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الانسجام الصوتي في خطب العرب ووصاياهم في عصر ما قبل الاسلام == Acoustic Harmony in Arab Speeches and Commandments in the pre - lslamic
Author name:
علي عواد ميزر الزبيدي
Supervisor name:
عدنان عبد الكريم جمعة السالم
General topic:
Arabic Language and Literature
Specific topic:
Language
Degree:
Doctorate
University:
University Of Basrah - College Of Literature - Department Of Arabic Language
Language:
Arabic
University location:
Basrah
First pages:
01T5011 - p.pdf
Abstract:
Pre - Islamic prose is still inexhaustible source of knowledge, scholars and others, of different levels and disciplines, make use of it as it is a subject carries art connotations. Undoubtedly, speech is the most significant means of communication among individual people and groups, and it is the most needed means of persuasion, satisfaction and influence in a recipient. Speeches and commandments are considered the most important means to which speakers resorted to in order to impact and persuade recipients. Those who are interested in the Pre - Islamic era speeches and commandments could find that there's a kind of a clear acoustic harmony. In other words, he sounds of the words they use are compatible with the intensity, softness, preaching, guidance, command and prohibition. These are carefully used for the purpose of achieving the desired purpose and getting spread among people, then easily memorized and used.The study is in an introduction followed by four chapters, then a conclusion of the most significant results found. The introduction has served the title (Acoustic Harmony in Arab Speeches and Commandments). The first chapter has paid much attention to study a syllable and importance of an acoustic harmony in forming an acoustic syllabic texture, which is under the title (Acoustic Harmony in Arab Speeches and Commandments). It consists of three sections, preceded by a preface stating ( syllable, its types, its characteristics). The first section is devoted to the study of assigning the correct verbs to pronouns, while the second deals with rebalancing an acoustic texture, and the third shows disapproval of succession of proverbs in the Arabic structures.The second chapter has discussed the harmony in neighboring sounds in context, which includes three sections. In the first section, there's a study on the diphthong phenomenon, in the second typicality, and in the third section a paradox phenomenon has been elaborated on. While the third chapter has paid much attention to study the phenomenon of vowel letter change and exchange. The fourth chapter goes on discussing an acoustic harmony in rhythmic phenomena in Arab speeches and commandments, containing three sections. The first section discloses repetition, while the second is on acoustic harmony, and the third focuses on an acoustic aesthetic assonance.The study has come with the following results : • This study is the first of its type in the field of Arab Speeches and Commandments in the Pre - Islamic era.• The speeches and commandments are considered the most important means of influence and persuasion on a recipients.• The study disclosed the influence of an acoustic harmony on sound syllables in Arab speeches and commandments.• Diphthonging seeks to achieve an acoustic harmony among neighboring sounds in the context in Arab speeches and commandments.• The study showed how Pre - Islamic speaker sought to create consistency and harmony among different sounds in the context.• The study disclosed that the acoustic repetition in Arab speeches and commandments is clear phenomenon, which was achieved through a number of levels, once through repeating a sound or word or a syllable. • The study disclosed that assonance of different types is a prominent sign in Arab speeches and commandments
