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جمالية توظيف الصورة الفوتوغرافية في فنون ما بعد الحداثة == Aesthetic Employment of Photograph In The Art of Post Modernism

Author name: حسن عطوان كاظم
Supervisor name: كامل عبد الحسين الشيخ خضير
General topic: Fine Arts
Specific topic: Drawing
Degree: Master
Language: Arabic
University location: Babylon
First pages:
Abstract: تناول البحث الحالي ( جمالية توظيف الصورة الفوتوغرافية في فنون ما بعد الحداثة ) وقد حاول الباحث التعرف على جمالية توظيف الصورة الفوتوغرافية في فنون ما بعد الحداثة، من خلال الاجابة على هدف البحث الحالي، وقد اشتمل في بعض جزئياته، بيان طبيعة والية توظيف الصو

انساق العلاقة بين جسد الممثل والسينوغرافيا في العرض المسرحي : ماكبث انموذجا

Author name: جواد كاظم حسن الحسب
Supervisor name: فاضل خليل رشيد
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: يرتكز العرض المسرحي الى عدة عناصر تشكل هذه العناصر اساس لغته البصرية، فالممثل وهو العنصر الاساس، وهو صورة العرض الحية الى جانب العناصرالاخرى المتمثلة بالسينوغرافيا، كالاضاءة والديكور والملابس والمكياج والموسيقى والمؤثرات الصوتية والاكسسوارات التي تتحرك في

جمالية الايهام البصري في رسوم سلفادور دالي == Aesthetic Visual Illusion In Paintings of Salvador Dali

Author name: شاكر عبد النبي جباره وطبان
Supervisor name: محمد عودة سبتي
General topic: Fine Arts
Specific topic: Art Education
Degree: Master
Language: Arabic
University location: Babylon
First pages:
Abstract: Fill Find beauty of human thought since ancient times, being an important part of his feelings and his sense of the world, which showed the his attempts at making beautiful as he sees fit consistent with the feelings and human identity and social affiliation, and characterized without other creatures of being beautiful pictures and creator maker, this led to allocate some of the search the values of these images and their interpretation, Venco so aesthetics, has produced a lot of art images from the caves to the present day, and the great artists who excelled in this area a significant impact in the technical experience considering that their greatest impact on the thoughts and emotions of the people, and who left a legacy artistically valuable a significant impact later is the Spanish artist (Salvador Dali), which occupied a prominent position and an excellent location in the history of European art.The current research has dealt with (Aesthetic visual illusion in Paintings of Salvador Dali) and containing these fees from the beauty of art through the methods of structural treatments, techniques and technologies.Salvador Dali acquires great importance as an artist, he is an artist Urby singularly in his career, and has a level of privacy on the aesthetic tools and on the level of human and social position.As artist Silvader Dali belongs to the school Surrealism, which emerged and was famous in the early twentieth century and affiliation that did not make it affected the fundamentals of technical classic, but search for himself space to override contrary in outside those limits, making it the most famous surrealist artist from among a number of his peers Europeans.As long as his work is that talk, Salvador Dali has left a number of important works, carrying privacy orientations Surrealism.This research is an attempt to reveal the editorial systems in his art, and the qualities that could be achieved in the aesthetic elements of the plastic painting very magnificence and excitement is not technically part, but in metaphor and embedding elements configuration.The search is over to combine analysis who cares fragmented, examination and induction and formulate conclusions,.Thus adopted research the following question : (What aesthetic the illusion in the Salvador Dali fees?)The research is divided in four chapters, the first chapter included, the problem of the definition of research and its importance and need for, and the aim of the research that has been summed up as : (learn visual aesthetic giving the impression in painting of Salvador Dali). The first chapter also includes a definition of the limits of the search, and determine the terms contained therein.The second chapter, which is the theoretical framework of the research, it has been divided in four sections : 1. The first section Me (perceptive formal in painting between reality and create the illusion).2. The second section Me ( illusion in modern painting)3. The third topic Me (Surrealism, origination, vision and method).Also included a theoretical framework and previous studies indicators.While the third quarter included research procedures, from the research community, and a sample search, search tool, the research methodology and analysis of the research sample.• The fourth quarter included the search results, Among the findings of the researcher : 1. The arguments of Surrealism seemed clear in the works of Salvador Dali imagined and underlying vocabulary that seemed a substitute for logic and reason authority since defected to the fundamentals of building formal relations that would achieve a balance between the painting and the unity and harmony dimensions allowing the artist to form a pattern of Fine relations and Avatar on the surface Photogrammetry which met the elements of alienation, imagination and subconscious.2. How important photo in the works of Salvador Dali appeared by employing them in collage techniques as it appears in the painting (3), or in making it as an essential element for the establishment of his work with elements of playing is reflected in the paintings (9.11, 14, 15) of the sample research.The most important conclusions : 1. Depending on the different themes of the diversity of the latest so that the grapes can be classified into the task of the artist's life stages where it was confirmed on a specific theme which completed a large collection of his works2. create the illusion that the key element in most of the works of Salvador Dali Surrealism within the period in his artistic life form.• recommendations, including : the need to establish cultural and intellectual relations between the global arts colleges and technical institutions) with arts colleges in Iraq to take advantage of the technical expertise and experience and acculturation between them, and interest in the study Surrealist art depending on Salvador Dali techniques in the implementation of his paintings.• proposals, including : the impact of Salvador Dali fees in contemporary art.Then comes after chapter four : sources, supplements index, and abstract in English.

جماليات تحولات المنظر في عروض المونودراما العراقية == The Aesthetics of Scene Transformations At Iraqi'S Monodrama Plays

Author name: فرزدق قاسم كاظم عبد الله
Supervisor name: محمد عبد الرحمن الجبوري
General topic: Fine Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: شكلت عناصر بنية التشكيل الجمالي لتصميم المنظر المسرحي في عروض المونودراما نقطة ارتكاز مهمه في بيان صياغة تحولاته التي تفرض سيطرتها على المتلقي، مما يدفع به الى ان يتفاعل معها ليستقرا دلالاتها وفق دائرة الاحداث والتي تاخذه بعيدا في عوالم الروح الامتناهيه ح | The sequences of elements of scene structure transformations at the monodrama plays play an important role to demonstrate its aesthetics that impose its control upon the audience, which push them to react with these transformations to recall their signs in accordance to the events and take them so far to infinite soul worlds, where sensitive and ideological enjoyment are generated; thus, this thesis titles (The Aesthetics of Scene Changes at Iraqi Melodrama Shows) came into being. The researcher determined its scientific paths at four chapters. They are : The First Chapter : it included the syllabus framework and contained the problem of the research and its need. The problem is determined by the following question : How did the designer deal with the Play Structure Elements changes of the scene till showing them to the aesthetic reading at the melodrama play? The activating the aesthetic of play scene form structure elements via their changes during the melodrama play leads to enrich the mental and sensitive realization of the audience; as there is no similar study specialized in this theme, the need for this study raised. It also contained the importance, aims, limits and terminology (Aesthetic - transformations - Play Scene - Monodrama). The Second Chapter : its included the theoretical framework that contained four parts. They are : a - Part One : The Aesthetic Concept at The Western Philosophy.b - Part Second : The Scene at the Modern Play Trends c - Part Third : The Scene transformations and their signs at the Play. d - Part Four : Elements Visual Occupation at the Monodrama Play. This chapter contained as well a list of previous studies that dealt with monodrama as main theme, such as : 1 - Hussein Ali Haref’s Study (The Technical Features of Monodrama). It as a literary study related to the melodramatic text. 2 - Nuha Abbas Jawad Sheweleiah’s study (Alienation at Iraqi Monodramatic text). She interested with Alienation concept at the monodramatic text. Then she reached the indications that resulted from theoretical framework. These indications are : a) The elements of aesthetic form structure of the play and its features of the audience sensitive reactions and motivate them to react to recall its expressive signs that grant them metal and sensitive enjoyment. b) The mechanism of aesthetic scene transformations move into two directions; the first : Iconic Aesthetic transformations and The second : Symbolic Aesthetic transformations. The Third Chapter : it represented the Methodology Framework. It contained the community, syllabus, tools and methods of selection and analyzing the samples of the research. The sample contained the following plays : 1. (The Hunchback) monodrama, the scene is designed by Falah Ibrahim 2. (Achilles Return) monodrama, the scene is designed by Emad Mohammed 3. (I at the dark research) monodrama, the scene is designed by Awatif Naem4. (The Gone Days) monodrama, the scene is designed by Sami Al Hesnawi5. (Alienation) monodrama, the scene is designed by Suhail Al Bayati. The Fourth Chapter : it included the results, discussions, conclusions and suggestions. The most important results are : 1 - The designer achieved the ideological aesthetic reading of the monodramatic scene in accordance to structure form elements transformations within the limits of the symbolic level at the monodrama plays (the samples analysis).2 - The designer sought to use slight raw materials to build the scene order to enable the actor to change its aesthetic particulars in harmony with the events during the play as is the case with (The Gone Days) and (the Hunchback). Finally, the researcher fixed a list of references, supplements and this English Abstract.

جماليات بنية الخطاب التلفزيوني الموجه للطفل == The Aesthetics of Constructing T.V Discourse For Child

Author name: هناء خضر يوسف
Supervisor name: متي عبو بولص
General topic: Fine Arts
Specific topic: Audio and Visual Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: يشكل الطفل بنية حيوية يصعب الكشف عن جانب من مكوناته الانسانية دون الرجوع الى البنية الكلية، انه شان الخطاب التلفزيوني، فهو يشكل بنية متكاملة يصعب النظر الى مكون من مكوناته في معزل عن تلك البنية العضوية التي تؤسس وحدته الكلية، وهناك عناصر لا يمكن تجاوزها ع | Child is considered as a vital construction which is difficult to discover any thing about his human components unless go back to his total construction. It is a concern of T.V discourse because it represents a total construction which is difficult to watch any component is aloted from the organism construction which establish his unity. In addition, there are other elements which can not be avoided when searching about the reasons of constructing any discourse especially T.V discourse for child. These elements fall among the audio visual construction and become very important in its communicative - technical role or in its aesthetic - expresional role to add more meaning and contribute to improve the aesthetic teste in child and develop his character.However , the following study is going to study this case and falls in five chapters. The first one is ascribed for the theoritical background, and the problem of the study which Represented by the following question : What are the characteristics of constructing T.V discourse for child, and how to employ the elements of audio - visual construction in this discourse to represent the aesthetic qualities which attract the child interest.The aims of the study concentrate on : - The automation of receiving in child. - The aesthetic - expresion employment of the audio - visual elements in T.V discourse for child.The limitation of the study is confined to T.V films for child within the age 9 - 12 year, regardless with a limited time because the study is studying the artistic aspect of all films away from the date.of its fits productiong or showing.Chapter two comprise the previons studies and the thearitical background, the researcher found two close studies for hers while the thearitical background includes these three sections : - - The psychological receiving in child in which, the researcher shed light on the concept of communication and its effects on the sensational and psychological perception in addition, she studied the age division of child and the factors which effected the efficiency in child. - The elements of discourse construction : This section studied the most important element. of montage and audio - visual. This is to now the impact of expressional and notional emplaymention on discourse for 9 - 12 year child to achieve the cognitive and aesthetic aim of discourse. - The aesthetics of discourse between testing and conception : This section includes the concept of aesthetic, conception and aesthetical testing in child, and how he feel in art. The researcher, then, draw up the theoretical background and the instrument of the study atter they were exposed to ajury of experts.Chapter three includes the procedures of the study which had been adopted by the researcher to analys the selective sanples of the study which were 1 - the film (Garfield) 2 - the film (Bridge to terabithia) 3 - The film (Edde’s cook) and the justification of selecting these samples in addition to the research instrument and the unit of analysis.Chapter four includes the analysis of selected samples and concluding the final results which where included in chapter five, then the results of the study.Which are as follow : - 1 The variaty of discourse ideas for child straint from his essencial needs and the system of educational , social and cognetive values.2 Using the simple plot in which a strugle between mind and intellegent will appear instade of body violent.3 Lighting had an effective role to attract the attention of child and delighted him.4 Concentrating on natural colures as an indication vitality and loving the life.5 Fashion had an effective role to discover the psychological aspect of the character.6 Simplicity were adopted in the language of discourse for child.7 Songs , effects and music play an important role for entertaining and amusing the child.8 Montage is depending on longitudinal style to sequencing the events and employing the process of clipping , cutting and mixing. Finally , the researche state the conclusion according to the results of study , and some necessary recommondation and suggestions for further study to cover all the gaps. this study because it needs a specific researcher. Then the researcher end the study by the lislt of references and appen dences and the abstract in English.

جماليات النظام التصميمي لهيئة جهاز الحاسوب المحمول وعلاقته بالمستخدم == Aestheticisms of Designing System For Shape of Laptop And Its Relationship With User

Author name: مهند جورج الياس فتح الله
Supervisor name: شيماء عبد الجبار حميد العبيدي
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: يعد? جهاز الحاسوب المحمول , من التقنيات الحديثة المهمة والاكثر فعالية وتاثيرا في حياة الانسان. وبما ان الهدف الرئيس لاي عمل في مجال التصميم هو النظام التصميمي المناسب , فقد تناول البحث الحالي دراسة امكانات وضع مرتكزات تصميمية تطويرية لهيئة جهاز الحاسوب | The lap top is consider one of most modern techniques and most influential and activity in life of human , the main aim for any work in field of designing , is fit designing system where present research deals with studying of potentialities set rests of developing designing for shape of lap top in order to contribution of present research with its artistically and scientific materials in finding knowledge base to studying aestheticisms of designing system for shape of lap top in order to achieve designing aspects with concerning with aestheticism formative system and functional aspect which achieve qualification in work with provide security and safety , both from contains of 1st while 2nd consist of three topics , the first was concerning with in designing system ( formative ) , while 2nd topic was deals with what's lap top and relation of its function with designing variables and its components and ways of used connection beside its relation with surrounding circumstances , 3rd topic have introduced explanation in humanbeing engineering ( Anthropometry ) and designing of designing of designing systems , 3rd have concluded measures of research where I depend studying of case in descriptive methodology in order to form base of scientific analysis of for sample of research which represent 50% from community of research through analysis and current descriptive for phenomenon. The researcher have depended on indicators was outcome sources and references were depended by researcher and field visits for shops of lap tops , and also interviews with owners of experiment , beside reconnaissance of researcher through use application of interview to specify how dealing of user with designing system for shape of lap top. 4th chapter have described sample of research and analysis it according to application of specification of axis of analysis. 5th chapter and last to introduce results and conclusions and designing rests and recommendations besides suggestions.Most results were been discovered by research as following : - 1 - Confirming on designing system which concludes well - organized relations which connect parts each other and with public shape which reforming as whole for structure against its functions within one connected idea.2 - key boards become on shape of bowed in outward and with tendency angle fit with direction of hands in order to functional values and getting rid of stress to wrist joint as result its twist towards inward ( where direction of hand of user in direction same or extension wrist joint and in same extension of hand ) , aesthetics value through movement and variety to its designing variables to cope with desired function. 3 - designing shape of lap top with well - organized structural system from ordered relations? between system of structural techniques designing system and operational smaller size , lighter weight and more competence and between forming designing variables to provide desired function and aestheticism value in order to carry out requirements of user. 4 - employing of shape lap top connect with abilities of loading , moving , and facility of treatment and usages in different environments of work with less range from surrounding space.5 - achieve elements of quality , and designing formatval structure through use material of plastic ( type ASB ) in shape of lap top through physical features and requirements of manufacturing and economic consideration. 6 - relying on movement and variety in structural shape in order to achieve renew structural configurations , original and development with aestheticism influences and by dynamic spaces and not similar and nderstanding for certain aims of designing work.

جماليات الماكياج في عروض المسرح العراقي == The Aesthetics of Make - Up For The Iraqi Play

Author name: ذكرى عبد الصاحب عبادي
Supervisor name: سامي عبد الحميد نوري
General topic: Fine Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: اعتمد بناء وتشكيل الصورة المسرحية من انبثاق المسرح حتى يومنا هذا على صور شعرية وفن معمار الفضاء المتسع المعاني والدلالات التي تتسم بها الشخصية المسرحية وما يحيط بها والتي من خلالها يتلاحم المتفرج بالممثل في اجواء تطهيرية صادقة المشاعر والاحاسيس اتضحت ملام | This research deals with the mechanism and the aesthetics of make - up for the Iraqi play performance. The problem of the research concerns with the imitation of natureand the principle of illusion of reality and to what extent the artists of make - up tried to achieve. In chapter two : the researcher discusses the aesthectic frame of make - up according to the ideas of the philosophers.The chapter discusses The scintefic frame of make - up such as Anthropology , Biology , Sociology , Psychology and Anatomy.This chapter also deals with the artistic frame of make - up Concerning Design and Compotion so the effect , of the elements of the other aspects of theatre Visual such as costumes , scenery , lighting on make - up concerning line , shape mass , Color , and texture. chapter three of this research deals with analyzing the mechanism and aesthetic aspects of make - up in five Iraqi play productions. The researcher reaches the following conclusion : 1. The straight make - up were used for most of thos plays and character make - up for som of them.2. There was no need too achieve the principle of illusion of reality for the make - up of the samples.3. In one of the samples the artist of make - up used the Clay for covering the faces and bodyes of the actors instead of vsing the materials of make - up. 4. some of the aesthetic touches were used for few characters.5. No effects of the other elements of the visual Theatre on make - up appear specially the effects of the stage lighting.

جماليات السينـوغرافـيا فــي العرض المسـرحي : نماذج من المسرح العراقي == The Aesthetics of Scenography For The Theatrical Performances

Author name: جبار جودي جبار العبودي
Supervisor name: محمد عبد الرحمن الجبوري
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: في ظل انفتاح العالم على مختلف انواع العلوم والتكنلوجيا والمنجزات التقنية التي شكلت العصب الاساسي في الحياة المعاصرة بدات التجارب المسرحية بوصفها فنا يعكس انماطا شديدة الخصوصية، وعلى تماس مباشر باحاسيس ومشاعر المتفرجين، بدات هذه التجارب محاولات اللحاق | This research deals with the problem concerning the authority of the aesthetic elements in the scenogrphy for any play production and the ability to cause their effects in the final form of the stage pictures. The goal of the thesis is to define the aesthetics of scenography considering the dominating authority for the Iraqi theatrical productions and the role of the main factors in showing the images of the directors and the designers. In chapter two , the researcher reviews the resources dealing with the subjects. Section one of this chapter reveals and discusses the opinions of some scholars about the conception of scenography and the development of its implications through out the history of the theater. The researcher chooses the opinions of the three well - known play directors and designers - Adolf Apia , Robert Wilson , and Taduez Cantor. In section two of the chapter , the researcher discusses the aesthetics of scenography elements - the actor, the make - up, the costumes, the scenery , the accessories , and the theater building architecture. In chapter three , the researcher anal sizes the aesthetics of scenography of, three Iraqi play productions : The first is ( picnic ) adapted and directed by (Ahmed Hassan Mussa) , and ( Jabbar Juddi ) is the scenogerahper. The second is ( Cerfew ) written , directed , and scenogerahpy by ( Muhannad Hadi ). The third is ( The Blood Horse ) adapted ,directed and scenogerahpy by ( Jabbar Juddi ) , The text of this play was adapted from ( Macbeth ) of Shakespeare. In the fourth chapter the researcher discusses the results of his analysis and reaches the following conclusions : 1/ The theatrical performance depends a lot on the visual theater nowadays more than the others.2/ It is important to achieve the harmony between the visual , the auditory, the kinetic element and the dramatic element according to the vision of the director.3/ The aesthetics of scenography could be achieved only in well equipted stage.4/ The authority of scenography dominates the contemporary theatrical performances.5/ In order to achieve the aesthetics of scenography successfully it is necessary to manipulate the plastic elements.

جماليات التعبـير في التصوير الاسلامي == Aesthetics of Expression In Islamic Imaging

Author name: محمد عبيد ناصر العـناوي
Supervisor name: جعفر عليوي الخفاجي | فاخر محمد الربيعي
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:
Abstract: يعنى هذا البحث بدراسة (جماليات التعبير في التصوير الاسلامي )، وهو يقع في اربعة فصول، خصص الفصل الاول لبيان مشكلة البحث، واهميته والحاجة اليه، وهدف البحث وحدوده، وتحديد اهم المصطلحات الواردة فيه.فتناولت مشكلة البحث موضوع (جماليات التعبير في التصوير | This dissertation studies (the aesthetics of expression in the Islamic imaging), which consists of in four chapters, the first chapter is devoted to a statement of the research problem, and the importance and its value, and the aims of the research and its limits, and to identify the most important basic terms in the study. The research subject (the aesthetics of expression in the Islamic imaging), describes arts as an important a means of expression and the needs and concerns of human religion, as a result of spiritual and psychological human to need beauty, he began groping for meaning and forms in outer reality, self - sense and then take reflected in beautifully artistic product, Islamic civilization was not far from such innovations in the field of the arts, a variety of artistic schools which differed in their methods and varied in its conclusions that were influenced by religion that espouses, these schools contributed significantly and directly in the nature of the themes and ideas, beliefs and accidents expressed in various areas of the arts, and here emerged the role of Muslim artist expressing the philosophy of the age in which the belonged to more than creative concepts prevailing, which surrounded the artists within the boundaries of the Islamic nation or its neighboring civilizations, but he had dialogue and taken from the past or contemporary achievements and several pictures. Throughout the Islamic thought and religious belief, which had a wide resonance in the community movement, and his habits and his perseverance , and culture, so it has to reflect the patterns and common forms of matter and during the event, expression, idea and content. Hence the problem of the current research has arisen through answering the following question.How did a Muslim artist express his constructive and aesthetic production?And raised the importance of the research by highlighting the focus on the Islamic imaging expression and clarify the concept in a constructive process. That the first chapter, contains the aim of the research which is : Detecting and identifying the aesthetics of expression in the Islamic imagingThe limits of the research are identified by studying the aesthetics of expression in the Islamic imaging for the period (635 e - 1090h) (1237 m - 1680 m) and within schools (Iraqi, Iranian, Turkish, Indian), as well as a review of the basic terms such as : (beauty, aesthetic, expression, photography)The theoretical framework consists of three section : The first section, is devoted to the concept of beauty in philosophical Islamic thought, starting from Greek philosophy as paving the Islamic philosophy down to the thought of the aesthetic of (AL - Kindy) , (Farabi) , (AL - Tawhidy) , (Ibn Sina) , (AL - Ghazali) and (Ibn Arabi(.The second section contain the expression between form and content, and in it (the concept of expression, expression in primitive art, concept of form, the concept of substance, bilateral form and content, in the form of expression relationship, a relationship of expression with content, the relationship of expression with( the substance. The Third contains axes : The first axis included the aesthetics of expression in the Islamic art through the entrance of Islamic art, and references of Islamic Art, and the characteristics of Islamic art represented monotheism, unity, movement, and abstraction, as well as the attributes of expression in the products of Islamic art through the Islamic decoration, and calligraphy, and architecture, and porcelain. The second axis included the expression applications in the products of the Islamic imaging through the emergence of the Islamic imaging, the impact of prohibition in the Muslim imaging, as well as the aesthetics of expression in the Islamic photography schools (the Iraqi school , Iran , Turkish and Indian Schools). Then the researcher displayed the previous studies. The third chapter contains the procedures the study : including the study and selection of a sample of appointed adult (22) stylized Islamic imaging divided into six miniatures graphical Iraqi school and the Iranian school, and of five miniatures of Turkish schools and Hindi, then the of tool Analysis of the sample. The fourth chapter included results, conclusions, recommendations, and suggestions/ Among the most important findings of the researcher : 1. The expression feature of the Iraqi Islamic her miniatures have a renewable energy, because it combines the tangible and intangible images of , the natural shape and religious symbol.2. aesthetic expression in the Iraqi school emerged through the form in flatness and distracting leisure and work on the principle of the solenoid and linear perspective in art forms relationship with each other and in the spatial relationship with the space.3. It appears that solenoid perspective evident in the Islamic Persian imaging through visual movement in focusing when look at the people in the middle of miniatures and then move to neighboring hubs in a mechanism to create artistic works refers to the aesthetic side of artistic expression.4. the aesthetic expression appeared in Turkish school in an expressive narrative way through realistic transport which is not far from the realistic reproduction of forms inspired by nature5. repetitive conte xts in Indian School characterized by esthetic harmony by simulating the shape imparted to the aesthetic expression of Indian photography. The researcher concluded the following : 1. Muslim artist based in the Muslim imaging schools to evoke the determinants of structural elements and organizational foundations, which represents the need to do the aesthetic expression and an attempt to understand the link - state equalized between reality and ways of expression.2. Islamic environment features reflected a clear impact on the structure of Islamic art in general and photography in particular, the structure was considered as an indicator of citizen reveals the nature of the link between the environment and aesthetics works expression in Islamic miniatures.In addition a number of recommendations, suggestions, Arab and foreign references and appendices, the abstracts in English have been displayed.

جماليات البناء الكنائي في الفلم الروائي == Aesthetic of Metonymy In The Feature Film Dessertation Submited

Author name: اسيا جبار خلف
Supervisor name: طه حسن عيسى الهاشمي
General topic: Fine Arts
Specific topic: Cinematic Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: ان البحث الموسوم "جماليات البناء الكنائي في الفيلم الروائي" ويستهدف دراسة موقع الفلم الروائي من البلاغة بوصفه علما استقر في اللغة الطبيعية ووجدت له مقاربات في الفنون المجاورة، وكانت الكناية احد الاساليب البلاغية المتضمنة في علم البيان احد مباحث البلاغة | The research entitled "Aesthetics of metaphorical construction in Feature Film" aims to study the position of feature film in figurative language as a science settled in natural language that found approaches in neighboring arts, further, metaphor is one of the implemented methods in rhetoric as rhetorical device.Film, as craft language, obtains from metaphor as a main source to the film structure and its metaphoricals', and, if metaphor means, in language, the indication of a meaning by using a subsequent and synonym for it, intents to cover and shade therefor we switch from using the specific word that represent meaning to a synonym, so, meaning according to Jarjaani : speech system; while aesthetically it has a special regulation. For direct and repeated speech losses its aesthetically because of habit. Then meaning in metaphor doesn't use current meaning, instead it deals with "meaning of meaning". We can see linguists who attached symbol, indication, allusion and periphrasis to metaphor kinds. So texts are renewing with the renew of meanings. Metaphor refers to something by other that equals it in reality known to people but with new meanings, because if a meaning is settled and widespread would not catch attention or raise the aesthetic sense for it became so common, and this is what we see in film as it extrapolates the meaning through the realistic references, and the difference between standard and common film is that the first chases the invented meaning regarding arts aesthetics while common film is captive to current meanings that doesn't draw attention.This research consists of a summary and four chapter, the first includes methodological framework and the question of this research and the need to it. The question is formed as follows : "what is the aesthetic of metaphorical construction of feature film?".The need to such researches is to be at hand of researchers in Cinematic science to find out rhetorical prospects of cinema arts to be an aesthetic addition in film theorizing and application.While the importance of the research is due to be the first of its kind representing the metaphorical applications as they are the base of feature film leading film art to achieve a privilege in metaphor field in which cinema is operating in, on the grounds that the first task of the film is aesthetic of film image, and paying attention to the widening scopes that the metaphor repletes by neighboring reality in a creative way, not only a humble conveying that set and settled.The limits on this research are spatial limits are cinema worldwide anywhere can be found, temporal limits are (2001 - 2011), and finally mental limits are novelist metaphor.The second chapter includes three sections. The first concerning : metaphor from word eloquence to image space : in which the term (metaphor) is followed with Arab linguists depending on Arabic rhetoric as guide, so Simile purposes and eloquence will lead us to the question of this research, which leads to the necessity of studying semantics and metaphor as linguistic concept and rhetorical device the thing found with well - known Arabic heritage scientists : Al arabi, Al - jahihd, Al - mubred, Aba ubaida, Ibn almu'taz, Qudama Bin Ja'far, Abo Hilal Alaskari, Ibn Rasheeq Al qirawani,Ibn Sinan Al kafadgi , Al Jurjani and others.The chapter stopped at the concept of art image and film grand theories such as simulation, emotional and formalism theory.The scorned section concerns metaphor application in novelist film. Where image metaphor is treated which Derives its representation from photographical origin through the notion of : Arnhem, Andre Bazin, Eisenstein, Christian Metzm and others.The section concludes that what cinema has added to world understanding is the usage of reality in an eloquent way so the metaphorical construction take into account natural language eloquent while it draws its metaphor of cinema - tography through its special expressive medium.The third section entitled, the aesthetic employment of metaphorical construction in feature film, in which natural language doesn't present full metaphorical texts through its linguistic contexture, while film is a metaphorical contexture in each shoot and scenes.So, such kind of researches should comes out with the theoretical framework indicators, one of them is : 1 - The film aesthetic and metaphor happen through dialectic cinema narrative and the film form to build metaphor system through gathering partial metaphors.The research, as researches goes, contains conclusions such as : 1. The film aesthetic metaphor comes from the fact that the film art is an art on the term in which the film form differs from the exact picturing of reality.2. Also, the research comes to many derivations like : Metaphor in cinema is a basic and genuine element in film creativity which cinema is based on in its construction.

جماليات الاشكال الزخرفية في الخزف العراقي المعاصر == The Aesthetics of Decorative Figures In Contemporary Iraqi Ceramics

Author name: مهدي نوري عبيد السبهان
Supervisor name: صباح احمد حسين الشايع
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: تتاثر الانجازات الفنية عادة بحسب نوعية البنية الثقافية للعصر والخطاب الذي تبثه هذه الثقافة ذلك ان الحضارات القديمة ارسلت بلاغها عبر منجزاتها , ولما للفخار من اهمية قصوى ورغم ارتباطه بدا بالنفعية الا ان سطحه اصبح فيما بعد نصا مقروءا متناميا فيه ال | The Artistic achievements are usually stirred according to the cultural structure of the generation age and the message conveyed by the culture , the ancient civilizations ceramic is thus crucially important and beneficial , However it has had readable surface with growing aesthetic a wariness, Methods of ceramic figures building have developed and varied , bringing out figure system , thus decorations by all kinds covered ceramic surfaces with symbolic indications , These creations reflected the spirit of the ages and through stages a solid base of original civilization was founded which have enable contemporary arabistic to develop their free intellectual views. The aesthetic sense has crockery during the Balioarteological ages inspite of the beneficial purposes of crockery , the ceramic artists could decorate their ceramic objects with particular engraves. which have inspired the contemporary artists. Some works of contemporary artistes are distinguished by making ceramic figures on ceramic surface.The monographic of this study aims at explaining the conception of the aesthetic system producing the ceramic body. Doing so enable us to enrich the knowledge medium with the research thesis ( The Aesthetics of Decoration Figures In Contemporary Iraqi Ceramics ). This research paper includes for basic chapters.The first chapter is concerned with the research main issue , importance , and need. It aims to identify the decorative figures in the contemporary ceramics and fined related terms and definitions.The second chapter is related to the theoretical frame it's result and results of previous studies. This chapter is further concerned with four topics. The first topic is intended to study the aesthetic philosophy ; the second one is about history entrance on ceramics art , the third topic is about shape and the fourth one id about history of decoration.Chapter three is concerned with procedures of the research using descriptive and analytic style. The research selection includes works of some ceramic artists during a limited time.The research sample includes ( 25 ) ceramic works chosen from the original selection in an intentional way. Chapter four is concerned with the statement of important results as follows : 1. Shapes balance in terms of contents and units on ceramic surface which showed aesthetic appearance. This created stability state result from the balanced ceramic works in addition to color harmony and mass balance.2. Among the aesthetic characteristics of ceramic components are the symmetrical decorative shapes which symmetrically depend on both ' X ' and ' Y ' axes.3. Ceramic figures beauty is made prominent by repetition characteristic in which units and items are related closely by drawing ceramic items repeatedly with out change.4. The Arabic letter appeared to be elegant with an arranged position with other letters , especially when it is used as a decorative figure in the contemporary ceramic. Therefore the ceramic artist manipulated the letter in two ways : Firstly , calligraphy was done with recognized script rules but in an occasionally repeated letter shapes and drawings. The letter was also drawn in a way so that repletion and symmetry were clearly apparent.In the second way , the letter was drawn and made with free - script rules.5. The geometrical elements decorative shapes with arrangements , symmetry , repletion , balanced and counter linear relations among them contributed to clear manifestation of the aesthetic aspect of the contemporary ceramics. The decorative construction of items was represented by triangles , rectangles , squares and circles

جدلية العلاقة بين الانتاج والتقنية الرقمية لتفعيل البعد الجمالي والدرامي للخطاب السينماتوغرافي == The Controversy of Relation Between Production & Digital Technology To Activate The Dramatic & Atheistic Dimension For The Cinematographic Letter

Author name: براق انس المدرس
Supervisor name: ماهر مجيد ابراهيم
General topic: Fine Arts
Specific topic: TV Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: من غير الممكن عد الفيلم السينمائي او المسلسل التلفزيوني الا بكونه انتاجا ينبثق الى الوجود بعد عدة عمليات انتاجية خلاقة تحققها مستويات ثلاثية متعالقة تاخذ على عتقها عمليات التخليق وعلى حد سواء المستوى الانتاجي : الذي يعتنى بالجوانب الادارية، والاقتصادية، وال | The Movie or TV dramatic series represents the print that dissolves to the level of production Operation, & here the Controversy of Relation has come true between what is on the screen & what is absent in building the pattern & type of image Construction with all its joints, saw you can't see a Film or TV series only as the production Cinematographic Letter, & what the searcher indicated of this interference between Image & of one Side & Production on the other side, which is the seclusion of Critical & Technical Studies that is Specialized in studying the Medium Elements Language.Although studying the meaning production digitally, that is the software of Computers & digital effects which is the pioneer of many specialized academic studies for this medium, & the Predicament is, there is no previous studies Specialized in the effect of Exchange of Production Science & Digital technical Evolution, & the methods of handling this progress by stepping ahead what was Familiar traditionally & that was the main booster to the searcher to select his research Subject in the following address (The Controversy of Relation between Production & Digital Technology to Activate the Dramatic & Atheistic Dimension For The Cinematographic Letter ). For that the searcher has divided his research into five Chapters, the 1ST one Came in the (Methodical Panel) which presents the research Predicament (What is the Basic Form Lines for the Controversy of Relation between Production & Digital Technology to Activate the Dramatic & Atheistic Dimension For The Cinematographic Letter?),than Mentioning the importance of research , Aims of research , its limits & finally the Terms Definition in the Research Title. 2ND Chapter (Theoretical Panel & Previous Studies) which the searcher divided it into 3 Sections : - 1ST Section : - Which Discuses the Production Philosophy & the nature of cinematographic Letter.2ND Section : - That Defines the Technical & Productive Variable in Image Construction. 3RD Section : - That studies the Action Dramazation & the Atheistic Signified of the Cinematographic Letter nature.To conclude these sections by emitting the indicators that was relied on by the searcher that was certified by a panel of experts & Judges, to end this panel with the Previous Studies. 3RD Chapter : - ( Research Procedures) which Contained Research Method, Research Instruments, Research Society, Analyses Units, Research Specimens, Instruments Authentication, Analysis Steps.4TH Chapter : - Which was the Analysis of Research Specimens as Follows : - 1 - Prometheus (Movie).2 - Man of steel (Movie).3 - Falling Skies (TV Serial). 5TH Chapter : - (Results & Conclusions) : - this research has come out with several results after Specimens Analysis, & as follows : - 1 - The digital techniques interfered with all the joins of cinematographic Medium which leads to use a precise Variability to have an Image to the technique that reacts with Production to revel the Atheistic Quarteria, also Dramatic Activation, as we previewed it in Research Specimens. 2 - The techniques have the ability to Create Space in High Precession & Less Expenses, for having an Image with clear Atheistic & Dramatic Clearance, as it in Research Specimens. Than The Searcher has Added Conclusions, Recommendations, Suggestions, Reference List, Appendix & Finally the English Language Abstract.

ثنائية الادارة والانتاج في تسويق العرض المسرحي العراقي == Duality of Management And Production In Marketing of Iraqi Theatrical Show

Author name: احرار صيهود حسين
Supervisor name: محمد عبد الرحمن الجبوري
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: The world has known the importance of management and production in achieving successful businesses that people could actually benefit from. The world has known too how important that these administrative and productive operations should be accompanied by others that deals with business marketing. Just like there are commodity products achieve profitability direct material, if successful, there are also service products achieve profitability moral and material direct and indirect.The artistic activity, in general, and the theatrical one, in particular, is one of the these activities or businesses that achieve profitability moral and material, as well as help spreading awareness and increasing the level of culture in the countries. To pay attention to the administrative, productive and marketing aspects will emphasize that the community is being developing and progressing. Therefore, this study has came to emphasize the importance of both management and production in marketing the theatrical show and help achieving its goals and reach for the artistic, aesthetic, and cultural aspects in the country. All this because the three operations of management, production and marketing have been taken and discussed in order to having the theatrical show successful.Chapter one of the study which shows the methodological framework, addresses its problem, its need, its importance, its objectives and its limits as well as identifying its terms. While chapter two of the study which shows the theoretical framework that comes in three sections : the first addresses the concepts of managing production and marketing, the second addresses the management and production in a theatrical show, and the third addresses the duality of management and production in marketing a theatricalshow. Then, the researcher comes up with indications of the theoretical framework as follows : 1. That management is considered like a factory of making resolutions and a field for arranging resources in order to use them to achieve specific goals - like results.2. That management is one of the operations of achieving results through the effect of a manner in a framework of a specific environment.Chapter three of the study, which shows the procedural framework, addresses its society, the sample and tools and study methodology, in addition to analyzing the samples according to the indications of the theoretical framework.Chapter four includes the results, conclusions, and recommendations of the study. It ends with list of resources, appendixes and an abstract in English.

توظيف الملحمة في الدراما التلفزيونية == Employment In The Epic Television Drama

Author name: حسن هادي زاير المحمداوي
Supervisor name: ياسر عيسى حسن الياسري
General topic: Fine Arts
Specific topic: TV Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: بالرغم من تعدد وسائل التعبير للمنجز الفني الا ان لكل واحدة من هذه الوسائل نكهتها الخاصة التي يحاول من خلالها صانع العمل الوصول الى المتلقي. لكن يبقى الفن السينماتوغرافي الثمرة الناضجة والوسيلة الواعية للنتاج الانساني، اذ انه يشكل مجموعة من الخبرات والاف | Despite the multiplicity of means of expression of artistic accomplishment, but for each one of these means special flavor that which tries to work maker access to the recipient. But art remains Alcinmatugrave ripe fruit and conscious of the way the product of the human, as it constitutes a set of experiences and ideas humanity to get to a distinct form of art is an extension of the creative product of civilization. There is no doubt that art Alcinmatugrave tool and a means of intellectual working to transfer the beliefs and ideas of the people towards each other, an employee at the various kinds of topics, including tales of epic and mythical, historical and other. If you look at the old epics that have reached us, we find that it includes many anecdotal theme, and often we find that These themes independent of each other, in spite of its independence, but it where the unit subject is available, and this is what we find, for example, in the Epic of Gilgamesh or even in the epics of the ancient Greeks and ancient Romans, and this thing made filmmakers working on each of these themes separately in an attempt to find a technical ports to connect between them and to build up a convincing dramatic and leads to the ends of the aesthetic and creative. The cinema and for long periods they have monopolized the provision of those movies epic that dealt with the drama interesting carrying humanitarian meanings widely in form and content, but the television followed the example of cinema in the provision of those humanitarian epics on according to high - builders level and it was necessary to search in the recruitment of the epic and construction epic television series, Valmhamh of narrative story - based systems are listed in the delivery to the recipient of the expression of tournaments and events that mixes myth with reality. Those heroic stories we find is the champion matter given society defend them achieve their desires and is characterized by high strength and configuration of physical and psychological unique. The researcher divided the research on the four seasons, were as follows : The first chapter (methodological framework), which included the problem of research, summarized as follows by asking : How employs saga in TV drama? Then the importance of research and the need for him, as well as the objectives of the research and its borders.Chapter II, who came under the title (theoretical framework) was on the three sections, are as follows : First topic : the saga term and concept. Their definitions and their relationship to philosophy and what it is when Aristotle and comparing myth and at the end the researcher said a summary of the most important characteristic of the epic concentrated in eight points.The second topic : Building and construction dramatic epic elements : in this section were searched drama and dramatic elements of the general construction and construction epic researcher concluded at the end of his research also points to eight.The third topic : the employment of construction in the epic television series : in this section have been addressed to the foundations of the traditional dramatic structure and the president and his staff dealt with in the order as well as transition and connection between the viewer and the units of time in the series Almhumai.ol_khas Find researcher in the end to six points.In light of this, the researcher suggested a set of indicators that represent the theoretical framework summary. And seal Chapter previous studies.Chapter III (research procedures) to ensure the research methodology, and the research community and the research sample search tool and sincerity and integrity analysis steps and then the sample analysis tool that has been selected Qsidia analysis of a series Spartacus Part I : Then, the researcher analyzed the sample from the theoretical framework indicators after taking the opinion of the Committee of Experts and arbitrators.Chapter IV (findings and conclusions) : has included the results that came out of the researcher after the sample analysis, and the most important results : - 1. The construction in epic movies and serials that rely events Epic or epic mythical figures not only to seek clarity of interpretation but seeks to clarity of expression because the business epic intellectual progress summary of the beliefs and feelings of non - specific.2. Non - Molovih events and actions in Business epic coated myth make such acts implausible because it is located in the virtual worlds in a way just the viewer and lend the work a thing of beauty and surprise by tricks cinematic special effects, which was surrounded and carried out as in the sample series Spartacus.And he went after the researcher a number of conclusions and recommendations and proposals.Find and seal a list of sources and supplements and a summary in English.

تنوع التراكيب الخطية في لوحات الخطاط حامد الامدي == Diversity of Calligraphy Formations In The Paintings of Calligrapher Hamid Alaamdi

Author name: ميثم عبد ابراهيم
Supervisor name: جواد عبد الكاظم فرحان الزيدي
General topic: Fine Arts
Specific topic: Calligraphy and Decoration
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: This research aims to study the diversity of compositions written in the paintings of calligrapher (Hamid Aamidi), being an area rich achievements written for this type of art, and showed its different kind, where they have been used Kufi, Diwani and Thulth Jelly calligraphy for its ability to form potential in the formation of beautiful structure depends on these scripts that enable perform their skills in order to achieve different results in these compositions for other calligraphers, research has included four chapters, the first chapter of which comprised the research problem and its significance, objectives and limits of the search, as well as search terms. The second chapter includes three sections. First section dealt with diversity concept and meaning in general, and second section addressed identifying the types of structures of sin, and the technical underpinnings of the structures of scripts, and the third section focused on script composition features by (Hamid Aamidi), as well as his biography, and indicators of the theoretical framework, and previous studies that seal out the second quarter. The third chapter dealt with the research procedures and rely on the analytical descriptive method and the research tackled (150) model of calligrapher's paintings (Hamid Aamidi) distributed on three types of scripts : are (Thulth Jelly, Diwani Jelly and Kufi), were selected each sample of (10) models, and after analysis of the sample according to the search form appeared number of results that were addressed in the fourth chapter as follow : 1 - assure the diversity of outcomes (Aamidi) through adoption different forms some of which is inline with its three types (one level, two levels, three levels and above), also the geometric forms of the following (circular, oval, oval, triangle, square, rectangle), as well as all achieved through the adoption of forms (corresponding, iconography and Tgra?ah).2 - was found through analysis of the sample adoption of a variety of geometric forms and to varying degrees as follows : A - Adoption of mounting ring Satari and radiographic by 10% each. B - appeared adoption rate of installation Albbi 20% of the total samples. 3 - iconic compositions is characterized by matching the text with the content in the products of (Aamidi), which appeared during the analysis of 20% of the total sample. The researcher set out conclusions, including : 1 - The calligrapher in most of the scripts achievements depended on Satari structure that has three levels (heavy), so as to demonstrate the Altjoadah skill, the fact that this structure is a measure of the calligrapher Previews, through which the great calligraphers are compete, as well as reveal beautiful decorative dimension and create diversity for by organizing forms of letters and words within the levels of structure. 2 - characterized most of the structures with technical fine art compositions, being one of the key pillars that must be met in the design script achievements, to give some kind of integration of the technical achievements. Number of recommendations and suggestions been addressed which will be another focus in the script search and leading to appendices and resources concluding of the current research.

تنوع اساليب عرض المنتجات في تصاميم الاعلانات التجارية المطبوعة == Diversity of The Methods of Presenting Products At Printed Commercials Designs

Author name: بشرى محمود مصطفى
Supervisor name: نصيف جاسم محمد عباس
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: يعد التنوع في الفن عامة، والتصميم على الاخص وجها من اوجه التطور والنماء والاستمرار، فضلا عن وجهه الابداعي، ولولا التنوع لما وصل التصميم الى ما وصل اليه من رقي قل نظيره، واخذ تنوع الاساليب منحى مهما في التعزيز الوظيفي والجمالي في مجالات ع | The diversity in the art is general ,but particularly the design is considered as a one aspect of development, growth and continuation, without diversity the design would not reach the prosperity and development. The diversity took an important role in the aesthetic and functional reinforcement at different scopes of design process. In the field of ad design, the diversity is considered as a condition to activate the environmental marketing, to stimulate the consumer to purchase, and to be in touch with products, therefore the corporations and production companies sought searching for new methods to present products and fulfill the demands of the consumers which are increasing day by day according to the human needs, these companies and corporations found a good way to achieve marketing aims through the experience that designers have in representation of clear ad discourse, the current research is shedding light on these issues, after it shows its demands in the first Chapter which includes the problem statement which comes with the following question : • What advertising methods that designers can approach to present printed commercial products?The significance of this research is : 1. To develop artistic skills of ad designers. 2. Supporting the corporations and public companies in the field of commercial ad, newspapers, magazines, and market advertisements.The aims of the research are : 1. To explore the diversity of the methods adopted by advertisement designers to present printed commercial products.2. presenting practical suggestions according to the results that show the diversity in the ways of presenting the products in the designs of the commercial ads To suggest practical methods according to the results of current research.The scope of this research is divided into three types : 1. Objectivism scope : studying (diversity of methods of presenting the products at commercial ads). 2. Spatiality scope : the commercial ads at Dar - Alhayat magazine, Lebanon. The scientific justification is that the magazine is considered an important Arabic magazine specialized in the women affairs, and the products of cosmetics, accessories, and the nutrition.3. Period scope : printed ads issued in 2013, for that 2013 is being the year which had many editions of the commercial advertisements which showed the diversity in the methods of presenting the products, moreover its relation (2013) to the year of doing this current research.The technical terms, Diversity, Method, and the product have already been defined. The second Chapter (the literature review and past studies) has included many topics : 1. An introduction to advertisement.2. Design of advertisement and the commercial concept.3. Diversity of methods in presenting products.4. Methods of presenting products. 5. The advertisement and the communication process.Then the research continues with data of the theoretical framework, represents a scientific summary for the literatures of theoretical article, then the third chapter which cares for the procedures of the research, Methodologically, the research community, picking samples for analyzing, research tool, and etc. The forth Chapter which dedicated to the results and its discussion, some of them are : 1. Use the style of product presentation or a part of it, this method included all advertising models, and this pattern stylistic meets the recipient who wants to watch the product or parts of it to be sure of its kind and potential requirements and specifications which is important to always look for buyers.2. Using method of presenting product by making the product appears in multi - colors. This method has many benefits through moving the intentions of the customers towards the product, and also its effects on their economical and psychological purchase desires. The research conclusions are : 1. The diversity in the ways of presenting is based on the affectivities of the enterprises ,and the factories locally and internationally , in addition to the technical development which effects on the ways of presenting ads which has been shown clearly in technical , and directorial.2. The diversity of presenting products comes in response to the consumption needs such as matching human interest related to daily activities; these requirements makes an important channel for transmitting the ads ideas.Then the research appended with the following recommendations : 1. The importance of diversity in using the printing methods which are increasing in the world of journalistic and advertising design, that is an important thing for the designers and marketers who communicate with the society in general, and especially with the consumer.2. Opening developing courses for the employers in the field of ads design in order to identify the some problems like structural , ideal ,or technical which appear through direct contact with the working market ,and the consumers. Then the researcher suggested to do the following study : - Reflecting the style of ads design on the way of presenting the Iraqi products.Afterwards the researcher presented practical suggestions according to the aim of the research these suggestions relate to the topic of the study, then a list of sources, appendices, and the summery of the research in English.

تمثلات المتخيل في الخطاب السينماتوغرافي في طروحات ما بعد الحداثة == Imaginary Representations In Alcinmatugrave Speech In The Proposals of Postmodernism

Author name: لؤي عبد علي مهدي الشكرجي
Supervisor name: علي حسين صفوك الركابي
General topic: Fine Arts
Specific topic: TV Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: Is a discourse Alcinmatugrave today a humanitarian imperative task of art and the phenomenon of communities with different cultures, languages, customs and traditions, because it is a form of sophistication and Highness and the development of civilization in the field of art, which is today civilized societies feature in the current era, which can promise the age of technology, techniques and science and electronics.Although the art and art productions in all its forms and formats, not distance away from this technical development taking place at the level of machinery, tools, machinery, equipment and techniques that dominated the human production of all types and forms, but the expression, style and form prescribed by the human, and the topics identified by the artist , raw material and technical Ntegath, is to be the core of art and the artistic process feature.The overall innovations of postmodernism ((postmodern in the field of photography and visual display since the beginning of the nineteenth century and Trafaqa with the overall discoveries of the twentieth century scientific and intellectual until now, the changing obtuse movement that turned the evaluation and judgment and consider the concepts to the concept and the importance of image, and to productions imagination which is new unparalleled, has accompanied the post - modern evolution of digital technology techniques and computer media, media, communication and the arts all, and has become the visual image accordingly semiotic mark attest to the developments and reinventions postmodernism, and it is no longer the language is the sole regulator of human life, of peoples and communities of different cultures and Muruthatha and features, but the picture is becoming the base engine for the collection of knowledge, and the effectiveness of human recognize the truth through all those discoveries subsequent to the photographic image and then converts it quickly to the moving image (cinema) and then the TV down to the Internet revolution that made the universe (a small screen in the palm of Rights), which have the capacity and the ability to breach the stringent actually effects and the dominance of mental discourse affected by the facts and the facts, and became symbols of these discoveries and productions continue influential with human imaginary process more than they may engage in dialogue or Taatlaqah with his mind, which adopts the reasoning of the basis for the projections that reality.Was launched with all these developments embodiment and achieve and activate the imagination and imagination on the level of artistic productions Alcinmatugraveh operations, so imagined that evoked to him the contents and details of the image in the speech Alcinmatugrave, and moved in different forms and expressions and fields, confusion and doubt anddarkness and shadow on the sidelines of understanding of the area, to the explanation and interpretation of the understanding of the area through the perception and the sense, and it has become visible material received by sight at all times and everywhere roam the human eye, and became the reality of man and his environment Urban modern source does not dry and inexhaustible of symbols and connotations that occupies the image position and the extraordinary significance, that this image that surround humans wherever found, and Baattabarھa result inevitable of productions imagination and creative sense, has become an effective tool of communication and interaction tools, whether this adopted a communication on the mind or the other queens that Ihozھa rights, and has become the imaginary symbols accordingly, a source of Alotsalaty on the cultural, social and humanitarian level exchanges, especially in the era of postmodernism, where the big coup at the level of concepts and propositions of intellectual and philosophical discourse of the buildings on the level of language, image and other means of expression. Most notably in the field of speech Alcinmatugrave, as Acefhma Regis Dupre in his life image and her death by saying : that television and cinema in the era of postmodernism Assanotai of the imaginary 1.From here the researcher in determining the problem with this research, and sought an effort to learn about the philosophy and the limits of the imaginary and its implications in the speech Alcinmatugrave, according to each of those visions and propositions, perceptions and ideas provided by the movement postmodernism, after its hegemony and control of the reality of thought and art since the seventies of the last century until our time, especially in the field of speech Suri.The speech ((Alcinmatugrave)) of the most important means of the display of the form and meaning of any dramatic work of art visible, and that leaning upon the viewer conscious who can we consider : actor moving the most dangerous and the most important in the tri - creative process ((Author director - speech Suri - receiver)) in the process taste sensory and aesthetic Mknunadtha and their implications and their symbols, where the picture becomes a speech visible and read visual multiple meanings, embodied them as the field free to the process of monetary controversy effective between the receiver and visual text the picture, which is in front of him, especially since more Mafi images controversy and signed and attractive and aesthetic, in the recipient, those that contrary to the familiar object impact of perception where, above and beyond in their implications and their meanings rolling all the arguments, and different in nature from the mainstream and repeated in its forms and manifestations, and away in their meanings for movable and of refined and reproduced in Qualbh classic permanent, characterized in iconsand images innovation and diversity and innovation, and be in the subjects rolling The curious and innovative,This Mayaml to achieve and embodied in the imagined speech Alcinmatugrave, Valmtejel in his being is to re - create a new innovation within the visions and ideas commensurate with the spirit of the age and time, according to the philosophies and spiritual narratives imposed by this age are required by the technical Actual makers.And it has launched a researcher in determining the external lines of the search parameters and boundaries.. The researcher felt his research included five chapters are : _The first chapter.. / methodological framework for research and includes a research problem, namely the reasons that sparked the attention of the researcher and invited him to his choice placed his research, and after that Atharahtmamh included imagined and achieved in all artistic productions trendy Alcinmatugraveh modern, according to the visions and ideas put forward by postmodernism, especially since the process of understanding and grasp the modalities for achieving this process in movies and dramas Bank, impose study and research, has coined the researcher problem according to his research and the question as follows : What imaginary philosophy, and what modes in which they are employed and imagined eating in the speech Alcinmatugrave proposals in postmodernism..And also the importance of research : Which guarantees the importance of fighting the researcher and his study of the placed.. Find added knowledge and scientific and cultural benefit, as they are not positioned to go into such a search previously, has not been addressed in this privacy and detail than before, and this is what is important in the research and study.(1) See : Regis Dupre, life and death picture, see : Fred bubblegum, Africa, the Middle House versions, Casablanca - Beirut 0.2002, p. 247Find and goals : Identified by the researcher as follows : in the detection modes in which they are representing the imagined and achieved in the speech Alcinmatugrave within the proposals of postmodernism.Search limits : Where the researcher identified in the study of the concept of imaginary Vslvia, and a figurehead as well as study the proposals of postmodernism and its impact on art, especially in the speech Alcinmatugrave The goal of the research sample the first footage of US (harmful MALEFICENT), in production (in 2014), and the second sample American series (marginal FRINGE) production year (2013 2014), followed by geographic extent where I am is the point of producing a sample of the United States of America.As well as identify the most important terms in the title of the paper : Where the researcher determine the most important terms in the title of the paper, namely : (imaginary, Sinmatograve, postmodernism).Chapter II / theoretical framework and previous studies..And in which the researcher deliberately go into three sections check the theoretical framework of the research, which resulted in the collection of theoretical indicators adopted by a researcher at the research samples analysis, these detectives are : First.. The first topic : a (philosophy and the limits of the imagined), which looks at the Maheat imagined intellectually and philosophically in literature, art, definitions, understandable and Tmthelath and levels of the language, literature and the arts general level.Second.. The second topic : .. (Figure, image and narrative in the proposals of postmodernism) and who is running in concept form in the concept of the image within the proposals of postmodernism.Third.. The third topic : (recruit imaginary discourse in Alcinmatugrave).. which will address the modalities in which they are imagined and employment outcomes achieved in dramatic Alcinmatugraveh.Delve into research theory and study in those three detectives from the set of indicators adopted by the researcher tool for the analysis of a specimen sample.. after the viewing on a group of experts process has resulted in, and seal the second quarter review of some previous studies that approached from a distance or close with placed Find Anfa.Chapter III / research procedures..This chapter included a series the procedures followed by the researcher during delve into chapters and sections Search, and these actions are : a review of the research methodology, and the research community and the research sample, and search tool, and the sincerity of the tool, and the unit of analysis, and analysis steps.Chapter IV / analysis of samples..In this chapter the American sample footage analysis : (harmful MALEFICENT), as well as the second sample American series (marginal FRINGE), and so on according to the analysis tool (indicators) and then discussed and draw the final results contained in Chapter V.Chapter V / which includes the findings, conclusions and proposals, recommendations and appendices, images and research summary in English..This chapter contains, the findings of the researcher on as set of objectives, as this chapter shall also ensure that the conclusions that emerged from the results, as well as some suggestions for further studies verify the enrichment and diversification of information in the jurisdiction, and the recommendations by the researcher believes it is necessary and important.Has been attached to the message list of sources and messages hired by the researcher, as well as a set of appendices included.. (model) experts form ((indicators)) contents Search form model.. and the list of movie scenes and a group photo on indicators.. as well as abstract in English.

تقنيات المسرح التجريبي وتطوير اداء الممثل نماذج من المسرح العراقي == The Techniques of The Experimental Theatre And Developing The Actor’s Performance (Samples From The Iraqi Theatre)

Author name: مظفر كاظم محمد
Supervisor name: سامي عبد الحميد نوري
General topic: Fine Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: The problem of this research is in answering the following question. How did the experimental’. Theatre techniques contribute in developing the performance of the Iraqi actors? The Goal of the research is to have knowledge about the actor’s training according to the techniques of the experimental theatre. Chapter two deals with the review of literature and includes three sections. The first section reviews the history of acting techniques throughout the ages. The second section discusses the theories of acting and the actor’s truing. The third section discusses the technique of the experimental theatre that concerns the actor’s performances, such as improvisation, the theory of ploy, the ensemble work. The researcher reviews those technical practices at same of the experimental companies like the living theatre, the group of Arianne Mnochkine , the open theatre of chicken, and the Odin theatre. In chapter three, the researcher chooses intentionally five Iraq theatre productions as samples for his research. The chapter contains adscription for the performance of each play and analysis for the actors of the main role in each production according to the techniques of the experimental theatre. The five productions are; (1) The Ritual of Sleep and Blood. Which is an adaptation for (Macbeth), directed by Sami Abdu ـ Hameed.(2) I apologize my master, the lessen ended, written Awatff Naeem , directed by Haythem Abdul. Razzaq.(3) Women at War, written by Jawad Al ـ Assadi, directed by Kadum Al ـ Nassar.(4) Curfew, written and directed by Muhaned Hadi.(5) Under Zero, written by Thabit Al ـ laythy, directed by Imad Mohamed.In chapter Four the researcher reaches the following conclusions;1) The techniques of the experimental theatre have been practiced by the Iraqi theatre groups to sonic extent.2) Using those techniques result in spontaneous acting and without artificial expression.3) At is impossible to use those techniques unless the play text is not traditional in it is structure.4) The experimental theatre has it is own characteristics such as simplicity and clarity. It also depends a lot on using semiotics in it is performance.

تقنيات الفضاءات المتعددة في عروض المسرح الاكاديمي : عروض كلية الفنون الجميلة - بغداد - انموذجا == The Multiple Technical Spaces Performance, College of Fine Arts Baghdad As Sample

Author name: بلال وليد شامل حسين
Supervisor name: رياض شهيد علي الباهلي
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: نشات الدراما في فضاءات متنوعة وواسعة وتبعا للمحيط المكاني والزماني والتجمعات البشرية, ولكل حدث او عمل فضاءه الخاص, حتى بدا نشوء الدراما بالوحدات الثلاث التي نظر لها الفيلسوف والمعلم الاول ارسطو واصبح للممثلين فضاءهم الخاص في السفوح العالية على شكل نصف د | Drama Originated in a variety of spaces , spacious and depending on the perimeter of the spatial and temporal and human populations,the concept of private space philosophers since the Greeks and for each event or work space where his own. As the Dionysus rituals were in wide open spaces as in open air in honor of the god, until the emergence of the three units Aristotelian drama and became representatives of their space where audience is seated outdoors to watch the performanceAnd with the development of societies across the stages of history came out ideas and put art and development in various areas of life, including the Architectural Engineering, which contributed a great contribution to the invention, innovation and development in the theaterThe space of the actors changed a great deal depending on the ages that passed by, and the most prominent style of the Greek and Roman Open through eras canon and squares even began to stage Renaissance and built theaters, including traditional and became viewable dramatic special character in terms of the relationship and communication between the representatives and the audience.Since the late nineteenth century and early twentieth century, what happened in the world of innovations in modern technology reflected the theatrical art in terms of lighting and its effects and music, and many other techniques.Many ideas and visions of directors and designers emerged out of the idea of choice for space for treatment of the text and the choice of the appropriate place allows and highlight theater and offer different flavors especially after the emergence of the modern filmmaker in the nineteenth century.The directors and designers try to present their performances outside the traditional box theater, they have chosen several places such as yards, streets, coffee shops, houses, and even historical and Archeological places and garages. Some denied the space of closed and box theater and call for theater to go back to its origin and to the beginning of it.The peoples of different and diverse cultures has their own footprint and that are commensurate with the nature of the space in which they reside performances, whether rituals l or ceremonial or traditional techniques using scenery, lighting, music, customs , properties and make - up play important role with special cultural touches in the basis of the success of the theater..The researcher selected the title of his research ( The multiple technical spaces performance ,college of fine arts Baghdad as sample ).The research is divided into four chaptersChapter One : systematic framework consists of the research problem and the need for it, the importance of research, the goals of the research, the limits of the search, and determines the terms.The second chapter contains a theoretical framework and contains a concept of space and multiple spaces for performances includes the aesthetics of space in the theater and the various technologies in the space of theaterThe third chapter of the research is the proceeding which includes : The researcher studied twenty theatrical performances presented In a variety of places by the College of Fine Arts at the University of Baghdad, The researcher have chosen three samples deliberately.Macbeth was presented in the courtyard of the Department of Performing Arts. the second play( The republic of AlGawahiri ) was presented at a big wedding hale in Erbil the third play was ( of refraction) , was presented in the gardens of the college of fine Arts. Chapter IV : consists of the search results, and conclusions, recommendations ,proposals ,a list of sources , references and a summary in English.

تفكيك الزمن في الخطاب المسرحي

Author name: جبار حسين صبري
Supervisor name: رياض موسى سكران
General topic: Fine Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: ارتبطت الزمانية باشتراطات التمرحلات الفكرية المتعالية فجاء الزمن موثوقا بتشفيرات كل مرحلة، ومن ثم متغلغلا في افهومات او اليات الخطابات الفرعية مثل : الفن، السياسة، الادب، المجتمع، الاقتصاد..وصولا الى تمفصله في جزئيات تلك المفاهيم ومعايشته او تاطيره لتلك ال

التحولات الدلالية اللونية في السينوغرافيا المعاصرة == The Colorful Significant Changes In The Contemporary Scinography

Author name: فلاح كاظم حسين
Supervisor name: محمد عبد الرحمن الجبوري
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: ان كل المتغيرات والتحولات في انتاج مستجدات السينوغرافيا القائمة من الواقع المعيش على المسرح، الذي لم تكن يوما ولن يكون بعيدا عن هذه التحولات والتطورات الحديثة. اذ يسهم في بنية العرض المسرحي وسائط تقنية متعددة يتم توظيفها من قبل اختصاصيون في مختلف الانشط | All the variables and changes in the product of the new things that base on the actual condition that is depended on the theatre, which was not be and will not be for from these changes and new development. It contributes in the building of the theoretical show and there are many technical means that are employed by specialists in different scientific activities like : musicians, engineers of lights and sound effects and optical tricks as well as the formation, architecture and fashion designers, however, the theatre depends today on different expressive techniques that are represented in using sound and body language and its elegance to produce the meaningful expression through formation and shaping the gesture movements and music and dancing to make the receiver interact with them. Also, in all these techniques, the theatre needs to make a practical study for the technical changes especially the colorful ones, and it is the subject of research. So, the changes, in the theatre, are not the outcome of today; but they do have an origin in the present days until they reach to the new cinematic language that fabricated its forms in technical currents and directions; which had appeared and spread especially after the Second World War in all Europe and United States and the Arab world. These currents have used the technical tools and their significance and functions in different creative operations to find out their capacious in different creative operations to find out their capacities, dimensions and aestheticism and thoughtful applications. And that is named "The Colorful Significant Changes in the Contemporary Scinography" which deals with the study of understanding the alternations and how to produce the colorful significance inside the temporary scinography? Also, the study includes four chapters in addition to the abstract, results, and conclusions. The first chapter includes the methodological framework, the research problem and its need. Then, the researcher illustrates the researcher's importance throughout the changeable operation to produce the singnificance inside themodren Scinography, and thereafter he explains the research aim that is represented in ( illustrating the colorful Significant changes in the temporary Scinography); in which tine research illustrates the terms limitations like change , Significance, and Scinography. Besides, cheapter two mentions (the theoretical framework) and it includes three topics, they are as fallow : 1 - The first topic is the significant changes in the theoretical show.2 - The second topic is the color and its concept, psychological characteristics in theoretical show. 3 - The third topic is the deviation color and the Scinography elements.And the chapter has ended in pointing at the previous group studies by concentrating at the indicators from which the theoretical framework is produced, and chapter three deals with the found procedures which include the intentional samples that are represented in the following theoreticalshowws; 1 - ) The play of Atael in the Kitchen, that is authorized by; SamiAbd al - Hameed in 1996.2 - ) Macbeth play that is authorized by : Salah al - Kasab in 1998. 3 - ) Saedrah play that is authorized by Fadel Khaleel in 20014 - ) Ghosts play that is authorized by : Adel Kareem in 2004 - 2005..5 - ) Ali al - Wardi play and his opponent that is authorized by : Akeel Mahdi in 2008.Besides, the syllabus and tools of the research with its analysis that is represented in : 1 - ) The theoretical framework.2 - ) The compact discs.3 - ) The photographs.Therefore, making analysis for the samples and indicating the colorful significant changes that are used is another step.Finally, the fourth chapter includes the results that are found or got by the researcher and then the conclusions with the suggestions and recommendations. Also, the sources are mentioned with the annexes. Ultimately, we have mentioned the abstract in the English language.

تطوير انظمة تصميم الفضاءات الداخلية لمعاهد المعاقين الاطفال == Devlopment of Internal Spaces Design Principles For The Handicapped Children Institues

Author name: رواء مصطفى خلف محمد
Supervisor name: فاتن عباس لفتة الاسدي
General topic: Fine Arts
Specific topic: Interior Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: يتناول البحث الحالي دراسة الانظمة في الفضاءات الداخلية لمعاهد المعاقين الاطفال وكيفية تطويرها، فكانت مشكلة البحث تجسدت بالسؤال التالي (هل ان تلك الانظمة التصميمية المعتمدة تتلاءم مع وظيفة الفضاءات الداخلية من الناحية الادائية والجمالية حيث تحقق الراحة ال | The current research is taking the study of the principles in the internal spaces of the handicapped children institutes and how to develop them. There was the research problem that raised a question about (Are these taken designing principles suit with internal spaces functions from the practical and beauty sides, that achieve body rest for the handicapped children in away that suits them handicaps) for this the aim of the research with its four chapters : (finding designing bases that depend on the development of the current internal principles spaces for the handicapped children institutes. It was concentrated in first chapter to point to the problem of the research and the need to it ,and pointing to its literary and scientific terms. The second chapter it contained a detail for the optical frame that the researcher depended it.it consisted three researches, the first topic is talking about the principles and the internal design and how to connect these principles with the design and the ways of developing them. As well the kinds of the environmental principles which are used to success these internal spaces and make them more suitable. The second topic ,is about the meaning of the children handicap in the history and the classification of the handicaps. With pointing to the types of the body handicaps (movement) that the children perform it, for this purpose details understand to them to reach to an internal spaces design which suit the nature of the body handicaps (movement). The third topic which is the last one, that contained the limited items for the internal spaces of the handicapped children institutes , which contained many items through knowing of the meaning of the internal design , and to success these spaces through group of factors. As well as knowing the limits of these spaces and their designs that is concerning the materials and the range of being suitable , and the touchier of them ,and the areas are specialized for the movement ,as well as is to know the visual items with their formal and measure description through these three topics , we reached a point of the theoretical from that flows into the subject of the research, to a form tool that help for reaching to a curium method of the research that depending on the third chapter which contained the procedures of the research depending on its curriculum that the researcher depended the curriculum description (the general survan method) to the whole research society on justifications that the researcher cleared them for analysis , using some tools that helped in achieving this research within its two parts the first tool is a document to notice the description of the nature of the internal spaces for the research society.the second is a document of the analysis items to analyze the society that is taken deliberately that the exit of dialogue through it ,was reached by the research in the theoretical form in the previous chapter.to reach to the study results ,also it contained the knowing of the previous studies in subjects that take care in the study of the handicapped. The last is the fourth chapter that contains the deigning of the gain of the results that the researcher had reached them through the study of the whole society in analysis of the second stage is to reach to the conclusions that the theoretical material was summarized from it in the second chapter. To reach to the last third stage in introducing recommend dictions and an example designed by the computer for the internal spaces for the handicapped children institutes to get benefit from it.

تطوير الاداء الوظيفي في تصميم اجهزة اللياقة البدنية == Development of Functional Fulfilling In The Design of Fitness Corporal Apparatuses

Author name: هشام زامل حمدان اللامي
Supervisor name: لبنى اسعد عبد الرزاق
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: البحث الموسوم (تطوير الاداء الوظيفي في تصميم اجهزة اللياقة البدنية ) سلط الضوء على كثير من المفاهيم والافكار المعروضة في مضمار التصميم , التي فسحت المجال لتعدد الاساليب والاتجاهات التصميمية التي يمكن اعتمادها كتقنيات تنفيذية, اظهرت تحقيقا واضحا لتطوير | Research is marked by (Development of functional fulfilling in the design of fitness corporal apparatuses) highlighted many of the concepts and ideas presented in the field of design, which provided for the multiplicity of techniques and design trends, which could be adopted in operational techniques, an investigation showed a clear development of the industrial productThe study, which included five technical chapters of condensation approach applied to the development of functionality in the design of fitness equipment. It was the first chapter, including the research problem and its importance, objectives and boundaries as well as to determine the terms and illustrated the problem of the following research question : How to contribute to the development of functionality through the intensification of the devices increase the effectiveness of physical fitness?And it was the aim is to reach through the intensification of technical design appropriate to the platform for the development of effective functioning of the organs of physical fitness.It originated during the study as the importance of this work to build a foundation of knowledge and a theory of the concept of intensification and the development of functionality to address the design of physical fitness. And the limits of the study included the design of mechanical fitness, and traded in local markets of the city of Baghdad and manufactured during the period between the years 2007 - 2008.The second chapter, such as the conceptual framework of the topic and included a three - Investigation came under the title of the first (development and design), while the second was on my b (fitness equipment), while the third topic dealt with the subject (Anthropometry and industrial design).And in accordance with the above indicators were adopted by the outcome of reference sources and Arab and foreign briefed by the researcher as well as on field visits to the fitness rooms and shops selling sports equipment and interviews with the owners with the expertise and jurisdiction.The third chapter has included the actions of research and methodology, as the approach adopted in the process of historical description and analysis of samples, which represented the percentage (33.3%) of the research community. While Chapter IV describes the analysis of samples taken.While Chapter V contains the results, the most important : 1. Technological development has the possibility of adding different regimes within the same organ in the light ofwhat's effective and functional as well as to stimulate thedesire of the user. 2. Technical developments have had a significant impact in promoting the intensification of the career possibilities in the composition of the raw materials available and the different methods of linking.This chapter included the conclusions reached by the study is perhaps the most important are : 1. Industrial designer was able to express their potential in creativity and development through investment and technological development work on the technical and exploitation in all levels of design and production, which form a crucial element in the success of any design. 2. 2. Systems such as different types within the organ, which results in a difference in the performance an actor in the design patterns to add excitement to achieve the vision and motivation through the design resulting from the performance difference and diversity in some designs.A researcher and then a set of design was the most important pillars : 1. That the adoption of a technical career condensation on the basis of scientific theories and results in performance and functional diversity through the effective capacity and potential performance, which recorded the highest level of interest and benefit to the user. 2. Intensification of the use of technology to achieve the goal of functional industrial design to reduce the high cost byhighlighting the potential of each part of the device to perform two or more, resulting in shortening of the space,which can be filled and then storage and ease of use. 3. Antherubomtrip Arcnomkip and the adoption of the human body in the design of fitness equipment gives a betterperformance as well as the safety and security to the user. 4. Should be designed to keep pace with technological developments and technology in the production of new materials and composition, and the possibility of deploying them in the design to achieve the performance and the best aesthetic and functional. Researcher has spared no effort in the recruitment of these cornerstones design of the study body of a design proposal for the physical fitness.

تطور البنى الشكلية في تصميم العلامات التجارية == Evolution Frmslism Structures In Branding Design

Author name: زيد حيدر خالد فرمان
Supervisor name: نصيف جاسم محمد عباس
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: There is no doubt that the history of art movement in the general framework has produced many of the related art of general design indicators, graphic in particular, including the Contact thought, some of which reach the technology, including the Contact be working design, and without a history of design many of the innovations that serious by designers through their history intellectual and practical, posters history, and the announcement date and covers the history, and the signs of history has spilled since the human deal with the human as an individual or group, marks which promised an important part in The evolution of human life and community and economic and trade activities, and was a commercial activity among the most important thing I've worked upon the human mind to it, any brand represented a tool for defining and communicating, where knighted by their goods and products, and this was the documentary position the first thing that happened in the field of design Alameda Abut structure that has evolved over the years of work and production until we got into the modern era since grown and developed companies and institutions that have their own signs to compete in domestic and global market, current research focuses on the stages of the formal structures of trademarks evolution, in the first chapter identified the following research problem by asking : "What mechanisms that have evolved through the structures in designs formalism brands?"While identified the importance of research in : 1. In his contribution to the benefit of interested scholars and researchers in the field of general design, and design brands in particular.2. contribution in providing the scientific library research and studies in the field of specialization, which will be reflected on providing new insights in the field of design, the study is unique discussing the evolution of morphological structures in designs brands, and through researcher Note that he does not exist specialized study in this area.While the goal of the research was to : "Reveal the evolution of morphological structures in designs Trademarks" It also identifies Find the following limits : 1. substantive limit : includes global brands that achieved by the effectiveness of the evolution of morphological structures in designs brands. t globally.2. Spatial limit : includes designs corporate branding and international institutions active in the market.3. Moreover identified the following terms : (evolution, structure, format, tag)The second chapter of the theoretical framework, which over the following axes : (The evolution of designs brands), (structure formalism of marks), (mark), (Global Dimension), (significance expressive of the mark), (functional dimension of the mark), as well as the last axis, which represents (b Bade communication and economic mark), then interpreted Researcher most important indicators that came out of the theoretical framework. As well as his presentation of the previous studies.The third chapter the researcher the actions carried out by then,, Study of the analysis, as the researcher analyzed (15) model according to the axes created of indicators that spawned the theoretical framework, which consisted of the following axes : 1. stages of the development of label design.2. formal structure in the design of the mark.3. recipe and type of tag.4. Dimension Global in the design of the mark.5. functional and expressive significance of the mark.6. communication dimension of the mark.Then singled out the fourth quarter results and discussion, as came from : 1. teamed stages of the evolution of signs according to functional reason, Economic primarily resulted from new insights for owners of companies, or mergers between two or more companies, or for some reason intended to update and renewal, as in the models (1,2, 3, 4,5,6, 7, 8,9, 10, 11,12, 13, 14,15).2. The development did not come all at once, but came according multi including the stages of multiple intervals, as in models (1, 2, 4.6, 7, 8.9, 10, 11.12, 13, 14.15), and this is normally located in him the gradual evolution of the design being linked to the owners of private companies and aspirations of philosophy, and deliberate, and competition.The researcher concluded a set of conclusions, came from : 1. All structural patterns and stages of development of what was happening to not Refuge circumstances that accompanied the establishment of major industrial companies and institutions that have a direct impact on the global economy.2. harmonic and differences in the evolution of designs built marking identify the limits of correlation between the performance of companies and the formal vocabulary constituents and both like the ultimate embodiment of the structure Alabama and put deliberative communication.The conditions and requirements resulting from the strategic changes to institutions and society alike a big role in the evolution of structures and signs consistent with what is going through companies and institutions concerned.Then the researcher recommended that some of the relevant current study recommendations, including : 1. the need to dismantle and analyze the evolution of the stages of design labels to take advantage of the circumstances that passed by, which is mainly related to the organizational and visual structures This is important for workers in the field of design brands.2. Study the structural conditions of each sign of the unity of intellectual and economic fact their references, which led it to a big stages of economic and commercial competition at all levels, an important episode of communication and continue the design catalog.Then the researcher doing the study suggested the following : • evolution working symbolic designs in employment brands.His current research concludes the list of sources and supplements and a summary in English

تطبيقات التاريخانية في رسوم مابعد الحداثة == The Application of Historicism To Post - Modern Painting

Author name: ازهر داخل محسـن
Supervisor name: عاصم عبد الامير الاعسم
General topic: Fine Arts
Specific topic: Drawing
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: التاريخانية مفهوم معرفي اطر الثقافة النقدية الفلسفية والجمالية والايديولوجية والعلمية، على ضوء منظومة معرفية تاسست برؤية الماضي كمعطى ابداعي لتستثمره في الحاضر بفعل ازاحة الفواصل والابعاد الزمنية ( الماضي، الحاضر، المستقبل ) فاقرت ان الابداع نسق عابر ل | Historicism is an umbrella term that can be used to include several aspects of culture; namely, the critical, philosophical, aesthetic, ideological, and scientific ones. It refers to the schemata that considers the past as a creative source by applying the process of transition - and - dimension displacement in relation to what is so called past, present, and future. According to historicism, creativity is a track that penetrates both place and time and draws types of existence and situations beyond all that was found earlier. Hence, historicism is the other face of the philosophy of history as it is after discovering the laws of social change and progress drawing attention to the great transformational processes underlying human civilization. It interferes philosophically with history and its broad field of interest. As a scientific concept, historicism through revisiting earlier products and trying to free them from the limitation of registering and recording aspects of documentation. By doing so, historicism deals with each earlier product as a source of critical thinking that could pave the way for a new interpretation. In this case, historicism acts as the awareness underlying the future work of art. That is why, the research work, in question, has treated historicism as a critical term and a scientific process of identifying and analyzing a set of recent readings and their effects on the creative post - modern painting. In other words, this study, which falls into four chapters, is an attempt at applying historicism technically to post - modern performance. Chapter One presents the problem of the study in the form of the following two questions : - How is historicism generally realized across plastic arts? - What are the evaluative and mental criteria followed by the post - modern painters to provide the work of art with aesthetic, ideological, and dialectical effects.This chapter also refers to matters such as the significance, limits, and aims of the study. It ends with procedural definitions of some terms. Chapter Two is a theoretical framework of the study. It divides into three sections. The first section deals with the nature of the philosophy of history and historicism. This section has got the following four headings : ( I ) About history, and Philosophy of History( 2 ) The Concept of Historicism ( 3 ) The Concept of New Historicism( 4 ) Historicism and Modern CriticismThe second section is on historicism and interpretation in modern painting. This section has two introductory notes : historicism as an interpretive product and the representation of historicism in modern painting. The third section is on historicism and experimentation. It falls into two aesthetic and scientific subdivisions : First, historicism and the mechanism of experimentation in modern and post - modern painting and secondly, historicism as a reading in the post - modern painting. Based on the theoretical framework, a number of parameters were pointed out to be the bases on which the analysis of the sample are conducted in Chapter three. Chapter Three is on the procedures in relation to the population, sample, which consists of 20 subjects. It also tackles the descriptive approach, the tool of data collection, and the techniques or mechanism of analysis. Chapter Four is entitled ‘results and conclusions’. Among the conclusions the following are worth mentioning here : 1.Historeism is not a succession of similar eras, neither is it a set of successive similar closed periods. Actually, it is a combination of new complex creative attempts, visions, and strategies. All of these matters penetrate stages and samples and reconstruct them according to novel standards or bases. To history, Historicism means progress and development that match with what the society is witnessing and at all levels.2. Historicism is an attempt at repeating the work of art but in accordance with a contemporary vision and a progressive act to make it more technical and more aesthetic. The earlier work is made use of in two ways : first, a contemporary artist reconstructs the work of art carried out earlier by another artist; and secondly, or the same artist repeats his earlier attempt but with some modern mentality and better awareness.3. Progressive historicism tends to turn, in its post - modern works, to earlier or modern paintings within a newer starting point. There are technical differences between post - modern paintings and their modern counterparts regardless of the similarity of style.4. Analyzing and deconstructing the European modern and post - modern paintings in terms of historicism readings of borrowing have been conducted with reference to form, content, symbols, and reference as these are semantic aspects bearing in mind the relationship between reference and referee. 5. The openness of the visual text of the post - modern painting is considered to be a return to earlier masterpieces on the part of the post - modern artist who cannot help employing new technicalities, new forms, and new mechanisms that are different from those of the earlier work.

تضايف الرسم والعمارة في تشكيل المكان : دراسة تحليلية == Correlation of Painting And Architecture In Place Formation Analytical Study

Author name: مهند مسعود جميل
Supervisor name: بلاسم محمد جسام
General topic: Fine Arts
Specific topic: Drawing
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: يعيش الرسم اليوم حالة من الوجود الجديد على مستوى العرض والاسلوب معا، فقد غادر بعض مستوياته التاريخية والثقافية ليس في الادوات فحسب وانما في وجوده المكاني.ان اية مراجعة لتاريخ الرسم سوف تدلنا على بعض اقتراحاته، منها المتحف وقاعات العرض، والاقتناء الخاص | Drawing lives on the case of a new presence on the level of presentation and style together, have left some of its historical and cultural in not only the tools, but in the presence of spatial.That any review of the history of painting will guide us to some of his proposals, including the museum and exhibition halls, stakeholders in the acquisition of this kind of art, namely systems that are interested labels : artist’s subjects, its recipients, and place of display.But today, some of the vibrations of structural injured joints that pattern, and the foundations of the new approaches stand the place in front of an active and influential when it became seeks, to intensify the kind of new relationships, as it became architecture and one of the most important humanitarian needs, and moved to the New World Center, identity and presence, and set up a series endless data of contemporary life.This research is interested in one of them is to stand on the ability of architecture to attract art to it as an aesthetically pleasing, meets what has been termed the needs for humans as well as lend a cultural identity on the places, so the correlation between architecture and painting one of the pillars of cultural venues and is a global phenomenon and humane public.Accordingly, The current research is trying to study these points And outputs, was based on a systematic four chapters : Chapter One : In the two sections dealing with the first following topics : structural transformation of art and architecture in the third millennium, references conceptual, theoretical needs of emerging - places, modernity and coordinated environmental needs, art and the needs of the architecture of the interior, architectural style, environmental data in art and architecture.The second section deals with the following topics : art and ether, attendance photography, painting and wall. Chapter II : in two sections : the first includes the following titles : receiving and handling, and display modes, art and production places, methods of presentation, display elements (scenography)The second topic : the alienation of aesthetic, architectural design Chapter III : In the first two sections : Art and Architecture in Iraq The second is the maintenance of the national cultural heritage Chapter IV : Results, conclusions and recommendations and proposals. Then sources and references.Results : 1. The art key role in satisfying the desires of Neanderthal and psychological needs , emotional and existential , which indicates the interaction of art and human whole.2. Architecture and art refers to ideological and religious expression, which select models and types of concordance between technocracy as the Renaissance and beyond.3. Was the walls of the graphic display methods, which bases on the type of art called the parietal art, present a work of enduring architectural form.4. Drawings shares on the facades of Architecture in the age of modernity in the emergence of models and patterns, and create new environments for Architecture and propose new styles of painting.5. Cities became in the era of modern systems place for media and advertising, making the drawing takes new aesthetic forms such as writing on the walls and illustrations and advertising.Conclusions : 1. There are fundamental forces prevailed against the presence of art and architecture in the spatial environment, artist, architect, and the new jobs, which make up a whole new aesthetic and proposes a system to correspond to the races at the expense of individuality in the type of art on the historical level.2. Contemporary techniques has become an alternative to the idea of the murals painted for building, making this art takes atrophied in the joints of contemporary spaces.3. The Architecture in Iraq did not contribute in giving proposal which met between art and space; we cannot establish a pattern of contemporary test, because of the absence of the rule aesthetic and architectural patterns.4. Almost the art of Iraq drawing loses it presence in architectural places, for cultural reasons, popular, and the propensity to alternative methods based on the decline in public taste.Recommendation : In light of this study and its findings, the researcher recommends the following : 1. Building a curriculum process between drawing and architecture and sharing needs, to build awareness of contemporary places. 2. Trying to make the drawing goes out to public places and in the space of interior design without anchoring in the exhibition halls. 3. Planning to cooperate with the institutions responsible for the city lay the foundations for the presence of Iraqi art in the joints of buildings for both the public and private sectors. 4. The introduction of new approaches to the drawing go by methods appropriate areas with major transformations architecture and the environment together. Suggestions : An update of the current research suggests a researcher conducting a number of scientific studies and research of the following : 1. Alienation between architecture and art in contemporary spaces. 2. Deconstruction in architecture and art, conceptual approach

تركيب الخامات المعمارية في تشكيلات الرسم المعاصر == Architectural Raw Construction In Modern Draw Formations

Author name: سها عبد الجبار رشيد خزعل
Supervisor name: سلام جبار جياد السوداني
General topic: Fine Arts
Specific topic: Drawing
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: Research adopted on readings of modern technical systems and that architecture materials contributed in large amount for art production whether in show means or the beauty action.Already art change and leave history when entered rules and materials were non known for huge extent to depart it's indicated influence for interest of location existence , as their influence with environmental architecture and technical materials until it become to pull out for board lines in their constructional combination therefore research meant in study of such large constructional attempts and to stand to on their elements and reassembling their indicated codes and it fell down for new raw as wood and stone and sand and cement and plaster tree roof glass and metal and fiberglass and it's adjacent raw were found presence in modern art so research laid many of questions about modes that enable art for investment their abilities then study the combination units and borrowing power that harmonic with new art formulas.These questions leads to locate research goal : ( discloser on modes of employment architectures raw in modern paint board ).And it's study of art architecture system and matching between them on material level of acknowledgment mutation and theory that work as reference for two cases and research was limited with art drawing and movements and arts tendencies for age extended from the year of ( 1942 - 2012 ) and research adopted theoretical frame as follow : First research : historical resume for material system and their mutations about architecture raw and their employment in plastic achievement starting from human cave until space setting and ( earth art ) adding to the architecture raw the value and basic pivot for optical surface as description of importance pivot of beauty values.Second research : got of location dimensional representation in modern draw.Third research : got (architecture raw investment in school of Albahouse ).Fourth research : got the kinds of adding architecture materials for optical surface and it was ended by some of previous signs and studies that benefited in analysis the research sample and upon chapter three was contained research procedure and research community and sample selection and research instrument and analysis and sample description that amount (19 ) of samples and fine all fourth chapter comes with many of results and conclusionsCand recommendations and suggestions. and the most of results they were as : 1 - Adding multi architecture materials to enable it for speech in modern language of art and continuity with it's new try between them by breaking boundaries of different arts fields and the use it indirect or intervene manner with of tissue board surface or wooden or metal or mixing by more than type and engaged between draw and relief in article work and we could restrict the emerging architecture materials were in modern draw as follow : sand ,cement, stone, wood ,metal ,glass ,ceramic waterproof ,glue and different materials.2 - Interfering of constructional systems for draw and architecture and sculpture and design in technical work for raw and architecture combination in optical field by using technologies gathering and combination and blending , adhesives (collage ) with colored spaces of engineering style design.3 - Contrast in thickness of accumulated surfaces that consists of technical work give sense of material deepness wherein show the upper part for paint surface draw as rotate over another surface by contracts of work so by waving the surface protrusions and size or levels over each other.4 - The use of welding bolts and knifes and biggest brushes and cutter and sponges pieces and electrical tools and mechanical and natural power.5 - Artist selection with appropriate of architecture materials to build the modern art when the execution for addition artistic dimension and beauty this represented as reference for the origin of civilization in spite of developments technology.Conclusions : 1 - Motivated of Architecture raw ability for imagination and fantasy of creative and progressive the residual supporting material that consider as inventive stage wherein artist was started from with some of elements and the idea growing up through the use of raw capabilities in artistic work2 - Versatile the use of material and technologies forming the artistic work that lead to diversity of touch signs of pictorial surface as expressional value or beauty or the gathering between them.3 - It's ability put the artistic work any were on the base without need of stand or hanging on the wall.Recommendation : 1 - put fixed curriculum study for students Art College consider as study of versatile raw in modern draw.2 - Employment of basic technologies for modern art in studying curriculum.Suggestions : 1 - Study of architecture material touch in modern draw.2 - Study the mode of furnished the modern draw by architecture raw.

تداخل اساليب الاداء التمثيلي في عروض المسرح العراقي == Interlinking of Artistic Performance Styles In Iraqi Theatrical Shows

Author name: عتاب جاسم نصيف
Supervisor name: عادل كريم سالم
General topic: Fine Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: يتفق كل الباحثين والدارسين في حقل الفن المسرحي ان لفن الاداء التمثيلي اسلوبين اساسيين احداهما (تمثيلي) والاخر (تقديمي) من حيث الاداء اذ تنضوي تحت لوائهما مدارس تمثيلية عدة منها الكلاسيكية والتعبيرية والواقعية والرمزية...وقد تولدت عنهما اساليب ادائية شتى | All the Researchers And Students In The Field of Theatrical Art Agreed upon That the artistic performance has two basic styles one of them is (performance) and the another is ( introductory) they included numerous performance schools among them the classical, realistic and symbolic schools…… From them numerous performance styles have been originated, opining avenue to the actors to introduce numerous of these performance styles with in the numerous concept of and interlinking of artistic performance in the single theatrical show. For achieving the purposes of the researcher in her thesis to recognize the machinery of artistic performance in single theatrical show so the research has come under the title (interlinking of artistic performance styles in Iraqi theatrical show. The research includes four chapters.The first chapter concentrated on the systematic frame of the research whereas the research problem dealt with an obstacle deters the actor performance considered the basic authority and the active element in theatrical show address which is as a result of the numerated school performance and their styles perplexion has prevailed in the theatrical performance so the criteriia have become imbalance as a result of ignorance resulted from this interlinking and non - distinguishing and awareness to the reality these styles, also the chapter includes the importance of the research ,its aim ,limits and assign the terms, while the second chapter includes theatrical frame , it contains three main categories under titles The first category : - the concept of interlinking in which I have displayed in this category the most important psychological, and Knowledge fundamentals of the interlinking concept The second category interlinking of artistic performances which I have reviewed the interlinking of styles in theatrical show of reading the text in a contemporary directory vision which will be subjected to the interlinking of new economical, political and social relations this will lead to interlinking in artistic styles which connected in its circumstances, stage and its reconstruction in away conform to the nature the direction of the modern vision. While the third category includes the machineries of interlinking of artistic performance styles in theoretical directions, I have displayed in this category techniques of artistic performance styles and its methods. The theatrical frame has produced indications, the most prominent of them are : - 1.Interlinking of artistic performance styles the in the research of new performance styles, new the artistic performances connected another styles references temporary connected with harmonious interlinking unity, in which the principles of mixing organizing, diversity , balance, harmony and rhythmic achieved the artistic effect which represent aesthetic tendency to attain the communication process between the actor and the spectator.2 - Mixing of artistic performance styles randomly doesn't mean in a random method without subjecting to unified harmony for their diversity with in the diversity concept in the unity, interlinking in styles, whereas the interlinking always move on the base of finding a central focus in performance in which and through them another performance styles move after interlinking with units of building personality, scene and action.The third chapter based on measures taking frame and it includes the structure and the specimen of the research that are represented in elected shows of the Iraqi theatre like ( Oteil in the kitchen), ( Macbeth) and(the Ghost)I have displayed in the most important and conclusions in the fourth chapterAmong these results : - 1. Thearitcal artistic performance styles interlinking which is process of liberating the actor tools from their usual expressional mode, and oriented towards new animation and movable existence being the interlinking in its essence mean movement concluded by the action in its dealing with things for revealing its hidden secrets then representing them in forms, images and expressional contexts of theatrical show address.2.Theatrical artistic performance styles interlinking means the organized technical and aesthetic structure of the whole relations of these styles inside the performance structure within central harmony, it is creative action in organizing the action of the actor and it is equivalent to organizing his tools. The research is terminated of foreign and Arabic sources and the abstract in English language and appendix with pattern of Iraqi theatre.

تحولات بنية التطهير في النص المسرحي == Transformations of Structure Catharsis In Dramatic Play

Author name: محمد مهدي حسون راهي المياحي
Supervisor name: يوسف رشيد جبر
General topic: Fine Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: يخوض البحث الحالي في دراسة المفهوم الجمالي للتطهير وتحولات البناء الفني للتطهير، بوصفه غائية بنائية يقاس على وفقها تحولات المنظور الجمالي للمنتج الابداعي، وضمن الفضاء التاريخي لهذا المنجز، في زمانه ومكانه..فالتطهير هو موقف للذات تعانيه باشتراطات تجربتها | Since his first steps in existence, the human being followed mental or sentimental or instinctive activities in order to reach to the state of tranquility and stress reduction between the requirements of the self and its propensity for differentiation in this world, and between the conditions of the world and its laws. These activities were issued by the first act of the human, starting by worship, and through worship came tranquility which leads to the power of the ritual and the flooding of spiritual energy of the self being differentiated in this world and reforming the conditions in the line with the self, i.e. changing the world humanly and this is the principle of the civilization. Through the evolution of repetitive practice of worship and the growth of its aesthetic awareness, emerged the art work and the aesthetic practice which its basic point is catharsis.In a philosophical perspective through bilateral self/world argumentative conflict, the self gains some of the world`s themes. These themes forms through their hazards and threats to the self, a prior criterion to moral and manners standards such as; danger, panic, fear, murder and loss. These are threats by the world, and their opposites are the need of the self to what is against them to sustain survival such as; safety, peace, tranquility, goodness, justice, honor, loyalty and honesty. But the fact that the outside world is always threatening, keeps the self in constant sufferings for the absence of the catharsis out of the art work and the aesthetic experience, which must be the basic aspect in the creative structure of the work - theatre. when it is there, the aesthetic factor is also there but when it is absent, the whole experience is becoming incomplete. Therefore, the multiplicity of artistic structure of the text as a basis of theatrical presentation, which leads to catharsis and that was what occurred of shifts in the functional concept of catharsis. Thus, this study comes to explain the concepts and procedures of the transformations of structure catharsis in theatrical text. In the light of this study, the following chapters have been resulted : Chapter One : the methodological framework that contained the problem, the significance and the limits of the study; in addition to identifying some of the idioms mentioned throughout the whole study.Chapter Two : the theoretical framework that contained the following sections : Section One : Catharsis in philosophical speechFirst Hub : Catharsis in Metaphysics Speech / Classical Second Hub : Catharsis in Modernism Speech / Realism Third Hub : Catharsis in Postmodernism Speech / Expressionism Section Two : the Mechanisms of Catharsis in the elements of dramatic structure First Hub : Catharsis in PlotSecond Hub : catharsis in personality Third Hub : Catharsis in ThoughtForth Hub : Catharsis in LanguageSection Three : Aesthetics of catharsis in theatrical speech / Indications of the theoretical framework and previous studies. Section Three : the Procedural chapter in which samples had been analyzed as follows : 1. The play of "Oedipus the King" of the Greek writer Sophocles - translated by Taha Hussein.2. The play of " al - huor al - ryahi" of the Iraq writer abed alrazaq abed alwahid.3. The play of "the House of Agoesar Holm" of the Norwegian writer Henrik Ibsen - translated by Tamader Tawfik.4. The play of " Ana omak yashaker " of the Iraq writer Yosef Al - any.5. The play of " allawha" of the british writer Harold pinter.6. The play of " Mythical Reality" of the Iraqi writer Ali Abd al - Nabi al - ZaidiChapter Four : it contained the results, conclusions and recommendations. Then, a list of sources, references and an abstract in English.

تحولات الاداء التراجيكوميدي للممثل في عروض المسرح العراقي == The Tragic - Comic Changes of The Actor Performance In The Shows of Iraqi Theatre

Author name: هنادي صلاح عزت
Supervisor name: مصطفى تركي السالم
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: كثيرة هي ثنائيات الحياة، اذ ظلت دافعا للفلاسفة، والعلماء، والمفكرين، لتناولها كل بحسب افقه ومضماره، فكانت ثنائية الليل والنهار، والحياة والموت، والخير والشر ثنائيات كبرى تناسلت منها ثنائيات لا تعد، ولعل الفرح والحزن من بين ابرز الثنائيات التي اخضعها الفل | So many are the dualities that are still incentives forPhilosophers, scientists and thinkers. Each of them deals with dualities within his horizon and aspect. There are the dualities of the night and day, the life and death, the good and evil and so on. Great dualities gave birth to uncountable dualities and perhaps the duality of joy and sadness forms the most distinguished one that the philosophers, since the Greek era up to nowadays, have submitted to test, analysis and derivation. Thus the duality of ( tragedy ) and ( comedy ) was born from it : the two phases which filled the pages of knowledge in general and literature and art especially , and the drama found rich wideness in sequence of thoughts and studies which are connected with them and expressing them as well. Perhaps the articulation of change between them, and moving from one side to another, are regarded a complementary corner for each of them. So the Greek poets and those who came on theatre after them, began to deal with these changes in the structure if their texts, and extended to the textile of the show and found theorization and a wide expansion in many theatre works. Besides, many titles were derived from that duality and its changes. This allowed the concept of ( tragic - comic ) appear as a complete , uniting concept for that everlasting duality in literature generally and in ( the art of performance ) especially , due to the changes that the actor performance acts through the duality of ( voice ) and ( body ) that he embodies through them a fantastic world bearing within it a contrary duality in form and content.As the researchers have dealt with each side separately, the articulations of moving and changes did not find that amount of care in spite of its significance , and this made the researcher go deeply into this subject, trying to discover the nature of ( voice ) and ( movement ) changes in the action of changing and the incentives which lead to it, after a round of the researcher through specialized literary works and found that no one had preceded her in studying the actor performance and its changes both on ( voice ) and ( movement ) levels , and this made her study and choose it as an aspect for her research , choosing for it the address : ( The tragic - comic changes of the actor performance in the shows of Iraqi theatre ). In order to reach the aims of the study, the researcher has drawn the ways of her research in four chapters containingThe following : The first chapter : the curricular frame through examining the research problem and the need for the research. It also contains the significance, purposes and limits of the research, defining its fundamental terms. The second chapter contains the theoretical frame through the following items of study : 1 - The elements of tragic - comic changes in the theatre show. 2 - Tragic - comic performance styles. 3 - The concept of tragic - comic performance and its incentives in the world theatre. 4 - The previous studies. The researcher then concluded the fundamental pointers through her round in the theoretical frame, dividing it into three standards : 1 - The standard of the specifics of tragic performance of the actor. 2 - The standard of the specifics of comic performance of the actor. 3 - The standard of the specifics of tragic - comic performance of the actor. The researcher has specified the third chapter to define the procedures that she has adopted to achieve her purposes as she aimed to make an exploratory study to define the community of research and look over its samples which represents it much , starting out from the standards of the theoretical frame which are carried by its pointers. The study has contained the following two stages : First : Preparing the procedural tool of research represented by a (questionnaire form : close - open ) by a committee of experts from specialists in theatre art , in order to achieve the validity of the tool ,and in the light of its items , the community of research has been reconnoitered to harmonize with the standards of the research. Secondly : Defining the samples of research which are the most representatives of the society , through a ( judges committee )from specialists and others , to assert to the researcher the exactness of the test and its scientism Thus the following play shows have obtained the higher rate in representing society and which the researcher has adopted as samples of the research : 1 - " Sorry Sir. I did not mean that "(Aa tither ultrathin lam aqsud thalik) directed by Haitham Abdulrazzaq. 2 - " Barring wandering "(Hather Tigwal) directed by Muhannad Hadi 3 - " A Prove in the Hell" (Prova fi Jahanam) directed by Hadi al - Mahdi 4 - " Curtain" (Burda) directed by Ghassan Ismail. 5 - " Female Play" (Azif Nisai) directed by Sinsn SL - Azzawi. The third chapter ended with a summary of the research results, while the fourth chapter contained a discussion of the research results according to indicators of the theoretical frame to reach the results of which the following are the most distinguished : The differences in the vocal and movement harmonies of the (Iraqi actor) are those which defined the direction of the changing moment in the tragic - comic performance of the character. Dealing the (Iraqi actor), in the moments of his performing changes. With different body movements besides (dancing) which the tragic - comic character has invested in many situations to distinguish the contradictions in the mood states and deepens the act of changing.Twinning the colloquial and standard language in the performance of Iraqi actor as reflection of the environment and acquired habits in the Iraqi society. This chapter has also involved the recommendations and proposals which the researcher has suggested and found that they are complementary to her present study, with a list of sources and supplements and an abstract in English.

فنون ما بعد الحداثة وتمثلاتها في التشكيل العراقي المعاصر

Author name: تحرير علي حسين الجيزاني
Supervisor name: مكي عمران راجي الخفاجي
General topic: Fine Arts
Specific topic: Art Education
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: The present research is concerned with investigating the embodiment of the Postmodernism Arts, their styles and their artistry trends in the experiences of the modern Iraqi plastic Arts. No doubt that the postmodernism philosophy with all its details, associations, contradictions, which is also called postmodernism phase, has attracted the Iraqi artists inside and outside Iraq. This interest has emerged from the artists wish to convoy the new styles, techniques modes in the world, ideologically or practically in Art.The present dissertation lies in four chapters. The first includes the problem of the research, its importance and value. The problem of the research is limited to the identification of the becoming of the postmodernism arts in the modern Iraqi Plastic view, and that is after the openness of Iraq on the world and the contact of the Iraqi artists with the artists in the world. The following questions embody the problem of the research : has the postmodernism ideology any effect on the modern Iraqi artist? has the postmodernism techniques any effect in to change the aesthetic view of the modern Iraqi plastic proposals? does the dissidence in the Iraqi classic styles of Art, being affected by the aesthetic system of postmodernism, open the way for the procession and involvement of the receiver of the visual show.The importance of the study is embodied in shedding light on the artistic styles of the postmodernism plastic Arts in the Iraqi artists' works. The study also aims at detecting the embodiments of the postmodernism arts, their styles and techniques in the performed modern Iraqi plastic arts.The study is limited to the objective analytical study for the ideology and techniques of the postmodernism plastic art in Iraq; on the other hand, the local limits include the artistic results of the Iraqi artists' works inside and outside Iraq, which is in addition to the analysis of their pictured works which are performed from 1993 to 2013.Chapter Two includes the theoretical background fro the study which includes three sections. Section one includes two axes : the first tackled the notion, as well as the principles, of modernism as it is the phase that proceeded postmodernism, so that it possible to be aware of the notion and principle of the postmodernism phase, which was base on demolishing the modernism basis. Hence, this section propounds the notion and principles of the modernism phase and its visual applications. On the other hand, the second section is concerned with the notions and principles on which the postmodernism phase is established, for it tackled the prologues of the formulation of the postmodernism phase as well as the historical roots for the appearance of the postmodernism notion. That is in addition to the characteristics and ideological starting off which the postmodernism phase was based on and the extent to which the postmodernism phase affected on the Arab world and the effect of the latter on it.Chapter Two deals with the postmodernism data in the visual field, for it includes two sections. The first tackled the artistic characteristics of the postmodernism plastic art such the opening of the visual show, the association of the technical styles and the incoherence and fragmentation in the artistic works of the postmodernism phase. That is in addition to the oddness, obscurity, sarcasm, shocking, and amazement which it attains in the receiver. The study also tackles the role of the pictures and media in the postmodernism artistic products. The second section deals with the important trends of the post modernism arts, starting with the abstractive expressionism with the end of the craft. Section three exposes the postmodernism features and modes of the Iraqi plastic art career, propounding the commencement of the Iraqi plastic movement, starting with the pioneer generation to the present time. This includes the products of the Iraqi artistic works which embody the postmodernism styles. These sections show someaesthetic, philosophical, ideological and artistic indications, being included within the theoretical background.Chapter Three includes the procedures of collecting data about the Iraqi artistic society to be included in study for the period from 1993 to 2013 AD, and about their artistic work inside and outside Iraq. The samples of the study include twenty five artistic works chosen on purpose to fulfill the aims of the study. The researcher works on the descriptive and analytical mode to analyze the samples with reference to the artistic, aesthetic, philosophical and ideological indications, to be coincided with the theoretical background for the formulation of the study.Chapter Four includes the conclusions, recommendations and suggestions depending on the practical side of the analytical study. Here is a brief about the results of the study.1 - The dissidence of Iraqi artistic works from the classic art system which proposes the existence of a limited center inside the framework; thence, the works divert to another form based on the absence of the centrality as those in the western postmodernism art.2 - The demolishing in the structural and constructive order of relations inside the performed artistic structure through breaking the classic perspective as the artist depends on the open show space.3 - The figure appeared as multi - category (non - naturalization) due to the Iraqi artist working on the non - naturalization principle, being one of the most important secretion of the western postmodernism; that is through the interference between the structural systems of the techniques in sculpturing, drawing, architecture, designing and photographing.4 - Activating the personality of the artist and with a bigger liberality to formulate and choose his figures, without being monitored by the former governmental regime.5 - The initiation of new styles for the Iraqi plastic art after 2003, diverting from the prevailing ideological career to present a free ideology carrying the embodiments of the western postmodernism.6 - The social and political changes were implicated in the Iraqi plastic art and with new presentation depending on the assembling, constructing and the ready made thing with the characteristics of the western postmodernism.7 - "Shock and surprise" was a characteristic in the western postmodernism arts reflected on the performance of the Iraqi plastic art; that is when the Iraqi artist used strange and mysterious materials in the structure of his performance according to the modes and techniques of the postmodernism.8 - "Media and advertisement" appeared clearly and widely in the theme of some Iraqi artists' plastic works, especially those which conveyed the information actions.On the basis of the above mentioned findings, the following is concluded : 1 - The social, political and economical changes in the Iraqi structure as well as the living circumstances such as war, destruction and setbacks have a big effect on the Iraqi artists' spirit.2 - After 2003, the Iraqi artist tried all the universal artistic techniques and styles, whence he had been isolated and banned by the Iraqi former regime. This gave him a chance to know the modern modes of art.3 - The Iraq modern art is based on connectivity and cultivation with the others in the world, as well as communicating others and exchange opinions. The Iraqi artist was freer to exemplify and present his aesthetic themes.4 - For the Iraqi artist to be able to travelling abroad after the fall of the former regime, holding shows and being introduced to different cultures and arts a wide effect to make the works seem with universal traits.5 - Experimenting according to postmodernism art styles encourages the Iraqi artist after he was despair of the traditional modes which he worked with before, since these new techniques are modern and more interesting.6 - The internet, celphones and media has a big role to see all the artistic styles that the universal artist can present, that is in addition to the ease of communicating any other artist or a show.7 - The prevailing of TV programs in the Iraqi society, as it becomes easy for them to watch the world, as well as the awareness of the Iraqi artist to what happens in the world, helped him to dedicate these on the artistic performances of his works.8 - As globalization, politically, culturally, economically and militarily, launched the Arab world, including Iraq, this affected greatly on directing the Iraqi artistic performances to embody the existential anxiety and expatriation of the Iraqi

المغايـرة في تجارب المخرجين المسرحيين الشباب في العراق 1990 - 2009 == Variant Directors, Playwrights In The Experiences of Young People In Iraq 1990 - 2009

Author name: جبار محيبس مجيد
Supervisor name: صلاح مهدي القصب
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: يتكون البحث المعنون ( المغايرة في تجارب المخرجين المسرحيين الشباب في العراق من 1990 - 2009 )من اربعة فصول، قسم الباحث هذه الفصول الى مباحث فرعية يتضمن الفصل الاول الاطار المنهجي ومشكلة البحث والحاجة اليه ثم تناول الباحث اهمية البحث وحدود البحث الموضوعية

تجارب المسرح الاكاديمي العراقي ما بعد التغيير : نماذج مختارة == University of Baghdad College of Fine Arts Post - Change Iraqi Academic Theatrical Experiences (Selected Samples)

Author name: نبا جبار مناحي الربيعي
Supervisor name: عقيل مهدي يوسف
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: التجربة المسرحية هي تقديم عرض له مرتكزات علمية تربوية رصينة يهدف من خلالها المخرج تقديم عرضا مسرحيا متكامل العناصر، قدر الامكان ومقاربة الابتكارات المسرحية الجديدة. بالاعتماد على الاكاديمي وهو المنهاج العلمي الذي يعتمده الاستاذ المسرحي التربوي، في تقديم | A theatrical experience is merely a presentation based on firm scientific and educational elements, through which a director aims at presenting, as possible as he can, an integrated theatrical performance, and at approximating new theatrical innovations. Depending on the scientific methodological approach which the theatrical academic professors usually adopt in presenting a qualified theatrical experience on applied scientific bases and theoretical principles, specified objectives and outcomes are brought about and they consequently formulate the elements of any academic theatrical performance in a way parallel to the targeted artistic model. This study mainly aims at discussing the significance of (Academic Director), as well as the main educational additions which can be identified by the innovative achievements of the Iraqi theatrical academic director, in an attempt to point out the most successful educational and scientific achievements within the academic institution, and the means and methods adopted to fulfill this aim. The researcher, in her study entitled "Post - Change Iraqi Theatrical Academic Experiences", has discussed the theme of Iraqi professional academic director. The study deals with four chapters : 1 - Chapter one : The methodological Framework. This chapter deals with the problem, its significance and necessity; aims of the study; the spatial and time limits of the study; terminology and its definition.2 - Chapter Two : The Theoretical Framework. It consists of three sections : - Section One : the global concept of Theatrical Experience. It has been divided according to the study of ancient international experiences. After the introduction, the researcher discusses the concept of experience, main definitions, and elements of experience in the international theatre and, then, the main innovative streams of the theatrical experiences. - Section Two : the influence of political and social changes over theatrical performance. This section includes an introduction, followed by two subsections. The first casts light on the main contemporary schools and trends which greatly influenced by the recent political and social changes. On the other hand, the second subsection discusses the impact of political and social changes over the contemporary European theatre, as well as the most important theatrical achievements in Europe, which , within their performances, greatly affected by politics and social life. - Section Three : the concept of academic theatre on Arab and Iraqi levels. This section is divided to five subsections that deal, after an introduction, with Arab academic theatre, Arab academic director, academic theatre in Syria, academic theatre in Iraq, and the concept of academic director on the Iraqi level, respectively. The researcher has also referred to the phenomenon of the professional academic director in the Arab and Iraqi theatre. The main indicators of the theoretical framework of the study have also been presented by the researcher. They have been applied and tested on some Iraqi theatrical performances by college of Fine Arts\ Theatrical arts Department, in Baghdad, by a number of Iraqi professional academic directors. Previous literature related to acting and directing have also presented and chronologically arranged as follows : A - Bahaa Zuhair Kadhim : Features of Theatrical Performance in the Experimental Theatre in the performances of the College of Fine Arts, 2012.B - Yusuf Hashim : Features of Experimentalism in the Iraqi Academic Theatre, 2014. 3 - Chapter Three (procedures of the study) : In this chapter, a sample has been selected depending on a comprehensive investigation for theatrical performances from 2005 to 2015. The sample has been deliberately selected due to the diversity of these performances to the Iraqi academic director. The researcher thus adopts the (descriptive) approach in studying and analyzing the sample. The study's tools consist of the indicators of the theoretical framework, documents such as books, magazines, CDs, photographs, and notes, which the researcher utilized to pursue certain academic levels, starting from writing, presentation, directing and all the additions that characterize the reliable theatrical performances. The samples selected by the researcher are as follows : a - Al - Hussein Alaan (Hussein Now) , a play directed by Aqeel Mahdi Yusuf. b - Maradh alSharq Dimoqrati (East Disease is Democratic), a play directed by Haitham Abdul Razzaq. c - Ghareeb al - Dar (a stranger), a play directed by Zuhair Kadhim Alwan. 4 - Chapter Four (results and conclusions) : In this chapter results, conclusions, suggestions, recommendations, a list of references, appendices, and an abstract in English have been pinpointed.

تاثير استخدام اوكسيدي الزنك والتيتانيوم لانتاج زجاج الخزف البلوري == The Effect of Using Zinc Oxide And Titanium Dioxide To Produce A Crystal Glaze

Author name: احمد جعـفر حسين الـشمري
Supervisor name: محمد عبد الحسين العريبي
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: يتناول البحث الحالي امكانية انتاج زجاج خزف متبلور ينضج بمدى حراري عال(1250 م) باستخدام اكاسيد الزنك والتيتانيوم كـمكونا رئيسيا للتبلور وباستخدام زجاج قلوي جاهز(Alkaline Frit glaze) بعد اجراء التحليل الكيمياوي للحصول على زجاج يلائم طبيعة البحث كما حددت | The research is dealing with the ability to produce crystallized Stoneware, Sensing in high range temperature by using alkaline frit glaze as the clay had been appointed, by adding simple amount of unsold material. The materials caused crystallization (ZnO) and (TiO2) in various proportions after treating (ZnO) and (TiO2) screening it to secure its melting in glazes. The results that researcher had done are valued and a selected ,sample has chosen ,after doing many modifications on the group of (ZnO) and (TiO2) upon the appearance of the clearly crystal by ( sight ). Titanium Dioxide was added to the group of zinc to know the influence of the in the crystal of zinc after that the colored oxides averse added which they were (CuO), (CoO), (MnO2), (TiO2.FeO) and (Fe2O3) in various proportions to show the beauty of the crystallized Stoneware. The researcher concluded within the experiences that there are many reasons that confine the produce of the crystallized Stoneware pottery in perfect way like the solid material and the addition of oxides which cause the crystallization in huge a mortal more than it is usual and the right application of equality and thickness and appoint the degree of crystallization and duration and cooling time upon scientific an accurate base.In the laboratory many tests had done and the result was that the examination of (X.R.D) showed that many crystals of new materials appeared after the disappear an of glazes

بنية التصميم في رسوم ضياء العزاوي == The Structure of Design In Dia Al Azzawi Paintings

Author name: ازهار كاظم كريم الشريفي
Supervisor name: عباس جاسم حمود الربيعي
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: كان الفنان ضياء العزاوي من الفنانين الذين لهم الاثر البارز لتاسيس فـن عراقي ذي خصوصية وطنية وقومية تستند الى تراث فني عريق ولغة معاصرة قادرة على التواصل مع منجزات الفـن الاوربي والعالمي الحديث. غير ان الفنان العزاوي خاض تجربته الفنية في سياق اجتماعي وثقا | Dia Azzawi, an artist of artists who have a prominent effect of the founding of the art with the privacy of Iraqi national and national heritage of art based on ancient and contemporary language that can communicate with the achievements of European art and the modern world. However, the artist - Azzawi fought experience of art in the context of various social and cultural, the contemporary - Azzawi, the conditions of war experienced by the Arab world and the struggle of the Palestinian cause against the occupation and suffering experienced by Arab intellectuals and the Iraqis during this period. Finally, the migration to the west in the direction opposite to the flight Jawad Salim, who studied in Europe and returned home, where al - Azzawi be in Iraq, then technically he journeyed to Europe. This dye experience technical features artist who is looking for innovation across the horizon of his dialogue with Western art and a new life, not the horizon of incorporation alone. Hence, al - Azzawi was launched in an attempt to confirm its presence in the present art world and his desire to maintain its root in the soil that extends the Arab world and the preservation of his artistic map of his country, Iraq. At the heart of current research in the study (in the fee structure design Dia al - Azzawi) is divided into four chapters, Chapter I contains an account of the research problem has summarized the problem of current research questions has the following : 1. How could the artist Dia al - Azzawi of the control structure design in his work that combines abstract formalist approach, despite his eagerness to sacrifice the intellectual content of the painting? 2. How does the artist Dia Azzawi visual compositions with the work that is rich with symbols of heritage, diversity on the one hand, which seeks to keep up with modernity in the drawing on the other? 3. Can the artist Dia al - Azzawi of the development of the structure design in works of art on the diversity of sources of inspiration and employment Aharovi heritage, literary and poetic to be commensurate with all of these trends? 4. Can the artist to make works of art with a list of complementary relationships between form and meaning and their conformity or disagreement with the purposes of property across my design a system based on technical grounds between the meanings of the structure design and ideas that are the basis for its engine of the year? Search has been divided into four chapters, which included the first, the definition of the problem of research and its importance and need for, and purpose of the research summarized by define structure design fees Dia al - Azzawi. Also included the first chapter defines the limits research, and determine the terms contained therein. The second chapter, a theoretical framework for research, has been divided into four topics, addressing the first part, the nature of the structure. And studied the second design processes, while the third topic dealt with the design features in the drawing contemporary Iraqi, The fourth topic was addressed in the design construction Ramps fees Dia al - Azzawi. Chapter also included a presentation of the previous studies and discussed. And ensure the process for the third quarter, the research community, and a sample search, search tool, and analysis of the sample, as well as statistical tools and sports, also included an analysis of the twenty - act of the artist Dia al - Azzawi. The fourth quarter included the results of research, and a number of findings of the researcher, including : 1. Technical design at the Dia Azzawi, subject to the disposal of the artist forms which deprived and treated to a limited extent of the reduction and simplification maintains close ties to their assets from the real world and tries to merge with each other and detract from the completion of the core parts, which establishes its basic structure. 2. Forms when an artist Dia Azzawi, a solid and coherent does not always tend to turn and disappearing in space imaging is always surrounded by the limits established institution strongly about the land and the land itself is a strong and consistent surface gives the impression of the possibility of diving in the folds or Oguarha away, and the forms themselves are always crowded in large spatial space is punctuated only in limited spots do not weaken the cohesion. 3. The structure determination of Dia Azzawi, based on a ground area containing all of his thoughts and symbols, these interiors are the focus of his genuine interest above can establish different types of configurations always remain consistent with it is based on the floor of aesthetic and technical court. Also included the separation of research findings, and some recommendations and proposals, and disclosure of sources of Arab and foreign research, and a summary in English.

برنامج تدريبي في التذوق الموسيقي لتطوير مهارات التجويد القراني لطلبة علوم القران الكريم == Training Program In The Musical Apperception For Skills Development of Qur’An Tajweed of Students of Qur’Ans S

Author name: فاضل عرام لازم
Supervisor name: طارق حسون فريد
General topic: Fine Arts
Specific topic: Art Education
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: First chapter of the research deals with the problem felt by the researcher within the Qur'anic society. This problem is represented by urgent need for (Qur'anic Tone) in "Tajweed" Recitation of the Holy Quran, especially for the students of Qur'an Sciences. Therefore, a comprehensive field survey was conducted and showed that there is no any preceding specialized study for Master of PhD degree. This study was needed since adopted curricula are not available. The title is designated as follows : " Training Program for skills Development of Qur'anic Tajweed for students of Qur'an Sciences ".The research objectives : 1. Development of skills of students of Qur'an Sciences through designing a training program of musical appreciation according to Kemp's model (Kemp, 1985).2. Identifying the effectiveness of the training program of musical appreciation to develop the Qur'anic Tajweed of third grade students of Institute of Qur'an Sciences in both dimensions; cognitive and skillful.To verify these objectives the researcher put two zero assumptions.Second chapter is divided into three topics. First topic deals with the >>>>>> of the instructional design including the preparation steps of training program, presenting the steps of Kemp's model (Kemp, 1985) and the voiced skill. Second topic deals with the origin of Tajweed, its fundamentals, Qur'anic recitations, recitation ranks and Qur'anic tones. Third topic deals with musical appreciation and its levels, eight eastern maqams, human voice, raising up and training and criticism in recitation of Holy Qur'an.Third chapter deals with research proceeds and steps of design and applications of training program. The society of the research includes students of Institute of Qur'an Sciences / National Centre of Qur'an Sciences Shia Waqf, averaged to 64 students. The sample was whom they formed 23% of original society.3. Since the current research adopted the experimental methodology, a training program of musical appreciation according was designed according to Kemp's model (Kemp, 1985). It is one group pre - test post - test with minimum control. To measure the efficacy of this program, two types of tests was designed. First type is cognitive achievement to measure the data acquired by the student. Second type is skillful measured by form of skilful performance assessment with is dedicated for this purpose. The two tools were subjected to consistency and validity and reliability procedures.The experiment was conducted in 62 class periods, divided into 38 days (8 weeks), from 15/11/2011 to 10/1/2012 and for the academic year 2011/2012 at the abovementioned Institute.To show the result of the experiment, the following means was utilized : 1. Wilcoxon Test : to identify the variation between pre and post response and performance of the students of experimental group.2. Difficulty and Discrimination Coefficient : to analyze the items of the cognitive achievement test.3. Cooper Equation : to calculate the correction ratability in skillful performance test.4. Richardson Equation : to calculate the reliability of cognitive achievement test.Fourth chapter introduces study results and discussion.Significant results attained in the research are as follows : 1. Prominence of training program for students designed according to Kemp's model (Kemp, 1985), since it is arranged in accordance to serial strategic steps through Tajweed performance of Holy Qur'an Verses.2. Efficiency of cognitive part of instructional content of program, represented by cognitive post - tests in addition to the efficiency of experimental group in understanding and accepting the program.3. Efficiency of skillful part of training content of program, which represented by students marks "sample of research", to accept this study and dedicating it to Tajweed of Holy Qur'an Verses.4. Effectiveness and influence of instructional means and educational techniques - used by the by the researcher to clarify the idea in to the minds of students - in arranging the training program content. Also, introducing the program through Microsoft PowerPoint software assisted the student to develop his musical appreciation through listening at the time of training program.5. The limited consistent reinforcement contributed in each instructional duty. This was made available by instructional actions and activities per each instructional unit; this was represented when targeted sample individuals of actions and activities introduced to the result of actions and activities the made. This lead to increase in learning effectiveness and efficiency.6. Negative feedback represented by permanent view and comprehensive and consistent assessment to the program lead to review and reversion of most of program's items. This played a significant role in crystallizing and modifying the content and technique of the program.In the light of the results of the research, a set of conclusions, recommendations and suggestions was presents

توظيف برنامج الرسام في درس التربية الفنية لاكساب مهارات الرسم لتلامذة المرحلة الابتدائية == Employment of Al_ Rassam Program In Art Education Lesson To Gaining Drawing Skills To Pupils of Primary Stage

Author name: حيدر كاظم سيد
Supervisor name: رعد عزيز عبد الله
General topic: Fine Arts
Specific topic: Art Education
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: تفرض طبيعة التطور الثقافي المعاصر، وما ينطوي عليه من تقدم معرفي وتكنولوجي فريد، متطلبات جديدة، تهدف الى تمكين الفرد من استيعاب عناصر الثقافة ومهاراتها ووسائطها، ومن حسن استخدامها وتوظيفها.فقد ادى التطور في تقنية الحاسوب وبرمجياته الى تطور | Imposing nature of the contemporary cultural development , and the implications of technological progress and knowledge unique new requirements, designed to enable the individual to absorb the elements of culture, skills, and its arguments and good use and employment. Has led the development in computer technology and software to the development in the fields of all life, where he witnessed the contemporary world developments of civilization and culture was one of its causes, the adoption and employment potential of computers and software in various fields, The computer fertile ground for the growth of science and the arts in all its different forms has become a common denominator of human activities, as characterized by its advantages such as speeding, accuracy and multiple options and quality in the implementation of the tasks required, which saves time and human effort. It is by drawing in the studied art education at the primary one of the activities that can accommodate and benefit from the potential of computer and in which there is the application software, including the - Al - Rassam program as an effective and easy to use can be used by students in the production of sketches and expression of art from the screen, and as give them the ability to dealing with the software and benefit from the present and future. But to benefit from these tools (computers and application software - Al - Rassam program) depends on knowledge of the use of such software and handled by pupils. From here emerged the problem of current research, which was not familiar with pupils , cognitive and skills using this program available within the Windows operating system , which prevents them from employment and thus invest the computer in the study of art education - the visual (drawing) in primary schools equipped laboratory computer, and it proved to be the researcher need to give pupils the skills and expertise knowledge and performance necessary to enable them to invest and benefit from, and therefore the goal of the current search to the following : - gaining pupils of primary stage , computer drawing skills - Al - Rassam program (Paint). The achievement of this goal, requires the following two sub - goals : 1 - Design a module in the self - learning computer skills drawing - Al - Rassam program. 2 - measuring the effectiveness of the module dimensions of knowledge and skills, through experimental testing on a sample of the pupils of primary stage. Determine the current research community pupils primary schools equipped computer laboratory of the Directorate General for Education Baghdad Rusafa second. Total sample (20) male and female pupils of the pupils of the fifth grade were chosen the way random from two primary schools, was the application of the module intended for the drawing skills Computer - Al - Rassam program , on the sample which formed the whole experimental group one, as it adopted the experimental design per set with a minimum of settings for measuring the effectiveness of the module dimensions of knowledge and skills, and the purpose of collection and data collection was designed two tools : - cognitive test : to measure what pupils possessed of information about computer drawing skills - Al - Rassam program application module before and after. - skill test : to measure what pupils possessed the skills to draw a computer - Al - Rassam program , application module before and after, and is measured according to the form to evaluate the performance skills consisting of (21), paragraph prepared for this purpose.Subjected tools in research and application performance evaluation skills with the terms of honesty and alignment and stability, for adoption in the current search. the researcher use, a number of statistical methods in the current research were transactions of difficulty and discrimination of the paragraphs of achievement test knowledge, and the correlation coefficient (Pearson) to verify the stability of achievement test knowledge in a retail mid - term and re - test application and to verify the stability of the correction form for evaluating performance skills, and used the equation Spearman - Brown to correct the value of reliability coefficient calculated between the two halves in a retail midterm test, and use the test (T - Test) for the two samples interrelated to show search results that have been reached and that was the following : 1 - effectiveness of the module next to give the pupils knowledge in information about computer drawing - Al - Rassam program. 2 - the effectiveness of the module next to them in the skills give pupils the skills needed to draw a computer - Al - Rassam program. The most important conclusions that were drawn from the results are : 1 - the adequacy of educational content of the module next to knowledge. 2 - the adequacy of educational content of the module next to the skill. 3 - the effectiveness of self - learning formula instructional - learning to give pupils information and skills, including computer drawing skills - Al - Rassam program. In light of the findings the researcher recommended the following : 1. Benefit from the content of the module in giving pupils the primary (school - equipped computer lab) computer - drawing skills - Al - Rassam program. 2. Adoption of the content of the module by the Centers for preparation and training of the Directorates General for Education, to give teachers of art education computer drawing skills - Al - Rassam program , through the establishment of training courses to enable them to give their pupils these skills. account Al - Rassam program possess potential , and easily of composition dues and dealing with the images and edit texts, And contain tools of cut and stir and paste, and to complete interest, the researcher suggesting to adjective search the following : (gaining pupils of stage secondary, skills of collage art , using Al - Rassam program).

برامجيات التصميم الكرافيكي ودورها في التصميم والاخراج الفني للمطبوع == Programs Graphic Design And Its Role In The Design And Artistical Direction For Printed

Author name: بسام جاسم حسين بنانه
Supervisor name: نصيف جاسم محمد عباس
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: With high technical sophistication that happened in the world of digital Program, it reflected way or another on the science of graphic design at its different types and from it the Artistical Directing for magazines that expanded and walked many fields, and was one of the most important data is the emergence of new structural frameworks, particularly with respect to graphics vocabulary and its relation to space design and regulate of color relations and diversity in employment written patterns, and so on, the great access for digital Program enhanced the innovative capability of the employees in this kind of arts, which now deals with everything new and modern, these Programs enhanced the world of print and enriched its structure design and referred it to the functional and aesthetic values and clear semantic, the art institutions is no longer far from the use of such Program and deal with it in a contemporary because of the interference potential at the heart of work design, and the graphic design must be the first to deal and deal with this Program and to serve the process of design and directorial, It must for graphics designer to be the first transact and deal with this Program and to serve the design process and directing, and all current research meant to deal with this type of cognitive engage in talk, an indication of the research problem by asking the following : What is the role of programs graphic design in design and Artistical Directing for print?The importance of research identified through : - - Enhance the practical skills of workers in the relevant journalistic institutions. - Take advantage of the technical capabilities offered by digital design programs in the field of design and Artistical Directing.The search identified by two objectives : - Demonstrate the role of graphic Programs design in the field of design and Artistical Directing for magazines. - Provide practical suggestions depend on what the results of research lead and its findings.The research determined by the following : Objective boundaries : - Study the Programs of graphic design related to the design and Artistical Directing to magazine board (internal pages) only.Spatial boundaries : - Designs the Iraqi magazines that published in Baghdad exclusively, by (5) types of magazines.Temporal boundaries : designs of magazines that published exclusively in , which represent the year of research study.Then researcher knew the terminology contained in research, namely : - Programs, Graphic design, Design, Artistical Directing, and Printed.And select the second chapter, which includes (previous studies) and (theoretical framework), as enrolled in three sections : - The first Section : - Journal origins and history.The second Section : - Elements of the structure of the magazine and the methods of design and directing.Third Section : - digital design programs and their role in directing and publishing.The researcher point set of indicators represented a summary of what resulted in the theoretical framework, including : - - Designer hit the press over time various design techniques and goal was to get out of a primitive design and directed by journalist as cutting, assembly and distribution unorganized and the difficulties of manual labor to enter more flexibility in stages with the implementation of computer programs. - Internal thread form factor gravitational continuity and form the largest part of the magazine organized Failure means the failure of the magazine from the functional and aesthetic. - Faces a designer journalist difficulties quality in terms of his move from manual labor to the computer the most complex, since the arrival of the printing press result reaction by designers and scribes at the time, and the arrival of the computer resemble the arrival of the printing press and the reaction came to realize designers how hard work design in computer programs. Followed by the research procedures contained in the third quarter marked by the adoption of the descriptive method (method of content analysis) in order to reach results, also represented a tool his form for determining axes analysis based on what emerged from the axes and indicators theoretical framework as well as the views of a group of experts, and then included chapter on the selection process models intentional non - probabilistic reasons and clarified the researcher, as the researcher to choose (5) magazines published in Baghdad exclusively is my intention, and select from each magazine two issues as availability in the domestic market and 50% contained on (6) models of research for pages The number of internal models surveyed 30 model, also took into account research validity and reliability of the tool, then the researcher models in the description of the (30) model and analyzed according to the themes that included in the analysis tool. Followed by a separation of the findings and discussed included in Chapter four, which included the following : - - digital programs supported formats (Victorian) (Vector Shape) to make it more effective and visually attractive, as in models ( - - - - - - - - - - - - - - - - - - - - - - - and %), and the researcher finds that the Victorian shapes colors and movements done by Rested through visual colorimetric leave spaces designed computerized through the program (Illustrator) and is added to the movement of large explosions when reading, browsing, and thus highlights the topics - text and images. 2 - reinforced the use of Adobe Photoshop effects in image processing method in terms of purity and activating misting command (Overlay) which appeared evident in docking bitmaps, as in models (4 - 5 - 10 - 16 - 17 - 22 - 23) and by (24 %), the researcher believes that it is important to use this option Pavement cover chromatic images more vibrant by reducing the details of areas dark light to highlight them and therefore it is important to enhance the purity and clarity of the images. - Activate the tool decreases density (Dodge Tool), and to address areas silhouettes in the pictures, as in the model and by (4%), and constitute the tool element of professional designer to It's a tool that can not be for professional designers abandoned, being easy to work and highly effective great use for image processing dark through the details of Interior Lighting.Then researcher concluded a number of conclusions, including : - - with all the possibilities offered by digital photo, but it's in all cases remained weak missed its strength has been dealing with the expressive discourse technically shallow, which means a lack of awareness of the technical skills in ways to deal with such kind of formal vocabulary that form the foundation pillar in the design of the pages. - Each program has privacy in the way in terms of design, the ease or difficulty resolution make it integrates with other programs, which may contribute to the completion of the design is of particular aesthetic dimensions.Then the researcher recommended a number of recommendations, including : - - access to programs, which provided digital design such a program (Photoshop) and (InDesign) and (Illustrator), which includes a great potential fit design and Artistical Directing. - keep pace with technical development and modernization carried out by the digital and programs companies that offer new every day has to do with design and Artistical Directing.The researcher presented ten practical proposals to redesign the interior pages of magazines and specifically page (beginning and middle).The researcher presented a proposal could be for a subsequent study complementary to the current search : - (Digital effects and their role in showing contents graphics) And then seal Find a list of sources and supplements

تصميم الازياء في مسرح الطفل بين الشكل والهدف == Couturein Childrens Theater Between Form And Goal

Author name: براء شكيب اكرم الصالحي
Supervisor name: روعة بهنام الشعاوي
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: يتناول البحث دراسة الاشكال التصميمية الخاصة بمسرح الطفل من حيث الشكل والهدف بوصفها احدى عناصر العرض المسرحي، لانها تشغل حيزا ماديا فوق خشبة المسرح، وفي الوقت نفسه تسهم في ايصال المعنى والدلالات الى الطفل.يقع البحث على اربعة فصول، يتضمن الفصل الاول الاط | This research deals with the study of forms design for the theater of the child in terms of the shape and the goal as one of the elements of theater because they occupy materially above the stage, and at the same time contribute to the delivery of meaning and connotations to the child. Situated Find in four chapters, Chapter I contains the methodological framework / research problem that crystallized the following question (Are there problematic in fashion design in offers children's theater between form and goal?) And have X objective to identify the limits of the relationship between form and goal in fashion design as well as The importance of research and determine the terms. In the second chapter (theoretical framework) has included three sections, the first section is the following : the concept of fashion design in the shape of the child, has been divided into : - 1 - A brief history of fashion child. 2 - Figure in Fashion Design : The divided into : - A - Figure B - connotations figure in the design of the outfit. C - perception and shape The second topic is : the design goals for the child fashion : The divided into : First, the design elements and foundations : The divided into : a - b design elements - the basis of the design Secondly technical objectives : The divided into : a - b functional - aesthetic Third, psychological and educational goals. The third topic is : fashion and its relationship to the elements of the display in the children's theater, has been divided into : A - Relationship Representative theatrical fashion. B - relationship with lighting theatrical fashion. C - nothing theatrical fashion decor. D - relationship theatrical makeup fashion The outcome was the theoretical framework for a number of indicators which were represented by the search tool as well as other tools. The third chapter, which measures the search, as selected samples Qsidia which offers plays (the world of vitamins) and (jackal advanced) and (Karkh and Rusafa) based on analysis of the research tools, namely, (watch theatrical performances) and watch the CDs, interviews, and indicators that resulted in by the theoretical framework, and photographs), following the approach of descriptive and analytical results that have emerged have been discussed during the fourth quarter and has been reached conclusions and seal search a list of sources and a number of supplements that the researcher sees the need for them to enrich search. In order to submit presentation on stage has to be the availability of a set of basic elements , including text and actor , location, etc, which integrates supply Fimnha many pictures innovative bearing the meaning of the play and expressive about events Moreover, they reveal perceptions director has within its vision directorial. The theater does not integrates her address the language only , but there must be interaction with the elements of image formation and play between the receiver which reacts with the show visually and acoustically. That 's the play is not the only visual shape , but the relationships are visual, auditory, visual relations that are among the elements of theater itself. Since it does not form a picture of the real substance of which its constituent elements and these elements interfere with each other to be the aesthetic image with signs and symbols of working to attract the attention of the recipient and stimulate his imagination dislodged.The study included four chapters - : Chapter One : The methodological framework contained , which included the research problem and the need for , and the importance of research and research objectives and the limits of the search, specify the terms. The research problem has emerged to ask a question the researcher is trying to answer it ( What 's building mechanisms and transformations to create a theater Is it fixed or variable ). The importance of this research lies in the identification of image - building mechanisms , functioning to be a theatrical presentation. The goal includes research to identify the image - building mechanism and formed in the theater.Chapter II : which included three sections : The first topic : the concept of the picture , which addresses how the emergence of the image and what the image and its impact on the receiver since primitive man to the present time and how to enter in the technical field.Section II : Mechanisms for image building , where he addressed this topic elements that work on the production 's theatrical and enrich the theater , and these elements are ( actor, theorist theater , lighting , costumes, makeup, music and sound effects , where she works all combined with each other to create a space special display and impress recipients and transfer the idea to them.Section III : 's variables in directorial directions , has included this section : First : the realistic trend in the stage directions : it provides a realistic picture of unknown to the receiver including raises surprised have had to rely on in this direction Representative in the transfer of feelings and emotions to the recipient to affect it attracted for theatrical display.Second : the natural trend in directing theater : where is this trend is an extreme extension of the trend as it moves the realistic fact to the recipient as it is non - delete or decoration as it was his goal to provide actually honestly Tam.Third : direction or the opposite direction of realism in theater directing : a trend that was intended to give priority to the shape and aesthetic values on the content of the work.Fourth : Expressive trend in theater directing : eat this trend provide a picture embodies the essence of things without paying attention to the external form has interested in filming the individual 's mind more than the facts of life , because the fact of man lies in the depths of the same sensory manifestations Ave.Fifth : the artistic direction ( art for art ) has been preached in this direction director Gordon Craig depends on where the two components : a. Representative body. B. Vacuum forming theater.Sixth : the epic trend in directing theater : where this trend has sought to transfer emotions from the podium to an audience that is provided in this direction of movement of events directly related to the problems of people to get them to the coup and rebellion against reality and change it.Then touched a researcher to previous studies , which focused on the subject of the picture , and then the researcher reached a set of indicators of the theoretical framework of the research in order to analyze the samples and tested.The third chapter : (procedures ) with double two.First : research methodology , with the adoption of the descriptive and analytical approach.Second : discuss the samples that have been selected are intentional and subjected to analysis according to indicators that have been out of the theoretical framework and the samples consisted of three performances of a number of directors.1. Ice play.2. Play a secret session.3. Play reindeer mortarThe fourth quarter included result : Then came the conclusions of the researcher and then came the recommendations of the researcher stressed the importance of play and mechanisms that operate on its composition within the directorial trends and the need for the expansion of research and work out accompanied by a list of sources of research and a summary in English.

اشكالية اشتغال مضمرات الصورة في بناء سردية اللغة السينمائية == Problematic of Processing of Hidden Picture In Narrative Cinema Language

Author name: حيدر فيصل كريم
Supervisor name: صباح مهدي الموسوي
General topic: Fine Arts
Specific topic: Cinematic Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: انبثقت موضوعة البحث انطلاقا من الهم العلمي الذي كان يعتري مخيلة الباحث لفهم المعاني والمعلومات المضمرة في الخطاب السينمائي، التي تمتلك حضورها الفاعل داخل فضاء الصورة الفلمية بكونها بنية لامرئية ترتبط بقصدية صانع العمل، يتطلب تحديدها فهم العلاقات التداولي | My thesis subject Emerged from the Scientific concerns over pragmatic Cinema, which was overcome the researcher's imagination how to understand the meanings and the information implicit in the Film Festival principles, which has acting presence, starting from the basis of the relationship between the recipient and language film, and this prompted the researcher to engage in the field which almost difficult even at the level of studies literary For that , it demands us to look of methodology to determine the standards by which to unveil implicit in the narrative cinema, for reaching such a study we have to sat categories based on scientific, which we can through it characterize photographical Cinema and identified by Laws , because it sat the method in determining the implicit, Which that requires sitting a development of a comprehensive study to determine the pragmatic cinema, and then determine work according to the implicit key concepts identified by the researchers or students, on cinema application. For the purpose of adopting approach to means of methodological Cinema in study the relationship between actors and narrative image to build a narrative language film,Especially with the concept of pragmatic cinema immerse from the relationship between actors the recipient as well as language of the film (the perspective of a film), The researcher divided it into four chapters, as the following : Chapter I (methodological framework) has included the research problem, which adopted the following question : Who did it operate in the narrative language of cinema? On the importance of the research and the need for it , then we has touched the necessities and the need for that adopt this subject, and then select the objective of this research from the title and the problem, as the following : detection operation implicit in the narrative elements of film language. Selecting a researcher of the three borders, and seal Chapter status determine the terms contained in the Title, as well as the message board. In the second quarter (theoretical framework), the researcher divided into three themes, and as follows : First research has dealt with (implicit... the term and concept) which were studied implied by searching in the laws of the deliberative, which requires study traffic concepts of semiotics of the following : (installation, significance and interpretation) to access the propositions, deliberative, and then discussed the laws of the deliberative - on - scope language. The second topic was the (implicit in the narrative film), and the researcher in this section as the laws of deliberative tools detect implicit picture, and it has been discussed establishing deliberative principle in the art of film by examining the evolution of the relationship between the recipient and the film.The third section dealt with the subjectThe first chapter of thesis is about (the hidden... concept and etymology) which we studied the hidden through out searching in the pragmatic law , which its study conditioning the Known the following of the principle of cinema (the composition, evidence and theory) in order to reach to pragmatic theory, Then searching through out the pragmatic law according to its scopeThe Second chapter of thesis is about ( the Hidden in narrative film )Which deals with the pragmatic law describing it as the tools that could reveals the Hidden Picture , In that we studied the scope of pragmatic cinema in the Cinema Art through out the processing of developing the relation between Audience and Cinema Film. The Second chapter of thesis is about (the Hidden in cinema photograph ) we studied the results of creation to sit the elements of the cinema language for the hidden cinema photograph production.then focusing the previous studies for thesis , after finished the viewing scope for the thesis we reached band of signs which we depend on it as tools for analysis the thesis sample and after depending on experts and Instructors In the Third Chapter in that Thesis we have (Methodological scope)We choice sample for reasons explained in the Third Chapter ,then analyzing samples of two films as the following : )PERFUME)، (THE IRON LADY(In the fourth chapter we have ( Results and conclusions ) after analyzing the sample , we reaches to band of results • In the result of hidden as relation between audience and cinema photograph ( pragmatic film ) which starts from the analysis of the (composition and evidence ) for cinema photograph , which we achieved wide concept for the cinema as we have taken in the sample We reached from the viewing results of the thesis we have conclusion • The picture taken by hidden through out scopes of forms of methodological expression in the film which transforms to serious of action of pictures that formed the film chain.. Finally I have concluded my Thesis according to your recommendations

التفاعلية بين الضوء والمنظر في انتاج دلالة العرض المسرحي == Interactive Between Light And The View In The Production of A Theatrical Show

Author name: فلاح كاظم حسين سلمان
Supervisor name: رياض شهيد علي الباهلي
General topic: Fine Arts
Specific topic: Theatrical Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: ان مسالة تكامل الفكر الانساني تجاوزت تداخل العلوم المتعاصرة لتعطي بعدا تفاعليا اخر، وهو ان الفكر الانساني في اي حقبة ليس وليد لحظته، وانما هو تراكم فكري منذ بدا الانسان الاول تجاربه واكتساب معارفه وخبراته، وهذا يعني ان تشكل معارف الانسان اليوم ليس من انت | The issue of the integration of human thoughts beyond the issue of overlapping Science Almtasrh to give dimension to interactive else , which is that human thoug in any era not the result of zth , but it is the accumulation of intellectual since the eginning of the first human experiments and the acquisition of nowledge and experience , and this means that constitute the human nowledge today is not the production era it is consequential to what preceded the production of an intellectual , and verlapping with, has also become interactive according to data recent tudies impact open Tagged reacts and Itlahak with it , as everyone with one intention , which is the same that the *problems which saw *phenomenology , it establishes in the world and Deitna humanitarian progress is not philosopher and psychologist only , but the artist also assertions raise Tfaalath technical creativity , and then he basically for something for the world to submit views and images are open , and that Aaadana always something else we see who shows the convergence of art in the form of what can be called Baltmathlat in infrastructure " ( ) , and because theater is a human activity provides the shape and composition of the creator aims to retrieve the life experience of self , or the structure of a virtual experience virtual produced fantasy conscious within formats and builders of light revealing the contents of the environment implausible and interaction by the receiver where the logical relationship that is supposed to be between the real world and the world of the assumption that is an interactive theater so that it is viewable add intellectual and conceptual knowledge to his regime , it is not only in accordance with the artistic vision and aesthetic intentionally designed to be employed in the technical structure of the play , in order to have a public value in an impressive receiver.The aim of the technical development of the industry landscape playwright and use be linked to meeting specific requirements in terms of reducing the effort required to perform the job with industry conditions and appropriate elements aimed at creating a sensual pleasure associated with the senses of all , it has undergone the light of the developments of several technical , different ages, and varied its importance in each point in time , and within the overlap speed and technology , it has been breached theatrical space , the move paved the way for the theater to get out of rigidity within the forms adopted modern technology in the formation of light dependent uses synthetic within the relationship - related interactive and technical transformation for those elements that formed a quantum leap in the origination and achieve good business where not addressed by researchers in addressing this aspect to maintain the continuity of the bid and raise the offer theater , so the researcher finds that puts search an indication of the importance of light and its role within the relationship of synthetic and nature of the energy proliferating in the production of the play by the qualitative and the application of the method and details are done , so it will answer the researcher on the following question : Mather interaction relationship between the light and the view through the installation process and advanced technologies to produce the display indication , here was a proposal from the title search ( ( interactive between light and landscape in the production of theatrical presentation indication)).

جماليات النزعة المدينية وتمثلاتها في فنون ما بعد الحداثة

Author name: اديان يونس ياسين الربيعي
Supervisor name: عارف وحيد ابراهيم الخفاجي
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:
Abstract: تناول البحث الحالي الموسوم (جماليات النزعة المدينية وتمثلاتها في فنون ما بعد الحداثة) تقصي تيارات فنون ما بعد الحداثة ومظاهر الفعاليات الاجتماعية والثقافية التي ظهرت داخل مدينية المجتمع الغربي، الذي شهد الانجازات العلمية والادائية بعد الحرب العالمية الثا

ادب السيرة بين الحقائق التاريخية والرؤية الفنية في الدراما التلفزيونية : دراسة مقارنة == Literature Curriculum Between Historical Facts And Artistic Vision In TV Drama

Author name: ايناس عبد الحافظ احمد القباني
Supervisor name: عبد القادر خلف الدليمي
General topic: Fine Arts
Specific topic: TV Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: تكمن اهمية الفن التلفزيوني في كونه يتصدى لموضوعات شتى تنتمي لاجناس ادبية مختلفة تتوحد داخل لغة الصوره بسطوة الدلالة المباشرة لايقونية الصوره المتشكلة في تراكيب ومعالجات اخراجية يريدها صانع العمل, ومن بين الموضوعات التي يتم التعامل معها مرئيا في الدرا | The importance of art lies in being a television address to the various subjects that belong to different genres unite hold sway within the language is significant direct iconography is formed in the structures and processors directorial arranged by the employer, among the topics to be dealt with is visible in the television drama is literature BiographyAnd the specificity of these issues lies in the fact that the literature curriculum promotes the requirements of formal and structural overlap among the various sciences as a science and the concept of narrative history as part of mating between fiction and drama. This privacy policy was prompted by the researcher to identify the object (Literature curriculum between historical facts and artistic vision in TV drama)The researcher divided this study into five sections, the first systematic framework has included the research problem that arose on the following question : What are the modes by which the employment of the artistic vision in the realization of the historical facts in television dramaSection I : Biography of literature and touched the researcher to define the concept of literature curriculum set out the main features and types, which was the Prophet's biography, curriculum vitae and biography biography and historical roots, and then look at the structural elements in the curriculum and levels of narrativeSection II : sign structure of the image visible in the literature curriculum has been the search structure is a sign to achieve as much of the process of delivering information, or to determine the significance in the formats that are often concerned with time particularyThe third topic : the historical facts in television drama, and in this section have been addressed to the concept of historical truth and honesty historical and means owned by the television drama in the formation of credibility for the construction of historical events dramatically through the adoption of all the elements that work on the level of form, research concluded with previous studies and the most important indicators that Researcher learned from almost the theoretical frameworkChapter III : Research procedures, which were addressed to the research methodology and a tool of research and the research that was three serials, as follows : 1 - serial - Zahir Baybars 2 - Asmahan serial 3 - serial Hulagu Finally, samples were analyzedChapter IV : Results and conclusions And it has been to reach the main results which have been drawn and analysis of the sample 1 - Biography of literature depends upon transfer to a television series on the existence of a personal narrator either as a participant narrator or the narrator of events is co - narrator of the events ranged from diagnosed or undiagnosed narrator and as we have seen in the series of Baybars and the series Asmahan serial Hulagu2 - historical truthis linked to the maker's ability to build an image of actions match the historical record in terms of details and building what is known for his historical and literary bloggers, and in this scenario we have seen in political assassinations in the series, both famous Baybars or Asmahan serial or serial ,Then the formulation of conclusions, which included conceptual framework and analysis of the sample. The research concluded with recommendations and proposals and list of sources of supplements with a questionnaire to the Committee of Experts and a summary in English.

التجارب الاخراجية النسوية في السينما العربية == The Female Directional Experiments In The Arabic Cinema

Author name: ايمان حمادي عبد الامير محمد علي
Supervisor name: صباح مهدي الموسوي
General topic: Fine Arts
Specific topic: Audio and Visual Arts
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: استعانت المراة منذ القدم بالعديد من الوسائل للتعبير عن نفسها. وقد تطورت هذه الوسائل بصورة تدريجية عبر مراحل التاريخ. فلم تجد منفذا يعبر عن ذاتها افضل من السينما، لتنقل عن طريقها الكثير من المعلومات والافكار والمضامين لكونها تمثل اشمل واعمق اداة فنية، وفك | Since ancient times women used many means to express themselves. These methods have evolved gradually through the stages of history. Did not find an outlet for expressing themselves better than the movies, meant to deliver a lot of information, ideas and content as they represent a broader and deeper technical tool, and intellectual able to express the problems of society revealed its specificity, thus contributing to the development and change. Since the beginnings of the establishment of cinema in the Arab world women were very enthusiastic to promote the cinema of the Arab and able to occupy the great work of art representative and prolific and productive, as well as fought battle of film directing, has emerged since then, the names of the output pioneers were able to defy the silence and isolation and Imahdn the way for other outputs and register the lead in directing fiction of Arab women and they (Aziza Amir, and joyful Hafez, Fatma Rushdi, Amina Muhammad), then followed by having so many names and from different Arab countries were able to prove their presence and play a full role in the process of intellectual development that fall within the the door of development and the impact that Iozvhn see them through the technical work of art to choose to and affected.Which managed to films made of them reverse the problems of society and from the problems of women through Enayathn content - references and intellectual as well as the technical aspects that go into the heart of the artwork.I found these concepts resonate through the contents of the present research came Title (women's directorial experiences in Arab Cinema), which can be summarize as follows : Find attended several of the chapters, the first chapter dealt with the problem of determining the research questions formulated in accordance with : Would the director was able to acquire speech reflects the aspirations of the film or only on the man? Is it the form of facts to the different perspective of women in community issues? Is there is privacy in dealing with these issues? The features of that discourse and modes of formation of a cinematic visions and the difficulties of entry in the realm of film directing.The objectives of the research are : 1. Disclosure on the topics addressed by the women (the director) in Arab cinema.2. Disclosure on the mechanisms of recruitment of directorial vision and their relationship to highlight the intellectual content.The second chapter covered a theoretical framework which consisted of several sections included : the first output from the experience of Women in Arab cinema extrapolation historically.The second included the topics addressed by the filmmaker.And take care of hiring the third directorial vision to highlight the intellectual content into the work of filmmaker and he went out the theoretical framework is a summary of indicators of substantive literature search.The third chapter action research has contained the research method chosen by the researcher in order to bring the nature of the research is descriptive method, which involves the analysis, then the research sample was chosen Qsidia, and search tool, and the unit of analysis, and certified tool.Chapter IV - where the results were focused on two parts : First - What is the subject of directing feminist attached (there are linking a clear and explicit issues faced by women and was bringing it through the intellectual content within the imaginary events).Second : The technical wizards for Women directorHence the conclusions may carry this chapter also the recommendations and proposals, as well as on the last page contains a list of sources, and then supplements and finally there is the abstract in English.

التصوير الفني في قصص القران الكريم وتوظيفه دراميا في المسرح المدرسي == The Artistic Depiction In Al Kareem Quran Stories And Its Employment Dramatically In The School Theatre

Author name: ايمان عبد الستار عطا الله الكبيسي
Supervisor name: هيلا عبد الشهيد النداوي
General topic: Fine Arts
Specific topic: Art Education
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: Characterized Koran miracle and beauty in the selection of words and meanings through artistic photography in the Qur'anic stories of being a way to deliver the target beacon preaching and aesthetic who can benefit from it in the educational side by employing the elements of artistic photography in the Qur'anic stories in writing the texts of theater school, and through the scoping study which interview (the researcher) on a sample of students from the fourth stage - Department of Technical Education who passed the expertise of precedent for the diagnosis of the difficulties they faced in writing the texts of the play in the material (the art of playwriting), resulted in that most of them do not distinguish between text narrative (narrative) and the theatrical text, which form with great conviction (researcher) the necessity of subjecting this variable to scientific research and experimental attempt to explore the best methods of teaching which they can formulate educational content in terms of the fundamentals and rules of writing theatrical text based on instructional design enriches the knowledge and experience of the learners. This is what aspires to current research, which is important in that it sheds light on the current research analyzing the importance of artistic photography with the provisions of the stories of the Koran, which can be described as the best means of buildingpersonal learner educationally and aesthetically and morally and culturally. And the use of new methods of teaching and learning strategies based on the basis of instructional design on according to (model Kemp) as a technical alternatives to the methods of teaching (the art of playwriting) in developing the skills of students in the Department of Art Education in the art of playwriting and improve their abilities to in accordance with the steps educational and clear and precise teaching.This is the objective of the present study which important lies in the following : 1 - The present study sheds the light of analysis of the artistic depiction of the text of the Quranic stories which can be described as the best means to build the character of the learned educationally, aesthetically, morally and culturally.2 - The study receives its importance through providing the concerned in the theatre (authors, teachers and students) b performing the artistic depiction which could be used in analysis of the Quranic stories and employing them in of the school theatre.3 - Enabling students of fine arts to prepare texts directing to the school students in the light of the educational values.4 - It may help to use the methods in the strategies of learning\teaching based on the teaching design (Comb’s Model) as one of the technical alternatives in the art f theatrical writing and develop their abilities I accordance to clear instructional steps.5 - The research is regarded as an addition to the students and teachers on the university level which enrich the Dept. of Art Education and Theatrical Arts in the colleges and Institutes of Fine Arts.The present study aims at the following : 1 - Detection of the elements of artistic depiction in the Quranic stories including what is suitable with the school theatre.2 - Designing a training program for students for writing theatrical texts from Quranic stories according to Comb’s Model.3 - Measuring the effectiveness of the program designed in training the students on writing theatrical texts. The researcher derived from the research objectives the following null hypothesis : 1 - There are no statistically significant differences at the level f (0.5) for the experimental group (taught according t the designed training program) between the (pre - post) tests in accordance to the cognitive test.2 - There are no statistically significant differences at the level f (0.5) for the experimental group (taught according t the designed training program) between the (pre - post) tests in the performance of skill f writing school theatrical texts.Chapter Two includes four inquiries : in the first inquiry the researcher tackle the concept of artistic depiction in the Holy Quran as a means of manifesting the instructional and heuristic aim of the Holy Quran and its characteristics like (imagination, artistic consistency, psychological aspect) and its basis represented by dialogue, movement and the significance of the utterances. The second inquiry tackles the most important distinguishing characteristics of the Quranic stories (character, dialogue, event, time and place), and the types of the Quranic stories represented in the (historical stories, representative stories, instructional stories, psychological stories, symbolic stories, Judgment Day stories). The aims of these stories are to acuminate the motivations.The Third inquiry displays the elements of the dramatic structure which are (dialogue, character, idea and plot) to find the linking ring with the artistic depiction in the Quranic stories that enabled the researcher to achieve its aims according to an instructional method tackled in fourth inquiry which includes an introduction about the educational process ad a detailed explanation of the steps for building a training program according to Comb’s Model.The researcher made a survey of the related studies to mad use of what the preceding has arrived to in that concern. Some of these studies are (Al - qareghli, 1999), (Al - Hamadani, 2002), (Sulaiman, 2003), (Al - Aameri, 2006), (Al - Husseinawi, 2007), (Sulaiman, 2010) ad (Lazem, 2012) which were useful as far as the theoretical framework is concerned.The researcher choses a sample of the research community including students of the third grade \ Dept. of Art Education I the College of Fine Arts - Baghdad University continuing their morning studies for the year (2013 - 2014) randomly the students of the two sections (A - B) of number (32) male and female students. She adjusted the variables of the study (age, previous experience, gender, time and place of experiment, teacher).The researcher constructed the two instruments : the first of the instrument of artistic depiction of choosing the Quranic stories with more elements of artistic depiction; the second is instrument of theatrical texts analysis by students through the skill pre - and post - tests and obtaining from them the validity ad constancy. After designing a training program, the researcher derived the apparent validity and prepared another acquisitive test (cognitive, skill) to measure the effectiveness of the training program applied on the targeted class (sample) on Wednesday 5/2/2014 through Wednesday 26/3/2014.After analyzing the results by the use of t - test for e sample, the results showed the superiority of the average score experimental group in the cognitive acquisitive test in their average scores of posttest over their scores I the pretest which indicate the effectiveness of the applied program and leads us to reject the first null hypothesis and accept the alterative hypothesis. For the skill test, it showed the superiority of the average score experimental group the instrument for the items of instrument the second null hypothesis and accepting the alterative hypothesis.The most important statistical means used by the researcher are (T - test, difficulty coefficient for the item difficult, distinguishing coefficient in the acquisition, Pearson correlative coefficient). In the light of the results of the study the researcher recommends to make use of the program and use it in the courses of continual education ad using them in the directorates of scholastic activity by making training courses for the teachers of Art Education, and the specialized in the field of school theatre, and adopting a program designed in accordance with the following program in the colleges and the institutes of Fine Arts in connection to the theme of this study, and preparing a leaflet about the training program to be provided in the school libraries and the educational institutes.In completion to the findings of this study, the researcher suggests : 1 - Making a comparison study between the program and other programs according to the theories.2 - Studying the artistic depiction in the Holy Quran Stories in developing the artistic expression of the orphan children.3 - Study the artistic depiction in Arabic literature in the Arabic poetry in the artistic depiction.

الاعتبارات الانتاجية والتغيير الشكلي في المنتج الصناعي المعاصر == The Considerations of Productivity And The Formal Change In The Modern Industrial Product

Author name: اياس صلاح الدين حامد
Supervisor name: هدى محمود عمر
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: This search deals with the study of (productivity considerations) as it is important to the industrial designers, and its scientific inherent importance in the development of the shapes of their products benefit that presents , The search consists of five chapters , The first chapter includes the research problem , ( what is the role of productivity considerations in determining the shape of the product ? ), the problem will be dealt by searching in the title of (productivity considerations and the change in shapes of the Modern industrial product) The importance of the research is to provide a clear picture, of the concept of productivity considerations and define its role in changing the shape of the product, The aim of this study is to Detected and limit the role of productivity considerations to change the shape of the industrial product.The outline of the this study is the productivity considerations before the design and manufacture of the product for Nikon products of digital cameras and photographs, which is available on the company's site in the international network (the Internet) raised in The second chapter, which contains the theoretical framework and previous studies which include three sections ; the first section is on the structural change by subtracting the causes and factors and the necessary requirements to change the shapeof the product, whereas in the second section represents detection and determine the productivity considerations and how to limit its role in changing the shape of the product, The third section shed light on the strategies used by industrial enterprises in changing the forms of its products in The framework of economic production , and the result of theoretical framework of indicators based on the basis of which the models analysis axes.The third chapter includes research methodology, descriptive analytical method , samples of analytical forms , Forms of information and the reasons for choosing sampling forms, while the fourth chapter consists pictures of samples which are five samples what analyzed according to themes derived from the theoretical framework, Chapter five the latest, includes the results extracted from the analysis samples , Conclusions , recommendations, proposals and beneficiaries, and the most important results are : - - The group who designed for , and competition between industrial enterprises has the role to determine the product form in all models.The main conclusions are : - - The diversification strategy includes most of the samples and , which many of them are variety in more than one level, For example, came chromatic diversity and diversity in this category at the formal level with the knowledge that the technical diversity has had a share is considerable in the diversification strategy. and The kind of group of peoplewho use the product, had a big part to limit the process of standardization , simplification type and miniaturization ,which is restricted in the samples that where determined for a class with a large number, which have ability to follow the changing forms , and the possibility of running multiple experiments with the product, while offset by the qualities of excellence and uniqueness in other samples that do not accept profiling and simplistic in their platforms

اليوتوبيا في المنتج الصناعي المعاصر وانعكاسها على المستخدم == Utopia In Contemporary Industrial Product And Its Impacts On The User

Author name: اياد خلف ياسين
Supervisor name: شيماء عبد الجبار حميد العبيدي
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: ان هذا البحث الموسوم ((اليوتوبيا في المنتج الصناعي المعاصر وانعكاسها على المستخدم)) استهدف الكشف عن المفاهيم المعرفية المتمثلة بـ {بيان اشتغال اليوتوبيا (المثالية واللامكان ) في اداء المنتجات الصناعية المعاصره وانعكاسها على سلوك المستخدم }.من خلال دراس | Targeted this research is marked by ((utopia in contemporary industrial product and its impacts on the user)) detect cognitive concepts of b {statement functioning of Utopia (ideal and nowhere) in the performance of industrial products and contemporary impacts on user behavior.Through evolutionary context, the study of contemporary industrial products to be tapped in the identification between the utopia of contemporary industrial and product relationship to study the modalities by which the development of systems design in light of the impact of job performance industrial products Aluotabih and the reflection of that performance on user behavior, and focus on Aluotabi design privacy in structural aspects. To achieve the aim of the research, the researcher collected the main pillars necessary for the analysis based on the Investigation of the theoretical framework, which included three sections, which included the first part, "utopia concepts and perspectives" and included relationship utopia Qur'an and some other science and relations relational between the concept of utopia and some other concepts. While the second section included "the possibilities of utopia in contemporary industrial product" activities included mental utopia in contemporary industrial and product possible, as well as the process of utopia in contemporary industrial product. The third and final section included "act Aluotabi trends and reflected on the user's" included : the characteristics and mechanisms of utopia, as well as contemporary industrial product and user behavior.With the adoption of theoretical concepts and regulated by the researcher in determining the axes of the analysis, which included a total of the following themes : - Form• reciprocal nowhere and idealism in contemporary industrial product.• Aluotabi dimension to the way of dealing with the user.• Aluotabi act for the performance of the product and its reflection on the user.After the agreement with the specialists from the relationship with the subject of research, according to the time period specified for the selection of a sample of international companies in several countries for the year 2015. Concluded researcher set of results, namely : - 1) Technical impact is affecting the most effective in pushing the design thought to grant approach broader and open with all the theoretical and applied sciences, including the utopia that is proportional to the contemporary technology, in the sense of industrial designs whenever the technology available for industrial product simulates the ideal side, the user has the size of usability and interaction with those larger products and vice versa, it means the user definition of technological progress by contemporary industrial product.2) Investment artificial intelligence by mutant technical time in the formation of utopian thought for systems design environment contemporary industrial product through the concept of nowhere, Find a tradeoff between user and act Aluotabi salary through the performance of contemporary industrial product that technology was the reason be found through technical methods that It reduced the time and effort to achieve high efficiency and ease of use.3) There are no design constants be the tracks that underpin the designer, but it is about the ability to arrange the vocabulary and elements of building design in accordance with the determinants of building modern industrial product, as well as possibilities acquired by the accumulated experience in the sense there is no certainty at all but a relative because science against stability, In fact, the only constant is that all the facts in the case of change

المعالجات الفنية للسيرة الذاتية في الفلم السينمائي الروائي == The Artistic Treatment of The Biography In The Narrative Cinematic Films

Author name: انتصار علي مجول حمود الجبوري
Supervisor name: طه حسن عيسى الهاشمي
General topic: Fine Arts
Specific topic: Cinematic Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: The cinematic procedure affirms that the narrative films depend basically on the employment of the aesthetic of cinema ad giving a wide freedom for the subjective imagination of the artistic in order to serve his emotions and creative imagination into a limit of not bounding with reality and logic. Instead , he sets his imagination to the amendment of reality.The director's subjectivity in the cinema of biography managed to submit a reading of the subjectivity of the biography of famous people away from copying or being limited to the traditional literary texts. Therefore, the cinematic display which tackle the narration of a real biography is only a viewpoint that is subjective and subject to the interpretation and the amendment of the director. An important condition of the cinematic narration and the form is the language and the imagination of the living reality.That made the artistic treatment of the biography in its types aiming at the reality and the imitative value of the achievement of the artistic achievement.Hence, the research entitled " The Artistic Treatment of the Biography in the Narrative cinematic Films" of the problem of the artistic treatment of biography films in the narrative cinematic films setting out from the perspective of their subjective interpretations which are innumerable.The research consisted of an abstract and four chapters, chapter One includes the theoretical procedure of the study. The chapter includes an introduction that prepared the way to the understanding of the nature of the study and its problems followed by a comprehension of the important of the research and objectives and limits. Chapter two includes three inquiries; the first is the concept andterm of biography. This inquiry tackles biography as an art, and treated the concepts derived from the literary treatment of the biography in the subjective and objective forms. The second inquiry tackles the patterns of artistic treatments in biography films with the recognition of the reality of the multiples in the treatment and the instability on a rule or law.The ideological dimension affirms the importance of the character for which the film is being made. These aesthetic dimension is affirmed through the here patterns : a pattern that depends on the original scenario of the theme in origin, and another pattern which the director puts his biography from his composition, the third pattern presents a hypothetical pattern that simulate one form of the real character but presents it in for more satisfactory conditions. Perhaps, the most important one is the director's belief that he will be free to tackle it. Chapter three includes the application which the researcher used on the chosen samples to arrive at fulfilling the objective of her study. It includes the procedure followed in the stud and the reasons for choosing the sample and the instrument and the study.Chapter Four includes a summary of the final outcome derived from the analysis. The most important of the results is the multiplicity of the artistic treatment of biography in the narrative film in an open way that does not confine the creative into a limit. Also, some of the conclusions deducted from the results were shown. The researcher poses a number of recommendations which she sees necessary, as well as suggestions for subsequent studies. The research included a list of the resources and references which she depended on her study in Arab and foreign languages and an instruct in English

التكوين المهني لطلبة التربية الفنية في ضوء تكنولوجيا التعليم الحديثة == The Professional Formation of Art Education Students In The Light of Modern Instructional Technology

Author name: امل حسن ابراهيم الغزالي
Supervisor name: ماجد نافع عبود الكناني
General topic: Fine Arts
Specific topic: Art Education
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: ان التقدم العلمي والتكنولوجي السريع يحتم على البلدان المختلفة اعداد ملاكات مؤهلة مهنيا وفنيا وتربويا تمتلك الخبرات والمعلومات والمهارات التي تساعدهم على تتبع طريقهم بانفسهم وتحديد علاقات واضحة بما يحيط بهم من احتمالات ومتغيرات، ولذلك اصبح انتشار التربية و| These fast scientific and technological advances have made it necessary for different countries to develop qualified staff professionally, technically, and educationally and equip them with expertise, information and skills that help them follow their way by themselves and identify clear relations of the changes around them. Consequently, the dissemination of education and methods of teachings in a country have become a yardstick for the scientific, social, and cultural advancement of that country, and the focus on the scientific thinking has become the major part of society advancement.Problem of the StudyBased on this, the problem of this study deals with the professional formation of Art Education students in the light of modern learning technology data. This study is based on a survey study conducted in intermediate schools and designed to get acquainted with the most modern technology techniques used in teaching. It is also based on a study questionnaire designed to learn about the opinions of experts about the importance of the role teaching technology to develop a model of the professional formation of a student of Art Education who is to be prepared for the teaching career. For this reason, the researcher has identified the importance of the study with the following : to know the professional development in the light of data related to modern teaching technology of the Art Education student to make use of it to prepare the student technically and scientifically to give him the chance to obtain the permit for teaching Art Education.Goal of the StudyTo provide a proposed perception on the professional formation in the light of modern teaching technology data to serve as a scientific approach to allow the student to scientifically and professionally ready to teach Art Education.To achieve this goal, the researcher poses the following questions : 1 - What is the type of technology that is included in the formation of the professional preparedness of the Art Education student? 2 - What are the training methods of the education model for the art education student to allow him use modern methods of teaching?3 - What are the assessment methods in the model of professional formation for the art education student in the light of the modern teaching technology?Population of the StudyThe sample of the population of the study consists of 27 experts in different specialty (art education, teaching methods, plastic art, theatrical arts, educational psychology, measurement and evaluation, and computer sciences). The researcher has used them to know the validity of the proposed professional formation model in this study to be an approach to allow the student to be a teacher.An approach for the analysis of system was prepared to serve as a theoretical framework that is consistent with the nature of the current study. It aims at learning the inputs, processes, and outputs of the professional formation model. A survey containing 149 items has been prepared. The survey was distributed on three areas : formation for preparing a teacher for art education; formation for training the art education teacher; and formation for evaluating the art education teacher. This tool was presented to a group of experts using the Delfi method which includes three rounds to know the validity of this tool in measuring the goal used for. To reveal the results of the study, the researcher used a number of statistical methods such as Copper Equation, degree of quality. Among the results reached by the researcher are the following : 1 - Ensure high quality in performance by getting acquaintance with the professional technological practices by using different means;2 - Master the scientific material by knowing the theoretical studies to be confident of his scientific sources. ConclusionsThe researcher concluded the following : 1 - The professional preparedness of the art education student in the light of the modern teaching technology ensures the increase in the effectiveness of the theoretical expertise in teaching. The technological knowledge is a means of thinking and innovation to grow by providing him with intellectual information and basic concepts of technological data and how to use them to refine and improve his knowledge;2 - The professional training of the art education student in the light of modern teaching technology ensures high quality in the professional and teaching performance to be able to use the modern teaching methods; and3 - The evaluations of the art education student in the light of the modern teaching technology reveals weaknesses in the professional performance, and hence addresses it and enhance strengths to support his full understanding for the different needs of the students and their abilities to make use of modern teaching methods.Suggestions : The researcher provided several suggestions including : 1 - Generalize the professional formation model for art education students which she has come with to educational institutions to be taken into consideration when developing terms for appointment.2 - Evaluate the academic curricula for the sections and colleges of Art Education according to modern teaching technology data to keep pace with the technological development.The researcher suggested the following studies : 1 - Studying the status of the professional formation of the art education teacher according to the modern teaching technology data;2 - Enrich programs of preparing the art education teacher with more context in the field of teaching technology; and3 - How far current art education programs are enough in developing technological profession formation in art education students; The researcher presented a group of references which she had made use of in its current study and provided annexes and ended with an abstract in the English language.

اليات التكامل بين دلالات الزي في العرض المسرحي العراقي (1990 - 2000)

Author name: سرى جاسم خيون الساعدي
Supervisor name: مصطفى تركي السالم
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: The developments of societies throughout various periods have yielded many philosophies and ideas in dramatic arts for the historical extension. It is a language that surpasses all the local idioms to address the whole world. The development that the societies have witnessed in all stages has been reflected in the contents of drama in general to appear various trends and methods. That has been expanded with the expansion of the social, intellectual and aesthetic needs of society to be richer practices that were crystallize in the form of dramatic shows as groups and systems. Undoubtedly, the lingual and acoustic messages do not abolish the importance of visual aspects in transforming the dramatic message. All that exists on the stage are signs that have come to express an intentional delivery to form visual images such as (costume, décor, action, etc.). The ceniograph works as completely as signs that make these references whose temporary becoming on stage leaves for imaginative factors. Thus, the dramatic work becomes a net governed by the system of showing that achieves the integrated harmony between what is acoustic and what is visual, in which costume plays as one of the signal systems that communicate with other signs in different designed methods and styles within the accumulated organic sequences that communicate that completes the general effect of the show throughout the consequential doctrines. The production of costumes to connate more rich meanings, through the harmonious interrelated elements that form signal systems smaller in the general costumes (color, shape, lining, and crude) which have taken the effectiveness pf costume as one of the semantic signs along with other signs of show on the intellectual, artistic and aesthetic levels and within various courses. This mechanism has led to researcher to trace the semantic of costume throughout various periods, and how to relate them into the signs of show and determine the aesthetic function of costumes in order to achieve this integral mechanism. The study falls into five chapters : The first chapter (Methodological Framework) which included the problem, the needs for the study, objectives and its limits as, as well as determining the definition of terms adjectively. The second chapter tackled the theoretical framework of the study in five inquiries. The first inquiry dealt with the semantic information of costumes in two pivots : the first is about the composing elements of costumes as a mark of drama, while the second tackled the integration that indicates the structural relationship between costumes and dramatic show. The third inquiry was devoted to the semantic transformations of costumes in the light of the trends and visions in the dramatic shows. The fourth inquiry tackled the pervious studies the most important indications that resulted from the theorticval framework. The researcher devoted her third chapter for the procedures, methods, instrument and of the study, the analysis of three samples : the plays (Media), (Othello in Kitchen) and Macbeth. These samples are considered as distinguished oeuvres of drama. The chapter was concluded with a summary of the results that the researcher has come to. While the fourth chapter was devoted to the discussion of the results of the study according to the derivatives of the theoretical framework to deduct conclusions for the integral answers of the objectives of the study. In the light of the conclusions, the researcher formed the recommendations that enhances through the investment of the results and outcome sof the study, which is achieved in the middle of the field. Finally, the researcher presents what she finds suitable for suggestion in order to complete this study and giving its due interest. Then, it ended with a list of references and resources which she used, followed by the document and an abstract.I hope I was successful in my endeavors, God is the destination for all…
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