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الجملة في ديوان الشيخ صالح الكواز الحلي (ت1290هـ) : دراسة نحوية دلالية == The Sentence in the Collection of Poems of saleh al - kawaz al - hilly Grammatical and semantic study

Author name: حنين علي خلف حسون العامري
Supervisor name: مكي محي عيدان الكلابي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Karbala
First pages:

الخلاف الصوتي في كتاب ارتشاف الضرب من لسان العرب لابي حيان الاندلسي ت 745هـ في ضوء علم اللغة الحديث

Author name: كاظم كريم اهوين
Supervisor name: عبد الاله علي جويعد
Specific topic: Language
Degree: Master
Language: Arabic
University location: Qadisiyah
First pages:

ظواهر البيان العربي عند المفسرين من القرن الرابع حتى نهاية القرن السادس الهجري == Arabic Eloquence phenomena Of Explainers from the forth till the sixth century of al Higra

Author name: امل حسين حسن الخاقاني
Supervisor name: محمد حسين علي الصغير
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Najaf
First pages:
Abstract: The explainers have pave of the way for the Quranic studies as they were the first to tackle this eloquent text which is hard to be explained and analyzed first in revealing it, meaning and second in showing it's historical method This thesis is dedicated to receal the rhetoric phenomena of the explainers (from the forth century till the end of the sixth century of Higra) for the effect of this period in founding these phenomena on one hand and orienting them on the after. So, it's devided into a preface and four chapters. The preface revealed (the concept of the Arabic rhetoric among the explainers and the grammarians) and also showing (the Arabic rhetoric phenomena in the Quranic studies books and elogence), as for the chapters, the first dealt with (the truth and metaphor of the explainers) revealing their role in achieving all kinds, divisions and various relation of the metaphor while the second chapter tackle (simile of explainers) and showing their care of its tools and types in addition to defining the feature of Quranic simile as being a combination of images. The third chapter dealt with (metaphor of the ecplanier) and defining its terminological meaning as being based on the similarity relation ans also defining types of metaphor within the Quranic context. As for the forth chapter it dealt with (the writing and its features of the ecplainers) and defining its terminological meaning based on the stules of writing and method of expressing it as symbol, sign and waving and revealing the intention of intimation which participates in showing the rhetoric of the Quranic text, and its features of inimatibility of holy Quran the explainers in all of these chapters were rhetorical in dealing with the text of holy quran and also expended critics of it their rhetorical attitudes and their metaphoric signal reprints as serous stop in the development of the studies of the quranic rhetoric and the researches of inimitation for their great analytical ability and taste which led to the assumption that the quranic methods was nothing less than americal for being unique invites style and verse

الاراء الادبية والنقدية في كتاب رسائل ومقالات اشــراقات ادبــــيـــة للسيـد مـحمـد الصـدر (قدس سره) == Literary and monetary efforts in the book of letters and articles (literary breakthroughs) model To Mr. Mohammed Al - Sadr (Holy Sera)

Author name: عـلاء رسـن شـفـي
Supervisor name: طاهـرة داخل طاهر
Specific topic: Language
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: Literary and literary efforts have crystallized in the third part of the book Letters and Essays, which was entitled "Literary Enlightenment" by Mr. Mohammed Al - Sadr (Holy of Sera) about important monetary efforts that deserved the researcher time, reading, research and research for it because it produced special critical concepts related to literature, literary writing and literature committed to General and Islamic literature in particular is the literary message that Mr. Mohammed Al - Sadr wanted to broadcast a goal and reveal the concepts and conditions of intellectual, psychological and aesthetic without restriction or neutralization. The first chapter contains an introduction and two sections entitled "The definition of the literary and social character of Mr. Mohammed Al - Sadr and his book, letters and articles." The title of the first topic (The definition of the literary and social character of Mr. Mohammed al - Sadr), while the second section was entitled (Introducing a book of letters and articles of Mr. Mohammed al - Sadr three parts). The second chapter contains an introduction and two articles, entitled "Study of the articles in the book of letters and articles" Part III literary breakthroughs "), and the title of the first topic was consistent with (the definition of articles and their types).The second section was entitled (Technical and Monetary Analysis of Literary Articles) Model. The second chapter was entitled "The technical and critical analysis of the stories contained in the book of letters and articles" Part (2( Third literary creations "), and finally the conclusion and the most important results and some recommendations and proven sources and references. Finally, I would like to thank all those who supported me and met with me in this study, from professors and colleagues, in particular my assistant professor, Dr. Tahira Dakhill Tahir, the distinguished teacher and educator, who made me proud of her supervision. I would also like to extend my thanks and appreciation to those who stood by my side and supported me on the subject of my message. Difficulties, including professors of the Department of Arabic language at the Faculty of Education

عمل التعبير القراني في كتاب زبدة التفاسير لفتح الله الكاشاني == Explanation Of The Interpretation Of Quranic expression in The Book " Zabdah Al - Tafaseer" by Fatah Allah Al - Kashani

Author name: اسماء مطشر فشاخ الغزي
Supervisor name: فلاح رسول حسين الحسيني
Specific topic: Language
Degree: Master
Language: Arabic
University location: Karbala
First pages:

معايير تقويم الوجه النحوي في كتاب سيبويه

Author name: ميثم عبد السادة شبلاوي الجليحاوي
Supervisor name: رجاء عجيل ابراهيم الحسناوي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Karbala
First pages:

مظاهر تاثير الشعر الجاهلي في النقد العربي القديم == The Aspects of Pre - Islamic Poetry's Effect on The Old Arabian Criticism

Author name: علي حاكم حبيب عزر الكريطي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Karbala
First pages:
Abstract: يعد الشعر الجاهلي اساس الثقافة العربية التي وصلت الينا من العصر الجاهلي ، وقد رافق النقد هذه الثقافة من ذلك الوقت ، فكان مقوما للشعر والشعراء في مواطن الخطواموافقتهم وتشجيعهم في مواطن الاجادة ، وقد تبين لي من خلال البحث وجود حركة قوية تميل الى الشكل الجاهلي للقصيدة العربية ، ببنائهوامعانيهواعلى وفق هذا بني البحث على حقيقة وجود سلطة للشعر الجاهلي ، امتدت الى زمن بعيد عن العصر الجاهلي وقد اثبت البحث هذه الحقيقة من خلال التنقيب في اثار الادباء والعلماء والنقاد عن تلك المظاهر التي بقيت عالقة في اشعار اللاحقين في الشكل والمضمون ، فتبينت لنا هذه الحقيقة من خلال البحث ومناقشة اراء النقاد والعلماء التي وردت في هذا الصدد ، وذهبت الى ايجاد المعايير التي سار عليها النقاد والتي عدت الاساس للاحكام النقدية فيما بعد .وعلى وفق ما تقدم جاء عنوان الرسالة الموسوم بـ ( مظاهر تاثير الشعر الجاهلي في النقد العربي القديم ) ، وهو موضوع كبير بمادته العلمية ومدته الزمنية ، وثر بالقضايواالامور الادبية والنقدية ، اذ يعالج البحث المرحلة المتقدمة من الادب العربي في عصر ما قبل الاسلام متمثلة بالمظاهر التي لازمت الشعر العربي في العصور اللاحقة فضلا عن معالجته للشعر الجاهلي بعامته من ناحية وجود مظاهر التاثير بكل ما يحيط بالقصيدة بفنيتهواموضوعاتها . وقد بدا زمان الدراسة منذ عصر صدر الاسلام وما فيه من اشارات نقدية جاءت من النبي محمد صلى الله عليه واله وسلم التي متنت تاثير الشعر الجاهلي بفنيته ، التي اسس لها شعراء المرحلة الاولى ، وكذلك اراء الخلفاء الراشدين ، فضلا عن اراء العلماء والنقاد الذين اثروا التراث العربي بالمؤلفات الادبية والنقدية والتي استندت اليها الدراسة كثيرا الى نهاية العصر العباسي .وهنا يمكن القول ان نشاة النقد العربي القديم كان في ظلال الشعر الجاهلي وفي عصره . وكانت الاشارات النقدية الاولى التي وصلت الينا ، وصلت من العصر الجاهلي ، ثم بدات الاراء النقدية الناضجة تاتينا من علماء اللغة والمفسرين والادباء ، لانهم هم الذين بداوا بتاصيل علوم العربية استنادا الى الشعر الجاهلي ، والنقد في طليعة تلك العلوم . لان المفسر ناقد في بعض احكامه وعالم اللغة والشاعر وهكذا . ومن هنا ستنهض فصول الرسالة ببيان هذا كله ان شاء الله تعالى.وقد تطلب هذا الجهد في البحث خطة تستوعب تلك الموضوعات المتفرقة ، فجاءت الخطة بثلاثة فصول يسبقها تمهيد تحدثت فيه عن اثر الشعر الجاهلي في تكوين علوم الدين واعتماد المفسرين وعلماء الدين على الشعر في اثبات ما يذهبون اليه ، ومن جهة اخرى تناول التمهيد اثر الشعر الجاهلي في تكوين علوم اللغة العربية . وجاء الفصل الاول بمباحثه الخمسة ليتناول فنية القصيدة العربية وعلاقتها بالشعر الجاهلي الذي اسس لها ، وكيفية حفاظ القصيدة على هذا البناء في الازمان اللاحقة ، وقد تناول المبحث الاول من هذا الفصل تقديم رؤية كاملة لاراء الشعراء الجاهليين انفسهم في تاثرهم بشعراء المرحلة المتقدمة من العصر وهذا مظهر من مظاهر تاثير الشعر في النقد وان كان الاثنان جاهليين ، وكذلك فصلت الحديث في اراء النبي محمد صلى الله عليه واله وسلم في اثبات فنية الشعر الجاهلي وصلاحيتها لبقية العصور ، مع عرض ومناقشة لتلك الاقوال الشريفة ، ثم اراء الخلفاء الراشدين رضي الله عنهم ، تتلوهم اراء الادباء والنقاد التي اثبتت ذاك التاثير . اما المبحث الثاني فقد تناولت فيه الابتداء عند الشعراء في قصائدهم وهو يشمل المطلع ومقدمة القصيدة ، ثم تناول المبحث الاخر الرحلة في القصيدة وقد بينت في هذا المبحث اثار الشعر الجاهلي التي حتمت على النقاد عيب الذين خرجوا عن الرحلة الجاهلية ، اما المبحث الرابع فقد تناول بالدرس الغرض مستندا الى الاغراض التي كتب فيها الفحول الجاهليون ، وكيفية تاثيرهم بمن جاء بعدهم . ثم وقف المبحث الخامس على التخلص مبينا فيه مذاهب العرب في تخلصاتهم وسلطة الشعر القديم في ايجاد التخلص داخل القصيدة ، فضلا عن الكيفية التي طور بها الشعراء المحدثون التخلص ورضا النقاد عن هذا التطور .وتكفل الفصل الثاني بدراسة تاثير الشعر الجاهلي في نقد القضايا الفنية التي تنبه اليها النقاد العرب القدامى وعلموا بهواهي : ( اثر البداوة ، الترصيع ، الطبع والصنعة ، الفرق بين الرجز والقصيد ، والقديم والحديث) ، وقد افردت هذه القضايا بفصل مع العلم بتداخلها مع الفصل الثالث في المعنى في بعض المواطن ، لكني درست كل قضية منها من الجانب الذي يتناسب مع عنوان المبحث والفصل معا.وقد جاء الفصل الاخير مؤكدا ما اثبته في الفصلين السابقين ، وقد درست عدة قضايا مهمة في تاريخ الشعر العربي وهي اغلبها تخص المعنى، وهي : (الخطا في الوصف ، الغرض ، السرقات ، المبالغة ، المعاظلة ، والوضوح والغموض) فكان متمما لما سبقت دراسته ، من خلال بيان مفاهيم المصطلحات السابقة مع بيان تاثير الشعر الجاهلي وكيف اسس لهواكيف كانت سلطته في الحفاظ عليها بصورتها الجاهلية في الاشعار اللاحقة ، وعلمت في هذا الفصل بالحديث عن مواطن تاثير الشعر الجاهلي من جانب المعاني ، وقد التزمت البحث ضمن دائرة القضايا التي تخص المعنى .واعقبت تلك الفصول الثلاثة خاتمة البحث التي برزت النتائج التي توصلت اليها من خلال الدراسة ، ثم اثبت في نهاية الرسالة قائمة المصادر والمراجع التي اعتمدها البحث ، واعقبتها بملخص انجليزي اشرت فيه لفكرة عامة عن الرسالة ومحتوياتها . | The pre - Islamic Poetry is regarded as a basis for Arabic culture. Criticism accompanied that culture since the beginning by evaluating poets and their poems in terms of the committed mistakes and by encouraging their efficient performance. Throughout my research, I found out a great movement and tendency towards the pre - Islamic form of the Arabic poetry in its form and meanings. This study has been built on the fact of the existence of the pre - Islamic poetry's a authority extended for a long time. This fact has been proven by detecting the traces of poets, scientists and critics about these aspeds that we can apparently find in the nowadays poems. We concluded this fact by a thorough discussion of critics and scientist' opinions to find out the standards for their criticism.According to the abovementioned information, the thesis is entitled " the Aspects of pre - Islamic poetry's effect on old Arabian criticism". The study has a huge scientific materials and period of time, as well as, enriched with literature and criticism. Thus, the study dealt with the early stages of pre - Islamic literature in addition to the aspects of Arabic poetry in the stages that follows, as well as, dealing with the pre - Islamic poems in terms of its topics and technique . This study took place from the early Islamic period with its critical signs which revealed by the prophet Muhammad (Pbuh) that strengthen the effect of the pre - Islamic techniques of poetry. This study has been supported by the opinions of the first level poets, the righteous caliphs , the scientists and critics who enriched the Arabic heritage works that affect people untill the Abbassid era.We can say here that the establishment of the Arabic criticism started since the pre - Islamic period of poetry that gave us the signs of criticism. Then the mature opinion of criticism have begun to be approached by the Linguists, intepreters and writers for their efforts in rooting the Arabic sciences based on the pre - Islamic era, criticism was one of these sciences. Therefore, all the abovementioned information will be tackled in this thesis.In order to accomplish these individual topics, the thesis was divided into three chapters preceeded by an introduction about the effect of pre - Islamic poetry on the formulation of relegious sciences and the dependence of preachers and interpreters on poetry to prove their theories. In addition, the introduction dealt with the impact of pre - Islamic poetry on the formulation of Arabic Linguistics.The first chapter which included five sections dealt with the technique of Arabic poems and their relation with pre - Islamic poetry, as well as, the way in which the poem keeps the same structure across the ages . The first section presented a complete vision on the pre - Islamic poets' opinions about themselves for being affected by the early poets of the same era which , in turn , represented an aspect of poetry's effect on criticism . Moreover, the section shed light on prophet Muhammad's (Pbuh) sayings that affected by the technique of pre - Islamic era, then the opinions of righteous caliphs and critics that proved that effect. As for the second section, the researcher tackled the poems' beginnings which included the preface and introduction. The next section the journey in the pre - Islamic poetry. The fourth section dealt with the purpose of writing poems and their effect in the pre - Islamic era. As for the fifth section , it tackled the good riddance and its various types for Arab, as well as, the old poetry authority in addition to the way Arabs poets develop this style.Chapter two contained the study of the effect of pre - Islamic poetry on criticising the technique of poems that early poets talked including : ( The nomade effect, the inlay, the apprenticeship, the difference between a poem and rajiz , the old and the new poetry ). Each of these issues were talked individually in reference with the meaning in chapter three.The last chapter assured what has been proven in the previous two chapter . It contained important issues in the history of Arabic poetry that almost all related to the meanings . These issues were (The mistake in description, the purpose, the robberies, exaggeration, problematic issues, clearliness and vagueness). The researcher explained these concepts and terms to explain the impact of pre - Islamic poetry on other ages. The researcher also showed this impact in terms of meanings.The conclusion then followed the previous three chapters that highlighted the results of the study. A list of references has been written after that, as well as, an abstract in English.

القيم الاخلاقية والاجتماعية والفكرية في وصايا عصر ماقبل الاسلام الشعرية والنثرية

Author name: سهام حسن جواد
Supervisor name: توفيق ابراهيم صالح الجبوري
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Salahaddin
First pages:

التقابل الدلالي في ديوان السيد سليمان الكبير ت 1211هـ : دراسة لغوية على المستويات == Semantic Synonym in Collection of Mr. Sulaiman Al - Kabir died in (1211 H.) A linguistic study at the levels

Author name: صفا جابر خضير المكنوشي
Supervisor name: افراح عبد علي الخياط
Specific topic: Language
Degree: Master
Language: Arabic
University location: Karbala
First pages:
Abstract: The tragic incident of al - Hussein (peace be upon him) shook the throne of heaven and earth, a violent shock that had a great impact on the hearts of the pious souls who refused to submit to slavery except for Allah Almighty. The issue of Imam Hussein (peace be upon him) is not related exclusively to the Shaia Sect , that is, any human being, whether in the West or the East of the world, was a Muslim or not and sacrificed himself for the sake of the sovereignty of great good , humanity and peace .This incident, as we have mentioned, had a great impact on the free souls, especially the expressive souls represented by the poets. A large number of poets emerged who produce there influence in the form of creativity that simulates what happened to Imam Hussein and his household (peace be upon them) in the day of Ashura until they were called later The Poets of Al - Taff "So, it was said : Shaia literature, and it was also said : Did you find a writer who is not Shiite, because the suppression and pain push man to write and portray the situation in the view of the written verse and as long as one feels revenge and the heat of vengeance does not sleep for his vengeance, undoubtedly he will be pushed to portray his situation describing the painfulness of his own, comforting his grief in his days , nights, meditations and meetings" 1.From this point of view, I chose a poet from the poets of the Al - Taff , Sayid. Sulaiman Al - Kabir, who died (1211 H.), thispoet who diversified the poetic purposes in his collection, as he followed the approach of the ancients in writing in all the traditional purposes. The most employed purpose in his collection is lamentation especially the lamination of Imam Hussein (peace be upon him), while the other purposes of praise , lamentation , satire and others came second after this purpose, and for the poet's style of words were easy words derived from the context in which it is received and the style of the poet has a big role in this language to employ psychologically and objectively of the poet. That's through his style.And after my reading to the collection of Sayid. Suleiman I found in the verses of the poet the sense of corresponding is deeply rooted to the extent that considers this case as a prominent phenomena. So, I decided to study the corresponding in the verse of Sayid. Suleiman and my research' title was ( The Semantic Corresponding in the Collection of the Great Sayid. Suleiman, died in(1211 H.).In conclusion, I would like to say that the reason for my choice of this subject is the strong connection to the Ahal Albait (peace be upon them), especially Imam Hussein (peace be upon him), who touched with his cause for which he went out in the day of Ashura free hearts and ignited the fire of revenge for those who won by blood of the swords on the account of injustice And hypocrisy , so I have the honor to go into such a topic about the one who cried the angels of heaven, if there is in my research merits can be mentioned , thanks to the Lord of the world .

رد الشبهات في عصمة الانبياء (عليهم السلام) في القران الكريم : دراسة لغوية == The rejection of suspicions in the infallibility of the Prophets (peace be upon them) in the Quran_ language study

Author name: رباب موسى نعمة الصافي
Supervisor name: جنان منصور كاظم الجبوري
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Karbala
First pages:
Abstract: Praise be to Allah who make the hearts of his servants ready to receive the flood guidance, and threw upon their insights from the lights of his knowledge what clear the facts of his revelation to them, and his words has expanded and elaborated on their minds, and then his subtleties and oddities have brightened, and entrusted in their holy books the miracle of understanding that testified the miracle of regulation, prayers and peace be upon the best of those Who sent them to His servants Abu Al - Qasim Mohammed and upon his glorious progeny, Having said that : Perhaps it is a sign of miracles that the Holy Quran opens horizons of academic studies, and shining out of his knowledge what makes you look more brilliant and better guided. After I had finished my preparatory study, I prepared for my doctorate thesis, the dream that cherished my mind a long time ago has become a reality for me, then I became before a matter which is not easy to overcome, and I engaged to a task for which its finishing and overcoming does not mean ending for all its requirements, as it is higher and more solemn, but If you cannot take it all, do not leave it all, so it is an honor to me to go along with those who search for the secrets of the Arabic language and its sciences. Praise be to Allah who granted the Arabic language working servants and bestowed them knowledge and gave them provision of earnestness and sincerity, they became supporters and keepers of them, perishing ages for them and fill books with them. The prophethood, which Allah has made it limited to a number of His human creatures to be guiders for people in the course of their lives to be built on the basis of wisdom unless the individual entrusted with the group of certain characteristics that is distinguished from the others.The prophethood is a special privilege that Allah has singled out for a number of his allies, as he said in his holy book (Quran) : ((Those were the ones upon whom Allah bestowed favor from among the prophets of the descendants of Adam and of those We carried [in the ship] with Noah, and of the descendants of Abraham and Israel, and of those whom We guided and chose. When the verses of the Most Merciful were recited to them, they fell in prostration and weeping.)) In spite of this divine selection of them, and distinguish them from other human beings and communicate with Allah by the revelation, nevertheless they have been exposed to many forms of skepticism and a range of impugnment until they launch a charge against, them with the major sins and prohibited abominable acts, On the other hand, there is a group of people who have glorified them in piety and purity and distinguished them from other people.This is why I thought to study this topic to be my PhD. thesis, and based on the nature of the study and its obligations, the research divided into three chapters preceded by introduction and preface, and followed by the conclusion, and the preface was a presentation of the concept of inerrancy (infallibleness) and the differences among the Islamic sects in opinions, while the first chapter is a study of the significance of the Quranic vocabulary in the verses of the infallibility, which was divided into four researches, the first is the indication of the words (عصى disobeyed and غوى went astry) directed to Adam (peace be upon him) by disobedience, and the second was to study the significance of the words (نقدر we can and الظالمين oppressors) directed to Yunus (pbuh)and the third was to study the word (نسيت I forgot) said by Moses (pbuh), the fourth was to study the meaning of the word ( وزرك your sin) addressed at the Prophet Mohammed (Prayers and blessings of Allah be upon him and his progeny).The second chapter was devoted to the study of the morphological formula in the verses of infallibility, which includes three researches, the first of which was to study the significance of the formula of individuals in the reign of David and Solomon and accusation of the prophet David of the mistake in judgment, and the second was competent to study the significance of the name of preference (الاعلى supreme) in the accusation of Moses (pbuh) with fear, the third was to study the significance of the name of the preference (ضالا astray) in the attribution of misguidance to the Messenger (Prayers and blessings of Allah be upon him and his progeny).The third chapter was concerned with the study of the grammatical significance in the verses of infallibility, which was divided into three researches as well, the first was in the method of deletion and included : first, deleting the related part of the sentence conditional answer in accusing Prophet Yusuf (pbuh) in intending to perform the act, and secondly, deleting the related part of present participle in accusing Prophet Moses (pbuh) in astray, and thirdly deleting the object in accusing Prophet Moses (pbuh) to ask for the vision of Allah Almighty, and the second research was to study the significance of defining the grammatical reference and also included : firstly, determining the reference of pronouns in the word (ردوها return..), secondly, identifying the actor's reference to his action in accusing Abraham (peace be upon him) by lying, and thirdly, defining the reference of speech its author which is divided into : - Specifying the reference of the speech with the doubt. - Determining the reference of the speech to forgiveness of guilt. - Determining the reference of the speech by frown and turning away.In the third research, I have studied the significance of the methods in the verses of infallibility and included : firstly, the significance of the conditional method in the affliction of the honorable Prophet in accusing him also of Polytheism, and secondly, the significance of forbidding the Prophet in accusing him of obeying polytheists and hypocrites, and thirdly, the significance of the method of supplication in accusing the Prophet in doing sin, and finally we mentioned the findings of the research in the conclusion.

الاعمال والاهمال النحويان في القران الكريم == Validating or neglecting Grammatically in Holy Koran

Author name: عادل غانم طعمة
Supervisor name: خديجة عبد الرزاق الحديثي
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: The meaning of validating is a grammatically term, and that is what caused changes in the last of words, and the working term may be verb at most, or may be name or character. The neglecting is leaving that work in working term for some reason or lack of work conditions if it was working with specific conditions, the neglecting may be in the original word that mean, the word is not working in origin, it is against validating or it’s the opposite. This subject Examines in these terms (working or neglected) based on what came in the holy Koran, evidence and examples, and not extrapolated inventory, and as required by the foundations of scientific research came as follows : 1 - Introduction : Brief Outlining for the explanation and illustration of research, and we thanks who proposed the topic of our elders, and the our reason for selecting him, and we thanks who cooperating with us in this search.2 - Foreword : Manipulating the two terms ( Validating and neglecting) in grammatically and traditionally means as well as in Arabic grammar. 3 - Chapter I : studying validating and neglecting in Arabic grammar and synonyms of terms, and what they based on of Arabic grammar assets, and types of factors.4 - Chapter II : Manipulating the verbal factor (verb and name) as receipt in holy Koran, and its mentioned in few non - famous readings. And its manifests from the holy Koran and what's agreed of grammar books.5 - Chapter III : deals with verbal factor ( working characters) and on the basis of previous chapter itself.6 - Chapter IV : examines the moral factor, and deals with the grammar means and clarify them, and we put with him dialectic cases for factor.7 - Chapter V : deals with characters always grammatically neglected, and also based on holy Koran in its meaning and the examples of explanation and study.8 - Conclusion : It is an Abstract for the study, and summarization of research results.9 - list of references and resources : books, or research, or thesises, or magazines, we use or adopted in our study. We completing this study as a part of the requirements for doctorate degree in Arabic language Department, from College of Language and Koran Sciences at the Islamic University / Baghdad, under the supervision of Prof. Dr. Khadija Abdul Razzaq al - Hadithi, great thanks for her distortions and evaluation for mistakes, and the developed Platform that we use as a guide for us, and I thank her once again, and I thank all elders, our friends who helped us in completion of this work and God who is the conciliator

الروافد الادبية في شعر الجواهري

Author name: رحيم عليوي حسين الساعدي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Baghdad
First pages:

المكان في الدراسات السردية العراقية الحديثة نشاتها واتجاهاتها == The place in modern Iraqi narrative studies Its origins and trends

Author name: لواء تقي عبد نور العيساوي
Supervisor name: فاروق محمود عبد الله الحبوبي
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Karbala
First pages:
Abstract: The place has played a prominent role in the modern narrative texts, since it has become a major unit in it; where the concept of place has witnessed an expansion of symbolic, symbolic and aesthetic, the exposure opens wide horizons to the aesthetics of the narrative text as well as its symbolism and functionBased on the above, critics have been working on the subject of the place after it, which is the basis of narrative work, not only as an area in which events occur, but as a means to probe the depths of the human sense associated with conscience and what belongs to it. The place of the earth, the home and the homeland, and what surrounds these things and other intimacy and belonging , Hostility and division, all of which have profound artistic values, connotations and purposes.Thus, the importance of the place appears in its cultural, psychological and political dimension, on the one hand, and its artistic dimension, which is characterized by its profound impact on the elements of novel construction on the other, is clear. This has made many critics and scholars cast their allegiance in this field. Some of them claimed leadership, The study aims to trace the origin of the study of place in the modern Iraqi narratives, and examine this critical discourse through a descriptive methodology with an analytical vision aimed at The study of the place in the modern Iraqi narratives, its origins and trends. The researcher reported from the sources that I meant to study the place in the Iraqi monetary studies, which formed the main motto in the construction ofBthe thesis, As well as Arab and Western sources, which provided us with a wide area of movement and research.This thesis came in a preface, and three chapters followed by a conclusion that included the main findings of the researchWe devoted the preface to address the problematic of the term, and to stop the research when the critics used the terms (space and space), and what these terms of the overlap of semantic and procedural.The first chapter was entitled "The Origins of the Study of Place in Literature". This chapter was divided into three sections. The first one was concerned with the study of the place in the Western scholars. The emergence of the place phenomenon in Arabic literature.In the second chapter we studied the mechanisms of studying the place in the early Iraqi studies. This chapter was divided into three sections, the first one was concerned with the study of dividing the place and the second studied the construction of the place, description and composition. ). The third chapter was entitled (Directions of the study of the place). It was divided into two sections, the first one was concerned with the study of the external direction. The course included the contextual monetary methods adopted by the critics in the approach of the place. This course follows the texts that guided the critics in the approach of the placeWe can summarize the main findings of the research as follows : - The development of the concept of place and completed as a theory that has an effective influence in the Western criticism by the French critic Gaston Pacheler, who studied the placeCaesthetically. This achievement was manifested in his famous book "Aesthetics of the Place ... : " - In spite of the delay of the Arab monetary achievement regarding the place, it recorded a turning point after the second half of the twentieth century, as the new concept of the novelist place began to appear in creative products and narrative money. However, it remained within the limits of the special glimpses that did not meet the theoretical level, Cash. - The Iraqi cash register was the pioneer in opening the horizon of Arab criticism on an issue that was not aware of the Arab culture. This was manifested by the Iraqi critic Yassin al - Nasir, who presented a realistic social vision of the place's relationship with the text - The research concluded that the Iraqi critic directed to monitor this dominant element (place) and its approach according to the monetary trends according to the intellectual and cultural backgrounds that emanate from it. The critics did not move away from two viewpoints, the first is an external trend and the other is a useful internal trend of contextual and textual monetary approaches in dealing with Literary texts.In conclusion, I would like to thank and thank all the media theologians, and our last prayer is to thank God, the Lord of the Worlds, and to pray to His Messenger, the faithful, the God and His Companions.

صورة الذات في شعر الشريف الرضي == Self - Image in the Poetry of Al Shareef Al Radhi

Author name: قاسم كريم احمد حمد الخولاني
Supervisor name: اياد عبد الودود عثمان الحمداني
Specific topic: Language
Degree: Master
Language: Arabic
University location: Diyala
First pages:
Abstract: The idea of the study is to investigate the poetry of Al Shareef Al Radhi (d.406 A.H.) in a way that leads to the self - image in it. If we want to reach that aim, we should know the self and the image in isolation. Then, observe the poetry that contain it. Al Shareef Al Radhi is a poet that introduced himself to Arabic literature through his poetry.The significance of the study lies in carrying the name of a famous poet whose poetry still recited a thousand years since his death. On the other hand, the type and quality of his poetry that can be suitable to any type of scientific and critical studies.Al Shareef Al Radhi is regarded as the most accurate poet in description in his poetry. His poetry is the most accurate in documenting his life stages , the depth of his personality , and the secrets of his soul. He is regarded as one of the great Arab poets of all times. He was distinguished by the richness of his poetic art and the variety of the topics that it addressed. So, his poetry is regarded as a huge classic heritage that affected the literary and linguistic ideology to the extent that some of the early authors put him on the lead of all Arab poets of all time.Al Shareef Al Radhi was born in the fourth Hijri century (359A.H.) which is the peak of Islamic civilization. The Abbasid age is regarded as the greatest age in the Islamic history. It was the age of civilization, science, literature, intellectual opening. The fruit of that age was the names of the scientists and writers that reached to us. This advance was accompanied by the greatest episodes of political conflicts between the foreign interference represented by Buyid dynasty and Abbasid authority. This led to a great diturbance in the lifestyle ,especially, social life. It1created severe class differences to the extent that some have a huge fortune and others cannot afford their food.Al Shareef Al Radhi's family suffered from those circumstances. Adhudh Al Dawla arrested his father and imprisoned him in the caslle prison in Fars and confiscated his estates in 369 A.H. Al Shareef Al Radhi was only ten years old at that time.This study is divided into three chapters proceeded by an introduction and a background entitled "On the Concept of Self - image : A Theoretical Introduction". In the first chapter, which is entitled " Triggers of Self - occurring and the Crystallization of Image", the researcher discussed the triggers of his poetry which is accompanied by his poetic genius to write the greatest poem. One of these triggers is Islam and his strong faith and his noble origin because his fifth grandfather is Imam Musa bin Jaafar Al Khadhim (PUH) and connected to the golden chain that reaches the Prophet Mohammed (ABAPUH). The other poetic trigger is Arabism that was in his blood and a characteristic of his poetry as well as the social circumstances which is dealt with in a dedicated chapter due to its effect on the poet. His poetry was originated from his suffering. The last section of this chapter was devoted to discuss the poet's genius and innovation.The second chapter discussed the Beduinism which was a characteristic of his poetry by his pride in himself , self - mirror, and sense of exile.In the third chapter, the researcher discussed the compound self concept by following the dominant pattern and religious belonging. It also discussed the conservative self and the rebellious self.2The conclusion discussed extracts of self - image in the poetry of Al Shareef Al Radhi and the following findings of the study : 1. Al Shareef Al Radhi renewed Arabic language and vocabulary by the noble meaning of his poetry and innovating new vocabulary and others derived from imagination.2. His poetry was yearning for the genuine Arabic traditions. He was not affected by the appearances that corrupted the Islamic ethics which was clear in his metaphors.The conclusions also contained a recommendation which is the need for studying the poetic text in a qualitative way because it can respond to any critical method and carries a precious heritage.

القصيدة النسوية في الشعر العراقي الحديث بين الرؤيتة الابداعيتة والتجربتة الذاتية : نازك الملائكة وبشرى البستاني مثالا == Feminist Poem in Iraqi Modern Poetry between Creative Vision and Self - Experience (Nazik Al - Malaika and Bushrah Al - Bastani as Models)

Author name: ميسون عدنان حسن علوش السعدي
Supervisor name: علي متعب جاسم
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Diyala
First pages:
Abstract: The study of women's legal and what is produced by women in literature, especially poetry, it required to search in self - experience of the poet , firstly Women, and secondly her creative vision in writing her experience , for the purpose of detecting her internal worlds.The study was reported many visions and critical issues imposed by the nature of the subject as it focused on the study of self - experience which required briefing the outer circumstance of the text and at the same time the analysis of text structure and the interpretation of it connotations.Above - mentioned, the study divided into an introduction , preface, three chapters , conclusion and a list of sources and references . The preface entitled (self - experience and creative vision in the perspective of literature).The first chapter entitled (Feminist and ideal interval), it included two sections, the first one devoted the accomplishment poetry of Nazik Al - Malaika under the title (Feminism and the nonappearance in the poetic text of Nazik Al - Malaika), while the second section has been allocated for the accomplishment poetry of Bushrah Al - Bastani under the title (women speeches and ideal interval in Bushrah Al - Bastani poetry).The second chapter, entitled (Feminist loyalty among text thresholds and symbols of women) , it included two sections : the first one for the poet Nazik Al - Malaika under the title (Feminism and symbols of women in the text thresholds for Nazik Al - Malaika), while, the second section was for the poet Bushrah Al - Bastani under the title (Feminism and symbols of women in the text thresholds for Bushrah Al - Bastani(.The third chapter entitled (Feminist between event space and women memory) which included two sections : the first under the title (The representations of feminism and its effectiveness in the event to Nazik Al - Malaika) and the secondsection entitled (feminist dialectical, event effects and the reality of women to Bushrah Al - Bastani).Finally, the study ended with aconclusion included a set of results and a list of sources and references, which varied between old and modern, for the purpose of scientific rigor and objectivity.I would like to extend my sincerest thanks , appreciation and gratitude to the great heart which includes all his students without discrimination my supervisor Dr. Ali Muta'ab Jassim, who was so kindly act through standing by me during the writing period , choosing the topic , supplying the most important sources, opening the doors of his home and his library for students candidates tirelessly or fatigue, retracing the footsteps of the study step by step. He never be a stingy in outpouring generosity , value, guidance and advice.

شعر تميم بن مقبل في الدرس النقدي العربي القديم == The poetry of Tameem Bin Mukbil in The Classical Critical Lesson

Author name: مخلص سليم جاسم دلي
Supervisor name: وسن عبد المنعم ياسين الزبيدي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Diyala
First pages:
Abstract: The Importance of this study stems from the maven personality of Tameem bin Mukbil as he has his own finger print on Arabic literature specifically as he was pagan characteristics in his thoughts , spirit , habits and traditions Tameem respected Islam , but he believed that this religion separated him from his beloved wife "Aldahmaa" . He couldnt stop loving her and longing for her , although he married her after his fathers death as shy was his fathers wife originally . So he must treat her as a mother ,But he loved her and treated her as a beloved .Tameem was brilliant at description , love , pride , Satire , compliment , lamination complaint , wisdom and preachment which were dominant in the pre - Islamic literature . He used various eloquent styles like simile , metaphor and antonomasia beside other prosodic phenomena . He was a Muslim with a pagan spirit .

الاطلاق في الاحكام النحوية

Author name: اياد عبد الجبار احمد الويسي
Supervisor name: نصيف جاسم محمد علي الخفاجي
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Diyala
First pages:

القصيدة الومضة في الشعر العراقي المعاصر حتى 2010 م : دراسة فنية == The Coruscation Poen in Contemporary Iraq Poetry up to 2010 : artistic

Author name: سجى عبد الرضا هاشم العزاوي
Supervisor name: نوافل يونس سالم الحمداني
Specific topic: Language
Degree: Master
Language: Arabic
University location: Diyala
First pages:
Abstract: Development is still going on in life and all fileds, especiallyliterature. Its development is of crystal clear impact on society itselfas it is regarded the mouthpiece of aggrieved and their righteousvoice. It is my love of poetry that urged me to be directed to thismajor and it was the plase of care and thought. Therefore I madeup my mind to delve in my depth so as to figure out whatsoeverport and cons in the inside of it.After thinking for a while, I have made up my decision, with theassistance of my supervisor, in choosing a topic in literturegenerally and poetry specifically that is dealing with the artisticside. After keen reading and cogniting the topic chosen was TheCoruscation Poem in Contemporary Iraqi Poetry up to 2013 : anArtisic Study I have labored hard to afford a portrait of the artisticvalue of the poem in literary devices system which mightcontribute in the expression. As far as I know, there is no previoussimilar study in the coruscation save the (Coruscation Poem) by(raed Jaradat) in Almustansiriya University which is a Ph.D.dissertation written in 2014 . Unfortunately , I did not have accessto this dissertation nethier in libraries nor by means of the authorhimself . As for me, I have shed light on poets of coruscation fromthe beginnings of the poet Ahmed Safi Elnaja up to the last of the2013 poets, wishing yet that I did not forget any f them.Throughout collecting the information and sources, and embarkingon writing the thesis. I have found out that the outline of the thesisis to be comprising of a perfase, three chapters of three sectionseach and a conclusion .The prefase tackled the scope of the term focusing mainly on thewhere and when was the beginning and flourishing of coruscationpoem, whether it is of valus or not, names it is known in andnumber. The first chapter, which is concentrating on coruscationas image, is subdivided into three section the first dealt with thesimile and its devices that are included in the poem, the secondtackled personification, incarnation and metaphor in the poem inaddition to defining it via my analysis of the poem, while sectionthree was alloted to the metony my image in which I have dealtwith everything comprising metonymy and its artistic image through analyzing the poetic texts.Moreover, chapter tow is dedicated to the study of condensation and is divided into three section. The first contained semantic and stylistic condensation the second was entitled condensation and shadows of meaning while the third was about condensation anachronism and its relation to coruscation poem. In the third chapter I studied coruscation in terms of prosody. It is also divided into three sections; the first was about assonance and alliteration in coruscation and their relation to each other the second dealt with repetition and contrast while the third was entitled coruscation prosody and whether it has a phonetic prosody. It might be worth noting that despite the difficulties and obstacles faced in terms of lack of pervious studies and references, yet, I was capable of achieving this study wishing it to be in the service of literature.

البحث الدلالي في كتاب الايضاح في شرح مقامات الحريري للمطرزي ت610هـ == Semantic Investigation in Al - Edah Book in the Explanation of Maqamat Al - Hariri for Al - Mutarizi

Author name: همم راضي عليوي
Supervisor name: محمد بشير حسن
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Diyala
First pages:
Abstract: Maqamat Al - Hariri is important literary texts since it represent a lovely literary type in human souls till now. So, the linguists pay attention to it by explaining and clarifying its ambiguities and investigating itsbeautiful areas. Al - Edah book is one of these explanations but itparticularizes from others in that it cares to the semantic side making the linguistic levels its own beginning. So, the researcher pays attention tothis explanation in that she revel the authors’ cleverness. This studyconsists of three chapters. The first one entitled (phonetics andmorphological level) which consists of two sections. The first one (phonetics level) deals with two topics, alternation among voiceless sounds like alternation between (التاء and ,(الھمزة and the alternationbetween voiced sounds and it deals with alternation between (مالفتح والض )and other things. The second section deals with morphological level. It deals with topics like derivation, rigid, minimization, attribution, plurals, and others. The second chapter is entitled (grammar level) which deals with topics like indication of inclusion, deletion, and indications of some names and letters. The third chapter entitled (indication sections in Al - Mutarizi) which deals with two topics, the first is (singular words indication) and ( semantical development)

شعر الغزل بين عمر بن ابي ربيعة وبشار بن برد ونزار قباني : دراسة بلاغية موازنة == Romantic Poetry between Omar Bin Abi Rabea, Bashar Bin Burd and Nazar Qubane (A Pithiest Paralleled Study

Author name: خالد فائز ياسين
Supervisor name: خالد علي مصطفى
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Diyala
First pages:
Abstract: This dissertation title " Romantic Poetry between Omar Bin Abi Rabea, Bashar Bin Burd and Nazar Qubane - A Pithiest Paralleled Study " , inanalyzing romantic poems in stylistic way . This science is a beneficialelement of stylistics and different levels of language " structural ,morphological , and phonological " besides other artistic aspects inanalyzing a literary text . Stylistics deals with a poetic text as being acomplete structure comprising in it elements of the text and partialstructure. Also the direction of criticism is towards poetry not the poet ,by that it is necessary to teach poet's poetry separate or far from theinfluence of desire and felony of generalization .In this study the researcher chose three poets ( as mentioned before )concentrating the speech on a common poetry aspect between the threewhich might barely be the most common in their poetries . This aspect islove , and the study of love in these three poets was not new . It has beendealt previously by several researchers . They studied it separately in eachpoet and demonstrated its types and directions , by studies that could bedescribed as artistic and subjective . But , they did not deal with concernthe stylistic study , even if we find stylistic studies dealing with all thepoets poetry . This study was done dealing with one purpose in poemshaving one subject . On the other hand , the study dealt with the stylisticaspect accurately in each poet by demonstration , and stylistic analysis .The study started with a theoretical part about ; first : stylisticsbetween the theory of the term and the concept ; second : showing themeaning of comparison and its styles in Arabic heritage . Then dealingwith concept of paralleling and its styles in Arabic heritage . Also ,through reading love poetry of the three poets stylistically . The study isdivided into two chapters, each chapter contained five sections . The firstchapter was entitled " structural level " and its sections are ; first section ( style of interrogation ) , second sections ( style of command ) , third section ( style of vocation ) , it is known that these styles are structural ordered styles demonstrating artistic aspects of their usages by each poet and most significant metaphorical aspects of each style , fourth section ( repetition ) mentioning in it types and patterns of a single poetic line , and its style in connecting , and finally the fifth section ( alliteration ) mentioning in it the verbal expressions of this art and its place in poetic line . As for chapter two it is entitled " levels of image formation " and contained five sections , as follows : Section one " sources of forming image of Romances " . Section two " images of simile " .Section three " images of allegory " .Section four " images of allegory " .Section five " contradiction ( antithesis and paralleling ) " .The study came to several results : - The researcher found common manner in structure of interrogation between the three poets . Especially, in the poets " Bashar and Omar " sometimes the researcher finds that their poems have an opening of this kind of style . Also , the technique of concrete interrogation has been found in the three poets . - In repetition and from the samples that has been exposed in the study , it is found that the repetition of expressions has taken a huge space especially in the poems of " Nazar " thought they are different in form it has been employed beautifully . - In alliteration , which is a rich style used by the three poets in all its types and forms , we find " Omar and Bashar " committing to all its classifications and common structural places in the line of a poem . - In the second chapter : we found in section one ( sources of forming image of love ) the experiment of feeling is varied in the three poets with existence of lines the poems that meet in the poems of the poets Omar and Bashar , especially , in the openings of their poems . Where we find them standing on remains addressing friends . This opening toke a wide space in the poems of Omar compared to Bashar , and disappearing totally in Nazar Qubane poems . Then we find narration and dialogue in the three poets with existence of similar art in poetic messages in experience of Nazr Qubane dealing in it with his passions within the frame of his emotions. - In the second section ( simile style ) the researcher found that the three poet's attitudes are to build a complex image of simile , which give an expressional value wider than simile called " individual simile " . - Section three ( allegory ) our study in this section is limited to diagnostic allegory or what is called dynamic allegory since having vitality and flexibility in drawing the poetic image and the researcherfound big constancy in using such kind of allegory.

الهوية النسوية في شعر المراة الجاهلي == Feminism Identity in Pre - Islamic Women Poetry

Author name: ماجدة حسن حبيب
Supervisor name: خالد سهر محي الساعدي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Diyala
First pages:
Abstract: This dissertation title "Feminism Identity in Pre - Islamic Women Poetry" to discuss the important role of women in Pre - Islamic period. It is divided into three chapters with several sections in each chapter.Chapter one, entitled "Manifestations of women identity in poetic purposes", and this chapter is divided into three sections including the speech of elegy, flirtation, and satire. Chapter two, entitled " Manifestations of women identity in poetic themes", and also it is divided into three sections speaking about women identity and themes of motherhood and childhood, and the discussion about women identity and family life, women identity and theme of affiliation.Chapter three, entitled "artistic structure in pre - Islamic feminism poetic texts". It is divided into three sections dealing with texts about feminism poetic image and poetic language, and speaking about rhythm in its two parts weight and rhyme.The dissertation has been concluded with several results and recommendations. The researcher has depended on important references like Al - Aghane for Abi Farag Al - Asfhanee and the book Balaghat ANesaa for Ibn Tayyfor.

اتجاهات نقد الرواية في صحيفة الاديب الثقافية 2016 م - 2003 == Trends in Novel Criticism in Al - Adeeb Newspaper (2003 - 2016)

Author name: هبة جاسم محمد عباس الطائي
Supervisor name: خالد علي یاس
Specific topic: Language
Degree: Master
Language: Arabic
University location: Diyala
First pages:
Abstract: This study investigates the known concrete samples (articles), published in Al - Adeeb cultural journal, by research and observing. Those samples are identified by the critical article style analyzing and criticizing the novel. Therefore, the study is divided into two sections, one section deals with the academic criticism. This section is divided into two chapters, the first chapter adopted the formal structural approach, while the second adopted the postmodern approach. The second section deals with press style which is divided into two chapters. The first chapter introduces the Impressionist monetary (interpreter). The second chapter introduces the interrelated criticism (hybrid) which show similar visions that is the absence of rhetoric with its stable intellectual approaches. Therefore, this study is based on the discrimination between two types of novel criticism, one adopting critical approaches and known methods and the other which is uncommitted to them

عبد الغفار حامد هلال وجهودة اللغوية

Author name: محمود يوسف رميض رجب العباسي
Supervisor name: ليث اسعد عبد الحميد
Specific topic: Language
Degree: Master
Language: Arabic
University location: Diyala
First pages:

التوظيف الاسلوبي للتثنية في التعبير القراني

Author name: عبد الرحمن محمود كريم ناوي
Supervisor name: وسن عبد المنعم ياسين الزبيدي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Diyala
First pages:

شروح ابيات كتاب سيبويه : دراسة تحليلية == The Reviews of the Verses of Sibaweih's "Al Kitaab" (The Book) : Investigation and Analysis

Author name: ابراهيم عبد الرحمن محمد
Supervisor name: ليث اسعد عبد الحميد
Specific topic: Language
Degree: Master
Language: Arabic
University location: Diyala
First pages:
Abstract: Sibaweih's "Al Kitaab" is regarded as the first and the most comprehensive book that reached us. It is was the book that is the mostly studied and investigated among other books. The efficiency in this book was in the originality of expression and the power of the structure.As this book has took a great deal of study, some of the many major scholars conducted reviews, comments, illustration to its verses, and investigations to its structures in most of the capitals of the Islamic states from east to west. Due to its importance, the number of those reviews reached to twenty. The only reviews that reached us are four : "The Review of Sibaweih's Verses" by Abu Ja'afar Al Nahhas (d.328 A.H.), "The Review of Sibaweih's Verses" by Ibn Al Sirafi (d. 385 A.H.), the third review was called "Tahseel Ein Al Thahab" by Al A'lam Al Shantamri (d. 476 A.H.), the last review was by Afif Eddin Al Kufi (d. 696 A.H.) which was a script that is not available in our country. So the study was based on the first three reviews. It is worth mentioning that the review of Abu Ja'afar Al Nahhas was not real. It is either a shorthand of the original review, or attributed to him, which is the truth. The study reached the following conclusions : 1. Concerning the methodology of writing and reviewing : a. The introduction of Al Nahhas's review was too short that did not cover all the aspects; Al Sirafi did not write an introduction to his review; while Al Shantamri's introduction was comprehensive and he was committed to it in his review.b. Al Shantamri followed the same order of the original book in his review while the review of Al Sirafi had some overlap and fusion of some verses. On the other hand, Ibn Al Sirafi's review was random and did not follow the original order. c. Ibn Al Nahhas's review was very brief and sometimes he did not comment on the verses, while Al Sirafi illustrated the meanings of the utterances , the rules, and the examples. Al Shantamri's review was less detailed than Al Sirafi.2. Concerning the basics of grammar.a. The authors paid much attention to irregularities without admitting that.b. The authors used less Quranic examples. In the review of Al Nahhas, 24 examples and seven in the Quran recitiations were used. In the review of Ibn Al Sirafi has 37 examples and seven examples on recitations. Al Shantamri brought 31 Quranic examples and two examples on recitations.c. The authors did not use Hadith in their examples except two examples by Al Shantamri. The study was organized into three chapters preceded by an introduction and followed by a conclusion. The introduction contained a brief illustration on the significance of Sibaweih's work and his use of poetic examples as well as the reviews written on it. It also contained a brief biography of the three reviewers.The first chapter studied the review writers' methods and their resources. It was divided into two sections. The first section discussed the reviewers methods while the second section discussed their resources. The second chapter was devoted to the study of the basics of grammar. It was divided into three sections. The first section dealt with irregularities, the second discussed assessing, while the third discussed reasoning. There was no need to make a section about the reviewers agreements because there was only two points in Al Shantamri.The third chapter was a grammatical and linguistic study to the three reviews. It was divided into three sections. The first section was a grammatical study. The second section was a linguistic study. While the third section was about poetry and poetic license.The study ended in a conclusion of the results of the study followed by a bibliography and an abstract in English

البحث الصرفي في كتاب (الكفاية في النحو) لمحمد بن عبد الله بن محمود (ت819هـ)

Author name: سحر جمال سالار الزركوشي
Supervisor name: قسمة مدحت حسين
Specific topic: Language - Grammar
Degree: Master
Language: Arabic
University location: Diyala
First pages:

البحث النحوي في كتاب شرح اللؤلؤة في علم العربية لجمال الدين السرمري (ت776هـ)

Author name: نضال محمود حسن
Supervisor name: قاسم محمد اسود
Specific topic: Language - Grammar
Degree: Master
Language: Arabic
University location: Diyala
First pages:

شرحا التفتازاني (ت791هـ) والقاري (ت1014هـ) على تصريف العزي للزنجاني (ت655هـ) : دراسة صرفية موازنة == The Two Reviews of Al Taftazani (d. 971 A.H.) and Al Qari' (d. 1014 A.H.) on "Al Ezzi's Morphology" by Al Zanjani (d.655 A.H.) : A Comparative Morphological Stu

Author name: لمى حسين محمود
Supervisor name: علاء حسين الخالدي
Specific topic: Language - Grammar
Degree: Master
Language: Arabic
University location: Diyala
First pages:
Abstract: This study consisted of three chapters preceded by an introduction and followed by a conclusion. The introduction included the biology of Ezzuddin Al Zanjani and his work as well as the life of the two reviewers in question and their works.The first chapter discussed the reviewers writing methodology and consisted of three sections. The first section discussed the methodology of the reviewers. The second section talked about their resources، while the third section discussed their citation methods. The second chapter was devoted to the scientific basis of the reviewers and consisted of five sections. The first section discussed interviews، the second was about comparison، the third dealt with agreement of scholars، the fourth focused on case assessment، while the fifth discussed analysis. The third chapter investigated the reviewers morphological methodologies and consisted of four sections. The first discussed their comments on the original work. The second illustrated the controversial issues. The third discussed adopting one methodology. While the fourth focused on a critique on the reviewers. The last part of the study was the conclusion followed by the bibliography

البحث المعجمي في كتب معاني القران للفراء والاخفش والزجاج == Lexical Research in the books of the Holly Qur'an(Maa'ny Al Qur'an) by Al - Farra', Al - Akhfash and Al - Zajjaj

Author name: هدى كريم هادي صالح الجبوري
Supervisor name: ابراهيم رحمن حميد الاركي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Diyala
First pages:
Abstract: It is well known that Arabic language is an acquired social phenomenon that keeps growing and developing with time ; it is unstable. The words used earlier by the Arabs were forgotten over the passage of time and became vague and not understood, therefore the experts of science and Arabic languagerealized the importance of including the Arabic words in dictionaries and books of meanings with their explanations. They do so in order to keep the Arabic language from vanishing , because it is the identity of the Arabs and the language of the Holly Qur'an. The Arabic words with their explainedmeanings found in the books of meanings of the Holly Qur'anby Al - Farra', Al - Akhfash and Al - Zajjajmade a huge tempting material for the researcher to propose this study entitled (Lexical Research in the books of Meanings of the HollyQur'an (Maa'ny Al Qur'an)by Al - Farra', Al - Akhfash and Al - Zajjaj (a balanced study).This study aims at presenting the words of the Holly Qur'an with their meanings besides the basicand the secondary methods of explanation used by Al - Farra', Al - Akhfash and Al - Zajjaj in their books entitled Maa'ny Al Qur'an. Also, it aims at showing the indications of the semantic development and the methods adopted in interpreting a lexical item in Maa'ny Al Qur'an.The researcher followed different methods to achieve the desired scientific truth including balancing, analyzing, discussing and commenting.The researcher depended on different resources including the following books : AL - Ain, al - Muzhir, Al - Misbah Al - Muneer fi Ghareeb Al - Sharh Al - Kabeer and Language by Findris. Besides a number of theses , researches and magazines including the Lexical senseused by the Arabs( a theoretical and practical study),Semantics by Ibn Al - Jinny's Al - Khasais and Lexical research by Al - Raghib Al - Asbhani's Al - Mufradat fi Ghareeb Al - Qur'an.The recent study consists of an introduction including the division of chapters, a preface entitled resources of Al - Farra', Al - Akhfash and Al - Zajjaj in the lexical lesson. The study contains three chapters. Chapter one entitled (The basic and secondary methods of explanation adopted by Al - Farra', Al - Akhfash and Al - Zajjaj in introducing the Lexical meaning in their books Maa'ny Al Qur'an) is divided into three sections : 1 - Section one : The basic and secondary methods of explanation adopted by Al - Farra' in introducing the Lexical meaning in his book (Maa'ny Al Qur'an).1 - Section Two : The basic and secondary methods of explanation adopted by Al - Akhfash in introducing the Lexical meaning in his book (Maa'ny Al Qur'an).1 - Section Three : The basic and secondary methods of explanation adopted by Al - Zajjaj in introducing the Lexical meaning in his book(Maa'ny Al Qur'an). The first chapter also includes a conclusion of a balance made among the three books concerning the material introduced in this chapter.Chapter two entitled ( Lexical Development and the adopted methods used in explaining the item lexically using Maa'ny Al Qur'an b Al - Farra', Al - Akhfash and Al - Zajjaj) is divided into three sections : 1 - Section one : The signs of lexical development and the adopted methods used in explaining the item lexically in Al - Farra' Maa'ny Al Qur'an.2 - Section Two : The signs of lexical development and the adopted methods used in explaining the item lexically in Al - AkhfashMaa'ny Al Qur'an.3 - Section Three : The signs of lexical development and the adopted methods used in explaining the item lexically in Al - ZajjajMaa'ny Al Qur'an.This chapter ends with a conclusion of a balance made among the three books concerning the material introduced in this chapter.Chapter three entitled (Figuring out the meaning of the lexical item in Maa'ny Al Qur'an by Al - Farra', Al - Akhfash and Al - Zajjaj) is dividede into three sections : 1 - Section One : Figuring out the meaning of the lexical item in Maa'ny Al Qur'an by Al - Farra'.2 - Section Two : Figuring out the meaning of the lexical item in Maa'ny Al Qur'an by Al - Akhfash. 3 - Section Three : Figuring out the meaning of the lexical item in Maa'ny Al Qur'an by Al - Zajjaj.This chapter ends with a conclusion of a balance made among the three books concerning the material introduced in this chapter

شروح التعريف في ضروري التصريف لابن مالك ت 276 ه : دراسة تحليلية موازنية

Author name: هدى داود سليم عبد علي
Supervisor name: عبد الرسول سلمان ابراهيم الزيدي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Diyala
First pages:
Abstract: Morphology has a great importance in the linguistic lesson in ancient time and lately, it regards to the internal building of words and which has known in their originality, situations and chapters.But, because the position of this science and its importance, the researcher has been attracted to study morphological study, the researcher selected a study in " Shoroh Al - Mukhter, in Morphology thus the study entitled ( shroh altareef fi dhrory altasreef for Ibn Malik of an analytical and balance study). The study has been divided into three chapters preceded by a preface, followed by a conclusion.Preliminary, the study dealt with the life of commentators and most important explanations print and non - print, in the first chapter the researcher studied commentators efforts and their own curriculum. In the second chapter, the researcher tackled with the resources of commentators and morphological in industry indications. The third chapter addresses the morphological topics in the alshoroh. In the conclusion, the researcher showed the most important findings, including the best explanations of the book, and identifying his figures which have not been studied before, and the statement of their views in morphological issues and clarifies his controversial and status toward it, as well as, this study has allowed the balance between the worlds, a great figure of the seventh century and another one from the world of the flags of the eighth A.H.

مباحث النحو القراني في كتاب الامالي الشجرية لابن الشجري ت245هـ

Author name: محمد طه محمود ابراهيم التميمي
Supervisor name: حسين ابراهيم مبارك التميمي
Specific topic: Language - Grammar
Degree: Master
Language: Arabic
University location: Diyala
First pages:

حداثة جبران في الخطاب النقدي العربي الحديث == The Modernism of Jubran in Modern Arabic Critical Discourse

Author name: مروة مهدي صالح فرج
Supervisor name: خالد علي مصطفى
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Diyala
First pages:
Abstract: This study is based on Jubran's modernism by reviewing the critics' opinions about it. The study falls into an introduction, a background, and three chapters. The introduction discussed the concept of modernism in Jubran's poetry by illustrating the origins of the word "modernism" in Arabic and foreign languages as well as the technical term. Then, moving to the literature of Jubran to identify the aspects of modernism in it. The first chapter discussed "The Modernism in Religious Vision" in two sections. The first section discussed the critics' opinions about his vision on religious ideology. The second section discussed critics' opinions about his vision on philosophy and sophism.The second chapter discussed the modernism of cultural situation which falls into two sections. The first section dealt with critics' opinions about his vision on authority and society and the second section dealt with critics' opinions about his vision on woman and love. The third chapter discussed the modernism in literary issues. Its first section discussed critics' opinions about style aesthetics in his literature while the second section studied critics' opinions about literary types in his literature.The modernism of Jubran is distinguished from other authors pecause it dealt with the different aspects of life like religion, culture , and literature. This can be attributed to vastness of his culture and awareness of the world literature and philosophy which helped him create his own vision that cannot be an imitation of others as affection or effecting.

الفاظ انواع التمور في العراق : دراسة دلالية معجمية مصورة == PRONUNCIATIONS OF TYPES OF DATES IN IRAQ (A Photographed, Semantic, and Lexical Study)

Author name: ضياء احمد حميد حسين
Supervisor name: نصيف جاسم محمد علي الجبوري
Specific topic: Language
Degree: Master
Language: Arabic
University location: Diyala
First pages:
Abstract: This study entitled (Pronunciations of Types of Dates in Iraq (A Photographed, Semantic, and Lexical Study)) is exactly interested with searching the pronunciation of dates in Iraq. The pronunciations were really mentioned in old dictionaries. Since thetypes could not be sure by its extinction, or existing because palm trees are renewed continuously. Each planted date nucleus is a project for a new brand restricted to quality standards in breeding from inbreeding. As the new brands are named in new names. Theysignify names of different varieties of (dates). Here, comes the role of Arabic language in revealing the names and since Iraq is the first country in growing palm dates and has brands reaching to one thousand brand, this study was done to gather these brands in oldand modern ages according to reliable agricultural classifications and referring them back to dictionaries, linguistics, countries, eloquence, history, and books of agriculture to stand closely on each significance for each brand. The difference of shape of the fruit color, size, and shape led to support each name with photographs that leads the reader to signify each brand with its name and shape. Some brands documented photographs were not found because of its rare existence, or extinction. This research is divided into two parts, the first deals with a group of special findings of dates like old and modern brands, the methods of manufacturing names of dates according to their color, shape, owner of brand, place of growing the brand, ways of forming and imagery, stages that dates pass by, differences in pronouncing the name in old and modern ages, effect of nearby languages by transliterating and foreign in naming the brands. The researcher shed light on the importance of naming the colors, and dkl (worst brands of dates) and their differences in dictionaries. The significance of brands, dates, types, and sex. As for the second part of this research, it comprises names of dates in Iraq and describing them agriculturally and revealing its significance semantically. Since some pronunciations were gathered from different environments and has, more than one significance the nearest significance was taken. It could be said that this research a photographed dictionary of names of Iraq dates could have linguistic benefit for language and agricultural departments.

البحث النحوي القراني عند العلماء المصريين المحدثين == The Quranic and Syntactic Research of the Contemporary Egyptian Scientists

Author name: صدام مجيد داود
Supervisor name: ابراهيم رحمن حميد الاركي
Specific topic: Language - Grammar
Degree: Doctorate
Language: Arabic
University location: Diyala
First pages:
Abstract: The Quran descended with standard Arabic ; a matter which makes it difficult for linguists to understand its structures and style . This leads in turn to study and investigate these Qur’anic texts , providing thereby an attitude that gave meaning , style and structure a unique interest . Linguists found several semantic significances with special meaning . Egypt had its great modern scientists who had their own impact on the linguistic studies and their own linguistic heritage in the books they published which were full of ideas that need close investigation .Classic scientists have their first steps in Qur’anic studies by finding out the differences between the syntactic rules and Qur’anic verses . Egypt developed these studies by founding the Egyptian university , bringing the orientalists , dispatching the scientific missions and founding the Academy of Arabic Language . All these factors nourished the study in Egypt .This study investigated the syntactic viewpoints of certain contemporary Egyptian linguists and their own methods of study and their thinking and analysis. They analyzed the syntactic topics in order to find out the important new additions to this field . Egyptian scientists find out the Qur’anic eloquence, its meanings in a way that makes the reader interested in reading .The Egyptian researchers find out that syntax is criterion to control meaning in the Qur’anic text depending on evidences n understanding the Quran and explaining the Qur’anic studies by permitting these evidences depending on the Qur’anic possibilities and combining the theoretical and applied approaches and depending on their compilations of the linguistic structures in understanding the Qur’anic eloquence

المقدمة وعلاقتها بالمتن في كتب النقد الادبي القرن الخامس الهجري مثالا == An Introduction and Its Relationship to the Literary Criticism Books of the Fifth Century A.H. as a Model

Author name: حنين وسام جياد عباس
Supervisor name: علاء حسين عليوي البدراني
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Diyala
First pages:
Abstract: يقوم بحث (المقدمة وعلاقتها بالمتن في كتب النقد الادبي) على بيان اهمية المقدمة كونها تمثل جانبا يكاد يكون متجاوزا عند بعضنا, فهي تمثل اضاءة لما سياتي في المتن, ووظيفتها تبقى فاعلة ومتواصلة حتى تمام المتن, وتاتي اهمية هذه الدراسة في محاولة تضييق شق التباين الذي طغى على دراسة المقدمة بمعزل عن المتن في الزمن الذي مضى, وقد تميزت المقدمة عن غيرها من العتبات النصية كونها تقدم للقارئ خلاصة وافية عن محتويات المتن, وفيها تبرز شخصية المؤلف واسلوبه وذوقه, والمقدمات في تراثنا العربي تعد احدى المكملات الاساسية في كل عمل ادبي, فالمؤلفون قديما ادركوا اهميتهوااولوها عناية كبيرة . وتاتي اهمية دراسة المقدمة وعلاقتها بالمتن في تحديد مدى التطابق بين مقدمات القرن الخامس الهجري ومتونها اي تحديد الخيوط التي تربط بين المقدمة والمتن وكذلك التنافر ما بينهما . وقد اشتمل بحثنا على مقدمة وتمهيد وثلاثة فصول وخاتمة, تناول التمهيد : ابرز المسارات النقدية في القرن الخامس الهجري, مع بيان مفهوم العتبات النصية والمقدمة قديما وحديثا واختلاف التسمية في المصطلح . اما الفصل الاول فكان بعنوان (فلسفة المقدمة في الرؤية النقدية), واقتضت طبيعة الموضوع ان يقسم الى ثلاثة مباحث تناول المبحث الاول (اهمية المقدمة ووظيفتها), اما المبحث الثاني فقد تناول (بناء المقدمة), اما المبحث الثالث فقد تناول (انواع المقدمات) , تبعه الفصل الثاني الذي كان بعنوان (التطابق الموضوعي والشكلي), وهو على مبحثين : الاول منه بعنوان (الجانب النقدي لمؤلفات القرن الخامس الهجري في ضوء الدراسات الحديثة), والمبحث الثاني كان بعنوان (المقدمة وما تطابق منها), اما الفصل الثالث فقد جاء بعنوان : (التنافر الموضوعي والشكلي) وهو على مبحثين ايضا الاول منه بعنوان (المقدمة وما تنافر منها), اما المبحث الثاني فهو بعنوان (المقدمات الفرعية الملحقة بالمقدمة الاصلية), وتضمن البحث خاتمة سجلنا فيها اهم ما توصلنا اليه من نتائج . | The study (An introduction and its relationship to the literary criticism books) states the importance of the introduction which represents almost a surpassing aside to some of us, it represents as a light of what will come in the body, and its function remains active and continuous until the completion of the body. The importance of this study is an attempt to narrow the slit disparity which dominated the introduction in isolation from the body in the time that has passed, the introduction has been characterized from other scripts thresholds that being offered to the reader a compendium of the body contents, and it highlights the author personality and his style and taste. The introductions in the Arab heritage is one of the basic supplements in every literary work, In the past, authors realized the importance that they placed great care. The importance of studying the introduction and its relationship to the body in determining the extent of overlap between the introductions to the fifth century A.H. and its bodies to identify any strings that bind between the introduction and body as well as discordance in between. The study includes an introduction , preamble and three chapters as well as a conclusion. The preamble has been included, the most critical currents in the fifth century (A. H.), with an indication of the concept of thresholds texts and the old and new introduction at different label in the term. The first chapter was titled (introduction philosophy in a critical vision). The necessity due to the nature of the subject that is divided into three sections, the first section dealt with (the importance of introduction and function), while the second section dealt with (building the introduction), while the third section dealt with the (types of introductions) followed by the second chapter, which is entitled (substantive correspondence and formal), which is on two themes : the first part entitled (the critical side of the writings at fifth century in light of recent studies), and the second part is entitled (introduction and what is matched with it), the third chapter is entitled : (thematic and formal discordance), which is also divided into two sections, the first section is entitled (introduction and what is matched with it), while the second section is entitled (sub introductions attached to the original introduction). The study includes a conclusion where it recorded the most important findings or results

قرائن المعنى في ديوان الحماسة لابي تمام في ضوء شروحه == Sense Devices in Abu Tammam's "Divan Al Hamasa" (The Book of Zeal) in the Light of his Explanations

Author name: سهى ياسين زيد رشيد
Supervisor name: ليث اسعد عبد الحميد
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Diyala
First pages:

اثر ابي تمام والبحتري والمتنبي في شعر الجواهري == Influence of Abi Tammam, Al - Buhturi and Al - Mutanabbi in Poetry of Al - Jawahiri

Author name: صندل سلمان ابراهيم النداوي
Supervisor name: صلاح مهدي الزبيدي
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Diyala
First pages:

فاعلية التركيب في تشبيهات حماسة ابي تمام == The Effectiveness of Structure in Similes of Hamassa Abi Tamam

Author name: ابو ذر سلمان شطب مسرهد
Supervisor name: نوافل يونس سالم الحمداني
Specific topic: Language - Grammar
Degree: Master
Language: Arabic
University location: Diyala
First pages:
Abstract: Simile is considered one of the most important components of poetic imagery. Poets have been fond of it through ages because it gives the text a powerful impact in the receiver because its approach to both sides of simile. So, its texts had a simile image which hold beauty and poetry in it. The researcher chose this literary poet because of being famous in choosing his poetry which is the book "Hamassa Abi Tamam". It has many interpretations which reveals its critical value. Simile had huge presence in this book which incarnates types of similes and colorful tools. It exposes the ability of poets to draw poetic image which frames the procedures of simile and constructions through different periods.The thesis title is "The Effectiveness of Structure in Similes of Hamassa Abi Tamam", which sheds light on the effectivity of structure in formatting poetic similes. The study has been divided into, introduction, three chapters, and conclusion. In the introduction the separation between Eloquence and rhetoric and the effect of simile on them with the effectiveness of structure on simile sentence. It seems that there is a relation between eloquence and rhetoric considered as a view of part to all, that’s why they made the subject of simile described as structure of rhetoric and includes the rhetoric of pronunciation.The first chapter; discussed graphic appearances of variety of simile tools in type of acting simile. The variety formed a graphic design were poets deliberately showing their intentions in an accurate image and most perfect and effectivity of receiver. Their choice of tool in their poetry was based on purposively by caring for both sides structural and displayed. Second chapter; discusses the effect of context in technical structure of simile by being described as a structure from different psychological, social, and educational sides. The poet ensures to concentrate on self - feeling, tradition, habit used by Arabs, or certain culture within limited context. The poet tries hard to draw his image within variable similes, this appears new types of similes with were suitable with technical context and poet's intention. The third chapter; finishes the conversation about the beauty of diversity of similes in structure with showing deletion in some of its aspects, which appears in beauty and its effect on that. It revealed the aesthetic side which is added to the context after deleting the tool or font or both together. Deletion gives a rhetorical meaning different and more poetic with deep imagery. This is the same with fluctuations of similes sides between individuals and structure.The conclusion comes to show the most important results which is concluded in the study like showing aesthetic aspects for structure of poetic simile, and the same with variety of similes tools, and others of technical aspects which exposed the creativity of those poets.The researcher relied in his material of study on resources and several references, most significant was "Dewan Hamassa Abi Tamam". The researcher also reviewed the interpretation of "Dewan Al - Hamassa" in four copies, and "Al - Islobia and Al - Islob for Al - Miside", "Dalial Al - Eajaz Wa Asrar Al - Balagha for Abdul Qahir Al - Jirjane", and other references used in this thesis.

كتاب الهداية في النحو لعبد الجليل الغزنوي من علماء القرن الثامن الهجري : دراسة وتحقيق

Author name: حيدر ستار عبد الله الزهيري
Supervisor name: محمد قاسم سعيد
Specific topic: Language - Grammar
Degree: Master
Language: Arabic
University location: Diyala
First pages:

شرحا المقرب لابن عصفور (ت 669هــ) وابن النحاس الحلبي (ت 698هــ) : دراسة موازنة

Author name: عمر رحمن جواد حزام المسعودي
Supervisor name: علاء حسين الخالدي
Specific topic: Language - Grammar
Degree: Master
Language: Arabic
University location: Diyala
First pages:
Abstract: This study entitled as (The Explanation of Al - Muqarrab to Ibn - Usfor(d 669 H) and Ibn Al - Nahhas Al - Halabi (d 698 H)The main reason in making these explanations was the importance of Al Muqarrab Book and its effect in the Arabic environment which made the people do their best to read and benefit from it, but the difficulty of some of its expressions, structures and the ambiguity of some pronunciations made it difficult for the learners. I have made up my mind to conduct a comparative study between these explications to find out the value of these books and compare between them in an accurate scientific approach. This study is divided into an introduction, a prelude, three chapters and a conclusion. In the prelude, I explained the biography of the annotators and an introduction to the book. Chapter one explained the approaches of the annotators and the sources they adopted which were either books or informants. Chapter two dealt with the syntactic proofs used by the annotators like : analogy, acceptance by usage, general agreement and case accompanying, They concentrated on listening more than other principles, that is clearly reflected through their huge amount in their explanations such as Quranic evidences, Prophetic Hadeeths and the Arabs speech like poetry, prose which represented by their sayings, proverbs and languages Chapter three tackled the scientific personality of the annotators and their way of thinking and proved that both of them follow Basra School of thought in using possibilities, exceptions, replacement and management.This study is ended up with a list of conclusions and a bibliography of the most important sources used in this thesis like the holy Quran and book of Sibawaihi

المباحث اللغوية والنحوية في (نخب الافكار في تنقيح مباني الاخبار في شرح معاني الاثار) للامام بدر الدين العيني (ت855هـ)

Author name: ابراهيم خلف صالح القيسي
Supervisor name: علي عبد الله حسين العنبكي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Diyala
First pages:

المجاز في الرؤية النقدية العربية المعاصرة == Metaphor in the Contemporary Arabic Critical Vision

Author name: فنن نجم عبد الاله
Supervisor name: اياد عبد الودود عثمان الحمداني
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Diyala
First pages:
Abstract: This study deals with the use of metaphor in different critical studies and how such studies tackle with the contemporary criticism .No doubt that the contemporary rhetorical need more investigation and search in order to see the relation between such studies and the rhetorical heritage, as well as benefit the got from the technical and critical variables which attached the creative process in different periods.Metaphor considered as one of the active and wealthy systems which have aesthetic and semantic value at the same time .Metaphor excludes the apparent meanings and transforms them into deep positive meanings ,such a thing makes the recipient feel the enjoyment the meanings conveyed by metaphor. So, many studies shed more light on metaphor and they engaged in such rhetorical art such as Dr.Mahdi Al - samaraai s study entitled (metaphor in Arabic Rhetoric),such study has great effect in the settlement of the most significant critical principles for metaphor in spite of its different method in accordance with m study.This study finds that there is an influential significance in restricting the introduction to deal with the clarification of the two terms (vision and visions )which show the gap and he overlap between the two terms.The first chapter in this study deals with the traditional trend of metaphor in the modern critical visions , then the chapter is divided into three sections preceded by a prologue that identifies the origin of the traditional rhetoric and its trends . The first section deals with the contemporary critical views who denied the existence of metaphor in Holy Quran and the prophetic traditions, as well as the views which assure the existence of metaphor in Holy Quran and prophetic traditions. While the second section dealt with the fractional and logical views which prevail the Arabic culture - specially metaphor - by Al - Sakaki and others who follow him though many critics refused such vision which takes metaphor away from art, beauty and aesthetic .Finally, the third section sheds light on the previous standard norms about metaphor through the creative achievement .Accordingly, it has been found that many critics had adopted this vision though its danger since it limited the creativity of the creator on one side and dominated the recipient’s taste on the other side .cThe second chapter dealt with the stages of development of metaphor ,practically it has been divided into three sections. The first one studies the metaphorical image and the relation of this image with metaphor in the light of the contemporary critics’ views ,also ,it concerned with the problem of originating the metaphorical image .The second section sheds light on metaphor as one of the poetic tropes with reference to the various visions that of the critics ,also this section includes the poetic study of the prose not to be limited to poetry since the language of prose nowadays dissipated from the daily life language so it has the feature of being literary .Thirdly, we find that the section dealt with the sign and the connection of sign with metaphor to generate the inspiration energy and to acquire sensitive and expressive meanings.The third chapter includes two sections ;the first one dealt with the cultural criticism and the mechanism of the entire metaphor and its impact on the implicit cultural formats through the various environments ,accordingly metaphor might not be considered as a rhetorical trop only but it might include all the format dimensions in the speech and in the receptive verbs .Moreover , it has been revealed that this study has expanded to include more about the cultural criticism and the reason behind this since it is a new term unclear to many new Arabic and western critics. The second section dealt with metaphor through the modern theories which elucidate the philosophy of using metaphor and actually the most well - known theories which tackled the contemporary critics’ views as the replacement theory, and the interactive theory which have a great position in the ancient Arabic rhetorical criticism till the modern age as well as the relation theory , the contextual theory and the pragmatic theory..Finally, the aim of this study with all its rights and faults - is to be the first step in the knowledge way.

الاثر الدلالي للوجوب النحوي في القران الكريم == The Semantic Effect Of Grammatical Necessity in the Glorious Quran

Author name: يسرى هادي رشيد
Supervisor name: غادة غازي عبد المجيد
Specific topic: Language
Degree: Master
Language: Arabic
University location: Diyala
First pages:
Abstract: his study is concerned with the semantic effect of grammatical necessity in the Glorious Quran. It is one of the efforts to serve the glorious Quran in the issue of semantic effect caused by grammatical necessity and the several terms and topics accompanied with this issue like effect, significance, and necessity. The study tried to investigate each term and its notion separately. It was found that effect has no terminological definition because it is identified according to the science it is applied in. This utterance is available for jurists, interpreters, fundamentalists, and grammarians. Terminology means the agreement on that certain utterance will give certain meaning. Effect, however, does not have any meaning in such context.The semantic effect of grammatical necessity is the semantic result of grammatical necessity in the text to seek semantic connotations, significant and aesthetic values caused by structural alteration like foregrounding, back grounding, focus, ellipsis, etc. compared with the original sentence. This what makes effect the structural channel between the beginning and the end of the text. It is the search for semantic reasons for the issues of grammatical necessity in textual contexts and the relations of the rules and expressions and the investigation of the detailed characteristics and their behavior in the general and specific context "contextual semantics" and the accompanying significance and notions in that context.The study consisted of three chapters preceded by an introduction and followed by a conclusion. The introduction discussed the semantic effect of grammatical necessity : some notions and terms. The chapters of the study were entitled respectively : the semantic effect of the necessity of following or unfollowing order in the glorious Quran; the semantic effect of the necessity of deletion in the Glorious Quran; the semantic effect of the necessity of grammatical joining or splitting in the Glorious Quran. A brief conclusionfollowed the chapters, then, the bibliography of the study.

الجهود النحوية للدكتور محمود احمد نحلة == Dr. Mahmood Ahmed Nahla's Grammatical Efforts

Author name: عبير خزعل خلف هلال
Supervisor name: عبد الرسول سلمان ابراهيم الزيدي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Diyala
First pages:

كتاب تحفة القادم لابن الابار الاندلسي ت 856 هـ : دراسة في نهجه وجماليات الاختيار == Ibn Elabbar Alandalusi's (D. 658 H) Tohfat Elqadim : A Study in Approach and Aesthetics of Choice

Author name: محمد طه جواد ياسين الساعدي
Supervisor name: وسن عبد المنعم ياسين الزبيدي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Diyala
First pages:
Abstract: The present thesis deals with a significant topic in Arabic thought, that is, Choice, especially poetic one. Since choice is an act of the choosing self in its interaction with texts, thus this recipient personality will have the status it deserves in the history of Arabic literature, paying due attention to the reading and critical efforts it will perform on these texts, then choosing according to reasons related to the intellectual, artistic and aesthetic values reflected by these texts. In my study I have chosen one of the Andalusian poetic choices books to study it and to find out its secrets, norms and approach so as to gain the academic benefits in this field of study. Due to the nature of the study, it is divided into four chapters, preceded by a preface and followed by a conclusion and a list of sources and references. The preface is entitled "The Book and Motives behind Writing it". It focused on the book under study, the reason behind its title, motives of writing it, the most important sources it relied on, and its literary value. Chapter one, which is entitled "Ibn Elabbar's Approach in His Tohfat Elqadim", concentrated on the writer's approach in his book in two sections; the first dealt with his method concerning poets' biographies, while the second dealt with his method in his poetic choices. The second chapter "Critical Criteria of Choice", shed light on forming some of the norms and criteria thought to be delineated by Ibn Elabbar in his choices; they are critical, time, environmental, and moral norms.The third chapter is allocated to the study of "Poetic Music in the Choices" which is the chapter's title. It falls into two sections; the first dealt with external rhythm, while the second with internal rhythm. Chapter four is entitled "Poetic Image inthe Choices". It comprised three sections; the first dealt with

الـمـباحث اللغـــوية والنحـــوية في كــتاب (صـــرف العــنان الى قـراءة حفص بن سليمان) لـلشـيـخ عبـد الـغـني بـن اسـماعـيل الـنابـلـسـي (ت1143هـ) == The Linguistic and Grammatical Topics in Sarf El - Enan to the Reading of Hafs Bin Suleiman

Author name: هبة فائق فاضل الدليمي
Specific topic: Language - Grammar
Degree: Master
Language: Arabic
University location: Diyala
First pages:
Abstract: It is acknowledged that the science of Quran readings is highly related to Phonology, morphology and grammar. Thus we are in great need of a book which deals with a reading of the Holy Quran in the light of linguistics and grammar. Hence, the book Sarf El - Enan to the Reading of Hafs Bin Suleiman is of the significant books that tackled Quran readings in the light of linguistic and syntactic studies. Therefore, I have chosen this book, which was first edited in 1426 H, 2005 A.D in Libya, to be the topic of my study.Moreover, I have selected the linguistic and grammatical topics in this book to be the core of my study to figure out the role of Sheikh Elnabulsi's influence on the linguistic and grammatical lessons. Due to the nature of the study, it is divided into three chapters, preceded by a preface. - In the preface, I have dealt with the life of Sheikh Elnabulsi and his methodology in Sarf El - Enan. - Chapter one, which is entitled "Phonological Topics", is subdivided into six sections; phonological terms, assimilation, spur, strong and weak forms, euphuism and attenuation, other phonological issues. - The second chapter "Morphological Topics" is subdivided into four sections; morphological terms, noun issues, verb issues, and morphological balance. - Chapter three, "Grammatical Topics", is in six sections; grammatical terms, nominative, accusative, present verb declension, particles, and complements. Furthermore, all these chapters were preceded by an introduction that is allotted to the significance of topic, reasons behind choosing it, divisions and methodology. The study ended with a conclusion which summed up the findings of the study, followed by references and works cited

المباحث النحوية في كتاب (المستقل بالمفهومية في حل الفاظ الجرومية) لشمس الدين الراعي ت 853 هـ == The Grammatical Topics in Elmustaqel Bilmafhomia fi Hal Alfadh Eljoromia by Imam Shamseddin Elraai's (D.853 H)

Author name: لقاء خضير محمد خميس السعيدي
Supervisor name: محمد علي غناوي هاني الحمداني
Specific topic: Language - Grammar
Degree: Master
Language: Arabic
University location: Diyala
First pages:
Abstract: Elajromia by Ibn Ajroom (723 H) has raised scholars' attention past and present, thus, a variety of them explicated it to leave a huge body of explanations to this book. I have chosen one of those explications which is done by a scholar who lived in the ninth hijri century who is the outstanding grammarian, scholar and Imam known as Elraai (853 H0 from Andalusia. This book was first anthologized in 1433 H., 2012 A.D. moreover, I have selected the syntactic sections in the book to be the topic of my study in order to figure out the influence of Imam Elraai on syntactic lesson as well as to specify his status among scholars of Arabic.Due to the methodology of the study, it was divided into two chapters, preceded by a preface. The preface dealt with the biography of Imam shamseddin Elraai. The first chapter which is entitled "Imam Shamseddin's Methodology in His Explication and GrammaticalPrinciples and Terms in it" is subdivided into three sections. The first "Imam Shamseddin's Methodology in His Book" is in two items; item one is methodology of exposition and publication, the second is his linguistic and syntactic sources and his approach in benefiting from them. Section two "Fundamentals of Grammar and Evidence of Craftsmanship" comprised four items; listening, analogy, syntactic cause, and agreement.The third section "Grammatical Terms in the Book" is in four items; Basrah Terms, Kufa Terms, Reciprocal Terms, and Rarely used Terms.Chapter two, which is entitled "Syntactic Sections in the Book" falls into three sections. The first of them "Syntactic Introductions" is in three items; speech and what comprises it, structure, and the definite and indefinite. The second section "Syntactic Structures" comprised two items; nominal structure and its supplant, verbal structure and its apocopation and accusatives. Section three "Sentence complements" is in four items; accusatives, genitive, complements, and approaches. All these chapters were preceded by an introduction that is dealing with the significance of the topic, reason of choosing it, divisions and methodology, and followed by a conclusion summing the findings of the study and then by a list of sources and references.

الجهود النحوية لتدريسيي جامعة ديالى منذ تاسيسها الى 2013 م == The Linguistic Efforts Proposed by University of Diyala Instructors Since Establishing to 2013 AD

Author name: اية احسان صادق جعفر التميمي
Supervisor name: مكي نومان مظلوم الدليمي
Specific topic: Language - Grammar
Degree: Master
Language: Arabic
University location: Diyala
First pages:
Abstract: Arabic language has been , through out the ages , dealt with great concern by specialists be they grammarians or linguists .They took into consideration studying the different aspects of this language in terms of its doctrine , grammar and conjugation . The researcher took the stance to shed much light on its uniqueness . The subject in question is " The Linguistic Efforts Proposed by University of Diyala Instructors from 1980 - 2013 A D .It is of considerable importance through the analysis of which attempts are made to take notes , opinions as well as thoughts of the instructors in question. The study requires following certain restrictions in terms of methods on bases of precision , comprehensiveness and conclusion drawing . Some of which could be summed as : 1. The instructors in question include those have already been employed in university of Diyala while unemployed lecturers are excluded .2. Time dealt with in the study is restricted to the period from 1980 - 2013.3. The adopted approach is mainly based on describing subjects as well as taking into consideration view points given by the instructors.However , the study falls into six chapters . The first of which is devoted to study " References of Arabic Grammar ' . It is subdivided into three sections which , in turn , are to study : listening , constructing grammatical rules and other basic references respectively . The second chapter is concerned with studying grammatical styles .It is subdivided into eight sections the materials of which are discussed as are majorly and in minor instances used by instructors . They are : proclamation , exclusion , interrogation , affirmation , condition , oath , exclamation , and negation The third chapter is devoted to grammatical phenomena analysis . It is subdivided into two sections meant to study grammatical interpretations and origin of grammatical phenomena represented by parsing and prohibition . The fourth chapter is concerned with Grammatical controversy . It includes four sections : origin of grammatical controversy , grammatical controversy between Basri and Kufis' doctrines , controversy among scholars who adopted the same doctrine and personal controversy . .The fifth chapter is to discuss grammatical consolidation and grammatical criticism . In turn , it is subdivided into two sections : grammatical investigation and grammatical criticism . The former is concerned with grammatical consolidation, misconception and investigation while the latter is devoted to criticism types, features of criticism construction, a scholar's criticism of a fellow scholar , grammarians' criticism and grammatical responses. However , the study ends with number of conclusions which summed up the findings of the study. The sixth Chapteris Devoted to Some other Syntactic issues.

النقد اللغوي في المحكم والمحيط الاعظم لابن سيده الاندلسي (ت 854هـ) == Linguistie, Critieism in AL Muhkam wal Muheet ELa’dam of Seedah ELandalusi (D.458H)

Author name: وسن شاكر محمود الكرخي
Supervisor name: علي عبد الله حسين العنبكي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Diyala
First pages:

اثر الظواهر اللغوية في تشكيل المصطلحات : دراسة تطبيقية في كتاب التعريفات للشريف الجرجاني (ت816ه == The Effect of Linguistic Phenomena in the Formation of Terms An Applied Study in The Book of Al - Tarifat (The Definitions) of Al - Sharif Al - Jerjany (D 816 H.)

Author name: صفاء نصر الله ردام جاسم الشمري
Supervisor name: غادة غازي عبد المجيد
Specific topic: Language
Degree: Master
Language: Arabic
University location: Diyala
First pages:
Abstract: This thesis shows - by Allah's will - the effect of the linguistic phenomena in the formation of the terms , It is not hidden that a term needs to a linguistic means helping its formation. This is proved practically in the book of Al - Tarifat ( The Definitions) . The terms found in this book were form through the cooperation of phenomena such as (Al - majaz) represented in the (semantic development) , also (construction) , (derivation), (linguistic barrowing) exemplified in the (Al - moarab) or what is called (Al - tareeb ). The new which is proved practically in this thesis is the cooperation of two phenomena in the formation of one term. This matter can be new in to two sides : the first the applied side in the certain book ( Al - Tarifat) , and the other side the cooperation of two phenomena in the formation of one term. The thesis proved what the linguists arrived at and it verified also that a term can be formed because of the cooperation of two linguistic phenomena. Examples of this cooperation are ( construction with Al - moarab), ( construction with Al - majaz) , and (derivation with Al - majaz).

كتب شروح شواهد كتاب الايضاح لابي علي الفارسي (ت 377هـ) : دراسة موازنة

Author name: مي مجيد كامل
Supervisor name: قسمة مدحت حسين
Specific topic: Language - Grammar
Degree: Doctorate
Language: Arabic
University location: Diyala
First pages:

الاضطراب النحوي عند النحويين : دراسة وصفية تحليلية == The syntactic Unstablity (Iddrab) of Arab Grammarians A descriptive analytic study

Author name: ابراهيم عبد الله مراد
Supervisor name: ابراهيم رحمن حميد الاركي
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Diyala
First pages:
Abstract: This study deals with the issue of the syntactic unstability of Arab grammarians who referred to this concept in their early writings , when the opportunity was given to the research , he decided to study this phenomenon under the title " The syntactic unstablity (Iddrab) of Arab grammarians" . The significance of this study stems from the need to uncover a case indentified by the early scholars who tackled this phenomenon in their books , The reason behind choosing this topic is the researchers desire to arrive at a deeper understanding of the grammarians syntactic thinking and their ways of making judgments and writing down rules of grammarians . The introduction to the dissertation includes a definition to the dissertation of the term " Iddrab (unstablity) from a linguistic , terminological viewpoint in addition to Arabic folklore . The first chapter deals with the patterns and reasons syntactic unstablity . on the other hand . The second chapter deals with the unstablity syntactic issues .The third chapter deals with : 1 - unstablity in what is known as " al - samaa" .2 - unstablity of grammarians in dealing with Quran readings , prophet speeches and Arabic poetry . The study ends with some conclusions among which are : 1 - The syntactic matter are mostly intuitive . The grammarians usually depend on their own intuition and experience in making judgments concerning syntactic issues . The grammarians may hard more than one opinion about the same issue .2 - Unstablity doesn't mean that a grammarian is wrong , but it means that he may have more than one opinion about the same topic at different times .3 - The phenomenon of unstablity is not limited to a specific grammarian , It is true for most grammarian of different school .4 - The forms and reasons of syntactic unstablity are various .5 - Unstablity is not limited to a certain syntactic area . It includes many syntactic issues and approaches to syntactic

اختصاص البنية في القران الكريم : دراسة صرفية دلالية == Structural Exception in the Glorious Quran : A Syntactic - Semantic Study

Author name: بيداء عبد الخالق سلمان سلطان
Supervisor name: علي عبد الله حسين العنبكي
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Diyala
First pages:
Abstract: Morphology is regarded as the scale of Arabic and its most respectable part which represents its strength and harmony and the essence of words. This is the reason which places morphology as prior to the study of structure due to the delicacy of its details and the need of the people who work in Arabic to it.In spite of the low knowledge of the subject ,compared to the scholars, the researcher intended to study a subject about the utterances of the Glorious Quran which is the best subject that any one should be passionate about. So, the mind was made to registering a distinguished morphological subject based on utterances of the Glorious Quran. The result was the title of this study : " Structural Exception in the Glorious Quran : A Syntactic - Semantic Study".The parts and applications of this linguistic phenomenon are scattered among linguistic references. There wasn’t any independent study that compiles, illustrates, investigates, or justifies it which is the aim of this study. It is intended to seek the guidance of the references like Sibaweh's Kitaab and the thoughts of Al Farisi , Ibn Jini , Al Jirjani , Ibn Yaeish as well as the interpreters in their efforts to interpret the utterances of the Glorious Quran and the efforts of the narrators and reciters to discover their secrets. All these resources are used to shape this study in sections and content in spite of the difficulty in understanding it, let alone investigating and liking the similar and different opinions about it.The study consisted of an introduction and three chapters. The first chapter, which was entitled " Structural Exception in Linguistics" was a background as well as the theoretical framework of the study, while the other chapters are regarded as the practical framework. The first chapter focused on illustrating the concept of exception and it was subdivided into three sections. The first section dealt with the linguistic and terminological definitions of the terms 'exception' and 'structure' as well as the synonymous terms of exception. It also illustrated the utterances and styles that represent it according to the linguists; clarified the relation between structure and formula; and accounted for the types of exceptions and the studies that discussed it in the past and present.BThe second section of the first chapter dealt with the concept of structural exception in Arabic , its types, purposes of its occurrence according to the linguists as well as mentioning illustrative examples. The third section discussed the evidences, patterns, and applications of exception in the structure of Arabic. It mentioned the regular and irregular examples. Then, the most common constraints of exception that were mentioned by linguists were discussed. After that, the linguists' styles in utilizing exception in morphological patterns and distinguishing each one of them; and the effect of exception on morphological judgment and analysis.The second chapter was entitled "Taxonomic Structural Exception in the Glorious Quran" which was subdivided into five sections. The first section discussed taxonomic structural exception in transitivity and intransitivity. It clarified the two concepts then determined the structural exception of intransitivity in the Glorious Quran concerning bare structure and additions, then, the structural exception of transitivity in the Glorious Quran concerning bare structure and additions.The second section dealt with taxonomic structural exception in vocalic and non - vocalic forms. It discussed the two concepts ,then, determined the structural exception of vocalic and non - vocalic forms in the Glorious Quran.The third section addressed taxonomic structural exception in feminine forms. It discussed the concept and the markers of feminine gender. Then, it determined the structural exception in feminine forms that end in reduced and extended alif in the Glorious Quran.The fourth section dealt with taxonomic structural exception in nouns and adjectives. It illustrated the concepts of noun and adjective and the difference between them. Then, it determined the structural exception of nouns and adjectives in the Glorious Quran.The fifth section discussed taxonomic structural exception in plurals. It clarified the concept of plural and its types. Then, it determined the structural exception of regular and irregular plurals in the Glorious Quran and exception in masculine and feminine forms of irregular plurals, the difference between plural nouns and plural adjectives in the Glorious Quran, as well as the exception in /i/ nucleus and /u/ nucleus verbs in the Glorious Quran.The third chapter was entitled "Function and Usage - Structural Exception in the Glorious Quran". It was classified into two sections the first section discussed function - structural exception in the Glorious Quran, while the second one dealt with usage - structural exception in the Glorious Quran. This chapter addressed two concepts : the first is usage exceptional forms which are the forms that are used only once in the Glorious Quran with only one utterance; and the second is noun/adjective, transitive/intransitive, shared - status, yet exceptional usage forms. Then, it discussed exceptionally pluralized vocabulary forms in the Glorious Quran.The study ended with its results and conclusions that included the most important findings like the existence of nearly eighty exceptional structure in the Glorious Quran, most of them are nominal.There are certain things about the methodology of format in this study that need to be clarified : 1 - Every morphological term was discussed as briefly as possible for the reason of guidance during discussion.2 - The researcher did not mention the name of the authors cited from within the text. As with theses and dissertations, the researcher only mentioned their type for the reason of economy. The scholar's death year was mentioned only when he is introduced to avoid repetition.3 - The variation in the size of writing is due to the variation in the sophistication of the content of each concept discussed which is presenting a text with quality rather than quantity.

اثر كتب معاني القران واعرابه في المحكم والمحيط الاعـظم لابن سيده (ت 458هـ) == The Impact of The Books of Quran Meaning and Parsing in "Al Muhkam wa Al Muhit Al A'dam" Ibn Sayiduhu Al Andalusi (d. 458 A.H

Author name: هيرش عبد الله لطف الله
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Diyala
First pages:
Abstract: The books in Quran meaning and parsing are regarded as the main sources of dictionaries. They provide dictionaries with contextual meaning of Quran vocabulary. A linguist cannot dispense such sources. The amount of significance varies from one dictionary to another especially in big dictionaries. The methodological relation between these two types of works gave vitality to modern linguistics by revealing the significance of Quran meaning and parsing in Arabic dictionaries. The researcher chose "Al Muhkam wa Al Muhit Al A'dam" dictionary by Abu Al Hassan Ali bin Ismail, known as Ibn Sayiduhu Al Andalusi (d. 458 A.H.). The result was the title of the study : The Impact of The Books of Quran Meaning and Parsing in "Al Muhkam wa Al Muhit Al A'dam." The study relied on the works of Quran meaning, parsing, and strange uses as well as dictionaries, Quran recitation, syntax, morphology, and interpretation of Quran to define the linguistic fact that the books of Quran meaning and parsing have a great impact on dictionaries like "Al Muhkam wa Al Muhit Al A'dam" by Ibn Sayiduhu. This study consisted of an introduction, a background, four chapters, and a conclusion. The introduction contained a brief biography of Ibn Sayiduhu and an introduction to his work and linguistic resources as well as an introduction to Quran meaning and parsing. The first chapter studied three phonological phenomena : Hamza (glottal stop), assimilation, and merging. The second chapter studied morphological phenomena and issues like adding letters, derivation, morphological deletion. The third chapter discussed grammatical aspects like grammatical terminology, grammatical interpretation, grammatical controversy, and parsing. The fourth chapter contained the opinions of Ibn Sayiduhu about the meaning of Quran. He was following the opinions of the specialists in the meanings of Quran in the interpretation of several verses of the Quran in order of their occurrence in the Holly Quran. The conclusion contained the most important results of the study like : 1. Revealing the strong relation of Ibn Sayiduhu with the literature of Quran meaning and parsing and the frequency of citation from it. 2. The overlap of all the linguistic levels in writing "Al Muhkam" which did not serve its purpose which is illustrating the etymology, derivation, and meaning of lexical items as well as their uses in Arabic literature. 3. The aim of Ibn Sayiduhu when he wrote "Al Muhkam" was to link between language and The Holly Quran through studying the lexical items occurred in Quran and the meaning of verses. 4. Ibn Sayiduhu ascribed many of Al Zajaj's opinions, and writings to himself ,then, wrote some texts that he claimed to belong to Al Zajaj. So, they were attributed to both of them while in fact they all belong to Al Zajaj.

البحث اللغوي والنحوي في اللامع العزيزي لابي العلاء المعري (ت449هـ) == The Linguistic and Syntactic Research in Ellami' Al - azizi By Abi Elalaa Almaari

Author name: خليل ابراهيم احمد الربيعي
Supervisor name: عبد الرسول سلمان ابراهيم الزيدي
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Diyala
First pages:
Abstract: The dissertation has tackled The Linguistic and Syntactic Research in Ellami' Al - aziziwhich is the Explication ofAbi Elalaa Almaari of selected poetry lines by Al - Mutanabbi. It comprised three chapters. The first of them, which dealt with syntactic issues, is in four sections; the first tackled syntactic issues related to nouns, the second with verbs, the third with particles related issues, and the fourth is dedicated to poetic license in Al - Maari. Chapter two is allotted to morphological issues and it contained five sections. The first was about suffixes; their root, alteration and change. The second section tackled derivation and pluralization. The third with Morphological scale and the fourth with metonymy, substitution and the shiftingin forms and connotations, while the fifth tackled the topics of ancestry and diminution. Moreover, the third chapter is dedicated to the linguistic issues and it is subdivided into three section; the first dealt with the phenomena of synonymy, homonymy, and opposites, the second with the phenomenon of the inflected, the forms of Fa'ulat and Af'alat and words connotations, while the third section tackled feminine and masculine words and words that remain the same in the singular and plural forms.The dissertation is ended with a conclusion that summed up the findings of the study, most importantly : 1) The study shed light on glimpses in the life and biography of Al - Maari and his scientific status, as well as his being prolific. 2) The study confirmed the attention concerning Ellami' Al - azizi among those old and modern writers who have written about Al - Maari because it is of his final writings.3) The study exposed that Aba Elalaa has, in this publication, focused a great deal on the views of grammar pioneers like Al - Khalil bin Ahmed, Sibawayh, Saeed bin Mes'ad, Al - Kisa'I, Al - Farraa, Al - Mubarrad, Al - Zajjaj, Abi Amro bin Al - Alaa, Abi Bakr Al - Anbari, Abi Zaid Al - Ansari, Abi Ubaid, Abi Ubaida, al - Asmaai among others. His dependence on this was in three forms : A. He transferred from them what he has read in their books which he memorized and declared.B. He transferred from books he did not declared their titles, but were known from referring to their authors.C. He ascribed the transference to Arab grammarians and linguists especially to their books like Al - Ain wal Kitab, the classified strange and books of strange Hadith, Islah Al - Mantiq, Al - Asmaaiat, the rare in addition to references like Al - Jamhara wal Taqfia, Tahtheeb Allugha and others.4) This dissertation made prominent the characteristic features of Al - Maari's language and exposed the principles of his approach in syntax and linguistics and it was a language that is characterized by wideness and exhaustiveness and he was a faithful and trusted scholar, an expert linguist, a keen grammarian and skilled in morphology with knowingness and understanding. 5) The study asserted that Ellami' Al - azizi is greatly different from Mu'jiz Ahmed which is attributed to Al - Maari in terms of methodology and style, stating, thus, that they are two distinct books, not one same book as alleged by some.6) His abundant quoting from the verses of the Glorious Quran and its readings in deciding the linguistic and grammatical rules along with his directing of these readings and judging them in terms of strength and weakness.7) His plentiful quoting from Hadith, especially in the field of linguistics.8) The study identified the bountiful quoting by Al - Maari of Arab speech and sayings, especially Pre - Islamic, Islamic and maven poets, but he did not exceeded those epochs unless for the sake of entertainment.9) Arabic proverbs were present in the memory of Al - Maari as an indication among his linguistic and syntactic indications.10) Ellami' Al - aziziis full of referential effort that is manifested in Al - Maari's care of explination of words.11) The research avowed the wrong notion of those who claimed that Al - Maari was not interested in analogy and that he fed up with it, this study clarified his dependence on analogy.12) The dissertation proved that Al - Maari coincided with Basra grammarians in a group of grammatical issues, and coincided with Kufa grammarians in some others. He selected his issues from Basra and Kufa grammarians without heavily relying on one of them only, and he founded other issues that are considered his own.13) The research verified Al - Maari's adherence, in Ellami' Al - azizi, to the presence of linguistic phenomena/ like synonymy, homonymy, opposites, derivation, inflection, semantics etc.14) The study exposed the use of Basra and Kufa and mixed grammatical terms and did not advocated a specific trend.

شرحا المقدمة المحسبة لابن بابشاذ (ت469هـ) وابن هطيل اليمني (ت812هـ) : دراسة نحوية موازنة

Author name: جاسم محمد سرحان
Supervisor name: حسين ابراهيم مبارك التميمي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Diyala
First pages:

الموضوعات النحوية في كتاب دليل الفالحين لطرق لمحمد بن علان الصديقي المتوفى (1057هـ)

Author name: رابـعة حســين مهـدي الحمدانـي
Supervisor name: مكي نومان مظلوم الدليمي
Specific topic: Language - Grammar
Degree: Master
Language: Arabic
University location: Diyala
First pages:

المباحث الصوتية والصرفية في كتاب (التتمة في التصريف) لابن القبيصي == The Phonetic And morphological Researches In (Al - Tattema Fi Al - Tasreef) of Ibn Al Qubaisi

Author name: نمارق هاشم وهيب حسين القيسي
Supervisor name: علاء حسين علي الخالدي
Specific topic: Language - Grammar
Degree: Master
Language: Arabic
University location: Diyala
First pages:
Abstract: This book (Al - Tattema fi Al - Tasareef) was written by Abo Abdullah Muhammed Bin who lived in Qubaisa ,a village in the east of Mousil, in610H.And reviewd by Dr.Muhsin Bin Salim Al - Himiary in 1993AM - 1414A H.I selected the phonetic and morphological researches in this book to investigate it's affect in the linguitic study .This thesis was divided into four chapters preceded by a priliminary which handled the life of Ibn Al - Qubaisi.Chapter one which is entitled as(The Method of Ibn Al - Qubaisi In His Book ) is diveded into two sections : the first handled : 1) The Method Of Presentation And Compilation, 2)His Linguistic And Grammatical Sources and 3) His Method Of Getting Benefit Out Of It.And section two is entitled as (Principles of Gramar And Evidences of Composition) which discussed : 1)Hearing,2)Measuring and 3)Justification.(The Phonetic And Grammatical Terms In This Book) is the title of Chapter two which discussed the phonetic terms in it's first section and the grammatical terms in it's second section.Chapter three is entitled as (The Phonetic researches In The Book) and is divided into three sections : the first is(The Place of Articulation of Sounds), the second (The Charecteristics of Sounds) , andthe third(The Phonetic Phenomena) like Assimilation and Deflection .Chapter four (The Grammatical Researches In The Book) discusesed three topics : the first dealt with (The construction of Nouns And Verbs), the second with(The Grammatical Phenomena of Displacement,Elision and Metathesis), and the third with(The Infinitives And The Derivatives). In the introduction of this work, I talked about The importance of this subject and the reasons behind choosing it, it's method and chapters. This study was ended up with a list of conclusions and a bibliography of the books consulted to accomplish this work

المباحث الصرفية والنحوية في كتاب شرح المغني في النحو لبدر الدين الميلاني ت 811هـ == Morphological and Syntactic Investigations In The Book of Sharih Al - Mughani By Badar Al - Deen Al - Milani (D 811 H)

Author name: علي حسين مهدي
Supervisor name: محمد علي غناوي هاني الحمداني
Specific topic: Language
Degree: Master
Language: Arabic
University location: Diyala
First pages:
Abstract: The title of my thesis is Morphological and Syntactic Investigations In The Book Of Sharih Al - Mughani By Badar Al - Deen Al - Milani (D 811 H). Al - Milani was Badar Al - Deen Mohammed Ibn Abd - Alrheem Al - Milani Al - Omari who died in (811 H) .The aim of choosing this topic was to present the explainer's effect in Arabic language . Therefore the nature of the research entailed to divide the study into four chapters preceded by an introduction and followed by the end . Consequently, I divided the introduction into two parts : In the first part I dealt with Al - Milani's biography including his life , surname, scholars (sheikhs) , literary works and their explanations. Then there was a general description of the studied book. I explained in the second part his approach in the book , his linguistic and syntactic references and his method of making use of them.I dealt with the rules of syntax and the evidence of syntactic craft used by Al - Milani in the first chapter that included five sections : the first : Al - samah, the second : measurement, the third : plurality , the fourth : the adverbs of manner , and the fifth : reasoning .Whereas in the second chapter , I dealt with the morphological and syntactic terminology in Al - Milani's book and this chapter had two sections : The first section was about the morphological terminology and I divided it into three parts : The first part included the terminology concerned nouns, while the second part was concentrated on the terminology of verbs and the third one was about terminology of prepositions.The second section concerned with the syntactic terminology and it was divided into four parts : Al - Basria terminology , Al - Kufia terminology, common terminology , Al - Milani's specialized terminology used in his explanation.In the third chapter, I dealt with the morphological investigations in explanation and this chapter had five sections. The first : appositive and reasoning , the second : minimizing , the third : plurality , the fourth : masculine and feminine , and the fifth : Al - Nasab .The fourth chapter was concentrated on explaining the syntactic investigations in the explanation and it included six sections : The first : syntactic introductions , the second : the nominal and verbal compound , the third : accusatives , the fourth : genitives, the fifth : Al - twabaa (sequences) , and the sixth : styles .

ظاهرة الاعراب في تفسير البحر المحيط

Author name: نهاد محمد علي
Supervisor name: مازن عبد الرسول سلمان
Specific topic: Language
Degree: Master
Language: Arabic
University location: Diyala
First pages:

البحث النحوي في مختصر تذكرة ابن هشام الانصاري لمحمد بن جلال الحنفي التباني (ت 818 ه) == The Syntactic Research In (Mukhtassar Tathkira Ibn Hisham Al - Anssary) By Muhammad Bin Jalal Al - Hanafi Al - Tibbany (D 818 H)

Author name: علي عبد الخالق كاظم الشكري الجبوري
Supervisor name: مكي نومان مظلوم الدليمي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Diyala
First pages:
Abstract: مختصر التذكرة للتباني ( ت 818 ه ) هو اختصار لكتاب التذكرة لابن هشام الانصاري ( ت 761 ه ) , والذي يعد مفقودا , حيث اختار التباني من مسائل التذكرة الموزعة على خمسة عشر جزءا ( اربعمائة وسبع عشرة ) مسالة , واحتوى مختصر التذكرة على مسائل في المعاني والنحو والصرف واللغة 0 وقد وزعت مادة البحث على مقدمة , وتمهيد , وستة فصول , تتلوها خاتمة , وكانت على النحو الاتي : التمهيد : التعريف بالتذكرة ومختصرهواالتباني 0الفصل الاول : اصول النحو 0الفصل الثاني : المرفوعات 0الفصل الثالث : المنصوبات 0الفصل الرابع : حروف الجر 0الفصل الخامس : التوابع 0الفصل السادس : الافعال 0 وتوصلت في البحث الى النتائج الاتية : 1 - ان مختصر التذكرة كتاب مهم عوض عن ثروة لغوية ونحوية كبيرة جدا لجهبذ من جهابذة علماء عصره 02 - اعتمد ابن هشام في التذكرة على اصول النحو جميعها من سماع وقياس واجماع واستصحاب حال 03 - اغلب مسائل التذكرة هي ردود خلافية خالف فيها ابن هشام الانصاري علماء سبقوه , كسيبويه وابي علي الفارسي , وابن الحاجب وغبرهم , وكذلك علماء معاصرين له 0 4 - كان ابن هشام حياديا في النقل عن البصريين والكوفيين فقد وافقهم في مسائل وخالفهم في مسائل اخرى 05 - استعمل مصطلحات نحوية خاصة به , منها تسميته (لا) الزائدة ب ( لا المعترضة بين الجار والمجرور) 06 - ذكر مصطلحات بصرية مثل ( النفي) , ومصطلحات كوفية , مثل ( النسق | Mukhtassar Eltthkira to Al - Tibbany (D 818 AH) is an abridgement to Al - Tathkira to Ibn Hisham Al - Anssari (D 761 AH) which is considered to be a lost copy. Al - Tibbany chose a four hundered and seventeen issues in Semantics, Syntax, Morphology, and Linguistics . This study is divided into an introduction, a preface and six chapters. The preface dealt with defining Al - Tathkira, its abridgement and Al - Tibbany. The chapters were entitled as follow : Chapter one(The Origin of Syntax), chapter two (The Nominatives), chapter three (The Accusatives), chapter four ( Prepositions), chapter five (The Dependencies) annd chapter six (The Verbs) . The research had reached to the following conclusions : 1 - Mukhtassar Al - Tathkira is an important book which forms a linguistic and syntactic treasure .2 - Ibn Hisham depended on all the origins of syntax, like acceptance by means of usage, analogy, consensus, and haal accusative .3 - Most of the issues in this book are controversial to Sibawayh, Abi Ali Al - Farisi, Ibn El - Hajib and other contemporary linguists to Ibn Hisham . 4 - Ibn Hisham was neutral in quoting from Bassrah and Kufa schools as he agreed with them in certain issues and refuted them in others .5 - Ibn Hisham used special syntactic terms like parenthetic (Laa) between the subjunctive and accusative, between the assertive and jussive, and between the preposition and the genitive .6 - Ibn Hisham used some Bassri terms like (condition) and Kufi terms like (coordination, recompense and shortening) .

المطولات الشعرية في الخطاب النقدي العراق الحديث

Author name: محمد سلمان حسين
Supervisor name: علي متعب جاسم
Specific topic: Language
Degree: Master
Language: Arabic
University location: Diyala
First pages:

فتح المغلقات لابيات السبع المعلقات للفاكهي (ت 982ه) : دراسة لغوية نحوية

Author name: نصير عبد اللطيف عبد الله محمد
Supervisor name: حسين ابراهيم مبارك التميمي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Diyala
First pages:

الخبر المروي في الشعر الجاهلي انماطه ووظائفه == Anecdote Irrigated in pre - Islamic poetry Types and Functions An Artistic Study

Author name: غزوان طه لطيف جاسم
Supervisor name: خليل ابراهيم عبد الوهاب
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Diyala
First pages:
Abstract: This thesis is concerned with a literary form named as “Al - Khabar” which means in, Arabic heritage, “Anecdote” or “Tale”. Anecdote is a transmitted form, narrating people’s actions, deeds and situations, in both poetic and prosaic styles. Anecdote occupies a great stature in ancient Arabic literature.The field of this study is “Anecdote in Pre - Islamic Poetry”,in three chapters preceded by a preface and introduction. The introduction is dedicated to handle two issues, the first is the meanings of “Al - Khabar” in Arabic dictionaries and terminology, while the second is about “Al - Khabar” status between orality and inscription. The first chapter is devoted to study “Al - Khabar - Anecdote” paradigms, in four sections : Section one : Fictional Anecdote.Section two : Factual Anecdote.Section three : Fantastic Anecdote.Section four : Historical Anecdote. The second chapter is dedicated to study functions of “Al - Khabar - Anecdote”, in three sections : Section one : Documentary Function.Section two : Social Function.Section three : Psychological Function. The third chapter is assigned to deal with “Al - Khabar - Anecdote” image within structures of poetical themes, in two secions : Section one : Themes related to “Self”.Section two : Themes related to “Other”. The thesis has come up to a conclusion summarizing the final academic results.

الدلالة الزمنية للجملة العربية في الحديث النبوي الشريف في صحيح البخاري (ت256هـ) == Time Connotation of the Arabic Sentence in the Prophet's Tradition as Exemplified in Sahih Elbukhari

Author name: مصطفى احمد محمد
Supervisor name: ليث اسعد عبد الحميد
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Diyala
First pages:

شعر الاعمى التطيلي : دراسة موضوعية وفنية == The poetry of Al - A’ama Al - Tatuauli An objective Artistic stady

Author name: عبد الله عبد الشمخي
Supervisor name: جنان محمد عبد الجليل
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Basrah
Key words:
  • شعر - اندلسي
  • عصر المرابطين
  • الاعمى التطيلي
First pages:
Abstract: تعد الاندلس واحدة من اهم مراكز الحضارة العربية، التي اشرقت على اوربا، التي كانت قابعة في ظلام التخلف والضياع، ولذلك فان في التراث الاندلسي الكثير من الكنوز التي لم يكشف عنها، ولم يمط اللثام عن نصاعة اشراقتها الزاهية. ان الاعمى التطيلي واحد من الشعراء الاندلسي المهمين، فقد كان يجمع بين نظرة الاجلال والتقدير التي يحملها لاسلافه من المشرقين، جاهليهم واسلامهم وامويهم وعباسيهم، فضلا عن تاثره بجماليات بيئته وبخصوصيتها الحضرية والفكرية، وهذا مادفعني لدراسة الشاعر مستعينا بالمصادر القديمة، وبالاخص ذخيرة ابن بسام، وطراز ابن سناء الملك. غير ان المنطلق الرئيسي للداسة كان ديوان التطيلي، الذي حققه د. احسان عباس، والمستدرك الذي اعده الدكتور محمد مجيد السعيد، مستفيدا من المناهج النقدية لخلق رؤية شمولية تحاول ان تحلل النص وتكشف النقاب عن جماليته وخصوصيته. هذواقد اثرت الاستغناء عن التمهيد الذي يتناول الشاعر وحياته، فقد كان في المقدمة الضافية التي اعدها الدكتور احسان عباس للديوان ما يغني عن التكرار والاعادة، وقد اشرت الى الظروف السياسية والاجتماعية للدولة المرابطية في اثناء فصلي الدراسة الموضوعية، لما لها من صلة بها. توزعت الدراسة على ثلاثة فصول، تناول الاول منها الاغراض الوجدانية، وضم اربعة مباحث، كان الاول للغزل بشقيه الحسي والمعنوي، وقد وجدت ان الغزل الخاص بمقدمات القصائد، كان حسيا تقليديا، في حين كانت قصائده الغزلية الخاصة، تصطبغ بالحزن والالم، وتنحو نحو السرد القصصي الممزوج بالغنائية، مما يذكرنا بالشعر العذري، كمواجد الغزل بالمذكر في موشحاته الذي نعتقد انه تقليد فني يقصد ابراز البراعة والترويج عن النفس. اما الرثاء، فنلاحظ ان رثاءه لزوجته اتسم بصدق الشعور، وحرارة العاطفة، مما جعله من روائع المراثي الاندلسية، مما يميزه عن الرثاء للاخرين الذي كان تقليديا لاعاطفة فيه. وتناول المبحث الثالث الشكوى، فقد تناولت فلسفته في الحياة والموت، ونفوره من الحياة التي حرمته نعمة البصر وجعلته محتاجا لغيره، ويمتزج هذا مع الزهديات التي تناولتها في المبحث الرابع من هذا الفصل. اما الفصل الثاني، فقد تناولت فيه الاغراض الموضوعية، اذ وقفت عند المديح للوزراء، والقضاة وغيرهم، وقد وجدت ان مدائحه تكاد تكون تقليدية مكررة بصورة المشارقة، كمواقفت في المبحث الثاني عند شعر الوصف، فدرست وصف الطبيعة الصامتة والمتحركة، ومظاهر الحضارة، ووجدت ان اوصافه تاثرت كثيرا بكف بصره الذي جعله يصف معتمدا على اوصاف الاخرين لا على رؤية جمالية خاصة. ووجدت للشاعر رؤية جمالية واضحة في العتاب، اذ يستفيد من عاهته في الاستعطاف وطلب العون من الاخرين. وانفرد الفصل الثالث للاغراض الفنية، موزعا على ثلاثة مباحث، اختص الاول باللغة والاسلوب، فوجدت ان الفاظه تراوحت بين السهولة والجزالة، افصح فيها الشاعر عن ثقافته القرانيه والشعرية، مما منحه اسلوبا متينا، امتاز بطول النفس مبرءا من الاسفاف، مستفيدا من الوان البديع المختلفة في حين ادخل في موشحاته اللهجة العامية واللغة الاعجمية في خرجاتها. اما مبحث الموسيقى فقد وجدت الشاعر قد ركز على الاوزان الطويلة، عدا قصيدتين من مشطور الرجز، كمراكز على القوافي الذلل، مبتعدا عن الوحش والنفر من القوافي، كما ان الوشاح استطاع بحسه الموسيقي المرهق ان يوزع انغامه بشكل هندسي رائع على خارطة القصيدة، كما استعان بتعدد القوافي والاوزان في الموشحات، التي توزعت بين الموشح التام هي الغالبة. اما في الصورة فقد درسنا الصور البسيطة والمركبة واللوحة، وقد اعتمد الشاعر على ما اختزنته مخيلته من صور نشات من ثقافته لا من رؤيته وقد ابدع في التشكيل واعادة صياغة صورة، اي اعتماد على ذهنه لا مشاهدته، وصوره يولدها من العدم فهو يقلب المتعارف عليه ولكن بشكل مقنع، فالفكرة لا يتناولها كما هي وانما يولد منها المعاني، فهو يميل الى التفكير الخاص (التفكيك) فالطابع العام هو التامل الذهني عكس المبصرين، فعالمه داخلي في كثير من الاحيان، وقد اثر فقدان البصر في صورة التي اخفق في بعض منها. وفي الختام لا يدعي الباحث لبحثه الكمال فهو لله وحده، لكن عذره انه ساح في طريق وعر، وجمع مناهج شتى، هدفها اضاءة وابراز معالمه الجمالية فالدراسات الانسانية ليس فيها احكام مطلقة | The skillful and creative poet, Al - Aama Al - Tatauli has not gained what he deserves of study and investigation that might correspond to his importance as one of the poets of Andulsia who wrote verse and Muoshahs and who tackled all poetic genres. He is also considered as prominent Washah (writer of Muashah) in Andulsia. For these reasons, the researcher chose this poet to be the subject of his study. As a starting point, the poetic text is taken as the basis of the study. The other approaches of criticism were then utilized to analyse allThe aspects of the text due to the importance of the political , social and psychological immediate influences on any work of creation. he study consists of three chapter. There is no special biography of the poet because the researcher found the comments of the editor about the life of the poet at the beginning of the collection of his works as enough and because there is no significant information to add about this question. Chapter one is concerned with studying the subjective genres of the poet, i.e love, elegy, complaint, and religious devotion. Each of these genres is presented in a separate subsection.Chapter two is a study of the objective genres of his poetry, i.e. praise, description and blame. The genre of praise includes praising of clergymen, judges, princes, women and the infloential men in the state. Description also includes desscribing still and moving nature in addition to describing arms and weapons. Chapter three includes the artistic analysis, it discusses the language, the techinque, the internal and external melody and the artistic image including the simple and compound ones and the portait in the poetry of Al - A ama Al - Tatauli. The researcher arrived at the following condusion : - The poet tackled most of the known poetic genres where he either imitates or innovates but within the known rhythm and framework of the Arabic poetry. - His poems of praising are characterized by the deletion of the introduction and directly going through the main purpose of praising . - He was the first to do this . Besides he made an innovation in one of his introduction where he blamed life in a style of religious devotion. - The poet was behined in the genre of description in comparison with the other poets of his time in Andulsia because of his blindness. - The poet was characterized by his firm technique and soft and eloquent words that flow smoothly and easily to make very sweet music He did so by making use of the different kinds of eloquency such as similie , homonymy , and metaphor in addition to his Knowledge of music and his writing of Muwash which is mainly based on music. - He derived his images from his poetic education and the stock of his imagination . - He tend to mental imagination , abstraction and untying and he has his own internal world

ايات الوعد والوعيد بين السور المكية والمدنية : دراسة بلاغية

Author name: ئاوات باقي محمد
Supervisor name: صالح احمد رشيد
Specific topic: Rhetoric
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: The research of promise and threat between the verses of Mecca and Madina and assessment between two different times and places especially in terms of rhetoric has reached the following conclusion : * - In terms of the meaning of the texts, assessment have been made between two different times and places which starts at early times of revelation of Quran to the end of the revelation and it is between two different cities in traditional, and it is clear that the beanties of the meanings of the texts have been shown in threats and promise verses in both eras in terms of the difference between the sounds of words within the contexts of the verses which they have carried, and the hidden purposes appear which have more effect on the receiver or the hearer, and this has been discussed by the linguists and rhetoricians. * - assessment of the texts has been made in terms of the way of expression and difference between the sounds of the verses of Mecca and Madina, because it is clear that the way of expression is one of the fields of conveying the purposes in arranging and poetizing the words, so arranging and poetizing words is one of the characteristics of apparent rhetorics of Quran which has used it in the fields of conveying the purposes, so the diference between the times and the places esulted in creating difference in context of the way of expressing the words between the promise and threat verses in Mecca and Madina in terms of tenderness and violence of the words while expressing the sounds of the words when they are expressed within the sentences of the verses, we see that the words in the verses of Mecca have severe sounds in vibration within the vocal Cords .these verses are frightening and have lightening and they have strong bells while threatening people with the fire. Compare to the verses of Madina which are comfortable when it is talked about the Paradise and its rewards this difference in the verses of Mecca appears more in the shortness of the verses and using the letters in throat which are hard in expression, but the sound of the words of Madina verses are calm and tender. Having a tender bell which are more reliever to soul while hearing them, and this is because of the length between the verses and using the tender letters in mouth the verses and using the tender letters in mouth which are open and tender in expression.* - introducing and distinguishing the images between the verses of Mecca and Madina,this difference between the Images has been shown through the science of illustration which is one of the sciences of rhetoric by making use of the two parts of this science which are similarity and metaphor . through this science the study and assessment of the images within the contexts of the verses,it has been shown that the images within the verses of Mecca have depended on metaphorical subjects for conveying the purposes to the reciever, in which in metaphorical subjects there is mon field for drawing the images and showing the beauty of paradise, and horror and the of punishment in the hell ,in which the verses of mecca depend eore mqnd, imaginátion and contemplation for drawing the i - aye{ and conveying the purposes to the reciever or uhe hearer of the promise and threat tdxts, bnt the texts wrthin the chapters nf madina depend more on compound images ,and the images are drawn through sen sory imayes and this for embodiment of conte - platikn images and drawing drawing decorated im!ges of the paradise as weln as drwing Deformed ilages of the hell ,and conveying the meaning to the hearer in a clear wa9 while hearing and reading the texts of the promise and threat verses

ايات الخلق : دراسة دلالية

Author name: مصطفى فرحان عبد الرحمن
Supervisor name: رشيد عبد الرحمن العبيدي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: By the name of Allah the Most Gracious the Most Merciful AlQuran is the holy speech of Allah that commanded us to study its verses by understanding its terms and its meaning .]from this concept wished to study verses of AlQuranWitch considered sours of all sciences .As I joined the higher studies to get the master degree in the Arabic language , God helped me to make this wish true by DR : : Rasheed Abd Alruhman Alubeidi .The president of college of Arabic and Quran sciences Who choosed the title of this thesis in titled : { verses of creatures } By verses of creatures I meant the verses which talking about creation. As creation of the sky ,earth and universes .I mad this thesis in two chapters with an introduction and a conclusion . The introduction is to determine the aims of this research and the reason that led to choose it as subject of this thesis . Chapter one is devoted to study the meaning of the term : ( to create ) in the Arabic language and Quranic expression , and L illustrate the semantic development factor on the term ( to create ) .I studded the terms that indicating to creation in the Quran . In the chapter two attempt to study the subject of creatures which are : 1 - the creation of the sky and the earth .2 - the creation of angles and jinn .3 - the creation of water ,plants and animals.4 - the creation of man .The research ends with a conclusion indicating its final academic results . Mustafa - f - Abdul AllRuhman Arabic dep College of Arabic language and Quran sciences .

الموقف من الحياة دراسة في دوواين الشواعر العراقيات : 1980 - 2003م == The Stand of Life And Studying The Collection of Poems for Femates Iraqi Poets 1980 - 2003

Author name: فاتن غانم فتحي
Supervisor name: بشرى حمدي فتحي احمد البستاني
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Mosul
First pages:
Abstract: اشتمل هذا الموضوع الموسوم بـ (الموقف من الحياة دراسة في دواوين الشواعر العراقيات 1980 - 2003م) على ثلاثة فصول مشفوعة بمقدمة وتمهيد ، وخاتمة اشتملت على اهم ما توصل اليه البحث من نتائج ، قدمنا في التمهيد اهم المقولات اللغوية والفلسفية والاجتماعية والادبية التي تتعلق بكل من (الموقف والحياة) ، كما قدمنا فيه لمحة تاريخية سريعة عن المراة والشعر .جاء الفصل الاول بعنوان (الموقف الذاتي) مشتملا على ثلاثة مباحث المبحث الاول بعنوان (الاغتراب) اما المبحث الثاني بعنوان (الموت والحزن) والمبحث الثالث بعنوان (الحب) . اما الفصل الثاني فجاء بعنوان (الموقف الموضوعي) متضمنا مبحثين الاول منها بعنوان (الموقف السياسي) اما الثاني فجاء بعنوان (الموقف الاجتماعي) . واخيرا جاء الفصل الثالث بعنوان (دراسة فنية) مشتملا على ثلاثة مباحث الاول منها بعنوان (اللغة الشعرية) وجاء المبحث الثاني بعنوان (الصورة الشعرية) اما المبحث الاخير فجاء بعنوان (الايقاع) .اما اهم النتائج التي اشتملت عليها الخاتمة فجاءت متمثلة بمغادرة الشاعرة لمواقفها الذاتية الخاصة ؛ وتعميق وتاصيل شعرها في الجوانب الموضوعية العامة ، كالقضايا السياسية (الوطنية والقومية) والتي حظيت باهتمامهوااخذت مساحة واسعة في شعرها الذي عبرت فيه عن مواقفها المختلفة . كما اجادت الشاعرة العراقية في التعبير عن الحب بجانبه الانساني العام، وجانب حب الوطن والرجل المدافع عنه، الا انها اهملت التعبير عن مواجدها الذاتية اذ قلما نجد لها نصوصا عبرت فيها عن ذلك الجانب، نتيجة للانكفاء الاجتماعي والاهمالات المتراكمة التي عاشتها المراة عبر القرون التي تقابلها امتيازات هائلة تمتع بها الرجل الى يومنا هذا، وكذلك الامر بالنسبة لتعبيرها عن جانب الحب الامومي ، والاخوي ، اذ اننا لم نجد في نتاجها نصا شعريوااحدا معبرا عن حب المراة لولدها او لاخيها او حتى لاسرتها بشكل عام ، وربما يعود ذلك الى عدم استمتاعها بحياتها الذاتية وانصرافها الكلي عن عالمها الشخصي بسبب قسوة المجتمع وشدة وطاة قيوده التي اثقل بها كاهل المراة العراقية المعاصرة ؛ والتي دعت الى ابتعاد الشاعرة في نتاجها عن التعبير عن جوانب الحياة الذاتية الى جوانب الحياة العامة، الامر الذي صرفها عن اي نظرة خاصة وحقيقية الى حياتهوااسرتها . | This subject included (the stand of life and studying the collections of poems for Females Iraqi poets). It contains three chapters (preface, introduction, and then the end with the most important results).In preface we can see the most linguistics and idiomatic sayings which related to attitude and life, as we introduced in it a historical glance about woman and poetry. First chapter came with the title (self attitude) included three subjects : the first one was under the title (emigration), and the second one was under the title (death and life), and the last was one under the title (subjective attitude) which included two subjects : the first one under the title (political attitude), and the second one was under the title (social attitude). Where as third chapter came under the title (artistry study) included also three chapters : first one was under the title (poetics language), and the second one was under the title (poetics image), and at last third one was under the title (rhythm).Finally, the end which is included the lost results of search , and the most important one this which implied the most important reasons that pushed the Females Iraqi Poets into compositions in some sides with excluding others. Shedding the light on some elements of mastering, rapine, that, fallen generally on Iraqi woman and particularly female poet

المكان في نص قاسم محمد المسرحي == Place in the Text of Qasim Muhammad (Analytical Study)

Author name: نادية حازم دحام صالح الحيالي
Supervisor name: فاطمة عيسى جاسم ابو رغيف
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Mosul
First pages:
Abstract: This included the topic entitled marked (place in the text of Mohammad Qasim) - analytical study - has been a systematic study analytical and critical times altogether because the modus operandi adopted texts on the analysis and criticism. The letter came in three chapters led Introduction and paving, followed by the most important conclusion of the search results, as we prepare the most important things in the language and the reform of the place, as we have the first stages of the founding place in the theater and theatrical qualities of the place. The first chapter was entitled came (spatial and types of construction) encompassing the Mphathin : I thesis (Creation spatial perceived) and the second entitled Alpmahth (Creation spatial Fantasizer). The second chapter, entitled (spatial levels) encompassing three DETECTIVES : I thesis entitled (outside / inside) and the second thesis entitled (higher / downward) and thesis III (Self / substantive) in the third chapter, entitled (spatial structure) encompassing a Mphathin : first thesis entitled (spatial structure of surface) and the second thesis entitled (deep spatial structure). Conclusion Finally, the results came incorporating the most search results, and perhaps most important, diversity Ashtgallat place in theatrical texts of Muhammad Qasim, particularly in the construction and substantial spatial Fantasizer as well as the emergence of various spatial levels in these texts and the emergence of four layers of the place are : - spatial construction, spatial Matin, The spatial structure of surface and deep spatial structure

الزمن الروائي عند غائب طعمة فرمان

Author name: خالد مرعي حسن المسعودي
Supervisor name: سلام كاظم الاوسي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Qadisiyah
First pages:

الواقعي والمتخيل في شعر محمود درويش (2002م - 2008م)

Author name: زينب مظفر محمد علي
Supervisor name: كمال عبد الرزاق صالح
Specific topic: Language
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: The research included an introduction and three chapters , each chapter included three treatises . The first chapter was dedicated to the homeland and its three treatises ( the earth , the exile , local ) . The second treatise included Woman ; the first treatise contained the mother woman , and the second dealt with the beloved woman and as a feminine nature , and the third one was about the woman symbolized by the poet special symbols which are sometimes different . While the third chapter included Life , it was also divided into three treatises ; the first one included dream , and the second dealt with disappointment and hope, whereas the third included death The study uses methodology of stylistic research in analyzing the poet's works stylistically with concentrating on the poet's language and words with its actions and implications and importance. Reading those poems was like a productive reading , which means that the researcher has the right to analyze the style of the poet , his method and his poetic language . The research required making use of all sources and available studies , researches and articles each according to presented points to find what enriches the research indicative elements .The study concluded results that formed the research conclusion followed by a list of various sources and references including linguistic , literary and critical

مفاهيم الامدي النقدية في كتاب الموازنة == Al - Amidi’s Critical Concepts In the Book of Al - Muwazana

Author name: احمد عبد الرحمن سليم
Supervisor name: حسين يوسف حسين
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Mosul
First pages:
Abstract: Al - Amidi, the owner of the book Al - Muwazana, is an authority who arose in many branches of language and literature in which he had valuable books, and he still lives with us today by his authoritic criticism. I was amazed by his comparison between Abi - Tammam and Al - Buhturi and it disclosed to me that Al - Amidi is a sound respectable critic and he is of abundant education.This study entitled “Critical Concepts of Al - Amidi in the Book of Al - Muwazana” deals with his comparison. Al - Amidis comparison is an important applied critical turning point in the history of Arabic criticism since it made a dialogue between the most two outstanding poets, Abu - Tammam and Al - Buhturi.The age of Al - Amidi represents the summit of the artistic development of the ancient Arabic literature, thus he was the man of his age with all its senses. This study attempted to present a complete methodological image about the critical efforts of Al - Amidi which no scholar dealt with in this way and in detail from the viewpoint of methodology and text. For Al - Amidi, the reading of the critical heritage is a civilizational and human requirement in order to understand the contributions of the ancestors in forming the march of the human civilization. The method that the study is subject to is in general historical. This historical method pursuits the critical concepts since its formation and the developments that occurred until it reached its concept al Al - Amidi, then the attitude of Al - Amidi towards each concept and extent of its effect as a critical criterion in his comparison between the above mentioned poets. The study consists of an introduction an preliminary, three chapters, and a conclusion in addition to an index for the subjects and a bibliography.In the preliminary entitled “ The Book of Al - muwazana; A Nucleus of Applied Criticism” the first beginnings of comparison, its importance in ancient and modern times, and the role of Al - Amidi in choosing this concept are all concerned with. The first chapter is about the critical concepts in the composition of the poem, It includes the following section : 1 - The styles, formulation (preamble). 2 - The System of the poem. 3 - Elements of the column of the Arabic poetry. 4 - The art of metaphors and of good style and its effect in the comparison.The second chapter is concerned with binary - natured concepts, the chapter entitled “ The Binary Critical Concepts” consists of the following sections : 1 - Word and meaning.2 - Nature and workmanship 3 - Truth and lying 4 - Clarity and ambiguity 5 - The argument of the old and new between Abi - Tammam and Al - ABuhturi.The third chapter entitled “ The Critical Concepts in the cycle of Comparison” is made up of the following sections : 1 - The literary taste.2 - The independence of criticism. 3 - Equality and difference in the texture of poetry. 4 - Mistakes of the two poets and their good qualities. 5 - Poetic stealing6 - Comparison. The conclusion displays the most important findings reached in the study

شعر فاضل العزاوي : مقاربة تاويلية == Hermeneutic app roach (poetry for Fadhil AL - Azawi)

Author name: محمود خليف خضير
Supervisor name: علي كمال الدين الفهادي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Mosul
First pages:
Abstract: ان النص الشعري العربي الحديث نص غامض ومبهم بطبيعته نظرا للفنية التي تحكمه وانزياحية اللغة ،والصورة التي تشكله وضبابية المضمون، وابعاده الفلسفية ،والصوفية والاسطورية ،والرمزية ،والسريالية التي اشتغلت في نسيج النص الشعري الحديث محدثة فجوات وفراغات واعتباطيات دلالية على اثرها تزحلق الدال تحت المدلول محدثا انزلاقواانجرافا للمعنى الى ما لانهاية بحيث لا يمكن ان ينتهي الى معنى، ودلالة ثابتة وواضحة ، وان هذا الغموض والابهام في الشعر الحديث احتاج الى مقاربات تكشف المعنى، وتنتجه، وتوضح الدلالة ، فكان الاختيار للمقاربة التاويلية بوصفها مقاربة لفهم النص الشعري الحديث تساعد على فهم المقاصد النصية والابداعية المتجلية في فهم النص ،و الوجود ،والحياة ،والذات المؤولة ، ولكون التاويلية تقارب المبهم والغامض في الشعر الحديث فقد وقع اختيار الاطروحة على شعر العزاوي المعروف بميله الى التجريب، والتغريب وبحثه الدائم عن العوالم الشعرية المختلفة والغريبة وتجاوزه المستمر وتمرده على المالوف، وتشكيله للصور الرمزية، والسريالية التي تنسجم مع روح الشاعر التي بصمتهراوح الستينيات بكل تحولاتهواانعتاقها ، وفضلا عن الابهام والغموض في شعره فانه يتمتع بغزارة انتاجه الابداعي وتنوع تجربته الشعرية ، مما ادى الى ان تكشف هذه الدراسة عن اشكالية مصطلح التاويل في منظومة الخطاب العربي والغربي ، فضلا عن مقاربتها لنصوص العزاوي على وفق منظورات وخطابات تاويلية تمركزة حول قصدية المؤلف في ابستمولوجية شلايرماخر، ودلثاي، وهيرش متبلورة في تاويل تجربة السجن، وتجربة الشاعر مع الابدية ،والنفي عند العزاوي ، اما قصدية النص فقد كشفت في انطولوجيا هيدغر، وغادامير، وريكور ، الاثر، والقناع، والرمز ، وفي قصدية المؤول تجلت استتراتيجية انتاج المعنى في مقاربة امبرتو ايكو، وفيش في تاويل دوغمائية السلطة، وقلق المكان، وعلاقة المبدع معها ، كاشفة هذه المقاربة بصورة عامة في نصوص العزاوي توتر العلاقة مع السلطة، وتجربة النفي ،والموقف من الواقع، والتراث، والانسان ،والتمرد على الواقع والشكل الفني،وتنوع تجربة الشاعر اذ شكلت تجربة الشاعر وسيرته الذاتية محفزات ومقصديات مبثوثة في ثنيات النص تحتاج الى فهم معناهواتاويلها متحركة بين تجربة السجن التي افرزت حالة تمرد، وثورة روحية ترسخت في تمرد روحي يبحث عن خلودية، وابدية، ودورانية الزمان وتغييره ، وتمرد جسدي في لحظة الغياب الجسدي عن الوطن في تجربة النفي ، وبذلك تحقق في العمل الابداعي انعتاق زماني في لحظة الابدية ودورانية الزمان ، وتجاوز وانعتاق مكاني في تجربة عدم الاستقرار النفي الجسدي ، وان روح العزاوي المتمردة، والثورية وتجاوزها المستمر للحاضر مثل حالة غربة، واغتراب كونت مسافة بين الشاعر، والاشياء، والناس الذين حوله لتتحول حالة العزلة والاغتراب في الوطن الى نفي، وحرية في الغربة ،كما لا نتفق مع الذين عابوا على العزاوي رفضه للتراث وتاثره بالغرب ، انما يمكن القول ان تعامل العزاوي مع التراث قائم على النقد، وليس الرفض مستخرجا منه الجوانب المضيئة التي تساعد على التقدم والتطور، وهذا ما نتلمسه في حواره وتناصه مع شخصيات تاريخية عربية ،وغربية ، ولعل العزاوي حاول ان تكون تجربته الشعرية تجربة عالمية ؛ ولذلك لا يمكن ان يحصرها في التراث العربي ، فضلا عن كون العزاوي يميل الى التجريب، والتغريب لذلك لا يستقر في اطار او نمط شعري ساكن،و يمكن القول اننا نجد حضورا لروح الماركسية وفكرها في شعر العزاوي من خلال رموزهوامفاهيمها ، مما اضعف نصوصا كثيرة في شعره فاتجهت الى التقريرية، والمباشرة في كونها تكتب للعامة والجمهور،وقد شكلت ظاهرة محو الاثر في نصوص العزاوي هاجس رفض للمفاهيم القديمة،ومحاولة بناء مفاهيم جديدة لجيل جديد، لذلك كانت تجربة الاثر قائمة على لعبة المحو، والبقاء في شعره ،و ان تجربة الحوار التاويلي مع تقنية القناع في النصوص العزاوي تفهم بانها سخرية وتهكم ،ونقد ورفض لبعض المفاهيم في الواقع ، بعد محاولة العزاوي حصرها في اقنعة عربية وانفتاحها على اقنعة غربية، وعالمية متنوعة بين الدينية، والاسطورية، والتاريخية، والادبية ،والذاتية ،وهذا يدل على ثقافة واسعة وعميقة ، ونتفق مع سامي مهدي بان بعض رموز العزاوي قد استعملت في نطاق الاشارات العابرة والاستعمالات العادية والرموز العقلية المرتبطة بها ، ولكن هذا لا يمنع من القول ان الرموز التي خضعت للمقاربة التاويلية تحمل من الابعاد الفلسفية، والفكرية، والثقافية ما اغنت واثرت النص الابداعي، يبعث المكان في شعر العزاوي تجربة تاويلية قائمة على عدم الاستقرار والقلق بسبب جدلية غياب الغربة والاغتراب في الوطن، والذاكرة المتوقفة والساكنة في ذاكرة الطرد، والنفي ، ؛لذلك تقولبت تجربة المكان في شعر العزاوي بمضامين سياسية، وفكرية، ومعرفية ، مترددة في دلالات ارتبطت بالصحراء، والنفي، والمدينة،و لم يكن العزاوي من الذين يؤمنون بسكونية القصيدة العربية ، لذلك لم يؤطر ويحدد نفسه في نوع او جنس واحد اذ كان يؤمن يالتجريب فتنوعت قصائده بين الموزون والمتداخل حتى يمكن ان نتلمس حضورا لعبارات او اقولا فلسفية تستدعي الى الذاكرة اقوال وحكم نتشه . ـ ادخل العزاوي عناصر شكلية وتقنات متنوعة لم تكن مالوفة في متن القصيدة العربية متجسدة في التقطيعات الكتابية، والرقمية، وصور سريالية ورمزية، وتقطيعات اللقطات المبعثرة، والتي بالكاد نجد بينهراابطا ، فضلا عن تداخل الاجناس، وافادته من اجناس السرد والدراما.وان التحولات الشعرية في شعر العزاوي ارتبطت بتنوع تجربته الفكرية، والثقافية، والمكانية ، لذلك مثلت اكثر قصائده سيرة ذاتية ابداعية مبثوثة فيها مقصدياته،وتكشف مقاربة نصوص العزاوي عن اختلاف بين شعر ـ الداخل ـ الستينات والسبعينات الذي يتميز بالتغريب، والتجريب، والابهام وصوره السريالية ، وشعر الخارج (الغربة )الواضح والمباشر ، وربما يعود سبب ذلك الى حالة النضج الشعري، والعقلي، والحرية التي وجدها في الخارج ( الغربة) | The modern Arabian poetry paragraph is a vague one naturally un understandable according to the artistically way which roll it and the language derailing. The picture which made it's shape and size and also the fogy in whole writing. Its philosophy dimensions and the sophistical, surrealistic, mythical and the symbological which effect in the core of the modern poetry paragraph. Work in the core of the modern poetry text that makes a holes, emptiness and conceptual random that’s make the indicative getting down under the concept making an ambiguity in the meaning which makes an impossible for the text give us a meaning. This kind of ambiguity in the modern poetry need to approaches verifying the meaning. All that made the decision and choice for the hermeneutics approach by approaches for understanding the modern poetry text which helps to understand the textual meaning and the creativeness meaning all these kind of meaning helps us to understand the text, existible, life and dialectical soul and because of the hermeneutics approach is gathering between the ambiguity and vagueness in the modern poetry , so I chooses the poetry of Al - Azawi who well known in experimental trying and his always search for the exotic poetry worlds and always well known by his revolutionary against the usual. Making an surrealism, symbolist, image which fit with the poet soul which full of with the sixteenth sprite this liberating and staling sprit. with all what we describe in his poetry he also had variety and super abounding in his creativeness production , this research study putting us face to face with the hermeneutics problem in the Western and the Arabian speech system. Also there is an hermeneutics approach with the poet centered around the poet verses in epistemology of Shlaermakher, Dilthay and Hearsh originally hermeneutic in the prison experience, the poet experience with the eternity and negation in Azawi style. the textual poetry discovered in the Hedgure anthology, Gadamer, Reko, trace and mask, symbol. The hermeneutic poet shown the meaning production strategy in the hermeneutic of Ambirto Echo and Feesh in describing the power dogmatism and the relationship between it and the creator. This hermeneutics in Al - Azawi poetry revealed tension in the relationship with the power and all kinds of tension the humans and reality, culture, heritage, the artistically shape

عنــونة الكتـب النقـدية عند حاتم الصكر : دراسة تحليلية

Author name: زهراء خالد يونس الحديدي
Supervisor name: قبية توفيق اليوزبكي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Mosul
First pages:
Abstract: بعد ان انتهينا من دراسة موضوع الرسالة يمكننا ان نوجز اهم النتائج التي توصلنا اليها من خلال النقاط الاتية : • يتعامل الصكر مع عنواناته بقصدية نقدية واعية غايتها تحقيق عدة اهداف، منها ماله علاقة بشخصية الصكر الشاعرة والناقدة في ان واحد ، ومنها ماله علاقة بطبيعة موضوع الكتاب ومباحثه .فضلا عن الجوانب الاخرى التي ترتبط بالقارئ واساليب جذبه لقراءة الكتاب عبر عتبة العنوان اولا .• احيانا يجعل الصكر مقدمات كتبه وسيلة للحديث المباشر او غير المباشر عن سر عنونته للكتاب او الدوافع وراء اختيار مفردات العنوان .• ان اهتمام الصكر بالعنونة ياتي نتيجة اطلاعه على المناهج النقدية الحديثة التي اهتمت بالعتبات النصية ومنها العنوان بوصفه اولى عتبات النص التي لايمكن تجاهلهواذلك لانه يحمل من الشفرات والرموز الدالة ، مايحـتم عليه مواجهة النـص بكـل ثــقة ، فلايمكن قراءة العنوان بمعزل عن النص .• غلبت الجملة الاسمية على عناوين الصكر التي تفتقر الى المبتدا ظاهريا ، وهذا ماجعل العنوان ينبني على الحذف مما يستقطب اهتمام المتلقي واثارته ، كما لاحظنا ميل الصكر للمركب الاضافي في كثير من العنوانات ولاسيما الرئيسة ، فضلا عن غلبة الجملة الطويلة على معظم عنواناته الداخلية ومنها المزدوجـة على نـحو خاص ، وغياب العنوان المكون من مفردة واحدة ربما بسبب انتماء النصوص الى الحقل النقدي الذي لايمكن للعنوان المفرد ان يلبي مقاصده .• ثمة دافعان رئيسان وراء ميل الصكر الى العنونة الفنية ؛ اولهما كونه شاعرا قبل ان يكون ناقدا ، وثانيهما كون النصوص التي يشتغل عليها نقديا هي نصوص شعرية في معظم الاحيان سواء اكانت قديمة ام حديثة ، ومن ثم فان طبيعتها الفنية تغريه باختيار عنوانات تناسب هذه الطبيعة الادبية .• غلب على الصكر الميل الى العنونة الفنية في تشكيل العنوانات الرئيسة لكتبه كونها الابرز في مواجهة القارئ من العنوانات الداخلية ، وهي عامل جذب اول في عملية التلقي ، فضلا عن كون العنونة الفنية تعكس رغبته في تنشيط الوظيفة الاغرائية للعنوان لاستقطاب القارئ الى حقل النقد .• يشكل الصكر العنوانات الداخلية الفنية بعد ان يتخذ من النصوص الشعرية التي يدرسها او من التجارب الفنية للشاعر مرجعا للتناص معها عبر عتبة العنوان وهو بذلك يحقق هدفين ؛ اولهما : اختصار مهمة البحث في تشكيل العنوان بالعثور على العنوان ومفرداته وفكرته من النص المدروس نفسه ، والثاني : الدخول الفني في علاقة تناص مع النص المدروس تخضع لواحد من قوانين التناص المعروفة .\• كثرة العنوانات المتناصة الخارجية والداخلية التي تعكس ثقافة الصكر الواسعة وانفتاحه على النصوص الادبية والنقدية ،التراثية ، والحديثة ، الشرقية والغربية ، وذلك يتطلب من قاريء كتبه جهدا كبيرا في استيعاب تلك العنوانات وفهم صلتها بمتونها .• ان العنوانات الوصفية المباشرة تكثر في العنوانات الداخلية ولاتحضـر في العـنوانات الرئيسة الا في عنوانين هما : ( رفائيل بطي وريادة النقد الشعري في العراق ) و( الشعر والتوصيل ) ، وغالبا ماتكون العنوانات الداخلية الوصفية الاخبارية في الكتب التي يكون عنوانها الرئيس صريحوامباشرا بدلالاته كما في العنوانين المـذكورين انفا .• لايميل الصكر الى العنوان التجنيسي كثيرا في تشكيل العنوانات الرئيسة لمؤلفاته النقدية وذلك لانه لايحبذ الوضوح والمباشرة في الدلالة التي تحدثها مـثل هذه العنوانات ، بل يعمد دائما الى الاساليب الفنية الايحائية في تشكيل معظم عنواناته الرئيسة . اما التجنيس في العنوانات الداخلية فانه يحضر بقوة في المباحث التي تخضع للمنهجية الاكاديمية ولغتها في الكتابة كما في كتابه ( مرايا نرسيس ) الذي هو في الاصل اطروحته للدكتوراه ،والذي حمل عنوانا فرعيا اكاديميا مباشرا .• اقتصار العنونة المزدوجة على العنوانات الداخلية عند الصكر ، وغيابها عن العنوانات الرئيسة بسبب تشكيلها النحوي الذي يتركب من جملتين طويلتين غالبا .• العنونة المزدوجة عند الصكر توحي بمراعاته لجانب التلقي واختلافه بين القراء عبر وضع خيارين مختلفين من العنونة في ان واحد ، احدهما مباشر والاخر فني ايحائي متناص .

اثر معاني حروف الجر في تفسير ابي السعود ارشاد العقل السليم الى مزايا الكتاب الكريم == The Impact of Preposositional Letters in Abi Sou'oud Interpretation Instruction of the Healthy Mind to the Features of Holly Kora'an

Author name: شوكــت طــه محمــود
Supervisor name: عبد الستار فاضل خضر جاسم النعيمي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Mosul
First pages:
Abstract: This letter has marked (meaning the impact of Prepositions in the interpretation Abe So'oud guide the benefits of a healthy mind to the holy book) with study of the impact of the meanings of Prepositions in the interpretation Abe so'oud; and the letters of prepositions have great in directing meaning in acts, So they know their meanings an important tool in detecting secrets interpreter book God Almighty, and if the Scouts Zmekhshari longer applied to the theory of systems, Abu Saoud, the interpretation is no less important after the Abu Saoud worked in a teaching Scouts and Anwarul downloads of opaque and Mdarschma motion interpreted to combine them in this travel flour. search extracted with an introduction and followed preface, and two chapters, and a conclusion. The preface in two subjects : the first in the meanings of Prepositions and their problems, and second : in Abu Saoud, and have interpreted the first quarter, which marked the trades and one was : perceptive, and Alta, Kef, llam, and Wawau. Chapter II letters that more than one word, was : in, on, and, to,, and Ruba, even, and Hasha. In the conclusion highlighted search results, and the finding of the issues dealt with whether regarding topics Prepositions or interpretation (guide a sound mind). It is most important not prove the existence meaning of the act to include other act, and the absence of rotation between Prepositions, the statement by came to address the problem does not exist at all, it was a negative impact on the meaning, as well as with increasing characters say. It turned out that the Abu Al Souad , and was organizing the jewels benefits Scouts, Anwarul Downloading However, it was not a follower of them in all, it was his own views of different elements in some subjects

الاصول الثلاثية المضعفة في القـران الكريم : دراسة ومعجم == The Duplicative Treliteral Origins in the Glorious Qur'an A study and a lexicography

Author name: نور رياض نزار العابد
Supervisor name: عبد العزيز ياسين عبد الله
Specific topic: Language
Degree: Master
Language: Arabic
University location: Mosul
First pages:
Abstract: وبعد ... فعنوان رسالتي ( الاصول الثلاثية المضعفة في القران الكريم / دراسة ومعجم ) تتضمن البحث حول ظاهرة التضعيف او التكرار والاصول الثلاثية المضعفة في اللغة العربية ثم كان القران الكريم ميدانا لهذا البحث ...اما الخطة المنتهجة في تنفيذ مطالب الرسالة فقد اقتضت ان تكون موزعة في قسمين ، خصص الاول منهما للدراسة الوصفية الاحصائية للاصول الثلاثية المضعفة في العربية وفي نص القران الكريم ، وخصص الثاني للمعجم والدراسة المعجمية للاصول الثلاثية المضعفة الواردة في لغة التنزيل الحكيم .احتوى القسم الاول على تمهيد وفصلين ، اولهما بعنوان ( التضعيف في العربية ) ، والاخر بعنوان ( الاصول الثلاثية المضعفة في القران الكريم احصاء وتوصيف ) ، وتضمن التمهيد والفصلان مباحث وفقرات عدة . واحتوى القسم الثاني على الاصول الثلاثية المضعفة الواردة في القران الكريم والبالغ عددها ( 156 ) اصلا مرتبة ترتيبا هجائيا وموزعة على ( 28 ) حرفا على وفق الترتيب الالفبائي .اسال الله تعالى ان يتقبل مني عملي هذا خالصا لوجهه الكريم وان يكرمني بحسن الخاتمة وحسن الثواب وان يغفر لي مواقع مني من خطا او سهو او نسيان وحسبي عليه توكلت واليه انيب . | This is concerned with research of the duplicative treliteral origins in the glorious Quran It tackled the derived forms from the duplicative treliteral origins and made a specialized dictionary with those mentioneditems in the glorious Quran.. The thesis contained two main parts : The first part included : the descriptive and counting study , preliminary and two parts .The preliminary is concerned with the research of the origins of language according to development originality and terms It also contained the linguistic doctrines which tacked the origin of language and its development .The first part dealt with studying the duplicating phenomenon in Arabic language and the relation of morphology with the duplicating phenomenon . It tackled the concept of duplicating , its terms and qualities. I also talks about the parts of duplicative verb its types and intensfection of the duplicative treliteral verb to the pronouns .The second part included the descriptive and counted study of the duplicative treliteral origins in the glorious Quran It comprised calculating all the items which belonged to the mentioned duplicative treliteral origins in the glorious Quran and making tables with their detailsas well as a phonetic study for the mentioned origins in the glorious Quran .The second main part of the thesis included a detailed dictionary of the items which related to the mentioned duplicative treliteral radicals in the glorious Quran

البنى الصوتية والصرفية للسور : (محمد، والفتح، والحجرات) : دراسة تحليلية == Phonation Construction and Morphological for Verses : Muhammad, Al Fatih and Al Hujurat

Author name: فؤاد علي جلال
Supervisor name: عماد عبد يحيى الحيالي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Mosul
First pages:
Abstract: الحمد لله رب العالمين، الكبير المتعال، ذي الجلال والعظمة والاكرام، مستحق الحمد والثناء في الارض والسماء، نحمده ونستعينه ونستهديه ونستغفره ولا نكفره، والصلاة والسلام على اشرف المرسلين وخاتم الانبياء وسيد المرسلين ورحمة الله للعالمين، سيد القادة وقائد السادة، امامنوانور ابصارنا محمد وعلى اله الاطهار وصحبه البررة الاخيار وورثته واحبابه وعلينواعلى عباد الله الصالحين.اما بعد : فان من اهم الاسباب التي دفعتنا لاختيار هذا الموضوع هو ندرة البحث في مجال دلالة الاصوات والظواهر الصوتية عند علمائنا الاجلاء من القدماء والمحدثين، فثمة ضرورة ملحة لوضع تفسير صوتي يربط بين دلالة الصوت وسياق الاية، ليفسر لنا سر تجمع صوتي معين في سياق، مع تجمع صوتي اخر ذي صفات مغايرة في سياق اخر.وهذه المفارقة واضحة في القران الكريم، اذ يلاحظ انتشار الاصوات المدوية والقوية الجرس في الايات التي تتحدث عن القتال والعذاب والجحيم، ويلاحظ تجمع الاصوات المتسمة بخفة الجرس في الايات التي تتحدث عن السكينة والاطمئنان ووصف الجنة، وعليه فالاصوات في تغير طردي مستمر وفق تغير السياق.ولابد من وضع تفسير في اطار القدرة الانسانية للوقوف على هذه الاسرار الدقيقة في القران الكريم اذ ان الاصوات قد توزعت في القران الكريم توزعا موجها مقصودا ولا يمكن لصوت ان يحل محل صوت اخر.ونحن لا ندعي السبق في هذا الميدان الشائك الصعب المنال، فمن الاجحاف بل من قلة ادب العلم بحق علمائنا، اتهامهم بالتقصير اذ يبدو ان تحفظ تلك النخبة الرائدة من العلماء من الولوج في مدارك هذا النوع من الدرس الصوتي كان نابعا من احترازهم وتوقيهم من الوقوع في مزلق التعسف والربط القسري وتحميل الايات ما لا تتحمله، وذلك بسبب صعوبة الربط بين دلالة الصوت وسياق الاية.وعلى الرغم من خطورة الموضوع ودقته فلم تغب الدلالة الصوتية عن اهتمام العلماء قدماء ومحدثين، ومع ذلك فان هذا الدرس يحتاج الى تعمق اكثر لسبر اغواره، ونحن نعد هذا البحث وبتواضع خطوة - ليست الاولى ولا الاخيرة - باتجاه تفسير القران الكريم تفسيرا صوتيا بوصف ذلك مستوى من مستويات التفسير اللغوي، خدمة لكتاب الله العزيز.وقد تفضل استاذي المشرف فضيلة الدكتور (عماد عبد يحيى الحيالي) باقتراح الموضوع بعنوان : (تشكيل البنى الصوتية والصرفية للسور المدنية : محمد ، والفتح، والحجرات)، وسبب اختيار هذه السور الثلاث انها سور مدنية سبقتها ثلاث عشرة سورة مكية منها السبع الحواميم وتلتها خمس سور مكية، وهذه الثلاث المدنية "تدور كلها حول محور واحد، وهو النبي ، والايمان به وطاعته والادب معه"( )، اي انها مترابطة ترابطا موضوعيا.واقتضت طبيعة البحث ان ينتظم في خمسة فصول مسبوقة بتمهيد ومقفوة بخاتمة، وقد خص التمهيد للتعريف بالسور الثلاث وعرض لمضامينهوااغراضهواالنقاط التي تجمع بينها.اما الفصل الاول فقد عني باستشراف دلالة صفات الاصوات، وقسم على مبحثين؛ عالج المبحث الاول الصفات الصوتية الرئيسة وهي (الجهر والهمس والانفجار والاحتكاك والتوسط والاطباق والانفتاح والتفخيم والترقيق)، وعقد المبحث الثاني لتحليل الصفات الثانوية وهي (الصفير والغنة والاستعلاء واللين).وتناول الفصل الثاني التجمعات الصوتية الصامتية، ووقف الفصل الثالث عند التجمعات الصوتية المصوتية، وتطرق الفصل الرابع الى الظواهر الصوتية التجويدية، وتوزعت الدراسة فيه على اربعة مباحث؛ جعل المبحث الاول لتحليل المماثلة الكاملة (الادغام) والاقلاب، اما المبحث الثاني فاهتم بتحليل المماثلة الجزئية (الاخفاء)، وافرد المبحث الثالث للقلقلة، وخص المبحث الرابع بتحليل المقاطع والفواصل.وقد عرج الفصل الخامس على تشكيل البنى الصرفية، وتالف من مبحثين؛ حوى المبحث الاول تشكيل البنى الفعلية، واستجلى المبحث الثاني تشكيل البنى الاسمية، وجاءت الخاتمة لتثبيت اهم النتائج التي توصل اليها البحث بخصوص السور الثلاث ودراسة دلالة الظواهر والصيغ.وبين البحث مدى المواءمة الوثيقة بين الصوت وسياق الاية ومعناه وغايته بحدود قدرة الباحث على الفهم والربط.واظهر البحث مدى تاثير الاصوات او الصفات او الظواهر الصوتية او الفواصل او المقاطع او الصيغ الصرفية في اذهان السامعين واسماع المخاطبين ونفوسهم، كما اظهر تغيرا لافتا في الاصوات مع تغير السياق والمواضيع، مبينا مدى الترابط الوثيق بين دلالة الاصوات والسياقات المجتمعة فيهوااحيانا يصل الى حد التطابق، فاذا تطلب السياق تهدئة المخاطب واطمئنانه التجا الى استعمال اصوات رقيقة خفيضة سلسة الجرس تتسم بالنعومة والرتابة والرخاء سهلة على اللسان ومستطابة في السمع، وعكس ذلك اذا اقتضى السياق جد عزم المخاطبين للمواجهة لدفع خطر قوة الكفر وازالة شوكتها اتكا على اصوات تتميز بقوة الجرس وضخامة الدوي لاعداد المجاهدين نفسيا من جهة وبث الرعب والوجل في نفوس جنود الكفر من جهة اخرى. والنكتة الاهم في هذا المقام هو ان اسلوب القران في هذا الترابط القوي بين سياقاته ودلالة الاصوات والظواهر في غاية الدقة والاعجاز.وتوصل البحث الى ان التجمعات الصوتية والظواهر التجويدية والصيغ الصرفية لم تتوزع سدى من غير قصد، وانما هناك غايات ومقاصد دقيقة وراءها.وبين البحث انه ليس ثمة اية دلالة للاصوات او الظواهر بمعزل عن السياق، ولفت الى انه ليس هناك دلالة ثابتة للظواهر والاصوات والتجمعات الصوتية في كل السياقات فهي تتغير وفق تغير السياق.وبين البحث تخصص كل سورة بصفات واصوات ومقاطع وفواصل وصيغ معينة وفق موضوع السورة وهدفها، وثمة مناسبة بين دلالاتهواالسياقات المتجمهرة فيها في السور الثلاث، واختصاص كل صفة او صوت او مقطع او فاصلة بدلالات ومعان معينة ومحددة ومستقلة، كما بين سبب قلة او كثرة انتشار نوع معين من الاصوات والصفات والمقاطع والصيغ في السور الثلاث. وربط البحث بين دلالة الظواهر الصوتية التجويدية والسياقات الواردة فيها، ولم يسبق ان تطرق احد الى هذا الموضوع فيما نعلم.واتبع البحث منهجا وصفيا تحليليا للوقوف على جمال الاصوات والصيغ الصرفية مستندا في ذلك على الجداول الاحصائية التي اضفت سمة علمية على البحث، اذ رصد البحث الظاهرة من خلال الاحصاء العلمي الدقيق ومن ثم وصفهواحللها.وتجنب البحث ما امكنه استعمال المصطلحات والرموز الاجنبية مواجد سبيلا الى استعمال المصطلحات العربية لاقتناعه بغنائها، وقد فضل البحث ان يكون ترتيب فصوله وفق الموضوعات الصوتية لابراز الظاهرة الصوتية المعينة بوصفها بنية صوتية تشكيلية، ولتجنب تكرار دراستهواتشتتها فيما لو كانت الدراسة منعقدة على دراسة سورة بعد اخرى، واتبع تسلسل السور والايات داخل العناوين الصوتية. وقد اثر البحث ان يكون رصد الظواهر في الصفات والصوامت والمصوتات والمقاطع وفق النسب المئوية للاصوات او الصفات او المقاطع، لوافق عدد مرات تكرار الظاهرة اذ الاول ادق واكثر علمية.وقد اقتصر البحث على تحليل اعلى ثلاث نسب لكل تجمع صوتي او تجمع في الصفة او تجمع المقاطع في كل سورة من السور الثلاث والتزم بهذا المنهج ما عدا حالتين؛ الاولى : وجود نسب متقاربة من النسب الثلاث الاعلى، الثانية : وجود مطابقة تامة بين الصوت او الصفة او الظاهرة وسياق الاية. كما التزم البحث بمنهج واحد في استعمال المصطلحات الا عند نقل المعلومة بنصها، فقد حافظ على استعمال النص للمصطلح المخالف.واشتمل البحث على احصاء للصوامت والمصوتات والمقاطع الصوتية في السور الثلاث توخينا فيه الدقة، ومن ثم استخراج النسب المئوية لها في جداول احصائية باستخدام برنامج (اكسل) الحقت بالرسالة، واعتمد الاحصاء على الصوت الملفوظ لا الرسم المكتوب والوقوف على الفواصل بالساكن مفصولا عما يليه في مطلع الاية التالية، كما عد الشدة صوتين والغنة والتنوين نونا، واهمل رسم المصوتات القصيرة التي وضعت على الصوامت التي تسبق المصوتات الطويلة لانه لواجود لها في المنطوق.واقتصر البحث في تناول صفات الاصوات الرئيسة والثانوية على اهم الصفات التي اتفق عليها الاصواتيون، وقد تابع البحث مذهب المحققين من علماء الاداء في عد الراء غير تكرارية في الاداء القراني.والقران الكريم هو المصدر الرئيس لمادة البحث تليه مصادر ومراجع صوتية وصرفية ولغوية قيمة فضلا عن التفاسير قديمهواحديثها، وامدت كتب الصوت والقراءات البحث بتاسيس علمي لوصف الظواهر، وافاد البحث من كتب الصرف تنظيرا وتحليلا وبخاصة ما يتعلق فيها بمعاني الصيغ، واغنت التفاسير البحث في بيان سياق الاية ومناسبة نزولهوامعرفة مقامهواتصوير المواقف تصويرا دقيقا. وثمة نوع اخر من المصادر التي تميزت بالندرة وهي الكتب الصوتية التطبيقية التي تناولت تحليل الظواهر الصوتية في القران الكريم، وافترق منهجنا عن منهجها باعتماده على ترتيب الفصول وفق الموضوعات لوافق ترتيب السور كما ذكرنا، والذي ادى الى تفريق تحليلها للظواهر في مواضع متعددة.والذي يؤخذ على كتب الصوت عموما انها اولت عرض الموضوعات الصوتية اهتماما اكبر بكثير من اهتمامها بالتطبيق على النصوص، في حين اعتمد منهجنا على التطبيق اعتمادا كبيرا لنقل الدرس الصوتي الى دائرة التماس مع الدرس الدلالي. وقد اعترض البحث صعوبات تتمثل في قلة البحوث التي تتناول دلالات الاصوات على المستوى التركيبي ولاسيما في اطار القران الكريم، وتبرز من هنا صعوبة اخرى هي ان التحليل المبني على الذوق المرتبط بالسياق المعين لا يمكن ان يعم على كل سياق ترد فيه الاصوات التي تناولها ذلك التحليل.وظهرت للبحث صعوبة الاحصاء المعتمد على جهدي والذي استغرق اشهرا عديدة، الى ان هيا الله  لي الاخ الدكتور (اوات محمد امين) في جامعة كركوك الذي دلني على طريقة علمية لعملية الاحصاء من خلال برنامج (اكسل) على الة الحاسوب فجزاه الله عني خير الجزاء وله مني العرفان والثناء.ومن الصعوبات قلة المصادر الاساسية عن الموضوع في مكتبات مدينة السليمانية ومكتبات جامعتهواالمكتبات الشخصية مما اضطر الباحث للتنقل باستمرار بين مدن الموصل واربيل والسليمانية ومراجعة المكتبات فيها في ظرف لا تخفى صعوبته على الكافة.وبعد كل ما قلت اتوجه بالشكر للمولى القدير الذي من علي بهذه الدراسة المباركة عن القران الكريم واعانني بصبر من عنده، وكان من منة الباري  ان اشرف على هذه الرسالة استاذي الفاضل وشيخي الجليل الدكتور (عماد عبد يحيى الحيالي)، فله مني خالص الشكر الجزيل وفائق الوفاء والعرفان، فقد احاطني باشرافه العلمي الدقيق ورايه السديد، وكانت له دقائق ولطائف اغنت البحث، وتوجيهات قومت اخطاءه فاستوت الرسالة على سوقها، وله فضل اقرار فكرتهواعنوانهوااعداد خطتهواامدادي بما احتجت اليه من المصادر، وله مني احسان الولد لابيه اذ احاطني برعاية ابوية، واخذت من ادب العلم على يديه ما يدعوني الى الدعاء له بان يجازيه الله  عني ما هو اهل له.ومن العرفان بالفضل ان اشكر لاساتذتي في قسم اللغة العربية فضلهم في تنشئتي العلمية في السنة التحضيرية، والشكر موصول لاخوي النجيبين شقيقي الاكبر الدكتور (جلال علي جلال) واخي ورفيق دربي (شوكت طه محمود) وعائلتيهما كفاء ما قدما لي من جهد لاكمال رسالتي، ولمن كان له مشورة راجحة وعون علمي اخص منهم (الدكتور محمد صابر والدكتور طه صالح امين والدكتورة دلخوش جارالله والدكتورة اشواق النجار والدكتور صالح ملا عزيز والاخت تارا فائز)، والشكر موصول للموظفين في جامعات الموصل وصلاح الدين والسليمانية، اما من تحمل مني الكثير الكثير في مدة دراستي عائلتي ولاسيما امي العزيزة فلها مني احسان لا ينقطع وفق ما امرني به ربي ، وعرفان لهم محفوظ في النفس ما حييت.ولاشك في ان لجنة المناقشة الموقرة ستقوم العمل وتصححه حتى يخرج بصورته العلمية المرجوة له، وما بدى من الباحث من الخطواالقصور والنقص سيكملها الاساتذة المناقشون الاجلاء، وذلك باغناء البحث بارائهم وتوجيهاتهم وتصويباتهم القيمة التي اتقبلها كهدايا عزيزة علي.ولابد ان اعترف هنا بان هذا البحث لا يخلو من العيوب والاخطاء ومرد ذلك جهل الباحث وضعفه وتقصيره، فهو من جهد البشر المجبول على النقص، وعسى ان يغفر لباحث مبتدئ هفواته، وحسبي فيه جد المسعى واخلاص النية لوجه الله الكريم المنان، عسى الله ان يكتب لي فيه اجرا في الاخرة قبل ان انال به شهادة في الدنيا. | This search talking for constructive voice and morphology is the one in which formed for Verses : Muhammad , Al Fatih and Al Hujurat. The search followed a descriptive analytical approach to determine the significance of the votes and acoustic phenomena and morphological versions and link between them and the context of the revelations contained therein is based on the statistical tables rigorous scientific research, which dominated scientific feature. The nature of the search warrant that convenes in five chapters and a preface and followed a conclusion, has been pre - defined three verses of the content and purpose of combining them, but First chapter has dealt with prescriptions votes and divided into two subjects : the first one dealt with the main features : which are : (pronouncing and whisper and the explosion and friction, mediation and closing, openness and aggrandizement and attenuation factors), and a second subject to analyze acoustic secondary attributes : the sibilant, nasal twang and arrogance and vowel, and address Chapter II groupings acoustic silent and stop, and Chapter III crowd voting recordings, Turning to Chapter IV to acoustic phenomena intonation study and spread on four Investigation, the thesis of the first full analysis of similar (Slurring) and inverting The second thesis focused analysis similar partial (concealment) and members of the thesis is concerned III,IV singled thesis analyzed passages and commas have stopped Chapter V to form structures phonations, and consisted of two subjects : the first one about the actual formation of structures, and clarified thesis second formation rot nominal. The conclusion to stabilize the most important findings of the research on the three verses and study indication phenomena and formulas

الخوف في شعر صعاليك العصر الاموي == The Fear Brats in the Poetry of the Umayyad Period

Author name: ايمن احمد جاسم الحمداني
Supervisor name: ان تحسين محمود الجلبي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Mosul
First pages:
Abstract: Appeared in the Umayyad several levels of period and different aspects of the expression of him, after he covered the fear a large area of hair Umayyad and managed to the hearts of most of the poets, stands in the forefront of a poor alike, the fear they have made appearances and various forms and marking their nature specific, Fasho with monsters and desert and Tjulu in Mujahlha, and away from people, and took a wasteland Amakna complicity and Tkhvém, Vonoi monsters companion and lived it to be so far from the hands that you want to lethality with them, and eyes to them, and enemies who seek to kill them, and the different vision of life and each Xi around them, and became fear defines their relationships and their movements , Fdarthyatem within this dark horizon, Fasho state of fear and anticipation and apprehension of any movement Aousot, Vtgesdt stuff on them is what they are, and they took full control of the phenomenon of fear.I estimated to be in this research study to the wisp : an introduction and preface, three chapters and a conclusion. Addressed in the preface to talk about parts of the title, I knew the language of the phenomenon is termed, in the language was different connotations and meanings, mostly due to power and prominence in the term behavior is shared by a group of people and oppress them Jargia exercise.Then fear and Atalaha language, in the language of which were multiple meanings, including sensory and emotional, and mostly various Bachtqaqat will invalidate the security and peace of mind. In the terminology identified as a state of emotion innate natural that occur in the soul when it is expected humans a thing or exposed to the risk of what, whether the source of danger felt Ogir significantly, and Najh Therefore, changes occur in the same rights of internal and external, followed by a reaction be either passive withdrawal and escape or a positive challenge and attack.Then talk about the philosophical concept of fear, He toured around the expected or imagined evil and this results in internal and external purposes. In talking about the concept of fear, psychologically, has varied opinions in the definition of fear and this is due to the different schools Alert and theories, but most of them agreed that the fear emotion internal stalking rights when he felt threatened or sense of threat or expectation of evil, he causes and consequences on the body and soul. There is a difference between fear and anxiety.Then down to Tramps language idiomatically, came meanings and connotations, and congenital defects, and there is a difference between AltassalkAlassalkhFezla and the emergence of many synonyms for them KalzabanAlctar and deadly .... Etc.A lot of Atakhtlv implications for Altassalk and Alassalkh. Then research was presented a brief overview of the phenomenon of fear in the human heritage, was the phenomenon of fear roots extended to ancient times, since the development of human feet on the ground felt the concerns of many, and tried to obey its evil and keep away from them in various ways the physical and moral, and it was to fear from predators and the phenomena of nature , and the forces of the gods of the first human concerns, and the more times and the progress of human evolution, there have been other concerns are added to the list of previous concerns. Find and then touched to talk about fear in the pre - Islam era. He was of the factors psychological, environmental and fundamental economic and social impact on the emergence of the manifestations of Addidh of fear appeared at Brats Umayyad era : the fear of religious, fear of political and social phobia, fear of death, fear of a lifetime, and the fear of the place.The impact of these concerns appeared to poets and their textson poetry has been observed in their choice of letters, sounds and words as well as rhythm and poetic images of internal and external

بلاغة الخطاب القراني في الزهراوين (البقرة وال عمران) : دراسة تحليلية == The Eloquence of the Glorious Quran's discourse in AL - Zahrawayeen (AL - Baqra and Aal - UmRan) - Analytical Study -

Author name: الاء احمد حسن
Supervisor name: احمد فتحي رمضان الحياني
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Mosul
First pages:
Abstract: فان القران الكريم يخاطب البشرية جمعاء، فلا يخاطب اذهانها المجردة فقط بل يخاطب عقولهواقلوبهواارواحها، فالقران كتاب معجز وسيف الاجماع على اعجازه منعقد الى ان يرث الله الارض ومن عليها ،وبسبب هذا كله وحبي لخدمة كتاب الله العزيز، والبلاغة العربية، وبعد الدراسة والمناقشة مع استاذي المشرف الدكتور احمد فتحي رمضان جاء اختيارنا لموضوع (بلاغة الخطاب القراني في الزهراوين البقرة وال عمران - دراسة تحليلية - ).ولما كانت الزهراوان من اطول سور القران واكثرها احتواء لاحكام الدين الحنيف وقواعده واصوله فقد ارتايت ان تكون خطة الدراسة في بابين يسبقهما تمهيد وتتلوهما خاتمة، وقد تناولت في التمهيد بلاغة الخطاب القراني بصورة مفصلة من خلال توضيح معاني الخطاب في اللغة والاصطلاح، واثر الخطاب القراني وبلاغته من ناحيتيه العامة والخاصة لكون الخطاب يسير في اتجاهين : الاول عام يشمل جميع انواع الخطاب، والثاني خاص ويشمل الخطاب القراني ووسائله واساليبه وانواعه، وبينت بالتفصيل اهمية (الزهراوين) البقرة وال عمران وفضلهمواترتيبهمواالمقاصد العامة للسورتين.ثم جاءت بعد ذلك بابا الاطروحة وفصولهوامباحثها، ونظرا لطول السورتين وتوسعهما عمدت الى تقسيم الاطروحة الى بابين ضم الاول منها : بلاغة الخطاب القراني في سورة البقرة، والثاني : بلاغة الخطاب القراني في سورة ال عمران، اما الباب الاول فضم ثلاثة فصول : فالفصل الاول منها جاء بعنوان الخطاب العام في سورة البقرة وقد ضم ثلاثة مباحث شملت (المؤمنون - الكافرون - المنافقون).والفصل الثاني كان بعنوان الخطاب القصصي في سورة البقرة وقد ضم ثلاثة مباحث على وفق ترتيب ورودها في السورة وهي : (قصة ادم () - قصة بني اسرائيل - قصة ابراهيم ()) وجاء الفصل الثالث تحت عنوان : بلاغة خطاب الاحكام في سورة البقرة وقد ضم مبحثين الاول : خطاب التنظيمات (الاجتماعية والتعبدية)، والثاني خطاب المعاملات (الاقتصادية والاسرية). اما الباب الثاني فقد كان من نصيب سورة ال عمران وعنوانه (بلاغة الخطاب القراني في سورة ال عمران) وضم بدوره فصلين الاول تحت عنوان بلاغة الخطاب العام في سورة ال عمران وانضوت تحته ثلاثة مباحث وتوزعت مباحثه على الترتيب الاتي الاول : الخطاب في ادلة الوحدانية والرسالة، اما المبحث الثاني فقد خاطب الفئتين، وهم : المؤمنون واهل الكتاب، وكان المبحث الثالث في خطاب الكافرين وطباعهم ومصيرهم، اما الفصل الثاني فكان في بلاغة الخطاب القصصي في السورة والذي ضم قصتين الاولى قصة ال عمران والثانية قصة احد.ولقد ضمت مباحث الفصول في السورتين مقاطع متنوعة، وجاءت بلاغة الخطاب في هذه المقاطع متنوعة باساليبها البلاغية من المعاني والبيان والبديع | The Glorious Quran is addresing human beings not only their abstract minds, but also their minds, hearts, and souls.It is out of God concititaion (Glory to God) that my project is entitled : The Elequence of the Glouries Quran Discourse : in AL Zahrawyaen (AL - Baqra and AaL - Umran Suras) : An Analytical study.As for the fact that AL Zahrawyaen (AL - Baqra and AaL - Umran) are the longest Suras and the most ones containing the rules, principle, commands, and origins of the true Religion, the methode of the study in the dissertation is arranged into two parts presseded by an introduction and followed by a concluding section. The eloquence of the Glorious Quran discourse is discussed in details in the introduction of the dissertation by explaining the meaning of discourse in Arabic language, the terminology and also eloquence in general and particular aspect and then, there is a details presentation of the importance and merit of AL - Baqara and Aal - Umran Suras, with the general aims of the two mentioned Suras, with a detailed presentation of their organization and the general aims of the two mentioned Suras.The dissertation comprised two parts, the first part Covers understanding the Glorius Quran discourse in Al - Baqra Sura, the second one covers Al - Umran sura, Al - Bagra Sura. Includes three chapters divided into certain sections which are subdivided into subsection which are also divided, organized on chapters.Chapter one deals with the general discourse in AL - Baqra Sura, chapter two tackles the narrative discourse in Al - Baqra Sura. Chapter three presents the dequence of the presecribes in Al - Baqra Sura.The second part in entitled : the eloquence of the Glouries Quran in Aal - Umran Sura, this part comprises two chapters the first one tackles the eloquence of the general discourse in Aal - Umran Sura. Chapter two is entitled the eleqence of narrative discourse in Aal - Umran Sura. I dedicated this work purely for God and many Muslims and hope they get advantages of this work,. At last, I thank my God and my prayers dedicated to the more honorable prophet Mohammed (peace be upon him) and on his favorable followers.

عيوب المعنى في التراث النقدي عند العرب من القرن الرابع الى نهاية القرن السابع الهجري == Flaws in the monetary heritage meaning when the Arabs from the fourth century to the end of the seventh century AH

Author name: عبد الرحمن جابر شاكر العاني
Supervisor name: مواهب عباس رافع
Specific topic: Language
Degree: Master
Language: Arabic
University location: Anbar
First pages:
Abstract: I have been the subject of study (defects meaning in Heritage Cash on Arabs from the fourth century to the end of the seventh century AH), has addressed a group of books cash, in the specified period - from the fourth century to the end of the seventh century - it proceeded to collect these books and research for defects addressed by scientists therein, and the main driver in this research is to love severe criticism, but why choose a theme, it is that wrote criticism has given most attention to the interface quality, and that because of the side utilitarian Knowing quality help receiver to taste texts and the popularity of texts without the other, and see quality also helps creators, as is standard when creativity, and the second reason for the central quality, is represented as an intent sole per vision aesthetic, and as a result there is no theory that specializes in mediocrity, and this is very dangerous, as the central Quality Control model that was established in literary texts and face, and every variation from that model good count poor, not studying and neglected neglected, and only sometimes description him opposite good recipes. This research has included on this conclusion with a boot and three caused Investigation conclusion and a list of sources and references. The boot has spoken it on the main defects that are talked about critics The detective has allocated the first research study direction correction to critics towards verses, and then devote the second topic studied direction guidance The third section has examined the vision compromise between critics and poets, and then reported the most prominent results through the conclusion of which was followed by a list of sources and references on which the search.

ادب زهاد التابعين موضوعاته وفنونه == Literature Of Ascetic T?bi'iin An Objective Artistic Study

Author name: يونس هلال منديل صالح اللهيبي
Supervisor name: عبد الله فتحي الظاهر المشهداني
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Mosul
First pages:
Abstract: ادبهم الاسلامي هادف وموجه وكانت تعاليم الدين الحنيف هي المحور الفاعل فيه وان تنوعت الاجناس الادبية وهو انعكاس لصدق الحالة الشعورية والوجدانية المتسمة بصدق القول والعمل لهم في كل موقف وقفة وفي كل مناظرة نظرة وهم في ذلك همهم الاول خشية الله واتباع نهج رسول الله فترصعت نتاجاتهم باي الذكر الحكيم واحاديث المصطفى -  - ومثلت في غالب امرهراوح الدين الاسلامي الحنيف .كان ادبهم النثري طاغيا كما ونوعا على نتاجهم الشعري وقد اكتملت في ادبهم الاجناس النثرية المعروفة في عصرهم ,كالخطب والرسائل والمحاورات والوصايواالمواعظ والقصص الديني والادعية والمناجاة وماثور القول اما الشعر فما اكتملت فيه اغراض الشعر العربي والشعر الديني الزهدي مثل كما فاق فيه بقية الاغراض كما انهم لم يعتمدوا عمود الشعر العربي وكانت اشعارهم مقطوعات تقصد المعنى المباشر دون تكلف او دوران حول الموضوع فكانت تلك الاجناس الادبية قد وصلت اليهم بما طرا عليها من تطور فني وشكلي ومضموني امدها به الدين الحنيف .واوضحت لنا كتب التراجم والسير والتاريخ , فضلا عموااجهناه اثناء البحث والدراسة , ان زهدهم كان تبعا للدين الاسلامي ولم يكن في حال من احواله هروبا من المجتمع او انطواء او نزواء في محاريب العبادة بعيدا عن مجريات واحداث العصر . بل العكس من ذلك فلهم الدور الفاعل والميداني في التوجيه والوعظ والارشاد والصبر على التعليم كما كان لهم الموقع المؤثر في السياسة في مواقفهم امام الولاة والخلفاء وقولهم الحق دون خوف او تزلف لاسيمواانهم لم ينافسوهم في دنياهم . فضلا عن ثقة الاخرين بهم وبدينهم لذلك فقد استمعوا لهم واخذوا بارائهم ,كما انهم لم يدخروا جهدا في اصلاح ما اصاب المجتمع من اخطاء وخلل مما طرا عليه من افات اصابته كنتيجة حتمية للتقلبات التي شهدها العصر . وعلى ذلك نجدهم عابدين بكائين في محاريبهم , ورجال مناظرة ودراية ومحاورات مفحمة في انتصافهم للمظلوم من ظالمة ونلمع حضورهم المحافل الاجتماعية ودعوات الاخوان موجهين ناشرين شذى التعاليم الاسلامية السمحاء وعبيرهوانطالعهم رجالا اشداء في سوح الوغى وميادين الرجال اذا ما دعاهم داعي الدين والوطن .كان خطابهم على مستويات متعددة من الافهام فكلامهم للسلطان الجائر غير كلامهم للعادل وللانسان العادي غيره للانسان العالم فكان خطابهم على مستويات متغيرة في الافهام وان كانت انطلاقته واحدة ويستند على حقيقة واحدة . وللدعاء في ذلك الخصوصية الاهم فهو في المفهوم الاسلامي وسيلة وغاية فهو وسيلة للحصول على ما يطلبه العبد ويدعو به الله وغاية كونه مخ العبادة . من العوامل المؤثرة في اغناء ادب التابعين الزهاد تشعب مصادر ثقافتهم واشتمالها على الادب الجاهلي والتاثير الاسلامي واخبار الامم الماضية التي عرفوها عن طريق بعض الصحابة الذين دخلوا الاسلام من الديانتين السابقتين .لم يكن ادبهم متكلفا ولا تكسبيا بل اعتمد على الفطرة السليمة والذوق الرفيع والقصد الى المعنى باقصر الطرق الممكنة موجها للاصلاح والافادة غايتهم فيه وجه الله وابتغاء مرضاته وابتعدوا فيه عن الاغراب الفظي والمعنوي وتوجهوا فيه الى غاية القصد دون دوان حول الموضوع او اسهاب في عرضه ولم يكن يخلو من العناصر الفنية الا ما كانت لا تلائم فكرهم وطريقهم بما تتسم من تعقيد وعدم افادة بل مثقلة للنص باد عليها التكلف والاحراج كالسجع مثلا فضلا عن ان رسول الله - -  نهى عنه ولم يكن ذلك يعني تماثل الفاصلة فنحن نلمع تماثل لفواصل نصوص غير انها جاءت عفو الخاطر وكانت فيما يخدم الموضوع ومعانيه .نقلت لنا كتب السير والتراجم عن لقاءات لزهاد التابعين فيما بينهم منها ما كان عن طريق الموافقة واخرى قيام احدهم بشد الرحال الى الاخر فمثلت تلك المقابلات اصدق العبارات واجملها اوضحوا فيها قصدهم الديني ومنهاجهم الموجه الى الاخرة المتطلع ليوم الحساب فاضحين فيها الدنيوااهلها 0

الدرس اللغوي في كتاب المفهم لما اشكل من تلخيص كتاب مسلم لاحمد بن عمر القرطبي (ت 656هـ) == A Linguistic Study of Al - Mufhim Lima Ashkal of the Summarised book of Muslim of Ahmed Bin Ummar Al - Qurtubi (died in 656 A.H)

Author name: عبير طارق ظاهر الحاصود
Supervisor name: رافع عبد الله مالو العبيدي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Mosul
First pages:
Abstract: The present study comes in two main parts proceeded by an introduction and prelusion. Each part of the study basically consist of three chapters. The prelusion provides a broad identification of Al - Qurtubi lists his prominent teachers and students among whom Al - Qurtubi of the interpretation of Al - ajami LiAhkam Al - Quran , and values the book of Al - Mufhim among the interpretations of the authentic sayings of the Prophet (PBUH) .The first chapter falls into two sections, the first presents the main sources and references of Al - Qurtubi along with his well - known scholars whose views have not been fully investigated in their books. It is evident that the two most common scholars in the book of Al - Mufhim are Al - Hurawi and Al - Jawhari. The second section deals with the auditory sources of language based mainly on the Holly Quran and its readings, the authentic sayings, and the prose and poetry of the Arabs.Entitled “Linguistic - Semantic Researches”, the second consists of three sections; the first presents types of semantic refrences, i.e. phonetic, linguistic, figurative, and Islamic, the second deals with the semantic contexts which are the contextual, mental, and time reference, and the third tachles the semantic relations between texemes such as shared meanings, opposition, synonymy, trileterals, dileterals, etc. The third chapter picture the non - semantic researches of the language throughout three sections : The first carries he title of the “Linguistic Derivation “ in which Al - Qurtubi clarifies that Perception is the true origin from which the lexical meaning is derived, the second presents the dialects in terms of three levels, i.e. phonetics, structures, and forms, the third deals with the linguistic reform and Al - Qurtubi has noticeable standpoints in this failed.The second part of the study illustrates Al - Qurtubi great efforts in the faileds of grammar and syntax throughout three chapters. The first chapter has two sections under the titles. The Factors and causes “end” The Syntactic Aspects including nouns, verbs, and letters rather than viewing Al - Qurtubi’s valuable efforts to link syntax with meaning. The second chapter shows Al - Qurtubi’s endeavors in the field of grammatical interpretations along five sections namely, Implication, changing to final or initial positions, elision, addition, and finally polysemy. Furthermore, Al - Qurtubi’s approach can be regarded as selective, adopting Basra’s approach in one time and Koffa’s one in another.The second part of the study ends with the third chapter which comes in two sections dealing with syntactic researchers. In the first section, Al - Qurtubi interest in directing the syntactic form of the middle letter of the triliteral verbs refering to the syntactic origin to which it belongs and directing the meanings of the offixed and suffixed verb as well as sources and derivations, the second are all revealed. The second section entails Al - Qurtubi’s efforts in a verity of syntactic fields such as assimilation and substitution.Finally, the study concludes with the most important finding reached of work.

اساليب الحجاج في ديوان الطغرائي == Methods of the protest in poetry of Al_Tghrai

Author name: حسام عيسى دهيم
Supervisor name: سناء هادي عباس الجشعمي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: Methods The protest(Al_Tghri). This study displays the subject(Influence the receiver) as described it as a wide range for the protest,and that made it related to the problematic which rasied by rhetoric and lingual speech and communcation.The study includes perface and three chapters : The structure of protesting text, logical indications in Al - Al tgrai poetry and the protest and poetry. The preface dealt the concept of the protest and influence It tried to find relations between the protest and loyalty because they are very important in the speech protest. The first chapter the dealt with methods of persuasion or influence in speech .The second chapter dealt with recent rhetoric and it is another point to ancient rhetoric which is an idiom seemed in Perelman and Tyteca after that which called it is (protest) methods rhetoric lead to persuasion and protest starting anomaly from Arstiya rhetoric the chapter third the poet in this in his speech used the protest links , he have instrument language and used it in from it in a from which supporting the protests , joining between cause and effect. structure of the protest text is dedicated to search in the concepts of the structure and the protest text and the methods of its structure and characteristics and the most important conditions which are underlied the protest in certain text and the most important features which distinguish it for the other texts. The second study dealt the linguistic structure of the loyalty of the protest text . The second Chapter offered the connection the protest with figurehead logic under the title of logical signs in aceThe issues are consisted which raised by the implications of mental , natural and objectivity and protest of these indications that served each issue presented by the poet. The third chapter which called ( the protest and poetry) was set aside an applied the elements of protest for the adults ,it is a study of aesthetics that the protester depending on them .

توظيف التراث في خطاب عمر الطالب القصصي

Author name: الهام عبد الوهاب عبد القادر
Supervisor name: فاطمة عيسى جاسم ابو رغيف
Specific topic: Language
Degree: Master
Language: Arabic
University location: Mosul
First pages:
Abstract: يعد توظيف التراث في النصوص السردية العربية وتحديدا العراقية من المواضيع التي حضيت وما تزال تحضى باهتمام طائفة من النقاد والدارسين العرب والعراقيين والتي التفتت بشكل واضح لظاهرة التناص مع التراث بحيث اسست لعملية توظيفه في نصوص الكتاب العرب والعراقيين ولكن هناك القليل من الدراسات والكتابات التي تناثرت هنواهناك والتي تحدثت عن توظيف التراث تحديدا في النصوص السردية العراقية فقد شكل هذا الاتجاه نحو التناص مع مفردات التراث ظاهرة بارزة منذ بدايات القرن العشرين وبعد الاطلاع على العديد من القصص وروايات لمبدعين عراقيين وتحديدا موصليين استثمروا التراث في ثنايا ابداعاتهم القصصية والروائية اخترنا المنجز الابداعي للكاتب عمر الطالب الذي ساهم في اغناء الحياة الادبية والفكرية في العراق بشكل خاص والادب العربي بشكل عام خلال مسيرته الابداعية التي زادت على نصف قرن من الزمان لم يتوقف فيها عن الكتابة والابداع والبحث والتقصي في كافة المجالات الادبية والنقدية وقد اخترنا مجالوااحدواهو توظيفه للتراث في ثنايا ابداعه الفني لكي نتمكن من تسليط الاضواء واستكشاف منابع وخزين حياته في مدينة الموصل التي احبها كثيرواذكرها كثيرا في العديد من رواياته وقصصه وقد كان التراث العراقي وخصوصا الموصلي حاضرواواضحا في كل ما كتب وسطر بحيث شكل ظاهرة تستحق التعمق في تجلياتها في نصوصه الابداعية فضلا عن ما اخفته من دلالات معاصرة عبرت عن هموم بلده العراق والذي اظهر التصاقه به ناسواتراثواقد ظهر ذلك جليا في المجموعتين القصصيتين (خمسينيات اضاعها ضباب الايام) (نقطة ضعف) وفي رواياته (الاحداق المجروحة) و(انسان الزمن الجديد) و(من الذي ياتي) و(الطريق الى عدن) و(الرقص مع الخيول) وغيرها مما جعله يسرد سيرته الذاتية وحياته فضلا عن ان توظيف التراث في نصوصه رسمها بالمعاصرة والحداثة التي تتسم بالواقعية المتدفقة بالحياة دون كسل وخمول الى اخر لحظة من حياته. وقد قسمت الرسالة الى مقدمة وتمهيد وثلاثة فصول وخاتمة مشفوعة بقائمة للمصادر والمراجع . وتوصلت الباحثة الى مجموعة من النتائج منها : ان توظيف الحكاية الشعبية العراقية والامثال والشخصيات والامكنة التراثية فضلا عن الالفاظ العامية والعادات والتقاليد تم عبر عدة تقانات استخدمها الكاتب في اسقاط الواقع العراقي عليها فضلا عن استخدام التراث بما يحويه من ترميز كشف عن المسكوت عنه في النص . | Recruitment is the subject of folklore narratives in Arabic, specifically the Iraqi was a topic of interest is still a group of critics, scholars Arab and Iraqis and by the fragmentation is clearly the phenomenon of lntertextual founded with the heritage so that the process employed in the texts of Arab writers and Iraqis But there are few studies and literature scattered here and there about the employment of folklore specifically in the texts of novels and stories This has been the trend towards lntertextual folklore items with a significant phenomenon since the beginning of the twentieth century, a theme chosen for this study and address it . Having considered the outcome of many Iraqi novelist and fiction, especially fiction and output novelist in the city of Mosul writers folklore invested in the course of their creations and feature stories, which made us choose done creative (Omar ALtalb), which enriched the literary and intellectual life in Iraq in particular and in Arabic literature in general . Because the study required his entire study creative deep and long mired deep in the memory of the creative writer was the choice of study (recruitment folklore in a speech Omar Altalb Story) so that we can highlight and explore the sources of the stock of his life in the city of Mosul, which I love very much and mentioned in many stories The novels . We found that the conductivity of the People's life or folklore in particular Musli was present both in the literature to form a phenomenon worth in - depth analysis and to add a contemporary connotations expressed concerns and aspirations that reflect the concerns of his country. This is evident in the two groups Algossitin (Khmsinat begging fog days) and (weakness) and novels (Alahaddaq Elmejrouhp) and (the new person time) and (who came) and (the road to Aden) and (dance with horses) that recruitment of folk In these texts given the nature of contemporary and modern realism that are flowing life without laziness and inaction to the last moment of his life.

المشكل النحوي في لغة الحديث النبوي الشريف في كتاب شواهد التوضيح والتصحيح لمشكلات الجامع الصحيح لابن مالك

Author name: خالد علي حمو المتيوتي
Supervisor name: خزعل فتحي زيدان البدراني
Specific topic: Language
Degree: Master
Language: Arabic
University location: Mosul
First pages:
Abstract: تضمن هذا البحث دراسة المشكل النحوي في لغة الحديث النبوي في كتلب ابن مالك شواهد التوضيح والتصحيح لمشكلات الجامع الصحيح وقد عرضنا فيه لما اشكل من الفاظ الحديث النبوي التي ذكرها ابن مالك في معالجته وعرضه للاراء النحوية وقد تكونت هذه الرسالة من تمهيد وفصلين ، تكون التمهيد من قسمين قمنا في القسم الاول باجراء موازنة بين كتب اعراب الحديث النبوي ، وفي القسم الثاني عرضنا لمفهوم المشكل عند ابن مالك وكيف وجه الاحاديث النبوية من خلال هذا المفهوم . اما فصلا الرسالة فقد كان الاول منهما تحت عنوان المشكل في التاويل النحوي قمنا فيه بعرض مظاهر التاويل النحوي التي اعتمدها ابن مالك في تخريج المشكل في الاحاديث الشريفة ، وكان الفصل الثاني تحت عنوان المشكل في الاعراب قمنا فيه بعرض المشكل في الاسماء والافعال والحروف وكيف خرج ابن مالك الاشكالات النحوية في هذا الباب . ثم ختمنا بحثنا باهم النتائج التي توصل اليها البحث ومن اهمها اان ابن مالك نبه في المسائل التي عالجها على اغفال النحاة لبعض المسائل ، كما انه وسع من خلال معالجاته للمشكل على اجازة قسم من المسائل التي وردت مشكلة وهي مما منعه النحاة كما ان ابن كالك نبه عى ان كثيرا من المسائل التي عدها النحاة ضرورة شعرية او منعوه او حكموا عليه بالشذوذ بانها موجودة في الحديث النبوي ، لكن امتناع النحاة من استشهاد بالحديث النبوي جعلهم يحكمون على مثل هذه المسائل بانها ضرورة شعرية او انها ممتنعة . | Prophet sayings is characterized by their high eloquence and fluency and form undepleting source of linguistic and other studies. The subject of this thesis entitled Syntactic Controversy in Prophet Sayings Language in Ibn Malik’s Shawahed Al Tawdheeh wal Tasheeh Lemushklat Al Jame Al Saheeh is concerned with the syntactic aspect of the prophet sayings. The importance of this study lies in stating syntactic problems in Saheeh Al Bukhari where Ibn Malik tried to tackle and correct syntactically. Ibn Malik’s views are reviewed and studied and compared with other grammarians views. The aim is to make the prophet’s sayings more correct. The thesis consists of an introduction and two chapters. The introduction is divided into two parts the first of which compares books concerned with prophets sayings linguistically. Part two deals with the concept of controversy according to Ibn Malik view. Chapter one, entitled controversy in Syntactic Interpretation reviews interpretation kinds that Ibn Malik used in dealing with syntactic controversy, including deletion, inclusion and increasing. Chapter two, entitled controversy is subdivided into three parts, dealing with controversy in name, verb and letter. The main conclusions derived is that prophets sayings are proofs for Ibn Malik and the concept of controversy was not decided. Issues dealt by Ibn Malik was distributed among various classes of syntax and the author pointed out some issues neglected by the grammarians

التنضيدية في المسائل التجويدية لمهذب الدين البصري (ت1090هـ) : دراسة وتحقيق == AL - Tantheedia in AL - Tajeedia matters Mohathab Al Deen Al Basri (D. 1090 H)

Author name: علي حسين رسن
Supervisor name: فائزة عباس حميدي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: The conclusion includes the fruitful results of the thesis : 1.The author of the book is a scholar in grammar and readings. He was not just a before collector; he was a critic and collector.2.All the stoppings the author mentioned in his book, was not full stoppings as he claims, they were varied among the other types such as Al - Kafi, Al - Hasan, Al - Matlaq and Al - Jaaez.3. The author created one new type of stopping that was not mentioned before.4.Al - Shaikh Mohatheb Al - Deen Al - Basry deacribed the scholars in most of his opinions of late and earliers.5.The author of the book did not mention real reasons for the stoppings he mentioned.6.The book was rich in terms of mentioning the Quranic verses.7. He mentioned some of the moral disagreement between Basra and Kufa. He tends to Al - Basra opinion.8.The Quran reader should take into account the situations of startings and stoppings in order to make the meaning clear.Finally, I end the book with various indexes of the Quranic verses, and the prophet speeches and the advertisement and the topicsAll.we want is to pray and thank Allah (the Lord of the two worlds) .474Chapter two : is a study for the book and it contains three sections : section one : states the name of the book, the documentation between the author and the book, his style and resources.section two : deals with phonological, morphological, syntactical and linguistic phenomena such as sloping, replacing and diphthonizingand dialects, etc.section three : describes the script, curriculum of investigation and some of pictures of the book.Part two includes the text being studied in which the author of the book introduces a phonological prologue including how the sounds are produced, the number of sounds, their characteristics Furthermore, this part contains the rules of Al - Tajweed such as dilution ،amplification ،presentation ،maximizing, minimizing and separating of speech in certain linguistic phenomena such as sloping , Rom, and Al - Ishmam, and he made a conclusion of some seeking forms for Muslims divisions After that he moved to the core of the book content; i.e., determining the full stopping in the Holy Quranfrom Al - Fatiha Sura to Al - Nas Sura.His major work was to know the reasons of dropping Al - Sura the number of its verses, its words, and its letters, then he determined the situations of the full stopping, later on he made a conclusion with the use of a prophet's speech and it goes for all Quran Suras.in the end of his book, he explained the script and showed the situations of disagreement with the standard script. Then, he mentioned the Quran readers and their narrators and their alphabet with the Holy Quran.471AbstractAll praise goes to Allah, and all prayer goes for Prophet Muhammed and his relatives (peace be upon him) and all his comrades with him.This thesis is an analytical study and investigation for the Book of Al - Tantheedia in Al - Tajweedia Matters for the relegion specialist Ahmed Abdul Radha Al - Basri (died after 1090 B.C.) .This book is about Al - Waqif and Al - Abitida science. This science deals with the subjects of Al - Quran that care for the matters of Al - Waqif that Quranic reader needs to take them into accountbecause such matters agree with the rules of language grammar and meaning to make the meaning clearer.This book carries the utmost importance for it relates to Al - Quran Al - Kareemsecondly, it is considered as one of thw sources of the science of Al - Waqif and Al - Albitida which our Arabic library lacks to.The One of the aims of this thesis is to revive the Islamic heritage that is not very wide on the level of international libraries. The thesis is divided into two main parts with Introduction and Conclusion.The introduction contains the importance of the topic and why it was selected.part one deals with Al - Tantheedia in the matters of Al - Tajweedia, this part has two chapters.Chapter one contains the life of the author and in turn contains three sections : section one : author's name, relatives, birthday, and his death.section two : deals with his masters and his students, his travels, and his scientific status.section three : deals with his scientific works.

مادة (ن ز ل) في التعبير القراني : دراسة لغوية == Article ( Nazala ) in the Quranic expression/linguistis study letter submitted by the student

Author name: مصطفى عذيب عليوي
Supervisor name: صبيحة حسن طعيس
Specific topic: Language
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: Constitution of Muslim life So I choose to look at the substance of the material that many of their appearance in it, and substance (Nazala) was my address (Article (Nazala) in the Quran statement/ linguistics studying) was divided by booting three chapters preceded by an introduction and followed by a conclusion.Ensure that the meaning of the boot (Nazala) in the language and in the commentators convention. Chapter The boot was eating (Nazala) in the Arabic language and in the commentators convention, the first chapters dealt with the (audio level in three sections I : Voices (Nazala) and the second voice modulation and third intake votes CT and CT, and the chapter dealt with the (Level morphological in two sections : the first : the formulas morphological and second : the meanings of morphological variations, Chapter III Fajssth level (grammar) and made in two sections : the first : (wholesale news reporting) and the second sentence construction, and the conclusion in pits on the findings of the research

التصاقب في القران الكريم == Al - Tasaqub in Al - Quran Al - Kareem

Author name: يمامة محمد عبد الكريم كشموله
Supervisor name: هاني صبري علي ال يونس
Specific topic: Language
Degree: Master
Language: Arabic
University location: Mosul
First pages:
Abstract: انبثقت نظرية التصاقب من طيات صفحات كتاب ابن جني "الخصائص" وهي نظرية لاقت الاعجاب من قبل العلماء والباحثين، وقد كان لابن جني فضل الريادة فيها، والتصاقب عنده هو التقارب ما بين الالفاظ باصواتهوامعانيها، وتقارب صوت اللفظ مع معناه، وقد تطورت هذه النظرية عند العلماء العرب والغربيين وسلط عليها الضوء ولكن بمسمى جديد هو "الاونوماتوبيا" ومعناه : ان الصوت يصبح شفافا يصور المعنى من جوانبه. وقد كان لنا شرف المساهمة في تطبيق هذه النظرية على القران الكريم - كتاب الله المعجز - .تضم هذه النظرية في محتواها عدة قوانين هي : تقارب لفظين او اكثر يجمعهما صوتين متشابهين مع اختلاف الصوت الثالث وقد يكون هذا الصوت المختلف هو الاول مثل صد وسد او الثاني مثل كتم وكظم وكمم او الثالث مثل فصل وفصم، وقد يكون الاختلاف في اكثر من صوت كان يكون صوتين مثل مد ومط او ثلاثة اصوات مثل غبر وافل، وتضم هذه النظرية قانونا اخر هو تقارب الاصول اي تقارب لفظين فيكون احدهما ثلاثيا والاخر رباعيا مثل قسط وقسطس، وقانونا اخر هو التقليب اي يكون للفظين الاصوات نفسها مع اختلاف ترتيبها مثل رجم وجرم. لقد تناولنا هذا الموضوع بتاصيل المعنى المعجمي لكل لفظة من تلك الالفاظ ثم اتبعنا ذلك باية من الايات القرانية التي تحوي هذه اللفظة او ما اشتق منها ثم ربطنا بين هذه المجموعة الواحدة من الالفاظ بما سميناه دلالة التصاقب، اي الدلالة التي تربط بين هذه الالفاظ في المجموعة الواحدة واعقبنا ذلك بالتحليل والتوجيه الصوتي لكل لفظة وبينا قوة اللفظة الواحدة في استعمالها مع اللفظة الاخرى. وهكذا كان عملنا في الرسالة كلها، ومع الالفاظ جميعها لنؤكد في النهاية على وجود التصاقب في القران الكريم كحقيقة واقعية نؤمن بهوانقتنع بها كما اقتنعنا بوجودها في اللغة العربية. | The Quranic studies have attracted the attention of many Moslems. So a large number of such studies were produced. Some of them are old fashioned while the others are of recent style. In the same trend, it is enjoyable to propose a considerable enough study to put a finger - print within the area of the Quranic studies especially with the term "Tasaqub". This was always and frequently described and discussed by our teacher. Tasaqub means the compatibility between phone and meaning of a homonym. It is mostly synonymous to the term Onomatopia. In addition, because this study may add new contributions to the linguistic study of Al - Quran Al - Kareem, hopefully this choice was taken and started to search about "the Tasaqub in Al - Quran Al - Kareem". So this became the title of the thesis. The thesis contained an introduction and five chapters. Each one deals with certain part of the Tasaqub. The introduction comprises a linguistic and terminological meaning of this term, the ancient concept of Tasaqub , the recent one of it and the Tasaqub in the logic of Ebn Jeni. The first chapter contains homonyms having the same oral and oral/dental pronouncement exits. Where pronouncement exit means from which place in the mouth, the phone can be exit. The second one deals with the homonyms that have dental pronouncement exits (between dental to dental/gingival).Whereas chapter three comprises only the phones of gingival pronouncement exits. Chapter four is divided into two sections : the first one treats the laurel phonic exits whereas the second section deals with the stratified phonic exits. Chapter five contains three sections : the first studies the phones of uvulas exits whereas the second one deals with faucial phonic exits and the third section deals with the Gullety phonic exits.The phonic configuration through this study is arranged according to seven laws. The first law depends on the first phone (the phone of the first letter in a homonym) which is changed in the first homonym of a certain group (each group contain two or three homonyms of same phone and meaning i.e Tasaqub ).The second law deals with which is changed in the second phone. The third law is concern with third phone change. The forth law depends on the changes of two phones out of three. But when the three phones are changed, it refers to the fifth law. When one of these phones is triliteral and the other is quadrilateral, it relates to the sixth law. Whereas the seventh law comprises homonyms which have the same phone but differing in their arrangements (advancing and delay law). Finally, the study concluded the following points : • The homonyms which obeyed the Tasaqub laws showed compatibility between the phones and the meanings.• The embodiment of phone to the meaning in the recent research work is called onomatopia.• The onomatopia is the extent of its original linguistic and phonic origin which was anciently lead by Ebn Jeni.• The Tasaqub between the homonyms on one hand and between their meanings on the other is one of a fantastic theory which attracts many researchers.• Ebn Jeni stated that the Tasaqub of homonyms is present in thousand places. In this study, some homonyms were found in Al - Quran Al - Kareem, whereas the others were not found.• Homonyms of Tasaqub present according to seven laws. Most of them are obeyed by the first three laws; the lowest number was controlled by the sixth law while intermediate number of homonyms followed the seventh law.• The association of certain phones to indicate certain acts is denoted by the Tasaqub .

العتبات النصية في شعر عبد الوهاب البياتي ونزار قباني

Author name: جاسم محمد جاسم الخلف
Supervisor name: ابراهيم جنداري جمعة خليفة الجميلي
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Mosul
First pages:
Abstract: فقد نالت متون الاعمال الادبية باختلاف اجناسهواما تزال حظا كبيرا من اهتمام النشاط النقدي الذي ما انبرى متناولا اياها متتبعا مكامن جمالهوامستبطنا مظاهر (شعريتها)، الامر الذي اشر انغلاق النقد على شعرية تلك المتون دون اهتمام يذكر بما حول تلك المتون من نصوص موازية وعتبات باتت تشكل اليوم ظاهرة حري بالدرس النقدي ان يتناولها بالتحليل خاصة وان تلك النصوص (العتبات) قد قطعت شوطا كبيرا في مجال تطورها . ان العتبات النصية ككيان ليست بالظاهرة الجديدة على الادب عربيا كان ام غيره، فقد ارتبط وجودها بوجود الشعر نفسه ، وتطور في عصر الكتابة، واخذ نصيبا وافيا من التفنن في عصر التقانة والتطور التكنلوجي. غير انها ظاهرة ظل النقد ينظر اليها باستسهال بالغ متعاملا معها بوصفها جوانب شكلية سواء تعلق الامر بنقدنا العربي او بالنقد الغربي الذي كان سباقا الى التنبيه على اهميتهواجدوى دراستها . فكان مجيء الناقد الفرنسي (جيرار جينيت) الانطلاقة الاولى لمحاولة تقعيد دراسة (العتبات النصية) في ضوء ما تتعالق معه من متون فاتحا بذلك الافق النقدي الى ميدان (شعرية الشكل) في ذهابه الى ان شعرية النص تنبع من علاقته بما يحيط به من نصوص موازية بعيدة عنه زمانا ومكانا. او من نصوص محيطة قريبة بحيث يضمها كتاب واحد (غلاف ، عنوان ، رسومات داخلية ، مقدمة ، اهداء ، هوامش .... الخ ) وهي علاقات اكبر من ان يقال عنها انها مجرد امكان تناصي كما سيتضح. وهكذا بدا النقد منذ (جينيت) ينظر الى هذه العتبات بوصفها نظاما سيميائيا دالا. اذ لم يعد الكتاب وحده هو الحامل الوحيد للدلالة ، بل اصبح ينظر اليه بوصفه نظاما نسيجيا متناغما تتازر جميع مكوناته وملامحه الشكلية في تاسيس شعريته بما يلغي عن العتبة مفهوم الحلية النصية او الزائدة التزيينية ويجعل منها معلما بارزا من المعالم التي تساهم في تلقي العمل الادبي بصورة مثلى ، وهو ما نبه اسماء اخرى كان لها مساهمات ليست بالهينة في هذا الموضوع النقدي كـ (هنري متيران) و(فيليب لوجون) و(كلود دوشيه) و(ليو هوك) وغيرهم ممن مزاال امام الدرس النقدي العربي شوطا طويلا لترجمة كتاباتهم في هذا المجال تمهيدا لاستيفاء موضوعة (العتبات النصية) حقها من جانب هذا الدرس ، وان كنا هنا لا نغمط حق جهود ترجمية وتاليفية عربية في هذا المجال كانت ـ على قلتها ـ زادا تزود به هذا البحث نذكر من المترجم منها : الترجمة الرائدة (للمختار حسني) لكتيب (اطراس : الادب في الدرجة الثانية) لـ (جيرار جينيت). وهي الترجمة التي شكلت المنطلق الذي فتح امامنا افاقا جيدة وهيا لنا ارضية امكن التحرك عليها فيما نحن بصدده, وكذلك ترجمة (عبد الرحمن ايوب) لكتاب (مدخل الى جامع النص) للمؤلف نفسه، وايضا ترجمة (غسان السيد) و(وائل بركات) لكتاب (كرستين مونتا لبيتي) الموسوم (جيرار جينيت نحو شعرية منفتحة) ، في حين ظل كتاب (sulits) لـ (جيرار جينيت) الذي لم يتوفر البحث على ترجمة له وثيق الصلة وبعيد المنال الامر الذي فوت الاستفادة منه الا بقدر الاعتماد على مقتبسات مترجمة توفرت عليها بعض المقالات المنشورة في الدوريات والتي عالجت موضوعة العتبات نذكر منها دراسة (جميل حمداوي) (سيموطيقيا العنونة) ودراسة (محمد الهادي المطوي) (في التعالي النصي والمتعاليات النصية) وهما دراستان ركزتا على الجانب النظري دون التطبيقي واعتمادا على (عتبات جينيت) . اما فيما يخص الجهد التاليفي في النقد العربي في هذا المجال ، فلم نعثر في حدود بحثنا على ما يمكن ان يشكل كتابا جامعا يدرس انواع العتبات النصية بصورة تفصيلية , وان وقفنا على دراسات تناولت عتبات بعينهواخاصة عتبة العنوان التي بدات تستقطب جهود دارسين طرحوا دراسات رائدة في مجالها نذكر من هذه الدراسات : (العنوان وسيموطيقا الاتصال الادبي) لـ (محمد فكري الجزار) و(سيمياء العنوان الشعري) لـ (بسام قطوس) و(العنوان في الادب العربي - النشاة والتطور)، لـ(محمد عويس) وكذلك عتبة المقدمة التي افرد لها (عبد الرزاق بلال) دراسة شكلت متكا مهما من متكات بحثنواالموسومة (مدخل الى عتبات النص) يضاف اليها جهود (عبد الملك اشهبون) في اكثر من مقال تناول المقدمة الروائية خاصة تنظيرا وتطبيقا، وكذلك جهود (سعيد يقطين) الذي استاثرت دراسة النص الموازي والعتبات النصية بنصيب وافر منها خاصة في كتابه (انفتاح النص الروائي).ان هذه الدراسات على جديتهواان شكلت جهودا يشار اليها ببنان العرفان وينظر اليها بعين الريادة الا انها مازالت دون استيفاء حاجة المكتبة النقدية العربية ازاء هذا الكم الهائل من العتبات النصية التي بدات تلاقي عناية ليست بالهينة من جانب المبدعين , وهي عناية تتطلب ما يوازيها نقديا - تصديا وترجمة - بما قد يفتح للدرس النقدي افاقا رحبة في التعامل مع جماليات المتون من جهة عتباتها ، لذا شئنا ان تكون دراستنا في ما يصب في هذا المجال البكر واقتصرنا لاسباب منهجية على دراسة خمس عتبات نصية تدخل فيما اسماه (جيرار جينيت) (بالنص المحيط) او (العتبات النصية) هي (لوحة الغلاف، والرسومات الداخلية او اللوحات المصاحبة، الاهداء، التصدير، والمقدمة) كونها تشكل حضورا بارزا عند كل من (عبد الوهاب البياتي) و(نزار قباني)، مستبعدين عتبة العنوان الا بما تستدعيه علاقته بالعتبات المذكورة ، خاصة واننا كنا قد تناولنا هذه العتبة بالدرس في رسالتنا للماجستير الموسومة (عنوان القصيدة في شعر محمود درويش) . واما فيما يخص الدوافع التي رشحنا على اساسها دواوين (عبد الوهاب البياتي) و(نزار قباني) كنماذج تطبيقية فيمكن تلخيصها بدافعين : الاول شخصي يتعلق بـ (صداقة نصوصية) عقدتها ذائقتنا مع شعر الشاعرين, واما السبب الثاني وهو الاهم هنا فهو سبب اكاديمي محض يتمثل بندرة ما كتب عن العتبات النصية بعامة . والعتبات النصية الخاصة بشعر الشاعرين خاصة، ففي الوقت الذي نال (البياتي) اهتماما واسعا من جانب الدرس النقدي عربيا وعالميا وشكلت متونه الشعرية مادة خصبة للمعالجة والتحليل نجد ان خطابه العتباتي قد ظل اسير الاهمال من جانب هذا الدرس على الرغم من الخصوصية الواضحة التي تحملها هذه العتبات كما ونوعا كما سيتبين ، واما (نزار قباني) فقد طاله الاهمال من جانب النقد متنا وخطاب عتبات . اذ على الرغم من الكم الشعري الهائل الذي خلفه الشاعر ومزاخر به من توظيف عتباتي مثير للانتباه . الا ان الملاحظ ان ردة الفعل النقدية تجاهه لم تكن لترقى الى مستوى ذلك الكم وتلك الخصوصية ، وبناء على ذلك يمكن القول اننا ارتاينا في دراسة الخطاب العتباتي لدى الشاعرين استهداف جملة نقاط نجملها فيما ياتي : ـ 1ـ ان يكون البحث متمما للجهود النادرة السابقة وفاتحة لاعمال اخرى تسهم في سد النقص الفادح الذي توفرت عليه مكتبتنا النقدية في مجال تناول الخطاب العتباتي بعامة . 2ـ المساهمة في الخروج بتصور شامل عن شعر (البياتي) الذي اهتم النقد بمتونه دون الالتفات الى خطابه العتباتي . 3ـ المساهمة في دفع شعرية (نزار قباني) الى دائرة الدرس النقدي الاكاديمي الذي يبدو انه على غير وئام مع شعرية الشاعر لاسباب ربما تتعلق بجوانب مضمونية يترفع الدرس النقدي عن تناولها . 4ـ الخروج برؤية ما عن طبيعة العتبات في الشعر العربي باعتماد مدرستين شعريتين مثلهما شاعران قديران وان كانا على طرفي نقيض اسلوبا ورؤى ومضامين الا ان قراءتهما من منظور عتباتي يوقف القراءة على اوجه شبه كثيرة تجمعهما كما وكيفا كما سيتضح . لقد عرف كل من (نزار قباني وعبد الوهاب البياتي) بسعة الكم لشعري الذي قد لايسلم معه دراسهما من التخبط باختيار عينة دراسته مالم ينضبط بضوابط نقدية اعتمادا على طبيعة المادة المدروسة وعلى هذا الاساس التزمنا في هذا البحث الاتكاء على المجاميع الشعرية بوصفها العينات المركزية التي يمكن ان توفر لنا مهادا تحليليا وخاصة في التصدي لعتبة (الغلاف) التي توجب التعامل مع مجاميع شعرية صغيرة بغية دراسة لوحتها الغلافية، في حين لم نتورع عن الاستعانة بالمجلدات الكاملة الخاصة بالشاعرين متى ما دعت الحاجة الى ذلك وقد خلصنا لدى التشاور مع الاستاذ المشرف الى خطة من فصلين ضما مباحث خمسة افردنا خلالها الفصل الاول لما اسميناه بـ(العتبات البصرية) التي استغرقت مبحثين مطولين نسبيا هما على التوالي : (عتبة الغلاف), و(عتبة اللوحات المصاحبة)، فيما انفرد الفصل الثاني بمعالجة ما اسميناه بـ (العتبات الافتتاحية) التي توزعت على مباحث ثلاثة هي على التوالي : (عتبة الاهداء), و(عتبة التصدير)، و(عتبة المقدمة), وقد اشفعت هذه المباحث اسوة بالمبحثين السابقين في الفصل الاول بنماذج تحليلية توزعها ما يخص العتبة المنظر لها من نتاج الشاعرين بطريقة راعت الجانب الكمي ، والتنوع الكيفي في الاختيار . ختاما اتوجه بالشكر الجزيل الى قسم اللغة العربية في جامعة الموصل رئيسا وهيئة تدريسية كما اتوجه بشكر خاص ملؤه الحب والاكبار الى الدكتور (ابراهيم جنداري) الذي وجدت فيه المشرف الحريص والاب الحاني الذي لم يال جهدا في توجيهي وتشجيعي ومتابعتي في كل ما من شانه خدمة البحث قصد الخروج بافضل ما يمكن . كما اتوجه بالشكر الوافر الى كل من ساهم براي او مشورة او توجيه او ارشاد الى مصدر سواء من الاساتذة او الزملاء الذين غمروني بفضل لا يسعني الا ان اذكره - وان غيبت كثرتهم وضيق المقام اسماءهم - واخص بالذكر والشكر هنا الشاعر (محمد جلال الصائغ) الذي لم يبخل علي بمكتبته الخاصة فيما يخص ادب نزار قباني. كما لا يفوتني ان اشكر زوجتي (ام سنن) التي كابدت معي في سبيل انجاز هذا العمل نضو ماكابدت، فاليهواالى الذين من قبلها تقديري وامتناني ، سائلا الله تعالى ان يجعل عملي هذا خالصا لوجهه انه نعم المجيب .

التعارض والترجيح في كتب الخلاف النحوي الانصاف - التبيين - الائتلاف == Opposition and Preference In the Contradicted Grammatical BooksAl - Insaf , Al - Tabyeen , Al - Etila

Author name: محمد امين حسن عبو
Supervisor name: حسن سليمان حسين الجميلي
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Mosul
First pages:
Abstract: التعارض والترجيح في كتب الخلاف النحوي : الانصاف - التبيين - الائتلاف )) هذا هو عنوان الاطروحة التي جرى اعدادها لدراسة ظاهرة التعارض والترجيح . واشتملت على مقدمة وثلاثة ابواب وخاتمة وثبت بالمصادر والمراجع وثلاثة كشافات : كشاف للايات القرانية ، وكشاف للاحاديث الشريفة ، وكشاف للاشعار العربية . الباب الاول - يتناول تاريخ التعارض والترجيح ونظريتهما ، ويضم فصلين : الاول - يبحث في تاريخ التعارض والترجيح في اطوار الخلاف النحوي الثلاثة : طور تكون الخلاف ونموه ، وطور التنافس بين المذهبين البصري والكوفي ، وطور الترجيح بين المذاهب المختلفة . والثاني - يبحث في نظرية التعارض والترجيح ، ويقف عند محاورها الرئيسة : مدلول التعارض والترجيح ، وحكم قبول المعارضة ، ومجال التعارض والترجيح ، واركان التعارض والترجيح ، وصور تعارض الادلة النحوية والترجيح بينها . والباب الثاني - يتناول التعارض في كتب الخلاف الثلاثة ، ويضم فصلين ايضا : الاول - يبحث في ركني التعارض ، وهما : وجود مسالة اختلف فيها اثنان او اكثر ، وتقابل دليلين او اكثر وتعارضهما . والثاني - يبحث في مجال التعارض ، وهو الادلة النحوية ، وجرى التاكيد فيه على الادلة النحوية المعروفة ( السماع ، القياس ، الاستصحاب ، الاجماع ) ، مع الوقوف عند صور تعارض الادلة بين البصريين والكوفيين ، وموقف النحاة الثلاثة من هذه الادلة . والباب الثالث - يتناول الترجيح في كتب الخلاف الثلاثة ، ويضم ثلاثة فصول : الاول - يبحث في طرائق الترجيح واركانه ، جرى فيه الوقوف طويلا عند اركان الترجيح ، مع نقد دليل الترجيح عند النحاة الثلاثة . والثاني - يبحث في ادلة الترجيح النحوية ، جرى التاكيد فيه على الادلة المعروفة ، ووجوه الاعتراض على ادلة النحاة . والثالث - يبحث في علل الترجيح النحوية ، جرى التاكيد فيه على سمات العلة وشروطها ، ومسالك العلة وانواعها | This study includes three chapters : the first one deals with the history of opposition and preference and their theories . It also contains two sections . The first one studies the history of opposition and preference in the three contradicted syntactic stages which are as follows : the stage of its appearance and growth , the stage of the competition between the kufi and Basri trends , the last stage contains preference among other varied books . The second section deals mainly with the theory of opposition and preference and its basic elements such as : the sense of opposition and preference , the principle of accepting opposition , its positions , its elements and the forms of opposition among contradicted syntactic evidences . The second chapter concerns the incongruity in the three contradicted books and also falls into two sections . The first one stresses on the two opposing elements which are : the question that has also been discussed and opposed by two or more , and the two equalled or contradicted evidences . The second one deals with the conception of opposition including the syntactic evidences . Emphasis has been focused on some famous Syntactic evidences ( the audile , measurement , constancy , unanimity ) with stress on examples of contradicted evidences between the kufi and Basri schools and the attitude of the linguists towards them . The third chapter deals with the preference in the three contradicted books and includes three sections too : The first one is dedicated to study methods and elements of preference which have fully been analyzed with critical points for the evidence of preference itself according to the three Grammarians . The second section deals with the preferable syntactic evidences , with special emphasis on the famous ones and some objections directed to the evidences of the Grammarians . The third one finally studies the syntactic preferable reasons , their kinds and conditions with much consideration

صورة الخليفة في الشعر الاندلسي == The Caliph's Image in Andalusia Poetry

Author name: هبة عيسى حسين الحمداني
Supervisor name: منتصر عبد القادر الغضنفري
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Mosul
First pages:
Abstract: بما ان الخليفة هو الذي يقوم بالدور الاكبر في تنظيم امور الحكم ؛ اذ يعمل على تطبيق اوامر الله وشعائره في ظل حكم اسلامي , فقد كان هدفي الاول من هذه الدراسة هو بيان (صورة الخليفة) كمرااها شعراء الاندلس واقعا وتخيلا سواء اكانت الصورة التي رسموها له ايجابية ام سلبية من حيث كون الشعراء بشرا تتحكم فيهم اهواؤهم الشخصية مع ثبات مفهوم الخليفة في الفكر السياسي الاسلامي في الوقت نفسه . وقد اقتضت خطة الدراسة ان تكون في ثلاثة فصول يسبقها تمهيد وتتلوها خاتمة ، اما التمهيد الذي يعد مفتاحا لموضوعها فقد قسمناه على قسمين تناولنا في القسم الاول منه الخليفة لغة , وتناولنا في القسم الثاني الخليفة اصطلاحا على وفق محورين تضمن الاول الخليفة في الفقه الاسلامي , واما الثاني فقد تناولنا فيه مصطلح الخليفة كما فهمه شعراء الاندلس ، ومن ثمة فقد تعددت مرادفات المصطلح كما سيتضح . ثم جاءت فصول الرسالة , فكان الفصل الاول في دراسة (الصورة المعنوية) , وتضمن اربعة مباحث : كان الاول في (الصورة الحربية) وقد قدمناها على بقية الصور ؛ لغزارة الكم الشعري الذي عثرنا عليه في مصادر الشعر الاندلسي , وقد تمثلت هذه الصورة في فن ادارة المعارك ووقائعها , اما المبحث الثاني فقد كان في (الصورة الاجتماعية) ، وشمل مكارم اخلاق الخليفة وعلاقته بالرعية ، واما المبحث الثالث فتناول (الصورة السياسية) التي تركزت في بيان نظام الحكم والسياسة الادارية والاصلاحات ، واما المبحث الرابع فكان بعنوان (الصورة الدينية) المتمثلة بالمعاني الاسلامية ومفاهيم العقيدة السمحاء التي حملها الخليفة وتمثل بها . اما الفصل الثاني فكان في دراسة (الصورة المادية) , وجاء في ثلاثة مباحث : الاول في بيان (هياة الخليفة) كمراسمها له شعراء الاندلس ، واما المبحث الثاني فقد كان في (الصورة الشخصية) من حيث ما تكلم عليه الشعراء من صفات الخليفة من مثل الثقافة الخاصة والحاجات الشخصية. وكان المبحث الثالث في الحديث عن (الصورة العمرانية) بمعنى ما اشار اليه الشعراء من مظاهر التقدم العمراني انذاك مما يعد من منجزات الخليفة .وقد اتبعنا في ترتيب مباحث هذا الفصل التسلسل المنطقي في وصف شخصية الخليفة من حيث الهياة والصفات وانتقالا الى ما احدثه من اعجاز عمراني . ثم جاء الفصل الثالث ليظهر (الصورة السلبية) للخليفة والمتمثلة بذكر الخلافات التي حدثت بين قادة الاندلس فضلا عما اشار اليه الشعراء من ابتعاد عدد منهم , والابتعاد عن منهج الاسلام والاخلاق الاسلامية النبيلة . | The aim of this study is to show the (caliph image) as seen by Andalusia poets as a reality and imagination, whether that image was positive or negative because the poets are humans, who are dominated by their personal passions and with the solidity of the caliph concept in the Islamic thought at the same time. The subject of the study required that this thesis consists of a preface and three chapters.The preface was divided into two parts; the first one tackled the caliph linguistically, while the second part dealt with the caliph terminologically on the basis of two axes. The first axis dealt with the caliph from the Islamic Fiqh point of view, and the second tackled the term of the caliph as realized by the poets of Andalusia.Chapter one studied the moral image and consisted of four sections. The first section tackled the was image of the caliph. But, section two dealth with the social image, the third one tackled the political image and section four dealt with the religious image of the caliph.Chapter two examined the material image and included three sections. Section one manifested the shape of the caliph, the second section tackled the personal image and the third section dealt with the urban and architectural form.Chapter three manifested the negative, image of the caliph and presenting the image of other caliphs other that Andalusia caliphs. Finally, it was shown - after scrutinizing and studying the concept of. the caliph linguistically and terminologically in the Islamic Fiqh and for the poets of Andalusia considering them as the persons who express the society and the environment. So we can see many words, which are synonyms to the word "caliph" and indicating the caliphate as an Islamic concept including : " the prince of believers, the prince of Muslims, the Imam, the king and the Sultan.The research also revealed the attention of the poets to the military role of caliphs through the grand battles that they lead against their enemies such as the battle oiZallaqah, AlArk and Wadl Sulaii battles. Those poets portrayed the positive and good characteristics of the caliphs including high manners. But, the poets also manifested the negative social images of the caliphs if he does anything wrong and that reflects their - the poets - commitment to Islam mentioning their kings and women in the image of the caliph and they employ the nature of Andalusia nature to portray traits and events

البنى التكوينية في روايات عبده خال == The Structural structures in Novels of Abdo Khal

Author name: حسام عليوي محيبس
Supervisor name: زينب هادي حسن
Specific topic: Language
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: Owing to changes the Arabic Novel has witnessed in general and the Saudi Novel in specialty in depicting inner aspects of a human under the societies' changes or its sartatics , this research comes as to aim at the Saudi society structure. The current research includes the Saudi Society structure via the novel and delving into the social systems that rule the life therein , along with the essential elements that form it , along with the highlighting the important matters ensued by these systems. This could be done by the critic method in the research and literary closeness of the novelist. Our efforts focused on two directions : , the first direction is the structure trend as being described as a procedural unique method that comprehend factors of analysis and research, the other one is to deeply delve into the social systems concerning with the Saudi Society , via the novel accomplishment of the Saudi Novelist ( Abdulkhal). We have chosen this novelist because he had been awarded Al - Boker in 2010 about his novel ( casting with evils) that being represented as his fruition accomplishment and that includes eight novels , in addition to his literary experience that imitate the human inner aspects. After discussing with Dr. ( Zainab Hadi Hasan), it has been determined the research 's dimensions . The research includes theoretical preface for the structure and its philosophy dealing with the literary text based on the discussions of ( Lusyan Ghuldman ) , along with the psychological lesson in the novel ; it also includes three critic chapters and as follows : Chapter one includes the analysis of sociological addressing , it includes four researches , the first is about assimilation , interpretation , the second the indicative structure , the third is about possible awareness , the last one is about the world's vision. Chapter two includes the text's social and ideological structure. It includes five researches , the first one includes the social side , the other is religious side , the 3rd one is the political , the fourth is the economic and the last one is the psychological one The chapter three includes the new Saudi novel changes . It includes three researches , the first one is an introduction to the novel , the other one is about the new Saudi Novel , and the last one includes the artistic changes in the novelist ( Abdulkhal). It has been relied on many important references in the structure , the Saudi Society and new Saudi Novel. . Of these references were ( Structural domain and literary criticism for ( Lusyan Ghuldman) . The research faced some difficulties including exaggerated novel accomplishment filled with indications of the novelist( Abdulkahl) . I have not missed to thank Dr. ( Zainab Hadi Hasan) for her confidence in me and Dr. ( Nidhal AbulJabbar Hassoni) and ( Dr. Khalid Sahar )

الاخر في الشعر العراقي 447هـ - 547هـ : دراسة تحليلية فنية == The other in the Iraqi poetry (447 AH 547h) An analytical study of art

Author name: احمد سعيد محمد
Supervisor name: زينب فاضل احمد النعيمي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: The subject of other is not new issues, but the conflict of self and ego and us within poetic ability and substantive production concepts have made this topic curriculum researchers in studies of poetry, and perhaps the Abbasid period during the Seljuk presence of important eras which carries harbingers of literary and historical events dominated the Iraqi poetry , production phenomena and topics and one another, our study was the disclosure of this phenomenon, and his possessions and poetry texts.Selection has occurred in the study on Iraqi poetry; the Abbasid caliphate center and a theater a lot of invasions and battles and strife, as well as internal divisions, which reflected negatively on the Arab state and the emergence of dissension and infighting movements, the year (447 AH) was started presence Seljuks in Iraq after the elimination of Albuehi presence and the accompanying events influenced in directing public literature and poetry private, and the resulting phenomenon (the other) from the coalition and the difference in the subjects.The subject structure based on three chapters preceded an introduction included the reasons for choosing the subject and objectives of the study and demonstrate the extent of taking researchers of this phenomenon in other subjects, and to clarify the structure underlying subject, and comes after the introduction pave clarifing the researcher another concept illustrates the language and idiomatically, with the brevity of the political situation and economic and cultural in Iraq in the period of study, and to clarify the nature of existence and the Seljuk princes and its impact on the duration of the study.The three chapters are, the researcher dealt with in the first chapter of which the other recombinant, which is divided into three sections, thecfirst of which the other entitled acclaimed, which included exposure to the other Arab acclaimed and other national acclaimed and other religious acclaimed, and the second of which was entitled the other madrigal him and was on two kinds : women spinning and spinning the male, and the third of which was entitled winery, which has comported with the spirit of the poet and aspirations to escape from the bitter reality loaded worries and sorrows.The second chapter was titled different other, first section was of it is a reflection of the other satire explaining satire poets strata of society in various segment, and second section was entitled separation in which the researcher explaining two kinds of parting : moral posed abandonment, leave, remoteness and so on, and material represented death, which is the voice of the yard, and the third section titled graying as well as its effects on the poet psychologically and then breaks the poet that appear in the texts of poetry.The technical study has taken into the third chapter. The language and structures were the material of the first section of it, and the image of poetic material for the Study of the second section, and the music poetic material for the Study of the third section, followed by the technical study conclusion includes the most important findings of the study, then the list of sources and references that depended on the researcher in the subject and abstract in English language .The coalition and the difference issue are subject to the same poet through her love and the reluctance of those around, the poet is comport with the other remembrance of his virtues and veneration as in the acclaimed, and different with what decries of other recipes, and the harmonious coalition with the conscience of the poet in the image of women between beauty and intercourse, and the various with broadcasts actions of different feelings like parting and dams.dArab acclaimed has dominated the poetic texts that deal with other acclaimed at the national expense of the other, which did not get much luck of praise, and perhaps approach with the occupation as well as lack of awareness, many of them Arabic language and lack an appreciation for the language of poetry has taken large proportions in the minds of poets that reflected negatively in the texts of poetry.Spinning has become a cause for the emergence of recombinant other poets in the experiments between emotion and feeling, image of women not only are part physically, but promised to signify emotional objective existence of ego poet in scattered images of the other recombinant.The existence of the other phenomenon spinning by male was an extension to the previous eras of the impact of mixing with other Arab tribes, it is from the second century AH data through the sinking of some poets urbanization, luxury and fun on the boards of drink and hosing of boys Persians and the Romans.Winery mixed with other topics have been mentioned, and more are found in the spinning and separation, in Spinning looks like a poet spittle beloved and saliva like winery, while in parting poet describes the state of stunned and grief and distress that screaming his head as a result of separation, reflected the winery urgent desire poet stability and psychological dimension of the variables social, hair winery came in this era strophes poetic or short poems or verses scattered.We have found that one in Iraqi poetry different his image has been focused on the arts are three : (satire, separation, gray hairs), and the satire has taken poets of different ways, including individual satire and collective satire hostile tribe or enemies and their armies, and tends poet sometimes satire is wise ever and days and what it does with its people, and jokes and we found satire beloved, satire friend and make them a target for another satiric in different part, came the other imageesatiric reflection of discontent poets and anger at the other rational and non - rational in life between cursing and reproach, grandfather and humor, and derision, inclusive of all strata of society.The parting varied repercussions in the texts of poets between the parting moral in the departure and remoteness abandoned and weird, material and parting represented death and the yard, and poet fluctuated between longing and loving memories with folk and nostalgia for the place, or the pain and anguish and refraction.Another gray hairs in different obsessed tragically in the hearts of poets has the form; because the most important signs of the paradox of youth and the reluctance of women; so he was associated with the gray hair in sometimes complaining and bemoaning, mention past year, it is a symbol of stress and grief and confusion and dispersion

الهوية في سرديات جمعة اللامي : دراسة في ضوء التحليل الثقافي == Identity in Juma Al - lami s Narrations As a study in the light of cultural analysis

Author name: احسان جابر شبيب البخاتي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: It is definitely clear that identity has become a subject of great importance since the previous century because of what was known as " policy of identity ". The policy that was in alliance with the cultural studies. The policy of identity means a policy that is limited with those nouns that come from certain identities " historically the weakened people " instead of being a policy built on the base of some policies or certain social philosophies. it is sometimes said that the policy of identity is urged or motivated by desire of getting some kind of confess , but in most of the cases it has been flexible further by a desire of getting a free dealing or free treatment . S it has been clear that cultural studies was looked at as a shade to the policy of identity that is divided into two halves : one stands with the marginal or fellow identities and the other understands identities as shapes of cruelty and chains or even as a part of the social structure to control and slave the other. Yet , we choose the title of the study " Identity in Juma Al - lami 's Narrations " as a study in the light of cultural analysis . His narration in stories or in novels represents the society and its discourse that stands on the variety of spoken language and the signs that well understood by the society memory which is ,in a way or in another , a mirror of that memory referred to by hidden contexts in a way that we classified it as postmodernism . The discourse of identity occupies wide area in Juma Al - lami 's narrations. This is a result of the problematic issues of the Iraqi identity since the establishing of the modern Iraqi country .like the varied religious , social , racial and political Iraqi tissue. All the governments failed in making this tissue a united one hom identity so the instability continues because of the struggles and conflicts . In general the centre identities imposed themselves on the other branch identities to control and weaken them through the valid or invalid letters. The identity in Juma Al - lami 's narrations varies according to variety of the cultural identity in the Iraq society . So the religion , political and collective identity appears in its local , home and world frames. Identity suffered a lot of anxiety because of the power of the centre and the dictatorship regimes that brought many problems such as scattering and trying to achieve oneself and the worry of being destroyed , divided and breaking of the identity that led to changing in identity willingly or unwillingly. In fact the identity becomes robbed materially or symbolically. The feeling of the one origin identity that deserves life made people in one shelter behind their branch identity so as to defend their existence and regain their rights taken forcibly . This is what has been faced with violence and oppression by the centre powers that are always try to take power in order to impose their one identity , ambition and desire. This is, in fact , what created the inside and outside exiles and alienation even in the one community. This is what led to illusion of the one identity through ideology that coming from different environments as the ideal solution in the way of the modern state and society in general. This is faced by the illusion of the power as result in seeing its procedures and policies as the correct ones as well as to the double characters and particularly in Iraq. In spite of that , we can say that the cultural composition was not absent in representing identity and taking its role which in general was controlled by the state and knowledge that is called " Identity Difference" which represents in many cases the point of view of the self about the echo . As a matter of fact Juma Al - lami , as a writer , has given cultural projects to replace the identities that believe in being the only one , he presents , for example , the human and the universal identity just as Edward Saed has done . The concept that means feeling one identity does not neglect the identity of the other , does not mean slave others but the ideal solution is that how to live peacefully and respect the other in true life within one society or many communities .

انماط الجملة الاسنادية في ديوان ابن ابي حصينة : دراسة نحوية - تطبيقية == Patterns of the Sentence Al - Ansariyah in Diwan the Poet Ibn Abi Huseina

Author name: احباب ياس خضير
Supervisor name: صبيحة حسن طعيس
Specific topic: Language
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: Thanks to Almighty God the most merciful, the most compass - ionate. The descriptive analysis is chosen to be the procedure in my study. It deals with a certain phase in a certain language or tackles a certain phenomenon. It describes it inductively. It relates with the common aspects with the vocabularies in this induction which is called "Grammar" whereas the title of my study is Patterns of the Arabic Sentence Al ansariyah in the Diwan of the poet " Ibn Abi Husseina". The reason behind choosing this subject is to be the first time of searching in this field and it is updated topic to be searched. The second reason is that the poet is considered one of the great and imaginative poets in Arabic where the search in his field is quite unique. These two reasons make it worthy that the topic to be searched. The Construction of the sentence is taken into consideration according to the divisions of the Arabic grammarians, basically the noun phrase and the verb phrase not linguistically as a subject or a predicate. The study includes three chapters and an introduction and a conclusion. The introduction has a biography of the poet and his main works and the basic purposes that he talks about. The structure of the sentence between the language and the idioms and its definitions in the contemporary Arab poets. The first chapter involves the absolutenoun phrase and its components : the subject in the first section whereas the second section studies the predicate. The second chapter includes the limited noun phrase. The first section includes the copying noun phrase with letters and the second one includes the copying noun phrase with verbs whereas the third chapter is allotted to study the verb phrase which includes the affirmative and the negative sentence, with the conclusion and the references. The researcher relies on the kind of analysis of the opinions of the old and new scholars with the old and heritage references, such as ( Sibaway 180 H ) and AL - Muqtadhab for Mubbarad ( 285 H ) and AL - Osol Fi AL - Nihool for Ibn AL - Saraaj ( 316 ) and AL - Khasais for Ibn Jinny ( 392 H ) and References for letters, linguistically and semanticly such as : Horouf AL - Maany for AL - Zujjajy ( 340 H ) and Wasaf AL - Mabany for Maliqqi ( 702 H ) and AL - Jinny AL - Dany in the Horouf AL - Maani for AL - Murady ( 749 H ) In addition to the dictionaries such as AL - Aiyn for AL - Khalil and Maqqyes AL - Lagha for Ibn Faris and Lisan AL - Arab for Ibn Mandhor and AL - Moheet for AL - Fairouze Abady and etc. In the light of the sound analyses for the chapters of the study. It is concluded that : 1. The poet Ibn Aby Husseina was regarded a remarkable poet among others of his contemporaries. 2. The purposes in his works are mainly praise and flirting and lamentation and wisdom. The purpose of praise is just for getting money. 3. The existence of the noun phrase is more than the verb phrase. 4. The presence of the limited Arabic Sentence is more than the absolute sentence. 5. The subject is existed obviously in the first section in the first chapter " subject with EL, and with additional with the suffixes and the pronouns. 6. The definite subject is used more than the definite one. 7. In the second section in chapter one, all the images are depicted on the forms that the predicate comes in the form of an indefinite singular and definite singular and it comes in the form of verbs in the imperfect tense. 8. In chapter Two, the noun phrase which is copied with verbs are happened to be more than those of letters. And the modals "ان واخواتها " come more than " ليس ) and ( لا ) and the modals ( كان واخواتها ) come in the first rank. 9. The first chapter includes two sections : the first is the verb phrase with the perfect and imperfect tenses and the other section includes the negative sentence. 10. The negative sentences are widely used in the poet's works representing the negative sentence with ( لا ) and ( ما ) and more with ( لم ) and then (لمواليس

ملامح الخيال في قصص الاطفال في العراق من (1970 - 2003) : دراسة موضوعية - فنية == The fiction in children's tales in Iraq (1970 - 2003)Objective - Artistic Study

Author name: ابراهيم عبد الرضا رشم
Supervisor name: يونس عباس حسين
Specific topic: Language
Degree: Master
Language: Arabic
University location: Baghdad
First pages:

الاساليب البلاغية في النص المسرحي النثري والاوبرالي لمحمد علي الخفاجي == Eloquent Methods in the Opera, and prose Theatric text for " Mohammed Ali Al - khafaji"

Author name: كوثر حسن مكطوف طاهر الاسدي
Supervisor name: ساهرة عدنان وهيب العنبكي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: The current thesis is concerned over studying the eloquent methods in the Opera, theatric accomplishment , and prose theatre since there have been theses preceded my own , dealt with the same subject " the study of the poet " Mohammed Ali Al - Khafaji" as being directed by my . Drs. ( Sahira Adnan and Nuaas Mohammed Ali) to study the Opera theatre since this subject has not been largely studied or dealt with ; beside, the poet's production was in two methods : the first the Opera theatre ( Sinmar ) and the other one is Opera of " Kawa Al - Hidad" . The department 's policy has suggested and the committee of seminar to add the prose production represented in " AHADIHIM YUSLIM AL - QUDIS HATHIHI AL - LAYLA" and AL - DEEK AL - NASHEET" , besides , the play of Al - Hussein " AL - HUSSEIN WAQIF FI YASARI" . The latter is a prose - Poetry drama for being not previously studied ; the poet was vary in literary types in his writings, therefore , we have not left the poetic theatre in this study owing to the texts ' authority , especially Opera . This interference contributed into enriching the texts eloquently, especially in the two sides composition and indication . The supervisor's selection lied in selecting the study eloquently since there are little of such studies dealing with the Opera , theatric and prose accomplishment in the eloquent books .In respect to obstacles of research , concerning with the collection of achievements of the poet that have helped us to get some of which , including , Dr. Nuaas Mohammed Ali Al - Khafaji and the other I have been unable to get for the non - availability of texts even in the house of the poet. These texts are ( The play of Adraka Sharzad Al - Sabah, Opera : When dancers get tired" . Dr. Nuaas who is the son of the poet has told me that ' Al - Khafaji" has lost the texts that he owns and he was determining to re - write them , but the fate was preceded him by his death before he accomplished his project. The drama of " AL - DEEK AL - NASHEET" has been found in Al - Aqlam magazine . The thesis includes three chapters , introduction, preface and conclusion. In the preface , I have dealt with three branches , the first one is about Opera , the second is about drama in the context and poetic theatre , including child theatre and the interference of different literary types and the last one is about the texts of the poet. The chapter one has referred to researches in the science of meanings that being divided into three researches , the first one has been about the composition methods ( order , question, calling and negative ) ,where I have indicated the importance of existing such methods inside the theatric texts in composing the sentence , along with its dominance in the text, the 2nd research has been about the composition and indicating about the importance of the sentence - and its composition , the third research has been about Khabar and its types . The chapter two the texts indication and that being divided into three researches , the first one has been about the similarity and its types , the second research has been about metaphor and its relation in the texts, then , I have talked about symbols an indications the poet has dealt with in the prose theatre. The chapter three comes under the title " Al - Badeaa science " , it has been divided into researches , composing of three elements , counterpoint , opposite , verse , exchange and division , the second research has been about Anaphylaxis , reiteration, repeat . We have mentioned the repeat for its indication , where the music repeat gets vary for letters , utterances and phrases in the sentence and syllables. The third part has been assigned for quotation and its significance in the achievements of Al - Khafaji .In conclusion , I have accomplished most important results , indicating the eloquent text has interaction sides in the aesthetic and linguistic functions in the text ; every eloquent element has a definite function in the context

شعر لميعة عباس عمارة : دراسة دلالية (المجموعة الشعرية الكاملة) == The Poetry Lameea Abbas Omarah A Semantic Study The Complete Poetic Collection

Author name: ولاء علي ناصر
Supervisor name: عبد الحميد حمد شحاذة
Specific topic: Language
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: This study addresses the Poetry Lameea Abbas Omarah, a semantic study. It consists of an introduction and three chapters. Each one of these chapters, as well as the introduction, has shed light on a certain aspect of the semantic study, according to the what follows. The introduction tackled quotations of the poet’s life and the most significant studies made about her poetry. The first chapter (The Phonological and Morphological Semantic Significance) included two sections where the first discusses the phonological issues within two subsections. The first subsection discussed static rhythm significance, represented by the rhyme and poetic necessities. The second subsection included the dynamic rhythm, clear in repetition (for the single sound, or the clauses and sentences) and also in paronomasia. The second section (The Morphological Semantic Significance) was also divided into two subsections, noun significance and verbs significance. The second chapter (Structural Semantic Significance) which, in turn, was divided into sentence refrainment, which included (preceding, forwarding, mentioning, emission, supporting the verb with an unreal subject, extra refrainment, and the employment of prepositions to link the sentences). The second section (Composition Structural Refrainment) which included (attention, opposition, as well as local and foreign expressions).As for the third chapter ( Semantic Significance of Concepts), it included semantic concordance, synonymous, the common spellings, semantic decadence, semantic sophistication, refrainment in generalization, specification, and the semantic transition.And at the end of the study, a conclusion of the study’s results

الابنية الصرفية في ديوان محمد رضا الشبيبي : دراسة تطبيقية == The Morphological Forms in the Poetry of Muhammad Ridha Al Shibibi A semantic study

Author name: رغد جاسم محمد الصبيحاوي
Supervisor name: تغريد عبد الله احمد
Specific topic: Language
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: Praise to God upon his blessing that he had made our language, the language of Koran, our speech to the people of paradises, and peace be upon Prophet Muhammad, the master of all messengers. The study of morphological forms is basically considered in understanding of the linguistic sciences, and understanding the language from its structures, rhetorical and analyses. So the morphological study is difficult. Morphology has not been the focus of researchers as the syntax has been. Arabic library is rich in lexical dictionaries that have given much focus on the explanations of meaning of vocabularies and their linguistic meaning. However, there is shortage in the studies of morphological forms of Arabic words. This shortage has been a motive for me to study The Morphological Forms in the Poetry of Muhammad Ridha Al - Shibibi. Moreover, the researcher is highly interested in morphology. The poetry of Muhammad Ridha Al - Shibibi has been chosen for its simple words, coherent wording and structures and the absence of odd words. No morphological study has dealt with his poetry. Below is a review of the studies that have dealt with the poetry of Al - Shibibi.B• Al_ Shibibi as a poet : a thesis by Qusei Salim Alwan, 1971 consisting of four chapters and talking about Al - Shibibi, his age, his culture, his poetical words and his status in Iraqi modern Poetry.* Muhammad Ridha Al - Shibibi and his intellectual and political role until 1932 : a thesis by Ali Abd Shnawa 1992 consisting of three chapters and talking about his early life and the beginning of his fame before WWI; and talking about his intellectual and political activities from WWI until the end of the Iraqi 20th Revolution; and his intellectual and political activities during British mandate. • Muhammad Ridha Al - Shibibi and his intellectual and political role until 1958 : a dissertation by Ali Abd Shnawa 1997; talking about Al - Shibibi’s role after British mandate. The above mention studies have not dealt with the morphological aspects of Al - Shibibi’s poetry. The current study aims to contribute to Arabic etymology and to explain the role of Iraqi literature in the development of Arabic language by adding a new knowledge to Arabic library.C The collection of materials used in this study has been based on two essential sources : linguistic references such as ALKITAB by Sibawayh and AL MUQTADAB by Al - Mubarrad; and poetic books by Al_ Shibibi. The current study consists of introduction, preface, three chapters, conclusion, contents, and references.• Introduction : _ it includes the problem, aims, significance of the study and the limits. • Preface : _ it includes the life of the poet, his ancestry; and his status among poets. In addition, it includes the semantics.• Chapter one : _it includes two sections : • The first section : _ deals with the morphological forms of the Arabic three - letter verb and that which is added by one , two or three letters. • The second section : _ deals with morphological forms for the Arabic four - letter verb and that which is added by fifth and sixth. • Chapter two : _ it deals with morphological forms of the derivations (active participle, passive participle, pseudo adjective, intensive active participle. It also deals with the morphological forms of other derivations such as diminutive noun and relational adjective or adjectivized noun. D• Chapter three : _ it deals with the morphological forms of the plurals and the abstract nouns. It includes the plural : masculine and feminine, broken plural : fewness and abundance, collective Noun, plural generic noun and singular generic noun,direct nounabstract noun , noun derived on the pattern Maf’al, noun of manner, noun of instance and artificial abstract noun. • Conclusion : it includes the results that the researcher has got in this study.Finally : this study is a humble work and a simple effort added to the human knowledge. The researcher may have made tiny mistakes and this nature of human being - imperfect. May God bless and guide us to what is righteous, and help us to serve Arabic language
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