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قصائد الجود (2010 - 2015) : دراسة صوتية صرفية == Al - Jude poems (0202 - 0202) - Phonological Morphological Study
Author name:
هبة حمزة رحيم الحسيني
Supervisor name:
ليث قابل عبيد الوائلي
General topic:
Arabic Language and Literature
Specific topic:
Language
Degree:
Master
University:
University of Kerbala - College Of Education For Human Sciences - Department Of Arabic Language
Language:
Arabic
University location:
Karbala
First pages:
01T5047 - p.pdf
Abstract:
It is very proud for anyone to tackle a great literary work that deals with a brilliant personality with dis - dainful spirit, a hero that history and Kerbala battle witnessed to him, a person that humanity glorified him. All faithfulness is represented by him, dignity refers to him. He sacrifices himself without any care, that is, the hero of Al Taf, Al Abbas Bin Ali ( peace be upon them). The study plan consists of two chapters preceded by an introduction and followed by conclusion. First chapter is entitled ' the phonological level', it hasthree sections : justification, apposition, and assimilation. Second chapter which is entitled ' the morphological level' contained three sections : derivational constructions, infinitiveconstructions, and verbconstructions. The construction has reached the following results : *Al Jude festival poems were built on the same style of the old Arabic one represented by the vertical verse. It has meters and rhyme. They are multipurpose, and at the same time, these poems mention number of merits and virtues of the generous. Al Abbas Bin Ali (peace be upon them) depending on symbol and allegory as a significant artistic device. *Al Jude poets adopted a group of phonological techniques and expressions represented by the overuse ofjustification, apposition, and assimilation, particularlyjustificationwhere all its types used. The same thing happened with apposition where they used the regular and aural. The renewers' opinion walk side by side with Al Jude poets when they adopted its three types that were constructed by the renewers in spite of most traditional thought that assimilation has two and not three types.* Al Jude poets formed most constructions of their poetic texts from the three letter verbs whether what concern forming the present participle, past participle, and the adjective. During their use for these constructions, they were away from original that can be predicted from the context that mentions the derivative construction.
