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بنية الخبر في كتاب (عيون اخبار الرضا) للشيخ الصدوق (ت : 381هـ) == Structure of news in the book "Euyun Ahkbar AL - Ridha" by Sheikh AL - Sadooq(381 A.H.)

اسم المؤلف: اسيل سالم كاظم
اسم المشرف: عبد الحسين عبد الرضا العمري
الموضوع العام: اللغة العربية وادابها
السنة: 2019
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ذي قار
الصفحات الاولى:
المستخلص: بعد، تتحدد ماهية البحث في سعيه لدراسة كتاب (عيون اخبار الرضا)، الذي وضعه ابو جعفر محمد الصدوق، وهو من علماء الشيعة في القرن الرابع الهجري، ويمثل كتابه هذا من كتب الاخبار الاساسية لدى الشيعة، وتاتي اهمية البحث من رغبة الباحثة في معرفة بناء الاخبار في هذا الكتاب، وطبيعة موضوعاته، وقد كانت تقف وراء هذه الرغبة اسباب اخرى، في الكشف عن مكونات بنائه، والمنطق الداخلي لنصوصه السردية، والقبليات المتحكمة في توجيهها، وثاني الاسباب ان اخبار الكتاب تجمع ما بين الاخبار الدينية والتاريخية وقد قيلت باللغة الفنية في اغلبها، فكانت ذات صياغة بلاغية؛ وذلك انها استعارت التخييل والمجاز في الكتابة، وهذا احد المسوغات المهمة .وفي حدود علم الباحثة لا توجد دراسة او بحث خصص لدراسة الكتاب سرديا، او بحث مكونات البنية السردية فيه، ولان البنية السردية تبحث في المكونات الثلاثة : الراوي، المروي، المروي له، وما يلحق بهذه المكونات الاساسية، فان المنهج الذي اعتمد عليه البحث هو منهج يهتدي الى ما قدمته الدراسات السردية الحديثة من ابحاث مهمة، ان الابحاث التي قدمها تزفيطان تودوروف وجيرار جينيت وجيرالد برانس هي المرتكز الاساس في البحث، وكذلك ما قدمه عبد الله ابراهيم في دراسة السرد العربي.يتكون البحث من تمهيد ومقدمة وثلاثة فصول وخاتمة، اما التمهيد فقد عرضنا فيه لعدد من المفاهيم الاساسية التي يعتمد عليها البحث مثل المتن الحكائي والمبنى الحكائي .اما الفصول فقد تكون كل فصل من ثلاثة مباحث استوعبت موضوعاتها ، ففي الفصل الاول تكلمت على التفاعلات النصية واثرها في كشف بنية النص، وفهم ما غمض منه، وما احتاج الى تاويل، مثل العنوانات والتداخل النصي بين نصوص الكتاب والنصوص السابقة عليه مثل القران الكريم والشعر.وفي الفصل الثاني درست الراوي والمروي له، وبدات بالسند بوصفه مجموعة من الرواة والمروي لهم في الوقت نفسه، والطريق الذي اوصل الينا هذه الاخبار، ثم جاء الكلام عن الراوي ووظائفه في المبحث الثاني، وفي المبحث الثالث وقفت عند المروي له ووظائفه.وفي الفصل الثالث افردت له (بناء الحدث)؛ لاهميته واتساعه، وقد خصصنا المبحث الاول للشخصية بوصفها عنصرا حيويا داخل البنية السردية، ولا يستغني عنها السرد، ثم خصصنا المبحث الثاني لـ (بنية الخبر)، الذي قسمناه على (بنية الخبر البسيطة)، و(بنية الخبر المركبة) فهناك اخبار ذات بنية بسيطة في احداثها، وشخصياتها، وهناك بنية تنشا على الجمع بين هذه البنيات البسيطة او التضمين فتكون لدينا بنية مركبة، ثم المبحث الاخير من هذا الفصل جاء للفصل بين الخبر الواقعي والخبر التخييلي بوصفهما انماط الخبر في عملية ارسال المروي، وعملية التلقي وما يصحبها من توقعات وافاق الفهم. واخيرا لابد من تقديم كل الشكر والعرفان الى المشرف الاستاذ الدكتور عبد الحسين عبد الرضا العمري، فله الفضل في اقتراح الموضوع، ثم له الفضل مرة اخرى، فقد وقف بجانبي طوال ايام البحث، وكان يقوي من همتي وتفكيري، ويوسع من افاقي نحو الافضل، كذلك اقدم شكري لاساتذة قسم اللغة العربية, كلية الاداب / جامعة ذي قار، وشكري لكل من وقف بجانبي، مع وفائي لاساتذتي وكليتي التي فتحت ابوابها لكل ما ابحث عنه في المعرفة والحمد لله اولا | The thesis looks for in the study the book ''Euyun Akhbar AL - Ridha''.The writer of book is ''Abu Jaafer Sadooq''who is the one from scientists of AL - shayehe in the fourth century (A.H.).The book represents the basic news of AL - shayehe. The importance of research is the researcher's desire to know the structure of news and the subject of book. There are many reasons to study this book : the researchers don't care about the contents of book. The news of book collect between the religious news and the historical news that described in technical way. The thesis includes of introduction , preface, three chapters and conclusion. Also, every chapter includes of three sections. The first chapter includes the reaction of texts, their effect in the structure of text and understanding the text. Everything needs to interpretation between the texts of book and previous texts like the Holy Quran and poetry. The second chapter comprises the narrator and the listener. So, it explains ''AL - ssund'' which means the groups of narrators and the listeners. Also, it includes the functions of the narrator and the listener. At the end, the third chapter comprises the constructing of event of news and the personality of news . It includes the types of structure news. They are divided into the simple structure of news and the complex structure of news

الاتجاه الاجتماعي في النقد العربي القديم : دراسة تحليلة == The Social Trend in the Ancient Arab Critical Discourse

اسم المؤلف: هديل قديم جري
اسم المشرف: عباس جخيور سدخان الوائلي
الموضوع العام: اللغة العربية وادابها
السنة: 2019
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ذي قار
الصفحات الاولى:
المستخلص: In poison of Allah Al - Rahman aalrHymaalHmd llh the raising sky wear of intention, fastener of the land in stake, on where height rises, liked where all breath resorts and trivial, does not know him her the hearts in assumption, his insight followed her the eyes in glancing, all statement rose about refuted, waaHtjb about all recklessness and cash.The prayer and the peace on source of the flags and the arbitrator, and return aalxlaay'q and the nations, her kindness the favor, and the informed flag, gentleman Arabic waale'jm, Mohammed Bin Abdullah is messenger represents me, and evidence from Allah executor, ibex of the suns the horoscope, and the illuminative moons, aalttaaabe'yn in sect gentleman of the character, his the publishers for debt followed his family and his friends benevolent from cobra and fasted wllh witnessed.After.Perhaps the statement : Indeed all what the human exports from social statement yjaanb the correctness, followed ye'aaks aalmHjt, so the human being says sentenced reveals you the society and their verb, his effect in circumstance and his submissions of facial paralyses, and what that to mSdaaq for truth for as long as her believer felt and horses weak that the human social being originally normalized him, delivers, and grows, and salutes in light of society, evaluates in him with family froze him, and children financed him the approach portrayed from social various, so different beatings from the interaction straighten in with them, divides w'iyaahm their share from the life, on relationships from the cooperation reconciled once, and the fight is last once, different in disagreement social domains of Al - Hayat numerous, religious and political and artistic also, so the art clarified mSdaaq for the social human, and straight excuse thereon, mouth hairy to image For the society who dismisses in him, and e'aaksCmirror his of circumstances and his situations, and civilization hairy 'inmaa structure on basis from says him and last basis from the statement in him, shown opinions refuges of the correctness and last shown refuges of the multiple and wrong, so if the hair was social, so his cash is likewise also, so there social in the speeches hairy and the cash also, from here idea of the letter came, to brands on after that entitled (the social direction in the money letter old.So to the Arabic cash acquired in many from studious which aamaaTt aallthaam about a lot of the monetary sides which gathered in her raved the inherited cash, who important distances for Arabic nature Al - Hayat discover and ways lived her and her culture, disassemblies of mirror reverses some truths aalmDmrt which already does not request her the passing recipient in the reading, to ends reading requires mtme'nt examiner to Arabic builder Al - Hayat establishes and her culture which designating sides sanctify blessing valuable and the concepts which guarantees in her Arabic and be proud in her wytwaarthhaa the Arab across the centuries, then Al - Hayat was social upright on nervous, and the type, and the ethnic affiliation and the glory in the ratios and the clean blood and the white color the uncles from liabilities the mixture with separation the last people, and hence then abundance for him raved distinguished his the social identity and the standing and the occurrence on the protection about road of affiliation for this nervous, As opposed to her loss so pulls from him this identity and indeed the vagrancy and the ritual consecrations from her protection will be destiny from rebels on her and her laws underestimate in, for that this composition and the laws whether ethnic values were moral mother of assimilation deterring first for the human Arabic for the prevention without spreading of the fsq waalfjwr in the society, because the importance which acquired in her the social laws assimilation date of the affiliation who results him the individual from her , weak including on look Arabic and their thought and their fanaticism to the bases divideDwhich the constitution idealizes first enemy committed to her and upright on accomplishment her, and in this so indeed the stop astride aalmskwt about him in the cash waalmxbw' from impact working social on a lot of the monetary arbitrators which inheriting her the ignorant critics from the era is navel while after him from the eras so assimilation of holy became be necessary aalaaHtdhaa' in him, weak dominant on operation receiving some The money letters, and that in returning some her in intellectual control the inclination and the scholastic affiliation in him.wwqd idea of the searching required division of the letter to three chapters, precedes her our facilitating of taking in him , the problematic term and the understandable speech monetary , and her hill is included end to worries what reached to him the letter from results.The chapter first address in (the class society ) and four topics came in, apparent reasons class in the Arabic society stand on, and her impact in course deviation the cash about the objectivity, produced her the color, and the lineage , and the profession , and the social standing.As for the chapter second losing cares in (the moral society Arabic and favored her on the cash so joining of four topics : The topic first : The flirtation in viewed the cash 'alaajtmaae'y , and the topic second : The satire in viewed the third cash social , and the topic : The truthfulness and the lie in social , viewed the cash and fourth : aaltksb in social viewed the cash, then the criteria were which dealt from during her with this directions self of importance big on tasting the critic and his wisdoms his arbitrator on the hairy purpose.The chapter came third entitled ( customs and traditions gathered ) then nature required studious his division to topics, first of them image aalmmdwH aalaanmwdhjyt heritable, as for second so social taking of image the woman between the reality waalaanmwdhj hairy.EStudies on the method depended in analytic integral who includes many from the methods aaltHlylt social blessing and my breath and cultural.Sources of the searching and his varied returns between old , towards book the songs , and the hair and hairy , and virility hairy , and indentical so around hairy waalmwshH and the chief and changes her , and modern which aatk'at on her in evidence directions of sight of some researchers and their monetary , opinions from her : Book date of the Arabic cash old for the doctor Taha Ahmed Ibrahim and hairy aalSe'aalyk in the era ignorant for the doctor Yousef xlyf , and book of the orders cultural for the doctor Abdullah aalGdhaamy and changes her from the books which reported from her in studies.Nevertheless the work raved the difficulties do not breach from; Because of accurate nature the research and the deep sight to social given of the direction across attempts his evidence and his consolidation in the monetary opinions.To is smooth Allah on us in who helper is for me on accomplishment the work raved, so the thanks all thanks for mn hand of the aid extended for me, special their professorial blessing in the male the professor the helpful doctor grim jxywr aalwaay'ly, losing was eye on the searching saahrt, refines, and revises, and arranges, corroded the searching in substance straighten up his, so his role idealizes in her the letter on all minutes, method, and scientific substance, his wonderful favor about effort in choice the term and the arrangement left.Sleeve relative to the male of grateful all 'al'astaadh Mohammed light of Yousef, losing was aid for me in what took him Allah cut the all welfare of the retribution meant.The seal fulfilled ... Works do not call in raved aalkmaal, so he llh unifies him, according to hit while Hrrarth in him that I potentialbleacher exerted, service for language Arabic and gathered and the scientific research, so indeed hit while hit, so your lowness by virtue of Allah, and indeed was second so sustained, and praise be to praise be to God of god of the scientists firstly and last.

الحاكمية في فكر الامام علي (عليه السلام) : دراسة في ضوء الانساق الثقافية == MAGISTRACY IN THE THOUGHT OF IMAM ALI (AS) IN THE LIGHT OF THE CULTURAL PATTERNS

اسم المؤلف: عبد الامير دلي مجباس الزيدي
اسم المشرف: وليد شاكر نعاس الرفاعي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: المثنى
الصفحات الاولى:
المستخلص: MAGISTRACY IN THE THOUGHT OF IMAM ALI (AS)Praise be to Allah, the Lord of the worlds, and peace and blessings be upon the master of the messengers and his purified progeny and companions .Magistracy or assuming power has been one of the topics that attracted the attention of man throughout ages and it has been the focus of his thought and most engaging concern because of what this issue has been characterizedwith as regards its being the source of the misery or welfar and happiness of the society ; hence it has been realistic and a living matter or affair which is inevitable and unavoidable. Chapter two is entitled "manifestations of the magistrate" in which the researcher dealt with, in a critical study, important issues in the Islamic history such as allegiance in addition to practicing the magistrate by Imam Ali(AS) and those who preceded him as well as those who came after him.Chapter three carries the title ' patterns of conformity and differences" in which the researcher dealt with the extent of the conformity of the magistrate practices with the Islamic revivalistic constructive project within the historical, patrimonial and juristic patterns of Imam Ali (AS) and other rulers.A conclusion has been annexed to the research in which most of the findings and general and specific outlines have been included in addition to a comprehensive bibliography of sources and references.The conclusion of our prayer will be : Praise be to Allah, Lord of the Worlds! These steps have been accompanied by a series of difficulties distributed between the topic difficulty and the abundance of the scientific material which the thesis haswithin this framework.The structure of the research required that it contain(s) a preface and three chapters followed by a conclusion . The preface has been devoted to highlighting the broad concepts of magistrate and cultural criticism .The chapters have been as follows : The title of chapter one is " scope of identity" in which the researcher has dealt with the nature of the pre - Islam Arab incubator socially, religiously and economically. Later on the well - known changes took place on the Arab field after the advent of IslaDespite the difference in people's thought , religion, culture and the discrepancy of their languages, magistrate remained an obsession irking those who incline towards it and sacrifice everything to have it in his command and to sit on its throne.So it is conspicuous that the study of this topic is of great significance especially in an era or epoch which represented the first dose for that age : an age in which the flame of assuming power glowed , specifically in the thought of a man whose period of governance was full of hidden patterns or formats not yet revealed neither by history books nor ancient critical studies.In this person , practicing magistrate varied according to philanthropy, religious culture , knowledge of the basics of religion and the extent of consistency with what religious law2 and custom through the prophet Muhammad (peace be upon him and his purified progeny).

شروح بردة البوصيري في الدرس الادب القديم حتى نهاية القرن الثالث عشر الهجري

اسم المؤلف: عقيل عبد الحسن جبر الفتلاوي
اسم المشرف: ياسر علي عبد سلمان الخالدي
الموضوع العام: اللغة العربية وادابها
السنة: 2018
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: المثنى
الصفحات الاولى:
المستخلص: Burd s explanations represent the flower of literary production throughout the ages because of the rare literay news linguistic rhetorical and critical contents and the meanings of the meanings of the poem the poem contains high - level literary profiles characterized by its classification and each according to its orientation and do ctriue whether linguistic or literary or Sophia has been formulated by us a wonderful art from and easy to understand and to acquire meanings arranged alogical arrangement easy to the recipient after viewing annotions printed and compositions vision for directions statement of their efforts to cashin this regard divided the study to boot and three chapters unprecedented an interoduction to ensure the boot life al bosairy and his poem albordatalked about the circumstances which was born in which the poem and its importance at critics also ensures boot explicits of the borda best known their order time also ensures agreat annotations any reasons called explicits to explain the poem albordaDiscussed in the first chapter direction language in three sections were section I recently about oriented grammar which included the efforts of explicits grammatical section ll was recently about oriented morphological guarantee the correction explicits and their impact on alborda as for section lll talked in it for oriented semantic because examined in this section contents read that referred explicits and its effect in construction of the poem And chapter2 themed direction the include three investigation of the first of meanings studies the meanings rhetorical which goes out to the question and meanings that goes out to appeal and meanings rhetorical which goes out topray for deletion as for section 2 was informed the statement because examined the analogy in ......... section 3 talked about science budaiya as guarantee the most prominent methods … received the poem that referred… then came the third chapter entitled direction cash and ensures three sections I was on the construction of the poem as contents of the beginning and good getrid conclusion of the poem as it is anovelpillar of the basicbused upon …. In section 3 tallked about the issues of cash other studied the phenomena of music and quotation …. The introduction and conclusion included the most prominent findings of this study ,and proven tributaries

الاخر في شعر ابن هانئ الاندلسي == The Other in the Poetry of Ibn Hani' Al - Andalusi

اسم المؤلف: حسن هادي منشد
اسم المشرف: ستار جبار رزيج
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: المثنى
الصفحات الاولى:
المستخلص: The topic of my thesis (The Other in the Poetry of Ibn Hani' Al - Andalusi(died 362A.H)) which is one of the topics that emerged as a result of the evolution of life and its expansion . The subject of the other which is prominent these days is the most widely researched among scholars . After the expansion of the Arab ego , it began to aspire to the non - Arab other. Comparisons have been conducted between this ego and the other especially the Roman and the Persian ones.The term , therefore, has emerged as a relative changing concept; its connotations were varied : it denoted all that which was different from the self such as man in contrast to woman, Arab in contrast to non - Arab and the slave in contrast to the master.This study has dealt with the other in the poetry of Ibn Hani' Al - Andalusi. The latter has addressed the other whether hostile or friendly, agreeing or differing with that other. The image of the other has , therefore, been coloured according to the multiplicity of colours of the life of the poet who touched upon the manifestations of the hostile other since the very beginning of one's life as represented by the Omayyad other ; consequently , his sect and religious belief lead him to clash even further . He has faced the Abbasside and Persian other. It was not only this : the poet formed an image for the other different from the hostile image which is the image of the other compatible with his ego or self . The poet has crowned all this with various meanings the most conspicuous of which were the praised other , the woman and the lamented other .The poet did not stop at this point ; rather he tried to form an image for the other through his self because the cultural heritage stored by his self and which was the best aid for him in highlighting the image of the other through the technique of symbolization and mythology which have been employed to uphold the image of the praised. These mythological symbols have represented the other for the poet's self.The research have arrived at the following conclusions : 1. The images of the other in the poetry of Ibn Hani' Al - Andalusi were varied in their being human and non - human and this other may agree or disagree with the self because the self composing poetry has varied as regards acceptance and rejection and reflected the psychological aspects as represented by the ego of the poet.2. The image of the praised other has occupied a wide space of the poets product and this image has carried meanings with numerous forms which became apparent in describing the other/ the praised through epithets revealing the poet's admiration of this other and in which the other embraced the self on the one hand and a close contact and solidarity between the characteristics of the other/ the praised and its religious sect on the other. Therefore, the ego and the other the praised representing the religious faith became compatible .3. The poet depicted one of the levels of the other compatible with the ego and that depiction was the woman in contrast to man . This woman was not separated from him (the man) and the concentrations of the loved woman the other was predominant in his poems whether in his introductions or within his poems and may be a felt reality or imagination . The other depiction was of the mother as in his lamenting of J'afar's and Yahya's mother and it seemed it was an influencing factor in the ego of the poet because he saw in her the mother of which the poet was deprived throughout .4. The research has concluded that the other , the lamented has been represented by the poet through Imam Hussein( peace be upon him) : an expositions which had a dimension for the individual and the Shi'a collective ego because he has depicted the dimension of the Omayyad hostility for the Shi'a aspect of self through depicting Karbala calamity which carried a positive landmark or fingerprintsss in the poet's product , thus it was an expression of the ego or the self

اتجاهات الشعر العربي من خلال كتاب (قلائد الجمان) لابن الشعار (ت654هـ) : دراسة موضوعية فنية

اسم المؤلف: حسين طه علي احمد السامرائي
الموضوع العام: اللغة العربية وادابها
السنة: 2011
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: صلاح الدين
الصفحات الاولى:

الحضور الاعلامي للشاعر العربي قبل الاسلام

اسم المؤلف: ريام كريم حاجم
الموضوع العام: اللغة العربية وادابها
السنة: 2014
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: واسط
الصفحات الاولى:

اثر الثقافة الغربية في ادب جبران خليل جبران

اسم المؤلف: هديل نشات اسود العبيدي
اسم المشرف: سحاب محمد رشم الاسدي
الموضوع العام: اللغة العربية وادابها
السنة: 2009
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

رثاء القادة العباسيين في شعر العصر العباسي الاول : دراسة موضوعية فنية

اسم المؤلف: عمر رحمن عمر عزيز العبيدي
اسم المشرف: خالد عبد حربي بكر الجنابي
الموضوع العام: اللغة العربية وادابها
السنة: 2008
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: صلاح الدين
الصفحات الاولى:

الصحيفة الرضوية الجامعة : دراسة اسلوبية

اسم المؤلف: الهدى شمخي عبد المطلب الموسوي
اسم المشرف: كريمة نوماس محمد المدني
الموضوع العام: اللغة العربية وادابها
السنة: 2018
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:

شعر الارجاني : دراسة فنية

اسم المؤلف: وداد يعقوب سلمان الحراك
اسم المشرف: قصي سالم علوان الجلبي
الموضوع العام: اللغة العربية وادابها
السنة: 2000
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:

الواقعي والمتخيل في روايات غائب طعمة فرمان == REALITY AND IMAGINARY IN THE NOVELS OF GHAIB TUMA FARMAN

اسم المؤلف: رؤى يعقوب لفتة الكريطي
اسم المشرف: محسن تركي عطية الزبيدي
الموضوع العام: اللغة العربية وادابها
السنة: 2018
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:
المستخلص: The novel is among the literary arts that derived its literary permanence through its artistic homogeneity with the other tributaries. The majority of Arab writers take historical facts as the material in which they created their creativity. There are narrative texts based on a common historical reality, and in the way they built the superficiality of the narratives of the historians to the richness of the narrative text as they immersed themselves in the depths of reality to pick out the pearls that stand out most clearly. Gaib Tuma is one of the writers who Inspired reality and images around him in an impressive way.The aim of this study was to reveal the artistic perspective of the novelist through the facts. He tries to identify the extent of his interaction with real events and the search for the dimensions of the semantic behind the adoption of real narrative and imagined in his literary work.The study included a preface and three chapters with a conclusion. Preface deals with the relationship between reality and the imagination. It gives glimpses of the life of the writer because of the close link to his literary output.The first chapter is entitled "Hero of Reality and Imaginary in Gaib Tuama Farman Novels ". It is based on three questions that preceded the settlement of the chapter : "Personality and Social Reality, Personality, and Political Reality, Personality, Alienation and Isolation."The second chapter is titled "The Place of Realistic and Imaginary in Gaib Tuama Farman Novels ". It is composed of three questions that are issued in preparation for the chapter (the place of home, the hostile place, the open and closed places).The third chapter is entitled " Events and Times are Real and Imaginary ". It is included three questions. These are (the successive construction, the alternating construction and the construction of inclusion). The descriptive analytical approach imposed by the nature of the critical study is adopted in order to become familiar with the subject. Finally, the study ends with conclusion which contains the most important findings of the study : Tales of the Gaib Tuama revealed a technical relationship that combined the text of the fictional novel with the real mechanic through the narration through which the narrator brought his real facts. A knowledge of the mixing of reality and imagination. He highlighted the lives of the poor and simple people, and his novels were truly history without history.The description of the place in his novels is a testimony to the political events, which he described in most of his texts through the movement of personalities and wandering through the streets and sitting in cafes.

الاراء النحوية لاعلام النحو في كتاب التخمير للخوارزمي (617هـ) : دراسة تحليلية == Grammar Views of Famous Grammarians on Al - Takhmeer Book by Sadrul Afadhil Al - Khawarizmi (died 617 Hijri) An Analytic Study

اسم المؤلف: علاء احمد زغير
اسم المشرف: فائزة عباس حميدي
الموضوع العام: اللغة العربية وادابها
السنة: 2018
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: In the Name of Allah, the most merciful, the compassionate. Praise be to Allah who created man and taught him to speak. Peace and blessings be upon the master of creation and messengers, Mohammed bin Abdullah and his progenies and elite companions. Al - Takhmeer Book is regarded as one of the explanations of Al - Mufasal that written by Al - Zamakhshari and one of Arabic Language sciences that Grammarians studied, explained and commented that is why Al - Takhmeer of Al - Khawarzmi was a great resource when reading the grammarians' views and their directions . Al - Takhmeer Book had many grammatical issues which need to be explained and studied. This study is an attempt to discuss grammatical views which were in the book of Al - Takhamer. Our purpose of that is to discover what Arabic grammarian's opinions and if they had followed in their scientific views or their opinions which were just a criticism and trends to the other's opinions only. The methodology of the thesis is not contrary to the division of Al - Khawarizmi to his book but it is a compatible. The thesis is divided into an introduction, four chapters, and a conclusion. The introduction includes information about Al - Khwarizmi and explaining his method of introducing the grammarian material and his position from grammarians in his book " Al - Takhmeer ". Chapter one composes of the grammatical views concerning nouns. Chapter two tackles with the grammatical views about verbs and the chapter three deals with the grammatical views regarding the letters and articles. And the fourth chapter is about the grammatical views in different issues like coordinators, pronouns and relative pronouns. In the conclusion, the researcher comes up to the following : 1. Al - Khawarizmi was not just a Grammar Scientist, but he was also a scientist in Literature, Theology, and Qur'an Explaining(Al - Tafseer).2. He was having a hard style in discussing other Grammarians' opinions.3. He was not a follower of a specific school in Grammar, but he was an elector of the opinions that he believed agree with his own views regarding grammar

الغزل في شعر جرير : دراسة فنية

اسم المؤلف: هاشم طه عبد الصمد اليوسف
الموضوع العام: اللغة العربية وادابها
السنة: 1989
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:

القيم الاخلاقية والاجتماعية والفكرية في وصايا عصر ما قبل الاسلام الشعرية والنثرية

اسم المؤلف: سهام حسن جواد
اسم المشرف: توفيق ابراهيم صالح الجبوري
الموضوع العام: اللغة العربية وادابها
السنة: 2002
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: صلاح الدين
الصفحات الاولى:

الروافد الادبية في شعر الجواهري

اسم المؤلف: رحيم عليوي حسين الساعدي
الموضوع العام: اللغة العربية وادابها
السنة: 2007
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

القصيدة النسوية في الشعر العراقي الحديث بين الرؤيتة الابداعيتة والتجربتة الذاتية : نازك الملائكة وبشرى البستاني مثالا == Feminist Poem in Iraqi Modern Poetry between Creative Vision and Self - Experience (Nazik Al - Malaika and Bushrah Al - Bastani as Models)

اسم المؤلف: ميسون عدنان حسن علوش السعدي
اسم المشرف: علي متعب جاسم
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: The study of women's legal and what is produced by women in literature, especially poetry, it required to search in self - experience of the poet , firstly Women, and secondly her creative vision in writing her experience , for the purpose of detecting her internal worlds.The study was reported many visions and critical issues imposed by the nature of the subject as it focused on the study of self - experience which required briefing the outer circumstance of the text and at the same time the analysis of text structure and the interpretation of it connotations.Above - mentioned, the study divided into an introduction , preface, three chapters , conclusion and a list of sources and references . The preface entitled (self - experience and creative vision in the perspective of literature).The first chapter entitled (Feminist and ideal interval), it included two sections, the first one devoted the accomplishment poetry of Nazik Al - Malaika under the title (Feminism and the nonappearance in the poetic text of Nazik Al - Malaika), while the second section has been allocated for the accomplishment poetry of Bushrah Al - Bastani under the title (women speeches and ideal interval in Bushrah Al - Bastani poetry).The second chapter, entitled (Feminist loyalty among text thresholds and symbols of women) , it included two sections : the first one for the poet Nazik Al - Malaika under the title (Feminism and symbols of women in the text thresholds for Nazik Al - Malaika), while, the second section was for the poet Bushrah Al - Bastani under the title (Feminism and symbols of women in the text thresholds for Bushrah Al - Bastani(.The third chapter entitled (Feminist between event space and women memory) which included two sections : the first under the title (The representations of feminism and its effectiveness in the event to Nazik Al - Malaika) and the secondsection entitled (feminist dialectical, event effects and the reality of women to Bushrah Al - Bastani).Finally, the study ended with aconclusion included a set of results and a list of sources and references, which varied between old and modern, for the purpose of scientific rigor and objectivity.I would like to extend my sincerest thanks , appreciation and gratitude to the great heart which includes all his students without discrimination my supervisor Dr. Ali Muta'ab Jassim, who was so kindly act through standing by me during the writing period , choosing the topic , supplying the most important sources, opening the doors of his home and his library for students candidates tirelessly or fatigue, retracing the footsteps of the study step by step. He never be a stingy in outpouring generosity , value, guidance and advice.

البحث الدلالي في كتاب الايضاح في شرح مقامات الحريري للمطرزي ت610هـ == Semantic Investigation in Al - Edah Book in the Explanation of Maqamat Al - Hariri for Al - Mutarizi

اسم المؤلف: همم راضي عليوي
اسم المشرف: محمد بشير حسن
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: Maqamat Al - Hariri is important literary texts since it represent a lovely literary type in human souls till now. So, the linguists pay attention to it by explaining and clarifying its ambiguities and investigating itsbeautiful areas. Al - Edah book is one of these explanations but itparticularizes from others in that it cares to the semantic side making the linguistic levels its own beginning. So, the researcher pays attention tothis explanation in that she revel the authors’ cleverness. This studyconsists of three chapters. The first one entitled (phonetics andmorphological level) which consists of two sections. The first one (phonetics level) deals with two topics, alternation among voiceless sounds like alternation between (التاء and ,(الھمزة and the alternationbetween voiced sounds and it deals with alternation between (مالفتح والض )and other things. The second section deals with morphological level. It deals with topics like derivation, rigid, minimization, attribution, plurals, and others. The second chapter is entitled (grammar level) which deals with topics like indication of inclusion, deletion, and indications of some names and letters. The third chapter entitled (indication sections in Al - Mutarizi) which deals with two topics, the first is (singular words indication) and ( semantical development)

شعر الغزل بين عمر بن ابي ربيعة وبشار بن برد ونزار قباني : دراسة بلاغية موازنة == Romantic Poetry between Omar Bin Abi Rabea, Bashar Bin Burd and Nazar Qubane (A Pithiest Paralleled Study

اسم المؤلف: خالد فائز ياسين
اسم المشرف: خالد علي مصطفى
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: This dissertation title " Romantic Poetry between Omar Bin Abi Rabea, Bashar Bin Burd and Nazar Qubane - A Pithiest Paralleled Study " , inanalyzing romantic poems in stylistic way . This science is a beneficialelement of stylistics and different levels of language " structural ,morphological , and phonological " besides other artistic aspects inanalyzing a literary text . Stylistics deals with a poetic text as being acomplete structure comprising in it elements of the text and partialstructure. Also the direction of criticism is towards poetry not the poet ,by that it is necessary to teach poet's poetry separate or far from theinfluence of desire and felony of generalization .In this study the researcher chose three poets ( as mentioned before )concentrating the speech on a common poetry aspect between the threewhich might barely be the most common in their poetries . This aspect islove , and the study of love in these three poets was not new . It has beendealt previously by several researchers . They studied it separately in eachpoet and demonstrated its types and directions , by studies that could bedescribed as artistic and subjective . But , they did not deal with concernthe stylistic study , even if we find stylistic studies dealing with all thepoets poetry . This study was done dealing with one purpose in poemshaving one subject . On the other hand , the study dealt with the stylisticaspect accurately in each poet by demonstration , and stylistic analysis .The study started with a theoretical part about ; first : stylisticsbetween the theory of the term and the concept ; second : showing themeaning of comparison and its styles in Arabic heritage . Then dealingwith concept of paralleling and its styles in Arabic heritage . Also ,through reading love poetry of the three poets stylistically . The study isdivided into two chapters, each chapter contained five sections . The firstchapter was entitled " structural level " and its sections are ; first section ( style of interrogation ) , second sections ( style of command ) , third section ( style of vocation ) , it is known that these styles are structural ordered styles demonstrating artistic aspects of their usages by each poet and most significant metaphorical aspects of each style , fourth section ( repetition ) mentioning in it types and patterns of a single poetic line , and its style in connecting , and finally the fifth section ( alliteration ) mentioning in it the verbal expressions of this art and its place in poetic line . As for chapter two it is entitled " levels of image formation " and contained five sections , as follows : Section one " sources of forming image of Romances " . Section two " images of simile " .Section three " images of allegory " .Section four " images of allegory " .Section five " contradiction ( antithesis and paralleling ) " .The study came to several results : - The researcher found common manner in structure of interrogation between the three poets . Especially, in the poets " Bashar and Omar " sometimes the researcher finds that their poems have an opening of this kind of style . Also , the technique of concrete interrogation has been found in the three poets . - In repetition and from the samples that has been exposed in the study , it is found that the repetition of expressions has taken a huge space especially in the poems of " Nazar " thought they are different in form it has been employed beautifully . - In alliteration , which is a rich style used by the three poets in all its types and forms , we find " Omar and Bashar " committing to all its classifications and common structural places in the line of a poem . - In the second chapter : we found in section one ( sources of forming image of love ) the experiment of feeling is varied in the three poets with existence of lines the poems that meet in the poems of the poets Omar and Bashar , especially , in the openings of their poems . Where we find them standing on remains addressing friends . This opening toke a wide space in the poems of Omar compared to Bashar , and disappearing totally in Nazar Qubane poems . Then we find narration and dialogue in the three poets with existence of similar art in poetic messages in experience of Nazr Qubane dealing in it with his passions within the frame of his emotions. - In the second section ( simile style ) the researcher found that the three poet's attitudes are to build a complex image of simile , which give an expressional value wider than simile called " individual simile " . - Section three ( allegory ) our study in this section is limited to diagnostic allegory or what is called dynamic allegory since having vitality and flexibility in drawing the poetic image and the researcherfound big constancy in using such kind of allegory.

الهوية النسوية في شعر المراة الجاهلي == Feminism Identity in Pre - Islamic Women Poetry

اسم المؤلف: ماجدة حسن حبيب
اسم المشرف: خالد سهر محي الساعدي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: This dissertation title "Feminism Identity in Pre - Islamic Women Poetry" to discuss the important role of women in Pre - Islamic period. It is divided into three chapters with several sections in each chapter.Chapter one, entitled "Manifestations of women identity in poetic purposes", and this chapter is divided into three sections including the speech of elegy, flirtation, and satire. Chapter two, entitled " Manifestations of women identity in poetic themes", and also it is divided into three sections speaking about women identity and themes of motherhood and childhood, and the discussion about women identity and family life, women identity and theme of affiliation.Chapter three, entitled "artistic structure in pre - Islamic feminism poetic texts". It is divided into three sections dealing with texts about feminism poetic image and poetic language, and speaking about rhythm in its two parts weight and rhyme.The dissertation has been concluded with several results and recommendations. The researcher has depended on important references like Al - Aghane for Abi Farag Al - Asfhanee and the book Balaghat ANesaa for Ibn Tayyfor.

التوظيف الاسلوبي للتثنية في التعبير القراني

اسم المؤلف: عبد الرحمن محمود كريم ناوي
اسم المشرف: وسن عبد المنعم ياسين الزبيدي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:

حداثة جبران في الخطاب النقدي العربي الحديث == The Modernism of Jubran in Modern Arabic Critical Discourse

اسم المؤلف: مروة مهدي صالح فرج
اسم المشرف: خالد علي مصطفى
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: This study is based on Jubran's modernism by reviewing the critics' opinions about it. The study falls into an introduction, a background, and three chapters. The introduction discussed the concept of modernism in Jubran's poetry by illustrating the origins of the word "modernism" in Arabic and foreign languages as well as the technical term. Then, moving to the literature of Jubran to identify the aspects of modernism in it. The first chapter discussed "The Modernism in Religious Vision" in two sections. The first section discussed the critics' opinions about his vision on religious ideology. The second section discussed critics' opinions about his vision on philosophy and sophism.The second chapter discussed the modernism of cultural situation which falls into two sections. The first section dealt with critics' opinions about his vision on authority and society and the second section dealt with critics' opinions about his vision on woman and love. The third chapter discussed the modernism in literary issues. Its first section discussed critics' opinions about style aesthetics in his literature while the second section studied critics' opinions about literary types in his literature.The modernism of Jubran is distinguished from other authors pecause it dealt with the different aspects of life like religion, culture , and literature. This can be attributed to vastness of his culture and awareness of the world literature and philosophy which helped him create his own vision that cannot be an imitation of others as affection or effecting.

المقدمة وعلاقتها بالمتن في كتب النقد الادبي القرن الخامس الهجري مثالا == An Introduction and Its Relationship to the Literary Criticism Books of the Fifth Century A.H. as a Model

اسم المؤلف: حنين وسام جياد عباس
اسم المشرف: علاء حسين عليوي البدراني
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: يقوم بحث (المقدمة وعلاقتها بالمتن في كتب النقد الادبي) على بيان اهمية المقدمة كونها تمثل جانبا يكاد يكون متجاوزا عند بعضنا, فهي تمثل اضاءة لما سياتي في المتن, ووظيفتها تبقى فاعلة ومتواصلة حتى تمام المتن, وتاتي اهمية هذه الدراسة في محاولة تضييق شق التباين الذي طغى على دراسة المقدمة بمعزل عن المتن في الزمن الذي مضى, وقد تميزت المقدمة عن غيرها من العتبات النصية كونها تقدم للقارئ خلاصة وافية عن محتويات المتن, وفيها تبرز شخصية المؤلف واسلوبه وذوقه, والمقدمات في تراثنا العربي تعد احدى المكملات الاساسية في كل عمل ادبي, فالمؤلفون قديما ادركوا اهميتهوااولوها عناية كبيرة . وتاتي اهمية دراسة المقدمة وعلاقتها بالمتن في تحديد مدى التطابق بين مقدمات القرن الخامس الهجري ومتونها اي تحديد الخيوط التي تربط بين المقدمة والمتن وكذلك التنافر ما بينهما . وقد اشتمل بحثنا على مقدمة وتمهيد وثلاثة فصول وخاتمة, تناول التمهيد : ابرز المسارات النقدية في القرن الخامس الهجري, مع بيان مفهوم العتبات النصية والمقدمة قديما وحديثا واختلاف التسمية في المصطلح . اما الفصل الاول فكان بعنوان (فلسفة المقدمة في الرؤية النقدية), واقتضت طبيعة الموضوع ان يقسم الى ثلاثة مباحث تناول المبحث الاول (اهمية المقدمة ووظيفتها), اما المبحث الثاني فقد تناول (بناء المقدمة), اما المبحث الثالث فقد تناول (انواع المقدمات) , تبعه الفصل الثاني الذي كان بعنوان (التطابق الموضوعي والشكلي), وهو على مبحثين : الاول منه بعنوان (الجانب النقدي لمؤلفات القرن الخامس الهجري في ضوء الدراسات الحديثة), والمبحث الثاني كان بعنوان (المقدمة وما تطابق منها), اما الفصل الثالث فقد جاء بعنوان : (التنافر الموضوعي والشكلي) وهو على مبحثين ايضا الاول منه بعنوان (المقدمة وما تنافر منها), اما المبحث الثاني فهو بعنوان (المقدمات الفرعية الملحقة بالمقدمة الاصلية), وتضمن البحث خاتمة سجلنا فيها اهم ما توصلنا اليه من نتائج . | The study (An introduction and its relationship to the literary criticism books) states the importance of the introduction which represents almost a surpassing aside to some of us, it represents as a light of what will come in the body, and its function remains active and continuous until the completion of the body. The importance of this study is an attempt to narrow the slit disparity which dominated the introduction in isolation from the body in the time that has passed, the introduction has been characterized from other scripts thresholds that being offered to the reader a compendium of the body contents, and it highlights the author personality and his style and taste. The introductions in the Arab heritage is one of the basic supplements in every literary work, In the past, authors realized the importance that they placed great care. The importance of studying the introduction and its relationship to the body in determining the extent of overlap between the introductions to the fifth century A.H. and its bodies to identify any strings that bind between the introduction and body as well as discordance in between. The study includes an introduction , preamble and three chapters as well as a conclusion. The preamble has been included, the most critical currents in the fifth century (A. H.), with an indication of the concept of thresholds texts and the old and new introduction at different label in the term. The first chapter was titled (introduction philosophy in a critical vision). The necessity due to the nature of the subject that is divided into three sections, the first section dealt with (the importance of introduction and function), while the second section dealt with (building the introduction), while the third section dealt with the (types of introductions) followed by the second chapter, which is entitled (substantive correspondence and formal), which is on two themes : the first part entitled (the critical side of the writings at fifth century in light of recent studies), and the second part is entitled (introduction and what is matched with it), the third chapter is entitled : (thematic and formal discordance), which is also divided into two sections, the first section is entitled (introduction and what is matched with it), while the second section is entitled (sub introductions attached to the original introduction). The study includes a conclusion where it recorded the most important findings or results

المجاز في الرؤية النقدية العربية المعاصرة == Metaphor in the Contemporary Arabic Critical Vision

اسم المؤلف: فنن نجم عبد الاله
اسم المشرف: اياد عبد الودود عثمان الحمداني
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: This study deals with the use of metaphor in different critical studies and how such studies tackle with the contemporary criticism .No doubt that the contemporary rhetorical need more investigation and search in order to see the relation between such studies and the rhetorical heritage, as well as benefit the got from the technical and critical variables which attached the creative process in different periods.Metaphor considered as one of the active and wealthy systems which have aesthetic and semantic value at the same time .Metaphor excludes the apparent meanings and transforms them into deep positive meanings ,such a thing makes the recipient feel the enjoyment the meanings conveyed by metaphor. So, many studies shed more light on metaphor and they engaged in such rhetorical art such as Dr.Mahdi Al - samaraai s study entitled (metaphor in Arabic Rhetoric),such study has great effect in the settlement of the most significant critical principles for metaphor in spite of its different method in accordance with m study.This study finds that there is an influential significance in restricting the introduction to deal with the clarification of the two terms (vision and visions )which show the gap and he overlap between the two terms.The first chapter in this study deals with the traditional trend of metaphor in the modern critical visions , then the chapter is divided into three sections preceded by a prologue that identifies the origin of the traditional rhetoric and its trends . The first section deals with the contemporary critical views who denied the existence of metaphor in Holy Quran and the prophetic traditions, as well as the views which assure the existence of metaphor in Holy Quran and prophetic traditions. While the second section dealt with the fractional and logical views which prevail the Arabic culture - specially metaphor - by Al - Sakaki and others who follow him though many critics refused such vision which takes metaphor away from art, beauty and aesthetic .Finally, the third section sheds light on the previous standard norms about metaphor through the creative achievement .Accordingly, it has been found that many critics had adopted this vision though its danger since it limited the creativity of the creator on one side and dominated the recipient’s taste on the other side .cThe second chapter dealt with the stages of development of metaphor ,practically it has been divided into three sections. The first one studies the metaphorical image and the relation of this image with metaphor in the light of the contemporary critics’ views ,also ,it concerned with the problem of originating the metaphorical image .The second section sheds light on metaphor as one of the poetic tropes with reference to the various visions that of the critics ,also this section includes the poetic study of the prose not to be limited to poetry since the language of prose nowadays dissipated from the daily life language so it has the feature of being literary .Thirdly, we find that the section dealt with the sign and the connection of sign with metaphor to generate the inspiration energy and to acquire sensitive and expressive meanings.The third chapter includes two sections ;the first one dealt with the cultural criticism and the mechanism of the entire metaphor and its impact on the implicit cultural formats through the various environments ,accordingly metaphor might not be considered as a rhetorical trop only but it might include all the format dimensions in the speech and in the receptive verbs .Moreover , it has been revealed that this study has expanded to include more about the cultural criticism and the reason behind this since it is a new term unclear to many new Arabic and western critics. The second section dealt with metaphor through the modern theories which elucidate the philosophy of using metaphor and actually the most well - known theories which tackled the contemporary critics’ views as the replacement theory, and the interactive theory which have a great position in the ancient Arabic rhetorical criticism till the modern age as well as the relation theory , the contextual theory and the pragmatic theory..Finally, the aim of this study with all its rights and faults - is to be the first step in the knowledge way.

شعر الاعمى التطيلي : دراسة موضوعية وفنية == The poetry of Al - A’ama Al - Tatuauli An objective Artistic stady

اسم المؤلف: عبد الله عبد الشمخي
اسم المشرف: جنان محمد عبد الجليل
الموضوع العام: اللغة العربية وادابها
السنة: 2003
الموضوع الدقيق: الادب
الدرجة: ماجستير
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الكلمات الدلالية:
  • شعر - اندلسي
  • عصر المرابطين
  • الاعمى التطيلي
الصفحات الاولى:
المستخلص: تعد الاندلس واحدة من اهم مراكز الحضارة العربية، التي اشرقت على اوربا، التي كانت قابعة في ظلام التخلف والضياع، ولذلك فان في التراث الاندلسي الكثير من الكنوز التي لم يكشف عنها، ولم يمط اللثام عن نصاعة اشراقتها الزاهية. ان الاعمى التطيلي واحد من الشعراء الاندلسي المهمين، فقد كان يجمع بين نظرة الاجلال والتقدير التي يحملها لاسلافه من المشرقين، جاهليهم واسلامهم وامويهم وعباسيهم، فضلا عن تاثره بجماليات بيئته وبخصوصيتها الحضرية والفكرية، وهذا مادفعني لدراسة الشاعر مستعينا بالمصادر القديمة، وبالاخص ذخيرة ابن بسام، وطراز ابن سناء الملك. غير ان المنطلق الرئيسي للداسة كان ديوان التطيلي، الذي حققه د. احسان عباس، والمستدرك الذي اعده الدكتور محمد مجيد السعيد، مستفيدا من المناهج النقدية لخلق رؤية شمولية تحاول ان تحلل النص وتكشف النقاب عن جماليته وخصوصيته. هذواقد اثرت الاستغناء عن التمهيد الذي يتناول الشاعر وحياته، فقد كان في المقدمة الضافية التي اعدها الدكتور احسان عباس للديوان ما يغني عن التكرار والاعادة، وقد اشرت الى الظروف السياسية والاجتماعية للدولة المرابطية في اثناء فصلي الدراسة الموضوعية، لما لها من صلة بها. توزعت الدراسة على ثلاثة فصول، تناول الاول منها الاغراض الوجدانية، وضم اربعة مباحث، كان الاول للغزل بشقيه الحسي والمعنوي، وقد وجدت ان الغزل الخاص بمقدمات القصائد، كان حسيا تقليديا، في حين كانت قصائده الغزلية الخاصة، تصطبغ بالحزن والالم، وتنحو نحو السرد القصصي الممزوج بالغنائية، مما يذكرنا بالشعر العذري، كمواجد الغزل بالمذكر في موشحاته الذي نعتقد انه تقليد فني يقصد ابراز البراعة والترويج عن النفس. اما الرثاء، فنلاحظ ان رثاءه لزوجته اتسم بصدق الشعور، وحرارة العاطفة، مما جعله من روائع المراثي الاندلسية، مما يميزه عن الرثاء للاخرين الذي كان تقليديا لاعاطفة فيه. وتناول المبحث الثالث الشكوى، فقد تناولت فلسفته في الحياة والموت، ونفوره من الحياة التي حرمته نعمة البصر وجعلته محتاجا لغيره، ويمتزج هذا مع الزهديات التي تناولتها في المبحث الرابع من هذا الفصل. اما الفصل الثاني، فقد تناولت فيه الاغراض الموضوعية، اذ وقفت عند المديح للوزراء، والقضاة وغيرهم، وقد وجدت ان مدائحه تكاد تكون تقليدية مكررة بصورة المشارقة، كمواقفت في المبحث الثاني عند شعر الوصف، فدرست وصف الطبيعة الصامتة والمتحركة، ومظاهر الحضارة، ووجدت ان اوصافه تاثرت كثيرا بكف بصره الذي جعله يصف معتمدا على اوصاف الاخرين لا على رؤية جمالية خاصة. ووجدت للشاعر رؤية جمالية واضحة في العتاب، اذ يستفيد من عاهته في الاستعطاف وطلب العون من الاخرين. وانفرد الفصل الثالث للاغراض الفنية، موزعا على ثلاثة مباحث، اختص الاول باللغة والاسلوب، فوجدت ان الفاظه تراوحت بين السهولة والجزالة، افصح فيها الشاعر عن ثقافته القرانيه والشعرية، مما منحه اسلوبا متينا، امتاز بطول النفس مبرءا من الاسفاف، مستفيدا من الوان البديع المختلفة في حين ادخل في موشحاته اللهجة العامية واللغة الاعجمية في خرجاتها. اما مبحث الموسيقى فقد وجدت الشاعر قد ركز على الاوزان الطويلة، عدا قصيدتين من مشطور الرجز، كمراكز على القوافي الذلل، مبتعدا عن الوحش والنفر من القوافي، كما ان الوشاح استطاع بحسه الموسيقي المرهق ان يوزع انغامه بشكل هندسي رائع على خارطة القصيدة، كما استعان بتعدد القوافي والاوزان في الموشحات، التي توزعت بين الموشح التام هي الغالبة. اما في الصورة فقد درسنا الصور البسيطة والمركبة واللوحة، وقد اعتمد الشاعر على ما اختزنته مخيلته من صور نشات من ثقافته لا من رؤيته وقد ابدع في التشكيل واعادة صياغة صورة، اي اعتماد على ذهنه لا مشاهدته، وصوره يولدها من العدم فهو يقلب المتعارف عليه ولكن بشكل مقنع، فالفكرة لا يتناولها كما هي وانما يولد منها المعاني، فهو يميل الى التفكير الخاص (التفكيك) فالطابع العام هو التامل الذهني عكس المبصرين، فعالمه داخلي في كثير من الاحيان، وقد اثر فقدان البصر في صورة التي اخفق في بعض منها. وفي الختام لا يدعي الباحث لبحثه الكمال فهو لله وحده، لكن عذره انه ساح في طريق وعر، وجمع مناهج شتى، هدفها اضاءة وابراز معالمه الجمالية فالدراسات الانسانية ليس فيها احكام مطلقة | The skillful and creative poet, Al - Aama Al - Tatauli has not gained what he deserves of study and investigation that might correspond to his importance as one of the poets of Andulsia who wrote verse and Muoshahs and who tackled all poetic genres. He is also considered as prominent Washah (writer of Muashah) in Andulsia. For these reasons, the researcher chose this poet to be the subject of his study. As a starting point, the poetic text is taken as the basis of the study. The other approaches of criticism were then utilized to analyse allThe aspects of the text due to the importance of the political , social and psychological immediate influences on any work of creation. he study consists of three chapter. There is no special biography of the poet because the researcher found the comments of the editor about the life of the poet at the beginning of the collection of his works as enough and because there is no significant information to add about this question. Chapter one is concerned with studying the subjective genres of the poet, i.e love, elegy, complaint, and religious devotion. Each of these genres is presented in a separate subsection.Chapter two is a study of the objective genres of his poetry, i.e. praise, description and blame. The genre of praise includes praising of clergymen, judges, princes, women and the infloential men in the state. Description also includes desscribing still and moving nature in addition to describing arms and weapons. Chapter three includes the artistic analysis, it discusses the language, the techinque, the internal and external melody and the artistic image including the simple and compound ones and the portait in the poetry of Al - A ama Al - Tatauli. The researcher arrived at the following condusion : - The poet tackled most of the known poetic genres where he either imitates or innovates but within the known rhythm and framework of the Arabic poetry. - His poems of praising are characterized by the deletion of the introduction and directly going through the main purpose of praising . - He was the first to do this . Besides he made an innovation in one of his introduction where he blamed life in a style of religious devotion. - The poet was behined in the genre of description in comparison with the other poets of his time in Andulsia because of his blindness. - The poet was characterized by his firm technique and soft and eloquent words that flow smoothly and easily to make very sweet music He did so by making use of the different kinds of eloquency such as similie , homonymy , and metaphor in addition to his Knowledge of music and his writing of Muwash which is mainly based on music. - He derived his images from his poetic education and the stock of his imagination . - He tend to mental imagination , abstraction and untying and he has his own internal world

الموقف من الحياة دراسة في دوواين الشواعر العراقيات : 1980 - 2003م == The Stand of Life And Studying The Collection of Poems for Femates Iraqi Poets 1980 - 2003

اسم المؤلف: فاتن غانم فتحي
اسم المشرف: بشرى حمدي فتحي احمد البستاني
الموضوع العام: اللغة العربية وادابها
السنة: 2007
الموضوع الدقيق: الادب
الدرجة: ماجستير
الجامعة: جامعة الموصل
اللغة: العربية
مكان الجامعة: الموصل
الصفحات الاولى:
المستخلص: اشتمل هذا الموضوع الموسوم بـ (الموقف من الحياة دراسة في دواوين الشواعر العراقيات 1980 - 2003م) على ثلاثة فصول مشفوعة بمقدمة وتمهيد ، وخاتمة اشتملت على اهم ما توصل اليه البحث من نتائج ، قدمنا في التمهيد اهم المقولات اللغوية والفلسفية والاجتماعية والادبية التي تتعلق بكل من (الموقف والحياة) ، كما قدمنا فيه لمحة تاريخية سريعة عن المراة والشعر .جاء الفصل الاول بعنوان (الموقف الذاتي) مشتملا على ثلاثة مباحث المبحث الاول بعنوان (الاغتراب) اما المبحث الثاني بعنوان (الموت والحزن) والمبحث الثالث بعنوان (الحب) . اما الفصل الثاني فجاء بعنوان (الموقف الموضوعي) متضمنا مبحثين الاول منها بعنوان (الموقف السياسي) اما الثاني فجاء بعنوان (الموقف الاجتماعي) . واخيرا جاء الفصل الثالث بعنوان (دراسة فنية) مشتملا على ثلاثة مباحث الاول منها بعنوان (اللغة الشعرية) وجاء المبحث الثاني بعنوان (الصورة الشعرية) اما المبحث الاخير فجاء بعنوان (الايقاع) .اما اهم النتائج التي اشتملت عليها الخاتمة فجاءت متمثلة بمغادرة الشاعرة لمواقفها الذاتية الخاصة ؛ وتعميق وتاصيل شعرها في الجوانب الموضوعية العامة ، كالقضايا السياسية (الوطنية والقومية) والتي حظيت باهتمامهوااخذت مساحة واسعة في شعرها الذي عبرت فيه عن مواقفها المختلفة . كما اجادت الشاعرة العراقية في التعبير عن الحب بجانبه الانساني العام، وجانب حب الوطن والرجل المدافع عنه، الا انها اهملت التعبير عن مواجدها الذاتية اذ قلما نجد لها نصوصا عبرت فيها عن ذلك الجانب، نتيجة للانكفاء الاجتماعي والاهمالات المتراكمة التي عاشتها المراة عبر القرون التي تقابلها امتيازات هائلة تمتع بها الرجل الى يومنا هذا، وكذلك الامر بالنسبة لتعبيرها عن جانب الحب الامومي ، والاخوي ، اذ اننا لم نجد في نتاجها نصا شعريوااحدا معبرا عن حب المراة لولدها او لاخيها او حتى لاسرتها بشكل عام ، وربما يعود ذلك الى عدم استمتاعها بحياتها الذاتية وانصرافها الكلي عن عالمها الشخصي بسبب قسوة المجتمع وشدة وطاة قيوده التي اثقل بها كاهل المراة العراقية المعاصرة ؛ والتي دعت الى ابتعاد الشاعرة في نتاجها عن التعبير عن جوانب الحياة الذاتية الى جوانب الحياة العامة، الامر الذي صرفها عن اي نظرة خاصة وحقيقية الى حياتهوااسرتها . | This subject included (the stand of life and studying the collections of poems for Females Iraqi poets). It contains three chapters (preface, introduction, and then the end with the most important results).In preface we can see the most linguistics and idiomatic sayings which related to attitude and life, as we introduced in it a historical glance about woman and poetry. First chapter came with the title (self attitude) included three subjects : the first one was under the title (emigration), and the second one was under the title (death and life), and the last was one under the title (subjective attitude) which included two subjects : the first one under the title (political attitude), and the second one was under the title (social attitude). Where as third chapter came under the title (artistry study) included also three chapters : first one was under the title (poetics language), and the second one was under the title (poetics image), and at last third one was under the title (rhythm).Finally, the end which is included the lost results of search , and the most important one this which implied the most important reasons that pushed the Females Iraqi Poets into compositions in some sides with excluding others. Shedding the light on some elements of mastering, rapine, that, fallen generally on Iraqi woman and particularly female poet

المكان في نص قاسم محمد المسرحي == Place in the Text of Qasim Muhammad (Analytical Study)

اسم المؤلف: نادية حازم دحام صالح الحيالي
اسم المشرف: فاطمة عيسى جاسم ابو رغيف
الموضوع العام: اللغة العربية وادابها
السنة: 2007
الموضوع الدقيق: الادب
الدرجة: ماجستير
الجامعة: جامعة الموصل
اللغة: العربية
مكان الجامعة: الموصل
الصفحات الاولى:
المستخلص: This included the topic entitled marked (place in the text of Mohammad Qasim) - analytical study - has been a systematic study analytical and critical times altogether because the modus operandi adopted texts on the analysis and criticism. The letter came in three chapters led Introduction and paving, followed by the most important conclusion of the search results, as we prepare the most important things in the language and the reform of the place, as we have the first stages of the founding place in the theater and theatrical qualities of the place. The first chapter was entitled came (spatial and types of construction) encompassing the Mphathin : I thesis (Creation spatial perceived) and the second entitled Alpmahth (Creation spatial Fantasizer). The second chapter, entitled (spatial levels) encompassing three DETECTIVES : I thesis entitled (outside / inside) and the second thesis entitled (higher / downward) and thesis III (Self / substantive) in the third chapter, entitled (spatial structure) encompassing a Mphathin : first thesis entitled (spatial structure of surface) and the second thesis entitled (deep spatial structure). Conclusion Finally, the results came incorporating the most search results, and perhaps most important, diversity Ashtgallat place in theatrical texts of Muhammad Qasim, particularly in the construction and substantial spatial Fantasizer as well as the emergence of various spatial levels in these texts and the emergence of four layers of the place are : - spatial construction, spatial Matin, The spatial structure of surface and deep spatial structure

مفاهيم الامدي النقدية في كتاب الموازنة == Al - Amidi’s Critical Concepts In the Book of Al - Muwazana

اسم المؤلف: احمد عبد الرحمن سليم
اسم المشرف: حسين يوسف حسين
الموضوع العام: اللغة العربية وادابها
السنة: 2007
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة الموصل
اللغة: العربية
مكان الجامعة: الموصل
الصفحات الاولى:
المستخلص: Al - Amidi, the owner of the book Al - Muwazana, is an authority who arose in many branches of language and literature in which he had valuable books, and he still lives with us today by his authoritic criticism. I was amazed by his comparison between Abi - Tammam and Al - Buhturi and it disclosed to me that Al - Amidi is a sound respectable critic and he is of abundant education.This study entitled “Critical Concepts of Al - Amidi in the Book of Al - Muwazana” deals with his comparison. Al - Amidis comparison is an important applied critical turning point in the history of Arabic criticism since it made a dialogue between the most two outstanding poets, Abu - Tammam and Al - Buhturi.The age of Al - Amidi represents the summit of the artistic development of the ancient Arabic literature, thus he was the man of his age with all its senses. This study attempted to present a complete methodological image about the critical efforts of Al - Amidi which no scholar dealt with in this way and in detail from the viewpoint of methodology and text. For Al - Amidi, the reading of the critical heritage is a civilizational and human requirement in order to understand the contributions of the ancestors in forming the march of the human civilization. The method that the study is subject to is in general historical. This historical method pursuits the critical concepts since its formation and the developments that occurred until it reached its concept al Al - Amidi, then the attitude of Al - Amidi towards each concept and extent of its effect as a critical criterion in his comparison between the above mentioned poets. The study consists of an introduction an preliminary, three chapters, and a conclusion in addition to an index for the subjects and a bibliography.In the preliminary entitled “ The Book of Al - muwazana; A Nucleus of Applied Criticism” the first beginnings of comparison, its importance in ancient and modern times, and the role of Al - Amidi in choosing this concept are all concerned with. The first chapter is about the critical concepts in the composition of the poem, It includes the following section : 1 - The styles, formulation (preamble). 2 - The System of the poem. 3 - Elements of the column of the Arabic poetry. 4 - The art of metaphors and of good style and its effect in the comparison.The second chapter is concerned with binary - natured concepts, the chapter entitled “ The Binary Critical Concepts” consists of the following sections : 1 - Word and meaning.2 - Nature and workmanship 3 - Truth and lying 4 - Clarity and ambiguity 5 - The argument of the old and new between Abi - Tammam and Al - ABuhturi.The third chapter entitled “ The Critical Concepts in the cycle of Comparison” is made up of the following sections : 1 - The literary taste.2 - The independence of criticism. 3 - Equality and difference in the texture of poetry. 4 - Mistakes of the two poets and their good qualities. 5 - Poetic stealing6 - Comparison. The conclusion displays the most important findings reached in the study

شعر فاضل العزاوي : مقاربة تاويلية == Hermeneutic app roach (poetry for Fadhil AL - Azawi)

اسم المؤلف: محمود خليف خضير
اسم المشرف: علي كمال الدين الفهادي
الموضوع العام: اللغة العربية وادابها
السنة: 2011
الموضوع الدقيق: الادب
الدرجة: ماجستير
الجامعة: جامعة الموصل
اللغة: العربية
مكان الجامعة: الموصل
الصفحات الاولى:
المستخلص: ان النص الشعري العربي الحديث نص غامض ومبهم بطبيعته نظرا للفنية التي تحكمه وانزياحية اللغة ،والصورة التي تشكله وضبابية المضمون، وابعاده الفلسفية ،والصوفية والاسطورية ،والرمزية ،والسريالية التي اشتغلت في نسيج النص الشعري الحديث محدثة فجوات وفراغات واعتباطيات دلالية على اثرها تزحلق الدال تحت المدلول محدثا انزلاقواانجرافا للمعنى الى ما لانهاية بحيث لا يمكن ان ينتهي الى معنى، ودلالة ثابتة وواضحة ، وان هذا الغموض والابهام في الشعر الحديث احتاج الى مقاربات تكشف المعنى، وتنتجه، وتوضح الدلالة ، فكان الاختيار للمقاربة التاويلية بوصفها مقاربة لفهم النص الشعري الحديث تساعد على فهم المقاصد النصية والابداعية المتجلية في فهم النص ،و الوجود ،والحياة ،والذات المؤولة ، ولكون التاويلية تقارب المبهم والغامض في الشعر الحديث فقد وقع اختيار الاطروحة على شعر العزاوي المعروف بميله الى التجريب، والتغريب وبحثه الدائم عن العوالم الشعرية المختلفة والغريبة وتجاوزه المستمر وتمرده على المالوف، وتشكيله للصور الرمزية، والسريالية التي تنسجم مع روح الشاعر التي بصمتهراوح الستينيات بكل تحولاتهواانعتاقها ، وفضلا عن الابهام والغموض في شعره فانه يتمتع بغزارة انتاجه الابداعي وتنوع تجربته الشعرية ، مما ادى الى ان تكشف هذه الدراسة عن اشكالية مصطلح التاويل في منظومة الخطاب العربي والغربي ، فضلا عن مقاربتها لنصوص العزاوي على وفق منظورات وخطابات تاويلية تمركزة حول قصدية المؤلف في ابستمولوجية شلايرماخر، ودلثاي، وهيرش متبلورة في تاويل تجربة السجن، وتجربة الشاعر مع الابدية ،والنفي عند العزاوي ، اما قصدية النص فقد كشفت في انطولوجيا هيدغر، وغادامير، وريكور ، الاثر، والقناع، والرمز ، وفي قصدية المؤول تجلت استتراتيجية انتاج المعنى في مقاربة امبرتو ايكو، وفيش في تاويل دوغمائية السلطة، وقلق المكان، وعلاقة المبدع معها ، كاشفة هذه المقاربة بصورة عامة في نصوص العزاوي توتر العلاقة مع السلطة، وتجربة النفي ،والموقف من الواقع، والتراث، والانسان ،والتمرد على الواقع والشكل الفني،وتنوع تجربة الشاعر اذ شكلت تجربة الشاعر وسيرته الذاتية محفزات ومقصديات مبثوثة في ثنيات النص تحتاج الى فهم معناهواتاويلها متحركة بين تجربة السجن التي افرزت حالة تمرد، وثورة روحية ترسخت في تمرد روحي يبحث عن خلودية، وابدية، ودورانية الزمان وتغييره ، وتمرد جسدي في لحظة الغياب الجسدي عن الوطن في تجربة النفي ، وبذلك تحقق في العمل الابداعي انعتاق زماني في لحظة الابدية ودورانية الزمان ، وتجاوز وانعتاق مكاني في تجربة عدم الاستقرار النفي الجسدي ، وان روح العزاوي المتمردة، والثورية وتجاوزها المستمر للحاضر مثل حالة غربة، واغتراب كونت مسافة بين الشاعر، والاشياء، والناس الذين حوله لتتحول حالة العزلة والاغتراب في الوطن الى نفي، وحرية في الغربة ،كما لا نتفق مع الذين عابوا على العزاوي رفضه للتراث وتاثره بالغرب ، انما يمكن القول ان تعامل العزاوي مع التراث قائم على النقد، وليس الرفض مستخرجا منه الجوانب المضيئة التي تساعد على التقدم والتطور، وهذا ما نتلمسه في حواره وتناصه مع شخصيات تاريخية عربية ،وغربية ، ولعل العزاوي حاول ان تكون تجربته الشعرية تجربة عالمية ؛ ولذلك لا يمكن ان يحصرها في التراث العربي ، فضلا عن كون العزاوي يميل الى التجريب، والتغريب لذلك لا يستقر في اطار او نمط شعري ساكن،و يمكن القول اننا نجد حضورا لروح الماركسية وفكرها في شعر العزاوي من خلال رموزهوامفاهيمها ، مما اضعف نصوصا كثيرة في شعره فاتجهت الى التقريرية، والمباشرة في كونها تكتب للعامة والجمهور،وقد شكلت ظاهرة محو الاثر في نصوص العزاوي هاجس رفض للمفاهيم القديمة،ومحاولة بناء مفاهيم جديدة لجيل جديد، لذلك كانت تجربة الاثر قائمة على لعبة المحو، والبقاء في شعره ،و ان تجربة الحوار التاويلي مع تقنية القناع في النصوص العزاوي تفهم بانها سخرية وتهكم ،ونقد ورفض لبعض المفاهيم في الواقع ، بعد محاولة العزاوي حصرها في اقنعة عربية وانفتاحها على اقنعة غربية، وعالمية متنوعة بين الدينية، والاسطورية، والتاريخية، والادبية ،والذاتية ،وهذا يدل على ثقافة واسعة وعميقة ، ونتفق مع سامي مهدي بان بعض رموز العزاوي قد استعملت في نطاق الاشارات العابرة والاستعمالات العادية والرموز العقلية المرتبطة بها ، ولكن هذا لا يمنع من القول ان الرموز التي خضعت للمقاربة التاويلية تحمل من الابعاد الفلسفية، والفكرية، والثقافية ما اغنت واثرت النص الابداعي، يبعث المكان في شعر العزاوي تجربة تاويلية قائمة على عدم الاستقرار والقلق بسبب جدلية غياب الغربة والاغتراب في الوطن، والذاكرة المتوقفة والساكنة في ذاكرة الطرد، والنفي ، ؛لذلك تقولبت تجربة المكان في شعر العزاوي بمضامين سياسية، وفكرية، ومعرفية ، مترددة في دلالات ارتبطت بالصحراء، والنفي، والمدينة،و لم يكن العزاوي من الذين يؤمنون بسكونية القصيدة العربية ، لذلك لم يؤطر ويحدد نفسه في نوع او جنس واحد اذ كان يؤمن يالتجريب فتنوعت قصائده بين الموزون والمتداخل حتى يمكن ان نتلمس حضورا لعبارات او اقولا فلسفية تستدعي الى الذاكرة اقوال وحكم نتشه . ـ ادخل العزاوي عناصر شكلية وتقنات متنوعة لم تكن مالوفة في متن القصيدة العربية متجسدة في التقطيعات الكتابية، والرقمية، وصور سريالية ورمزية، وتقطيعات اللقطات المبعثرة، والتي بالكاد نجد بينهراابطا ، فضلا عن تداخل الاجناس، وافادته من اجناس السرد والدراما.وان التحولات الشعرية في شعر العزاوي ارتبطت بتنوع تجربته الفكرية، والثقافية، والمكانية ، لذلك مثلت اكثر قصائده سيرة ذاتية ابداعية مبثوثة فيها مقصدياته،وتكشف مقاربة نصوص العزاوي عن اختلاف بين شعر ـ الداخل ـ الستينات والسبعينات الذي يتميز بالتغريب، والتجريب، والابهام وصوره السريالية ، وشعر الخارج (الغربة )الواضح والمباشر ، وربما يعود سبب ذلك الى حالة النضج الشعري، والعقلي، والحرية التي وجدها في الخارج ( الغربة) | The modern Arabian poetry paragraph is a vague one naturally un understandable according to the artistically way which roll it and the language derailing. The picture which made it's shape and size and also the fogy in whole writing. Its philosophy dimensions and the sophistical, surrealistic, mythical and the symbological which effect in the core of the modern poetry paragraph. Work in the core of the modern poetry text that makes a holes, emptiness and conceptual random that’s make the indicative getting down under the concept making an ambiguity in the meaning which makes an impossible for the text give us a meaning. This kind of ambiguity in the modern poetry need to approaches verifying the meaning. All that made the decision and choice for the hermeneutics approach by approaches for understanding the modern poetry text which helps to understand the textual meaning and the creativeness meaning all these kind of meaning helps us to understand the text, existible, life and dialectical soul and because of the hermeneutics approach is gathering between the ambiguity and vagueness in the modern poetry , so I chooses the poetry of Al - Azawi who well known in experimental trying and his always search for the exotic poetry worlds and always well known by his revolutionary against the usual. Making an surrealism, symbolist, image which fit with the poet soul which full of with the sixteenth sprite this liberating and staling sprit. with all what we describe in his poetry he also had variety and super abounding in his creativeness production , this research study putting us face to face with the hermeneutics problem in the Western and the Arabian speech system. Also there is an hermeneutics approach with the poet centered around the poet verses in epistemology of Shlaermakher, Dilthay and Hearsh originally hermeneutic in the prison experience, the poet experience with the eternity and negation in Azawi style. the textual poetry discovered in the Hedgure anthology, Gadamer, Reko, trace and mask, symbol. The hermeneutic poet shown the meaning production strategy in the hermeneutic of Ambirto Echo and Feesh in describing the power dogmatism and the relationship between it and the creator. This hermeneutics in Al - Azawi poetry revealed tension in the relationship with the power and all kinds of tension the humans and reality, culture, heritage, the artistically shape

الخوف في شعر صعاليك العصر الاموي == The Fear Brats in the Poetry of the Umayyad Period

اسم المؤلف: ايمن احمد جاسم الحمداني
اسم المشرف: ان تحسين محمود الجلبي
الموضوع العام: اللغة العربية وادابها
السنة: 2012
الموضوع الدقيق: الادب
الدرجة: ماجستير
الجامعة: جامعة الموصل
اللغة: العربية
مكان الجامعة: الموصل
الصفحات الاولى:
المستخلص: Appeared in the Umayyad several levels of period and different aspects of the expression of him, after he covered the fear a large area of hair Umayyad and managed to the hearts of most of the poets, stands in the forefront of a poor alike, the fear they have made appearances and various forms and marking their nature specific, Fasho with monsters and desert and Tjulu in Mujahlha, and away from people, and took a wasteland Amakna complicity and Tkhvém, Vonoi monsters companion and lived it to be so far from the hands that you want to lethality with them, and eyes to them, and enemies who seek to kill them, and the different vision of life and each Xi around them, and became fear defines their relationships and their movements , Fdarthyatem within this dark horizon, Fasho state of fear and anticipation and apprehension of any movement Aousot, Vtgesdt stuff on them is what they are, and they took full control of the phenomenon of fear.I estimated to be in this research study to the wisp : an introduction and preface, three chapters and a conclusion. Addressed in the preface to talk about parts of the title, I knew the language of the phenomenon is termed, in the language was different connotations and meanings, mostly due to power and prominence in the term behavior is shared by a group of people and oppress them Jargia exercise.Then fear and Atalaha language, in the language of which were multiple meanings, including sensory and emotional, and mostly various Bachtqaqat will invalidate the security and peace of mind. In the terminology identified as a state of emotion innate natural that occur in the soul when it is expected humans a thing or exposed to the risk of what, whether the source of danger felt Ogir significantly, and Najh Therefore, changes occur in the same rights of internal and external, followed by a reaction be either passive withdrawal and escape or a positive challenge and attack.Then talk about the philosophical concept of fear, He toured around the expected or imagined evil and this results in internal and external purposes. In talking about the concept of fear, psychologically, has varied opinions in the definition of fear and this is due to the different schools Alert and theories, but most of them agreed that the fear emotion internal stalking rights when he felt threatened or sense of threat or expectation of evil, he causes and consequences on the body and soul. There is a difference between fear and anxiety.Then down to Tramps language idiomatically, came meanings and connotations, and congenital defects, and there is a difference between AltassalkAlassalkhFezla and the emergence of many synonyms for them KalzabanAlctar and deadly .... Etc.A lot of Atakhtlv implications for Altassalk and Alassalkh. Then research was presented a brief overview of the phenomenon of fear in the human heritage, was the phenomenon of fear roots extended to ancient times, since the development of human feet on the ground felt the concerns of many, and tried to obey its evil and keep away from them in various ways the physical and moral, and it was to fear from predators and the phenomena of nature , and the forces of the gods of the first human concerns, and the more times and the progress of human evolution, there have been other concerns are added to the list of previous concerns. Find and then touched to talk about fear in the pre - Islam era. He was of the factors psychological, environmental and fundamental economic and social impact on the emergence of the manifestations of Addidh of fear appeared at Brats Umayyad era : the fear of religious, fear of political and social phobia, fear of death, fear of a lifetime, and the fear of the place.The impact of these concerns appeared to poets and their textson poetry has been observed in their choice of letters, sounds and words as well as rhythm and poetic images of internal and external

بلاغة الخطاب القراني في الزهراوين (البقرة وال عمران) : دراسة تحليلية == The Eloquence of the Glorious Quran's discourse in AL - Zahrawayeen (AL - Baqra and Aal - UmRan) - Analytical Study -

اسم المؤلف: الاء احمد حسن
اسم المشرف: احمد فتحي رمضان الحياني
الموضوع العام: اللغة العربية وادابها
السنة: 2011
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة الموصل
اللغة: العربية
مكان الجامعة: الموصل
الصفحات الاولى:
المستخلص: فان القران الكريم يخاطب البشرية جمعاء، فلا يخاطب اذهانها المجردة فقط بل يخاطب عقولهواقلوبهواارواحها، فالقران كتاب معجز وسيف الاجماع على اعجازه منعقد الى ان يرث الله الارض ومن عليها ،وبسبب هذا كله وحبي لخدمة كتاب الله العزيز، والبلاغة العربية، وبعد الدراسة والمناقشة مع استاذي المشرف الدكتور احمد فتحي رمضان جاء اختيارنا لموضوع (بلاغة الخطاب القراني في الزهراوين البقرة وال عمران - دراسة تحليلية - ).ولما كانت الزهراوان من اطول سور القران واكثرها احتواء لاحكام الدين الحنيف وقواعده واصوله فقد ارتايت ان تكون خطة الدراسة في بابين يسبقهما تمهيد وتتلوهما خاتمة، وقد تناولت في التمهيد بلاغة الخطاب القراني بصورة مفصلة من خلال توضيح معاني الخطاب في اللغة والاصطلاح، واثر الخطاب القراني وبلاغته من ناحيتيه العامة والخاصة لكون الخطاب يسير في اتجاهين : الاول عام يشمل جميع انواع الخطاب، والثاني خاص ويشمل الخطاب القراني ووسائله واساليبه وانواعه، وبينت بالتفصيل اهمية (الزهراوين) البقرة وال عمران وفضلهمواترتيبهمواالمقاصد العامة للسورتين.ثم جاءت بعد ذلك بابا الاطروحة وفصولهوامباحثها، ونظرا لطول السورتين وتوسعهما عمدت الى تقسيم الاطروحة الى بابين ضم الاول منها : بلاغة الخطاب القراني في سورة البقرة، والثاني : بلاغة الخطاب القراني في سورة ال عمران، اما الباب الاول فضم ثلاثة فصول : فالفصل الاول منها جاء بعنوان الخطاب العام في سورة البقرة وقد ضم ثلاثة مباحث شملت (المؤمنون - الكافرون - المنافقون).والفصل الثاني كان بعنوان الخطاب القصصي في سورة البقرة وقد ضم ثلاثة مباحث على وفق ترتيب ورودها في السورة وهي : (قصة ادم () - قصة بني اسرائيل - قصة ابراهيم ()) وجاء الفصل الثالث تحت عنوان : بلاغة خطاب الاحكام في سورة البقرة وقد ضم مبحثين الاول : خطاب التنظيمات (الاجتماعية والتعبدية)، والثاني خطاب المعاملات (الاقتصادية والاسرية). اما الباب الثاني فقد كان من نصيب سورة ال عمران وعنوانه (بلاغة الخطاب القراني في سورة ال عمران) وضم بدوره فصلين الاول تحت عنوان بلاغة الخطاب العام في سورة ال عمران وانضوت تحته ثلاثة مباحث وتوزعت مباحثه على الترتيب الاتي الاول : الخطاب في ادلة الوحدانية والرسالة، اما المبحث الثاني فقد خاطب الفئتين، وهم : المؤمنون واهل الكتاب، وكان المبحث الثالث في خطاب الكافرين وطباعهم ومصيرهم، اما الفصل الثاني فكان في بلاغة الخطاب القصصي في السورة والذي ضم قصتين الاولى قصة ال عمران والثانية قصة احد.ولقد ضمت مباحث الفصول في السورتين مقاطع متنوعة، وجاءت بلاغة الخطاب في هذه المقاطع متنوعة باساليبها البلاغية من المعاني والبيان والبديع | The Glorious Quran is addresing human beings not only their abstract minds, but also their minds, hearts, and souls.It is out of God concititaion (Glory to God) that my project is entitled : The Elequence of the Glouries Quran Discourse : in AL Zahrawyaen (AL - Baqra and AaL - Umran Suras) : An Analytical study.As for the fact that AL Zahrawyaen (AL - Baqra and AaL - Umran) are the longest Suras and the most ones containing the rules, principle, commands, and origins of the true Religion, the methode of the study in the dissertation is arranged into two parts presseded by an introduction and followed by a concluding section. The eloquence of the Glorious Quran discourse is discussed in details in the introduction of the dissertation by explaining the meaning of discourse in Arabic language, the terminology and also eloquence in general and particular aspect and then, there is a details presentation of the importance and merit of AL - Baqara and Aal - Umran Suras, with the general aims of the two mentioned Suras, with a detailed presentation of their organization and the general aims of the two mentioned Suras.The dissertation comprised two parts, the first part Covers understanding the Glorius Quran discourse in Al - Baqra Sura, the second one covers Al - Umran sura, Al - Bagra Sura. Includes three chapters divided into certain sections which are subdivided into subsection which are also divided, organized on chapters.Chapter one deals with the general discourse in AL - Baqra Sura, chapter two tackles the narrative discourse in Al - Baqra Sura. Chapter three presents the dequence of the presecribes in Al - Baqra Sura.The second part in entitled : the eloquence of the Glouries Quran in Aal - Umran Sura, this part comprises two chapters the first one tackles the eloquence of the general discourse in Aal - Umran Sura. Chapter two is entitled the eleqence of narrative discourse in Aal - Umran Sura. I dedicated this work purely for God and many Muslims and hope they get advantages of this work,. At last, I thank my God and my prayers dedicated to the more honorable prophet Mohammed (peace be upon him) and on his favorable followers.

ادب زهاد التابعين موضوعاته وفنونه == Literature Of Ascetic T?bi'iin An Objective Artistic Study

اسم المؤلف: يونس هلال منديل صالح اللهيبي
اسم المشرف: عبد الله فتحي الظاهر المشهداني
الموضوع العام: اللغة العربية وادابها
السنة: 2007
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة الموصل
اللغة: العربية
مكان الجامعة: الموصل
الصفحات الاولى:
المستخلص: ادبهم الاسلامي هادف وموجه وكانت تعاليم الدين الحنيف هي المحور الفاعل فيه وان تنوعت الاجناس الادبية وهو انعكاس لصدق الحالة الشعورية والوجدانية المتسمة بصدق القول والعمل لهم في كل موقف وقفة وفي كل مناظرة نظرة وهم في ذلك همهم الاول خشية الله واتباع نهج رسول الله فترصعت نتاجاتهم باي الذكر الحكيم واحاديث المصطفى -  - ومثلت في غالب امرهراوح الدين الاسلامي الحنيف .كان ادبهم النثري طاغيا كما ونوعا على نتاجهم الشعري وقد اكتملت في ادبهم الاجناس النثرية المعروفة في عصرهم ,كالخطب والرسائل والمحاورات والوصايواالمواعظ والقصص الديني والادعية والمناجاة وماثور القول اما الشعر فما اكتملت فيه اغراض الشعر العربي والشعر الديني الزهدي مثل كما فاق فيه بقية الاغراض كما انهم لم يعتمدوا عمود الشعر العربي وكانت اشعارهم مقطوعات تقصد المعنى المباشر دون تكلف او دوران حول الموضوع فكانت تلك الاجناس الادبية قد وصلت اليهم بما طرا عليها من تطور فني وشكلي ومضموني امدها به الدين الحنيف .واوضحت لنا كتب التراجم والسير والتاريخ , فضلا عموااجهناه اثناء البحث والدراسة , ان زهدهم كان تبعا للدين الاسلامي ولم يكن في حال من احواله هروبا من المجتمع او انطواء او نزواء في محاريب العبادة بعيدا عن مجريات واحداث العصر . بل العكس من ذلك فلهم الدور الفاعل والميداني في التوجيه والوعظ والارشاد والصبر على التعليم كما كان لهم الموقع المؤثر في السياسة في مواقفهم امام الولاة والخلفاء وقولهم الحق دون خوف او تزلف لاسيمواانهم لم ينافسوهم في دنياهم . فضلا عن ثقة الاخرين بهم وبدينهم لذلك فقد استمعوا لهم واخذوا بارائهم ,كما انهم لم يدخروا جهدا في اصلاح ما اصاب المجتمع من اخطاء وخلل مما طرا عليه من افات اصابته كنتيجة حتمية للتقلبات التي شهدها العصر . وعلى ذلك نجدهم عابدين بكائين في محاريبهم , ورجال مناظرة ودراية ومحاورات مفحمة في انتصافهم للمظلوم من ظالمة ونلمع حضورهم المحافل الاجتماعية ودعوات الاخوان موجهين ناشرين شذى التعاليم الاسلامية السمحاء وعبيرهوانطالعهم رجالا اشداء في سوح الوغى وميادين الرجال اذا ما دعاهم داعي الدين والوطن .كان خطابهم على مستويات متعددة من الافهام فكلامهم للسلطان الجائر غير كلامهم للعادل وللانسان العادي غيره للانسان العالم فكان خطابهم على مستويات متغيرة في الافهام وان كانت انطلاقته واحدة ويستند على حقيقة واحدة . وللدعاء في ذلك الخصوصية الاهم فهو في المفهوم الاسلامي وسيلة وغاية فهو وسيلة للحصول على ما يطلبه العبد ويدعو به الله وغاية كونه مخ العبادة . من العوامل المؤثرة في اغناء ادب التابعين الزهاد تشعب مصادر ثقافتهم واشتمالها على الادب الجاهلي والتاثير الاسلامي واخبار الامم الماضية التي عرفوها عن طريق بعض الصحابة الذين دخلوا الاسلام من الديانتين السابقتين .لم يكن ادبهم متكلفا ولا تكسبيا بل اعتمد على الفطرة السليمة والذوق الرفيع والقصد الى المعنى باقصر الطرق الممكنة موجها للاصلاح والافادة غايتهم فيه وجه الله وابتغاء مرضاته وابتعدوا فيه عن الاغراب الفظي والمعنوي وتوجهوا فيه الى غاية القصد دون دوان حول الموضوع او اسهاب في عرضه ولم يكن يخلو من العناصر الفنية الا ما كانت لا تلائم فكرهم وطريقهم بما تتسم من تعقيد وعدم افادة بل مثقلة للنص باد عليها التكلف والاحراج كالسجع مثلا فضلا عن ان رسول الله - -  نهى عنه ولم يكن ذلك يعني تماثل الفاصلة فنحن نلمع تماثل لفواصل نصوص غير انها جاءت عفو الخاطر وكانت فيما يخدم الموضوع ومعانيه .نقلت لنا كتب السير والتراجم عن لقاءات لزهاد التابعين فيما بينهم منها ما كان عن طريق الموافقة واخرى قيام احدهم بشد الرحال الى الاخر فمثلت تلك المقابلات اصدق العبارات واجملها اوضحوا فيها قصدهم الديني ومنهاجهم الموجه الى الاخرة المتطلع ليوم الحساب فاضحين فيها الدنيوااهلها 0

العتبات النصية في شعر عبد الوهاب البياتي ونزار قباني

اسم المؤلف: جاسم محمد جاسم الخلف
اسم المشرف: ابراهيم جنداري جمعة خليفة الجميلي
الموضوع العام: اللغة العربية وادابها
السنة: 2007
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة الموصل
اللغة: العربية
مكان الجامعة: الموصل
الصفحات الاولى:
المستخلص: فقد نالت متون الاعمال الادبية باختلاف اجناسهواما تزال حظا كبيرا من اهتمام النشاط النقدي الذي ما انبرى متناولا اياها متتبعا مكامن جمالهوامستبطنا مظاهر (شعريتها)، الامر الذي اشر انغلاق النقد على شعرية تلك المتون دون اهتمام يذكر بما حول تلك المتون من نصوص موازية وعتبات باتت تشكل اليوم ظاهرة حري بالدرس النقدي ان يتناولها بالتحليل خاصة وان تلك النصوص (العتبات) قد قطعت شوطا كبيرا في مجال تطورها . ان العتبات النصية ككيان ليست بالظاهرة الجديدة على الادب عربيا كان ام غيره، فقد ارتبط وجودها بوجود الشعر نفسه ، وتطور في عصر الكتابة، واخذ نصيبا وافيا من التفنن في عصر التقانة والتطور التكنلوجي. غير انها ظاهرة ظل النقد ينظر اليها باستسهال بالغ متعاملا معها بوصفها جوانب شكلية سواء تعلق الامر بنقدنا العربي او بالنقد الغربي الذي كان سباقا الى التنبيه على اهميتهواجدوى دراستها . فكان مجيء الناقد الفرنسي (جيرار جينيت) الانطلاقة الاولى لمحاولة تقعيد دراسة (العتبات النصية) في ضوء ما تتعالق معه من متون فاتحا بذلك الافق النقدي الى ميدان (شعرية الشكل) في ذهابه الى ان شعرية النص تنبع من علاقته بما يحيط به من نصوص موازية بعيدة عنه زمانا ومكانا. او من نصوص محيطة قريبة بحيث يضمها كتاب واحد (غلاف ، عنوان ، رسومات داخلية ، مقدمة ، اهداء ، هوامش .... الخ ) وهي علاقات اكبر من ان يقال عنها انها مجرد امكان تناصي كما سيتضح. وهكذا بدا النقد منذ (جينيت) ينظر الى هذه العتبات بوصفها نظاما سيميائيا دالا. اذ لم يعد الكتاب وحده هو الحامل الوحيد للدلالة ، بل اصبح ينظر اليه بوصفه نظاما نسيجيا متناغما تتازر جميع مكوناته وملامحه الشكلية في تاسيس شعريته بما يلغي عن العتبة مفهوم الحلية النصية او الزائدة التزيينية ويجعل منها معلما بارزا من المعالم التي تساهم في تلقي العمل الادبي بصورة مثلى ، وهو ما نبه اسماء اخرى كان لها مساهمات ليست بالهينة في هذا الموضوع النقدي كـ (هنري متيران) و(فيليب لوجون) و(كلود دوشيه) و(ليو هوك) وغيرهم ممن مزاال امام الدرس النقدي العربي شوطا طويلا لترجمة كتاباتهم في هذا المجال تمهيدا لاستيفاء موضوعة (العتبات النصية) حقها من جانب هذا الدرس ، وان كنا هنا لا نغمط حق جهود ترجمية وتاليفية عربية في هذا المجال كانت ـ على قلتها ـ زادا تزود به هذا البحث نذكر من المترجم منها : الترجمة الرائدة (للمختار حسني) لكتيب (اطراس : الادب في الدرجة الثانية) لـ (جيرار جينيت). وهي الترجمة التي شكلت المنطلق الذي فتح امامنا افاقا جيدة وهيا لنا ارضية امكن التحرك عليها فيما نحن بصدده, وكذلك ترجمة (عبد الرحمن ايوب) لكتاب (مدخل الى جامع النص) للمؤلف نفسه، وايضا ترجمة (غسان السيد) و(وائل بركات) لكتاب (كرستين مونتا لبيتي) الموسوم (جيرار جينيت نحو شعرية منفتحة) ، في حين ظل كتاب (sulits) لـ (جيرار جينيت) الذي لم يتوفر البحث على ترجمة له وثيق الصلة وبعيد المنال الامر الذي فوت الاستفادة منه الا بقدر الاعتماد على مقتبسات مترجمة توفرت عليها بعض المقالات المنشورة في الدوريات والتي عالجت موضوعة العتبات نذكر منها دراسة (جميل حمداوي) (سيموطيقيا العنونة) ودراسة (محمد الهادي المطوي) (في التعالي النصي والمتعاليات النصية) وهما دراستان ركزتا على الجانب النظري دون التطبيقي واعتمادا على (عتبات جينيت) . اما فيما يخص الجهد التاليفي في النقد العربي في هذا المجال ، فلم نعثر في حدود بحثنا على ما يمكن ان يشكل كتابا جامعا يدرس انواع العتبات النصية بصورة تفصيلية , وان وقفنا على دراسات تناولت عتبات بعينهواخاصة عتبة العنوان التي بدات تستقطب جهود دارسين طرحوا دراسات رائدة في مجالها نذكر من هذه الدراسات : (العنوان وسيموطيقا الاتصال الادبي) لـ (محمد فكري الجزار) و(سيمياء العنوان الشعري) لـ (بسام قطوس) و(العنوان في الادب العربي - النشاة والتطور)، لـ(محمد عويس) وكذلك عتبة المقدمة التي افرد لها (عبد الرزاق بلال) دراسة شكلت متكا مهما من متكات بحثنواالموسومة (مدخل الى عتبات النص) يضاف اليها جهود (عبد الملك اشهبون) في اكثر من مقال تناول المقدمة الروائية خاصة تنظيرا وتطبيقا، وكذلك جهود (سعيد يقطين) الذي استاثرت دراسة النص الموازي والعتبات النصية بنصيب وافر منها خاصة في كتابه (انفتاح النص الروائي).ان هذه الدراسات على جديتهواان شكلت جهودا يشار اليها ببنان العرفان وينظر اليها بعين الريادة الا انها مازالت دون استيفاء حاجة المكتبة النقدية العربية ازاء هذا الكم الهائل من العتبات النصية التي بدات تلاقي عناية ليست بالهينة من جانب المبدعين , وهي عناية تتطلب ما يوازيها نقديا - تصديا وترجمة - بما قد يفتح للدرس النقدي افاقا رحبة في التعامل مع جماليات المتون من جهة عتباتها ، لذا شئنا ان تكون دراستنا في ما يصب في هذا المجال البكر واقتصرنا لاسباب منهجية على دراسة خمس عتبات نصية تدخل فيما اسماه (جيرار جينيت) (بالنص المحيط) او (العتبات النصية) هي (لوحة الغلاف، والرسومات الداخلية او اللوحات المصاحبة، الاهداء، التصدير، والمقدمة) كونها تشكل حضورا بارزا عند كل من (عبد الوهاب البياتي) و(نزار قباني)، مستبعدين عتبة العنوان الا بما تستدعيه علاقته بالعتبات المذكورة ، خاصة واننا كنا قد تناولنا هذه العتبة بالدرس في رسالتنا للماجستير الموسومة (عنوان القصيدة في شعر محمود درويش) . واما فيما يخص الدوافع التي رشحنا على اساسها دواوين (عبد الوهاب البياتي) و(نزار قباني) كنماذج تطبيقية فيمكن تلخيصها بدافعين : الاول شخصي يتعلق بـ (صداقة نصوصية) عقدتها ذائقتنا مع شعر الشاعرين, واما السبب الثاني وهو الاهم هنا فهو سبب اكاديمي محض يتمثل بندرة ما كتب عن العتبات النصية بعامة . والعتبات النصية الخاصة بشعر الشاعرين خاصة، ففي الوقت الذي نال (البياتي) اهتماما واسعا من جانب الدرس النقدي عربيا وعالميا وشكلت متونه الشعرية مادة خصبة للمعالجة والتحليل نجد ان خطابه العتباتي قد ظل اسير الاهمال من جانب هذا الدرس على الرغم من الخصوصية الواضحة التي تحملها هذه العتبات كما ونوعا كما سيتبين ، واما (نزار قباني) فقد طاله الاهمال من جانب النقد متنا وخطاب عتبات . اذ على الرغم من الكم الشعري الهائل الذي خلفه الشاعر ومزاخر به من توظيف عتباتي مثير للانتباه . الا ان الملاحظ ان ردة الفعل النقدية تجاهه لم تكن لترقى الى مستوى ذلك الكم وتلك الخصوصية ، وبناء على ذلك يمكن القول اننا ارتاينا في دراسة الخطاب العتباتي لدى الشاعرين استهداف جملة نقاط نجملها فيما ياتي : ـ 1ـ ان يكون البحث متمما للجهود النادرة السابقة وفاتحة لاعمال اخرى تسهم في سد النقص الفادح الذي توفرت عليه مكتبتنا النقدية في مجال تناول الخطاب العتباتي بعامة . 2ـ المساهمة في الخروج بتصور شامل عن شعر (البياتي) الذي اهتم النقد بمتونه دون الالتفات الى خطابه العتباتي . 3ـ المساهمة في دفع شعرية (نزار قباني) الى دائرة الدرس النقدي الاكاديمي الذي يبدو انه على غير وئام مع شعرية الشاعر لاسباب ربما تتعلق بجوانب مضمونية يترفع الدرس النقدي عن تناولها . 4ـ الخروج برؤية ما عن طبيعة العتبات في الشعر العربي باعتماد مدرستين شعريتين مثلهما شاعران قديران وان كانا على طرفي نقيض اسلوبا ورؤى ومضامين الا ان قراءتهما من منظور عتباتي يوقف القراءة على اوجه شبه كثيرة تجمعهما كما وكيفا كما سيتضح . لقد عرف كل من (نزار قباني وعبد الوهاب البياتي) بسعة الكم لشعري الذي قد لايسلم معه دراسهما من التخبط باختيار عينة دراسته مالم ينضبط بضوابط نقدية اعتمادا على طبيعة المادة المدروسة وعلى هذا الاساس التزمنا في هذا البحث الاتكاء على المجاميع الشعرية بوصفها العينات المركزية التي يمكن ان توفر لنا مهادا تحليليا وخاصة في التصدي لعتبة (الغلاف) التي توجب التعامل مع مجاميع شعرية صغيرة بغية دراسة لوحتها الغلافية، في حين لم نتورع عن الاستعانة بالمجلدات الكاملة الخاصة بالشاعرين متى ما دعت الحاجة الى ذلك وقد خلصنا لدى التشاور مع الاستاذ المشرف الى خطة من فصلين ضما مباحث خمسة افردنا خلالها الفصل الاول لما اسميناه بـ(العتبات البصرية) التي استغرقت مبحثين مطولين نسبيا هما على التوالي : (عتبة الغلاف), و(عتبة اللوحات المصاحبة)، فيما انفرد الفصل الثاني بمعالجة ما اسميناه بـ (العتبات الافتتاحية) التي توزعت على مباحث ثلاثة هي على التوالي : (عتبة الاهداء), و(عتبة التصدير)، و(عتبة المقدمة), وقد اشفعت هذه المباحث اسوة بالمبحثين السابقين في الفصل الاول بنماذج تحليلية توزعها ما يخص العتبة المنظر لها من نتاج الشاعرين بطريقة راعت الجانب الكمي ، والتنوع الكيفي في الاختيار . ختاما اتوجه بالشكر الجزيل الى قسم اللغة العربية في جامعة الموصل رئيسا وهيئة تدريسية كما اتوجه بشكر خاص ملؤه الحب والاكبار الى الدكتور (ابراهيم جنداري) الذي وجدت فيه المشرف الحريص والاب الحاني الذي لم يال جهدا في توجيهي وتشجيعي ومتابعتي في كل ما من شانه خدمة البحث قصد الخروج بافضل ما يمكن . كما اتوجه بالشكر الوافر الى كل من ساهم براي او مشورة او توجيه او ارشاد الى مصدر سواء من الاساتذة او الزملاء الذين غمروني بفضل لا يسعني الا ان اذكره - وان غيبت كثرتهم وضيق المقام اسماءهم - واخص بالذكر والشكر هنا الشاعر (محمد جلال الصائغ) الذي لم يبخل علي بمكتبته الخاصة فيما يخص ادب نزار قباني. كما لا يفوتني ان اشكر زوجتي (ام سنن) التي كابدت معي في سبيل انجاز هذا العمل نضو ماكابدت، فاليهواالى الذين من قبلها تقديري وامتناني ، سائلا الله تعالى ان يجعل عملي هذا خالصا لوجهه انه نعم المجيب .

صورة الخليفة في الشعر الاندلسي == The Caliph's Image in Andalusia Poetry

اسم المؤلف: هبة عيسى حسين الحمداني
اسم المشرف: منتصر عبد القادر الغضنفري
الموضوع العام: اللغة العربية وادابها
السنة: 2011
الموضوع الدقيق: الادب
الدرجة: ماجستير
الجامعة: جامعة الموصل
اللغة: العربية
مكان الجامعة: الموصل
الصفحات الاولى:
المستخلص: بما ان الخليفة هو الذي يقوم بالدور الاكبر في تنظيم امور الحكم ؛ اذ يعمل على تطبيق اوامر الله وشعائره في ظل حكم اسلامي , فقد كان هدفي الاول من هذه الدراسة هو بيان (صورة الخليفة) كمرااها شعراء الاندلس واقعا وتخيلا سواء اكانت الصورة التي رسموها له ايجابية ام سلبية من حيث كون الشعراء بشرا تتحكم فيهم اهواؤهم الشخصية مع ثبات مفهوم الخليفة في الفكر السياسي الاسلامي في الوقت نفسه . وقد اقتضت خطة الدراسة ان تكون في ثلاثة فصول يسبقها تمهيد وتتلوها خاتمة ، اما التمهيد الذي يعد مفتاحا لموضوعها فقد قسمناه على قسمين تناولنا في القسم الاول منه الخليفة لغة , وتناولنا في القسم الثاني الخليفة اصطلاحا على وفق محورين تضمن الاول الخليفة في الفقه الاسلامي , واما الثاني فقد تناولنا فيه مصطلح الخليفة كما فهمه شعراء الاندلس ، ومن ثمة فقد تعددت مرادفات المصطلح كما سيتضح . ثم جاءت فصول الرسالة , فكان الفصل الاول في دراسة (الصورة المعنوية) , وتضمن اربعة مباحث : كان الاول في (الصورة الحربية) وقد قدمناها على بقية الصور ؛ لغزارة الكم الشعري الذي عثرنا عليه في مصادر الشعر الاندلسي , وقد تمثلت هذه الصورة في فن ادارة المعارك ووقائعها , اما المبحث الثاني فقد كان في (الصورة الاجتماعية) ، وشمل مكارم اخلاق الخليفة وعلاقته بالرعية ، واما المبحث الثالث فتناول (الصورة السياسية) التي تركزت في بيان نظام الحكم والسياسة الادارية والاصلاحات ، واما المبحث الرابع فكان بعنوان (الصورة الدينية) المتمثلة بالمعاني الاسلامية ومفاهيم العقيدة السمحاء التي حملها الخليفة وتمثل بها . اما الفصل الثاني فكان في دراسة (الصورة المادية) , وجاء في ثلاثة مباحث : الاول في بيان (هياة الخليفة) كمراسمها له شعراء الاندلس ، واما المبحث الثاني فقد كان في (الصورة الشخصية) من حيث ما تكلم عليه الشعراء من صفات الخليفة من مثل الثقافة الخاصة والحاجات الشخصية. وكان المبحث الثالث في الحديث عن (الصورة العمرانية) بمعنى ما اشار اليه الشعراء من مظاهر التقدم العمراني انذاك مما يعد من منجزات الخليفة .وقد اتبعنا في ترتيب مباحث هذا الفصل التسلسل المنطقي في وصف شخصية الخليفة من حيث الهياة والصفات وانتقالا الى ما احدثه من اعجاز عمراني . ثم جاء الفصل الثالث ليظهر (الصورة السلبية) للخليفة والمتمثلة بذكر الخلافات التي حدثت بين قادة الاندلس فضلا عما اشار اليه الشعراء من ابتعاد عدد منهم , والابتعاد عن منهج الاسلام والاخلاق الاسلامية النبيلة . | The aim of this study is to show the (caliph image) as seen by Andalusia poets as a reality and imagination, whether that image was positive or negative because the poets are humans, who are dominated by their personal passions and with the solidity of the caliph concept in the Islamic thought at the same time. The subject of the study required that this thesis consists of a preface and three chapters.The preface was divided into two parts; the first one tackled the caliph linguistically, while the second part dealt with the caliph terminologically on the basis of two axes. The first axis dealt with the caliph from the Islamic Fiqh point of view, and the second tackled the term of the caliph as realized by the poets of Andalusia.Chapter one studied the moral image and consisted of four sections. The first section tackled the was image of the caliph. But, section two dealth with the social image, the third one tackled the political image and section four dealt with the religious image of the caliph.Chapter two examined the material image and included three sections. Section one manifested the shape of the caliph, the second section tackled the personal image and the third section dealt with the urban and architectural form.Chapter three manifested the negative, image of the caliph and presenting the image of other caliphs other that Andalusia caliphs. Finally, it was shown - after scrutinizing and studying the concept of. the caliph linguistically and terminologically in the Islamic Fiqh and for the poets of Andalusia considering them as the persons who express the society and the environment. So we can see many words, which are synonyms to the word "caliph" and indicating the caliphate as an Islamic concept including : " the prince of believers, the prince of Muslims, the Imam, the king and the Sultan.The research also revealed the attention of the poets to the military role of caliphs through the grand battles that they lead against their enemies such as the battle oiZallaqah, AlArk and Wadl Sulaii battles. Those poets portrayed the positive and good characteristics of the caliphs including high manners. But, the poets also manifested the negative social images of the caliphs if he does anything wrong and that reflects their - the poets - commitment to Islam mentioning their kings and women in the image of the caliph and they employ the nature of Andalusia nature to portray traits and events

سردية الخبر في كتاب زهر الاداب وثمر الالباب وذيله جمع الجواهر في الملح والنوادر للحصري القيرواني ت 453هـ == Story Telling in the Book "Zahr Al - Aadab Wa Thamar Al - Albab" & its Appendix "Jami' Al - Jawahir Fi Al - Moluh Wa Al - Nawadir" By Al - Husari Al - Qairawani (Died in 453 AH)

اسم المؤلف: تغريد خليل حامي
اسم المشرف: رائد حميد مجيد البطاط
الموضوع العام: اللغة العربية وادابها
السنة: 2018
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: After the journey of continuous research between those papers enjoyable and after overcoming the stone stumble and the rise of difficulties, the study reached a number of results were the fruit of the research, the most important of which : 1. The AL - hosary of Kairouani in his book "The Flower of Letters" and his collection of essences is not hardened in attributing some of his news, and he did not have a clear position in attribution. He did not provide news that is devoid of sind, This may be due to the fact that it is news that aims at enjoyment and entertainment, as it includes judgment, salt, and generosity, which is not useful for attribution, and is not harmed by what was omitted from it, because what is important in the news is enough and what it evokes in the reader of pleasure and artistic pleasure. 2. The structure of narrative initiation in the news of AL - hosary Kairouani as a structure commensurate with its position in the first speech makes the initialization distinct from the rest of the elements of the text of the story, because this structure comes from thecontent of the text and style are born the essence of the inception and base, And follow - up and interaction with him.3. The endings in the news of the AL - hosary does not come apart from the rest of the elements of the text of the news, but is the product of the text, it is a lock and the end of any beginning, and the last that remains in the audio text.4. The sarcastic news is synonymous with all the meanings of ridicule and ridicule based on the funny comic criticism based on the image to achieve the points of the drawback of psychological, physical or physical defects, and exaggerating the portrayal of thisdefect in different and varied ways. 5. The comic news shows the joke and humor and all the enjoyment of the circumstance of speech with the aim of laughter and self - recreation. So laughter is a picture of images of transcendence on reality, as it casts the curtain of unrealism and raises concerns with seriousness.6. Realistic (realism) news is focused on portraying the reality in its most precise detail, based on the reference to real events that reflect temporal and spatial determinants, and are based on historical and literary references that have contributed greatly tothe production of different human positions. 7. The narrator in the news of the AL - hosary Kairouani the basic functions that we have identified by the clarification and statement of contents and objectives according to the modern narrative methods, because the narrator is committed to the readerof the function of the presentation of consecutive events causally and logically so his position is very dominant and wide, and with the breadth of its position varied and varied in this The news is narrative function, documentary function, suspension function, coordinating function, communication function, and expressive function.8. The study of the overlap of the prose species in the structure of the news of the exclusive of the possibility of overlap and the differences between them according to the principle of systematic accumulation of news, because this accumulation cannot be basedonly on the rule of integration elements of the text of the information of the characters and times and places and events consecutive sequentially, Between petty races based on the traits and dominant elements that have formed a prominent presence anddistinctive in this news as for the overlap of hair in the structure of the news, the hair formed an organic unit with the text of the experimenter, since the relationship and overlap between them is clear and clear, and exclusive in this employment of the energies ofpoetry and its potential to serve the text of the story to make the recipient more confident and credible in narrated, and to emphasize the importance of news and reality, The relationship of the news to the hair was revealed by two demands : the functions of the hair overlap in the structure of the story, the overlap of the poetic story in the structure of the news.9. The characters in the news of AL - hosary were animated as a vital component of various consecutive events, causally and logically connected. In addition, these characters vary in terms of their movement and stability within the structure of this news, whether they are a developing person or a static, but the methods adopted by the exclusive in the presentation of his characters, is the analytical way and representation.10. The construction of time in AL - hosary news of has been based on the natural time, both historical and global, to achieve that intentional goal is to show a clear picture of the recipient of the time of the occurrence of events and events important from the lives of actors active and interactive in this news, The recovery technique has a more distinct and clear presence than anticipator y technology, because it has multiple functions and goals, and to highlight past positions and events that make a clear contribution to building this news in form and content. 11. From AL - hosary study of the structure of the place we found that there are three main patterns in the news of the place of the family, the hostile place, and the historical place, and we have mentioned these patterns according to the abundance of them in thebook. 12. In the study of the event and the structure of the event, three basic patterns emerged : the sequence, the format of the layout and the frequency format. The sequence was clearly and more conspicuously present in the construction of the event, perhapsbecause of the causal sequence.

تميم بن المعز لدين الله الفاطمي في كتابات الــدارسيــن قديــما وحديــثا == Tamim Bin al - Muizz Li - Dinillah Al - Fatimi In Older and modern writings Scholars

اسم المؤلف: حوراء عبد صبر عبد الله الشريفي
اسم المشرف: محمد حسين عبد الله المهداوي
الموضوع العام: اللغة العربية وادابها
السنة: 2018
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:
المستخلص: Tamim Bin al - Muizz Li - Dinillah Al - Fatimi, is really considered as one of poets who lived in Egypt under the reign of The Fatimid dynasty. For him there is printed poetry collection causing a bunch of critical reactions. And for his study, there are many older and modern scholars who endeavored to deal with and commenting on his character, poetry and poetic language either negatively or positively. Due to my quite extreme want to study the Fatimid literature and being so interested on its literature in this phase, my teacher Doctor Mohammed Hussein al - Mahdawi did suggest this research title for me to study. He himself pointed out to me its seriousness as being a qualified subject to study due it represented a phenomenon in the Arabic literature either it has what it has or what has not. This study is composed of an introduction and three chapters and epilogue, with resources and references list. So, the first chapter is particularly dealt with the poet's life study by the older and modern scholars in three researches. The first Research contained his life in Morocco and Egypt and his rule period in it, and what has been said about all. And The third research is really specialised to study what has been said about his culture, religion, poetry book and his passing away. The second chapter is entirely concerned of studying what has been said about his poetry in older and modern times. It consists of two researches, the first research is composed of what has been said on his poetry in older times, while the second research on what said about his poetry in modern times, presenting the various opinions on all that. On the third chapter the researcher is completely concerned on the older and modern scholars tendencies in the poet study and giving valuation on his literature production negatively or positively. And the second research is dealt with the modern scholar tendencies in his poetry study, and choosing in this chapter to use the term ( tendencies) instead of ( methods). As most scholars who studied Tameem , really did not apply the method tools to describe this method as ensured one with its own regulations and origin, using the term( tendencies) are more comprehensible according to our point of view for such kind of studies. Finally, we ended it up with an epilogue in which we summarised all the important dimensions of our thesis. And the most distinguished results which have been seen and finalised the thesis with the resources and references list which has been varied between the older and modern literature studies and historical studies concerned on Tamim poetry sides, adding to the published researches in the Arabic and local bulletins. As a matter of fact the researcher indeed relied upon using the analytical method in this study, analyzing , discussing, clarifying and confirming sometimes and objecting on other times.

الصورة الشعرية في المجلات العراقية المحكمة من 2003 - 2016م == The Poetic Image In The Refereed Iraqi Journals From 2003 - to - 2016

اسم المؤلف: عبد الستار جبار عطية دهام
اسم المشرف: خضير عباس درويش
الموضوع العام: اللغة العربية وادابها
السنة: 2018
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:
المستخلص: تتناول هذه الدراسة قضية الصورة الشعرية في مظهر من مظاهر النقد الاكاديمي العراقي المتمثل بالمجلات العراقية المحكمة ،ضمن فترة زمنية تمتد لثلاث عشر سنة من اصداراتها ،وهي قراءة للجهود النقدية تشتغل على استجلاء وسائل تشكيل الصورة الشعرية ،واتجاهات دراستها،وقضاياها ،ومناهج المتبعة في رصدهواتحليلها ،وقد جاءت الدراسة على تمهيد ،و اربعة فصول رئيسة ،وهي ما ياتي : - التمهيد : الصورة الشعرية (المصطلح والمفهوم) - الفصل الاول : الصورة الشعرية وتحولاتهات ،وهو فصل تاسيس ،حاولنا فيه ان نضع الركائز الاساس لقضية الصورة الشعرية ومبانيها ضمن رؤية نسقية ، ويدور هذا الفصل على محاور رئيسة هي : الصورة الشعرية المصطلح والمفهوم، الصورة الشعرية رؤية تقليدية، الصورة الشعرية رؤية تجديدية، الصورة الشعرية في النص المتداخل - الفصل الثاني : وسائل تشكيل الصورة الشعرية، وهو على محاور متعددة هي : التشبيه، والاستعارة ،والكناية ، ثم هناك وسائل اخرى جاءت بنسبة قليلة وهي : الرمز،التناص ،المفارقة،التضاد، الشكل الكتابي والتقنيات السينمائية، الاسطورة، القناع، المعادل الموضوعي،اللغة المعيارية - الفصل الثالث : اتجاهات دراسة الصورة الشعرية وقضاياها، وهو على محاور متعددة هي : ،الاتجاه الموضوعاتي ،الاتجاه الحسي،بناء الصورة الشعرية،قضايا الصورة الشعريةالفصل الرابع : مناهج دراسة الصورة الشعرية ونتائجها،وقد قدمنا عرضا للمناهج واهميتها ،ووظائفها ،وبعض اشكالياتها،ثم تناولنا ما جاء في البحوث من مناهج مستعملة ،او ملامح منهجية وفق استنباط للاليات المتبعة فيها ،فكان ان تصدر المنهج الفني المناهج الاخرى، ثم المنهج الموضوعاتي ،ثم المنهج النفسي، فالمنهج الاسلوبي ،وهناك مناهج اخرى استعملت بقلة في البحوث محل الدراسة وهي : التحليل الثقافي، الموازنة منهجا، المنهج المقارن،المنهج السيميائي،جماليات التلقي، ثم التقنيات السينمائية منهجا، القضية الاخرى في هذا الفصل تتمثل بنقد نتائج البحوث ،وهي على منحييين : نتائج متشابهة ،ونتائج مختلفةوقد توصلت الدراسة الى نتائج كثيرة منها : - بينت الدراسة قصر التعريفات المتعلقة بالصورة الشعرية ،واغفالها مسارات حداثية للنص الشعرية وتحولاته ، فلم يكن لهذه التحولات اثر في تعريفات الصورة ،وخاصة فيما يتعلق بالتداخل الابداعي في النصوص الشعرية ،وكذلك تحولات النص في القصيدة الرقمية التفاعلية ،وطبيعة الصورة الشعرية في هذه التحولات - جاءت البحوث محل الدراسة على اتجاهات مختلفة في طبيعة دراستها ، وكانت دراسة الصورة من جهة وسائل تشكليها تمثل النسبة الاكبر بين البحوث ، وتاتي دراسة الصورة من جهة موضوعها في المرتبة الثانية من حيث الكم ،ثم دراسة الصورة من جهة الحسية والذهنية ،ثم دراستها من حيث البناء،وهناك قضايا نقدية متفرقة في البحوث تناولت جوانب متعددة للصورة الشعرية - رصدنا منحيين في دراسة الصورة الشعرية في البحوث محل دراستنا، الاول ،وهو مسار تقليدي ويمثل القسم الاكبر من هذه البحوث،والثاني، تجديدي او يحمل ملامح تجديد في ويمثل فئة صغيرة من هذه البحوث - استعمل الباحثون مناهج مختلفة في دراستهم للصورة الشعرية وكان المنهج الفني على راس المناهج في هذا المورد ،ثم المنهج الموضوعاتي، والمنهج النفسي، فالاسلوبية ،ثم مناهج اخرى استعملت بقلة، منها النقد الثقافي ، والموازنة ، والسيميائية - كان استعمال المناهج في اغلب البحوث من غير وعي منهجي ،ولم يكن هناك تاسيس نظري للمناهج المستعملة في كل البحوث ، فجاء تصنيفنا لها بناء على ميلها الى منهج ما عبر قراءتنا لها ،وقد ذكر قسم قليل من الباحثين المنهج الذي استعملوه في بحوثهم | This study deals with the issue of poetic image in the manifestation of the Iraqi academic criticism represented by the Refereed Iraqi journals , within a period of time spanning thirteen years of publications, a reading of the criticism efforts are working to clarify trends in the study of poetic image, and issues, trends, and methods used in monitoring and analysis, the study came to preliminary, and four chapters of the Chairperson, as followsChapter One : The poetic picture and transformations, which is the founding, in which we tried to lay the foundations for the issue of poetic image and its buildings within the framework of a vision, and this chapter revolves around the main axels : the poetic image term and concept, poetic image traditional vision, poetic image renewal vision, poetic image In the nested textChapter Two : the means of shaping the image ، likening ،metaphor، metonymies، and means otherChapter Three : Trends in the study of poetic image in Iraqi journal, which is on multiple axels : the thematic trend, the sensory trend, the construction of poetic image, issues of poetic imageChapter Four : Methods of studying the poetic image and its results. We presented an overview of the curriculum and its importance, its functions and some of its problems. Then we discussed the research methods used or the methodological features according to devising the mechanisms followed. , The psychological approach, the methodological method, and there are other methods used in a few of the research under consideration : cultural analysis, budgeting methodology, comparative approach, synaptic approach, aesthetics of reception, and then cinematic techniques approach, the other issue in this chapter was criticism of research results, On both sides : Similar results, different resultsThe study reached many results, including : - The study has shown that the definitions of poetic imagery and the absence of modernist paths to poetic text and its transformations have no effect on image definitions, especially with respect to creative interaction in poetic texts, as well as text transformations in the interactive digital poem and the nature of the poetic image in these transformations - The research under study on different trends in the nature of study, and the study of the image of the means of formation represent the largest proportion of research, and the study of the image on the subject matter in second place in terms of quantity, and then study the image on the sensory and mental, and then study in terms of Construction, there are sporadic monetary issues in the research dealt with multiple aspects of the poetic imageIn the study of the poetic picture in research, we examined the first, which is a traditional course and represents the bulk of this research. - The researchers used different approaches in their study of the poetic image. The technical approach was at the top of the curriculum in this resource, then the thematic curriculum, the psychological method, the stylistic, and other methods were used in a few, including cultural criticism, - The use of the curriculum in most of the research is not systematic awareness, and there was no theoretical foundation of the methodologies used in all research, the classification came to them based on their tendency to a method of reading through them, and a small section of researchers the method they used in their research

العتبات النصية في قصص جاسم عاصي : دراسة سيميولوجية سردية

اسم المؤلف: كرار حيدر عباس الاسدي
اسم المشرف: عبد الامير مطر فيلي الساعدي
الموضوع العام: اللغة العربية وادابها
السنة: 2018
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:

الحواس في دواوين اصحاب المعلقات العشر == The Effectiveness Of The Senses in The Owners Of The Ten Pendants

اسم المؤلف: حنان مهدي مال الله مهدي الخفاجي
اسم المشرف: علي ذياب محيي العبادي
الموضوع العام: اللغة العربية وادابها
السنة: 2018
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:
المستخلص: This research has clarified the role of the senses in the formation of sensory images .This means that the important of senses is not limited to the performance of it's function which is realized of itꞌs senses .Another importance is invested by the write in particular , he produced a poetic color of his poetic poetry ,which is the sensory images through which he could express his ideas and feelings ,or convey his experience and that the imagination of poet and his proficiency and technical tools of his role contribute to the completion of the formation of those images ,the senses the first role in this . there is no sense of perception of what imaginative and creative. The Media recorded asignificant presence on The images , which was written by the revolutiouaries of the ten pacts . The image is full of brightuess and clarity especially analogy Made The recipient embodies The suffering of The poet or lives his joys .. All This Meeting of The senses Are Named compound images . In each of the chapters of this research ,he dealt with one sense ,except for the first chapter one to the limited number of sensual images that were studied by the poets of ten pendant and I presented in the mechanism of the senses at the beginning of each chapter and also mentioned the images that the poet invested more than one sense in its composition to be a compound images composed at The Meeting Of The senses are name compound image

البنية السردية في روايات سعد محمد رحيم == The Narrative Construction in Sa'ad's Mohammed Reheam Novels

اسم المؤلف: نور جواد كاظم الكركوشي
اسم المشرف: رفل حسن طه الطائي
الموضوع العام: اللغة العربية وادابها
السنة: 2018
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:
المستخلص: The Narrative Construction in Sa'ad's Mohammed Reheam NovelsThe novel is considered the era epic due to its great significance within all topics it deals with when the writer skilled his work and was able to run his instruments in addition to his simplicity in presenting the case that he indirectly wanted to tackle. Accordingly, the current study got benefit from the modern superfluity method in studying one of the most prominent literary Iraqi men; he is the novelist Sa'ad Mohammed Reheam who characterized by a variety literary product of story, novel, intellectual, economic and literary studies, and journalistic articles. Our interest, in the current study is limited to his narrative product since his story product has already been studied in a master thesis.The study contained a preface and four chapters. Within the preface, the researcher dealt with the narration concept and the narrative construction. Then, the study talked about this concept from the Arabic and Western critical perspective and later a brief about the novelist's life, works, rewards, and his novel translation.First chapter is devoted to the narrative temporal. Second chapter discussed the narrative spatial which is regarded one of the most important base in the novel. third chapter mentions the most important element in the novel, that is the characters. fourth chapter is devoted to the narrator and the addressee (narrated to). The study was ended with a conclusion which contained the most significant results and a list of references and bibliographies that depended on in the current study.

المـظاهر السردية في شعر ابن الرومي (ت 283 هـ) == Appearances in the narrative poetry Ibn al - Roumi ( d . 283 AH )

اسم المؤلف: احمد سالم عبيد الشمري
اسم المشرف: علي كاظم محمد علي المصلاوي
الموضوع العام: اللغة العربية وادابها
السنة: 2018
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:
المستخلص: This study, entitled "The Narrative Phenomena in Ibn al - Roumi's Poetry 283 AH," aims at studying a characteristic of Ibn al - Roumi's poetry, which the scholars did not address, despite the large number of pens that dealt with the study of his poetry, which motivated me to choose it as the title of my thesis. The study of the study was organized in four chapters preceded by a preface, followed by a conclusion summarizing the talk about the most important findings of the study, and then a list of the most important sources and references. A brief introduction to the two parts of the subject is summarized : the first is a brief definition of the poet, and the second is the concept of narration. The first chapter entitled "Personality" as one of the important elements in the process of narrative construction, dealt with the study of the most prominent types of personality according to the abundance and importance in poetry, divided into three types : the president (hero) and secondary (help) and women(belove) The second chapter is devoted to the study of the event to show its role in the narrative text, as it is one of the most important elements of the narrative process. The study is divided into two sections. The first topic dealt with the study of the two types of events (external and internal) He replied in his poetry, namely the orchestral (sequence and embedding). In the third chapter, entitled "Dialogue", the study was divided into two sections. The first topic examined the most prominent types of dialogue mentioned in Ibn al - Roumi's poetry. It was divided into two parts : external dialogue and internal dialogue. In the second section, I studied the most important types of methods by which dialogue was achieved (question, appeal, command). The fourth chapter, entitled "Time and Place", is divided into two sections. The first topic dealt with the axis of time through the study of the most prominent time (real and psychological), as well as the study of the temporal relations of studying the techniques of speeding up the narration, And sales. As for the second topic, it examined the axis of "place" in two types : the pet and the ma'adi, with a statement of how the poet treated with the place that took a distinct area of his hair. In this study, I relied on a number of sources and references that dealt with the study of the narration and Ibn Al - Roumi's poetry, especially his poetry book by Dr. Hussein Nassar, as well as some doctoral dissertations, master's thesis and related scientific research. The study concluded with a number of its findings, the most prominent of which are : The study revealed that the narrative was not a single phenomenon in an era, or a poet, but it extends from the roots of the pre - Islamic era to the present day. The study reached Ibn al - Roumi's poetry was a zakra in the narrative narratives such as personality, event, dialogue, time and place, and these features combined a clear narrative feature in his poetry if not complete. The study found that the character was clear in the product of Ibn al - Roumi, as it was often stated in his poems, the main character was a broad presence in his hair is easy to identify, as well as the secondary character that was complementary to the work of the main character, ) Was to attend a prominent narrative feature, and show the importance of character in the poetry of Ibn al - Roumi of the types that it contained, as it represents the main axis that revolves around the events of poetic text . The presence of the element of the event in Ibn al - Roumi's poetry was an essential element of the rest of the other narratives, being a set of facts and deeds depicting the act of characters. The study concluded that dialogue in Ibn al - Roumi's poetry has taken many forms, such as external dialogue (dialog) and internal dialogue, and this contribution has contributed a great contribution in portraying the psychological state of the poet narrator, as well as his contribution in drawing characters easily and easily. The element of time has a broad presence in Ibn al - Roumi's poetry (both real and psychological), and I believe that the reason behind this, especially in the real genre, is the large number of love councils, as well as the battles that took place in the Abbasid period. Often associated with the night, is that the poet finds the right time to express his pain and grief for what he experienced from the scourge and calamities. The element of place has taken a distinct place in his hair types (pet and maim), although the place of the family had the largest share, perhaps because of the sense of the poet / narrator of his true affiliation, that is where he found himself.

تحليل النص القراني منطلقاته - ومناهجه

اسم المؤلف: عادل حريجه كزار محمد الخفاجي
اسم المشرف: امجد حميد الفاضل
الموضوع العام: اللغة العربية وادابها
السنة: 2018
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:

الزمان والمكان في شعر شعراء تغلب == Time and Place in the poetry of Poets of Taghalab

اسم المؤلف: منى عبد الرزاق فخري الياسري
اسم المشرف: علي ذياب محيي العبادي
الموضوع العام: اللغة العربية وادابها
السنة: 2018
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:
المستخلص: The study deals with the temporal and spatial issues mentioned by the poets of Taghalab. Poets of the beat . The study consists of three chapters. The first chapter divides into three sections. The first section focus on "Day " and "Tomorrow", section two tackles "Night" and "Day" whereas third section deals with "Finite tense". Chapter two deals with the sections (place pet and hostile location). Third chapter studies the artistic image in poetry of poets of Taghlab. The first section studies of tenmporal simile and spatial simile. The second studies the visual sensory and audio. Finally the study ends with conclusion, appendix, a list of sources and references

تحبيك التاريخ في الرواية النسائية العراقية بعد 2003م == Emplotment history of the Iraqi Women's novel after 2003

اسم المؤلف: مريم جبل كاظم سعدون النايلي
اسم المشرف: اوراد محمد كاظم
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: This study looked at the novelist models absorbed historic in many ways, as a piece of text space, based on history by making it interactive and absorbing reference transmit it, and reflect the social, political and historical reality as the novel begins from reality to paint and building events, reflecting the shifts and changes that have affected society, and expressive and tragic reality bitter, dominated by the theme of violence as the theme of ideology has been able to occupies a large area in novel writing, including in respect of the effects of the devastation and oppression, through different techniques and methods to evoke historical reference in the novels, some of which were adopted in the events listed on the anonymous Rao, non - participant in the narrative process, some of which was mediated by the characters, or through an external Rao, for a variety of viewing angles, and also through various forms of dialogue, was the product of that accommodate women's history in the novel, and the findings of the researcher : • The writer raised concerns of political and social world, filled with history novels, inspired him to events past and present other, dealt with topics Frequently Asked Overall, I wrote about the wars and revolutions and tragedies portrayed stages of the rebellion, tyranny and corruption of the ruling regimes. • hired novels, social and cultural historical political figures and realistic, of revolutionary heroes, and dictators, summoned by the presence of popular historical figures or mystical within the narrative structure, given roles in the plot fiction as a symbol of the nation path .• refer the imaginary characters in most novels on historical figures; especially as some accounts come with all of the personalities of Tadian mutual role, and offered to lend historical realism feature on the novel; especially related to the terms of reference of time historical, in addition to events imagined, which refers to the real event figures. • varied historical and social issues in the novels, most of them from the current date, and then come back rebounds requiring novel of introduction of some issues that fit with the periods of time which codified them. • The presence of historical reference in the novels and clearly defined, hardly constitutes a phenomenon in the novel, whether it be at the forefront of some of the novels which Tsfh Metn novelist specific historical terms of reference, or is it the middle of, or at the end, it was filled history ample space from them. • In most historical texts contained in the novels, we see the similarity of the historical text with the text of the novel, except for the referral of brokered imaginary narrative as space accommodates historical issues, and references to historical realist. • historical perspective form in the Metn novelist dimensions tag them ideological historical or social, to call historic event that employed by the similarity of the voice of the narrator and central character with history and events and characters, for private novelist vision, or for the connection between the reality of life and the events of history, it was time who spotted the historical vision of the writer related a time of successive wars, which had an impact on the psychological and social structure of a society novel Mstdeih last time more than the present. • historical vision of the structure where the transmitting reveal the meaning to indicative transmit through which the writer on realistic data where the real Palmtejel associated in the context of building the narrative, which talk about the significance of ideology in the spaces of the novel, and the manifestations indication of violence as a space carries the meaning of oppression by the destruction address, and carries political dimensions and cultural and social by describing the geographical location as a space, to reveal the significance produced by the historical time and social time. • handled some accounts the question of identity and Thabayk history and research in the dispersion and Chziha, between domicile origin other country residing in it personal, to try accountability reality, history and re - Thabeckhma; it traced manifestations expatriate figures in the level of words and deeds, and time and place, and succeeded in drawing crisis and permanent suffering and struggle with reality and with the other, a conflict that led her to the ways are blocked, either death or suicide or alienation as his image of the novel, or trying to escape from reality

شعر عبد الامير جرص : دراسة اسلوبية == The poetry of Abdul - Amir Jaras Stylistic study

اسم المؤلف: تارا خالد خلفه
اسم المشرف: صفاء عبيد حسين الحفيظ
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: It's became known that the Iraqi poetic text is a diverse text , that opens to the continuous experimentation field which does not settle down or rest , This text that has seen many transformations, Alterations, Creation and re - creation operations that contributed at maintaining the continuity of its leadership, The '90s Iraqi Poetic text was able to achieve a great artistic richness during its emergence, By a good group of Iraqi poets, Including "Abdul Amir Jaras ", That his mature writings imbued the creativity pouring rain on the land of Iraqi poem fertile, and as a Modernist poet, and as a modernist poet, he deliberately breached the standard poetic language, Employing new structures and syntheses, That contains a lot of sarcastic Paradoxes of the '90s tattered prevailing situation. Abdel - Amir, whose poetry experience has matured in the 90s' of the last century, But as the sons of his generation of poets, His poetry did not take its right of literature study, And didn't receive the attention of researchers, Despite the fact that his texts contain very dangerous and influential images and poetry flashes. From here I grew a desire to study the phenomena and features that characterize his poetry in accordance with the modern approach that reveals the secrets of the text and its interrogation as stylistic. And as the Methodological necessity required this research, To be divided into a preamble, three chapters and a conclusion, In the preface : we briefly presented the most prominent stylistic phenomena of the Iraqis poets of the 90s' generation, Speaking about the impact of intellectual, political, social and economic conditions in their poetry, Then we gave an overview of the life of the poet and a translation of his biography, And then we discussed the different circumstances that formed his experience .As for the first chapter, entitled (audio level) : it was built on two subjects, The first subject dealt with the internal rhythm, Which was addressed to the rhythm of (repetition) and (parallelism),While the second subject dealt with external rhythm, In which we studied the (weight) and (rhyme).The second chapter on the other side, entitled (structural level), included four topics, In which we discussed the most prominent structural stylistic phenomena, In the first subject we studied (query) and in the second (negation), In the third (appeal), in the fourth (submission and delay), the fifth (time), Which is divided into three sections (overlapping, fading and absolute) time, With making statistical tables for all previous phenomena to reach more accurate and objective results .In the third chapter, entitled (Semantic Level), it included three topics : first (semantic fields), Which was devoted to talk about the most prominent fields contained in the poet poetry such as (field of nature) and (flags field and personalities), And in the second section We dealt with (The picture) which is divided into : (mental image) and (sensory image), In the first one We dealt with the (symbolic image) and the (mythical image), In the second (optical image) and (haptic image). And as for the third section it included (image semiotics) and was divided into (punctuation marks), (whites and blacks) and (Typographical space.) And as for The conclusion : it included a summary of the most important results we have reached in the research, Then a list of sources and references and a detailed index of the topics.

شعر ابي دهبل الجمحي : دراسة جمالية == Poetey Abe Dahbl Al - jamhi An aesthetic Study

اسم المؤلف: علي محسن حسين المعموري
اسم المشرف: هناء جواد عبد السادة العيساوي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: The attempt to search and detect the product of the poet and knowledge purposes is very important, because he is a poet crystallized in the period in which popularized a lot of poets, namely the Umayyad period, as it is well - known poets of the Quraysh five. His hair has endured a lot of aesthetic values of all kinds, whether moral, religious or political, so that was the product of a track those values. Since the subject of aesthetic values of an overall theme and laws inclusive can not be confined to a particular aspect or particular rules, but that there is a definition of findings can be placed under the title is ((everything beautiful desirable)) or in other words ((all that is desirable from perfect) ) on this aesthetic values are a set of values refers to the common cultural rations are the assessment of needs and desires. Or with respect to the approach it has adopted a curriculum based on the semiotic theory Qremas applied by some models of the poetry, and it was applied in two aspects of the theory are : Besides global form when Qremas circumscriptum (the sender and the addressee and the actor and the subject and helper and exhibitions). The second aspect of the credibility that box Yum detected by the health and whether or not to say.The message included the preparation it addressed dealt with the concept of aesthetic value in the language and terminology and philosophy. As well as the life of the poet Abu Dhbl Jamhi it dealt with all that it involves, from his birth to his death.The first chapter dealt with it : what the beauty and the beauty of nature, both silent and moving each one of them divided into several types.And dealt with in the second section of the human beauty, dividing into two parts.The message included the preparation it addressed dealt with the concept of aesthetic value in the language and terminology and philosophy. As well as the life of the poet Abu Dhbl Jamhi it dealt with all that it involves, from his birth to his death.The first chapter dealt with it : what the beauty and the beauty of nature, both silent and moving each one of them divided into several types.And dealt with in the second section of the human beauty, dividing into two parts. Aesthetics internal rhythm of the bell music and redundancy in all its types in terms of repeating letters and words and tools. The second topic dealt with the external aesthetics of rhythm and rhyme of weight. The third section handled semiotic study of the subject.Researcher have come to a set of conclusions : that looking at the beauty of a woman made the poet looks at her most than it is to see it> Separating control parts of the body one by one and laid down in a plate full of poetry dimensional. The fight poet in a political subject of religious In an era dominated by the bloodshed made it highlights in its aesthetic value of self - suggestive to his courage and Frosath. The beauty and aesthetic value science and broad and complex and confined to literary side gave valuable results, including the associated reason and moral aspects of them, including the associated self - perfection

الشعر العراقي في المهجر (1968 - 2003م) : دراسة نقدية == The Iraqi Poetry In Diaspora (1968 - 2003) Critical Study

اسم المؤلف: اسامة محمد مهدي الحسناوي
اسم المشرف: عبود جودي عبود الحلي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:
المستخلص: Art is a creative humane activity that is affected by the nature of the social religious qualities of human.So it is a record that keep exploits , values and the history of the nations. For that reason thesis deals with a vital part of the Iraqi poetry ,which appeared in the diaspora as a result of complex circumstances.This study includes a preface ,four sections and a conclusion.Through the conclusion the researcher shows the most important results and recommendations he had out.The researcher certainly benefited from some important sources in order to accomplish the thesis.The sources including : 1 - The Arabic poetry ,its issues and phenomena by Dr. Is AL Deen Ismail 2 - Representing's of Modernity in the culture of of Iraqi by Dr.Fatima Al Muhsin3 - The language of the Arabic poetry by Dr. Al Saeed AL WWaraqee researcher throughout the study.1 - The concept of poetry is interrelated with to other concept belonging to its semantic field. Refusal and revolution.Refusal is apart of rebelling which is a wide concept include other concepts such as metaphysic refusal and negative refusal.2 - Refusal has shown a willing obligation by poets with issues of society as being members and leaders who are wiling to achieve their hopes for freedom and justice.3 - Poetry of refusal has a role in calling for challing and rejection of oppression in all its types.4 - The literary product is an achievement for poetry of refusal in Iraq.All efforts have to be collaborated to achieved and spread. The researcher calls be for all institutions to do their best to collect this product. The researcher is ready to present any help in this field

عبد الواحد لؤلؤة جهوده النقدية والادبية == Abdul Wahid Lu,Lu,A, His Critical And Literary Efforts

اسم المؤلف: عـماد كاظـم خـضـير العـبـيـدي
اسم المشرف: سعيد عدنان المحنة
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:
المستخلص: Critic Abdul Wahid is a Lu,lu,a,of critics who have contributed, in a clear way to strengthening the reality of literary criticism in Iraq and the Arab world, to his efforts over the past 40 years. He was a lecturer at the university and participated in scientific conferences organized by academic, cultural and literary institutions in various countries of the world. As well as his books in literary criticism, which collected all his research and lectures in this area, which amounted to ten books, dealt with various types of literary criticism in poetry, story, novel, play and art biography. Where he investigated the literary productions of Arab and international, explaining and explaining and analyzing and criticizing what was on board. Providing a clear service to the Arab reader.Not only that, he was one of the most important Iraqi translators. He translated many books and research from English to Arabic, and vice versa. It was the result of his translations that the transfer of the most important literature of the West to the Arabs are careful in dealing with the Western text after found a mix of foreign concepts and terminology that was translated to the Arab as he is in it and was in literary criticism deals with the text on the basis of a general human feeling and comprehensive, Does not belong to a particular class, nationality, or class.This study deals with all the efforts of the critic Abdul Wahid to explain, detail and analysis, an attempt to reach the search in its midst and uncover the syllables, to know the value of these efforts, and their impact on the Iraqi and Arab achievements of literary criticism

اثر الرصافي في الجواهري

اسم المؤلف: خلود ثعبان يوسف الاسدي
اسم المشرف: سعيد عدنان المحنة
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:

الاقناع في الشعر السياسي الاموي 41هـ - 132هـ

اسم المؤلف: رحيق صالح فنجان
اسم المشرف: حسن حبيب عزر الكريطي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:
المستخلص: This study aims to indicate the concept of verbal acts and the most important theoreticians, and their roles in persuasive speeches of political poets of political parties in the Umayyad : Umayyad, Shiites, khawaarij and Zubairians. In fact verbal acts not intended in this instance acts known grammatical but verbs that work to accomplish certain situations which turn words into deeds or informative, guidelines or expressive as Discourse and harnessed to the task of their persuasive in changing the receivers' thoughts and behavior through drawing them emotionally and intellectually to share, accept, or refuse. So such varied acts adopted by poets between guidelines and Expressionism is to convey the voice and ideas of them indirectly. However, those linguistic and rhetoric methods may suggest different meaning implicitly. So that, they fit the nature of poetic language in their hints, brevity, and symbolism. Besides those tip styles of constructional methods and associative techniques led to obtain an expressive function which declared through the political community visions of poets in two tracks : first : the rejection of the political reality imposed on them and the Umayyad policy governance style, was a mask fit disappear behind those emotions partially, appear to some as a symbol of strength and power, while others appear as a symbol of authoritarianism and imposed on them and the Umayyad policy governance style. while others appear as a symbol of authoritarianism and tyranny and violation of SC and Bayat in receiving the reins. Second : they way for their parties and maximizing prestige and show symbols in sacred religious icon image analogue to prove its legitimacy in succession

العنف السياسي في روايات هدية حسين == Political Violence In "Hadiya Hussein" Novels

اسم المؤلف: رغد عبود جودي الحلي
اسم المشرف: عبد الامير مطر فيلي الساعدي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:
المستخلص: This research studies the violence in the Iraqi novel feminism taking the Iraqi novelist (Hadiya Hussein) as a case study through the following ten novels : (Girl of Khan 2001, After Love 2003, On the Way to them 2004, Glass of Time 2006, Rain of God 2008, Women of Thresholds 2010, To Be Afraid 2012, The Rock of Hilda 2013, Riyam and Kafa 2014, Time of Joy 2015).The study monitored the forms of political violence and its consequences which appeared in these novels, where the novel became a literary form that portrays the problems of society, no longer an imagined tale for entertainment and fill the leisure, so extrapolated fiction texts sponsor to clarify implicit cultural formats that disappear in and grow with the development of it.The war had a largest share and most hideous in the forms of political violence, and the novelist has shown with possibility of brilliantly that the war does not burn soldiers only, but reflected its impact on the joints of the whole society, and woman has a large share of that fire, she is sponsoring in his absence and the shelter for the family, in addition of her lost and pain, as well as the psychological impact of the distorted life after the war on her, and the ensuing devastation.The research has highlighted the three wars of Iraq, which included the studied novels, namely : (1980 - 1988 Iran - Iraq war, the occupation of Kuwait in 1990, the occupation of Iraq and the fall of the Iraqi government in 2003).The immigration was a sign of bad reality, that echoed in the scene of the novels, and was politically motivated in this study, where the fear of the tyranny of the former regime, the cause of one of them, while immigration in the other coincided with the occupation of Iraq, and in third, it was after the occupation to escape from sectarian violence, which popularized in those dark era of the history of Iraq.In addition, the other forms of violence didn't forgot in this study, such as physical torture, economic blockade, the ruling party and its uniqueness of the provisions of the control of the country and the liquidation of opponents, as well as the chaos and sectarian killings, which became popular after the occupation.Thanks to everyone who helped me and support me in my career, thank God, Lord of the Worlds

بنية الصورة في شعر عبد الكريم راضي جعفر : دراسة تحليلية == Image Structure In Jaffar Aabdul - Kareem Radhi Poetry (An Analytical Study)

اسم المؤلف: نوفة حسين علي
اسم المشرف: كاظم فاخر حاجم الخفاجي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ذي قار
الصفحات الاولى:
المستخلص: In the name of Allah , the most merciful, the most compassionate praise is to Allah , lord of the worlds and peace is upon his prophet Mohammad and his sons.This study that has addressed (Image structure in Jaffa Abdul - Kareem Radhi ) image structure. This study examines the true and composition of the poet. Poets of the sixties in Iraq have known some kind of renewal that characterizes the analogy between the thing and its image. poets at this time used poetic image instead of direct speech until they `re in so much exaggerated.Poet Jaffar Aabdul - Kareem Radhi was able to free itself from the temporal and spatial reality and logic in the formation of the poetic image , at the same time linking that image by the dream. It was far from being the old rhetoric things because of that may be heterogeneous in Iogic and reality.There are several recent studies that have examined the hair of this poet and his life , but did not provide much about him and his poems.There for , this study was designed to give a clear picture of his dealings with the technical image in his hair , the methodology of this study is an analysis of the poems.It consists of an introduction and preface ,three chapters and a conclusion. In the introduction , the researcher studied the conceptof the image in the eyes of scholars ,past and present ,then the role of the imagination and its relationship to the poetic image.In the first chapter ,we find that the main topic is the Avatar. And how the poet used the PIN code ,the symbol contextual and women that have a significant presence in the Arab poem.In the second chapter ,we find the image intertextuality ,and discuss the types of intertextuality including religious , literary and popular.The third chapter deat with the dramatic image that reduce the impact of excessive singing It has been used techniques such as (diaiogue , mask and substantive equivalents).Finally ,the study included the results achieved through research and reached by researcher.

الاخر في شعر لسان الدين بن الخطيب (وفاته 776هـ) == The Other In Lesanddin Bin Khateeb Poetry

اسم المؤلف: فائق نعمة هنيدي الابراهيمي
اسم المشرف: حسين مجيد رستم الحصونة
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ذي قار
الصفحات الاولى:
المستخلص: The question of Oneself and Other has occupied a wide area of interest and research in modern times. For it has preoccupied critics and scholars particularly those dealing with poetry. Neither is a bit of poems devoid of Oneself/ Other dualism, nor of the bond between them, whether the relationship be of conformity or difference. The Oneself is influenced by the extent to which it confirms with or differs from Other, in its various manifestations (Man, Time, Place), as well as Other that is sociological, and vice versa. Hence, I found that the issue of Onedelf/ Other is worthy of study and research. The choice was made on one of the leading Andalusia poets in the Murabiteen era, namely Lisanuddin bin Al - Khateeb. My professor Dr. (PhD) Hussein Majid Rostom has the merit for picking up this poet to be the subject of this study. The study aims to investigate the phenomenon of the Other at different levels and the extent to which it has association to and influence on Oneself in the poetry of Lisanuddin bin Al - Khateeb, and to demonstrate the vision of the poet for the Other.The study was divided into three Chapters, followed by Conclusion with central findings of the study and then a list of Sources and References that enriched the academic study.The Introduction has come to study Oneself, Other and dimensions and concepts. Chapter One is devoted to examining the centrality of Other and the marginality of Oneself; it has contained the praised - Other, lamentable - Other, beloved - Other, and satirized - Other.While Chapter Two has proceeded to study the space - time as Other in two sections : The first section has discussed Time as Other in various types : night, gray, eternity and age.However, in the second section, I took up Place with its different manifestations : the religious, historical, geographical and psychological.Chapter Three has approached to discuss the sociological and reconfiguration as Other. It has included the bird as Other, good - fortune and jinx as Other, witchcraft as Other, idols as Other, solace as Other, Jinn as Other, planets and stars as Other.As for the key findings to which the study has reached, they are : - The study revealed the relationship between Oneself and Other (Man) with its diverse manifestations (praised, lamented, beloved and satirized). In the praised - Other, the study revealed the poet's admiration and love for the Prophet (peace be upon him) and his desire to explain his virtues, exhilaration and eagerness to visit his grave with feelings deplete with love for his blessed self. - The other / time represented as a worrying obsession to Oneself, embodied in his fear and concern of the night, its repercussions and psychological effects on the poet. Therefore, the image of the Other / night acted as a cause of fear and anxiety. - The study revealed the stance of the poet towards the other / place in its various manifestations : historical, religious, geographical, psychological. It reflected the nature of the poet and the extent of its harmony with the place as Other. - The study exposed that the poet's self - treatment in its different types (myths and beliefs) was not given as cultural or epistemological legacy. Rather the poet's self was consciously aware of it for its narcotic and inspirational dimensions that helped him to express his feelings, sensations and thoughts.

اشكال التعبير الشعري في شعر خزعل الماجدي مجموعة (خزائيل) اختيارا

اسم المؤلف: بشرى عباس جهاد
اسم المشرف: حيدر برزان سكران العقيلي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ذي قار
الصفحات الاولى:

الخير في كتاب المنتظم في تاريخ الملوك والامم لابن الجوزي ت597هـ : دراسة في البناء والتشكيل == News Structure In "Al - Muntadhem F I Tarik Al - Mulok Wl - Aumam" Book By Abi Al - Faraj Abdul Rahman Bin Ali Ibn Al - Jawzi (Died In 597 AH)

اسم المؤلف: الاء حسن كويش الركابي
اسم المشرف: ضياء غني لفتة العبودي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ذي قار
الصفحات الاولى:
المستخلص: The narrative study has won the attention of many scholars who have concentrated their efforts on it. It has occupied a great space of the literary studies , and hands are still continuing to write down in this field. This study has been mentioned in many scientific references , dealing with "narration" in all its various genres.For "News" is being an important genre in Arab culture , our study seeks to clarify the structure of "News" in an Islamic Arab cultural historical record, distinguished by the variety of its knowledge and its comprehensiveness. This record is represented by "Al - Munthadhem in the History of Kings & Nations" Book by Ibn Al - Jawzi.What has perhaps made me choose and study this subject is the rareness of the academic studies dealing with this book. It has been dealt with by just one academic study by Dr Hassan Ali Al - Hakeem in his thesis entitles "Al - Munthadhem Book , a Study in its Methodology , its Resources and its Importance"". In addition , the book includes the characteristics of story with all its kinds , the beauty of narration and multiplicity and variety of knowledge.This study has been built up in three chapters preceded by an introduction , a preface and followed by a conclusion and then a list of references. The preface contains two aspects. The first one deals with the "Muntadhem" book with regard to the methodology followed in its writing and the various information it contains. While the second one deals with the concept of "news" and the efforts of researchers in clarifying its features. The first chapter comes after to study the kinds of "news" and the order of its structure in the book. This chapter is divided into three themes. The first one is specified to study the kinds of "news" in "Al - Munthadhem in the History of Kings & Nations" Book where the study takes an interest in revealing four kinds of news (the political news , ideological news , social news and odd news ). As for the second theme , it is specified to study the news structure.I have initiated it with the study of the beginning order forits being a basic part of the news texts in addition to making acquaintance with its most important functions. Then I deal with the introductory order in "AkhbarIbn Al - Jawzi". Regarding the third theme , it is entitled "Overlapping of Genres" where I pay attention to the poetic attendance in many news prosaic texts.The second chapter deals with the study of the components of the narrative speech. It is divided into three themes. The first one deals with the study of storytellers with stating their kinds and functions. The second one deals with the narrated story , represented by characters and events. While the third one is specified to study those who are told the story. The study clarifies their concepts and kinds of their existence inside the narrative texts.Finally , the third chapter is specified to study the space , which branches into (space of time & space of place). Each of their concepts has been dealt with separately , clarifying its aspects and kinds.This study has depended on the analytical narrative methods in studying news and their presentation.

رسالة التوابع والزوابع لابن شهيد الاندلسي في دراسات المحدثين == The Message Of The Disciples And The Calamities Of The Son Of Andalusian Martyr In The Studies Of Modernists

اسم المؤلف: عمار فاضل صاحب الاسدي
اسم المشرف: علي كاظم محمد علي المصلاوي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:
المستخلص: Praise be to Allah, the Lord of the Worlds, for whom I have entrusted and to whom I seek refuge, and peace and blessings be upon the Most High, God created the Seal of the Prophets and Messengers of our Master Muhammad (peace be upon him and his family) and on his good and pure family. Because of the prestige and beauty contained in the message of the disciples and the calamities, and because of the skill that was formulated in it, it has become a center for research and study by the modern scholars who tried to study it from all aspects and follow the places of creativity and follow - up that came and study the elements that formed. The researcher will try to follow these studies and criticism and describe the mechanisms used by the researchers in the study of this message, along with the curricula that made it a starting point to explore the areas with the most important monetary issues that stopped Then this work is marked by (the message of the disciples and the calamities of the son of Andalusian martyr in the studies of modernists). The nature of the subject of the study, necessitated that the study comes in the introduction and the preparation of five chapters and conclusion. Download boot address (the life of the son of a creative martyr),The first chapter under the title (the message of the disciples and the whims of their motives, sources and subjects)The second chapter deals with "the rhetorical arts in the message of the disciples and the calamities"The third chapter deals with the elements of storytelling in the message of the disciples and the calamities.The fifth chapter bore the title (between the message of the disciples and the scourges and the forgiveness) and the chapters were accompanied by a conclusion that included the main findings of the research, The approach followed by the study is the descriptive approach, as it was suitable for such studies, it helped me to deal with the ideas and opinions put forward by the updated scholars in regard to the message of the disciples and the calamities, but it was thanks to what is said to him but to stand a pause of reverence and greatness to The Honorable Professor Ali Kazem Mohammed Al - Maslawi, who was honored to be a graduate student to complete this thesis. The modern scholars tried to learn in many aspects in the message of the disciples and the calamities, which they relied on in some of them on the studies of the ancients, and in others they tried to go out to the artistic and aesthetic matters in the message of the disciples and the calamities.

رموز القران الكريم

اسم المؤلف: جيهان فضل الحجاج
اسم المشرف: حسين عبود حميد الهلالي
الموضوع العام: اللغة العربية وادابها
السنة: 2006
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:

النص في خطاب علي حرب النقدي

اسم المؤلف: هشام يونس جاسم الياسري
اسم المشرف: حسين عبود حميد الهلالي
الموضوع العام: اللغة العربية وادابها
السنة: 2011
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: / the text in terms of meaning and intention which used to be the text represents an essetial and most important core for modern and post - modem studies and the theories of the new critical scene. It has become a fertile field of knowledge in which critics and linguists indulged. Thus several and different theories and theses emerged, each tackling 'text' in view of its own principles , methodological and epistimological procedures, such as the russian Formalism, Neo - Criticisim, Structuralism, ~ermutics,andTextualism ,etc..These critical theories have produced different and contradictory v1s10ns of 'text' that intersects with the old vision both in its methodological and epistimological field. With the new critical visions, a bouycot has been established between the text and the writer, who used to dominate ultimate concern of critics and scholars. This bouycot eventually led to the announcement of"the writer's death".After this death of the writer, the text began to be associated with the reader, according to the 'Reader Response theory' which inserested itself in the reader and his/her reading and response.The idea of the present research started with my reading of the Lebanese writer Ali Harb's writinigs which, I believe, include an epistimological and methodological approach of the 'text' and its reading that deserves to be chosen for study. When I told my supervisor, I found that he agrees with me in his assessment of the topic's theoretical and epistimological richness embodded in the introduction of of a comprehensive and integrated textual vision enriched by a reading vision that goes along with it in addition torevealing the bases and epistimological principles out of which this vision came and flourished.The philosophical ahievement of post - modernism has become an important source from which this vision took a lot.Furthermore, this vision is an investable and applicable critical approach that can be adopted in text reading.Besides, this topic is a novel one that has not yet been studied before.The first chapter of the thesis falls into three sections. The first one deals with the etmology of the term 'text', covering its linguistic meaning, multiple meanings,and its metaphorical meanings. The second section tackles the concept of 'text' in scholastic circles and its integration into the other intermingled and overlapping concepts and its fluctuation from one specific scholar to another. Section three touches upon the definition of the term, revealing the difficuty faced in this task due to the differences among schools that used the term.Chapter Two deals with the term 'text' in Ali Harb's critical discource.It falls into three sections,too. The first tackles the the theme of textual identity; the structure of the text can be said to have two aspects : the phonological and the reading aspects. The section tries to show the characteristics of both. Section Two studies the text features; it tries to clarify each to open the way to Section Three which is devoted to study the concept of 'text' in Ali Harb's critical discourse.The third chapter studies the types of text and the bases for their differences due to which they are classified into types, showing the features of each text type. ··Chapter Four falls into two sections. The first deals with the critical possiblities for the reader and the possibilty of multi - readings for the same person of the same text. Section Two tacles the the reading of the text showing its nature, requirements, characteristics, and purposes.It, also, tackles the types of readings clarifying the epistimological vision that makes a specific treatment of a text determined by the text type. The chapter concludes with an account of Ali Khattab's reading approach which he uses in his critical endeavours.Lastly, the results of the study are introdused.

جماليات الصورة البصرية في القران الكريم

اسم المؤلف: سلام حديد رسن المالكي
اسم المشرف: حسن جبار محمد الشمسي
الموضوع العام: اللغة العربية وادابها
السنة: 2008
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:

الدراسات القرانية في اثار عائشة عبد الرحمن : دراسة لغوية == The Quaranic Studies In The Works Of Aisha Abd Al - Rahman

اسم المؤلف: شروق محسن كاطع
اسم المشرف: قصي سالم علوان الجلبي
الموضوع العام: اللغة العربية وادابها
السنة: 2006
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: The Quranic Studies have occupied a distinictive place in the literary studies , due to the fact that the holy text was the centre of the attraction of the researchers. Dr. Aisha Abd Al Rahman bint Al Shatie had Al Shatie had the great favour in establishing the bases for literary interpretation.The Short suras of One single topic were the major matter for her study in applying for ideas and in her eloguent analysis. In addition , She tried to imvistigate the most remarkabh linguistic and rhetorical aspects in her interpretive analysis so as not to tresspass intellectual issues that She Surveyed in her Quranic treatments.Then , the research was divided into two parts : the first part , the •, linguistic studies. It includes two chapters. The first chapter entitled the semantic sections ; and the methods that Dr. Aisha has followed to deal with the Quranic text via lexical meaning,, the contextual meaning to reach the most important semantic phenomenon that characlerises her Quranic stndies is the phenomenon of collocation. Chapter Two delimits Some grammatical issues that She studies cwefully like Some substitution letters , extra letters , ellipsis places and contextual filteriston.The second past entitled " the rhetorical studies " consists of three chapters. The firrt one is " eloque.nt sections " We surveyed the eloguent arts that Dr. Aisha passed through in her rhetorical study of the Quranic text. We studied the linguistic metaphor, mental metaphor , etc.Chapter Two represents sections from Semantics which include many rhetorical arts : swearing, questioning, forwarding back warding , definition , economy , repetition , etc. We also studied corefully two arts : intervention and parallelism.Chapter Three includes her view of the Quranic genius via her ideas in The researchers of the geniues , and the study of the most important genius phenomenon which is suras openings. the research ends with a conclusion of the most important rcsutes.In conclusion , 1 wonld like to confess that I did m~· hcst to achieve this research.

البنية السردية في الادب القصصي لامنة الصدر == The Narrative Structure In Fiction Of Amina Al· Sadr

اسم المؤلف: علية طالب جواد الحجامي
اسم المشرف: حسين عبود حميد الهلالي
الموضوع العام: اللغة العربية وادابها
السنة: 2008
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: This thesis applies the modern narrative technique , linguistic narratology , to analiyze thenarrative structure of Bint AL - HUD A stories • linguistic narratology, represented byRonald Barthes, Gerard Genettee and Tsvetan Todora , concerns with linguistic aspects ofnarrative discourse : narrator ,techniques narration ,and the relationship between narrator•, narrate and discourse • where as semantic narratology ,represnted by Vladimir prop andGreimas , concerns wuth the content of narrative acts rather than the narration ,for itattempts to discover the logic of acts succession.The narrative structure of discourse is formulated of three parts (Narrator, Narratee,discourse) what is being narrated).The thesis is of introduction , three chapters and conclusion..The first chapter steidies the nattator, for it is considered the core of narration.. thischapter is of three sections ,plus theoretical Introduction. the theoretical introductionanalyizes the relation between narrator, author, and the implied reader •• while the firstsection studies the relation between narrator and narration •. this section is divided in totwo parts : 1 - The undramatized narrator.2 - The dramatized narrator.The research do not refer to semi - dramatized narrator , for the research did not it in theauthor stories •..The second section studies the narrator location , and the third section studies thenarrators functions.••The second chapter studies the narrate , which represents the second aspect of narrativestructure.This chapter is of three section : 1 - The narrate and his importance in narrative structnre.2 - The form and location of the narrate.3 - The fnnctions of the narrate.The third chapter studies the discourse (what is being narrated ), Which represents thethird aspect of the narrative strncture •.This chapter is of three sections : 1 - The character ,its types and way of representation.2 - The action , its importance and action building systems.3 - The time and place of narrative setting.

الهوية في روايات علي بدر بعد عام 2003 : دراسة في ضوء النقد الثقافي

اسم المؤلف: غصون عزيز ناصر
اسم المشرف: ضياء راضي محمد الثامري
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:

مظاهر البهجة في الشعر الاندلسي من الفتح الى نهاية عصر الطوائف == Features Of Delight In The Andulsian Poetry From Conquer To End Of Al - Tawaif

اسم المؤلف: عارف عبد الكريم مطرود
اسم المشرف: جبار عودة بدن الشحماني
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: Naturally , man loves nature and likes to enjoy it to add to his delight happiness , hope , tranquility , satisfactian and smile. Therefore , beauty is necessary to complete his essential needs without which he can not live happily and to help him bear his being and do things. Beauty arouses optimism and sense of communication and makes our life full and perfect intellectually and socially. Thus , it is a distinguishing sign between developed and underdeveloped societies. Man is also used to abandon all that may disturb felicity of his life. During his search for sources about the different times of the Andulsian era , the researcher found out great interest in those aspects of life that recalled painful sad memories of grief and distress. As examples of such studies , we may notice : Sari Mohammad Al - Samadi "Sadness in the Andulsian Poetry in the Fifth Hijri century " M.A. Thesis , Yarmuk University , Jordan , 1990 ; Baseem Abd Al - Adheem Abd Al - Qadir " Poetry of Captivity and lmprisonment in Andulsia " Ph. D. Dissertation , Ein Shams University ,1994 ; Abd Al - Lateef Mahmood Majeed " war poetry in Andulsia From Conquer to Collapse of the Khilafa " M, A. Thesis , Mustansiriya University , 1987 ; Fawaz Ahmed Muhammad Al - Taei " lmage of the Foreign Enemy in the Andulsian Poetry in the Fifth Hijri Century " M.A. Thesis , Mosul University , 2002 ; Ibraheem Abd Wehayib " Poetry of Calamity in Andulsia From Establishment of Al - Muwahadeen State till Collapse of Bani Al - Ahmar State " M.A. Thesis , lmam Muhammad Bin Sauood lslamic University , 1984. There were also the studies of different types of elegy that also evoked sadness. The researcher had not found a study or a research either directly or indirectly that tackled feelings of joy , delight or happiness or that described the Andulsians as happy , glad and optimistic people living in a peaceful beautiful place that gave them satisfaction and entertainment. As a result , the researcher attempted , in this study , to investigate the reasons behind the smile , happiness , delight and gaiety of the Andulsisns by studying the different aspects of their life that their poets depicted. The aim was to study the features of delight in the Andulsian poetry from the conquer till end of Al - Tawaif (cults) era. This period was selected for study because of the very little disturbance that eccurred during it. The study made use of many sources of language , literatare , history , psychology and religion in addition to biographies and it included an lntroduction , five chapters , conclusions , bibliograghy and abstract in Arabic. ln the introduction , the linguistic and semantic meanings of delight and its synonymes were highlighted. Chapter one describes nature as the purest and most inspirong factor of motivation for poets. The Andulsian poets chanted for nature and , in turn , it presented to them happiness , pleasure , gaiety and ecstasy. That was reflected in the way they brightly coloured their images and meanings with delight and call for entertainment and happiness. Chaptr two showed how the Andulsian poets admired the charming , tender and beautiful Andulsian woman who created smile , enjoyment , hope and radiance and who was the real motivator of delight and happiness that every Andulsian was looking for. Chaptr three reviewed delight in the parties of the Andulsian Artists where we could notice different activities of literature , singing or drinking. Those parties documented the cultural , social and psychological aspects of the Andulsan society and the way the Andulsian people used to entertain themselves. The Andulsian people were relaxed and gentle with the smile always covering their faces with gaiety , humour and happiness. Chapter four studied delight in both religous and secular occassions and celebrations of the Andulsians and shed light on the inherited habits and customes that they adopted to delight them. There were those poets who were keen to establish and deepen these traditions in the Andulsian heritage. Some periods in history were brihgt and full of happiness and tranquility that all people looked for to enjoy and refine the soul. Chapter five identified the prominent artistic characteristics of poetry of delight in Andulsian as far as language , style , imagery and music were concerred. As for language and style , the researcher picked out the words that expressed delight and discussed some linguistic styles the poets used to express delight. As for imagery , the researcher referred to the different models (same of them were new) that the Andulsian poets used to show delight. ln the artistic musical side. the researcher noticed that poetry of delight had music of very high taste which reflected the state of the poet within the very atmospheres that motivated delight , tranquility and psychological relax. Finally , study of delight in Andulsian poetry was determined by the condition of the poet which was an outcome of the events. Thus , it was not out of the motivators of happiness and gaiety to attain hope. Man is a group of feelings of both happiness and sadness and happiness is the origin because it is the closest to the innate psyche of the human.

البنية الفنية في الشعر البصــري المعاصــر 2003 - 2012

اسم المؤلف: اسماء حسين علاوي
اسم المشرف: جبار عودة بدن الشحماني
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: Prise to Allah, the lord of the worids and prayers and peace be upon our prophet Muhammad (Allah bless him ) the Basris poem has seen a drastic change after the political and Cultural marginalization,cultural and Alamranjo Baathist wars Experienced Basri,s write AD if it came before this message tagged(potic scene in Basra in ( 2003 - 2012 before studying in the artistry constructon ) In order to give a general idea of the poetic scen in basra after the year 2003 AD especially after the availability of media freedom and cultural obtained by the literary community after this year, And note the most important aspects of aesthetic values in the values in the poem,and how to keep pace with the renewal movement which won contemporary Arabic poetry lately. The research planrequired to be distributedon the fornt and three chapters a conclusion arrange and include the most important findinges of the research. Followed by a list of sources and references Regularity of the first quarter - which it dealt with poetic langug - in two section aftermy mulch in , the language of poetry As discutioned in the first section Lexicon Basri,s poetry with reference to the most important terms that they are received has adopted a study wordy …..this study wordy as density and spread the noodles aggregtes, despite the fact that the visual poem water poem as it is rich in water and verbally ,…and belongings, so they have enriched the visual lexicon of words nature , and with it , the duration Harbingees of ideological , economic, security, and social , religious and many , so they,influenced the visual lexicon wording of his belongings. The second part, which hasstood at two axes dealtwith in the first axis of linguistic performance methodsand may join this axis And has included this axis performance heritage( religious and literary )and performance languge (daily communication ( spoken words ) And it should be noted that in this topic ( spoken words ), which meant research is not necessarily words, slag words, it may be relevant. Cassical roots, because of the large numberof Shiites and circulated among people………… become words circulating. The methods Alonmhau,ah where some style of order( such as the question and appeal and order) as well as denials that much receipt in the visual poetry and tried to highlight the impact upon the visual poet by citing models lattice supports Manchu him , and the second chapter, entitled to have come (lmage has addressed poetic) in tw section after mulch in the image of poetry, addressed in the first part , the most important means to form the poetic image when visual poet, such as the exchange of perceptions, including the ( diagnosis, and embodiment, and stripping ), and dealt with freelancing senses and their impact on the image of poetry , as well as and the relative contrast, this study has reinforced models of visual poetry to illustrate thess methods. The second topic dealt with sensual image patterns after the presentation of the most important types of poetic image when scholars and critics , boot the subject of overlapping picture and after , addressed the study and analysis of image sensory different Bonamtha( optical image including mobile and fixed , and color , and audio image , and gustatory ,and tactile ,and olfactory )and allocated chapter III of the study( rhythm), In order to be more specific search and influential in this section you have an inventory of poetic texts weighted sample in orderto be applied to research in this area , I have indicated in the first pillar of this research to the most important weight. Thesecond axis has studied the Rhyme The second axis has studied the consolidated Rhyme (statistics),and Rhyme vehicle (diverse) with lattice models citation describes these two types And return the prose poem in the second setion of the recorded presence in the movement of the internal rhythm after that was eliminated in the first section , as the second section devoted to the study of the internal rhythm,with three methods often overlap and intersect with each other ……. Or assist each other with other ways to escalate the internal rhythm movement, as addressed (rhythm sound, repetition, alliteration ) with a range of martyrdom poetic texts on each style and statement analysis and the effectiveness of these techniques to the enrichment of the internal rhythm.

سعيد الغانمي دراسة في جهده النقدي == Saeed Al - Ghaanimy Astudy In His Critical Effort

اسم المؤلف: كوثر عبد الغني نايف التميمي
اسم المشرف: حسين عبود حميد الهلالي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: This study (saeed AL - Ghanimy - Astudy in his critical effort) tries to shed light on the product of one of the Iraqi critics,and to be acquamted with his works and opinions in the critical field who is saeed AL - Ghanimy. AL - Ghanimy has been known as a critic,a translator, alingwst a philosopher, and a scholar in Archaeology and different cultures, but his critical works did not gain the deserved fame in critical studies. So, this study, to our knowledge, is the first study specialized in the critical effort of saeed AL - Ghanimy. We have found that his critical outcomes are classified according to three domains : Theoretical and practical criticism of poetical texts,Theoretical and practical criticism of arrative texts,and general criticisms.so, it was necessary to form the plan of the study according to these three domains.so, the study falls into three chapters preceded by an introduction then a preamble and coneluded by the final resnlts. It is clarified in the following The preamble which is classified accoreding to three points : The autobiography of saeed AL - Ghanimy,his culture components, and his works list. Chapter one : Reading poetry in saeed AL - Ghanimy criticism it deals with AL - Ghanimy's reading of the poetical texts in both the theoretical and the practical levels. Conerning the theoretical level, it deals with both modernism and poetry as it was presented by AL - Ghanimy. On the practical level, poetical sample are studied after being analysed by the critic. Chapter two : Reading Narratives in saeed AL - Ghanimy's criticism. This chapter falls into two sections. The first one deals with the critic's theory throughout the imagination and identity topics.The second section deals with studying AL - Ghanimy's implementations in narrative texts. Chapter Three : Theoretical Issues. It consists of two setions. The first one discusses AL - Ghanimy's opinions in Modern Iraqi criticism. The second seetion deals with the critic's opinions in extinct heritage literature and its relationship with the pre - Islamic literature. The study is coneluded with the results the researcher found followed by alist of the resources adopted in this study

الاقبال على الحياة عند شعراء العصر العباسي حتى نهاية القرن الثالث الهجري

اسم المؤلف: وداد يعقوب سلمان الحراك
اسم المشرف: قصي سالم علوان الجلبي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:

فنون البديع في الشعر الاندلسي : بنو الاحمر انموذجا == Arts Of Rhetoric In Andalusian Poetry Banu - Al - Ahmer As A Sample

اسم المؤلف: اسامة عبد العباس عبد اليمة حمود
اسم المشرف: قصي سالم علوان الجلبي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: Andalusian Literature represented a shining page in the History of the Arab Literature for its creativity and enrichment of the literature; and the Poetry of Banu - al - Ahmer was only one part of that literature for its real enrichment.As the Age of Banu - al - Ahmer was the last of the Andalusian literary age,I decided to study an artistic angle no researcher has ever tackled ,i.,e., (The Arts of Rhetoric of the Andalusian Poetry - Banu - al - Ahmer as a sample).This does not mean that there were no such studies that proceded this one. There were many studies in the field that tackled the poetry of the Age, which we referred to i9n the Introduction of the research. I decided to make my study to the poetry of this age in following way : a forward and three chapters precede by an introduction, followed by a conclusion and results. The forward is a kind of entry to the study, which came into two subjects : the first is a bird's eye - view about rhetoric and our point of view and the other is a general view about the Poetry of Banu - al - Ahmer.In Chapter One we study (the Musical Arts) represented by : alliteration, studding, reversing the first part of the line with the second, all types of repetition, division, recreation, reverse and replacement and "the necessity of what is not possible".Chapter Two deals with (The Arts of Playing) - these arts are given this name "playing" ,as we mentioned and explained in the Introduction - we gave it a short definition - represented by puns and emphasizing praise to resemble slander, and good reasoning an ignoring the knower.In Chapter Three we studied the (Moral Arts) ,which include : counterpoint, synonymy, peer account, citation, embedding and exaggeration. There is a point I would like to draw attention to ,viz., the inequality in their dealing with the arts of rhetoric and ours in talking about them. The conclusion illustrated the most important resulted the researcher got to followed by the resources we made use of in competing our research. I traced, in my study, the poetry of the Age from the books and poetry books I could get and from the books that studied the poets along with their poetry.Finally, this humble effort is nothing but a fruit of continuous hard work.For what suffices is that I did my best ; so if I made something good ,then thank Allah. But If wronged ,then it is my own weakness

شعر رزوق فرج رزوق : دراسة موضوعية - فنية

اسم المؤلف: ندى سالم عيدان الطائي
اسم المشرف: ستار عبد الله الناصري
الموضوع العام: اللغة العربية وادابها
السنة: 2004
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الكلمات الدلالية:
  • فصل الموضوعية
  • اللغة الشعرية
  • الصورة الشعرية
  • موسيقى الشعر
الصفحات الاولى:

قراءة الخطاب الاستشراقي في الثقافة العراقية المعاصرة : مجلة الاستشراق العراقية انموذجا

اسم المؤلف: محمد جاسم محمد الاسدي
اسم المشرف: جبار عودة بدن الشحماني
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:

الحجاج في شعر ايليا ابو ماضي

اسم المؤلف: محمد علي حسين الحسني
اسم المشرف: فهد محسن فرحان
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: The research aims to study the poet Elia Abu Madi through argumentation theory, he studied in the first chapter three sections the first is : the limits of pilgrims and means of persuasion, addressed the concept of pilgrims and purpose, with the theme, and its relationship with neighboring concepts, and proved the existence of the pilgrims in the hair, eating in the second section formula evidentiary pilgrims rhetorical studied persuasive kinds of ways when the researchers handled Ten Ways and discussed and finished them to a specific result, and eat in the third section of philosophy persuasive pilgrims rhetoric by shining a light on the cognitive dimension, philosophical, and psychological, and pragmatic, in the production of rhetoric.The second chapter studied types of speech Hajaji through the diversity of the speech in terms of its theme, addressed the pilgrims philosophical and philosophical and mystic and religious was for each speech, especially in inferred foolproof method, Vantdb so practical texts by the poet proved through this multi - dimensional, and their role in the formulation of persuasion to move to the topic The second, which dealt with the rhetorical mechanisms adopted by the poet started as a means of persuading Vsult light on two techniques Oslopeten : the question and repetition; it formed two phenomena distinct in speech poet and Delta on the persuasive purpose and a clear contrast to the other stylistic techniques, while the third section rhetorical representation tool studied dimension metaphoric and Simulators, which formed a phenomenon as obvious as a kind and in a speech rhetorical poet, a - kma see Seat - rhetorical techniques evidenced by the pilgrims in the Office of the poet.Chapter III dealt with three topics was the first in the types of arguments adopted by the poet to convince recipients that were on the three types of arguments is the foundation of reality institution and arguments on fact and arguments value was for each type of these kinds of arguments derivative thereof. The third section addressed the problematic fallacy in the speech he studied poetic fallacy definition and problematic presence fallacy in the hair and then eating kinds of fallacies when the poet and poetry texts eating from the text of the poet as examples of these fallacies.The third topic researcher tried to be applied where he studied two poems of the poet and poetry addressed them applied all the tools studied by researcher Find calls for pilgrims and integrative search ends here to conclusion.

الثنائيات الضدية فــي شعر المتنبي : دراسة في الموضوع والفن == Binary Oppositions In Poetry Al - Mutanabbi

اسم المؤلف: مهدي مخيلف كاغد الصبيحاوي
اسم المشرف: فالح حمد احمد الحمداني
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: ماجستير
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: This Thesis Comes to attempt to describe some of the manifestations : ( Binary oppositions in poetry Al - Mutanabbi).Showing in itself Contradiction between the two cases each of them about the other stands the opposite of the case of the antibody.But which cares about the plan followed, It appeared in the preface, three chapters and a conclusion. The preface in three axis the 1st concept of binary oppositions language &idiomatically But the second preface axis imported studies in Consciousness and ancient eloquence and third axis in field of binary oppositions Modern Monetary Studies and contemporary. Interested in the first Chapter study some Binary oppositions in poetry Al - Mutanabbi and it contains five topics ( ego/poet, other (life /death,young/old age , dream/ impertinent / glory/humiliation The second chapter interested for study forms binary oppositions the level of language ,and consist in content three forms , the first binary oppositions the level of direct verbal antagonism , second for binary oppositions the level of Exile and proof. And comes third under title binary oppositions for the level of Paradox.And the third chapter consist of binary oppositions for the level of Image for two axis ,the first about the image antithesis constrictive. Second studied texts application in poetry Al - Mutanabbi. Then the research ended with conclusion with the most important which resulted in the study.

مفهوم الشعر في الموروث الادبي القديم == The Concept Of Poetry In The Old Literary Heritage

اسم المؤلف: بتول نعمة علي الموسوي
اسم المشرف: فالح حمد احمد الحمداني
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: The concept of poetry is considered the centre point around which all issues of the old criticism move. most of literary views and critical theories are connected to this concept. This is why our research is devoted to show the features of Arab poetry in critical and rhetorical heritage. The title of this paper is "The concept of poetry in The Old Literary heritage". We do that to know the essence of this aesthetic structure and creative art by which Arabs doted all over ages. This paper consists of four chapters preceded by an introduction and ended with a conclusionIn the introduction , we explained the function and importance of poetry in heritage to show its position which is above all arts because it has a great importance in Arab social , cultural and life. The first chapter is about "The factors which effect the crystallization of poetry concept". These factors were psychological factors which move poets to say poetry and the comfort which poetry makes. There are also environmental factors (social , natural, political and cultural). We also show religious factors and moral ideals and their effect on poet's verse. The second chapter is about the study of poetry concept and its rhetoric. It also shows development and changes that took place. It also focuses on the poet's concept of poetry since pre - Islam age until the Abbasid age. The third chapter is about critics' concept of poetry through the issues of old criticism such as articulation , meaning , meter , rhyme scheme , and plagiarism. We also explained their critical views and things they agree or disagree with. The fourth chapter is about the study of poetic image because it is means which gives beauty, vitality and motion to poetr. The poetic image has an effect on the receiver. It also has relation with imagination and rhetoric styles through which different patterns of image are generated. The conclusion has the results made by a tour among criticism books.

صورة البطل في كتب المقاتل الحسينية : دراسة في ضوء النقد الثقافي == Image Of The Hero In The Books Of The Fighter.. Hosseinieh Study In Light Of Cultural Criticism

اسم المؤلف: علي محمد عبد الرضا
اسم المشرف: ضياء راضي محمد الثامري
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: ماجستير
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: This message has sought to highlight the perfect picture of the Arab Muslim hero, as drawn by the Arab cultural patterns, represented by Imam Hussein (AS) and his family and his companions in Karbala finest representation, and my studies came in three chapters preceded by a preface, followed by a conclusion. The boot has dealt with the concept of the language and idiomatically hero, the hero image in heritage, then proceeded to kill off the definition of the language and idiomatically, then the definition of books fighter, and the statement of significance between those of the other books of literature, The first chapter was entitled (the image of the hero through the other) in two sections, the first image : ( hero through the other equitable), while the second : ( hero image through the other peer), Chapter II Anonth : ( hero image through dialogue), was visits with human elements, including (sidekick placebo, and real), and the other with elements of non - human, and includes (age, animals and dialogue Gin), to come third chapter titled (Picture hero in hair fighter) and includes poetic purpose (pride praise Lament), to come Conclusion to show what I could stand it results from the praise of God and the virtues of acceptance pleading with him, he responds to pray

بلاغة الاقناع في مقالات غازي القصيبي في ضوء مبادئ ارسطو الاقناعية == Rhetoric Of Persuation In The Essays Of Ghazi Al - Qusaibi In Light Of Aristotilian Principles Of Persuation

اسم المؤلف: شيماء عثمان محمد
اسم المشرف: فالح كامل اسكندر المنصوري
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: Modern studies of rhetorics are interested in persuasion as one of the objectives in realistic prosodic discourse that involves displaying personal thoughts and ideas by employing certain technique to contribute to persuading the addressee of the discourse directed to him.Aristotle was the first who talked about persuasion and described in details the techniques and stages in prosodic discourse in his book ‘Oratory ’. Thus, the researcher preferred this book to be the main source and guide in our study of the techniques of persuasion in essays of Ghazi Abd Al - Rahman Al - Qusaibi, which were gathered from newspaper a journals and edited in a book.A question might be raised about the validity of studying such essays that belong to an independent genre with its own characteristics and aims. The answer is that the two genres ( essay and oratory) are similar in type. Both of them are realistic prosodic discourses and thus can be built by the same tools of persuasion. On the other hand, Aristotle began his work in this book by classifying oratory into three types : argumentative, consultative and proving. He assigned specific characteristics for each type as we will mention in details later. The researcher found an artistic and objective similarity between consultative oratory and essay specially in the aims behind using them.Additionally, Greek oratory at that time, in addition to drama, was a well - known and common tool of communication with people to convey thoughts, ideas, suggestions, and reforms. With time, techniques of communication developed and the press emerged and thus essay becomes one of the genres that can achieve the same aim intended by oratory. Furthermore, topics and subjects of ancient and modern Arabic and western rhetorics were influenced by the Greek rhetorics and ideas of Aristotle. Those subjects and ideas were not assigned to be conveyed in a certain specific genre. Rather, they were conveyed both as prose or poetry and not in a specific genre. All the reasons mentioned above led us to study rhetorics of persuasion and the techniques it utilizes in essay writing in light of the techniques that were set as bases for oratory.Our main source in this study is Aristotle’s ‘Oratory’, translated from Greek and introduced by Dr. Abd Al - Rahman Badawi and published by the House of Public Cultural Affairs in the Journal of Afaq Arabbia, Baghdad, **edition.The researcher adhered to Aristotlian principles in persuasion. Accordingly, the study is divided into an introduction and three chapters. The introduction highlights three points. The first point is abaut rhelorics in language and terminology and its status and development for the Greeks and its relation to persuation. The secand is persuasion in language and terminology, persuasion in verbal communication, introducing the idea of persuasion by Aristotle and stages and participants of persuasion. The third point tackles the essay and its types.Chapter one ‘ Source of the Proofs’ starts with preliminaries in which we show what it is meant by the source of the proofs and Aristotle’s opinion of them. The chapter includes three sections; a section for each source. The first section is about the speaker ( the orator) and his impact on persuasion and his scientificity and ethics that help him achieve persuasion. Section two sheds light on the speech of the orator and what participants and proofs it should contain to contribute to achieving persuasion. Section three talks about the listener (the addressee) and what should be the effect on him so as to persuade him of what is said.Chapter two ‘ The Style’ starts with a long section of preliminaries because of the much details about Aristotle’s style. The chapter includes three sections. Section one is about the linguistic style that contribute to achieving persuasion whereas section two is about the rhetorical styles as represented in the rhetorical images. Section three tackles the other styles including those mentioned by Aristotle i.e. narration, saracism and rhyme as techniques that support towards persuasion.In the preliminaries of chapter three ‘Sequence of the Discours’, the researcher talks about the parts of speech of Aristotle and the method that should be followed to classify them. In section one of the chapter, the researcher discusses the introduction and its types in essays of Ghazi Al - Qusaibi : section two discusses the intext and section three is about the conclusions.The Study arrived at some conclusions concerning the most important techniques that Ghazi Al - Qusaibi used to persuade his readers about the thoughts, ideas that he wrote to them and that might developed the society culturally, politically, and economically. Definitely, the researcher faced some difficulties; the most complicated of them is that the text of the book of oratory itself is translated and not the origin. The style is sophisticated and some of the expressions are ambigious; its terms are different from those known in books of Arabic rhetorics and in modern rhetorical studies. This difference can be obviously seen in the illustrative examples put by Aristotle for every term. The expressions were very abbreviated and shortened especially those when Aristotle talked about ethics of the speaker and how they could be reflected in his speech. Consequently, the researcher depended on books of modern linguistic and rhetorical studies that are concerned with rhetorics of discourse and pragmatics in language

وسائل الاقناع في كتاب منة المنان في الدفاع عن القران للسيد محمد محمد صادق الصدر == Persuasion Means In Minat Al - Minan Book For Defending Al - Quran

اسم المؤلف: فرقد جاسم محينة
اسم المشرف: فالح حمد احمد الحمداني
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: Definitely the persuasion is a theory which has been taken deep roots in the western tradition, as Aristotle had written his famous book (Eloquence art) unveiling in it the most distinguished means of persuasion in the persuasion theory such as the eloquent morals (ITOS), and(BATOS), the receiver emotions and (logos) the arguments and evidences. In the Arab tradition, the persuasion theory is appeared clearly and openly, in the rhetoric with Hazim al - Qurtajni as he intermixed between what is poetic (imaginable) and what eloquence (persuadable) according to the varieties in the rates between them, pursuant to the eloquence nature and its purpose. During the twentieth century some western studies has focused light upon this theory. The most important studies of are the book titled (fresh eloquence) which has been written by (Chaim Perelman) with (Olbricht Tetka) as Chaim has given life to the persuasion theory in eloquence in his book, bringing a persuasive function to the rhetoric, plus the aesthetic function.Under the light of what has been mentioned of the summary clarification on the persuasion theory, our study to the book (Minat al - Minan) has been given within the framework of this theory, due to the presenting of the persuasion theory clearly in the book purpose. Therefore, this study has been written in three chapters preceded with introduction and followed by an ending. in the introduction the persuasion concept I have researched the language and the term and the persuasion activity components in its practical dimension and the persuasion rooting in the western and Arab traditions.This study has three chapters; in the first chapter I have researched about the persuasive nature in Minat al - Minan book. In the first research I have studied the initial dimension for the persuasion through its features which have been formed of such as (title suggestive, introduction revelation, withdrawal method). Therefore, its features have been shaped as defined as persuaded means driven for attracting the receiver and push him argumentatively for entering inside the text subject. In the first research, also, I have studied the conversational dimension as defined ad persuasive way, presented the persuasive mode which has been committed by Sayyid al - Sader (God may sanctify his soul) and continued in his book. In the second research I have studied the persuasive method (passages of the persuasion operation) which has been clarified how the persuasion operation may become in the Minat al - Minan book)In the second chapter, I have studied the persuasion communicated means, in the first research I have been researched the continuation in the persuasive eloquence, focusing under its light the speech variety method and the speech conversation and the speech arrangement and the psychology impact in the speech as defined as the most distinguished persuasive means of al - Sader. In the second research I have research the persuasive communication with the receiver. As these levels which are personified with the receiver by the direct model and upon the receiver of the undirected model and the special (assuming) receiver and the (mind) imaginable receiver. In the third chapter, I have studied, the most important language and mind means for the persuasion. I have studied in the research of the language way in argumentatively style and the test effect, and the eloquence in the rhetoric. And I have researched in the mind means of persuasion in the induction conclusion, and the persuasive in the standard conclusion, finally I have ended up the research in the finale, including the most important results which I have researched.In this study the research I have depended on analytic descriptive method done terms as defined as the argument way enlighten in the book (Minat al - Minan) for defending the Quran, then analysing it according to the persuasive dimension in it.

محمود الظاهر : دراسة في فنه القصصي == Mahmood Al - Dhahir : A Study Of His Fiction

اسم المؤلف: ياسمين كريم عبد الرضا
اسم المشرف: جبار عودة بدن الشحماني
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: This study deals with narration and the elements of narration in Mahmood AL - Dhahir's stories. This work falls into a preliminary, three chapters and a conclusion following the analytical procedure. Chapter one, which is entitled "Narration and the Structure of Events in Al Dhahir's Stories", starts with a theoretical introduction explaining the importance of narration and events in the story and the between them. It consists of two sections. Section one is about narration divided into patterns such as objective, subjective and interrelated. The second one is devoted to ways narration such as description and dialogue. Section three is mainly about the patterns of structuring the events such as sequences, overlapping, cycling, composing, reiteration,, and paralleling. Chapter two is entitled "Characters in Al Dhahir's Stories". It starts with an introduction showing the importance of the characters. It includes two sections. The first one is about introducing the characters (telling and showing). Section two is about character types according to traits. Chapter three is entitled " Narrative Space in Al Dhahir's Fiction". It also starts with an introduction and two sections. Section one shows time and its levels (order, duration, and frequency). Section two is devoted to the explanation of place and its relations with the characters, situations, events falls into types such realistic, imaginary, main vs. secondary. The conclusion comes finally to show the most important results.

التداخل المنهجي في طرائق تحليل النص الشعري - السيميائية انموذجا == Curricular Interference In Poetic Text Analysis Modalities - Semiotics As A Model

اسم المؤلف: سراج محمد يعقوب
اسم المشرف: حسين عبود حميد الهلالي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: This study entitled “Curricular Interference in Poetic Text Analysis Modalities - Semiotics as a model” examines one of the most controversial and problematic contemporary criticism curricula amongst modern criticism studies. Semiotics at its theoretical form is an old existing science which was emerged from the womb of knowledge theory; hence it contributed to philosophy, logic, mathematics, human and social sciences. Its critical importance lies by the fact that it stands at the border between human and social sciences; as well as its integration of the direction that accredited linguistic aspect (linguistics) and the direction of philosophical aspect that accredited the new phenomenology. The value of this critical study rises as it monitors the shifts of knowledge and intellect arguments of this approach, their transfer into the field of applied methodology, the way Arabic critical studies dealt with such shifts, the nature of receiving such mechanisms by Arab critics, and the methods of applying and representing them in Arabic poetic texts. This thesis is composed of an introduction, three chapters and a conclusion. The first chapter - made of two sections - deals with the intellectual and philosophical fundamentals of semiotics, and examines their origins and approaches as presented by semiotics pioneers; American Philosopher Charles Sanders Peirce and Swiss Linguist Ferdinand de Saussure. In the first section of the chapter, we focus on the image of semiotics in ancient Greek philosophy, as well as different other philosophies followed. In addition, we examine deeply the way Arab and western critics had dealt with the nature of that image. In the second section of the first chapter, we review in details the hypotheses of Peirce’s and Saussure’s theories analyzing their philosophical and intellectual arguments; as well as explaining relevant attitudes of Arab and western critics.The first section of the second chapter examines semiotics in terms of its developed theoretical boundaries and its applied methodological image. Also, we detail the period that followed the foundation stage, and account for modern semiotics approaches that we present by the approaches of semantics, communication and culture. Then we scope the light on literature semiotics as being the theoretical and applied image of general semiotics. In the second section of this chapter, we review the mechanisms of applied semiotics, the ways of Arab and western critics’ interaction with that mechanisms, how they were put into application, and the reasons that lead to curricular interference amongst applied models. As for the third chapter, it deals with Arabic applied models as we examine the phenomenon of curricular interference within those models following the criticism - of - criticism mechanism. In conclusion, the study was culminated with a series of findings reached through our research

الاساليب البلاغية في شعر السيد جعفر الحلي (ت1315هـ) == Rhetorical Devices In The Poetry Of Said Jafar Al - Hilli

اسم المؤلف: امنـة احمـد عباس المطـوري
اسم المشرف: فالح حمد احمد الحمداني
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: Said Jaafar Al - Hilly is considered as one of the alawis Iraqi poets whose poetry is characterized by its richness at the artistic and semantic levels. His poems also shed light on the political and social reality with a dominant alawian sense. Thus, it is essential to investigate about these aspects with close inspection. This poet was not paid any considerable attention concerning his verse only in scattered articles and papers. Even in modern literary works, there are little references to his art, further, these references do not contribute in showing his artistic and aesthetic writings in verse that may put him in competition with other great poets of his time. This study mainly focuses on the rhetorical perspectives in his poems in an attempt to show the deep meaning of his lexical and syntactic choices in addition to his manipulation of cadence and poetic structure as well as imagery. The current study consists of a preliminary, three chapters and a conclusion. In the preliminary, rhetorical branches are introduced and explained and how these branches are shown to have a role in exposing the poet's artistic writings. This chapter also includes the poet's biography and the themes that he addressed in his verse. Chapter one is attributed to inspecting the cadence level in his poetry. It comprises three sections. Section one is concerned with alliteration. Section two is devoted to explaining repetition and its types and effects in relation to cadence. Section three comes under the title " Other Rhetorical Aspects" that contribute to make rhythmical patterns prominent. Chapter two is essentially devoted to the structural level of his poetry. It comprises three sections. The first one, which is entitled "Recantation in Structure", deals with things such as foregrounding and back - grounding, ellipsis. Section two is entitled "Recantation in the reporting style", whereas, the third section is concerned with the recantation of requesting style such as questions and command. Chapter three deals with the descriptive level of his poetry and it is compose of two sections. The first one is concerned with the study of images according to their artistic frame. Section two pays attention to the size of these images in that it focused on the single and simple images as well as the compound and the total images. This classification comes as a result of what is found in his poems in an endeavor to simplify their study. Finally, I would like to express my gratitude for the dean of the college of Education for Human science, Dr Hussein and for the two assistants as well as for the head of the Arabic department. Also, I would thank my supervisor for his great efforts in showing me the right way of how to accomplish this work.

الاتجاهات النقدية عند مفسري القران الكريم من المحدثين == Monetary Trends · When Interpreters Of The Koran Modern

اسم المؤلف: حميد قاسم هجر المفضل الموسوي
اسم المشرف: حسين عبود حميد الهلالي
الموضوع العام: اللغة العربية وادابها
السنة: 2012
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:

ابن جني ناقدا == Lbn Jenni As Critic

اسم المؤلف: حيدر كريم هادي الشمري
اسم المشرف: علي محمد حسين الخالدي
الموضوع العام: اللغة العربية وادابها
السنة: 2010
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: النجف
الصفحات الاولى:
المستخلص: Al - Atheer (637 A.H.) The study reached many results which can be summarized as follows : Important critical issues attained great attention of bin Jinni, he was not confined to the theoretical aspect only, rather he dealt with the applied analytic aspect. In roost of these issues, his viewpoints were artistic.No less degree of interest was linguistic criticism also, he was not confined to the theoretical aspect, but dealt with the applied aspect, especially his opinions in linguistic criticism of word and structure. As for his rhetorical criticism, it is pretty good, though it is ambiguous in many places and had to be justified. In some other places, it was artistic, in which he depended on the Arab uses of eloquent art and rhetorical style as a critical criterion through which quality of poetry can be measured.The fourth chapter concluded that bin Jinni was one of the critics who are known of various critical methods. He was not confined to one specific method, and this refers to his ability and wide breadth in criticism. While the fifth chapter revealed that he is one of the critics who left great effect on the Arabic criticism, especially on the most outstanding critical movement in the history of the Arabic criticism, of which those aroused against Al - Mutanabbi. This is revealed through his explanation of his poetry, and his affection by three great figures of Arabic criticism who took from his researches, affected by his opinions, and make use of him in their critical discourse Ibn Jinni is one of the scholars who are known of wide knowledge in the Arabic language and its different sciences such as grammar, morphology, phonetics, dialects..... so on.In addition, he was writer, explainer and critic of poetry, especially that of al - Mutanabbi who has close relation with him. He explained his divan twice : the first, which is the greatest, is called "al - Fasr", and the second, the smallest, is "al - Fat'h al - Wahabi". Besides, he has many opinions and critical pauses distributed in his other works, especially "alKhasa'es". On this basis, came the research idea to shed light on an important aspect of bin Jinni i.e., his being one of the fourteenth century critics.Research plan required to be divided into five chapters preceded by a preface, and conclusion. As for the preface, it was about the nature of criticism during his age. The first chapter was devoted to talk about critical issues according bin Jinni, such as literary thefts, form and meaning, old and modem, poetry, religion, and morals. The second chapter studied linguistic criticism, and included poetic license, narrative, and measures of linguistic criticism. The third chapter was devoted to talk about rhetorical criticism, and included criticism of simile, metaphor, and metonymy, in addition to other critical styles such as renovation. The fourth chapter talked about the critical method of bin Jinni, while the fifth chapter discussed effect of bin Jinni on the Arabic criticism : his effect on the critical movement aroused against Al - Mutanabbi, and his effect on the Arab critics as Al

الفكر الاستعاري العربي في ضوء المنهج الحجاجي == Arabic Metaphoric Thought In The Light Of Argument A Pproach

اسم المؤلف: يوسف رسول حسين
اسم المشرف: فالح كامل اسكندر المنصوري
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: Praise be to God and tow years after of research and study ,we finished this research that named ( The metaphoric thought in light of curriculum AL Hijaji) through follow up with administrators I adopted in my study on the Arabic resources and its represent in workbooks was the most important one (the important theories of AL - Hijaj from Aristotle to today) with administrators special team in Manoba university in Tunisia ,and AL Hijaj in AL Koran of most important style characteristics Abdullah revolution and ( AL Hijah in contemporary rhetoric) for Mohamed SlemAmeen and(Al Hijaj in Arabic poetry) for Samia Al Doraidi and ( Al HIjaj and the truth and afaq and interpretations )for Ali Al Shaban and dialogue require in circulation lingual and another of Arabic old and new resources This research divided into three chapters and at the beginning of these chapters an introduction and pave and the researcher took in pave the metaphor in Arabic thought , metaphor in western thought and the metaphor in Al Hijaji’stheories and was under this last title another titles , it was talking about definition of Al Hijaj , Al Hijaj’s theories , Al Hijaj in Berleman and Al Hijaj’s metaphor. In the first chapter there are three parts ; the first part was talking about the mechanisms of Al Hijaj in critics and Al Hijaj in poetry and the conversation include Al HIjaji’s pronunciation resource. In the second part is talking about the research of Al Hijaj in Al Amadi and Abulkahir Al Jerjani and itAl Basrah UniversityCollege of literatureArabic departmenttook the delay’s styles and division and rhetorical styles that put by Al Amadi also the researcher in this part talked about Al Hijaj in Abduikahir Al jerjani. In the third part of the first chapter the researcher talking about the circulation dimension in the Arabic critical speech , He was talking about interesting principle and principle of purpose or the meaning and how to employed from the old Arabic criticsIn chapter tow the researcher talked about Al Hijaj for the old Arabic commentators and he took birth of the term explanation for the Arabic and under this title the speech was about definition of the explanation is language, Al Koran Al Kareem and the ignorant poetry and explanation the poetry that owned by Arabs. after that I’m began reading the books of Al Hijaj and its resources. at the end of the closing I extend my thanks and appreciation for Dr.FalehKamelEscandar who was more than teacher and brother to me and I also thanks all my teachers in Arabic department and all thanks for the members of committee discussion.

شواعر العصر الجاهلي وعصر صدر الاسلام : دراسة ايقاعية == Pre - Islam And Islamic Period Women Poets (Rhythm Study)

اسم المؤلف: محمد يونس صالح الجريسي
اسم المشرف: ذنون يونس مصطفى الاطرقجي
الموضوع العام: اللغة العربية وادابها
السنة: 2011
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: الموصل
الصفحات الاولى:
المستخلص: فان الايقاع يعد عنصرا مهما من عناصر الخلق الشعري، ذلك انه يثري النص صوتيا ودلاليا ويمنحه الترابط والانسجام والجمال والانتظام، ولا يقتصر مفهوم الايقاع الواسع سعة تطورات القصيدة العربية، والمتحول تحولات الذات الشاعرة على عنصري الوزن والقافية فحسب، بل م | The ancient and modern Arabic poetry represents an important of the literary arts which relation and belonging with the rhythm in its general concept - internal or external - , there is doubt that rhythm give the poetic text aesthetically and orderliness work on the effect in the reader, as well as it is regard as expressing about poet psychology in the same time.The pre - Islamic and Islam period poetry seems have a rich rhythm texts in the rhythm levels were the most important reasons to make us tend to the rhythm study in poet women's poetry in that two ages. Then we worked on analyzing the rhythm texts in their texts and examining what contain of the senses, we can touch them by texts contexts, and after saw their poetry in the ancient books (resources) I tried to select the texts which agree with the rhythm study, if there is no any text lacking from rhythm in any form.That the rhythm study in three important matters, I tried to follow them in my study that are : reading, statistic, and description, and we must followed an academy method to make the study in arrangement and classified method, so our study as following : The first chapter, including the external rhythm in the poems and the pieces, then we tried in this chapter to citing in texts which poetize on the most common meters in the women poets production. However, the poems were their relation less from the pieces, we cited in less number of the pieces, as we dealt with the relationship of the pieces with the meters according to the modernists' opinion, as we dealing with the rhyme which have absolute and limit pun and effect of each one in the rhythm and sense.But the second chapter, we dealing in it the internal rhythms which are most common, the repetition technology in its all kinds (the beginning repetition, first hemistich repetition, abbreviation repetition, complying repetition, first hemistich repetition), as we dealt the parallel technology which based on the twofold of sense similarity and paradox, in addition to the structural and conjugate parallel and its effect in rhythm and sense, as we dealt with rhetoric parallel which based on the technologies of the inlaying and the harmony.Finally, we dealt in this chapter with the reciting and dialogue rhythm and their effect on the rhythm and sense in general.Our study had benefit from many previous rhythm and style studies was first ( the modern Arabic poem between the rhythm structure and sense structure) for Dr. Mohammed Saber Obied , and the (poetical language) for Mohammed Kanoni and (style characteristics in Omar Bahaa Al - Din Al - Amiri' poetry) for Abdullah Abdul Khaliq Al - Ghanim.Finally, I don’t have any thing except the pray and thank word for my virtuous teacher Dr. Thunnon Al - Atraqchi and for all teachers in the Arabic language department, calling for Allah that I will never forget their favor, and what was right that from Allah, and what was wrong that from myself.

ادب الرسائل الاخوانية في العصر العباسي الاول : دراسة فنية == The Literature Of Brotherhood Epistles In Abbasi Age From 132 A.H To 334 A.H (A Technical Study)

اسم المؤلف: سمير عبد السلام حاجي
اسم المشرف: ساهرة محمود يونس الحبيطي
الموضوع العام: اللغة العربية وادابها
السنة: 2010
الموضوع الدقيق: الادب
الدرجة: ماجستير
الجامعة: جامعة الموصل
اللغة: العربية
مكان الجامعة: الموصل
الصفحات الاولى:
المستخلص: We have chosen the title " Al - Ekhwania epistles in First Abbasid Period / Technical study " after presenting the subject matter to the headship of Arab language Dept. and the committee of high studies. We have aimed at selecting most of Al - Ekhwania epistles (the informal ) which had been exchanged by Al - Ekhwan (the brothers ) and other writers , ministers , and caliphs - sometimes - for personal reasons unrelated to formal matters. We have limited the period from 132 A.H. to 335A.H. the year in which Baghdad , the Abbasid capital , being occupied by Bani Bowaih. The cause of choosing this subject has been the availability of prosaic and poetic texts which were written in the period covered by the study , and revealed the significance of studying and taking care of them for they are considered another aspect of Arabic eloquence in its fruitful period (i.e. the Abbasid period ). We have observed that Al - Ekhwania epistles in this period , which we chose it , deserved to be studied from different aspects.In addition , they should be paid more attention and research by the researchers in the technical Arab prose in Abbasid period - the age of Arabic eloquence and culture.So I have chosen this subject after consulting the supervisor (the assist. Prof. Dr. Sahira M. Younis Al - Hubaiti , as well as consulting the specialists in this field of study like Dr. Ahmad Hussein Al - Sadani , Dr. Aamer Hasawi and Dr. Ali Kama - al - Din Al - Fahadi and others in Arabic language Dept. / college of Arts , and college of education , fundamental education. We have concluded that the subject has not been studied separately yet - as I know , then I decided to register my subject to be a partial requirement for M.A. degree in Arab literature

الادماج في القران الكريم == Integration In The Holy Quran

اسم المؤلف: جاسم الياس احمد الجحيشي
اسم المشرف: هناء محمود شهاب احمد الحمو
الموضوع العام: اللغة العربية وادابها
السنة: 2011
الموضوع الدقيق: الادب
الدرجة: ماجستير
الجامعة: جامعة الموصل
اللغة: العربية
مكان الجامعة: الموصل
الصفحات الاولى:
المستخلص: This thesis aims at studying integration in the Glorious quran : A Rhetorical study. It is a very important subject, because it sheds light on an essential part of the styles of the Holy Qu’ran.The study comprises an introduction, two chapters, and a conclusion. The introduction is a theatrical one, for it discusses the rise of the term and the proble of its overlapping with other terms. It also deals with the term linguistically and termindogically.Chapter one handles integration in semantics. It discusses it within the context of many styles.Chpter two, entitled "integration in the scienced of bayan and rhetoric, consists of two sections. They tachle interation in relation to many styles such as hyperbole, emphasis, and so on.The thesis ends up with the conclusion that the most important aspect which is indicated integration is conciseness through which it is possible to integrate two meanings in one structure or a single item without causing any difficulty to the receptor, a matter which reflects the rheforic of the holy Qu’ran its aesthetics.

جدل الشعر والنحو : دراسة في شروح القصائد العشر الطوال

اسم المؤلف: باسم ادريس قاسم مصطفى السوفاجي
اسم المشرف: بشرى حمدي فتحي احمد البستاني
الموضوع العام: اللغة العربية وادابها
السنة: 2003
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة الموصل
اللغة: العربية
مكان الجامعة: الموصل
الصفحات الاولى:

وصف المعارك والقتال في شعر الفرزدق == The Description Of The Battles And Fights In Al - Farazdaq Pootry

اسم المؤلف: بهجت مهجر حبش الطعمة
اسم المشرف: مصطفى عبد اللطيف جياووك
الموضوع العام: اللغة العربية وادابها
السنة: 2005
الموضوع الدقيق: الادب
الدرجة: ماجستير
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: The description of the Battles and fights in Al - Farazdaq Poetry : Al - Farazdaq is one of the greater Arabic poets who had a great attention from old and modern researchers, the researchers had study his poetry from many sides by criticism and analysis, but all those studies - as I Know - have been omit an important side of his poetry, that is the description of Battles and fights. Which I will show in this research by mentioning many of this long and short poems wich describe the Battles and fights from his Poetical works.The research shows that the poet's description for Battles devided into tow part’s, the first is a special description to the old and modren tribes Fights, and the second was his description to Al - umawia state Battles wich he has expanded on it. Because of the praising of Al Khulafa and princes and army leaders so he was one of the first's poets who opened the door to the next poets like ABI Tamam and Al - Mutanaby to describe the Battles of the Kings and princes in future.The research also shows the description of Armies and Weapons in Al - Farazdaq Poetry, Explaining the Way's that Armies was organized by in this age. And how does it moved and attacked. And he mentioned the description of the Weapons and the high skills of the fighters.And the research shows the focusing of the poet on some parts of the Battle, specially the movement of the Knight's during the fight, and the Picture of the enemy wich represent the courage of the heroes. The research didn’t stop at the general adjectives of Al - Farazdaq poetry, but it is try to focus on Battles and Fights describtion. Wich the poet used the resembling to drow the pictures of this Battles, Al - Farazdaq poetry was a multi purposes poetry but the main purpose was the Fight events and the description of the fighters hi skills

الرؤية في القصائد العشر == Visibility In The Pre - Islamic Arabic Poetry - Pendants Ten A Model

اسم المؤلف: افراح عبد محمود الصباغ
اسم المشرف: مؤيد محمد صالح اليوزبكي
الموضوع العام: اللغة العربية وادابها
السنة: 2011
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة الموصل
اللغة: العربية
مكان الجامعة: الموصل
الصفحات الاولى:
المستخلص: Poetry was a means to detect the human realities of things 'but detection of objects and symbols, and exposing Astmlae. Poet is best able to call things by their proper names, because it is capable of creation and creativity stemming from the inherent ability of self and maturity of the intellectual and artistic and aesthetic and depth of the horizon of knowledge - Find useful in employment macroscopic and significant or realistic to reveal behind the facts related to the experience of the poet life' and poetry with a vision to confer on the objects and a new reality is possible 'which is different from the reality recognized when people who are rust and obsolescence no longer serve, and to build state of the world new better that they want to go Viosaun thought to the people and their world and their presence which Jmdoh and identified' Understanding to carry out the soles of life and reality Spraguar art and swept up the veil for the truth that lies behind the necessities of life. And poetic vision of linking the visual and the invisible between reality and dream as it revealed the strength and energy to create a virtual tool and knowledge, to enrich reality The bypassing of vision as the border meaning lexical beyond the vision of the seeing and the apparent meaning of things to the awareness and briefing Bhakaigaha to be more inclusive and better able to discovery which can not impaired his vision and take Bhakiqth been overtaken incursion into the depths of things and try Astbtanha the finest exposing and preserved in the feelings and concerns and attitudes through incursion in the depths of the unconscious and The dark depths of truth and thus become Bassurah vision and insight together to and identifies the vision and interfere with them in the meaning by trying to creation of new horizons of thinking is not at the level of topics only But in terms of a holistic view of the world that you are working on a creation that is the task of the vision that binds reality dream and graduated Language Baekr working on the Union form to the content so that is no longer the poet but Seeing which is the same and others in that, Vlgosaidp) Revelation) in the sense that they embody the aesthetic / perfect for the transition poet to express the world to see and how to say it is a vision of the interior. The pendants Arabic poetic form in which the body immortal vision and poetic vision of a strong character because she was the product of human experiences and a broad and multifaceted, embodied the rights and issues raised by both communities and the various ages. The effects of that melted the hearts of the recipients in all forms, government had met a matter of creation and regeneration in the Permanent Technical immortality is a feature unique texts and high - end, which has become an aesthetic structure identifies in detail the vision and keep the vision.

شعر ابن المعلم الواسطي : دراسة موضوعية وفنية == The Poetry Of Ibn Al - Mu'Alim Al - Wasiti : A Study Of Topics And Style

اسم المؤلف: ثائر عبد الزهرة لازم المياحي
اسم المشرف: فالح كامل اسكندر المنصوري
الموضوع العام: اللغة العربية وادابها
السنة: 2004
الموضوع الدقيق: الادب
الدرجة: ماجستير
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: This thesis is a study of an unknown poet who lived in the late era. The Poet concerned is Mohammed bin Ali bin Abdullah bin Al - Hussein bin Al - Qasim, who was called as Al - Harathi - Wasiti,Ibn Al - Mu’alim (Teacher) and referred to as Najim Al - Deen with the family name "Abu Al - Ghana’im”. The study tries to uncover the aspects of seriousness and innovation in his poetry in one hand, and to set the part to serve the whole so as to use the poet as a witness of his time. Thus the group of creative poets, among whom Ibn Al - Mu'alim lived, constitutes a strong evidence of the value and the level of literature at that time. This study tries to present a full vivid picture of the Artistic style of the poetry of Ibn Al - Mu’alim; a question which was very rarely tackled in details by the researchers before. There were only some hints and some quick remarks that were not adequate to provide a sufficient picture of the position and role of this poet at his time.The study starts with an introduction followed by two books. Book one deal with the political, social, religious, cultural, and literary aspects of his time. Book two is devoted to a biography of the poet concerning his name, family name, and year of birth, career and opinion of the critics of his time and the modern ones of his poetry, education and his death.Then, the study contains two parts consisting of nine chapters. Part one is a study of the topics tackled in his poetry such as those of courtship, praise, elegy, correspondence among brothers,…etc. Part two is concerned with the artistic style which includes the language, the rhyme, and the poetic image in Ibn - Al - Mu’alim's poems.The study ends with a conclusion that introduces the most important findings arrived at by the researcher

التوجيه البياني للتعبير القراني عند الدكتور فاضل صالح السامرائي

اسم المؤلف: سعد جمعة صالح الدليمي
اسم المشرف: مشحن حردان مظلوم الدليمي
الموضوع العام: اللغة العربية وادابها
السنة: 2005
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: Ph. D. prof. Fadel Al - Sammurai the Iraqi scholar in expression Quran and grammar. And that appeared in his studies. 2. Dr. Fadel Al - Sammurai expanded in his studies in modern material.3. Many of writers said that Dr. Fadel Al - Sammurai return his written the same material but the write that only the main tittle similar but the contents deferent.4. Dr. Fadel Al - Sammurai concentrate upon the level speech in Quran expression.5. The talking about Quran expression from Dr. Fadel Al - Sammurai emphasis the linguistics sides for Quran text; there for it's became better in it's information and more satisfy for the reader.6. Study each expression in the Quran reach us to the right picture which is Quran god put it, so we can know some of that secrts which are surprise the nitive speaker in that time (Arbian).7. Dr. Fadel Al - Sammurai interests with high objectivity and right believe in his translate and transferee. 8. Dr. Fadel Al - Sammurai has great draw in his brain, he make the (Clearness) one of the styles which used in Quran when he talk about medicine, sky and all the humanity science.9. Dr. Fadel Al - Sammurai clears that each word in Quran putting with fine picture and there is no way to sustitnte this word with another.10. Dr. Fadel Al - Sammurai in his books shows more of Qurans secrets which are didn’t discover ago.11. He is found new items in his books.12. He makes from the context and the meaning importance point in Quran expression.

التمرد الاجتماعي والفني في شعر الجواهري == The Social And Artistic Rebelion In The Poetry Of Al - Jawahiry

اسم المؤلف: جلال عبد الله خلف
اسم المشرف: فاضل عبود خميس التميمي
الموضوع العام: اللغة العربية وادابها
السنة: 2005
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: Muhammed Mehdi Al - Jawahiry, agreat Iraqi poet, was born in Najaf in 1899. He studied rhetoric while he was very young and begun composing poetry at the age of sixteen. His first poetic anthology with the title of Halabat Al - Adab (The Circle of Literature) was published before 1927. He edited a number of newspapers and worked as an official in the palace of King Faisel I in 1927. In 1947, he was a member of the parliament for kerbala.In 1948, he taravelled to paris, and then to poland. In 1950, he travelled to Egypt and stayed as a guest of the Egyptian Government. In 1956 he travelled to Syria and returned to Baghdad in 1957. He went to kuwait as a member of the Iraqi Cultural Delegate. Al - Jawahiry migrated to prague in 1961 until 1980. Then he remained in Syria until he died in 1997 and was buried in Damascus. This Al - Jawahiry becamse of a number of factors environmental, psychological, idiological, social and economical. All these factors participated in constructing the personality of Al - Jawahiry. He was very courageous in declaring his points of view in which challenged the dectators using his poetic talent ln his poetry, he defended his people who were suffering from hunger and death because of their bad rulers. This thesis also shows the poet's rebellion against the backward social treatment of women. He called for the freedom of women and their equality with men. The thesis studies Al - Jawahiry's artistic rebellion in which he called for poetic modernism both in form and content. Al - Jawhiry left the unity of the line of verse to the poetic sentence

الحزن في شعر العصر الاسلامي == The Melancholy In Islamic Age Poetry

اسم المؤلف: شيماء صباح %التميمي
اسم المشرف: خليل ابراهيم عبد الوهاب القيسي | مشحن حردان مظلوم الدليمي
الموضوع العام: اللغة العربية وادابها
السنة: 2003
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: The concept of Sadness in Arabic Poetry the Islamic Age”This thesis attempts to study the concept of sadness through its causes that excited the Islamic Poet to express this feeling by all its aspects which appeared in his poetry. The Introduction discusses the lexical definition of the term, Sadness, Sadness in the Per - Islamic Age, its causes and its appearances. Chapter one treats the causes of Sadness and it cantions four sections one, “Death” ; section two “Home - Sickness” ; Section three, “Deprivation”, and Section for, “Old Age”. In all these sections the concept of Sadness is treated from its humanistic aspects. Chapter two dectares the appearances of sadness in the poetry of the Islamic age. Sadness was represented by weeping, moaning, watering graves, waking throughout the night and the night appears to be longer. These are the most widely used appearances of sadness through which the poets expressed their feeling of sorrow. And chapter three shows the most important technical abevices which appear in the poetry of sadness. The chapter consist of three sections. The first, “Language”, deals with the poetic lexicon. The words and abstractions from the Holy Quran ; the second, “Style”, contains : Intoragation, Addressing, Oath, repetition. Those devices were employed by the poets to express the images and meanings of sadness; And the third section which deals with the imagery through simile and metaphor which were the most important rhytorical devices that expressed the meaning and appearance of sadness in the Islamic poetry.

رثاء المـدن فـي الشعـر العربي في العصر العباسي (132 - 700) هـ (732 - 1100)م == Elegizing Of Cities In The Abbasid Poetry (132 - 700 A.H.) (732 - 1100) A.C

اسم المؤلف: عبد الله بيرم يونس
اسم المشرف: غانم سعيد حسن الطائي
الموضوع العام: اللغة العربية وادابها
السنة: 2007
الموضوع الدقيق: الادب
الدرجة: ماجستير
الجامعة: جامعة الموصل
اللغة: العربية
مكان الجامعة: الموصل
الصفحات الاولى:
المستخلص: Elegizing (Rithaa) is generally considered one of the loftier poetic purposes. It is the supreme and superior one. Elegizing of Cities is the more - exalted kind of Elegizing. The poet lets his country and home cry because he loves them and feels unhappy and pain when he loses them. He, by that, does not wait to be rewarded from someone sooner or later. This type of poetry is characterized by sincere emotion and deep feeling of sorrow and sadness.Standing on debris in the ancient Arabic poetry, by which the line of poetry be started, is a great evidence that art of elegizing is closed to the Arabic man's deepness and feelings. This standing was not upon the first origins of cities elegizing art, which was prosperous in the Orient at the Abbassid era by reason of unsettled political situations for some time and of foreign invasion at other times. Poets lamented their cities when they were destroyed because of interior and political troubles and affected by the natural disasters and calamities such as earthquakes and floods as well as occupied by their enemies, crusaders and moguls. Baghdad elegies (197 A.H.) were the oldest cities ones. They were the truest as to sorrow. They preceded well - known Andalus cities. This study showed that the Orient people preceded Andalusians in cities with regard to cities Elegizing.When he was elegizing his city, Abbasid poet was affected by the ancient poetry from which he derived many expressions and forms. Also, he was obviously affected by Islamic principles that imbued all ideas, forms and meanings

مناهج دراسة الشعر العباسي (132 ـ 354هـ) عند الباحثين العراقيين في القرن العشرين == Methods Of The Stndy Of Abbasidian Poetry (132 - 354 A.H.) By The Twentieth Century Lraqi Researchers

اسم المؤلف: نردين رضا كريم العميري
اسم المشرف: مشحن حردان مظلوم الدليمي
الموضوع العام: اللغة العربية وادابها
السنة: 2004
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: تضمنت الدراسة مقدمة وتمهيد، وفصول اربعة. فالمقدمة بينت خطة البحث ومنهجه وما اشتمل عليه من محتويات، اما التمهيد فكان عن اهمية المنهج وتطوره في الفكر العربي والعراقي الحديث. حيث وضح اهمية المنهج وحتميته وقدمه، وحضوره في الفكر العربي الاسلامي، ورسوخ المنهجية | Methods of the Stndy of Abbasidian poetry (132 - 354 A.H.) by the Twentieth Century lraqi Researchers. Submitted by Nerdeen Ridha Kareem, to the Council of College of Education Vniversity of Dyala - 2004. The present stndy consists of an introduction, preface, and four chapters. The introduction is devoted to discuss the outline of the research and its method. While the preface aims at showing the importance of the method and its development in the Arabic thought. It also embodies Sections about the importance of method and its necessity (inevitability) , its attendance in the Arabic Islamic thought, the stability of methodology in Arabic studies, the methods of Arabic ancient studies, the reasons of methodology the Arab researchers poverty at the beginning of the twentieth century; the care for method and methodology in the Arabic studies during the twentieth century, as well as the method of the literary research in Iraq during the Modern Age and the reasons which lead to its development. Chapter One is devoted to discuss the historical backgroud of method; it includes : an explanation of its merits and perits, the care for the Western researchers’ use of it (method) in their studies; as well as this chapter shows an illustration of the priorities of this research in the ancient Arabic composition and its popularity (prevail) in the Arabic and Irqi composition at the beginning of the twentieth century. The chapter is divided into two Sections : the first section presents the regional studies, and includes an entry for these studies, and illustration of their merits and perits (dismerts). Then it shows the existence of the regional in the ancient Arabic composition and the care for it in the modern Arabic studies, as well as the variety of the regional academic studies of the Arab Neo researchers. After that it exposes the regional Studies of the Iraqi.Neo - researchers according to the geographic regions firstly, and the towns secondly. While the second section is devoted to discuss the studies of the literary biography, and also contains an entry to this study and an illustration of the merits and dismerits of its method. Then it shows the variety of the studies of the literary biography of the lraqi Neo - researchers, and its exposure is according to the time - span. Chapter Two is devoted to study the technician (artistic) method and includes an entry to this method, and illustration of its components, merits, dismerits, and the variety the technical university studies of the Arab. researchers in the Modern Age. Neo - researchers. After that these studies of poetic arts of lraqi Neo - researchers are exposed in the following phase : 1. studies of poetic language.2. studies of the artistic construction of poetry. 3. studies of varies artistic phenomenon in poetry.4. studies of the critic tendencies after modernism. Chapter Three is devoted to discuss the method of the studies of arts and poetic subjects. The study of arts consists of an entry to these studies and an illustration of the components merits, and dismerits of their method. Thenit shows the variety of studies of the poetic arts of the Arab researchers in the Modern Age - After that, these studies of poetic arts of lraqi Neo - researchers are exposed in the following phase : 1. studies of the art of Lament (bemoaning).2. studies of satire (Lampoonery).3. studies of the art of ascentism and mysticism.4. studies of the art of admonition and apology.5. studies of the art of hum or and jesting. 6. Another studies of (wine (alcohol), hunt, praise, boast). Chapter four is devoted to study the mixed methods, and includes an enture an entry to this method, showing the nature of the mixing of the various methods in literary studies, popularity of this mixing in the Arabic studies, Then it illustrates and exposes the studies of the lraqi Modern research s in the mixed methods, and They are arranged in the following phrases : 1. studies of the historic technical method.2. studies of the objective technical method.3. studies of the social technical method. 4. studies of the psychogical method, and.5. studies of the cultural technical method. The conclusion sums up the findings of the study. At the end of the study there is a list of sources and references (bibliography) and table of contents, and the summary of the study.

النقد القصصي عند علي جواد الطاهر

اسم المؤلف: ياسمين احمد علي محمود العنبكي
اسم المشرف: فاضل عبود خميس التميمي
الموضوع العام: اللغة العربية وادابها
السنة: 2004
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: In the name of God the com passionate the merciful.Dr. Ali gawad Al - Tahir is a bright name in the sky of Arabic contemporary literature in Iraq. He sory of identification collected between discussion criticism and references identification and teaching.He clearly contributed in writing of litrary essay and he loved Arabic language as scholar and teacher. Until he passed away on 26 Jam adi First, 1417 A - H of 9/19/1996 A.C.Ali Al - Tahir is known that he loved story reading and criticism. He wrote terso f essays and their studies, theyate formed a contem porary criticism heritage must be studied and fully insigt in its arts to present in its theoritical and practical fram wort, thus I pains take in my the ses which is entitled by my some difficulties face this tueses. Most of which are Ali Al - Tahir essays and hisstories study were shattered in vavious media and magazins but the little copied and books. After the events of nine April/2003. The works in these articals was stopped for the stopping of the public.Of the public libraries also. So I sought special libraries as I intended Ali - Al - Tahir's house to make use of his writing, it was clear that what he puplished in papers and magazines collected and arranged in the hope of issuing by public hous in Lebanon but yet have not been issued.This theses is depended his criticism of stories as well as his most important book is [G.S] consisting of the majority of literature meetings and the magazine which held a meeting with him, in which he expressed his intellectual and criticism stances - His book “introduction in lite rary criticism” This theses includes introduction, four chapters, conclusion and references. The introduction involves study the interesting of the critic in story reading first stage is before the departure to Paris and the second stage after he returned to the country. The introduction also convers conditions put by Al - Tahir for the narrator and critic, and then it convers scheme of critic by which he tries to manifest critics thoughts. Chapter one is an attempt to study the structure of the story in Al - Tahir concept during analysis of his criticism views, This chapter is devided into six researches. During which and attempt to search the mechanism building narration of Al - Tahir, The first research convers the title and initiate, and their infulence within the narration building, while the second research convers thoughts and stances of the critic and conditions of its formation with in the narration building as wellas the situation of the personality and its effect within the article structure for the novel.The fourth research involves the form and content’ of Al - Tahir studies by which the formation of every one serves the narrative text. While the fifth effect in delimitation the narrative work However the final research discusses the conclusion of the narrative work and some views of Al - Tajhir about their successes and foulings - chapter two devotes the study of the structure of the narrative language trying to manifest its influence within the story and the way of formation this language. This chapter divides into five researches, the first one devotes the woven of language to show the stance of critic towards the language and its influence in his criticism. The second research devotes the language correction within the narrative criticism.It was a conspicous stigmatize in Al - Tahir criticism for the research stop here to show the concerning of Al - Tahir.The third research convers the poetic and its role within the narrative text in view of Al - Tahir criticism. The fourth research covers the stance of critic in the discussing and monologue within the narration of the language and the way of formation everyone. While the fifth research anf the final devotes Al - Tahir view about 6 place and rtime 9 within the language building. The third chapter studies building. The third chapter studies the creation of the story as the critic sees. The chapter is divided into sit researches.The first one is devoted the imagination and its effect in the creation of the story in the view of Al - Tahir while the second research is devoted for the importance of humanitarian problem within the story.The third research is a statement for the critic stance over the authority of narrator with in the story. While the fourth research comes under the title of “fermentation” is devoted to wards the maturation of work before it would be published.While the fifth research is the effect of depiation in the creation of the novel and the final research is the influence of the “arts faith” in creation of a successful narrative action.Chapter four includes specific criticism by which Al - Tahir identifies. The research could stand and insight its effect and influence.This chapter is divided into nine researches.The first research is devoted the “terminology identification” Al - Tahir devotes deeply importance to manifestes his view while the second research is devoted another important sign is the 6 criticism of the criticism” the critic assured the practical importance during certain conditions manifests by the research. While the third research covers the “intend” and the role that is played within the criticism operation in aview of Al - Tahir in the fourth research under what is titled the 6 researching for the typical story” it is an important in the criticism of Al - Tahir, while the fifth research covers an eminent stigmatize for critic is the presentation of an abstract of a novel that criticizes. The sixth research covers an important point is the 6 reminisce of critic in narration and its connection between what is read yesterday and today’ while the seventh research under the title the 6 intere sting of the critic in time sequemces” while the eight research is devoted to the priority of advantages oveer the disadvantages”And finally the ninth research is a statement of “the view of the critic in the narrative influence the conclusion of this study includes the following results.I owe a deep dept of gratitude to my supervisor Dr. Fahdil Aboud Al - Timimi in Diala university. College of Education Department of Arabic language.Suggestions and invaluable guidance enable me to carry out the present study

النقد الاجتماعي : دراسة في النقد القصصي العربي الحديث تنظير واجراء == Social Criticism Study In Modern Arab Fiction Criticism Theoretical View And Procedure

اسم المؤلف: خالد علي ياس
اسم المشرف: فاضل عبود خميس التميمي | متعب مناف جاسم
الموضوع العام: اللغة العربية وادابها
السنة: 2013
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:

التشكيل البياني في شعر الصعاليك والفتاك حتى نهاية العصر الاموي == Rhetorical Formation In Ai - Saaleeq And Al - Fattacks Poetry To The End Of Umayyad Ere

اسم المؤلف: خالد جعفر مبارك
اسم المشرف: فاضل عبود خميس التميمي
الموضوع العام: اللغة العربية وادابها
السنة: 2014
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: The study deals with Rhetorical Formation as a critical idiom which works in effective poetry field and it is very clear in procedural use. The picture in the poem or the portrait needs the senses and feelings of the receiver and it colours his experience. Thus the drawer and the post use certain means to fulfil his works.As it is known poetry is based on rhetorical arts and means from linguistic and rhetorical view point to create motivation and astonishment. The thesis aims at revealing the art movement of rhetoric and describing it inside the poem structure and outside it. The poem includes in its multi - understanding. The poem is considered as abase the field for poetic rhetoric. AL - Saaleeq and Al - fattacks poetry was chosen to be the subject of the present study because it has literary importance. it gathers two literary eras.Which are considered the most prominent literary eras for poetry production. They include poetic interest and researchers tackled this rich literature. Since the researcher is interested in old literature and has a great wish to study and read it he chose this topic. The study falls in to the following parts : Preliminary (Rhetorical formation in Language) was studied from two sides , the first studies the formation and its relation with poetry. The second deals with the rhetoric term and its development. The study falls into three chapters. The first chapter deals with assimilation formation and its activity.The decoding assimilation structure was studied in the first part and the rhetoric assimilation structure is studied in the second part.The second chapter studies metaphorical formation. The chapter is divided in to three sections.The first deals with metaphorical structure the second part deals with the body metaphorical structure and the third deals with recognize able decoding structure. The third chapter deals with the exceeding rhetorical formation. The study arrives at the following conclusions and suggestions : - The study identifies formation concept.It investigates its concept deeply. - AL - Saaleeq and AL - Fattacks poetry have a great ability in poetry. - They were able to re form environment from poetic viewpoint. - They deal with poetic language as scientists who know every thing concerning its content. - In the assimilation structure art is mixed with psychology. - Most of Al - saaleeq and Al - Fattacks poctic assimilation pictures are very clear. - Al - saaleeq and Al - Fattacks poctic were able to change the task of the main assimilation structure from being printed on the poets conscience to being printed on the receivers conscience. May - The other studies in future study Al - saaleeq and Al - Fattacks poetry from a semantic point of view. - A study can deal with semiotic formation phenol menon in Al - saaleeq and Al - Fattacks poetry. - Al - saaleeq and Al - Fattacks poetry am be studied from a stylistic viewpoint.

شعر حارثة بن بدر الغداني : دراسة موضوعية فنية == Hair Haritha Bin Badr Algdani Objective Study Of Art

اسم المؤلف: ليث سامي علوان الكرخي
اسم المشرف: خليل ابراهيم عبد الوهاب القيسي
الموضوع العام: اللغة العربية وادابها
السنة: 2014
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: The thesis is specialized with the study of ( Harith Bin Badr Al - gdani poetry - artistic and objective study ) The poet died in 64 Hijri. The selection of this poet wasn't futilely because he wasn't from those well - known poets and literature books didn't contain him so we studied him to show his poetic subjects.The importance of the thesis is latent that he was a poet trying to treat troubles protesting in his life. The thesis is consist of introduction , prelude , tow chapters and epilogue ( conclusion ) shows the most important results.In the Drelude , the researcher dealt with the poet's life.Parentage , his era and the life effect in developing of the poetry in Al Amawy era , his fluency , eloquence , his place among other notable at that time his death.The first chapter is specified to objective study which contained two topics , the first topic contained main subjects in his poetry (wine - contrast - praise) while the second topic involved in the secondary subjects in his poetry like ( satire - elegy - blame - wisdom - pride - preaching - apology - complain and dispraise). The second chapter dealt with artistic study of his poetry , it included three topic , the first topic studied the structure of the poem and poetic figure ( imagery ). The second topic involved with the music of the poetry ( inner and outer ) , the last topic specialized with pronunciation and structures. The thesis ended with epilogue in which the researcher concluded that ( Haritha Bin Badr ) presented various figures in praise , satire and elegy - He didn't care to the introductions of his poems - His language was distinguished with mildness of express , easy ejections , clarity meaning with stuff of fluency and eloquence.

مظاهر الانزياح في الشعـر الاندلسي : عصر الطوائف والمرابطين مثالا == Aspects Of Stylistic Deviation In Andalusian Poetry : Poets Of Age Of Al - Tawa'If Kings And Al - Murabiteen

اسم المؤلف: لؤي صيهـود فـواز التميمي
اسم المشرف: خليل ابراهيم عبد الوهاب القيسي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: This dissertation is an attempt to study aspects of stylistic deviation in the poetic genre, in an introduction and three chapters. The introduction is dedicated to deal with the different terms and Arabic translations of stylistic deviation.The first chapter tackles "Substitutional Deviation", in three sections : Section one : Deviation of characterization structure.Section two : Deviation of simile structure.Section three : Deviation of impersonation and personificationstructure.The second chapter is devoted to study syntactical deviation, in three sections : Section one : Metonymic deviation.Section two : Deviation of hyperbaton, omission and intertextuality.Section three : More syntactical deviation aspects, such as : annexment and shift, apostrophe, interrogation,order, prohibition, swearing and exclamation. The third chapter is dedicated to the musical host of the poetical form, with a theoretical introduction and three sections : Section one : outer music : metres and rhymes.Section two : inner music in forms of : consonance, repetition, fronting, isocolon and lionine rhyme.Section three : Terza rima (Al - Muwashah). The dissertation has come up to a conclusion summarizing the final academic results.

لغة الشعر عند عارف الساعدي == Poetic Language To Arif Al Saidi

اسم المؤلف: عباس عبد الحميد عدنان الموسوي
اسم المشرف: عبد الامير مطر فيلي الساعدي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:
المستخلص: Due to the poetic tendency formed by modern currents towards new poetic horizons that lead to appearing individual creations; poetic prints started the spoiled Iraqi poetic scene limiting its identity as a new style in the achieved text image. Arif Al Saidi was one of the famous experiments that took part in supplying the literary climate in general and the poetic one in specific for what was achieved by this poet of texts with modern and contemporary spirit. Out of this complexity, it is necessary for the poetic language to witness a case of transforming responding for the stimuli of the modern expansion and emergence for it is described as the incubator of more comprehensive for whatever the underlying poetic textual structures imply. This formed a motif which drew me to engage in poetic language. It is one of the Iraqi poetic experiment with its uniqueness of form and content. This is what recognizes it or makes it very close to the nation's experiment. Nature of the study demanded the thesis to contain four chapters preceded by a preface and followed by conclusion included the most important results. The preface has two sections. The first included the poetic language concept and its turn in the poem constructing. The second tackled Arif Al Saidi's experiment and his poetic achievement. That's why it was entitled Arif Al Saidi : the experiment and affiliation. Concerning first chapter which is entitled poetic rhythmical constructing, the researcher talked about rhythm in his poetic texts. Second chapter which is entitled constructing poetic vocabulary, the researcher dealt with studying the poetic vocabulary that is described as basic foundations that the poet built his linguistic building. Third chapter which is entitled structure of poetic construction, the researcher showed the prominent expressive harmonies that participated in the poetic language construction. Fourth chapter that came under the title constructing the poetic image. Here, the most important image devices were mentioned that the poet resorts to incarnate creative experiment. The current study followed the analytical descriptive approach which depends on interrogating the poetic texts and exploration the prominent stylistic phenomena and their analysis to reach the poet's interests and his artistic ability. In brief the real value of Arif Al Saidi's poetry lies in their deviation of the familiar linguistic, ready - made, and repeated forms especially that the Iraqi poet's sensation in particular and of Arif Al Saidi's in specific belonging to a new limited poetic generation or to a particular group ( for example stanza poetry). It was a pushing power towards more privacy and to be distant isolated of rumination, repetition, and fluctuation in the first position of the particular poetic experiment. That was in spite of its privacy and depth. It is the matter that has deep penetration in the daily, marginal, neglected, and the ignored in the Iraqi real movement

التناص الحجاجي في خطب عصر صدر الاسلام والعصر الاموي == Argumentative Intertextuality In The Speech Of The First Islamic Period And The Umayyad Period

اسم المؤلف: امل عبد الرحيم جمعة القره لوسي
اسم المشرف: حسن حبيب عزر الكريطي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:
المستخلص: يجترح هذا البحث مصطحا مهما من المصطلحات الحجاجية الا وهو(التناص الحجاجي) الذي يعنى بالخطاب والتعالقات النصية في خطب عصر صدر الاسلام والعصر الاموي، واثر هذه التعالقات النصية في حجية هذا الخطاب، فالعلاقات النصية التي تقيمها الخطابات تمتد الى ثقافة مختزن | The current research suggests a significant term which is one of the argumental terms that is the arguemental style. It tackles speech act and relative texts in the speeches of beginning of Islam and the Umayyad era and the effect of these relative texts in the argument of this speech act. The relative texts that are evaluated by orations extend to a stored culture in the collective memory which are inflected in departures and changes that are covered always with a modern garnet. This linguistic event is revived through precipitated procedures in the new oration. The text here is a web of linguistic, constructional, and ideological data, all cooperate to form speech acts. After completion, it practiced a great influence so as to produce other texts, so, the text depends on renewal according to its readability and on quantity according to its supplying privacy.The incoming text comes loaded with argumental references charges with pragmatic productive features to penetrate with the current text and melt in its essence, so the incoming text appears in various levels : the explicit and the implicit. This pragmatic fertilization results in new text with a directed argumental dimension. The pragmatic interaction which is established between the incoming text and the current text cannot be of a single path instead it goes towards the giving and taking reference; it grants the incoming a new reference as it grants an argument power to the current text with all its pragmatic referential roots within its environment. So, the coming text may grants old text new interpretation or show them with a new garment that was hidden before. They could not be seen before so long as the style process, that achieves great deeds that practice argumental power which guide the path of speech act.The research results in several argumental style that the orator adopted in the beginning of Islam and the Umayyad era. These speeches were coloured with different stylistic feature that carried the tendencies orientations and how to form the speech and presenting it to the listener as well as their dependence on the textual loadings that differentiate in their argumental guidance.The research plan included an introductory chapter, followed by three chapters, and conclusion included the most important results of this research in which all this term interpretations and details were discussed in addition to its influence on speeches of the beginning of Islam and the Umayyad era.
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