Share
الدلالات الفكرية والجمالية في تصميم الفضاءات الداخلية == Intellectual And Aestheticconnotations In The Design of Interior Spaces
Author name:
رجاء سعدي لفتة
Supervisor name:
نصيف جاسم محمد عباس
General topic:
Fine Arts
Specific topic:
Interior Design
Degree:
Doctorate
University:
University of Baghdad - College Of Fine Arts - Design Department
Language:
Arabic
University location:
Baghdad
First pages:
18T944 - p.pdf
Abstract:
Looks Researchers from designers internal and architects about renewal in their quest to achieve the aims functional and aesthetic response to the requirements of the living human being contemporary, so it meant the study "connotations of intellectual and aesthetic design spaces Interior" to find a link between the connotations of intellectual and aesthetic in the act of design objective and functionally. And the lack of study dealing with the subject of intellectual and aesthetic connotations in the design of interior spaces, and for the purpose of bridging the gap and the lack of knowledge in this area.So ensure that the first chapter on the research problem that summarized the following question : Does the data intellectual, aesthetic and adopted within the general concepts of interior design its required role in the opera houses designs?. Or that there occurred variables have been adopted concerning those aspects when initiating design spacesrole of the opera? The important data are included to provide an intellectual and aesthetic role contribute to supplement the opera companies and institutions involved in the internal spaces designs textured scientific knowledge have a presence in translatingdesign to reality cosmetic formulations carries the meanings and implications of intellectual and aesthetic. Down to the objective of this research, which represents disclose intellectual and aesthetic connotations of the internal spaces of international opera houses. And the adoption of the limits of temporal and spatial search that was the main study hall for seven of the role of the opera world (Australia, Egypt, Paris, Norway, Scotland, China, Oman) for the period from 1974to 2012.And contained the second quarter on previous studies and theoretical framework, which included four Detectives first (verb significance), while the second part guarantees the (semantic property), and third (semantic aesthetic), and finally meant the fourth section (developments formal aesthetic spaces of the role of the Opera), and after the completion of theoretical framework was extracted indicators adopted by the form analysis axles. The third chapter was devoted to research procedures where the researcher followed the descriptive method for analysis through the analysis of the seven models of international opera houses spaces.Among the findings of research are : Adoption of intellectual frameworks according to its historical variations in the design of buildings opera houses, each according to its terms of reference, which are thus reflected on the external and internal appearance, and depending on the cohesion between the urban fabric of the building and incidence within the social and cultural environment and heritage. And the emergence of mixed functional and aesthetic throughout the investments made by the designers all walks of life, and it comes from Advanced aware of my design was dictated by intellectual imperatives and its data to be imposed on the designer alignment and harmonization of vocabulary space. Through the contents of ideas and their significance, whether subjective or objective, or is the theory relied upon by the designer in the design space of Procedure of the hall's main role of the opera world, confirm the harmonization formal environmental, came this assertion to install a mechanism to promote and partnership between the building and surrounded by the words, which were reflected in clear the internal data as well, which is clearly manifested in the choice of items and processors that has. Illustrate the innovative dimension identify determinants attributes, and by addressing the ceilings and rises, walls and floorsand afford values and color, and benefit from the strengthening of relations link between the board space and worker his items. Activation of the internal space design elements such as : lines, textures, sizes and color values, optical, and benefit from the raw materials and what happened from the development, which provided the inner space in a variety of ways and unfamiliar, Also concluded Find the most important conclusions, including : Conformation and semantic representation and symbolic transformations such as an integrated part of the functioning of a link between the symbol and the history..As well as mixing clear and precise them.. integral formalism with the design elements of the space of the opera, that is the only representation formed lighting, furniture, finishes and materials textile dimensions important in it. That interaction semantic - functional and aesthetic between different patterns represented in opera houses meant impact of where meanings and deepening confirms relational format - space, the environment and architectural body was both. Down to the recommendations and proposals, and finally the list of sources and supplements.
