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تحبيك التاريخ في الرواية النسائية العراقية بعد 2003م == Emplotment history of the Iraqi Women's novel after 2003
Author name:
مريم جبل كاظم سعدون النايلي
Supervisor name:
اوراد محمد كاظم
General topic:
Arabic Language and Literature
Specific topic:
Literature
Degree:
Master
University:
University of Babylon - College Of Education For Human Sciences
Language:
Arabic
University location:
Babylon
First pages:
01T4607 - p.pdf
Abstract:
This study looked at the novelist models absorbed historic in many ways, as a piece of text space, based on history by making it interactive and absorbing reference transmit it, and reflect the social, political and historical reality as the novel begins from reality to paint and building events, reflecting the shifts and changes that have affected society, and expressive and tragic reality bitter, dominated by the theme of violence as the theme of ideology has been able to occupies a large area in novel writing, including in respect of the effects of the devastation and oppression, through different techniques and methods to evoke historical reference in the novels, some of which were adopted in the events listed on the anonymous Rao, non - participant in the narrative process, some of which was mediated by the characters, or through an external Rao, for a variety of viewing angles, and also through various forms of dialogue, was the product of that accommodate women's history in the novel, and the findings of the researcher : • The writer raised concerns of political and social world, filled with history novels, inspired him to events past and present other, dealt with topics Frequently Asked Overall, I wrote about the wars and revolutions and tragedies portrayed stages of the rebellion, tyranny and corruption of the ruling regimes. • hired novels, social and cultural historical political figures and realistic, of revolutionary heroes, and dictators, summoned by the presence of popular historical figures or mystical within the narrative structure, given roles in the plot fiction as a symbol of the nation path .• refer the imaginary characters in most novels on historical figures; especially as some accounts come with all of the personalities of Tadian mutual role, and offered to lend historical realism feature on the novel; especially related to the terms of reference of time historical, in addition to events imagined, which refers to the real event figures. • varied historical and social issues in the novels, most of them from the current date, and then come back rebounds requiring novel of introduction of some issues that fit with the periods of time which codified them. • The presence of historical reference in the novels and clearly defined, hardly constitutes a phenomenon in the novel, whether it be at the forefront of some of the novels which Tsfh Metn novelist specific historical terms of reference, or is it the middle of, or at the end, it was filled history ample space from them. • In most historical texts contained in the novels, we see the similarity of the historical text with the text of the novel, except for the referral of brokered imaginary narrative as space accommodates historical issues, and references to historical realist. • historical perspective form in the Metn novelist dimensions tag them ideological historical or social, to call historic event that employed by the similarity of the voice of the narrator and central character with history and events and characters, for private novelist vision, or for the connection between the reality of life and the events of history, it was time who spotted the historical vision of the writer related a time of successive wars, which had an impact on the psychological and social structure of a society novel Mstdeih last time more than the present. • historical vision of the structure where the transmitting reveal the meaning to indicative transmit through which the writer on realistic data where the real Palmtejel associated in the context of building the narrative, which talk about the significance of ideology in the spaces of the novel, and the manifestations indication of violence as a space carries the meaning of oppression by the destruction address, and carries political dimensions and cultural and social by describing the geographical location as a space, to reveal the significance produced by the historical time and social time. • handled some accounts the question of identity and Thabayk history and research in the dispersion and Chziha, between domicile origin other country residing in it personal, to try accountability reality, history and re - Thabeckhma; it traced manifestations expatriate figures in the level of words and deeds, and time and place, and succeeded in drawing crisis and permanent suffering and struggle with reality and with the other, a conflict that led her to the ways are blocked, either death or suicide or alienation as his image of the novel, or trying to escape from reality
