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بنية الخطاب النقدي في التصميم الداخلي للفضاءات الانتاجية : دراسة تحليلية
Author name:
زينة فهد عثد السادة
Supervisor name:
فاتن عباس لفتة الاسدي
General topic:
Fine Arts
Specific topic:
Interior Design
Degree:
Doctorate
University:
University of Baghdad - College Of Fine Arts - Design Department
Language:
Arabic
University location:
Baghdad
First pages:
18T947 - p.pdf
Abstract:
Industry is a basic reason for occupies admiration and interest among a lot of international and Arab countries, including our country Iraq which is converted with new concepts that commensurate with entitled value for the industry, as Iraq seeks to develop its national economy through the consolidation of production and improved performance combined with expansion in finding a shortened and cleared ways in supporting promoting various industries, and for the purpose of achieving the production process aims must be taken health and scientific methods, that can be achieved through the creation of an appropriate work environment with its specification for all production facilities, whether plants, factories , or work - shops to boost the morale and psychological for workers in productivity spaces, therefore the attention of researchers (interior designers), related with the internal environment of productivity spaces considered a design and formative process, because there is a fundamental relationship between the work spaces and production level.In order to access unique and correct reading in understanding and studying of critical discourse in interior design of productivity spaces, on the grounds that criticism is a set of advanced operations of specialized awareness, which can extrapolate the productivity spaces based on analysis, weather with the vision of undercover parts in of spaces structure and their readings, or vision of all then move to the parts, and in the induction and conclusion process there are secrets behind the apparent productive space detected by the critics (designers), Btaktehm stage description and analysis to uncover hidden relationships pressing, deep brown, Altaalqat system in the productive space. Therefore, the need arises to go into this area by going to the literary and artistic studies, for the purpose of clarifying the general concept of critical discourse, and to clarify the historical background, and the most important cash curricula modern, it will highlight the critical discourse in interior design as one of the letters to which it applies what is in the critical discourse of literary.It is critical discourse in addition to material critical of themselves (productive space particularities and its mechanisms and its interactions with draw close), the target and the receiver that directs Monetary him a critical process that must critic institutions (interior designer), that puts it under a scientific mechanism is not without its philosophy, based objectivity in theory and practice attempt an intellectual theory, data for the philosophical vision of monetary modern curricula. So felt the researcher to choose researched address (critical discourse structure in interior design productivity of spaces), to be the subject of a research addresses an important aspect of the merits of interior design, this study focused on the important aspect of the monetary process of lighting, and the basis not get up cash without it, is the speech which is a pillar of science in various fields of knowledge, especially if the concept of the speech concerned with the study one of the most popular concepts and traded in the cash Cultural Movement and the Arab Bank.Find rely on theoretical study and analytical study of the spaces in the city of Baghdad in the Karkh and Rusafa sewing labs, research has been divided into four chapters. The first chapter included the research problem and its importance as well as to clarify and define the objectives and limits and define the most important terms contained therein. The second chapter dealt with the theoretical framework and previous studies, which included theoretical framework of three sections, addressing the first part, the study of the concept of the speech, and the second section dealt with cognitive and intellectual structure of the criticism, and the third section has included cash curriculum structure of modern interior design productive spaces. And devoted the third chapter to research procedures, as has been the adoption of the descriptive approach in the research sample analysis, marked by two models of spaces productivity with the preparation and organization determine axes analysis form, based on the theoretical framework that has been adopted part of them as a criterion and basis in the process of analysis indicators.CThe fourth chapter, has included the results of the sample analysis models in the light of the results have been discussed to draw
