuals symbols of the advertisement correctly through transforming into the specific cultural knowledge of the audience , the sequence of the advertisement idea and the way of directing the symbols figures in the advertisement for the audience into the place that understands theadvertisement for the audience into the place that understands the advertisement?s parts sequencely and correctly to understand the advertisement message and achieving its pragmatic effectiveness.2 - The picture symbol in the advertisement design to the sample represents an importance in the way that makes the audience of the advertisement a kind of attention to the meaning it shows and in a way that makes them activate with the meaning and be influenced by it.3 - Making the symbolic work in the advertisement design to inspire what they carry of symbols and their connections to available things in the outside world of the audience and to the mutual thoughts and passions of the audience.The most important conclusions in the light of the research results are : 1 - The pragmatic meaning is in the center of the design operation. The advertisement design operation has an axis represents the reality and expressing it. The effectiveness works by it side to transform this reality into space organization that pay attention to the harmony and perfectness among the different symbols figures.2 - The pragmatic advertisement design has the characteristic of communicates and being effective to achieve the effectiveness which makes and keeps social relations among the society individuals.The researcher recommends the following : - - Emphasis on the visual symbolic that carry the inspiration and meanings that help achieving the effective visual communication and expanding the realization and multi explanations of the audience. Increasing the communication to transform the expressions and information which is about the subject of the pragmatic advertisement.At the end, of the researcher suggests the color employing in the commercial advertisement design and its influence in achieving it pragmatic.

الاستعارة في الصورة الافتراضية للاعلان التجاري == Metaphor In The Virtual Image For Commercial Advertising

Author name: شيماء كامل داخل الوائلي
Supervisor name: هادي نفل مهدي
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: Operated metaphor thinkers and thoters as one of the most important topics being working on the transfer of meaning fantasy incarnation Authority forms invisible virtual open to interpretation and interpretation as well as being reveal mechanisms of functioning of the new communication and that column is the basis for building commercial advertising , in terms of the metaphor means interested in particular humanity from the reality of practices social and ideological and cultural to reflect his thinking and gives a pattern to understand things and the way functioning , they are linked to mind and relations of intellectual designer in organizing pictures default , so it came metaphor in design as a characteristic creativity designer and a standard aesthetically pleasing to the meaning of the new non - rolling , as well as its ability to expand the circle of meaning being represented springboard for the organization and a means of rooting through evoke shapes exoticism through the activation of the techniques that threw a shadow in the formation of structures ad featuring strange in terms of building the idea of design and without the advertising business through the sense of them through lack of separation between the default image resulting from the hiring of metaphors and the expression to be sent to the recipient , since it was our time is the current time is par excellence came metaphor in the default image incubator essential for the meanings , also improved from a lack of expression through dimensions of imagination or what stored memory and installedbodies aesthetic lead 's job desired. Based on the foregoing, came to study the ( metaphor in the default image for commercial announcement ) where you specify four chapters , as follows : The first chapter , which has been allocated to research methodology where the study identified the target for the purpose of reaching a solution to the problem discussed , namely (how it shown by metaphor in default image )) and either target represents follows ( (detection manifestation metaphor in the default image to advertise commercial).) Also included the importance of research Search and limits as well as identifying terminology.The theoretical framework has singled out his second chapter where it was reviewing the literature on the subject of your search to include four topics are as follows : The first topic : the metaphor concept The second topic : reference of the metaphor The third topic : the institutions of the default image Section IV : the default image in commercial advertising The third chapter of this study has singled out the procedures followedwhere he was the descriptive analyticalThe third chapter of this study has singled out the procedures followed , where he was the descriptive analytical approach as a way of practice in the search , but the purpose of the analysis of the sample was prepared foranalysis and form approved by the experts and came on the basis of paragraphs analysis. The fourth chapter of this study has been the review of the results ofthe research , and the most important results : 1. Deliberately designed to first semantic approach coupes the idea of metaphor through irony in highlighting the importance of the product and through exotic forms express the idea of novelty and aesthetic2. Was clearly evident that the designer has adopted all sorts of components metaphor for the direct significance of the idea in the Declaration by combining more than one ingredient in a single structure.3. Adopted designer metaphor in advertising to achieve career goals and aesthetic in the structures of ads to confirm the unit idea and provide the recipient expertise knowledge needed about the nature of the advertised product to make interaction with him through coordination based on the context of the idea or through the creation of approaches formality in the use of the elements and this is what appeared in all models the sample under analysisBut the most important conclusions , meanwhile , were as follows : 1. The metaphor in advertising substantive vision of the world and the imagined , being based on the establishment of a coherent synthesis built in the artwork , and carry visual rhetoric of the Declaration commercial dimensions of intellectual and visionary aesthetic controversy lies in the structural design advertising.2. Suggestive metaphor for the meaning and boarder allowing the expansion of the designer Graphic elements meaning " visible " for commercial advertising.3. Visual metaphor associated with reduction and condensation mechanisms based on the idea and structure, which strongly established in the manifestation of metaphor composition of the design.4. To break the normal regulatory rules in the design construction of the announcement is to show the locations of innovative non - current " innovative " check visually attractive designer seeks confirmationstructural cohesion of the basic components of the virtual image , depending on the combination of the different elements and through various metaphors.

الانعكاسات المرئية للتزيينات في تصاميم الاقمشة والازياء == Viewed Reflections For Adornment On The Fabric And Fashion Design

Author name: محمد حاكم ضايع
Supervisor name: هند محمد سحاب العاني
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: يعد فن صناعة الاقمشة من الفنون الانسانية التي ارتبطت به منذ النشاة الاولى ومرت بحقب ازدهرت فيها وانتكست في اخرى, لذا فهي تدل على مدى رقي الامم الثقافي والاجتماعي والاقتصادي والفني, واصبح فن صناعة الاقمشة من الصناعات التي يعتمد عليها الكثير من الدول كالصي | The art of making fabrics of Arts humanity associated with its since starch first and went through periods flourished and relapsed in the other, so is the show over the paper Nations cultural, social, economic, technical, and became the art of making textile industries upon which a lot of countries that seek to achieve growth economic so they are associated with development of scientific and technical happening in all aspects of humanity, in which case began receiving choice designs for textiles and fashion decorations a certain way and not spontaneously, but rely on subjective factors and objective achieving compatibility with aspects of psychological, physiological and differs from the choice of the genus to another, and is embodied in the designs fabrics and women's fashion and decorations the selected not on the basis of carry forms of design, but design is the interplay of relationships with the structure of the receiver that reflect the integrated check personal attraction and excitement of the recipient.So the designer study aspects of psychological and physiological women are different from men in the way of its choosing designs decorations in textiles and fashion women also each stage age vocabulary design their own as that each community of values, customs and traditions of its own influence in the way of dealing with those designs, in which case the designer can predicate to accept those designs and decorative or rejected as it was built on the foundations of true scientific and technical find out regenerate of visible reflections serve as a means of communication is verbal.The research is consistent with this interest to find out what sends designs decorative for Textiles and women's fashion of the reflections visible check the aesthetic dimension of those designs and down to achieve taste of the receiver's.According to the research problem identified the following question : (What are the implications for decoration in visual design and fashion fabrics)It aims to identify the reflections visible in the textile and fashion designs based techniques to achieve them, the detection of the most important decoration achieved for infrastructure requirementsintegrated design and fashion fabrics.And highlights the importance of the current research to increase awareness of intellectual design with designer fabricsAnd fashion knowledge foundations and development trends that contribute to the perception of visual implications of the decorations in the textile and fashion designs as well as to know the physical propertiesIndustrial and decorations employed in the textile and fashion manufacturers have.The study identified the limits of the printed designs and added in women's fashion fabrics for the group stage of (25_40) years, and specified for use in period Evening imported and available in local markets and within the time period (2011_2012). The researcher then select the terminology and the development of each term procedural definition of its own, and the second chapter discusses the theoretical framework and previous studies and included three Detectives were distributed as follows : ...The first topic : the decorative designs in textiles and fashion.The second topic : the concept of visual implications in the design.The third topic : the perception decorations in fabrics and designs women's fashion.The researcher to the most important indicators resulting from the theoretical framework through which the researcher were able to communicate with the third quarter in a harmonious and also achieved a theoretical framework for the presence of previous studies.The third chapter dealt with the research procedures, as follow researcher descriptive analytical method, representing the research community b (48) model is set up for the evening was chosen as the research sample wildly including copes with stage age - specific research and end - use and thus amounted to sample B (12) sample rate25% of the total research community, either search tool represents the form for analysis built on the main axes of which dealt mostly a researcher at the theoretical framework included axes contribute to achieving the goals of the research, and then presented to the experts in the field of design and design fabrics for gaining sincerity virtual then adopted inanalysis models and discussed.Fourth chapter discusses the results reached by the researcher through research and samples that we will discuss mention the most important : 1 - Adopted on the printed designs designer visible in the composition of the implications of an aesthetic nature (decorative), which showed tangible variables and space suggestions depth result of Recurring act or the difference in the optical values.2 - The decorative designs (synthetic) and place the design holds as it is one of the most important design requirements to achieve an integrated design structure depending upon the discharge of excess cloth and show the true dimension of the recipient in the design of cloth and uniforms.3 - Melanocytes technology has emerged as a supportive space for printing techniques that promised one of the most important techniques adopted to achieve visible reflections ornamental would forma effects and events showing investigator for excitement and attraction to those reflections.4 - Showed the effectiveness of the design elements design decorations gave the recipient delusion the tangible variables resulting from some forms of the design space, which was adopted by the design in the formation of relationships.5 - A reversal is the sense of the existence of things, whether real or fake, and then it turns sensation to cognition, as it begins receiving classified so perceptive according idea of design and their sources.6 - Made the formal qualities of the decorative design and technical design followed by the idea the primary purpose of the visual impact some of which appeared for the purpose of aesthetic, but tailor differed dress the percentage with a cloth design aesthetic as it achieved the purpose and career together.The fourth quarter also included the conclusions reached by the researcher is the most important : 1 - Depend on industrial raw materials in the first place due to its flexibility and softness and the ability of high reflectivity and a high acceptance of melanocytes and printing techniques which helped to show aesthetics that are compatible with the target design and age.2 - Industrial sources and made its presence allowing the designer ample opportunity in diversity in the decoration and operational techniques and show in the design cloth and uniforms and achieves visible reflections with aesthetic connotations.3 - Linked style design type design sources relied upon in the formation of decorative designs which gave greater freedom of the designer in influencing receiver depending on the identity of belonging to that reality for both the designer and the receiver.4 - achieved a technical clear role in highlighting the aesthetic qualities of the design decorative through the sending of reflections visible based on the values optical achieve those values memorial in the proportion of impressions and how to influence the nature knows the receiver making technology an active role in determining the nature of reflection and visual way to influence the recipient.5 - Formed decorative designs for the uniform structure of an integrated design unrealized thrills and attractions in the receiver depending on the harmonization of decorative designs for fabrics and unique, which helped in achieving integration in the design structure. The fourth chapter contains recommendations and proposals and the Arabic and English sources and supplements and summary in English

الاساليب الاخراجية وعلاقتها بالمساحات الافتراضية للصحف الالكترونية على شبكة الويب == The Directorial Styles And Their Relation Shape With Assumption Space On Electronic Newspaper In Web

Author name: محمد عباس مظهر محمود الزيدي
Supervisor name: خليل ابراهيم حسن الواسطي
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: Means current research study (The directorial styles and their relation shape with assumption space on electronic newspaper in web ) and component of the principles and concepts through the ideas concerning the practical application , where it flows into the side of the cognitive study modern and development for the design of electronic newspapers , using a space default in the design , and the lack of study dealing with the subject of space virtualization including deserve their importance in the process of designand construction of art that meets the requirements of the letter of design to influence the receipt , comes this study through the four seasons , which included the first chapter the research methodology ( the problem and the need for it and which focused on the following question ( what is the relationship between the methods purine and virtual space Electronic newspapers ) and then the importance of research in : - Enrich the knowledge and skills of specialists flour designers and related institutions. - To shed light on the role of the graphic designer in the form of an electronic newspaper highlighting.The objective of the research : - Learn about virtual spaces for electronic newspapers on the Web. - Identify the type of relationship between purine and tactics spaces default to electronic newspapers on the Web.The limits of search Fathhdt (b spaces and virtual methods purine Newspapers Electronic either spatial boundaries Iraqi newspapers were published on the information network ( Internet ) and defined border temporal Bvaltrh time for 4102In addition to determining the terms listed in the title search to know it technically and idiomatically and Tsamimiauajjae second chapter includes a theoretical framework that included three research are as follows : - First research - electronic press upbringing and development - The second topic - the structure of e - newspapers - The third topic - the basis of the output of the electronic newspaper sites.It also included the second quarter indicators theoretical framework and previous studies , while the third chapter devoted action research where the researcher followed the descriptive approach to analyze the content of the samples the (01 samples ) , were selected in a manner Qsidiahibnsph third one - third of the original community of (10) model and published on the web and registered in the Iraqi Journalists Syndicate , either the fourth quarter has been allocated for the findings, conclusions andrecommendations and proposals Alndharah and applied researcher has come to phrase the results and conclusions of the process which has achieved the goals set and these results : - Trends emerged in innovative artistic expression , which led to the presence of new styles and updated in the design needs of sophisticated design required to use the images and overlapping geometric shapes and influences the retina - The main entrance to the effective design is to provide clarity and build information in a visual image is suitable , as regards the page design and implementation of tactics and technical basis used in this area. - Addresses the design and aesthetic message directing the visual and performance art within the framework of her career , and the diversity of his tools and his message , according to the regulations for the design and diversity of these messages.The conclusions are : 0. Provided digital technology new working environment hypothetical where the input process design all ( default input ) deals with the designer with the utmost flexibility and accuracy , putting him bounties immense design these inputs ( elements ) in order to reach the final shape optimization without Mahhaddat cost , time and effort. 4. Confined space Alrmih on the web page within the limits Alveza?ah of the display , and while extending web page outside those boundaries scroll bars appear , so The area of the page appears on the Web Lakez display screen receiver that offered by the programs of the browser , there is no specific limits on the size of the page The recommendations , which were recommended by the researcher are : 0. The adoption of more than directed in the style of electronic newspapers , in addition to the new technique used in newspapers and modern style which is called breaking the rules.4. Adoption of technological elements in the total output of electronic newspapers being brought attention and check the response of the recipient. The researcher suggested some studies including : 0. Digital technology and its role at the technical level of theelectronic newspaper sites. Through the proceedings conducted by the researcher , which reached to the scientific results that have achieved the goals set for the current research provides the researcher has applied developmental proposals representa virtual space to be added to the scientific research , as codified sources of Arab and foreign.

سيمياء الصورة الرقمية في التصميم الكرافيكي == Semiotics of Digital Photo In Graphic Design

Author name: كرم جرجيس نعمة
Supervisor name: نصيف جاسم محمد عباس
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: Began the promise of digital image with fees Alkravekah first covered the walls of the caves, then the fees that came in the books and manuscripts and with the invention of lenses and come to the idea of photography embodied finally in the form of a picture or CM then ( Balfoturav ) and with over the years and perseverance mental level chemistry and physics became Photography among the arts developed and the merger of the image in the world of print has become an indispensable element in the design world Alkraveka talk with the advent of digital art and computer technology transformed the image to the creative work that works as a whole in the range of engaging digital and therefore picture began to take other aspects work with alchemy and the significance and interpretation , criticism, commentary and interpretation the metaphor and exploration as picture became a phenomenon accepted interpretation to say something else , so working Alsemiae as a way of analytical readers of image semantics and frameworks expressionistic works in the space of design Alkraveka talk , which relies image processing is mainly active in the structure and after this the cause for consideration and this investigation as well as mechanisms for making digital photo , so researcher found potentials to raise the following questions , and an area to determine the current research problem : To what extent the functioning of Semiotics digital photo design Alkraveka.What connotations to afford digital photo processing.What goals and objectives envisaged by the designer of the digital image in his field.And designed the current search according to various chapters , which included the first chapter on the research problem and his two goals to identify the Semiotics digital photo design Alkraveka as well as the design of MAP mentality of Semiotics digital photo Achtgaladtha in design Alkraveka also select Find up to three , objective represents studied Semiotics digital photo design Alkraveka , and where I am : Includes pictures published in international journals covers , research has identified the year 2013 at a time to the current search. The second chapter is devoted to the theoretical framework as it was divided into three sections , the first section concerned with : Balsemiae concept and approach and the study of the mark and its divisions and implications and connotations to the image exposure and dimensions Avatar. The second section was devoted to the study of digital photo , types , functions and processing techniques as well as Achtgaladtha media relations and visual discourse.The third section deals with the digital photo and design programs Alkracaki and technical wizards of the image in digital design Alkraveka. Find out and indicators relating to the ethics of jurisdiction.And select the third chapter of the proceedings , which included identifying research methodology to choose the descriptive approach , a chapter on mechanisms of semiotic analysis. Then , the researcher analyzed the research models and number (15) model to arrive at a set of results cited in Algosl fourth, including : Enhance the visual text in buildings Achtgaladtha realism through confirmation deconstructive components and re - evaluate their tracks with respect to form and content and stay away from the dialectic of the designer and imperatives for its existence. Promote formal correlation between the picture and the biblical texts and employ structural and exchange levels achieved Occupation indicative structure of the text in the visual image and take the formalapproach moot with similar patterns in their tracks and furnished with data reporting obligations iconic.The researcher concluded : that came metaphoric representation semiotic and strengthened in the digital photo to be different for Astbdalia Mknunat raised in a traditional way recognizable. Although rhetorical reinforcement - indicative.. Is to enrich and furnishing of the text ( s ) and semantic Mahmoladtha At the same time complementary Madat purpose. Although the diversity of visions and intellectual theses what was to be no trace of stylistic put the image in accordance with the framework of digital Alkraveka which in turn trails open mind concerning the graphical image and what it contains. The researcher recommended : to clarify the role of alchemy in digital image processing and mechanisms Todifaa Alkraveka in design as well as enhance the technical - oriented software design brought him

الخصوصية في تصميم فضاءات مدارس التوحد == The Privacy In The Design Spaces Schools of Autism

Author name: عامر داود عطا
Supervisor name: باسم قاسم الغبان
General topic: Fine Arts
Specific topic: Interior Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: Abstract Research found into the privacy of the design for schools appropriate autism and that will be the first of its kind at the level of design schools autism in Iraq to occupy the role of science to keep pace development and a guide for designing the Special schools of autism in Iraq and use the vocabulary of Iraq and to provide a suitable environment for autistic children carrying Iraqi identity, and fit to be a mentor for beginners in the creation of interior design and the advancement of Iraqi children to provide them with an environment check psychotherapy and performative and aesthetic, current research has included the design of the spaces _khasosh autism schools in Iraq analytical study, to quote some summary as follows : The first chapter discusses the research problem and the need for him : - 1. importance of Search : The importance of that is reflected in the lack of privacy of note in the design of spaces schools with autism achieve the body by means of global measures consistent with local and shed light on the most prominent vocabulary in which they can exclusivity privacy. 2. research problem : through the scoping study found a lack of analytical studies for the design of spaces autism schools, especially in Iraq, because of the short supply in those spaces _khasosh in design.3 Research Goals : The research aims to know the reality of the internal spaces of educational classes for schools and autism and privacy laws approved design have created and to reach a design proposal for educational classes for schools autism.4. Borders Search : Search is limited to the internal spaces of autism schools in Iraq for the years 2013 - 2014, which ensures privacy in design at the level of specific elements of the vertical and horizontal spaces and secondary inner core, has been the focus of research efforts on privacy in the design. The second chapter, has included the theoretical framework of the research shed light on the theoretical aspects of direct relevance to the search topic within the Investigation of three, Valambges first dealt with autism and theories, and the second section dealing with privacy and design, and the third section dealt processors design for the schools of autism, and the fourth section dealt with models of Schools Autism global, followed by a set out indicators.The third chapter, handled the research methodology and procedures required descriptive analytical method and the research community schools had autism. The research sample was for two schools in Baghdad and Najaf Ashraf School and another school in Karbala holy, tools and techniques identified poll mediated form of analysis to build a standard design to reach the goals of research dearly went out the researcher several results including : - 1. Schools Autism is now approved in terms of designs, supplies, and goals and stadiums do not help the autistic child's development of different aspects of the physically and cognitively.2. characterized most of the furniture and supplies (chairs, desks and blackboards) as unsuitable for children, and uses non - polished surfaces and the number does not match the number of children with autism.3. poor coordination in the visual elements, diversify and exploit weakness in assigning jobs privacy within the classroom for Autism.4. non - observance of the designer in achieving the link between the bishop Ctoasl for the continuation of the visual in most schools to unite across the internal space.

ذات المستخدم وانعكاساته التفاعلية في تصميم المنتج الصناعي المعاصر == Self User Interactive Reflections In Product Design And Contemporary Industrial

Author name: ظبية محمد عبد الاخوة الفحام
Supervisor name: صلاح نوري محمود
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: Suspended research study (with user interactive and its implications in the contemporary industrial design of the product) a lot of new concepts and ideas that gave way to know the human self, which is for the user, as the self in humans involves an ongoing series of interactions between him and the producer and the aim of this interaction is to reach compatibility between his personal, social and nature of the product qualities affect it, according aware her circumstances are here. This has raised the question : what are self - relationship and interactive implications with the user contemporary industrial product, and hence the problem Find an answer to this question, and the aim of this research to identify the self - concept and the impact of interactive her reflections with the industrial product in contemporary design..The main importance of this study looks at an important aspect of personal, a self - concept and try to detect the interactive relationship with the industrial product, study of self - concept and its relationship to the industrial product is one of the psychological needs of the job and needed to be provided to the user, and included the limits of the study objectively industrial products smart and interactive relationship with the same user spatially in the local markets of the city of Baghdad to 2015, the study consisted of four chapters included first chapter of the research problem and its importance, objectives and limits and define the terminology, The second chapter, which was the theoretical framework and previous studies and included three sections first one came under the title (the relationship between self user and design industrial) while the second section was dealing with (functional and aesthetic considerations in the industrial product and its relationship to the same user), while the third section dealt placed (interactive user in the industrial design of the product)The third chapter included research procedures and methodology, as descriptive approach adopted in the process of describing and analyzing the samples, which accounted for 25% of the research community which has been classified by the researcher into two categories, determine the first products company (Samsung ) and the number (5) models The second products of(LG) company in numbers (15) a model of the available commercial sales centers main in the city of Baghdad, has been a researcher of indicators adopted was the outcome of sources and Arab and foreign references that seen by the researcher as well as field visits to shops selling smart electrical appliances, The survey carried out by theresearcher to specialists, this chapter was including describe and analyze the five samples with proportions similar guarantees axes according to the analysis developed by the researcher form..The search results and conclusions have it contained the fourth chapter runs the one of the main outcomes of the study as she was phenotypic traits that dealt with the sample analysis axes unrealized positive and format match with principled possibilities that her person search through the theoretical framework through (shape, color, and raw) and in in relation to the aesthetic level models number (1,2,3,4,5) and to reflect the aesthetic values of the body as the product that suits the conditions of the functional use, while the other side was marked by models (2,4,5) being part of the quality check and durability to the content of the ability to achieve the side of the efficiency of the operating hand and carry the functional use conditions, at a time when not include (1,3) on adequate specifications that can be considered in which unrealized side quality and durability same efficiency that characterized the remaining models, It has strengthened the results of the questionnaire this result where the participants agree on the questionnaire that forms number (2,4,5) unrealized side quality and durability efficiently within the general framework that care about research priorities, and the most important conclusions have proved the performing values and role of the marketing of the product through its durability and quality of performing as user to performing value inferred in this aspect when you confirm that the model is based on performing the idea have come to expect the user and results in a feeling of satisfaction and persuasion, which in turn are psychological factors user gives all types of functional performance optimization, and product concept interactive self - reflection is achieved within the Layout Social and resulting in a consumer coordinated through the correlation between the product and the self user according to psychological controls check the individual conditional qualities and features of formality and performance today and distillation of the product identity, and the Final research was the recommendations and proposals and then supplements and references in arabic and english language.

التناسبات الشكلية للوحدات التصميمية وفضاءات اقمشة المفروشات == Physical Proportions of The Design Units And The Spaces of Upholstery Fabrics

Author name: عباس حسين عليوي
Supervisor name: هند محمد سحاب العاني
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: لقد اهتمت الكثير من شعوب العالم ومنذ القدم بصناعة الاقمشة وتطويرها كونها تجسد هويتها واصالتها، ووجها حضاريا مشرقا وشكلا مميزا من اشكال التعبير عن الكيان والشخصية لاسيما بعد التطور الكبير الذي شهده الجانبين التقني والتصميمي في مجال صناعة الاقمشة وخصوصا اق | Many peoples of the world realised the importance of textile industry and its development since the dawn of time, owing to the fact that it embodies their identity and antiquity and it also reflects a distinguished form of expressing their entity and character, especially after the significant evolution the industry had witnessed in terms of technique and design, particularly in the area of upholstery fabrics industry. These fabrics are no longer a mere special raw material used for a specific function, yet it is the product of an artistic apparatus derived from a variety of design elements and foundations and in a way it gives an aesthetic and functional action equally. And due to the importance of the theme of proportion which is to be held as the pivot of the current research and due to the scarcity of researchers on the theme of proportion as well as its being an inspiring and essential work for the maturity of the aesthetical and functional scopes in the design operations. And in terms of application, for it contributes to the visual comfort. In the light of what has been mentioned earlier, the researcher has reacted to put this theme under his studious magnifier through this thesis whose title is ‘Physical proportions of the Design Units and the Spaces of Upholstery Fabrics ‘ via four chapters. The researcher has endeavoured in the first chapter to explain the problem of the thesis which is focused on the importance of the aspect proportion in the spaces of upholstery fabrics since it’s considered one of the most important foundations for the artistic and design fulfilment. It includes in a later stage, the thesis’ targets represented in the identification of the aspect of proportion. The second chapter consists of the theoretical framework of the thesis which contains two sections : the first of which is focused on the aspect of proportion; a phenomenon already exists in nature and man was born to see, live with and get affected by as well. The second section comes to take into study, various themes, including types of the design units and the styles of their artistic application as well as the artistic techniques including the raw material, its various types and features and its printing techniques using manual, mechanical and modern ( digital printing).The theoretical framework has come up with several indications : - The shape is considered a theme seen by the designer as the principal aspect for the interpretation of the required sense; for the shape and the sense are inseparable. - The construction of patterns in the designs of upholstery fabrics aims at identifying the methods through which the design units are to be distributed. The third chapter included research procedures adopted the descriptive approach to clear reality design of upholstery fabrics in the collection of information and data for the part of the theoretical and then interpreted and analyzed with a view to the results achieved to the goals of the research, was able researcher to get a range of models for upholstery fabrics in a deliberate and travel (200) model were excluded (152) of the like - and third - party models and clear that do not meet the goals of research was the remaining (48) model represented the net the research community has been research sample selection wildly (25%), and consisted search tool Bastmarat analysis. Balaatmadaly theoretical framework and indicators, as counted researcher with the help of the supervisor and approved by a number of experts have been on the basis of which the sample analysis models and then get their persistence, as the research sample analysis models in the same chapter, based on the form axes. The fourth quarter has included the results of the study and conclusions, most notably : - That fabric design depends primarily on the quality of raw materials used because of their functional and aesthetic role in highlighting the character Alachtgala units design was mostly carried out using a mixed cotton fabric with polyester being characterized by lightweight, durability and resistance to wrinkle and comfort when to use and cheapen relative to the use of natural materials such as Cotton, either the raw material made of industrial polyester has less use for non - Mulla Imtha climate Iraq in general. C - Designs and effectively printing techniques were adopted to achieve technical wizards vocabulary design of upholstery fabrics mother - majority of the sample forms printing technology screens and the rest of the models implemented digital technology printing, which gave high definition sham forms and quality easily recognized by the receiver being reflect a true picture of the picture perfect nature. - Emerged aesthetic design value through the adoption of phenotypic characteristics of the elements of constructivism in achieving proportional relationships to create a variety of configurations away from raising boredom the recipient, taking into account not conflict with the unity of form and substance, and this is what the universe rhythm accepted through fit the shape and space, shape, direction and fit the colors and values optical with texture and appeared less gradient descent, although it was investigating several tasks in the design process, including the division of space and the representation of multiple levels within the configuration. Same chapter also includes recommendations and proposals as well as Arab and foreign sources and supplements and summary and the interface in English.

استحداث معالجات ربط جديدة لتصميم وحدات الاثاث المكتبي الجاهز == Modernizing New Connection Treatments For Designing A Ready Made Office Furniture Units

Author name: عبد الخالق سمين فتاح
Supervisor name: نوال محسن علي
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: تناولت الدراسة الموسومة بـ(استحداث معالجات ربط جديدة لتصميم وحدات الاثاث المكتبي الجاهز) موضوع ربط اجزاء الاثاث الجاهز وعلاقته بمتانة وحدات الاثاث المكتبي.احتوى الفصل الاول مشكلة البحث المتمثلة بمدى امكانية ايجاد معالجات لربط اجزاء الاثاث الجاهز في تصميم | The study entitled (Modernizing New Connection Treatments For Designing a Ready Made Office Furniture Units) addressed connecting the ready made furniture parts and its relation with consistency of office furniture units. The first chapter contained the research problem represented by the capability range of finding treatments to connect the ready made furniture parts in designing office furniture. As to research significance, it lies in the trial of applying new connection treatments in designing ready made office furniture. The basic research aims are represented as the following : creating new connection methods to connect ready made office furniture as well as providing a proposed design for an office furniture unit basing on new treatments. Research limits included the study of various models of ready made office furniture of industrial wood available in local markets for the period (2005 - 2009). The second chapter consisted of three sections. The first section addressed the topic of ready made furniture, through which we identified most ready made office furniture units. It also included studying the topic of woods with their two types : natural and industrial, identifying the types and specifications of each, illustrating the role of modern technology in manufacturing woods which was represented by two attitudes; the first was concerned with modernizing the methods of manufacturing and the most important methods of modern manufacturing, whereas the second was concerned with producing modern products using modern methods of manufacturing. The second section dealt with the topic of connecting the woods which contained studying different types and specifications of connection techniques. While the third section covered the study of design, the appearance of ready made furniture, the formal unit of furniture design with its multiple elements and phenomena as well as the role of appearance in designing furniture and studying its functional and usage dimensions and manifesting its relation with aesthetic values. Chapter three addressed research procedures where the descriptive method was followed in analyzing the research sample so as to arrive at achieving the research goals, and relying on the research population represented by everything related to ready made office furniture units and the techniques of connecting its parts. The research sample comprised different models of ready made office furniture units chosen purposely to meet research requirements and aims. Chapter four dealt with analyzing the research sample according to analysis axes defined by the researcher through the indications revealed in the theoretical frame. Chapter five embraced the results arrived at by analyzing the research sample, the most important of which were : 1 - Employing the arc lines (streamlines) to break a part of vertical and horizontal lines entering in the formation of formal formations and their directions of the product configuration. 2 - Using one color degree for coating the shapes of some examples which made them lose their color and touch contrast and weakened their elements of attracting and exciting the receptor. 3 - The adhering cortex (paper, plastic) covering the industrial wood ore carried color, appearance and expression characteristics to the natural wood ore, but it came with weak resistant to environmental factors. 4 - The accurate treatments and superficial finishing of all examples configurations with technical styles through employing modern manufacturing techniques which contributed in achieving the appropriate appearance output to them as well as promoting the safety and security aspects. 5 - Lacking some connection methods (employed for connecting the parts of product design units) for their effectiveness as a result of consistency weakness of used connecting tools (because they were designed basically for usage with natural wood ore), causing over time distortions in the appearance of the forms of ready made office furniture units. As to the most important conclusions arrived at by the researcher, they were : 1 - Color and touch contrast achieved a kind of excitement and attraction as well as the kinetic dimension for the appearance of office furniture unit. 2 - Lacking the configurations designs of some products of sensual, aesthetic and expressive effects due to weak employment of their colors and touch of ors or their connection styles and methods. 3 - Good employment of the methods of connecting the parts of office furniture unit contributed in adding an effective appearance to them as well as promoting the aesthetic aspect allover their configuration. 4 - The weakness of functional effectiveness of the methods of connecting designing parts and the spoilage of connection tools distorted the appearance of the forms of ready made office furniture units. 5 - The necessity of fulfilling both aims the aesthetic and functional in designing office furniture unit without the dominance of one of them on the account of the other through good employing of the proper ore and the color and touch contract…. etc. to achieve the excitement and bring attention to them. Chapter five also included the presentation of design treatments enhanced with practical experiments according to the initial results sorted by the researcher to achieve the research aim in suggesting the design of office furniture unit by regarding it an applied example to study and by using some treatments the researcher arrived at in his research results. The recommendations and suggestions were presented to the directions and sides related to the research topic.

فاعلية البنى التصميمية في المنجز الطباعي المعاصر == The Effectiveness of Design Structures In Performed Contemporary Graphic Done

Author name: باسم محمد صالح مهدي
Supervisor name: عباس جاسم حمود الربيعي
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: مثل موضوع البنى التصميمية مدخلا مهما في سبيل الكشف عن فاعليتها, فالعالم التصميمي عامة يستند في تاسيسه الى الفكر ومستجداته وبناءه لتشكل حضورا فاعلا ومؤثرا، مستمدة من الموروث الفكري والمعرفي وبما يحمله من تراكمات تؤدي دورها لايقاد ذهن المصمم وطريقة تنظيم | Design structures such as Multi an important input for the sake of effectiveness in detection achieve typographic performed, general design world - founded based on thought, Developments and constructed to form an active and influential presence, derived from the cognitive and intellectual heritage and including The magnitude of the lead role accumulations to light the mind of the designer and organized way and activated forms. For the purpose of standing on the importance of these two concepts came research in four chapters, the first chapter has been a systematic framework which included the research problem and its significance And objectives, it has exceeded the art of design data all data in the field of arts creativity and innovation the Technical, to show multiple movements and trends helped to achieve progress and success of this art because of its multiple potential future made him the art of indisputable, so the importance of research built on, The importance of search.1 - shed light on the concept of structure in design2 - Study of the importance of the design and effectiveness of structures and the extent of its impact on the creative and innovative capacity in the completion of contemporary design.3 - think of design variables and re drafted to expel more insight and provoke an objective and a target serves human life and the environment ,The researcher has identified its typographic Moundz theme, especially the contemporary (the label) within Temporal limit for the period of 2010 - 2012 represented publications (posters) carried out by the United Nations Organization, as it is the most sophisticated and comprehensive level The world, identified with the terminology, identified by the researcher efficiency and infrastructure, design and performed and contemporary, with its appropriate procedural definition. The second chapter represents the theoretical framework and includes four Detectives The first section included The philosophical concept of his sturcture , and thought to the importance of design and capabilities of the designer's mental perception and imagination, drawing including attributes of the culture and experience derived and draw symbols and signs, in addition to Maimthelh Zaguet ideological did achieve specific goals and to modernize Architecture design in form and substance consistent with variables conceptual art and design through detection efficiency and style, approach and style which Hiatt design according to new tools and instruments become the effort and creativity style to give a new vision and input, To update practices and achievement according to the theories of creativity and the creative capabilities of the designer, do not Ejad relationship between balanced feeling, and the idea and technique between the needs of functional and aesthetic design and theme What is the structure, but the result of these organizational relationships that Is the result of a coherent intellectual effort of activating the shape and phenotypic attributes and semantic, In the second part, the researcher highlighted Altibograveh elements of the picture, painting or planning as well as the color and the written text and logo as important elements and basic Do impressive technically and aesthetically and technically to the way processed according to traditional methods and innovative programs According to various design and technology, which Hiatt is designed with the ability to achieve innovative designs and creative through deletion and added, transparency and zoom out and zoom, And other technologies, and it was necessary for these elements to organize according to the basis of scientific and technical thought Kaltoazin, proportionality and relay and contrast, unity and diversity and this Contents third section, with conviction researcher that these rules and principles are not applicable in The third chapter was devoted to research procedures, dealing with researcher research community after select the search tool and methodology, and then analyzed sample the light of the outcome of the theoretical framework, which included the research sample (18) sticker have been selected in a manner deliberate , As for the fourth quarter was containedon the conclusions drawn from the research, and it was the most important.1 - .The design and construction mechanism is the process of thinking processes are subject to the ability of the designer and technical experience and expertise. And the accompanying analysis and synthesis processes according to the system I mean involuntary active in dealing with life and environmental and social requirements 2. Commonly used forms of expression the direct election of communication units, realistic and symbolic owns entrenched resulting from simplicity to build intellectual and semantic most of which included references knowledge Convention related to specific topics within the direct subtraction, contac3 - Try stylists generally provide better Maldém the posters reflect the essence of the value of intellectual realism and symbolic ways constructivism innovative and creative, was the most prominent features provide proposals characterized by realism expressive and embodied through the picture, color and address (written text)The structural done layout are subject to many variables, intellectual and technical, directly or indirectly, radical or superficial, these variables may overlap for a comprehensive system of technical configuration,That the participants formal numerous and varied to be a fertile field and carry the other is different connotations.Then seal this search with a list of sources and references and abstract in English.

الثنائيات كاستراتيجية في تصميم الفضاء الداخلي المعاصر == Duality Is Strategy Interior Design Space Contemporary

Author name: اسيل ابراهيم محمود منصور
Supervisor name: هدى محمود عمر
General topic: Fine Arts
Specific topic: Interior Design
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: The man lives in an era of abundance of intellectual and monetary approaches have sought to integrate these approaches and concepts to explain by his life and at different levels, with interior design is one of those levels, which are linked directly responsive functional and aesthetic requirements, and what was the man always aims to balance the internal Vdhaih which is through the formation correlated with the material, and having experienced that relationship and the passage of time and with differing intellectual concepts to the ongoing debate remained interior inbuilt an unspecified number of diodes starting construction intellectual even stages of implementation and then understanding the recipient. In order to shed light on the bilateral placed and their impact in contemporary interior design space for the purpose of bridging the gap cognitive in this area has been discussed in the research.Therefore research includes four chapters, In chapter one it has been crystallizing the problem of the research, in the (lack of clarity of cognitive perception about construction logical, intellectual, and objective strategy of building interiors within the concept of dualities), So the research importance lies to demonstrate the role of dualities in contemporary the interior design, While the Research goals is to find and study the duality effective strategy in design od internal space in contemporary studies, and intellectual fields. Further to fix, install the limits of research and the most important idioms.Chapter two included the literature review; through display studies addressed the issue of duality, and within the terms, & reference near to the Interior design. While the theoretical frame, which included three sections, first one deal with duality concept through launch and discuss duality disciplines near the Interior design, and extract frames selected the university for those dualities, while the second one deal with design strategies, which discussed thoughtful construction and rationale of the design, and construction of intellectual, while the third topic deal with infrastructure interior design, through characterize the design elements,& duality in investigative language of internal space, & privacy. Chapter two ends by display the indicators, which led the search procedures.Also, Chapter three include the research procedure, where the researcher adopted to find descriptive approach, as one of the methods of scientific research methods, which is used in the data collection, & expression. It has been relying on the (Lionel Marge) strategy, which dealt each side with the analysis, & interpretation of data and questionnaire, for three structured global projects, as well as by adoption of such way, as content analysis were analyzed in the Ph. D thesis, at the college of Fine Arts, University of Baghdad, Department of interior design, as an example of logical study.The research ends by the chapter four, which present the results of analysis, then the conclusions, which include the interior design, it is accordance with the strategy and be duality in first side of logical, that builds the idea of design, is through the organization of the study in accordance with the methodology consists of the fundamental. In the second aspect of these duality, is construction applied and be through the data of a design is built on the basis of relationships, & these being the relationships either virtual or esoteric, for either single - sex or heterosexual. The interior design goal is to create a balance between the dualities parties that does not happen the balance only after polemical, & permanent conflict between the duality parties. Also researches contain recommendations and future studies.Researcher

قراءة الصورة الاعلانية على وفق الاتجاهات النقدية المعاصرة == Reading of Ad - Image According To The Contemporary Critical Trends

Author name: نضال مهذول محمد الطائي
Supervisor name: خليل ابراهيم حسن الواسطي
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: The research seeks to study of Ad - Image as a given which links with the lighting of areas of communicative significance according to the critical reading of contemporary actress modernity and beyond… Where adopted reading direction structural descended concept within the design work in determining the structure of the text as a system, a (structural) thus provides a model in the analysis, and that this form originated in the curricula of contemporary linguistics. Has on the perception of structural linguistics possible that that will be useful in the study of phenomena, including the images on the grounds that they account for our attention and breathtaking Pope, which acts as sites for the production of meaning and representation. As confirmed in a text read on his promise on a closed system has the same rules of procedure and told him that His profit. It is a system lies not in the order of the elements in the network, but the relations between them and it was a focus on infrastructure, which we explore in which the system according to internal analysis, and the importance of relationships and the underlying pattern in the picture. And then came propositions postmodern from the terms of reference of modernity in critical structural terms of film criticism and effectiveness in reading design work (Ad - Image ) and based on the two entrances first means to establishment and the second reading of the description and detection down to the inner depths so as to sentencing, and this is what a breeze (verb critical ) and the two areas, the first to understand and to involve the other, and the second assessment in accordance with the measure assumed. It falls within the circle of mental assumption (of the image ad) a work of art.. and according to film critic goes beyond description and analysis assumes another dimension according to the founding of the given sensuous, where clear cinematic landmarks to indicate according to the theme of linguistic logic signal or significance. When searching in the application is embodied within the concept of communicative triangle limbs (the message sender and the receiver) and moving this process based on the awareness of compatible between forming and between receiving. He defined the position of communicative Pierce (b reference, subject, meaning) and the form of the concept of (Pierce) mark. Which fall under three types (code, signal, Aliqona) and receiving here to sign is a place in the aesthetic value of the formation, which is open to readings forward to the new insights frame for levels up to the type of space semantic which raises the interpretation and makes it (receiver) center in the movement pattern artistic aesthetic. Then comes the arguments of cash clastic and read the most contentious part of the proposals of the monetary contemporary, as it supports the principle of the weakness of the text and disintegrated down to the Imam the well core embedded in it that on one side, and by two other text comes out in drafting mold and volatility in the method which is not subject artwork in which to dominance Law or the influence of the style of openness and difference and the difference in the formulation of the Foundation is to generate aesthetic within disassembly. Thus we find the aesthetics of reception are subject to the concept of the public to the impact strength inherent in image advertising as a given, specific stylistic expression and out of the ordinary in the formulation of meanings and connotations and receive operation here shared between the work and the receiver and (taste aesthetic), which is the climate in which reimburse these taste or those. Accordingly, the recipient may be divided into three levels : the recipient is simple and recipients can reproduce the text and the recipient is as much on a new formulation affect the recipients of another type I and II. This whole process is leading to read the text according to the determinants of exegesis and interpretation of specific obsolete interpreter and the possibility of drafting an aesthetic according to a given sensory, and this is confirmed by the theory of interpretation on the identification of a brilliant concept associated with the image to read the ad. And it was determined the importance of research, which included a specific problem reading the image ad, In accordance with the trends of contemporary criticism. And the importance of, and the objectives and limits and define terms.The second chapter (theoretical framework) has included four topics meant to read the ad's criticism of contemporary trends according to each of structuralism and semiotics and deconstruction, and reception and interpretation.Is then extracted indicators that resulted from the theoretical framework as a scientific researcher reported them in its procedures and evaluate the way in analyzing the content of the samples. This is what has been discussed in the third chapter, a separate research procedures.Either search tool that will that was designed form analytical critique includes several axes, perhaps honest experts for the purpose of adoption in the analysis, where the analysis of the samples and then discussed on the basis of axes form. The fourth quarter has included the most important findings of the analysis, including : 1. That reading according to the trends of the contemporary monetary image ad referred to the concept of systems in relations significance disciplined and removed in accordance with the pre - selectors. And systems within the grasp formed depends on the specialized expertise in the design merits of the phenomenon.2. Reading according to the trends of contemporary criticism reflected a change in the concept of function equations merits of the ad images as a symbol of the state of mind.3. The facts in all formats semantic image ad unbearable to read meaning, one such directly through the visible face of the incident, or through its located in the apparent shape, and the second reading because of hidden facts that exercise selection for possible semantic units.4. Image advertising according to the theory disassembly open in a speech linguistic agreed on the future without prior controls where the power of the audience to turn to enriching the absence of potential significance, due to system variation. As an indication that the differences are numerous, he frees a difference in the receiver of the specified reference to evoke the image of advertising and leaves him the option to evoke or reference to float its own, and that the existence of a difference between the partial (signifier and signified) and (meaning and reference).5. Image advertising according to established contemporary reading of the structure of power in the map of thought which aims to break the concerned central existential images in advertising as a commercial presence infinity.6. Image advertising impression formed in drafting the formal frameworks are determined to get out from the mold or pessimism in the method or stylistic difference to announce this industry and the difference in the elements and compounds involved in the structure of the image advertising.

الفرضيات التصميمية المستقبلية في ضوء الحاجات الانسانية المعاصرة == Future Design Assumptions In The Light of Contemporary Humanitarian Needs

Author name: قيس والي عباس
Supervisor name: شيماء عبد الجبار حميد العبيدي
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: The research track of this study entitled (Future design Hypotheses in the light of contemporary humanitarian needs) Classified within the field of future studies in industrial products, this study has focused on explanation relations codes between contemporary technology, particularly nanotechnology and its correspondence, and refers their impact on the growth and development of the humanitarian needs, and the implications of this in the design ideology in future, which contributes to the framing of the relationship between the producer and the consumer requirements in a scientific framework that can achieve the following objectives of the study : 1. Determine the nature of the relationship between technological developments represented nanotechnology, and its implications in the evolution of contemporary humanitarian needs.2. Establish futuristic design assumptions in light of what mechanisms imposed by the evolution of the contemporary humanitarian needs as a result of employing contemporary technology (nanotechnology) in the field of product design until 2025.The researcher follows a number of procedures in order to reach these goals, including : 1.Access to literature and research and studies on topics related to the theme of research, including prospective studies and generally converging technology with an emphasis on nanotechnology, as well as the contemporary concept of humanitarian needs and the mechanisms of evolution and the most prominent theories that touched it.2. electronically Interviewing with the people and institutions that have a relationship theme of the research, including the Georgia Institute of Technology and the Ford Motor Company for the automotive industry and GE in the United States, to get closely acquainted with the relationships between these institutions and mechanisms for cooperation among themselves to meet the humanitarian needs in their products.3.Closely identification the systems and modern technologies employed in the Ford Motor Company products in 2013, by visiting the company's branch in the province of Erbil / Iraq and the experience of these cars and the impact of these technologies and systems to achieve the requirements of the contemporary man.4.Based on what resulted in the theoretical framework of indicators has been formulated axes form of analysis and presented to a panel of experts for the purposes of consistency and honesty sample was analyzed in the light of the final image of the form after taking remarks experts.The study came out a set of findings and conclusions, including : 1. Nanotechnology and its correspondence represent, a new horizon for the start of a serious and radical solutions to the requirements of environmental and human needs, which is a strategic approach to product design companies in general and industrial companies design and produce cars in particular.2.Involving the idea of contemporary design of industrial products to leave the idea of quantitative and move production to a comprehensive diversification by investing optimized for data converging technology, particularly nanotechnology, and this idea is based on the introduction of a variety of products to match the different needs and requirements and taste of rights.3. Raw materials and production of new materials and the development of specifications is one of the most prominent nanotechnology and data that have direct implications in meeting the humanitarian needs in check principle of durability, safety and efficiency in performance, as well as their implications in the levels of function and beauty in industrial products.4. The contemporary humanitarian needs considered as a main axis focus in the development of industrial products, through the investment of technological and technical data directly and indirectly as a tripartite this (product, technology and user needs) continuous loop interactive and constantly evolving.Based on what is stated in the theoretical framework and indicators and the findings and conclusions of the research sample analysis, the researcher to develop a design for the design hypotheses cars until 2025, including : 1. Involves the horizon future use of nanotechnology for space innovative and wide as a result encountered with the technology of artificial intelligence, is seeking to complete the construction of system leadership self, through increasing the number of parts that rely on sensors and Automated Systems, so will be completed in this time period indicators for the completion of a new system called the optional command system.2. We will be in front of a real and practical quest touch for the way best suited to address the reduction of fuel consumption to the minimum limits, as well as to ask for alternatives of clean energy and investing in a competitor for traditional energy, which will remain at the top of the pyramid in the foreseeable future term.3. We will be facing a new concept of aesthetic values in the cars is in the quality of paint smartphone user which allows the user to change color according to his desire during times of the day, as we will be in front of building formality could involve some morphological changes at the level of the reflected at the level of the whole

ابعاد الشكل الجديد في التصميم الكرافيكي المعاصر == The Dimensions of The New Form In Contemporary Graphic Design

Author name: لبيد مالك يو سف المطلبي
Supervisor name: اياد حسين عبد الله الحسيني
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: يسهم هذا البحث في مراجعة شاملة لمفاهيم مكررة؛ يستنسخ بعضها بعضا، في سياق شهد تحولات كبرى؛ في الجوانب المعرفية، والثقافية، والعلمية، ليسلط الضوء على الشكل التصميمي؛ نظامه، وسماته، ووسائطه، وتقنياته، وعلاقته بما يجاوره من فنون، وانظمة | The thesis tries to give a comprehensive revision of some repeated concepts, each imitates the other. However, the social context has witnessed great scientific and cultural changes. The study also sheds light on the forms, systems, concepts and features, mediums and technicalities of design. It shows the relation of the design form to other adjacent arts and other symbolical systems. This is to enable as to feel the extent to which the design responsive to the already mentioned highly important changes, as it assumes a new form. The aim is to understand the nature this newness as it reveals itself in forms of design.The most important question is this : As the need increases a way that never been, before has the design given up its artistic identity and as being an organic element of what is now known as the aesthetics of arts and not as being a guest to it, borrowing from then its outward appearance. Its core, however, relates to what we may call as the demands of marketing. This deference between the instrumental outward function and the internal aesthetic function is the problematic dialectics of the new form to which the thesis has tried to discuss and to lay down operative concepts of new graphic forms through noting and examining their various models.The thesis consists of four chapter;Chapter one deals with the scientific framework which deals with the problems of the study, its importance the need for it, its aims, and limitation as well defining the most recognized terms as I envisage them.Chapter two (the theoretical framework) consists of four sections. The first sections suggests the intellectual dimension which shows the history of the aesthetic thoughts which has emanated from the philosophic arena known as the aesthetics. It also discuss the aesthetic changes in the language of the form. The ultimate end is to arrive at the philosophy of forms on the basis of the ideal, materialist, existential and pragmatic perspectives. This topic ends with the hermeneutic theory and the openness of the meaning of design.The second section (the sociological dimension) discusses the metaphorical transformation in contemporary graphic design, the metaphorical system and the manifestation of the nous form, especially in color metaphor.The section also deals with the sematic sign to narrow the gap between the function of the form and its beauty. As for the third section (the functional dimension of the new form), its titles go as follows : The new form between realization and meditation; the deconstruction of functional design from which DE familiarization the exclusion.The fourth section [the technical dimension] discusses the description of the technicality as being a tool for history, knowledge and art. Describes the hedge among of the technicality on human life and sheds light on the technical act and the concept of the new form.The section also talks about the effectiveness of the technicality on design and its limited scope of influence not on the form, its practical area but also on its significance.The third chapter is set to analyze models representing various types of designs such as slogan, commercial, environmental instruction and educational (poster, advertisement, heads of magazines, and covers. this models consists of twenty eight ones.Chapter Four comes up with the conclusion of the study which are discussed in details. The chapter ends with deduction and recommendations for further study.
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