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التمثيل الرمزي الزماني - المكاني في تصاميم الاقمشة النسائية المعاصرة == The Symbolic Representation of Temporal - Spatial of Women'S Fabric Design Contemporary
Author name:
زينب عبد علي محسن الزبيدي
Supervisor name:
انتصار رسمي موسى
General topic:
Fine Arts
Specific topic:
Industrial Design
Degree:
Doctorate
University:
University of Baghdad - College Of Fine Arts - Design Department
Language:
Arabic
University location:
Baghdad
First pages:
18T1007 - p.pdf
Abstract:
جاء موضوع الاطروحة الحالي للاجابة عن تنوع تصميم الاقمشة كنشاط ابداعي يتضمن الرابطة للزماني_المكاني لكي يتاسس في ضوءها التمثيل الرمزي للجمالية او الوظيفية وفي ذلك تضمينا عن الحقائق والقضايا الحياتية ليتحد شكلا ومضمونا تجديديا قائم على هوية وثقافة الم | Design as a science has its aspects Fine and functional, and has taken form and content new express the spirit of talking through the use of the all - new data the development of scientific and technological era, so the design is a creative activity includes innovative data in the fields of humanitarian needs, which may be aesthetic or functional, is Method on two types of varieties stuff their relationship Fates symbolic representation through this link and be Taming expressing the facts and issues of life Aloha based on the identity and culture of the community in a particular place and time and therefore have the symbolic representation expressing these cultural artifacts, including General Arts and designs fabrics in particular Time, place and in printed forms manifested leads us to the symbolic representation. Intends to research problem in the symbolic representation of the absolute and not subject to the laws of age to understand the full understanding of science. It is almost human understanding of the meaning of existence to go to the knowledge that endless expressed stretch between the outer his world and his world creative represents things and meanings in different modes of Altmthel.ohms creative activity is a set of mental skills like thinking, accompanied by a high sensitivity that will contribute to creating suitable climate to imagine or visualize innovative form, and is subject to building shape of the operations of the mental and visual thinking to organize the vocabulary of lines and spaces, colors and spaces are manufactured pattern is visible, and in accordance with the foundations and private elements of this figure comes out in the form of aesthetic organization, stages of thinking is based design in two phases of two thinking mental thinking (mental) and think mental is the first design stages as directed and motivated to process design symbolic representation expresses the extension between the world outside the designer and his world creative represents things and meanings in different modes of representation across cultural shifts across times and places in successive communities, based on the foregoing progress the researcher asked her questions as contained in the first quarter, which included the research problem and its importance are as follows : 1. What are the attributes of the symbolic representation in the light of the time variable in the design of women's contemporary fabrics?2. Maahmah spatial and temporal environment in women's contemporary designs fabrics?3. Does the symbolic representation is based in fabrics Women contemporary trend designer of innovative self - expression in different times and places?The objectives of the research were identified as follows : (1) detection of symbolic representation Alzamani_ spatial designs in women's contemporary fabrics. 2 - identify the tendency of self - expression of the designer in different times and places. 3 - identify the extent of the compressor role ideological or cultural or historical in the symbolic representation of women in contemporary designs fabrics.The search has been identified limits of the substantive limits : the symbolic representation of temporal - spatial designs in women's contemporary fabrics. And temporal boundaries : 2013 - 2014 and the spatial boundaries : Fabrics Arab and international fashion houses. And then went to the researcher to identify discussed terms.The second chapter guarantees the four topics dealt with in the first part, the symbolic representation of the meaning and concept of the second section, which dealt with the symbolic representation of time and place in the women's cloth and then the third section, which included time assets and representations symbolic designs women's fabrics and finally the fourth section, which dealt with the structures of time Avatar in the design fabrics women and the most important Masaya his theoretical framework. Then the third quarter, which contained the methodology and procedures for research and analysis of the research sample models. And finally the fourth quarter, which included the most important results that came out of the researcher and most important : 1. The most representations Avatar in the sample representations models Inspired stylists from the environment vocabulary heritage abstract engineering has represented symbols of communication and interaction with the environment is part of the community and covenantal, as varied representations Avatar depending on environmental factors can be varied with shapes and symbols quoted representations of Avatar move spaces own environmental symbolic representations of the universe and the creation of new relationships to formations as in models (2, 3, 8.5.(2. afternoon the use of representations space - time belief of the Islamic ornamented lines Arab Varmus represented open to interpretation formula varied interpretations and meanings varied dramatically, life and semantic provided metaphors rhetorical and wide to reach some of the meanings that he expresses his ideas through art and design, and one of the features of this interpretation out icon of the present time and positioning in future. As in the models (1.2, 10).3. The direct and indirect effects closely related to the environment, social life and formed the identity of the symbols used based on environmental factors through affiliation designer geographically and environmentally Vest affiliations and identity expressive code Knot representations symbols creative place environment consisted of symbols derived by the designer of nature which may components and varied vocabulary, as in the models (2.3, 5 and 6.9).4. characterized by decorative shapes and representations Avatar used in the models character civilized formative for several civilizations mixed with different cultures, including Islamic, which took Urbis character, Avatar has represented human practices in any culture was, which produced a reality and not flipped him, because he is one unit associated with a number of relationships constructivism, intellectual and space - time and formed its content within a single format and mingled performance art in which cultures and times and places, as in the models (2.5, 8, 10).
